Latest / What's Your (Least) Favorite Scary Movie? / #234: In a Violent Nature (2024)

Transcript

#234: In a Violent Nature (2024) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:11
  Animals don't get too hung up on raising.
• 0:15
  Welcome to What's your least favorite scary Movie?
• 0:17
  The podcast where we talk about the good, the bad, the ugly and
• 0:19
  the absurd and all of our favorite.
• 0:21
  And least favorite scary movies because we believe every horror
• 0:24
  movie rightfully has is fanbase. Even if we don't always get my
• 0:27
  name is Travis. My name is Jesse.
• 0:28
  And welcome everybody. And we are covering a new
• 0:31
  release, Yayo on the podcast new for streaming.
• 0:37
  It just came out last week on Shudder, but it's been a release
• 0:41
  back in May in theaters. We're talking about in a violent
• 0:43
  nature today. This is one of the more exciting
• 0:48
  movies that have come out this year so far, and I am thrilled
• 0:53
  to be able to talk about it today.
• 0:54
  Yes, it's really exciting to be talking about a new release,
• 0:58
  especially something that's more on the experimental side.
• 1:02
  Yeah. So I'm really excited that we're
• 1:05
  we're able to talk about it now. I was also about to correct you
• 1:08
  cuz you're like, it came out last week and I was like, it
• 1:09
  came out yesterday, motherfucker.
• 1:11
  And then I realized that's we're recording it on the 14th.
• 1:15
  Six days from the episode drop they release it came out on
• 1:19
  Friday the 13th in September here so.
• 1:22
  Which if you're like a cool kid and follow us on social media
• 1:25
  then you would already know because we already posted the
• 1:28
  where to what? Yeah, yeah.
• 1:31
  All right. So before we get into this
• 1:33
  episode, do you have any announcements?
• 1:35
  Yes, our To be or Not to be bonus episode for September came
• 1:40
  out on Sunday and that was on actually A to be original
• 1:43
  Requiem for a Scream. So we talked about that.
• 1:46
  It was actually, it was a fun, it was a fun discussion.
• 1:51
  We got a little weird. I've been in kind of a weird
• 1:53
  mood all day. We just finished recording it,
• 1:55
  so I'm still in a really weird mood.
• 1:58
  But it was, it was fun. It was a good discussion.
• 2:00
  We were pretty divided on the movie itself, so I think that's
• 2:03
  always a little bit fun to talk about, yeah.
• 2:06
  It was I, I had fun with it and we had some really fun moments
• 2:10
  in the episode. So yeah, I I recommend checking
• 2:14
  that one out and. Yeah.
• 2:16
  Yeah, if you, if you like licking the dust of a loved one
• 2:20
  and assuming that it's going to be brownie batter, that's a
• 2:23
  that's a movie for you. Fuck man, that movie goes to
• 2:27
  some weird places. It does, yeah.
• 2:29
  All right, so it doesn't. Even acknowledge how fucking
• 2:31
  weird it is either. No, that's, that's another
• 2:34
  aspect of the weirdness. OK, so I have our poll for last
• 2:39
  week. We talked about the dentist,
• 2:41
  yes. And if you're hearing beeps, I
• 2:44
  turn on my iPad and I'm getting all of the text messages I had
• 2:47
  throughout the week. Yeah.
• 2:48
  Since iPad is catching up to all of the news.
• 2:50
  OK, so let's start off on Twitter, OK?
• 2:53
  And the question was how your teeth look.
• 2:57
  How how pristine? Yeah, how are your chompers?
• 3:00
  So the options are pristine or fucked.
• 3:03
  Which is the title of my sophomore punk album.
• 3:06
  Pristine or fucked? Yeah.
• 3:08
  All right. So on Instagram, 33% are
• 3:11
  pristine, while 67% are fucked. OK.
• 3:15
  And on Twitter, 29% are pristine while 71% are fucked.
• 3:20
  OK. I am very much in the fucked
• 3:23
  camp. My my teeth will never be
• 3:25
  pristine. I was never.
• 3:27
  I was born with the curse of having fucked up teeth, and I'll
• 3:29
  die that way. I as of right now don't have any
• 3:33
  cavities. I've got a couple of the shadow
• 3:35
  spots that were mentioned last week but nothing that needs like
• 3:38
  filling or anything at this point.
• 3:40
  I have a little bit of an overbite but I think it's more
• 3:42
  like cute and quirky than anything.
• 3:43
  It's good it didn't need any orthodontic.
• 3:45
  Jesse, you're pristine as fucked.
• 3:48
  Pristine. As fucked.
• 3:49
  I don't, Yeah. You've never had a cavity?
• 3:52
  I don't think the entire time I've known you.
• 3:54
  No. Yeah, that's fucking weird.
• 3:58
  I floss two or three times a day, motherfucker.
• 4:01
  Exactly. You, You.
• 4:03
  You put in the effort. I keep you're.
• 4:04
  Flossing in my drawer at work like after lunch I'm like in my
• 4:07
  office like. We are like two sides of the
• 4:11
  coin right here when it comes to this.
• 4:13
  Well, some of it's also like just genetics too.
• 4:15
  Like sometimes you can take the best care of your teeth and it
• 4:17
  doesn't make a difference. That's true.
• 4:19
  That's part of why my teeth are fucked.
• 4:21
  I want to know more about that. Listen to our episode on the
• 4:22
  dentist. Yeah.
• 4:23
  And also watch the Dentist. A lot of people were like, I
• 4:26
  don't really know this movie. I don't remember this movie.
• 4:28
  Get familiar with it. Yeah.
• 4:30
  It's a good time. It's Brian Gesner.
• 4:33
  He does not disappoint. No.
• 4:35
  All right, so that's it for a poll.
• 4:37
  All right, so I'll be ready to talk about In a Violent nature
• 4:40
  I'm. So fucking ready.
• 4:42
  In a Violent Nature originally premiered January 22nd, 2024 at
• 4:49
  the Sundance Film Festival. OH.
• 4:51
  Shit, which Louisville got cut from the last round?
• 4:56
  Yeah, but Cincinnati's still in the top three, so that's still
• 4:59
  really close. Yeah, we almost had sundancing.
• 5:02
  We. Almost had Sundance.
• 5:03
  We're we're part of like a little film group here in the
• 5:07
  Lexington area. And yeah, it almost happened.
• 5:10
  But almost happened. But Cincinnati's still really
• 5:12
  close. So like, as much as it pains me
• 5:14
  to root for Ohio, still gonna do it.
• 5:17
  Since since he's close. Yeah, Cincinnati saved Talia's
• 5:20
  life, and I just have to remind myself that a.
• 5:21
  Lot yeah all right so premiered there wide release was May 31st
• 5:26
  2024 this year and the streaming release another three release
• 5:31
  episode here Yeah it came out last week.
• 5:35
  September. 13th September 13th Friday the 13th.
• 5:39
  Very appropriate for this very year.
• 5:41
  Absolutely. We did a little double feature
• 5:43
  of this and Friday the 13th Jason goes to hell.
• 5:49
  Yeah. Underrated.
• 5:51
  As the ward intended, all right, And that was on Shutter, which
• 5:55
  is where we watched this movie because it went straight to
• 5:57
  Shutter. They have the distribution
• 5:59
  rights for this right here daddy.
• 6:00
  Shutter Yeah, We're pushing you. We're pushing you, Daddy.
• 6:04
  So you can also rent it on Amazon, Apple, YouTube or
• 6:08
  Fandango at home if you choose to do so.
• 6:10
  It's like a $6 rental. But like we said on last week's
• 6:13
  on our Tubi or not to be the subscription for a month of
• 6:17
  shutter is 699. So just why not do that and get
• 6:20
  all kinds of movies for a month? Yeah, it's the same cost to rent
• 6:24
  this single movie as it is for a month of Shutter.
• 6:27
  And Shutter will give you like a lot of really interesting movie
• 6:31
  options. Some are very well known, some
• 6:32
  are maybe less known, some are maybe like Shutter exclusives.
• 6:35
  And again, if you listened to our Tubi or Not to be a bonus
• 6:38
  episode, we talked about a lot of movies that are Shutter
• 6:41
  exclusive, such as Deadstream and Let's Get a Marie Ink.
• 6:44
  And this month actually, there's another hyped up Shutter
• 6:48
  exclusive movie that had release that came out.
• 6:50
  It's oddity that's coming out this month, yeah.
• 6:53
  Yeah, I've been. Looking forward to being able to
• 6:55
  watch that. We missed it in theaters, so
• 6:57
  it's going to be exciting to be able to see it and shooting.
• 6:58
  So more reason. There we go.
• 7:00
  So all right, we are talking about a movie written and
• 7:05
  directed by Chris Nash today. OK.
• 7:07
  All right. Music for this for first.
• 7:11
  I think on the show we have nobody, although you said that
• 7:15
  last. Yeah, I was going to be first on
• 7:17
  the main show. I was really.
• 7:18
  Excited a couple of times on like to be or not to be?
• 7:21
  Has it? Yeah.
• 7:22
  I was really excited about that for this one because I was like
• 7:25
  for like, I mean, for some, I don't have a composer because
• 7:28
  this song has no music. It has one bit of diegetic
• 7:31
  music. That's about it.
• 7:33
  Which is honestly one of my favorite parts of the movie.
• 7:35
  One of my favorite like touches. It's really cool.
• 7:38
  Yeah. Special effects makeup Mike
• 7:40
  Hamilton. Got an interesting little note
• 7:43
  about Mike Hamilton. I've actually learned this from
• 7:47
  discussing the movie after he dropped his review with Q Saves
• 7:50
  on Instagram. He mentioned that that's the
• 7:52
  same dude that did the effects for Psycho Gore Man.
• 7:56
  Oh. Shit, really?
• 7:57
  So if you're watching this movie and wondering, Dan, this movie
• 7:59
  looks fucking phenomenal with its effects.
• 8:01
  And that's why that guy is like a fucking master at his craft,
• 8:05
  all right? He made the little brain kid in
• 8:08
  Psycho Gorman who I feel sorry for whenever I watch that, but
• 8:11
  it looks awesome. Yeah, yeah, yeah.
• 8:14
  Yeah, All right. So starring Rye Barrett as
• 8:18
  Johnny, Andrea Pavlovic as Chris, Cameron Love as Colt,
• 8:24
  Reece Presley as the Ranger, Liam Leone as Troy, Charlotte
• 8:29
  Cregan as Aurora, Leah Rose Sebastian as Brody, Sam Rolson
• 8:37
  as Aaron Alexander, Oliver as Evan, Timothy, Paul McCarthy Not
• 8:41
  Paul McCartney, Timothy Paul McCarthy as Chuck, Tom Jacobs as
• 8:48
  Johnny's dad, and Lauren Marie Taylor as the woman.
• 8:53
  OK. Who by the way, I don't know if
• 8:56
  you knew this. I were in this while doing
• 8:58
  research. She is Vicki from Friday the
• 9:02
  13th, Part 2. Oh, really?
• 9:05
  Oh, actually, no, no, no. The woman, the driver.
• 9:08
  Is that what you mean? OK, Yeah.
• 9:10
  No, I didn't know that. And if anybody's wondering who
• 9:13
  Vicki is in Friday the 13th, I can tell you the only thing I
• 9:16
  really remember her character from is she is trying to hit on
• 9:20
  the guy in the wheelchair and she sprays perfume in her
• 9:23
  panties. Yeah, and that's.
• 9:26
  The recipe for yeast infection. That's the only thing I could
• 9:29
  tell you about the character right there.
• 9:31
  But she was also in a Friday the 13th, which is appropriate for
• 9:33
  this movie. Absolutely.
• 9:35
  Yeah. No, I remember reading that
• 9:37
  shortly after we watched the movie in theaters, Which, side
• 9:40
  note, maybe we'll tell the story at some point.
• 9:42
  That was a fucking nightmare because of this old man in the
• 9:45
  row in front of us. Not because he was old, but
• 9:47
  because he just doesn't know how to function in public.
• 9:49
  Let's just go ahead and get that out now because, you know, yeah.
• 9:52
  So this man, we arrived to the theater and this 17 year old
• 9:58
  working his part time weekend job for 7/25 an hour is has
• 10:04
  clearly been listening to this guy go on for a while because
• 10:06
  he's like, well, OK, so if the movie starts at 3:50 and you're
• 10:12
  all's credits go on your trailers go on for about 30 to
• 10:15
  45 minutes beforehand, then it's not too late for me to go.
• 10:18
  The movie starts at 4:50. It is 445 right now.
• 10:22
  You could tell he's dying inside talking.
• 10:24
  Yeah, and he's just like going on and on and on.
• 10:25
  And we're standing there and then the man looks at us.
• 10:27
  He goes, oh, do you guys have your tickets?
