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Sinbad Interview and More · The Breakfast Club

• 0:00
  Speaker 1: Dan danybody come to the breakfast club. I call this
• 0:05
  Speaker 1: the high Sea. Your around canna, you conto, I'm not
• 0:11
  Speaker 1: even doing You'm so peggy, yo are You're so petty?
• 0:15
  Speaker 1: The world's most dangerous morning Jo DJ cain bitch, Angela.
• 0:19
  Speaker 1: I stay in everybody's business, but in a good ray. Charlomagne,
• 0:22
  Speaker 1: the gout, the ruler rubbing you the wrong way. The
• 0:24
  Speaker 1: breakfast club ain't for everybody. Good morning usc yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo. Good morning Angela. Yean good moneys
• 0:48
  Speaker 1: amy cholomnea. Guy, he's to the planet this Thursday. Now
• 0:54
  Speaker 1: give ye a round of applause, a loud one, because
• 0:57
  Speaker 1: she can finally eat some real foods. She's been drinking
• 1:01
  Speaker 1: liquids last fourteen days, just water and coconut water. I
• 1:04
  Speaker 1: got a jaw broke. What happened? No, she's on a
• 1:07
  Speaker 1: it was a fourteen days, a fourteen day detox. Now,
• 1:10
  Speaker 1: did you eat food yesterday? Did you have any fruit?
• 1:13
  Speaker 1: Any candy? Yeah? Actually, last last night around eight thirty,
• 1:16
  Speaker 1: I ate a little something, but not much. It's neat
• 1:19
  Speaker 1: um to be honest. Yes, I did have some fruit,
• 1:21
  Speaker 1: but I also had a couple of pieces of penna pasta.
• 1:25
  Speaker 1: How did that taste? It must have taste like it
• 1:26
  Speaker 1: tasted like heaven. I can imagine I had in my life.
• 1:30
  Speaker 1: Oh yeah, she had to lose any weight? How much lost?
• 1:33
  Speaker 1: Probably like about ten pounds. Okay, okay, I'll get rid
• 1:36
  Speaker 1: of a plase for losing ten pounds. We'll see what
• 1:40
  Speaker 1: happens today, because it was more about detoxing. Order some
• 1:43
  Speaker 1: rosta pasta right now, let's order some roster postail. See
• 1:47
  Speaker 1: if you can resist. First of all, I don't eat
• 1:49
  Speaker 1: oxtails at all because I don't eat meat eats. Yeah,
• 1:53
  Speaker 1: but I do eat. Yes, I have eating roster pasta.
• 1:56
  Speaker 1: But I have to ease back into eating because I
• 1:58
  Speaker 1: don't want to check my system. Well, listen, speaking of meat. Right, yesterday,
• 2:01
  Speaker 1: I took the money that Safari throwing him. Remember when
• 2:04
  Speaker 1: he was collecting all the money. He was collecting all
• 2:06
  Speaker 1: the money when he was throwing his ones in here
• 2:08
  Speaker 1: when he's debuting his single hundred. Okay, so I'm sitting here.
• 2:12
  Speaker 1: You had this big old stack of one you saw
• 2:14
  Speaker 1: all the ones I had right right, took it to
• 2:16
  Speaker 1: the bank. It's like he chount this up for me.
• 2:18
  Speaker 1: You took it to the bank. The bank, So what
• 2:20
  Speaker 1: was it about? Let me guess two hundred and eleven dollars.
• 2:24
  Speaker 1: I don't know how you scripp was doing. Okay, two
• 2:26
  Speaker 1: hundred and eleven dollars. I spent all of the time
• 2:29
  Speaker 1: picking up those ones, putting them together at this big
• 2:31
  Speaker 1: old stack of one. It was two d two hundred
• 2:35
  Speaker 1: and eleven dollars. But it did come in handy because
• 2:37
  Speaker 1: one of my people from Mom's corner yesterday and sending
• 2:41
  Speaker 1: him some money. So you know, I added three hundred
• 2:44
  Speaker 1: more to that and sent that to Western Union, got
• 2:46
  Speaker 1: that money control transferred number so far saved me two
• 2:48
  Speaker 1: hundred dollars yesterday. Well, it's good at him throwing all
• 2:51
  Speaker 1: that money in here. It looked like he made it.
• 2:53
  Speaker 1: I I don't know what the total amount was that
• 2:55
  Speaker 1: he doing him. I'm just telling you that I collected
• 2:57
  Speaker 1: two hundred and eleven. I took it through a round
• 2:59
  Speaker 1: of thousand. Let's know he did. Yeah, how much did
• 3:02
  Speaker 1: you guys had about two seventy and then you had
• 3:06
  Speaker 1: you have more than Charlottagne two eleven. How did he
• 3:09
  Speaker 1: have more than you? Because it seemed like you were
• 3:12
  Speaker 1: working more on collecting the money, and he was djaying
• 3:14
  Speaker 1: and he was being sneaky, and you know I saw
• 3:17
  Speaker 1: him do the sweep of his he was flirting with him,
• 3:19
  Speaker 1: so he probably do na a couple of dollars on
• 3:21
  Speaker 1: We did give his dancer, and we gave the dance
• 3:24
  Speaker 1: to some money. You enhing that me and you did
• 3:26
  Speaker 1: me and you picked up about it. I guess about
• 3:28
  Speaker 1: three four hundred dollars gave for somebody, so y'all would pay.
• 3:30
  Speaker 1: That was not no, three four hundred hours. She definitely
• 3:32
  Speaker 1: wasn't that much. It was not much. It was like
• 3:34
  Speaker 1: one fifty. I gave her two stacks. I gave us
• 3:36
  Speaker 1: a stack. But when she left the first time and
• 3:37
  Speaker 1: then we gave a stack the second time. Well, congratulations
• 3:40
  Speaker 1: to that young lady. She had a great morning. Congratulations
• 3:42
  Speaker 1: to Safari his song hit what number thirty something on iTunes?
• 3:45
  Speaker 1: Yes he was, and he was so happy and excited
• 3:47
  Speaker 1: about that. I saw it right below. Kendrick Lamar says,
• 3:50
  Speaker 1: all the stuff. Well, I'm gonna tell you something that
• 3:52
  Speaker 1: in last long because I wanted to go look at
• 3:53
  Speaker 1: that one hundred. Yet to day, I didn't seen him
• 3:55
  Speaker 1: on there at all. It was going so he had
• 3:56
  Speaker 1: it laughed long enough for him, just pre shot and
• 3:58
  Speaker 1: put it on in good enough. Let's shout out to
• 4:01
  Speaker 1: Safari man. All right, well today this morning, Simbad will
• 4:04
  Speaker 1: be joining us, Yes, because it's throw back Thursday. You know,
• 4:07
  Speaker 1: we love talking to the og Sack. They hold nothing back, Yes,
• 4:11
  Speaker 1: and he has some great insight into what's going on
• 4:13
  Speaker 1: in this world. Right, so we'll kick it with Simbad
• 4:15
  Speaker 1: in a little bit, and we got front page news.
• 4:16
  Speaker 1: What we're talking about. We are going to be talking
• 4:18
  Speaker 1: about the NRA and Donald Trump. Donald Trump had a
• 4:21
  Speaker 1: meeting on gun legislation and the NRA is not too
• 4:24
  Speaker 1: happy about it. All right, we'll get into all that
• 4:26
  Speaker 1: when we come back. Keep it locked as the Thursday
• 4:28
  Speaker 1: as the breakfast club. Good morning us, getting some front
• 4:31
  Speaker 1: page news. Let's talk about your president, Donald Trump. Yes,
• 4:35
  Speaker 1: Donald Trump. He had to televise the meeting yesterday with
• 4:38
  Speaker 1: lawmakers on gun control, and the NRA is not too
• 4:42
  Speaker 1: plead with him. You know, he sat down had lunch
• 4:44
  Speaker 1: with him previously. He's friends with quote the NRA, but
• 4:48
  Speaker 1: here is what he has to say, as far as
• 4:52
  Speaker 1: even disagreeing with Jeff's sessions on gun control. The focus
• 4:55
  Speaker 1: is to literally give families and give local law enforcement. Addition,
• 5:00
  Speaker 1: no tools if an individual is reported to be a
• 5:03
  Speaker 1: potential danger to themselves or others. Allow due process, so
• 5:07
  Speaker 1: no one's rights or trampled, but the ability to go
• 5:10
  Speaker 1: to court, obtain an order and then collect not only
• 5:12
  Speaker 1: the firearms but any any weapons in the possession. Might
• 5:16
  Speaker 1: take the firearms first and then go to court. To
• 5:19
  Speaker 1: go to court would have taken a long time. So
• 5:21
  Speaker 1: you could do exactly what you're saying, but take the
• 5:23
  Speaker 1: guns first, go through due process second. Listen, man, all
• 5:26
  Speaker 1: of that sounds good, but it sounds to me like
• 5:28
  Speaker 1: posturing to meet That was just a show. I think
• 5:30
  Speaker 1: Donald Trump is scared an NRA two well. Donald Trump
• 5:33
  Speaker 1: says that he also believes that this should be an
• 5:36
  Speaker 1: age limit for buying guns. He's agreeing with a lot
• 5:39
  Speaker 1: of what the Democrats are saying about gun control, and
• 5:41
  Speaker 1: the Republicans were shocked at his basically typically what he
• 5:45
  Speaker 1: had to say. Here's what it was. You can't buy
• 5:48
  Speaker 1: a handgun at eighteen, nineteen or twenty. You have to
• 5:51
  Speaker 1: wait to a twenty one, But you can buy the gun,
• 5:53
  Speaker 1: the weapon used in this horriful shooting at eighteen. You
• 5:56
  Speaker 1: are going to decide. The people in this room pretty much,
• 5:58
  Speaker 1: you're going to decide. But I would give very serious
• 6:01
  Speaker 1: thought to it. I can say that the NRA is
• 6:03
  Speaker 1: opposed to it, and I'm a fan of the NRA,
• 6:05
  Speaker 1: but that doesn't mean we have to agree on him.
• 6:07
  Speaker 1: It's a show for the American people. Man, Okay, don't
• 6:11
  Speaker 1: fall for that. Well, it looks like I love what
• 6:13
  Speaker 1: Walmart and Dixon been winning. What they did well. Yes,
• 6:15
  Speaker 1: Walmart and Dix have raised the minimum age for gun
• 6:18
  Speaker 1: buyers to twenty one. Maybe that's why Dixon was trend
• 6:21
  Speaker 1: in yesterday. Yeah, but their store, they can decide. You
• 6:26
  Speaker 1: can do that. Yeah, you definitely do that, they said,
• 6:27
  Speaker 1: regardless of whatever the local law is, they can do
• 6:30
  Speaker 1: that and their stores. So now you have to be
• 6:32
  Speaker 1: twenty one. And actually Walmart, which is the biggest gun seller,
• 6:35
  Speaker 1: announced they would not sell any gun to anyone on
• 6:37
  Speaker 1: the twenty one and they would no longer sell items
• 6:39
  Speaker 1: that resemble assault style rifles, including toys and air guns.
• 6:43
  Speaker 1: I think they sold them toys anywhere lest they had
• 6:46
  Speaker 1: an artist tip all the force all right, and Dick
• 6:48
  Speaker 1: said they would immediately and all the style rifles in
• 6:52
  Speaker 1: stores as well. So, and you have to be twenty
• 6:54
  Speaker 1: one regardless of whatever the local law is, all right now.
• 6:58
  Speaker 1: Donald Trump also said he's not afraid of the NRA.
• 7:01
  Speaker 1: Yeah right, It doesn't make sense. Set I have to
• 7:03
  Speaker 1: wait till them twenty one day get a handgun. But
• 7:04
  Speaker 1: I can't get this weapon at eighteen. I don't know.
• 7:07
  Speaker 1: So it's just curious as to what you did in
• 7:09
  Speaker 1: your bill. You know, we didn't address in this President,
• 7:12
  Speaker 1: I think is you're afraid of the NRA. He's putting
• 7:14
  Speaker 1: on the show for the American people under the GUIDs,
• 7:16
  Speaker 1: and he's not afraid of the NRA. Just telling us
• 7:18
  Speaker 1: what we want to hear, everybody, sugar, NRA. You know
• 7:22
  Speaker 1: why because they got all the guns. Well. The NRA
• 7:24
  Speaker 1: spokesperson responded and said about today's meeting made for great TV.
• 7:28
  Speaker 1: A gun control proposals discussed would make for a bad
• 7:31
  Speaker 1: policy that would not keep our children safe. Instead of
• 7:34
  Speaker 1: punishing law abiding gun owners for the acts of a
• 7:36
  Speaker 1: deranged lunatic, our leaders should pass meaningful reforms that would
• 7:40
  Speaker 1: actually prevent future tragedies. They said lawmakers should focus on
• 7:43
  Speaker 1: fixing the broken mental health system, strengthening background checks to
• 7:47
  Speaker 1: ensure the records of people who are prohibited from possessing
• 7:50
  Speaker 1: firearms are in the national instant criminal background check system,
• 7:54
  Speaker 1: securing our schools, and preventing the dangerously mentally ill from
• 7:57
  Speaker 1: accessing firearms. That's why I told y'all don't fall for
• 8:00
  Speaker 1: That's all Trump was focused on yesterday was good TV.
• 8:02
  Speaker 1: He executive produced that whole situation. You think somebody had
• 8:05
  Speaker 1: had to sit there with notes in their hand when
• 8:07
  Speaker 1: it came to talking to the grieving families and Parkland
• 8:10
  Speaker 1: at Parkland High School. You think that all of a sudden,
• 8:12
  Speaker 1: he's got to change the heart when it comes to
• 8:14
  Speaker 1: gun legislation in America. Stop it. They had to give
• 8:17
  Speaker 1: him notes just to talk to the family. Okay, all right,
• 8:21
  Speaker 1: last front page News. Get it off your chests eight
• 8:23
  Speaker 1: hundred five eight five one oh five one. If you're upset,
• 8:26
  Speaker 1: you need to vent hit us up right now. Maybe
• 8:28
  Speaker 1: had a bad night, bad morning, or maybe you want
• 8:30
  Speaker 1: to spread some positivity. Phone lines wide open eight hundred
• 8:33
  Speaker 1: five eight five one oh five wants to breakfast club,
• 8:35
  Speaker 1: Good morning, the breakfast club. Pick up the mother mother
• 8:42
  Speaker 1: phone and down. This is your time to get it
• 8:44
  Speaker 1: off your chest. Noether you're mad, we want to hear
• 8:48
  Speaker 1: from you on the breakfast club. Please better have the
• 8:50
  Speaker 1: same energy. Hello. Who's this? Hey, it's a Tony from Anton,
• 8:55
  Speaker 1: A Tony get it off your chests. Oh yeah, I
• 8:57
  Speaker 1: just want to say I'm blood that we have James.
• 9:00
  Speaker 1: I don't know if you guys saw what he did
• 9:01
  Speaker 1: that Wesley Dunston last night, but it was the most
• 9:03
  Speaker 1: stufful thing I've ever seen. You think that I could
• 9:06
  Speaker 1: have made it more disrespectful was if he stepped over him, Like, Hey,
• 9:08
  Speaker 1: I did you woke up this morning thinking about James
• 9:11
  Speaker 1: Harden and how thankful for you are for to have
• 9:14
  Speaker 1: James Harden in Houston. That is gratitude, sir. That's basically
• 9:18
  Speaker 1: what I did. Because I didn't see a game last night.
• 9:19
  Speaker 1: I thought him turning on Twitter and well, I'm about
• 9:22
  Speaker 1: to go look at it now. And I got a
• 9:23
  Speaker 1: question for look at everybody's gonna over him like I did.
• 9:27
  Speaker 1: It would have been it would have been crazy. Would
• 9:29
  Speaker 1: you have to stare them down? Would you? Would you
• 9:31
  Speaker 1: let James Harden have sex with your women? Though, what Hello, No,
• 9:37
  Speaker 1: I wouldn't do that. Think about it? Man, Wow, Hello,
• 9:41
  Speaker 1: who's this every Hey? Traff? What up? Traffraff? Hi? Traff? Hey?
• 9:48
  Speaker 1: You going up? Safari meat level? Get it off your chest?
• 9:55
  Speaker 1: Who who said I like Safari Meet? Oh? You love
• 9:59
  Speaker 1: Safari Meet? Don't you lie? Uh? It was big? This
• 10:02
  Speaker 1: to me, it wasn't pretty, but it was big. I
• 10:04
  Speaker 1: don't want to talk about that. We're even bringing that up.
