Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: The Next of Kin (EP1581)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:33is your host, Adam Graham. If you have a comment, email it
- 0:38to me Box thirteen at Great Detectives dot net, follow us on Twitter at
- 0:44Radio Detectives, and become one of our friends on Facebook, Facebook dot com
- 0:50Slash Radio Detectives. Well, before we do get started, I want to
- 0:58encourage you if you've not ready, to pick up your copy of Slime Incorporated.
- 1:03It's my first ever detective novel. In it, private investigator Cole Ustick
- 1:07investigates a case of murder and dirty politics against the backdrop of the Idaho gubernatorial
- 1:14race. It is available as a paperback and an ebook, and now it's
- 1:19available as an audiobook through audible dot com and also in the iTunes store,
- 1:23so you can listen to the book and you can also try Audible for free
- 1:29and shoose Slime Incorporated as your selection and leus get it for free. So
- 1:34however you do it, do encourage you to pick up your copy today.
- 1:37It's available at store dot Great Detectives dot net. Well, now it's time
- 1:42for today's episode of the Saint Regional. Air date February eighteenth, nineteen fifty
- 1:49one, and the episode is the next of ken The Adventures of the Saint
- 2:19starring Vincent Price. The Saint, based on characters created by Leslie Charmers and
- 2:35known to millions from books, magazines, and motion pictures. The robin Hood
- 2:38of Modern Crime now comes transcribed to radio, starring Hollywood's brilliant and talented actor
- 2:44Vincent Price as the Saint. All right, all right, I'm coming.
- 2:58Wait until I put my hand, don can't you you well, this is
- 3:07an unexpected displeasure. I gotta talk to your saint quick me all right?
- 3:10Blank. Oh, but I'm surprised at you four o'clock in the morning.
- 3:15There's no time for a man in your profession to pay social calls Like I
- 3:19say. I gotta talk and you gotta listen. I'm listening. They've got
- 3:23a job going to be pulled tomorrow today. I mean it's a big deal.
- 3:28Sayt big deal. I'm glad. I'd hate to think you'd retired from
- 3:32crime. Blank. It would throw so many deserving policemen out of work.
- 3:37It's a dirty deal, Welsie. It sounds like something right up your alley.
- 3:40Not this kind of thing is saying. This is one line I draw,
- 3:45and it's a straight line. You hear before I know what the score
- 3:49is, before I know who they gonna use it on. I rig it
- 3:53the best job of it's kind I ever do. It's gonna work, and
- 3:58he ain't gonna leave. I should never have had that scimoni right after a
- 4:02lobster dinner, Blanco, do you think if I get up and take some
- 4:06buy cab, you and the rest of this dream will go Wait until I
- 4:12can't go to the cops. You're the only one. You gotta stop it
- 4:15saying you got it. I got it, Yeah, you got it,
- 4:19and you only got your loan, Blanco. At the rate you're painting this
- 4:24picture, it's going to be at least noon before I know what it's all
- 4:26about. It's about two mud. Oh, well, let's get down to
- 4:30personalities. Who is going to be murdered by whom? Why, and how?
- 4:34Let's have the name of the potential victim as an appetizer. Huh.
- 4:39We'll get down to the main course later. That calls are kind of complicated.
- 4:42That it was kind of a complicated question. But do your best neatness
- 4:46counts? You remember Frank Akin of the Chicago Kanes, of course, who
- 4:51could ever forget the inventor of the game of in case your friends in a
- 4:55barrel of cement and dump them in the river. You remember. I also
- 4:59remember that when the federal men were just about to catch up with him in
- 5:01Central America a few years ago, he was this courteous enough to die a
- 5:06natural death. Yeah, somebody died in South America three years ago, not
- 5:13Frank Kine. There are prices for a buck here and a buck there.
- 5:15Can get any monaca you want on a de certificate, and Ken had to
- 5:20plant their box. Getting the corpse to plant in that same monarchy is easy.
- 5:26So Frank Kine's still alive. Yeah, he's alive, But that ain't
- 5:30all here. Still wait, you hear something? What sort of something?