• 10:28
  You can go ahead and go through. The old man says this.
• 10:31
  And Travis is like, I swear to God, if this guy's in our
• 10:33
  theater. No, I looked at Jesse as like, I
• 10:35
  know. Like I knew that guy was giving
• 10:37
  shit. And I was like, that guy's gonna
• 10:38
  be in our movie. I fucking know it.
• 10:40
  So he's in the row in front of us, which is like a tear down.
• 10:45
  It's kind of the way the regal stuff is.
• 10:48
  He's like in the row where you have to look directly up at the.
• 10:51
  Screen Yeah, yeah, yeah so the whole time he's there he's
• 10:56
  asking his wife questions very loudly his wife, her phone keeps
• 11:00
  going off not very loudly, but like still loudly enough that we
• 11:03
  can hear it and she's. Also browsing on the phone the
• 11:05
  entire. Time.
• 11:05
  It's kind of like how Travis''s iPad was dinging.
• 11:08
  That's kind of what her phone was doing.
• 11:09
  Yeah. So.
• 11:10
  And she's like browsing on it, maybe trying to look up his
• 11:11
  questions. I don't know.
• 11:14
  And it's just going on and on and on.
• 11:16
  And we get to like maybe halfway through the movie when Travis is
• 11:18
  like over it and he gets up and he goes over and he asks his
• 11:21
  man. He's like, hey, you guys are
• 11:23
  being really loud. Could you maybe be a little bit
• 11:25
  more quiet? And that works for a little bit.
• 11:26
  He said a little bit more politely than I did.
• 11:29
  I went over to him. I was like, can you please stop?
• 11:32
  That's the. That's the play.
• 11:34
  Yeah, I was like, like, can you please stop?
• 11:36
  I never actually asked you what you said.
• 11:37
  I saw it very sternly, like, can you, like, can you, like, stop?
• 11:40
  Like we're watching a movie. Yeah.
• 11:42
  I was just like telling him like, look man, like put this
• 11:45
  shit. Aside right now, yeah.
• 11:46
  You're in. You're being a We live.
• 11:47
  In a society, so he. He like, yeah, yeah, he like
• 11:51
  hand waved me away. It's like, all right, fine.
• 11:53
  So all's good for about 15 or so minutes and then he decides then
• 11:57
  he needs to throw away his notches right then and there
• 11:59
  instead of at the end of the movie like anybody else does.
• 12:01
  And he hasn't eaten but maybe one or two of his tortilla
• 12:04
  chips. So he stands up and he's got,
• 12:06
  you know, that little cheap plastic thing with a very hard
• 12:09
  ass tuxedo round nachos and he is shaking.
• 12:13
  So the whole every time he's standing up and he's going and
• 12:16
  he's trying to step over people's legs, which is weird
• 12:18
  because it's regal and there's plenty of walking room.
• 12:21
  There was no need to make anybody move.
• 12:24
  And like all of these kids that are in the same row as him, I
• 12:27
  say kids, they're probably like close to our age.
• 12:31
  They're very annoyed by him. And he walks through.
• 12:34
  He gets towards like the ramp leading out of the theater.
• 12:37
  He sets his notches on the ground and at this point Travis
• 12:40
  and I looked at each other were like, is this motherfucker
• 12:42
  serious? What the fuck is he doing?
• 12:44
  Yeah, we're. Like is he leaving that there
• 12:46
  for some other poor minimum wage teenager working here on the
• 12:50
  weekend to have to clean up? And he walks back.
• 12:52
  No, he forgot his drink. Yeah, so he goes back to get his
• 12:55
  drink and then he walks back. This.
• 12:57
  Again. And this time we're here in the
• 12:58
  ice, rattling in the cup, and he disappears and we're like, well,
• 13:01
  OK, maybe he'll at least be gone for a little while.
• 13:04
  And he comes back. And at this point, because he's
• 13:06
  missed so much fucking shit, he's asking his wife what's
• 13:09
  going on. And she's Googling this shit
• 13:10
  because she wasn't paying goddamn attention.
• 13:13
  And then at the end of the movie, he's got everybody in the
• 13:16
  row looking for something under their seats.
• 13:19
  I don't know what it is, but he's got his phone flashlight
• 13:22
  out and they're all looking. And we get out.
• 13:24
  And as we're in the car on the way home, and I was like, what
• 13:26
  the fuck were they looking for? Was he there with his his
• 13:28
  grandkids because they were helping him look and Travis is
• 13:30
  like no, because two of those guys were in the year old nose
• 13:33
  next to me afterwards and they were complaining about.
• 13:36
  That they were laughing about him.
• 13:38
  Yeah, if I were, I can't believe they put up with this shit.
• 13:40
  As long as they did and didn't say anything.
• 13:43
  I can't believe I was the one to fucking like go over there and
• 13:46
  say something to him because he was like he was.
• 13:48
  There was. A decent.
• 13:49
  Space. Between us, me, I would have
• 13:50
  been like. Yeah, it would have been.
• 13:54
  I would not have been calm. So yeah.
• 13:55
  So that was our experience watching in a violent nature in
• 13:57
  the theaters. It still doesn't take away from
• 13:59
  how amazing the movie was, but also that old man is
• 14:02
  inextricably tied to this movie. All right.
• 14:04
  So that's all we're going to say on that.
• 14:06
  Yes. But I will say well.
• 14:07
  That's the whole. Thing, this is the entire this
• 14:10
  type of movie, much like a Quiet Place is terrible for people
• 14:13
  like that. So I was, that was one of the
• 14:15
  main reasons why I was terrified to go see this thing in
• 14:17
  theaters, because I'm if there's any bit of obnoxiousness going
• 14:21
  on there gonna ruin the experience.
• 14:23
  And there was, of course, that's how it goes.
• 14:26
  But it did not really ruin it for me.
• 14:29
  I still had a great time. Yeah, it was still pretty easy
• 14:31
  to be very immersed in it. Yeah.
• 14:33
  All right, so time for our favorite game on this show.
• 14:37
  Budget or? Budget.
• 14:40
  And. On the main feed, I feel like we
• 14:42
  need to say this again, yes, but we had somebody recently ask
• 14:46
  what this is and we need to refresh everybody just every now
• 14:50
  and then what budget or bug sets means what it stands for.
• 14:54
  So budgets is a higher budget 10 million or higher for their
• 15:00
  movie? That's what we consider a high
• 15:01
  budget. That's what our threshold is.
• 15:02
  Bug Ted is anything below that and.
• 15:05
  Then, and it came from a review we read for a movie, I want to
• 15:09
  say it's like a year, year and a half ago.
• 15:11
  We cannot remember the exact episode, if any.
• 15:13
  It's been like a two year thing at this point.
• 15:16
  OK, time is a construct. If anybody remembers which
• 15:19
  episode it was exactly, please let us know.
• 15:22
  But what happened was we were reading a review and somebody
• 15:25
  like typoed in the review saying this was clearly low bug Ted.
• 15:28
  And we fucking loved that cuz we're like no, it's perfect
• 15:31
  because you didn't even have the budget to get the letters
• 15:33
  correct. Like it was amazing for us.
• 15:35
  I'm AI am terrible for my like auto corrects and misspellings
• 15:39
  and stuff and text messages. So it's really extra hilarious
• 15:42
  for. Us it was just a funny thing.
• 15:44
  It's a running joke on the show for everybody here that was and
• 15:47
  so, but for new people, we need to, you know, you new people, we
• 15:51
  need to keep you all and on the jokes, so.
• 15:53
  Yeah, somebody asked. So we wanted to reiterate that
• 15:56
  in this episode. We don't want to do it every
• 15:58
  single time because that gets old, but.
• 15:59
  We refresh it every like every few months or so.
• 16:02
  We need to let everybody know cuz we you know who knows who
• 16:05
  jumps in where? Exactly.
• 16:06
  And we appreciate you guys being here.
• 16:08
  Thank you so much. So if you ever have questions
• 16:11
  about shit like that, yeah don't hesitate to ask cuz I'll be
• 16:14
  happy to expand on anything about yes, anything of this
• 16:17
  that's confusing cuz. For sure.
• 16:19
  And I like we listen to podcasts ourselves, Yeah.
• 16:23
  So we totally get the whole like being really excited to find out
• 16:26
  what like the inside joke means. Everybody wants to.
• 16:28
  Be in there. Yeah.
• 16:29
  When you jump into a podcast later on, and especially
• 16:31
  something like this that you don't have to listen to in
• 16:33
  order, it's always really fun when you go through the back
• 16:35
  catalog and you're like, oh, that's where the thing comes
• 16:38
  from. Also, it's not even a word, so
• 16:40
  there's a no but. There's also that, but that's
• 16:42
  what I mean. OK, OK, let's let's motor on.
• 16:45
  I'm so Ted, OK. It's low budget for sure.
• 16:47
  It is low budget, but I don't know the budget.
• 16:49
  They don't have it. Listed that's how low budget it.
• 16:51
  Is kind of a trend I've noticed here lately with a lot of movies
• 16:55
  that have come out and they don't want to reveal what the
• 16:57
  budget is, which I don't, you know, obviously.
• 16:59
  If you're a lower budget, a budget like.
• 17:01
  Tell me, man, that makes it more impressive, yeah.
• 17:04
  Absolutely. I got some interesting stuff
• 17:06
  about that. I'm very excited to hear it and
• 17:09
  you were writing a lot because we were getting our background
• 17:11
  info for this and the Tubi stuff at the same time and you were
• 17:14
  just like going and going and going.
• 17:16
  I watched like half of Mockingjay Part 1 like you were
• 17:19
  doing this. Yeah, I really watched it down
• 17:21
  here. I mean, a lot of it's like the
• 17:22
  same stuff, but I got some stuff to go over here today.
• 17:25
  So OK, I don't have that, but I do have the box office
• 17:28
  information. OK, so the open box office for
• 17:31
  this was 2 million? Hell yeah.
• 17:35
  Yeah, it did good. And we did our part.
• 17:37
  We were there day one. Yes.
• 17:38
  Yeah, we did. Absolutely.
• 17:39
  We were very excited to be there and show up for.
• 17:42
  It worldwide gross four and a half million.
• 17:45
  Fuck yeah. That is so exciting for a movie
• 17:47
  this size. Yeah.
• 17:48
  Honestly, yeah. It's a very limited release.
• 17:50
  It's a low budget movie and it's a very, it's a very neat type of
• 17:57
  movie. You know what I mean?
• 17:59
  That's what whenever I went to the theater, I was also like, if
• 18:01
  you're gonna go to see this movie, you're gonna be really
• 18:03
  interested in the concept, which apparently isn't really the case
• 18:07
  because we had that guy there. But you know, Nacho man
• 18:10
  generally Nacho Nacho Nacho man. Nacho man, Randy Apachis, either
• 18:18
  one. Yeah, no.
• 18:19
  So, and here's the thing too, is that if you are lucky enough to
• 18:22
  be near a theater and it shows a release like this, like we're in
• 18:27
  a larger city and we tend to keep these kind of niche
• 18:30
  releases longer so we can kind of wait it out.
• 18:34
  But I know like my mom, for example, she has to drive to
• 18:37
  like the next biggest city. And even then, sometimes it's
• 18:40
  only there for a weekend. So if there's a movie that
• 18:42
  you're interested in and it's like a smaller thing like this,
• 18:45
  definitely, if you have the time and the means to do so, go
• 18:49
  support it in theater for sure. Well, but at the same time, if
• 18:53
  you hate the theater experience, I get that.
• 18:55
  Yeah. No, we totally get it.
• 18:56
  That's part of what I mean by the means, like if you're, yeah,
• 19:00
  like a theater person in general.
• 19:01
  It's the times have changed and you don't you don't need no
• 19:05
  theater no more. COVID helped with that big time.
• 19:07
  Yeah well, and it also hurt the theater experience cuz people
• 19:10
  just forgot how to behave in public.
• 19:11
  That's also true. All right IMDb for this gonna
• 19:16
  say rude 5.6 What? The fuck?
• 19:20
  But I get it, hold on, because it's a very divisive movie.
• 19:25
  I get that it's divisive, but I don't think it should be as
• 19:27
  divisive as it is. But whatever, we'll talk about
• 19:29
  it shortly. OK, we'll talk about it shortly.
• 19:31
  I have a lot of opinions. All right, so I've got a theme,
• 19:34
  OK, to go along with this movie here.
• 19:36
  I'm very excited for your theme because I know my theme was
• 19:39
  boring as fuck for Tubi. Well, this one's even more
• 19:42
  difficult because I'm dealing with an incomplete year.
• 19:45
  That's true. There are movies that I wanted
• 19:47
  to include but I wasn't able to because I've not been able to
• 19:49
  see it in this I'm terrified with.
