Latest / Corie Sheppard Podcast / Episode 167 | King Crazy

Transcript

Episode 167 | King Crazy · Corie Sheppard Podcast

• 0:22
  Speaker 1: Should all the acquaintance be forgot and never brought to mind.
• 0:30
  Speaker 1: Should all the acquaintance be forgot and all lang sign, all lang sign and all lang sign.
• 0:48
  Speaker 1: We'll take a copper kindness yet for all lang sign, and surely you'll buy your pint cup and surely I'll buy mine we'll take a cup of kindness.
• 1:12
  Speaker 1: Yet for all lang sign, I want to let you know something Christmas don't done wrong here until about the 6th of January.
• 1:31
  Speaker 3: Mommy, would you sing Jingle Bells for me?
• 1:34
  Speaker 3: No, it's not Christmas here.
• 1:56
  Speaker 1: You're not getting any boy.
• 1:58
  Speaker 1: Well, you didn't think a whole Christmas would go past when I didn't play this right?
• 2:01
  Speaker 1: Is that every year tradition by now?
• 2:03
  Speaker 1: We must remember those who don't have right, since only half it.
• 2:08
  Speaker 1: Ding dong, ding dong, merry Christmas is here season greetings and a happy new year.
• 2:20
  Speaker 4: My ranks so flat playing on the radio, the announced a certain modest to go, but it's like the kitchen is dry as bone, the pot shining like a saxophone, the work web inside the water dishes, the worms in the belly speaking Spanish, but still on the radio I hear everybody sing Merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, oh yo, oh yo, oh yo, oh yo, pinocchio forks and Cibero forks and Pinocchio forks and Pinocchio forks and Cibero forks and Pinocchio forks, and two evil arguing in our corner cause the biscuit fans have no flour and skeptics and busts off me sugar fan too and like a plant in postage a cool, they get stuck a big randy on the street.
• 3:58
  Speaker 4: Nothing in the old sugar rap to eat from broaching the kitchen, he complainin', nothing in the cupboard, he migratin'.
• 4:04
  Speaker 4: I'm still on the radio.
• 4:05
  Speaker 4: I hear everybody sing Merry Christmas, happy New Year's, happy New Year's Mass, merry Christmas, merry Christmas, merry Christmas, merry.
• 4:25
  Speaker 5: Christmas, merry Christmas, oh yo, oh yo, oh yo, oh yo, pinocchio forks and Cibero forks and Pinocchio forks and Cibero forks and Pinocchio forks and Pinocchio forks and his ten more days and Christmas round the corner.
• 5:15
  Speaker 4: No food, no toys here by Melika.
• 5:18
  Speaker 4: The only positive thing that I see is no more house like the Buddawee rap, while a lawsuit against my wife don't tease any rapper.
• 5:34
  Speaker 4: To save me life, mosquito, hire a lawyer.
• 5:37
  Speaker 4: He's any blood.
• 5:38
  Speaker 4: He's something.
• 5:39
  Speaker 4: What we at boom.
• 5:40
  Speaker 4: I'm still on the radio.
• 5:42
  Speaker 5: I hear everybody sing Merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, merry Christmas, oh yo, oh yo, oh yo, oh yo, pinocchio forks and Cibero forks, and Pinocchio forks and Cibero forks, and.
• 6:36
  Speaker 1: Happy New Year everybody.
• 6:37
  Speaker 1: Christmas here, though done so early.
• 6:39
  Speaker 1: You know how many people talk about Christmas episode, and so this episode is lively, catered to the father, the father of Soka Parang.
• 6:49
  Speaker 1: You remember I do a couple episodes about the creator Soka.
• 6:52
  Speaker 1: Last year I can't do the creator Soka, which is a short.
• 6:55
  Speaker 1: Yeah right, if you're paying attention, we must do one for the creator Soka Parang.
• 7:01
  Speaker 1: So all the radio stations done with Parang music and all that go on full scale into Soka, you'll look for me to laywa.
• 7:42
  Speaker 3: Good day.
• 7:43
  Speaker 3: I went to Venezuela and I fall in love with a senior Rita.
• 7:49
  Speaker 4: I hardly know the lingo, but I rarely know what she knows.
• 7:52
  Speaker 4: I try out.
• 7:54
  Speaker 4: The whole seppo.
• 7:54
  Speaker 4: See me making signal for Suwanha singing.
• 7:57
  Speaker 4: Me me.
• 7:58
  Speaker 4: Muchacha.
• 7:59
  Speaker 4: They say Mucho bien ame la mor.
• 8:02
  Speaker 3: Oh yes, oh yes, oh yes, me me Muchacha they say Mucho bien ame la mor.
• 8:08
  Speaker 4: They marry, they partner each, they uncle each Muchacha the brother rich, the sister rich and I drive in Oroca.
• 8:16
  Speaker 4: Me, me, me, me, me, me, me, me me me.
• 8:46
  Speaker 4: Tell me, boy, come chat with me, father, it is not too far, we'll pass through the subway.
• 8:57
  Speaker 4: Well, I'm here smiling a bar, so I take a drink with my bar.
• 9:01
  Speaker 4: I tell him what you come from and I start to kiss the woman and I sing in me me Muchacha they say Mucho bien, ame la mor.
• 9:11
  Speaker 3: Oh yes, oh yes, oh yes, oh yes.
• 9:13
  Speaker 3: Me me Muchacha they say Mucho bien ame la mor.
• 9:18
  Speaker 4: They marry, they partner each, they uncle each Muchacha the brother rich, the sister rich and I drive in Oroca.
• 9:33
  Speaker 3: Me me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me me.
• 10:00
  Speaker 4: Halloween night, the hell a fiesta.
• 10:02
  Speaker 4: She got so tight she started to samba.
• 10:06
  Speaker 4: Then she tell me, jumping in the ring, lovey, dance and do it thing, boy, I will.
• 10:12
  Speaker 4: But I start to grind.
• 10:13
  Speaker 4: I had something else on my mind and I'm singing Me me butchacha, me sig mucho bien, dame la mor.
• 10:20
  Speaker 3: Oh yes, oh yes, oh yes, oh yes, oh yes, me me butchacha, me sig mucho bien, dame la mor.
• 10:27
  Speaker 4: Mami rich, the puppy rich, the uncle rich, the butchacha, the better rich is his courage and I drive him to the car.
• 10:39
  Speaker 1: I want to tell you a little about Creez, so as the originator, as I always talk about here, singing kalipso and soka about Christmas is not new Again.
• 10:50
  Speaker 1: That was done in the earliest days when men put it on an album.
• 10:54
  Speaker 1: You see all new songs release now for kind of out 2024, which I promise you I will listen to the new song.
• 10:59
  Speaker 1: I'm not sure I'm playing a new song.
• 11:01
  Speaker 1: I'll try, but I'll get my best shot.
• 11:03
  Speaker 1: I want to tell you that episodes like these I spend hours figuring out what's meant and get to get bios about mental information, watch old interviews, put together songs and things that take more hours, which I enjoy thoroughly, but you see the episodes with the new music.
• 11:20
  Speaker 1: It takes more hours too, but I'm not sure that I enjoy that much not sifting through everything to figure out what to play here.
• 11:24
  Speaker 1: So we are crazy today, right, and the Kaisonian used to put the Christmas song as a part of the album you submit that to the radio station and then hopefully they hear the next side and they play enough Soka early enough in the season so that you get bookings, you get money flow, which makes sense, but crazy credit is as a first man to create this genre that we know and love, now called Soka Parang.
• 11:45
  Speaker 1: We talked about it in a few episodes last week, right?
• 11:48
  Speaker 1: So I want to read a few things for you that are fine about Crazy or Night Edwin Ayong, better known by his artist name, crazy Calypso Nian, from Trinidad.
• 11:56
  Speaker 1: His mother is from Venezuela and his father is of Chinese descent.
• 12:00
  Speaker 1: Now sometimes he might be wondering what cause people to go down this road of fusion.
• 12:05
  Speaker 1: When you hear somebody from Venezuela and his father is a Chinese, you start to hear where the fusion come from and crazy immediately.
• 12:12
  Speaker 1: And not sure where the craziness come from, but you can hear where the fusion and the fusion in the music could have come from.
• 12:17
  Speaker 1: People call him uncle because in Trinidad it is a way for younger people to show respect to older folks.
• 12:22
  Speaker 1: I don't know that people like that today.
• 12:24
  Speaker 1: When men call it uncle, I always remember the first man who called me uncle.
• 12:27
  Speaker 1: You know, a boy in a school named Tuna Puna boy, hindu school in Tuna Puna, opposite Lockjack, turned 25 years old that day and I went and crossed a park inside the school and then they had to walk across the page over a walkover.
• 12:41
  Speaker 1: And when I go into the walkover, stab the ball fly over the fence.
• 12:45
  Speaker 1: When I go on to pick up the ball to trade back, I say uncle, throw back the ball.
• 12:48
  Speaker 1: I say who, uncle?
• 12:49
  Speaker 1: They try to make me feel all I don't feel them bad already at turn 25.
• 12:52
  Speaker 1: Boy, I wish I were a child again and I could do it, being 25 again.
• 12:56
  Speaker 1: What do you say?
• 12:56
  Speaker 1: But again, people call him uncle because in Trinidad it is a way for younger people to show respect to older folks.
• 13:02
  Speaker 1: When he goes to Venezuela to sing, they call him Tio Loco.
• 13:04
  Speaker 1: When he goes to India to sing, they call him Mamu, pagal Mamu and Tio Mean Uncle.
• 13:10
  Speaker 1: He's saying here.
• 13:12
  Speaker 1: He's a composer, a writer and a performer.
• 13:15
  Speaker 1: He loves to help people because he's also a producer.
• 13:17
  Speaker 1: He's already recorded with 59 artists and we're with new and old people, mostly new people like Mali, parma and Akisha.
• 13:25
  Speaker 1: Do I have a song?
• 13:27
  Speaker 1: Well, do you know the song with Akisha?
• 13:29
  Speaker 1: Did I play that last week when I was talking about somebody younger Not to be mixed up with official bronzer?
• 13:36
  Speaker 1: But do you have a song with Akisha to work?
• 13:37
  Speaker 1: I don't know if I played it or not.
• 13:39
  Speaker 1: I initially used this sub-racket Wang Peng in 70 and 71.
• 13:42
  Speaker 1: Then I became the mighty Arawaq, all named song and fitted.
• 13:44
  Speaker 1: He was encouraged by a Calypso me and friend, calypso Heidt, salomon Finley, who wrote his first Calypso Chinaman and was dubbed crazy by Doran Hector Versatile and was encouraged to go solo after showing talent as a chorus singer.
• 14:00
  Speaker 1: Another person who started off as a background singer remember that we talked about David R Satinoff as a background singer he was first recorded by Granville Straker of Straker Records in 1972.
• 14:11
  Speaker 1: If you go on YouTube and look for older music a lot of times it says Straker as the recording studio.
• 14:20
  Speaker 1: I was selected by my 10th manager, mr Siltail, our sparrows original Young Brigade, making his debut in 1972 with a double entendre.
• 14:28
  Speaker 1: The Electrician Plenty of the music in this episode had to do with double entendre because my intention here is to play some crazy Christmas classics and transition into Carnival the way we should.
• 14:40
  Speaker 1: We can just go hard into Carnival.
• 14:42
  Speaker 1: You see this soaker switch thing.
• 14:44
  Speaker 1: I remember a time where you used to transition smoothly from Carnival into Christmas, so the Carnival music playing on the radio alongside the Christmas music until it goes fully Carnival somewhere around February.
• 14:55
  Speaker 1: Now this season would be different because I believe Carnival is like the 12th and 13th February or something, so it's a short season and people might, among the music that are coming out, people want airplay.
• 15:09
  Speaker 1: So the radio stations I remember one radio station say they make the soaker switch somewhere in the beginning of December.
• 15:14
  Speaker 1: That guy is a little bit ridiculous, right?
• 15:16
  Speaker 1: So it's washing out all the Christmas music now.
• 15:19
  Speaker 1: But you used to find that the mix of music the two hard transitions you're seeing right Is that there used to be a mix of music with Christmas music.
• 15:27
  Speaker 1: So the pang would start to fade out, soaker pang would play more and the new soaker would play in between until it fade out into soaker alone.