- 5:38Someonet to move in horror for yourself, some brandy and try and get your
- 5:43nerves back into walls time. Hey Branco, now look what about Frank Kine?
- 5:46You're sure you didn't hear something? Better the nuts turn up the down,
- 5:53get down, Franchael like for about the good letting feel a blank?
- 6:14She on way to party, m consink God, I don't think it's good
- 6:34to see you again, mister templar, and here I've been thinking you'd given
- 6:38up after I was drinking. I just a bad half. And it's a
- 6:41pity because I like this bar of yours, Morgan. Why did you make
- 6:44an honest saloon out of it and open up during legal hours? My customers
- 6:47would never stand for it. No, My customers all earned to drink during
- 6:51cohibition and speakeasies. The way they look at it, the drink just doesn't
- 6:57have any kick in it if it's legal. And this is the part of
- 7:00the lost generation that's still lost. Would you like the table? Just an
- 7:03information? Yes? About a year ago, when I was one of your
- 7:08regular patrons, a lady used to frequent this place. Old lady in this
- 7:13place, her name was Violent, and so it was the color of her
- 7:16hair. She used to sit at a table around the bend there and make
- 7:20tender speeches to a bottle of scotch. Do you remember Violent? Indeed?
- 7:25I do. Where can I find it? At a table around the bend
- 7:28there making tender speeches to a bottle of scotch? I should have known there
- 7:32was a love that was faded to last. Thanks Mark, You're welcome to
- 7:36mister Templin. Hello away, Oh, Now, that's no way to treat
- 7:46an old friend. Oh you're an old friend. Don't have friends a away?
- 7:50You mean you've forgotten me? What's your name? It's an old Scotch
- 7:55name, eight years old shown friend, Thank you, hey, waiter,
- 8:01they're usual for the lady. Doubled m coming right up? Stood around again,
- 8:05friend, thanks m. Now, speaking of friends, whatever became of
- 8:15Lewis Blanco? Blanco? You a friend of Blanco? A former friend?
- 8:20What are you warm for your cop? No? No, I have some
- 8:24money for him. Money you own money? Four? Well, he he
- 8:31did a job for me, job rubout. I'd like to pay him before
- 8:37he gets the wrong idea. Where did he hang out? You don't know
- 8:41what about the job he got? The garage? What garage? Central garage
- 8:46fifty this street? Oh oh yes, of course us mile friend, Violet,
- 8:52let me tell me something, you know. I like you? Yeah,
- 8:56I like you. But tell me why you just kind of like Blanco
- 9:01hang around the garage? You don't know. You're no friend of Blanco,
- 9:07you're a cop and you're pumping me for him from from the savage rink?
- 9:15How's frank these days? You know Blanco? You certainly must know Frank Blanco
- 9:20used to work for him in the old days. Frank, how do you
- 9:22talk to me like this? You know, Frank? Did you're sure sure?
- 9:28I don't know whether or not I'm a widow. Why do you think
- 9:31I drink like this? What do you think? Color? H Wake up?
- 9:54Hey, come on, wake up? Huh, I guess I fall
- 9:58asleep. Gets kind of lonesome here in his garage. All right, I'm
- 10:03sorry I woke you. That's okay, mister. You're bringing a car in.
- 10:09No take, go on out there. I just want to talk.
- 10:11He woke me up just to talk to me. You said you were lonesome.
- 10:16What do you know about a man named Blanco? Blanco customer? I
- 10:20thought perhaps he worked here. Uh, nobody by that name here, mister?
- 10:26You sure sure? I'm sure. There's four of us working here.
- 10:28Me Ed Williams. PULASKI on a new guy, Stevens. We take turns
- 10:33working nights. The night was my turn, the new man Stevens. What
- 10:37did he look like? Luck pal? Why don't you give a guy a
- 10:41break? Huh? So we did time once. Is that any reason for
- 10:43you cops to come checking up on him every time? He got nothing else?
