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Fresh Beginnings With CLINT BOGE From THE BUTTERFLY EFFECT · HEAVY Music Interviews

• 0:00
  Speaker 1: Hey everyone out there, This is Clint from the Butterfly Effect,
• 0:03
  Speaker 1: just popped in to talk about the twenty one year
• 0:05
  Speaker 1: anniversary of our first album Begins Here, was kicking off
• 0:11
  Speaker 1: a national tour. I think it's the end of January,
• 0:14
  Speaker 1: isn't it in Canas. It's going to be crazy. It's
• 0:16
  Speaker 1: going to be taking in the length and the breadth
• 0:18
  Speaker 1: of the country. Check your socials for tour dates and
• 0:23
  Speaker 1: grab some tickets from the Butterfly Effect band dot com
• 0:26
  Speaker 1: and we will catch you somewhere along the road.
• 0:30
  Speaker 2: That almost sound a professional well done.
• 0:32
  Speaker 3: Of practice, let me tell you.
• 0:34
  Speaker 2: And I made always a pleasure catching up mane.
• 0:37
  Speaker 3: I love to be here.
• 0:38
  Speaker 1: It's the place where I can let my hand down
• 0:40
  Speaker 1: literally and you know, talk the talk without walking the walk.
• 0:46
  Speaker 4: Oh anyway, So Butterfly Effect keep the party going in
• 0:50
  Speaker 4: twenty twenty five, hitting the road from January to thirtieth
• 0:53
  Speaker 4: for the twenty five date twenty one years and Begins
• 0:56
  Speaker 4: Here Regional Tour twenty twenty five.
• 0:58
  Speaker 2: Like it's a lot of shows made.
• 1:00
  Speaker 4: I thought you would have learned your lesson after the
• 1:01
  Speaker 4: Capital City twenty years to beginning here right early?
• 1:04
  Speaker 1: It is, Yeah, mate, I know I'm a sucker for punishment.
• 1:07
  Speaker 1: And what can I tell you? My bloody drama keeps
• 1:09
  Speaker 1: booking booking gigs, and I keep saying, and man, how
• 1:12
  Speaker 1: old do you think I am.
• 1:13
  Speaker 3: We're bloody round.
• 1:15
  Speaker 1: In the bend for fifty and I must say we're
• 1:17
  Speaker 1: looking very good for fifty. But yeah, thank you very much.
• 1:21
  Speaker 1: I'll be here all night, yeah mate. Yeah, it's amazing though.
• 1:25
  Speaker 1: But you know what the I'm going to need. I've
• 1:27
  Speaker 1: got to be honest with you, after this, toyear, I'm
• 1:29
  Speaker 1: going to need the whole rest of the year to
• 1:31
  Speaker 1: have off to recover. But apparently I've just got my
• 1:34
  Speaker 1: car back from the mechanics and I've got to do
• 1:36
  Speaker 1: a little bit of work to it. So you know,
• 1:39
  Speaker 1: I'm going to be going to have a kissing booth
• 1:41
  Speaker 1: off the side, you know, and.
• 1:43
  Speaker 3: Some extra dollars.
• 1:46
  Speaker 4: The hair.
• 1:47
  Speaker 1: Come and get down there. That's good, yeah mate. But
• 1:51
  Speaker 1: we're all really stoked, we're all really excited. Everyone's starting
• 1:55
  Speaker 1: to you know, ramp up to it. We're talking about
• 1:57
  Speaker 1: getting fit and healthy as a group. You know, you
• 2:00
  Speaker 1: have to these days. It used to be you know,
• 2:03
  Speaker 1: late nights and partying till you drop sort of thing,
• 2:06
  Speaker 1: But yeah, we.
• 2:07
  Speaker 3: Can't really do that anymore. It's it's the next day
• 2:10
  Speaker 3: that gets you.
• 2:11
  Speaker 1: We can still do it, but it's the next day
• 2:14
  Speaker 1: nos longer recovered on that. We're on about a three
• 2:17
  Speaker 1: or four day stretch.
• 2:18
  Speaker 3: Now it's tolerable.
• 2:19
  Speaker 1: So I'm sure there's a lot of people out there
• 2:21
  Speaker 1: that can sympathize, but there will be people out there going.
• 2:24
  Speaker 3: Oh, what's wrong with you?