• 15:33
  Speaker 1: And then by the time they started doing that soaker switch, somewhere in the late 90s, maybe even early in the 2000s, you find that the radio stations would do a soaker switch somewhere in January.
• 15:48
  Speaker 1: It wasn't even Christmas time and they used to do it somewhere around January and then, maybe about six weeks out from Christmas, they'd do the soaker switch.
• 15:54
  Speaker 1: It wasn't boxing there all the time and you used to be suffering for some other kind of music because them days it had no YouTube to listen to, nothing else, or no Apple music or Spotify.
• 16:04
  Speaker 1: You had to listen to the radio play right, or if you had a cassette or something.
• 16:08
  Speaker 1: But you're really listening to all that soaker for the whole season and sometimes it wasn't the greatest set of soaker they play in the night.
• 16:14
  Speaker 1: They're just playing soaker for soaker sake and song like sometimes.
• 16:16
  Speaker 1: So when Ash Wednesday come now, not the Ash Wednesday kind of on Tuesday night, when he'll lie me late and 12 o'clock strike and you hear one little dancehall player and they think walking machine, I can't make walking machine you hear one dancehall player.
• 16:30
  Speaker 1: It's a song so sweet and you're ready to them time.
• 16:32
  Speaker 1: But now it's a hard switch.
• 16:35
  Speaker 1: Now at night you're going to bed with Christmas music and next morning they go straight to soaker.
• 16:42
  Speaker 1: I wonder what 100 is do for the 100 fans.
• 16:43
  Speaker 1: 100 usually will do 100 days of Christmas.
• 16:45
  Speaker 1: Does that 100 days of Christmas end on when Christmas really done, or does that end on boxing day too?
• 16:52
  Speaker 1: I must turn it on and see.
• 16:53
  Speaker 1: So it's amazing how they're keeping that spirit to themselves.
• 16:55
  Speaker 1: More on, crazy.
• 17:00
  Speaker 1: Crazy is born on my 19th of March.
• 17:02
  Speaker 1: You see, when people ask my age I just answer 23, because he going for 100.
• 17:06
  Speaker 1: You say you can't call him old because his name is Ah, Young.
• 17:09
  Speaker 1: You know, the guy old man jokes.
• 17:12
  Speaker 1: So I am always young and I will always be young Again.
• 17:16
  Speaker 1: This is really a episode to say thank you to crazy for creating the channel, thank you for birth and so many people who come in after you, and in true fusion style.
• 17:26
  Speaker 1: Crazy has worked with many, many young Soca Parang artists and Kaiso and Soca artists, but he also takes a lot of time to pay respect to original Paranderos.
• 17:36
  Speaker 1: Having created a new genre, created something that is fusion between traditional Parang, which sang in Spanish, and Kaiso or Calypso songs about Christmas.
• 17:46
  Speaker 1: I can imagine that at the time that would have been greeted in a friendly way.
• 17:50
  Speaker 1: You know how we is when anything new.
• 17:52
  Speaker 1: Same thing I tell you about Shorty trying to do and put together Soca.
• 17:55
  Speaker 1: We never.
• 17:55
  Speaker 1: We are not the most innovative people.
• 17:58
  Speaker 1: I mean we not.
• 17:58
  Speaker 1: There's a curve we talk about in marketing called diffusion of innovation.
• 18:02
  Speaker 1: Go and Google, that right, and it have people on the curve called innovators, early adopters, early majority, late majority and laggards.
• 18:11
  Speaker 1: Right, I think we're safe to say that trend that's a big way is late majority.
• 18:14
  Speaker 1: When something become very, very popular, that is when the masses is coming, and I'm sure that we have a lot of people who like to be early on things here.
• 18:21
  Speaker 1: When things too new, we tend to criticize it a little more.
• 18:25
  Speaker 1: So you want to say his musical genre is mainly Calypso and so soca.
• 18:28
  Speaker 1: Then we have another type of music that we call Parang.
• 18:32
  Speaker 1: Around Christmas time he pioneered Parang Soca music.
• 18:35
  Speaker 1: It's very popular.
• 18:36
  Speaker 1: Americans have the jingle bells and the carols, but we have our own Christmas music here and he was the first person to come out with a style of Parang Soca.
• 18:48
  Speaker 1: We call it Soca Parang now, but he would always call it Parang Soca.
• 18:51
  Speaker 1: He says I'm singing at the front style.
• 18:53
  Speaker 1: One of my favorite party songs is Nani Wine.
• 18:56
  Speaker 1: We will talk about that in a little bit.
• 18:58
  Speaker 1: I just only Christmas part for now.
• 18:59
  Speaker 1: Right, I remember a partner of mine recently.
• 19:02
  Speaker 1: I hang a call and her name, right, and we let people say face here A man.
• 19:07
  Speaker 1: A man tell me recently that Trinidad is the only place that have its own Christmas music.
• 19:14
  Speaker 1: He said the only country in the world that have its own general Christmas music is Trinidad.
• 19:21
  Speaker 1: I don't know where he get his kind of facts.
• 19:22
  Speaker 1: You know what I mean.
• 19:23
  Speaker 1: He had a love block facts.
• 19:25
  Speaker 1: But one of the things I, like that crazy, did here they have a few songs where he poke fun at the idea of Soca Parang Like.
• 19:31
  Speaker 1: There's one Soca Parang song I like a lot.
• 19:33
  Speaker 1: I think it's by is this Brother Bee or Bentley Bee who say we want sweet Parang again?
• 19:39
  Speaker 1: We want sweet Parang again, no more Christmas calypsoes, and we want.
• 19:46
  Speaker 1: I like that song because when I first heard I said but this man singing a Soca Parang and saying he want back Parang.
• 19:53
  Speaker 1: I said but you contributed.
• 19:54
  Speaker 1: But I like how in the last verse he come and he said well, he said I don't realize I and all do any same thing I complain about.
• 20:00
  Speaker 1: He said but I need to make more money.
• 20:01
  Speaker 1: You know what I mean.
• 20:02
  Speaker 1: I like that.
• 20:02
  Speaker 1: So I like when you're clever in your song writing.
• 20:05
  Speaker 1: So I think that some of the origins of Soca Parang have some cleverness that we do give crazy credit for, because they have some songs where he poke some fun at the real Parang people who come before him.
• 20:17
  Speaker 1: But then they have songs like these where he give them all the respect they deserve.
• 20:21
  Speaker 1: Oh, oh, oh, oh, oh, oh, oh, oh.
• 20:50
  Speaker 4: No longer strumming or singing a sweet Parang medley.
• 20:53
  Speaker 4: He left us two more in February.
• 20:55
  Speaker 4: Tito Lara, the genius overmaster, he man was a sensation, a true, true Parang legend.
• 21:03
  Speaker 4: Forever we will remember your name and he will be there in the Parang holocaime.
• 21:09
  Speaker 4: So this one for Tito new Meroguno.
• 21:13
  Speaker 4: Play one for Tito the father of Parang.
• 21:16
  Speaker 4: Play one for Tito El Cante del Cantaro.
• 21:19
  Speaker 4: Play one for Tito the father of Parang.
• 21:23
  Speaker 4: Oh, oh, oh, oh, oh, oh, lidi-di-di-di-di-di-di-di-di-di-di, this champion of a man who praised God in his song, traditional Parang for both the old and young, with quattro mandolin, maraca, bell, flute and box bass, beautiful Parang, the Roche de Vez.
• 21:43
  Speaker 4: Tito Lara, the genius overmaster, he man was a sensation, a true, true Parang legend.
• 21:50
  Speaker 4: Forever we will remember your name and he will be there in the Parang holocaime.
• 21:57
  Speaker 4: This one for Tito new Meroguno.
• 22:00
  Speaker 4: Play one for Tito the father of Parang.
• 22:04
  Speaker 4: Play one for Tito El Cante del Cantaro.
• 22:07
  Speaker 4: Play one for Tito the father of Parang.
• 22:10
  Speaker 4: Oh, oh, oh, oh, oh, oh, lidi-di-di-di-di-di-di-di-di, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, with wifie was there on lapast or a hill, clarita rivers got free, bell and superfell, giving thanks to his peers and to all of the brothers For the contribution they made through the years.
• 22:52
  Speaker 4: Tito Lara, the genius overmaster, he man was a sensation, a true, true Parang legend Forever.
• 23:00
  Speaker 4: We will remember your name and he will be there in the Parang holocaime.
• 23:05
  Speaker 4: This one for Tito new Meroguno.
• 23:08
  Speaker 4: Play one for Tito the father of Parang.
• 23:11
  Speaker 4: Play one for Tito El Cante del Cantaro.
• 23:15
  Speaker 4: Play one for Tito the father of Parang.
• 23:18
  Speaker 4: Oh, oh, oh, oh, oh, lidi-di-di-di-di-di-di-di-di-di, I know we have the responsibility to carry forward Tito Lara legacy.
• 23:32
  Speaker 4: The brothers will survive and I'm sure they will connive to keep this genius Tito name alive.
• 23:39
  Speaker 4: Tito Lara, the genius overmaster, he man was a sensation, a true, true Parang legend Forever.
• 23:48
  Speaker 4: We will remember your name and he will be there in the Parang holocaime.
• 23:52
  Speaker 4: This one for Tito new Meroguno.
• 23:56
  Speaker 4: Play one for Tito the father of Parang.
• 23:59
  Speaker 4: Play one for Tito El Cante del Cantaro.
• 24:02
  Speaker 4: Play one for Tito the father of Parang.
• 24:06
  Speaker 4: Oh, oh, oh, oh.
• 24:10
  Speaker 5: Lidi-di-di-di-di-di-di-di-di.
• 24:14
  Speaker 1: That is Parang.
• 24:15
  Speaker 1: I always remember the times when January after Christmas, done, done in New Year's break we still go in my family and Parang in.
• 24:22
  Speaker 1: So this thing where Christmas are abruptly in unboxing they don't know about it.
• 24:26
  Speaker 1: Now pay in respect there to Tito, lara, right, of course, of the Lara brothers.
• 24:30
  Speaker 1: Salute to the Lara brothers.
• 24:31
  Speaker 1: I mean a lot of the original members.
• 24:34
  Speaker 1: Of course it's the front line, tito and Willie with their past on.
• 24:37
  Speaker 1: But there's a young Lara brothers who kindly flag and these youths song in great Like.
• 24:42
  Speaker 1: I was watching them going on Instagram live and Facebook live and stuff just before the Christmas and that band song in tight.
• 24:48
  Speaker 1: They have a Quattro man and lead singer there.
• 24:51
  Speaker 1: He's tight mandolin man.
• 24:51
  Speaker 1: I'm not sure who from the original band or who are on a long time.
• 24:55
  Speaker 1: Versus who is he?
• 24:57
  Speaker 1: New people who come in, but I feel like I want to fit myself in somehow.
• 25:00
  Speaker 1: You know what I mean.
• 25:00
  Speaker 1: I'm looking for a side to play with.
• 25:02
  Speaker 1: I'm playing the music for the Christmas at all.
• 25:04
  Speaker 1: One side from Parang.
• 25:05
  Speaker 1: I'm in.
• 25:06
  Speaker 1: Call man.
• 25:06
  Speaker 1: I couldn't make the night out to travel Next day, I couldn't make the night, so I hope another Agaia call.
• 25:12
  Speaker 1: Maybe I should pull up by Lara brothers and sing, but that idea, you know, I'm a band big on giving flowers to people while they are alive.
• 25:20
  Speaker 1: So while that Tito Lara song came out after he had passed on, I want to take this opportunity to give crazy his flowers while he here.
• 25:27
  Speaker 1: I want to tell him we love him and we appreciate what he do for the genre and I want to tell him it's fair for me to say crazy, underrated and maybe I'm not appreciated, especially as one of the artists from that era who very, very active on social media, always willing to share information.
• 25:43
  Speaker 1: He always have pictures with himself with young artists, all artists up to today, and he was post all the old ones and you see he and Baron on tour in this place and that place is something that I appreciate a lot.
• 25:53
  Speaker 1: I always talk about Dominic Calipassada on his Instagram and how much I learned from the back.
• 25:58
  Speaker 1: I tell you how enjoyable it is to follow somebody like Uncle Crazy, but coming up, talk about giving flowers while people are alive.