- 10:46To do. What did he look like? Uh, you don't get
- 10:50any help from me. I'm a law abiding citizen. I believe in helping
- 10:52the law, but not when it starts hounding a guy. And I give
- 10:56it to you straight. Friends, there was a murder committee tonight a lot.
- 11:01The chances are the guy you were asking about had nothing to do with
- 11:03If Stevens and Blancer are the same man, he had a lot to do
- 11:07with it. What do you think he killed somebody? He's the courts,
- 11:09he's dead. What did he look like about? Medium height, doc hair,
- 11:18doc guy's sort of doc complexion. He's dead. That's Blanker? Gee,
- 11:24who didn't That's what you're going to help me find out? Me?
- 11:28What did Blanker do around here? Same as we all do sleep, we're
- 11:33mechanics, mister. Last night was the guy's night on. It was supposed
- 11:35to be my turn, but he asked me to swap with him. Yeah,
- 11:39so I swapped. It made no difference to me him. He made
- 11:41out like it was important. What did he work on while he was here
- 11:46last night? How should I know? Didn't you keep records? Well?
- 11:48Sure, then that's how you should know. All right, come on in
- 11:52the office. This is your record founder? Yeah, m hmmm, yeah,
- 12:05yeah. Here's a report yesterday's date me Kennick Stevens Louth's job Andrews.
- 12:11Oh yeah, that's a Hudson Hornet out there, bloungs a real classy chick.
- 12:16And here's another report. Engine two Maddox Maddix. Oh yeah, that's
- 12:22a foreign job, the chauffeur driven bus over there. But you know that's
- 12:26funny. Oh, I tuned the engine on that heap only three days ago,
- 12:31and I did a good job. Why should they want it done again?
- 12:35Let's go take a look. Maybe we can find out. Yeah,
- 12:56yes, Oh, my name is Templar. I'd like to miss Maddocks,
- 13:01please, Miss Maddicks, Miss Virginia Maddics. Next, Please forgive me for
- 13:07being inquisitive, sir, but it isn't quite eight o'clock yet, a little
- 13:09early for a social call. Are you acquainted with miss Maddicks? We went
- 13:15to school together, you did. Who is it, Carson? There's a
- 13:20gentleman calling on miss Maddicks. You wish to see Miss Maddox. Yes,
- 13:26I didn't realize i'd create this much of a sensation. I must remembered to
- 13:31include I'd like to see miss Maddis in my repert whire was startling things to
- 13:35say. Well, I'm missus Anders, I'm in charge of this household.
- 13:39Do you know miss Maddocks. The gentlemen went to school with miss Maddis.
- 13:43He went to school with her, That's what he said. You know,
- 13:46there's something about all this that reminds me of the time a friend of mine
- 13:48tried to negotiate a federal loan. Showed the gentleman into the library, Carson,
- 13:54I'll go call miss Maddicks, if you will just be seated, mister
- 14:00Templar, I don't think. No, I didn't catch his name, but
- 14:03it's someone who went to school with you. No, I'll bet it's that.
- 14:07So why you're not that? So? I suppose I should say thank
- 14:13you, But certainly you're not nismatics. Why of course I am. Now,
- 14:18don't tell me she's changed that much since your school dah. I'm afraid
- 14:22I'm the one who's changed. As a matter of fact, I feel myself
- 14:26changing slightly this very moment. Oh well, when you find the right Virginia
- 14:31Maddics, you can both have a laugh over there. Ye have a good
- 14:35wrong wrap. I think the time to laugh is right now, and you
- 14:39can all join in. You see, this is the Virginia Maddics I'm looking
- 14:43for. I beg your pardon. There's a foreign car and it's such a
- 14:46Fashini at the Central Garage registered to a Virginia Maddics at this age. Why
- 14:52of course it's mine. Oh, it's mine, all right, although naturally
- 14:56I don't drive it. You see, I'm on, if you lived in
- 15:01California, you'd have been driving it for years. I'm afraid I don't understand
- 15:05what you're trying to say. I'm not saying, missus Anders. I'm asking
- 15:09did you ever hear of a man named Blanco? Blanco? No, I
- 15:13hope believe I ever had. I haven't, have you, Carson, No,
- 15:18Miss Virginia, I don't wait a minute. When I took the Assata
- 15:22down to the garage the other day, that there's a new mechanic there.
