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Moonstone Rescue — Episode 1 (pilot) · Table Read

• 0:05
  Speaker 1: Days Rescue.
• 0:10
  Speaker 2: Moonstone Rescue Pilot, written by Dominique Mouton over black. I'll
• 0:18
  Speaker 2: start where we left off.
• 0:19
  Speaker 3: No, let's go back to the beginning.
• 0:21
  Speaker 4: The beginning. But we're so close to the end.
• 0:23
  Speaker 3: I know any needs to make me sad.
• 0:26
  Speaker 2: Fade In exterior dirt road day, on the back of
• 0:31
  Speaker 2: an uncovered horse drawn wagon, A dozen Indigenous children sit
• 0:35
  Speaker 2: silently broken, Super California, eighteen ninety six. Interior exterior, uncovered
• 0:43
  Speaker 2: wagon day, moving. Henrietta four stares straight ahead with dried
• 0:48
  Speaker 2: tears on her face and two long braids down her back.
• 0:54
  Speaker 5: Your great great grandmother was only four years old when
• 0:56
  Speaker 5: she was taken from her tribe and given the name Henriette.
• 1:01
  Speaker 5: The government called it assimilation.
• 1:03
  Speaker 2: As the wagon moves along, Henrietta notices an orange cat
• 1:07
  Speaker 2: hiding behind some brush, and the cat notices her too.
• 1:12
  Speaker 2: Exterior Saint Rosalia Indian School Day. An imposing red brick
• 1:17
  Speaker 2: building at the foothills of a valley, surrounded by lush,
• 1:20
  Speaker 2: olive and oak trees. In front, uniformed Indigenous kids march
• 1:25
  Speaker 2: in formations, emotionless focused, obedient. They've been assimilated. A staff
• 1:33
  Speaker 2: of nuns and teachers stand beside a sign that proudly
• 1:36
  Speaker 2: reads Saint Rosalia Indian School. The wagon carrying the children
• 1:41
  Speaker 2: approaches A steely faced nun, sister Bernadette thirties steps forward.
• 1:47
  Speaker 6: Remember be compassionate but firm.
• 1:51
  Speaker 7: God knows they'll need both.
• 1:53
  Speaker 2: Once the wagon comes to a stock, the nuns spring
• 1:56
  Speaker 2: into action to promptly usher out the new arrivals. Henrietta
• 2:00
  Speaker 2: is lifted off the wagon bed. She frowns at the
• 2:03
  Speaker 2: fleshy adult hand that grabs and pulls her without warning.
• 2:07
  Speaker 2: Henrietta sinks her tiny teeth into the stranger's thumb. Hard
• 2:12
  Speaker 2: The owner of the thumb cries out. Interior classroom day,
• 2:20
  Speaker 2: young girls practice their sewing in silence. The sewing teacher
• 2:24
  Speaker 2: writes at her desk. Preteen Henrietta now twelve, fusses with
• 2:29
  Speaker 2: sloppy needlework in the back corner. Her short cropped hair
• 2:32
  Speaker 2: is hopelessly untamed, unladylike, and unassimilated.
• 2:38
  Speaker 5: They did everything to make her forget who she was.
• 2:41
  Speaker 5: She learned their language, manners, customs.
• 2:44
  Speaker 2: Henrietta fumbles with her needle accidentally pokes herself. A tiny
• 2:49
  Speaker 2: pool of blood forms on the pricked finger. She closes
• 2:53
  Speaker 2: her eyes inexplicably. She smears the blood across her forehead.
• 2:58
  Speaker 5: But she never did fit in, not that she really tried.
• 3:02
  Speaker 2: A little girl sitting close by stares at Henrietta clings
• 3:06
  Speaker 2: to her rosary. Others take notice, frightened. Exterior Saint Rosalia,
• 3:11
  Speaker 2: Indian School. Moments later, the sister Bernadette holds Henrietta by
• 3:16
  Speaker 2: the neck over a bucket of water, vigorously scrubs her
• 3:19
  Speaker 2: forehead with a cloth. No more witchery understand interior girl's
• 3:24
  Speaker 2: dormitory night in bed. Silent tears roll down Henrietta's red,
• 3:30
  Speaker 2: raw face.
• 3:32
  Speaker 5: Henrietta cried not for the pain she suffered, but for
• 3:36
  Speaker 5: her parents, whose faces she couldn't recall. The language she'd forgotten.
• 3:40
  Speaker 5: She didn't even remember her name, her real name. Amid
• 3:45
  Speaker 5: the darkness, a light appears. Henrietta sits up, startled hello.
• 3:51
  Speaker 5: The light gets brighter, beckons her to follow. She gets
• 3:55
  Speaker 5: out of bed, chases it. She didn't now it compelled
• 3:59
  Speaker 5: her to follow that light. It seemed familiar, like an
• 4:02
  Speaker 5: old friend.
• 4:04
  Speaker 2: Exterior Saint Rosalia, Indian School. Night outside, Henrietta follows the
• 4:10
  Speaker 2: light under a large oak tree. The light dims for
• 4:14
  Speaker 2: a moment she stands in darkness. The light returns an
• 4:18
  Speaker 2: orange cat in its center. Henrietta and the cat make steady,
• 4:23
  Speaker 2: unblinking eye contact.
• 4:25
  Speaker 5: Though the cat's mouth did not move. She told Henrietta
• 4:28
  Speaker 5: secrets secrets of her ancestors, of the old ways, and
• 4:34
  Speaker 5: the future too. The cat agreed to be her guide always.
• 4:39
  Speaker 2: In the distance, the angry matron holds a lantern. She
• 4:43
  Speaker 2: spots Henrietta under the oak tree. Henrietta, Henrietta whips around,
• 4:48
  Speaker 2: eyes wide.
• 4:50
  Speaker 8: More cat fury tales.
• 4:53
  Speaker 2: Interior Bedroom day, present day. Robert Rhodes thirties stands at
• 4:58
  Speaker 2: the doorway with a tea tray. He's got a snarky,
• 5:01
  Speaker 2: irreverent smirk on his face, but his bright puppy print
• 5:04
  Speaker 2: veterinary scrubs betray his inner dork.
• 5:08
  Speaker 8: I said, fairy tale, you get it?
• 5:12
  Speaker 2: In bed A frail and tired Nora Roades thirties, A
• 5:17
  Speaker 2: hand knitted cap covers her head. She manages to smile
• 5:20
  Speaker 2: at her husband through her obvious fatigue.
• 5:23
  Speaker 5: Yeah, Yeah, my got it.
• 5:25
  Speaker 2: Nora holds a leather sketch book filled with handwritten notes
• 5:28
  Speaker 2: and drawings, snuggled close beside her and Robert's exuberant daughter,
• 5:33
  Speaker 2: Maya Rhodes twelve. Her wild, tightly coiled red hair flies
• 5:38
  Speaker 2: all over the place.
