Latest / Luke's English Podcast / WHINDERSSON NUNES _ VEGA - Podpah _1059

Transcript

WHINDERSSON NUNES _ VEGA - Podpah _1059 · Luke's English Podcast

• 0:19
  Speaker 1: Check it out.
• 0:20
  Speaker 2: Did you know you can compete for a year with
• 0:23
  Speaker 2: a Mercado Pago card?
• 0:24
  Speaker 3: Seriously, this promotion is for the Mercado Pago Visa card.
• 0:27
  Speaker 2: During the FIFA World Cup games in 2026, every 300
• 0:29
  Speaker 2: reais spent with your Mercado Pago Visa card, you get
• 0:33
  Speaker 2: the lucky number, and then you're competing.
• 0:36
  Speaker 3: The more you use, the more chances you have of winning.
• 0:38
  Speaker 3: So you take advantage, use yours here, and pay those
• 0:40
  Speaker 3: churras for us.
• 0:41
  Speaker 4: No, this is mine.
• 0:42
  Speaker 3: You're being too easy.
• 0:44
  Speaker 1: Mercado Pago.
• 0:45
  Speaker 5: You have everything to win.
• 0:50
  Speaker 1: Look at this, guys.
• 0:51
  Speaker 6: This is the KFC's box of fans, huh? Very crunchy chicken.
• 0:53
  Speaker 6: Nuggets and two sauces. This team here is the champion.
• 0:59
  Speaker 6: You deserve more.
• 1:18
  Speaker 4: What's up, man?
• 1:22
  Speaker 1: What's up, Igão?
• 1:23
  Speaker 7: Coco Máximo, Extremo, man. You're getting more and more absurd, man.
• 1:26
  Speaker 7: I'm your fan. Can I ask for a round of
• 1:28
  Speaker 7: applause for Igão Underground?
• 1:29
  Speaker 8: Holy shit, thank you.
• 1:33
  Speaker 1: Thank you. Thank you.
• 1:34
  Speaker 4: Give a round of applause for Pará' s MX2, Mítico Jovem.
• 1:37
  Speaker 1: Our monster.
• 1:39
  Speaker 4: You're crazy, man.
• 1:40
  Speaker 7: If I were to be someone famous and awesome, I'd
• 1:41
  Speaker 7: want to be you.
• 1:42
  Speaker 8: And if I were to be famous and awesome, I'd
• 1:44
  Speaker 8: want to be Joelma, man.
• 1:46
  Speaker 9: Yes, man.
• 1:46
  Speaker 7: Joelma is awesome. I don't know how you're doing at home, man.
• 1:49
  Speaker 10: Get used to it, leave your like, ask for something
• 1:52
  Speaker 10: to eat. I'm going to say what.
• 1:54
  Speaker 4: You're going to ask to eat now. So, that's what
• 1:56
  Speaker 4: I was going to say.
• 1:57
  Speaker 7: Mítico Jovem, before introducing our.
• 1:59
  Speaker 8: Guests, let's talk about the sponsors that sponsor this podcast,
• 2:01
  Speaker 8: thank God.
• 2:01
  Speaker 4: And let's start with.
• 2:02
  Speaker 1: KFC, but....
• 2:07
  Speaker 4: I'm sad, bro.
• 2:07
  Speaker 1: Since Sunday I'm, like, desolate.
• 2:09
  Speaker 7: I'll bring you joy, then, here. It's a Box of
• 2:11
  Speaker 7: the crowd.
• 2:12
  Speaker 8: Ah, Mítico Jovem, the thing is that, like, the Brazilian
• 2:15
  Speaker 8: is free to complain. But if you're going to complain,
• 2:17
  Speaker 8: complain with a full belly, Mítico Jovem. Because KFC has
• 2:19
  Speaker 8: the Box of the crowd. Scan the QR Code and
• 2:22
  Speaker 8: ask for your Box of the crowd, KFC. Take advantage
• 2:25
  Speaker 8: of the 30% off coupon available there on the app, okay?
• 2:29
  Speaker 1: It's a delight.
• 2:30
  Speaker 4: KFC, thank you very much. I'm very angry, man.
• 2:33
  Speaker 7: I'm upset.
• 2:33
  Speaker 1: It's nice, right?
• 2:36
  Speaker 4: Esse molhinho é agridoce, o vermelho é o maple.
• 2:40
  Speaker 7: Esse aqui é muito bom, né?
• 2:41
  Speaker 1: Gostoso.
• 2:42
  Speaker 4: Mítico Jovem, fala da sua queridinha, amarra!
• 2:44
  Speaker 8: If you want to change your bike or start riding
• 2:46
  Speaker 8: a bike zero, the opportunity is now, because Yamaha's campaign
• 2:50
  Speaker 8: called Yamaha, called Vantage, they brought special conditions to the
• 2:53
  Speaker 8: participating models.
• 2:54
  Speaker 1: So it's a.
• 2:55
  Speaker 8: Zero rate, a 1,000 reais coupon, which is a voucher
• 2:59
  Speaker 8: from Milan, and reduced parcels, and it's a chance for
• 3:01
  Speaker 8: you to take all the technology, and it's indisputable the
• 3:05
  Speaker 8: Japanese quality that Yamaha offers you. which is synonymous with practicality.
• 3:09
  Speaker 8: The conditions vary by model, check the details, QR Code
• 3:13
  Speaker 8: on the screen.
• 3:13
  Speaker 4: Call Yamaha, call Vantage. Thank you very much, Yamaha.
• 3:17
  Speaker 10: This is our closing, there are three motorcycles here in
• 3:19
  Speaker 10: the garage of Yamaha.
• 3:21
  Speaker 1: Send more, send more.
• 3:21
  Speaker 4: For us to strengthen the motoboy.
• 3:24
  Speaker 7: There is one at home too.
• 3:26
  Speaker 4: There are four, they left four.
• 3:27
  Speaker 7: Follow them on social networks and we are together.
• 3:29
  Speaker 10: If you want to stick with us, I stay with
• 3:31
  Speaker 10: my mouth full here, very tasty too.
• 3:37
  Speaker 7: What's up, Igão?
• 3:38
  Speaker 4: Mercado Pago Visa.
• 3:39
  Speaker 1: Exactly.
• 3:40
  Speaker 8: One of the official sponsors of FIFA World Cup 2026.
• 3:43
  Speaker 1: Exactly.
• 3:43
  Speaker 4: Was Brazil eliminated? It was, but you can still meet
• 3:46
  Speaker 4: your friends. And what's this? Launch Mercado Pago Visa to
• 3:49
  Speaker 4: the card.
• 3:49
  Speaker 1: It's true.
• 3:50
  Speaker 4: There will be games today and tomorrow. There's no way to.
• 3:52
  Speaker 1: Call people to have a barbecue.
• 3:53
  Speaker 7: There's a game every day, Mítico Jovem.
• 3:55
  Speaker 1: Call Geral, call everyone. Go ask that....
• 4:02
  Speaker 8: Aquele carrinho lá no aplicativo lance para cartão mercado pago
• 4:04
  Speaker 8: Visa porque a cada 300 reais gastos nesse cartão você
• 4:07
  Speaker 8: concorre a um ano de faturas pagas o oferecimento Visa.
• 4:11
  Speaker 10: Esse é o sonho de todo brasileiro de verdade um
• 4:13
  Speaker 10: ano de fatura paga tá maluco não é verdade é
• 4:16
  Speaker 10: verdade meu jovem já o terceiro que você leva né
• 4:21
  Speaker 10: você leva embora né.
• 4:22
  Speaker 7: Eu quero que se lasque tá quero que se lasque.
• 4:25
  Speaker 1: De Yeah, yeah. Yeah.
• 4:57
  Speaker 6: Yeah.
• 4:57
  Speaker 1: Yeah. Yeah. Yeah.
• 5:26
  Speaker 10: I'm killing this chicken here.
• 5:29
  Speaker 4: What's up, MTV Java? Is it good?
• 5:31
  Speaker 6: It's good.
• 5:31
  Speaker 8: Lorde, have you been using the English language in your
• 5:34
  Speaker 8: vocabulary for a long time?
• 5:35
  Speaker 1: Yes, yes.
• 5:37
  Speaker 9: A lot of time. Not really. A lot of time, right?
• 5:41
  Speaker 9: I got to Windus' house and said, Windus, are you okay?
• 5:44
  Speaker 1: He said, yes.
• 5:45
  Speaker 9: We started talking in English. Where do you come from, Windus?
• 5:48
  Speaker 9: Where do you come from?
• 5:50
  Speaker 1: I come from the street in Madrugada.
• 5:53
  Speaker 7: What are you guys doing in Madrugada?
• 5:56
  Speaker 1: When we were recording, we made a video of Michael Jackson.
• 5:58
  Speaker 1: I saw it, it was really cool. Talking about the movie.
• 6:01
  Speaker 8: Before we get to the subject of Michael Jackson and
• 6:03
  Speaker 8: the movie, and the video, when did you meet each other?
• 6:06
  Speaker 1: Well, I met him because of the parody he did
• 6:11
  Speaker 1: of the song of Oruan. And then I had seen
• 6:15
  Speaker 1: a video of Iá. So I thought that who was
• 6:20
  Speaker 1: singing was an Iá. And then I made a version
• 6:28
  Speaker 1: of this IA song. I said, what does IA own? Nothing.
• 6:32
  Speaker 1: Then I discovered that it was him singing with a
• 6:35
  Speaker 1: video of IA. The video was Michael Jackson with Oruan's hair.
• 6:39
  Speaker 1: It was crazy, very crazy. And then I said, wow, man,
• 6:43
  Speaker 1: it was your video. Then I went there to talk
• 6:44
  Speaker 1: to him. I said, oh, so and so. And then
• 6:47
  Speaker 1: we became friends and he said, I'm going to talk
• 6:48
  Speaker 1: about Michael Jackson, let's talk about the movie.
• 6:50
  Speaker 8: But this is cool about your part, Whindersson, because I
• 6:53
  Speaker 8: was talking yesterday with Mítico about this, that today on
• 6:55
  Speaker 8: the internet, the guys are kind of.
• 6:57
  Speaker 1: Everything is replicated.
• 7:00
  Speaker 4: There is no more the original idea. And you went
• 7:02
  Speaker 4: there when you discovered.
• 7:03
  Speaker 1: That there was a guy who did this. You do
• 7:04
  Speaker 1: it like this, and sometimes it's your friend. You see
• 7:06
  Speaker 1: him making a video and you say, wow, how funny,
• 7:08
  Speaker 1: I laughed a lot. Then when you think it's not,
• 7:10
  Speaker 1: the old video of China appears. Of someone doing it.
• 7:14
  Speaker 1: Then you say, I congratulated and the guy says, thank you, brother,
• 7:17
  Speaker 1: I had this idea taking a shower, you know? And
• 7:19
  Speaker 1: then you, wow, bro, you know? And then, in the case,
• 7:22
  Speaker 1: when I saw that he was a real person, you know?
• 7:24
  Speaker 1: That it wasn't like, ah, do it, play, because the
• 7:27
  Speaker 1: Oruan is on high, right? And then you say the
• 7:30
  Speaker 1: same thing, like, ah, play the Oruan, sing the thing,
• 7:33
  Speaker 1: then a cake comes out, play it, and sometimes it works, right?
• 7:37
  Speaker 1: Remember that... In the city of São Paulo... They were playing.
• 7:42
  Speaker 1: They were playing a song by the band, they were
• 7:45
  Speaker 1: doing a written parody, and they played it on the IA.
• 7:48
  Speaker 1: The IA itself sings on time. You don't even have
• 7:49
  Speaker 1: to sing if you want.
• 7:50
  Speaker 4: You just have to.
• 7:51
  Speaker 7: Do a good part. Lógico, but can you do a
• 7:53
  Speaker 7: little part like that?
• 7:54
  Speaker 9: Yes, of course. It's like Whindersson said, it came out
• 7:57
  Speaker 9: of nowhere.
• 7:57
  Speaker 7: Yeah.
• 7:58
  Speaker 9: I was giving it a go when I saw.
• 8:00
  Speaker 7: It, you know?
• 8:02
  Speaker 1: What do you mean, giving it a go? I was
• 8:03
  Speaker 1: shitting like this.
• 8:06
  Speaker 6: Yeah.
• 8:06
  Speaker 9: Before thinking about you.
• 8:09
  Speaker 11: Oh, my God.
• 8:10
  Speaker 1: Oh, my God.
• 8:12
  Speaker 9: Yeah.
• 8:13
  Speaker 1: Oh, thank you.
• 8:14
  Speaker 11: Thank you.
• 8:34
  Speaker 4: Abalando.
• 8:35
  Speaker 1: Abalando. Abalando.
• 8:55
  Speaker 9: Then I said, no, it's okay.
• 8:56
  Speaker 1: It happens. That's because I had seen a photo that
• 8:58
  Speaker 1: Oruan did with several cameras that make a machine gun, right? Yes, yes.
• 9:02
  Speaker 1: It was for a Greek magazine. It's the cruel media,
• 9:04
  Speaker 1: I don't know what, some things like that, right? Then
• 9:07
  Speaker 1: I was in Cabo Verde and I competed with a
• 9:10
  Speaker 1: guitar in a machine gun. I said, wow, I'm going
• 9:11
  Speaker 1: to give this guitar to Oruan. Then I bought the guitar.
• 9:17
  Speaker 1: Then at the airport I was coming here and the
• 9:18
  Speaker 1: police stopped me. And then the gunmen looking like this, one, two, three.
• 9:24
  Speaker 1: Let's open it to see what's inside. And I... I
• 9:28
  Speaker 1: already made a quick noise. Yeah, guitar. Top 10 cool ways.
• 9:34
  Speaker 1: Wait a minute, I'm crazy, but there's talk. Wait a minute, man.
• 9:36
  Speaker 1: But did they laugh.
• 9:38
  Speaker 7: Or did they make fun of me?
• 9:39
  Speaker 4: Of course they laughed.
• 9:40
  Speaker 1: They thought it was funny, but I said no, man.
• 9:43
  Speaker 1: How do you get on the train? And you think
• 9:45
  Speaker 1: it's okay. No, it's okay. Top 10 ways to show
• 9:47
  Speaker 1: something to the police.
• 9:50
  Speaker 9: There are ten ways to show something.
• 9:51
  Speaker 1: To the police.
• 9:56
  Speaker 7: Lord, but you imitate.
• 9:58
  Speaker 10: Not that you imitate, I think you were born like that, right?
• 10:00
  Speaker 7: But how long have you been making content?
• 10:03
  Speaker 1: Content? Yeah, you said, I'm a lord.
• 10:06
  Speaker 6: Yeah.
• 10:07
  Speaker 9: I think you make some... Look, to start, Lord... Lord...
• 10:10
  Speaker 9: The Lord, I think, has two anime. Two anime, right?
• 10:14
  Speaker 9: But do you know why Lord came?
• 10:15
  Speaker 12: Why?
• 10:15
  Speaker 1: The Lord came because....
• 10:18
  Speaker 9: I had a character of Michael Jackson, from Silva. I
• 10:23
  Speaker 9: was fine, then suddenly someone came and said to me,
• 10:26
  Speaker 9: if Michael's spoiler sees that you're doing Michael's stuff, they're
• 10:29
  Speaker 9: going to go crazy. I said, Lord. Me chama de Lorde,
• 10:32
  Speaker 9: na ligação. Me chama de Lorde. Aí o povo, caralho, gênio, Lorde,
• 10:36
  Speaker 9: muito da hora. Fih, eu tava com medo de tomar processo.
• 10:39
  Speaker 4: Mas quem falou pra você que ia dar problema?
• 10:41
  Speaker 9: Eu não lembro. Eu não lembro. Alguém falou pra mim.
• 10:44
  Speaker 9: Vai dar problema.
• 10:45
  Speaker 1: Eu não lembro.
• 10:45
  Speaker 4: Eu me fodei toda frase, velho.
• 10:48
  Speaker 1: Falada. Dá mais trabalho.
• 10:49
  Speaker 7: Ficar falando assim.
• 10:51
  Speaker 1: I don't remember.
• 10:52
  Speaker 9: Sabe, pra mim é mais fácil falar assim, sabia?
• 10:54
  Speaker 1: Sério?
• 10:54
  Speaker 9: É porque eu treinei inglês por muito tempo.
• 10:56
  Speaker 10: Não, e aí, ó.
• 10:59
  Speaker 1: No, and then, after I met him, we kept talking
• 11:01
  Speaker 1: like this. Then I realized that you don't need to
• 11:04
  Speaker 1: know the name of the thing, you know? If you say,
• 11:07
  Speaker 1: on the table, what is table? It's here, look. It's
• 11:09
  Speaker 1: the table.
• 11:10
  Speaker 9: The chair. You know?
• 11:12
  Speaker 1: The mimic is worth more, right? It goes a lot
• 11:15
  Speaker 1: of pointing and saying. From the context of the thing.
• 11:19
  Speaker 8: But this multiverse you've been creating, of speaking like Luciana Gimenez,
• 11:22
  Speaker 8: since when?
• 11:24
  Speaker 9: My ex, Luciana Gimenez, my ex.
• 11:26
  Speaker 1: My ex.
• 11:27
  Speaker 4: It's the one that said, follow me on Twitter.
• 11:30
  Speaker 1: Facebook.
• 11:31
  Speaker 4: It's just a joke.
• 11:32
  Speaker 9: It's been since the request went to jail. I said,
• 11:37
  Speaker 9: have you ever done Michael Jackson's stuff?
• 11:38
  Speaker 4: So it's recent, man.
• 11:39
  Speaker 10: Yeah.
• 11:40
  Speaker 9: I said, have you ever done Michael Jackson's stuff? I'm
• 11:43
  Speaker 9: going to do it. The request was arrested. I'm going
• 11:46
  Speaker 9: to make a joke. Then I woke up and it
• 11:47
  Speaker 9: was with a million views. I said, something crazy.
• 11:51
  Speaker 1: Or it leaked. My Shibara. Or I got it right.
• 11:54
  Speaker 9: Or I got it right some time.
• 11:55
  Speaker 1: Then they did the thing, you know?
• 11:57
  Speaker 9: But I had already done the thing before.
• 11:58
  Speaker 6: I had that.
• 11:59
  Speaker 9: Do you remember that old funk that I released? I said,
• 12:02
  Speaker 9: I don't like it at all. You just want this here,
• 12:05
  Speaker 9: my dear. It's a lie. It's also yours.
• 12:07
  Speaker 4: It's him, man.
• 12:08
  Speaker 1: Yeah. Fuck me. Yeah.
• 12:11
  Speaker 11: Fuck.
• 12:11
  Speaker 1: I remember an old, old... That was.
• 12:19
  Speaker 8: Ah, I don't know if everyone will remember, I'm afraid
• 12:20
  Speaker 8: to embarrass myself here.
• 12:21
  Speaker 4: That the guy was like, play Performa V. The guy
• 12:23
  Speaker 4: was in CQC.
• 12:24
  Speaker 1: Ah, that's Michael Jackson's Arrocha. That's it. I have Arrocha,
• 12:27
  Speaker 1: I have Arrocha with Michael Jackson. Let's go, everyone. I
• 12:31
  Speaker 1: have Arrocha, I have Arrocha with Michael Jackson. Let's go, everyone.
• 12:35
  Speaker 9: I have Arrocha, I have Arrocha.
• 12:36
  Speaker 7: With Michael Jackson. Let's go, everyone.
• 12:38
  Speaker 1: I have Arrocha, I have Arrocha with Michael Jackson. Let's go, everyone.
• 12:42
  Speaker 9: Yeah.
• 12:42
  Speaker 1: Yeah. Yeah. Yeah. A group that works to be me. No,
• 12:56
  Speaker 1: Igão has two. Igão has Igão Pode Crer too.
• 12:59
  Speaker 4: There's Igão Pode Crer and there's another one.
• 13:01
  Speaker 1: Igão Pode Crer. And he's just like Igão.
• 13:03
  Speaker 10: Yesterday we recorded.
• 13:05
  Speaker 7: A public Igão Pode Crer.
• 13:06
  Speaker 1: I'm going to find some Igão Underpaia. Underpaia is bad.
• 13:11
  Speaker 1: Joutel Loureto found one Joutel Loureto that day. But this
• 13:13
  Speaker 1: is the same. It's just Frazino. But they're not the same.
• 13:16
  Speaker 1: They're just cool from afar. When you put them together.
• 13:20
  Speaker 7: You say, no. But there's one that's just like.
• 13:24
  Speaker 1: You, man, that has the same tattoos. There are women
• 13:25
  Speaker 1: who are similar to me, you know? So, mine expands,
• 13:28
  Speaker 1: it's not gender, you know? It's totally different. Whoever wants
• 13:31
  Speaker 1: to be a Whindersson can be, man. Including, man. There's
• 13:34
  Speaker 1: one of yours that you say, this one scares me,
• 13:37
  Speaker 1: it's so similar. This guy, when he gets home, my
• 13:39
  Speaker 1: mom says, come on, my son, lie down. Come on.
• 13:40
  Speaker 1: There's a very.
• 13:41
  Speaker 10: Similar one, right?
• 13:42
  Speaker 1: Come on, come on, there's a girl. Yeah, I have.
• 13:45
  Speaker 1: I have a very similar one, bro. He works with
• 13:47
  Speaker 1: 100 wins, literally. There's a guy, there's a guy... He's
• 13:48
  Speaker 1: called Windy da Shopping. Stop, man. Yeah, he's from Windy,
• 13:51
  Speaker 1: he's on Instagram, he's Windy da Shopping.
• 13:53
  Speaker 8: Okay, so, for sure, there must be several things for
• 13:56
  Speaker 8: you to see him passing.
• 13:59
  Speaker 1: Marco... That's not you. For sure. Many times. I'm sure.
• 14:03
  Speaker 1: Many times people say that I'm in a place that
• 14:06
  Speaker 1: I'm not. It's this one. And he's verified. He's verified.
• 14:09
  Speaker 1: Because Mark Zuckerberg himself said he looks like him.
• 14:11
  Speaker 4: He's like Whindersson.
• 14:13
  Speaker 1: If he doesn't look like him... Man, he has the
• 14:14
  Speaker 1: same vibe.
• 14:15
  Speaker 7: That's why I expect.
• 14:16
  Speaker 1: It to go wrong. I expect it to go wrong
• 14:17
  Speaker 1: because of this. One said it's the same. The other
• 14:20
  Speaker 1: said it has nothing to do with it. Do you understand?
• 14:24
  Speaker 1: The opinions are different. It can't be.
• 14:27
  Speaker 4: Isn't that good?
• 14:27
  Speaker 1: It's good too. It's good. But when opinions are the same,
• 14:31
  Speaker 1: it's also good that you get together with people like that.
• 14:34
  Speaker 8: Okay, and you didn't know, you met each other recently,
• 14:36
  Speaker 8: what was it that you were seeing? Was Michael Jackson
• 14:39
  Speaker 8: a very common point that you broke up a friendship?
• 14:42
  Speaker 1: We met because of Michael Jackson, and then there was
• 14:45
  Speaker 1: a movie, it happened that Michael Jackson's movie came out
• 14:48
  Speaker 1: at the time, and he said, wow, this is cool,
• 14:51
  Speaker 1: I thought, wow, this is cool, that he is very,
• 14:53
  Speaker 1: and there, in the video recording, he told me that
• 14:55
  Speaker 1: his father was the cover of Michael Jackson. And then
• 14:58
  Speaker 1: I didn't know, I said, it's very deep. That's why
• 15:00
  Speaker 1: you're Michael Jackson.
• 15:01
  Speaker 7: Was your father also Michael's cover?
• 15:03
  Speaker 9: Yes, Michael's cover. I've said this before, but I'll never
• 15:05
  Speaker 9: get tired of it. I said it in the video, right, Wim?
• 15:08
  Speaker 9: The first picture with my father, with me in the collar,
• 15:10
  Speaker 9: he was dressed as Billie Jean. First picture. In front
• 15:13
  Speaker 9: of my grandmother's house, building.
• 15:14
  Speaker 7: Full of walls.
• 15:15
  Speaker 9: But my father was... Like, from head to toe.
• 15:17
  Speaker 1: From head to toe.
• 15:19
  Speaker 4: And boxes and... But your father already did a show
• 15:21
  Speaker 4: for you.
• 15:21
  Speaker 1: Yes, yes.
• 15:22
  Speaker 7: It happened something related to my.
• 15:24
  Speaker 9: Father, very cool.
• 15:25
  Speaker 4: Very cool.
• 15:26
  Speaker 9: I was talking to people from the old town, from
• 15:29
  Speaker 9: my hometown.
• 15:32
  Speaker 1: My dad.
• 15:32
  Speaker 9: My dad has an advantage. He tells you that he
• 15:35
  Speaker 9: did this and that.
• 15:36
  Speaker 1: Who didn't? He has an advantage.
• 15:37
  Speaker 4: He says he's good at soccer. He killed the others
• 15:39
  Speaker 4: on the street.
• 15:40
  Speaker 9: My dad told me this.
• 15:40
  Speaker 1: I was.
• 15:41
  Speaker 9: You can't believe it. At the time of the school,
• 15:43
  Speaker 9: I did... I did walking in the hair, horseback riding,
• 15:46
  Speaker 9: whatever I wanted. I said, it's a lie. He was lying.
• 15:50
  Speaker 9: Then one day I went to talk to a person
• 15:52
  Speaker 9: who had nothing to do with it. The drummer of
• 15:54
  Speaker 9: a band there. He said, are you the son of Vinicius?
• 15:57
  Speaker 1: Interior.
• 15:57
  Speaker 9: Are you the son of Vinicius?
• 15:59
  Speaker 1: I said, yes.
• 16:00
  Speaker 9: I'm Vinicius' son.
• 16:01
  Speaker 1: It's me.
• 16:01
  Speaker 9: Then he said, boy, your father used to do walking
• 16:04
  Speaker 9: the pill as he wanted. I said, what do you mean?
• 16:09
  Speaker 9: He said, man, there was a break. No one did anything.
• 16:11
  Speaker 9: Your father went to school dressed as Michael Jackson. He
• 16:13
  Speaker 9: would go to the stage, he would dance. The whole
• 16:16
  Speaker 9: school would see your father dancing. Your father would go
• 16:18
  Speaker 9: out with whoever he wanted. He was sinister. I went
• 16:20
  Speaker 9: back to.
• 16:20
  Speaker 1: My father like this.
• 16:23
  Speaker 4: You were a son of a bitch.
• 16:24
  Speaker 9: Nigga, what the hell? What the hell? Congratulations.
• 16:30
  Speaker 7: So this is from your blood.
• 16:31
  Speaker 4: So this was his sustenance for a long time?
• 16:33
  Speaker 9: It was for a long time, for a long time.
• 16:35
  Speaker 9: My father danced for a long time. But when I arrived,
• 16:37
  Speaker 9: it ruined it. When I arrived, I was born and
• 16:40
  Speaker 9: my father said.
• 16:40
  Speaker 4: My dream is over, son of a mother, my dream
• 16:43
  Speaker 4: is over.
• 16:43
  Speaker 9: Father, love you, God bless you.
• 16:46
  Speaker 8: But okay, what is your first memory with Michael Jackson? Like,
• 16:49
  Speaker 8: what do you remember seeing and saying, fuck, I want
• 16:52
  Speaker 8: to stay here watching this.
• 16:54
  Speaker 4: Because I remember, as a child, I saw a DVD
• 16:57
  Speaker 4: and I was paralyzed.
• 16:58
  Speaker 9: My first memory I remember was watching Thriller. And I
• 17:03
  Speaker 9: saw my cousins, my primos, I love him so much,
• 17:06
  Speaker 9: my primos, and they ran out of fear. And I
• 17:09
  Speaker 9: looked at Michael, I remember, I'm going to say something
• 17:12
  Speaker 9: here with a risk, running out of fear. I said, wow,
• 17:16
  Speaker 9: this is really cool. And when my father saw that
• 17:18
  Speaker 9: I paid attention and liked Michael Jackson, my father was
• 17:22
  Speaker 9: doing things and he stopped at the same time.
• 17:23
  Speaker 1: Wait, did you like it?
• 17:27
  Speaker 9: Wait a minute. He put Smooth Criminal. Then Michael did this.
• 17:31
  Speaker 1: I said, wow, what is this?
• 17:33
  Speaker 9: How does he do this? My father said, magic. Then
• 17:36
  Speaker 9: it was done. I remember, Michael Jackson is very strong
• 17:40
  Speaker 9: in my life.
• 17:40
  Speaker 1: He has this thing of.
• 17:44
  Speaker 8: He is very crazy for children, children don't even have
• 17:47
  Speaker 8: an understanding, maybe technical, of the thing, but he dazzles,
• 17:51
  Speaker 8: I remember being a dazzled child by Michael Jackson, and
• 17:54
  Speaker 8: as I got older, I just liked it more, because
• 17:56
  Speaker 8: I understood the whole background.
• 17:59
  Speaker 4: Do you remember, Whindersson, your first experience? I remember, I
• 18:01
  Speaker 4: was very.
• 18:01
  Speaker 1: Miserable, in the house of fear. In my grandparents' house.
• 18:09
  Speaker 1: In my grandparents' house. In my grandparents' house. In my
• 18:12
  Speaker 1: grandparents' house. In my grandparents' house. In my grandparents' house.
• 18:15
  Speaker 1: In my grandparents' house. On the day, whenever there was
• 18:25
  Speaker 1: a play on the radio, it was always the same
• 18:28
  Speaker 1: song that I played many times. Because in the countryside,
• 18:31
  Speaker 1: the most played music in Brazil is played many times. Yes.
• 18:33
  Speaker 7: You know?
• 18:33
  Speaker 1: Here there are still... I don't know who pays... Other varieties.
• 18:36
  Speaker 1: To appear... There are some songs that you play and
• 18:38
  Speaker 1: you say, why are you playing? A lot of things happen.