- 15:26I think his name is Blanco. That's interesting. You're a detective. That's
- 15:31what you are, a detective, No, Virginia. Besides, if I
- 15:35were a detective, i'd know the answer to something Carson just said without having
- 15:39to ask. And what does that mean? I suppose you tell me what
- 15:43how you knew that the new mechanic's name was Blanco when even the man who
- 15:48worked with him thought it was Stephen. Maybe it was another man. I
- 15:54mean, I'll tell you what I mean, Carson, the first real link,
- 15:58the first total sign that I'm heading in the right direction. Look here,
- 16:03what is this all about? Uh, Virginia, didn't I just hear
- 16:07your doll cry? Oh, mister Temper, I haven't played with dolls since
- 16:11I was a child. Oh, yes, of course I should have known.
- 16:15You don't have to make an excuse, mister Templer. I know you
- 16:18want me to leave the room. You want to talk, grown up talk.
- 16:22Virginia. You're the most fascinating woman I've met in years, But there
- 16:26are a few questions I want, Carson dnswering. Mister whatever your name is.
- 16:30I'll give you just three seconds to put up your hands. Well if
- 16:34you insist. And now, sir, I should like to know what you
- 16:37mean by forcing your way into this house. But Uncle Roger, can't you
- 16:41see he's a detective, just like in the calling for exactly fire that gun,
- 16:47sir, and I'll bleed ink all over this handsome carpet. He forced
- 16:49his way in on the POTENTI of seeing Virginia, mister Pearce, But it
- 16:53appears that it was really Carson. He wanted to see you know this man
- 16:56Carson. No, mister Pearce, I never saw him before. His name
- 17:00is Templar, Templar, Simon Templar. And I'm certainly not fat so am
- 17:03I, Virginia? No, so you're the saint. I'm very glad to
- 17:08meet you. Then, may I put my hands down? Of course?
- 17:12Er, But what's the reason for this rather strange and unsaintly visit, mister
- 17:17Temple Virginia. Why don't you go try on your party dress? Huh?
- 17:21The one you're going to wear this afternoon? Oh, I've already tried it.
- 17:25But how did you know I was going to Janie Buller's party this afternoon?
- 17:29We comic book detectives know everything. Is Carson going to drive you in
- 17:33the car? Of course? The only way to get to Janie's house is
- 17:37by car, unless you feel like walking all the way up the mountain mountain.
- 17:44Yes, it would have to be a mass, wouldn't it, mountain
- 17:47road with a great many I er, I am still waiting for your explanation,
- 17:52Templar, The child leave the room, Virginia, No I wanted Virginia.
- 17:57Oh, very well. But you know I'll find out everything anyway.
- 18:02Carson will tell me. Oh, won't you, Carson, if I can
- 18:06do. Goodbye, mister Templar, Goodbye, Virginia. I've enjoyed meeting you.
- 18:14Er now, mister Templar, what did you want to see us about?
- 18:17About murder, mister Pearce, one that was committed a few hours back,
- 18:19in another one that I hoped to prevent. It's schedule to take place
- 18:23in a few hours from now. What, mister Templar, please explain.
- 18:27A few hours ago I was paid a call by a hoodlum named Blanco.
- 18:32This led to a brief but informative conversation with a lady barfly named Violet,
- 18:37which in turn led to an interesting half hour with a limousine named Theota Frasini.
- 18:42And so here I am. I'm afraid, I afraid I don't understand
- 18:48either. All it's clear to me is of now is that there's been a
- 18:51murder, and there's a good chance there's going to be another one murder.
- 18:55Who who was murdered, mister Templar, The aforementioned houdlum blancom but shed no
- 19:00tears. He'll be missed only by the manufacturers of small arms ammunition, who,
- 19:04I'm afraid are going to notice a rather remarkable drop in their sails.
