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Make it Make Sense-Huge & Occult architecture with Bigtmims · The Occult Rejects

• 0:02
  Speaker 1: You see somethings going to happen.
• 0:06
  Speaker 2: What?
• 0:09
  Speaker 3: What's gonna happen?
• 0:15
  Speaker 4: What?
• 0:24
  Speaker 3: Welcome to the Occult Rejects this episode, we got a
• 0:28
  Speaker 3: very fun and exciting guest, somebody that I was trying
• 0:30
  Speaker 3: to get on for a minute. I like his work
• 0:32
  Speaker 3: on Instagram, and I think he's also a funny dude.
• 0:35
  Speaker 3: Uh he sounds a lot like me to an extent. Also,
• 0:37
  Speaker 3: he sounds like he's got a New York accent. So
• 0:39
  Speaker 3: uh yeah, we got Big Tea coming on from Make
• 0:42
  Speaker 3: It make Sense. But before we introduce him, I'm going
• 0:44
  Speaker 3: to introduce the other reject joining me. We got Ethan
• 0:46
  Speaker 3: Indigo with us tonight. What is going on?
• 0:48
  Speaker 5: Sir?
• 0:48
  Speaker 3: How the hell are you?
• 0:50
  Speaker 5: I'm a pleasure to be here, honored to learn tonight.
• 0:54
  Speaker 5: And yeah, Ethan Indigo Smith on the usual social media
• 0:59
  Speaker 5: well and observer and I got a few books out
• 1:03
  Speaker 5: there and a few more articles to come and plenty
• 1:05
  Speaker 5: articles out there, and yeah, I appreciate you, Nick and
• 1:08
  Speaker 5: Big t this is gonna be.
• 1:09
  Speaker 3: Dope worse of course. No, thank you for coming on, man,
• 1:12
  Speaker 3: I always appreciate it. Yeah, he's got a little bit more
• 1:14
  Speaker 3: than a few books out there. Definitely check out his
• 1:16
  Speaker 3: books and the man himself that we have on for
• 1:19
  Speaker 3: the guests, we got Big T what is going on?
• 1:21
  Speaker 3: So please, I guess let everybody know where they could
• 1:23
  Speaker 3: find your stuff.
• 1:25
  Speaker 4: What's up, guys?
• 1:26
  Speaker 6: Thanks for having me of course, Big tit Big T
• 1:31
  Speaker 6: m I ms on Instagram, at seven one eight on
• 1:34
  Speaker 6: YouTube and Big T eat seven eight on TikTok.
• 1:38
  Speaker 4: I'm afraid to change it, you know what I mean?
• 1:40
  Speaker 4: Like I don't want people to be, oh I can't
• 1:42
  Speaker 4: find him? Well they I don't know. You just want
• 1:44
  Speaker 4: to don't want to mess with you know what I mean?
• 1:47
  Speaker 3: Like like maybe it's.
• 1:50
  Speaker 4: There's a love it, you know what I mean? Ye?
• 1:54
  Speaker 3: So yeah, the reason I got you on and uh,
• 1:57
  Speaker 3: you know in the title, I don't know how much
• 1:59
  Speaker 3: you're into a cult. But like the reason why I
• 2:01
  Speaker 3: threw that in there is because a lot of the
• 2:02
  Speaker 3: stuff I think you're showing that you're like, what the
• 2:04
  Speaker 3: fuck is this? And it's supposed to be old it's
• 2:05
  Speaker 3: very ocult architecture to begin with. But uh, I do
• 2:09
  Speaker 3: find your channel very interesting because I myself do question
• 2:12
  Speaker 3: the dates of these buildings. You know, it just seems
• 2:15
  Speaker 3: like I don't know, it's like, why can't we make
• 2:17
  Speaker 3: that stuff now? But yet they did it how long ago?
• 2:20
  Speaker 4: I don't know.
• 2:20
  Speaker 3: And then some of the history behind even some of
• 2:22
  Speaker 3: the things you've spoken about, I thought was, uh, it's
• 2:25
  Speaker 3: kind of weird. And then I'm sure we'll get into
• 2:27
  Speaker 3: but I guess to uh, first, you know, for the
• 2:29
  Speaker 3: people listening, what was it that got you to start,
• 2:32
  Speaker 3: like all of a sudden start filming stuff. I mean,
• 2:35
  Speaker 3: I don't know if you started in New York City.
• 2:36
  Speaker 3: I might be wrong. I thought you may have. You
• 2:39
  Speaker 3: started in the city filming stuff and starting I guess
• 2:41
  Speaker 3: catch like this just doesn't make just doesn't make sense,
• 2:44
  Speaker 3: make it makes sense? Well, how did that happen? Actually,
• 2:46
  Speaker 3: if you don't mind me asking.
• 2:49
  Speaker 4: I was, uh, I was first, yeah, first you get sober.
• 2:53
  Speaker 3: Right, and then since stuffs.
• 2:56
  Speaker 6: Then then then you start like having time to think,
• 3:01
  Speaker 6: you know, you have your thoughts back, and then you
• 3:03
  Speaker 6: start seeing the government line here, and then you're on
• 3:06
  Speaker 6: the ferry looking at the Statue of Liberty going to
• 3:08
  Speaker 6: Manhattan to ride your bike, and I'm like, how'd they
• 3:11
  Speaker 6: build that? And you google it like had how'd they
• 3:14
  Speaker 6: do it? It was old? It wasn't even power tools
• 3:16
  Speaker 6: it was eight years before power tools.
• 3:18
  Speaker 4: Were invented, and like your people don't understand when you
• 3:21
  Speaker 4: went when it's invented, just because it was invented in
• 3:23
  Speaker 4: nine eighteen ninety two, they weren't perfected, and everyone's like, oh,
• 3:28
  Speaker 4: you know what I mean.
• 3:28
  Speaker 6: Like you have to like get this trial and error
• 3:31
  Speaker 6: with these days. It was invented in eighteen ninety two,
• 3:33
  Speaker 6: wasn't perfected. And then I went on a search. They
• 3:37
  Speaker 6: did it.
• 3:37
  Speaker 4: They first they put it together in France, took it apart.
• 3:40
  Speaker 4: We we perfect though.
• 3:41
  Speaker 6: Send it over to Manhattan. No, Na, that's where everyone is.
• 3:45
  Speaker 6: That's too easy over there, that island in the middle,
• 3:47
  Speaker 6: Like it just does.
• 3:48
  Speaker 4: Like we all moved. You take a cabinet apart, it's
• 3:51
  Speaker 4: like never the same. You're screwing it back together, like
• 3:53
  Speaker 4: let alone with no power tools, you know what I mean.
• 3:56
  Speaker 4: Like and then my friend's like, oh, they gave it
• 3:58
  Speaker 4: to us for slavery, and I'm like, oh, the pulling
• 4:00
  Speaker 4: on people's heart streaks, you know what I mean.
• 4:02
  Speaker 6: Now, there's a section of people that aren't even gonna
• 4:04
  Speaker 6: question it. You know, there's always a little tail and
• 4:07
  Speaker 6: they're funny. If you go digging, you and you smoke
• 4:10
  Speaker 6: a little. You're like, hold on, how long did we
• 4:12
  Speaker 6: go along for this?
• 4:13
  Speaker 3: How? I mean?
• 4:15
  Speaker 4: I think my tooth, I put it under my pillow,
• 4:17
  Speaker 4: and a little fairy comes and leaves me money. Oh
• 4:19
  Speaker 4: I get it. Oh with little kids again, we're still
• 4:22
  Speaker 4: little kids.
• 4:22
  Speaker 6: You know you don't want to eat your cats hole
• 4:24
  Speaker 6: make a stupid noise and act like it's a plane,
• 4:27
  Speaker 6: you know what I mean?
• 4:27
  Speaker 3: Like that it's nonsense, yo, I will I will agree
• 4:32
  Speaker 3: it is. And I've even wondered it was like, is
• 4:34
  Speaker 3: that because of like just childhoods, like believing stories and
• 4:37
  Speaker 3: comics that like sometimes, in my opinion, like what you're
• 4:39
  Speaker 3: saying when you do start to hear like the history
• 4:41
  Speaker 3: of start reading shit, you gotta look at it, be
• 4:43
  Speaker 3: like really and it's like and like, how come in school?
• 4:46
  Speaker 3: I guess maybe because you're young and the teacher told
• 4:48
  Speaker 3: you you just bindly was like, okay, that makes sense.
• 4:51
  Speaker 3: I was just like, what the fuck? Like maybe if
• 4:53
  Speaker 3: you don't mind getting into it. I know you already
• 4:55
  Speaker 3: mentioned the Statue of Liberty, but what about that that bridge?
• 5:00
  Speaker 3: I remember when you were telling me about the bridge,
• 5:01
  Speaker 3: and I'll see if maybe I could pull it up
• 5:03
  Speaker 3: on your Instagram. I thought that was Brooklyn Bridge. Yeah yeah, yeah,
• 5:05
  Speaker 3: oh okay, it's a Brooklyn Bridge. Yes, I always because
• 5:09
  Speaker 3: even the story behind that as shady as fuck. I'm sorry.
• 5:12
  Speaker 4: There's multiple there's multiple levels too, Like listen, we've all
• 5:16
  Speaker 4: been there. It's like, hey, uh, you can't get to
• 5:18
  Speaker 4: this next level to get like concert tickets without telling
• 5:21
  Speaker 4: me what's a crosswalk or a bridge?
• 5:23
  Speaker 6: Right or or like one of those I robots, like hey,
• 5:27
  Speaker 6: what's what's every box has a motorcycle in it? Click it,
• 5:30
  Speaker 6: you know what I mean?
• 5:31
  Speaker 4: Like if you had to say which bridge didn't belong
• 5:33
  Speaker 4: out of all the New York bridges, which one doesn't belong,
• 5:36
  Speaker 4: like you know what I mean, the Brooklyn Bridge.
• 5:37
  Speaker 6: Stands out like you know what I mean, Like I
• 5:39
  Speaker 6: don't know, just there's something. So I was like, why
• 5:42
  Speaker 6: is it? Like I love the bridge, you know, I'd
• 5:43
  Speaker 6: go over it, and so I started searching it and
• 5:46
  Speaker 6: like then you find out the timeline, you know, like
• 5:49
  Speaker 6: gold on four years after the Civil War, Like oh,
• 5:52
  Speaker 6: I didn't know it was.
• 5:53
  Speaker 4: That close, you know what I mean? Like still again,
• 5:55
  Speaker 4: no no power tools. You know, they got the stone
• 5:58
  Speaker 4: from Maine, which was like not even closed, you know
• 6:01
  Speaker 4: what I mean? Like the stone and the source of stone,
• 6:04
  Speaker 4: and a lot of in the buildings that I go after,
• 6:06
  Speaker 4: it's the year built, how long and the source of
• 6:09
  Speaker 4: the stone, because logistics your high store a few ps.
• 6:12
  Speaker 4: Logistics is everything and why would you like you can't
• 6:17
  Speaker 4: hide that, you know what I mean?
• 6:18
  Speaker 6: Like the Minnesota State Capitol has like stone from like
• 6:20
  Speaker 6: thirty different countries as Marble Island in Alaska for the
• 6:25
  Speaker 6: Minnesota State Capitol. They shipped in granted from Georgia because
• 6:29
  Speaker 6: they said theirs was too dark and they didn't want
• 6:30
  Speaker 6: it to be too dark.
• 6:32
  Speaker 4: No, you're making up bullshit.
• 6:33
  Speaker 3: I curse a little, yeah, Oh yeah, for sure.
• 6:36
  Speaker 4: I'm not trying to curse, like but me like they're
• 6:38
  Speaker 4: coming up with bullshit to justify why that stuff's there,
• 6:42
  Speaker 4: you know what I mean, Like we didn't get it
• 6:43
  Speaker 4: there when they said it was it was there, and
• 6:45
  Speaker 4: now you have to come up with a reason why
• 6:47
  Speaker 4: that Georgia marble is in Minnesota at that time you're
• 6:51
  Speaker 4: saying it was there, you know what I mean. It
• 6:52
  Speaker 4: So like the Brooklyn Bridge with the mall with the
• 6:54
  Speaker 4: main stone. I love going after the saurce of stone
• 6:57
  Speaker 4: because it's it's horse and buggy time, you know what
• 6:59
  Speaker 4: I mean. Like in boat we had boats and trains.
• 7:02
  Speaker 4: I'm like, so like we have boats and trains. Now
• 7:05
  Speaker 4: you hop it on a plane, You'll get on the
• 7:07
  Speaker 4: boat and train if it's so great, you.
• 7:08
  Speaker 6: Know, Like not that I'm not against the train. I
• 7:11
  Speaker 6: love taking the train, but you know what I mean, like
• 7:14
  Speaker 6: and then like then you dig deeper. Oh, the guy Robling,
• 7:17
  Speaker 6: he had a practice bridge. He was good at bridges,
• 7:19
  Speaker 6: but he won the practice. He made a fake a
• 7:22
  Speaker 6: fur like a similar bridge.
• 7:25
  Speaker 4: That connected Ohio and Kentucky, a free state and a
• 7:28
  Speaker 4: slave state.
• 7:30
  Speaker 3: And I thought it was really interesting how you said that. Yeah, yeah, yeah,
• 7:32
  Speaker 3: I'm sorry in.
• 7:33
  Speaker 4: The timeline and see what's going on hun So. And
• 7:37
  Speaker 4: I know the underground railroad really wasn't a train, you
• 7:40
  Speaker 4: know what I mean. But they never talk about the
• 7:41
  Speaker 4: above ground bridge.