• 5:39
  Speaker 3: It's not a fairy tale dad, nasty nuns, psychic cat.
• 5:44
  Speaker 2: It's basically a Cinderella ribbaf As Robert walks over with
• 5:48
  Speaker 2: the tray, he nearly drops the culprit. Henry the Cat
• 5:54
  Speaker 2: black with big yellow eyes. She stares up at Robert, innocent.
• 5:59
  Speaker 2: Robert doesn't by it.
• 6:01
  Speaker 5: This cat is always in my way, Robert, my love,
• 6:04
  Speaker 5: have you considered that Henry has been there for an
• 6:06
  Speaker 5: hour and it is you who put yourself in her way?
• 6:13
  Speaker 8: Excellent logic Professor Rhodes.
• 6:16
  Speaker 2: Robert sets the tray down, kisses her sweetly.
• 6:22
  Speaker 4: How are you feeling great? Yeah, doctor said you mind?
• 6:27
  Speaker 9: See with this we're at the part where Grandma Henahetta escapes.
• 6:32
  Speaker 8: Everyone claims Pocahontas as an ancestor.
• 6:34
  Speaker 9: Why is that Grandma Henry is way cooler than Pocahontas, But.
• 6:39
  Speaker 8: At least there's evidence she actually existed.
• 6:41
  Speaker 5: Shut up, grumpy, g it in here.
• 6:43
  Speaker 8: I scrubs her.
• 6:44
  Speaker 2: Diddy Nora and Maya grab both his arms. He's no mad,
• 6:49
  Speaker 2: fine right, He gets into the bed. Henry the Cat
• 6:54
  Speaker 2: jumps on his lap.
• 6:55
  Speaker 8: I swear, I swear, this cat hasn't it for me.
• 6:58
  Speaker 9: She's not just a cat. See those things things we
• 7:01
  Speaker 9: can't even see.
• 7:03
  Speaker 8: Oh, like I said, furry tales.
• 7:06
  Speaker 5: Dad doesn't get it, does he.
• 7:07
  Speaker 2: Norah winks at Maya. Henry's powers are their secret?
• 7:12
  Speaker 1: Go what?
• 7:13
  Speaker 2: She ignores the question, turns the page of her sketch book.
• 7:17
  Speaker 5: The angry nun grabbed Henrietta by the shoulders and shook her.
• 7:21
  Speaker 2: Interior Maya's room day. Maya snoozes in bed. She's a
• 7:26
  Speaker 2: bit older, but her room looks like it belongs to
• 7:28
  Speaker 2: a younger kid. Stuffed animals, childish posters, old drawings, Norah's
• 7:33
  Speaker 2: sketchbook on the nightstand. Super Two years later, light from
• 7:40
  Speaker 2: a nearby window wakes Maya. She stretches and rolls over.
• 7:44
  Speaker 2: When she opens her eyes, two huge yellow eyes stare
• 7:47
  Speaker 2: back at her. Startled, Maya falls to the floor. Henry
• 7:53
  Speaker 2: the cat looks down at her from the edge of
• 7:55
  Speaker 2: the bed.
• 7:56
  Speaker 3: Henry, I love you, but you gotta stop doing that.
• 7:59
  Speaker 2: Maya stands and picks up the cat, holds her close.
• 8:04
  Speaker 3: Did you tell mom that I had graduate eighth grade tomorrow?
• 8:08
  Speaker 2: Henry blinks her face adorable but ambiguous interior Roads home
• 8:15
  Speaker 2: staircase day. Maya runs downstairs, fully dressed and Henry at
• 8:20
  Speaker 2: her heels. Soul music blares from the kitchen kitchen. Maya's
• 8:25
  Speaker 2: quirky Grandma Gene Roads sixties carves a clay figurine of
• 8:30
  Speaker 2: a voluptuous nude woman. Jean's hips move to the music,
• 8:34
  Speaker 2: her long locks swing down her back. The Eden kitchen
• 8:38
  Speaker 2: doubles as her art studio. Intricate erotic sculptures sit on
• 8:43
  Speaker 2: every flat surface. Maya enters, opens the fridge for a snack.
• 8:48
  Speaker 3: Morning Granny, Hey baby, you're up early. Gotta tell mom
• 8:53
  Speaker 3: At the graduation.
• 8:54
  Speaker 2: Jeane smiles, represses concern. Maya heads to the door.
• 9:00
  Speaker 3: Making any stomps, like where, I don't know.
• 9:05
  Speaker 10: Maybe wherever it is you've been going after school.
• 9:11
  Speaker 9: I've been helping Jackie with the sorry, I'm so sorry,
• 9:16
  Speaker 9: validtorian spe valid dictorian.
• 9:19
  Speaker 3: Okay, I've been helping Jackie with their valet It is hard.
• 9:29
  Speaker 3: I don't know why.
• 9:33
  Speaker 9: I've been helping Jackie with their valedatorian speech.
• 9:37
  Speaker 3: I told you, but.
• 9:39
  Speaker 7: Maybe you've got a boo fang or something.
• 9:43
  Speaker 10: Thing.
• 9:48
  Speaker 2: Maya picks up Henry cringing and eager to leave and
• 9:51
  Speaker 2: avoid further inquiries.
• 9:53
  Speaker 9: Hey, can't you remind Dad about tomorrow so he doesn't forget?
• 9:58
  Speaker 7: Why would he forget?
• 10:00
  Speaker 3: He forgot my birthday and Henry's and yours.
• 10:04
  Speaker 10: Oh it's that clinic. I told him to hire help.
• 10:09
  Speaker 10: But you know how he gets.
• 10:12
  Speaker 3: The hotel knows how he gets.
• 10:14
  Speaker 2: Jean stopped sculpting to look Maya in the eye.
• 10:19
  Speaker 7: You know he loves you, right, sure he does.
• 10:23
  Speaker 10: Love is a language. Everyone has their own funky way
• 10:27
  Speaker 10: of speaking it.
• 10:29
  Speaker 3: Then Dad speaks love and pig ladin.
• 10:31
  Speaker 2: Jean can't help but to grin an agreement with Maya.
• 10:36
  Speaker 7: That's my son.
• 10:37
  Speaker 10: But sometimes it's like that boy, he talks pure gibberish.
• 10:43
  Speaker 2: Interior Deli day, Robert stands in the line of a
• 10:47
  Speaker 2: busy deli shop. He's in his own world, rocking out
• 10:50
  Speaker 2: to industrial hip hop that blasts loudly from his headphones.