• 19:50
  Re in here. I wanted to so badly, but I
• 19:53
  can't, yeah. Could you put speak No.
• 19:55
  Evil. We're still in the middle of
• 19:56
  that opening weekend. I did.
• 19:58
  I did not chop chop chop. So everybody knows what I'm
• 20:02
  referencing with that. I had to.
• 20:04
  I remembered it was audio only this time instead of visual.
• 20:07
  So I'm very proud of myself, all right?
• 20:08
  So the theme we're doing familiar premises with a fresh
• 20:17
  spin. So then speak, no evil is in
• 20:20
  this list. No.
• 20:21
  Just kidding, it's not a fresh spin.
• 20:22
  No, but I just thought it was funny.
• 20:24
  No familiar premise. But the familiar premise with
• 20:27
  this inner violent nature very much bars a lot heavily from
• 20:31
  Friday the 30. 2 for sure. So the first movie I have here
• 20:35
  is Maxine. Okay, okay, so it's very like
• 20:39
  the 80s grainy, nasty also slash Yolo.
• 20:44
  Yeah, with the Jolinus, with the Thai WA 24 iness of it all.
• 20:48
  Yeah, yeah, yeah. So that's what we got there.
• 20:50
  We got like a Neo version of that shit right there, yes.
• 20:53
  So Maxine came out July 5th, 2024.
• 20:57
  It did have a budget surprisingly, but I don't know
• 21:00
  if I trust this OK because it says estimated.
• 21:04
  It always says that, but whenever I see this budget, I
• 21:07
  don't think that this is what they would have given it's
• 21:09
  1,000,000. It feels like it was bigger than
• 21:13
  $1,000,000. I mean, they had Kevin fucking
• 21:15
  Bacon in it. Yeah, but he is also at that
• 21:18
  point in his career where he want, maybe he's doing shit that
• 21:21
  he wants to do. I know, but still.
• 21:23
  Like it's Kevin Bacon and they had Giancarlo Esposito.
• 21:27
  Again, he probably is like give me something other than the
• 21:30
  fucking bad drug guy. Except except.
• 21:35
  OK. He's always slightly against
• 21:37
  stipend it. Just, but he's not like a drug
• 21:40
  guy, he's not like a fucking like cartel guy.
• 21:42
  He's just like a scummy guy in an entirely different way, which
• 21:44
  is I'm sure is fresh for him. Well, whatever, we'll talk about
• 21:47
  it eventually. We got to talk about Pearl
• 21:49
  first. Yeah, sorry.
• 21:49
  Travis, it's gotta happen. That's fine.
• 21:51
  This is gonna happen. All right.
• 21:52
  So the gross for that, it did pretty good, 21 million.
• 21:57
  OK, OK. I'm glad to see Maxine succeed.
• 22:00
  I'm glad that this has been a topic of conversation, and I'm
• 22:03
  glad that people really like Miyagoth's acting chops.
• 22:06
  You know, I guess another theme for this whole thing of movies
• 22:09
  is like divisive. It could be, but the Maxine is
• 22:13
  very divisive. Also.
• 22:14
  I work with a lot of people that did not like it and I had a
• 22:18
  great time with it, but you know, it hit the beats that I
• 22:21
  liked, yes. So the IMDb though seems pretty
• 22:25
  +6.4. Fuck yeah.
• 22:27
  Yeah, pretty good. Big fan of magazine.
• 22:30
  Yeah, all right. Movie #2 long legs.
• 22:34
  Also a big fan of. Surprisingly, I ended up being
• 22:37
  the bigger fan of long legs than you.
• 22:40
  Yeah, I guess so, yeah. And I was super hyped for it.
• 22:42
  Yeah. So I guess like that one right
• 22:44
  there. I think that's like a fresh spin
• 22:46
  on the like the crime thrillers where it's like a serial killer
• 22:52
  type shit. Like very like.
• 22:54
  Procedural. Like seven.
• 22:55
  Yeah, yeah, it's a, it's like a very sorry.
• 22:59
  Like what? It's A7 in.
• 23:01
  Thank you. Yeah.
• 23:02
  And you know, you throw in a little bit in a cage and then
• 23:05
  you get real weird with it. Yeah, yeah.
• 23:07
  Yeah. To be clear, I did like the
• 23:09
  movie. Yeah.
• 23:10
  I just have problems with. It yeah and I, no, it's just
• 23:13
  funny that we came away from it cuz you were so hyped to see it
• 23:16
  and we came away from it and afterwards I was like I really
• 23:18
  enjoyed it and you're like I have some thoughts yeah.
• 23:22
  But it's so. Cool.
• 23:22
  Yeah, yeah, Yeah. No, it's very cool.
• 23:24
  And we've had a lot of really good discussions about it, and I
• 23:26
  can't wait to be able to cover it on the show because I think
• 23:28
  it's gonna be a really interesting conversation for us.
• 23:30
  We will. Alright, so that released July
• 23:32
  12th, like a week later after Maxine.
• 23:34
  And we did watch them back-to-back in theaters.
• 23:37
  So the budget on that don't have that, they were private with
• 23:40
  that, but the gross for this thing 104 million.
• 23:44
  Fuck yeah dude that got so much like weird hype around it and.
• 23:49
  Everybody's. Yeah, And everybody's like, oh,
• 23:51
  it's Perkins. He's Anthony Perkins, son.
• 23:53
  I'm like, he's also in Legally Blonde.
• 23:56
  So that's what everybody really needs to know.
• 23:59
  That's. The most notable thing about his
• 24:01
  career? Yeah, no, there's a lot of
• 24:03
  interesting things to say about that movie and I'm very excited
• 24:06
  to talk about it eventually. But definitely if you get the
• 24:08
  chance to watch it, watch it yourself, make up your own mind
• 24:11
  about it and just is go into it without any expectations.
• 24:16
  Yes, OK, other than nick cages in it and you need to be aware
• 24:18
  of that. Do with that information where
• 24:20
  you will. Yeah, but everybody knew that
• 24:22
  going into it. All right, so IMDb 6.8.
• 24:25
  Yes. I'm good with that.
• 24:27
  Retweet. I'm good with that.
• 24:29
  Yeah. All right.
• 24:30
  Very. Tweet.
• 24:31
  Tweet. Like Twitter.
• 24:32
  Yeah. All right, movie three.
• 24:33
  OK, all right, this is a stretch, but you know what?
• 24:37
  I think it still fits. OK.
• 24:39
  The Strangers, Chapter 1. Oh, that fits your divisive.
• 24:44
  If it's a divisive but also familiar, yeah premise with a
• 24:49
  new interesting spin. They took the movie from the
• 24:52
  first one and they they're like, interesting in a way.
• 24:55
  I'm not saying interesting and like, oh, intriguing.
• 24:58
  It's interesting. Like, why did you guys decide
• 25:00
  this? Yeah, I'm interested in why this
• 25:03
  was the decision. But why?
• 25:05
  Yeah, so again, for those that did not know, The Strangers
• 25:08
  Chapter 1 is a remake on the original The Strangers movie
• 25:12
  that came out in 2008. I had to remind a Co worker of
• 25:15
  this this week. Yeah, and they were shocked
• 25:18
  about that. I'm like that movie has been out
• 25:20
  for a month. You should know this by now.
• 25:22
  It. Is a surprise.
• 25:23
  But nobody knew so and. If you want to hear our full
• 25:27
  thoughts on it. We did a Patreon.
• 25:29
  Yeah, we did a Patreon bonus episode, so if you want to like
• 25:32
  for our full thoughts. By the way, we that was just.
• 25:34
  We did our goodbye to blame absurd, Yeah.
• 25:37
  So if you want to hear those thoughts on it, you can
• 25:39
  subscribe to our Patreon budgets here.
• 25:42
  Yeah, it'll. Start a month.
• 25:43
  Eventually, we're going to cover the entire franchise at some.
• 25:46
  Point for sure, we're waiting to see hopefully chapter 2 comes
• 25:49
  out. We're actually talking about
• 25:51
  this today, like we haven't heard any other buzz about
• 25:53
  Chapter 2 coming out. And it's like now that we've got
• 25:56
  the remake of Part 1 done, I want to see what else they do
• 26:00
  with the story. And they've already filmed the
• 26:02
  second part, so there's no reason to not release it besides
• 26:05
  tax write. Offs filmed all of them.
• 26:07
  That's the only. Thing I've filmed even more
• 26:08
  reason all. Right, let's scoot along.
• 26:10
  OK, we're talking about these other movies too much.
• 26:12
  So in the weeds. May 17th 2024 was the release.
• 26:16
  Don't have to budget on that worldwide gross though. 47
• 26:18
  million. So it's still made a good bit of
• 26:20
  money, so they have no reason to not release them.
• 26:23
  That's funny too, because we watched that in theaters like I
• 26:25
  think that weekend, and then we watched it of Violent Nature the
• 26:28
  next weekend, and then we talked about Mexian and Long Legs and
• 26:34
  those are back-to-back weekends. Yeah, it's been a busy summer
• 26:37
  for us. It's it started out lackluster.
• 26:40
  I was like, I don't know how I feel about this year for horror,
• 26:42
  but as we're going on, I'm like, you know, I'm kind of liking
• 26:44
  this year. We didn't.
• 26:45
  Even have a horror movie for my birthday, I do not count that
• 26:48
  swimming pool movie. It doesn't count.
• 26:50
  It's terrible. It does count.
• 26:52
  Though it doesn't count no cuz we saw the Mean Girls musical
• 26:55
  and said. OK, so that IMDb score is 4.6 so
• 26:59
  people were not thrilled about it.
• 27:01
  They needed to. They needed to make it seem more
• 27:04
  like a remake. If I'd known that going in, I
• 27:06
  would have been a lot less upset.
• 27:07
  That's why I'm a little bit more forgiving.
• 27:10
  Which leads us to our tagline section.
• 27:13
  Yay. Which we have one tagline and I
• 27:16
  fucking love it. Nature is unforgiving.
• 27:20
  Nice. I fucking love that.
• 27:22
  Are you kidding me? That is good.
• 27:23
  That was. Really, Darwin could have
• 27:25
  written that shit, you know what I mean?
• 27:26
  Yeah, they nailed it with that. They're like no more tagline.
• 27:30
  Scenes, yeah. They're like, that's it, that's
• 27:32
  it. Yeah, OK, so let's get into some
• 27:34
  fun facts. All right, so a lot of the same
• 27:39
  crew from Steve Kastanski's little film called Psycho Gorman
• 27:45
  actually was brought over to work on this film too.
• 27:47
  OK, so. Including Mike Hamilton, Yeah.
• 27:52
  Notably, as we discussed, he did the effects here, but a lot of
• 27:56
  the crew, just like they had all those people there, that's cool.
• 27:59
  And they were expecting a lot of pushback with their decisions
• 28:05
  with this movie. Really.
• 28:06
  Well, can you blame them? Like which decisions?
• 28:10
  All right, yeah, All right. So the first one was they really
• 28:14
  wanted to have this shot in like the four by three aspect ratio.
• 28:18
  OK, which I love. Yes.
• 28:20
  The reason he wanted to do that, he wanted this to emulate his
• 28:23
  experience with watching these slashers back in the day.
• 28:27
  He wanted it to be like when he was watching Friday the 13th and
• 28:30
  he said like, we didn't watch these in widescreen 4K, We
• 28:33
  watched them on like these shitty CRTTVS with.
• 28:36
  PCRS, absolutely. This is not the type of movie
• 28:38
  you want to see in widescreen. You don't.
• 28:40
  And like the part of that too is because it was so much of A
• 28:42
  focus on a killer, like a lone killer in the woods.
• 28:45
  Why do we need the widescreen for that?
• 28:47
  We don't. Well, I mean, that doesn't hurt
• 28:49
  it, but I like the creative decision.
• 28:51
  Yeah. And they did shoot it with
• 28:54
  widescreen, but they did have the frame on there.
• 28:56
  That way they they knew that they got their shot in that
• 29:00
  aspect ratio, but they shot it in widescreen as a backup in
• 29:03
  case they got pushed back on it. Yeah.
• 29:05
  And that that really makes sense because there are a lot of shows
• 29:09
  like for example, Buffy the Vampire Slayer that were shot in
• 29:12
  that kind of an aspect ratio and then later were re released on
• 29:16
  like a wide screen ratio. And it fucks up some of the
• 29:19
  things you see like you see things you're not supposed to
• 29:22
  because 90. Percent of like TV back in the
• 29:26
  day and like that was like every show was shot like that.
• 29:28
  It all gets blown on. Yeah.
• 29:29
  So I think it's smart that they did.
• 29:32
  They shot it in wide screen, but had the frame for the four by
• 29:34
  three. So that way they knew they were
• 29:36
  getting what they wanted both ways.
• 29:38
  Yeah, it was a really good decision.