• 2:25
  Speaker 1: You're bloody pussy. Yes, but you try jumping around for
• 2:29
  Speaker 1: an hour and a half and screaming your tits off
• 2:31
  Speaker 1: and then going and you know, partying the next day.
• 2:34
  Speaker 3: That's it's so good.
• 2:37
  Speaker 4: Well, I like we're you're headed with this too, bro,
• 2:39
  Speaker 4: Like the twenty years it begins that you saw this
• 2:41
  Speaker 4: year ago, the twenty one years, it begins to your
• 2:43
  Speaker 4: next year. So you can keep milk on this until
• 2:45
  Speaker 4: the fifty that ambursery begins to you throw if you
• 2:48
  Speaker 4: really want.
• 2:48
  Speaker 3: It, oh one hundred percent.
• 2:49
  Speaker 1: Yeah, Well that's it's it's going to be the tour
• 2:54
  Speaker 1: that never ends. And yeah, yeah, we'll just keep going
• 2:57
  Speaker 1: around around until no one comes, when no one comes
• 3:00
  Speaker 1: to the shows anymore, and then we'll retired disgracefully. But
• 3:06
  Speaker 1: it's kind of going back to grassroots, and this is
• 3:08
  Speaker 1: what we wanted to do. We wanted to say a
• 3:10
  Speaker 1: massive thank you to all the fans out there that
• 3:12
  Speaker 1: might not be able to get to cities. But also
• 3:15
  Speaker 1: we had lots of people saying to us, how come
• 3:16
  Speaker 1: you guys don't do regional runs anymore?
• 3:19
  Speaker 3: Well, here we are.
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  Speaker 1: We're basically recreating one of the runs that we did
• 3:23
  Speaker 1: in twenty twenty three, more or less. But we threw
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  Speaker 1: it to the crowd and the fans and said, where
• 3:28
  Speaker 1: do you want to see us play because we might
• 3:30
  Speaker 1: have missed a place or not thought about a place
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  Speaker 1: for ages, to which you know, there was enough sort
• 3:35
  Speaker 1: of people throwing their hat into the ring saying hey,
• 3:38
  Speaker 1: come out here and.
• 3:38
  Speaker 3: We'll support you.
• 3:40
  Speaker 1: So that's kind of the way we went about it,
• 3:42
  Speaker 1: and I think it was a great idea. And yeah,
• 3:45
  Speaker 1: we just we really want to get back to that grassroots,
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  Speaker 1: you know, just playing in front of fans that have
• 3:51
  Speaker 1: been with us from the get go.
• 3:53
  Speaker 3: Good on you, bro.
• 3:54
  Speaker 4: So the twenty year old sure did wrap up this
• 3:56
  Speaker 4: year in February. So how was that run of shows?
• 3:59
  Speaker 3: Yeah was amazing. Yeah, it was really good.
• 4:01
  Speaker 1: So I think everyone always has a favorite show, and
• 4:04
  Speaker 1: none of us can really agree on which one it
• 4:06
  Speaker 1: was because for some strange reason, we can never we
• 4:10
  Speaker 1: never really seem to all gel or play, you know,
• 4:14
  Speaker 1: that massive show at the same time. It's bizarre, but
• 4:17
  Speaker 1: I'm sure a lot of bands out there can totally
• 4:19
  Speaker 1: relate for this next run. Yeah, so that's the thing.
• 4:23
  Speaker 1: Like everyone had a favorite show. One person was Sydney.
• 4:25
  Speaker 1: To our person was like second show Melbourne. Mine might
• 4:28
  Speaker 1: have been like, you know, the second Brisbane show, whatever, whatever,
• 4:31
  Speaker 1: But that was amazing coming off that run, the energy
• 4:34
  Speaker 1: that we were feeling coming off that, and everyone was like,
• 4:37
  Speaker 1: do you want to go back out and do a
• 4:39
  Speaker 1: big run? And everyone was like, hell, yeah, let's go.
• 4:42
  Speaker 3: So that was good.
• 4:42
  Speaker 1: And then it all just really fell together quite quite
• 4:46
  Speaker 1: organically because Benny just pretty muchly put out the word
• 4:49
  Speaker 1: and yeah, and then we started the crowd you know,
• 4:53
  Speaker 1: sourcing thing where we just threw it to the people
• 4:55
  Speaker 1: to tell us where they want to come, and it
• 4:57
  Speaker 1: was the response was excellent on being.