• 7:42
  Speaker 6: That connected a free state and the slave state because
• 7:45
  Speaker 6: that would be just they could just run to the
• 7:46
  Speaker 6: free state, you know, I mean, that doesn't sound good
• 7:50
  Speaker 6: for business of whatever was going on at that time
• 7:52
  Speaker 6: between those two states, Like come on, man, And then
• 7:55
  Speaker 6: on top of women's rights in the eighteen eighties, I
• 7:59
  Speaker 6: love women.
• 8:00
  Speaker 4: My dog's a girl, my woman's a girl, my mother's
• 8:02
  Speaker 4: a woman.
• 8:03
  Speaker 2: Like did not then the nineteen eighties. I remember my
• 8:07
  Speaker 2: mom my mom's friend getting hit like that. They not
• 8:10
  Speaker 2: let alone the eighteen eighties and like I don't care,
• 8:13
  Speaker 2: they say, what school this woman went to? You know
• 8:15
  Speaker 2: what I mean, to build a freaking bridge from listening
• 8:18
  Speaker 2: to No, she didn't listen to her husband. She was
• 8:21
  Speaker 2: the in between or they always try to like to defend,
• 8:24
  Speaker 2: like no, they said she built it.
• 8:26
  Speaker 4: There's people in the commons. Women.
• 8:27
  Speaker 6: People think out there that she finished the bridge. You
• 8:30
  Speaker 6: can't say she was the in between it, Like it
• 8:32
  Speaker 6: doesn't make sense. It's a it's a heart string, you
• 8:35
  Speaker 6: know what I mean? Women take up what percentage of
• 8:37
  Speaker 6: the population. And I don't want to say that. I
• 8:39
  Speaker 6: hope I'm wrong with this one so women can get that,
• 8:42
  Speaker 6: do you know what I mean? Like, that's how much
• 8:44
  Speaker 6: I butt.
• 8:44
  Speaker 4: But in eighteen eighties, a woman's gonna finish a bridge.
• 8:48
  Speaker 3: Oh listen, they could have said his youngest son, you know,
• 8:51
  Speaker 3: overheard in the conversation. I still would have said, that's bullshit.
• 8:54
  Speaker 3: You know what I'm saying that really has anything to
• 8:55
  Speaker 3: do with that and his wife. I just think the
• 8:57
  Speaker 3: story just sounds like so like again like so oh,
• 9:00
  Speaker 3: that just sounds perfect and cute, right, like, no.
• 9:04
  Speaker 4: You have it wrong.
• 9:05
  Speaker 2: They set up a telescope from him on his deathbed
• 9:07
  Speaker 2: from the bridge, from his room overlooking the bridge.
• 9:10
  Speaker 4: They'll tell you that also. Come on, oh, come on
• 9:15
  Speaker 4: a long telescope.
• 9:16
  Speaker 6: This guy's dying from black long or whatever they had,
• 9:19
  Speaker 6: the plague or freaking a call like whatever it was
• 9:22
  Speaker 6: that was killed, Oh, the Benz disease from going in
• 9:26
  Speaker 6: the Kazons in the East River. They said they stopped
• 9:30
  Speaker 6: the East River to get down to put a box
• 9:33
  Speaker 6: under their compressed air with horses. Still, horses are everywhere,
• 9:38
  Speaker 6: but they're coming up with this technology to pump err
• 9:41
  Speaker 6: and then your grandpa goes down there and shovels. So
• 9:44
  Speaker 6: they get to the bedrock, which is always another thing
• 9:47
  Speaker 6: that drows them off.
• 9:48
  Speaker 4: In Manhattan. The bedrock is hard to get to. And
• 9:50
  Speaker 4: the way they had to get down to some of
• 9:52
  Speaker 4: these buildings during the freaking nineteen hundreds or when they
• 9:55
  Speaker 4: said they got there, is almost impossible, you know.
• 10:00
  Speaker 6: No, they had steam cranes, they had derrecks. It's like,
• 10:04
  Speaker 6: have you seen him like there was no cause, but
• 10:06
  Speaker 6: they had like amazing cranes, Like are you kidding me?
• 10:09
  Speaker 3: Yeah, I actually never thought of that. So they had
• 10:13
  Speaker 3: cranes before they have cars.
• 10:16
  Speaker 6: Yeah, And I just did the Steinway, the Steinway building
• 10:21
  Speaker 6: in uh in Manhattan where his showroom used to be.
• 10:24
  Speaker 3: And now they after the piano Steinway pianos.
• 10:27
  Speaker 6: Yeah, yeah, yeah, I did his mansion in East Elmhurst,
• 10:30
  Speaker 6: but I did I did the the.
• 10:34
  Speaker 4: Building because they have.
• 10:35
  Speaker 6: The world's skinniest skyscraper from Billionaires Row and uh. They
• 10:40
  Speaker 6: said he was trying to do a tunnel that went
• 10:43
  Speaker 6: from Queens to Manhattan from his East Elmhurst mansion, which
• 10:46
  Speaker 6: is like castle esque and then as I dug deeper,
• 10:51
  Speaker 6: it's the seven Line that connects Queens to Manhattan today.
• 10:54
  Speaker 6: In the late eighteen hundreds, there's no cause, but they're
• 10:56
  Speaker 6: burrowing underwater. And then then he died, Guy Belmont took
• 11:00
  Speaker 6: over allegedly, and now they're still using the tunnel today.
• 11:04
  Speaker 4: You know what I mean, they're using a bucket to
• 11:07
  Speaker 4: go to the bathroom for the most part, most people
• 11:09
  Speaker 4: in the city, they're gonna dig under the ground, and
• 11:11
  Speaker 4: that they're still using the tunnel today. I got it
• 11:15
  Speaker 4: know that that seems a little fall fetch.
• 11:17
  Speaker 6: To me, you know, like I don't know, like but
• 11:19
  Speaker 6: you're not an engineer, Like well the eye test and
• 11:21
  Speaker 6: just what's going on at the time.
• 11:23
  Speaker 3: You can cross check.
• 11:24
  Speaker 4: What was going on that, you know, like the Manhattan
• 11:30
  Speaker 4: other met.
• 11:32
  Speaker 3: Oh you went to Epstein's home too, right?
• 11:35
  Speaker 4: Oh? Yeah, I because my fallback is, oh, oh they
• 11:42
  Speaker 4: could build this this the government they lie to us today.
• 11:46
  Speaker 4: What year did they start? Let me know so I
• 11:48
  Speaker 4: can stop searching. Oh, this building was built in nineteen
• 11:51
  Speaker 4: thirty five, are good? The government started the line tow
• 11:53
  Speaker 4: was in nineteen forty three. I don't have to check,
• 11:55
  Speaker 4: you know, I mean, like they lie to us today.
• 11:57
  Speaker 4: You can't say they don't. What are they they deceive
• 12:00
  Speaker 4: you like there's a list of things, you know what
• 12:02
  Speaker 4: I mean, And what did they start? It's it's a
• 12:05
  Speaker 4: great question, like what seriously, let's we'll stop, We'll stop
• 12:08
  Speaker 4: looking at this time when you tell me the year
• 12:11
  Speaker 4: like a normal person like damn, he's right, we should
• 12:13
  Speaker 4: question everything.
• 12:14
  Speaker 6: And me going back to the Epstein files in front
• 12:17
  Speaker 6: of Epstein's house is to prove because.
• 12:19
  Speaker 4: I'm not political at all, You know what I mean, like,
• 12:21
  Speaker 4: I just.
• 12:21
  Speaker 6: Don't like the government they're lying to I don't like
• 12:23
  Speaker 6: people that lie to.
• 12:24
  Speaker 4: Me, you know what I mean, Like you're taking my
• 12:26
  Speaker 4: money and you're lying to me. Like everyone should be disrespected.
• 12:30
  Speaker 4: You know what I mean?
• 12:31
  Speaker 6: Are buildings, and these buildings hold the truth. Man, there's
• 12:35
  Speaker 6: certain things they can't hide or lie about.
• 12:40
  Speaker 3: What do you think is to deal with?
• 12:42
  Speaker 4: Uh?
• 12:43
  Speaker 3: You know what some of these things and the dates?
• 12:46
  Speaker 3: Do you think it's older than it is? Do you
• 12:49
  Speaker 3: think it's newer than it is? What do you think
• 12:52
  Speaker 3: the deal is with that stuff?
• 12:53
  Speaker 4: Like what you saying the dates?
• 12:55
  Speaker 3: Yeah, like when they start giving you the dates like
• 12:57
  Speaker 3: in some of these things, do you think those are
• 12:58
  Speaker 3: all accurate in themselves or do you think those are
• 13:00
  Speaker 3: fucked up?
• 13:01
  Speaker 4: No?
• 13:02
  Speaker 6: You see, like just certain like nineteen twelve, and and
• 13:06
  Speaker 6: I like, even if a building's not like blowing you
• 13:09
  Speaker 6: away size wise or this, I just like to point out,
• 13:12
  Speaker 6: Oh there's another building. During a depression, you know, I mean,
• 13:15
  Speaker 6: like everyone was swinging hammers. Your grandmother antuci every.
• 13:20
  Speaker 2: Like stop, they would run out of hammers. The amount
• 13:22
  Speaker 2: of people they said were working during a depression.
• 13:25
  Speaker 6: And then oh oh and people get Carpal Tunnel from
• 13:28
  Speaker 6: patting the government on the back for a great job done.
• 13:31
  Speaker 6: That's how they saved the country. They've been oh for
• 13:34
  Speaker 6: one hundred years since? How about get it together since?
• 13:38
  Speaker 6: You know what I mean, Like like they did so
• 13:41
  Speaker 6: good back then they got everyone working.
• 13:43
  Speaker 4: Oh they didn't, like, come on.
• 13:45
  Speaker 3: Man, you can't get it together now, right? You saying
• 13:47
  Speaker 3: how do they do that now?
• 13:50
  Speaker 4: How about now? To everywhere in between? They've been batting
• 13:53
  Speaker 4: as zero since, if not at zero, they're bat in
• 13:56
  Speaker 4: like a one fifteen, one twenty head of you know
• 13:59
  Speaker 4: what I mean, three hundreds, respectable, Come on.
• 14:03
  Speaker 3: Just respectful, you guys, get like a one ten.
• 14:06
  Speaker 4: If that is you know what I mean?
• 14:08
  Speaker 3: Like, what were some of these what was some of
• 14:11
  Speaker 3: the Philly Yeah, yeah, it's just uh what about this
• 14:14
  Speaker 3: one right here? This is the same Francis He.
• 14:16
  Speaker 4: Was like, hey, a guy, you think we built this?
• 14:18
  Speaker 4: He was, no way.
• 14:21
  Speaker 6: I love Philly man, And like, listen, I feel like
• 14:25
  Speaker 6: like the government wants they set up all these baseball
• 14:27
  Speaker 6: teams for me to hate Philly people because I'm a
• 14:29
  Speaker 6: Met fan.
• 14:30
  Speaker 4: I went down there. They love me, you know what
• 14:31
  Speaker 4: I mean, Like they probably set up supposed to me
• 14:33
  Speaker 4: against hate each other.
• 14:37
  Speaker 3: Yo, everything is uh do you think that what's the
• 14:44
  Speaker 3: deal with this building? You think?
• 14:45
  Speaker 5: Uh?
• 14:46
  Speaker 3: I mean it is pretty.
• 14:47
  Speaker 4: It was just it was it's guilt by association.
• 14:50
  Speaker 6: It was right by uh on Ben Franklin Parkway, which
• 14:54
  Speaker 6: you had the rocky steps, the art Museum, the other
• 14:56
  Speaker 6: museum with the huge What people say is that it
• 15:00
  Speaker 6: she saw a horseshoe entrance, which is real close to
• 15:03
  Speaker 6: this video, and then you just walk down to city
• 15:06
  Speaker 6: Hall and it's just it's awesome. It's awesome. Philly was awesome.
• 15:10
  Speaker 6: There's a lot going on there this building. So that
• 15:12
  Speaker 6: that church was just guilt by association. I did a
• 15:15
  Speaker 6: Google search and just you know, like if it's right there,
• 15:18
  Speaker 6: what else were they doing?
• 15:19
  Speaker 4: You know, I forget the exact time, dates and stuff
• 15:22
  Speaker 4: on that church, and what you know, some things like
• 15:24
  Speaker 4: some people jump jump down my throat about some things.
• 15:27
  Speaker 4: I'm like, hey, I'm not married to this one, but listen,
• 15:30
  Speaker 4: the government's evolved. Everything's suspect and maybe someone requested it,
• 15:33
  Speaker 4: you know what I mean, Like not everything's gonna be
• 15:36
  Speaker 4: a grand slam. Okay, people are waiting to jump down
• 15:39
  Speaker 4: your throat for a week. One you know, I don't care.
• 15:41
  Speaker 4: I'll put myself out there.
• 15:42
  Speaker 6: I don'tkay if something semi or it's old, or hey,
• 15:45
  Speaker 6: how'd they do this? You know what I mean, Like,
• 15:47
  Speaker 6: come on, it's make it make sense. I'm not I
• 15:49
  Speaker 6: don't mind being wrong.
• 15:50
  Speaker 4: You know.
• 15:51
  Speaker 6: Oh you see that that that giant Dad is a
• 15:53
  Speaker 6: bunch of New York recently man.
• 15:57
  Speaker 4: On the Saint Thomas Church and Rockefeller Center.