• 29:39
  They also thought that they would get a lot of pushback on
• 29:42
  there being no sound, no or not sound, but no score for this, no
• 29:48
  music. And they were like, we expected
• 29:51
  everybody to just not be on board with any of this shit.
• 29:54
  But they were like, anytime that they had a weird creative
• 29:58
  decision for the movie and they're like, yeah, that's cool.
• 30:00
  Do what you think is right for this.
• 30:02
  And they attributed it to the cloud that they had with Psycho
• 30:06
  Gorman because they're like, well, they know that we got a
• 30:08
  crew here. We're going to be able to get
• 30:10
  this thing done. And we have a vision we're going
• 30:13
  to be able to do it in a well made way.
• 30:15
  And again, I wish more movies would make a bold decision like
• 30:19
  that because you mentioned A Quiet Place earlier and I fully
• 30:23
  expected that movie to be a lot fucking quieter, but there was
• 30:26
  so much like ambient music in it that it kind of ruined it for me
• 30:31
  personally. I remember it being incredibly
• 30:33
  quiet. No, I remember a lot of ambient
• 30:36
  music, so I was like, why? And it's the same thing.
• 30:40
  I get I'm in the minority with this, but there's an episode in
• 30:43
  Season 4 of Buffy called Hush and it's the same kind of thing.
• 30:48
  There's a lot of fucking ambient music playing.
• 30:51
  I know I've pronounced that two different ways.
• 30:52
  It's fine. And it just, it distracts for me
• 30:56
  because the whole point is everything supposed to be
• 30:58
  fucking quiet. And I get that.
• 31:01
  Having the ambient music can also help with like some of the
• 31:03
  stuff that goes along when you're filming, you know what I
• 31:05
  mean? Like because there's a lot of
• 31:06
  sounds that are just made by, you know, existing.
• 31:09
  So I get that purpose of it. But I like that this movie made
• 31:12
  this decision and we're hearing like the rustling of the leaves
• 31:15
  and the crackling of sticks and the fire, like popping.
• 31:19
  Like, I like those decisions and I think it works really well for
• 31:23
  this movie. I agree and I'm we're going to
• 31:25
  get into that when we talk. About.
• 31:27
  So they had to reshoot 70% of this movie holy.
• 31:31
  Shit. Yeah.
• 31:32
  So, OK, here's the breakdown of what happened.
• 31:34
  So they did four weeks of shooting and they were in an
• 31:39
  entirely different location when they were shooting this with a
• 31:42
  completely different lead for Johnny.
• 31:45
  So the actor who played Johnny had a medical issue arise a week
• 31:49
  and 1/2 in the filming. Holy.
• 31:51
  Shit. And he had to leave the project.
• 31:54
  Oh my God, I had. Some hat for him.
• 31:56
  Yeah, it sucks because, I mean, obviously this movie ended up
• 31:59
  being what it is. And, you know, he kind of missed
• 32:02
  his chance. But, yeah, So they decided this
• 32:07
  actually became, like, a little blessing in disguise for them
• 32:11
  because Chris Nash wanted this to be in his hometown from the
• 32:16
  beginning. And he wasn't liking the vibe of
• 32:21
  where they were originally shooting.
• 32:22
  He said the trees were completely different.
• 32:24
  It gave off a very uncanny feel, and it didn't really suit what
• 32:29
  he had envisioned. He had always pictured it being
• 32:31
  back and where he grew up. Yeah.
• 32:33
  So they were like, OK, let's do this.
• 32:37
  We're going to reshoot most of this movie anyways.
• 32:39
  Let's take it there. Now.
• 32:41
  He like rallied everybody there. Surprisingly, all the crew was
• 32:44
  on board and surprisingly all the casts maintained too.
• 32:48
  Something about him, though, if he can rally his crew that way,
• 32:51
  yeah, that says something about his leadership style.
• 32:54
  Yeah, it's true. So they completely did a whole
• 32:57
  race shoot like 70% of it. Holy shit.
• 33:00
  In Algoma, Canada, This is a Canadian movie.
• 33:04
  We're Canadian. So yeah, there is one shot from
• 33:10
  the original film that is still in there.
• 33:12
  It's a five to second shot. And he said it was the most
• 33:16
  expensive shot in the entire film.
• 33:18
  Did not clarify any further. I have thoughts that it has to
• 33:24
  do with the hook to the head. I was gonna say.
• 33:28
  The Yolo. Yeah, because I think it also
• 33:31
  had to do with like pushing her down the mountain, like.
• 33:34
  That hill, yeah, cuz I was gonna say we don't really see any
• 33:36
  other kind of the landscape like that.
• 33:38
  And also I have to imagine at least from like an effects point
• 33:42
  between like making her Gumby yeah and then also shooting the
• 33:47
  body rolling down the hill. That had to have been expensive.
• 33:50
  Which about that kill, they were trying to think about something
• 33:54
  new that hadn't been done before.
• 33:56
  So they're like, what is unique to Johnny's tool set?
• 34:01
  And like he's got 2 hooks, So what can you do with two hooks?
• 34:04
  And then they like, that's where the whole ball got started and
• 34:09
  they ran with it from there. And boy howdy, that's one of the
• 34:12
  most creative killers I've seen in a long, long time.
• 34:15
  It is God, that's just it sticks with you.
• 34:20
  And like, honestly, if you're not a gore person, I get how it
• 34:24
  would be upsetting. But if you are a gore person or
• 34:27
  a whore person or horror, horror, horror, horror, horror
• 34:32
  person, then this is like it sticks with you because you're
• 34:36
  just like, this is so fucking intense and it's like you think
• 34:41
  about iconic kills in recent history.
• 34:44
  It's that and it's. How about?
• 34:46
  The crack of dawn and Alice's kill and terrify too.
• 34:50
  Not Alice. What is her name?
• 34:53
  It's not Alice. It's an A.
• 34:57
  Ally yeah, Ally still in Terrifier too.
• 35:00
  Like that's what comes to mind cuz those are just both so like
• 35:03
  fucking brutal and they stick with you and you can't stop
• 35:06
  thinking about them. Yeah, that was interesting.
• 35:08
  Whenever we were watching this movie, I couldn't help but think
• 35:10
  like, well, hey, Terrifier has got some competition.
• 35:13
  Yeah, cuz like, damn. Honestly, like watching that
• 35:16
  happen, I was like, OK, well, he just punches through her gut and
• 35:19
  then I was like. What the?
• 35:21
  Fuck is happening? I will say this is I love
• 35:26
  Terrifiers 1 and 2. They're one of my favorite
• 35:28
  movies of all time. 2 of. Your favorite?
• 35:31
  Movies well, yes one of my favorite series of all time this
• 35:35
  is probably one of the and I think it might maybe top it
• 35:39
  maybe the meanest movie I've seen in a long, long time well
• 35:44
  you. Know let's save.
• 35:45
  Let's save this ship for a good bad muggly.
• 35:48
  All right, I've got one more thing to talk.
• 35:49
  About here well. I'll get two more things.
• 35:52
  So yeah, we talked about the no music already.
• 35:54
  But the main reason why he didn't do that is because he
• 35:56
  didn't, he thought that a lot of people use music as a crutch and
• 36:01
  he didn't want that for his movie.
• 36:03
  And he didn't want to dictate how you're supposed to feel in
• 36:07
  the movie. So he thought leaving it absent
• 36:10
  is leaving it up to you to be able to like decide how you want
• 36:13
  to feel about what you're watching on screen, which I
• 36:15
  think really benefits this a lot.
• 36:17
  And. Honestly, and I know this is
• 36:19
  kind of a spoiler for reviews later, I didn't mean to see
• 36:23
  this. I was posting a cat video
• 36:25
  earlier and I saw a review. It feels very.
• 36:28
  Just don't. Read them man, I see them too.
• 36:30
  I screenshot them and I just don't read.
• 36:32
  Them me too, but it's like it's very video game esque, you know,
• 36:38
  like when you're playing a first person shooter type of thing and
• 36:42
  you hear the crunch, crunch of the footsteps.
• 36:45
  That's how this feels, and somebody in one of the reviews
• 36:48
  said that it feels very similar to that.
• 36:50
  Yeah, it definitely does. Yeah, okay, final thing.
• 36:54
  Okay, so he calls this movie a test of patience, which if you
• 36:59
  know the premise of this movie, that's very true.
• 37:01
  So his quote here is horror will reward patience.
• 37:05
  The more patient you are in any horror film, the more you allow
• 37:09
  yourself to build tension and dread.
• 37:11
  Then when the big moments happen, you get that dopamine
• 37:14
  rush and that reward. And that sums up this movie
• 37:18
  perfectly right here. I feel like we talked about this
• 37:21
  not too long ago about like how you have to have like something
• 37:25
  happen and then you have to keep raising the stakes.
• 37:27
  Like that's a kind of. Yeah, we talked about that a few
• 37:31
  episodes ago. Yeah, I forgot exactly which
• 37:33
  movie it was, but we were talking about that.
• 37:35
  And like, you always think about like, OK, well, how does this
• 37:38
  situation get even worse? You have to have tension, yes.
• 37:41
  Yeah, and this movie does a good job.
• 37:44
  Like you're building the premise and you're getting immersed in
• 37:46
  in the world and you're kind of understanding the rules of
• 37:49
  things. Like you're picking up the
• 37:50
  clues. It doesn't necessarily spell
• 37:51
  them out for you. Yeah.
• 37:52
  And I appreciate that. And you're feeling tense enough
• 37:55
  as it is, especially because we're in a unique situation
• 37:58
  where we're in the POV of the killer for most of the time.
• 38:00
  Yeah. In a way that a lot of movies
• 38:03
  don't do, where you kind of get like, some POV shots and then
• 38:05
  you go back to your protagonist. Yeah.
• 38:07
  For anybody that's not aware, this movie is 100% in the well,
• 38:12
  maybe not 100%. But 95%?
• 38:14
  Yeah, 95% in the perspective of the killer.
• 38:18
  Yeah, And so you already know, like something bad's gonna
• 38:20
  happen because you're already there with the killer.
• 38:22
  You already know he's like stalking.
• 38:24
  Yeah, you. Yeah, there's no surprises.
• 38:27
  Yes, yeah. And so I think that this does a
• 38:30
  good job of like, building that tension because you know
• 38:32
  something's gonna happen, and then when it goes, it just
• 38:34
  fucking goes. All right.
• 38:36
  Well, hey, I think we're segwaying into our good bad.
• 38:38
  And yes, let's just go ahead and talk about this.
• 38:40
  OK, yeah. So that's that's a big thing for
• 38:43
  me is that this movie like once it starts, it really fucking
• 38:46
  starts. I know a lot of people feel like
• 38:47
  it's slow, but I never really felt that way.
• 38:50
  And part of my concern when you first showed me the trailer for
• 38:53
  this, I was like, God, this is gonna be a fucking art house.
• 38:56
  Friday the 13th. That's.
• 38:57
  What everybody thought. That was my fear of it.
• 39:00
  And here's the thing. Yeah, Kande, this.
• 39:04
  I don't think it is. I mean, in a sense it's a Friday
• 39:07
  the 13th done in a. Like very more experimental.
• 39:12
  It's a yeah, and it's it's an experimental Friday the 13th.
• 39:16
  But I don't think it's art house.
• 39:17
  Like, I don't think it's trying to make a larger commentary.
• 39:20
  I don't think it's smelling its own farts.
• 39:21
  I think it's just like, hey, what if we take this concept we
• 39:25
  all know and we look at it from the other side of things?
• 39:27
  Well, to be fair, I think maybe. The most art house concept is
• 39:29
  probably the ending I. Don't think art house is
• 39:32
  necessarily by default smelling your own farts or being too good
• 39:36
  for anything else. I think it's generally you're
• 39:39
  taking a an existing construct and you're putting a unique, not
• 39:46
  like a unique spin on it that maybe hasn't ever been explored
• 39:50
  before. And you're adding like it's
• 39:53
  more, it is a little bit more pretentious.
• 39:55
  Like when you're art house, there's like always a little bit
• 39:58
  of like pretentiousness to it, but I don't think.
• 40:00
  This is like a deeper meaning behind things with this and I
• 40:03
  just. Hold that with this, I don't
• 40:04
  want to. I want to clarify, I don't think
• 40:06
  this movie is at any point pretentious.
• 40:08
  No, I just want to say that I don't.
• 40:10
  But I can see the art house comparison with this.
• 40:14
  My thing is that, and I'm somebody who loves art house and
• 40:17
  I'm not bothered by what is it the term that you hate?
• 40:23
  Elevated. Horror.
• 40:23
  Elevated horror. It's fucking stupid.
• 40:25
  I'm not bothered by. That terminology.
• 40:28
  The same way you are and. The term in itself implies that
• 40:32
  it's above the competition. It's above everything else.