- 19:08What it's the car that I am here about, mister Pierce, The Asada
- 19:12Forchine that spends its spare time at the center of garage. The registration slip
- 19:18says that it lives here. Yes, that's our car. It is the
- 19:21central garage we use Carson, is it not? Yes, sir, I
- 19:25understand the car is owned by that charming child, although she informs me she
- 19:30doesn't actually drive. Yes, the car is hers, mister Pierce. I
- 19:34hope you won't think I have an ulterior motive. I'm a little old for
- 19:40Virginia, but she's loaded. She's extremely wealthy, you see, mister Templar.
- 19:45Shortly before Virginia's father died in South America, he drew up a will
- 19:48giving the child his entire fortune. I was designated her guardian until she comes
- 19:53away, so then you're not really her uncle. I am an uncle in
- 19:57name only. I tell me something. Where in South America did the child's
- 20:03father die In the US, that's Central America or is it it? Why?
- 20:07I do believe it is? Why do you ask, mister Tumplin.
- 20:11I wasn't really asking. I was shooting in the dark. What when I
- 20:15return to this house in an hour or two, mister Pearce, we must
- 20:18all have another delightful talk. It will be a different kind of talk,
- 20:22perhaps, but nonetheless delightful. But what in Heaven's name later, mister pears
- 20:26Later? Right now, I have a date with a lady, a lady
- 20:30with violet hair, who thinks I'm a bottle of scotch? Yeah? Who
- 20:51is it? Package package? I didn't order any package from. What is
- 20:56this? Hello, vile? I'd like to have a talk with you,
- 21:00that's all say. Look here, I don't know who you are, but
- 21:03if you let me in? No, what do you mean by forcing your
- 21:07way in here? Argument? While I was stimulating takes time, and I
- 21:11don't have much time. What's it all about? Blanco's dead? What's that
- 21:17to me? I'm not the police. My name is Simon Templer, the
- 21:21Saint ger Violet Caine, Frank Caine's wife widow. That's another argument. We're
- 21:26not going to have time for. You're nuts, Frank, We're alive.
- 21:30I'd know it. Drink? That's better? All right, we can talk
- 21:38now. What's Blanco's murder got to do with me? You're next on the
- 21:42list and you've got your glass? What do you mean by that crack?
- 21:47There's nobody. I don't feel so good? What who'd want to kill me?
- 21:56Somebody who was related to you? I'm not sure related to me.
- 22:00I've only got one. I feel so good? What is it? Ooh?
- 22:10It burns by? No, p're on the table? Only relative?
- 22:30I love that Morgan? Oh by, mister templar? M what brings you
- 22:34out in the cream of the day. I'd imagine a man who runs in
- 22:37after hours saloon would naturally indulge in after hours. As a matter of fact,
- 22:41I was just about to go home, on my way to pick up
- 22:45my car, not by any chance, at the central garage. Oh yes,
- 22:48how'd you know? Production? That's incredible, not too incredible. It's
- 22:52easy enough to deduce that a man would keep his current a garage that it
- 22:56happens to be the owner of. So you know that too. There isn't
- 23:00very much you miss, is there. Mister templar. Murder has a way
- 23:03of sharpening one sense. His murder man named Blanco. Should we go into
- 23:08the garage right behind him? You uh said his name was Bunco. Yeah,
- 23:23and just now, uh, Violet came Violet dead. But howel some
- 23:29inevidently thought her whiskey would have a bigger kick with a pinch of poison in
- 23:33the bottle. Ghastly terrible? But who who did this thing? You did
- 23:38me? I realize it's rather early in the day for a man to be
- 23:44at his best, But don't you think that joke is in bad taste?
- 23:45To were a joke, it would be up a beautiful automobile that child owns,
- 23:52isn't it. Look at those lines, those sleek, so graceful.
- 23:57Get in, Morgan, get in. It's perfect morning for a drive.