• 26:05
  Speaker 1: I couldn't go further without playing this song from Calypso Knight in dedication to Tio Local.
• 27:12
  Speaker 6: He is the father of Soka Para.
• 27:15
  Speaker 6: He started 78 with Parang Soka, then followed the next year with Mucha Cha, even on Merry Christmas.
• 27:31
  Speaker 6: We live on forever as a legacy of this Parang Master.
• 27:35
  Speaker 6: Yes, uncle Crazy, our genius is a master, the man is a sensation.
• 27:40
  Speaker 6: This Soka Para is a legend Forever.
• 27:44
  Speaker 6: We will celebrate your name and you will be there in the Soka Para hall of fame.
• 27:50
  Speaker 6: This one for Crazy numero uno, he is the father of Soka Para.
• 27:55
  Speaker 6: Yes, uncle Crazy, tio Local, he is the father of Soka Para.
• 28:02
  Speaker 6: And I tell them oh, oh, oh, oh, oh, oh, oh, oh, oh, lidididi dial, ladi do dadi dial, dadi dial.
• 28:10
  Speaker 6: As he pioneered a brand new Christmas genre.
• 28:14
  Speaker 6: He paved the way for Barang, kenny, masiya and Sfanta.
• 28:17
  Speaker 6: Then singers just like me followed up right after to push the Soka Para and watch for that.
• 28:23
  Speaker 6: So, uncle Crazy, the genius is a master, the man is a sensation.
• 28:28
  Speaker 6: I'm so proud of legend.
• 28:30
  Speaker 6: Forever.
• 28:32
  Speaker 6: We will celebrate your name and you will be there in the Socarparang Hall of Fame.
• 28:37
  Speaker 6: This one for crazy numero uno.
• 28:40
  Speaker 6: He is the father of Socarparang.
• 28:44
  Speaker 6: They want for crazy numero uno.
• 28:47
  Speaker 6: He is the father of Socarparang, where the boy sails.
• 28:52
  Speaker 6: Ah, I say ah, I say ah, I say ah.
• 29:06
  Speaker 1: Big, big, big big song Calypso night.
• 29:09
  Speaker 1: No, that's something he had to take in, right, because Calypso night, as I saw him listed in a Kaiso house, I see him performing again, clean voice.
• 29:18
  Speaker 1: That's a Calypso Nyan's devil there.
• 29:20
  Speaker 1: And he take a piece of what crazy do for Tito and do that for crazy, which is fitting.
• 29:25
  Speaker 1: The way I check is if you hack that crazy.
• 29:27
  Speaker 1: He is in the video enjoying himself and when the man say Uncle Crazy, uncle Crazy, points at himself.
• 29:35
  Speaker 1: It's one of the greatest things I've seen.
• 29:35
  Speaker 1: He points at himself me.
• 29:37
  Speaker 1: Yeah, I am so glad to see somebody getting their flaws while they're here.
• 29:41
  Speaker 1: Not that it never happens, but it feels a little better to pay them kind of respects and let people know how much we love them, appreciate them while they're still here, rather than doing these episodes posthumously and giving these awards to people and so on.
• 29:55
  Speaker 1: You know what I mean.
• 29:55
  Speaker 1: It's always a better feeling.
• 29:57
  Speaker 1: And you want to take any conversation between Crazy and Calypso night at the end of the video as well.
• 30:04
  Speaker 1: You want to take that thing.
• 30:06
  Speaker 1: Good, good, good, good thing.
• 30:07
  Speaker 1: Now can I read a little thing for you from the Express?
• 30:10
  Speaker 1: Who are you?
• 30:11
  Speaker 1: Anything?
• 30:12
  Speaker 1: I read from Michael Mondizzi A crazy creation.
• 30:14
  Speaker 1: Veteran Calypso Nyan celebrates 45 years of Parang Soko.
• 30:18
  Speaker 1: It goes to a crazy, a crazed cackle.
• 30:23
  Speaker 1: A crazed cackle followed that decisive declaration from veteran Calypso Nyan, crazy Edwin Iyong, when he sat with the Express on Wednesday for a virtual discussion on Parang Soko music.
• 30:34
  Speaker 1: Crazy created the hybrid genre by working with producer Ansel Perez Ford to combine Quattro riffs with Soko drums on his Parang Soko standard Maria in 1978.
• 30:43
  Speaker 1: He credits friend and collaborator, the late Clebold Hairwood, for giving him the starting lyrics to the song.
• 30:50
  Speaker 1: 45 years later, the 79-year-old Bard says he's delighted to see the high demand for music, for the music and its practitioners across the region and through the diaspora.
• 31:00
  Speaker 1: In Trinidad it's going good.
• 31:02
  Speaker 1: The Aswi-Goussonson, Martin, tomorrow, aguilin, st Lucia.
• 31:06
  Speaker 1: People like Scronter Baron and myself really make a name for Parang Soko and so we always in high demand abroad.
• 31:13
  Speaker 1: What I would like to see is more you to make that international step.
• 31:17
  Speaker 1: Crazy, said Trinidad and entertain on WhatsApp call from the Kapa Kamaung Tope secondary school.
• 31:21
  Speaker 1: The sour-based Bard, who was at the school together with my Parang, said he created the Parang Soko to bring families together.
• 31:30
  Speaker 1: My Parang Soko is family music.
• 31:31
  Speaker 1: Music with things like put Jesus in your Christmas and mucacha is all about families having a good time, talking about what we're eating and what we're drinking, and feeling the feeling of being together.
• 31:42
  Speaker 1: That sums up Christmas for me, you see playing music and eating and drinking together and talking about the same old stories forever and ever.
• 31:49
  Speaker 1: That is pretty much my Christmas right.
• 31:52
  Speaker 1: So while the older heads have laid a potent platform for the growth of the genre, it was now up to the younger acts like Bongo, spear, my Run B and Rome to take the music forward.
• 32:03
  Speaker 1: We need youth like Rome because he's a good looking boy.
• 32:06
  Speaker 1: He's a good looking boy.
• 32:07
  Speaker 1: You can hear crazy saying these words.
• 32:10
  Speaker 1: We need youth like Rome because he's a good looking boy to take it and run with it.
• 32:16
  Speaker 1: No, this is their time.
• 32:17
  Speaker 1: I see new like Zachary Ransom coming through.
• 32:20
  Speaker 1: These are the fellas we have to start grooming.
• 32:23
  Speaker 1: I feel good to know that a young man or woman can take this music and, between September and December, making enough money to feed their family for the whole year.
• 32:30
  Speaker 1: I like it a lot, living for the music.
• 32:35
  Speaker 1: I'm 18 next March, since the music he creates literally keeps him alive.
• 32:38
  Speaker 1: You see, this is what I live for, this is what keeps me alive.
• 32:42
  Speaker 1: Yes, I'm the Jim and Tengana Watch what I eat, but is the music that keeps me up late at night and wakes me up anymore?
• 32:48
  Speaker 1: My goal is to be the oldest Calypso artist of all time.
• 32:52
  Speaker 1: I'm going for the 100.
• 32:52
  Speaker 1: We're right here with you.
• 32:54
  Speaker 1: We're batting here with the 100.
• 32:56
  Speaker 1: Remarkably, the veteran musician is still eager to experiment with his song and has released a Trevor G Produced Afrobeat remix to Maria.
• 33:03
  Speaker 1: You had to look for crazy on Apple Music and Spotify and you'll see several, even for a lot of his older songs.
• 33:10
  Speaker 1: Several remixes in all kind of genres like EDM that I wouldn't think about at all.
• 33:15
  Speaker 1: That they'll apply to his music if you know his music, so check that out.
• 33:20
  Speaker 1: That yearning for a fusion was always there for him, from where I see he said Trevor came up with the Afro type arrang Veteran music producer Lester Paul started something similar years ago and he said I like the idea Africans take over the world right now, so I jump on the Afrobeat Crazy say this Christmas you want to remind all those who have extra to share with those in need.
• 33:42
  Speaker 1: I live in comfortables, so I just help people these days.
• 33:46
  Speaker 1: It turned out rough boy.
• 33:47
  Speaker 1: People that ask me on the streets or who have my number, calling my phone, asking for help, and always help as much as I can.
• 33:53
  Speaker 1: That is how I always, that is how I is and that is how I grew up.
• 33:56
  Speaker 1: I always share openly and if I can, I'll please to help people so crazy and thanks.
• 34:03
  Speaker 1: Let me just say thanks to Michael Montesi, right, because I don't know if I would have a podcast with Michael Montesi.
• 34:07
  Speaker 1: You know, as always, plan interviews and them things, right.
• 34:11
  Speaker 1: But I think one day when I do interviews, I had to try to reach out to Michael Montesi and pick his brain for a little while, because he is on our next level in terms of the amount he puts out there on cult all the time.
• 34:24
  Speaker 1: Anytime, I do that episode and I looking for somebody to talk about.
• 34:27
  Speaker 1: You're sure that Michael Montesi is somebody who will have things.
• 34:32
  Speaker 1: So I appreciate the fact that he did this interview early in the summer and I had this here too To bring first.
• 34:39
  Speaker 1: You know, I mean to pay some respects to crazy to hear his perspective 17, 9 years old and batting for the hundred and very, very active in the way he doing it.
• 34:47
  Speaker 1: Like you see him Traveling out as a show through all the Caribbean, like I remember watching us at one point in time and he was in so many different countries on on Facebook.
• 34:57
  Speaker 1: I was like this is all think crazy.
• 34:58
  Speaker 1: Sure, you know, he's a torrent like this and I like him, hope that the official bronze, the uh, the Kiggs, the Rome, myron be, I hope they could travel regionally in the same way.
• 35:11
  Speaker 1: I like, I like his, his goal for them.
• 35:13
  Speaker 1: You know.
• 35:14
  Speaker 1: I mean he say I want you from september to december.
• 35:16
  Speaker 1: Oh, let me say september to january.
• 35:18
  Speaker 1: Make enough money to mine your family for the year, why not?
• 35:21
  Speaker 1: This is what we're looking for.
• 35:22
  Speaker 1: We're looking for betterment.
• 35:23
  Speaker 1: We're looking for betterment in these streets.
• 35:25
  Speaker 1: If we could, if we could get more youth seeing this as a Avenue that it could take for their own livelihood and for the betterment of their family, they must do that.
• 35:33
  Speaker 1: So since they don't mention the song for jesus in the christmas, let me take it.
• 36:04
  Speaker 4: I don't rise in samsah, but hold time for the savior.
• 36:07
  Speaker 4: This is not the way I see.
• 36:09
  Speaker 4: Came down here to save us for wickedness and chaos.
• 36:36
  Speaker 4: Put Jesus in your christmas.
• 36:38
  Speaker 4: Put Jesus in your christmas.
• 36:40
  Speaker 4: Put Jesus in your christmas.
• 36:42
  Speaker 4: After we don't plan, I'm gonna get a glass beam come the month of december.
• 37:04
  Speaker 4: Get something on yourabilir, because what?
• 37:28
  Speaker 4: Jesus in your christmas?
• 37:29
  Speaker 4: And God so loved this world that he gave us only the one Son, jesus Christ.
• 38:06
  Speaker 4: And who so ever believe in Jesus Christ shall have eternal life.
• 38:11
  Speaker 4: Jesus Christ, hallelujah.
• 38:13
  Speaker 4: Jesus is our Savior, son of the Creator.
• 38:41
  Speaker 4: Come to wash away our sins.
• 38:43
  Speaker 4: Come, let us all give praise for His glorious ways.
• 38:49
  Speaker 4: Open up and let Him in.
• 38:51
  Speaker 4: Jesus in your Christmas.
• 38:54
  Speaker 4: Jesus in your Christmas.
• 38:56
  Speaker 4: Jesus in your Christmas this year.
• 38:58
  Speaker 4: He came long here to save us from wickedness and fear from Jesus in your Christmas this year.
• 39:07
  Speaker 1: Jesus in your New Year.
• 39:09
  Speaker 1: Jesus in your New Year.
• 39:11
  Speaker 1: Jesus in your New Year this year.
• 39:13
  Speaker 1: Well, the way this year starts, we got really neat.
• 39:17
  Speaker 1: I don't know who you're looking for.
• 39:18
  Speaker 1: If you're looking for Jesus, whatever name you call him by or you call him by or whatever spirituality, whatever you believe in, this song could be more appropriate the way this year starts.