• 18:40
  Speaker 1: But in the countryside, on the countryside radio, what plays
• 18:44
  Speaker 1: the most in the world plays more times. And then
• 18:48
  Speaker 1: Michael Jackson played a lot, Felipe Dilon and Pepe Moreno.
• 18:53
  Speaker 1: I used to think that Felipe Dillon, Pepe Moreno and
• 18:57
  Speaker 1: Michael Jackson were competing to see who was the best
• 18:59
  Speaker 1: on the planet. The information I had was little. That
• 19:01
  Speaker 1: podium was yours. For me it was that. Michael Jackson
• 19:04
  Speaker 1: always played a lot and I always thought that Michael
• 19:06
  Speaker 1: Jackson was always winning in my head. What did you
• 19:08
  Speaker 1: play at that time? There was a Michael Jackson movie
• 19:18
  Speaker 1: that had a scene that made an allusion to the movie,
• 19:22
  Speaker 1: that someone plays with him. Stop, stop, boy, of playing guitar.
• 19:27
  Speaker 1: It was Macaulay Culkin. Yeah, it was Macaulay Culkin. He
• 19:32
  Speaker 1: played Michael Jackson's song, which was that one in the desert,
• 19:35
  Speaker 1: where he dances with the indigenous people. Wow, absurd. And
• 19:39
  Speaker 1: everyone changes their faces before the IA. Black and white.
• 19:43
  Speaker 1: I didn't have access to this video, I didn't have
• 19:45
  Speaker 1: access to this song. I was spending time, like you're saying,
• 19:48
  Speaker 1: you understand Michael Jackson in other ways. was before his time,
• 19:52
  Speaker 1: it was already very accelerated, the thing he did. This
• 19:54
  Speaker 1: was one of my first interactions with Michael Jackson. And
• 19:57
  Speaker 1: then it was a hymn similar to his family. I
• 19:59
  Speaker 1: had many relatives who were very, very close to Michael Jackson.
• 20:06
  Speaker 1: a Michael Jackson fan, and he showed me a lot
• 20:08
  Speaker 1: of things. When I was a kid, I'd say, look
• 20:10
  Speaker 1: at this guy, and I'd play. And then Michael Jackson
• 20:12
  Speaker 1: would come.
• 20:14
  Speaker 4: Back and do this. I really believed that he, like
• 20:15
  Speaker 4: your dad said, was magical to me.
• 20:17
  Speaker 7: He had power.
• 20:17
  Speaker 1: I believed in fake news. I believed that Michael Jackson
• 20:19
  Speaker 1: took the blood, changed it for white blood and became white.
• 20:26
  Speaker 1: I believed, I believed for a long time. I was
• 20:29
  Speaker 1: very afraid of him.
• 20:30
  Speaker 4: And that Xuxa had made the pact.
• 20:31
  Speaker 1: With Satan and Jabba the 4th.
• 20:33
  Speaker 8: And that Fofão' s doll had a knife.
• 20:36
  Speaker 1: Exactly.
• 20:37
  Speaker 9: Some of these things I still believe. Some of these
• 20:39
  Speaker 9: things I still believe.
• 20:40
  Speaker 1: No, well, but the Xuxa of Michael Jackson came out. Fofão,
• 20:43
  Speaker 1: as there is no way to explain, but I still
• 20:45
  Speaker 1: think that the knife there, suddenly, be careful with the children,
• 20:48
  Speaker 1: so as not to play with this animal.
• 20:50
  Speaker 7: How was it, Lord, in your time, when you saw
• 20:51
  Speaker 7: Michael turning white?
• 20:57
  Speaker 9: I was born without telling you my age. I was
• 21:01
  Speaker 9: born white. I was born white.
• 21:02
  Speaker 1: I was born white.
• 21:05
  Speaker 9: I think we should have.
• 21:06
  Speaker 4: The same age group. But then how did you know
• 21:08
  Speaker 4: he was black?
• 21:09
  Speaker 1: I think the information comes to people in a different way,
• 21:11
  Speaker 1: you know? For example, he should have been white for
• 21:20
  Speaker 1: a long time. Yes. But we were still dealing with
• 21:23
  Speaker 1: the videos that he was kind of like... If you
• 21:25
  Speaker 1: changed the video, you'd say, he's white now, he's black now.
• 21:28
  Speaker 4: You know?
• 21:28
  Speaker 1: It was... There wasn't a timeline. There wasn't. It was
• 21:31
  Speaker 1: just the videos that came. Or nobody, like, there wasn't
• 21:33
  Speaker 1: a news. Michael Jackson, once again... It's a little more clear.
• 21:37
  Speaker 1: There was no such thing as information.
• 21:39
  Speaker 4: It was a process.
• 21:40
  Speaker 1: It's true.
• 21:42
  Speaker 10: I also don't remember that there was an announcement that he.
• 21:45
  Speaker 7: Look, guys.
• 21:46
  Speaker 1: Because there wasn't, bro. How can you announce that a
• 21:48
  Speaker 1: person changed his clothes? It doesn't exist.
• 21:50
  Speaker 7: It's true. So, he was the only one, bro. He
• 21:53
  Speaker 7: was the only one. So, you only met him first
• 21:55
  Speaker 7: in the White version.
• 21:57
  Speaker 9: Yes, it was the first time. No, the first impact
• 21:59
  Speaker 9: I had, he was black. It was on the Thriller.
• 22:01
  Speaker 9: And then he was white, when I saw Black and White.
• 22:06
  Speaker 9: I said, man, he's a teenager. Because he's black, then
• 22:09
  Speaker 9: he's white, black and white. Those guys are teenagers.
• 22:12
  Speaker 1: Those guys are teenagers.
• 22:13
  Speaker 9: Do you think there will.
• 22:14
  Speaker 1: Be another Michael on this earth?
• 22:16
  Speaker 11: No.
• 22:20
  Speaker 1: No, there's no way.
• 22:20
  Speaker 6: No.
• 22:21
  Speaker 9: Another Michael Jackson is impossible.
• 22:22
  Speaker 1: Who saw, saw. Who liked, liked.
• 22:23
  Speaker 4: Who went to the show, went.
• 22:24
  Speaker 1: And that's it. My name is Tchau, guys.
• 22:26
  Speaker 4: You know?
• 22:27
  Speaker 9: My name is Tchau.
• 22:28
  Speaker 1: Who liked, liked.
• 22:29
  Speaker 4: It's impossible, Mítico. Wow, this guy.
• 22:31
  Speaker 8: Going back to the subject we were on, I, at
• 22:33
  Speaker 8: that time of.
• 22:35
  Speaker 4: You are not alone.
• 22:37
  Speaker 1: I was afraid.
• 22:38
  Speaker 8: Because for me he was like a salamander in a
• 22:40
  Speaker 8: silk shirt.
• 22:42
  Speaker 1: All weird.
• 22:43
  Speaker 8: And I was very afraid of this Michael Jackson. Also
• 22:45
  Speaker 8: because I saw the movies of.
• 22:47
  Speaker 1: Salamander.
• 22:48
  Speaker 8: Of Todo Mundo em Pânico. The guys put him as
• 22:51
  Speaker 8: a guy.
• 22:51
  Speaker 1: Yeah, the guys used to laugh at Michael. But that's
• 22:54
  Speaker 1: why the media in the matter of Michael Jackson is
• 22:57
  Speaker 1: the most criticized thing, you know? Because, for example, I
• 23:03
  Speaker 1: watched this one too, from Michael Jackson. I thought it
• 23:06
  Speaker 1: was funny. Today I don't think it's funny. Today I
• 23:09
  Speaker 1: don't think it's funny, but I thought it was funny.
• 23:11
  Speaker 1: And I wasn't afraid of Michael Jackson. And I didn't
• 23:13
  Speaker 1: have this opinion about Michael Jackson. I just thought it
• 23:16
  Speaker 1: was funny. Like, the guys are.
• 23:18
  Speaker 4: Yeah, for me it was funny, but the fear was like...
• 23:21
  Speaker 4: Because what I remember is... As a kid, okay?
• 23:24
  Speaker 8: Damn, the guy who took the baby and put it
• 23:27
  Speaker 8: in the closet. Wow, the guy who took his own nose.
• 23:30
  Speaker 8: that made blood transfusion. So you started to say, damn,
• 23:34
  Speaker 8: he messes with crazy stuff.
• 23:36
  Speaker 4: He's a human being who knows other things.
• 23:38
  Speaker 1: And that's why what he criticized the most was the media.
• 23:42
  Speaker 1: Because the media always paints a thing of the person.
• 23:47
  Speaker 1: For example, there's a video that you see on YouTube.
• 23:51
  Speaker 1: He arrives, if I'm not mistaken, in Denmark. And he
• 23:55
  Speaker 1: gets off the plane and everyone has their faces painted
• 23:58
  Speaker 1: in black dancing to him like this. They think it's cool,
• 24:01
  Speaker 1: you know? In their heads, it's really cool. And Michael Jackson,
• 24:06
  Speaker 1: in shock, like, what the fuck?
• 24:08
  Speaker 7: I've never seen that guy there, man.
• 24:10
  Speaker 1: But he's arriving in a country that doesn't have a
• 24:12
  Speaker 1: story with that, that people don't understand, more or less,
• 24:16
  Speaker 1: what's going on, and he does something thinking what he's thinking.
• 24:20
  Speaker 1: What he's thinking, man.
• 24:30
  Speaker 1: .
• 24:50
  Speaker 9: Bizarre, dude.
• 24:50
  Speaker 1: Bizarre. I think he was the guy who... Who wanted
• 24:54
  Speaker 1: to sleep, wake up and I don't know how many
• 24:56
  Speaker 1: years ahead. There was a lot.
• 24:56
  Speaker 8: I think he was the guy who had his life
• 24:59
  Speaker 8: most damaged by.
• 25:01
  Speaker 4: Today you say fake news and stuff, but.
• 25:03
  Speaker 8: By these lies, by the tabloids of the time they
• 25:05
  Speaker 8: were called, right?
• 25:07
  Speaker 1: Because... Man, we.
• 25:08
  Speaker 4: For the love of God, in very different scales.
• 25:12
  Speaker 4: Prove a little bit of this with a hate here,
• 25:16
  Speaker 4: a thing there.
• 25:16
  Speaker 1: The people put the stick in you, see? The people
• 25:18
  Speaker 1: put the stick in you. Put the stick in me
• 25:20
  Speaker 1: and I like it. Put the stick in you. Put
• 25:23
  Speaker 1: the stick in me. The people put the stick in us.
• 25:25
  Speaker 9: There I, a thousand times.
• 25:27
  Speaker 1: There I.
• 25:27
  Speaker 4: There I is very good.
• 25:28
  Speaker 1: There I, bro.
• 25:29
  Speaker 10: Put the stick and sometimes you don't even understand what
• 25:32
  Speaker 10: you're talking about, but you're trying to put the stick.
• 25:33
  Speaker 7: You know?
• 25:34
  Speaker 1: Yeah, but it's because life is hard, bro.
• 25:37
  Speaker 4: You know?
• 25:37
  Speaker 1: Life is hard. You left where you left off. You
• 25:40
  Speaker 1: know that life is hard. Do you want to live
• 25:42
  Speaker 1: as you lived? You don't want to live as you lived.
• 25:45
  Speaker 1: But people look at you living as you live and say, no, no, no, no, no,
• 25:51
  Speaker 1: you know? But it's hard, you know? I see Michael Jackson,
• 25:55
  Speaker 1: for example, like this. When you understand how it works,
• 25:58
  Speaker 1: look at this.
• 26:02
  Speaker 4: So you're a person like Michael Jackson.
• 26:04
  Speaker 1: You're a person who, when you see that war is
• 26:06
  Speaker 1: a shit, you're in a huge stadium, you make a
• 26:08
  Speaker 1: presentation where you lower the machine gun, you know, of
• 26:12
  Speaker 1: a war person. People who love war will hate you,
• 26:15
  Speaker 1: will chase you, you know? So when you know what
• 26:18
  Speaker 1: happens with children, when you understand what happens with children
• 26:22
  Speaker 1: in the world, I think you're not people if you
• 26:24
  Speaker 1: don't think about creating a place that is safe, you know,
• 26:30
  Speaker 1: and that you treat it that way, because it's sad,
• 26:34
  Speaker 1: it's very sad.
• 26:35
  Speaker 8: I think there's another point that happens, like, you mentioned
• 26:37
  Speaker 8: an example, he lowered the machine gun, the people who
• 26:39
  Speaker 8: think they're in favor of the war will be pissed
• 26:41
  Speaker 8: off with him, who is in favor of peace will
• 26:44
  Speaker 8: find that beautiful, but I think there's a part that's worse,
• 26:46
  Speaker 8: that says, this is what he's doing, just to appear,
• 26:48
  Speaker 8: because Michael Jackson doesn't even care about it, the people
• 26:51
  Speaker 8: start talking as.
• 26:52
  Speaker 1: If it were her, Michael Jackson. Exactly, and this part
• 26:54
  Speaker 1: is the quietest part, it's the quietest part to deal with.
• 26:58
  Speaker 1: The hardest part is the plan behind things. That's what
• 27:01
  Speaker 1: he said before he died. He said, let's get it.
• 27:04
  Speaker 1: Because he had a lot of plans. I believe that
• 27:06
  Speaker 1: there are many things in the person's head. When you
• 27:08
  Speaker 1: fight for something very difficult, you think it's hard to
• 27:11
  Speaker 1: fight the forces. It's hard. So you succumb to the problem.
• 27:21
  Speaker 7: Even the dead guy still says a lot of theories
• 27:24
  Speaker 7: about him, right? Like, he did this just to disappear.
• 27:27
  Speaker 1: So, we're going to deal with these things, because these
• 27:30
  Speaker 1: are the levels of information, bro. You're dealing with people
• 27:34
  Speaker 1: who ask if he's alive, if he thinks like that.
• 27:35
  Speaker 1: I think it's very difficult for Michael Jackson, in today's world.
• 27:39
  Speaker 4: To hide.
• 27:40
  Speaker 1: Are you crazy, man? I think it's very difficult, in
• 27:41
  Speaker 1: today's world, to hide. I think it's something.
• 27:43
  Speaker 4: Is he alive or not, man?
• 27:44
  Speaker 1: But he's also Michael Jackson.
• 27:45
  Speaker 9: He wanted to win one dollar, one Kwanzaa, every time
• 27:48
  Speaker 9: someone asked me that.
• 27:50
  Speaker 1: What are the top 3 questions they ask? I'll ask...
• 28:08
  Speaker 1: I will answer once and for all.
• 28:10
  Speaker 9: If he is alive, He won't come back. He'll stay quiet.
• 28:31
  Speaker 9: If he pretended to be dead, he'll come back. If
• 28:34
  Speaker 9: he died, surprise, he won't either.
• 28:37
  Speaker 4: So leave me in peace.
• 28:40
  Speaker 1: Please. The third question.
• 28:41
  Speaker 7: The third question is who is Marcia?
• 28:42
  Speaker 9: And I'll leave this one for you. The people will understand.
• 28:44
  Speaker 9: Who is Marcia? Marcia is not your great-grandmother? I'm talking
• 28:54
  Speaker 9: about other people's wives.
• 28:55
  Speaker 4: Now you have two.
• 28:56
  Speaker 1: No, you who.
• 28:56
  Speaker 9: I'm talking about other people's wives, brother.
• 28:59
  Speaker 7: Wow, that was cool, Lordo.
• 29:00
  Speaker 1: Crazy stuff, dude. Don't do that.
• 29:01
  Speaker 9: I'm just kidding. Yeah, but they ask me a lot
• 29:03
  Speaker 9: who Marcia is. What about Marcia's face? How does Marcia
• 29:05
  Speaker 9: look like? These guys are weird.
• 29:06
  Speaker 4: Yeah, these guys are weird.
• 29:08
  Speaker 1: Marcia's face.
• 29:08
  Speaker 4: For the love of God.
• 29:10
  Speaker 1: Dealing with people's strangeness is one of the things that
• 29:13
  Speaker 1: has affected me the most. Really? On the internet, in
• 29:17
  Speaker 1: this public life.
• 29:18
  Speaker 7: But the people are very strange.
• 29:19
  Speaker 1: Yeah, like these days I went to see, right? a girl,
• 29:23
  Speaker 1: she commented on a thing of mine, and then I
• 29:26
  Speaker 1: saw it like this, the devil says he likes Jesus,
• 29:30
  Speaker 1: to deceive people, what is this, how crazy, then I,
• 29:34
  Speaker 1: wait a minute, I'm going to click, I clicked, I
• 29:36
  Speaker 1: went to look at the conversations, my brother, since 2017,
• 29:39
  Speaker 1: only pearl 17 only pearl forgive me for having said
• 29:43
  Speaker 1: that some there in the other son of a bitch
• 29:47
  Speaker 1: demon of the I'm going to kill you there in
• 29:49
  Speaker 1: the other sorry I was with my head like that
• 29:51
  Speaker 1: I know forgive me for real there in the second
• 29:53
  Speaker 1: papa papa since 2018 thinking I'm the demon Man, I
• 30:02
  Speaker 1: swear I called her and said, like, talk to the devil.
• 30:05
  Speaker 4: So, but that's it.
• 30:06
  Speaker 1: Do you know what I was thinking? I don't think
• 30:07
  Speaker 1: people should be able to say what they want to say.
• 30:09
  Speaker 1: You know? Like, she's talking. For now, she's not doing
• 30:11
  Speaker 1: me any harm. But sometimes you think, like, what's the
• 30:14
  Speaker 1: probability of the person, I don't know, finding me. Give
• 30:17
  Speaker 1: you a knife. Oh, my God.
• 30:18
  Speaker 9: No!
• 30:29
  Speaker 1: But I was looking and thinking, this is one of
• 30:30
  Speaker 1: the things that I've been dealing with for a long time. No, no,
• 30:37
  Speaker 1: it was just that, man, feel free.
• 30:39
  Speaker 8: I was going to say, does Michael Jackson, he must
• 30:41
  Speaker 8: have acquired how many traumas to have stayed only inside
• 30:45
  Speaker 8: his house and have built.
• 30:46
  Speaker 1: Neverland.
• 30:47
  Speaker 8: Man, I'm going to build this here so I never
• 30:49
  Speaker 8: get out again, that I go out and click everywhere. Man,
• 30:52
  Speaker 8: he had a lot of time. I can't go to
• 30:54
  Speaker 8: the store, I can't do anything. Like, this guy must
• 30:56
  Speaker 8: have been fucked up, man, at the maximum level.
• 30:58
  Speaker 4: Can I ask a question?
• 30:58
  Speaker 9: Who would you be today, without the childhood that you had?
• 31:05
  Speaker 4: Hmm, I wouldn't be anything.
• 31:06
  Speaker 8: Because today, doing therapy, I know that everything I am
• 31:08
  Speaker 8: is because of childhood experiences.
• 31:11
  Speaker 7: Even the traumas, even the shitty way, because of childhood.
• 31:13
  Speaker 9: Who taught you to deal with people? Who taught you
• 31:16
  Speaker 9: to talk, conversation? Who taught you? It was your childhood.
• 31:19
  Speaker 9: It was your coexistence, right? With other people. Imagine you
• 31:23
  Speaker 9: today without this. How would you present a podcast?
• 31:25
  Speaker 4: No, it's a white sheet, right?
• 31:27
  Speaker 9: It's a white sheet, a white sheet. Now imagine you.
• 31:30
  Speaker 9: You're the biggest star in the world. You have to
• 31:32
  Speaker 9: talk to the whole world. And everyone hopes you're perfect.
• 31:36
  Speaker 9: You didn't have a childhood, man. Son, calm down.
• 31:41
  Speaker 4: You didn't have a childhood, literally.
• 31:42
  Speaker 1: Literally, I didn't have a childhood.
• 31:43
  Speaker 9: Man, this is very crazy.
• 31:44
  Speaker 8: Because my therapist already told me this. Because I always
• 31:46
  Speaker 8: took some complaints from the family. Complaints from the father,
• 31:51
  Speaker 8: complaints from the mother.
• 31:52
  Speaker 4: Normal, right? Because we start in a blank sheet in childhood.
• 31:55
  Speaker 4: And then it goes on.
• 31:59
  Speaker 8: And then she came to me and said, the person
• 32:01
  Speaker 8: you are today is because of all these behaviors. And
• 32:05
  Speaker 8: then I said, fuck. Michael Jackson had a father, son
• 32:08
  Speaker 8: of a bitch. Very much, son of a bitch. But
• 32:14
  Speaker 8: what's the deal? His rigidity made him Michael Jackson, but
• 32:16
  Speaker 8: the guy's rigidity also made him Michael Jackson fucked up.
• 32:19
  Speaker 8: So this is very crazy, bro, what happened in this
• 32:21
  Speaker 8: guy's life, you know?
• 32:22
  Speaker 4: Because there must be a group of people who must look.
• 32:24
  Speaker 8: From a close distance, a group of people like, I
• 32:27
  Speaker 8: don't know, family, I don't know, but a group of
• 32:29
  Speaker 8: people who must look at their.
• 32:30
  Speaker 4: Father and say, no, but I think your father is.
• 32:31
  Speaker 7: So, how did he look at this?
• 32:32
  Speaker 10: Was he more grateful or more disturbed?
• 32:36
  Speaker 9: Would you have Michael Jackson that you had without Joseph?
• 32:41
  Speaker 4: I don't think so.
• 32:42
  Speaker 12: No.
• 32:42
  Speaker 4: I don't think so. It's a fact.
• 32:45
  Speaker 2: No.
• 32:45
  Speaker 9: And then, what would the whole world, in general, or
• 32:47
  Speaker 9: the majority, prefer? Having the Michael Jackson we had, or
• 32:50
  Speaker 9: having a normal person?
• 32:52
  Speaker 7: The people would prefer to have the Michael Jackson we had.
• 32:55
  Speaker 9: But the majority also loves to judge Joseph.
• 32:58
  Speaker 7: That's it. So they want this Michael Jackson in the
• 33:01
  Speaker 7: same way.
• 33:01
  Speaker 9: Exactly. The thing is that the people want to speak.
• 33:04
  Speaker 9: Let the people speak.
• 33:05
  Speaker 1: It's normal.
• 33:06
  Speaker 9: Michael already said that. That he's grateful for his father.
• 33:09
  Speaker 1: It happened.
• 33:10
  Speaker 9: It ended up happening. He didn't have to do it.
• 33:14
  Speaker 9: That's it. But thanks to many of the events, he
• 33:16
  Speaker 9: delivered childhood and the relationship with his father. But he
• 33:22
  Speaker 9: delivered only classics.
• 33:24
  Speaker 1: You know? The thing was crazy.
• 33:26
  Speaker 9: Ah, I don't have my father.
• 33:27
  Speaker 1: Okay, Billie Jean.
• 33:28
  Speaker 4: Take it. Unreachable songs.
• 33:30
  Speaker 1: Unreachable.
• 33:31
  Speaker 7: I didn't play in my childhood, but take it.
• 33:32
  Speaker 1: Thriller.
• 33:33
  Speaker 11: Done.
• 33:34
  Speaker 1: It's over.
• 33:35
  Speaker 9: You're dancing in your house, stop talking shit. Just dance.
• 33:39
  Speaker 6: Dance.
• 33:39
  Speaker 1: But I want to play, dad. No, dance.
• 33:42
  Speaker 9: Go dance. Go rehearse. But dad, the parking... Dance.
• 33:46
  Speaker 1: Dance.
• 33:47
  Speaker 9: So, like this, he went through a lot of stuff.
• 33:49
  Speaker 9: But he delivered only classics for us. So, Michael Jackson,
• 33:52
  Speaker 9: if you're watching this, you have to go. God bless you.
• 33:55
  Speaker 4: You're very crazy, right?
• 33:56
  Speaker 7: What would you say to Marco Jorge if you had
• 33:58
  Speaker 7: the opportunity?
• 33:59
  Speaker 9: I would pee in his clothes. First of all, I
• 34:01
  Speaker 9: would pee in his clothes.
• 34:03
  Speaker 1: And then?
• 34:04
  Speaker 9: Then I would do a number two.
• 34:05
  Speaker 7: Give him a hug? Give him a hug.
• 34:08
  Speaker 9: Yeah. Then I would say, oh, man, really, thank you.
• 34:13
  Speaker 4: Man, I think... Just thank him. If he crosses the door,
• 34:16
  Speaker 4: I think there's no way to react.
• 34:17
  Speaker 9: There's no way.
• 34:18
  Speaker 8: Because we went to Lollapalooza do Livinho's show and he
• 34:20
  Speaker 8: took Rodrigo Teaser there at the time of the show.
• 34:23
  Speaker 8: and we were way ahead, I was seeing Michael Jackson's ass, man.
• 34:28
  Speaker 4: If you introduce me, I was very scared, kind of
• 34:30
  Speaker 4: in shock, like, fuck.
• 34:32
  Speaker 1: It's perfect.
• 34:33
  Speaker 8: Yeah, because I was counting on my head, like, no,
• 34:35
  Speaker 8: I'm seeing Michael Jackson, it's Michael Jackson.
• 34:36
  Speaker 1: And I was believing it, in some way.
• 34:39
  Speaker 8: I don't know, but it's very magical, man, to be
• 34:41
  Speaker 8: able to look, like, I think Rodrigo is a great professional.
• 34:45
  Speaker 7: Rodrigo, one day we want to exchange ideas with you, man.
• 34:47
  Speaker 7: That would be absurd. I'm very inspired by Michael Jackson.
• 34:52
  Speaker 8: But, I don't know, I think he's an immeasurable artist.
• 34:55
  Speaker 8: The way he dresses, the way he behaves, the gestures, man.
• 34:59
  Speaker 8: His gestures are different. He points differently, he speaks differently.
• 35:03
  Speaker 9: He moves differently.
• 35:04
  Speaker 4: You know?
• 35:05
  Speaker 9: He's amazing, man.
• 35:06
  Speaker 10: Lord, since you were a kid, you were Michael? In school,
• 35:09
  Speaker 10: you were already like that?
• 35:10
  Speaker 9: Yeah. My nickname has always been Michael Jackson.
• 35:13
  Speaker 7: Oh, you're serious? Seriously.
• 35:14
  Speaker 9: It's always been Michael Jackson.
• 35:15
  Speaker 7: So, you, little boy, six years old, you're already.
• 35:17
  Speaker 1: Wow!
• 35:18
  Speaker 7: You're already that vibe?
• 35:18
  Speaker 9: My dad has a video of me bald, man. Top
• 35:21
  Speaker 9: 3 fucking humans.
• 35:21
  Speaker 1: Where are we?
• 35:46
  Speaker 9: Top 3 f * * * * * * people
• 35:47
  Speaker 9: that you... Your top 3.
• 35:48
  Speaker 1: Jesus.
• 35:49
  Speaker 9: But he's like an exodus, right?
• 35:51
  Speaker 1: He died even earlier. He suffered more, he died earlier.
• 35:55
  Speaker 1: He's Alconcourt, right? Michael Jackson, I think, of all humanity.
• 35:57
  Speaker 1: Jesus and Michael Jackson. Third? The third is difficult. Mr. Beast?
• 36:01
  Speaker 1: Pepe Moreno?
• 36:14
  Speaker 9: It's Pepe Brown. Pepe Brown.
• 36:16
  Speaker 1: Pepe Moreno. No, no. I think the third one... It's hard, man.
• 36:21
  Speaker 1: It's hard.
• 36:21
  Speaker 4: But I like.
• 36:22
  Speaker 1: No, I like me. No, I don't know. I would
• 36:24
  Speaker 1: stick to... I would put myself in my top three.
• 36:27
  Speaker 1: Even with all my mistakes, my hits, I think... Top three.
• 36:31
  Speaker 7: Good, good.
• 36:32
  Speaker 1: And you?
• 36:33
  Speaker 9: My top three people of the hour? The first is
• 36:37
  Speaker 9: Jesus Christ. I love Jesus Christ.
• 36:40
  Speaker 1: Yeah.
• 36:40
  Speaker 9: The second.
• 36:42
  Speaker 1: Oh, my daddy.
• 36:42
  Speaker 9: The second is my father. Thank you, father. Thank you
• 36:45
  Speaker 9: for that, Michael Jackson.
• 36:47
  Speaker 4: Yeah.
• 36:48
  Speaker 9: The third one... Wow, this is going to be a problem.
• 36:51
  Speaker 9: The third one is my father.
• 36:53
  Speaker 1: Be careful. Oh, because you have a mother too, right, Mítico?
• 36:56
  Speaker 9: No, not even because I have a mother. It's because
• 36:58
  Speaker 9: my father is the person who loves Michael Jackson the most,
• 37:00
  Speaker 9: who has already become my life. But if I say
• 37:02
  Speaker 9: that Michael is in second place, he's in third place,
• 37:04
  Speaker 9: you'll have another Michael Jackson because he's going to become Joseph.
• 37:09
  Speaker 1: But do you think your father doesn't accept that Michael
• 37:11
  Speaker 1: Jackson is in front of him?
• 37:13
  Speaker 9: I think he would accept it to be good. But
• 37:16
  Speaker 9: when he was alone, he would say, boys, I'm sorry.
• 37:18
  Speaker 1: Because I, for example, I think the reality is what
• 37:22
  Speaker 1: you imagine and believe. So you go and it just
• 37:26
  Speaker 1: collapses when you really believe that it will happen. I
• 37:30
  Speaker 1: think death is a thing like that. And then I think,
• 37:32
  Speaker 1: I'm very old, Jesus receives me. Like the first person,
• 37:37
  Speaker 1: when I see him, because first of all, we only
• 37:40
  Speaker 1: have the images, The Chosen, the guys who look like,
• 37:42
  Speaker 1: more or less, they go studying the face. So you
• 37:44
  Speaker 1: don't know, but when I see, I'll know. And I died.
• 37:47
  Speaker 1: And then comes Jesus, and then Jesus, as he is
• 37:50
  Speaker 1: a lot of good people, let me see Michael Jackson,
• 37:53
  Speaker 1: you know?