- 24:03I don't think anyone would mind if we took her out. You see,
- 24:06I'm rather friendly with the owner. She likes me. To her, I'm
- 24:11a character straight out of her favorite comic book. Get n't know, no
- 24:15thanks? Why not? But take a climbing. I'd like to see what
- 24:19you'll do on a mountain road road with a couple of hairpin curves. Some
- 24:26other times say it won't be another time, or didn't you see the beautiful
- 24:30job Blanco? Did on the tie rod. No sob through until it's hanging
- 24:34together by the proverbial hair. One sharp turn, like the turns you'd find
- 24:38on a mountain road, the steering system collapses. There's an accident. Yeah,
- 24:45yeah, Blanco did an excellent job until he learned who the victim was
- 24:48to be. It was too much for even his stomach. Oh you're dreaming.
- 24:52Why would anybody want to wreck an expensive bus like this? A little
- 24:56girl who is going to a party on top of a mountain this afternoon has
- 25:00much money morning. If she should happen to fall off that mountain in this
- 25:04car, some happy next of kin, a very happy fortune. Well that
- 25:10lets me out, Saint I'm nobody's next to Kin. There was a picture
- 25:12Violet pointed out to me before she died, a snapshot taken at a wedding.
- 25:18And do you know who the bride and groom were? Okay, okay,
- 25:23we've talked long enough. Saint frank Kin left a lot of money when
- 25:27he died. I'm too close to it. Another mistake he made, Morgan,
- 25:30Huh, it was made Frank Cain. Cain say, what are you
- 25:33pulling your cars in the chauffeur Carson's only his nom toplastic surgery. It's Kine
- 25:38with a new name and a new face. Yeah, but with the same
- 25:41old trigger eye, kin Kine, are you yeah, but never mind me.
- 25:48Don't let him get away. You took care of that. You're the
- 25:52one who didn't let him get away, Kane. A man loses all inclination
- 25:55to run when there's a bullet in his knee cut. You'll keep until the
- 25:57police come. Yeah, go ahead, say Virginia, little girl, she
- 26:07don't try to talk. Gotta tell you see the chief, the che Don't
- 26:12worry again. Your daughter will be safe. I'm gonna make sure of that
- 26:18right now. It's beyond belief, mister Tempter. What sort of fiend could
- 26:32even dream of harming that child? There was a team of fiends, mister
- 26:34Pierce, and one of the fiends has just giving up his membership in the
- 26:38inhuman race. There were two of them, yes, miss and the's two
- 26:42of them, Morgan and someone else, someone who would be Virginia's only surviving
- 26:48relative once Violet came the child's mother in a race from the picture, the
- 26:55only surviving relative and inheritor of the child's we know of no relatives do we,
- 27:03Roger? There was only Frank Kane, her father, but legally at
- 27:06least he was dead. Now he's dead in fact as well. But there
- 27:10is another relative. I'm amazed that you don't know who. Violet pointed to
- 27:15a wedding picture she was dying. Was your wedding picture, missus Danders.
- 27:21You were the bride, Morgan was the groom. Kiss Ah, I was
- 27:27married to Morgan once. But surely that doesn't mean that I'm look here,
- 27:33templar. This is preposterous. Would be even more preposterous if Violet hadn't had
- 27:37a sentimental nature. What do you mean? Snapshot? She wrote the names
- 27:41of each member of the wedding party on the snapshot. The name she had
- 27:47your name written, Rose, isn't it? What makes the photograph really interesting?
- 27:52Is the man standing next to the groom was mister Pearson? Of course
- 27:56it was me. Isn't a crime to attend a wedding or have one's name
- 28:00written on a picture? No? But in this case itselves a crime because
- 28:04mister Pierce. Under your picture, Violet affectionately wrote, my dear brother,
- 28:11Roger, what you don't? You don't bother? I'm sure I've been called
- 28:15it before. Come on, brother, we're going visiting. There's a new
- 28:19district attorney downtown is dying to make himself a reputation. Virginia, I've brought
- 28:36your present. Oh, mister Temper, you shouldn't have, but I'm so
- 28:41glad you did. But go on open it. Oh it's a beautiful boy
- 28:56I ever saw. You did tell me once that she hadn't played with dolls
- 29:00since you were a child. But mister, I'll tell you a secret.