• 16:00
  Speaker 3: I'll see the stuff you find. I mean, even this
• 16:02
  Speaker 3: stuff right here. I mean, I'm sure Ethan would even agree,
• 16:05
  Speaker 3: but a lot of the stuff is just straight up
• 16:06
  Speaker 3: a cult architecture in my opinion. Anyway, this is all.
• 16:10
  Speaker 5: It's going to point out. That looks if it's not
• 16:12
  Speaker 5: an eagle, well it looks it's the It looks maybe
• 16:16
  Speaker 5: like a stork or something.
• 16:18
  Speaker 4: But I was going.
• 16:20
  Speaker 5: Pelican, Pelican maybe.
• 16:22
  Speaker 3: Yeah, yeah, they'll bite their own feathers and ship to.
• 16:23
  Speaker 5: The right and they'll yeah, they'll eat themselves for their young.
• 16:29
  Speaker 5: They're used as an alchemical chemical symbol often. And something
• 16:35
  Speaker 5: I'm seeing and which is notorious because of Bohemian Grove
• 16:39
  Speaker 5: is the owl depiction in some form or another. I
• 16:43
  Speaker 5: wonder if you've come across that that maybe is lesser
• 16:48
  Speaker 5: lesser known. Any owls, Oh, there's one right there.
• 16:55
  Speaker 3: That's why if you come across any owls right there.
• 16:59
  Speaker 6: Uh, definitely owls lines the most, but owls like this
• 17:03
  Speaker 6: you'll see and then like they see those like two
• 17:06
  Speaker 6: little dots next to it. It almost looks like owl
• 17:08
  Speaker 6: eyes but like blended in.
• 17:10
  Speaker 3: Like, Yo, those circular things you probably see on almost
• 17:14
  Speaker 3: every fucking building, right yeah, yeah, Yo, those are so
• 17:18
  Speaker 3: fucking common. Masonic buildings, churches, government buildings. You'll see those
• 17:23
  Speaker 3: things on everything.
• 17:25
  Speaker 6: And they look they look like owls a little, you know,
• 17:28
  Speaker 6: if you're looking at you like, are they hiding an
• 17:30
  Speaker 6: owl in that gate?
• 17:31
  Speaker 4: With these circles? It just looks like, you know, just
• 17:34
  Speaker 4: part of the gate or something. Yeh.
• 17:38
  Speaker 3: I have like you're probably really not, you know, into
• 17:42
  Speaker 3: the occult as we are, but I have question if
• 17:45
  Speaker 3: that's like almost like the the wheel of fortune symbol,
• 17:49
  Speaker 3: you know, Ethan like on the wheel fortune kind of
• 17:50
  Speaker 3: something maybe going back to that, because it is like
• 17:53
  Speaker 3: an a eight sliced sometimes wheel.
• 17:57
  Speaker 5: We're at the star of this too, yeah yeah yeah.
• 18:00
  Speaker 3: And not to get like too weird with it, but
• 18:03
  Speaker 3: I gotta like, I gotta try to find this image
• 18:05
  Speaker 3: in my computer, and I have it someone where I
• 18:06
  Speaker 3: can easily pull it up, and so I always forget
• 18:08
  Speaker 3: where it is. But I have like a picture of
• 18:11
  Speaker 3: the optic nerve in the back of your eyeball, and
• 18:13
  Speaker 3: like it's cut, like sliced down the middle, and it
• 18:16
  Speaker 3: looks it looks it was. Really it looks just like
• 18:19
  Speaker 3: a pizza almost or that type like has a thick
• 18:22
  Speaker 3: layer and then like slices going in like that. It
• 18:25
  Speaker 3: looks almost the same thing. May not be that, but
• 18:28
  Speaker 3: it just looks a lot like the optic nerve, like
• 18:31
  Speaker 3: cutting it.
• 18:34
  Speaker 5: And you know about the owl. This is probably redundant
• 18:37
  Speaker 5: for the astute crowd and listeners, but it's it's such
• 18:41
  Speaker 5: a great example of how there's the overt symbology with
• 18:49
  Speaker 5: the owl that is wisdom and knowing things and go
• 18:53
  Speaker 5: to school the association, and then there's the more dark
• 18:57
  Speaker 5: occulted symbology that is related to the all seeing hot
• 19:03
  Speaker 5: eye that can hunt you down with no problem and
• 19:06
  Speaker 5: knows all and sees all. So I just wanted I
• 19:10
  Speaker 5: know people probably know that, but I just wanted to
• 19:12
  Speaker 5: share that.
• 19:13
  Speaker 3: Yeah, that's a good point though, to make. There is
• 19:15
  Speaker 3: differences at this stuff.
• 19:18
  Speaker 4: Stuff is great, and I got a I did a
• 19:23
  Speaker 4: I have the glasses and I'll just click them on quick,
• 19:26
  Speaker 4: like some guys from crossing. I was walking by and
• 19:28
  Speaker 4: I lowered them and I'm like, wow, this is a
• 19:31
  Speaker 4: beautiful building.
• 19:31
  Speaker 6: He goes, yeah, it is that Like I just started
• 19:35
  Speaker 6: pouring it all him and he wanted to no part it.
• 19:37
  Speaker 6: Then I had like some sort of higher up from
• 19:40
  Speaker 6: the museum itself out front, and we were just butting
• 19:44
  Speaker 6: heads on it, and I made some joke.
• 19:46
  Speaker 4: I'm like, what is it pictured day or something.
• 19:48
  Speaker 6: And her little assistant, who seemed super blue collar, just
• 19:51
  Speaker 6: like snickered and she looked at her and like it
• 19:53
  Speaker 6: was something out of a movie, you know what I mean,
• 19:55
  Speaker 6: like the blue coll Like I make a joke like
• 19:57
  Speaker 6: the uptight museum lady.
• 19:59
  Speaker 4: Oh yeah, this guy. It was funny.
• 20:03
  Speaker 3: I was in Yale one time and I was I
• 20:05
  Speaker 3: forgot I was filming some library. Eventually, I think I'll
• 20:08
  Speaker 3: cover it. I went there to take a whole bunch
• 20:10
  Speaker 3: of footage because of all the secret societies out there,
• 20:12
  Speaker 3: and it's just some of the churches and the buildings
• 20:14
  Speaker 3: themselves looked like, you know, very suspected just interesting. And
• 20:17
  Speaker 3: I was filming some library that was like crazy detailed
• 20:21
  Speaker 3: and like stuff, and it was supposed to be old,
• 20:23
  Speaker 3: and it was like two random people right there, and
• 20:25
  Speaker 3: one dude like he just walked up and up to
• 20:27
  Speaker 3: me and he's like, do you think they really built
• 20:30
  Speaker 3: this at the time, it says. I was like, I
• 20:33
  Speaker 3: don't know. He's like, he's like, I don't know. He's like,
• 20:35
  Speaker 3: I think they added all this fancy shit on afterwards,
• 20:37
  Speaker 3: he's like, how could this have been built at that time?
• 20:40
  Speaker 3: I mean, and that was just like some regular normal person.
• 20:42
  Speaker 3: I don't even think that the guy was like a
• 20:43
  Speaker 3: conspiracy theorists or anything. He just seemed to be like,
• 20:46
  Speaker 3: but it is weird. So looking at this shit and
• 20:47
  Speaker 3: some of the detail and stuff, and it's like, well,
• 20:49
  Speaker 3: we don't do this now though, Like what the fuck?
• 20:52
  Speaker 3: I don't know.
• 20:56
  Speaker 5: There's another spot in Manhattan. I know you mentioned this
• 21:00
  Speaker 5: Actue of Liberty, which the story goes was imported from
• 21:03
  Speaker 5: France in pieces, which is just yeah, very interesting at
• 21:09
  Speaker 5: the least. There's another spot in Manhattan that was supposedly
• 21:14
  Speaker 5: shipped over and then rebuilt, called the Cloisters. If you
• 21:19
  Speaker 5: haven't been there, I highly recommend it. Do you know
• 21:22
  Speaker 5: about the Cloisters.
• 21:23
  Speaker 4: I'm actually going there tomorrow. It's it was hard for
• 21:28
  Speaker 4: me to get It was an hour and change from
• 21:30
  Speaker 4: the ferry and the ferries now you know what I mean.
• 21:33
  Speaker 4: So I was like, how am I going? And parking
• 21:35
  Speaker 4: up there is it's like non exist like leaving at
• 21:39
  Speaker 4: the hydrant but a retired firemen black. I'm even like,
• 21:42
  Speaker 4: just do my set and get out of that, like
• 21:44
  Speaker 4: that's how bad uptown in the Bronx is. But tomorrow
• 21:47
  Speaker 4: I'm going the A train.
• 21:49
  Speaker 6: I'm going right, that's the train from my neighborhood, Saint
• 21:52
  Speaker 6: John the Divine, getting off doing that one again, going
• 21:55
  Speaker 6: doing the Cloisters, the Cloisters red Flags Central because Rockefeller's
• 21:59
  Speaker 6: involved and met you know what I mean.
• 22:01
  Speaker 4: Enough said it looks cool.
• 22:03
  Speaker 6: It's a sick part of Manhattan, this old bench in
• 22:05
  Speaker 6: these archways.
• 22:06
  Speaker 4: It's that's definitely on the list.
• 22:10
  Speaker 3: Yeah, I see this thing again as usual. Man, I'm
• 22:13
  Speaker 3: assuming it looks like you stop here on this one.
• 22:15
  Speaker 3: I mean that almost looks like again the same fucking
• 22:17
  Speaker 3: designing that circular thing with that with the ship coming
• 22:23
  Speaker 3: out and the thing in the middle. It seems constant
• 22:26
  Speaker 3: like that type of imagery.
• 22:27
  Speaker 5: Right, it's got, it's got I've seen that on other
• 22:29
  Speaker 5: churches too. It's got the circumpunk, it's got the UH
• 22:34
  Speaker 5: Star of Vishtar, and it's also got one form or
• 22:37
  Speaker 5: another of the UH navigation Star. I forget the name
• 22:42
  Speaker 5: of it, but it kind of suggests world domination in
• 22:45
  Speaker 5: a sense or in the dark sense, and you know,
• 22:50
  Speaker 5: world knowledge coming together in in you know, the light sense,
• 22:53
  Speaker 5: going back to the owl symbology. Whereas to parts.
• 22:57
  Speaker 3: And this is the U Saint Barts of manh.
• 23:01
  Speaker 4: Yeah, that dome on top is wild. That day I recorded,
• 23:07
  Speaker 4: there was some some riff raffor in the front and
• 23:10
  Speaker 4: my bike with me, but the front down by the doors,
• 23:13
  Speaker 4: I have to go back, super detailed. Just it was
• 23:17
  Speaker 4: very intricate.
• 23:18
  Speaker 6: The stuff from the top though, the stuff right there,
• 23:20
  Speaker 6: People like what was that? If you look closely, there's
• 23:22
  Speaker 6: like animal.
• 23:24
  Speaker 4: Faces and stuff that I noticed later on when I
• 23:26
  Speaker 4: was editing, you know, on top of that.
• 23:28
  Speaker 6: The sword stuff. It's just it's just a strange building.
• 23:31
  Speaker 6: That's right down the block from Grand Central and Leona
• 23:35
  Speaker 6: Helmsley Building, which is just wild. Yeah, both of them
• 23:39
  Speaker 6: are wild. Sorry, go ahead, no, no, no.
• 23:43
  Speaker 4: Go down a rabbit hole.
• 23:44
  Speaker 6: I did run down, go down a rabbit hole with
• 23:45
  Speaker 6: the old Penn station that they knocked down, the build
• 23:48
  Speaker 6: where the President Madison Square Garden is.
• 23:50
  Speaker 4: It was bigger and grander than Grand Central Station. They
• 23:53
  Speaker 4: knocked it down because they had too much grime on it,
• 23:56
  Speaker 4: you know what I mean, like they left it to
• 23:58
  Speaker 4: disrepair like that. Those buildings don't whole pot, you know,
• 24:00
  Speaker 4: they're hiding something, you know, like and I was in
• 24:03
  Speaker 4: like the seventies of sick. I was in the fifties
• 24:05
  Speaker 4: and sixties, you know, bigger than Grand Central Station. Beautiful.
• 24:09
  Speaker 3: And I find this interesting right here, Ethan. You see
• 24:14
  Speaker 3: that those swords.
• 24:15
  Speaker 5: Up there, that that is very interesting and obviously beckons
• 24:22
  Speaker 5: to the Islamic world.
• 24:25
  Speaker 3: That's yeah, that's a scimitar or whatever you say, right,
• 24:28
  Speaker 3: have you called those things? Yeah, that's those are Islamic swords.
• 24:32
  Speaker 3: I find that really, I don't know, I mean, it's
• 24:34
  Speaker 3: not interesting. I guess it's Islamic.
• 24:38
  Speaker 1: Well, the the the book of the klu Klux Klan
• 24:46
  Speaker 1: is not the Clibel, it's the Chloron.
• 24:52
  Speaker 5: So the the effects of is or the influence rather
• 24:57
  Speaker 5: of Islam was always there with these, you know, influential indoor,
• 25:03
  Speaker 5: secretive people in groups.
• 25:05
  Speaker 3: That is interesting.
• 25:08
  Speaker 4: By chance, the fountain showed that it looks like the
• 25:10
  Speaker 4: kid was being it's kids Atlantis.
• 25:14
  Speaker 6: Rock a fella weird the amount of stuff in DC
• 25:17
  Speaker 6: with children. Oh, it's angels, it's the cherubs, whatever they're
• 25:20
  Speaker 6: call it.
• 25:21
  Speaker 4: Like, I don't know. After a while, something feels like
• 25:23
  Speaker 4: an explanation to me that when it's everywhere, you know
• 25:26
  Speaker 4: what I mean, Like, I don't know. Man.