• 37:53
  Speaker 7: You're going to ask him?
• 37:54
  Speaker 1: No, no, no, he knows. Secret room. Yeah, he's a
• 37:55
  Speaker 1: lot of good people. Then he's going to point to
• 37:58
  Speaker 1: a little room like this, then I'm going to say, stop,
• 38:00
  Speaker 1: but I already listen. Inside the room, you know? And
• 38:06
  Speaker 1: he was like... I'm all regretful here, you know?
• 38:10
  Speaker 4: I'm all regretful.
• 38:10
  Speaker 9: You see?
• 38:11
  Speaker 1: Fuck. That's what I was saying. I think it was
• 38:13
  Speaker 1: really cool to let me see the second one. I
• 38:16
  Speaker 1: think so. And who's going to be in the next room?
• 38:18
  Speaker 1: So you can see him right after. No, I don't
• 38:19
  Speaker 1: want to see anyone.
• 38:21
  Speaker 4: You don't need to see anyone. No, no, it's good already.
• 38:27
  Speaker 1: As I'm going to be very old, maybe Regina, my girlfriend,
• 38:30
  Speaker 1: will die first, because I want to see her.
• 38:31
  Speaker 10: But do you think that when you die, you go
• 38:33
  Speaker 10: to heaven in the skin you're in, or you can choose?
• 38:36
  Speaker 7: No, I want to go to the skin.
• 38:37
  Speaker 1: No, I think it's body of... Let go of the
• 38:41
  Speaker 1: hand of wanting to know how it is, whatever.
• 38:44
  Speaker 4: It's just a conscience.
• 39:06
  Speaker 6: Yeah.
• 39:06
  Speaker 1: Yeah. Yeah.
• 39:20
  Speaker 12: Yeah.
• 39:43
  Speaker 4: But your hair is very cool, man.
• 39:45
  Speaker 9: Yeah, it's a dread that I have. But the problem
• 39:48
  Speaker 9: is that if I'm wearing a wig, I'm Michael Jackson.
• 39:52
  Speaker 9: If I take it off, I'm Bob Marley. So I
• 39:54
  Speaker 9: have to always be measuring.
• 39:57
  Speaker 7: But it's wonderful to be Bob Marley too.
• 40:00
  Speaker 1: I think after you left Michael Jackson for Bob Marley.
• 40:05
  Speaker 1: Yeah, I think in the sky of the door. I
• 40:07
  Speaker 1: think I leave number three and I put Bob Marley. Yeah,
• 40:12
  Speaker 1: I was just remembering.
• 40:13
  Speaker 8: Now you want to go to the sky like light
• 40:15
  Speaker 8: or do you want to have a hand.
• 40:17
  Speaker 1: To go there with Bob Marley? No, just the lung.
• 40:21
  Speaker 1: The hand doesn't need it. Yeah, yeah, yeah. A heavy traqueza,
• 40:25
  Speaker 1: very pink. A very good bronco.
• 40:27
  Speaker 12: Wow.
• 40:29
  Speaker 7: Wow, Bob Marley, man.
• 40:32
  Speaker 1: Yeah.
• 40:32
  Speaker 7: Fuck, Bob Marley is wonderful. The guy only talked about love.
• 40:35
  Speaker 9: My nose is bleeding, goddamn.
• 40:37
  Speaker 4: Oh, you're Michael Jackson, right?
• 40:39
  Speaker 1: Really? Fuck, bro.
• 40:39
  Speaker 8: Fuck, he's franzinho, bro.
• 40:42
  Speaker 6: Yeah.
• 40:43
  Speaker 5: I'm going, the guys say I'm small.
• 40:45
  Speaker 1: No.
• 40:45
  Speaker 4: He's franzinho.
• 40:46
  Speaker 1: Not small. I hold the tip here, Michael. I hold
• 40:48
  Speaker 1: the tip here, Michael.
• 40:49
  Speaker 5: What?
• 40:50
  Speaker 1: I hold the tip here, Michael. While you... Yeah. Man, he.
• 40:55
  Speaker 7: What happened?
• 40:57
  Speaker 4: Man, the nose bleeds.
• 40:57
  Speaker 1: It's the nose that bleeds, man. People, sometimes.
• 41:00
  Speaker 4: It happened to me twice, just playing bola.
• 41:02
  Speaker 7: When I was a kid, it was hot. Or the
• 41:05
  Speaker 7: little thing would stick so much that.
• 41:08
  Speaker 1: It would come off. It comes off like a shell.
• 41:11
  Speaker 4: Do you remember the first time you took a kiss
• 41:13
  Speaker 4: on the neck?
• 41:14
  Speaker 1: And you got goosebumps? No. No, I have few memories
• 41:17
  Speaker 1: of the loving parts of my life at the beginning
• 41:21
  Speaker 1: of it.
• 41:22
  Speaker 7: Trauma or.
• 41:24
  Speaker 1: No, because I don't care, right? Whatever. It's over. But
• 41:26
  Speaker 1: do you remember the day you lost your baby?
• 41:29
  Speaker 4: Do you remember? Mine was in the little school's house.
• 41:33
  Speaker 7: Mine was in a soccer field when I was 12
• 41:34
  Speaker 7: years old.
• 41:34
  Speaker 1: Mine was in São João, bro.
• 41:36
  Speaker 4: São João, bro?
• 41:37
  Speaker 1: Yeah, yeah.
• 41:38
  Speaker 7: But did you kiss already?
• 41:38
  Speaker 1: I had a little dream that I was in Moscow dancing.
• 41:41
  Speaker 1: I kissed already, okay. Wow. Language to language, bro.
• 41:44
  Speaker 7: Wasn't there any confusion with your language? Like, damn, am
• 41:47
  Speaker 7: I doing it right or not?
• 41:48
  Speaker 1: I think there's always something like that. I think even
• 41:50
  Speaker 1: today there's some confusion sometimes. Sometimes you get a person
• 41:53
  Speaker 1: that the flow is different, right?
• 41:54
  Speaker 4: Don't say that, no.
• 41:55
  Speaker 1: The vibe is different.
• 41:57
  Speaker 4: Oh, oh.
• 41:57
  Speaker 1: Because sometimes you kiss and say, you can stop. Yeah. Yeah. Yeah.
• 42:02
  Speaker 10: 11 to 12 years old. You felt that first strange texture.
• 42:24
  Speaker 8: Yeah, like, I felt like, I always talk about her, right? Tainá,
• 42:29
  Speaker 8: from the school here in Série A, she made.
• 42:31
  Speaker 1: Me feel like that.
• 42:32
  Speaker 7: Damn, do you remember the name?
• 42:33
  Speaker 8: Tainá, Tainá, I'll never forget. I'm not going to say
• 42:36
  Speaker 8: her last name, because it's certain, say it and it'll come.
• 42:40
  Speaker 8: And then she came to me and said, at the
• 42:43
  Speaker 8: end of class, I want to give you a kiss,
• 42:44
  Speaker 8: I want to be with you.
• 42:45
  Speaker 7: Damn, like, at least.
• 42:46
  Speaker 12: Damn.
• 42:47
  Speaker 8: And then I was like, my head was just like, wow,
• 42:49
  Speaker 8: how I wanted to kiss. Wow, it would be so
• 42:52
  Speaker 8: cool to kiss.
• 42:52
  Speaker 7: You were very Viginosaurus?
• 42:53
  Speaker 8: Very Viginosaurus Rex. And then, when she did this, I said,
• 42:57
  Speaker 8: it's my moment. I was scared, but I never run,
• 42:59
  Speaker 8: you know? I say, let's go. What a shock, brother.
• 43:03
  Speaker 8: And then I kissed her like this, like a soldier.
• 43:05
  Speaker 8: I didn't even put my hand on her.
• 43:08
  Speaker 7: It's usually like that, right, man?
• 43:10
  Speaker 12: Like.
• 43:12
  Speaker 7: But it was remarkable.
• 43:13
  Speaker 1: It was remarkable, for fuck's sake.
• 43:15
  Speaker 8: But the cool thing is that in these times, I
• 43:17
  Speaker 8: don't know if this has happened to you, it's a
• 43:20
  Speaker 8: kiss in front of everyone, in school, in front of
• 43:22
  Speaker 8: the whole school.
• 43:23
  Speaker 7: The friends are laughing.
• 43:26
  Speaker 4: No, for me it was a party. Kiss, fuck, throw
• 43:30
  Speaker 4: it to the other.
• 43:31
  Speaker 7: It's true. Was yours in São João, Festança?
• 43:33
  Speaker 1: Man, it was in São João, just behind the school,
• 43:35
  Speaker 1: before doing the... Just to go with the vibe, you know?
• 43:40
  Speaker 1: I already went. But I gave a triple kiss once.
• 43:45
  Speaker 1: Mine didn't work.
• 43:46
  Speaker 7: I kissed my friend only.
• 43:51
  Speaker 9: Look.
• 43:51
  Speaker 1: Look. Take it. Take it. Yeah.
• 43:55
  Speaker 7: Put it on your nose.
• 43:56
  Speaker 9: Put it on your nose again, Maicon.
• 44:00
  Speaker 1: Put it on your nose again, Maicon. Who's back?
• 44:04
  Speaker 5: Yeah.
• 44:05
  Speaker 1: Fuck, that was awesome.
• 44:07
  Speaker 8: Look, I'm still laughing at this shit that Whindersson said.
• 44:11
  Speaker 7: He said Michael Jackson with.
• 44:13
  Speaker 1: A bloody nose.
• 44:14
  Speaker 8: Dude, we were asking here when he lost his BV
• 44:16
  Speaker 8: and stuff. I wanted to ask you too. Then he said,
• 44:19
  Speaker 8: how is it?
• 44:19
  Speaker 1: Tell him. I went to give a triple kiss. It
• 44:21
  Speaker 1: wasn't me. I kissed my friend alone. It was like, one, two, three,
• 44:26
  Speaker 1: we closed the eye.
• 44:28
  Speaker 9: But you like it?
• 44:29
  Speaker 7: Sorry.
• 44:29
  Speaker 1: It was bad. But you like it? It was fast.
• 44:30
  Speaker 1: It didn't work.
• 44:37
  Speaker 4: We don't know if it was good or bad.
• 44:39
  Speaker 7: Do you remember your first kiss? Saliva contact?
• 44:44
  Speaker 9: Boy, I remember.
• 44:45
  Speaker 4: Everyone remembers.
• 44:46
  Speaker 7: If you can share.
• 44:47
  Speaker 9: No, I can, I can share. Sometimes I want. You know,
• 44:51
  Speaker 9: the thing is that the child, right? The child, no,
• 44:53
  Speaker 9: it's not a teenager. I was here at 13, 14, 14.
• 44:56
  Speaker 9: I said, we want to say that we are.
• 44:57
  Speaker 1: Very pica, we are very foda.
• 44:59
  Speaker 7: Beijoqueiro.
• 45:01
  Speaker 9: We never did anything. I was like 13, I didn't
• 45:03
  Speaker 9: do anything. Then I was like, no, I want to
• 45:06
  Speaker 9: stay with you, remember? Fernanda, love you, I'm sorry. You'll
• 45:09
  Speaker 9: remember that now. Let's stay, let's do this, let's do that,
• 45:14
  Speaker 9: let's go, let's go. I had never done anything, she
• 45:17
  Speaker 9: never wanted to. One day she said, okay, let's go.
• 45:21
  Speaker 1: What do you do now that she wants?
• 45:22
  Speaker 9: And she stopped in front of me, like, in front
• 45:25
  Speaker 9: of me, boy. That day I saw that it wasn't
• 45:27
  Speaker 9: just Michael who was white.
• 45:28
  Speaker 1: That day, the father was frozen.
• 45:31
  Speaker 11: Yeah.
• 45:32
  Speaker 9: Then she was like.
• 45:33
  Speaker 1: Are you going, man?
• 45:36
  Speaker 9: I was like, wow, what the hell? What the hell
• 45:40
  Speaker 9: is this? Then I went.
• 45:43
  Speaker 1: Man, I....
• 45:46
  Speaker 9: You know when you have a relationship with someone, you
• 45:49
  Speaker 9: give a kiss, you... Ah, make a little affection there later, right?
• 45:52
  Speaker 9: A kiss. Son, the first kiss I kissed, I did
• 45:54
  Speaker 9: like this.
• 45:56
  Speaker 5: And I walked out.
• 45:58
  Speaker 4: I finished the kiss and each one went to his side.
• 46:00
  Speaker 4: I didn't even put my hand on it. It's like
• 46:03
  Speaker 4: a mission.
• 46:03
  Speaker 7: It's kissing, it's kissing. I have to kiss and get out.
• 46:07
  Speaker 4: Have you ever kissed the mirror? Tell the truth.
• 46:10
  Speaker 1: I have.
• 46:11
  Speaker 10: I think so, man. I'm trying to remember because I'm older.
• 46:14
  Speaker 10: So at that time, the orange... The.
• 46:17
  Speaker 1: Pink mirror to take the nail out? The orange mirror?
• 46:19
  Speaker 7: No, the fruit orange.
• 46:21
  Speaker 4: Ah, you sucked the orange.
• 46:23
  Speaker 7: Yeah.
• 46:24
  Speaker 10: But then, what was the feeling when you felt the
• 46:26
  Speaker 10: texture of a tongue?
• 46:27
  Speaker 9: I got angry. I'm being honest. Yes, yes.
• 46:32
  Speaker 4: It's strange. It's strange.
• 46:33
  Speaker 6: It's okay.
• 46:34
  Speaker 1: It's okay. It's okay. It's okay. I thought it.
• 46:36
  Speaker 9: Was going to be something like a pudding taste. Yes.
• 46:39
  Speaker 4: But it's a good taste.
• 46:41
  Speaker 9: What is this? What the hell?
• 46:43
  Speaker 1: Bad stuff.
• 46:43
  Speaker 9: Then I left, like, when I was leaving, I left,
• 46:47
  Speaker 9: I was ridiculous.
• 46:49
  Speaker 1: I know. I know.
• 46:50
  Speaker 9: If you saw me from behind, you could see my
• 46:52
  Speaker 9: smile on my back. But I know I was ridiculous.
• 46:55
  Speaker 9: And I left, to me, in my head. Wow, I
• 46:56
  Speaker 9: was so fucked up. I kissed her, it was so cool,
• 47:00
  Speaker 9: I was so... It was nothing, the girl... Fernando never
• 47:03
  Speaker 9: talked to me again.
• 47:04
  Speaker 7: She was so cool.
• 47:05
  Speaker 9: She had teeth. She had teeth. I was five feet
• 47:08
  Speaker 9: away from her. I was kissing her like Michael Jackson.
• 47:10
  Speaker 1: Hold it there. Hold it there.
• 47:11
  Speaker 11: I kissed her like this.
• 47:12
  Speaker 5: I kissed her like this.
• 47:13
  Speaker 1: Me too, my first kiss, I didn't put my hand,
• 47:15
  Speaker 1: I didn't hug, just.
• 47:16
  Speaker 4: I felt it like this. I felt it and let's go,
• 47:18
  Speaker 4: and it was.
• 47:18
  Speaker 1: Poor Fernanda. I love her.
• 47:26
  Speaker 7: But then you were a very shy young boy.
• 47:28
  Speaker 1: I was.
• 47:28
  Speaker 9: I still am. Yeah? Except for the young part.
• 47:32
  Speaker 6: Yeah.
• 47:33
  Speaker 9: But I'm still very shy. I've always been, man.
• 47:35
  Speaker 10: But didn't Michael help you in class? For example, at school, you... Guys,
• 47:38
  Speaker 10: thank you so much.
• 47:41
  Speaker 1: And you met.
• 47:42
  Speaker 7: Yeah, it's like.
• 47:43
  Speaker 9: I never went from being a child... How can I say?
• 47:47
  Speaker 9: I never went from being an extremely popular child. Then,
• 47:52
  Speaker 9: when did I become popular at school? Michael Jackson.
• 47:55
  Speaker 1: So?
• 47:55
  Speaker 9: He helped me a lot. Have you ever.
• 47:58
  Speaker 4: Introduced yourself at school?
• 47:59
  Speaker 1: Yes, yes.
• 48:01
  Speaker 9: I remember once, in a small town there's a lot
• 48:03
  Speaker 9: of that, right? There's a parade of schools. There's a parade.
• 48:06
  Speaker 9: I remember they put me to go to Michael Jackson.
• 48:08
  Speaker 9: It was the worst day of my life.
• 48:09
  Speaker 12: Why?
• 48:10
  Speaker 9: Because it was an avenue. And the people said, go
• 48:13
  Speaker 9: to Michael Jackson. I said, okay, I'm going to introduce
• 48:15
  Speaker 9: myself to the school. I'm from Michael Jackson. I'm little,
• 48:17
  Speaker 9: I'm small, very beautiful. No, it's not. It wasn't, no.
• 48:20
  Speaker 9: They wanted me to walk on Moonwalk Avenue.
• 48:22
  Speaker 1: I like it on the whole avenue, man. No, stop it.
• 48:25
  Speaker 4: How far is it?
• 48:26
  Speaker 7: Just so we understand.
• 48:27
  Speaker 1: It was like.
• 48:28
  Speaker 9: The avenue was like.
• 48:31
  Speaker 9: A KM. Brother, you don't understand. It's better to give
• 48:34
  Speaker 9: a rearview mirror to the car.
• 48:35
  Speaker 1: It's dangerous. He was sitting on a parked motorcycle.
• 48:37
  Speaker 9: And the people didn't stop.
• 48:38
  Speaker 1: And you were wearing a dirty shoe. What was the
• 48:39
  Speaker 1: shoe like? They didn't give me the shoe.
• 48:41
  Speaker 6: I got there.
• 48:41
  Speaker 7: It was only this top part of the shoe. The
• 48:43
  Speaker 7: bottom part was on.
• 48:44
  Speaker 1: The live meat.
• 48:45
  Speaker 9: The live meat. The bottom part. Brother, I started to hurry.
• 48:48
  Speaker 9: There's one thing that you do Moonwalker for a long time.
• 48:59
  Speaker 7: Can you demonstrate how to do a walk?
• 49:00
  Speaker 9: Yes, I can.
• 49:01
  Speaker 7: Take advantage of the camera.
• 49:03
  Speaker 9: You start to pay attention to some things that have
• 49:04
  Speaker 9: nothing to do with it.
• 49:06
  Speaker 4: When you do a walk for more.
• 49:07
  Speaker 9: Than 5 minutes, you start to record in your head
• 49:10
  Speaker 9: the sound that this leg makes on the floor.
• 49:11
  Speaker 1: And the shoe goes away.
• 49:14
  Speaker 5: And my mother is going to kill me.
• 49:19
  Speaker 7: Five minutes of mohawk is very tiring.
• 49:21
  Speaker 1: No, you have no idea.
• 49:22
  Speaker 5: I finished with the leg this size.
• 49:24
  Speaker 7: Did you finish the bombadinho?
• 49:26
  Speaker 1: I'm afraid to.
• 49:27
  Speaker 5: Hit my head on this camera.
• 49:28
  Speaker 7: I already hit it when I got here.
• 49:31
  Speaker 5: I hit my head on the camera.
• 49:33
  Speaker 1: So, look. Give it back! Holy shit!
• 50:20
  Speaker 4: I love Thailand, very beautiful! I love Thailand! Very beautiful!
• 50:25
  Speaker 7: So, did you make it? Was this day special for
• 50:27
  Speaker 7: you or traumatic?
• 50:29
  Speaker 1: Both! Both!
• 50:31
  Speaker 9: I used both pens now!
• 50:33
  Speaker 1: Both!
• 50:33
  Speaker 4: I used both pens!
• 50:35
  Speaker 9: I used the blue pen because it was very special,
• 50:38
  Speaker 9: because I always liked Michael Jackson a lot, but it
• 50:40
  Speaker 9: was traumatic because I had to have the physical conditioning
• 50:42
  Speaker 9: of a soccer player. And it was terrible.
• 50:46
  Speaker 7: Everyone was clapping. That's what I was going to say.
• 50:47
  Speaker 7: At school, you said, man, the kid kept walking a mile. Hey, man,
• 50:49
  Speaker 7: he's the guy from the back mile.
• 50:50
  Speaker 1: He's awesome. And I, wow. And you were in Billie Jean?
• 50:53
  Speaker 1: You were in Thriller? I was in Billie Jean.
• 50:55
  Speaker 10: I was in Billie Jean.
• 50:57
  Speaker 1: And I was right. And Munhoque, the guy with the wig.
• 50:59
  Speaker 9: And Munhoque passes by, looks like he's in the corridor,
• 51:02
  Speaker 9: takes water from the others and.
• 51:10
  Speaker 1: And everything was on the back.
• 51:12
  Speaker 9: It was a sunny day, midday. Like Whindersson said here,
• 51:17
  Speaker 9: the sun is rising like this. The sun is rising
• 51:21
  Speaker 9: like this. There was a moment when I was seeing
• 51:23
  Speaker 9: the trace of the shoe.
• 51:24
  Speaker 7: I said, fuck it. Let's go. But did that help
• 51:27
  Speaker 7: you with the girls? Depends.
• 51:30
  Speaker 9: You as a girl, you would look at a guy
• 51:32
  Speaker 9: walking on the back for a kilometer. I was going
• 51:34
  Speaker 9: to say, father of my children.
• 51:36
  Speaker 1: It's him.
• 51:37
  Speaker 7: It's him.
• 51:38
  Speaker 1: It's him.
• 51:39
  Speaker 9: Father of my children.
• 51:40
  Speaker 4: But at school, what was left? The boy who plays
• 51:41
  Speaker 4: the ball, the funny one, and you. You were in
• 51:44
  Speaker 4: the spotlight.
• 51:45
  Speaker 1: Yeah.
• 51:46
  Speaker 9: Play the ball from the back. I want to see.
• 51:47
  Speaker 4: I want to see if you don't go.
• 51:49
  Speaker 7: You're crazy, son.
• 51:50
  Speaker 9: Wow, it was traumatizing and it was good at the
• 51:52
  Speaker 9: same time.
• 51:52
  Speaker 7: I got it.
• 51:53
  Speaker 9: Good memories. I had a good childhood. It was cool.
• 51:55
  Speaker 7: That's good.
• 51:56
  Speaker 1: It was very cool. I think.
• 51:59
  Speaker 8: I don't know if I'm going to feel Zola now,
• 52:01
  Speaker 8: but I was going to say, we were the last
• 52:02
  Speaker 8: generation that had a good childhood.
• 52:04
  Speaker 4: Now it's easy to be on the internet, childhood playing
• 52:06
  Speaker 4: on the street. Do you think young people today.
• 52:09
  Speaker 7: Aren't happy either? They might be, but they.
• 52:12
  Speaker 4: Aren't as happy as they could be. They don't play
• 52:15
  Speaker 4: on the street.
• 52:16
  Speaker 7: Anymore, like they used to.
• 52:18
  Speaker 8: They don't exercise their intelligence anymore. The play of the
• 52:21
  Speaker 8: street mother. What I want to say is, like... Do
• 52:22
  Speaker 8: you remember when the leader of Solveig came here and said, like,
• 52:25
  Speaker 8: what is it that you most liked to do? He said,
• 52:26
  Speaker 8: open a cart and see what's inside. That stimulated a little. Today,
• 52:30
  Speaker 8: the child is like this, look.
• 52:31
  Speaker 4: It's true.
• 52:34
  Speaker 7: What the hell? What is happening?
• 52:53
  Speaker 1: It's different.
• 52:54
  Speaker 9: I'm going to say something here. My dad danced freestyle.
• 52:57
  Speaker 1: Ah, lie. He danced freestyle. Lie.
• 52:59
  Speaker 7: I always wanted to know how to dance.
• 53:01
  Speaker 1: One of my frustrated dreams.
• 53:03
  Speaker 7: I always wanted to dance, but I never had the courage.
• 53:05
  Speaker 4: Freestyle and regulation.
• 53:06
  Speaker 10: It's kind of crazy and very good at the same time.
• 53:09
  Speaker 10: You have to put the crazy like Michael Jackson. You
• 53:11
  Speaker 10: ask him if he's dancing to Caralho or if he's
• 53:13
  Speaker 10: going crazy.
• 53:14
  Speaker 7: But did you send.
• 53:15
  Speaker 4: Him to dance with you?
• 53:16
  Speaker 1: Yes, I did.
• 53:17
  Speaker 9: I danced freestyle. I had a family of freestylers.
• 53:21
  Speaker 1: What was the name?
• 53:21
  Speaker 7: I had a family of freestylers.
• 53:23
  Speaker 9: In my hometown, Los Santos. That's the name of the family.
• 53:27
  Speaker 4: That's why it was a city.
• 53:29
  Speaker 9: If I lived in Los Santos, I'd be fucked. A
• 53:32
  Speaker 9: kiss to everyone who went to Los Santos. It was
• 53:33
  Speaker 9: a great time. Today's kids are all at home doing
• 53:36
  Speaker 9: these things.
• 53:41
  Speaker 1: Let's go.
• 54:07
  Speaker 4: Ah, he really broke it, Mítico!
• 54:09
  Speaker 2: F * * *!
• 54:09
  Speaker 4: No, no, the rug held it, go to the floor!
• 54:12
  Speaker 1: F * * *, dude!
• 54:12
  Speaker 4: Applause for Lorde, f * * *!
• 54:16
  Speaker 13: Mítico, top two things I wanted to do in my
• 54:29
  Speaker 13: teenage years and I didn't know, bro.
• 54:32
  Speaker 7: Which one?
• 54:33
  Speaker 4: Freestep, and the other was to play cavaquinho.
• 54:35
  Speaker 7: Ah, cavaquinho, true. Do you have a childhood quality that
• 54:38
  Speaker 7: you took off? Childhood quality?
• 54:39
  Speaker 1: Like, doing what he did is an absurd quality when
• 54:41
  Speaker 1: you're a kid.
• 54:42
  Speaker 7: No, I don't have one. Turn your little eye. Ah,
• 54:43
  Speaker 7: fuck it, you didn't have one?
• 54:46
  Speaker 1: No, I don't have one.
• 54:46
  Speaker 7: Turning your little eye is good, I think it's cool.
• 54:48
  Speaker 1: Isn't it?
• 54:49
  Speaker 7: No, I don't know.
• 54:49
  Speaker 9: Knowing how to fold the first phalange of the finger.
• 54:51
  Speaker 1: Ah, I don't know. Moving the ear. Ah, you know how.
• 54:53
  Speaker 7: To do that?
• 54:54
  Speaker 1: Ah, you know how to fold the tongue.
• 54:59
  Speaker 4: This thing was also a... You pass a finger with
• 55:00
  Speaker 4: the tongue.
• 55:01
  Speaker 1: Look. Applause!
• 55:03
  Speaker 9: Applause!
• 55:08
  Speaker 4: What did you want to do as a kid that
• 55:10
  Speaker 4: you didn't know? One time I learned to.
• 55:12
  Speaker 7: But nowadays I don't know anymore. But it was something
• 55:14
  Speaker 7: I really wanted when I was a kid. And you
• 55:17
  Speaker 7: mentioned it too.
• 55:23
  Speaker 1: Uh-huh.
• 55:23
  Speaker 5: Uh-huh.
• 55:50
  Speaker 9: I know how to draw, I draw a lot, I
• 55:52
  Speaker 9: really like to draw.
• 55:53
  Speaker 6: Really?
• 55:54
  Speaker 1: Yes.
• 55:54
  Speaker 9: Drawing and singing, I really like to sing, you know,
• 55:56
  Speaker 9: we sing together. You tried to make a.
• 55:58
  Speaker 7: Song, didn't you? Yes, I tried.
• 55:59
  Speaker 1: How was your experience?
• 56:00
  Speaker 9: Ah, they stole 3.
• 56:02
  Speaker 4: Million, it was very good. 3 million?
• 56:03
  Speaker 1: They stole 3 million. How so?
• 56:04
  Speaker 9: Can I take this opportunity to thank someone?
• 56:06
  Speaker 1: Of course.
• 56:07
  Speaker 9: I wanted to apologize to someone, I wanted to apologize
• 56:10
  Speaker 9: to my brother, not my bro. TZ da Coronel. I'm
• 56:24
  Speaker 9: so sorry. Tem a música minha com o TZ.
• 56:26
  Speaker 7: Of Coronel, right?
• 56:27
  Speaker 9: I'm so sorry, TZ. I love you so much. Roubaram
• 56:32
  Speaker 9: meus bagui. Today eu sou outra people. Sou outra pessoa.
• 56:35
  Speaker 1: Eu evoluí.
• 56:35
  Speaker 9: I dance for step. Faço os bagui diferente.
• 56:40
  Speaker 7: Mas o que aconteceu aí?
• 56:41
  Speaker 9: Cara, eu não sei. Eu não sei se dá pra speak, right? But,
• 56:47
  Speaker 9: o negócio é o seguinte. Eu perdi três milhas nesse
• 56:49
  Speaker 9: mundo de... And for a while my dream of singing
• 56:52
  Speaker 9: my dream ended. I stopped, I won't. That's when Lorde came.
• 56:55
  Speaker 9: My dream stopped, but I said, you know what, that's it.
• 57:03
  Speaker 9: But it was no use, I started making music with Lorde.
• 57:07
  Speaker 10: Wow, but that's heavy, because you can't imagine that you
• 57:10
  Speaker 10: can't tell details. But what a crazy thing it was.
• 57:13
  Speaker 10: So there was also a frustration in your story. Because
• 57:15
  Speaker 10: I saw that you were.
• 57:16
  Speaker 7: Very tuned, a lot still, by the way. What did
• 57:18
  Speaker 7: you sing?
• 57:21
  Speaker 9: Man, I always liked the song itself, you know?
• 57:26
  Speaker 1: Pericles.
• 57:28
  Speaker 3: Good.
• 57:29
  Speaker 1: Black Socks. Good.
• 57:31
  Speaker 7: Philip Dillon.
• 57:32
  Speaker 1: Bad.