• 10:07
  Speaker 1: I'm sorry to talk to a gay man about penises
• 10:09
  Speaker 1: in the morning. Pretty to you then, it wasn't pretty.
• 10:12
  Speaker 1: I wish I was in New York. I can go,
• 10:14
  Speaker 1: I can I can show you pretty in my phone.
• 10:19
  Speaker 1: Get off a man. I wanted to call the other
• 10:23
  Speaker 1: day before Black History ended because I wanted to give
• 10:26
  Speaker 1: a Black History fact. Okay, let's hear it all right.
• 10:29
  Speaker 1: I don't want us to be distracted from the fact
• 10:31
  Speaker 1: that one of our queens, body Nicki Minads, and it's
• 10:35
  Speaker 1: not over yet. Say her name. Don't let anything distract
• 10:39
  Speaker 1: you from the fact that remy my body Nicki minajs
• 10:42
  Speaker 1: last year with Ether. But I did hear that. Uh,
• 10:44
  Speaker 1: Nikki has turned her album in though I don't know
• 10:46
  Speaker 1: what that means. Oh, really. Yeah, she turned her album in.
• 10:50
  Speaker 1: That was about time. I'm actually excited to hear it,
• 10:53
  Speaker 1: so I think we all are. I think that you know,
• 10:56
  Speaker 1: we all want I think it's room for everybody, so
• 10:58
  Speaker 1: we all want to see NICKI correct, Yes, I want
• 11:01
  Speaker 1: to hear some bangers from Nicki Minna. I'm sure she
• 11:03
  Speaker 1: got some. But y'all have a good day except the bars.
• 11:06
  Speaker 1: I'm having a miserable day with the shade. Get it
• 11:10
  Speaker 1: off your chests eight hundred five eight five one or
• 11:13
  Speaker 1: five one. If you're upset, you need to vent hit
• 11:15
  Speaker 1: us up now. It was the Breakfast Club. Good morning,
• 11:17
  Speaker 1: the Breakfast Club. Wake up, wake up, Wake y'all. You're
• 11:24
  Speaker 1: time to get it off your chest? Is your man
• 11:28
  Speaker 1: or blas We want to hear from you on the
• 11:29
  Speaker 1: breakfast But Hello, who's this? You know what's going on?
• 11:33
  Speaker 1: Via Lorenzo? Lorenzo, what's up? Get it off your chests? Bro? Um,
• 11:37
  Speaker 1: what's going on? Charlotte Man? What's up you? Peace? Um?
• 11:42
  Speaker 1: I want to take a second to focus on UM
• 11:45
  Speaker 1: detective ratio profile and Um. Yesterday I got off of
• 11:50
  Speaker 1: work and I was on my way home and I
• 11:53
  Speaker 1: got pulled over by unmarked car. UM they got out
• 11:56
  Speaker 1: the car and they told me that I was speed
• 11:58
  Speaker 1: and when I was going maybe about twenty miles an hour,
• 12:02
  Speaker 1: they told me that they smell weed in my car,
• 12:04
  Speaker 1: and I let them know that I was just getting
• 12:07
  Speaker 1: off for work, and they made me get out of
• 12:09
  Speaker 1: my car and search my car because they said that
• 12:12
  Speaker 1: it smelled like weed, even though I don't smoke weed.
• 12:15
  Speaker 1: So I just want to let all these detectives and
• 12:18
  Speaker 1: all these cops know that just because we're black, and
• 12:22
  Speaker 1: just because we live in a neighborhood that's maybe not
• 12:24
  Speaker 1: you know, the most safest neighborhood, doesn't mean that we're
• 12:28
  Speaker 1: riding around with drugs and guns. Some of us really
• 12:30
  Speaker 1: working hard to provide our family out here, yeah, and
• 12:34
  Speaker 1: working hard to get out of that neighborhood exactly. Man.
• 12:37
  Speaker 1: But they don't really see it like that. They just
• 12:39
  Speaker 1: see another black man, you know, and they pull us
• 12:42
  Speaker 1: over because they think that we maybe have drugs and
• 12:44
  Speaker 1: guns in the car. But like I said, I was
• 12:45
  Speaker 1: getting off for work. I'm sorry to hear that's something
• 12:48
  Speaker 1: like that had to happen to you, and I'm sorry
• 12:49
  Speaker 1: that everybody did that happens too. It's really unfortunate. And
• 12:53
  Speaker 1: I think it can really affect you mentally clear and
• 12:55
  Speaker 1: you got you gotta tell the cops that profile people
• 12:58
  Speaker 1: like that the suck safaris. Oh my god, yo, Charlemagne. Man, Um,
• 13:04
  Speaker 1: what's so funny is you know it was one black
• 13:06
  Speaker 1: cop and there was one white cop, and it was
• 13:09
  Speaker 1: like the black cop was going harder than the white
• 13:11
  Speaker 1: cop was, you know what I'm saying. And I'm looking
• 13:14
  Speaker 1: at him like, Hey, you're supposed to have joint or
• 13:16
  Speaker 1: force to you know, make a difference in the neighborhood
• 13:18
  Speaker 1: that you maybe grew up in. Absolutely experious to say.
• 13:22
  Speaker 1: You know what I'm saying, they give you a ticket? No,
• 13:24
  Speaker 1: they didn't. Never, They never gave me a ticket, but
• 13:26
  Speaker 1: they definitely searched my car and um, they patted me
• 13:29
  Speaker 1: down when they pulled me off the car, so that
• 13:31
  Speaker 1: I mean, I would have roused it the ticket than that.
• 13:33
  Speaker 1: You know what I'm saying. You allowed them to search
• 13:35
  Speaker 1: your car when they asked you said yes, When no,
• 13:37
  Speaker 1: they never even asked me. They said that they was, um,
• 13:40
  Speaker 1: they could search the call because they smell weed, so
• 13:42
  Speaker 1: they had probable calls. All right, man, thank you man,
• 13:49
  Speaker 1: y'all have a good day. Hello, Hello, Oh yeah, what's up? Man?
• 13:55
  Speaker 1: I was calling to say, wow, man, but I'm I'm
• 13:58
  Speaker 1: a little blessed not oca. I find y'all in contact
• 14:00
  Speaker 1: with y'all. You related to Charlot Mane. Yeah, that's my cousin. Man.
• 14:05
  Speaker 1: We we're from eight o three. You know who are you?
• 14:08
  Speaker 1: I'm from Denmark? Who is you? Though? You know what?
• 14:14
  Speaker 1: I don't know you? You don't know Peter? You know Peter?
• 14:17
  Speaker 1: My man? How I know Peanut? Because we can? We're
• 14:20
  Speaker 1: from South Carolina? Man? Do mean with changes? Because you
• 14:23
  Speaker 1: from South Carolina? Cha with bowling from Sockinglina, It ain't
• 14:25
  Speaker 1: my ken, I bett my granddaddy hit you grandma? Whoa
• 14:29
  Speaker 1: Jesus Christ? Yeah, left ain't don't see him. I'm just like,
• 14:34
  Speaker 1: why would you say something like that? Because we can man, Listen,
• 14:37
  Speaker 1: I've been trying to get in contact with you to
• 14:39
  Speaker 1: give you a shirt. Why don't you give it to
• 14:43
  Speaker 1: his aunt or something? I see your man? Who can
• 14:45
  Speaker 1: give it to him? I don't even know nobody, and
• 14:47
  Speaker 1: didn't Mark talking Lina because I need to give it
• 14:49
  Speaker 1: as Charlotta. He got swagged. He with his tims all
• 14:52
  Speaker 1: the time. Yes, ma'am, all right, Peanut, you have a
• 14:55
  Speaker 1: bluff day. Okay, guys might be related for me. I
• 14:57
  Speaker 1: gotta tell you how to get it, though, How do
• 14:59
  Speaker 1: I get it? How do I get it? Peanuts? You
• 15:01
  Speaker 1: gotta go to I'm still proud dot com. Oh I
• 15:04
  Speaker 1: like your style. You had to plug your little sight.
• 15:06
  Speaker 1: I like that. I like that. I thought you was
• 15:08
  Speaker 1: gonna give it to him. Yeah, that's how you should
• 15:12
  Speaker 1: go by. You should go by his mom or daddy house.
• 15:14
  Speaker 1: Since y'all come, y'all, I don't even know who my
• 15:16
  Speaker 1: mom and daddy is. I will tell you this though.
• 15:18
  Speaker 1: I am so proud that you're not really my cousin.
• 15:20
  Speaker 1: Have a blessed day. Okay, all right, okay, all right,
• 15:23
  Speaker 1: get it off your chest. Eight hundred five eight five
• 15:25
  Speaker 1: one oh five one. We got rumors on the way. Yes,
• 15:28
  Speaker 1: we are gonna talk about ditty. He has some advice
• 15:30
  Speaker 1: for all of the new artists out there right now.
• 15:32
  Speaker 1: All right, we'll get into all that when we come back.
• 15:34
  Speaker 1: Keep a lot just to Breakfast Club. Good Morning, the
• 15:37
  Speaker 1: Breakfast Club, Jumping Morning. Everybody's DJ Envy Angela Yee, Charlamagne
• 15:45
  Speaker 1: the guy. We are the Breakfast Club. Let's get to
• 15:47
  Speaker 1: these rumors. Let's talk big shows. Just Oh Gosh reports
• 15:55
  Speaker 1: with Angela Angela, Ye, it's the Breakfast Club. Sean is
• 16:01
  Speaker 1: staring up to release a movie theater. He's going to
• 16:04
  Speaker 1: open up his own movie theater, Imagine Entertainment by twenty twenty. Now,
• 16:08
  Speaker 1: the movie theater is going to have at least a
• 16:10
  Speaker 1: dozen screens and one a room will be used as
• 16:12
  Speaker 1: an intimate concert venue for live music and seminars. This
• 16:15
  Speaker 1: is all going to be in Detroit downtown. Bump for
• 16:19
  Speaker 1: that rapping ass boy, Big Sean, Dope, Dope, Dope. Now.
• 16:22
  Speaker 1: Big Sean explain, we want to do something revolutionary with it.
• 16:25
  Speaker 1: We don't want to just make it a movie theater Traditionally,
• 16:27
  Speaker 1: we also wanted to be a hub for entertainment for
• 16:29
  Speaker 1: the whole community. We want people to have an incentive
• 16:32
  Speaker 1: to go the extra mount to travel into Detroit. We
• 16:35
  Speaker 1: are you doing the right things with his money, man,
• 16:36
  Speaker 1: You're reinvesting it into his community. That's what she's supposed
• 16:39
  Speaker 1: to do right In Speaking of Imagine Entertainment, he also
• 16:41
  Speaker 1: showed up in surprised hundreds of students from Detroit public schools.
• 16:45
  Speaker 1: They were on a field trip to go see Black panther.
• 16:48
  Speaker 1: He was at Imagine Theaters in Royal Oak and surprise
• 16:50
  Speaker 1: them while they were in the movie theater. There you go,
• 16:52
  Speaker 1: and you're just gonna let Safari come out here and
• 16:53
  Speaker 1: drop those those nudes. You're not gonna respond Big Sean?
• 16:57
  Speaker 1: Huh you oh, you want Big Sean to drop some
• 16:59
  Speaker 1: news now, saying that he was the bar that all
• 17:03
  Speaker 1: the women was talking about before and I ain't talking
• 17:04
  Speaker 1: about s Fari. You just gonna let him do. Hold on.
• 17:06
  Speaker 1: Big Sean named himself Big Sean, and he said that's
• 17:09
  Speaker 1: the reason why, because he's big. Oh y'all never saw it. Yeah,
• 17:13
  Speaker 1: I don't think we've ever seen it. Okay, all right,
• 17:15
  Speaker 1: now let's talk since Safari. Let's talk about Safari. Congratulations
• 17:19
  Speaker 1: to him. What since you brought it out? His song
• 17:22
  Speaker 1: Hunted was charting on iTunes. Nice congrats to Safari. As
• 17:27
  Speaker 1: a matter of fact, let's just get into this whole
• 17:29
  Speaker 1: post that he put up. What's great is that he's
• 17:31
  Speaker 1: very enthusiastic and excited. He is. He can't help but
• 17:33
  Speaker 1: like the guy about everything. Here is Safari being excited
• 17:37
  Speaker 1: about Hunted? Oh my god, dudes, where was it charting? Though?
• 17:50
  Speaker 1: That's very important he posted it. It was the top
• 17:53
  Speaker 1: two hundred, because where was he at on the top
• 17:55
  Speaker 1: two hundred, like number thirty eight? Hold on, I'm looking right.
• 17:58
  Speaker 1: He was number thirty six when he was right after
• 18:02
  Speaker 1: all the stars when he first got here yesterday, it
• 18:04
  Speaker 1: was like one fifty, right, so I went up to
• 18:06
  Speaker 1: like thirty six. We're good for you so far. So
• 18:08
  Speaker 1: congratulations to the Safari man. All right, So make sure
• 18:11
  Speaker 1: y'all go out and keep it going because we want
• 18:13
  Speaker 1: another excited post from Safar. I told you I think
• 18:16
  Speaker 1: he gonna get a hit this year. I don't know
• 18:17
  Speaker 1: if it's gonna be the record, but I do think
• 18:19
  Speaker 1: he's gonna get to hit this year. All right. Now,
• 18:20
  Speaker 1: Netflix has created it. Well, they're going to create seven
• 18:24
  Speaker 1: hundred original shows and movies by the end of twenty eighteen.
• 18:28
  Speaker 1: That is the plan. They're going to spend eight billion
• 18:30
  Speaker 1: dollars wow to bring those projects to the small screen.
• 18:33
  Speaker 1: So I'm going to get me some of that money.
• 18:35
  Speaker 1: Tell me y'all that right now, I imagine? So why not, sorry, Monique,
• 18:39
  Speaker 1: I'm going to seven hundred original shows. That's a lot
• 18:42
  Speaker 1: of opportunities, money boy, all right. Now, Diddy was on Instagram,
• 18:47
  Speaker 1: and he was talking about all of the rappers, R
• 18:50
  Speaker 1: and B artists, all the singers out right now, and
• 18:52
  Speaker 1: he wants people to just be more original. Here's what
• 18:55
  Speaker 1: did he had to say. So many people rapping right now,
• 18:58
  Speaker 1: it is literally like too much, you know. So I'm
• 19:01
  Speaker 1: not knocking nobody's dream. I just don't want the culture
• 19:04
  Speaker 1: to get diluted, you know where it gets so mass produced.
• 19:08
  Speaker 1: It doesn't mean anything. Artists have to be special. Every
• 19:12
  Speaker 1: artist has to be unique in their own right. There's
• 19:15
  Speaker 1: a lot of special artists out there, though. I don't
• 19:16
  Speaker 1: know what everybody else been listening to it because my
• 19:18
  Speaker 1: playlists be late. Because you got the Kendricks and Tds
• 19:20
  Speaker 1: with that Black Panted soundtrack, Nipsey Hustle's Victory Lap. I'm
• 19:23
  Speaker 1: still bumping Rapsody, I love Drake's new records. I like
• 19:25
  Speaker 1: that Drake in Trouble. I love a lot while lay
• 19:27
  Speaker 1: been dropping, I listened to a lot of female rappers
• 19:30
  Speaker 1: now Rhapsody, the Tokyo Jets know the product, Tank back
• 19:33
  Speaker 1: dropping music. Sky Zoo just dropped a great project that
• 19:36
  Speaker 1: Do Causes dropped the great album Joey Badass Bench Tables,
• 19:39
  Speaker 1: Vic Min's a chance to rapping Big Sean two CHAINZP. So,
• 19:42
  Speaker 1: I don't know, man, I think it's a lot of special. Well,
• 19:44
  Speaker 1: earlier this morning did He also posted staying power, the
• 19:47
  Speaker 1: ability to maintain an activity or commitment despite fatigue or
• 19:50
  Speaker 1: a difficulty stamina. Do you have the staying power? I
• 19:53
  Speaker 1: just think that we have to stop acting like one
• 19:55
  Speaker 1: or two artists that you may not like a ruin
• 19:56
  Speaker 1: in the whole game. It's plenty of dope ass special.