• 10:54
  Speaker 2: He's less polished, less affable than we remember him, certainly
• 10:58
  Speaker 2: scruffier too. Robert ignores the glaring eyes of others around
• 11:02
  Speaker 2: him as he lip syncs the song's unintelligible lyrics. It's
• 11:06
  Speaker 2: getting to the good part when the music stops. Pissed,
• 11:10
  Speaker 2: he looks at his phone incoming call from Hell. He
• 11:15
  Speaker 2: rejects the call, restarts the music. Hell calls again. He
• 11:19
  Speaker 2: rejects it again. The music resumes. Behind Robert, an irked
• 11:24
  Speaker 2: customer taps his shoulder.
• 11:27
  Speaker 6: You mind turning the music down?
• 11:30
  Speaker 2: Robert feigns confusion. What the customer motions to their ears?
• 11:36
  Speaker 2: Now Robert Feign's comprehension produces a phony smile.
• 11:40
  Speaker 4: No, but thanks for the offer.
• 11:42
  Speaker 2: Robert turns around where he's finally next in line. He
• 11:46
  Speaker 2: takes off his headphones.
• 11:47
  Speaker 11: What can I get you?
• 11:49
  Speaker 8: Hold on?
• 11:50
  Speaker 4: Let me look.
• 11:51
  Speaker 2: Robert reads the menu carefully considers his options. Annoyed customers
• 11:56
  Speaker 2: in line roll their eyes, grumble and rum. Interior Roads,
• 12:04
  Speaker 2: Vet Clinic lobby day clients and pets sit in the
• 12:08
  Speaker 2: waiting area. They're growing impatient. Missus Silva seventies, quintessential cat
• 12:14
  Speaker 2: Lady approaches the front desk. Her created feline Gemma in
• 12:18
  Speaker 2: tow at the desk sits overworked vettech slash secretary slash
• 12:23
  Speaker 2: crisis manager Zara twenty five. She smiles anticipates Missus Silva's complaints.
• 12:29
  Speaker 6: I am so sorry, Missus Silva. Doctor Rhodes should be
• 12:32
  Speaker 6: here any minute. You said that thirty minutes ago. If
• 12:37
  Speaker 6: you want, I can reschedule your appointment. Jemma can't afford
• 12:41
  Speaker 6: to be rescheduled.
• 12:49
  Speaker 9: I'm sure Jemma will be fine.
• 12:52
  Speaker 6: Does this look that into you?
• 12:55
  Speaker 2: She holds up the crate. The scrawny cat struggles to breathe.
• 13:00
  Speaker 2: The front door opens. Robert enters, mouth full and breakfast
• 13:03
  Speaker 2: sandwich in hand. Clients glare as he walks past them.
• 13:07
  Speaker 2: Zara stands up, follows Robert into his office, Robert's office.
• 13:12
  Speaker 2: Robert quickly puts on a white coat over his scrubs.
• 13:15
  Speaker 2: Zara represses frustration.
• 13:18
  Speaker 3: I tried calling you. We had some client fleeve.
• 13:21
  Speaker 2: He hands are the remainder of his food.
• 13:23
  Speaker 8: Can you put this in the fridge? Roberts yeah.
• 13:26
  Speaker 2: Zara wants to say something. She thinks better of it.
• 13:30
  Speaker 3: Never mind.
• 13:32
  Speaker 2: Interior Roads Vet Clinic exam room day. Robert stands across
• 13:37
  Speaker 2: from Missus Silva with test results but.
• 13:40
  Speaker 8: Cute kidney failure.
• 13:41
  Speaker 12: I wish I had better news, but she's beyond help
• 13:43
  Speaker 12: at this point.
• 13:44
  Speaker 6: But why hell?
• 13:48
  Speaker 12: Could be a number of things past asides meds, certain plants.
• 13:53
  Speaker 2: He shrugs oddly, cold and impenetrable. He's definitely not the
• 13:57
  Speaker 2: same Robert who once wore puppy print scrubs.
• 14:00
  Speaker 6: It's not possible. Check again.
• 14:03
  Speaker 8: You're welcome to get a second ppinion elsewhere.
• 14:05
  Speaker 6: The next vet is miles away.
• 14:08
  Speaker 3: How do I have a call?
• 14:11
  Speaker 2: Robert nods, looks at his watch.
• 14:15
  Speaker 6: So what's next?
• 14:18
  Speaker 12: Uh, Gemma's sixteen years old with failing organs.
• 14:22
  Speaker 8: There is no next.
• 14:24
  Speaker 2: Missus Silva's eyes go wide as she comprehends.
• 14:29
  Speaker 4: If the NASA, that's your choice.
• 14:32
  Speaker 8: But if it were me, I wouldn't let her suffer
• 14:34
  Speaker 8: like this for another minute.
• 14:36
  Speaker 2: Interior Roads Bet Clinic lobby day. Missus Silver returns to
• 14:40
  Speaker 2: the lobby empty handed and teary eyed.
• 14:44
  Speaker 6: Darryl Ingalls mister Rhoads will see Misty now.
• 14:47
  Speaker 2: Darryl Ingalls fifties, stands up a stiff old German shepherd,
• 14:52
  Speaker 2: Misty at his side. Daryl approaches Missus Silva.
• 14:56
  Speaker 4: Gemma, she.
• 14:58
  Speaker 6: It was nice.
• 15:02
  Speaker 2: She walks out of the clinic. Robert enters the lobby.
• 15:06
  Speaker 1: Daryl, you coming.
• 15:08
  Speaker 2: Daryl looks down at his beloved Misty for a moment, tell.
• 15:11
  Speaker 4: No, excuse me. For the last two years we've all
• 15:15
  Speaker 4: been understanding and patient with you and your antics. But
• 15:18
  Speaker 4: this is the last straw for me. You're not touching
• 15:21
  Speaker 4: a hair on Misty's head.
• 15:23
  Speaker 8: Lost, what's the issue?
• 15:26
  Speaker 4: Sure was someone would come along and put you out
• 15:28
  Speaker 4: of business.
• 15:29
  Speaker 2: Daryl and Misty storm out. Robert looks at Zara, puzzled.
• 15:34
  Speaker 2: Exterior McGregor Farm, day, dingy, poorly maintained structures scattered across
• 15:41
  Speaker 2: several acres of land. The property is redeemed by its
• 15:44
  Speaker 2: old growth trees and pretty landscape. Exterior McGregor Farm Stable day, Neglected,
• 15:52
  Speaker 2: frustrated horses nay in their stalls. Loupe McGregor, thirties, an
• 15:57
  Speaker 2: Afro Indigenous woman with long dark hair, struggles to remove
• 16:01
  Speaker 2: a shoe from a sassy horse. She pulls and tries.