• 57:33
  Speaker 9: No, I'm kidding. Philip Dillon is good. But I always
• 57:38
  Speaker 9: liked to sing everything.
• 57:40
  Speaker 1: Everything.
• 57:40
  Speaker 9: Then I saw the niches and started selling.
• 57:43
  Speaker 1: Songs to people. Music.
• 57:45
  Speaker 9: Yes, there's a lot of music that you guys listen
• 57:49
  Speaker 9: to and you don't know. I can't speak.
• 57:51
  Speaker 1: You can't? No, I can't. Famous? Famous.
• 57:54
  Speaker 4: Because you signed a contract that you can't speak?
• 57:56
  Speaker 1: Yes.
• 57:57
  Speaker 9: What happened? I arrived in São Paulo, boy, standing nothing. Oh,
• 58:02
  Speaker 9: you write well, write this here. I'll put you to
• 58:05
  Speaker 9: record some day, cool. I'll put you to record, but
• 58:08
  Speaker 9: suddenly you don't put it, never. There I, my time,
• 58:11
  Speaker 9: don't put it on me, never. Aí de repente eu
• 58:15
  Speaker 9: vou ver no YouTube a música, tá com 11 milhões
• 58:17
  Speaker 9: de acessos. Eu conheço essa letra. E eu conheço esse empresário, too.
• 58:22
  Speaker 9: É ele que não tá me respondendo no WhatsApp.
• 58:25
  Speaker 7: Nossa, mas não tinha contrato?
• 58:28
  Speaker 1: Tinha.
• 58:28
  Speaker 9: E o contrato que eu assinei, molecão de tudo. O
• 58:32
  Speaker 9: contrato tava eu lá, felizão, dando... 100% ali o royalties
• 58:37
  Speaker 9: pra todo mundo, entendeu?
• 58:38
  Speaker 7: Ah, entendi.
• 58:39
  Speaker 1: Cara, ali você não... Yeah, yeah.
• 59:00
  Speaker 9: I said, ok, Lord, let's go, let's go, let's go,
• 59:03
  Speaker 9: let's go, it's working. You are capable of reinventing yourself.
• 59:07
  Speaker 9: You can do it again, you can do it again.
• 59:10
  Speaker 9: So I can go after it, but I won't. I
• 59:13
  Speaker 9: didn't need to rob anyone.
• 59:14
  Speaker 8: Man, your speech is very similar, I think you will
• 59:17
  Speaker 8: understand what I mean, very similar to that speech of
• 59:19
  Speaker 8: Dinho do Mamonas, when they deny him, and he does
• 59:22
  Speaker 8: what he believes, and as Mamonas assassins, he returns to
• 59:25
  Speaker 8: that place that he so wanted to be.
• 59:26
  Speaker 12: Yes.
• 59:27
  Speaker 8: And that's what you said about reinventing yourself, I felt
• 59:29
  Speaker 8: that same feeling a lot. I don't know if it
• 59:32
  Speaker 8: has something to do with the other, but he quoted
• 59:34
  Speaker 8: TZ and such, but there's a guy.
• 59:36
  Speaker 1: There who deceived half the world.
• 59:39
  Speaker 4: He's in jail now. Maybe it's the same thing he's
• 59:42
  Speaker 4: talking about.
• 59:42
  Speaker 9: Maybe it is, for sure, it can be. Yes. I
• 59:45
  Speaker 9: understand everything.
• 59:47
  Speaker 1: But there are people who don't understand, it may.
• 59:49
  Speaker 9: Be that it's right.
• 59:49
  Speaker 1: I understand, my brother. So, and.
• 59:53
  Speaker 8: How is it, man, like, you don't need to go
• 59:56
  Speaker 8: into your traumas in detail, but I want to know, like,
• 1:00:00
  Speaker 8: how is it the day you choose to reinvent yourself,
• 1:00:04
  Speaker 8: start from scratch, and today knowing that it worked, in
• 1:00:07
  Speaker 8: a certain way, you managed to reinvent yourself, you had
• 1:00:10
  Speaker 8: a notoriety again, because I imagine that when it went
• 1:00:13
  Speaker 8: wrong there, you imagined that, fuck, they ended up with
• 1:00:15
  Speaker 8: my dream.
• 1:00:16
  Speaker 9: I will never forget the last thing that was said
• 1:00:19
  Speaker 9: to me, I will never forget, at that time. Você
• 1:00:24
  Speaker 9: é tão talentoso quanto burro. Você vai morrer pobre. Foi
• 1:00:28
  Speaker 9: a última coisa que foi dita pra mim. Depois de
• 1:00:32
  Speaker 9: me roubar tudo que roubou. Foi a última coisa que
• 1:00:34
  Speaker 9: falou pra mim. Porque queria que eu continuasse, eu falei, não,
• 1:00:36
  Speaker 9: não quero.
• 1:00:37
  Speaker 1: I'm okay. Vou ficar aqui.
• 1:00:39
  Speaker 9: Então, você é tão talentoso quanto burro. Você vai morrer pobre.
• 1:00:41
  Speaker 9: Eu nunca vou esquecer. Hoje, vê o que eu tô
• 1:00:44
  Speaker 9: conseguindo conquistar.
• 1:00:45
  Speaker 1: Devagar.
• 1:00:46
  Speaker 9: A passos de formiga. Mas a meus passos. It's very different.
• 1:00:52
  Speaker 9: It's very outro bagulho. Because we can always go back.
• 1:00:56
  Speaker 9: We can always try again. We can always try again.
• 1:00:59
  Speaker 8: It's because the talent is yours, right, man? That talent
• 1:01:02
  Speaker 8: that was usurped is yours.
• 1:01:04
  Speaker 4: He sold a thing of mine.
• 1:01:05
  Speaker 9: It wasn't him who produced and sold.
• 1:01:07
  Speaker 7: It was me.
• 1:01:08
  Speaker 4: So, it will only work like this. He will have
• 1:01:10
  Speaker 4: to find people to.
• 1:01:13
  Speaker 4: To enjoy yourself. The talent is yours. You are the artist,
• 1:01:16
  Speaker 4: you know? So this is very fucking cool.
• 1:01:17
  Speaker 1: Thanks to God. Thanks to God.
• 1:01:18
  Speaker 7: That's good, man. That's good that everything is working out.
• 1:01:21
  Speaker 7: And how is it?
• 1:01:22
  Speaker 8: If you mess with music, this thing, will you go
• 1:01:26
  Speaker 8: back to making a sound, to releasing a project? Or
• 1:01:31
  Speaker 8: will you stay more in this, in the Lorde line?
• 1:01:33
  Speaker 9: The project that is coming is what I said to Indy.
• 1:01:36
  Speaker 9: I'm going to start entering the.
• 1:01:39
  Speaker 1: World of stand-up. How cool!
• 1:01:43
  Speaker 9: Inspired by people like you.
• 1:01:44
  Speaker 1: I love you!
• 1:01:46
  Speaker 9: I love you! The day before yesterday, I was watching
• 1:01:49
  Speaker 9: his stand up, one after the other.
• 1:01:51
  Speaker 1: One after the other.
• 1:01:51
  Speaker 9: One after the other. That one where you had blonde hair.
• 1:01:54
  Speaker 1: In Bahia. Now he has blonde hair, now he's bald.
• 1:01:56
  Speaker 1: Lodon's shirt, right? Yeah, Lodon's shirt.
• 1:01:58
  Speaker 7: Yeah, that's the first one.
• 1:02:00
  Speaker 9: I think it was in Bahia that you did it.
• 1:02:01
  Speaker 1: Yes, Salvador.
• 1:02:03
  Speaker 9: I'm starting, I'm setting up my stand-up piece.
• 1:02:07
  Speaker 1: Slowly, slow. It's with Michael's Olodum shirt. In the beginning,
• 1:02:13
  Speaker 1: I'm running, where Michael went down singing Don't Care About Us.
• 1:02:18
  Speaker 7: I was so excited, man.
• 1:02:19
  Speaker 1: So I went there.
• 1:02:21
  Speaker 9: Windy inspired me a lot to do these things, you know?
• 1:02:23
  Speaker 9: I read it to him. I saw him doing these
• 1:02:25
  Speaker 9: things on the internet, and I said, man, that's it.
• 1:02:28
  Speaker 9: You can do something different. His show has music. In
• 1:02:32
  Speaker 9: his show he has jokes, in his show he has pyrotechnics.
• 1:02:37
  Speaker 8: Whederson is a comedian that if he only accepted the
• 1:02:43
  Speaker 8: box that they pre-establish for the comedian, maybe he wouldn't
• 1:02:46
  Speaker 8: have done most of the things he did.
• 1:02:48
  Speaker 1: I always liked Michael Jackson. Michael Jackson is megalomanic, you know?
• 1:02:54
  Speaker 7: He does everything. No, no, no.
• 1:02:56
  Speaker 1: I liked to do these things for a lot of people,
• 1:02:57
  Speaker 1: you know? And then, when I got to know what
• 1:03:02
  Speaker 1: a lot of people are, I saw that you really
• 1:03:04
  Speaker 1: give yourself to be able to do something for a
• 1:03:07
  Speaker 1: lot of people. And you suffer as much as you can.
• 1:03:10
  Speaker 1: How many people went to the show?
• 1:03:12
  Speaker 7: In Manaus it was 30 thousand people.
• 1:03:17
  Speaker 4: Man, it's scary, Winters. It's scary because I've never seen
• 1:03:20
  Speaker 4: a guy do that.
• 1:03:20
  Speaker 1: And it's not a festival, it's just a show. It's
• 1:03:23
  Speaker 1: just a show. It's just a show.
• 1:03:25
  Speaker 10: The concern is, will everyone be able to hear it
• 1:03:28
  Speaker 10: with quality?
• 1:03:29
  Speaker 1: I had a look outside of Brazil, there are some
• 1:03:32
  Speaker 1: guys who make stadiums for a lot of people. The
• 1:03:37
  Speaker 1: biggest one in the world, if I'm not mistaken, made
• 1:03:39
  Speaker 1: it for 80,000 people in a stadium in Berlin, if
• 1:03:43
  Speaker 1: I'm not mistaken. I wanted to break a record, but
• 1:03:47
  Speaker 1: I don't think everyone can take advantage of it. Or
• 1:03:48
  Speaker 1: you have to... It will be more for your ego
• 1:03:50
  Speaker 1: than for the people. More for me than for the group,
• 1:03:53
  Speaker 1: so I think I'll leave it there. But Whindersson, it's
• 1:03:55
  Speaker 1: really cool to talk about your deal with stand-up, because
• 1:03:57
  Speaker 1: I see that... I don't know, we joked here before
• 1:03:59
  Speaker 1: going into the air.
• 1:04:11
  Speaker 8: You always had a very absurd career on the internet,
• 1:04:14
  Speaker 8: of many numbers, and then you stopped on the channel
• 1:04:17
  Speaker 8: and such, but your trap in stand-up, one always stands
• 1:04:20
  Speaker 8: out from the other. At least I feel that watching everyone.
• 1:04:25
  Speaker 8: How do you do to always be at a high
• 1:04:26
  Speaker 8: level of joke, of knowing that it's good, because I
• 1:04:30
  Speaker 8: don't know, we've done a thousand podcasts, sometimes I'm like,
• 1:04:33
  Speaker 8: isn't one like the other? Anyway, how do you get
• 1:04:38
  Speaker 8: to this high level, my brother? Because all your specials,
• 1:04:42
  Speaker 8: all your shows are there for everyone to see. It's
• 1:04:45
  Speaker 8: an absurd quality, a very good level of joke, of
• 1:04:48
  Speaker 8: having to pause the video.
• 1:04:51
  Speaker 1: To laugh.
• 1:04:52
  Speaker 8: How do you do it and get to this, okay,
• 1:04:54
  Speaker 8: now it's ready, there's one more show here.
• 1:04:56
  Speaker 1: The less I talk about people, the better.
• 1:04:59
  Speaker 7: What do you mean?
• 1:05:01
  Speaker 1: The more I talk about abstract things. Really better than
• 1:05:07
  Speaker 1: talking about any subject or person. Because it involves a lot.
• 1:05:14
  Speaker 1: It involves a lot of things. Sometimes you're just fine.
• 1:05:16
  Speaker 1: And then one thing seems to be heavier than it is.
• 1:05:19
  Speaker 1: And I think that living making jokes for a long time,
• 1:05:21
  Speaker 1: that's the danger that there is. The only thing you
• 1:05:23
  Speaker 1: can do to be able to leave your thing more
• 1:05:27
  Speaker 1: quiet is to talk about the table. instead of talking
• 1:05:35
  Speaker 1: about the behavior of the mythic.
• 1:05:36
  Speaker 3: Yeah.
• 1:05:36
  Speaker 1: Instead of making fun of him. Yeah, because then a
• 1:05:39
  Speaker 1: person who likes him a lot, he's going to say
• 1:05:42
  Speaker 1: shit to me. And then if I say, damn, bro.
• 1:05:45
  Speaker 1: This here takes the laugh out of the person. Yeah,
• 1:05:49
  Speaker 1: it's not cool, you know? And then, as you're talking, like,
• 1:05:52
  Speaker 1: it's a matter of you wanting to keep the level
• 1:05:53
  Speaker 1: of the joke, a good joke for me is a
• 1:05:55
  Speaker 1: joke that I don't give a shit for anyone to
• 1:05:57
  Speaker 1: think anything or say anything. So when I get to
• 1:06:00
  Speaker 1: a level where someone says something, I think, damn, I
• 1:06:05
  Speaker 1: made a mistake. Got it? Okay, okay. I don't see
• 1:06:09
  Speaker 1: it that way because I think people will want to cause... Yeah, exactly.
• 1:06:12
  Speaker 1: But that's what I'm talking about. Like, you don't have
• 1:06:14
  Speaker 1: control over.
• 1:06:15
  Speaker 8: Okay, but how do you get there and know that
• 1:06:17
  Speaker 8: this table joke is funny? And your show from 2026
• 1:06:21
  Speaker 8: is better than the one from 22?
• 1:06:22
  Speaker 4: I already told a group.
• 1:06:23
  Speaker 7: You're testing.
• 1:06:24
  Speaker 1: Yeah, I'm telling my friends at home, you know? I'm
• 1:06:26
  Speaker 1: talking and then I'm opening it to more people. Then
• 1:06:28
  Speaker 1: there are about 30 people at the party and I.
• 1:06:32
  Speaker 1: But how do you know that everyone around you is saying...
• 1:06:34
  Speaker 1: I don't know. You just don't want to agree to
• 1:06:36
  Speaker 1: think it's cool, right? Because you're Whindersson. Because I do
• 1:06:39
  Speaker 1: it many times. And I know people, you know?
• 1:06:43
  Speaker 4: I would really like to know about this process.
• 1:06:45
  Speaker 1: I meet people on a daily basis, you know? And
• 1:06:47
  Speaker 1: I've done some jokes that some people have said, and
• 1:06:50
  Speaker 1: I also say like this, man, no, I don't think
• 1:06:54
  Speaker 1: I'm wrong in this joke, no. You know? Like, once
• 1:06:56
  Speaker 1: I did one about the passion of Christ, because I
• 1:06:58
  Speaker 1: talk about Jesus, the actor, right? That the cross moves
• 1:07:00
  Speaker 1: and he's already dead, and he says... I'm talking about cable,
• 1:07:03
  Speaker 1: I'm talking about technique, I'm talking about... A theatrical play, actors,
• 1:07:29
  Speaker 1: you know? For example, I had a joke that other people,
• 1:07:33
  Speaker 1: I won't even say it was mine, but I told it.
• 1:07:35
  Speaker 1: But other people where I lived told me that it
• 1:07:38
  Speaker 1: was about the whole theater company being gay. And then
• 1:07:40
  Speaker 1: they said that sometimes the plays came out gay. What
• 1:07:48
  Speaker 1: do you think you can do with Jairz Luiz and Piloncio?
• 1:07:50
  Speaker 1: I don't know what to do. And the crowd was like, wow!
• 1:07:53
  Speaker 1: But it was something that, you know, you saw when
• 1:07:57
  Speaker 1: you were watching, but it's not bad to say that
• 1:08:01
  Speaker 1: the person knows because she's gay. Nobody is saying that
• 1:08:04
  Speaker 1: actors are gay. It's not like that. You're understanding what's
• 1:08:09
  Speaker 1: being said. As I'm telling you, I'm contextualizing it, it
• 1:08:12
  Speaker 1: was something that happened and people talked about it. And
• 1:08:17
  Speaker 1: I'm just saying. I don't even agree.
• 1:08:21
  Speaker 4: I don't even think.
• 1:08:22
  Speaker 1: But there you're performing, right? I watched it in the
• 1:08:24
  Speaker 1: Passion of Christ, and I didn't see that many gay
• 1:08:28
  Speaker 1: people talking. No, someone was talking to someone there. Someone
• 1:08:31
  Speaker 1: who was making jokes, was talking to someone specific. Something
• 1:08:34
  Speaker 1: between them, you know? And not for everyone, you know?
• 1:08:37
  Speaker 9: Then.
• 1:08:37
  Speaker 1: Then after a while, when I saw... Then I... Then
• 1:08:44
  Speaker 1: I analyzed this joke that I heard, and I thought, well,
• 1:08:46
  Speaker 1: I don't think it's good to say that actors are gay,
• 1:08:50
  Speaker 1: because I don't think they are, it's just what the
• 1:08:52
  Speaker 1: guy was saying, you know? After a while, it will
• 1:08:56
  Speaker 1: fall into reality that you will think, it's better not
• 1:08:59
  Speaker 1: to say that, right? Because it seems pejorative, it seems
• 1:09:02
  Speaker 1: that someone will be bothered, even if you don't think
• 1:09:05
  Speaker 1: it bothers you. It's more of a problem than a laugh.
• 1:09:07
  Speaker 7: How would it be a stand-up? It's very difficult, man.
• 1:09:09
  Speaker 10: Once I thought about it, because I think it's very cool,
• 1:09:11
  Speaker 10: I've done theater and stuff, it's very nice you... Say
• 1:09:14
  Speaker 10: some bullshit and see everyone laughing at something you created,
• 1:09:18
  Speaker 10: at something you improvised. It's really cool. I think it's
• 1:09:21
  Speaker 10: one of the best satisfactions in the world. You're on
• 1:09:24
  Speaker 10: stage and you see people cracking up about something you did,
• 1:09:27
  Speaker 10: or said, or created.
• 1:09:28
  Speaker 7: Improvised, as I said, but... How are you creating this?
• 1:09:32
  Speaker 10: What will it be? Will it be you as a character?
• 1:09:34
  Speaker 10: Will you be singing? What is the breeze?
• 1:09:36
  Speaker 9: There will be me singing, there will be me as
• 1:09:38
  Speaker 9: a character. And the events are based on what happens
• 1:09:41
  Speaker 9: in my life since I decided to take this attitude.
• 1:09:46
  Speaker 7: To become the Lord?
• 1:09:47
  Speaker 9: No, to do the stand-up. For example, what happened to
• 1:09:50
  Speaker 9: me at Windy's house about the dogs is in the play.
• 1:09:52
  Speaker 1: I put it. I put it in the play. What
• 1:09:54
  Speaker 1: is it?
• 1:09:55
  Speaker 6: Dude.
• 1:09:55
  Speaker 7: If you can, right? Say it first. Can I? Oh
• 1:09:57
  Speaker 7: my God, my nose.
• 1:09:58
  Speaker 5: Dude.
• 1:10:01
  Speaker 9: I was at Whindersson's house, I arrived at Whindersson's house.
• 1:10:04
  Speaker 9: Whindersson came to talk to me, looking like the Snow
• 1:10:08
  Speaker 9: White of the dogs. Do you know when the Disney
• 1:10:11
  Speaker 9: princesses sing and things start to come and go? He
• 1:10:15
  Speaker 9: looked like Snow White.
• 1:10:18
  Speaker 4: He looked like Snow White.
• 1:10:21
  Speaker 9: The Disney princess of the dogs.
• 1:10:23
  Speaker 7: Because he would.
• 1:10:24
  Speaker 9: Come talking and the dogs would... He looked like a
• 1:10:27
  Speaker 9: dog dominator.
• 1:10:30
  Speaker 1: Then he raised the poncho. The dog appeared.
• 1:10:32
  Speaker 9: From everything that was in the hole. He raised the
• 1:10:36
  Speaker 9: poncho and a pincher came out. He was talking to
• 1:10:40
  Speaker 9: me and he came to Lorde.
• 1:10:43
  Speaker 1: Like that.
• 1:10:43
  Speaker 9: This vibe. But with the dog.
• 1:10:45
  Speaker 1: And I have.
• 1:10:46
  Speaker 9: And I have dog trauma.
• 1:10:48
  Speaker 7: Do you have a dog trauma?
• 1:10:50
  Speaker 9: Yeah, I have a dog trauma because I told him
• 1:10:52
  Speaker 9: when I was little, my grandmother's German pastor bit me
• 1:10:55
  Speaker 9: on the neck and shook me on the floor. Really,
• 1:11:01
  Speaker 9: he shook me on the floor. I'm always with my
• 1:11:05
  Speaker 9: nose bleeding. Then, what happened? He shook me on the
• 1:11:07
  Speaker 9: floor and said, no, you can't come, don't bite, no.
• 1:11:10
  Speaker 9: It's ok. Dog owner, let's change an idea. With nose bleeding,
• 1:11:13
  Speaker 9: let's change an idea.
• 1:11:15
  Speaker 1: Where's my cloth?
• 1:11:16
  Speaker 9: Let's change an idea. Me and you.
• 1:11:19
  Speaker 1: Now it's too much, man.
• 1:11:20
  Speaker 4: Do you have an OB for him to throw in
• 1:11:21
  Speaker 4: his nose?
• 1:11:21
  Speaker 9: Give me an OB.
• 1:11:22
  Speaker 1: If you have an OB there for him.
• 1:11:25
  Speaker 9: I'm going to change an idea. Your dog doesn't bite you.
• 1:11:29
  Speaker 5: I don't know.
• 1:11:30
  Speaker 9: He doesn't know. He's going to bite me, maybe. You
• 1:11:33
  Speaker 9: know why? Because the dog is afraid. That's it.
• 1:11:34
  Speaker 4: And the dog feels when you're afraid.
• 1:11:37
  Speaker 9: You know what happens?
• 1:11:38
  Speaker 3: No.
• 1:11:38
  Speaker 9: Every dog's name says the dog won't bite. Stay in peace.
• 1:11:42
  Speaker 9: Then you get scared.
• 1:11:43
  Speaker 1: The dog....
• 1:11:45
  Speaker 7: I'm watching you on the camera.
• 1:11:46
  Speaker 9: The dog will bite you, it bites you. The owner
• 1:11:49
  Speaker 9: of the dog that said he was going to bite you,
• 1:11:51
  Speaker 9: has the courage to turn to you and say, it's
• 1:11:53
  Speaker 9: because you showed fear. What did I say when I
• 1:11:57
  Speaker 9: got here?
• 1:11:58
  Speaker 1: That I'm scared. That I'm scared.
• 1:12:01
  Speaker 9: The dog will bite me. Of course, the dog from
• 1:12:03
  Speaker 9: Indies did bite me, it's.
• 1:12:04
  Speaker 1: Really good people.
• 1:12:05
  Speaker 9: Except for the Pintcher, that's the devil.
• 1:12:07
  Speaker 1: But the Pintchers.
• 1:12:08
  Speaker 7: Are like that.
• 1:12:09
  Speaker 9: No, but that one has more. Here he has more.
• 1:12:12
  Speaker 4: He has more energy.
• 1:12:13
  Speaker 9: He has a little bit of hatred. He has an
• 1:12:17
  Speaker 9: eye under each ear.
• 1:12:19
  Speaker 1: And Whindersson said this.
• 1:12:20
  Speaker 9: He also told me.
• 1:12:21
  Speaker 1: He told me.
• 1:12:22
  Speaker 9: Regina, if I'm not mistaken, Regina, isn't it? Regina is quiet.
• 1:12:27
  Speaker 9: It's good. That one there is afraid of him.
• 1:12:30
  Speaker 1: Leandro.
• 1:12:31
  Speaker 7: Why?
• 1:12:32
  Speaker 1: Because he is that size.
• 1:12:33
  Speaker 9: There was a time when I started to get familiar
• 1:12:36
  Speaker 9: with Regina. I went down to Regina and said, excuse
• 1:12:38
  Speaker 9: me for entering your house. I know it's your place.
• 1:12:43
  Speaker 9: The Pinscher came and looked at us. The other dog came.
• 1:12:46
  Speaker 9: I felt the snow white of the dog at that time.
• 1:12:48
  Speaker 9: Because the dog started to lie around me. I said, God,
• 1:12:51
  Speaker 9: the dog won't bite me. Then came the Pinscher. And
• 1:12:55
  Speaker 9: he looked at me. Do you know when a dog
• 1:12:58
  Speaker 9: does this? Like this. What the hell is happening? What
• 1:13:01
  Speaker 9: the hell? Since when do we like this black guy?
• 1:13:03
  Speaker 1: Like this.
• 1:13:03
  Speaker 7: For me.
• 1:13:04
  Speaker 9: I said, man, I already got up. I said, Indes,
• 1:13:06
  Speaker 9: it's fine. I'm fine. Indes takes me and puts a
• 1:13:08
  Speaker 9: dog on my lap. I'm sitting and he grabs the
• 1:13:10
  Speaker 9: dog like this.
• 1:13:11
  Speaker 1: He says, oh, don't do anything.
• 1:13:13
  Speaker 7: Don't do anything.
• 1:13:14
  Speaker 1: Take it here. It's a puppy.
• 1:13:15
  Speaker 4: He doesn't do anything.
• 1:13:16
  Speaker 1: He's in panic, like this, stopped. And I don't relax.
• 1:13:18
  Speaker 1: He doesn't do anything.
• 1:13:19
  Speaker 9: He doesn't do anything.
• 1:13:20
  Speaker 4: He grabs.
• 1:13:21
  Speaker 9: It's yours. Take it. But, man, the dogs from Windsor,
• 1:13:24
  Speaker 9: thank you.
• 1:13:24
  Speaker 1: Did you get a dog that day?
• 1:13:26
  Speaker 9: No.
• 1:13:26
  Speaker 7: No.
• 1:13:26
  Speaker 4: But, like this.
• 1:13:28
  Speaker 9: His dog doesn't do anything, my brother.
• 1:13:29
  Speaker 1: No, the dog is fine.
• 1:13:30
  Speaker 8: The dog is fine. You had experience with a German shepherd.
• 1:13:34
  Speaker 1: Traumatic, you know?
• 1:13:35
  Speaker 7: Traumatized.
• 1:13:36
  Speaker 1: You see? I was dealing with the guy's problems without
• 1:13:38
  Speaker 1: knowing that he was having too many problems. Are you
• 1:13:40
  Speaker 1: with a lot of dogs, my brother? We have... Go dying. Slowly.
• 1:13:47
  Speaker 1: It's because I'm going to get some who are already
• 1:13:51
  Speaker 1: so sad, Tony, you know? Come to me, the weak
• 1:13:53
  Speaker 1: and tired, you know? Come here, I'll take care of it.
• 1:13:56
  Speaker 1: You can't see it right, it's already breaking. There was
• 1:13:59
  Speaker 1: one that had three stones, that's the one that passed away.
• 1:14:02
  Speaker 1: And now there's another one that only has one eye and...
• 1:14:07
  Speaker 1: Regina is cool, Regina is cool, I liked her. Regina
• 1:14:09
  Speaker 1: is cool. It was her birthday. It's her nickname, Regina
• 1:14:11
  Speaker 1: is cool.
• 1:14:11
  Speaker 9: It was her birthday.
• 1:14:12
  Speaker 1: My Leandro is Leandro Malandro. Leandro Malandro? Yes, Leandro Malandro.
• 1:14:15
  Speaker 4: Regina Bacana.
• 1:14:17
  Speaker 7: Nice nickname, Leandro Malandro. This one was a monster.
• 1:14:21
  Speaker 9: I hadn't seen all the dogs from Whindersson yet.
• 1:14:24
  Speaker 1: Then he says to me, you know.
• 1:14:26
  Speaker 9: I have a dog that is the largest breed in
• 1:14:28
  Speaker 9: the world. I say, what a bastard.
• 1:14:29
  Speaker 10: Well, so you who were already a fan of Whindersson,
• 1:14:31
  Speaker 10: then it was an experience to go to his house,
• 1:14:33
  Speaker 10: see him with his animals, record content.
• 1:14:36
  Speaker 7: Of poncho.
• 1:14:37
  Speaker 9: Of poncho.
• 1:14:38
  Speaker 7: Yes, poor thing, of poncho.
• 1:14:39
  Speaker 1: Yeah, yeah.
• 1:14:40
  Speaker 9: Touch and go. What is poncho?
• 1:14:42
  Speaker 12: Foda.
• 1:14:43
  Speaker 1: It's that Peruvian thing.
• 1:14:45
  Speaker 4: Yes, I don't know, the name is poncho.
• 1:14:48
  Speaker 10: You're in this style, you're in this picadilha now.
• 1:14:50
  Speaker 1: In fact, I'm always in the moment, you know? Then,
• 1:14:53
  Speaker 1: for example, I went to São Tomé das Letras and
• 1:14:56
  Speaker 1: there was this there to sell, then I bought it
• 1:14:59
  Speaker 1: and such. Then one day I won a little crochet,
• 1:15:03
  Speaker 1: then I used it many times, then the guys start
• 1:15:05
  Speaker 1: to give me... Yeah.
• 1:15:34
  Speaker 7: Arruma um hobby. Ah, então você tá numa fase mais
• 1:15:36
  Speaker 7: confortável agora. É.
• 1:15:38
  Speaker 1: Na verdade, desde sempre, né? A galera sempre diz como
• 1:15:42
  Speaker 1: tem que se vestir, como é que tem que fazer
• 1:15:44
  Speaker 1: as coisas. Eu gosto de vestir como eu tenho vontade
• 1:15:46
  Speaker 1: de vestir, porque aí meus amigos conseguem ir nos lugares
• 1:15:48
  Speaker 1: também com as roupas que tem.