• 19:59
  Speaker 1: But he didn't say anybody was ruining the game. He
• 20:01
  Speaker 1: was just telling artists to just make sure you continue
• 20:03
  Speaker 1: to be creative and be original. And sometimes a lot
• 20:07
  Speaker 1: of times I think people when something comes out that's
• 20:09
  Speaker 1: a hit, they might try to emulate that sound and
• 20:11
  Speaker 1: that does happen, yeah, but they don't go nowhere though
• 20:13
  Speaker 1: like that, like that never goes anywhere. Those songs go
• 20:16
  Speaker 1: somewhere actual. Sometimes the song might be around for a
• 20:19
  Speaker 1: few months and then right. So he's trying to encourage
• 20:22
  Speaker 1: artists to just continue to be creative, the original, be special,
• 20:25
  Speaker 1: be unique. I just don't focus on the farts like
• 20:28
  Speaker 1: you hear the fart right now? See you hear it right? Listen,
• 20:31
  Speaker 1: listen it's loud, it's gonna stink for a while, but
• 20:35
  Speaker 1: just for a brief second and then it's gone. Don't
• 20:37
  Speaker 1: worry about the farts, all right, Well I mante laye
• 20:39
  Speaker 1: and that is your rumor. Let's how you look at it.
• 20:42
  Speaker 1: That's how I look at it. It farts, all right,
• 20:44
  Speaker 1: don't worry about the farts. You gotta pull down your
• 20:45
  Speaker 1: pants and let him out sometimes, y'all know, y'all know,
• 20:47
  Speaker 1: I don't far in my clothes. Grown ass man who
• 20:49
  Speaker 1: farts and the clothes yat your clothes? Yeah, I gotta fined.
• 20:53
  Speaker 1: I just fun. I don't sit there and be like,
• 20:54
  Speaker 1: let me go to the corner and pulling out my
• 20:55
  Speaker 1: pants and let it go. And listen, y'all ain't wash
• 20:58
  Speaker 1: yall jeans in months. But you fought in your clothes.
• 21:00
  Speaker 1: Think about that? What you think about that? Think about
• 21:02
  Speaker 1: the last time you watched your jeans. Jeans. Every time
• 21:05
  Speaker 1: I'm talking to the guys, exactly a time you watch
• 21:10
  Speaker 1: your jeans. My brothers, be honest with yourselves. My jeans
• 21:12
  Speaker 1: about once every three weeks to fall every day. That's
• 21:16
  Speaker 1: why you shouldn't fought in your clothes. They ain't nothing
• 21:19
  Speaker 1: wrong with no fart. All right, now when we come back,
• 21:22
  Speaker 1: sitting bad or be joining us sitting bad? Love talking
• 21:24
  Speaker 1: to him. I'm sure, absolutely, old old man, absolutely he
• 21:29
  Speaker 1: does all right, sin bad when we come back, keep
• 21:31
  Speaker 1: it locked. It to breakfast cloub go Morning Morning. Everybody
• 21:34
  Speaker 1: is DJ end Angela yee, Charlomane the guy. We are
• 21:37
  Speaker 1: the breakfast club. We got a special guest in the building,
• 21:40
  Speaker 1: put a special air style, the og the good brothers
• 21:43
  Speaker 1: sitting bad? Right man, how y'all doing? How you doing?
• 21:45
  Speaker 1: My brother? Good to see you again. Man. Now let's
• 21:47
  Speaker 1: talk about Monique. You came in here. We uh, we
• 21:49
  Speaker 1: were talking about Monique. So what was your opinion on
• 21:51
  Speaker 1: Monique and everything that's going on without Netflix. She was
• 21:53
  Speaker 1: correct when she said what they offend was an insult.
• 21:56
  Speaker 1: You know. People said, well, five hundred thousand and sneeze
• 21:59
  Speaker 1: at yeah. But if your partners everybody else is getting
• 22:01
  Speaker 1: ten million, twenty million, that is you do have to
• 22:04
  Speaker 1: fight for your things. Where she was right Amy Schumer.
• 22:07
  Speaker 1: They offered her ten million. Amy said, well, I know,
• 22:09
  Speaker 1: Kristena'm getting twenty six give a thirteen million. I mean,
• 22:12
  Speaker 1: Monique did have more credit than Amy Schumer. And they
• 22:15
  Speaker 1: try to run the game. It's not about your movies
• 22:17
  Speaker 1: and stuff. But then they used that an excuse. She
• 22:20
  Speaker 1: was good with it until that that video or she said,
• 22:23
  Speaker 1: I humbly say I have I'm the most decorated. I said, now,
• 22:28
  Speaker 1: you just did everything you were saying. Everything you were
• 22:31
  Speaker 1: saying was correct. That moment was when I said, yeah,
• 22:34
  Speaker 1: I came back that one when we say decorated or talented,
• 22:37
  Speaker 1: I don't. I don't know Whoopie's alive. I mean this,
• 22:40
  Speaker 1: that's a heart mentle to take, and I think it
• 22:44
  Speaker 1: put people off. She was right when she was saying,
• 22:46
  Speaker 1: because it's it's called times up women fighting for money right, well,
• 22:49
  Speaker 1: it was about white women, black women. That's why I
• 22:51
  Speaker 1: was standing with her. He had a white female comic,
• 22:53
  Speaker 1: but what happens to our black female comics? Why can't
• 22:55
  Speaker 1: they make the money? But don't you think it's what
• 22:58
  Speaker 1: are you doing for me right now? Type of industry
• 22:59
  Speaker 1: because you look at Amy and twenty and I don't
• 23:01
  Speaker 1: think Amy's funny at all. But in twenty sixteen, she
• 23:03
  Speaker 1: did sell out of fifty cities around the world. If
• 23:06
  Speaker 1: if Monique went on the road, remember Monique was the
• 23:08
  Speaker 1: hottest okay, the Persua one time she was more than
• 23:11
  Speaker 1: five hundred thousand. Yeah, listen, I any question about that.
• 23:16
  Speaker 1: Even before she came up here, we discussed it and
• 23:19
  Speaker 1: Charla Mayne asked me, what would you give Monique? And
• 23:21
  Speaker 1: definitely five extremely low number, but three to five got five?
• 23:26
  Speaker 1: There's no Yeah, they give that money where they give
• 23:28
  Speaker 1: that money? Where like candy, Some unfunny people get that money.
• 23:32
  Speaker 1: Where like candy. You know it's not about funny though,
• 23:34
  Speaker 1: it's about bad. What about you as a comedian, if
• 23:38
  Speaker 1: you were going to go to Netflix, what do you
• 23:40
  Speaker 1: think would be Well, you know what, I'm like this.
• 23:42
  Speaker 1: If you giving them twenty, I want twenty. I'm serious.
• 23:46
  Speaker 1: I'm sorry because I still draw. I can sell, I said,
• 23:49
  Speaker 1: And if you want to, let's have a comedy shootout.
• 23:51
  Speaker 1: I get on stage with anybody you got. But you
• 23:53
  Speaker 1: can't use the routine you you yesterday. How about this
• 23:55
  Speaker 1: game mat fact, We'll go get them all. Let's do
• 23:57
  Speaker 1: another new hour. She now it's about game. Who got skills?
• 24:01
  Speaker 1: I'll go with you on the skill set and I'll
• 24:03
  Speaker 1: take your audience. You can come to my show. I'll
• 24:04
  Speaker 1: go to your show. I don't fear any of that
• 24:07
  Speaker 1: see that's moving in the game this long. I don't
• 24:09
  Speaker 1: care who shows up, and I ain't trying to be.
• 24:13
  Speaker 1: I hope you think you got an audience though that
• 24:15
  Speaker 1: if you didn't say that when you got when you're
• 24:16
  Speaker 1: really a draw, yeah, but when you got time and game,
• 24:19
  Speaker 1: think about we got If you're an artist, if you
• 24:20
  Speaker 1: can play the horn, if you can play music. And
• 24:22
  Speaker 1: somebody said, well this guy's hot, Yeah, he's gonna get
• 24:25
  Speaker 1: on stage with me, even guys who are hot. Now,
• 24:27
  Speaker 1: I'm gonna get on stage that dude. That dude, he
• 24:29
  Speaker 1: might be older now and I'm not gonna get on
• 24:31
  Speaker 1: stage with him look stupid because he can really play.
• 24:33
  Speaker 1: So if they came so you would if they did
• 24:35
  Speaker 1: off you a Netflix special, I want twenty at least thirteen.
• 24:38
  Speaker 1: Didn't get me five for the back end. When I'll
• 24:40
  Speaker 1: show you how many, well, how well it does? You
• 24:42
  Speaker 1: gotta get me incentive bilim incentive end. I get this
• 24:45
  Speaker 1: many people look at it and give me the extra
• 24:46
  Speaker 1: when you do a special. Do you want to do
• 24:47
  Speaker 1: a special? Yeah, they won't call me, they won't nefference. No,
• 24:51
  Speaker 1: I'll try to get them. They have a I said,
• 24:53
  Speaker 1: we have an analytic structure. I said about we have
• 24:56
  Speaker 1: analytical about who should who should be on stage, and
• 24:59
  Speaker 1: so what's your analyt But it ain't funny, I said,
• 25:01
  Speaker 1: people come to show. I said, y'all don't even know me.
• 25:04
  Speaker 1: I challenged much the next time you see me, I said,
• 25:06
  Speaker 1: you're right. I said, you're right. So if I came
• 25:09
  Speaker 1: on a TV show for stuff, I did a TV
• 25:10
  Speaker 1: show right now. Now you're back in the game. So
• 25:12
  Speaker 1: I told my agent, said, I'm gonna write my own stuff.
• 25:15
  Speaker 1: We'll put some shows together and then when they come in,
• 25:16
  Speaker 1: So I want twenty one million. I don't believe because
• 25:19
  Speaker 1: you know, guys like Russell Peters ain't on TV and
• 25:22
  Speaker 1: he got money from Netflix. Russell Russell's Russell's deceptive. Russell
• 25:26
  Speaker 1: is one of the richest. Russell Russell Peters can perform
• 25:31
  Speaker 1: anywhere and he's a DJ for for Man My Boy,
• 25:38
  Speaker 1: that's my Russell, That's my boy. I meant that I
• 25:41
  Speaker 1: wanted to ask about Netflix when how much they gave
• 25:43
  Speaker 1: Russell because I forgot Russell had to stand up. That
• 25:45
  Speaker 1: boy does theaters around the world, around the wild audiences worldwide.
• 25:50
  Speaker 1: He's the richest unknown comic. YEP made stupid bank. He
• 25:54
  Speaker 1: ain't on TV or man, I ain't mad at that
• 25:56
  Speaker 1: brother at oh Man, I want how much Netflix gave him?
• 25:58
  Speaker 1: God to give me these fifteens had to give me
• 26:00
  Speaker 1: least fifteen. Yeah, had too. Well. By the way, it's
• 26:02
  Speaker 1: people that would see that and be like, how are
• 26:04
  Speaker 1: you getting more than more Nique? You're not realizing what
• 26:06
  Speaker 1: he's doing on that. You don't know what that boy's
• 26:08
  Speaker 1: doing and you don't know what this autists and it
• 26:09
  Speaker 1: draws into national Yeah, he's beyond, he's international. Man, let's
• 26:13
  Speaker 1: talk about we have phase. On a pen, Phaison made
• 26:15
  Speaker 1: a comment about Dave Chappelle. He said, Dave Chappelle is
• 26:18
  Speaker 1: the whacks and unfunniest comedian out here. What are your thoughts?
• 26:21
  Speaker 1: One that's let me go like man, Grover Washington, he
• 26:24
  Speaker 1: can't play that saxophone, none of this, man, I think.
• 26:31
  Speaker 1: Do you know what man? I think? When we get
• 26:32
  Speaker 1: to such a level, you get hate because you just
• 26:36
  Speaker 1: at a level and if you if you don't get
• 26:38
  Speaker 1: that hate, you're not at that level. So no, whack
• 26:41
  Speaker 1: is no I've been Chappelle over for me. He was
• 26:43
  Speaker 1: eighteen years old. I was in DC and somebody says,
• 26:45
  Speaker 1: young captain over for you, man, And then I asked
• 26:47
  Speaker 1: his mother could go on the role with me. I said, dude,
• 26:49
  Speaker 1: you you you're a different kind of brother. Yeah, in
• 26:52
  Speaker 1: a little role. So I look at Chappelle. This what
• 26:55
  Speaker 1: happened though. Man, Now they've almost made Chappelle the comedy guy. Now,
• 26:59
  Speaker 1: I said, no, Chappelle is funny itself. The gods. The
• 27:02
  Speaker 1: gods are the ones that came before us. I look
• 27:03
  Speaker 1: at Prior Cosby, Carling, Lenny Bruce, because they did it
• 27:07
  Speaker 1: in the most difficult time, the hardest time, most racist time,
• 27:10
  Speaker 1: more sexist time. They didn't want cussing back then. But
• 27:13
  Speaker 1: Chappelle right now, it's the closest Chappelle can get on
• 27:16
  Speaker 1: the phone. And so I want to do that theater
• 27:18
  Speaker 1: over there. I want to do tonight. It'll sell out.
• 27:20
  Speaker 1: That means something. And he always has something to say,
• 27:24
  Speaker 1: you know, and he's always funny. Whack tests Maybe if
• 27:27
  Speaker 1: he had says something else, whack, No, I'm funny. No. Yeah,
• 27:31
  Speaker 1: he said he don't make laugh, which is pointing because
• 27:33
  Speaker 1: thumb and I laugh at I laughed to man. But
• 27:35
  Speaker 1: then I guess my great grandfather. So maybe because I
• 27:38
  Speaker 1: got that white blood, maybe that's what makes me make
• 27:42
  Speaker 1: What do you think of comedians calling out of the
• 27:43
  Speaker 1: comedians period? Do you think that some respect angry? You
• 27:46
  Speaker 1: know what it is? Man? Sometimes commas who are not
• 27:48
  Speaker 1: as funny as you are. The one in Hollywood picks
• 27:51
  Speaker 1: eagle Lake, damn what you hit killing it? And they
• 27:56
  Speaker 1: grabbed this cat. If I can't get mad because it's
• 27:58
  Speaker 1: been me what I've been mad. If it had been me,
• 28:00
  Speaker 1: wh I'd be mad. So all I can do is
• 28:02
  Speaker 1: like this, I gotta just keep moving. You almost gotta
• 28:04
  Speaker 1: put blinders like horses when they race, you know, to
• 28:06
  Speaker 1: put blinders on, so like can't see the other horses.
• 28:08
  Speaker 1: Because I see the horses. It throws me off. So
• 28:11
  Speaker 1: I just keep running. Do I get mad sometime? Yeah?
• 28:14
  Speaker 1: I get mad, But I won't speak on a cat
• 28:16
  Speaker 1: because he's doing something with it. He's making money and
• 28:20
  Speaker 1: he's taking care of his family. I'm like this, how
• 28:22
  Speaker 1: can I get mad? He's got the dream I want,
• 28:24
  Speaker 1: So I just gotta keep pushing for the dream. And
• 28:26
  Speaker 1: sometimes you don't get the dream. Sometimes great people get
• 28:29
  Speaker 1: passed over, and that's the hardest part. All Right, we
• 28:32
  Speaker 1: have more with Sinbad when we come back. Don't move.
• 28:34
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club Morning.
• 28:40
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne, the guy. We
• 28:44
  Speaker 1: are the Breakfast Club. We have comedian Sindbad in the building. Charlomagne.
• 28:48
  Speaker 1: That's all you getting that. Justin timber Lake on Twitter,
• 28:50
  Speaker 1: you said, okay, punk guys, justin timber Lake, it was
• 28:52
  Speaker 1: cool until you pulled that Prince board. What made you
• 28:54
  Speaker 1: go off like that? See they were gonna do a
• 28:56
  Speaker 1: Prince tribute for how you do that? How can you
• 28:58
  Speaker 1: do the respect after what you say that about Prince?
• 29:00
  Speaker 1: They said, what Prince dog? And first Prince said, no, Sexy,
• 29:03
  Speaker 1: you didn't bring Sexy back. Sex is always here. That's
• 29:05
  Speaker 1: not dogging him. That's dogging saying Sexy was talking about
• 29:09
  Speaker 1: R and B. I'm bringing Sexy back. You don't get them.
• 29:11
  Speaker 1: You ain't the one. It ain't leave. They got rid
• 29:14
  Speaker 1: of us. Remember they didn't want us to do R
• 29:16
  Speaker 1: and B anymore. I'm not mad because you like RBY.
• 29:18
  Speaker 1: Remember I'm saying I want to win an RMB award.
• 29:20
  Speaker 1: I'm gonna be RMB. Then he went man in the woods.
• 29:22
  Speaker 1: Really so you get to you get to shift and
• 29:25
  Speaker 1: play all over the world, my r and b artists.