• 39:28
  Speaker 1: But we'll get to that right.
• 39:29
  Speaker 1: I hear to talk about crazy, and one of the things that crazy never forgets to do is to remember those who went through strife in Christmas time.
• 39:37
  Speaker 1: So look at my girl, neola, who always comes on.
• 39:40
  Speaker 1: This might be the first year in a while I end our episode with Neola to talk about Christmas time, and one of the things she always reminds us about is the fact that there's a lot of sadness that could be around Christmas time too.
• 39:51
  Speaker 1: So, while we celebrate and we have joy, people who have lost people this year I think about Patricia Roberts.
• 39:58
  Speaker 1: What Christmas would it be like have a youth living nearby here who lost his father last year, wrong this time, wrong that old years?
• 40:05
  Speaker 1: I wonder what, in the years, it was like for him and his family.
• 40:07
  Speaker 1: It's things that we always have to take into consideration and this song really is for people who go through a rough time during the Christmas.
• 40:15
  Speaker 1: Right, because it's him bound to be easy.
• 40:17
  Speaker 1: It could be very, very difficult when you're dealing with loss around Christmas time, right.
• 40:22
  Speaker 1: And again, crazy is that tongue in cheek man.
• 40:26
  Speaker 1: He's a fusion man, he writes, he's a double entendre kind of guy and when he put together songs it's so meaningful and so powerful.
• 40:33
  Speaker 1: And this song is one of the most powerful Christmas songs it have Because he talk about an area where he feel he have lost right, and in the end he tell he wake up and it was just a dream.
• 40:43
  Speaker 1: And that's exactly how it feels sometimes when you have real loss or real difficulty, because you're going through difficult situations and I hear therapists one time say losing somebody don't get no easier, grieving don't get no easier.
• 40:56
  Speaker 1: Is we who gain stronger?
• 40:58
  Speaker 1: And sometimes you see time pass when you deal with the worst of things.
• 41:02
  Speaker 1: We're going through your officer times.
• 41:03
  Speaker 1: Once you're able to get through that and you look back at it, you realize, boy, you could get through everything.
• 41:08
  Speaker 1: And just like how crazy says a dream.
• 41:11
  Speaker 1: Sometimes the past has become a dream and you realize you could cope with wherever it is.
• 41:15
  Speaker 1: You was facing One of my favorites from crazy.
• 41:57
  Speaker 4: I woke up 5 o'clock this morning, as I accustomed to it each morning.
• 42:03
  Speaker 4: As usual, I head straight for the kitchen Right away.
• 42:08
  Speaker 4: I knew something was wrong.
• 42:10
  Speaker 4: Cake batter in a bowl, but the oven was cold.
• 42:14
  Speaker 4: Looking wrong at food, buying a spoon, not a protein was hanging the hand, still one in boiling.
• 42:24
  Speaker 4: I can't find my wife even it's like she born Even.
• 42:33
  Speaker 4: Why is Christmas day a choose?
• 42:36
  Speaker 4: Even you'll have me so confused.
• 42:39
  Speaker 4: It's Christmas morning.
• 42:41
  Speaker 4: Look my mom's coming and parent playing.
• 42:44
  Speaker 4: You'll lose one over one feeling.
• 42:46
  Speaker 4: My heart is burning, my belly griping.
• 42:50
  Speaker 4: Look people laughing.
• 42:52
  Speaker 4: Even why you leave me so unborn.
• 42:56
  Speaker 4: I love you baby.
• 43:25
  Speaker 4: Try my best to recollect my memory.
• 43:28
  Speaker 4: What happened the night before and such what.
• 43:32
  Speaker 4: You know how things just get so crazy when you had about 10 drinks to watch.
• 43:38
  Speaker 4: I came up with a plan, but let me tell you from.
• 43:42
  Speaker 4: I have one plus I like to put on.
• 43:44
  Speaker 4: Now I face with this problem.
• 43:49
  Speaker 4: I even find my children Be house, quiet and empty, wishing, wishing Even.
• 44:01
  Speaker 4: Why is Christmas day a choose?
• 44:04
  Speaker 4: Even you'll have me so confused.
• 44:07
  Speaker 4: It's Christmas morning.
• 44:09
  Speaker 4: Look my mom's coming and parent playing.
• 44:13
  Speaker 5: You'll lose one over one feeling.
• 44:15
  Speaker 4: My heart is burning, my belly griping.
• 44:18
  Speaker 4: Look people laughing.
• 44:28
  Speaker 5: Even why is Christmas day a choose?
• 44:52
  Speaker 4: Wishing wishing Even.
• 44:58
  Speaker 4: Why is Christmas day a choose?
• 45:00
  Speaker 4: Even you'll have me so confused.
• 45:02
  Speaker 4: Wishing wishing Again, it's my own will.
• 45:32
  Speaker 4: I promise To spend Boxing Day with your mom.
• 45:36
  Speaker 4: I thought people living in this when this running away thing come from.
• 45:43
  Speaker 4: I didn't complain at all when you went in the mall and you buy a thick whole chain from all.
• 45:50
  Speaker 4: You'll be ready in trouble.
• 45:54
  Speaker 4: You'll leave a note on the table.
• 45:56
  Speaker 4: Bye, bye, bye, bye.
• 46:04
  Speaker 4: Even.
• 46:06
  Speaker 4: Why is Christmas day a choose?
• 46:09
  Speaker 4: Even you'll have me so confused it's Christmas morning.
• 46:14
  Speaker 4: Look my mom's coming and parent playing.
• 46:17
  Speaker 4: You'll lose one over one feeling.
• 46:20
  Speaker 4: My heart is burning, my belly griping.
• 46:23
  Speaker 4: Look people laughing Even.
• 46:27
  Speaker 4: Why is your backpack so unborn Somewhere far away?
• 47:00
  Speaker 4: I go to sleep.
• 47:01
  Speaker 4: I start wondering who could that be?
• 47:04
  Speaker 4: Then I realized it was a dream.
• 47:08
  Speaker 4: She was sleeping right beside me.
• 47:11
  Speaker 4: After clearing my head, I sneak out the bed To make breakfast for she instead.
• 47:18
  Speaker 4: It was a surprise to she and it made me so happy.
• 47:25
  Speaker 4: You see, that dreadful nightmare gave me a scare Even.
• 47:34
  Speaker 4: Why is Christmas day a choose?
• 47:37
  Speaker 4: Even you'll have me so confused.
• 47:40
  Speaker 4: It's Christmas morning.
• 47:42
  Speaker 4: Look my mom's coming and parent playing.
• 47:45
  Speaker 4: You'll lose one over one feeling.
• 47:47
  Speaker 4: My heart is burning, my belly griping.
• 47:51
  Speaker 1: look people laughing, even why is my backpack so unborn, getting your hand me so confused?
• 48:01
  Speaker 1: Why is Christmas day a choose?
• 48:04
  Speaker 1: So don't forget those who are suffering with lost dreams.
• 48:07
  Speaker 1: For some of us it's a dream.
• 48:09
  Speaker 1: For some of us it's a hell of a reality.
• 48:11
  Speaker 1: But reality is also that you'll get better time to heal all wounds and you should be good to go.
• 48:16
  Speaker 1: Remember that every Christmas.
• 48:19
  Speaker 1: And again, the therapist tell me don't get easy, or we just get stronger.
• 48:23
  Speaker 1: So all of them who for crazy time God, it was a dream for him.
• 48:26
  Speaker 1: For some of us it's not a dream.
• 48:27
  Speaker 1: We lose people all through the year.
• 48:29
  Speaker 1: I always used to think of Neola talking about losing people Christmas time as somebody passing away during the season.
• 48:35
  Speaker 1: She was saying, no, it's not just during the season, people pass anytime, because we have our Christmas tradition, because every time a man he is coming and this one is always begging him, this one is getting drunk and falling down, and when that person is gone, now your Christmas is not the same.
• 48:48
  Speaker 1: Your what is usually be joyous times could be very, very sad, and sometimes the people who leave us.
• 48:54
  Speaker 1: They go on.
• 48:54
  Speaker 1: The reality, too, in life that Neola always talks about is sometimes the people who leave us.
• 48:58
  Speaker 1: They're right here.
• 48:59
  Speaker 1: Sometimes it's headache and hot belly when you see people leave us and they're right here.
• 49:05
  Speaker 1: It might be worse than when people pass.
• 49:07
  Speaker 1: Sometimes they have a finality too.
• 49:08
  Speaker 1: But people like Yvonne so, who go on Christmas day, that's very, very hurtful.
• 49:11
  Speaker 1: But again things will get better.
• 49:14
  Speaker 1: We will get stronger and we will be here to do this again next year.
• 49:18
  Speaker 1: Who knows?
• 49:19
  Speaker 1: Next year we will be here listening to an episode of Scrumptor.
• 49:21
  Speaker 1: So don't go nowhere, let's battle through it.
• 49:24
  Speaker 1: You will always get stronger.
• 49:25
  Speaker 1: I want to play one from crazy here, right, I'm going to tell him over the weekend.
• 49:28
  Speaker 1: Only want to hear the best compliment I ever get since I started podcasting the best compliment, and I've gotten many compliments.
• 49:35
  Speaker 1: Thank you for everybody who finds a way to say a kind word or give us suggestion.
• 49:39
  Speaker 1: I appreciate it all, but the best compliment I ever get.
• 49:42
  Speaker 1: I'm going to tell him.
• 49:44
  Speaker 1: We all talking years.
• 49:45
  Speaker 1: The man say boy, this man is going to podcast and play once at the kaiso.
• 49:49
  Speaker 1: Nobody don't know.
• 49:49
  Speaker 1: That is the greatest compliment I ever get in my life.
• 49:55
  Speaker 1: I take pride in finding music that not known to everybody.
• 49:59
  Speaker 1: I want to make sure that I always play a song here that somebody could learn something.
• 50:05
  Speaker 1: I could learn something.
• 50:06
  Speaker 1: You could hear what this artist really use the song like back in the day.
• 50:09
  Speaker 1: So when you say I'm happy to be the man to introduce them to these songs best compliment I ever get.
• 50:14
  Speaker 1: And I want to play one from crazy here, which I don't think is the most popular crazy Christmas song, but I like it a lot and I'm going to say truths or form and play one that many people might know, but I want it to hear how sweet it is and I will tell you that this will be up there with Yvonne and put Jesus in your Christmas.
• 50:31
  Speaker 1: This will eventually get legs.
• 50:33
  Speaker 1: This is one of my favorite and crazy local fruits.
• 51:05
  Speaker 4: Myself was here, so blanking fruit Trimbego, it's back to roots.
• 51:11
  Speaker 4: This straight to much years, no more.
• 51:13
  Speaker 4: Grapes, apples and pears, tonka bean item and tangerine item, pie finger item and banana item, mango bear item and pumpkin seed item, camu, camu, pado and cashew are going back to me.
• 51:30
  Speaker 4: Roots are only eating local fruits.
• 51:32
  Speaker 4: When I was young, growing up, I used to eat fruits nonstop.
• 51:44
  Speaker 4: When people see me coming the fruits treat the start, watching I felt food.
• 51:54
  Speaker 4: Same same times in me bought some sure fans, I felt it big time and equally those days had food celebrity.
• 52:03
  Speaker 4: So what I'm brought I can I'm brought.
• 52:06
  Speaker 4: These are I can fruit, fruit I can, and chenna I can.
• 52:10
  Speaker 4: Kainito I can.
• 52:11
  Speaker 4: Ma bolo I can.
• 52:12
  Speaker 4: Three.
• 52:14
  Speaker 4: Three berries, ackee and syris are going back to me.
• 52:18
  Speaker 4: Roots are only eating local fruits.
• 52:27
  Speaker 4: The fruits growing in Trimbego is natural fruits we all know, we all fruits we ignore and foreign ones we buy.
• 52:37
  Speaker 4: It is a strawberries, we got some kiwis, figs, pussy man and raspberries.
• 52:43
  Speaker 4: There are some that don't have seeds sapodilla item, banana item.
• 52:56
  Speaker 4: Sugar apple item.
• 52:58
  Speaker 4: Mami apple item.
• 52:59
  Speaker 4: Ackee man item.
• 53:01
  Speaker 4: Ackee one item just look at me, no more big berries.