• 16:04
  Speaker 2: The shoe clinches with rusty clinch cutters. Takes a rubber
• 16:08
  Speaker 2: mallet to hit the clinch. Bam the cutter's brake.
• 16:12
  Speaker 3: Damn it.
• 16:13
  Speaker 2: Bloope, tosses them to the side, pets the horse gently.
• 16:17
  Speaker 7: We'll get these off you soon.
• 16:20
  Speaker 2: Exterior McGregor Farm main House day. Lupe approaches the front
• 16:24
  Speaker 2: door of an old but charming country home. An absurdly
• 16:28
  Speaker 2: cute fox runs up to her, excited. This is Pumpkin.
• 16:32
  Speaker 2: She picks him up. Pumpkin whimpers, Oh, I know, I know,
• 16:38
  Speaker 2: I'm hungry too. Interior McGregor Farm, main House Day. Inside
• 16:44
  Speaker 2: A dozen half packed boxes sit around. It's hard to
• 16:47
  Speaker 2: tell if someone's moving in or moving out. Kitchen. Pumpkin
• 16:51
  Speaker 2: looks up at Loope as she opens a cabinet, takes
• 16:54
  Speaker 2: out a can of dog food. The last one. Loope
• 16:58
  Speaker 2: opens the fridge. It's bear. She looks at Pumpkin, distressed.
• 17:03
  Speaker 6: You think postmates delivers out here?
• 17:07
  Speaker 2: Yeah, I don't think so either. Exterior Cemetery Day. Maya
• 17:13
  Speaker 2: leans against a gravestone. She wears binoculars around her neck
• 17:17
  Speaker 2: as she reads her mother's sketch book. Henry watches squirrels nearby.
• 17:21
  Speaker 9: As the days went by, Henrietta grew more and more lonely,
• 17:26
  Speaker 9: and so one day the cat showed her hat's escaped
• 17:29
  Speaker 9: the file school.
• 17:32
  Speaker 2: The cat stares up at a pretty bird in a tree.
• 17:35
  Speaker 2: Maya scrambles to her feet, puts the binoculars to her eyes.
• 17:39
  Speaker 3: It's a rosebreast and grossbeet.
• 17:42
  Speaker 2: Behind her, the gravestone reveals Norah Rhodes, beloved mother, wife
• 17:47
  Speaker 2: and watcher of birds.
• 17:50
  Speaker 3: She's listening.
• 17:51
  Speaker 2: Leaves crunch under clumsy footsteps. The bird flies away. Maya
• 17:56
  Speaker 2: turns to see Maverick Grayson, fourteen lawn and large for
• 18:01
  Speaker 2: his age. He's a gentle giant disguised as a baby
• 18:04
  Speaker 2: frat boy.
• 18:05
  Speaker 3: You shouldn't creep up on people like that, Maverick.
• 18:08
  Speaker 11: What were you looking at?
• 18:09
  Speaker 9: Just an extremely rare, rose breasted grosspeak that I'll probably
• 18:12
  Speaker 9: never see it again.
• 18:14
  Speaker 11: I don't see it.
• 18:15
  Speaker 2: Maya can barely conceal irritation.
• 18:18
  Speaker 3: Yeah, because it flew away.
• 18:21
  Speaker 11: Oh listen, I came to apologize for the other day.
• 18:30
  Speaker 11: It wasn't cool how Kylin Doug locked you in the bathroom.
• 18:32
  Speaker 11: They're insecure bullies, you know what they say. There's a
• 18:36
  Speaker 11: feather flocked together.
• 18:38
  Speaker 2: Maverick thinks about this for a moment.
• 18:40
  Speaker 11: That's actually really deep.
• 18:43
  Speaker 3: Why are you apologizing for your friends anyway?
• 18:46
  Speaker 11: Because you deserve an apology.
• 18:49
  Speaker 2: Maverick is earnest, bashful. He clearly has a thing for Maya.
• 18:54
  Speaker 2: Unfortunately she knows it. It's awkward.
• 18:58
  Speaker 3: I have to go meet my friends in town.
• 19:02
  Speaker 11: I'm meeting my dad there. We can walk together. It's perfect.
• 19:07
  Speaker 2: Great interior oak Bluff's town Center. Day, Maya, Maverick, and
• 19:15
  Speaker 2: Henry arrived to a street adorned with colorful shops, old buildings.
• 19:20
  Speaker 2: It's quaint, charming, magical, right out of a story book.
• 19:24
  Speaker 2: They stop in front of Foley's ice Cream Parlor. Maya
• 19:28
  Speaker 2: puts Henry on the ground, Uncle fire, okay interior Foley's
• 19:33
  Speaker 2: ice Cream Parlor Day. Maya and Maverick enter the shop
• 19:37
  Speaker 2: packed with rowdy, summer ready kids. Jackie Andrews fourteen waves
• 19:42
  Speaker 2: to Maya. Jackie's witty with micro braids and thick glasses.
• 19:47
  Speaker 2: Standing on a chair. Across from her is the hyperactive
• 19:50
  Speaker 2: animated Hugo Fuentes fourteen. Maya bee lines to their table.
• 19:56
  Speaker 2: Maverick trails close behind.
• 19:58
  Speaker 13: You're ice cream melted.
• 20:00
  Speaker 11: Don't worry, it didn't go to waste.
• 20:03
  Speaker 7: You're hyperactive and animated a little more.
• 20:06
  Speaker 1: Yeah, give me a burp bike.
• 20:07
  Speaker 4: In here all the way from here.
• 20:10
  Speaker 7: I don't think I can purp on.
• 20:15
  Speaker 3: You're ice cream melted. Don't worry, it didn't go to waste.
• 20:18
  Speaker 2: Jackie's eyes narrow at Maverick.
• 20:21
  Speaker 3: What's he doing here? This is Maverick.
• 20:26
  Speaker 2: Maverick extends a friendly hand. Jackie and Hugo. Ignore it.
• 20:30
  Speaker 13: Duh, why is he here?
• 20:32
  Speaker 11: You're Jackie and Hugo?
• 20:33
  Speaker 3: Right, he knows their names.
• 20:35
  Speaker 13: I'm sure his buddies told him all about us.
• 20:38
  Speaker 11: I'm not like those guys. Our parents are friends, but
• 20:41
  Speaker 11: I'm realizing we don't have anything in common. And the
• 20:44
  Speaker 11: older I get, the more I see that they are
• 20:45
  Speaker 11: the kind of people I want to be around. Birds
• 20:48
  Speaker 11: of a feather right.
• 20:49
  Speaker 2: He turns to wink at Maya.
• 20:52
  Speaker 13: Can't tell that this vulnerability and self awareness is an act,
• 20:55
  Speaker 13: but I love he kind.