• 29:27
  Speaker 1: They didn't die. They can't even go on tour and
• 29:29
  Speaker 1: have a tour. You dog prince and said I look
• 29:31
  Speaker 1: for you on the charge, but you weren't there. I said,
• 29:34
  Speaker 1: you threw that verse at him. The brother never left
• 29:37
  Speaker 1: the charge. He's still the man. And then he didn't
• 29:39
  Speaker 1: show up a prince and get your award show. He's
• 29:41
  Speaker 1: like acceptance for Prince and he bent down at the
• 29:43
  Speaker 1: mic like he was little. I said, if you can't
• 29:45
  Speaker 1: do that with Prince there, they said what they they
• 29:47
  Speaker 1: were friends. If you can't do that joke with Prince there,
• 29:50
  Speaker 1: I don't want to see that joke never have been
• 29:52
  Speaker 1: the audience. I'm gonna jumped up, man, I'm gonna jumped
• 29:54
  Speaker 1: up and grab him, man, because you don't get You
• 29:56
  Speaker 1: don't get to be that dude. Not you. Not you
• 30:00
  Speaker 1: used to fake braids in your hair. No, no, no,
• 30:03
  Speaker 1: So now they got the Prince tribute and afterwards he's
• 30:05
  Speaker 1: gonna get he's with Jimmy l fallon. You know, man,
• 30:07
  Speaker 1: I just feel like I'm the gatekeeper. Oh now you're
• 30:09
  Speaker 1: the gatekeeper the Prince. No, dude, you're not. He said that. Yeah,
• 30:13
  Speaker 1: I want to keep that leg you see alive. And
• 30:16
  Speaker 1: Prince was the greatest. Should have said that while I
• 30:18
  Speaker 1: was here. Should have said that while I was here
• 30:20
  Speaker 1: and I got I got people, I got more people
• 30:22
  Speaker 1: hating me. I said, dude, I don't care about you.
• 30:24
  Speaker 1: You think I said this for you. You don't like
• 30:26
  Speaker 1: me coming to my show? Meet me before the show,
• 30:28
  Speaker 1: give me fifteen minutes. We didn't get this taken care of. Man,
• 30:34
  Speaker 1: they're not gonna show up, dude, they keyboard gainst is.
• 30:37
  Speaker 1: They don't show up. You don't have a real picture.
• 30:39
  Speaker 1: You got picture of a frog. He's froggy one six seven.
• 30:42
  Speaker 1: They ain't coming to the show. That's funny because I mean,
• 30:45
  Speaker 1: you probably knew Prince. You knew Michael Josh Prince. Prince
• 30:50
  Speaker 1: was the baddest cat, baddest cat, talented man. You know what.
• 30:54
  Speaker 1: Put this way? When you around Prince, you feel like
• 30:56
  Speaker 1: you're just this you You really watched yourself. No, like
• 31:00
  Speaker 1: we all hanging, but Prince comme in all y'all be
• 31:02
  Speaker 1: like this. We met him one morning, one showing in
• 31:06
  Speaker 1: the random as hell. It was like six in the
• 31:08
  Speaker 1: morning and somebody said, Prince in the building. I said,
• 31:09
  Speaker 1: Prince in the building, all stop what we're doing. When
• 31:12
  Speaker 1: they he was walking out the hole. Now, they said,
• 31:13
  Speaker 1: we're gonna walk him past here to say hello, and
• 31:15
  Speaker 1: he was walking with two old white women. And it's
• 31:18
  Speaker 1: just like when you saw him. He's like, how are
• 31:19
  Speaker 1: you doing? I can't think of nothing to say other
• 31:20
  Speaker 1: now you don't know, just dumbas said high Prince. How
• 31:23
  Speaker 1: you do, Princess? How he goes? I don't. I grew up, Joe, No,
• 31:27
  Speaker 1: I couldn't think it came out, didn't, but I was
• 31:29
  Speaker 1: just came out something like that. Come out, confessional, come out.
• 31:34
  Speaker 1: And then he took a picture of Prince. This is
• 31:36
  Speaker 1: a fact. Prince turned. We asked him to take a picture.
• 31:38
  Speaker 1: He said, no, I don't. I don't want to take
• 31:39
  Speaker 1: a picture. But then when he walked away, he looked
• 31:41
  Speaker 1: like he was really floating. So I took a picture
• 31:43
  Speaker 1: of his back in my phone. You take a picture
• 31:46
  Speaker 1: in your phone. It was there. I showed everybody. Then
• 31:48
  Speaker 1: it went black black. It was I believe it, dude,
• 31:54
  Speaker 1: because Prince, all right, we're at this house, he thought,
• 31:57
  Speaker 1: his concests house, Me and my daughter sitting talking the
• 32:00
  Speaker 1: hallway where the steps come from, where he lives up top.
• 32:03
  Speaker 1: It's maybe least fifty feet hundred feet away. I turned around.
• 32:07
  Speaker 1: He was right here. I said, man, you gotta quit materializing.
• 32:12
  Speaker 1: You gotta quick materializing next to people he was. He
• 32:19
  Speaker 1: was a different god. Don't make many like that. Nah.
• 32:23
  Speaker 1: You know, think about Princess Gone. There's no like, there's
• 32:25
  Speaker 1: no young Prince at Stephen Wonder goes, there's no young
• 32:29
  Speaker 1: Stevie Wondering. I said, we're losing. We're losing people that
• 32:32
  Speaker 1: are not getting replaced. What's the next what's the next
• 32:36
  Speaker 1: move of greatness? Or is there a move of greatness?
• 32:39
  Speaker 1: Now it's temporary, temporary, temporary, temporary summer. He's hot for this,
• 32:43
  Speaker 1: he's out for this single and everybody getting him love.
• 32:45
  Speaker 1: I said I'd see one team and said, he don't
• 32:46
  Speaker 1: realize he gonna be here two weeks. He talking on
• 32:49
  Speaker 1: the trash. He's gonna be here two weeks. And you
• 32:50
  Speaker 1: think about somebody like Prince who was writing and producing
• 32:53
  Speaker 1: songs for other people, different names, the name, just those instruments,
• 32:58
  Speaker 1: and the way he used to dance in The Purple
• 32:59
  Speaker 1: Rain is one of the most classic movies of all time.
• 33:02
  Speaker 1: He didn't want to do this the only thing he
• 33:03
  Speaker 1: want to do the proplet song. It just happened. Man,
• 33:05
  Speaker 1: It's just you know, he makes accidental hits. And when
• 33:09
  Speaker 1: he has that deep boys know he's single plied. We
• 33:12
  Speaker 1: hein't talking. He'd be talking like this to you and
• 33:13
  Speaker 1: he's listening to every word that he has to say.
• 33:16
  Speaker 1: But he's funny. Prince was funny. Did you ever played basketball?
• 33:20
  Speaker 1: He was a baller? Man? Really crossed me up? You're like,
• 33:26
  Speaker 1: he asked Morris Day did the injy he goes? We
• 33:29
  Speaker 1: didn't know he did music. We knew him from basketball.
• 33:31
  Speaker 1: Really well, do they do the play bass? He does music? Also,
• 33:35
  Speaker 1: they didn't know he did music. He was basketball player.
• 33:38
  Speaker 1: She did him pictures right. All the brothers were the
• 33:39
  Speaker 1: big FROs, all the high yellow brothers, and they all
• 33:43
  Speaker 1: looked like him. They all look at Minnesota like all
• 33:45
  Speaker 1: the brothers ran to get white women and they all
• 33:47
  Speaker 1: look halfree. Funny. What did you think of Quincy Jones's
• 33:51
  Speaker 1: interview where he was saying that Richard Pryce up with
• 33:54
  Speaker 1: Malon Brando and Marvin Gay and I don't think he's
• 33:57
  Speaker 1: I don't think he lied about anything. I think when
• 33:59
  Speaker 1: you get older, you don't don't filter, and they ask
• 34:02
  Speaker 1: him questions. He gave him the answer. I don't think
• 34:04
  Speaker 1: he lied, but he has apologized for putting that business
• 34:08
  Speaker 1: out there. Don't you say, maybe I shouldn't have said it.
• 34:10
  Speaker 1: I just think they called him at a moment. Sometimes
• 34:12
  Speaker 1: they catch you at a moment. He said, I'm tired
• 34:14
  Speaker 1: of hanging on h He's a cool person. And I
• 34:17
  Speaker 1: just think the guy asked the question, or you want
• 34:19
  Speaker 1: to answer if you gotta reading of you, he didn't
• 34:21
  Speaker 1: just start spewing. The guy kept asking. He's all right.
• 34:24
  Speaker 1: Remember now they said, oh he's older, said no, man,
• 34:26
  Speaker 1: he quit drinking his clarity. I just talked Quincy. Quincy
• 34:29
  Speaker 1: is clear as a bell. He's clear. He knew he's
• 34:31
  Speaker 1: clear as a bell. It's interesting because I don't It's
• 34:35
  Speaker 1: like people will be trying to rewrite people's legacies. But
• 34:37
  Speaker 1: I'm like, I don't care if Richard product said Richard
• 34:41
  Speaker 1: said it. So he didn't say that people got massive. No,
• 34:43
  Speaker 1: even if his daughter said maybe one time Richard talked
• 34:49
  Speaker 1: about it. Richard Richard wasn't ashamed of nothing. No, what
• 34:52
  Speaker 1: made Richard work? Sometimes he would say stuff like got Richie.
• 34:55
  Speaker 1: He said that he just said that. I I was nice,
• 34:57
  Speaker 1: said rich one time. You don't ask a lot of truth. Hey,
• 35:00
  Speaker 1: but at least they can't bring it back on me.
• 35:02
  Speaker 1: There you go. It's almost like that eight miles. But
• 35:07
  Speaker 1: when mom man jammed himself up, there was nowhere to go.
• 35:10
  Speaker 1: I call that living your truth. When you when you living,
• 35:12
  Speaker 1: said nobody can use it again. They can't. Brock Obama
• 35:14
  Speaker 1: put that book out. So when he ran for president,
• 35:17
  Speaker 1: you know he was gonna put the book out. He
• 35:19
  Speaker 1: said every they do everything. Trump is just the biggest
• 35:22
  Speaker 1: liar that ever lived. I used to work for him
• 35:24
  Speaker 1: back in the day. That Trump can said, you're in
• 35:26
  Speaker 1: the eighties. But remember he hung out with Mike Tyson,
• 35:28
  Speaker 1: he had met de was Don King. That's why what
• 35:30
  Speaker 1: we said, this dude ain't to do. We knew he
• 35:33
  Speaker 1: was always a con artist, but he was hanging out
• 35:35
  Speaker 1: with rappers and everybody. He didn't Yeah, going to all
• 35:41
  Speaker 1: the fights and stuff got you. But he um he remember,
• 35:44
  Speaker 1: he didn't want to win. He threw things, I like
• 35:46
  Speaker 1: build that wall, healing about the wall, He just threw
• 35:48
  Speaker 1: it out. And he knew he got all all the
• 35:50
  Speaker 1: whole uneducated white people feel they've been displaced Trump winning
• 35:54
  Speaker 1: forget Trump, He's one man. It made me lose faith
• 35:57
  Speaker 1: in this country because I said, we are no better
• 35:59
  Speaker 1: than that I was born in fifty six. Even after
• 36:02
  Speaker 1: having Barack in for eight years, Oh no, what we've
• 36:04
  Speaker 1: always they liked Barack. But Barack had gone full till
• 36:09
  Speaker 1: boogie on him. Think about it. He was he being
• 36:14
  Speaker 1: the first black anything. It's like, hey man, we're gonna
• 36:17
  Speaker 1: try to make this a gender work. We're gonna get
• 36:19
  Speaker 1: this thing going on. Smart black man. But what happens
• 36:21
  Speaker 1: is if he said, look, this is what we're gonna do.
• 36:23
  Speaker 1: This is we're gonna do with this, gonna do This's
• 36:25
  Speaker 1: gonna do this because to the end he was that cat.
• 36:27
  Speaker 1: And in Michelle, she scared the hell out of them.
• 36:29
  Speaker 1: She full tilled book. Think about they hated him. He
• 36:31
  Speaker 1: got in because America was ready that that new young America.
• 36:35
  Speaker 1: But remember you had people like Matt Damon. I'm disappointing you,
• 36:38
  Speaker 1: mister Obama. I'm like, he didn't do what do everything?
• 36:41
  Speaker 1: Make you happy? So I look at the pressure what
• 36:46
  Speaker 1: happened with Barack Obama. Look at him now as an activist.
• 36:48
  Speaker 1: That's a free brother. Right now. When you have to
• 36:50
  Speaker 1: worry about making everybody happy. Because life he gets to
• 36:55
  Speaker 1: do with what that's what he did. He gets to
• 36:57
  Speaker 1: do the things he believes in. What do you think about?
• 36:59
  Speaker 1: Black Pants is resonating with Black America so much? Man,
• 37:02
  Speaker 1: It's resonated with everything. Think about it. Couldn't make that
• 37:04
  Speaker 1: kind of money. You you got some clam members in
• 37:06
  Speaker 1: the front row. Ain't admit it. Yeah, what kind of forever?
• 37:11
  Speaker 1: I'm like, yo, man, this movie was for us. There
• 37:13
  Speaker 1: are little extra things. We were so happy to see
• 37:16
  Speaker 1: black people, black heroes, dark skin ballhead. I said, Jesus,
• 37:21
  Speaker 1: that was the most electric group of black I think
• 37:24
  Speaker 1: we'll ever see in another movie. Think about this. This
• 37:28
  Speaker 1: is about as militant a name you can give a
• 37:30
  Speaker 1: movie and give a comic book, and coming from Africa,
• 37:34
  Speaker 1: and everybody wanted to see it. Almost at a billion
• 37:36
  Speaker 1: and two it yea three times already. I look at them, man,
• 37:40
  Speaker 1: that's part of you. Guys are part of something. It's
• 37:43
  Speaker 1: like being part of roots or something. You just, no
• 37:45
  Speaker 1: matter else you do, you did Black Panther, no matter
• 37:47
  Speaker 1: what else happens. I look at the look she's getting
• 37:49
  Speaker 1: ready to do. Uh play. She went to to Trevor
• 37:52
  Speaker 1: Noah's show. I want to play the mother and want
• 37:56
  Speaker 1: to produce it. Do Look now you get powered with that.
• 37:59
  Speaker 1: Now she's empowered. I'm glad you said that, man, because
• 38:02
  Speaker 1: if you know, they had this thing where they was
• 38:04
  Speaker 1: trying to get Disney to give like twenty five percent
• 38:07
  Speaker 1: back to the black community. Dude, stop, all the people
• 38:10
  Speaker 1: are gonna be empowered and do things like what Lupete
• 38:13
  Speaker 1: is doing now, being able to make the Truvor Know
• 38:14
  Speaker 1: a story. Ryan's gonna be the biggest director in Holliday.
• 38:16
  Speaker 1: They don't have to get they'll get a trumpet center
• 38:18
  Speaker 1: the white community. Dude, I think dog get it. That
• 38:22
  Speaker 1: movie shows you go get it yourself and it shows
• 38:25
  Speaker 1: these kids you can go out and possibly want to
• 38:27
  Speaker 1: be involved in technology. Yes, I think that was exciting.
• 38:30
  Speaker 1: That was great. Yeah, and the female female doing something
• 38:34
  Speaker 1: absolutely all right. We have more with Simbad when we
• 38:36
  Speaker 1: come back, don't move. It's to Breakfast Club, Go Morts
• 38:39
  Speaker 1: the morning. Everybody is DJ Envy, Angela, Ye, Charlomagne and
• 38:43
  Speaker 1: God we all the breakfast club we have after comedian
• 38:46
  Speaker 1: Sinbad in the building. Don't talk about Bill Cosby. You're
• 38:49
  Speaker 1: a good friend of Bill Cosby. Yeah, did you reach
• 38:50
  Speaker 1: out to him recently after his daughter pack? Yeah? Man,
• 38:52
  Speaker 1: just I know everybody called. You know, you lose somebody.
• 38:55
  Speaker 1: So I just left a message with airing his daughter.
• 38:58
  Speaker 1: They don't try to give a couple of days. I
• 38:59
  Speaker 1: don't know how that is. He lost two kids. Man,
• 39:02
  Speaker 1: you know, I don't. I don't know how that is.
• 39:03
  Speaker 1: And now with the way his name has seen, you know,
• 39:07
  Speaker 1: I don't know how. You know. I don't know if
• 39:08
  Speaker 1: the our point is even the same. But you know,
• 39:11
  Speaker 1: to lose a child like that, man, Joe, I don't know.