• 53:06
  Speaker 4: Ackee two me roots are only eating local fruits.
• 53:10
  Speaker 4: Jack fruit item.
• 53:11
  Speaker 4: Honey pea item.
• 53:13
  Speaker 4: Kukori item.
• 53:14
  Speaker 4: Pineapple item.
• 53:16
  Speaker 4: Berry item, amber iron item, hot blood item, watermelon item boba item.
• 53:29
  Speaker 1: katsima item.
• 53:29
  Speaker 1: Pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up, pick it up.
• 53:32
  Speaker 1: One of my favorites, If you know it, I glad you know it and I couldn't really say it.
• 53:37
  Speaker 1: That song I want to.
• 53:38
  Speaker 1: That is one of his best songs.
• 53:53
  Speaker 1: I just wait to know that.
• 53:55
  Speaker 1: I just wait to know that is one of his best songs.
• 53:57
  Speaker 1: And if it didn't pick up yet, I don't know if people know it, but if it didn't pick up yet it's going to pick up with time.
• 54:03
  Speaker 1: I'm going to get it back.
• 54:05
  Speaker 1: It's too sweet to deny.
• 54:06
  Speaker 1: You know what I mean.
• 54:07
  Speaker 1: Crazy is one of them.
• 54:08
  Speaker 1: Guys Crazy put together a portfolio music and I dare say that the King Crazy, as much as they've gone King Crazy, theo Loco, uncle Crazy, like crazy on the rated.
• 54:20
  Speaker 1: So I had to take the time, because when I do Christmas episodes, what people typically ask for is People will ask for scruncher and Baron.
• 54:34
  Speaker 1: Every now and again he has somebody asked for Kenny J.
• 54:36
  Speaker 1: But how you don't play no Kenny J, how you don't play, that's how you play that.
• 54:39
  Speaker 1: Not many people have asked me.
• 54:41
  Speaker 1: But how come you don't play crazy, except for the one crazy that I play every single year, which is Merry Christmas?
• 54:46
  Speaker 1: Right Again, it's one of my favorites.
• 54:48
  Speaker 1: But people don't usually ask for crazy.
• 54:50
  Speaker 1: But I say we had to make this right and let it be known that King Crazy, tio Loco, is the creator of the genre and he had to pay respect to him.
• 54:58
  Speaker 1: So when he say he make the term Parang Soka and he make the fusion Parang Soka, this is the first one he talk about.
• 55:28
  Speaker 7: Music, I took the role of lead singer.
• 55:32
  Speaker 4: Parang Rama in a Rima.
• 55:34
  Speaker 7: Fans stood up.
• 55:34
  Speaker 7: My Parang Band Two thousand clock the grandstand Be welcome.
• 55:39
  Speaker 4: what's the MC?
• 55:42
  Speaker 1: When he introduce me, he's a jumping like a nevel.
• 55:49
  Speaker 5: To my rendition of Serenal Alpagata alpagata.
• 55:55
  Speaker 7: Unulom unulu, Parata Maria.
• 55:59
  Speaker 4: Maria Maria Mi corazon.
• 56:03
  Speaker 4: From Padaspeen to Paizabad, everybody do crazy mad.
• 56:07
  Speaker 4: Maria Maria, maria Mi corazon Music.
• 56:32
  Speaker 7: Baila, baila, amigos, baila Music.
• 56:36
  Speaker 7: I sang on the Annunciation to show my appreciation.
• 56:43
  Speaker 7: Then the crowd went wild.
• 56:45
  Speaker 4: I sang on the boot of the child my next song and a winner will, with good rhythm At first, him.
• 56:54
  Speaker 4: Please break down a second time To see this foreign singer wife.
• 57:01
  Speaker 4: Mucha cheetah, mucha cheetah, Whamu paila, Whamu paila Maria.
• 57:09
  Speaker 7: Maria Maria Pico razon.
• 57:12
  Speaker 7: Common honey squeeze me tighter, titer, titer, titer, titer.
• 57:17
  Speaker 7: Maria Maria Maria Pico razon.
• 57:48
  Speaker 4: Big singers like Henry Pereira, daisy Wozier, gloria Casa, papa, gunclarita Rivas, rito and the Lara brothers.
• 57:56
  Speaker 4: They boo them.
• 57:57
  Speaker 4: Betty Dunn sing, you will tell them, with orange skin pandemonium.
• 58:03
  Speaker 4: It was up there.
• 58:07
  Speaker 4: Crazy is all people want on here.
• 58:10
  Speaker 4: Elpo Pito, elpo Pito.
• 58:12
  Speaker 4: This place has two, most people.
• 58:13
  Speaker 4: Maria Maria Maria Pico razon, coco Rico, coco Rico.
• 58:25
  Speaker 4: I got this bomb, bomb choco.
• 58:27
  Speaker 4: Maria Maria Maria Pico razon, near in the end of the pack, a girl that was placed on my neck.
• 59:01
  Speaker 4: Mucho gracias por el mundo.
• 59:03
  Speaker 4: Reception and grimo.
• 59:03
  Speaker 4: That night I will remember the whole place.
• 59:11
  Speaker 7: Hot crazy man.
• 59:12
  Speaker 7: Yeah, when I collected my dinner.
• 59:15
  Speaker 7: Oh, I sang Manzanera to end the show.
• 59:19
  Speaker 7: If you go to Manzellina, you could get your chip chip water.
• 59:24
  Speaker 7: Maria Maria Maria Pico razon.
• 59:29
  Speaker 7: When you drink your chip chip water, you could fight a rainbow tiger.
• 59:35
  Speaker 7: Maria Maria Maria Pico razon.
• 59:55
  Speaker 1: Maria, maria, maria Pico razon.
• 59:57
  Speaker 1: So when I tell you he's a man put together to think perfectly, get him a little cucumber té, arthur, shovel A head on a head, speak his name, stay there to grow.
• 1:00:23
  Speaker 1: It's a nice potato.
• 1:00:25
  Speaker 1: So we got all here to live, to preserve that and carefully obtained what's in here.
• 1:00:33
  Speaker 1: Ah, crazy Teoloko.
• 1:00:38
  Speaker 1: And in case you want any information about how he guys name, I go and read something from 1979 here.
• 1:00:46
  Speaker 1: I wonder if it's Michael Montezer writers too, they say.
• 1:00:49
  Speaker 1: Members of the vagrancy squad of the health ministry, headed by Leroy Williams, swooped down on Frederick Street on Thursday and the squad picked up well-known Calypso-Dian crazy who was about to climb the Sipriani statue on the corner of Frederick Street on Independence Square.
• 1:01:05
  Speaker 1: My father has always told me stories about crazy.
• 1:01:10
  Speaker 1: He was crazy for real.
• 1:01:12
  Speaker 1: He was a marketing genius.
• 1:01:14
  Speaker 1: He told him one year he tied a rope from the grandstand.
• 1:01:20
  Speaker 1: He had a song named Soka Tazan and when them playing, my father would be playing on his stage for Calypso Monaco.
• 1:01:24
  Speaker 1: I don't know if it was the 10th or the Monaco he was playing for, but he said crazy, tie a rope up on the grandstand or something like that and want to swing from any stand on to the stage and fire service had to stop him from doing it because for his own safety, a dangerous move.
• 1:01:43
  Speaker 1: But I went back again to Dominica Liposada, that transition, and just how we transition from Christmas to Canaveral, we go transition from crazy in the Christmas to crazy in the Canaveral because just as bad as he is Christmas time and just as an originator and a fusion man and a double entendre man, he's the same thing, he kind of well known.
• 1:02:02
  Speaker 1: We go explore it.
• 1:02:03
  Speaker 1: So this is from Dominica Liposada.
• 1:02:04
  Speaker 1: Right In 1979, calypso and Edwin Ayong, aka Crazy, rode a horse up Frederick Street in Dongdong, port of Spain, then attempted to climb the Sipriani statue and appeared to pay an unexpected price.
• 1:02:16
  Speaker 1: From all appearances, crazy was thought to have gone mad and was taken away by the Ministry of Health's Vagrancy Squad, which at the time had been created to clear the streets up on the Spain of the destitute and homeless people.
• 1:02:31
  Speaker 1: I wonder if they get through that or they must be still doing their exercise.
• 1:02:34
  Speaker 1: The drama attracted thousands of unlookers who were seemingly unaware that it was all a publicity stunt created to promote the release of Crazy's new recording album titled Madnesses Gladness Fitting for a man named Crazy.
• 1:02:47
  Speaker 1: Right, and it was not only the corporation of the authorities that sent him to mental hospital in exchange for a concert by Crazy for the inmates of the hospital.
• 1:02:57
  Speaker 1: That is marketing for him only.
• 1:02:58
  Speaker 1: So Crazy organized Sintans to pick him up, dongdong and get him a free show.
• 1:03:03
  Speaker 1: For Crazy, the stunt work, the SPS Road, was a publicity bonanza.
• 1:03:08
  Speaker 1: The lovable lunatic grabbed newspaper headlines and eventually his album sales peaked at a reported record of 35,000 that year.
• 1:03:14
  Speaker 1: The success of the album was what the then 35 year old Calypso can only dream about.
• 1:03:19
  Speaker 1: When he started his career less than a decade earlier under the sobriquet Wang Ping and then Mighty Arawak In the early 70s he was encouraged by Calypso's friend, calypso high, to wrote his first Calypso China man.
• 1:03:30
  Speaker 1: He was later dubbed Crazy by Calypso's versatile Doran Hector.
• 1:03:34
  Speaker 1: Crazy went on to have a highly successful career that blended film and theater and 44 years later continues to perform at home and abroad.
• 1:03:46
  Speaker 1: So when you talk about man who Are Crazy and man who Are Get Himself Subriquet and Titled, man who Are Get Himself Subriquet and Titled are very, very fitting to what they actually do.
• 1:03:55
  Speaker 1: Crazy is one of them, fellas.
• 1:03:57
  Speaker 1: So when you talk about man who Are Subriquet and Ting, that fitting.
• 1:04:01
  Speaker 1: He definitely talking about men like Crazy, right?
• 1:04:06
  Speaker 1: So it's only right that a study soaker part of it.
• 1:04:09
  Speaker 1: So let me pretend it's the 6th of January or let me pretend we in the mode where we start to switch from Christmas to kind of Valna and going into summer.
• 1:04:17
  Speaker 1: Crazy greatest kaiso and soaker hits right All.
• 1:04:21
  Speaker 1: I want to start with Soaker Tazan when they say he wanted to swing there 1984.
• 1:04:24
  Speaker 1: Soaker tazan, imagine Crazy trying to swing.
• 1:04:27
  Speaker 1: Imagine a young crazy.
• 1:04:28
  Speaker 1: I don't imagine crazy at this age.
• 1:04:29
  Speaker 1: I imagine him trying to swing from the grandstand to land on his stage.
• 1:04:33
  Speaker 1: Soaker tazan.
• 1:05:36
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:05:39
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:06:00
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:06:08
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:06:46
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:07:06
  Speaker 7: So I want you join with me because we're not in the jungle.
• 1:07:46
  Speaker 1: So as we transition from Christmas to Carnival right, we transition in the right way.
• 1:07:54
  Speaker 1: For Christmas to Carnival, there'll be no hard stop on this podcast.
• 1:07:57
  Speaker 1: There'll be no pretending like Carnival never happened or gladdened that carnival done or Christmas.
• 1:08:02
  Speaker 1: We're pretending that Christmas never happened or gladdened that Christmas done.
• 1:08:06
  Speaker 1: So we can enjoy the carnival, the Christmas and the carnival and Trinidad.
• 1:08:09
  Speaker 1: It kinda want to be one season.
• 1:08:11
  Speaker 1: We enjoy the merry men to the Christmas and we keep their joy and their happiness that we have and we take it straight into the merry men of the carnival.
• 1:08:20
  Speaker 1: So when you hear this song, right Another Soaker Parang legend and king by the name of Scranto, take this song and turn it into a Soaker Parang song, in my opinion, as a tribute to the creator.
• 1:09:26
  Speaker 4: So come let me jam it baby.
• 1:09:29
  Speaker 5: Come, let me have fun, come, let me jam it.
• 1:09:32
  Speaker 5: Baby, I wanna get some.
• 1:09:35
  Speaker 4: Jam it, jam it, jam it, jam it.