• 1:15:50
  Speaker 9: Eu nunca vi. É, às vezes.
• 1:15:53
  Speaker 1: Eu vou num lugar e meu amigo, não, não vou não,
• 1:15:55
  Speaker 1: não tenho roupa não. Ah, então eu vou assim. Aí
• 1:15:57
  Speaker 1: tu vai desse jeito aí também, pôde, imundo.
• 1:16:00
  Speaker 7: Tá tudo certo.
• 1:16:00
  Speaker 4: Você nunca foi um cara que, sei lá.
• 1:16:04
  Speaker 8: jacket of 30 thousand reais, shoe of I don't know what,
• 1:16:07
  Speaker 8: you can even have it.
• 1:16:08
  Speaker 1: Already yes, but jacket of 30 thousand reais it's a
• 1:16:10
  Speaker 1: lot there but it exists, that's what.
• 1:16:13
  Speaker 8: I'm talking about and you can, what I want to
• 1:16:15
  Speaker 8: say is that you never was a guy that maybe
• 1:16:18
  Speaker 8: this is something that you, no, it has to be
• 1:16:19
  Speaker 8: like that, you're always normal t-shirt, reggaeton I think I
• 1:16:22
  Speaker 8: always liked to.
• 1:16:24
  Speaker 1: Be this person who goes asking why of things and
• 1:16:27
  Speaker 1: you know, not just following the way that has to
• 1:16:28
  Speaker 1: follow the way it has to be I fix a
• 1:16:35
  Speaker 1: lot of problems because of that. But also.
• 1:16:38
  Speaker 4: Live the life the way you want.
• 1:16:40
  Speaker 1: That's what I'm thinking, at least. I believe that a
• 1:16:43
  Speaker 1: lot of what we do in life is things that
• 1:16:45
  Speaker 1: we watch, reproduce and see. But I believe that over
• 1:16:49
  Speaker 1: time you start to see yourself. Who you really are,
• 1:16:52
  Speaker 1: you know? And I think that gives a peace, right, man?
• 1:17:00
  Speaker 4: A happiness, I'm in this moment now too, doing.
• 1:17:04
  Speaker 1: A lot of therapy. I don't know if it's possible,
• 1:17:07
  Speaker 1: I think it's better to do what you want, but follow.
• 1:17:11
  Speaker 10: The system, how to do it.
• 1:17:14
  Speaker 1: But are you okay? I am, I am. I'm always
• 1:17:16
  Speaker 1: with people, I'm always with nice friends.
• 1:17:18
  Speaker 4: You're the most important, man.
• 1:17:20
  Speaker 1: Usually I like to talk to people, and people don't
• 1:17:23
  Speaker 1: just say, you're right, I like you. No, people talk right,
• 1:17:25
  Speaker 1: but there's a understanding. between what I'm saying and what
• 1:17:31
  Speaker 1: the person is saying, you know? Viviane Mosé, who is
• 1:17:35
  Speaker 1: a poet, poetizes, but she said it's better to call
• 1:17:39
  Speaker 1: her a poet, because of the poetry, it has to
• 1:17:42
  Speaker 1: do with... Poet, she said to me, poet is already
• 1:17:44
  Speaker 1: a feminine word, right? Poet, because you're going to feminize
• 1:17:48
  Speaker 1: the feminine word, poetize. It makes sense, but I just
• 1:17:52
  Speaker 1: wanted to keep the decor, right?
• 1:17:53
  Speaker 4: Because you won't know.
• 1:17:54
  Speaker 1: Anything, right? But she says that the word has no value, right?
• 1:18:02
  Speaker 1: It doesn't make sense, it doesn't mean anything, because the
• 1:18:04
  Speaker 1: word is the agreement between those who speak and those
• 1:18:07
  Speaker 1: who listen.
• 1:18:08
  Speaker 10: Fuck!
• 1:18:08
  Speaker 1: If there is no agreement between those who speak and.
• 1:18:10
  Speaker 4: Those who listen, it's wrong.
• 1:18:13
  Speaker 1: I understand.
• 1:18:13
  Speaker 4: Because that's exactly what happened. If I say I didn't understand,
• 1:18:16
  Speaker 4: the agreement didn't happen, you'll have to say it again.
• 1:18:17
  Speaker 1: Or in another way, or with another analysis, or with
• 1:18:19
  Speaker 1: another metaphor, or with another... You know? Wonderful.
• 1:18:24
  Speaker 8: Man, so you're a guy who must have stopped a
• 1:18:26
  Speaker 8: lot to read, to reflect on these things.
• 1:18:30
  Speaker 1: Oh, take it, receive it. The guy took a book
• 1:18:35
  Speaker 1: from the pocket. The Divided Space.
• 1:18:37
  Speaker 4: Milton Santos.
• 1:18:38
  Speaker 1: Milton Santos. One of the greatest geographers on the planet.
• 1:18:41
  Speaker 1: Do you like geography, brother? I started to like it
• 1:18:46
  Speaker 1: because of this guy.
• 1:18:46
  Speaker 11: Why?
• 1:18:47
  Speaker 1: Because this guy, he tells a lot tells a lot
• 1:18:51
  Speaker 1: about what geography is, right? That it's not... That it's
• 1:18:56
  Speaker 1: not the demarcation of a space, or how long it
• 1:18:59
  Speaker 1: takes to get from one city to another, it's the
• 1:19:01
  Speaker 1: relationship between people and the place, you know?
• 1:19:04
  Speaker 4: How people behave in São Paulo, in Minas.
• 1:19:07
  Speaker 1: It's like if something didn't exist, if there wasn't... the
• 1:19:10
  Speaker 1: relationship of people with that place, this pot of bread here,
• 1:19:14
  Speaker 1: it would be nothing if no one came in and
• 1:19:16
  Speaker 1: looked and said, this structure doesn't work, this one is good. Yes, totally.
• 1:19:20
  Speaker 1: And then he tells two very cool things, this work
• 1:19:21
  Speaker 1: is one of his most famous works, it was one
• 1:19:23
  Speaker 1: that stood out to him around the planet, it's called
• 1:19:26
  Speaker 1: Divided Space.
• 1:19:28
  Speaker 7: And why are you reading this one?
• 1:19:29
  Speaker 1: Because I'm trying to defuse a river, man. I saw that.
• 1:19:32
  Speaker 7: Ah, I saw that tape there, man.
• 1:19:34
  Speaker 1: I saw that, man. I'm trying to defuse a river,
• 1:19:36
  Speaker 1: and then this book, it talks about the person having...
• 1:19:40
  Speaker 1: The person has to understand geographically what is happening to
• 1:19:43
  Speaker 1: be able to try to do something, you know? It's
• 1:19:45
  Speaker 1: not just taking garbage out of the river. Yeah, here
• 1:19:49
  Speaker 1: it goes telling the story like this, since 1930, 1940, 1960,
• 1:19:52
  Speaker 1: all the studies of geography, until he comes to the
• 1:19:57
  Speaker 1: thought that it will not work to try to help
• 1:20:00
  Speaker 1: a underdeveloped country or a underdeveloped place, looking at the vision,
• 1:20:04
  Speaker 1: So there's no way for me to I would not
• 1:20:28
  Speaker 1: pollute a river if another one, which he calls a
• 1:20:31
  Speaker 1: superior circuit, a inferior circuit. Superior circuit, people of power,
• 1:20:35
  Speaker 1: inferior circuit, people who also have power, but... It's the merchant,
• 1:20:39
  Speaker 1: it's the place that sells the stuff. He has more
• 1:20:41
  Speaker 1: money than the general population, because he... The others work
• 1:20:45
  Speaker 1: on other things, he has nothing to sell. He has too,
• 1:20:47
  Speaker 1: but he still obeys others. So, as I tell the
• 1:20:50
  Speaker 1: guy from the store not to throw his business in
• 1:20:53
  Speaker 1: such a place, if he receives orders from others, I
• 1:20:57
  Speaker 1: need to talk to everyone, you know? So, like, I
• 1:21:00
  Speaker 1: have to tell the people from the upper neighborhood not
• 1:21:04
  Speaker 1: to shit on the people from the lower neighborhood. Like, guys,
• 1:21:07
  Speaker 1: if you shit on the person's head, the person gets
• 1:21:10
  Speaker 1: shit on their head. Then you see, you talk to them,
• 1:21:12
  Speaker 1: you say, hmm, shit, it was you who shit. Sometimes
• 1:21:15
  Speaker 1: it's even the person, but the shit is yours. You know?
• 1:21:18
  Speaker 1: There's a relationship between things happening.
• 1:21:21
  Speaker 8: But the people who are in the upper neighborhood, they are.
• 1:21:27
  Speaker 1: Oh, yeah.
• 1:21:28
  Speaker 9: Oh, my God.
• 1:21:29
  Speaker 1: Thank you. Oh, my God.
• 1:21:57
  Speaker 4: I don't like this river anymore.
• 1:21:58
  Speaker 1: I don't like this river anymore because it's giving me
• 1:22:02
  Speaker 1: a lot of trouble. Talk about the other river. The
• 1:22:05
  Speaker 1: other river that I was trying to clean. I tell
• 1:22:08
  Speaker 1: my friends, if we can get rid of the garbage volume,
• 1:22:11
  Speaker 1: the water runs. It's nature. Nature is like that.
• 1:22:13
  Speaker 8: And I saw you saying that a few decades ago
• 1:22:16
  Speaker 8: people used that river. They took a.
• 1:22:17
  Speaker 1: Bath, made a picnic, played. I used to take a
• 1:22:21
  Speaker 1: shower in this river, but I used to take a
• 1:22:22
  Speaker 1: shower in this river when.
• 1:22:23
  Speaker 7: It was already rotten.
• 1:22:24
  Speaker 10: I want to know how the beginning of this idea came.
• 1:22:26
  Speaker 10: You were passing by and you said, hey, here's a
• 1:22:29
  Speaker 10: lot of shit, I want to do something useful in
• 1:22:31
  Speaker 10: my life, I want to help this guy.
• 1:22:33
  Speaker 7: Where does an idea come from to do this attitude?
• 1:22:35
  Speaker 1: I think it's you choosing the battles you want to
• 1:22:38
  Speaker 1: start fighting, you know? The battles you fight, which is
• 1:22:42
  Speaker 1: just life playing for you, and you say, my God,
• 1:22:43
  Speaker 1: what is this? And there are some battles you can choose.
• 1:22:47
  Speaker 7: For sure, this is one that.
• 1:22:49
  Speaker 1: When I was a kid, I used to be a troublemaker.
• 1:22:51
  Speaker 1: A troublemaker of good. I was that guy who goes
• 1:22:55
  Speaker 1: on the Trojan horse talking to people. Hey, guys, it's
• 1:22:57
  Speaker 1: right to stay in here? Seriously? Get there and kill people?
• 1:23:00
  Speaker 1: Show up as a surprise? Like, I was there too.
• 1:23:03
  Speaker 1: But let's go there. I was there too, but the
• 1:23:05
  Speaker 1: majority is talking, so let's go there. So, like, I already...
• 1:23:09
  Speaker 1: They already caught me stealing to do... Hold on. Look
• 1:23:11
  Speaker 1: at my hand. And I'll do like this. These little balls...
• 1:23:15
  Speaker 1: I fell on the floor. Two sevens. Yeah, yeah. So, like,
• 1:23:18
  Speaker 1: there was... There was something there that... I could get
• 1:23:22
  Speaker 1: into a bad business, you know? And then, what did
• 1:23:26
  Speaker 1: I do in those moments when we had trombadinha? In
• 1:23:29
  Speaker 1: those moments when we had trombadinha, we liked to go
• 1:23:31
  Speaker 1: to several different places in the city. Because for us,
• 1:23:34
  Speaker 1: they were our new worlds, you know? There was a
• 1:23:36
  Speaker 1: place that we had, which was a trash can, which
• 1:23:39
  Speaker 1: had a lot of paint cans. People threw paint cans
• 1:23:45
  Speaker 1: in this place. And then we made a battery of
• 1:23:47
  Speaker 1: paint cans. It was a battery, it worked. With a
• 1:23:51
  Speaker 1: lever to do the thing. And then when we ran
• 1:23:53
  Speaker 1: away from school, we would play the drums. All the
• 1:23:55
  Speaker 1: kids would go to the market.
• 1:24:07
  Speaker 7: They'd get ready.
• 1:24:09
  Speaker 4: They'd buy a cookie too.
• 1:24:11
  Speaker 7: Yeah, yeah, yeah.
• 1:24:12
  Speaker 1: And why is this kid buying this cookie and these
• 1:24:14
  Speaker 1: 12 boys are leaving slowly? With a suspicious face.
• 1:24:17
  Speaker 7: There's not even a cookie for each one in the package.
• 1:24:20
  Speaker 7: You know?
• 1:24:21
  Speaker 1: And then I'd go and we'd do it. And then
• 1:24:23
  Speaker 1: we'd also play in this grotto. I see. Which was
• 1:24:25
  Speaker 1: this Rio Pauloido. Rio Grotto. Yeah, and we knew we'd
• 1:24:26
  Speaker 1: find something there. So we'd go play and say, there
• 1:24:28
  Speaker 1: must be a ball there. Of course there was, it
• 1:24:37
  Speaker 1: was the grotto, there was everything, you know? For us
• 1:24:39
  Speaker 1: it was fun, but I didn't know it was... Garbage. Rotten,
• 1:24:43
  Speaker 1: because everything falls in the water, it's not the garbage
• 1:24:48
  Speaker 1: that is the garbage. The water is all rotten, syringes, medicine,
• 1:24:53
  Speaker 1: things from the others, hospital garbage, you know? It's like that.
• 1:24:56
  Speaker 4: It turned into a swamp.
• 1:24:58
  Speaker 1: God is good, man, God held me, I'm here, man.
• 1:25:02
  Speaker 1: Which of these things that I have on my nose
• 1:25:07
  Speaker 1: every week, which shouldn't be because of some shit that I...
• 1:25:10
  Speaker 1: You're understanding?
• 1:25:11
  Speaker 4: Yes, for sure.
• 1:25:11
  Speaker 1: So, like, there came this thought of, man, this is real.
• 1:25:15
  Speaker 1: It's not a world problem that someone is telling me.
• 1:25:20
  Speaker 1: It's something that I know, right? I was there with
• 1:25:22
  Speaker 1: my group, my friends and stuff. And when I talk
• 1:25:26
  Speaker 1: about cleaning, people say, put your hands down, man. Seriously,
• 1:25:32
  Speaker 1: give up, there's no other way. But there are three
• 1:25:35
  Speaker 1: families of friends of mine who live nearby who pointed
• 1:25:39
  Speaker 1: out to me and said like this, solve this for us, man.
• 1:25:41
  Speaker 1: And then I... I make this agreement. Let's get this
• 1:25:49
  Speaker 1: thing out of here, at least. Maybe we don't take
• 1:25:53
  Speaker 1: a shower yet.
• 1:25:54
  Speaker 4: But if it stings less.
• 1:25:56
  Speaker 1: The smell will come out. Maybe someone talking, eating a
• 1:25:59
  Speaker 1: pizza and.
• 1:26:01
  Speaker 1: But it doesn't hurt too much. It doesn't hurt too much, right?
• 1:26:05
  Speaker 1: And then someone says, maybe, to someone that it's a job.
• 1:26:08
  Speaker 1: Don't say it's me. Say it's you who works there. Understand?
• 1:26:11
  Speaker 1: Say it's you who's doing it, who put together a group.
• 1:26:13
  Speaker 8: It doesn't matter. It's just to revitalize, right? A place
• 1:26:16
  Speaker 8: that already.
• 1:26:17
  Speaker 1: Had so much life, jokes. And the group played, man.
• 1:26:18
  Speaker 1: Suddenly people can play. Because I think people keep playing.
• 1:26:22
  Speaker 1: Only in the trash, right? In the trash. But I
• 1:26:24
  Speaker 1: think it's possible to... Then I thought, geographically, to try
• 1:26:29
  Speaker 1: to understand a place geographically. Because... I know my city
• 1:26:32
  Speaker 1: since I was a child, but the city has grown,
• 1:26:34
  Speaker 1: but how do cities grow? That's what he says here
• 1:26:36
  Speaker 1: in this book. There's more light, there's more wire, there's more...
• 1:26:43
  Speaker 1: But it doesn't mean that things are working the way
• 1:26:46
  Speaker 1: they have to work, you know? And I don't want
• 1:26:49
  Speaker 1: to fight either, to say anything to anyone. This here
• 1:26:51
  Speaker 1: is like this because... It's like this because it's like this.
• 1:26:54
  Speaker 4: Because people are like that.
• 1:26:55
  Speaker 1: If when I say try, people say, put your hand up.
• 1:26:59
  Speaker 10: You motivate other people to do the same.
• 1:27:03
  Speaker 4: I can't give up, then.
• 1:27:05
  Speaker 1: Just because of that, I can't give up. It's very difficult. Man,
• 1:27:10
  Speaker 1: I set up plans, stages, to talk to people.
• 1:27:12
  Speaker 8: I want to know if it's possible, if you're in
• 1:27:14
  Speaker 8: a plan that's possible or in a plan, in.
• 1:27:16
  Speaker 1: Quotes, utopian. If it's just to soak the ice, right?
• 1:27:19
  Speaker 8: Yeah, because I'm afraid, brother, of you getting there a
• 1:27:22
  Speaker 8: little further.
• 1:27:23
  Speaker 4: And getting frustrated.
• 1:27:25
  Speaker 9: You know?
• 1:27:25
  Speaker 4: Because I see that it's a very genuine and beautiful will,
• 1:27:27
  Speaker 4: you know? But I think it.
• 1:27:28
  Speaker 1: Frustrates us because... I know people. Yes. It is what
• 1:27:32
  Speaker 1: it is. It's not very... It's not very different from
• 1:27:36
  Speaker 1: what we think and know how people are. But if
• 1:27:39
  Speaker 1: I don't believe in change, who will I believe in?
• 1:27:41
  Speaker 1: In whose change? In mine? How will I believe in
• 1:27:43
  Speaker 1: my own change if I can't change anything? Right? I
• 1:27:45
  Speaker 1: don't say that to fix the mind, fix the room,
• 1:27:49
  Speaker 1: wash the dishes first. We want to save.
• 1:27:55
  Speaker 4: The world, but we don't do that.
• 1:27:57
  Speaker 1: And in my own city, my father lives there. If
• 1:27:58
  Speaker 1: my father gets sick, my friend told my childhood friend,
• 1:28:01
  Speaker 1: I'm leaving Andeng now, man. I'm leaving Andeng now. Solve
• 1:28:04
  Speaker 1: this for us, this way. Because the person who suffers,
• 1:28:06
  Speaker 1: you know, in this sense, the person who suffers in
• 1:28:08
  Speaker 1: this sense, she says, wow. Then you look and say, man,
• 1:28:11
  Speaker 1: little thing. Little thing, really. It's just like... You see
• 1:28:23
  Speaker 1: the spring of this river, it's a mine, you do
• 1:28:25
  Speaker 1: it like this in the forest, and the water with time,
• 1:28:27
  Speaker 1: it's gaining strength. When you see the spring of this river,
• 1:28:31
  Speaker 1: it is a miner, you do it like this in
• 1:28:33
  Speaker 1: the forest and it does like this. And the water,
• 1:28:38
  Speaker 1: over time, it gains strength, you know? So I point
• 1:28:40
  Speaker 1: to the guys and they say, but the river is
• 1:28:42
  Speaker 1: already dead. I say, the river is dead, the river
• 1:28:45
  Speaker 1: is always dead. The river is always dead. If you
• 1:28:46
  Speaker 1: don't give it life, it's always dead. So you clean it,
• 1:28:51
  Speaker 1: the water gains strength, it comes, it goes watering, you know?
• 1:28:55
  Speaker 1: It goes taking it. And then the gang says, this
• 1:29:01
  Speaker 1: is who, this is who, this gang here. From this
• 1:29:03
  Speaker 1: house here. I say, this is not from this house here, man.
• 1:29:05
  Speaker 1: This is also from this house here, but I'm going
• 1:29:07
  Speaker 1: to tell you the truth. The truth is that up there,
• 1:29:09
  Speaker 1: when it rains, everything will come and stop here. So
• 1:29:12
  Speaker 1: if we find this path of him going down, instead
• 1:29:18
  Speaker 1: of getting here, he gets to some place and someone
• 1:29:20
  Speaker 1: does this to him, put it inside the business and
• 1:29:24
  Speaker 1: take it to the place.
• 1:29:25
  Speaker 4: It has to take, it will get better, man. I
• 1:29:28
  Speaker 4: hope so, I hope that the.
• 1:29:30
  Speaker 8: People who have to stop or help, help and you
• 1:29:34
  Speaker 8: can do it.
• 1:29:35
  Speaker 1: And I've already asked for help from a group, you know?
• 1:29:37
  Speaker 1: And the group already said, we take this guy, we
• 1:29:39
  Speaker 1: take that guy, we record this, we record that. And
• 1:29:41
  Speaker 1: then you'll never come back there, bro. And it's going
• 1:29:44
  Speaker 1: to stay that way, you know? What are you getting
• 1:29:49
  Speaker 1: ready there, Lord?
• 1:29:50
  Speaker 7: He's putting on.
• 1:29:51
  Speaker 1: He's putting on sneakers. My nose.
• 1:30:01
  Speaker 4: It's just a nose. It's the man's nose, brother.
• 1:30:03
  Speaker 7: Damn.
• 1:30:04
  Speaker 1: It's leaking. I thought he was putting on sneakers. He's...
• 1:30:06
  Speaker 1: Taking out the leak. He's praying. But it's like that. No,
• 1:30:11
  Speaker 1: it's not a problem.
• 1:30:13
  Speaker 7: No, no.
• 1:30:14
  Speaker 1: What about love? What about rain? Everything works out, man.
• 1:30:20
  Speaker 1: Even in Rio. Even in Rio, it comes out of
• 1:30:23
  Speaker 1: the nose. Poor thing, damn it.
• 1:30:25
  Speaker 4: Is it bleeding a lot, Lordinho? Give him some love.
• 1:30:28
  Speaker 1: No, Lordinho.
• 1:30:29
  Speaker 4: Monopolize the subject, brother.
• 1:30:36
  Speaker 8: You've been out of the table for a long time.
• 1:30:38
  Speaker 8: Say what you want to say. Ask what you want
• 1:30:40
  Speaker 8: to ask. The subject is yours.
• 1:30:41
  Speaker 7: Is that hot? No, anyway.
• 1:30:44
  Speaker 1: Tears.
• 1:30:44
  Speaker 7: Tears. Emotion.
• 1:30:47
  Speaker 4: I'm fine.
• 1:30:49
  Speaker 9: I'm fine. Dude. Whindersson was talking about something I want
• 1:30:55
  Speaker 9: to do.
• 1:30:55
  Speaker 4: Clean the river?
• 1:30:56
  Speaker 9: No, I want to be able to help.
• 1:30:59
  Speaker 6: Yeah.
• 1:30:59
  Speaker 1: Yeah.
• 1:31:23
  Speaker 9: Help with what I can, which is make people laugh
• 1:31:27
  Speaker 9: for a while, then increase the monetary, let's do it,
• 1:31:30
  Speaker 9: let's move, let's do things. That's why I look at
• 1:31:32
  Speaker 9: Whindersson today doing this kind of thing, I saw his
• 1:31:34
  Speaker 9: post about this, it's a Rio, isn't it, Whindersson?
• 1:31:37
  Speaker 1: Yeah, yeah.
• 1:31:39
  Speaker 9: I saw that and it's not just in stand-up, it's
• 1:31:43
  Speaker 9: not just... I saw Whindersson doing that, I saw people looking,
• 1:31:50
  Speaker 9: paying attention to Whindersson when he was talking about an
• 1:31:52
  Speaker 9: important subject, and I saw what it means to influence
• 1:31:55
  Speaker 9: in the right way. People like Whindersson give me the
• 1:32:00
  Speaker 9: will to be like him, to have the opportunity to
• 1:32:01
  Speaker 9: help as he has. My dream is to be able
• 1:32:03
  Speaker 9: to do something like this for my hometown. To be
• 1:32:10
  Speaker 9: able to help in my city of Natal, to help
• 1:32:12
  Speaker 9: young people not to go through what I went through
• 1:32:14
  Speaker 9: when I arrived here, you know? I thought, man, I'm
• 1:32:18
  Speaker 9: going to open a producer, from artist to artist, for
• 1:32:21
  Speaker 9: the artist to do his stuff.
• 1:32:22
  Speaker 4: For him to know what a phonogram is.
• 1:32:26
  Speaker 9: What is a phonogram? Royal chair. Take this, this is yours.
• 1:32:29
  Speaker 1: This is your work.
• 1:32:29
  Speaker 9: You have to be smart, you know? Because if he
• 1:32:32
  Speaker 9: leaves the producer, he will know everything. I don't want
• 1:32:35
  Speaker 9: him to be a producer to blow things up. I
• 1:32:37
  Speaker 9: want him to be a producer to teach the artist
• 1:32:39
  Speaker 9: to be an artist. To be an artist, to know
• 1:32:41
  Speaker 9: your rights, because it's easy to shine, it's easy. A
• 1:32:44
  Speaker 9: guy comes with money, I'll fix this for you to do.
• 1:32:47
  Speaker 9: You never did anything, you're from a small town. Anything
• 1:32:52
  Speaker 9: is already a little thing. When I was 18 years old,
• 1:32:53
  Speaker 9: I signed a contract to sell CDs.
• 1:32:54
  Speaker 10: I was a musician too, I've always been a musician.
• 1:32:57
  Speaker 1: I won a contest at the church to sing. And
• 1:33:07
  Speaker 1: then the guy made a deal there, a contract.
• 1:33:37
  Speaker 1: Tem a um, a dois,
• 1:33:52
  Speaker 1: a música pra você ler e pra cantar.
• 1:33:53
  Speaker 4: Tá assinado, Whederson Nunes. Igual de crente.
• 1:33:57
  Speaker 1: Top demais.
• 1:33:57
  Speaker 9: Igual da Aline Barros.
• 1:33:58
  Speaker 4: Puta que pariu.
• 1:34:00
  Speaker 1: Regis Danesi.
• 1:34:00
  Speaker 9: Regis Danesi.
• 1:34:01
  Speaker 1: Aí, bufo Spotify, ninguém mais compra CD, mano. Verdade. Isso
• 1:34:07
  Speaker 1: foi diferente de quantos meses.
• 1:34:08
  Speaker 4: Foi assim, ó.
• 1:34:10
  Speaker 1: Foi junto, foi junto. Whederson Nunes, lança CD.
• 1:34:13
  Speaker 9: Tem.
• 1:34:13
  Speaker 4: Não precisa mais.
• 1:34:15
  Speaker 6: Raul.
• 1:34:18
  Speaker 1: How many copies were made? Then I ate the CD
• 1:34:20
  Speaker 1: after the show. Who wants another CD? And the guys, CD?
• 1:34:23
  Speaker 1: No one has this device anymore, asshole.
• 1:34:25
  Speaker 4: Oltrapassado.
• 1:34:26
  Speaker 1: Oltrapassado, Oltrapassado. Then, from time to time, a collector came.
• 1:34:29
  Speaker 1: Give me two. And I, at the end, like this, sad. Then,
• 1:34:35
  Speaker 1: in the contract, if I didn't sell all the CDs...
• 1:34:38
  Speaker 1: How many copies? How many CDs? How many CDs? I
• 1:34:41
  Speaker 1: don't know, but it was a huge collection. I don't know, 100,000 CDs.
• 1:34:45
  Speaker 1: It was a lot. But it wasn't even the price
• 1:34:49
  Speaker 1: of each CD, it was like 500,000 reais. That's it,
• 1:34:53
  Speaker 1: that's it. But when I was 18 years old... It started.
• 1:34:56
  Speaker 7: With this one.
• 1:34:59
  Speaker 1: Fumo Grande, Delay de Cá.
• 1:35:01
  Speaker 4: It was already worth 500,000.
• 1:35:02
  Speaker 1: Pipino Grosso. And then I was going to do shows
• 1:35:05
  Speaker 1: in each place. First row, my brother. Cabo was everywhere.
• 1:35:12
  Speaker 10: Liar.
• 1:35:13
  Speaker 8: Roraima, Manaus, Piauí, Rio Grande do Sul, São Paulo. He
• 1:35:17
  Speaker 8: crossed Brazil after you, Anderson.
• 1:35:19
  Speaker 1: Yeah, guys. My mom... Look at the guy. My mom.
• 1:35:21
  Speaker 4: Guys, my mom.
• 1:35:24
  Speaker 1: My mom used to beat me, guys. And the guy
• 1:35:27
  Speaker 1: was like.
• 1:35:29
  Speaker 7: He used to beat me more.
• 1:35:30
  Speaker 1: Why did I do this? And the guy just.
• 1:35:32
  Speaker 4: Paid the rent.
• 1:35:38
  Speaker 1: I was waiting for the ticket. I was waiting for
• 1:35:40
  Speaker 1: the show and I was getting all the money.
• 1:35:42
  Speaker 7: And how long did you stay in this process?
• 1:35:44
  Speaker 1: I don't know, about four months of sleeping and waking
• 1:35:48
  Speaker 1: up thinking about it. And doing the quotes saying, I'm
• 1:35:50
  Speaker 1: going to work five years just to pay this guy.
• 1:35:52
  Speaker 1: But I'm going to pay. That way we were talking, like,
• 1:35:55
  Speaker 1: I've had less. I've had less. That's right. But it's already.
• 1:36:00
  Speaker 4: A lot of filagronizing, right, man?
• 1:36:02
  Speaker 1: That's right. And you know what happened? Out of nowhere,
• 1:36:05
  Speaker 1: the guy's wife calls me. He was arrested, man. He
• 1:36:09
  Speaker 1: was a millionaire. He used to eat the card of
• 1:36:13
  Speaker 1: the gang. He asked me to pay him to get.