• 20:56
  Speaker 3: Of like it.
• 20:57
  Speaker 2: Maverick takes this as permission to sit down at the
• 20:59
  Speaker 2: table and uh, who's fat? They all turned to look
• 21:03
  Speaker 2: out the window exterior street day. Across the street, Lupe
• 21:08
  Speaker 2: nervously enters the butcher's shop, intercut between Foley's ice Cream
• 21:13
  Speaker 2: and across the street.
• 21:14
  Speaker 3: You don't know about Tom McGregor's widow. I didn't even
• 21:17
  Speaker 3: know if he had a wife.
• 21:20
  Speaker 13: Yeah, her name is Loupe, and apparently she's.
• 21:23
  Speaker 3: The one who killed him. What not with her bare hands,
• 21:28
  Speaker 3: with magic? She's a witch.
• 21:31
  Speaker 11: You're a wiet My mom went to school with her.
• 21:34
  Speaker 13: She lived on the Wampanoag Reservation before transferring to Oak
• 21:40
  Speaker 13: Bluffs High Apparently, she used to carry potions in her
• 21:44
  Speaker 13: backpack sell it. If someone got on her bad side.
• 21:50
  Speaker 3: They they throw a blood or something. The next day.
• 21:54
  Speaker 2: Cool Interior McGregor home night flashback. Lupe and Tom McGregor argue.
• 22:03
  Speaker 13: Right after high school Sloope Mary Tom he cheated her
• 22:08
  Speaker 13: really bad, but everyone knew it.
• 22:10
  Speaker 2: Tom grabs Loupe's wrist, hard and menacing.
• 22:14
  Speaker 13: She used to come into town with bruises and stuff.
• 22:17
  Speaker 2: Exterior, Oak Bluff's Town Center day flashback. Loope walks down
• 22:21
  Speaker 2: the street. Townspeople stare at her, whispering amongst themselves.
• 22:26
  Speaker 13: Pretty soon she stops showing up in public at all.
• 22:30
  Speaker 2: She pulls down her sleeve to conceal bruising on her arm.
• 22:34
  Speaker 2: Exterior McGregor Farm Day flashback. Tearful and furious, Bloope loads
• 22:40
  Speaker 2: a pickup truck with her belongings. Tom runs out of
• 22:43
  Speaker 2: the house, grabs her by the shoulders. She shoves him off.
• 22:47
  Speaker 2: Tom suddenly grasps at his chest in pain, keels over.
• 22:51
  Speaker 2: Lupe stares at him coldly, and gets in the vehicle
• 22:54
  Speaker 2: drives off.
• 22:56
  Speaker 13: She finally left him for good. Anne went back to the.
• 23:01
  Speaker 2: Interior Foley's ice Cream Parlor Day Back to present. The
• 23:06
  Speaker 2: kids hang on Jackie's words.
• 23:08
  Speaker 13: For years, no one heard anything about Lupe McGregor. Tom
• 23:12
  Speaker 13: was never the same, And now that he's dead, she's
• 23:15
  Speaker 13: back to take.
• 23:15
  Speaker 3: Over the farm. He left her everything, but why Maybe
• 23:20
  Speaker 3: he felt guilty.
• 23:23
  Speaker 9: Sometimes it would change after losing someone.
• 23:26
  Speaker 13: Yeah, what could happen to your dad after your oops?
• 23:30
  Speaker 2: He stops, realizes he stepped into taboo territory.
• 23:34
  Speaker 11: Your cat obviously likes her.
• 23:37
  Speaker 2: They look out the window again to see Loope petting
• 23:39
  Speaker 2: Henry Axel Grayson late thirties, a bunky ex UFC fighter
• 23:45
  Speaker 2: stuffed into an expensive suit, approaches Loupe in a familiar way.
• 23:49
  Speaker 3: Maverick, how does her dad know? Lupe?
• 23:51
  Speaker 11: Dad's been trying to buy the McGregor farm since forever?
• 23:55
  Speaker 3: Why Curady owns half the towel.
• 23:58
  Speaker 2: Loope and Axel's conversation heats up. It's an argument, he
• 24:02
  Speaker 2: gestures wildly. She gestures back before storming off.
• 24:06
  Speaker 3: Must be roid rage.
• 24:11
  Speaker 11: I should go see you guys at graduation.
• 24:14
  Speaker 2: Okay, Maverick stands up and scurries out the shop.
• 24:18
  Speaker 9: I like him, it's his dad.
• 24:21
  Speaker 3: I'm worried about.
• 24:23
  Speaker 2: Maya stares out the window, concern on her face. Interior
• 24:28
  Speaker 2: Sports bar day. Robert chugs a beer at a mostly
• 24:31
  Speaker 2: empty bar. Next to him is Josh Rawlins, thirties professor
• 24:36
  Speaker 2: Mensch Robert's only friend.
• 24:39
  Speaker 4: Her name's Debbie.
• 24:41
  Speaker 8: Do you hate her?
• 24:44
  Speaker 4: She's in the math department. But no, I think she's
• 24:46
  Speaker 4: quite nice. You must hate her.
• 24:48
  Speaker 8: You're trying to set her up with me.
• 24:50
  Speaker 4: You were quite the catch once. Just channel that guy.
• 24:53
  Speaker 8: I'm undateable, Josh by design.
• 24:57
  Speaker 4: I guess making old ladies cries taking up all your time. Yes,
• 25:01
  Speaker 4: I heard about Missus Silver's cat.
• 25:03
  Speaker 8: What about Missus Silv's cat.
• 25:05
  Speaker 4: Everyone's talking about it on my neighbor app.
• 25:08
  Speaker 2: Josh hands Robert his phone. He scrolls the message board.
• 25:11
  Speaker 12: Rhodes Clinic used to be amazing. Now it seems doctor
• 25:15
  Speaker 12: Rhodes gets off on killing pets. Oak Bluff citizens must boycott.
• 25:22
  Speaker 4: Is a small town rob Something like this could end
• 25:24
  Speaker 4: your business, dude.
• 25:26
  Speaker 8: Sometimes animals have to be put down. I'm sorry, it
• 25:28
  Speaker 8: happens every day.
• 25:29
  Speaker 4: Maybe you could be nice about it.
• 25:32
  Speaker 8: I'm efficient and I'm honest. I think that's pretty nice.
• 25:37
  Speaker 2: Robert takes a deep swig of his beer. As Josh
• 25:40
  Speaker 2: face palms.
• 25:42
  Speaker 4: What happened to that grief support group?
• 25:43
  Speaker 8: He joined? Sad sacks with sob stories?
• 25:47
  Speaker 4: Thought that was the point.
• 25:49
  Speaker 12: Look, I got problems, but these people had like problems.
• 25:54
  Speaker 8: It's depressing.