• 39:14
  Speaker 1: I don't know how my heartbreak would be. I don't
• 39:16
  Speaker 1: how my heartbreak would be. You just send your condolences
• 39:19
  Speaker 1: in your prayers. Yeah, prayers, you know, we know. No,
• 39:21
  Speaker 1: we do now online so much. I say me, loving light,
• 39:24
  Speaker 1: what's light? But light? Did you send me doing stock line?
• 39:28
  Speaker 1: But the world is so dark? Man, loving light? No
• 39:30
  Speaker 1: I can do. Man, I can send you as man
• 39:32
  Speaker 1: I'm here because you can't. Because people say I'm saying
• 39:35
  Speaker 1: loving light, Could you really send like to me exactly
• 39:38
  Speaker 1: what you meant to me to me? Because I don't
• 39:40
  Speaker 1: see it. I'm on the side of my lights are
• 39:43
  Speaker 1: turned off. What light? Did you send words? When you
• 39:48
  Speaker 1: see it? Yeah? Condocts like negativity, So you want to
• 39:51
  Speaker 1: be the positive person. But come and statement like that,
• 39:53
  Speaker 1: what's up? No, we said what's up? We said loving
• 39:56
  Speaker 1: light please and not being criticized. I think social media
• 40:01
  Speaker 1: has made some words mean nothing to me. Me too,
• 40:04
  Speaker 1: I hate problems. Social media has made me. Everyone wants
• 40:07
  Speaker 1: to be a guru. People can't just a hit man
• 40:09
  Speaker 1: a good day. Look, they got pictures themselves. She wants
• 40:12
  Speaker 1: to walk strong? Who is she say? I? I want
• 40:17
  Speaker 1: to walk strong? She wants to be strong? How do you?
• 40:20
  Speaker 1: How do you feel about all of these shows that
• 40:22
  Speaker 1: they're talking about rebooting, a lot of the shows from
• 40:24
  Speaker 1: the nineties, like Martin and what if they do it right? Mark?
• 40:26
  Speaker 1: We all would we would love to see I always
• 40:28
  Speaker 1: wanted what have grown? Martin would have been like, Yeah,
• 40:31
  Speaker 1: And it's a shame though that him and Hearon Dwayne
• 40:33
  Speaker 1: are breaking up. Now that's crazy, man, it's twenty seven
• 40:36
  Speaker 1: years A damn, that's twenty seven years in game? Would
• 40:40
  Speaker 1: you be done for a different World reboot? They didn't
• 40:42
  Speaker 1: know what we've been trying to get. The reboots should
• 40:44
  Speaker 1: be like were professors you know, condeming them should be professors,
• 40:48
  Speaker 1: and he was. He went to work in Japan. They
• 40:50
  Speaker 1: came from that place finding some new kids. But they
• 40:53
  Speaker 1: have to ride at the way costs. We had it
• 40:55
  Speaker 1: done cos was a smart man. The problem is do
• 40:57
  Speaker 1: you have the people who are smart as the people
• 40:59
  Speaker 1: to create the first m that's it, like Roseanne's coming back.
• 41:04
  Speaker 1: They gotta be if if they're not Trump supporters on
• 41:05
  Speaker 1: Roseanne something man right, Yeah, they Trump. They gotta be real.
• 41:08
  Speaker 1: They gotta be real. They gotta be no support. They
• 41:09
  Speaker 1: got two writers who not when he comments, is producing
• 41:12
  Speaker 1: it and upecially they don't Wow. Yeah, because I would
• 41:16
  Speaker 1: think that they would definitely be walking with the make
• 41:18
  Speaker 1: American grade again had them would you know what though,
• 41:20
  Speaker 1: if if you don't believe in Trump, if you've ever
• 41:23
  Speaker 1: been in a debate on if you ever guys have
• 41:24
  Speaker 1: the debate, debate that makes you do both sides of
• 41:26
  Speaker 1: the argument. That's what made me a thinker when I
• 41:28
  Speaker 1: was in high school. I mean, my teacher, we think
• 41:31
  Speaker 1: about this a debate the other side. So what it
• 41:35
  Speaker 1: made me look how this guy's gonna argue with me?
• 41:37
  Speaker 1: Because you got to see how you argue with so
• 41:39
  Speaker 1: that way. That's how you can chop him down. Yeah,
• 41:42
  Speaker 1: smartest move. So if you do both sides, now you
• 41:45
  Speaker 1: really say you can see both sides of an argument.
• 41:47
  Speaker 1: You really need to religion. That's true because I was
• 41:50
  Speaker 1: at this event for the University of the West Indies
• 41:52
  Speaker 1: and they were saying, we always have Democrats up here
• 41:54
  Speaker 1: and we never have anybody really from the other side arguing, Wow,
• 41:57
  Speaker 1: they others had it, and that is true. We don't
• 41:59
  Speaker 1: really ever do that. We don't want him, we said,
• 42:00
  Speaker 1: we don't want to know. Let him come. Let the
• 42:02
  Speaker 1: dumb just come out sometimes, Let the dumb just be real.
• 42:05
  Speaker 1: Let let I said, well, she'd be allowed to speak
• 42:07
  Speaker 1: of to school. Yeah, he might not leave though, y'all.
• 42:10
  Speaker 1: Let him come in. I'm like this, If he that's stupid,
• 42:13
  Speaker 1: Bring him in and let him talk. Yeah, let him talk.
• 42:16
  Speaker 1: I agree with you real quick. You said something about
• 42:18
  Speaker 1: Cosby or in different World. But what didn't Debbie Allen
• 42:20
  Speaker 1: take the range of that show Debbie Allan directed, when
• 42:22
  Speaker 1: deviid got to the show, turn Dever got there, when
• 42:25
  Speaker 1: Debi got there, Man, I got free, but you mean free,
• 42:28
  Speaker 1: oh man, make your own lines. See what you want
• 42:30
  Speaker 1: to say? Yeah, she let me do something man. The
• 42:31
  Speaker 1: first too for why, it was like, why I'm I here?
• 42:35
  Speaker 1: I didn't know why I was there. I said, I
• 42:36
  Speaker 1: don't I don't know why I'm here. I would just
• 42:39
  Speaker 1: waste it, man. And then Debbie Allen told me listen here,
• 42:43
  Speaker 1: she's I'm gonna say technical difficulty. I just want you
• 42:45
  Speaker 1: to make some money. So I would talk to the
• 42:47
  Speaker 1: extras man, We're gonna do this, gonna do this, and
• 42:49
  Speaker 1: we were just I was having fun. I had fun.
• 42:52
  Speaker 1: I had fun because Cosby gets a lot of the credit,
• 42:54
  Speaker 1: but Wie was like Debbie director but causes cause was
• 42:57
  Speaker 1: the one that put Look, there wouldn't been any of
• 42:59
  Speaker 1: those cosm not Roseanne, not Jason. Cosby created everybody stuff
• 43:05
  Speaker 1: because because comedy was dead, and they said magnum p
• 43:08
  Speaker 1: I was gonna kill him. They say, they say it
• 43:09
  Speaker 1: was stupid to even try. And I love what he said. Well,
• 43:11
  Speaker 1: you know what, either part of the problem or pross solution. Boom,
• 43:15
  Speaker 1: And then they came up the Simpsons to kill him. No,
• 43:18
  Speaker 1: Simpsons supposed to be the Cosby killer. Really, Simpsons was
• 43:21
  Speaker 1: supposed to be the Cosby killer on Fox same time
• 43:24
  Speaker 1: as Cosby. Not he did the first night the Simpsons
• 43:26
  Speaker 1: came on the bidding the beginning of the Cosby Show,
• 43:29
  Speaker 1: his kids are watching the Simpsons. He goes, that's a
• 43:31
  Speaker 1: good show right back in their face. Wow, I never
• 43:35
  Speaker 1: saw that episode that to sit there way he goes
• 43:39
  Speaker 1: that love that Simpsons show. It seems like, well he
• 43:41
  Speaker 1: ain't intimidated, so what made him buy out? Then? No,
• 43:45
  Speaker 1: they went, they went, They went the route Cosby Show
• 43:47
  Speaker 1: went his route. Eight seasons, a different, different world. They canceled.
• 43:50
  Speaker 1: They do they hate? You know what they hated? Oh no,
• 43:54
  Speaker 1: they they canceled it. They canceled it because it wasn't
• 43:57
  Speaker 1: supposed to be great. Cosby was supposed to be right,
• 44:00
  Speaker 1: don't just stand living single when it's supposed to be great.
• 44:03
  Speaker 1: Look at Tyler Perry. That was an accident. He was
• 44:05
  Speaker 1: taping the plays Lionsgate. They were trying to get in
• 44:07
  Speaker 1: the game, so they said, let's just take some of
• 44:09
  Speaker 1: these people, put them out. Boom, blew up, blew up.
• 44:13
  Speaker 1: Nobody anticipated, no anticipate, Oprah. I think it was King
• 44:17
  Speaker 1: World allowed her to own her show after three to
• 44:19
  Speaker 1: five years because they don't think they're going anywhere. Big mistakes. Yeah,
• 44:24
  Speaker 1: you remember she was going against un in Chicago. They
• 44:29
  Speaker 1: said he had to move to New York and she
• 44:32
  Speaker 1: moved to King College. People against Magna Pi. Magna PI
• 44:35
  Speaker 1: got canceled. So with the surgeons. Now that black Hollywood
• 44:39
  Speaker 1: is having I don't know what that means because I
• 44:40
  Speaker 1: still haven't seen what they called Black Hollywood re member.
• 44:43
  Speaker 1: It was the Black Pack back in the nineties, and
• 44:47
  Speaker 1: I always say, look, man, you don't pay attention. That's
• 44:49
  Speaker 1: what we done. They struck to the cash members of
• 44:51
  Speaker 1: a different world. You know, man, we'll be on the
• 44:52
  Speaker 1: cover of Jet magazine. What happened to cancer different world?
• 44:55
  Speaker 1: That's what it doesn't happen for us. Like a for
• 44:57
  Speaker 1: white actress like Brad Pitt gets to be in little
• 44:59
  Speaker 1: stuff and grow up. All these guys get to grow
• 45:01
  Speaker 1: and be something else. I said, we could just be
• 45:03
  Speaker 1: the biggest start in the face of earth and just
• 45:06
  Speaker 1: go away. And it's that's been the way it works.
• 45:09
  Speaker 1: Now was the time I love what Ava Duverney all
• 45:11
  Speaker 1: I'm doing. Create, Keep creating your own project. Remember they
• 45:14
  Speaker 1: called them blaxploitation movies. In the seventies. We were killing
• 45:17
  Speaker 1: the game and they said, wait a minute. When we
• 45:19
  Speaker 1: started directing our own. So they were directing, but we
• 45:21
  Speaker 1: started directing our own. They said, well, it's blaxploitation. We
• 45:25
  Speaker 1: even took on that word blaxploitation. Said no, that was
• 45:28
  Speaker 1: the smartest movie they did. To kill it. Blaxploitation. They
• 45:31
  Speaker 1: exploit us. Now it's movies. Was they different than Death
• 45:34
  Speaker 1: Wish and all the other movies we watch? So now
• 45:37
  Speaker 1: we were to it's negative for us, but let's get
• 45:39
  Speaker 1: rid of let's only have positive movies. I said, we
• 45:41
  Speaker 1: don't just live positive lives. You know Godfather ever it
• 45:44
  Speaker 1: wants to watch Godfather, but when we do a black gangster,
• 45:47
  Speaker 1: I said, just make sure the black gang said just
• 45:49
  Speaker 1: as cool like New Jack City was cool, just like
• 45:53
  Speaker 1: Godfather cool. It was gangsters. But he realized they could
• 45:56
  Speaker 1: be anything. They could have been businessmen, they could be
• 45:58
  Speaker 1: anything else they wanted to be. You know, it's sometimes
• 46:00
  Speaker 1: black people wear our own worst enemy is that because
• 46:02
  Speaker 1: we'd be like, why are you making this kind of film,
• 46:04
  Speaker 1: putting us in this life? Train us this way? But
• 46:07
  Speaker 1: the problem is this, we don't mind that if we
• 46:09
  Speaker 1: got enough other ones. Seems true, white shows have enough
• 46:12
  Speaker 1: positive shows. You got gagsman, got this is us? Yeah,
• 46:15
  Speaker 1: you got a balance. We just want the balance. Remember
• 46:18
  Speaker 1: giving us a show with love, horrible mance. That's the killer.
• 46:21
  Speaker 1: We can't show black love. We can't show romance. That's
• 46:24
  Speaker 1: the thing they want. They don't want to show a
• 46:26
  Speaker 1: couple like I would find comedies. I want to do that.
• 46:29
  Speaker 1: We're not written black. I didn't want anything was written black.
• 46:31
  Speaker 1: I said, let me, let me do what I gotta
• 46:32
  Speaker 1: do with it. I find the scripts as soon as
• 46:34
  Speaker 1: I get it to go. And won't get rid of
• 46:35
  Speaker 1: the female colleague with you and give your male partner
• 46:38
  Speaker 1: or a dog. And I'm like, why can't you just
• 46:41
  Speaker 1: keep the female. They don't want to show that shows
• 46:44
  Speaker 1: to you or you have a male partner. No, no,
• 46:46
  Speaker 1: I movie in the movie, it was it was a
• 46:50
  Speaker 1: it was a female. And then let's do the comedy.
• 46:52
  Speaker 1: You and a buddy, buddy coming. Okay. I thought you
• 46:53
  Speaker 1: meant something else. No, no, no, no, I'm not like that.
• 46:57
  Speaker 1: I'm not brought back out and I'm just I'm just
• 47:00
  Speaker 1: not I'm not the good actor. We'll sit back, will
• 47:05
  Speaker 1: be at Caroline's all weekends right Thursday tonight. You Carolines
• 47:15
  Speaker 1: dot com for your tickets. He's looking for a partner,
• 47:17
  Speaker 1: and we appreciate you for joining us every time. Man. Yeah, conversations. Absolutely,
• 47:23
  Speaker 1: it's the breakfast Club. Good morning, the breakfast Club. This
• 47:32
  Speaker 1: is the rule of report with Angela Ye Breakfast Club.
• 47:41
  Speaker 1: TI has lifted that band against Houston's. That's because he
• 47:45
  Speaker 1: said they were racist and they had racist policies. Well,
• 47:48
  Speaker 1: according to sources close to TI, he's had several meetings
• 47:52
  Speaker 1: with executives at the Houston at the Atlanta area Houston's,
• 47:56
  Speaker 1: and they have agreed to certain things. They assured him
• 47:58
  Speaker 1: there will be no racial discrimination and seating customers. People
• 48:01
  Speaker 1: have been complaining about that already. They also said the
• 48:05
  Speaker 1: dress code would be more relaxed because TI felt like
• 48:08
  Speaker 1: the dress code would discriminate against African Americans. And they
• 48:11
  Speaker 1: also agreed to bring more minorities into the restaurant's business.
• 48:15
  Speaker 1: Go ahead, right, TI for TI getting thanks John Okay
• 48:21
  Speaker 1: putting that big vocabulary to the good use. So now
• 48:25
  Speaker 1: you can go back to Houston's if you hadn't been going. Thankfully,
• 48:28
  Speaker 1: they were receptive to listen to what he had to
• 48:31
  Speaker 1: say and the community's complaints. I'm sure Jez because of
• 48:34
  Speaker 1: the band. I'm sure Jeezy's happy about that because he's
• 48:37
  Speaker 1: addicted to Houston's he loved the Spanish Day. Well, let's
• 48:39
  Speaker 1: take it to Houston now, Trade the Truth. Now he's
• 48:42
  Speaker 1: still banned on the radio out there, and he yes,
• 48:45
  Speaker 1: and he has now taken legal action to fight that band. Now,
• 48:49
  Speaker 1: previously he had done that against the program manager and
• 48:52
  Speaker 1: a radio one back I think it was about eight
• 48:54
  Speaker 1: years ago, but that case got dismissed. Well, now he
• 48:57
  Speaker 1: has a new case that he's filed. He even talks
• 49:00
  Speaker 1: about all the relief that he's been providing to people
• 49:02
  Speaker 1: in Houston since Hurricane Harvey hit. We see that every
• 49:04
  Speaker 1: single day that day it's still happening. And that radio
• 49:08
  Speaker 1: station acknowledge every other celebrity except for Trade the Truth
• 49:11
  Speaker 1: who gave their time and money to help Houston, which
• 49:13
  Speaker 1: is petty as hell, by very petty. Trade the Truth
• 49:16
  Speaker 1: is a hometown hero. He's out there helping the people
• 49:18
  Speaker 1: of Houston, helping the community. And you won't even acknowledge this, brother,
• 49:21
  Speaker 1: because there's some petty past feud that you had with
• 49:24
  Speaker 1: Trade the Truth. That's corny as hell, right, and that
• 49:26
  Speaker 1: few do all started back at Trade Day in two
• 49:28
  Speaker 1: thousand and nine, there was a shooting eight people were
• 49:30
  Speaker 1: shot during that incident, and there was back and forth.