• 1:36:18
  Speaker 4: Him out of jail. I paid my daughter a long
• 1:36:20
  Speaker 4: time ago.
• 1:36:22
  Speaker 7: You said you paid him.
• 1:36:23
  Speaker 9: You did.
• 1:36:23
  Speaker 1: Son of a bitch.
• 1:36:24
  Speaker 7: Son of a bitch.
• 1:36:25
  Speaker 1: I thought, God is giving me a chance. God is
• 1:36:27
  Speaker 1: giving me a chance to say.
• 1:36:32
  Speaker 1: The famous one from the other face, right? No, come on, man,
• 1:36:36
  Speaker 1: come on.
• 1:36:37
  Speaker 7: Friend, don't take it anymore.
• 1:36:39
  Speaker 1: And you had already quit? No, I should be there,
• 1:36:42
  Speaker 1: I should have paid some 90, 100, maybe, for a
• 1:36:45
  Speaker 1: 18-year-old boy, Ratinho.
• 1:36:46
  Speaker 7: Damn, you're crazy, man.
• 1:36:48
  Speaker 1: But it was like that, he was there at every show,
• 1:36:49
  Speaker 1: he took the money all the time.
• 1:36:50
  Speaker 8: And his attention doing the first shows, man, and with
• 1:36:52
  Speaker 8: the guy there.
• 1:36:53
  Speaker 7: But in that case he was already arrested, so he
• 1:36:55
  Speaker 7: could die.
• 1:36:56
  Speaker 1: And it was a little thing like that too, you know? Like,
• 1:36:58
  Speaker 1: I was nothing or nobody, you know what he was
• 1:37:00
  Speaker 1: talking about? Nothing or nobody. I didn't know anything, I
• 1:37:04
  Speaker 1: didn't know any sphere, and then for the first time
• 1:37:05
  Speaker 1: I got in a big car, you know? And then, man,
• 1:37:08
  Speaker 1: it looked like the devil, man, talking like this, look
• 1:37:12
  Speaker 1: how life is. Learn. You see here? You can have
• 1:37:16
  Speaker 1: one of these one day, and I can, yes, I
• 1:37:19
  Speaker 1: can have one of these. Yes, sir, how can I do, sir,
• 1:37:22
  Speaker 1: to have one of these? Sign here. We'll talk over time,
• 1:37:25
  Speaker 1: we'll talk over time. take it to eat, restaurant, eat
• 1:37:32
  Speaker 1: my son there, all for us, look, it's over this
• 1:37:36
  Speaker 1: thing of not having.
• 1:37:37
  Speaker 4: Anything left and I.
• 1:37:38
  Speaker 1: lobster, I've never eaten lobster and the guys.
• 1:37:44
  Speaker 7: cool, right?
• 1:37:45
  Speaker 1: Liked it, right? film, film him and I... and the
• 1:37:47
  Speaker 1: guys already knowing where it was going to be the guy,
• 1:37:50
  Speaker 1: Tia Luciana, son of a bitch I smoke I never
• 1:37:58
  Speaker 1: wanted to.
• 1:37:58
  Speaker 9: Know too, you know, I never went after it, I don't.
• 1:38:00
  Speaker 1: Want it, but he wanted to say I think the
• 1:38:03
  Speaker 1: debt is not there, the peace is the.
• 1:38:05
  Speaker 8: Person, I'm done, let's take advantage of it here and
• 1:38:10
  Speaker 8: now I'm going to go out of the.
• 1:38:13
  Speaker 10: Room, since you're here, man, But do you think, of course,
• 1:38:23
  Speaker 10: that what happened to you didn't motivate you too?
• 1:38:25
  Speaker 7: Do you live bitterly with that or has it.
• 1:38:28
  Speaker 10: Already happened that even when you lie down, you say,
• 1:38:31
  Speaker 10: oh my gosh.
• 1:38:33
  Speaker 9: Usually I don't moan to think. It passes through my head.
• 1:38:40
  Speaker 5: I think about it when I go to sleep.
• 1:38:42
  Speaker 10: There's a guy who owes me that I think about
• 1:38:45
  Speaker 10: it until today, man.
• 1:38:46
  Speaker 1: I'm fine, I'm fine with nothing.
• 1:38:49
  Speaker 9: Son of a bitch, if you hit this guy in.
• 1:38:51
  Speaker 4: The street, brother, if I hit you in the street.
• 1:38:52
  Speaker 4: It's fucking, right, bro?
• 1:38:54
  Speaker 1: It's fucking.
• 1:38:54
  Speaker 4: I think, you know what's the worst?
• 1:38:56
  Speaker 8: I think, I still think, like, shitting in my.
• 1:38:58
  Speaker 7: Hand, still, with fear. I think with fear, I say, bro,
• 1:39:08
  Speaker 7: It looks like it's still wrong, right?
• 1:39:10
  Speaker 9: It looks like I'm in the wrong. Like, come here
• 1:39:13
  Speaker 9: and say it looks like I'm in the wrong.
• 1:39:14
  Speaker 1: I'm not in the wrong, man. I was robbed. I'm
• 1:39:16
  Speaker 1: not in the wrong, but we stay. It looks like
• 1:39:18
  Speaker 1: it's still wrong. People make us feel like this, bro.
• 1:39:20
  Speaker 4: That's why we have to be distrustful.
• 1:39:22
  Speaker 8: Especially you, the people who are starting there. Like, those
• 1:39:25
  Speaker 8: who are listening and are starting. There will be a
• 1:39:28
  Speaker 8: lot of people there with doubts.
• 1:39:30
  Speaker 1: Be careful with the contracts. Be careful with the contracts.
• 1:39:33
  Speaker 1: Be careful with the contracts. Because in this world, I've
• 1:39:38
  Speaker 1: already talked to a lot of people. I've already talked
• 1:39:41
  Speaker 1: to a lot of people. And the people have very
• 1:39:43
  Speaker 1: strange behaviors, you know? Like, I think that in this
• 1:39:46
  Speaker 1: fear of people being as they are, sometimes they are scared.
• 1:39:49
  Speaker 1: You get to the person and say, hello, hello, how
• 1:39:51
  Speaker 1: are you? Then you're scared all the time. It's a
• 1:39:56
  Speaker 1: little bit of fear, I think, because people are like that.
• 1:39:59
  Speaker 1: They can be that way. And then they start to act, but.
• 1:40:04
  Speaker 1: I have a joke that I like to do when
• 1:40:05
  Speaker 1: the kids are having lunch. I like to say that
• 1:40:07
  Speaker 1: education is for everyone. I'm just kidding, this is from Piauí,
• 1:40:10
  Speaker 1: everyone says that. Look, the mythical went to eat, who
• 1:40:13
  Speaker 1: didn't eat, ate. I'm just kidding, eat a lot, it's
• 1:40:15
  Speaker 1: a joke. I already made people leave the dish. What
• 1:40:18
  Speaker 1: was it? No, man, I'm kidding, what is this? I'm
• 1:40:31
  Speaker 1: thinking that I'm saying that you can't eat little, no, man.
• 1:40:35
  Speaker 1: Calm down. So I've seen some things like that. The
• 1:40:38
  Speaker 1: guys are scared, right? Scared, yes. It seems that we
• 1:40:40
  Speaker 1: are still in the wrong, talking about a business that is...
• 1:40:43
  Speaker 1: It's the truth, that is legitimate of you.
• 1:40:45
  Speaker 4: I think it's that, man, you are in art, right?
• 1:40:49
  Speaker 8: And then I think that when you arrived to deal
• 1:40:51
  Speaker 8: with art without information, there are a lot of people
• 1:40:55
  Speaker 8: to take advantage of. Because of the stones that Júlio
• 1:41:21
  Speaker 8: already went through. And then, when I'm going to make
• 1:41:23
  Speaker 8: my first success in 2015 and 2016, then I fall
• 1:41:24
  Speaker 8: in 2019, and I learn what is high and low.
• 1:41:25
  Speaker 8: When the pod pack arrives, which is this one, which
• 1:41:28
  Speaker 8: pierces the bubble itself, which will bring a lot of
• 1:41:31
  Speaker 8: people like that on the side, this guy is very light,
• 1:41:34
  Speaker 8: because we've been through it.
• 1:41:36
  Speaker 4: Several times, through some of these guys. Today there are many.
• 1:41:43
  Speaker 4: But today we can say, that's a son of a bitch,
• 1:41:45
  Speaker 4: that's a.
• 1:41:46
  Speaker 7: Bastard, that's a loafer.
• 1:41:47
  Speaker 10: To be a funk producer, like, look at the contract here. Man,
• 1:41:52
  Speaker 10: I always ran away, so I learned these schemes.
• 1:41:55
  Speaker 7: Man, it's ten years of contract, you'll have ten years
• 1:41:58
  Speaker 7: of career. Come with us.
• 1:41:59
  Speaker 10: I'll say, man, but I don't want to, I don't
• 1:42:01
  Speaker 10: want to sign up. So the malice we learn over time.
• 1:42:05
  Speaker 7: Only ten years. Only ten years.
• 1:42:08
  Speaker 9: You don't have experience in the area, you don't have experience.
• 1:42:12
  Speaker 9: Do you want a golden tip? It doesn't matter who
• 1:42:16
  Speaker 9: it is. The name it has, the size it has,
• 1:42:18
  Speaker 9: don't sign a contract. Don't sign a contract with anything.
• 1:42:24
  Speaker 9: It's very complicated. Do you have a lawyer looking at
• 1:42:29
  Speaker 9: your contract? Is he looking at everything for you? Is
• 1:42:31
  Speaker 9: he doing things for you? Is he warning you of everything?
• 1:42:34
  Speaker 9: Or are you looking at it as an opportunity to
• 1:42:36
  Speaker 9: do something? Because I'm going to tell you something.
• 1:42:38
  Speaker 1: Remember?
• 1:42:38
  Speaker 9: They told me this for years. And I didn't pay attention.
• 1:42:42
  Speaker 9: The talent is you. It's not the person who has
• 1:42:46
  Speaker 9: the money, otherwise she was famous, not you. She was
• 1:42:49
  Speaker 9: with a follower, I don't know what, as you want
• 1:42:51
  Speaker 9: to put status. You have the talent that this person
• 1:42:54
  Speaker 9: is trying to use. So if it's not something balanced,
• 1:42:59
  Speaker 9: from Silva, 50-50, everything studied, because he has money to
• 1:43:05
  Speaker 9: get a good lawyer, write a good contract for him
• 1:43:08
  Speaker 9: to deliver in your hand. Do you have a lawyer
• 1:43:11
  Speaker 9: to read? Do you know my contract?
• 1:43:13
  Speaker 4: The lawyer who is reading, is looking at your interests?
• 1:43:16
  Speaker 9: Is looking at your interests? Think, think. They are not
• 1:43:20
  Speaker 9: doing you any favor.
• 1:43:22
  Speaker 7: None.
• 1:43:23
  Speaker 9: They are not doing you any favor by trying to
• 1:43:25
  Speaker 9: sign with you. They are trying to sign with you
• 1:43:27
  Speaker 9: because they want something. It's not a favor. Artists are
• 1:43:31
  Speaker 9: starting now. It's not a favor. Remember that. It's even
• 1:43:35
  Speaker 9: good to be in a place that has a lot
• 1:43:37
  Speaker 9: of audience to reach people so they understand. Don't let
• 1:43:40
  Speaker 9: that pass. You are the talent. You can do things.
• 1:43:44
  Speaker 10: Because that too, man, if people don't call, sometimes I
• 1:43:47
  Speaker 10: sign this contract and it ends careers.
• 1:43:49
  Speaker 7: You are a guy who has renewed himself.
• 1:43:51
  Speaker 10: But in music you should have been so disappointed that
• 1:43:53
  Speaker 10: if you hadn't renewed yourself, you would have been frustrated. Like, ah, man,
• 1:43:57
  Speaker 10: it's turned into something else, you know? And this happens
• 1:44:00
  Speaker 10: a lot with people's careers. And, man, I'm an entrepreneur today,
• 1:44:04
  Speaker 10: an artist, Franco, hi, Franquinho. And my biggest concern was
• 1:44:08
  Speaker 10: that he was from Belém, I'm from Belém too. And
• 1:44:11
  Speaker 10: one of the biggest... The first message I told him
• 1:44:13
  Speaker 10: was like this, man, please. I'm sure a lot of
• 1:44:16
  Speaker 10: old people from São Paulo are looking for you, promising
• 1:44:20
  Speaker 10: you a car, something.
• 1:44:20
  Speaker 7: He said, yes, man. I said, don't sign with anyone, man.
• 1:44:23
  Speaker 10: Not even with me, you don't need to sign, but
• 1:44:25
  Speaker 10: come here, I'll help you somehow. For already knowing that
• 1:44:28
  Speaker 10: the game works like this. And he said, damn, man,
• 1:44:30
  Speaker 10: a lot of.
• 1:44:33
  Speaker 10: From a funk business that were sending me messages, I
• 1:44:35
  Speaker 10: was going to want something too, but I said, man,
• 1:44:39
  Speaker 10: don't do that, like, there's this thing.
• 1:44:41
  Speaker 8: It's that these people, they mess with the thing that's awesome, right? Yeah,
• 1:44:45
  Speaker 8: they mess with the dream, but they're messing with a
• 1:44:47
  Speaker 8: person who, like, sometimes there's no sanitation, where the person lives,
• 1:44:52
  Speaker 8: is living in a bad house, wants to give a
• 1:44:53
  Speaker 8: improvement to the family.
• 1:44:55
  Speaker 4: Come to São Paulo, there's a little place here. The
• 1:44:58
  Speaker 4: space is divided.
• 1:44:59
  Speaker 1: This here is not... I was telling you, it's not
• 1:45:01
  Speaker 1: about the demarcation of where you go in São Paulo
• 1:45:04
  Speaker 1: and when you start in Osasco. This is about that.
• 1:45:06
  Speaker 1: This is the big center. This is the big center.
• 1:45:09
  Speaker 1: People know how it works. And then they come to you,
• 1:45:12
  Speaker 1: who is from I don't know where. And then, what
• 1:45:17
  Speaker 1: do you think? Got it? This is a geographical relationship.
• 1:45:21
  Speaker 4: The guy knows where you were coming from.
• 1:45:22
  Speaker 1: This happens even in Pará, but not at this level.
• 1:45:25
  Speaker 1: Not at the level of you taking the guy who
• 1:45:27
  Speaker 1: lives in the house of Taipa. and give him an
• 1:45:30
  Speaker 1: AP and a cart. My brother, do you know what
• 1:45:33
  Speaker 1: that is? Do you know what that is? It's all, man.
• 1:45:36
  Speaker 1: It's all that the guy dreamed of.
• 1:45:37
  Speaker 8: Because I come from a place where I said, if
• 1:45:40
  Speaker 8: in the end of my life I had, I swear
• 1:45:41
  Speaker 8: to God, a stick and a rental house, I've already
• 1:45:44
  Speaker 8: zeroed in on my life.
• 1:45:45
  Speaker 7: And the bike had to stop. The bike my.
• 1:45:47
  Speaker 4: Mother didn't let go.
• 1:45:49
  Speaker 8: I just wanted to have a popular car and pay
• 1:45:52
  Speaker 8: my rent it wasn't even a.
• 1:45:53
  Speaker 1: House because in my head there's a house.
• 1:45:55
  Speaker 7: It's impossible you know.
• 1:46:07
  Speaker 4: So the guy offers you an apartment.
• 1:46:09
  Speaker 7: And a car?
• 1:46:10
  Speaker 1: I'm leaving.
• 1:46:11
  Speaker 4: I don't even read the contract.
• 1:46:12
  Speaker 8: The people who are offering you this is because you
• 1:46:16
  Speaker 8: are worth more than 10 apartments and 10 cars. Because
• 1:46:18
  Speaker 8: no one is going to offer you this if you
• 1:46:20
  Speaker 8: don't go back a lot more for.
• 1:46:22
  Speaker 1: Her, man.
• 1:46:24
  Speaker 7: You know? That's it, Lorde.
• 1:46:26
  Speaker 10: Man, I thought we were going to be talking nonsense,
• 1:46:28
  Speaker 10: but Lorde also has a serious side in you.
• 1:46:31
  Speaker 7: Right, man?
• 1:46:34
  Speaker 9: Yeah, yeah.
• 1:46:35
  Speaker 1: Yeah.
• 1:46:36
  Speaker 10: There's a lot of serious stuff there too.
• 1:46:37
  Speaker 9: There has to be, there has to be, there has
• 1:46:39
  Speaker 9: to be.
• 1:46:39
  Speaker 1: Everyone, right? Yeah, right. I think it's not, I think
• 1:46:41
  Speaker 1: that's why I stopped finding people stupid and stupid. Because
• 1:46:44
  Speaker 1: I always think that the stupid, there's something in there, man.
• 1:46:48
  Speaker 7: Of course there is, man. Of course there is.
• 1:46:50
  Speaker 1: I think they just don't let it go sometimes. You
• 1:46:52
  Speaker 1: become stupid because people say a lot of things, then
• 1:46:55
  Speaker 1: you go, man.
• 1:46:56
  Speaker 9: I liked it too, but you're talking about stupid.
• 1:46:58
  Speaker 3: Huh?
• 1:46:58
  Speaker 9: I like how you're still talking about imbecile, and then
• 1:47:01
  Speaker 9: talking about me.
• 1:47:03
  Speaker 1: And look, we are.
• 1:47:03
  Speaker 9: We imbeciles can be something.
• 1:47:05
  Speaker 1: We imbeciles, we can also be something, besides imbeciles.
• 1:47:09
  Speaker 10: No, because they're both dressed as Michael Jackson and we're
• 1:47:12
  Speaker 10: exchanging ideas.
• 1:47:13
  Speaker 7: I prefer it, but logically, I think.
• 1:47:16
  Speaker 10: Both the public and us, we were also expecting to
• 1:47:20
  Speaker 10: be more imbecile.
• 1:47:23
  Speaker 7: And there's no problem, because I love to be imbecile too,
• 1:47:25
  Speaker 7: you know?
• 1:47:25
  Speaker 1: No, it's okay.
• 1:47:26
  Speaker 7: Papiar coisas aleatórias e bobeiras. É bom também.
• 1:47:30
  Speaker 1: É bom. Acho que é necessário.
• 1:47:32
  Speaker 10: Qual que é o nível que você mais troca ideia, Lorde?
• 1:47:34
  Speaker 10: Imbecilidades ou coisas sérias? Ou é balanceado?
• 1:47:39
  Speaker 4: Equilibrated.
• 1:47:40
  Speaker 1: Equilibrated.
• 1:47:41
  Speaker 9: Yeah.
• 1:47:43
  Speaker 1: Yeah.
• 1:47:44
  Speaker 4: Mano, ele é bom, né?
• 1:47:46
  Speaker 9: Ele é bom.
• 1:47:46
  Speaker 1: O Manoel Gomes é bom, né?
• 1:47:47
  Speaker 9: É bom, Manoel Gomes. I love you so much.
• 1:47:50
  Speaker 7: Top 3 ídolos brasileiros pra você, vai.
• 1:47:52
  Speaker 9: Michael Jackson.
• 1:47:55
  Speaker 1: Brazilian idols? He's also Brazilian, I told you not to
• 1:47:57
  Speaker 1: do that.
• 1:47:58
  Speaker 9: Michael Jackson, Brazilian, he lives in Chic Chic today. A
• 1:48:03
  Speaker 9: Brazilian is f * * * ed up for me.
• 1:48:05
  Speaker 9: Calm down. You have to think. A lot of them
• 1:48:09
  Speaker 9: I know personally. If I don't put Whindersson in the
• 1:48:12
  Speaker 9: top 3, he'll.
• 1:48:13
  Speaker 1: Beat me up. You can put other people, but it's cool.
• 1:48:14
  Speaker 1: Wait a minute. I didn't put him.
• 1:48:17
  Speaker 9: But it's really like this.
• 1:48:19
  Speaker 1: I'm going to do it and it's going to give
• 1:48:22
  Speaker 1: you a light.
• 1:48:23
  Speaker 12: Okay.
• 1:48:23
  Speaker 1: Let's go. Fernanda Montenegro is cruel. Fernanda Montenegro can't.
• 1:48:30
  Speaker 8: It's fucking now you threw her and said she's not there.
• 1:48:33
  Speaker 4: Did you say she's not there?
• 1:48:34
  Speaker 9: No, no.
• 1:48:35
  Speaker 1: No, there's no way. Fernando Montenegro is very top.
• 1:48:39
  Speaker 4: If I say Mano Brown, will you say he's not?
• 1:48:42
  Speaker 10: Mano Brown is like coffee with milk.
• 1:48:44
  Speaker 1: Mano Brown I think is more recent. Even if he
• 1:48:47
  Speaker 1: seems to be more mature, for me he is more
• 1:48:50
  Speaker 1: for here. Fernando Montenegro, if you see the history of
• 1:48:54
  Speaker 1: him in the cinema, my brother, it's a lot. It's
• 1:48:56
  Speaker 1: a lot. Because we have the image of the person
• 1:48:59
  Speaker 1: that she is, right? you know the works and the
• 1:49:06
  Speaker 1: awards and everything else but you will see her acting
• 1:49:10
  Speaker 1: at 22 years old and say wow how healthy the
• 1:49:12
  Speaker 1: thing is to know where it points to the camera
• 1:49:15
  Speaker 1: what is the.
• 1:49:15
  Speaker 8: Name of that actor who is 100 years old today
• 1:49:18
  Speaker 8: black handsome Santista.
• 1:49:20
  Speaker 10: Tone Tornado Tone Tornado is the guy brother he's old
• 1:49:22
  Speaker 10: and you see him changing ideas like that lucid brother.
• 1:49:29
  Speaker 1: The question that the woman told him was like, Tony,
• 1:49:32
  Speaker 1: how do you get to this age, lust, all that?
• 1:49:35
  Speaker 1: He said, first of all, you have to want to live.
• 1:49:39
  Speaker 4: First of all, you have to want to live.
• 1:49:41
  Speaker 1: Oh, this thing, I talk a lot about this with
• 1:49:43
  Speaker 1: my friends, this thing of wanting to die. Oh, you
• 1:49:45
  Speaker 1: could run over me, a car, a lightning. Then when
• 1:49:48
  Speaker 1: you want to win a business, you say, I hope
• 1:49:51
  Speaker 1: I win. Then it's worth it. Then I hope I die.
• 1:49:58
  Speaker 7: No vale.
• 1:49:59
  Speaker 1: Cuidado com a brincadeira. Cuidado. Então eu entendi muito bem
• 1:50:03
  Speaker 1: quando ele disse assim. Primeiro de tudo, querer viver.
• 1:50:06
  Speaker 7: Querer viver é o segredo.
• 1:50:08
  Speaker 1: Rapaz, no mundo teremos aflições, né? Amanhã, depois, amanhã tem perezinha,
• 1:50:11
  Speaker 1: altos e baixos.
• 1:50:12
  Speaker 4: Vocês tem medo de morrer?
• 1:50:13
  Speaker 1: Eu tenho medo. Eu não, eu tô de boa.
• 1:50:15
  Speaker 4: Não tem medo?
• 1:50:16
  Speaker 1: Não.
• 1:50:16
  Speaker 4: Eu tenho medo, irmão.
• 1:50:17
  Speaker 7: You're afraid of dying, Lord.
• 1:50:19
  Speaker 1: I shit in my hand.
• 1:50:20
  Speaker 9: I also shit.
• 1:50:21
  Speaker 1: I'm being honest.
• 1:50:22
  Speaker 9: I'm afraid of dying.
• 1:50:23
  Speaker 1: I'm a guy who is, I've already said this, I'm
• 1:50:25
  Speaker 1: a psychologist.
• 1:50:26
  Speaker 4: It must be trauma, for sure. Sometimes I stop him
• 1:50:28
  Speaker 4: in a car with me and I say.
• 1:50:30
  Speaker 1: And now?
• 1:50:30
  Speaker 6: Now is the.
• 1:50:34
  Speaker 1: Moment.
• 1:50:35
  Speaker 7: I'm afraid and I don't have. But I have.
• 1:50:37
  Speaker 1: I think I know what fear you have. Which one?
• 1:50:40
  Speaker 1: We don't want to be screwed.
• 1:50:41
  Speaker 10: Yeah?
• 1:50:41
  Speaker 1: Not screwed.
• 1:50:42
  Speaker 9: I can be screwed.
• 1:50:42
  Speaker 7: If I die like this, I'm screwed.
• 1:50:45
  Speaker 1: No one knows the gap.
• 1:50:47
  Speaker 4: Ah, man, I already think differently.
• 1:50:48
  Speaker 8: Get there in heaven and the guys at the meeting
• 1:50:51
  Speaker 8: there say, what's up, man?
• 1:50:52
  Speaker 4: What was it?
• 1:50:53
  Speaker 8: I tripped in the bathroom. The guys are going to
• 1:50:56
  Speaker 8: make fun of me.
• 1:50:57
  Speaker 4: Now if, pa, if they let me fly.
• 1:50:59
  Speaker 1: Look, but you're thinking about after death and still be
• 1:51:02
  Speaker 1: ashamed of who asks you how it was. After it's over,
• 1:51:04
  Speaker 1: it's over, man. The guy gets there, yeah, man. I'm
• 1:51:06
  Speaker 1: very anxious, man. I'm very anxious.
• 1:51:08
  Speaker 7: Yeah, do you understand?
• 1:51:09
  Speaker 1: You can't think about it.
• 1:51:11
  Speaker 4: You're not letting the imagination work.
• 1:51:14
  Speaker 8: I just said that I wanted to get there in
• 1:51:16
  Speaker 8: the sky and tell a tragedy outside.
• 1:51:18
  Speaker 1: Like a shark eating you. Got it?
• 1:51:20
  Speaker 7: I was swallowed by a shark.
• 1:51:22
  Speaker 1: Where?
• 1:51:23
  Speaker 6: In Osasco.
• 1:51:24
  Speaker 4: The guys were like, fuck, how is that? Shark in Osasco.
• 1:51:26
  Speaker 4: If you had a superpower, Lorde.
• 1:51:29
  Speaker 1: What would it be? A superpower?
• 1:51:30
  Speaker 7: Change shape. Like a mystic? Turn into a guitar?
• 1:51:33
  Speaker 9: Or people?
• 1:51:33
  Speaker 1: Man.
• 1:51:42
  Speaker 7: I'm trying to turn a guitar.
• 1:51:43
  Speaker 1: Well, I.
• 1:51:47
  Speaker 9: Wanted to change the shape, if I could.
• 1:51:51
  Speaker 1: But how?
• 1:51:51
  Speaker 7: What shape?
• 1:51:53
  Speaker 1: Shape shifter.
• 1:51:54
  Speaker 3: Like.
• 1:51:55
  Speaker 1: Change the body? Or turn something?
• 1:51:58
  Speaker 9: Turn something and person. Anything.
• 1:52:01
  Speaker 7: Fuck, anything?
• 1:52:02
  Speaker 4: This is fucked.
• 1:52:03
  Speaker 1: Anything. But if you tried to turn, for example... Super Gemos.
• 1:52:07
  Speaker 1: If you tried to turn... Vinicius Jr. At the same
• 1:52:10
  Speaker 1: time you thought about a headset and you turned Vinicius Jr.
• 1:52:12
  Speaker 1: into a headset head.
• 1:52:13
  Speaker 9: So we put a key here, you know?
• 1:52:15
  Speaker 1: We put a key here. Be careful not to want
• 1:52:18
  Speaker 1: to transform things too.
• 1:52:18
  Speaker 7: So, for example, you say, I want to transform into Madonna.
• 1:52:21
  Speaker 7: Then you turn into Madonna.
• 1:52:22
  Speaker 9: Super Gemini did the thing of.
• 1:52:24
  Speaker 1: Yeah, but one turned into just water, a bucket.
• 1:52:26
  Speaker 9: The brother was very useless. Yeah, but he, in the end,
• 1:52:28
  Speaker 9: needed him.
• 1:52:29
  Speaker 1: He was necessary.
• 1:52:30
  Speaker 4: Yeah, he was always on fire. And then she turned
• 1:52:32
  Speaker 4: into a.
• 1:52:33
  Speaker 1: Bucket, the other turned into an eagle, took the bucket
• 1:52:35
  Speaker 1: and threw water in....
• 1:52:39
  Speaker 9: But now I'm going to give a thing to everyone
• 1:52:42
  Speaker 9: who asks this question to the others. A answer that
• 1:52:45
  Speaker 9: I always had. I didn't say it here just to
• 1:52:47
  Speaker 9: be kidding. Choose the power of wanting. It's very good.
• 1:52:52
  Speaker 1: Choose the power of wanting?
• 1:52:53
  Speaker 7: How so?
• 1:52:54
  Speaker 9: You want, it happens. This is the best power possible.
• 1:52:58
  Speaker 7: Wow.
• 1:52:59
  Speaker 9: Choose the power of wanting.
• 1:53:00
  Speaker 1: The power of wanting. But isn't that dangerous? Because sometimes
• 1:53:03
  Speaker 1: we want things.
• 1:53:04
  Speaker 9: Put a key, put a key, put a key, you
• 1:53:07
  Speaker 9: have to speak, you have to speak.
• 1:53:08
  Speaker 1: Look, but the universe... It's very powerful.
• 1:53:10
  Speaker 9: I think it's the most powerful thing there is.
• 1:53:12
  Speaker 1: The universe, it works with a delay. Yeah? Yeah, that's
• 1:53:16
  Speaker 1: why when you want or want to die, you don't die. Because,
• 1:53:20
  Speaker 1: in fact, you don't want to. You're sad at the moment,
• 1:53:23
  Speaker 1: you know? So you have a delay to... Is that right? Oh, oh, oh. Listen, huh? Yeah,
• 1:53:28
  Speaker 1: usually you can... No, no, no, no, no, no, no, no.