• 1:09:37
  Speaker 4: The party now starts.
• 1:09:40
  Speaker 4: The party now starts.
• 1:09:41
  Speaker 4: Man, we go in nonstop.
• 1:09:43
  Speaker 4: We're now warming up.
• 1:09:44
  Speaker 4: The party now starts.
• 1:09:45
  Speaker 4: The party now starts.
• 1:09:47
  Speaker 7: Soak, our jamming hard, hard.
• 1:09:49
  Speaker 7: We behave in part.
• 1:09:55
  Speaker 4: Dancing from the sun.
• 1:09:56
  Speaker 4: Call it so jamming Dancing from the sun.
• 1:09:59
  Speaker 5: Call it so jamming.
• 1:10:11
  Speaker 4: Juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh juh.
• 1:10:20
  Speaker 4: We have the MSNB for petting.
• 1:10:24
  Speaker 4: It's totally on.
• 1:10:27
  Speaker 4: A stop in.
• 1:10:28
  Speaker 4: We party now.
• 1:10:58
  Speaker 5: Start we party now start Suka jammin han han, we be havin' bad Dancing runnin' sin kalib.
• 1:11:07
  Speaker 5: So jammin' Dancing runnin' sin kalib.
• 1:11:28
  Speaker 5: So jammin' who come to party want to party, love to party.
• 1:11:40
  Speaker 5: Why?
• 1:11:40
  Speaker 5: Come lo, we jammin' baby.
• 1:11:56
  Speaker 5: Come lo, we have fun.
• 1:11:58
  Speaker 5: Come lo, we jammin' baby Jammin jammin, jammin, jammin, jammin, jammin, jammin.
• 1:12:07
  Speaker 1: You want to hear a next song, that crazy single.
• 1:12:10
  Speaker 1: All my time in Parangin, somehow a bunch of unrelated Parangin.
• 1:12:15
  Speaker 1: Well, I must have been using it with Parangin.
• 1:12:17
  Speaker 1: A bunch of unrelated rum side.
• 1:12:19
  Speaker 1: Who never bonks up one another.
• 1:12:20
  Speaker 1: No way, this song is a popular song people like to play in Parangin.
• 1:12:25
  Speaker 1: As I said, olive, I play in Parangin, the hostels in Parangin Playin' anything.
• 1:12:29
  Speaker 1: It's not just Parangin, traditional Spanish Parang music or Soka Parangin.
• 1:12:33
  Speaker 1: I don't know if people know this.
• 1:12:34
  Speaker 1: You might sing a homemade wine and them think Mostly where you be singing this traditional Parangin, like a Serino or a Manzanari or a Gali.
• 1:12:44
  Speaker 1: What go again, man?
• 1:12:47
  Speaker 1: What do you call it?
• 1:12:56
  Speaker 1: Next one, my African song, long ago, high on a mountain in Mexico, some of them sung and didn't do it Christmas night.
• 1:13:03
  Speaker 1: But those of you who have some songs you sing right, but other than that it's really kaiso and soka and them kind of thing.
• 1:13:08
  Speaker 1: You know I'm old-time.
• 1:13:09
  Speaker 1: Traditional Calypso is where it's played in, at least what we call in Parang, but somehow all over the place I parang and think from deep in Gasperlo all the way up to the West and you hear people playing this crazy in the parang mix.
• 1:13:57
  Speaker 4: I sure you didn't know.
• 1:13:58
  Speaker 4: Crazy is a mechanic, any kind of moto, I could fix it.
• 1:14:12
  Speaker 4: I'm pretty on my way.
• 1:14:19
  Speaker 4: Break on me.
• 1:14:20
  Speaker 4: You are the good big man.
• 1:14:21
  Speaker 4: Drive it on the press, drive it Some things.
• 1:14:25
  Speaker 4: I shake it, I fold off some of the missing things.
• 1:14:27
  Speaker 4: Drive it on the press, drive it.
• 1:14:53
  Speaker 5: I know you're a big city.
• 1:14:54
  Speaker 5: I know you're a big city.
• 1:15:13
  Speaker 4: I know you're a big city.
• 1:15:15
  Speaker 4: I know you're a big city.
• 1:15:16
  Speaker 4: Drive it on the press.
• 1:15:40
  Speaker 4: Drive it.
• 1:15:41
  Speaker 4: I'm pretty on my way.
• 1:15:58
  Speaker 4: Break on me.
• 1:15:59
  Speaker 4: You are the good big man.
• 1:16:00
  Speaker 4: Drive it on the press, drive it.
• 1:16:27
  Speaker 4: Some things.
• 1:16:39
  Speaker 4: I shake it, I fold off some of the missing things.
• 1:16:45
  Speaker 5: Drive it, drive it.
• 1:16:46
  Speaker 5: Drive it on the press, drive it.
• 1:17:33
  Speaker 1: Done by the original last time.
• 1:17:35
  Speaker 1: Paul Crazy playing all about in this house, I can't escape this one.
• 1:17:39
  Speaker 1: I want to go into the years at the Blonto on Drosongs because they have a bunch of ideas.
• 1:17:43
  Speaker 1: We're crazy, I feel was trying to deliberately get banned from radio.
• 1:17:47
  Speaker 1: He's making songs for them.
• 1:17:52
  Speaker 1: To ban him from radio, this one would be a little earlier than that right.
• 1:17:54
  Speaker 1: But in his prayers that in New Year I know all of them have New Year's resolution, you know out of the Christmas and in New Year's if he was lonely, you know Valentine coming, you might be looking for somebody to hug up with.
• 1:18:05
  Speaker 1: Come the Valentine time, and why not take a little advice from Crazy on the topic?
• 1:18:10
  Speaker 1: You have a month and a half.
• 1:18:25
  Speaker 1: No matter if you should be on your road and sing before Valentine's this year, so you can find somebody on your road for the Valentine's.
• 1:19:17
  Speaker 5: Why don't you take a man?
• 1:19:18
  Speaker 5: Boom boom, bam, boom, bam, bam, bam bam.
• 1:19:21
  Speaker 5: Take a man.
• 1:19:22
  Speaker 5: Boom boom, bam, bam, bam, bam, bam bam.
• 1:19:25
  Speaker 5: Take a man.
• 1:19:50
  Speaker 7: She said you better change your mind.
• 1:19:51
  Speaker 7: Look for somebody else to lie.
• 1:19:55
  Speaker 7: It is me.
• 1:19:58
  Speaker 7: You're coming behind Tonight.
• 1:20:01
  Speaker 4: You're only wasting your time, but you don't have to worry, everything will be alright with me.
• 1:20:07
  Speaker 4: As you hear in your party, go long to anybody, she said.
• 1:20:12
  Speaker 4: If you can't get a woman, take a man.
• 1:20:15
  Speaker 4: It's the only solution.
• 1:20:17
  Speaker 4: Take a man.
• 1:20:18
  Speaker 4: If you're feeling for somebody In the party, why don't you take a man?
• 1:20:28
  Speaker 5: Boom, boom, bam, bam, bam, bam bam, Take a man.
• 1:20:30
  Speaker 5: Boom, boom, bam, bam, bam, bam, bam bam, Take a man.
• 1:20:57
  Speaker 1: You can't go wrong with advice like that.
• 1:20:59
  Speaker 1: Huh, they're about 45 days.
• 1:21:02
  Speaker 1: You know what I mean.
• 1:21:03
  Speaker 1: If you carry a woman, why the hell not?
• 1:21:05
  Speaker 1: So listen, the band era I'm gonna play.
• 1:21:08
  Speaker 1: I'm gonna play Trify, right, and then after that is, hit after hit after hit After hit after hit after hit to close out, right, because I don't know why it is when we're talking About the greats and the greatest of all times.
• 1:21:19
  Speaker 1: How come it is crazy name no-call more often For somebody who have that amount of hits over the years.
• 1:21:24
  Speaker 1: I find his name no-call often enough.
• 1:21:25
  Speaker 1: So we had that again.
• 1:21:26
  Speaker 1: We were love going out to crazy while he here, while he still doing so much for us.
• 1:21:31
  Speaker 1: I don't want you to feel like if I talk about no long time artists from the past.
• 1:21:35
  Speaker 1: I don't know crazy music this year, yeah, music last year.
• 1:21:38
  Speaker 1: He always have music in the mix.
• 1:21:39
  Speaker 1: I just picking out some of the greatest ones Over the years there.
• 1:21:44
  Speaker 1: But he went through a era where he didn't want to be heard, just like how they lock him up and he sent out.
• 1:21:48
  Speaker 1: I don't know if this was a publicity stunt or this was marketing, or this was why he ever career that's spanning, you're talking about 50 years with a musical.
• 1:21:56
  Speaker 1: You know what I mean.
• 1:21:56
  Speaker 1: That in itself should be celebrated.
• 1:21:58
  Speaker 1: I see them fellas in the state celebrate 50 years.
• 1:22:01
  Speaker 1: I hip hop the other day in a big way Paul Jay-Z music all over the museum, the lyrics back up the whole museum and I wonder how somebody like crazy Could celebrate 50 years and we don't have the whole Annapo with all crazy lyrics All plaster over the whole Annapo.
• 1:22:16
  Speaker 1: But then I thought to myself that maybe, maybe, giving some crazy lyrics, they might not want to put it With his school chair and good seat, so I could rent you the band era for you here.
• 1:22:27
  Speaker 1: The name of this song despite popular belief, it is called CORE FOR REMEDY.
• 1:22:31
  Speaker 1: In this time of COVID and all these things, it's such a relevant song.
• 1:22:35
  Speaker 1: I don't know why it is the Al Singh and these fellas didn't use a song like this when we was going through lockdown and come back up and when we were all here to say Well in food until further notice.
• 1:22:45
  Speaker 1: And as of 8pm today and all these things, they could have used this song as a theme song for the COVID and this song is called for remedy.
• 1:23:23
  Speaker 4: Oh, yo, yo, yo yo yo, yo, yo, yo, yo, yo, yo, yo yo.
• 1:23:25
  Speaker 4: For weeks I had it.
• 1:23:29
  Speaker 4: It wouldn't go.
• 1:23:30
  Speaker 4: But what to do?
• 1:23:32
  Speaker 4: I really don't know.
• 1:23:33
  Speaker 4: I had it so bad I couldn't sing what to do to get rid of this thing.
• 1:23:40
  Speaker 4: So I decided to go by mislead To see if I get a good remedy and pass by.
• 1:23:49
  Speaker 4: She on carnival day.
• 1:23:51
  Speaker 4: And this is what mislead to say Take up an all use panna doll, try tiling all use bennett, all.
• 1:24:01
  Speaker 4: I'm an honey good, chadolberry good, ginger lily good, stinkin' so zy good.
• 1:24:08
  Speaker 4: Take up an all use panna doll, try tiling all use bennett, all Hey-Hey, hey-hey.
• 1:24:17
  Speaker 4: This is the time you've come here, carnival day and my crazy manuals.
• 1:24:29
  Speaker 4: Crazy and true.
• 1:24:29
  Speaker 4: And first I thought she was making joke and asked her if she was coughing me.
• 1:24:36
  Speaker 4: But she say try it and it will work.
• 1:24:39
  Speaker 4: This is an old, happily remedy.
• 1:24:42
  Speaker 4: But after all I was still in doubt and I said she could.
• 1:24:48
  Speaker 4: But I explained.
• 1:24:49
  Speaker 4: She said you know what I'm talking about.
• 1:24:53
  Speaker 4: Let me tell you what to do again game, game, game.
• 1:24:58
  Speaker 4: Bokko.
• 1:24:58
  Speaker 4: Take aspirin.
• 1:24:59
  Speaker 4: Bokko.
• 1:24:59
  Speaker 4: Use an acid.
• 1:25:00
  Speaker 4: Bokko.
• 1:25:01
  Speaker 4: One extra drink.
• 1:25:02
  Speaker 4: Bokko.
• 1:25:02
  Speaker 4: Liquid vitamin.
• 1:25:03
  Speaker 4: Angostura gold.
• 1:25:05
  Speaker 4: Bokko.
• 1:25:06
  Speaker 4: Baking powder gold Bokko.
• 1:25:08
  Speaker 4: Clove and ginger gold.
• 1:25:09
  Speaker 4: Bokko.