• 40:36
  Fuck that. You can be elevated horror if
• 40:39
  that's what you want to call it. You can be a dog shit movie.
• 40:42
  Here's I think, though, is there like art house elevated,
• 40:45
  whatever you want to call it. I think that this is like, it's
• 40:48
  experimental, but I wouldn't classify it as that because I
• 40:50
  don't think it necessarily has a deeper meaning beyond just like
• 40:54
  this is the other side of the horror movie, you know what I
• 40:57
  mean? I think it's definitely like,
• 40:59
  it's experimental, it's fun, it takes a unique spin on it, but I
• 41:04
  don't think it's that same level of.
• 41:06
  Things he he commented on this, yeah, he said.
• 41:09
  I wouldn't say this movie is experimental, but it does
• 41:14
  experiment with the formula a tad.
• 41:16
  OK, so that's experimental. No, it's not an experimental
• 41:19
  movie, but like there is some experimentation done in the
• 41:22
  movie. So it's experimental.
• 41:24
  No, this is not what that means. Dude, you can do fucking Requiem
• 41:29
  for a scream. I'm gonna experiment with a
• 41:31
  little bit this. Would you call it that
• 41:32
  experimental? He's experimenting with the
• 41:34
  entire like perspective of the horror movie.
• 41:39
  That, yeah, but I don't think. Impacted a lot of the writing
• 41:42
  with it and a lot of the shooting decisions and the
• 41:45
  production decisions. I'm not mad about it and I'm not
• 41:48
  making like a moral judgement against it.
• 41:50
  I'm just saying it's definitely more experimental than a lot of
• 41:53
  other movies. You can say that you're
• 41:55
  experimenting with something, but if you experiment in a way
• 41:57
  that it's different from a lot of the other mainstream horror
• 42:01
  of the past, like 3 or 4 decades, then yeah, it's an
• 42:04
  experimental. Movie OK fine I'll I'll I'll
• 42:06
  agree that that that's fine it's.
• 42:07
  Probably experimental, what I call it art.
• 42:09
  I wouldn't call it elevated because I don't think that it's
• 42:12
  doing anything other than just being like, hey, what if we do
• 42:14
  this movie this way? You know what I mean?
• 42:16
  I think it's a fun and I don't think that all art has to be
• 42:21
  thought provoking to be great beyond, hey, this is an
• 42:25
  interesting way to think about it.
• 42:26
  It doesn't have to be deep. You don't have to write a thesis
• 42:29
  on it. You know what I mean?
• 42:30
  Yeah. And like, also, here's The thing
• 42:32
  is that you can write theses about stupid fucking movies,
• 42:35
  too. Yeah.
• 42:36
  So all of that moral judgments aside, I think that this is a
• 42:40
  really fun, interesting movie. I think it's got some really
• 42:43
  interesting gore to it. I like that we see like bits and
• 42:48
  pieces of the main carrot, like what would normally be the
• 42:51
  protagonist. Like we see their stories.
• 42:52
  Like we know who the archetypes are in their group.
• 42:55
  We know exactly what's happening without seeing their whole
• 42:57
  fucking story play out. My favorite thing about this?
• 42:59
  It's really fun. Is, I mean, it's like you're
• 43:02
  getting the traditional slacker movie from the 80s here.
• 43:05
  Like you get to see it second hand almost.
• 43:07
  Yes. And I think that's really fun.
• 43:09
  And I also like that Johnny, like, likes to play with his
• 43:13
  victims. But at the same time, he's
• 43:15
  pragmatic because there's this great moment when he's killing
• 43:17
  the Ranger and it is very much setting it up.
• 43:21
  Like he wants to just like torture this guy and chop him.
• 43:23
  And then he's like, this is going to fucking because he does
• 43:26
  like the hand. And then he's like, I'm not
• 43:28
  going to say here for 45 minutes and he just chops up.
• 43:30
  You know what? No, I have my thoughts about
• 43:32
  that one. I think he knew the guy was
• 43:34
  still alive, and I think he knew the guy was paralyzed.
• 43:36
  And he's like, I think he wanted to demonstrate what he was going
• 43:40
  to be doing to him. He's like, this is what's going
• 43:42
  to happen to your head and now I'm going to put you there and
• 43:45
  now it's happening to your head. But he did it to his arm.
• 43:47
  He did it to the log first, which that would be enough on
• 43:50
  its own. But then he did it to his arm.
• 43:51
  And it seems like he was going to be like, I'm going to do this
• 43:53
  to your whole body. But then the Ranger doesn't even
• 43:55
  react and he's like, well, this is going to take too long.
• 43:57
  He's not giving me the reaction he want.
• 43:59
  I want like, I'm just going to cut off his head.
• 44:01
  If he hold on, if he cared about a reaction, he would not be
• 44:04
  bashing fucking Colt the entire time that he did because he's
• 44:09
  too dead to have a reaction. I think he was doing that for
• 44:12
  Chris because he was she. Left, he was doing, he
• 44:14
  continued. For like, God knows how long he
• 44:17
  continued that. I think he's a little a bit.
• 44:20
  Of a shonen. All right, come on.
• 44:21
  Do we got any more good here? We got.
• 44:23
  We were like 45 minutes. And so that's I'm gonna sound my
• 44:26
  good there. OK, go all right, so my good for
• 44:28
  this. I think that it is incredibly
• 44:31
  well shot. So when you do a movie from this
• 44:33
  right here, you have to be able to bring your a game for how
• 44:36
  you're gonna do the cinematography and I think they
• 44:38
  fucking excelled with this right here.
• 44:40
  I thought that like especially the perspective like shifts that
• 44:45
  they did. I thought that they were really
• 44:46
  well done. I think especially whenever you
• 44:48
  switch over to Chris towards, I think that that is like really
• 44:52
  interesting because whenever we get to like we're watching him
• 44:56
  the entire time, it's like it's interesting watching him the
• 44:58
  killer from this perspective, but then when you see the same
• 45:01
  perspective from the final girl and like you, you don't have any
• 45:04
  dialogue from her. It's also really interesting
• 45:07
  too. I thought that that was kind of.
• 45:08
  You know, I didn't even make that connection.
• 45:10
  But yeah, the fact that she doesn't really speak at all in
• 45:12
  the end, and it's somebody else speaking still, that's a really
• 45:16
  good point, too. That's really smart.
• 45:18
  It's really cool. I like a lot.
• 45:20
  I thought this is probably some of the most creative kills that
• 45:24
  I've seen in a movie in a long, long time.
• 45:26
  Since Terrified 2 two years but yeah man they fucking brought it
• 45:32
  with this right here. I love that they kept it simple
• 45:36
  too yeah, that's the thing like they didn't try to
• 45:38
  overcomplicate it. They they stuck with the fucking
• 45:42
  tried and true formula because that's what they wanted to do
• 45:44
  with it. Johnny he's like a basic ass
• 45:49
  character. He has the most.
• 45:51
  He likes he likes cars and loves his Mama.
• 45:55
  Yeah, he's a fucking Tom Petty. Over here.
• 46:00
  He's a good boy, loves his Mama. In cars.
• 46:04
  Not Jesus cars, just cars. And America too, but in Canada
• 46:09
  is it. Yeah, and actually, I just so
• 46:15
  sound design, I thought that like hearing the crunching and
• 46:18
  The Walking show like that, that's 90% of this movie.
• 46:22
  And like, if you're gonna lean on that so heavily, you gotta
• 46:26
  know it. And they do, Yes.
• 46:28
  And I also think given the premise of the movie, it's
• 46:32
  surprisingly well paced, which like you would think, like you
• 46:36
  said, you go into it thinking this is going to be a slow ass
• 46:39
  movie if we're just watching this guy walk through the woods
• 46:41
  the entire time. But no, like it.
• 46:43
  They do interesting cuts and they know exactly when to
• 46:45
  introduce something new to the characters.
• 46:48
  And absolutely. Yeah, like they do a great job
• 46:50
  with them. They keep you.
• 46:52
  Engaged the entire time? Exactly.
• 46:53
  Yeah. All right, so now let's go on to
• 46:56
  some bad. So what did you know like?
• 46:58
  I think maybe part of the downfall of having these side
• 47:02
  characters not really matter is that maybe the acting is a
• 47:07
  little bit uneven with them. It's true.
• 47:10
  And that just it's distracting in an otherwise, like really
• 47:15
  solid movie, just to have like a little bit and the dialogue
• 47:18
  isn't important. But also, when there's so little
• 47:22
  dialogue, it has to like, really nail it.
• 47:24
  So OK, that's also my bad, but at the same time I want to
• 47:30
  acknowledge and I actually kind of think this is still love it
• 47:35
  despite the Vadnais of it. He went with that and he
• 47:40
  acknowledged that he's like these characters when you see
• 47:43
  them, they're hitting all of the tropes.
• 47:45
  Yes, absolutely. They're hitting everything and
• 47:46
  they're very thin and it's just like, because you know, that
• 47:50
  movie, yes, you've seen that movie, yes, and this is what
• 47:54
  we're trying to bring here with that.
• 47:55
  So I think a lot of that was intentional.
• 47:57
  However, I don't know necessarily if the performance
• 48:00
  were a part of that. And here's the thing too it it
• 48:03
  could be one of those things that, like the actors themselves
• 48:05
  are generally very competent, but because they were given very
• 48:08
  thin dialogue, sometimes it is hard to like, chew on that.
• 48:11
  That's true, yeah. You can't, Yeah.
• 48:13
  If you've only been given so much, you can't really have a
• 48:16
  whole lot of like flare or dynamics.
• 48:18
  And especially if you have to reshoot 70%, you know, maybe
• 48:22
  well. That gives you another chance to
• 48:24
  like, maybe like, hey, I could have.
• 48:25
  Done. Yeah.
• 48:25
  But sometimes you get the perfect shot.
• 48:28
  Sometimes, you know, early on. Yeah, Yeah.
• 48:30
  And sometimes you try something different and it's like, well,
• 48:32
  we don't have time to reshoot it again, so.
• 48:34
  That's fair. OK, let's talk about ugly.
• 48:39
  Troy he's the typical like douchebag boyfriend that's like
• 48:44
  just an asshole to fucking everybody.
• 48:46
  Especially the point where he's like, it's not my fault, called
• 48:48
  dad. Dad has fucked him up.
• 48:51
  Like OK. Yeah, fuck you, Troy.
• 48:53
  Yeah, like, I don't want any part of what you're selling,
• 48:56
  man. True.
• 48:57
  So he's he reminds me of the boyfriend.
• 49:00
  And on the Friday the 13th remake that owns the cabin.
• 49:03
  Yeah, Yeah, he gives me very much that he, Troy, would not
• 49:08
  let Jared Padalecki in for a drink.
• 49:10
  And I don't trust a man that won't want Jared Padalecki in
• 49:13
  for a drink. He also seems like the type of
• 49:14
  dude to call tits stupendous. Exactly they're.
• 49:17
  Stupendous. Your tits babe, babe.
• 49:20
  Your tits Stupendous. Yeah, he definitely wouldn't.
• 49:25
  So yeah, Troy. Troy is the ugly.
• 49:28
  Also, the firefighters like picking on a child.
• 49:31
  Yeah, yeah, the treatment of Johnny as a child is especially
• 49:36
  since he is like he has mental. Yeah, he's got, yeah, he's got
• 49:40
  some stuff going on that contributes to that.
• 49:43
  Yeah. OK, and that was one of mine was
• 49:46
  how he was treated as a kid, but I also think it's worth and I
• 49:51
  love it. But like his brutality is ugly
• 49:55
  in this movie. Like whenever I was watching
• 49:57
  this again last night, I was thinking like when he kills
• 50:01
  these people like. He takes joy in it.
• 50:03
  He not only does he take joy in it, but I think he tries to do
• 50:09
  it in the most painful and most terrifying way possible.
• 50:13
  That's what I'm saying. He's a fucking showman.
• 50:16
  He really is like he. Oh my God, it's just like, and
• 50:20
  even if he kills you quick, like whenever he killed Colt, I feel
• 50:23
  like when he did that he got he. Kept going.
• 50:25
  My theory is he got mad, he's like fuck I wasted that one.
• 50:30
  That guy is immediately dead and then he's like he's pissed a
• 50:32
  bear so he's just bashing them until he becomes a fucking
• 50:36
  liquid like in Wrong Turn 4. Yes.
• 50:39
  Yeah, and that's my, you know, like, I think that he likes to,
• 50:43
  like he puts on, like he said, puts on a show for them.
• 50:46
  Like if you come across him, he's going to make you regret
• 50:49
  it, and he's going to. I want you to know that you
• 50:52
  should not have fucked with his necklace.
• 50:54
  Yeah. His mother's necklace.