• 25:56
  Speaker 2: Do you want me to He puts fingers to his
• 25:58
  Speaker 2: head like a gun, pulls the trigger.
• 26:02
  Speaker 4: Dude, that's so wrong.
• 26:04
  Speaker 8: Another beer.
• 26:05
  Speaker 4: I gotta go. It's finals week, your tenured, now listen to.
• 26:10
  Speaker 2: Josh puts a bill down on the bar, counter picks
• 26:12
  Speaker 2: up his bag.
• 26:14
  Speaker 4: It's two PM and I'm an adult. Nora wouldn't like
• 26:17
  Speaker 4: this guy you're pretending to be.
• 26:19
  Speaker 8: Oh, she's dead.
• 26:22
  Speaker 2: As Josh leaves, Lupey enters. She's flustered from her encounter
• 26:26
  Speaker 2: with Axel. She sits at the far end of the bar.
• 26:29
  Speaker 2: Robert watches her, intrigued. The bartender walks over to take
• 26:34
  Speaker 2: Lupey's order.
• 26:35
  Speaker 8: Just water, please, Water at a bar?
• 26:42
  Speaker 7: Why not?
• 26:43
  Speaker 8: It's a bar.
• 26:48
  Speaker 2: Water is the fountain of life.
• 26:50
  Speaker 8: Foundation what.
• 26:56
  Speaker 2: A water is the foundation of life?
• 27:01
  Speaker 8: But a stiff drink makes.
• 27:02
  Speaker 6: Life tolerable because it dulls the senses, kills brain cells, numbs, pain,
• 27:10
  Speaker 6: all the bad.
• 27:12
  Speaker 2: Lupe looks into his eyes, reading him, You remind me
• 27:16
  Speaker 2: of someone.
• 27:17
  Speaker 4: Honey, I was thinking the same thing about you.
• 27:22
  Speaker 2: Who do I remind you of?
• 27:25
  Speaker 5: Hee?
• 27:25
  Speaker 4: Put my finger on it?
• 27:26
  Speaker 3: Too bad?
• 27:28
  Speaker 2: Must be the alcohol must be?
• 27:31
  Speaker 8: So? Who am I?
• 27:32
  Speaker 2: Polliachi?
• 27:34
  Speaker 8: Poliachi?
• 27:36
  Speaker 6: A sad clown, a smile that hides a broken heart.
• 27:40
  Speaker 2: Robert is taken aback by Lupe's casual intensity.
• 27:45
  Speaker 12: Well, it took a depressing yet oddly accurate turn. I'm Robert,
• 27:55
  Speaker 12: by the way I know.
• 27:57
  Speaker 2: Lupe finishes her water and stands, what's your name? But
• 28:02
  Speaker 2: Lupe is already out the door.
• 28:06
  Speaker 8: People say, I'm rude.
• 28:11
  Speaker 2: Exterior country Road Day. The sun is just beginning to set.
• 28:16
  Speaker 2: Maya walks along a tree shrouded road, carries a bag
• 28:20
  Speaker 2: of groceries. Henry the cat follows along. They arrive at
• 28:24
  Speaker 2: a shabby, splintered driveway gate. A lopsided sign reads McGregor Farm.
• 28:30
  Speaker 2: Maya pushes the gate open, enters Exterior McGregor Farm. Enclosures Day.
• 28:37
  Speaker 2: Loupe feeds various small animals as she holds a phone
• 28:41
  Speaker 2: between her ear and shoulder.
• 28:44
  Speaker 7: Mom, please stop worrying about me.
• 28:47
  Speaker 2: Exterior a Quinna Wampanoague Powwow Grounds Day. Deborah Winslow sixties.
• 28:54
  Speaker 2: Warm Humble holds a phone to her ear as she
• 28:57
  Speaker 2: oversees volunteers fumbling with picnic tape.
• 29:01
  Speaker 10: Hey, moosset tables belong on the other side the.
• 29:06
  Speaker 2: Other side, They shrug, Confused. Deborah returns to the call.
• 29:12
  Speaker 7: You sound stressed. How am I supposed to not worry?
• 29:17
  Speaker 2: Intercut Loope Debrah Lupe opens the crate door of an
• 29:21
  Speaker 2: a possum family. The mama possum has a bandage on
• 29:24
  Speaker 2: her back leg hisses at Lupe. No, you're stressed, and
• 29:29
  Speaker 2: that's stressing me out.
• 29:31
  Speaker 7: Of course, I'm stressed. Oh, this year's been a pain.
• 29:36
  Speaker 7: I could use your help now that I'm on the council.
• 29:39
  Speaker 7: I think you can handle it.
• 29:41
  Speaker 2: Loupe's eyes widen at the sight of a lethargic baby possum.
• 29:47
  Speaker 10: And I'm worried about you and that house, all those memories.
• 29:51
  Speaker 2: Eh, sorry, I have to go Interior Lupe's exam Room day.
• 29:56
  Speaker 2: Lupe brings the possum into a makeshift exam room, places
• 29:59
  Speaker 2: it on the bed. It's a humble space compared to
• 30:02
  Speaker 2: Robert's sterile clinic, but she has everything she needs here.
• 30:07
  Speaker 2: She examines the animal's eyes, mouth, it doesn't look good.
• 30:12
  Speaker 2: Exterior McGregor Farm, main House Day. Maya knocks on the
• 30:16
  Speaker 2: front door, no answer. She knocks again harder. The half
• 30:21
  Speaker 2: closed door creaks open. Henry runs in.
• 30:26
  Speaker 3: Henry, get back here.
• 30:28
  Speaker 2: Interior McGregor Farm, main House, continuous. Maya walks into the house.
• 30:34
  Speaker 2: Henry is nowhere to be found.
• 30:36
  Speaker 7: Hello.
• 30:37
  Speaker 2: She takes a step inside. Interior Lupe's exam room Day.
• 30:43
  Speaker 2: Lupe searches through her cabinets, looks through various jars, canisters,
• 30:47
  Speaker 2: and herbal remedies. The baby possum's breathing grows shallow. Interior
• 30:53
  Speaker 2: lupez House living room, saying. Maya is fascinated by Lupe's house.
• 30:58
  Speaker 2: Looks closely at the very barious Wampa noag, tribal artifacts,
• 31:02
  Speaker 2: ceremonial objects, garb, books, photographs. She picks up a brochure
• 31:08
  Speaker 2: for the grief relief support group.
• 31:10
  Speaker 3: What are you doing here?
• 31:12
  Speaker 2: Maya whips around. Lupe stands behind her with the baby
• 31:15
  Speaker 2: possum doors open.
• 31:19
  Speaker 3: I got carrots and apples for the horses.