• 49:34
  Speaker 1: He went up to the radio stations in an interview
• 49:36
  Speaker 1: and they just had some And by the way, when
• 49:39
  Speaker 1: you got personalities on the station who've been in Houston
• 49:42
  Speaker 1: for so long, they posted to go to them, lame
• 49:43
  Speaker 1: ass executives and say, man, what are y'all doing? This
• 49:45
  Speaker 1: man means more to the city of Houston than this
• 49:47
  Speaker 1: goddamn radio station. People might be it might be a
• 49:49
  Speaker 1: personality he had a conflict with, you know what I mean,
• 49:51
  Speaker 1: But at this point you should they should talk about
• 49:53
  Speaker 1: trade does too much for that community, right much? And
• 49:56
  Speaker 1: it's like they have this just stubborn, we will never
• 49:58
  Speaker 1: ever give in anything. Doesn't even make any sense anymore.
• 50:02
  Speaker 1: At this point, he's willing to come to the table.
• 50:03
  Speaker 1: I want to know what trade did whose wife to
• 50:05
  Speaker 1: trade sleep with at that radio station? The trade, I
• 50:08
  Speaker 1: guess he did a disrecord against the personality and distracord.
• 50:11
  Speaker 1: That's it. That's all. You know, how many disrecords going Charlomagne.
• 50:15
  Speaker 1: A matter of fact, my single right now is, by
• 50:18
  Speaker 1: the way, Charlemagne, know what I hate about that? The
• 50:20
  Speaker 1: fact that he don't say my name clear enough Okay,
• 50:22
  Speaker 1: we know you went your name, want my recognition if
• 50:25
  Speaker 1: you gonna dis me, at least say but you know
• 50:27
  Speaker 1: what the worst part is, I remember when all this
• 50:28
  Speaker 1: was happening because I spoke to Trade at the time,
• 50:30
  Speaker 1: and they would fire you at the station if even
• 50:33
  Speaker 1: if you weren't at work, if you were at a
• 50:35
  Speaker 1: club and played one of his songs. Somebody got fired
• 50:37
  Speaker 1: for that that person. I hope Trey wins that lawsuit,
• 50:41
  Speaker 1: and I hope that Trade gets his own Quiet Storm show.
• 50:43
  Speaker 1: I think they need to bring the Quiet Storm back
• 50:45
  Speaker 1: and let Trade the Truth hosting. No, well, not Trade
• 50:47
  Speaker 1: got that deep. We're not on that other station. If
• 50:49
  Speaker 1: they're gonna give them a show, they're gonna give it
• 50:51
  Speaker 1: on out station, and it used to Trade the Truth.
• 50:54
  Speaker 1: But anyway, Trey has a lot of great things happening
• 50:56
  Speaker 1: with him. He has a baby on the way. Also,
• 50:58
  Speaker 1: that's because Doug Love is really shut up matth. You
• 51:01
  Speaker 1: can't see trading truthfuls from the Doug Glove Show when
• 51:03
  Speaker 1: he's I never heard him screamer and he just always
• 51:06
  Speaker 1: has that same this is him Barry what all right? Now,
• 51:10
  Speaker 1: let's talk about Ama Rosa. She was on with Stephen Colbert,
• 51:14
  Speaker 1: and she had a lot of things to say about
• 51:15
  Speaker 1: working for Donald Trump. She talks about escaping the plantation
• 51:20
  Speaker 1: and being so loyal to him because she was friends
• 51:22
  Speaker 1: with him for fifteen years, show certain things she just
• 51:24
  Speaker 1: can't say. Uh, And here is Ama Rosa. He's gonna
• 51:28
  Speaker 1: come after me with everything he has, Like I'm going
• 51:31
  Speaker 1: up against a kajillionaire. I'm tired of being muted. I've
• 51:34
  Speaker 1: been just putting all the stuff, just watching stuff. Never
• 51:37
  Speaker 1: said anything because I'm from the streets. You know, that
• 51:40
  Speaker 1: just gets That's been That's the mom trap. I have
• 51:43
  Speaker 1: been so loyal to the point where people are looking
• 51:46
  Speaker 1: at me like something is wrong, Like why wouldn't you
• 51:48
  Speaker 1: just say something? Did? Like? But that was all I
• 51:51
  Speaker 1: had is my word And I've been so loyal. But
• 51:53
  Speaker 1: oh freedom, I'm emancipated. Who feel like I just got
• 51:56
  Speaker 1: freed off of a plantation? Did she do these nitches?
• 52:00
  Speaker 1: Get stitches in that? Who gave Alma Rosa her Fisher
• 52:02
  Speaker 1: price on black? Now? Started? Kid? That comes with certain
• 52:06
  Speaker 1: lingo snitches get stitches? Okay, how all of a sudden
• 52:10
  Speaker 1: you was on the plantation. You was willingly on the plantation.
• 52:12
  Speaker 1: You was volunteering to pick the cotton. Okay, snitches all
• 52:15
  Speaker 1: right here on the street. Here's more of Alma Rosa.
• 52:18
  Speaker 1: The White House that I worked in that Trump administration
• 52:21
  Speaker 1: was it was troubling, and it was it was very difficult.
• 52:26
  Speaker 1: And my analogy of it being a plantation, being an
• 52:29
  Speaker 1: ecosystem of work where people feel oppressed is pretty clear.
• 52:33
  Speaker 1: When you aren't allowed to do the job you were
• 52:36
  Speaker 1: brought to be to do, to help be a change agent,
• 52:39
  Speaker 1: to help be the liaison for communities that needed that assistance,
• 52:43
  Speaker 1: that's where that oppression comes from. And that's what that
• 52:46
  Speaker 1: analogy meant. Stephen, you picked a side Alma Rosa. Now
• 52:50
  Speaker 1: you gotta stay there. Okay, you know how you know?
• 52:52
  Speaker 1: I'm a Rosa trash. She's a black woman, and other
• 52:55
  Speaker 1: black women don't even come to her defense. I don't
• 52:57
  Speaker 1: think anybody like She's out here using the trigger words,
• 53:00
  Speaker 1: trying to stir up the emotional and cultural outrage. That
• 53:04
  Speaker 1: makes you feel like, you know you have an obligation
• 53:06
  Speaker 1: to stand with her, and they still not standing with her. Right,
• 53:09
  Speaker 1: that's how you know Alma Rosa. So we could support
• 53:11
  Speaker 1: everybody black. But if Netflix offered Rosa half a million dollars.
• 53:16
  Speaker 1: People would say they would pay her too much, Okay,
• 53:19
  Speaker 1: But with Stephen Colbert in Todd, he introduced her as
• 53:22
  Speaker 1: someone who went from the White House to the Big
• 53:24
  Speaker 1: Brother House and managed to make it out of both
• 53:26
  Speaker 1: of them a lot. So that's why we heard that
• 53:27
  Speaker 1: Big Brother clip. And then we heard her talking to
• 53:30
  Speaker 1: Stephen Colbert about the plantation and escaping from the plantation.
• 53:34
  Speaker 1: Alma Rossa, you was not escaping. You was there willingly
• 53:37
  Speaker 1: volunteering to pick the cotton. Now, one of the biggest
• 53:39
  Speaker 1: news items that also happened from the White House, most recently,
• 53:42
  Speaker 1: was the resignation of Donald Trump's communications director Hope Hicks,
• 53:46
  Speaker 1: who was also Ama Rosa's boss. And Hope Picks did
• 53:49
  Speaker 1: admit that she lied on Trump's behalf, and she didn't
• 53:53
  Speaker 1: give any details on what she lied about. But here's
• 53:55
  Speaker 1: what Alma Rosa had to say. I would suspect the
• 53:58
  Speaker 1: first big one might be about crowd size, but I
• 54:00
  Speaker 1: don't want to really go into Let's go no, please,
• 54:06
  Speaker 1: let's go into it. Dude, you worked in the Office
• 54:10
  Speaker 1: of Communications. Let's communicate Hope communication. Yeah, yeah, you know.
• 54:15
  Speaker 1: I got to attend the inauguration of Phil Clinton push Obama.
• 54:19
  Speaker 1: And when we got to the Trump inauguration and they
• 54:23
  Speaker 1: said this was the largest crowd size, I'm like, man,
• 54:25
  Speaker 1: I've been to a lot of inaugurations. Don't you talk
• 54:30
  Speaker 1: bad about your masth? And now I don't want to
• 54:32
  Speaker 1: hear that. Don't you talk bad about your math? And
• 54:35
  Speaker 1: now I'm a rosa. Okay, all right, well I'm angela
• 54:38
  Speaker 1: yee and that is your rumor report. Oh my goodness, shout, yes,
• 54:42
  Speaker 1: we don't give you an listen. I don't really like
• 54:45
  Speaker 1: to give Donkey Day to athletes for things that they
• 54:48
  Speaker 1: do on the court, because I can't do nothing that
• 54:49
  Speaker 1: they do on the court because they're superior athletes. But
• 54:52
  Speaker 1: every so often somebody gets the credit they deserve for
• 54:55
  Speaker 1: not being stupid but looking stupid. And I need Wesley
• 54:59
  Speaker 1: Johnson to the Lost Angeles Clippers, to come to the
• 55:01
  Speaker 1: front of the congregation, because I've watched this clip at
• 55:03
  Speaker 1: least seventy five times till six am this morning, and
• 55:06
  Speaker 1: we need we would like to have a word for him,
• 55:07
  Speaker 1: and I think he could use the prayer. All right,
• 55:10
  Speaker 1: we'll get into that when we come back. Keep a
• 55:11
  Speaker 1: lot just to breakfast club, Good morning, get donkey, you
• 55:17
  Speaker 1: get dun you are jo, I'm gonna fatten all that around.
• 55:28
  Speaker 1: You want this man's two doten blowers. Man, they're waiting
• 55:31
  Speaker 1: for Charlemagne to top the blows. Have to make a judgment.
• 55:35
  Speaker 1: Who was going to be on the Donkey of the day.
• 55:37
  Speaker 1: They chose you because the breakfast club bitch you, Who's
• 55:40
  Speaker 1: donkey of the day to day? My tee though already
• 55:43
  Speaker 1: got my team. Come on, you gotta do your donks.
• 55:44
  Speaker 1: I'm talking to my niece now like donkey today for Thursday,
• 55:47
  Speaker 1: March first goes to Wesley Jamar Johnson of the Los
• 55:50
  Speaker 1: Angeles Clippers. He's thirty years old and been in the
• 55:53
  Speaker 1: NBA for seven years, and I know for a fact
• 55:55
  Speaker 1: I can't do what he does and he can't do
• 55:57
  Speaker 1: what I do. I don't like the critique professional athletes
• 55:59
  Speaker 1: when it comes to their skills because they are just
• 56:01
  Speaker 1: physically blessed in a way that I am not. And
• 56:03
  Speaker 1: I know it takes a lot of hard work to
• 56:05
  Speaker 1: get to the professional level, so I respect it. But
• 56:08
  Speaker 1: oftentimes things happen in professional sports where I have to
• 56:11
  Speaker 1: give someone the credit they deserve for being stupid, usually
• 56:14
  Speaker 1: for off the field issues if they do something on
• 56:17
  Speaker 1: the field, they can get it too. But oftentimes things
• 56:19
  Speaker 1: are out of their control on the field. See, it's
• 56:21
  Speaker 1: just a battle of superior athletes versus superior athletes, skill
• 56:25
  Speaker 1: versus skill, will versus will. But when one athlete is
• 56:28
  Speaker 1: simply more elite than the other, sometimes you end up
• 56:31
  Speaker 1: being a donkey, not because you did something stupid, but
• 56:34
  Speaker 1: because you look stupid. And last night Wesley Johnson of
• 56:38
  Speaker 1: the Los Angeles Clippers looked extremely stupid. Now I've been
• 56:42
  Speaker 1: on this planet, damn near four decades. I've seen people
• 56:45
  Speaker 1: get dunked on. I've seen killer crossovers happened before. I've
• 56:47
  Speaker 1: seen Alan Obvison shake Tyrone low and step over him.
• 56:51
  Speaker 1: And up until last night, I thought that was the
• 56:53
  Speaker 1: most disrespectful thing I had ever seen in my life
• 56:55
  Speaker 1: on an NBA court. But along came James Harden going
• 56:59
  Speaker 1: one on one with Wesley Johnson. Now, if you didn't
• 57:01
  Speaker 1: see the game, it was twenty eight to seven at
• 57:04
  Speaker 1: that point. The Rockets were absolutely having their way with
• 57:06
  Speaker 1: the LA Clippers. James Harden hit Wesley Johnson with his
• 57:10
  Speaker 1: patented left the right crossover. He hopped back on the
• 57:13
  Speaker 1: wing and Wesley Johnson had an anxiety attack. Oh boy,
• 57:18
  Speaker 1: straight panic attack. Okay. Wesley Johnson looked like he was
• 57:21
  Speaker 1: going through his girl's phone and he saw a penis
• 57:23
  Speaker 1: pick from Safari. Wesley Johnson looked exactly like Wendy Williams
• 57:28
  Speaker 1: when she passed out on live TV. Like it was
• 57:30
  Speaker 1: that same look people get when the Grim Reaper in
• 57:33
  Speaker 1: the trench coat the hat in the shades comes for
• 57:36
  Speaker 1: you in the Crossroads video. You know, James Harden with
• 57:39
  Speaker 1: the Grim Reaper last night, and he touched Wesley Johnson
• 57:42
  Speaker 1: in between his eyes. Wesley Johnson's eyes turned black, and
• 57:45
  Speaker 1: it's like he started doing the blockboy JB dance JB
• 57:50
  Speaker 1: blockboy dance, whatever you young kids call it. Like he
• 57:52
  Speaker 1: was on one leg and he hopped backwards about ten
• 57:55
  Speaker 1: feet away from James Harden. And as Wesley Johnson was
• 57:58
  Speaker 1: doing the blockboy JB dance, the one leg he was
• 58:00
  Speaker 1: hopping on gave out on him and he just collapsed
• 58:03
  Speaker 1: to the floor. Now, I'm gonna play a clip of it,
• 58:05
  Speaker 1: but the clip would do you no good. You just
• 58:06
  Speaker 1: have to see it. But let's just play a little
• 58:08
  Speaker 1: bit of the clip. Let me just hit the reaction
• 58:11
  Speaker 1: on one here. Yeah, James double up the clip. First
• 58:13
  Speaker 1: clean up on Aisle three, clean up on Oil three.
• 58:17
  Speaker 1: Someone calls someone because there's a clean up on Oil
• 58:21
  Speaker 1: three as a man's belt. How does it look from
• 58:23
  Speaker 1: from court angle? Oh no, oh, no, oh no, that's
• 58:28
  Speaker 1: not good. It's just not good there. That's from uptop out. Now,
• 58:33
  Speaker 1: if you watch it on Revote TV, you can see it.