• 50:56
  Yeah. All right.
• 50:57
  Absurd. Probably Chuck, like Chuck's
• 51:00
  whole thing because he is just like a gross guy in this broken
• 51:04
  down house with mess everywhere and he probably doesn't wash his
• 51:09
  hand after he poops, which we know he poops.
• 51:11
  Like that's Canon. It's I think that's Canon for
• 51:15
  anybody ever. I no, but like it's Canada.
• 51:19
  He pooped like in the movie because the sheriff, like the
• 51:22
  Ranger was like banging on his door to ask about the bear
• 51:25
  traps. And he's like, can a guy pinch a
• 51:26
  loaf like. Yeah, that's funny.
• 51:29
  It like it's Canon he poops and doesn't wash his hands.
• 51:32
  I also love his face. It's like that slow wide shot of
• 51:36
  him just running. He's like get away from me.
• 51:37
  This is so slow and he's moving so slow.
• 51:39
  The fact that. He's got 2 items that are both
• 51:42
  Wait hold on, emblazoned. Chuck gotta go poop.
• 51:45
  Chuck Chuck Doo gotta go poop. Friday the 13th.
• 51:48
  Do you think that that was a reference?
• 51:49
  I really hope it was. Oh my God, it was.
• 51:52
  I thought about that last night. If you are confused by the way,
• 51:55
  another old reference from the. Show.
• 51:57
  Yes, very. Early Friday the 13th Part 3
• 52:00
  Chuck he goes poop and we have a bud for Italian.
• 52:04
  It is a running theme in the Friday the 13th movie.
• 52:07
  Somebody has always killed while they're pooping and they never
• 52:10
  had a chance to wash their hands.
• 52:11
  It is, but this character is named Chuck, yes, which is
• 52:14
  making me think. Yes, for sure, but no, the fact
• 52:18
  that he's got 2 items that are emblazoned with another #1
• 52:22
  motherfucker, which to me either implies that he has bought them
• 52:25
  for himself or the head can, and I have.
• 52:29
  Yeah. But he has been in the running
• 52:31
  to be #1 motherfucker two years in a row.
• 52:33
  The first year he wins the gold necklace.
• 52:35
  It's a great, it's a prize, it's like a gold medal in the
• 52:37
  Olympics. And then he wins at the second
• 52:39
  year and the organization's like, well, we don't want to
• 52:41
  spend the money for another gold necklace.
• 52:44
  You got a hat? You know, that's interesting,
• 52:47
  because to me, it made me think that he is in fact, not the
• 52:50
  number one motherfucker. Because if you're insane, if
• 52:52
  you're the number one motherfucker, you don't wear the
• 52:55
  hat. You don't.
• 52:56
  Yeah, you don't need that. Everybody knows.
• 52:59
  Yeah, Johnny's the number one motherfucker.
• 53:01
  Yeah, exactly. Johnny should have kept the
• 53:03
  necklace. Had that and his momma's
• 53:05
  necklace at the same time. Matter of fact, yeah, I'm
• 53:07
  keeping. It like, you know what?
• 53:08
  Yeah, fuck. That I'm the number one mother.
• 53:10
  My answer, and is how Johnny opens things.
• 53:16
  Like, I don't think he knows how to open like anything unless he
• 53:20
  has a corpse. Yeah.
• 53:23
  Like, so if he wants to break into he when he breaks into the
• 53:27
  building, he takes like half of a head and throws it through the
• 53:29
  window. When he wants to get his mask
• 53:32
  and his chains and his axe, he like takes a full body and
• 53:36
  throws it against the glass when he could in fact just punch
• 53:39
  through it himself. It's true, right?
• 53:49
  God, I did not expect that reaction.
• 53:51
  That's. Really good.
• 53:56
  Absurd. OK, I was struggling for a
• 53:59
  minute. I was like, how, Like, what is
• 54:00
  absurd about this movie? And then I saw that and I was
• 54:02
  like, yeah, that's really weird. Like, why not just like open
• 54:05
  something? I was.
• 54:07
  Watching that last night when he throws Aaron at the class games,
• 54:11
  he's like a foot like he like he said, he literally could have
• 54:14
  taken anything at the right against the class.
• 54:17
  He just picks up this dude's body and.
• 54:20
  Just, I mean, he's a fucking walking corpse, you know?
• 54:24
  Like, he could, like, punch through it.
• 54:25
  He can walk through it if he wants to.
• 54:28
  Yeah, he'll be all right. Yeah.
• 54:33
  Yeah, man. All right.
• 54:35
  Cool. All right, So what do you rate
• 54:37
  this thing? A 9 was really good.
• 54:39
  Yeah, really good. Oh man.
• 54:42
  I hate to just hand them out, but I think this one earned it.
• 54:46
  I think this is a 10. This thing met my expectations.
• 54:50
  And in fact, it actually exceeded because like, whenever
• 54:53
  I was pumped for the premise and the trailer and everything, I
• 54:57
  was like, I'm really sad for that.
• 54:58
  And then I watched it and I was like, fuck, man, that was
• 55:00
  awesome. I can't believe they pulled that
• 55:02
  off to the extent that they did. It takes props right there.
• 55:05
  Yeah, All right. Cool.
• 55:08
  This is starting average of 9.5 which is really good.
• 55:11
  That's the rating this movie deserves.
• 55:13
  Absolutely. All right.
• 55:15
  Are we ready to do? Yes.
• 55:16
  OK, okey, derkey. So we start off just hearing
• 55:19
  some crouching in the woods. Yeah, we get a shot of this
• 55:25
  little rundown little shack and we get these two dudes just kind
• 55:28
  of. Talking, I thought it was the
• 55:30
  frame. I thought it was the frame of an
• 55:32
  old house but it's actually like a fire tower.
• 55:34
  Yeah, because they reveal later that he was buried in like the
• 55:39
  power fire Tower place. Yeah.
• 55:41
  And we actually, the voices we hear are actually Troy and
• 55:45
  Aaron. And Troy is like, oh, hey, look
• 55:47
  at this neck. And Aaron's like, oh hey, the
• 55:49
  white pine slaughter happened here.
• 55:52
  Aaron brought that up, yeah. Yeah, that's.
• 55:54
  What I said I'm sorry, I thought you said Troy.
• 55:55
  Yeah, cuz I got them confused a lot early too.
• 55:58
  Yeah. So yeah, he brings up the white
• 56:00
  pine slaughter and then they're like OK, whatever, let's.
• 56:04
  Like, move on. And this is all just like we're
• 56:05
  hearing these voices off screen and just seeing like the frame
• 56:08
  of this fire tower. And then we see a hand reach out
• 56:10
  and take this necklace from a pipe.
• 56:13
  Yeah. And then they just walk off and
• 56:15
  this is a long shot, and it just stays on the pipe.
• 56:18
  And then you hear some like gurgling, and then a few seconds
• 56:22
  later Johnny arises from underneath the ground.
• 56:25
  Yeah, it's gross, but I like that we're actually seeing this
• 56:28
  whole like rising happening. How I guess?
• 56:30
  It is. Yeah.
• 56:31
  I was wondering, like, was the pipe there for him to breathe
• 56:34
  through or did somebody just stab him with it?
• 56:37
  Because he's dead, right? And he like, gets awakened from
• 56:40
  the necklace like. You want him to stay dead, so
• 56:43
  why would you put a pipe there for him?
• 56:45
  I was also thinking it could be a Friday 13th part six thing,
• 56:48
  like when Tommy stabbed Jason with the rod and that's what
• 56:52
  made him a zombie. Maybe that's like what happened
• 56:55
  here. That could be like a really nice
• 56:57
  like reference to that. I feel like this movie might be
• 56:59
  like old drops of like Friday the 13th.
• 57:02
  Yeah, Easter eggs all over the place cuz.
• 57:04
  I mean, it's AJ boy who's a mama's boy.
• 57:07
  That's true exactly. Yeah, and was not like taken
• 57:11
  care of by the adults around him who have kind of like an
• 57:13
  implicit societal responsibility to do so.
• 57:16
  All great points. Yeah.
• 57:17
  So all things are pointing to that being the case here.
• 57:21
  So Johnny slowly rises from underground, and then he begins
• 57:25
  his trek through the woods. He comes across what I suspect
• 57:29
  is a decomposed dog. I don't.
• 57:32
  Know I don't like it. I don't know.
• 57:36
  It could be a coyote. It's something that got stuck in
• 57:38
  the bear trap. Yeah.
• 57:39
  And he sees all of these pink ribbons tied around, too.
• 57:44
  And I do like as he's walking, like it's clearly like a time
• 57:46
  lapse because the angle of the light is different.
• 57:50
  It's that and like the setting and the forest is different too.
• 57:53
  And that's the thing that I was a little bit worried about with
• 57:55
  this movie. He's like, oh, we're just going
• 57:57
  to actually watch him walk everywhere.
• 57:59
  But this movie is smart and they do like cuts.
• 58:01
  So like he'll walk and then he'll jump cut and he's still,
• 58:05
  you know, same like frame shy, but like you can tell like the
• 58:08
  sun has changed and he's like clearly made some decent
• 58:12
  progress. Yes, and they do the same thing
• 58:15
  later when it switches perspectives to Chris.
• 58:17
  Yeah, exactly. Yeah.
• 58:18
  But yeah, he ends up also seeing like this little monitor thing
• 58:21
  on one of the trees, so he knows that somebody's in his.
• 58:24
  Area, yeah, it's like, I think like one of those like it would
• 58:27
  make sound like as a detector, like motion detector and like
• 58:31
  make sound. Somebody is set up in his neck
• 58:33
  of the woods and I don't think he really cares.
• 58:35
  And what we hear is like some honking at a house.
• 58:38
  It's Chuck's house. And the Ranger is mad about the
• 58:41
  traps. He's like, hey, are these your
• 58:43
  traps in the park? We've got tourists coming,
• 58:45
  college kids. If one of them steps in this
• 58:47
  like, it's going to be a big fucking deal for a small town,
• 58:49
  like, you can't do that. And he's like, also, by the way,
• 58:52
  if you keep setting up these traps, one of these days
• 58:54
  something is going to walk through the woods that isn't
• 58:56
  going to be stopped by it, and you're not going to like it.
• 58:58
  Yeah, And then they just get into this big argument and
• 59:00
  Chuck's like, get the fuck out of here.
• 59:02
  And then the share or the Ranger just is like, all right,
• 59:05
  whatever. And then he just drives off.
• 59:07
  Yeah. And as all this is happening,
• 59:10
  Johnny is approaching the house. Yeah, and he walks into it and
• 59:14
  it's gross. It's gross.
• 59:17
  It's very gross, yeah. They're usually cans all over
• 59:20
  the place. It's just nasty.
• 59:22
  He walks in as Chuck is walking back out and then he ends up
• 59:27
  walking over. There's like ATV.
• 59:29
  Going on, there's ATV on. And at one point, he, like,
• 59:31
  looks in a mirror. And behind the mirror, he sees,
• 59:33
  like, a necklace hanging off of something.
• 59:35
  And he has a flashback vision of his dad being like, this is your
• 59:38
  mom's necklace. As long as you have it, she's
• 59:39
  always with you. Yeah.
• 59:41
  And he is turning around, and he's about to grab it.
• 59:44
  And then we hear Chuck go. I told you to stay out of here.
• 59:47
  Yeah, he thought it was the rain.
• 59:49
  And then Johnny walks around the corner.
• 59:51
  He's like, oh fuck. Which?
• 59:53
  Also like the Ranger was a lot shorter and wearing different
• 59:56
  clothes and wasn't dead. He didn't see him.
• 59:58
  He heard a sound. Well, he shoots at him, which is
• 1:00:01
  a bold move. I think, I think what he did is
• 1:00:04
  he accidentally misfired because Johnny is in the living room and
• 1:00:07
  he kicks the bottom. He's like, you fucker.
• 1:00:09
  And then he's like trying to load his rifle.
• 1:00:11
  And I think he accidentally shoots.
• 1:00:12
  This guy clearly has demonstrated he does not.
• 1:00:14
  Yeah, well, not only that, but like his house is like shit, so,
• 1:00:18
  you know, And then when he sees like this giant mountain of a
• 1:00:21
  man just come across the corner, also a zombie.
• 1:00:25
  Yeah, yeah, he freaks the fuck out.
• 1:00:26
  Yeah, like his face is decomposed and his like his eyes
• 1:00:30
  are clouded over. Oh no, we haven't seen that yet.
• 1:00:32
  We haven't seen it. Yet we've only seen the back of
• 1:00:34
  his. This is what we know that like
• 1:00:36
  in hindsight, we know the so he's.
• 1:00:37
  Saying he he grabs his gun and then just like throws it and
• 1:00:40
  then Chuck runs out and then he's freaking the fuck out.