• 25:29
  Speaker 5: That's another thing that actually got me looking for the
• 25:32
  Speaker 5: owl is the owl on the street layout of d C.
• 25:37
  Speaker 5: That is a top of the pyramid that that holds
• 25:42
  Speaker 5: the Capitol building. You guys know what I'm talking about
• 25:45
  Speaker 5: on the street layout. I'll find a picture. It's worth
• 25:48
  Speaker 5: it's worth sharing that. I'll find a picture of it.
• 25:51
  Speaker 4: Yeah.
• 25:51
  Speaker 6: So people saying when I'm from my DC trip about
• 25:54
  Speaker 6: something like the layout of the streets is and I
• 25:56
  Speaker 6: into a pentagon.
• 25:57
  Speaker 3: Also, yeah, well baboons that is interesting.
• 26:04
  Speaker 4: Yeah, that's the depression.
• 26:06
  Speaker 3: I mean you you can see that symbolism and using
• 26:08
  Speaker 3: a few different times in Egyptian other things tooth uh,
• 26:14
  Speaker 3: you know, I think bad boons. Uh. Interesting, I don't know.
• 26:18
  Speaker 3: If it has anything to do with like their cult
• 26:19
  Speaker 3: symbolism with them. It was something interesting that I noticed
• 26:22
  Speaker 3: that like birds, they'll they'll make noises. Still the rising sun.
• 26:27
  Speaker 3: I didn't know that wrong zoo.
• 26:34
  Speaker 4: Yeah, this one I almost didn't post it.
• 26:37
  Speaker 6: And I added just like pictures of videos of animals
• 26:40
  Speaker 6: that I was just filming that day.
• 26:41
  Speaker 4: I went for this part because this, this, this was weird.
• 26:43
  Speaker 6: This this uh what the elephants used to live nineteen
• 26:46
  Speaker 6: oh eight, I don't know. And then also you know
• 26:49
  Speaker 6: they used to have a human a human being in
• 26:52
  Speaker 6: a cage that called out of Banga. No, yeah, and
• 26:56
  Speaker 6: like the nineteen oh wait nineteen twelve, So I'm like, yeah,
• 27:00
  Speaker 6: right around this time, and uh, ministers in the area
• 27:03
  Speaker 6: got him taken out.
• 27:04
  Speaker 4: And then the story said, you know, eventually passed his life.
• 27:10
  Speaker 4: Couldn't couldn't ackle me back to life?
• 27:13
  Speaker 5: Sure, I believe the baboon with the sun rising. And
• 27:18
  Speaker 5: even what is the chicken headed god that the Gnostics had?
• 27:23
  Speaker 3: Oh, I just covered him not too long ago.
• 27:26
  Speaker 5: Snake the snake and the chicken head and the human appendages.
• 27:31
  Speaker 5: I'm spacing his name right now. But but for the
• 27:33
  Speaker 5: same symbolism rising with the sun waking with the sun.
• 27:39
  Speaker 5: And of course the Egyptian Book of the Dead was
• 27:42
  Speaker 5: not the Egyptian Book of the Dead. It was the
• 27:45
  Speaker 5: book of coming forth by day rather than by night,
• 27:49
  Speaker 5: by goodness and enlightenment rather than darkness.
• 27:55
  Speaker 3: It's interesting. Yeah again, something else that makes noise to
• 27:57
  Speaker 3: the rising sun birds. Fucking yeah, there's.
• 28:03
  Speaker 5: A Praxis one of the Yes.
• 28:09
  Speaker 3: Yeah, I covered him a few weeks ago on the
• 28:11
  Speaker 3: mail bag.
• 28:11
  Speaker 5: Actually, I actually caught that dough.
• 28:16
  Speaker 3: Nice, thank you. What about uh, we're going through these things.
• 28:20
  Speaker 3: Is there any other places that you remember offhand that
• 28:22
  Speaker 3: just had like weird, like a shady background story that
• 28:26
  Speaker 3: you haven't talked about yet.
• 28:30
  Speaker 6: The bs with the just the Empire State Building, the
• 28:34
  Speaker 6: Chrysler Building.
• 28:35
  Speaker 4: It was always a rush, you know, I mean the
• 28:38
  Speaker 4: Woolworth building, you know, like the Woolworth Building. Like if
• 28:42
  Speaker 4: you dig deep enough to like five hundred trucks a day,
• 28:44
  Speaker 4: hot steal from Pennsylvania on a truck and it was
• 28:48
  Speaker 4: a guy I forget his name, like Horowitz or something
• 28:51
  Speaker 4: like that, that was in.
• 28:52
  Speaker 6: Charge of MAK control of the trucks. Weren't late like
• 28:55
  Speaker 6: Hollands nineteen twelve. How were you.
• 28:57
  Speaker 4: Facetiming them, like what do you mean to make sure
• 29:00
  Speaker 4: the truck's late? You're you're in New York, you're waiting.
• 29:03
  Speaker 3: There's no they said, the pigeons they do it. Yeah,
• 29:07
  Speaker 3: they're doing smoke signals, said the pitch Like how.
• 29:11
  Speaker 4: Just these little things like five hundred trucks are steal
• 29:14
  Speaker 4: a day, like like come on, man, like that by
• 29:18
  Speaker 4: a state build in four hundred days, like yeah, like
• 29:21
  Speaker 4: do you know how like perfect everything has to go
• 29:24
  Speaker 4: as you go up and someone's right behind you do
• 29:25
  Speaker 4: in sheet rock and paint like four hundred days like oh,
• 29:30
  Speaker 4: there was Mohawk Indians that are fearless and they were
• 29:33
  Speaker 4: walking the high ropes. That's what they like to say.
• 29:35
  Speaker 4: And nothing against American Indians or Mohawk Indians in particular,
• 29:38
  Speaker 4: like that there's no ocean. Only six people died. There
• 29:42
  Speaker 4: was no ocean, like no regulation. More people would have
• 29:44
  Speaker 4: died if you rushed at a job that big, you
• 29:47
  Speaker 4: know what I mean? The numbers of whatever, thirty six
• 29:49
  Speaker 4: hundred people like at a certain point you bumping into
• 29:52
  Speaker 4: each other, you know.
• 29:52
  Speaker 3: What I mean? Like, yeah, that's pretty funny, Like I
• 29:57
  Speaker 3: had all those people like leave the leave them b time.
• 30:03
  Speaker 4: For days.
• 30:04
  Speaker 3: Yeah, and what year is that?
• 30:07
  Speaker 4: Nineteen oh, nineteen twenty eight during that depression.
• 30:10
  Speaker 3: I mean, when you even think they said how many how.
• 30:13
  Speaker 4: Many you know, like right before the nineteen thirty.
• 30:16
  Speaker 3: How many Native Americans helped with the what you like?
• 30:20
  Speaker 3: You said Native Americans helped with this thing?
• 30:23
  Speaker 6: They like to say that in the comments. And I
• 30:25
  Speaker 6: didn't even remember hearing as a kid the Mohawk Indians
• 30:27
  Speaker 6: they were feelings, not afraid of heights, walking on the beams,
• 30:31
  Speaker 6: like it's pulling on the hot strings, like you know,
• 30:34
  Speaker 6: in this particular moment instance. It's not a lot of people,
• 30:37
  Speaker 6: but that story like oh yeah, yeah, that makes sense.
• 30:41
  Speaker 4: You're right like that if I told you that, that's like, oh.
• 30:43
  Speaker 6: Wow, they are Indians are feelings, the Mohawk Indian Like
• 30:46
  Speaker 6: it sounds cool, you know what I mean?
• 30:48
  Speaker 3: Like I would think by then the Indians would have
• 30:50
  Speaker 3: realized I got a shit deal when we came here
• 30:52
  Speaker 3: and probably just said, go fuck your building. Yeah, remember Smallpoxy,
• 30:58
  Speaker 3: go fucking building. Uh.
• 31:03
  Speaker 6: I just know, and just and just the weirdness of
• 31:06
  Speaker 6: the Empire State the New York Giants.
• 31:09
  Speaker 4: As a kid, I'm like, why what the New York giants.
• 31:12
  Speaker 4: There's no giants, Hey, what are you talking about? Like
• 31:14
  Speaker 4: you know what I mean?
• 31:15
  Speaker 6: Like and then like I'm from Brooklyn, King's County. I
• 31:19
  Speaker 6: was born on King's Highway, Crown.
• 31:21
  Speaker 4: Heights, And it's like just all these like castle looking
• 31:24
  Speaker 4: structures and like I live in Queens now, you know
• 31:27
  Speaker 4: what I mean? Like, no, it was for the king
• 31:30
  Speaker 4: from sixteen forty what, Like, No, we're America, Like why
• 31:34
  Speaker 4: would we be bowing down naming burrows after these people that?
• 31:38
  Speaker 4: Like what it doesn't make sense?
• 31:43
  Speaker 3: A funck turn of the names in this country of cities,
• 31:46
  Speaker 3: states and towns or all fucking other country names anyway, Yeah,
• 31:51
  Speaker 3: like you could pick like, uh, I forgot what it was.
• 31:53
  Speaker 3: It was like some town in Germany. That's like fucking
• 31:56
  Speaker 3: hundreds of versions of that in the United States. It's
• 31:59
  Speaker 3: just like weird. It's like what why you know, why
• 32:00
  Speaker 3: do we picking like Nazi ship? I don't know. Yes,
• 32:06
  Speaker 3: I find interesting with that ram you see that ethan.
• 32:09
  Speaker 5: Oh I did not see. No, no, no idea.
• 32:14
  Speaker 3: It's almost like kind of like is that almost like
• 32:16
  Speaker 3: aries and like Venus in a sense together? I don't know.
• 32:22
  Speaker 4: Hey, there's a lot going on with this this is
• 32:24
  Speaker 4: the train station, and there was a guy with a
• 32:27
  Speaker 4: sickle played with a huge sword. The fountains out going on.
• 32:35
  Speaker 3: I can't tell. There's a chicks. She's got some fucking
• 32:38
  Speaker 3: arms on her. I think it might be a guy. Uh,
• 32:42
  Speaker 3: he's got that comform grip. This guy, this's a sickle. Yeah,
• 32:47
  Speaker 3: this is interesting. Yeah, Like what the like? What what
• 32:56
  Speaker 3: is all this ship?
• 32:57
  Speaker 4: Like?
• 32:57
  Speaker 3: Why is this stuff on the buildings?
• 32:58
  Speaker 4: Right?
• 32:59
  Speaker 5: I'm pretty sure each of them do represent a specific
• 33:04
  Speaker 5: idea or person. Usually these these have different depending on
• 33:13
  Speaker 5: the time place they were relating different ideas from what
• 33:17
  Speaker 5: I remember, but I don't know those ones specifically. There
• 33:21
  Speaker 5: is another really national foundational lie built into New York
• 33:28
  Speaker 5: that's really interesting that it doesn't have a building necessarily,
• 33:31
  Speaker 5: but it really is a part of this national foundation story.
• 33:36
  Speaker 5: That is a lie. Uptown in Manhattan, there's what is
• 33:41
  Speaker 5: called Sharaparaq Rock or something like that, and it's the
• 33:47
  Speaker 5: it marks the spot where the natives supposedly sold Manhattan
• 33:52
  Speaker 5: Island to the newcomers an inwood Park. So pretty pretty
• 33:58
  Speaker 5: interesting and and that's the But did that happen the
• 34:01
  Speaker 5: way they say it happened? I really doubt it and
• 34:06
  Speaker 5: your to your to your idea of how they pull
• 34:08
  Speaker 5: on the heart strings. I don't know what the words
• 34:11
  Speaker 5: are on the side. I forgot to check those, so
• 34:15
  Speaker 5: I don't endorse that, but I wanted to share this.
• 34:17
  Speaker 5: This is just like in what is in the Belly
• 34:20
  Speaker 5: of the Beast, Well, you tell me, there's there's the owl,
• 34:26
  Speaker 5: and there's the Capitol building. So I mean, that's definitely
• 34:31
  Speaker 5: an owl, and it's definitely on top of a pyramidal capstone,
• 34:35
  Speaker 5: with the pyramid extensive and farther. So yeah, you got
• 34:38
  Speaker 5: the Bohemian grove, you got this owl built into the
• 34:43
  Speaker 5: street layout of Washington, DC, and I if you look
• 34:47
  Speaker 5: for it, as we obviously saw earlier, it's really everywhere
• 34:51
  Speaker 5: into architecture, both subtly and statue.
• 34:57
  Speaker 3: You know what, this kind of reminds me of, though
• 34:59
  Speaker 3: I'm not knocking the because I do see the olbul.
• 35:01
  Speaker 3: It also reminds me of like the rabbit from Donnie Darko.
• 35:05
  Speaker 3: I had, like the weird creepy like big eyes in
• 35:07
  Speaker 3: the ears, like fucking the things. I don't know, it
• 35:10
  Speaker 3: almost looks like that that fucking thing.
• 35:14
  Speaker 5: Is its nose? Is its nose lower? Is that what's
• 35:19
  Speaker 5: going on.
• 35:19
  Speaker 3: Uh well, I just the eyes and the ears and
• 35:22
  Speaker 3: the shape of the face just reminds me of like
• 35:24
  Speaker 3: the rabbit from Danny Darko if if you were too,
• 35:27
  Speaker 3: I don't know if you could see the cursor. Oh no,
• 35:29
  Speaker 3: that's right, that's your thing. I can't put my cursor over. Yeah,
• 35:32
  Speaker 3: there's two round parts at the top. Just remind me
• 35:34
  Speaker 3: of the eyes and how the.