• 58:35
  Speaker 1: But if you're just listening to us on the radio,
• 58:37
  Speaker 1: you can tell from the reaction of the crowd. You
• 58:39
  Speaker 1: can tell from the reaction of the announcements that it
• 58:41
  Speaker 1: wasn't good. When the announcement says it's a clean up
• 58:44
  Speaker 1: on Aisle three, he's telling you, Wesley Johnson, that you
• 58:47
  Speaker 1: indeed looked a mess. All right, The white man said,
• 58:50
  Speaker 1: someone calls someone. I thought he was about to say
• 58:52
  Speaker 1: nine one one, But James Harden made you look so
• 58:55
  Speaker 1: stupid that the white man announcing the game couldn't remember
• 58:57
  Speaker 1: three simple numbers that you use during them ergency. Now,
• 59:01
  Speaker 1: after James Harden made Wesley Johnson do the Blockboy JB dance,
• 59:04
  Speaker 1: and after Wesley Johnson's one leg that he was hopping
• 59:06
  Speaker 1: on while doing the dance gave out on him, I
• 59:08
  Speaker 1: thought the play was dead. Well, actually I thought Wesley
• 59:11
  Speaker 1: Johnson was dead because Wesley Johnson took a brief nap
• 59:13
  Speaker 1: right there on the Staple Center's floor. Okay, well people
• 59:16
  Speaker 1: thought he was sleeping, but I actually think he laid
• 59:18
  Speaker 1: down to contemplate life. See, life comes at you fast,
• 59:21
  Speaker 1: almost as fast as James Harden. James Harden's left the
• 59:24
  Speaker 1: right crossover. But when it hits you like that, sometimes
• 59:27
  Speaker 1: you have to just lay down and contemplate is it
• 59:30
  Speaker 1: all worth it? Wesley Johnson making five point eight million
• 59:33
  Speaker 1: dollars this year, great money, but money isn't everything. And
• 59:36
  Speaker 1: in that moment when you're laid out on the Staples
• 59:38
  Speaker 1: Center's floor and you know you just became a meme,
• 59:41
  Speaker 1: when you know you about to be all over ESPN
• 59:43
  Speaker 1: for all the wrong reasons, In that moment after being
• 59:46
  Speaker 1: crossed over, you realize why James Harden is making thirty
• 59:49
  Speaker 1: point four million this season and you're making five point
• 59:51
  Speaker 1: eight million dollars, You have to ask yourself is it
• 59:54
  Speaker 1: really worth it? But James Harden, I mean, you know
• 59:57
  Speaker 1: who we have seen for the past couple of seasons
• 1:00:00
  Speaker 1: step up in a big way. You know, he cut
• 1:00:02
  Speaker 1: off all of ig models and all the Kardashians. He
• 1:00:05
  Speaker 1: had been seeing what we see him cut them off
• 1:00:07
  Speaker 1: and get focused, and he has been playing on an
• 1:00:09
  Speaker 1: otherworldly level dropping the clues bombs for James Harden. Okay,
• 1:00:13
  Speaker 1: I have to commend him in this whole situation because
• 1:00:16
  Speaker 1: this man genuinely looked down on the floor at Wesley
• 1:00:20
  Speaker 1: Johnson would concern. I mean, he actually paused a hard pause.
• 1:00:25
  Speaker 1: It was like a was there a delay of game pause?
• 1:00:28
  Speaker 1: Did the reft blower whistle pause? A dj nvy ask him, Safari,
• 1:00:32
  Speaker 1: was that really his meat pause? Harden then actually took
• 1:00:35
  Speaker 1: his shooting hand off the ball, stood stationary, as if
• 1:00:38
  Speaker 1: he was posing for the meme he knew he had
• 1:00:40
  Speaker 1: just made. He then placed his left hand back on
• 1:00:42
  Speaker 1: the ball and casually drained the three pointer nothing but
• 1:00:46
  Speaker 1: net to put the rockets up thirty one seven. Now,
• 1:00:49
  Speaker 1: James Harden was questioned by authorities about this play, and
• 1:00:51
  Speaker 1: he told law enforcement, I didn't mean to kill him, officer,
• 1:00:54
  Speaker 1: So I was just trying to figure out what he
• 1:00:56
  Speaker 1: was doing. I was going to shoot it, but I
• 1:00:57
  Speaker 1: was waiting to see to figure out what was going on.
• 1:00:59
  Speaker 1: I was confused, like to the ref call side out
• 1:01:02
  Speaker 1: of bounds listening James Harden. We were all confused, but
• 1:01:05
  Speaker 1: no one was more confused than Wesley Johnson. And Wesley,
• 1:01:08
  Speaker 1: I'm not giving you the credit you deserve for being
• 1:01:10
  Speaker 1: stupid because there's nothing you could do. But you will
• 1:01:13
  Speaker 1: get the credit you deserve for looking stupid, even though
• 1:01:15
  Speaker 1: it's not your fault. Simple case of big fish, each
• 1:01:18
  Speaker 1: little fish, Okay, James Hardeness, Chris rock and your Monique.
• 1:01:21
  Speaker 1: It's levels to these Netflix deals and its levels the
• 1:01:24
  Speaker 1: NBA players, and Wesley Johnson is simply not on James Harden.
• 1:01:27
  Speaker 1: James Harden's level. That's all it boils down to. Please
• 1:01:30
  Speaker 1: give Wesley Johnson of the Los Angeles Clippers the biggest
• 1:01:33
  Speaker 1: he had. Well, well, then now I'm gonna tell you something, though,
• 1:01:40
  Speaker 1: Wesley Johnson, y'all play the Rockets on March fifteenth, exactly
• 1:01:44
  Speaker 1: two weeks from today in Houston, and you Clippers better
• 1:01:48
  Speaker 1: not act like low bitches. All right. James Harden smoked
• 1:01:51
  Speaker 1: your goddamn cousin in front of you, blew his ankles
• 1:01:53
  Speaker 1: off in front of your face, and you ain't gonna
• 1:01:55
  Speaker 1: do nothing. DeAndre Jordan, you better let nothing ride. Okay,
• 1:01:58
  Speaker 1: You better going there. Smoke Okay, all you want? All
• 1:02:01
  Speaker 1: the smoke, right, All the goddamn Rockets. I don't care
• 1:02:03
  Speaker 1: who they are, Chris Paul, James Harden, Eric Gordon, all
• 1:02:06
  Speaker 1: of them. Okay, Wesley, is you down? Is you down?
• 1:02:10
  Speaker 1: The ride full? Look? Okay, I'm with you, though, I'm
• 1:02:18
  Speaker 1: with you. That was very passionate. I'm thinking old New
• 1:02:20
  Speaker 1: York Knicks, old Detroit Pistons. Do hey, hey, do what
• 1:02:23
  Speaker 1: you gotta do, Old Dennis Rodman, do what you gotta do. Westley,
• 1:02:26
  Speaker 1: do what you got drabbing rabbing byes bid and pull
• 1:02:28
  Speaker 1: them to the floor. I need some get back rabbing
• 1:02:30
  Speaker 1: bis bid, pull them to the floor. That's all I'm
• 1:02:32
  Speaker 1: telling you. Don't want to hurt the man. I ain't
• 1:02:34
  Speaker 1: ain't hurt. I'm just saying, grabbing byes bid, pull them
• 1:02:36
  Speaker 1: to the floor. All right, all right, all right, well
• 1:02:39
  Speaker 1: thank you for that. Donkey to day pro. Wesley Johnson
• 1:02:42
  Speaker 1: only plays six minutes in that game. After that, I
• 1:02:44
  Speaker 1: think you got out the get hand. No points, no
• 1:02:46
  Speaker 1: what sys. He can actually sit down for the rest
• 1:02:47
  Speaker 1: of the season, no steals. That was the one. Now,
• 1:02:50
  Speaker 1: that was a good time to fake it in. It
• 1:02:51
  Speaker 1: was a bad game injury reserved for the whole rest
• 1:02:54
  Speaker 1: of the year. Man, it's okay with all right, we'll understand.
• 1:02:57
  Speaker 1: Thank you for that. Donkey the day up next, ask
• 1:02:59
  Speaker 1: ye ondred five eight five one oh five one. If
• 1:03:02
  Speaker 1: you got a question for ye you can call her
• 1:03:04
  Speaker 1: right now. You need relationship advice, you can call you
• 1:03:06
  Speaker 1: right now. I ain't the number again. It is eight
• 1:03:08
  Speaker 1: hundred and five eighty five one oh five one. Is
• 1:03:09
  Speaker 1: the breakfast Club? Good morning, the breakfast club that was
• 1:03:15
  Speaker 1: Buster Romes morning. Everybody is DJ Envy Angela, Yee, Charlomagne
• 1:03:19
  Speaker 1: the guy we all the breakfast club? Is time to
• 1:03:21
  Speaker 1: ask ye? Hello? Who's this? We're going on team see man,
• 1:03:26
  Speaker 1: what's your question for? Are ye? All right? Me and
• 1:03:28
  Speaker 1: my girl I just need some respect, but like that you, um,
• 1:03:31
  Speaker 1: she ain't respect anything like that. You want to be
• 1:03:33
  Speaker 1: with me. But finally the relationships she had to understand
• 1:03:36
  Speaker 1: that respect comes involved. Man, that's it. Okay, So she
• 1:03:39
  Speaker 1: wants to be with you. How does she not respect you?
• 1:03:42
  Speaker 1: Every time? Begining too you don't run to telling our business? Okay,
• 1:03:46
  Speaker 1: So y'all get into an argument and she tells everybody
• 1:03:48
  Speaker 1: what happened. Yeah, you can say, not everybody, but like, yeah,
• 1:03:51
  Speaker 1: other people, Like who is these other people? Family members?
• 1:03:54
  Speaker 1: Like who who do you mean when you say other people?
• 1:03:57
  Speaker 1: She keeping on them with family members. But it's off
• 1:03:59
  Speaker 1: the wall, like when she goes on the board and
• 1:04:01
  Speaker 1: like and tell like the dudes and like like other
• 1:04:05
  Speaker 1: dudes like he like she be having a pointless conversations. Okay,
• 1:04:08
  Speaker 1: So y'all get into an argument and she goes and
• 1:04:10
  Speaker 1: tells other guys. Who are these guys her friends? People
• 1:04:13
  Speaker 1: that like her, um, you know, probably like groupies, probably
• 1:04:17
  Speaker 1: somebody she dealt with in the past. Oh yeah, that's unacceptable.
• 1:04:19
  Speaker 1: That's not something you should You shouldn't be telling your
• 1:04:21
  Speaker 1: business and your relationship to people you used to talk to. Ever,
• 1:04:24
  Speaker 1: thank god, thank god, okay, thank god, thank god, thank
• 1:04:27
  Speaker 1: god neither listened to this conversation, because I'll be trying
• 1:04:31
  Speaker 1: to tell this off the wall, like can she can't
• 1:04:33
  Speaker 1: be going over the cat because they're always no matter what,
• 1:04:36
  Speaker 1: even if she's wrong, they're gonna agree with her, you know,
• 1:04:39
  Speaker 1: but a sex bucket to these dudes, That's what I'm
• 1:04:41
  Speaker 1: trying to tell the She she knows that too, but
• 1:04:43
  Speaker 1: like I'm trying to tell like stuff was like off
• 1:04:44
  Speaker 1: the wall and stuff because I could be doing like
• 1:04:46
  Speaker 1: crazy five stuff, but like I gotta be a role
• 1:04:49
  Speaker 1: model because I got daughters. That that's the bad thing
• 1:04:52
  Speaker 1: about being a father with daughters. Man, you that's not
• 1:04:56
  Speaker 1: a bad thing for you to be actually a good
• 1:04:58
  Speaker 1: person and a good This nothing wrong with that. I
• 1:05:01
  Speaker 1: feel like a fucker. Okay. So what does she say
• 1:05:04
  Speaker 1: when you address her and tell her in our relationship,
• 1:05:06
  Speaker 1: I don't want you talking to these other dudes and
• 1:05:08
  Speaker 1: telling them our business. What does she How does she respond?
• 1:05:11
  Speaker 1: I mean, I don't know, you feel like I know
• 1:05:13
  Speaker 1: you know that is wrong, but like at the same time,
• 1:05:16
  Speaker 1: like we end up a relationship, like he's even to
• 1:05:18
  Speaker 1: go both ways, Like I feel like I put too
• 1:05:21
  Speaker 1: much time in his relationship to like actually like end it.
• 1:05:24
  Speaker 1: I know Charla Mayne be talking about you gotta go
• 1:05:26
  Speaker 1: through your whole things, and I'd be like, yo, sometimes
• 1:05:28
  Speaker 1: I'd be like, oh, I think you just your whole
• 1:05:30
  Speaker 1: favor Okay. So the bigger problem is you don't feel
• 1:05:32
  Speaker 1: like she's ready to settle down. You know what if
• 1:05:34
  Speaker 1: what I'm saying, I don't feel like she is, but
• 1:05:35
  Speaker 1: then she's telling me otherwise she's telling me. Otherwise, she
• 1:05:39
  Speaker 1: can't tell you anything, but she has to show you.
• 1:05:41
  Speaker 1: And if her actions aren't showing you that she's ready
• 1:05:43
  Speaker 1: to settle down and be with adjust you, then I
• 1:05:46
  Speaker 1: think you're smart enough to know what it is. I mean,
• 1:05:49
  Speaker 1: I mean, you're right, but what I'm saying like that
• 1:05:51
  Speaker 1: ain't what she's saying. Like when sometimes saying like that ain't. Yeah,
• 1:05:54
  Speaker 1: but you don't believe what she's saying. Anybody can say anything,
• 1:05:56
  Speaker 1: you right, you know, if her actions aren't showing you that,
• 1:05:59
  Speaker 1: then it is what it is like. You can't just
• 1:06:01
  Speaker 1: let somebody do whatever they want to do. And then, well,
• 1:06:04
  Speaker 1: she said she loves me, she says she want to
• 1:06:05
  Speaker 1: be with me. How many times have you said things
• 1:06:07
  Speaker 1: that weren't true? Oh? Me to huh? In general, I'm
• 1:06:10
  Speaker 1: just saying she could tell you anything. You know what
• 1:06:11
  Speaker 1: it is. Yeah, So now you got to make your
• 1:06:14
  Speaker 1: decisions based on what it is that you know. You
• 1:06:16
  Speaker 1: gotta let her know. You have to show me that
• 1:06:19
  Speaker 1: what you're telling me it doesn't it doesn't match up.
• 1:06:21
  Speaker 1: So you have to show me, show me that you're
• 1:06:22
  Speaker 1: willing to be in a relationship, show me that you're ready,
• 1:06:24
  Speaker 1: show me that you want to be with me and
• 1:06:25
  Speaker 1: only me, and that you're willing to sacrifice these quote
• 1:06:28
  Speaker 1: unquote friends and exes so that we can make our
• 1:06:31
  Speaker 1: relationship stronger. Yeah, and then she gets mad like like
• 1:06:33
  Speaker 1: I'm in the like I ain't trying to be like
• 1:06:36
  Speaker 1: social media relationship goals and all that, well, hu, because
• 1:06:39
  Speaker 1: like I don't be posting. I don't even post myself,
• 1:06:42
  Speaker 1: but I only really posting stuff like that, and you
• 1:06:43
  Speaker 1: want to post all this extra I'm like, noah, you
• 1:06:46
  Speaker 1: ain't about to be having me on the grand Facebook
• 1:06:49
  Speaker 1: or whatever, and like like DM talk to you, that's
• 1:06:52
  Speaker 1: like staves and like, I ain't. Would you worry too
• 1:06:55
  Speaker 1: much about what other people are saying about you? You think? So, yes,
• 1:06:59
  Speaker 1: don't worry about what other people? Who cares? If you
• 1:07:01
  Speaker 1: want to post her man, you her man, but as
• 1:07:04
  Speaker 1: being a sucker, like how would you feel like if um,
• 1:07:06
  Speaker 1: your dude post you? But like we're talking to others.
• 1:07:10
  Speaker 1: That's the problem. The problem is that she needs to
• 1:07:12
  Speaker 1: cut all that immature stuff out. That's all. It's immature
• 1:07:15
  Speaker 1: as a sign of insecurity. She got to be securing
• 1:07:18
  Speaker 1: her relationship with you, and she shouldn't need all that
• 1:07:20
  Speaker 1: extra attention. All right, all right, well good luck to
• 1:07:22
  Speaker 1: you man. I hope you guys work it out. But
• 1:07:24
  Speaker 1: just remember somebody telling you something and somebody showing you something.
• 1:07:27
  Speaker 1: It's two different things. Man. Thanks, Yo, I have a
• 1:07:30
  Speaker 1: good morning. Appreciate that. All right? Good luck? Bro ask
• 1:07:33
  Speaker 1: ye eight hundred five eighty five, one oh five one.
• 1:07:35
  Speaker 1: We got more we when we come back. It's the
• 1:07:37
  Speaker 1: Breakfast Club. Good morning. That was gold Link with Crew Morning.