• 5:00
  Speaker 4: A regional tool, like are you going to be scaling
• 5:02
  Speaker 4: back things production wise a bit or are the regional
• 5:05
  Speaker 4: guys getting the same as a big.
• 5:06
  Speaker 1: City Oh no, that's a good question. No, we we
• 5:09
  Speaker 1: did have to scale it back a little bit, just
• 5:10
  Speaker 1: purely because of the size of stages that we're going
• 5:13
  Speaker 1: to be playing on. Unfortunately, we got to we can't
• 5:18
  Speaker 1: drag that big, bloody screen with us because I don't
• 5:21
  Speaker 1: think it's going to fit on a few stages. So
• 5:24
  Speaker 1: we're just going to take it back to the rock
• 5:26
  Speaker 1: show and literally recreate a sort of that ferocity and
• 5:32
  Speaker 1: intensity that we had, like, you know, twenty one years
• 5:35
  Speaker 1: ago essentially, which I think is really cool because when
• 5:38
  Speaker 1: we toured with she had they told us that they
• 5:40
  Speaker 1: did we were doing the same thing, and we're like, man,
• 5:42
  Speaker 1: that's really cool. So that's that kind of feeling, you know,
• 5:46
  Speaker 1: it teleports you back to that time, and it's just
• 5:48
  Speaker 1: going to be a dirty, smelly, sweaty, energetic, balls to
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  Speaker 1: the wall rock show and the way it should be
• 5:54
  Speaker 1: done on.
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  Speaker 2: The way it's not done very often these days.
• 5:57
  Speaker 3: Yeah.
• 6:00
  Speaker 4: Well, last time we spoke was before the first run
• 6:02
  Speaker 4: of shows, and we discussed the difficulties to playing a
• 6:05
  Speaker 4: whole album back to back because he didn't really ride
• 6:08
  Speaker 4: it with that in mind when you started. So, were
• 6:10
  Speaker 4: there any songs Aventure that just didn't fucking didn't work
• 6:14
  Speaker 4: for you, like they were too hard.
• 6:16
  Speaker 1: Oh no, Actually it's interesting because yeah, you would think
• 6:19
  Speaker 1: that we kind of had that trepidation where we were like, oh,
• 6:24
  Speaker 1: you know, which song you know, is this going to work?
• 6:25
  Speaker 3: That going to work?
• 6:26
  Speaker 1: But you know, you always zig when you when you
• 6:30
  Speaker 1: need a zag sort of thing. But funnily enough, we
• 6:33
  Speaker 1: we stumbled onto doing the acoustic version of Overwhelmed, which
• 6:36
  Speaker 1: worked really well. And it's that moment in the set
• 6:39
  Speaker 1: everyone gets to sort of, you know, take a breath.
• 6:41
  Speaker 1: It's not really loud, we sort of draw the crowd in.
• 6:44
  Speaker 1: So no, there was I think we've tailored it pretty
• 6:47
  Speaker 1: much to the way the band plays now and what
• 6:49
  Speaker 1: we could do. But also these days with Bloody, you know,
• 6:53
  Speaker 1: we've we've got a thousand musos and a box up
• 6:55
  Speaker 1: the back, and we've got all the you know, the
• 6:57
  Speaker 1: orchestra tracks and stuff like, you know, just just basically
• 7:00
  Speaker 1: and stuff which just fills out the sound, which is
• 7:02
  Speaker 1: lovely and that works really well.
• 7:06
  Speaker 3: You know.
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  Speaker 1: We've also we're taking a keyboard player. Actually, I'm just
• 7:10
  Speaker 1: wondering if we're taking a keyboard player and tell us.
• 7:12
  Speaker 2: With this.
• 7:15
  Speaker 1: Dude, ah man that's always the way, and bloody, no
• 7:18
  Speaker 1: one tells me anything. They just keep me in the
• 7:20
  Speaker 1: dark and keep feeding me bullshit.
• 7:23
  Speaker 2: I'm not even going to comment on that.
• 7:27
  Speaker 4: Back back when begins here, it came out bro like
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  Speaker 4: always one Second of Insanity, Beautiful Mind and Pray were
• 7:33
  Speaker 4: probably the best relentus, even the most popular ones. But
• 7:36
  Speaker 4: did you find on this run, like two decades on,
• 7:38
  Speaker 4: that people were connecting with different songs from the album.