• 35:40
  Speaker 4: Yeah.
• 35:40
  Speaker 3: No, it's definitely this is definitely built for a specific
• 35:43
  Speaker 3: reason for.
• 35:44
  Speaker 5: That, right, it's definitely laid out big t.
• 35:49
  Speaker 3: When you were over in Washington, d C. You must
• 35:50
  Speaker 3: have sun sort of fuck ton of like secret society shit,
• 35:53
  Speaker 3: because I even went out there and filmed a bunch
• 35:55
  Speaker 3: of shit. I haven't covered it yet, but there was
• 35:57
  Speaker 3: god tons of secret societies since Cincinnati Society of Cincinnati,
• 36:02
  Speaker 3: the Masons, a couple of the places I went to
• 36:04
  Speaker 3: out there. Did you notice that I didn't get a chance.
• 36:08
  Speaker 4: I just I got caught up from the train to
• 36:12
  Speaker 4: the Capital, the Library of Congress, and then I saw
• 36:16
  Speaker 4: the Washington Monument and it looked a lot closer than
• 36:19
  Speaker 4: it was, and I just kept hoofing it. I got
• 36:22
  Speaker 4: a new phone, so my eye I couldn't my apple
• 36:25
  Speaker 4: idea was changed and it wouldn't let me log in
• 36:28
  Speaker 4: for a day so I could have ride under the
• 36:29
  Speaker 4: scooters of bikes and I was just hoofing it along
• 36:31
  Speaker 4: that main stretch.
• 36:32
  Speaker 6: So I got to the monument, but I missed the
• 36:36
  Speaker 6: Freemason stuff and a couple of other things. But I'm
• 36:38
  Speaker 6: gonna go back next week. Like December is right now,
• 36:42
  Speaker 6: so sometime between now and Christmas. But it was wild
• 36:45
  Speaker 6: down there. Man, it was awesome.
• 36:47
  Speaker 4: Yeah, there was so much going on.
• 36:48
  Speaker 3: Yeah, Yale has a lot of shit too that might
• 36:54
  Speaker 3: be uh, you know, kind of somewhat close for you
• 36:57
  Speaker 3: from where you were they to travel, you know, not
• 36:59
  Speaker 3: too far.
• 37:01
  Speaker 4: Which what'd you say, Yale? Oh no, no, no, you know,
• 37:04
  Speaker 4: And I'm not.
• 37:05
  Speaker 6: I'm sweating God, the the Cloisters, New Haven and going
• 37:12
  Speaker 6: back to DC like these are all before. Like I
• 37:15
  Speaker 6: had a busy first half of the month November comedy wise.
• 37:19
  Speaker 6: I got a roast this week, a show Friday. Besides that,
• 37:21
  Speaker 6: I'm pretty.
• 37:22
  Speaker 4: Wide open and I'm gonna go full throttle make it
• 37:25
  Speaker 4: make sense till Christmas. Like just any nice day that's
• 37:28
  Speaker 4: not raining on windy, I'm gonna be out there filming
• 37:31
  Speaker 4: something I'm going to Princeton. People been telling me about Princeton.
• 37:34
  Speaker 3: Nice. Nice, So they tell you, was it new Haven
• 37:36
  Speaker 3: green that somebody told you to go to? Is that
• 37:38
  Speaker 3: the New Haven Cemetery? Is that what the you suggested
• 37:40
  Speaker 3: to go there? You knew about that?
• 37:42
  Speaker 4: People saying, yell, I just knew in general, has a
• 37:46
  Speaker 4: lot going on.
• 37:46
  Speaker 3: Yeah, yeah, go to the new Haven Semi. I don't
• 37:48
  Speaker 3: even know if you're into that, because I don't think
• 37:50
  Speaker 3: you've covered cemeteries. But there's like some gigantic shit in
• 37:53
  Speaker 3: there too, just weird, very occult shit. And I do
• 37:56
  Speaker 3: think if you ask the guy, there's a Freemason section
• 37:58
  Speaker 3: in there, if you ask him, do they my bibles
• 38:00
  Speaker 3: show you.
• 38:01
  Speaker 4: The Greenwood Cemetery in Brooklyn? I did. I did a
• 38:04
  Speaker 4: bunch of a bunch of videos on that. It's one
• 38:07
  Speaker 4: in a wilder the ones.
• 38:08
  Speaker 3: You know, there's like sphinx in that fucking cemetery.
• 38:11
  Speaker 4: I was like, yo, yeah, like multiple pyramids, multiple pyramids.
• 38:17
  Speaker 4: Egyptian officionados they said they said King Tuck was hot,
• 38:22
  Speaker 4: That's what they said. These are these are the answers.
• 38:24
  Speaker 4: They get it.
• 38:27
  Speaker 3: King Tutt image was during.
• 38:29
  Speaker 5: That period they were eating the remnants of mummified people
• 38:34
  Speaker 5: they could find like chips. So Egypt was hot back then,
• 38:43
  Speaker 5: but they were. They were in a weird way, like.
• 38:49
  Speaker 4: The Chrysler build and the stone from that, that Onyx
• 38:52
  Speaker 4: from Mexico. Uh, marble from Africa, like come on, man
• 38:58
  Speaker 4: like like there's things you can't lie like marble from Africa,
• 39:03
  Speaker 4: Like come on, yeah.
• 39:07
  Speaker 3: Right just to that's ooh, look at this. This is
• 39:10
  Speaker 3: serious right here. This is Manhattan Bridge arches.
• 39:14
  Speaker 4: Yeah, and the bridge is metal, all metal. This has
• 39:17
  Speaker 4: nothing to do with it.
• 39:23
  Speaker 5: It looks like green man.
• 39:25
  Speaker 3: Yeah, you got that another lion. You have the fasciye
• 39:31
  Speaker 3: right there, the bundle of sticks, the symbol of stones,
• 39:33
  Speaker 3: some people's symbol of fascism.
• 39:37
  Speaker 5: There's there's maybe the eight pointed wheel.
• 39:41
  Speaker 3: Yo. Here's another thing you'll see a lot too. I
• 39:43
  Speaker 3: should have pointed seashells. You see how you see it
• 39:46
  Speaker 3: right here on the side. You'll see that ship a lot.
• 39:48
  Speaker 3: And I do think that is a symbolism for your
• 39:50
  Speaker 3: ris rounder and your eyble. That's just my opinion.
• 39:54
  Speaker 5: Mm hmm. Reminds me of the Venus painting and beauty
• 40:03
  Speaker 5: being in the eye of the beholder as she comes
• 40:06
  Speaker 5: out of the show.
• 40:09
  Speaker 4: Yeah, a lot of times the statues are cold, like
• 40:14
  Speaker 4: the nipples are hard. It's so weird. I'm not even
• 40:19
  Speaker 4: trying to be funny.
• 40:19
  Speaker 3: Man, No, but they made them like that, right, yeah, exaggerated?
• 40:23
  Speaker 5: Yeah, is what what is the statue of? I said,
• 40:30
  Speaker 5: I believe it's Theodore Roosevelt and he's on the horse
• 40:34
  Speaker 5: and there are like small American Indians on one side
• 40:39
  Speaker 5: and small African slaves on the other side. It really
• 40:43
  Speaker 5: has a lot of implications. It might have even been
• 40:47
  Speaker 5: removed recently. Do you know what I'm talking about?
• 40:49
  Speaker 4: Thinking the American History of Natural the museum, that's a
• 40:54
  Speaker 4: natural American history of.
• 40:57
  Speaker 6: The Museum of Natural American History. Something I have that
• 41:01
  Speaker 6: I think I have that video. I'm trying to remember
• 41:04
  Speaker 6: if I have the holes Yeah, yeah, yeah, I remember
• 41:11
  Speaker 6: filming that. That over that a Central Park West. That's
• 41:15
  Speaker 6: so much.
• 41:16
  Speaker 4: Also, man.
• 41:18
  Speaker 5: Is always parked me out.
• 41:20
  Speaker 3: You know another thing I think you you point out
• 41:23
  Speaker 3: that I have seen other people point out with like
• 41:25
  Speaker 3: like older things or like megallits you know, stuff out
• 41:29
  Speaker 3: of this country. But like you're pointing at it too,
• 41:31
  Speaker 3: like why are these things they're built so long ago?
• 41:33
  Speaker 3: With ridiculous sized doorways, like you know with the giants,
• 41:39
  Speaker 3: real like New York giants, Like why are the doorways
• 41:42
  Speaker 3: like gigantic on a lot of these things like fucking huge,
• 41:45
  Speaker 3: Like that's just even more work to do what I'm saying,
• 41:48
  Speaker 3: I don't know.
• 41:49
  Speaker 4: And like the the Rockefeller Son I was over that
• 41:52
  Speaker 4: didn't I didn't edit it yet, but a couple of
• 41:55
  Speaker 4: that buildings just had huge giants on like on the
• 41:58
  Speaker 4: side of the building. It's just it was weird, you
• 42:01
  Speaker 4: know what I mean, Like just weird symbolism, Like I
• 42:04
  Speaker 4: couldn't explain what it was on the side, like just
• 42:08
  Speaker 4: I'm gonna release it this week. I just had a
• 42:10
  Speaker 4: bunch of footage to get through.
• 42:14
  Speaker 3: Yeah. I can't remember what place it was, but I
• 42:16
  Speaker 3: think I remember you even like showing the doors and
• 42:18
  Speaker 3: you're like where the door is huge?
• 42:23
  Speaker 4: The Saint Patrick's Church, those were like triple deckers. It
• 42:26
  Speaker 4: was wild. I got lucky in.
• 42:30
  Speaker 6: The matter of an hour that was opening some other
• 42:32
  Speaker 6: church and the insides were just mind blowing.
• 42:35
  Speaker 3: It's just Trinity building.
• 42:39
  Speaker 4: Yeah, this one's one of my favorites.
• 42:53
  Speaker 5: I mean, I definitely am convinced so that cities have
• 42:56
  Speaker 5: their own esoteric or a cult layout. And I'm starting
• 43:01
  Speaker 5: to wonder if there is some format of a national
• 43:05
  Speaker 5: relationship between all these different structures, and certainly between Philadelphia,
• 43:13
  Speaker 5: New York and DC. That there must be, But it
• 43:18
  Speaker 5: just makes me think that there might be some kind
• 43:20
  Speaker 5: of national cult layout relationship thing. I don't know exactly
• 43:30
  Speaker 5: makes consider it. There's in calumb I think that too,
• 43:34
  Speaker 5: because in California there's said to be this uh Santa
• 43:41
  Speaker 5: Rosa Crucian triangular set up between Santa Cruz, Santa Rosa,
• 43:49
  Speaker 5: and Sacramento, and it's a big Rosa Crucian state at
• 43:55
  Speaker 5: one time anyway, So it makes me think that there's
• 43:58
  Speaker 5: maybe all the city relationships but also bigger relationships more broadly.
• 44:06
  Speaker 3: You know, it's another thing. You'll see a lot of
• 44:07
  Speaker 3: big t if you saw paid attention to the floor
• 44:10
  Speaker 3: of the lee kind of in a way like a
• 44:12
  Speaker 3: symbol like that. You'll see that shit on a lot
• 44:14
  Speaker 3: of stuff or different ways of doing it. I see
• 44:18
  Speaker 3: that ship on these in these buildings, like see the
• 44:20
  Speaker 3: more seashells again. See you'll see seashells and then that
• 44:23
  Speaker 3: circular thing you see those things on like fucking everything,
• 44:32
  Speaker 3: like those symbols, like they don't discriminate their own fucking
• 44:34
  Speaker 3: every old building doesn't matter if it's a church and
• 44:36
  Speaker 3: maysonic loge or what.
• 44:40
  Speaker 5: Could you go back a couple of seconds, deck, Yeah,
• 44:42
  Speaker 5: a lot of play if it's possible, Yeah, I let
• 44:44
  Speaker 5: it play through again. Okay, No, Well, there are these
• 44:50
  Speaker 5: they might be called capitals actually, but there are these
• 44:53
  Speaker 5: triangular pyramiddle uh roofs if you will, to the windows
• 45:01
  Speaker 5: that are kind of built into structures. And then there
• 45:04
  Speaker 5: are also the same kind of format, but they're circular
• 45:09
  Speaker 5: and rounded. Yes, and I believe they both related a
• 45:16
  Speaker 5: different kind of idea or to those on the ends
• 45:21
  Speaker 5: who knew these symbols that they related kind of like
• 45:26
  Speaker 5: the almost like the free Masonic shake. If you know it,
• 45:29
  Speaker 5: then I know you are in the thing. And and
• 45:32
  Speaker 5: so these apparently I've seen that these capitals, if you will,
• 45:37
  Speaker 5: forgive me if that's the wrong term, but circular and
• 45:41
  Speaker 5: triangular have different kind of invites to different groups.
• 45:45
  Speaker 3: Yeah, yeah, and I just saw a few again. Yes,
• 45:49
  Speaker 3: it goes back to like you saying, like, do they
• 45:51
  Speaker 3: have their own kind of flair or they're making their
• 45:54
  Speaker 3: own statement with their own symbolism totally agree.
• 45:59
  Speaker 5: The White House, for what it's worth, has both in
• 46:04
  Speaker 5: its architecture, the both the rounded capital and the triangular
• 46:09
  Speaker 5: form together.
• 46:15
  Speaker 4: I didn't even make it to the White House. I
• 46:16
  Speaker 4: run ahead of time.
• 46:19
  Speaker 3: This is Adam and Eve.