• 1:07:40
  Speaker 1: Everybody's DJ Envy Angela Yee, Charlomne the guy. We are
• 1:07:44
  Speaker 1: the breakfast Club in the middle of ask ye, Hello,
• 1:07:47
  Speaker 1: who's this? Hi? Anonymous? Call Eric good Marney, Hey, Anonymous,
• 1:07:51
  Speaker 1: good morning. How are you guys? I love you guys,
• 1:07:53
  Speaker 1: by the way, and thank you for gracing us with
• 1:07:56
  Speaker 1: your funny and your authentic authenticity. Um with the Morning Show. Okay,
• 1:08:02
  Speaker 1: so Ananimous, what's your question today? So? I'm in my
• 1:08:06
  Speaker 1: thirties and when I was in middle school, I was
• 1:08:09
  Speaker 1: molested by a family member, and I became a mother
• 1:08:13
  Speaker 1: around in my twenties, and I never really like thought
• 1:08:17
  Speaker 1: about it and really realized how it affected me over
• 1:08:21
  Speaker 1: the years until recently. This family member was in the
• 1:08:24
  Speaker 1: vicinity of where I lived. I didn't see the family member,
• 1:08:28
  Speaker 1: but it brought up some strong emotions. And with that
• 1:08:31
  Speaker 1: being said, it's kind of like, you know, some of
• 1:08:33
  Speaker 1: my family members didn't know that it happened. I don't
• 1:08:35
  Speaker 1: know if they believed or not at the time I
• 1:08:37
  Speaker 1: was younger, but I did make it known that it
• 1:08:39
  Speaker 1: did happen to me. So now as an adult, I
• 1:08:42
  Speaker 1: feel like, Okay, I think I really need to deal
• 1:08:44
  Speaker 1: with this because obviously I'm not over it now, and
• 1:08:48
  Speaker 1: I just kind of wanted to know. Like, obviously, I
• 1:08:50
  Speaker 1: know I should go to counseling, but I think I
• 1:08:52
  Speaker 1: almost feel like an anger for the family member, and
• 1:08:55
  Speaker 1: I feel like, Okay, they need to suffer some kind
• 1:08:58
  Speaker 1: of consequence for this, because you know, it was my
• 1:09:02
  Speaker 1: mother who passed, it was her brother. So I just
• 1:09:05
  Speaker 1: kind of wanted to know besides counsel and like, what
• 1:09:07
  Speaker 1: advice could you give to me as to how to
• 1:09:09
  Speaker 1: deal with this and how to cope with it. I
• 1:09:11
  Speaker 1: think it's really important for you to be able to
• 1:09:13
  Speaker 1: express your feelings and tell your story, and if that
• 1:09:16
  Speaker 1: means that you need to get in some support groups,
• 1:09:19
  Speaker 1: I think it's great that you've been able to identify
• 1:09:22
  Speaker 1: these issues that you've had stemming from that and to
• 1:09:24
  Speaker 1: identify where that's come from, and that you also know
• 1:09:27
  Speaker 1: that you need to be in therapy and to figure
• 1:09:29
  Speaker 1: out those things. And I'm not sure what the statute
• 1:09:32
  Speaker 1: of limitations are on reporting something, but I know you
• 1:09:36
  Speaker 1: said that you feel like there needs to be some
• 1:09:37
  Speaker 1: type of repercussions from his actions, right, yeah. Do you
• 1:09:41
  Speaker 1: want those repercussions to be something that is legal where
• 1:09:45
  Speaker 1: he ends up having to register as a sex offender
• 1:09:48
  Speaker 1: so that this doesn't happen to somebody else or it's
• 1:09:50
  Speaker 1: not currently happening to someone else, or is this you
• 1:09:53
  Speaker 1: need to feel some repercussions just having the story out
• 1:09:56
  Speaker 1: there and people knowing the type of person that he is.
• 1:09:58
  Speaker 1: I think it's almost like I want people to know
• 1:10:01
  Speaker 1: and you know, after speaking to another family remember about it,
• 1:10:04
  Speaker 1: it's kind of like, you know, yeah, we heard about it,
• 1:10:07
  Speaker 1: but we didn't believe it. So it's kind of like, no,
• 1:10:09
  Speaker 1: like I want you to know that you know, this
• 1:10:11
  Speaker 1: did happen indeed, And I think counseling could kind of
• 1:10:14
  Speaker 1: maybe guide me as to, you know, my feelings as
• 1:10:17
  Speaker 1: to do I want them to be you know, locked
• 1:10:20
  Speaker 1: up for it or is it just you know what
• 1:10:22
  Speaker 1: you said. I'm still trying to figure that out. And
• 1:10:24
  Speaker 1: I think it's also hurtful that your family members didn't
• 1:10:27
  Speaker 1: believe it as well. So that's something that you need
• 1:10:30
  Speaker 1: to address. So now that you're coming forward, you know,
• 1:10:33
  Speaker 1: way later on in life to talk about this, are
• 1:10:35
  Speaker 1: they believing you now? You know? When I spoke to her,
• 1:10:38
  Speaker 1: you know, the response was, you know, well, I want
• 1:10:40
  Speaker 1: to know details and stuff. And I said, well, what
• 1:10:42
  Speaker 1: are you gonna do with these details? Because if it's
• 1:10:43
  Speaker 1: just kind of like just random questions and you don't
• 1:10:46
  Speaker 1: plan on doing anything, then I don't want to talk
• 1:10:48
  Speaker 1: to you about it. So it's kind of like, you know, well,
• 1:10:50
  Speaker 1: you know, I love you both, and I don't want
• 1:10:52
  Speaker 1: to pick side, but it's just kind of like you
• 1:10:54
  Speaker 1: get this whole sense of it's a touchy topic and
• 1:10:56
  Speaker 1: I don't want to talk about it, and why are
• 1:10:58
  Speaker 1: you saying something now? You know theol questions that people
• 1:11:01
  Speaker 1: ask on a beauty right, the victim blaming questions where
• 1:11:03
  Speaker 1: you're a victim, and obviously you've had this buried for
• 1:11:07
  Speaker 1: so long and now you are dealing with it and
• 1:11:09
  Speaker 1: identifying it and ready to talk about it in your time.
• 1:11:13
  Speaker 1: I said, I'm ready to talk about it now. And
• 1:11:14
  Speaker 1: I said, and that's kind of why I'm having this conversation.
• 1:11:17
  Speaker 1: And I said, you know, it's just I feel like
• 1:11:18
  Speaker 1: I'm getting there. You know, it might be helpful to
• 1:11:21
  Speaker 1: have you ever written down just your feelings on everything,
• 1:11:24
  Speaker 1: and maybe an open letter to your family members based
• 1:11:28
  Speaker 1: on your experiences, so that instead of having to tell
• 1:11:31
  Speaker 1: the story to all of them over and over, maybe
• 1:11:33
  Speaker 1: at one time, for them to be able to see
• 1:11:36
  Speaker 1: written down just what it is that you want to express.
• 1:11:38
  Speaker 1: That's a good idea. I mean, I have all these
• 1:11:40
  Speaker 1: images and thoughts in my head about the situation like
• 1:11:43
  Speaker 1: every day now, so I guess I can put it
• 1:11:46
  Speaker 1: to paper. Yeah, sometimes there's things that might just come
• 1:11:49
  Speaker 1: out when you're writing it. Writing is great therapy as
• 1:11:51
  Speaker 1: well as going to seek professional help. But that might
• 1:11:54
  Speaker 1: be a great way for you to express yourself. And
• 1:11:56
  Speaker 1: then if you feel like you want to send that
• 1:11:58
  Speaker 1: to them so that there's any questions they may have asked,
• 1:12:01
  Speaker 1: you can be answered in that you can say what
• 1:12:03
  Speaker 1: you want to say, leave out what you feel like
• 1:12:05
  Speaker 1: you're not ready to address or don't want to put
• 1:12:07
  Speaker 1: out there. But that might be an excellent way for
• 1:12:09
  Speaker 1: you to do something, and that might trigger for them
• 1:12:12
  Speaker 1: to respond and be able to take it in and
• 1:12:14
  Speaker 1: process it and digest it. Okay, all right, yes, I
• 1:12:17
  Speaker 1: will definitely do that. That sounds yeah, that sounds good.
• 1:12:19
  Speaker 1: And then also I'm waiting to speak to account filor
• 1:12:22
  Speaker 1: having heard back yet, but I am definitely sinking back.
• 1:12:25
  Speaker 1: All right. I think it's great that you're being proactive
• 1:12:27
  Speaker 1: and it's a great role model because there's so many
• 1:12:29
  Speaker 1: people that can sympathize and understand your story and have
• 1:12:32
  Speaker 1: gone through similar situations. I'll know someone, so you know.
• 1:12:35
  Speaker 1: I commend you and keep pushing forward. Thank you so much,
• 1:12:38
  Speaker 1: and keep up a good job. You've been giving great advice.
• 1:12:40
  Speaker 1: I listen to you every morning. Thank you, and I
• 1:12:42
  Speaker 1: appreciate it. Good luck, mama. Ye thanks all right? Ask
• 1:12:45
  Speaker 1: ye eight on dred five eighty five one oh five one.
• 1:12:47
  Speaker 1: We got rooms on the way. Yes, that's suck about
• 1:12:49
  Speaker 1: an artist who has over one hundred million certified units
• 1:12:53
  Speaker 1: in sales, the highest as far as our rappers are concerned,
• 1:12:57
  Speaker 1: and second only to one person. All right, we'll get
• 1:12:59
  Speaker 1: into that when we come back. Keep a locked this
• 1:13:01
  Speaker 1: to breakfast club. Come morning, everybody is DJ Envy, Angela Yee,
• 1:13:06
  Speaker 1: Charlomagne the guy. We are the breakfast club. And let's
• 1:13:09
  Speaker 1: get to the rumors. Let's find out which autist paid
• 1:13:11
  Speaker 1: twenty five million dollars in back taxes. It's about Angela
• 1:13:22
  Speaker 1: Yee breakflin all. You got anxiety hearing that. Yeah, now,
• 1:13:26
  Speaker 1: I just imagine having to owe that much money. And
• 1:13:29
  Speaker 1: that's not even all she owed. Shakira is working to
• 1:13:32
  Speaker 1: settle her tax debt now. According to the government in Spain,
• 1:13:36
  Speaker 1: they said that she owes after moving to Spain, but
• 1:13:38
  Speaker 1: she kept her residency listed in the Bahamas, so she
• 1:13:42
  Speaker 1: paid about twenty five million dollars. And that's only a
• 1:13:44
  Speaker 1: small fraction of what the government is saying that she
• 1:13:48
  Speaker 1: that she owes, so that would cover her income taxes
• 1:13:50
  Speaker 1: for two thousand and eleven alone. So that's it. At
• 1:13:53
  Speaker 1: twenty five million, I mean, that's just a lot. They said,
• 1:13:57
  Speaker 1: too's back taxes for two thousand and twelve, two thousand
• 1:13:59
  Speaker 1: and third and twenty fourteen. And in order for her
• 1:14:03
  Speaker 1: to not have to pay those taxes, she would have
• 1:14:05
  Speaker 1: to prove to Spanish authorities that she spent fewer than
• 1:14:08
  Speaker 1: one hundred and eighty three days in Spain in each
• 1:14:11
  Speaker 1: of those years. Well, you better get the working out.
• 1:14:13
  Speaker 1: Time to hit the road. Timon's gone tall, you know
• 1:14:15
  Speaker 1: what I mean? The IRS. I remember my accountant died
• 1:14:19
  Speaker 1: and he did my taxes wrong, so I had to
• 1:14:21
  Speaker 1: pay for three years because of his wrongs, and I
• 1:14:23
  Speaker 1: couldn't go back to him and say, hey, this is
• 1:14:25
  Speaker 1: what you did. I'm gonna tell you something. If I
• 1:14:26
  Speaker 1: ever have to old twenty five million dollars in taxes,
• 1:14:29
  Speaker 1: I'm gonna die. That's not all she owes though. That's
• 1:14:33
  Speaker 1: just for one year, so i'mage it was that for
• 1:14:37
  Speaker 1: twenty eleven. I'mat So they're saying that she lived there
• 1:14:40
  Speaker 1: for three years before she officially changed her residence to Barcelona,
• 1:14:44
  Speaker 1: so she had her residence as the Bahamas to avoid
• 1:14:47
  Speaker 1: paying taxes. So now they're investigating hers. Got to throw
• 1:14:50
  Speaker 1: the middle finger to the IRS. At this point, let's
• 1:14:53
  Speaker 1: just take just till I RS take the l man.
• 1:14:56
  Speaker 1: Imagine having to write that check. I'm sorry, I RS.
• 1:14:58
  Speaker 1: I was just speaking for and I would never do
• 1:15:00
  Speaker 1: such a thing. Hey, I respect y'all. Now, earlier today
• 1:15:04
  Speaker 1: we played this clip from Diddy. So many people wrapping
• 1:15:08
  Speaker 1: right now. It is literally like too much, you know.
• 1:15:12
  Speaker 1: So I'm not knocking nobody's dream. I just don't want
• 1:15:15
  Speaker 1: the culture to get diluted, you know, where it gets
• 1:15:18
  Speaker 1: so mass produced. It doesn't mean anything. Artists have to
• 1:15:21
  Speaker 1: be special. Every artist has to be unique in their
• 1:15:25
  Speaker 1: own right. Well, people had a lot of conversations about this,
• 1:15:27
  Speaker 1: and didd he has since updated what it was that
• 1:15:30
  Speaker 1: he meant. Everything I said yesterday was you know, with
• 1:15:33
  Speaker 1: positive intentions, and my thing is to push people to
• 1:15:37
  Speaker 1: be great. I'm gonna no more compass on who's whacking,
• 1:15:40
  Speaker 1: who's hot. You could like whoever you want. I was
• 1:15:43
  Speaker 1: just sharing some tips on how to get to the
• 1:15:45
  Speaker 1: bag and originality and something specialist key, and then I
• 1:15:49
  Speaker 1: was just you know, giving my views on the state
• 1:15:52
  Speaker 1: of just being overwhelmed, trying to just really you know,
• 1:15:55
  Speaker 1: as a fan, I want to find things that I
• 1:15:57
  Speaker 1: love and it's not a whole body of work I
• 1:16:00
  Speaker 1: listened to besides maybe Black Panther. Right now, you're not
• 1:16:02
  Speaker 1: listening to enough thingdity because you got the Black Pants
• 1:16:04
  Speaker 1: and soundtrack. Yeah, Nick's Nipsey Hustles, Victory last Nipsey Hustle.
• 1:16:09
  Speaker 1: I'm still bumping rapped with these layelers wisdom like Drake's
• 1:16:12
  Speaker 1: New Records or like Draking Trouble Record. I like well
• 1:16:15
  Speaker 1: while Laban dropping a like sky Zoos project. All right, now,
• 1:16:17
  Speaker 1: let's talk about Marshall Mathers aka Eminem. He has gotten
• 1:16:22
  Speaker 1: another milestone in his career. He actually has over one
• 1:16:25
  Speaker 1: hundred million certified units in sales and sales equivalent units
• 1:16:29
  Speaker 1: and that's from streams. That's the most out of any
• 1:16:32
  Speaker 1: rapper in history. Now there's only one person that is
• 1:16:35
  Speaker 1: ahead of him with more certified units to date. You
• 1:16:37
  Speaker 1: know who that one person is with one hundred and
• 1:16:40
  Speaker 1: twenty one million units. Who It's a woman Black, It's rihannaha. Okay,
• 1:16:50
  Speaker 1: So congratulations to Eminem for this brand new I guess
• 1:16:53
  Speaker 1: they just did a whole new sweeping set of digital
• 1:16:56
  Speaker 1: single certifications and that's how he got that number one
• 1:16:59
  Speaker 1: hundred point five million. All right, Well, I'm Angela Yee
• 1:17:02
  Speaker 1: and that is your rumor report. And I just want
• 1:17:04
  Speaker 1: to say, for the record, while they dropping some dope music,
• 1:17:06
  Speaker 1: the females and rapp are killing it. Rhapsody and Tokyo
• 1:17:09
  Speaker 1: Jets and Snow the Product and Tank back dropping music.
• 1:17:12
  Speaker 1: This guy named cause To dropped the great album You
• 1:17:14
  Speaker 1: Got Joy, Badass Vince Staples, vic Minster, chance to rap
• 1:17:17
  Speaker 1: a big Sean two Chains has dropped the dope pp like.
• 1:17:19
  Speaker 1: It's a lot of good music out here. I'm surprised
• 1:17:21
  Speaker 1: that he endn't up on all of that. And you
• 1:17:23
  Speaker 1: ain't gonna say Drake, I did say Drake. I think
• 1:17:25
  Speaker 1: Drake got like all Drake's new records, the Gods planning,
• 1:17:28
  Speaker 1: like the record Drake got with Trouble that Mike Will did.
• 1:17:31
  Speaker 1: It's a lot of good music out there, all right, Well,
• 1:17:33
  Speaker 1: shout to Revote, We'll see you guys tomorrow. Everybody else
• 1:17:36
  Speaker 1: to People's Choice mixes up. Next, it's the Breakfast Lokomona