• 1:00:43
  He's a slow runner and he's like running back where Johnny came
• 1:00:46
  from and Johnny's chasing after him.
• 1:00:48
  Yeah, And eventually we catch up to him and he's caught in a trap
• 1:00:51
  and he's like, hey, man, I never did nothing to you.
• 1:00:53
  And this is a great transition shot because we just see his
• 1:00:56
  hand reaching towards Chuck, and then it cuts to his hand bloody
• 1:01:01
  reaching towards the necklace. So I love that because it lets
• 1:01:04
  us feel like we know exactly what happened without seeing it.
• 1:01:07
  And part of me was like, OK, well, this is a cool way to do
• 1:01:09
  stuff on a budget if you can't really show, like these kills,
• 1:01:12
  which made what comes later. Yeah, such a nice surprise.
• 1:01:16
  Yeah, that's true. Yeah, I didn't even think about
• 1:01:17
  that, but my God, it's such a fucking well done.
• 1:01:20
  Yes, transition right there. Yeah.
• 1:01:22
  And then he grabs a necklace. And it says mother one number
• 1:01:25
  one, motherfucker. God that is a tongue twister.
• 1:01:28
  Number one, motherfucker number one.
• 1:01:31
  And yeah, I mean, he's like, well, that's not my mom's.
• 1:01:34
  My mom probably didn't do that. So my.
• 1:01:37
  Mom didn't fuck herself. Yeah, that I know of.
• 1:01:41
  So like, it cuts back to him walking, like he passes Chuck
• 1:01:44
  again. And then, you know, I wrote,
• 1:01:47
  Does he leave the necklace there with him?
• 1:01:48
  Yeah, I. Don't think he leaves.
• 1:01:50
  It in the house I think. OK, yeah, he just walks past him
• 1:01:53
  and he's walking. Later it's night time and we
• 1:01:55
  hear young adults on some 4 Wheelers.
• 1:01:58
  Here's the thing. I wrote Young adults as Yas in
• 1:02:01
  my notes. Yeah.
• 1:02:02
  And it looks like a yeah on four Wheeler.
• 1:02:05
  I I suck because they were referring to them as college
• 1:02:08
  kids. I'm like, this is true to the
• 1:02:10
  Tucker and Dellness of a college college.
• 1:02:13
  Kids. Yeah, we got you, friend.
• 1:02:16
  I do love though, that like when you see this, we all know that
• 1:02:20
  scene in a horror movie when they're all driving down the
• 1:02:23
  road getting amped up for the party.
• 1:02:25
  And we cut to them around the fire.
• 1:02:27
  Yeah, yeah, exactly. So he like he saw where they
• 1:02:30
  were going. He walks in that direction and
• 1:02:32
  then he stumbles across where they have their little campfire.
• 1:02:35
  And here's the thing, we get the breakdown of these characters
• 1:02:38
  almost right away because Chris makes a joke about like, oh, do
• 1:02:41
  you have a ring for me? And True is like, yeah, it's
• 1:02:43
  behind my zipper, which doesn't make any fucking sense.
• 1:02:46
  Yeah, I think he thought that that was a really good little
• 1:02:48
  like quip. And then everybody's like, wait,
• 1:02:50
  you're. So that means it's on your Dick,
• 1:02:53
  which that means your Dick is the size of Chris's finger.
• 1:02:58
  Yeah. And so, like, somebody was going
• 1:03:00
  to make the joke. I feel like, honestly, like the
• 1:03:02
  girlfriend making it because she's still with that, you know
• 1:03:04
  what I mean? Like, it's like, OK, you made a
• 1:03:06
  stupid joke, Liz. I'll just laugh about it and
• 1:03:08
  move on. And he's very insecure.
• 1:03:10
  And then he says, Oh yeah, that's right.
• 1:03:12
  That's funny, right. Cool.
• 1:03:14
  Like so clearly he's got beef with Colt and then Aaron is
• 1:03:19
  talking about the white pine slaughter.
• 1:03:20
  So they're trying to like egg him on to talk about it.
• 1:03:23
  And he's so he starts talking about it and he's trying to
• 1:03:26
  avoid saying anything like potentially offensive about
• 1:03:28
  Johnny because he's like his exact words.
• 1:03:30
  He's like he's, he's a slow kid. Which he is actually slow
• 1:03:36
  because all he does is walk. Yeah, like literally he walks.
• 1:03:38
  I like. That I also like this right here
• 1:03:40
  too, because like, it's like he's trying to be yeah, he's not
• 1:03:44
  trying to say like. Yes, I like that.
• 1:03:47
  He's like trying to be like, OK, well, what?
• 1:03:49
  Like what is disturbed? For this, by the way, I don't.
• 1:03:51
  I don't even. Know probably like somebody with
• 1:03:53
  developmental disability disorder.
• 1:03:55
  OK. So yeah.
• 1:03:56
  Yeah, intellectual intellectual disability disorder is what the
• 1:04:00
  official like. See, I would be like Aaron here.
• 1:04:03
  I'd be like, he's, I don't know. And then, yeah, they're like,
• 1:04:07
  say it, Aaron. What?
• 1:04:08
  What is it? Say the word.
• 1:04:10
  And then they're like, actually, hold on, Aaron, don't say it.
• 1:04:13
  Yeah. And he's like, oh what, you're
• 1:04:15
  going to cancel me? And she goes, well, cancel
• 1:04:17
  culture isn't really fucking ableist.
• 1:04:18
  I love that line because cancel culture is really only a term
• 1:04:22
  used by. People who?
• 1:04:23
  Yeah, like who don't want to be held accountable by saying
• 1:04:25
  shitty things because they don't want to learn to be like a
• 1:04:27
  little bit more understanding of people outside.
• 1:04:30
  What does he say back to that? I don't he has a good comeback
• 1:04:34
  to that. He's like, fuck, what does he
• 1:04:37
  say? I don't remember.
• 1:04:39
  I didn't write it down. Yeah.
• 1:04:42
  Then he started telling the story.
• 1:04:44
  So basically there were these logging encampments and because
• 1:04:48
  they were so far away from civilization runs, stores would
• 1:04:51
  set up. Yeah, OK, I got the whole thing
• 1:04:53
  written down if you wanna. Well, I basically wrote it down
• 1:04:55
  too. OK.
• 1:04:56
  Did you say 70 years ago? I didn't write the years.
• 1:04:59
  Yeah, it was 70 years ago when this.
• 1:05:01
  Was on 70 years. 70, yeah. Yeah, So they're out there in
• 1:05:07
  the middle of nowhere. So stores would pop up and
• 1:05:09
  they'd be selling like basic goods, but they would be like
• 1:05:11
  incredibly marked up. And they had no other options of
• 1:05:13
  where to go. So they were already resentful.
• 1:05:15
  Johnny's dad was one of these people that owned the store.
• 1:05:18
  So the loggers already didn't like him and they didn't like
• 1:05:20
  Johnny because he had all these toy cars that he loved and he
• 1:05:23
  would leave them laying around. In one of the days, one of the
• 1:05:27
  loggers fell on a toy car, broke his ankle, so he didn't work
• 1:05:31
  anymore. So all the loggers were really
• 1:05:32
  upset about that because obviously, like, that fucks up
• 1:05:35
  their workload, that fucks up his money flow.
• 1:05:37
  Like it's a lot of issues. And plus, they were already
• 1:05:39
  taking out their frustrations on with a dad on Johnny, yes.
• 1:05:44
  So. So they lure him to this fire
• 1:05:47
  tower. Yeah, they tell him that they
• 1:05:49
  have all kinds of toys up in the fire tower.
• 1:05:52
  So he climbs up there and one of the loggers is up there in one
• 1:05:55
  of those old tiny firefighter masks, and it scares Johnny and
• 1:05:58
  he falls. And when he falls, he dies.
• 1:06:01
  And the loggers panic and they put the mask on him, hoping that
• 1:06:05
  it would look like he was just out there playing on his own and
• 1:06:08
  fell. And of course, Johnny's dad
• 1:06:11
  doesn't, like, really buy it. But there's nothing that can be
• 1:06:14
  done. However, a week later, everybody
• 1:06:20
  like some corporate bigwigs. Come down.
• 1:06:22
  No, they killed Johnny. Sad.
• 1:06:24
  Oh, did they kill Johnny? Sad.
• 1:06:25
  Did I miss that? Yeah.
• 1:06:26
  OK, I missed that part then. OK, he knew about it.
• 1:06:30
  And then like, they didn't like the fact that he was like, wise
• 1:06:34
  to the whole thing. Yeah, He confronted them in the
• 1:06:37
  mess hall, and he tried to start a fight, and he ended up dying,
• 1:06:40
  too. Yeah.
• 1:06:40
  Then a week later, some corporate bigwigs were coming
• 1:06:43
  down to, like, try and investigate all of this.
• 1:06:45
  And then they find everybody in the encampment dead.
• 1:06:48
  And they ended up covering that up as well.
• 1:06:50
  They pay off the widows. And they tried to like they told
• 1:06:53
  the local newspapers that it was like animals came in and
• 1:06:55
  attacked all of the loggers. So I have a question.
• 1:06:59
  OK. This all happened when Johnny
• 1:07:01
  was a child. Does that mean that he killed
• 1:07:04
  them as a child? And he?
• 1:07:07
  Did he continue to grow? Yes.
• 1:07:09
  As a zombie, do you not stop aging when you die?
• 1:07:16
  You're asking a lot of really good questions, Travis.
• 1:07:19
  I'm also curious because the ranger's dad was one of the
• 1:07:25
  loggers that was there. Well.
• 1:07:28
  That, and he survived. He they addressed that and they
• 1:07:33
  actually might, this actually might address what I'm talking
• 1:07:36
  about here. But whenever Chris later asked
• 1:07:38
  the Rangers like, so the story was it true?
• 1:07:40
  He said, well, let's say about like parts of it.
• 1:07:45
  Most of it is, but parts of it aren't.
• 1:07:47
  Well, you said everybody died except for my dad.
• 1:07:50
  That could be one of the parts. Of But that was 70 years ago.
• 1:07:55
  Yeah, that's a good point. Well, then again, like.
• 1:07:57
  The ranger's not that old. We don't know what's 70 years.
• 1:08:01
  Could be wrong, Survivor could be wrong.
• 1:08:04
  Johnny's age could be wrong. OK, that could be the 30.
• 1:08:07
  Percent that's. Incorrect.
• 1:08:08
  That's that's 10% each right there.
• 1:08:10
  That's OK. That's fair.
• 1:08:12
  That's yeah. So the group decides that
• 1:08:14
  they're all gonna go inside, but Aurora wants to take a group
• 1:08:16
  photo first, which I know people like to laugh at.
• 1:08:19
  Like, oh, well, you don't even have a signal for Instagram
• 1:08:23
  here. But like, it's nice to have
• 1:08:24
  photos with your friends. And I think more people need to
• 1:08:26
  take advantage of the fact that we have technology and get
• 1:08:29
  photos with your loved ones because when you don't have
• 1:08:32
  those to look back on, it sucks. I mean, it was a thing before
• 1:08:35
  social media. I know it.
• 1:08:36
  Was the thing before social media but it's like now if you
• 1:08:39
  do it. I'm agreeing with you.
• 1:08:40
  Yeah, yeah, no, I'm saying like, OK, yeah, for the sake of the
• 1:08:43
  show. Like it was a thing before
• 1:08:44
  social media, but now it's like with social media, you get
• 1:08:47
  shamed for doing it and like, it's nice to post.
• 1:08:50
  There are plenty of pictures I take that I don't post.
• 1:08:52
  There are plenty of pictures I take that I do.
• 1:08:54
  But it's nice to have them all in one place because honestly,
• 1:08:56
  when it's on social media, I run less a risk of losing them if
• 1:08:59
  something happens to my phone or my laptop, you know?
• 1:09:02
  And it's nice to have those. And when you don't have that
• 1:09:05
  option for them anymore, it really sucks to look back and be
• 1:09:07
  like, man, it would be nice to have like something tangible for
• 1:09:10
  those memories, you know? Yeah, I agree.
• 1:09:13
  But yeah, anyway, we see them take in the group photo, and we
• 1:09:16
  also see Johnny in the background.
• 1:09:17
  And it's like, man, this would be like a really fun thing.
• 1:09:19
  Like, you know in a typical horror movie that you would see
• 1:09:22
  something in the background in the picture and that does come
• 1:09:24
  up in conversation later. That's the cool thing about this
• 1:09:26
  movie is every scene, of course, up until we get to a certain
• 1:09:31
  point, Johnny's in frame, Johnny's in the scene at some
• 1:09:34
  place, yes, somewhere, which is awesome.