• 7:41
  Speaker 3: Yeah, that's a good question.
• 7:42
  Speaker 1: I think, you know, I think that our whole, the
• 7:45
  Speaker 1: album as a whole, has always connected with those people
• 7:48
  Speaker 1: that loved it, do you know what I mean? For me, though,
• 7:51
  Speaker 1: things have certainly changed, Like it used to be like
• 7:54
  Speaker 1: perception tween and one second, we're all the big bangers,
• 7:56
  Speaker 1: you know what I mean. I want to be as
• 7:57
  Speaker 1: loud and as raucous and as out there as we
• 8:00
  Speaker 1: could possibly be, always stuff like that. But now it's
• 8:03
  Speaker 1: becoming about more so the nuance and the and the
• 8:06
  Speaker 1: dark beauty inside Beautiful Mind. So that's that's become a
• 8:12
  Speaker 1: real crowd favorite. And but also for me, it's a
• 8:15
  Speaker 1: it's a really nice moment in the set when we
• 8:17
  Speaker 1: play it, because we break it down to just keys
• 8:19
  Speaker 1: Cello and myself, but also I'm like finding, you know,
• 8:23
  Speaker 1: little bits of other songs, like the middle section of
• 8:25
  Speaker 1: Feeling Silence for instances like really tickling me every night.
• 8:28
  Speaker 3: I love getting to that section.
• 8:31
  Speaker 1: Yeah, and just Ad that was that was a sleeper.
• 8:34
  Speaker 1: I'd kind of forgotten about that song until we took
• 8:36
  Speaker 1: it out on the road or even started practicing it,
• 8:39
  Speaker 1: and then I was like, oh, man, this is a
• 8:40
  Speaker 1: really good song. Yeah, so we're man, it's almost like
• 8:45
  Speaker 1: we're getting to relive the energy and the excitement we
• 8:49
  Speaker 1: felt through these songs when we first wrote them.
• 8:54
  Speaker 4: I chucked on begins here and how to listen to
• 8:56
  Speaker 4: while I was writing these questions made and I've forgotten
• 8:58
  Speaker 4: what a fucking good album it is. Like it improves
• 9:01
  Speaker 4: a theory that good music is timeless, no matter when
• 9:03
  Speaker 4: it was made.
• 9:04
  Speaker 1: Yeah, one hundred percent. It's got a darkness to it.
• 9:06
  Speaker 1: It's got this mood and energy on it, and it's
• 9:09
  Speaker 1: this kind of thing that I explains it's in between,
• 9:12
  Speaker 1: like when you look at the wave files of all
• 9:14
  Speaker 1: of the music, there's this kind of negative space in between,
• 9:17
  Speaker 1: and there's something very interesting that happens on this album,
• 9:20
  Speaker 1: especially that fills in those gaps. It's almost like you
• 9:23
  Speaker 1: can hear through the slices of it where the instruments sit,
• 9:26
  Speaker 1: and there's this kind of mood and this vibration that happens.
• 9:29
  Speaker 1: Not to get too crazy out there, but it's amazing
• 9:32
  Speaker 1: to me that the album still holds up and lyrically,
• 9:36
  Speaker 1: it's still my favorite album that we've written. And I
• 9:39
  Speaker 1: just think it was going back to what I said
• 9:41
  Speaker 1: at the start. It was four fearless young men in
• 9:46
  Speaker 1: a room, all pushing in the one direction. This is like,
• 9:49
  Speaker 1: you know, before the in fighting sort of started, and
• 9:51
  Speaker 1: before the relationships started to break down to a point
• 9:54
  Speaker 1: where you know, it was hard to write together. But
• 9:58
  Speaker 1: you know, like Kirk could have walked into the room
• 10:00
  Speaker 1: with any kind of riff and I would have gone, bang,
• 10:02
  Speaker 1: here it is, let's go, and it would have been
• 10:04
  Speaker 1: amazing to me. And that's what I was talking about earlier.
• 10:08
  Speaker 1: I was saying, bands that are genuine and stay true
• 10:11
  Speaker 1: to themselves and right for themselves will last longer than
• 10:16
  Speaker 1: bands that are trying to catch the commercial dollar, because
• 10:18
  Speaker 1: that's fraudulent, like you're not your authentic self. And that's
• 10:22
  Speaker 1: my advice to any young music out there, Be fearless,
• 10:25
  Speaker 1: be yourself right the way you want to write, and
• 10:28
  Speaker 1: do it your way, because if you hit the jackpot
• 10:31
  Speaker 1: and you get there, like you will be a better
• 10:33
  Speaker 1: version of yourself, a truer version of yourself.