• 31:21
  Speaker 2: Interior Lupa's kitchen Day. Lupe uses a mortar and pestle
• 31:26
  Speaker 2: to grind herbs to a powder. The baby possum lies
• 31:29
  Speaker 2: on the counter. Maya watches close by hold him. Maya hesitates,
• 31:36
  Speaker 2: but Lupe smiles, reassuring. Maya picks up the possum with care.
• 31:41
  Speaker 3: But what's wrong with it?
• 31:42
  Speaker 1: How, don't Maye?
• 31:43
  Speaker 2: It could be a flu or he might be playing possum.
• 31:46
  Speaker 3: That's a real thing.
• 31:47
  Speaker 1: Sometimes possums get so afraid and overwhelmed they.
• 31:50
  Speaker 3: Just freeze a charm of response exactly.
• 31:54
  Speaker 2: Lupe looks at Maya admires her knowledge.
• 31:58
  Speaker 9: Everyone's singer witch, typical, predictable. They called Grandma Henrietta, which.
• 32:05
  Speaker 2: Too, they tend to do that.
• 32:08
  Speaker 3: It's easier to use scary labels.
• 32:10
  Speaker 2: Than to try and understand things you don't understand. I
• 32:14
  Speaker 2: met your dad today. Suddenly, nervous, Maya sets the possum
• 32:18
  Speaker 2: down on a towel. You haven't told him, have you.
• 32:23
  Speaker 3: He's never around for me to tell. I've loved having
• 32:27
  Speaker 3: your help around the farm these last few weeks.
• 32:30
  Speaker 2: But it's important that he knows that you come here.
• 32:32
  Speaker 9: Huh.
• 32:33
  Speaker 2: That was part of our deal.
• 32:34
  Speaker 3: This place is so magical. I don't want to ruin
• 32:37
  Speaker 3: in that hates magic, always has.
• 32:42
  Speaker 2: Lupe mixes the herbs with water, stirring gently. Tell him
• 32:47
  Speaker 2: or I'll have to Maya nods, but seems doubtful of
• 32:51
  Speaker 2: her own resolve. Interior Middle School auditorium night, Families pack
• 32:58
  Speaker 2: the seats as the eighth sits on stage. Jackie stands
• 33:02
  Speaker 2: at the podium halfway through her speech.
• 33:05
  Speaker 13: As we turn the page on this next chapter, I'm
• 33:08
  Speaker 13: reminded of what slick total lieutenant Starbucks.
• 33:11
  Speaker 3: In season four A Battlestar.
• 33:12
  Speaker 2: Galactica, Maya and Hugo sit together in their graduation gowns.
• 33:17
  Speaker 2: They beam with pride at Jackie behind them, stifled guffaws
• 33:22
  Speaker 2: from boneheaded classmates Doug and Kyle.
• 33:24
  Speaker 11: Fourteen Why is she talking about Starbucks?
• 33:30
  Speaker 2: Maya turns around glares.
• 33:33
  Speaker 13: You may feel like hell, but sometimes lost is where
• 33:36
  Speaker 13: you need to be. Just because you don't know your
• 33:39
  Speaker 13: direction doesn't mean you don't have one.
• 33:44
  Speaker 3: Thank you.
• 33:46
  Speaker 2: Cheers from the crowd of parents. As she returns to
• 33:49
  Speaker 2: her seat, The school principal steps up to the podium.
• 33:53
  Speaker 1: Please let's get it up for our class valedictorian Jackie
• 33:58
  Speaker 1: and leaves.
• 34:01
  Speaker 2: Maya and Hugo enthusiastically clap. Doug leans over to Hugo,
• 34:05
  Speaker 2: how is.
• 34:06
  Speaker 11: Your friend vowed victorian by your in special.
• 34:09
  Speaker 2: Ed Maya elbows dug in the chin, causing his teeth
• 34:14
  Speaker 2: to chatter.
• 34:15
  Speaker 6: Oh, whoa dude, she got you good?
• 34:18
  Speaker 2: Your ass is grass weirdo. In the audience seats, Robert
• 34:22
  Speaker 2: sits next to Jeanne. He's dozed off. His face twitches,
• 34:27
  Speaker 2: his breath irregular. Interior hospital room day dream. Nora is
• 34:34
  Speaker 2: in bed, thin and sickly, tubes going out of her
• 34:38
  Speaker 2: nose and mouth. The heart monitor beats unusually loud. Robert
• 34:43
  Speaker 2: approaches Nora slow. He touches her hand, Please.
• 34:49
  Speaker 4: Head, hurts, make it stuff.
• 34:54
  Speaker 2: Frightened, Robert pulls back, turns away, and runs. Interior school
• 35:00
  Speaker 2: auditorium day back to reality. Jean shakes Robert's arm until
• 35:04
  Speaker 2: he opens his eyes.
• 35:06
  Speaker 7: Wakeom. Maya's walking on stage.
• 35:10
  Speaker 2: The principal hands Maya her diploma. Dazed and still shaken
• 35:14
  Speaker 2: from his dream, Robert joins in the applause. Interior reception
• 35:24
  Speaker 2: room night, parents and students mingle, pose for pictures, share laughs.
• 35:30
  Speaker 2: Jean tries to take a photo of Maya and Robert.
• 35:33
  Speaker 7: Smile Robert please.
• 35:36
  Speaker 2: Robert's miserable expression morphs until he manages to pull his
• 35:40
  Speaker 2: lips from his teeth, producing a grotesque, painful fake smile.
• 35:46
  Speaker 7: Forget it. I'm so proud of you.
• 35:51
  Speaker 8: Me too, so is mom.
• 35:54
  Speaker 9: What Henry told her all about it? And guess what
• 35:59
  Speaker 9: we saw rose rest The girls speak at her grave.
• 36:03
  Speaker 9: So wid is a sign she's listening.
• 36:06
  Speaker 10: Your mom's dead, Yes, but not really, honey, she's dead.
• 36:15
  Speaker 3: But dad, mom always says. She talks to us to
• 36:18
  Speaker 3: the bird.
• 36:19
  Speaker 8: No, Maya, grow up, Robert.
• 36:23
  Speaker 2: A few bystanders turn to look, I'm gonna going to
• 36:28
  Speaker 2: the bathroom. He walks away, embarrassed and hurt. Maya represses
• 36:33
  Speaker 2: the tears that fill her eyes. Jeane embraces her interior
• 36:39
  Speaker 2: school bathroom night. Robert splashes his face under a running faucet,
• 36:44
  Speaker 2: washes away the shame. Axel exits one of the stalls,
• 36:48
  Speaker 2: joins him at the row of sinks.
• 36:50
  Speaker 8: Don't you just hate these things? That's for the kids,
• 36:54
  Speaker 8: I guess. I keep meaning to.