• 1:25:09
  Speaker 4: Aloe vera, gold, bokko.
• 1:25:11
  Speaker 4: Bokko.
• 1:25:12
  Speaker 4: Take aspirin.
• 1:25:13
  Speaker 4: Bokko use an acid.
• 1:25:14
  Speaker 4: Bokko one extra drink.
• 1:25:16
  Speaker 4: Bokko liquid vitamin Oy-oy oy, oy, oy, oy, oy, oy, hey, hey, hey, hey, hey, hey, hey, oy-oy oy, oy, oy, oy, oy, oy, ay, ay, ay, ay, ay, ay, ay, oy, oy, oy, oy, oy, oy, ay.
• 1:25:52
  Speaker 1: I could play a next one favourite of the band off the radio.
• 1:25:54
  Speaker 1: I couldn't play it on the radio at all.
• 1:26:34
  Speaker 4: She come in the party, her dance with me, saying how she looking for a man I was with because go sing at my cousin.
• 1:26:45
  Speaker 4: When all of a sudden I know what it is I am Sumhava Amane impedance.
• 1:26:54
  Speaker 4: And she come in the party.
• 1:26:55
  Speaker 4: She come at me, said to me America, all your mother come, all your mother come, all your mother come, all your mother come, america, america.
• 1:27:28
  Speaker 4: She say I just come down from Pierre-Pô and I thought that you would like to know, not because I'm crying, it's something I'm trying, I am a McGurion and if you feel that I'm lying, if you hear she inside the party, she tell AMC, all your mother come, all your mother come.
• 1:27:50
  Speaker 4: He tried to hold she.
• 1:27:52
  Speaker 4: She said don't hold me.
• 1:27:53
  Speaker 4: All your mother come, all your mother come.
• 1:27:55
  Speaker 4: What happened to you All?
• 1:27:57
  Speaker 4: Why don't you get me blown?
• 1:27:59
  Speaker 4: All your mother come from America.
• 1:28:04
  Speaker 6: All your mother come, all your mother come, all your mother come.
• 1:28:13
  Speaker 1: I would want to hazard.
• 1:28:14
  Speaker 1: I guess that if Crazy was to listen to the radio today and hear the things that we played, he might want to go back in time and get this song played, because these songs was banned from the radio and there's soft compared to where it is the radio played now.
• 1:28:29
  Speaker 1: I want to go into the next one for you again.
• 1:28:31
  Speaker 1: The name of the song is Qualified Kassho.
• 1:29:00
  Speaker 4: Poonchus and some eps and salt Accha shit.
• 1:29:02
  Speaker 4: They bring something called Inima Accha shit.
• 1:29:06
  Speaker 4: Apacadryl is called Senna Accha shit, oi, accha shit, accha shit, ey, accha shit, accha shit.
• 1:29:15
  Speaker 4: They bring all kind of thing.
• 1:29:18
  Speaker 4: I feel sick, no matter what they bring Accha shit.
• 1:29:23
  Speaker 4: They bring raisins and all Accha shit.
• 1:29:26
  Speaker 4: Some garlic wrapping a ball Accha shit.
• 1:29:30
  Speaker 4: They bring something they call a douche Accha shit.
• 1:29:33
  Speaker 4: And a pack of Nooni juice Accha shit, Oi, accha shit, accha shit, ey, accha shit, accha shit.
• 1:29:44
  Speaker 4: They even bring a number four meal from my lucky boys.
• 1:29:47
  Speaker 4: I'm shocked when I see that it's 25 years and it's good.
• 1:29:51
  Speaker 4: I love this shop, I love it.
• 1:29:58
  Speaker 4: This Kiasha the only Kiasha come out to work that day I have no time to play, but to the toilet, me belly in pain.
• 1:30:07
  Speaker 4: I still can't go off.
• 1:30:10
  Speaker 4: So it's back to Kiasha again.
• 1:30:11
  Speaker 4: All kind of thing they bring for me Accha shit.
• 1:30:14
  Speaker 4: A tube, something named Oozzy Accha shit.
• 1:30:18
  Speaker 4: A measuring cup with lamp oil Accha shit.
• 1:30:21
  Speaker 4: Something wrapping tea, some foil Accha shit, oi, accha shit, accha shit, ey, accha shit, accha shit.
• 1:30:31
  Speaker 4: Me belly holding me Accha ticket.
• 1:30:34
  Speaker 4: No matter what.
• 1:30:37
  Speaker 4: They bring crazy jazz Accha shit.
• 1:30:39
  Speaker 4: They bring a cup full of sweet oil Accha shit.
• 1:30:42
  Speaker 4: They bring a ghost Accha star oil Accha shit.
• 1:30:45
  Speaker 4: They bring me some hemoglobin Accha shit To Palaksan and a sim Accha shit, oi, accha shit, accha shit, accha shit, accha shit, accha shit, Ey, ey, ey, ey.
• 1:31:06
  Speaker 4: I love to value and all you want me, but all you want is to come back to work.
• 1:31:10
  Speaker 4: That day I'm Accha shit, qualified, kiasha, kiasha in a pharmacy, me belly griping me, but toilet calls Accha, go over call.
• 1:31:23
  Speaker 4: So I went back to Kiasha before the boss man called they bring some pro-plakts and amul Accha shit, meal for Magnesia and some salts Accha shit.
• 1:31:33
  Speaker 4: They bring some meal acts and slimpy Accha shit.
• 1:31:37
  Speaker 4: I box asking me to tweet some key Accha shit.
• 1:31:40
  Speaker 1: Oi, accha, shit.
• 1:31:42
  Speaker 1: Well, I think I think should I be back, then I doubt I doubt even you ever live.
• 1:31:49
  Speaker 1: I'm crazy, I'm uncomfortable when you hear me play, you know, and I want to know something right, when they banned them songs that long ago Places like 105, 102, 95.5, who still find time to play some songs like this them and them, they play these kind of songs like Pauline Mother, come on, tim, because that was a big problem.
• 1:32:07
  Speaker 1: I don't know if you will remember, but that was a big problem.
• 1:32:09
  Speaker 1: When them songs debut, people did not like that.
• 1:32:13
  Speaker 1: People was very uncomfortable.
• 1:32:14
  Speaker 1: They say crazy was overdoing it and them kind of thing.
• 1:32:16
  Speaker 1: And they come like rewriting on a horse and getting lock up and all wondering if he was really doing that as publicity stunts and making sure that his music get out there.
• 1:32:24
  Speaker 1: Because to last as long as he has lasted any music and to be as relevant as he's been in the mix, that ain't no easy thing to do.
• 1:32:32
  Speaker 1: You got to pull off some stunts, right, because this is one of the songs that he had as a hit when I was done fighting already.
• 1:32:38
  Speaker 1: So think about it if crazy was creating Soka Parang in 79 and was doing Soka long before that and come through all the years with all them hits.
• 1:32:45
  Speaker 1: All you know what I mean.
• 1:32:46
  Speaker 1: That's one of the most consistent and one of the biggest catalogs in this genre For him to be coming out.
• 1:32:52
  Speaker 1: When I fighting Because I mean before I born he's singing right.
• 1:32:55
  Speaker 1: I always admire people who would be singing, since back then or when I was small and I grew up, to come fight and see them perform that ain't easy to do, that kind of longevity, and this is one of the songs that people whom around my age, maybe even people who still in their 30s, might remember.
• 1:33:12
  Speaker 1: And it's sweet, bad.
• 1:33:14
  Speaker 4: It's all this for a cool sweat.
• 1:33:15
  Speaker 4: And when you can't go alone and you walk it, so look at sweat in a lager and let go.
• 1:33:47
  Speaker 4: When you move on me, baby, when you move on me, and when you run it, so moving through and through, look at sweat in a lager and let go.
• 1:34:02
  Speaker 4: You know I get wet.
• 1:34:05
  Speaker 4: Every time you fight on me I get wet and I sweat it constantly.
• 1:34:10
  Speaker 4: I get wet, even you flexing, naturally.
• 1:34:14
  Speaker 4: So in the high energy, you see, I cannot understand why, with this woman post-marriage and running down from the top and the head going down to the feet, but I like it, cause the woman looks so sweet and sexy, white walking up.
• 1:34:37
  Speaker 4: She's fine, she keep it coming coming, coming, coming, coming.
• 1:34:48
  Speaker 4: When you whine on me, baby when you grind on me and when you can't go alone and you walk it.
• 1:34:57
  Speaker 4: So look at sweat in a lager and let go when you move on me, baby, when you move on me and when you run it so moving through and through, look at sweat in a lager and let go.
• 1:35:16
  Speaker 4: You know I get wet every time you whine on me.
• 1:35:21
  Speaker 4: I get wet and I sweat it constantly.
• 1:35:25
  Speaker 4: I get wet, even you flexing, naturally Sweating me high, and I just can't see she waist right hard to hold.
• 1:35:36
  Speaker 4: I start to lose control cause I think she in the soul Like it's something close.
• 1:35:42
  Speaker 4: I start to get cactus Cause she bobbin, so I put me best foot post, but she stay.
• 1:35:50
  Speaker 4: Coin.
• 1:35:51
  Speaker 4: Yes, give me the hand.
• 1:35:56
  Speaker 5: Keep it coming, coming, coming coming, coming.
• 1:36:01
  Speaker 2: When you whine on me, I get cold sweat, I get cold sweat.
• 1:36:19
  Speaker 5: When you whine on me, baby, when you cry on me, I get cold sweat.
• 1:36:28
  Speaker 2: And when you can't go alone and you walk it.
• 1:36:30
  Speaker 2: So look at sweat in a lager and let go.
• 1:36:38
  Speaker 5: When you move on me, baby, when you run it, so when you run it, so give me the hand.
• 1:36:48
  Speaker 5: When you walk it, so with you I go, I get wet, wet, wet, wet, wet, wet, wet, wet.
• 1:37:06
  Speaker 1: Wet, wet.
• 1:37:06
  Speaker 1: The headier crowd reaction.
• 1:37:08
  Speaker 1: I believe that this would have been so common I think the years 2007, but don't quote man that right and you hear the crowd reaction to the great King, crazy uncle, crazy Teo local you think they can without him.
• 1:37:20
  Speaker 1: The loving bad.
• 1:37:21
  Speaker 1: And again, this is just a happy, so to say, crazy boy.
• 1:37:23
  Speaker 1: We love you.
• 1:37:24
  Speaker 1: We were here, we said we want you to hear us telling you that while you're here and while you're good and while you can remember these, true than them, we want to start a talk about you and you can remember and you know the flowers there.
• 1:37:35
  Speaker 1: Again, you're flowers while you're here and Now.
• 1:37:40
  Speaker 1: We always had to talk about kaiso and calypso as well.
• 1:37:43
  Speaker 1: It would be miss a me to play all them parents hooker hits and all them soca hits without playing some kaiso from crazy Right, and I want to play for you one that I feel personally is one of the greatest entries ever into the Calypso monaca, one of the greatest calypsos ever written.
• 1:37:59
  Speaker 1: Not much time, I tell you, the greatest calypso ever written, but this update was the best of them, right?
• 1:38:02
  Speaker 1: This is a piece of composition and a piece of delivery that would be hard to beat and sometimes I wonder when you look at crazy and I talk about being underrated when I look up the list here for Calypso monaca winners over the years and you ain't see crazy come up at all.
• 1:38:19
  Speaker 1: Hard to understand how a song like this would not beat people.
• 1:38:49
  Speaker 4: Yesterday has come and gone, leaving some of us too much times we had and friends we lost.
• 1:38:57
  Speaker 4: And while they took its course, we have seen the many faces of slavery.
• 1:39:05
  Speaker 4: We have seen the British Empire fall.
• 1:39:10
  Speaker 4: We have seen hit last contribution to history.
• 1:39:17
  Speaker 4: We have seen the rise and fall of the Berlin wall.
• 1:39:23
  Speaker 4: We have seen famines.
• 1:39:27
  Speaker 4: We have seen wars, as you well imagine.
• 1:39:33
  Speaker 4: We have seen nothing yet because in time to come, america will have a black president.
• 1:39:44
  Speaker 4: In time to come, there's going to be an active world government.
• 1:39:50
  Speaker 4: In time to come, the world will see human life cheaper than dirt.
• 1:39:56
  Speaker 4: In time to come, from outer space aliens will learn on the good team.