• 1:53:34
  Speaker 1: There's a little delay for things to happen. What about
• 1:53:36
  Speaker 1: GTA 6?
• 1:53:36
  Speaker 7: Nothing to see?
• 1:53:37
  Speaker 1: I played.
• 1:53:41
  Speaker 7: Are you playing random games? No, I don't know GTA.
• 1:53:43
  Speaker 7: You don't know?
• 1:53:44
  Speaker 1: I know GTA, but I don't play video games. You
• 1:53:46
  Speaker 1: don't play video games? No. Really? No. I don't take
• 1:53:50
  Speaker 1: energy either, I'm taking it here. Because you're against.
• 1:53:52
  Speaker 7: Video games or you just don't like it? No, I'm
• 1:53:54
  Speaker 7: not against it.
• 1:53:55
  Speaker 1: You're not against it. I'm not against it, the things
• 1:53:57
  Speaker 1: that people like can stay there. But you've never played
• 1:53:59
  Speaker 1: a GTA?
• 1:53:59
  Speaker 7: I've played it, but it's been a long time.
• 1:54:02
  Speaker 1: It's been like 15 years since I've played video games. VR?
• 1:54:07
  Speaker 11: Ah!
• 1:54:07
  Speaker 1: This one I thought it was crazy when it arrived.
• 1:54:09
  Speaker 1: I took it to Windy's house and.
• 1:54:31
  Speaker 9: It's really cool.
• 1:54:31
  Speaker 1: I said, wait, wait, wait, wait. You're on the moon.
• 1:54:33
  Speaker 1: What is this, bro? The screens here, the other screen here.
• 1:54:35
  Speaker 1: Is it from Apple? No, it's from Meta. The last
• 1:54:37
  Speaker 1: one from Meta. Why didn't you bring this shit for
• 1:54:40
  Speaker 1: us to see too?
• 1:54:40
  Speaker 9: I forgot to hang it. But the reaction from Indus
• 1:54:44
  Speaker 9: was the best in the world.
• 1:54:45
  Speaker 7: What's the craziest.
• 1:54:46
  Speaker 9: Thing you can do with this glasses?
• 1:54:47
  Speaker 10: I've never put this one from Meta, for example.
• 1:54:49
  Speaker 7: Man, very crazy. Man, you can enter a world where
• 1:54:51
  Speaker 7: everyone who's wearing.
• 1:54:52
  Speaker 9: Meta's glasses can see each other, can talk to each other.
• 1:54:59
  Speaker 1: You can make a.
• 1:55:00
  Speaker 9: Call, for example. He made a call with Marcia. He
• 1:55:02
  Speaker 9: made a call with Marcia. And he saw. There's an avatar.
• 1:55:05
  Speaker 1: Of you who does what you're doing. Very crazy.
• 1:55:07
  Speaker 9: He talks like this.
• 1:55:08
  Speaker 1: You're from technology. Yeah.
• 1:55:09
  Speaker 7: I'm already waiting for GTA 6.
• 1:55:11
  Speaker 9: Like a retard.
• 1:55:12
  Speaker 1: I'm going to play a lot of this shit. There
• 1:55:14
  Speaker 1: he is.
• 1:55:24
  Speaker 7: Lael!
• 1:55:25
  Speaker 9: Lael!
• 1:55:26
  Speaker 1: Lael! Are you from Lael?
• 1:55:28
  Speaker 9: I'm from Lael.
• 1:55:29
  Speaker 4: Every time Lael is mentioned, I don't care.
• 1:55:32
  Speaker 8: I saw Vini talking, I saw someone talking like that.
• 1:55:36
  Speaker 7: I don't know who it was that said it, bro.
• 1:55:38
  Speaker 7: It was that comedian from Manaus, his name escaped, bro.
• 1:55:41
  Speaker 10: William de Oliveira, right?
• 1:55:44
  Speaker 7: Yes, yes, he's wonderful.
• 1:55:45
  Speaker 10: He said like this, You can be sure that when
• 1:55:51
  Speaker 10: someone says Lael, it's him who's thinking about Pinto. Because
• 1:55:55
  Speaker 10: I'm saying, I'm going to sit, and someone says Lael,
• 1:55:56
  Speaker 10: it's him who's thinking about Pinto.
• 1:55:58
  Speaker 1: Yeah, I just want to sit normally. Yeah, and for
• 1:56:00
  Speaker 1: me it's like... God bless you.
• 1:56:03
  Speaker 6: Yes, yes.
• 1:56:03
  Speaker 1: You know? Like, if he says, Amen.
• 1:56:09
  Speaker 14: I know you didn't do it by calling, but there
• 1:56:11
  Speaker 14: are people who say like this. I'm talking about the
• 1:56:31
  Speaker 14: barbecue sausage.
• 1:56:46
  Speaker 1: I'm not talking about anything. Oh, okay, because... So I
• 1:57:03
  Speaker 1: hold it and you put it here. But I'm holding
• 1:57:07
  Speaker 1: it in the basin, man. You can see that it's
• 1:57:08
  Speaker 1: in the basin that I'm talking about.
• 1:57:10
  Speaker 7: Man, we've known each other for 20 years.
• 1:57:11
  Speaker 1: Yeah, man. The other one that came here from behind.
• 1:57:14
  Speaker 4: And worse than always, like this. Never change.
• 1:57:16
  Speaker 1: And he gets up. Never change.
• 1:57:18
  Speaker 12: Guys.
• 1:57:18
  Speaker 9: You who are these there, they.
• 1:57:26
  Speaker 1: Um dia... Você.
• 1:57:27
  Speaker 4: Que é laelissério. Laelissério. Você que é laelissério. Tô falando
• 1:57:31
  Speaker 4: com você agora.
• 1:57:32
  Speaker 8: Quando você estiver engasgando na pica e falando que é bom,
• 1:57:35
  Speaker 8: lembra de mim desse recado.
• 1:57:37
  Speaker 4: Você gosta.
• 1:57:38
  Speaker 1: Caralho. Desde sempre. É, pô.
• 1:57:39
  Speaker 4: Só vai experimentar, porra.
• 1:57:40
  Speaker 9: Você tava dando like já faz time.
• 1:57:43
  Speaker 1: Sim.
• 1:57:43
  Speaker 4: Se não chupa, cheira a pica.
• 1:57:45
  Speaker 9: O bagulho é... It happened so much that we started
• 1:57:48
  Speaker 9: to return it automatically. If you don't do it, it
• 1:57:52
  Speaker 9: will come out.
• 1:57:54
  Speaker 3: In the safe.
• 1:57:55
  Speaker 9: So we started to return it.
• 1:57:56
  Speaker 1: I'm against it.
• 1:57:56
  Speaker 9: You start to return it, like he said here now.
• 1:57:59
  Speaker 9: I really want to play this shit.
• 1:58:02
  Speaker 1: That's it. That's it. Go there.
• 1:58:04
  Speaker 7: Go there.
• 1:58:05
  Speaker 1: Go there.
• 1:58:05
  Speaker 2: No.
• 1:58:05
  Speaker 9: If I don't say it, he says it.
• 1:58:06
  Speaker 1: It's true.
• 1:58:15
  Speaker 9: But it happens, man, on a daily basis.
• 1:58:18
  Speaker 8: Man, I just thought about it, I wanted to have
• 1:58:20
  Speaker 8: a specific regionality, which is from Ceará, this thing of...
• 1:58:21
  Speaker 8: I just thought about it, but I don't have that
• 1:58:24
  Speaker 8: in me, you know, this scream?
• 1:58:27
  Speaker 4: Fuck, I think this is very... Like, top... Top one
• 1:58:32
  Speaker 4: onomatopoeia in the world.
• 1:58:34
  Speaker 1: I think it's cool too, because it reminds me of something...
• 1:58:38
  Speaker 1: Very absurd. Kind of indigenous, from the US, the people
• 1:58:42
  Speaker 1: who arrive on horses.
• 1:58:45
  Speaker 7: It's true.
• 1:58:45
  Speaker 1: It's a revolution thing. We arrived, it's us.
• 1:58:49
  Speaker 4: We're here.
• 1:58:50
  Speaker 1: Identification.
• 1:58:52
  Speaker 8: In Pará, there's a lot of that, right? There's the Egua,
• 1:58:56
  Speaker 8: some things, right?
• 1:58:57
  Speaker 1: The Egua. São Paulo is... Yeah, but everyone is saying
• 1:59:00
  Speaker 1: the same thing in a different way.
• 1:59:02
  Speaker 6: It's true.
• 1:59:02
  Speaker 1: It's the same thing.
• 1:59:03
  Speaker 4: But it's this thing of the Cearense.
• 1:59:05
  Speaker 10: What is there in your region that people say is
• 1:59:08
  Speaker 10: only from there?
• 1:59:10
  Speaker 9: When someone is very good at something, they say Larguinho.
• 1:59:12
  Speaker 1: Larguinho?
• 1:59:13
  Speaker 9: Larguinho, man. Larguinho.
• 1:59:15
  Speaker 4: Larguinho I've heard before.
• 1:59:16
  Speaker 7: Is it Surtudo?
• 1:59:17
  Speaker 1: It's Surtudo.
• 1:59:17
  Speaker 4: People say Larga.
• 1:59:18
  Speaker 7: I thought it was that.
• 1:59:20
  Speaker 9: Larguinho. They gave you a football pen.
• 1:59:23
  Speaker 4: Larguinho.
• 1:59:24
  Speaker 1: Larguinho.
• 1:59:25
  Speaker 7: And when someone is bad, shit, doesn't like it, what
• 1:59:28
  Speaker 7: do they say?
• 1:59:28
  Speaker 9: When they don't like something we do, I think it's common.
• 1:59:31
  Speaker 1: I think it's normal.
• 1:59:33
  Speaker 9: But there's one thing they do. São Paulo is shit.
• 2:00:01
  Speaker 1: São Paulo is a mix of everything.
• 2:00:03
  Speaker 8: No, we took São Paulo from the others.
• 2:00:06
  Speaker 7: And say it's ours. You've seen it many times in
• 2:00:08
  Speaker 7: São Paulo. You're living here, right?
• 2:00:09
  Speaker 1: Diminui.
• 2:00:10
  Speaker 4: Diminui is bad.
• 2:00:11
  Speaker 1: Is it bad? Diminui, right? Like, hold the wave?
• 2:00:16
  Speaker 4: Isn't it? It's not, but I think.
• 2:00:18
  Speaker 1: I understand, I'm not from here. I think it was
• 2:00:20
  Speaker 1: well communicated.
• 2:00:20
  Speaker 4: No, it was well communicated. I just wanted to say,
• 2:00:22
  Speaker 4: maybe aesthetically.
• 2:00:25
  Speaker 1: Beautiful.
• 2:00:26
  Speaker 9: Beautiful.
• 2:00:44
  Speaker 7: What were the first impressions of São Paulo?
• 2:00:46
  Speaker 9: I thought I was going to die, right? A lot
• 2:00:49
  Speaker 9: of people, a lot of people walking.
• 2:00:50
  Speaker 1: At the same time.
• 2:00:51
  Speaker 4: Someone is going to pull me by the hand, they're.
• 2:00:52
  Speaker 9: Going to kidnap me at any moment. In São Lourenço,
• 2:00:55
  Speaker 9: the rooster sings with laziness.
• 2:00:58
  Speaker 1: Tired.
• 2:00:58
  Speaker 9: He sings like, ah, you woke up, you didn't wake up,
• 2:01:00
  Speaker 9: the problem is yours. He does it like that. Here
• 2:01:04
  Speaker 9: in São Paulo, everyone is running. Yes. Yes.
• 2:01:33
  Speaker 10: And everyone is worried about their own race, not yours,
• 2:01:36
  Speaker 10: not with you, let's say so. Everyone is very much
• 2:01:38
  Speaker 10: in the race, bro.
• 2:01:39
  Speaker 9: And that day I called a guy to install the
• 2:01:41
  Speaker 9: television at home, and a guy came, what's his name.
• 2:01:44
  Speaker 1: Who is from Piauí?
• 2:01:44
  Speaker 7: Piauiense. Piauiense.
• 2:01:45
  Speaker 9: The guy was on this side. It was on this side.
• 2:01:50
  Speaker 4: It was from Piauí.
• 2:01:51
  Speaker 9: No, I don't know if it was from Piauí. I
• 2:01:52
  Speaker 9: know it was from this side. But it was from
• 2:01:55
  Speaker 9: this side. I don't know if it was Bahia, Piauí.
• 2:01:58
  Speaker 9: You see? It's my mentality. I don't know what I do. And, like,
• 2:02:01
  Speaker 9: there's no Paulista. Man, I got here and I met
• 2:02:04
  Speaker 9: a person who is from Mineiro.
• 2:02:05
  Speaker 1: Right.
• 2:02:07
  Speaker 9: It's with me, a person from Minas Gerais, man.
• 2:02:10
  Speaker 7: That has everything.
• 2:02:11
  Speaker 9: It has everything, less Paulista.
• 2:02:12
  Speaker 4: São Paulo has Paulista, man.
• 2:02:14
  Speaker 7: And it's rare for you to know, this one is Paulista.
• 2:02:17
  Speaker 4: No, but I'm a minority. Here in São Paulo, I'm
• 2:02:19
  Speaker 4: a minority.
• 2:02:20
  Speaker 7: Here on the table, you're the only son of Paulista.
• 2:02:24
  Speaker 1: Thank you for taking care of São Paulo.
• 2:02:27
  Speaker 7: Thank you for taking care of São Paulo.
• 2:02:29
  Speaker 10: No, I got here, I hated São Paulo, but after
• 2:02:32
  Speaker 10: a while I started to love it. Today I love
• 2:02:34
  Speaker 10: São Paulo. Wow, I love this shit here, but... I
• 2:02:37
  Speaker 10: didn't like it very much. It's hard, man.
• 2:02:40
  Speaker 8: But those who are born here don't... Like, I've been
• 2:02:44
  Speaker 8: to the countryside and I felt agonized about everything being calm.
• 2:02:47
  Speaker 7: Oh, for sure, man.
• 2:02:48
  Speaker 10: Those who are from here, I think they leave and
• 2:02:50
  Speaker 10: go somewhere else and say, wow, where's the madness?
• 2:02:51
  Speaker 9: I've been here for six years and I come back
• 2:02:53
  Speaker 9: to see my family there in São Lourenço.
• 2:02:55
  Speaker 7: It seems like they've been there for six years still. Yeah.
• 2:02:57
  Speaker 1: Stopped.
• 2:02:58
  Speaker 9: It seems like I leave there.
• 2:03:00
  Speaker 7: All the time and I don't... Yeah, man.
• 2:03:02
  Speaker 10: I go to my state too and I say, man,
• 2:03:03
  Speaker 10: the people here are saying the same thing.
• 2:03:05
  Speaker 7: The same thing.
• 2:03:06
  Speaker 6: And that's good, man.
• 2:03:07
  Speaker 1: It's good.
• 2:03:07
  Speaker 8: It's good because here we are so accelerated and really,
• 2:03:10
  Speaker 8: the rhythm of life, I think it's the same. Once
• 2:03:14
  Speaker 8: I saw, I saw a lot of people, let's say,
• 2:03:17
  Speaker 8: in the stereotype there, say that Bahia is a place
• 2:03:19
  Speaker 8: of slow service, for example. And then I saw once,
• 2:03:23
  Speaker 8: the Baianos kind of defending there and I thought it
• 2:03:25
  Speaker 8: was sincere on their part. They said like this, hey,
• 2:03:27
  Speaker 8: the rhythm of life É assim mesmo.
• 2:03:31
  Speaker 4: É esse. Vocês que estão muito acelerados.
• 2:03:33
  Speaker 1: É um ritmo mais calmo. Aproveita.
• 2:03:35
  Speaker 8: Eu estou apreciando mesmo o meu dia. Você que vive
• 2:03:39
  Speaker 8: o seu dia como se ele fosse uma tarefa do...
• 2:03:41
  Speaker 8: Uma task do Among Us.
• 2:03:43
  Speaker 7: Logo, termina.
• 2:03:44
  Speaker 4: Vamos na praia logo. Não, vai com calma, relaxa.
• 2:03:47
  Speaker 1: Aproveita. Aproveita.
• 2:03:48
  Speaker 4: Eu acho que a gente vive nesse ritmo acelerado doentio.
• 2:03:52
  Speaker 7: Aqui em São Paulo, é?
• 2:03:53
  Speaker 4: Mas é foda.
• 2:03:54
  Speaker 8: Eu vivo aqui. Acabei de dizer que quando eu vou
• 2:03:56
  Speaker 8: pra calma, eu fico agoniado. Mas eu preciso saber.
• 2:03:59
  Speaker 4: You learned to like São Paulo, Anderson?
• 2:04:00
  Speaker 7: Man, everywhere is good and bad.
• 2:04:02
  Speaker 1: If you want to look for what is good, there is.
• 2:04:06
  Speaker 1: If you want to look for what is bad, there
• 2:04:09
  Speaker 1: is not. I think it's a big center, right? Everyone
• 2:04:10
  Speaker 1: wants to come and work, everyone wants to change their lives.
• 2:04:12
  Speaker 1: And I think if you want to change your life
• 2:04:16
  Speaker 1: and you don't like the place, go away, man. You know?
• 2:04:19
  Speaker 1: A lot of my friends say, my life here in
• 2:04:21
  Speaker 1: Aracaju was very bad. I say, go to Paraíba, man.
• 2:04:23
  Speaker 1: Go to Paraíba. I know people from Paraíba, I like Paraíba,
• 2:04:26
  Speaker 1: I love Paraíba a little. Ah, it's bad. Go to Pará, man.
• 2:04:31
  Speaker 1: There are a lot of nice places for you to
• 2:04:32
  Speaker 1: meet nice people that you can get into the flow
• 2:04:35
  Speaker 1: and the rhythm of what you're living, what you want.
• 2:04:38
  Speaker 1: There are people who.
• 2:04:39
  Speaker 4: São Paulo will hug you, will swallow.
• 2:04:40
  Speaker 1: You if you're slow. It will swallow you. Some of
• 2:04:43
  Speaker 1: my friends spend, I don't know, four days inside the
• 2:04:45
  Speaker 1: house without doing anything. I say, man, you're going to die, man.
• 2:04:47
  Speaker 1: Four days inside the house without doing anything. In São Paulo,
• 2:04:50
  Speaker 1: it's better. Four days inside the house when you're there
• 2:04:53
  Speaker 1: in your little interior is good. It's slow. Things to
• 2:04:55
  Speaker 1: happen are a little slower. get the thing there, read
• 2:04:59
  Speaker 1: a thing, take out a cashew, do a thing. You
• 2:05:01
  Speaker 1: don't do that all the time. Here you have to
• 2:05:05
  Speaker 1: do things. You have to get into the rhythm. Exactly.
• 2:05:08
  Speaker 1: So I came here, I like to work. You get
• 2:05:11
  Speaker 1: into the rhythm too much. Remember the show at the time?
• 2:05:14
  Speaker 1: If I had to come all the time from São
• 2:05:17
  Speaker 1: Paulo to do, or from Piauí to do any interview,
• 2:05:20
  Speaker 1: it takes time, it takes work, massage, organize, hotel. Food,
• 2:05:26
  Speaker 1: I don't know. So many things that I say, it's
• 2:05:28
  Speaker 1: better to work soon.
• 2:05:29
  Speaker 10: But you're living in São Paulo, São Paulo, or you
• 2:05:32
  Speaker 10: live in those.
• 2:05:33
  Speaker 1: I live in the little cities around. To be able
• 2:05:36
  Speaker 1: to be more... More soft.
• 2:05:37
  Speaker 7: More soft.
• 2:05:37
  Speaker 1: To see some birds.
• 2:05:38
  Speaker 7: I'm going to go back home.
• 2:05:39
  Speaker 1: I'm going to... I'm going to reduce this thing more.
• 2:05:44
  Speaker 1: And mess with my little rivers, my little things over there. Oh, no.
• 2:05:49
  Speaker 7: So you're going to go back to... Piauí.
• 2:05:51
  Speaker 12: Piauí. Yeah?
• 2:05:51
  Speaker 1: Good.
• 2:05:52
  Speaker 4: I think you're going to like it, right?
• 2:05:56
  Speaker 1: I think so too, I think so too. You'll reconnect
• 2:05:59
  Speaker 1: with things. And I feel, when I go there, very cached, like.
• 2:06:03
  Speaker 8: Do you feel like, damn, now I'm in my place?
• 2:06:07
  Speaker 1: I feel it because, like, I always like to know
• 2:06:10
  Speaker 1: many places, to be in places, I like to talk
• 2:06:11
  Speaker 1: about places to the people I like, you know? So
• 2:06:13
  Speaker 1: I always, I really liked to live my life traveling,
• 2:06:17
  Speaker 1: meeting and everything, and then it's a moment when it's
• 2:06:19
  Speaker 1: better to create a root. I don't have a root
• 2:06:22
  Speaker 1: in any place, I've always moved from home. Only in
• 2:06:25
  Speaker 1: São Paulo I moved about 10 times. What's the good
• 2:06:27
  Speaker 1: and bad.
• 2:06:28
  Speaker 4: Part of it?
• 2:06:29
  Speaker 1: The good part is that I don't get attached to
• 2:06:32
  Speaker 1: the matter. Like, how is the aesthetics of the house,
• 2:06:35
  Speaker 1: what is it having, I don't care much. And I'm
• 2:06:37
  Speaker 1: seeing that really living in a smaller house is better
• 2:06:40
  Speaker 1: because the lights are round. These big house lights are
• 2:06:42
  Speaker 1: all square, it's to take it out, you have to
• 2:06:45
  Speaker 1: come with a and move like this, or call someone
• 2:06:49
  Speaker 1: to move. It's hard, man.
• 2:06:52
  Speaker 7: All these things.
• 2:06:53
  Speaker 1: It burns and everything burns. Over time it burns and
• 2:06:55
  Speaker 1: everything breaks. And now the bathroom doesn't do anything anymore.
• 2:06:59
  Speaker 1: It never stops. Man, a house with fewer turners, I
• 2:07:02
  Speaker 1: think it's easier to fix this turner that has. It's
• 2:07:06
  Speaker 1: too much of a turner, you know? And it's a
• 2:07:08
  Speaker 1: turner that you're not even using. I never use it.
• 2:07:11
  Speaker 1: It's working now. And no one ever used it. The
• 2:07:18
  Speaker 1: flow is the same. It's closed and tight. Now it's
• 2:07:20
  Speaker 1: passing through this water. It's a shit, man. It's a shit, man.
• 2:07:26
  Speaker 9: Man, São Paulo doesn't stop. Yesterday it was 4 o'clock
• 2:07:29
  Speaker 9: in the morning, I think. I was doing tattoos.
• 2:07:32
  Speaker 4: And if you want, you can eat Stroganoff.
• 2:07:34
  Speaker 1: Hey, hey, hey. Where's the tattoo?
• 2:07:37
  Speaker 4: I'm not lying.
• 2:07:39
  Speaker 7: Receive it. What is this? I'm going to be boring.
• 2:07:43
  Speaker 9: What does this tattoo mean? This tattoo means the sword
• 2:07:46
  Speaker 9: of Link, of Zelda, because I really like Zelda.
• 2:07:48
  Speaker 7: Oh my gosh.
• 2:07:49
  Speaker 9: The sword of Link, around the writing of the ring,
• 2:07:53
  Speaker 9: of Lord of the Rings, which I.
• 2:07:54
  Speaker 1: Really like too.
• 2:07:54
  Speaker 7: Look, what a nerd.
• 2:07:56
  Speaker 3: Right?
• 2:07:56
  Speaker 9: And here, the dice from Baldur's Gate 3, which is
• 2:07:59
  Speaker 9: a game that I really like.
• 2:08:01
  Speaker 7: Man, you did the tattoo!
• 2:08:03
  Speaker 9: Wow, my life is a queen, I just need to
• 2:08:07
  Speaker 9: put Michael Jackson's face.
• 2:08:09
  Speaker 1: And your father's.
• 2:08:10
  Speaker 7: And my father's. You weren't a tattoo that people chose
• 2:08:13
  Speaker 7: a phrase?
• 2:08:13
  Speaker 9: No, not this queen yet. I haven't said that yet.
• 2:08:16
  Speaker 7: What is it? Tell me about this breeze of the phrase.
• 2:08:18
  Speaker 9: So, I'm going to make a tattoo of Michael, right?
• 2:08:21
  Speaker 9: I'm going to make a tattoo of Michael and I
• 2:08:23
  Speaker 9: said to the followers, write there the phrase that you
• 2:08:25
  Speaker 9: want me to write underneath the tattoo.
• 2:08:27
  Speaker 4: But it has to be a phrase from Michael?
• 2:08:28
  Speaker 9: No, what they wanted. Then they chose my name. My
• 2:08:34
  Speaker 9: cool jacket, son of Silva. Then I'm going to have
• 2:08:37
  Speaker 9: to tattoo.
• 2:08:38
  Speaker 1: Michael Jacket Son.
• 2:08:41
  Speaker 9: Translate it in English. My cool jacket, son of Silva.
• 2:08:45
  Speaker 9: Michael Jackson. Then, off-silver is because I'm from Brazil. I
• 2:08:50
  Speaker 9: like Brazil, so I put off-silver. Then I'll have to tattoo,
• 2:08:53
  Speaker 9: I'll have to tattoo this huge phrase. I don't even
• 2:08:55
  Speaker 9: have a body for this.
• 2:08:58
  Speaker 4: Close your back.
• 2:08:59
  Speaker 11: Wow.
• 2:09:00
  Speaker 1: I don't have emotion.
• 2:09:02
  Speaker 9: I almost stopped to do this here.
• 2:09:03
  Speaker 10: You didn't stop, you passed a... There's a little foam here.
• 2:09:08
  Speaker 10: It doesn't hurt.
• 2:09:08
  Speaker 1: It's bad.
• 2:09:09
  Speaker 9: Yeah?
• 2:09:10
  Speaker 7: They say that the ink doesn't work well, etc.
• 2:09:12
  Speaker 4: Ah, the chance of getting infected.
• 2:09:13
  Speaker 9: Yes, the chance of getting infected.
• 2:09:14
  Speaker 1: These are the most peaceful, right?
• 2:09:17
  Speaker 10: What?
• 2:09:18
  Speaker 1: These are the most peaceful chances, because there are other
• 2:09:20
  Speaker 1: chances as well. Yes, yes, yes. That catch people who pass.
• 2:09:24
  Speaker 7: This lipstick.
• 2:09:24
  Speaker 1: This lipstick.
• 2:09:24
  Speaker 10: But then, are you going to close your body or
• 2:09:27
  Speaker 10: is it going to be okay?
• 2:09:28
  Speaker 9: Man, I think I'm going to do this one from
• 2:09:30
  Speaker 9: Michael and it's good. Because I already have Michael on
• 2:09:32
  Speaker 9: my thigh.
• 2:09:33
  Speaker 7: You have Michael on your thigh? What is it? His face?
• 2:09:35
  Speaker 9: It's his face on his thigh.
• 2:09:37
  Speaker 7: What moment of his career?
• 2:09:38
  Speaker 10: Bad.
• 2:09:40
  Speaker 9: In the Bad era.
• 2:09:41
  Speaker 7: Yeah?
• 2:09:42
  Speaker 4: Is there a box like that?
• 2:09:43
  Speaker 1: A fallen one? There's a fallen box. Which era do
• 2:09:45
  Speaker 1: you like.
• 2:09:46
  Speaker 4: The most about Michael Jackson?
• 2:09:48
  Speaker 9: Man, what a question. I think... Bad.
• 2:09:53
  Speaker 1: The Bad era. Really? Yeah.
• 2:09:55
  Speaker 9: The Bad era is my favorite. Here I have Lorde
• 2:09:57
  Speaker 9: written in small letters.
• 2:09:58
  Speaker 1: Very small.
• 2:09:59
  Speaker 9: There's Lorde written here. Man, but the Bad era is...
• 2:10:03
  Speaker 9: It's different. There was a Michael transition thing. He was
• 2:10:08
  Speaker 9: doing the things when he started doing the hits.
• 2:10:10
  Speaker 1: That no one took. Bad.
• 2:10:13
  Speaker 11: Wow. You started singing.
• 2:10:15
  Speaker 9: And the body came here.
• 2:10:16
  Speaker 7: Everyone. Want to see?
• 2:10:18
  Speaker 9: Look. It's hard to get over.
• 2:10:24
  Speaker 1: Yeah, yeah.
• 2:10:25
  Speaker 9: It's hard to get under.
• 2:10:27
  Speaker 1: Yeah, yeah.
• 2:10:27
  Speaker 9: You're stuck in the middle.
• 2:10:29
  Speaker 5: Yeah, yeah.
• 2:10:29
  Speaker 9: And the pain is thunder. Thank you.
• 2:10:55
  Speaker 1: Thank you.
• 2:11:15
  Speaker 11: People dying, if you care enough for the living, make
• 2:11:20
  Speaker 11: a better place for you and for me.
• 2:11:26
  Speaker 10: Always when we're in the car and we want to
• 2:11:29
  Speaker 10: cheer up our day or cheer up our moment, we
• 2:11:33
  Speaker 10: put a Michael.
• 2:11:33
  Speaker 8: You know that always happens. And we, because we're more adult...
• 2:11:37
  Speaker 8: A little older. We're enjoying these songs now that he's singing.
• 2:11:40
  Speaker 8: And not Thriller, Billie Jean.
• 2:11:42
  Speaker 4: Obviously, they're hits, they're iconic.
• 2:11:44
  Speaker 8: But I think it's something that we've been consuming since
• 2:11:49
  Speaker 8: we were kids.
• 2:11:49
  Speaker 4: We're used to it.
• 2:11:51
  Speaker 7: Off the Wall, the last song I gave there on
• 2:11:53
  Speaker 7: Spotify was this, man. Off the Wall. You showed me
• 2:11:55
  Speaker 7: that day, there.