• 36:57
  Speaker 1: Bring my son's parrot to the clinic. Oh yeah, yeah.
• 37:01
  Speaker 1: It pulls out its own feathers and squawks all day.
• 37:08
  Speaker 8: I can't stand it.
• 37:10
  Speaker 4: Sure, bring him by.
• 37:12
  Speaker 1: I like the way you do business, straightforward, no nonsense.
• 37:17
  Speaker 1: Not everyone's cup of tea happens to be mine, though.
• 37:21
  Speaker 2: Robert puts his hand under the dryer. As hot air
• 37:24
  Speaker 2: blows out, Axel doesn't wash his hands, stands close to Robert.
• 37:29
  Speaker 1: Going to be tough with that new competition, though, what
• 37:32
  Speaker 1: do you mean Tom McGregor's widow is opening a new clinic,
• 37:36
  Speaker 1: all natural, holistic, YadA YadA, hip me cramp.
• 37:41
  Speaker 2: The dryer finally stops.
• 37:44
  Speaker 1: You know, before he died, Tom was going to sell
• 37:47
  Speaker 1: that farm to meat. Yeah, I heard about that. Also,
• 37:51
  Speaker 1: I heard you were trying to rip him off.
• 37:53
  Speaker 4: Rip him off.
• 37:55
  Speaker 1: He'd be lucky to get five figures with that dump.
• 37:58
  Speaker 12: Yeah, can't beat the location, though, right, isn't that why
• 38:02
  Speaker 12: you want it?
• 38:03
  Speaker 2: Axel smirks ambiguous. Robert opens the door to leave, go.
• 38:08
  Speaker 1: To sake to your family. You might want to consider
• 38:11
  Speaker 1: how deeply unpopular you are in this town.
• 38:14
  Speaker 2: Axel pats Robert on the shoulder.
• 38:17
  Speaker 1: Our interests might delign more than you think. I'll see
• 38:21
  Speaker 1: you next week about that bird.
• 38:24
  Speaker 2: He walks out of the bathroom ahead of Robert. Interior
• 38:28
  Speaker 2: reception room night. Robert looks around for Maya and Jean.
• 38:32
  Speaker 2: They're nowhere to be found. He stands in the middle
• 38:35
  Speaker 2: of the room of people alone Interior McGregor Farm main house.
• 38:41
  Speaker 2: Night Loupe drinks tea on the sofa. Pumpkin is curled
• 38:45
  Speaker 2: up in his bed close by. The baby possum sleeps
• 38:49
  Speaker 2: next to her. The possums muscles twitch. Loope holds her breath.
• 38:55
  Speaker 2: It twitches again, Its feet move furiously, until finally it
• 38:59
  Speaker 2: sits up, happy and alert.
• 39:03
  Speaker 10: You're alive, baby, Oh, you're alive.
• 39:08
  Speaker 2: Relieved, she pets the possum's little head. Interior McGregor Farm enclosures.
• 39:15
  Speaker 2: Night Lope gently places the baby possum in the crate
• 39:19
  Speaker 2: with its mother and siblings. Looks on as they're happily reunited.
• 39:25
  Speaker 2: Exterior McGregor Farm night. The gates of the farm squeak
• 39:30
  Speaker 2: as they're pushed open and closed by the wind. Lupe
• 39:34
  Speaker 2: approaches the gate with a bright lantern in one hand
• 39:37
  Speaker 2: and a can of red paint in the other. Smiling,
• 39:40
  Speaker 2: Loope dips an old paint brush into the paint, draws
• 39:44
  Speaker 2: a thick line across the letters of the McGregor Farm sign.
• 39:48
  Speaker 2: Below it, she begins to paint new letters Moonstone Rescue.
• 39:54
  Speaker 2: Across the street, Axel sits in his black BMW stares
• 39:59
  Speaker 2: longingly at the fire arm, glares with disgust at Loupe,
• 40:02
  Speaker 2: who doesn't notice him. He takes a moment, but seems
• 40:06
  Speaker 2: to make up his mind about something, an expression of
• 40:09
  Speaker 2: determination crossing his face before he drives off into the night.
• 40:15
  Speaker 2: Interior Maya's room. Night Maya sits up in bed, flips
• 40:20
  Speaker 2: through the pages of Nora's sketchbook, but she's too distracted
• 40:23
  Speaker 2: to pay attention footsteps in the hallway, followed by a
• 40:27
  Speaker 2: knock at her door. Maya Maya almost responds, but instead
• 40:34
  Speaker 2: she reaches over to her lamp and turns off the light.
• 40:40
  Speaker 2: Interior Robert's office. Moments later, Exhausted, Robert collapses onto a
• 40:46
  Speaker 2: futon with dingy yellowed sheets and a thin blanket. His
• 40:51
  Speaker 2: eyes are only closed for a moment before he hears soft,
• 40:55
  Speaker 2: broken hearted sobs from the next room, Maya. Robert sits
• 41:00
  Speaker 2: up as if prepared to go to her, but he
• 41:04
  Speaker 2: reaches for his headphones and puts them over his ears.
• 41:07
  Speaker 2: Loud music drown out the sounds of his daughter's crying.
• 41:18
  Speaker 2: Interior Maya's room, saying the moonlight illuminates the tears that
• 41:24
  Speaker 2: streak down Maya's face as she lies in bed. A
• 41:28
  Speaker 2: bright light fills the room Maya stops crying and sits up.
• 41:34
  Speaker 2: We can't see what she sees, but whatever it is,
• 41:37
  Speaker 2: its brightness causes her to squint and put a hand
• 41:40
  Speaker 2: up to her eyes. She continues to squint into the
• 41:43
  Speaker 2: light until her eyes widen in amazement. Mop exterior street night,
• 41:51
  Speaker 2: Henry the cat prowls the moonlit streets, her movements quick
• 41:56
  Speaker 2: and alert. The soft sound of echoes in the quiet night.
• 42:04
  Speaker 2: Missus Silva appears in her doorway, a silver dish in hand, beckoning,
• 42:09
  Speaker 2: Henry yews softly and approaches her curiosity peaked, Missus Silva
• 42:16
  Speaker 2: places the dish on the ground. Henry eagerly laps up
• 42:19
  Speaker 2: the cream inside.
• 42:22
  Speaker 6: Good kitty, Go ahead, Jim.
• 42:27
  Speaker 2: She scoops Henry into her arms.
• 42:30
  Speaker 6: Come on, Jim, let's get you warm inside.
• 42:35
  Speaker 2: With a final glance around the silent street, Missus Silva
• 42:39
  Speaker 2: retreats indoors, closing the door behind her. End of pilot,
• 42:46
  Speaker 2: excellent peop