• 46:21
  Speaker 5: You got some you got some really neat, neat stuff.
• 46:24
  Speaker 5: This is this is excellent.
• 46:25
  Speaker 3: Yes, is cool ship.
• 46:29
  Speaker 4: That.
• 46:35
  Speaker 5: I wonder if those are the two John's, John the
• 46:38
  Speaker 5: Baptist and John John the what the one who shares
• 46:47
  Speaker 5: doesn't baptize for the two pillars coming up here? I
• 46:53
  Speaker 5: think I saw the capital that reminded me of that.
• 46:56
  Speaker 5: That is what reminded me to mention. Just went just
• 47:00
  Speaker 5: went by.
• 47:01
  Speaker 3: Damn.
• 47:01
  Speaker 5: Sorry, no, don't be sorry, but we'll see him again.
• 47:11
  Speaker 5: There it is again.
• 47:12
  Speaker 3: Oh yeah yeah, yeah.
• 47:14
  Speaker 4: Should I tell you that for this one? Yeah?
• 47:17
  Speaker 3: Yeah, go for it, please please.
• 47:18
  Speaker 4: If it's not this basilica, it's the one in upstate.
• 47:22
  Speaker 4: I couldn't. It was a basilica in New York. And
• 47:24
  Speaker 4: there's two of them, one upstate or this one. These
• 47:27
  Speaker 4: soldiers were in Spain and they went on this farm
• 47:30
  Speaker 4: and the farm is like, hey, let me feed you.
• 47:32
  Speaker 4: I'll cook you a meal, and they're like hey, in
• 47:34
  Speaker 4: America were building this basilica. He goes, really, I got
• 47:37
  Speaker 4: this rash stone in my QUARREO be it. It's red marble.
• 47:41
  Speaker 4: You want to feed basilica? Oh, that'd be great. Thank
• 47:43
  Speaker 4: you for dinner in the fucking marble, the red marble.
• 47:46
  Speaker 4: And they used this rare red marble from Spain, from
• 47:49
  Speaker 4: this guy's farm who fed these soldiers, and they gave
• 47:51
  Speaker 4: it to him because he told him they were building
• 47:53
  Speaker 4: a basilica in fucking New York.
• 47:57
  Speaker 5: It's just me and you never know, but that does
• 48:00
  Speaker 5: sound like one of those like what the hell stories?
• 48:03
  Speaker 4: Huh, listen? True not true, Like it's it's like the
• 48:09
  Speaker 4: fact that I know these stories. Like people still like, would.
• 48:12
  Speaker 3: You make that up?
• 48:13
  Speaker 4: Like you don't make that ump, that's all.
• 48:20
  Speaker 5: It's also like if you know to your point of
• 48:23
  Speaker 5: that there's some fishy going on. It reminds me of
• 48:30
  Speaker 5: the type of lie that you might tell to cover
• 48:32
  Speaker 5: things up, right, Like here's this really intricate story that
• 48:37
  Speaker 5: you can't make it up and you can't call it
• 48:40
  Speaker 5: and you can't research it. So here it is, and
• 48:43
  Speaker 5: this proves that I'm telling the truth because you know,
• 48:46
  Speaker 5: or at least they'll disparage anyone investigating that I'm not
• 48:50
  Speaker 5: telling the truth.
• 48:52
  Speaker 6: But just like just oh they have this rare red
• 48:55
  Speaker 6: marble from Spain's a red flag. Let alone, then how'd
• 48:59
  Speaker 6: you get it here?
• 49:00
  Speaker 4: Well, let me tell you this story.
• 49:01
  Speaker 2: Bah bah, it's like as like showtime.
• 49:05
  Speaker 4: Let me tell you this little story. See you know,
• 49:08
  Speaker 4: like there's a Basilica eighteen twelve red red marble.
• 49:11
  Speaker 3: Come on, like bs, I wanted to film this with
• 49:16
  Speaker 3: my drone. That's cool that you got this. I went
• 49:21
  Speaker 3: past it a few times when I was. I think
• 49:24
  Speaker 3: it's the same one. Maybe not. No, I didn't think
• 49:27
  Speaker 3: ip a ticket of the one of them by gil Go.
• 49:30
  Speaker 4: Yeah this is it?
• 49:31
  Speaker 3: Oh yeah, okay, all right, yeah yeah. When I was
• 49:33
  Speaker 3: when that gilg shit happened, when they caught that guy,
• 49:35
  Speaker 3: I went down there a few times just to go
• 49:36
  Speaker 3: like check it out and film stuff.
• 49:38
  Speaker 4: And yeah that's what I did.
• 49:39
  Speaker 3: Yeah you did too.
• 49:40
  Speaker 4: And then the water tower, that water tower goes a
• 49:43
  Speaker 4: thousand feet right there into the ground and Robert Moses
• 49:48
  Speaker 4: snake red flag right around. You know, there's certain people
• 49:50
  Speaker 4: are involved in things that are red flags. And then
• 49:53
  Speaker 4: this thing with those two things that go into the
• 49:55
  Speaker 4: sky is just built during a depression. I don't know,
• 49:59
  Speaker 4: just all it falls into the umbrella of red flags.
• 50:03
  Speaker 5: You know, and that and that building is a well.
• 50:08
  Speaker 4: It's always I give a food wreck sometimes.
• 50:13
  Speaker 3: Where'd you get that from? Over there?
• 50:15
  Speaker 4: A little beach DELI really good?
• 50:17
  Speaker 3: Okay?
• 50:19
  Speaker 6: There that goes a thousand feet into the ground during
• 50:22
  Speaker 6: a depression for water for a pool, Like why are
• 50:26
  Speaker 6: you building this during a depression?
• 50:27
  Speaker 4: You know what I mean? Like a thousand feet down?
• 50:30
  Speaker 4: I don't know, man, it looks like I don't know
• 50:32
  Speaker 4: what it was, but it's just it's always been there.
• 50:34
  Speaker 4: And like that one did pretty good, Like it's straight
• 50:38
  Speaker 4: view wise, because people, it's something that you go about
• 50:41
  Speaker 4: that round about. You were over there, Yeah, you just
• 50:43
  Speaker 4: passed it, like oh, this must be whatever they use
• 50:46
  Speaker 4: it for and you just go about your day.
• 50:47
  Speaker 3: Yeah yeah, right, you like, what the fuck is this
• 50:49
  Speaker 3: doing here?
• 50:50
  Speaker 4: Thousand feet into the ground in the thirties, Like that's
• 50:53
  Speaker 4: a little weird. Everything I explained why it goes a
• 50:58
  Speaker 4: thousand feet into the ground, you know, like cold, say
• 51:01
  Speaker 4: another one the Federal Reserve, yea, Like the bedrock in
• 51:05
  Speaker 4: Manhattan's hard to reach. And some of these buildings that
• 51:07
  Speaker 4: are in question they have to come up like groundbreaking technology.
• 51:11
  Speaker 4: How they the Brooklyn Bridge, the couldn't even find it
• 51:13
  Speaker 4: on one side. So that's why one parts on land,
• 51:15
  Speaker 4: one parts in the water. But the Federal Reserve they
• 51:18
  Speaker 4: said when they.
• 51:20
  Speaker 6: When they hit the bedrock, they stacked all the gold
• 51:23
  Speaker 6: and built the safes around it. Two hundred thousand pounds
• 51:26
  Speaker 6: worth of cement and metal and like nineteen eleven for a.
• 51:30
  Speaker 4: Reserve that the nude thing, Like how'd you know? It?
• 51:34
  Speaker 3: Was like, I don't know, just.
• 51:36
  Speaker 4: You're building a safe on the bedrock around the gold,
• 51:40
  Speaker 4: Like what is this? Die hard? Like it sounds like
• 51:42
  Speaker 4: a movie. And the Feds involved. It's the government now,
• 51:49
  Speaker 4: it's not they work with them. Red Flag.
• 51:55
  Speaker 3: You know, there's a do you ever hear Anton Maya
• 51:57
  Speaker 3: Park in the Bronx in the Bronx? Yeah? Or no, man,
• 52:03
  Speaker 3: that might be considered Yonkers.
• 52:06
  Speaker 4: Oh no, but I I I want to go to
• 52:09
  Speaker 4: Yonkers because there's a rapper, Jadakiss that has a podcast.
• 52:14
  Speaker 4: He started following me and if I do Youonkers, maybe
• 52:16
  Speaker 4: they'll see him, like you want to come on? Yo?
• 52:18
  Speaker 3: Jadakiss has a part kiss him and Fat Joe Yea.
• 52:21
  Speaker 3: I should see if I can get Jadakiss one be bugged.
• 52:24
  Speaker 4: My friend looks like Jadakiss, and I was gonna grow
• 52:26
  Speaker 4: the beard like fat Joe, We're gonna do. He never
• 52:30
  Speaker 4: reached broke May sense I was getting. I was getting.
• 52:36
  Speaker 4: I was my friend. He's like, you know, Jadakiss follows you.
• 52:38
  Speaker 4: I'm like, no way, Aaron Rodgers too.
• 52:42
  Speaker 3: That is bugged down, Yo, that is funny ship.
• 52:45
  Speaker 4: That's why I claim the thing.
• 52:47
  Speaker 3: You know, the thing is yeah right, and they probably
• 52:50
  Speaker 3: even know there's something wrong with this ship. That's why
• 52:52
  Speaker 3: I'm following it. But uh, you know this ship even
• 52:56
  Speaker 3: just like something.
• 52:58
  Speaker 5: Is there something in Yonkers that interested you? Location wise?
• 53:04
  Speaker 6: Maybe I was gonna go there was like some damn
• 53:06
  Speaker 6: that I went on my bike with my buddy, the
• 53:08
  Speaker 6: Croton dam just it seemed cool and I couldn't find it.
• 53:12
  Speaker 6: It's like some weird aqueduct and it's like there's still
• 53:15
  Speaker 6: parts of the New York aqueduct system that's.
• 53:17
  Speaker 4: Wooden, that that that they still use in the city.
• 53:20
  Speaker 4: I think that's just strange to me. I know someone
• 53:22
  Speaker 4: I'm familiar with that.
• 53:25
  Speaker 5: I think I'm familiar with that. It's the Croton Harmon. Yeah,
• 53:29
  Speaker 5: it's somewhere up there right right where some no, maybe not,
• 53:34
  Speaker 5: I won't seen it before.
• 53:38
  Speaker 4: Well, I was gonna find something close to Yonkers and
• 53:40
  Speaker 4: try to, you know, maybe get Jada Kiss's attention. It's
• 53:44
  Speaker 4: something that I guess he has.
• 53:47
  Speaker 5: He has a juice shop. If I was in New York,
• 53:49
  Speaker 5: I would go to the juice shop to try.
• 53:52
  Speaker 4: All right, now, now you're giving me a lead. I
• 53:54
  Speaker 4: appreciate it.
• 53:57
  Speaker 3: Check out the architecture, look up his juice shopping.
• 54:00
  Speaker 4: Is this the Connecticut capital?
• 54:02
  Speaker 6: Yeah?
• 54:02
  Speaker 3: Yeah, yeah, yeah. One thing. Oh, the reason why I
• 54:04
  Speaker 3: had brought up onto Myya Park is only because uh
• 54:07
  Speaker 3: I was. I went there myself and filmed it. There's
• 54:09
  Speaker 3: like a cult. It's in occult garden. It's really isn't.
• 54:12
  Speaker 3: I mean, there's two temples there, but they're small. I
• 54:15
  Speaker 3: don't know if it really be good for your thing,
• 54:16
  Speaker 3: but it is interesting. He Actually the reason I asked
• 54:19
  Speaker 3: is because he actually was the one who he was
• 54:21
  Speaker 3: one of few people that was involved in creating the
• 54:24
  Speaker 3: Federal Reserve, the guy who won that garden. At one point,
• 54:26
  Speaker 3: samue Lantemar, so you mentioned Federal Reserve. So I was like, oh,
• 54:30
  Speaker 3: this is you know, and that my opinion that Garden
• 54:32
  Speaker 3: has enough occult symbolism in there that you know, why
• 54:36
  Speaker 3: would there not be a cult symbolism on the Federal
• 54:38
  Speaker 3: reserve itself.
• 54:40
  Speaker 4: You know, I have to go to the Bronx to.
• 54:44
  Speaker 6: On the backburn a Yankee Stadium because that might have
• 54:47
  Speaker 6: been the college Saum. I went down that rabbit hole.
• 54:49
  Speaker 6: But uh, there's the Bronx omrie. There's huge castle.
• 54:54
  Speaker 4: It's wild and I think they turned into residential houses now,
• 54:56
  Speaker 4: but I gotta do that. Uh.
• 54:58
  Speaker 6: And the Bronx they have Kingsbridge. I was talking about
• 55:01
  Speaker 6: King's County Queens. The Kings bring a King's Bridge section
• 55:05
  Speaker 6: has all these like castle structures. The Bronx is just
• 55:07
  Speaker 6: has a lot of stuff. There was a lot going
• 55:09
  Speaker 6: on over there. And this is now the Connecticut Capitol.
• 55:14
  Speaker 6: This is bugged out to me.
• 55:16
  Speaker 3: And a lot of this stuff, like some of this stuff,
• 55:18
  Speaker 3: like the top of this building looked a lot like
• 55:20
  Speaker 3: shit that I was seeing when I was in Italy,
• 55:22
  Speaker 3: especially over by.
• 55:23
  Speaker 4: Venice gold plated. They said, real gold.
• 55:28
  Speaker 3: Like that type of style shit. I mean, I don't know.
• 55:31
  Speaker 4: This thing was wild.