• 2:11:57
  Speaker 4: This is awesome, man. Remember the time. My favorite is
• 2:12:02
  Speaker 4: You Rock My War.
• 2:12:03
  Speaker 9: I think it's worth a stick like that.
• 2:12:07
  Speaker 1: Please. It's Michael.
• 2:12:08
  Speaker 4: This one is awesome, man.
• 2:12:14
  Speaker 12: My life would never be the same.
• 2:12:18
  Speaker 9: This girl just can't change.
• 2:12:21
  Speaker 1: The way I don't.
• 2:12:23
  Speaker 9: The way I don't.
• 2:12:24
  Speaker 12: I cannot explain.
• 2:12:26
  Speaker 11: These things I do for you.
• 2:12:29
  Speaker 9: Girl, you know it's true.
• 2:12:33
  Speaker 7: Wow, man!
• 2:12:34
  Speaker 8: He and Chris Tucker, I've seen on his birthday that
• 2:12:36
  Speaker 8: Chris Tucker keeps dancing for him and he keeps laughing.
• 2:12:38
  Speaker 4: Ah, it's going to be great!
• 2:12:40
  Speaker 7: For you, not that you sing, what is your favorite then?
• 2:12:42
  Speaker 13: His?
• 2:12:43
  Speaker 9: My favorite? Yeah.
• 2:12:44
  Speaker 7: It's going to play at your wedding.
• 2:12:45
  Speaker 9: It's going to play at the wedding.
• 2:12:46
  Speaker 7: Fuck, they're all very good.
• 2:12:49
  Speaker 9: They're all very good. Separating the music from the mic
• 2:12:51
  Speaker 9: is complicated. But I think it's going to play at
• 2:12:54
  Speaker 9: my wedding.
• 2:12:56
  Speaker 7: You entering.
• 2:12:57
  Speaker 9: Me entering? POW!
• 2:13:01
  Speaker 4: Wow!
• 2:13:02
  Speaker 1: It's because he made the sound of.
• 2:13:04
  Speaker 9: Yeah, I did. You're right, you're right.
• 2:13:06
  Speaker 1: But, like.
• 2:13:06
  Speaker 9: I think that human nature.
• 2:13:12
  Speaker 6: Reaching out.
• 2:13:18
  Speaker 12: To the night time City we just leave beside.
• 2:13:24
  Speaker 1: Look at this, man!
• 2:13:25
  Speaker 9: Hear her voice Shake my window Everybody sing. If they
• 2:13:35
  Speaker 9: say why, why.
• 2:13:37
  Speaker 12: You know, tell them that it's human nature. Why, why,
• 2:13:41
  Speaker 12: does it have to be that way? If they say why, why,
• 2:13:47
  Speaker 12: come on, tell them that it's human nature.
• 2:13:51
  Speaker 9: Why, why, does it have to be that way?
• 2:13:54
  Speaker 1: Wait a second.
• 2:13:55
  Speaker 9: I like living this way.
• 2:13:57
  Speaker 1: I don't know how to sing in English. Do you
• 2:14:00
  Speaker 1: know why I refuse to learn a little bit of English?
• 2:14:02
  Speaker 1: It's true.
• 2:14:03
  Speaker 3: Proud?
• 2:14:03
  Speaker 12: Proud?
• 2:14:03
  Speaker 1: No, I just don't like it. I don't want to
• 2:14:05
  Speaker 1: say anything. Enough. This is good.
• 2:14:08
  Speaker 7: It's up to there.
• 2:14:09
  Speaker 1: For me, it's good.
• 2:14:10
  Speaker 7: This attitude.
• 2:14:11
  Speaker 1: Yeah, and then I like Michael Jackson's lyrics. I don't
• 2:14:16
  Speaker 1: know how to sing, but I know the translations of some,
• 2:14:18
  Speaker 1: you know?
• 2:14:18
  Speaker 4: For me, what gets me the most is the rhythm.
• 2:14:21
  Speaker 1: He was very.
• 2:14:21
  Speaker 7: He's very swing.
• 2:14:22
  Speaker 1: This is a good thing about the movie. Michael Jackson's
• 2:14:25
  Speaker 1: movie shows that he had a lot of that, when
• 2:14:27
  Speaker 1: he was going to create a song, he would spend
• 2:14:30
  Speaker 1: the whole day... The whole day walking, eating and thinking.
• 2:14:34
  Speaker 4: I want the drums to sound like.
• 2:14:36
  Speaker 1: This, I want... He breathed a lot and combined a
• 2:14:38
  Speaker 1: lot of these noises that he had with.
• 2:14:40
  Speaker 8: He was an artist who didn't make any similar song
• 2:14:43
  Speaker 8: or anything similar to the other.
• 2:14:45
  Speaker 1: Nothing, nothing, nothing. Very good, man. They are eras, right?
• 2:14:50
  Speaker 1: I like the one from 2014, the Xscape. There's a
• 2:14:52
  Speaker 1: song called Xscape that talks about escaping.
• 2:14:55
  Speaker 8: I like one that Postma also released, which is with
• 2:14:58
  Speaker 8: Justin Timberlake.
• 2:15:00
  Speaker 9: Love Never Felt So Good.
• 2:15:01
  Speaker 4: This one is f * * * ing good.
• 2:15:02
  Speaker 1: Which one is that girl who dances? Chicago.
• 2:15:04
  Speaker 11: No.
• 2:15:05
  Speaker 1: Hollywood. But is this him? Is this him? Is this him?
• 2:15:07
  Speaker 1: Postma too? Or not? It's true that you... Is it?
• 2:15:11
  Speaker 1: It's him. It's Hollywood. Because the video is a girl
• 2:15:23
  Speaker 1: who dances in the famous street. If I'm wrong... It's
• 2:15:26
  Speaker 1: like an artist who goes to Hollywood and tries to
• 2:15:28
  Speaker 1: do a dance job. And then she chooses Michael Jackson
• 2:15:31
  Speaker 1: to dance, you know? And then while she's going to
• 2:15:33
  Speaker 1: the place where she's going to do the test, she
• 2:15:35
  Speaker 1: dances in the middle of the street, you know? She
• 2:15:37
  Speaker 1: does the things in the middle of the street.
• 2:15:39
  Speaker 4: Man, I remember when I saw the video You Make
• 2:15:41
  Speaker 4: Me Feel. Man, I was hypnotized. First, in the outfit
• 2:15:44
  Speaker 4: he was in. I thought he was very handsome, you know?
• 2:15:47
  Speaker 4: The pants here on the ankle, right? He had the
• 2:15:49
  Speaker 4: blue shirt tied up with the white thing underneath.
• 2:15:52
  Speaker 6: And he.
• 2:15:54
  Speaker 1: who would be.
• 2:16:19
  Speaker 8: A perfect rival if Michael Jackson were alive to face
• 2:16:21
  Speaker 8: him at the Fight Music Show.
• 2:16:24
  Speaker 1: Damn!
• 2:16:26
  Speaker 7: Bamba?
• 2:16:28
  Speaker 12: Hey, Michael!
• 2:16:31
  Speaker 4: Win the first BBB, and you, pau pau!
• 2:16:33
  Speaker 1: Did you know there was a reporter who asked Michael Jackson,
• 2:16:37
  Speaker 1: or asked Prince, if who would win in Mano a Mano,
• 2:16:42
  Speaker 1: him or Michael Jackson?
• 2:16:44
  Speaker 7: And what did Prince say?
• 2:16:45
  Speaker 1: Prince said that Michael Jackson would never hit someone because
• 2:16:48
  Speaker 1: he's from Amor. Damn!
• 2:16:50
  Speaker 9: Godric!
• 2:16:51
  Speaker 8: But you can confirm, there's a story that people say
• 2:16:54
  Speaker 8: that Michael Jackson fucked Tupac because he zoomed in.
• 2:16:59
  Speaker 4: Because he was picking up Quincy.
• 2:17:00
  Speaker 8: Jones' daughter and he did a ramelada there and he
• 2:17:03
  Speaker 8: fucked him up.
• 2:17:04
  Speaker 1: I don't know that, man.
• 2:17:05
  Speaker 4: Did you hear that story?
• 2:17:06
  Speaker 6: Yeah.
• 2:17:07
  Speaker 1: And then people say that, yes.
• 2:17:09
  Speaker 8: Then people start making... Man, do you know where Michael
• 2:17:11
  Speaker 8: Jackson was born? The guy says it's Michael Jackson.
• 2:17:14
  Speaker 7: His voice is not that way, man. He's... Snoopy Dogg
• 2:17:18
  Speaker 7: once said that he saw Michael smoking and he said
• 2:17:21
  Speaker 7: with his voice, realzona, he said, oh Michael, fuck, with
• 2:17:24
  Speaker 7: a thick voice, I said, you know, yeah.
• 2:17:28
  Speaker 8: But I believe that he gave a shit about Tupac,
• 2:17:30
  Speaker 8: and it's also very cool if it's a fake news
• 2:17:32
  Speaker 8: and we're believing too.
• 2:17:33
  Speaker 7: I'm going to hunt that, man.
• 2:17:34
  Speaker 4: But I think it's real, right?
• 2:17:35
  Speaker 1: No, Lohan?
• 2:17:36
  Speaker 9: Dude, I'm sure it's real.
• 2:17:37
  Speaker 4: Then take it.
• 2:17:38
  Speaker 9: Because it was.
• 2:17:38
  Speaker 4: People very close to the two who said it. That's true.
• 2:17:41
  Speaker 6: Got it.
• 2:17:42
  Speaker 9: Deu pau, quebrou o Tupac, velho.
• 2:17:44
  Speaker 1: Caralho.
• 2:17:45
  Speaker 9: Esse negócio era a resposta.
• 2:17:47
  Speaker 4: Quem é o Thug Life? That's true.
• 2:17:42
  Speaker 9: He broke Tupac, man. This nigga was the answer.
• 2:17:47
  Speaker 4: Who is the Thug Life?
• 2:17:51
  Speaker 7: Michael.
• 2:17:52
  Speaker 9: Didn't you see him greeting Big?
• 2:17:53
  Speaker 7: I did. Here, look. And Big was like, man, greet
• 2:17:58
  Speaker 7: me like a nigga.
• 2:18:00
  Speaker 1: Greet me like a nigga.
• 2:18:00
  Speaker 7: I'm crazy.
• 2:18:01
  Speaker 9: I'm a nigga. He was going to release a song.
• 2:18:04
  Speaker 7: With Big, wasn't he?
• 2:18:08
  Speaker 1: He even released it. Yeah, it came out, right? It
• 2:18:10
  Speaker 1: came out.
• 2:18:11
  Speaker 7: It came out.
• 2:18:11
  Speaker 1: It was too good, it was too good.
• 2:18:13
  Speaker 9: Then you watch it, who hasn't seen it will see it.
• 2:18:15
  Speaker 9: It's Michael Jackson, it's your responsibility. You will see the thing.
• 2:18:18
  Speaker 7: I'm so sorry.
• 2:18:19
  Speaker 8: Do you think that Michael Jackson is the obligation of
• 2:18:20
  Speaker 8: every living human being to listen to all the works?
• 2:18:26
  Speaker 9: I will be different.
• 2:18:28
  Speaker 11: No.
• 2:18:30
  Speaker 9: Because there is, for example, when he was being persecuted
• 2:18:32
  Speaker 9: for a lot of things that they said he had
• 2:18:34
  Speaker 9: done and he hadn't done, He made a song called
• 2:18:37
  Speaker 9: I Am A Loser. I am a loser. I didn't
• 2:18:41
  Speaker 9: see that. He depresses himself the whole song. In the
• 2:18:45
  Speaker 9: middle of those accusations. He depresses himself the whole song.
• 2:18:48
  Speaker 9: Heavy stuff.
• 2:18:49
  Speaker 7: He depresses himself.
• 2:18:50
  Speaker 9: He asks why is that happening to him. He depresses himself.
• 2:18:52
  Speaker 9: I don't want you to know all the songs of
• 2:18:54
  Speaker 9: Michael Jackson. But everyone has to know Michael Jackson. Everyone
• 2:18:57
  Speaker 9: has to know Michael Jackson.
• 2:19:04
  Speaker 4: Let's go to the game?
• 2:19:05
  Speaker 9: Yeah, let's go to the game.
• 2:19:07
  Speaker 4: A quality of Michael Jackson that you wanted to have?
• 2:19:09
  Speaker 9: A quality of Michael Jackson that I wanted to have? One.
• 2:19:13
  Speaker 1: One? Dance. Damn, there he got more angry. That's right, right?
• 2:19:19
  Speaker 1: I'll keep the voice, right?
• 2:19:21
  Speaker 9: He got the dance.
• 2:19:25
  Speaker 8: Three people who would sacrifice to bring Michael back.
• 2:19:28
  Speaker 7: Any one.
• 2:19:29
  Speaker 9: Any one.
• 2:19:30
  Speaker 1: Point.
• 2:19:31
  Speaker 4: The three on the table.
• 2:19:32
  Speaker 6: Now.
• 2:19:33
  Speaker 1: We three here. I would send you, you would send
• 2:19:36
  Speaker 1: us three, you would send us three, and you would
• 2:19:38
  Speaker 1: send us three.
• 2:19:39
  Speaker 4: And we would top.
• 2:19:40
  Speaker 1: Let's go. Let's go. You're crazy.
• 2:19:41
  Speaker 8: I would change five centimeters of pick to sing like Michael.
• 2:19:50
  Speaker 9: It's close, it's good, let me walk. Let me and
• 2:19:52
  Speaker 9: the powerful dominator of galaxies go. Powerful dominator of galaxies.
• 2:19:56
  Speaker 1: I was going to be with little, better to let
• 2:20:01
  Speaker 1: it go. Let's keep trying this way. Sometimes it's hoarse,
• 2:20:03
  Speaker 1: sometimes it's not. Better like this, it's okay. This is
• 2:20:06
  Speaker 1: for Vega.
• 2:20:07
  Speaker 4: Marcio or Michael?
• 2:20:09
  Speaker 1: Michael.
• 2:20:10
  Speaker 7: It was a problem, man.
• 2:20:11
  Speaker 1: It was his problem. From his car to the door.
• 2:20:13
  Speaker 1: Let me talk, let me talk. Tell me who the
• 2:20:14
  Speaker 1: character is. A player from the team that is angry.
• 2:20:19
  Speaker 1: I'm angry with everyone.
• 2:20:20
  Speaker 8: I wanted you all to hug each other and disintegrate.
• 2:20:25
  Speaker 4: In front of me. You know, like Thanos, you press
• 2:20:28
  Speaker 4: your finger, you disappear. Are you a player of this
• 2:20:31
  Speaker 4: edition that I'm angry with? Yeah.
• 2:20:36
  Speaker 1: Play slow.
• 2:20:37
  Speaker 9: Play fast, bro. Run with the ball. Your job is
• 2:20:41
  Speaker 9: to shoot the ball, you don't shoot the ball, bro.
• 2:20:44
  Speaker 4: The World Cup ended with me, man.
• 2:20:46
  Speaker 7: Don't tell me.
• 2:20:46
  Speaker 4: Do you follow Edson, bro?
• 2:20:48
  Speaker 1: I watched it, why would I? I shouldn't have watched it,
• 2:20:53
  Speaker 1: I went to watch it too, with the whole crew.
• 2:20:55
  Speaker 1: Everyone was like, go fuck yourself, I'm going to kill you.
• 2:21:00
  Speaker 1: I don't know what, even Vé, Vé was watching from home.
• 2:21:04
  Speaker 1: Ass in the ass! And I was like, what's this?
• 2:21:07
  Speaker 1: Doing all these cute things, like a Miyoji.
• 2:21:08
  Speaker 13: This is going on, go fuck yourself!
• 2:21:11
  Speaker 1: And I was like, no.
• 2:21:13
  Speaker 4: A woman that Vózinha should follow on Instagram? I follow 2,500 women.
• 2:21:19
  Speaker 1: I saw.
• 2:21:20
  Speaker 9: A woman with a little voice should follow on Instagram?
• 2:21:24
  Speaker 4: Marcia Sensitiva.
• 2:21:26
  Speaker 1: No? Yes. Marcia Sensitiva.
• 2:21:31
  Speaker 9: I'll go on yours too. Marcia Sensitiva.
• 2:21:33
  Speaker 1: Very beautiful. He followed 2.500 women on Instagram, now at
• 2:21:37
  Speaker 1: the Copa.
• 2:21:37
  Speaker 8: Who's watching this? Were you watching? They told us, it's
• 2:21:40
  Speaker 8: the news.
• 2:21:40
  Speaker 1: There's a big news saying this. Cabo Verde's goalkeeper, Vozinha,
• 2:21:43
  Speaker 1: follows 2.500 women on Instagram. Because he won 10 million
• 2:21:45
  Speaker 1: in one day. And it's because it's Vozinha. If it
• 2:21:47
  Speaker 1: were uncle.
• 2:21:48
  Speaker 4: Bichão wants to procreate.
• 2:21:49
  Speaker 1: He can't follow the feed of these people who just
• 2:21:52
  Speaker 1: followed him. No.
• 2:22:04
  Speaker 7: No, imagine him.
• 2:22:06
  Speaker 1: He's desperate.
• 2:22:08
  Speaker 8: Follow him back, follow him back, follow him back, follow
• 2:22:10
  Speaker 8: him back, follow him back.
• 2:22:12
  Speaker 9: News, Vozinha clicks on follow using the stick.
• 2:22:18
  Speaker 4: With confidence, Vozinha, we want you here. We want Vozinha here.
• 2:22:24
  Speaker 1: Best pirate DVD of all time.
• 2:22:26
  Speaker 9: Pirates of the Caribbean.
• 2:22:28
  Speaker 8: Pirate DVD, not necessarily of a pirate. But this one
• 2:22:32
  Speaker 8: was good too, the same pirate.
• 2:22:34
  Speaker 9: It was good, it was good. But I think the
• 2:22:37
  Speaker 9: best pirate DVD of all time is the classic, that
• 2:22:41
  Speaker 9: had a lot of classics.
• 2:22:44
  Speaker 1: Greatest Hits.
• 2:22:47
  Speaker 9: Greatest Hits, Flashback, that you put and it was already singing.
• 2:22:50
  Speaker 1: And in the dark room.
• 2:22:53
  Speaker 9: And a lot of squares like that.
• 2:22:55
  Speaker 1: Rock and cyclic. It's where I found the name.
• 2:23:00
  Speaker 6: Of the newspaper.
• 2:23:17
  Speaker 1: Gerard is the rich guy from Ike Vida. Gerard has
• 2:23:21
  Speaker 1: a car, Charlene has a car. I don't believe it.
• 2:23:23
  Speaker 1: I thought he must have taken it from here.
• 2:23:24
  Speaker 4: Of course, it was Gerard.
• 2:23:25
  Speaker 1: Gerard was the richest man in the city. He wasn't
• 2:23:29
  Speaker 1: very rich, he only had a car. And then the
• 2:23:31
  Speaker 1: guys would say to him, Gerard, woman, take me. Gerard
• 2:23:36
  Speaker 1: gave the car to the girl. But he was the differentiated.
• 2:23:39
  Speaker 7: Or he just had one condition. He's not very.
• 2:23:42
  Speaker 1: Enviable, he's a guy who had a condition like that.
• 2:23:46
  Speaker 4: Pra acabar, uma música pra fazer amor. Patricinha Forró Saborear.
• 2:23:52
  Speaker 1: Boa.
• 2:23:53
  Speaker 7: Wow.
• 2:23:54
  Speaker 1: This is cruel.
• 2:23:54
  Speaker 4: When she arrives.
• 2:23:57
  Speaker 1: She shakes the crowd.
• 2:23:58
  Speaker 4: No, she's already starting to take off her clothes. When
• 2:24:01
  Speaker 4: the guys get together in the living.
• 2:24:03
  Speaker 1: Room, admiring her way of dancing. Dancing, dancing, rolling without stopping.
• 2:24:07
  Speaker 1: And I, from afar, looking at her way.
• 2:24:08
  Speaker 4: Do I have a chance to dance with her?
• 2:24:10
  Speaker 1: Don't let me touch her. Will it be, my God,
• 2:24:12
  Speaker 1: that I'm going to.
• 2:24:13
  Speaker 5: Call Patricia to dance?
• 2:24:14
  Speaker 1: Call, call. Call Patricia to dance. Call, call. Together with
• 2:24:18
  Speaker 1: the Forró Saboria. Patricia.
• 2:24:20
  Speaker 7: Don't let the guys see you.
• 2:24:22
  Speaker 4: You're crazy!
• 2:24:23
  Speaker 5: Damn!
• 2:24:24
  Speaker 1: You're crazy!
• 2:24:25
  Speaker 4: When I send the first vignette, it has to be close.
• 2:24:31
  Speaker 1: Volume 3!
• 2:24:32
  Speaker 11: Damn!
• 2:24:32
  Speaker 4: I was going to say one, but this one is
• 2:24:34
  Speaker 4: mine now. No, you want to do it with me?
• 2:24:35
  Speaker 1: It's our song today.
• 2:24:36
  Speaker 4: Okay, closed.
• 2:24:48
  Speaker 1: Futricá was good too, do you remember? I don't remember
• 2:24:49
  Speaker 1: this one. I saw my dad telling my mom that
• 2:25:00
  Speaker 1: he was going to get my sister to beat her.
• 2:25:05
  Speaker 1: Because she, before getting married, was already going to.
• 2:25:12
  Speaker 5: Very good! Very good.
• 2:25:14
  Speaker 7: And I was about eight years old.
• 2:25:16
  Speaker 1: That's a good thing, right?
• 2:25:17
  Speaker 4: Damn, that's a long story. I heard it for the
• 2:25:19
  Speaker 4: first time.
• 2:25:19
  Speaker 1: I was about ten years old. I put it or
• 2:25:21
  Speaker 1: I don't put it. I'm scared. I put it or
• 2:25:24
  Speaker 1: I don't put it.
• 2:25:25
  Speaker 9: I'm scared.
• 2:25:26
  Speaker 4: Rock and beat it, Flavio!
• 2:25:28
  Speaker 1: Let it roll!
• 2:25:28
  Speaker 7: Let it roll!
• 2:25:49
  Speaker 1: For so long.
• 2:25:51
  Speaker 9: You're Marvin Gaye, man.
• 2:25:52
  Speaker 1: You're crazy. You're crazy.
• 2:25:54
  Speaker 4: I discovered one on TikTok, too. Which one? Oh, and
• 2:25:57
  Speaker 4: now we go. Oh, go, go, go.
• 2:26:00
  Speaker 5: Oh, and now we go.
• 2:26:01
  Speaker 1: Oh, go, go, go.
• 2:26:03
  Speaker 5: You're crazy.
• 2:26:05
  Speaker 4: This is awesome.
• 2:26:06
  Speaker 7: Wow, this one. But sometimes it gets in the way
• 2:26:09
  Speaker 7: of how strong it is.
• 2:26:09
  Speaker 1: This one is to go Marquellana. It's Edith, man.
• 2:26:12
  Speaker 4: Edith, you have to look at yourself, bite your lip.
• 2:26:14
  Speaker 1: Oh, and now we go.
• 2:26:17
  Speaker 7: Oh, go, go, go.
• 2:26:18
  Speaker 1: Very good, very good. You're crazy.
• 2:26:19
  Speaker 7: In the end, in this little man, I had to
• 2:26:24
  Speaker 7: open the window.
• 2:26:48
  Speaker 10: I don't know why It doesn't matter how hard you
• 2:26:51
  Speaker 10: try I tried so hard.
• 2:26:54
  Speaker 1: You lost sexual healing, man.
• 2:26:55
  Speaker 7: Sexual healing is good too, because it starts with.
• 2:27:16
  Speaker 1: Very good enjoyed my brothers no one put it there.
• 2:27:31
  Speaker 9: But let's go, let's go.
• 2:27:34
  Speaker 6: Let's go.
• 2:27:35
  Speaker 1: Muito bom.
• 2:27:35
  Speaker 4: Essa foi pra finalizar.
• 2:27:37
  Speaker 7: Muito bom.
• 2:27:37
  Speaker 4: Curtiram, meus irmãos?
• 2:27:38
  Speaker 1: Ninguém meteu lá. Ele e nós estamos ficando... Oh! Sim,
• 2:27:43
  Speaker 1: é bom, é bom.
• 2:27:44
  Speaker 11: É o Luíde.
• 2:27:44
  Speaker 1: Que foi falar na música.
• 2:27:46
  Speaker 4: Eu lembrei do Serrada. Pô, essa música é muito boa.
• 2:27:48
  Speaker 1: Essa é boa pra negociar, né? Porra! É sim. E
• 2:27:49
  Speaker 1: o Luíde? Tá quietinho na dele, né? Um dia ele.
• 2:27:51
  Speaker 4: Volta de novo. É, uma hora.
• 2:27:59
  Speaker 7: He always shows up.
• 2:28:00
  Speaker 1: He always shows up. But let's leave him there, resting.
• 2:28:03
  Speaker 1: He's now in the sarcophagus. He and... What's the name of.
• 2:28:06
  Speaker 4: I forgot.
• 2:28:09
  Speaker 1: 6ix9ine.
• 2:28:09
  Speaker 4: He looks like 6ix9ine, right?
• 2:28:12
  Speaker 7: Aesthetics.
• 2:28:13
  Speaker 1: Aesthetics, I think.
• 2:28:14
  Speaker 7: Beautiful, colorful. Colored hair.
• 2:28:16
  Speaker 1: But it's not good to compare with 6ix9ine either. It's true,
• 2:28:19
  Speaker 1: it sucks. X9. And 6ix7ine. 6ix7ine, then.
• 2:28:21
  Speaker 10: Do you think Michael Jackson would send.
• 2:28:25
  Speaker 1: A 6ix7ine today?
• 2:28:28
  Speaker 9: I think he would turn it into a cool thing.
• 2:28:30
  Speaker 10: That's one of the most shitty questions.
• 2:28:35
  Speaker 7: Do you think Michael Jackson would do a 6ix7ine?
• 2:28:39
  Speaker 1: I think so.
• 2:28:40
  Speaker 10: He would do something more stylish. Don't you think this
• 2:28:43
  Speaker 10: is irrelevant?
• 2:28:43
  Speaker 4: No, it was wonderful.
• 2:28:45
  Speaker 1: 96 dancers in a.
• 2:28:46
  Speaker 7: Place and making people dance.
• 2:28:47
  Speaker 1: Start forming the aura there.
• 2:28:52
  Speaker 7: Michael Jackson would farm the time.
• 2:28:54
  Speaker 9: He would farm the time. He would do that. There
• 2:28:56
  Speaker 9: was no time to.
• 2:28:57
  Speaker 1: Farm the time.
• 2:28:58
  Speaker 4: He would farm the time, right?
• 2:29:00
  Speaker 1: Here, look.
• 2:29:00
  Speaker 6: True.
• 2:29:01
  Speaker 1: Only when he appeared several times in a stadium, jumping
• 2:29:03
  Speaker 1: up there. He would farm once.
• 2:29:05
  Speaker 7: He would farm. He would farm.
• 2:29:08
  Speaker 9: It was in the Super Bowl of 93.
• 2:29:10
  Speaker 1: When he farmed 100%, he would stay still for 10
• 2:29:12
  Speaker 1: minutes and the crowd would applaud.
• 2:29:13
  Speaker 8: In that Super Bowl, they say there's the longest scream
• 2:29:16
  Speaker 8: of a crowd without ceasing.
• 2:29:18
  Speaker 6: Yeah.
• 2:29:18
  Speaker 1: You know?
• 2:29:19
  Speaker 4: And he stopped. Thank you, Michael.
• 2:29:23
  Speaker 1: Thank you, my friend.
• 2:29:24
  Speaker 11: Yeah.
• 2:29:49
  Speaker 1: Yeah, yeah. Very good.
• 2:29:50
  Speaker 4: No, no siga mais.
• 2:29:50
  Speaker 3: No, no, no.
• 2:29:50
  Speaker 1: Yeah, yeah, yeah, yeah.
• 2:29:51
  Speaker 4: I love you.
• 2:29:51
  Speaker 11: Yeah.
• 2:30:07
  Speaker 1: Thank you. Tchau, gente!
• 2:30:08
  Speaker 4: Dignidade já!
• 2:30:36
  Speaker 9: Conebe is a savior. I love you so much.
• 2:30:40
  Speaker 11: Before thinking about killing.
• 2:30:44
  Speaker 9: Thinking about education. Lack of options. Fills a lot of
• 2:30:51
  Speaker 9: little ones. Before thinking about killing.
• 2:30:57
  Speaker 1: Thank you, guys. See you next time.
• 2:30:59
  Speaker 6: Bye.
• 2:31:21
  Speaker 1: Check it out.
• 2:31:22
  Speaker 2: Did you know you can compete for a year with
• 2:31:24
  Speaker 2: a Mercado Pago card?
• 2:31:25
  Speaker 3: Seriously, this promotion goes to Mercado Pago Visa card.
• 2:31:28
  Speaker 2: During the FIFA World Cup games in 2026, every 300
• 2:31:31
  Speaker 2: reais spent with your Mercado Pago Visa card, you get
• 2:31:35
  Speaker 2: the lucky number and you're competing.
• 2:31:37
  Speaker 3: The more you use, the more chances.
• 2:31:39
  Speaker 5: You have to win.
• 2:31:39
  Speaker 3: So you take advantage, use yours here, and pay those
• 2:31:42
  Speaker 3: raincoats for us.
• 2:31:43
  Speaker 1: No, this is mine.
• 2:31:44
  Speaker 4: Then you're being too easy.
• 2:31:45
  Speaker 3: Mercado Pago, you have everything to win.
• 2:31:51
  Speaker 6: Look at this, guys. This is the KFC's box of fans, huh?
• 2:31:57
  Speaker 6: A very crunchy chicken. Potatoes, people, two sauces. This team
• 2:32:02
  Speaker 6: here is the champion. You deserve more.