• 1:40:04
  Speaker 4: Africa will wield the world cup.
• 1:40:06
  Speaker 4: Marijuana will sell in the shop.
• 1:40:09
  Speaker 4: Science will produce, spread out a stone and then create the first human clone.
• 1:40:15
  Speaker 4: Technology will reach a new high.
• 1:40:18
  Speaker 4: Buses and cars will fly in the sky.
• 1:40:22
  Speaker 4: Trinidad will make a nuclear bomb in time to come in time to come in time to come, moving from the dark ages, man has progressed in stages through this tone and iron age till we turn another page and we saw the adventist of alexander waging war in his obsession for conquest inventions like the chariot and the sabre, the weapons that put Europe under duress.
• 1:41:31
  Speaker 4: Mankind achievements sometimes work great and his glorious moments mark the passage of time.
• 1:41:44
  Speaker 4: But wait.
• 1:41:45
  Speaker 4: In time to come, mankind will have a colony on the moon.
• 1:41:51
  Speaker 4: In time to come, the scallops will be at top 42.
• 1:41:57
  Speaker 4: In time to come, scientists will synthesize silver and gold.
• 1:42:03
  Speaker 4: In time to come, people will have real sex by remote control.
• 1:42:09
  Speaker 4: What?
• 1:42:09
  Speaker 4: The first dead man will come back alive.
• 1:42:12
  Speaker 4: Cancer and AIDS victims will survive.
• 1:42:15
  Speaker 4: Babies will burn with moustache and beard.
• 1:42:19
  Speaker 4: Dines and kidneys will be repaired.
• 1:42:21
  Speaker 4: The government will burn cigarette.
• 1:42:24
  Speaker 4: Breakfast and lunch will be a tablet at.
• 1:42:28
  Speaker 4: We are always flip the atom.
• 1:42:31
  Speaker 4: When, in time to come for this new millennium, mark my word keep in mind, this song is around 2000 that day when the right brothers, after three men does horrors?
• 1:43:09
  Speaker 4: got their little plane to soar, all of mankind stood in awe, just like when that great scholar, benjyman franklin, discovered what would be electricity, and again when, so alexander the kingpin, give the world the first telephone company.
• 1:43:35
  Speaker 4: But all of that is a drink, a rum, in our drinking classes, compared with what is still to come.
• 1:43:48
  Speaker 4: In time to come, an asteroid will destroy new york city work.
• 1:43:55
  Speaker 4: In time to come, california will stop mojanda dc.
• 1:44:00
  Speaker 4: In time to come, almost every athlete will be bionic.
• 1:44:06
  Speaker 4: In time to come, every national park will be jurassic.
• 1:44:12
  Speaker 4: Explorers will find eldorado.
• 1:44:16
  Speaker 4: Computers will compose calypso.
• 1:44:19
  Speaker 4: Man will begin to travel.
• 1:44:21
  Speaker 4: In time, police will stop adultery and crime.
• 1:44:25
  Speaker 4: People won't go to church anymore and there will be a gender war.
• 1:44:31
  Speaker 4: Preachers will heal the deaf and the dumb.
• 1:44:34
  Speaker 4: Yes, in time to come in time to come in time to come oh, you know that voice I tell you, ladies and gentlemen, I really appreciate that.
• 1:45:09
  Speaker 4: Uh, uh, wondering what will be next in the world of science and sex.
• 1:45:16
  Speaker 4: We have seen already the tacit acceptance by the world regarding same gender romance and we know that, according to modern science, life or death could depend on the circumstance.
• 1:45:37
  Speaker 4: Communication take over now and in man's expectation there is nothing time won't allow.
• 1:45:50
  Speaker 4: In time to come, an exorcist will capture a living ghost.
• 1:45:57
  Speaker 4: In time to come, a transvestite will become his universe.
• 1:46:02
  Speaker 4: In time to come, an instin dion will win the calypso crumb.
• 1:46:08
  Speaker 4: In time to come, scientists will make all people come back young.
• 1:46:14
  Speaker 4: I hope so.
• 1:46:14
  Speaker 4: Advertisements will light up disguise and holograms will dust the eyes.
• 1:46:20
  Speaker 4: Women will walk naked.
• 1:46:23
  Speaker 4: In the tongue, things will go up and never come down to go to, to beg, people will walk.
• 1:46:29
  Speaker 4: Monkey and dog will learn how to talk.
• 1:46:32
  Speaker 4: Satmaraj will have a negro grandson.
• 1:46:37
  Speaker 1: In time, to come bite of bite a-bit testimonial on the local scene changes.
• 1:47:10
  Speaker 4: We have seen them all.
• 1:47:12
  Speaker 4: What a journey it has been, way back against the wall.
• 1:47:17
  Speaker 4: Remember the works of lock joint and sampey at the time when money was no problem and the drinks in the tongue was whiskey and brandy.
• 1:47:32
  Speaker 4: That was when the black power caused big mayhem.
• 1:47:38
  Speaker 4: We saw an island rise up just so from out in the ocean.
• 1:47:47
  Speaker 4: But that is joke.
• 1:47:49
  Speaker 4: I want you to know.
• 1:47:51
  Speaker 4: In time to come, an african will win mastana, bah ha.
• 1:47:57
  Speaker 4: In time to come, trinbego will have a woman prime minister.
• 1:48:03
  Speaker 4: In time to come, kitchen as son will come here and start to sing, and what else?
• 1:48:09
  Speaker 4: In time to come, who knows?
• 1:48:12
  Speaker 4: He might become the next road match king.
• 1:48:14
  Speaker 4: Indians and africans will unite and there will be no more racial fights.
• 1:48:21
  Speaker 4: All of them drug pushers will cool down and then ratsing will hang up his gun.
• 1:48:26
  Speaker 4: Sandy grandi will be a city.
• 1:48:29
  Speaker 4: U n c will win in lavante and one day will stop drinking rum.
• 1:48:35
  Speaker 4: Well, in time to come.
• 1:48:38
  Speaker 4: In time to come.
• 1:48:41
  Speaker 4: In time to come crazy crazy.
• 1:49:04
  Speaker 4: Let me do something.
• 1:49:04
  Speaker 4: For my whole time, since the beginning of time, man has never found himself caught up in a web of crime.
• 1:49:14
  Speaker 4: He put his soul on the shelf and we saw all his wickedness manifesting.
• 1:49:21
  Speaker 4: Furthermore, in provision he did wallow.
• 1:49:26
  Speaker 4: Then we saw his intelligence disappearing and therefore, how low are his morals could go.
• 1:49:37
  Speaker 4: But in the future, tomorrow's era and the hereafter, mankind will have to do better.
• 1:49:52
  Speaker 4: In time to come, all religions will get together and pray, in time to come, when it is getting closer to judgment day.
• 1:50:02
  Speaker 4: In time to come, the messiah will come and peace will prevail.
• 1:50:08
  Speaker 4: In time to come, king lucifer will make a lifetime in jail.
• 1:50:14
  Speaker 4: Milk and honey will be the menu.
• 1:50:17
  Speaker 4: Dollars and cents will have no value, sorrow and pain will cease to exist and everyone will find happiness.
• 1:50:26
  Speaker 4: Man and woman will live forever in the kingdom of the creator, and the peace will be so carried on in time to come.
• 1:50:38
  Speaker 4: In time to come, all you.
• 1:50:44
  Speaker 4: Let me do one more verse to jesus.
• 1:50:47
  Speaker 4: We say nothing about jesus, yet we do our verses to jesus.
• 1:50:52
  Speaker 4: And for ato boulden.
• 1:50:56
  Speaker 4: We say nothing about ato.
• 1:50:57
  Speaker 4: We say nothing about jesus.
• 1:51:05
  Speaker 4: All these things I sing to you will rarely happen for truth.
• 1:51:10
  Speaker 4: One day, if we live to see these things come reality, remember the prophecies of john the baptist, who announced the coming of jesus christ, and that man, nostradamus, the mad scientist, who once said the bloody world war will occur twice.
• 1:51:36
  Speaker 4: So it is written.
• 1:51:39
  Speaker 4: So shall it be for things going to happen.
• 1:51:44
  Speaker 4: So all who have eyes would see.
• 1:51:49
  Speaker 4: In time to come, you will stand.
• 1:51:52
  Speaker 4: This crooked team will rise back on top.
• 1:51:55
  Speaker 4: In time to come, on the radio, callipso will jam non stop.
• 1:52:00
  Speaker 4: In time to come at, o boulden will win an olympic gold.
• 1:52:06
  Speaker 4: In time to come, cropper and aims will amaze the sporting world.
• 1:52:12
  Speaker 4: In time to come, the olympic gold will be one million.
• 1:52:15
  Speaker 4: Panorama will pay house and land.
• 1:52:21
  Speaker 4: Amoko will buy odd potter.
• 1:52:23
  Speaker 4: Spain cause there will be another oil boom again.
• 1:52:29
  Speaker 4: Ranish maraj will tell me the truth and sprang along will start bearing soot crazy, will win the olympic gold kaiso kaiso, kaiso, kaiso, kaiso, kaiso.
• 1:52:47
  Speaker 1: One of the greatest kaiso ever, right.
• 1:52:49
  Speaker 1: I want you to know that I love for crazy.
• 1:52:53
  Speaker 1: That is the longest song this is a 167 episodes I record and that is the longest song ever played on this podcast, because it has no way to stop.
• 1:53:03
  Speaker 1: A song like that.
• 1:53:04
  Speaker 1: Beautiful lyrics, beautiful melody, the melody of the obdul.
• 1:53:09
  Speaker 1: You don't want to stop listen if you had to stop listening to that.
• 1:53:13
  Speaker 1: A questioning whether you like kaiso or not.
• 1:53:16
  Speaker 1: Beautiful delivery, beautiful melody, well put together, well arranged.
• 1:53:21
  Speaker 1: One of the greatest kaiso ever.
• 1:53:23
  Speaker 1: King crazy, now crazy, any energy song.
• 1:53:27
  Speaker 1: You say one day in time to come, you go win the mona krong, so you own me.
• 1:53:33
  Speaker 1: You say you're going to 100.
• 1:53:36
  Speaker 1: We wait until here from you, waiting to see you.
• 1:53:38
  Speaker 1: Kaiso krong on your head already to go on to brass tax Meanwhile at Los Angeles, new York.
• 1:54:15
  Speaker 7: Ropati and Chinani In Sokata's city, at Pankejini village, at Sokata's arampe.
• 1:54:28
  Speaker 7: Naniwai, naniwai, naniwai, naniwai, naniwai, naniwai, naniwai, naniwai, naniwai, naniwal, naniwai.
• 1:54:57
  Speaker 7: I'm not a white dumb low, not a white dumb low.
• 1:55:30
  Speaker 4: People started watching the way how she was whining, Exposing Kalindya Raleigh.
• 1:55:39
  Speaker 4: Sweet music and harmony.
• 1:55:47
  Speaker 7: Nani.
• 1:55:47
  Speaker 7: Why Nani, why Nani, why Nani, why Nani, why Nani, why Nani, why Nani, why?
• 1:58:39
  Speaker 1: Nani why Nani why?
• 1:59:18
  Speaker 4: Nani, why Nani, why?
• 1:59:49
  Speaker 5: Nani why?
• 2:00:28
  Speaker 4: Nani why?
• 2:00:46
  Speaker 5: Nani.
• 2:00:46
  Speaker 5: Why Nani, why Nani?
• 2:01:12
  Speaker 5: Why?
• 2:01:33
  Speaker 1: Nani.
• 2:01:33
  Speaker 1: Why Nani, why Nani?
• 2:02:35
  Speaker 1: Why?
• 2:03:05
  Speaker 4: Nani why?
• 2:03:24
  Speaker 5: Nani, why Nani, why?
• 2:04:00
  Speaker 4: Nani.
• 2:04:00
  Speaker 4: Why Nani, why Nani?
• 2:04:22
  Speaker 4: Why?
• 2:04:22
  Speaker 4: Why.
• 2:05:05
  Speaker 1: Why, why, why, why why?
• 2:05:53
  Speaker 1: Why.
• 2:06:07
  Speaker 1: Why, why?
• 2:06:45
  Speaker 4: Why, why?
• 2:06:48
  Speaker 4: Why.
• 2:07:10
  Speaker 1: Why.