• 10:36
  Speaker 2: Because of that fan classic Raynond And you actually bring
• 10:40
  Speaker 2: up a good point earlier on in that too, like
• 10:42
  Speaker 2: it's gonna look like we've worked these questions out in
• 10:44
  Speaker 2: advance because you give me the perfect segue.
• 10:46
  Speaker 4: But the one thing that really stood out for me
• 10:49
  Speaker 4: begins here was how much you actually let the songs
• 10:52
  Speaker 4: breathe like I got good friend of mine once told
• 10:54
  Speaker 4: me that it's not what you put into a song,
• 10:56
  Speaker 4: it's what you leave out of it. And it took
• 10:58
  Speaker 4: me fucking ages actually stand what he meant.
• 11:00
  Speaker 2: But when you.
• 11:01
  Speaker 4: Listen to an album that begins here, you sort of
• 11:05
  Speaker 4: don't realize how how ruster or how forced music is
• 11:08
  Speaker 4: these days, because too many bands try and put everything
• 11:10
  Speaker 4: into one song and they destroy the soul of it.
• 11:14
  Speaker 3: Yeah, one hundred percent.
• 11:15
  Speaker 1: And then you know what, It's interesting that when Richard
• 11:17
  Speaker 1: Kingsmill from Triple J first heard our stuff, he said,
• 11:21
  Speaker 1: there is a there is something about it. It's what
• 11:25
  Speaker 1: we haven't put into it, and that struck me. And
• 11:27
  Speaker 1: it's interesting that you say that because so I have
• 11:30
  Speaker 1: not thought about that comment for twenty yeears, which is amazing,
• 11:35
  Speaker 1: and I thank you for bringing that back up, because yeah,
• 11:38
  Speaker 1: it really is.
• 11:39
  Speaker 3: It's about what you know.
• 11:40
  Speaker 1: You don't have to pack it with everything, and you're right,
• 11:43
  Speaker 1: begins Here has and that's what I was talking about,
• 11:46
  Speaker 1: that negative space.
• 11:47
  Speaker 3: It's the musical glue.
• 11:48
  Speaker 1: It's what's not there that is actually creating that depth.
• 11:51
  Speaker 3: And it's and it breathes.
• 11:54
  Speaker 1: The album breathes because you can it can punch you
• 11:56
  Speaker 1: in the face and keep stomping you and then.
• 11:59
  Speaker 3: Let off and you whoa. You know what I mean.
• 12:02
  Speaker 3: So that's and you don't get that with.
• 12:04
  Speaker 1: Many albums like Anywhere there's you know, and you're write
• 12:06
  Speaker 1: about timeless albums. For me, I think begins Here has
• 12:10
  Speaker 1: always been that album I can listen to anytime, and
• 12:13
  Speaker 1: I do. I listened to benz Here at least once
• 12:15
  Speaker 1: a year to remind myself what I was doing before
• 12:19
  Speaker 1: my memory goes fully. But it's it's it is actually
• 12:24
  Speaker 1: for me. It's a very beautiful album and the way
• 12:26
  Speaker 1: it's sequenced as well, the way it moves through it,
• 12:28
  Speaker 1: you know, it's various phases, is excellent.
• 12:32
  Speaker 4: And I also found out something else to do some
• 12:34
  Speaker 4: research tod a too bro like. I always assumed that
• 12:37
  Speaker 4: you're in butterfly effect from the very beginning, but that's
• 12:40
  Speaker 4: not the case.
• 12:41
  Speaker 2: You're a ringing.
• 12:42
  Speaker 3: Yeah.
• 12:42
  Speaker 1: I was the second singer. Yeah, I was the second
• 12:45
  Speaker 1: singer on the Grassy Nol Lookout.
• 12:49
  Speaker 3: Yeah.
• 12:50
  Speaker 1: So look, I was just really lucky because I moved
• 12:52
  Speaker 1: into a sharehouse and new farm with a guy from
• 12:55
  Speaker 1: West Ozzie who knew Kim from Dead Letter before they
• 12:57
  Speaker 1: were dead Letter, and he said to me, he goes, oh, man,
• 13:00
  Speaker 1: I've got this muso friend. Because I started singing around
• 13:02
  Speaker 1: the house playing guitar whatever, and he said, man, I've
• 13:04
  Speaker 1: got this muso friend. You might you know, you guys
• 13:07
  Speaker 1: might click. And Kim came over and we became fast friends.