• 55:34
  Speaker 6: There was like a little like the whole section, like
• 55:37
  Speaker 6: this whole area with this, like this little park that
• 55:39
  Speaker 6: probably was a top of a castle with a moat,
• 55:42
  Speaker 6: some archways, like just random wild stuff.
• 55:48
  Speaker 3: Eight pointed star again, the two four points to bring eight.
• 55:56
  Speaker 3: You get that fucking circular thing again. Anything with the
• 55:58
  Speaker 3: circumpunct Ship's all over everything.
• 56:03
  Speaker 5: It's fascinating.
• 56:07
  Speaker 3: You'll start noticing, like when we start, like because I
• 56:10
  Speaker 3: am after Aunton, myroom will start doing like Nashville and
• 56:13
  Speaker 3: Yale and Washington, d C. With the stuff that I
• 56:15
  Speaker 3: have filmed. I point that ship out. You'll see it's
• 56:17
  Speaker 3: it's on everything everywhere.
• 56:21
  Speaker 4: Yeah, I can't wait to get to Nashville. There's a
• 56:23
  Speaker 4: lot of.
• 56:24
  Speaker 3: Oh yeah, yo yo, right by the right by the bridge,
• 56:28
  Speaker 3: I'll tell you. Now, all those government buildings all the day.
• 56:31
  Speaker 3: Check them out. They all got fucking tons of a
• 56:32
  Speaker 3: cult ship. And then there's a Masonic lodge a few
• 56:34
  Speaker 3: blocks away that has like the same fucking architecture that's
• 56:37
  Speaker 3: on all the fucking government buildings. You're like, WHOA, what's
• 56:39
  Speaker 3: up with that?
• 56:41
  Speaker 6: The size and magnitude like almost like it was like DC,
• 56:44
  Speaker 6: you know what I mean, Like but no one talks
• 56:47
  Speaker 6: about it.
• 56:48
  Speaker 3: You know what I mean. Like at it there's an
• 56:50
  Speaker 3: elevator over by like one of the I think it's
• 56:52
  Speaker 3: like the court building that looks just like the cult
• 56:54
  Speaker 3: symbolism on the roof is just ridiculous. But like I
• 56:56
  Speaker 3: think there's even an elevator over there, and like the
• 56:58
  Speaker 3: elevator sign even has like the fucking not the caduces,
• 57:01
  Speaker 3: I think the scleppiest symbol on it. It's like, can
• 57:03
  Speaker 3: we get any more obvious? Like you can't even put
• 57:06
  Speaker 3: an elevator over here without the cold fucking symbol by
• 57:09
  Speaker 3: the button. It was just weird. Yeah, a lot of
• 57:18
  Speaker 3: the eagles too, you'll see that a lot over by
• 57:21
  Speaker 3: Nashville too, a lot of eagles on their buildings. Nice.
• 57:38
  Speaker 5: So that's gold plated, actual gold.
• 57:41
  Speaker 6: That's what people in the comments sections said. The Connecticut
• 57:44
  Speaker 6: people were very proud of their state capitol, and they
• 57:49
  Speaker 6: should be.
• 57:49
  Speaker 4: The thing was beautiful, and I loved Connecticut. I'm not nah.
• 57:53
  Speaker 4: I loved every place I would do so far.
• 57:55
  Speaker 3: You know, that's nice.
• 57:57
  Speaker 5: I wonder if that is actually eight pointed uh circle
• 58:01
  Speaker 5: on the top. Make they have those statues variously, they
• 58:04
  Speaker 5: don't look like ring around And there's the pyramidal capstone
• 58:12
  Speaker 5: there and I saw earlier of course I'm a more
• 58:15
  Speaker 5: circular one. But there it is, right up there, all
• 58:17
  Speaker 5: seeing eye with the pyramid.
• 58:29
  Speaker 4: Damn.
• 58:32
  Speaker 3: I wish I would have filmed some of these places.
• 58:34
  Speaker 3: Bro ships off the hug with symbolism in my opinion.
• 58:41
  Speaker 5: Mhmm, is that the same building? Okay? Okay, definitely not
• 58:56
  Speaker 5: more than eight beams on the couple. Yeah, that circle
• 59:05
  Speaker 5: it almost has the flower of life in it too,
• 59:07
  Speaker 5: if you just squeen your eyes.
• 59:10
  Speaker 3: Yeah.
• 59:25
  Speaker 4: Yeah, the sun was setting. I got there early for
• 59:28
  Speaker 4: a show and it was just there was so much
• 59:30
  Speaker 4: but I had to run and get this building before
• 59:32
  Speaker 4: the sun soon went down.
• 59:34
  Speaker 5: Yeah, keep it pick footage. Oh yeah, And do you
• 59:41
  Speaker 5: know the story with the Wall Street bull.
• 59:45
  Speaker 4: The touching of the balls or the dropping of the
• 59:47
  Speaker 4: ball itself.
• 59:49
  Speaker 5: The dropping of it that Yeah, that's an interesting story,
• 59:53
  Speaker 5: and it kind of like your whole theme of like
• 59:55
  Speaker 5: that huh that don't make sense.
• 59:58
  Speaker 4: Some how is pay for himself. Then he dropped it
• 1:00:01
  Speaker 4: by Wall Street. Then there was an uproar and he
• 1:00:04
  Speaker 4: moved it back. And now people come and touch his
• 1:00:06
  Speaker 4: balls for good luck. That's all. That's all I was
• 1:00:10
  Speaker 4: doing here. This whole video was me like step on
• 1:00:13
  Speaker 4: up grab on his balls like whatever, silly stuff. I
• 1:00:17
  Speaker 4: was saying people all day when I went I did
• 1:00:20
  Speaker 4: my TikTok live that people will love it. I was
• 1:00:23
  Speaker 4: just screaming online, but where are you from Argentina? You
• 1:00:25
  Speaker 4: just it's just all doors and me yelling at him.
• 1:00:28
  Speaker 4: No shirt on my bike?
• 1:00:31
  Speaker 3: That's great?
• 1:00:34
  Speaker 4: Uh. I.
• 1:00:36
  Speaker 5: I just always found that fishy that some out supposed
• 1:00:40
  Speaker 5: outsider in the art community just happened to get his
• 1:00:44
  Speaker 5: art in the biggest business center in the world like this,
• 1:00:48
  Speaker 5: because he put it there and people wanted it there.
• 1:00:50
  Speaker 5: Just seemed.
• 1:00:52
  Speaker 4: Seemed, yeah, this is the the this like castle type thing.
• 1:01:03
  Speaker 5: That's Nate.
• 1:01:06
  Speaker 4: They said it was for the Civil War.
• 1:01:12
  Speaker 3: Mhm hm hmm. Thanks will Amazon, uh Hayman, all the
• 1:01:48
  Speaker 3: Jones Beach. I want to tell again, Oh ship there
• 1:01:57
  Speaker 3: it is, you'll go be there.
• 1:01:59
  Speaker 4: Hm. I got a lot of ship for the way
• 1:02:02
  Speaker 4: I said. Uh, I always messed the name up since
• 1:02:05
  Speaker 4: I was a kid. People were ripping me.
• 1:02:06
  Speaker 3: Apart, you know. They it looks different than the last
• 1:02:12
  Speaker 3: time I was there. I don't think they had that.
• 1:02:14
  Speaker 3: They all they put put that ship up in the
• 1:02:16
  Speaker 3: front because of people staring at him. You know, I
• 1:02:20
  Speaker 3: had that did you ever hear that guy Ray?
• 1:02:22
  Speaker 4: Uh?
• 1:02:23
  Speaker 3: Oh god, he's like he's like a lawyer that's always
• 1:02:25
  Speaker 3: opening up his mouth about kog. I had that guy
• 1:02:28
  Speaker 3: on the show. Got his name Jonathan Ray, John Ray.
• 1:02:34
  Speaker 4: The name sounds familiar.
• 1:02:35
  Speaker 3: Yeah, yeah, you see him every once in a while
• 1:02:37
  Speaker 3: on Channel twelve babbling about fucking Kyogle Beach with a
• 1:02:40
  Speaker 3: gigantic be on his like fucking colorful suit. Just trust
• 1:02:44
  Speaker 3: is very weird.
• 1:02:45
  Speaker 4: This area of half it was just wild. There was
• 1:02:47
  Speaker 4: just a lot of stuff there. The park and the
• 1:02:49
  Speaker 4: Capital's right behind me.
• 1:02:58
  Speaker 3: I mean again, there's those flower things or whatever. Yeah,
• 1:03:07
  Speaker 3: who's that guy? You don't look at me. He doesn't
• 1:03:15
  Speaker 3: believe that nonsense. Mm hmm. Is there any other ones
• 1:03:23
  Speaker 3: that you know of that you want me to grab
• 1:03:25
  Speaker 3: before we wrap it up?
• 1:03:27
  Speaker 4: Oh, I'm just I'm I'm just enjoying my work. I
• 1:03:32
  Speaker 4: just scrolling myself.
• 1:03:33
  Speaker 6: There's so many of my Oh I forgot about this one,
• 1:03:35
  Speaker 6: you know, like this, The Manhattan Bridge was definitely a
• 1:03:39
  Speaker 6: good one.
• 1:03:39
  Speaker 3: The Arches, Brooklyn Museum right here, peacock. See these things again, man,
• 1:04:06
  Speaker 3: these things everywhere right, fucking ridiculous. Fuck it? What is that?
• 1:04:22
  Speaker 5: What is.
• 1:04:24
  Speaker 4: That? Like?
• 1:04:24
  Speaker 3: A make up make up mer in the hand.
• 1:04:28
  Speaker 4: Yeah.
• 1:04:35
  Speaker 3: This reminds me a little bit of if you go
• 1:04:37
  Speaker 3: to Nashville, there's a museum. Yeah, look at that. There's
• 1:04:42
  Speaker 3: some museum over there in Nashville that has like weird
• 1:04:44
  Speaker 3: ship like this up at the top of it. I
• 1:04:46
  Speaker 3: think it has like the three dogged thing two as
• 1:04:50
  Speaker 3: well in the middle.
• 1:04:51
  Speaker 4: I legit plan on going to all these places. I
• 1:04:55
  Speaker 4: want to go to these small I want to go
• 1:04:57
  Speaker 4: to like Iowa and show the state capitol there, like
• 1:05:00
  Speaker 4: anyone could do New York.
• 1:05:02
  Speaker 3: Yeah that's true.
• 1:05:03
  Speaker 4: Du No, what do the math? Google what the population
• 1:05:07
  Speaker 4: was in Iowa for this building in nineteen twelve, you
• 1:05:11
  Speaker 4: freaking idiots?
• 1:05:12
  Speaker 3: No, right, think about that.
• 1:05:13
  Speaker 4: Yeah, like this old towns I want to see.
• 1:05:16
  Speaker 6: I want to show these grand structures like the like
• 1:05:18
  Speaker 6: the Capitol Building of Washington in Topeka, Kansas or wherever
• 1:05:22
  Speaker 6: it is.
• 1:05:22
  Speaker 4: You know, I'd bean like I want to show so
• 1:05:24
  Speaker 4: like do the math? Why, oh no, that was a
• 1:05:26
  Speaker 4: bustling town, you know what I mean? Like, oh my god,
• 1:05:30
  Speaker 4: it's not even a bustling town.
• 1:05:31
  Speaker 5: Now, there's some old towns you mentioned Maine earlier. There's
• 1:05:35
  Speaker 5: some old towns in Maine that have like the original
• 1:05:38
  Speaker 5: Masonic halls that often enough are the biggest building in
• 1:05:43
  Speaker 5: the towns. And from what I understand to your point
• 1:05:46
  Speaker 5: about the older towns still being more or less the same.
• 1:05:51
  Speaker 5: Even the street measurements were a certain layout back in
• 1:05:57
  Speaker 5: the day. It happens to work have worked with cars,
• 1:06:00
  Speaker 5: but they had like this whole sacred geometry layout even
• 1:06:07
  Speaker 5: down to the street with of course there were practical reasons,
• 1:06:12
  Speaker 5: but it was it had its whole like Masonic esoteric origins.
• 1:06:19
  Speaker 4: Yeah, Maine was.
• 1:06:21
  Speaker 6: I did like a seven part series on this basilica.
• 1:06:23
  Speaker 6: I was in Poland the first line for comedy. Then
• 1:06:26
  Speaker 6: I was in like right by Poland Spring, which was nice.
• 1:06:29
  Speaker 6: And then when as we got closer, I'm like, look
• 1:06:31
  Speaker 6: at this church.
• 1:06:32
  Speaker 4: I got to a fight with the comics. So I
• 1:06:33
  Speaker 4: was at like a twenty and it was my first
• 1:06:36
  Speaker 4: outside one and it was like a really bad block
• 1:06:39
  Speaker 4: in Maine. It was a guy eating peanut butter with
• 1:06:40
  Speaker 4: a box cutter. I didn't realize I was.
• 1:06:42
  Speaker 6: Filming what people crack heads in the background. When I'm editing,
• 1:06:46
  Speaker 6: I'm like, yo, I was in a bad place. But
• 1:06:48
  Speaker 6: I was at A twenty and the footage was awesome.
• 1:06:51
  Speaker 6: I was interviewing this guy for a seven part series,
• 1:06:53
  Speaker 6: this guy that cleans up the needles in the lot,
• 1:06:55
  Speaker 6: and like this huge basilica and like that set me
• 1:06:58
  Speaker 6: off with a lot of us. But I was so
• 1:07:01
  Speaker 6: jacked up from fighting with the other comic, from leaving
• 1:07:03
  Speaker 6: his ointment where my toothbrush was.