- 29:04What Virginia, I just said that to be sophisticated. Hmm. Something tells
- 29:11me that a certain young man named Fatsa is going to be trimmed right down
- 29:15to your size. You have been listening to another transcribed adventure of the Saint,
- 29:36the robin Hood of Modern Crime, and I'll here is our star,
- 29:40Vincent Price. Ladies and gentlemen, in tonight's cast, you heard Maggie Morley
- 29:45as Violet and Anne Whitfield as Little Virginia. Edmund McDonald played Blanco, Jack
- 29:51Moyles Carson, Ted von Els was Roger Irene tedro Missus Andes Morgan was played
- 29:57by Barney Phillips and the garage Man by Jerry Hausman. This is Vincent Price
- 30:03inviting you to join us again next week at this same time for another exciting
- 30:07adventure of the Saint. Good Night. This Adventure of the Saint was written
- 30:34by Michael Cramwell. The Saint, based on characters created by Leslie Choppers,
- 30:41is a James L. Safia production and is directed by Helen Mack. Vincent
- 30:47Price is soon to be seen co starring in RKO's production of His Kind Of
- 30:52Woman, and all you Saint fans will be glad to know that the Saint
- 30:56comic books are on sale at all newsstands. This is Don Stanley speaking Three
- 31:03Chimes mean good Times on NBC. Every Sunday on NBC, meet two delightful
- 31:10and often confusing families, The Blandings and the Harrises. Mister and Missus Blandings
- 31:15stars Carry Grant and Betsy Drake as the proud but bewildered owners of the famous
- 31:19Dreamhouse and the Phil Harris Alice Face Show features the hilarious Harrises and their friends
- 31:25in typical amazing Harris situations. Hear them later today, Fred Allen, Edwin
- 31:29and b Lily joined the Big Show today on NBC. Welcome Back, Well,
- 31:41a different sort of case Simon gets into a bit of a tougher mode
- 31:47than is usual lot performance because he suspects what's at hand and when it comes
- 31:55to the death of a child not something he will play with. That scene
- 31:59before them and died of the poisoning was very short, brief and absolutely to
- 32:04the point. The idea of her viewing the Saint as a comic character was
- 32:10interesting because of course the Saint actually was in his own comic book at the
- 32:15time, as had been mentioned on the show previously. A very interesting cast
- 32:22Edmund McDonald was actually played the police counterpart of Dan Holiday in the very first
- 32:31series we did Box thirteen. Anne Whitfield, who played Virginia, was actually
- 32:38thirteen or I should say twelve going on thirteen, and just at the start
- 32:44of her career she had made a movie appeared in The Gunfighter, and made
- 32:52a TV episode in the forgotten series The Big ol Theater. But she would
- 32:59have very successful career over television from the nineteen fifties till about the mid seventies,
- 33:09appearing in everything from Ironside, Gun Smoke, Perry Mason and Emergency,
- 33:17and then she made a film for Worldwide Pictures and a couple TV movies and
- 33:24then a film that was set in Mississippi, where she's from. She actually
- 33:31had a small part in that. So another one of these character actors who
- 33:37really made their living appearing in everything, and this was one of her very
- 33:42early appearances. Jacqueline asked a question on Facebook regarding the episode The Carnival Murder
- 33:51from a couple of weeks ago. She asked, where was Louie? A
- 33:54good question. I think Louis was not every episode and part of it was
- 34:04doubtless, you know, how much do you want to contrive to bring a
- 34:08cab driver into the plot. And part of it was that Laurence Dopkin really
- 34:14was an in demand actor, not only over radio but also in film.
- 34:20But don't worry, Louie will be back. Well that will do it for
- 34:23today. We'll be back tomorrow with the Adventures of Ellery Queen, and next
- 34:30Monday, join us once again for the Saint. In the meantime, send
- 34:35your comments to Box thirteen at Great Detectives dot net, follow us on Twitter
- 34:39at Radio Detectives, and become one of our friends on Facebook, Facebook,
- 34:44dot com. Slash Radio Detactives from Boise, Idaho. This is your host,
- 34:47Adam Grahamson and off