• 13:10
  Speaker 1: And he said, he goes, oh.
• 13:11
  Speaker 3: I did.
• 13:12
  Speaker 1: We're a practice in this practice room on Adelaide Street
• 13:14
  Speaker 1: in Brisbane with this band that you might be looking
• 13:17
  Speaker 1: for a singer. And I was like, cool, man, I'll
• 13:19
  Speaker 1: come and light hang out. And it was yeah, it
• 13:22
  Speaker 1: was the guys, and they gave me a demo tape
• 13:25
  Speaker 1: and and off we went and the rest, as they
• 13:27
  Speaker 1: say as history.
• 13:28
  Speaker 2: I know that is mate.
• 13:30
  Speaker 4: So after I suppose the Butterfly Effect going to be
• 13:33
  Speaker 4: one of those nostalgic bands for now to just continue
• 13:36
  Speaker 4: to try the older material because.
• 13:37
  Speaker 2: It's so good, or you plan to keep it, or
• 13:39
  Speaker 2: listening to new music movingboard.
• 13:41
  Speaker 3: Yeah, you we're going to try some new music.
• 13:42
  Speaker 1: I really want to go sort of into a more anthemic,
• 13:49
  Speaker 1: like a more like a bigger vibe, kind of like
• 13:51
  Speaker 1: World's on Fire. I'd like to write sort of big,
• 13:53
  Speaker 1: sort of six seven minute epics. That's where I would
• 13:56
  Speaker 1: like to take it, because I'm just thinking, man, we're
• 13:58
  Speaker 1: not a commercial rock band. Who cares about that shit anymore? Anyway,
• 14:02
  Speaker 1: Let's right go back to what we want to write.
• 14:04
  Speaker 3: Not that we've ever really written for commercial radio.
• 14:07
  Speaker 1: It just didn't work for us, and and case and point.
• 14:09
  Speaker 1: Everyone thought we were metal. And it's like I had
• 14:12
  Speaker 1: an argument with music director from a big commercial radio
• 14:17
  Speaker 1: station because he said, you guys are too metal for
• 14:19
  Speaker 1: our format, and I was like, are you are you kidding?
• 14:22
  Speaker 1: I was like, and and case and point that that
• 14:25
  Speaker 1: radio station now plays a lot of music that sounds
• 14:28
  Speaker 1: a lot heavier than us.
• 14:30
  Speaker 3: So there you go. So there you go. So you
• 14:33
  Speaker 3: know what, and I you know what.
• 14:34
  Speaker 1: I respect everyone's right to think what they want. But
• 14:37
  Speaker 1: it is I've always been saying this, it's a little
• 14:40
  Speaker 1: bit sad that that commercial radio station doesn't sort of
• 14:42
  Speaker 1: champion more Aussie bands during the listening hours from six
• 14:48
  Speaker 1: am to six pm. And you can shove all the
• 14:51
  Speaker 1: Aussi music you want up between twelve and five o'clock
• 14:54
  Speaker 1: in the morning.
• 14:54
  Speaker 3: Mate, It's not going to make a lick at difference.
• 14:57
  Speaker 3: So you know that's that's my contention.
• 15:00
  Speaker 2: I'll run with that, bro.
• 15:01
  Speaker 4: So before we let you go, I've started a new
• 15:04
  Speaker 4: segment with Heavy. So before we speak, I actually troll
• 15:07
  Speaker 4: through your social media foto and I've dug up a
• 15:10
  Speaker 4: few from the past that i want to bring to
• 15:12
  Speaker 4: your attention and you can tell me about them. Okay,
• 15:15
  Speaker 4: this first one, mate, I want to know what was
• 15:17
  Speaker 4: going through your head and when these photos were taken.
• 15:22
  Speaker 3: This should be good.
• 15:26
  Speaker 2: That's uh face?
• 15:29
  Speaker 1: Yeah, yeah, that's that's that's some pain and anguish. That's
• 15:34
  Speaker 1: probably I've either shipped my pants or.
• 15:38
  Speaker 3: The money. Yeah, that's man. I'll tell you what you.