• 1:07:05
  Speaker 4: I don't care if it's for your foot or your crotch,
• 1:07:07
  Speaker 4: it's ointment. He keep it in your bag. And I
• 1:07:10
  Speaker 4: lost it on him, and that energy went right to
• 1:07:12
  Speaker 4: this basilica and I filmed it before my show, and
• 1:07:15
  Speaker 4: that's was set off. Make it makes sense? And you
• 1:07:18
  Speaker 4: know then the Trinity Church and then Brooklyn Bridge and
• 1:07:22
  Speaker 4: here we are. Is that.
• 1:07:31
  Speaker 5: What I was just wondering where the shady place was?
• 1:07:35
  Speaker 5: Maybe New Brunswick, so you know it's.
• 1:07:37
  Speaker 4: Right there, like Auburn, Auburn Main. Sure. Sure, And this
• 1:07:41
  Speaker 4: one I was gonna recommend because you with the sunflower dial,
• 1:07:44
  Speaker 4: it's lion dial, lion dial, lion di whole one.
• 1:07:49
  Speaker 5: That's hollowell? Is that is that what it's in.
• 1:07:55
  Speaker 4: It?
• 1:07:55
  Speaker 3: Again?
• 1:07:56
  Speaker 5: How? How how.
• 1:08:03
  Speaker 3: You got a corner a lion? Fucking Think again, man,
• 1:08:08
  Speaker 3: I told you that ship is everywhere right.
• 1:08:13
  Speaker 5: Mah, literally everywhere.
• 1:08:19
  Speaker 4: And that was my thing.
• 1:08:20
  Speaker 6: When I said I'm like no, how you have to
• 1:08:22
  Speaker 6: beat I'm like, yeah, yeah, I start coughing lions and
• 1:08:25
  Speaker 6: sunflowers every other one, you know what I mean, Like
• 1:08:27
  Speaker 6: there was a lot of them.
• 1:08:39
  Speaker 3: Yeah, I like this one.
• 1:08:46
  Speaker 4: This is just a historic house in Brooklyn. All this gosh.
• 1:08:50
  Speaker 4: I was on my way home from the museum going
• 1:08:51
  Speaker 4: to get pizza. It's the Steinway Mansion.
• 1:08:57
  Speaker 3: Oh shit, all right. I used to deliver it to
• 1:08:59
  Speaker 3: the actual old Steinway place.
• 1:09:02
  Speaker 4: The one on fifty seventh.
• 1:09:04
  Speaker 3: It was the it was like the warehouse slash like
• 1:09:07
  Speaker 3: where you're People would actually go there and go look
• 1:09:09
  Speaker 3: at the pianos. I forgot the street. It was in
• 1:09:12
  Speaker 3: a story, I believe.
• 1:09:13
  Speaker 5: Uh there was an octagon tower on top of that
• 1:09:17
  Speaker 5: square tower.
• 1:09:19
  Speaker 3: Op.
• 1:09:20
  Speaker 5: For what it's worth, looking if we're finding those eight
• 1:09:23
  Speaker 5: pointed stars, right.
• 1:09:25
  Speaker 3: I think you know, I think that's yeah, yeah, I
• 1:09:33
  Speaker 3: think you're right there. But it was a good eye.
• 1:09:41
  Speaker 3: This ties back at the cabbage patch babies and uh
• 1:09:43
  Speaker 3: human trafficking. Oh that wasn't you. That was somebody rights commenting.
• 1:09:47
  Speaker 3: Somebody else commented that on there. I'm sorry, I thought
• 1:09:49
  Speaker 3: that was your post.
• 1:09:54
  Speaker 4: I think some people requested this, so I like, yeah,
• 1:09:58
  Speaker 4: it's just but it's cool old history, like.
• 1:10:02
  Speaker 3: Everyone's a bang du Yeah, that is interesting. That's very
• 1:10:11
  Speaker 3: interesting and almost I'm gonna see that again implos it.
• 1:10:21
  Speaker 4: Yeah, on the side, the thing that you guys were
• 1:10:24
  Speaker 4: looking at before.
• 1:10:31
  Speaker 5: Looked into the occult history of bricks. Apparently they can't
• 1:10:38
  Speaker 5: really find the origin of what are the typical red
• 1:10:43
  Speaker 5: brick and they're all over India. They were on the
• 1:10:50
  Speaker 5: tower and uh what was it? What's the beach that
• 1:10:54
  Speaker 5: it was on? But there the red brick you can
• 1:10:58
  Speaker 5: just find everywhere through out in history and they can't
• 1:11:01
  Speaker 5: find where did it originate?
• 1:11:06
  Speaker 3: You know, red brick gives off EMF. I think electricals.
• 1:11:09
  Speaker 3: It gives off something actually too, and you know it
• 1:11:13
  Speaker 3: was weird with that. I could be wrong, but almost
• 1:11:16
  Speaker 3: positive it's EMF. And then like the crazy thing is
• 1:11:18
  Speaker 3: I mean, I don't know if it really made a difference,
• 1:11:20
  Speaker 3: but uh, Pilgrim State was I think has the most
• 1:11:25
  Speaker 3: red brick I think in the country used in like
• 1:11:27
  Speaker 3: one's place being made out of brick. I mean you
• 1:11:30
  Speaker 3: had like crazy people like literally inside of like buildings
• 1:11:33
  Speaker 3: that were just called you know, we're made out of this.
• 1:11:35
  Speaker 3: Could that like even affect them and make them even
• 1:11:37
  Speaker 3: more crazy? I don't know, man, all that sounds very conspiratorial,
• 1:11:42
  Speaker 3: but I'm just you know, it does give off something.
• 1:11:44
  Speaker 5: I'm almost positive what happened in this town? What this
• 1:11:48
  Speaker 5: town was infamous for something or what?
• 1:11:50
  Speaker 3: Well, Pilgrim's what this When I'm talking about Pilgrim State,
• 1:11:53
  Speaker 3: it was like it's a spot where they had in Montalk. No,
• 1:11:57
  Speaker 3: that's over. I think in Brentwood is central is the
• 1:11:59
  Speaker 3: Pilgrim State Mental Institution. Yeah, yeah, if you look it up,
• 1:12:04
  Speaker 3: it has the most red bricks I think to date.
• 1:12:07
  Speaker 3: Used to use that like a complex for building.
• 1:12:09
  Speaker 4: Yeah.
• 1:12:10
  Speaker 3: It was fucking ridiculous. It was gigantic. Yeah, there's like
• 1:12:12
  Speaker 3: rehabs there now like c K Post Phoenix House and
• 1:12:14
  Speaker 3: shit like that, but it used to be like for
• 1:12:17
  Speaker 3: you know, crazy people. It was huge, huge area and
• 1:12:20
  Speaker 3: it was all made out of red brick.
• 1:12:26
  Speaker 4: Yeah mm hmm.
• 1:12:31
  Speaker 3: Alright, well, I think maybe we'll wrap it up here
• 1:12:34
  Speaker 3: the Big Tea. Definitely, once you start hitting these new places,
• 1:12:38
  Speaker 3: I definitely got to get you back on and look
• 1:12:40
  Speaker 3: at your footage. Make it easy.
• 1:12:42
  Speaker 5: So the Empire State building was built in exactly four
• 1:12:46
  Speaker 5: hundred days.
• 1:12:48
  Speaker 4: Maybe like three ninety one. There's someone out there that
• 1:12:54
  Speaker 4: definitely said the date.
• 1:12:55
  Speaker 3: Where I'm like, just how you know it was like
• 1:12:57
  Speaker 3: within a two years time, which I was just like,
• 1:12:59
  Speaker 3: that's Steve. And if you give them, you know, two years,
• 1:13:02
  Speaker 3: I still don't buy that. I don't know. Yeah, it's
• 1:13:04
  Speaker 3: just I mean, I know people got lazier, but it's
• 1:13:08
  Speaker 3: just like you can never do that now, I don't think. Yeah, so, uh,
• 1:13:15
  Speaker 3: big T, did you want to plug any of you stuff? Yeah,
• 1:13:20
  Speaker 3: I don't know where they can find you. Again, I
• 1:13:21
  Speaker 3: do have your Instagram up there if you want, you
• 1:13:24
  Speaker 3: can after the show send me links of other things
• 1:13:26
  Speaker 3: and I'll edit.
• 1:13:27
  Speaker 6: Yeah, Instagram right now, the tiktoks hell good Facebook.
• 1:13:31
  Speaker 4: I just got the YouTube going, so just look for
• 1:13:34
  Speaker 4: make it makes sense, Big Ta, Big T, M I
• 1:13:37
  Speaker 4: M S.
• 1:13:37
  Speaker 6: And you know, check me out, let me know any requests,
• 1:13:41
  Speaker 6: any anything, say something, say you saw me on the pod?
• 1:13:43
  Speaker 3: Yeah, yeah for real. Yeah, if people go check them
• 1:13:47
  Speaker 3: out on YouTube and give them some suggestions and be like,
• 1:13:49
  Speaker 3: I'm sent here from the ecult rejexs. I came from
• 1:13:51
  Speaker 3: the cold reject because I do think I mean, honestly,
• 1:13:53
  Speaker 3: just my opinion, even looking at this stuff you're looking
• 1:13:56
  Speaker 3: at it interests me, not even like looking at it
• 1:13:59
  Speaker 3: a conspiratory sense, just in the occult architecture. I'm blown
• 1:14:02
  Speaker 3: away by this shit because it's fucking all over these buildings,
• 1:14:05
  Speaker 3: you know. Yeah, so I think even people for my show,
• 1:14:08
  Speaker 3: even just for that, I think you should go check
• 1:14:10
  Speaker 3: out his shit. So yeah, take a look over there.
• 1:14:13
  Speaker 3: And yeah, once you hit those other places up, if
• 1:14:16
  Speaker 3: you want, I can get you back on and talk
• 1:14:17
  Speaker 3: to you about that stuff, because it's all places that
• 1:14:20
  Speaker 3: I've even been to myself or I would like to go.
• 1:14:22
  Speaker 3: So good luck with that. I hope you keep doing it, man,
• 1:14:25
  Speaker 3: I hope you keep it up. I love this shit,
• 1:14:26
  Speaker 3: and I love the commentary. It's fucking hilarious, So thank
• 1:14:30
  Speaker 3: you guys.
• 1:14:31
  Speaker 4: I really appreciate it and the comments section they show
• 1:14:35
  Speaker 4: me so much love. Ye Like, it's just it's really awesome. Man.
• 1:14:39
  Speaker 6: I can't make it make sense, and but I just
• 1:14:41
  Speaker 6: want to keep creating, keep being myself, being being silly
• 1:14:45
  Speaker 6: funny with the commentary, and just keep if.
• 1:14:47
  Speaker 4: You want it, if they want to watch it, I'm
• 1:14:48
  Speaker 4: gonna keep making it because I'm having fun, you know,
• 1:14:50
  Speaker 4: I'm learning and meeting cool new people like you guys. Man,
• 1:14:53
  Speaker 4: thank you, thank you, sir.
• 1:14:55
  Speaker 3: Yeah, so look at this yah March seventeenth, nineteen thirty
• 1:14:57
  Speaker 3: and then it opened Mark May one, nineteen thirty on,
• 1:15:00
  Speaker 3: not even fucking two years.
• 1:15:04
  Speaker 4: How they saved the economy?
• 1:15:07
  Speaker 3: Yeah, well the fuckers couldn't afford food, but you have
• 1:15:09
  Speaker 3: to swing and hammas all day. Hey, they can't even eat,
• 1:15:13
  Speaker 3: Like where you're getting the energy? Are you eating the
• 1:15:16
  Speaker 3: red brick or eating red clay? But ya? Thank you again, Ethan.
• 1:15:22
  Speaker 3: Let everybody know where they can find you as well, sir.
• 1:15:25
  Speaker 5: Well, salue you guys. That was awesome to you. Thanks
• 1:15:27
  Speaker 5: for sharing with us a great footage, great insights Ethan
• 1:15:32
  Speaker 5: Indigo Smith on all the social media and yeah easy
• 1:15:36
  Speaker 5: to find new writing coming out soon. Yeah, appreciate you guys.
• 1:15:41
  Speaker 3: Hell yeah, no, thank you for joining me. I really
• 1:15:43
  Speaker 3: appreciate it, and thank everybody that jumped in on the
• 1:15:45
  Speaker 3: live in the comment section. Unfortunately, why I was manning
• 1:15:48
  Speaker 3: the Instagram, I really couldn't pay attention to the chat,
• 1:15:51
  Speaker 3: so that's obviously why I wasn't throwing the comments or
• 1:15:54
  Speaker 3: really saying anything. Sorry about that, but I do appreciate
• 1:15:57
  Speaker 3: everybody showing up. That's where we go live. I see
• 1:15:59
  Speaker 3: some people in here that I see constantly, and that's
• 1:16:01
  Speaker 3: what's up. I really appreciate you all stopping by and
• 1:16:04
  Speaker 3: check us out. Tomorrow, we got Ike Baker coming on
• 1:16:07
  Speaker 3: from the Golden Dawn, uh fucking New York right Blue
• 1:16:11
  Speaker 3: Lodge of Freemasonry. He's in the Martinists on all sorts
• 1:16:14
  Speaker 3: of shit. Definitely come check this guy out. It should
• 1:16:17
  Speaker 3: be a really really interesting show on the occult rejects.
• 1:16:20
  Speaker 3: So uh yeah, and that's the end of another one
• 1:16:22
  Speaker 3: and until the next one, everybody be well later.