• 15:43
  Speaker 1: The camera often catches you at really you know, sort
• 15:47
  Speaker 1: of sensitive moments when you probably let yourself go a
• 15:50
  Speaker 1: little bit. But you know what the thing is meant,
• 15:52
  Speaker 1: I cannot remain guarded on stage. I always let myself go,
• 15:56
  Speaker 1: and I think that's that's the true place. But I
• 15:59
  Speaker 1: don't know what I'm thinking on either of those shots.
• 16:01
  Speaker 1: I'm channeling, channeling my best. Yeah, you're probably right. It's
• 16:05
  Speaker 1: probably an.
• 16:05
  Speaker 3: Adult film adaptation of the butterfly Effect. Does does Something?
• 16:10
  Speaker 3: Does Brisbane?
• 16:11
  Speaker 2: For sure?
• 16:14
  Speaker 3: I think it's like a laugh about it. Now.
• 16:18
  Speaker 4: This one's a little bit more, a bit nicer. But
• 16:21
  Speaker 4: my anniversaries are always coincide with alcohol. People got to
• 16:24
  Speaker 4: have a drink to celebrate, man, And you guys haven't
• 16:27
  Speaker 4: let the team down with this.
• 16:28
  Speaker 2: So what's going on?
• 16:29
  Speaker 3: Yeah?
• 16:29
  Speaker 1: The the begins here gin Yeah, man, that was That's
• 16:32
  Speaker 1: a nice bloody drop. If if it's still available, if
• 16:34
  Speaker 1: you can get your hands on it, grog lords dot com,
• 16:37
  Speaker 1: get on that and get it yourself a bottle.
• 16:39
  Speaker 3: It's very nice.
• 16:40
  Speaker 1: Also that begins here limited edition vinyl that we released that.
• 16:46
  Speaker 1: I really love it. And it's interesting because someone said,
• 16:49
  Speaker 1: why'd you go black and gold? Because we went blue
• 16:51
  Speaker 1: and silver on the first one, and it ties into
• 16:54
  Speaker 1: the gin. I'm like, can we not? Are we not
• 16:56
  Speaker 1: allowed to change it? I really love the color scheme
• 16:59
  Speaker 1: black and gold, baby God.
• 17:01
  Speaker 2: Yeah, you can bring out the next one.
• 17:03
  Speaker 4: Can be saying ends right now or some because it
• 17:05
  Speaker 4: begins here, both ends now.
• 17:10
  Speaker 3: That's good. I'm going to steal that, just so you know, mate, and.
• 17:15
  Speaker 4: Rumored that you're auditioning for tool and I didn't actually
• 17:20
  Speaker 4: believe it until I saw this boat.
• 17:24
  Speaker 1: Someone else said that to me as well. They said,
• 17:26
  Speaker 1: because man, look who you know. I love Maynard and
• 17:29
  Speaker 1: I love too, and we kind of wanted to use
• 17:34
  Speaker 1: a little bit of that that coolness that they have,
• 17:37
  Speaker 1: so we borrowed. You know what do they say, good beans, borrow,
• 17:40
  Speaker 1: great bends steal.
• 17:41
  Speaker 3: Well, we just wanted to split the difference. But I
• 17:43
  Speaker 3: loved it. It was very cool.
• 17:44
  Speaker 1: Actually, a friend of mine said, oh, did they take
• 17:46
  Speaker 1: a video of you and put it on the screen.
• 17:48
  Speaker 3: I said, no, that was me. I said, I was
• 17:50
  Speaker 3: up there. So where do you think I sprung from?
• 17:52
  Speaker 4: Oh?
• 17:53
  Speaker 2: Docha? Maynard will never be as cool as your brothers,
• 17:56
  Speaker 2: So you can give up.
• 17:58
  Speaker 3: You're too kind. I love you work thanks mate.
• 18:01
  Speaker 4: Oh us, all right, well, all right, went the twenty
• 18:05
  Speaker 4: one years to begin to see our kicks off in
• 18:07
  Speaker 4: Cans on January thirty, twenty five dates regional. You get
• 18:10
  Speaker 4: close to the capitals with Gold Coast and Infittion and
• 18:12
  Speaker 4: a few things like that. So I will you come
• 18:14
  Speaker 4: along too one of the local shows, Brother or catch
• 18:16
  Speaker 4: up man.
• 18:17
  Speaker 3: Awesome brother, See you mate,