• 1:09:36
  I love that. So yeah, they take their picture
• 1:09:39
  and then they all put out the fire and then they're gonna go
• 1:09:42
  back to the cabin for the night. And Johnny goes into the shed
• 1:09:45
  and grabs a weapon. Grabs a saw.
• 1:09:49
  And he hears he's, like, wandering around outside of the
• 1:09:52
  cabin, and he hears Chris and Troy arguing about her joke that
• 1:09:55
  she made out there and then also about Colton.
• 1:09:57
  He's like, I can't believe you forced me to invite your weird
• 1:10:00
  friend. And she goes, he's just going
• 1:10:01
  through something. OK, We hear Brody outside.
• 1:10:05
  She's smoking, and she catches Aaron sneaking out.
• 1:10:07
  He's like, I'm just going out to take a shit, which doesn't make
• 1:10:11
  sense because you're in a fucking cabin.
• 1:10:12
  And I feel like a cabin this size has a bathroom.
• 1:10:15
  Well, yeah, but it could be analysis.
• 1:10:17
  You know, here's the thing about this movie.
• 1:10:19
  I don't know when it takes place because we don't see them have
• 1:10:23
  like, do they? Have cell phones?
• 1:10:25
  They do have cell phones because Aurora's recording Aaron when
• 1:10:28
  he's telling that story. That's true.
• 1:10:30
  And she also mentioned specifically cancelled cultures,
• 1:10:32
  so it's at least later than. 2020 I was confused about that
• 1:10:35
  because he at this point has a cassette player.
• 1:10:38
  Yes, no, that's cuz he's cool and quirky and they even make
• 1:10:41
  fun of him cuz they're like, you're gonna go see those gas
• 1:10:43
  station girls and be like, do you wanna look at my cassette
• 1:10:46
  player? They make fun of okay.
• 1:10:47
  And this feels realistic for friends.
• 1:10:50
  I love this right here. I thought this fill.
• 1:10:52
  Me up. Yeah, right.
• 1:10:54
  Because like, yeah, like, apparently he like, chatted up
• 1:10:57
  with some girls at the gas station and.
• 1:10:59
  And that was. Even like briefly mentioned in
• 1:11:00
  the opening, Yeah, like I like that.
• 1:11:03
  Yeah, I thought the ribbon that they did here was very real.
• 1:11:06
  Yeah, Yeah. So yeah, he they all go back
• 1:11:09
  inside and Aaron decides that he's going to go.
• 1:11:13
  I don't really know where he's actually.
• 1:11:15
  I don't know where he was eventually going to go, but he
• 1:11:17
  decides he's going to like, smoke beforehand, whatever he
• 1:11:20
  was going to do behind the shed. And as he is back there smoking,
• 1:11:24
  Johnny sneaks up behind him and saws off this his head.
• 1:11:28
  And grabs him and then he just puts it through his mouth.
• 1:11:32
  Yeah. Like.
• 1:11:33
  Halves his head. Oh my God, it's fucking crazy.
• 1:11:35
  And this is where the best bit like this, this is where the
• 1:11:39
  movie fully endeared me to it. Because he is carrying John or
• 1:11:42
  Johnny is carrying Aaron through the woods by his jaw.
• 1:11:45
  Like his lower jaw and the cassette.
• 1:11:47
  Keeping his top half of his. Head holding the top half of his
• 1:11:50
  head in his other hand and the cassette player still playing.
• 1:11:53
  And we get more of this time lapse stuff which you can tell
• 1:11:55
  by like the location in the woods and where the lighting is,
• 1:11:58
  but you also get it from the cassette player cuz you can do
• 1:12:01
  the battery dying down. It's playing music and yeah, the
• 1:12:04
  I guess it's like going really slow.
• 1:12:06
  It starts slowing down and getting really distorted and
• 1:12:09
  it's fucking amazing. That was a good decision on that
• 1:12:13
  part. That was so good.
• 1:12:14
  It was just, and that that was honestly, that was the moment
• 1:12:17
  this movie won me over in the theater.
• 1:12:19
  I was like, these people, they fucking get it.
• 1:12:22
  Yeah, no, that was, that was a nice detail right there.
• 1:12:25
  And like, he gets to the Ranger station.
• 1:12:27
  Yeah, it's like a tourist. Observation area where it was
• 1:12:30
  titled Yeah. And he, he, he just throws
• 1:12:34
  Aaron's head through the window. I wonder how many times they had
• 1:12:37
  to shoot that to get that thing to land right.
• 1:12:39
  Because like it lands perfectly in the in the light like
• 1:12:42
  upright. I wonder if they like weighted
• 1:12:44
  the bottom down like right above?
• 1:12:46
  Like where? The chocolate would be.
• 1:12:48
  Yeah, yeah. Yeah.
• 1:12:49
  So yeah, that's how we bust into there.
• 1:12:51
  And then he's just kind of staring around.
• 1:12:54
  He's like checking out some of their, like, photos in there.
• 1:12:57
  And then he comes across the the wall where they have the mask
• 1:13:00
  that he saw when he died originally.
• 1:13:03
  Yeah. Along with two hooks and a.
• 1:13:06
  It's like a hook, but it's on a chain.
• 1:13:09
  So like a hook that's on either chain.
• 1:13:10
  It's called a drag hook. Oh, OK.
• 1:13:12
  And it's got like a little bit of information.
• 1:13:14
  I didn't write the whole thing down, but it's basically like it
• 1:13:16
  was used as like a rescue tool kind of type thing.
• 1:13:18
  I love that they actually kept all this stuff specific to like
• 1:13:22
  classic firefighter gear. It's really cool.
• 1:13:24
  It's all. Really interesting because like,
• 1:13:28
  I don't know, being near Eastern Kentucky, which I'm not from
• 1:13:32
  around this area originally, but having been around here for long
• 1:13:38
  enough now and having visited your hometown enough, it feels
• 1:13:42
  there's a sense of, I kind of appreciate the acknowledgement
• 1:13:47
  of the history of that area. I'm not, I'm not gonna, I'm
• 1:13:50
  gonna be honest. Like when I watch this movie and
• 1:13:53
  see the environment in shot and it 100% reminds me of home.
• 1:13:56
  Yeah, I was I It has an Appalachian sense to it.
• 1:14:00
  It's mountains. Yeah, yeah, yeah.
• 1:14:02
  Like, I mean like I grew up like when we see Chuck's house, I
• 1:14:06
  couldn't like I could probably take you to an exact spot like
• 1:14:09
  that in. Harlem, Yeah.
• 1:14:10
  It's like, so we've got My Bloody Valentine, which has like
• 1:14:14
  the mining thing, but this this movie in some ways feels like
• 1:14:18
  it's. More like the yeah, yeah, like
• 1:14:21
  the landscape. Yeah.
• 1:14:23
  Yeah, so Johnny takes Aaron's body and just throws it against
• 1:14:27
  the glass. And I love how he used the top
• 1:14:30
  half of the head for like the main door, but then he used the
• 1:14:33
  whole body for the little bulletin board.
• 1:14:35
  See, I don't think he game plans.
• 1:14:37
  I think he is like, well, I got the body here like.
• 1:14:41
  Well, the head rolled under the desk.
• 1:14:42
  Maybe he didn't see where it landed.
• 1:14:44
  I feel like he's still putting on a show.
• 1:14:46
  He's like, maybe you're still alive.
• 1:14:47
  I don't know. You don't see your body going to
• 1:14:49
  this thing. He's like, I don't know what
• 1:14:50
  kills people. Where's the brainstem at?
• 1:14:52
  Maybe he's still. I mean, you still kind of have
• 1:14:54
  your brain, right? Yeah, maybe you're still watch
• 1:14:57
  this shit. I'm dude.
• 1:14:58
  Yeah, so he he takes the mask, the axe and the drag hook.
• 1:15:02
  I got to say man, that mask is awesome.
• 1:15:05
  I love that fucking mask. He.
• 1:15:07
  Loves the mask and I fucking and resentful of the people and not
• 1:15:13
  resentful in a real way because some of them are our friends
• 1:15:16
  That referred to it as a minions mask.
• 1:15:18
  Yeah. Now that's what I think of when
• 1:15:21
  I see it. I've.
• 1:15:22
  Got questions about that. I thought that that maybe was
• 1:15:26
  because the Minions movie was coming now.
• 1:15:28
  So I got the Minions, but then like I, I guess I kind of get it
• 1:15:32
  because. It's got like the roundhead and
• 1:15:34
  the big goggly eyes which like I get it.
• 1:15:37
  I wouldn't have made that connection on my own though.
• 1:15:38
  So like now it's it sucks that that's forever.
• 1:15:41
  Joe Head Joe, I'm gonna need you to explain.
• 1:15:43
  I I. I'm Joe and Kendra.
• 1:15:45
  Joe and Kendra and I need y'all to explain.
• 1:15:47
  Calling you out. Yeah.
• 1:15:48
  All right. So he suits up.
• 1:15:50
  He's got his gear now. Next morning we see him walking
• 1:15:52
  in the woods. He's got the mask on, he's
• 1:15:54
  holding his weapons. Yeah, I love how I like because
• 1:15:56
  like, I was singing in this scene right here, like this
• 1:16:00
  plays into the slasher movie where like he get the opening
• 1:16:03
  kill and then it's the guy that automatically was leaving
• 1:16:06
  anyway, so he's got a plausible reason to be missing.
• 1:16:08
  And then it cuts the next morning because he takes them so
• 1:16:11
  fucking long to walk from point A to point B Yeah, yeah.
• 1:16:14
  It was so cool. And nobody, it's plausible
• 1:16:16
  enough that maybe nobody has realized that he's missing yet.
• 1:16:19
  Or if they have, they think like, oh, he's just with the gas
• 1:16:21
  station. Exactly.
• 1:16:22
  Yeah. Yeah, it's good.
• 1:16:24
  And he's down by the lake. He's on the other side of the
• 1:16:26
  lake and he sees Aurar and Brody are on the dock.
• 1:16:30
  And Brody, like, has tricked a Royer to be out there.
• 1:16:32
  And she's like, oh, I thought we were going to do yoga.
• 1:16:34
  And bro, I was like, well, I think maybe we need to go for a
• 1:16:37
  slim. I love how this is see this
• 1:16:40
  movie does a good thing so it keeps like this.
• 1:16:43
  Keeps these long shots that go on for minutes that time, but it
• 1:16:47
  also cuts them. Like, it kind of like, creates
• 1:16:51
  action in them in interesting ways because he's watching that.
• 1:16:54
  And as he does it, he takes his axe and just slams it in the
• 1:16:57
  stump. Yeah.
• 1:16:58
  And then, like, you can tell like, he's like, that's my
• 1:17:00
  fucking target. I don't even need this thing.
• 1:17:03
  Yeah, and then he like, walks into the water.
• 1:17:06
  Yeah, Oh my God, Yeah. So.
• 1:17:09
  So Aurora says like, I'm going to go to the lookout and I'm
• 1:17:13
  going to stretch. When you're done with your slim,
• 1:17:14
  maybe you can meet up, meet me up there and we'll have like a
• 1:17:17
  second chance at that. Yeah, you can help me stretch.
• 1:17:20
  Yeah, she's like, basically just don't do this high school
• 1:17:22
  bullshit. Like if you want to fuck, let's
• 1:17:23
  just fuck. Yeah, just tell me.
• 1:17:25
  Like just say you want to fuck. Don't don't take me down here to
• 1:17:28
  go swimming. So she goes up there and then
• 1:17:32
  Brody is swimming and like we still are across from the lake
• 1:17:36
  and we just hear a. And Brody?
• 1:17:39
  Is pulled under the water. It's so fucking effect cuz like
• 1:17:42
  that is that's the great thing about these kills is like how
• 1:17:45
  caught off guard every single one of them is.
• 1:17:47
  We don't have this like drawn out like.
• 1:17:50
  Yeah, yeah, it's. Just like done.
• 1:17:53
  And we do see Brody pop up one more time and then she's pulled
• 1:17:56
  back down and that's it. She's dead.
• 1:17:58
  Yeah, and then he just walks out of the.
• 1:18:00
  Water. Yeah, Oh my God, he just walks
• 1:18:01
  right back up. And I also appreciate how
• 1:18:05
  realistic this lake is because it's such a steep and immediate
• 1:18:09
  drop off. Like you've got like 5 feet or
• 1:18:11
  so where it's like shallow enough to stand.
• 1:18:13
  And then it's like a yeah, yeah, I'm being from a lake area
• 1:18:17
  that's in my area of xfinities. That's realistic.
• 1:18:21
  You've got to be careful. So now this is probably the
• 1:18:25
  scene for everybody. Oh my God.
• 1:18:27
  So Johnny treks up the mountain, and he makes his way up to Is It
• 1:18:33
  Brody? No, this is Aurora.
• 1:18:35
  Aurora, who is doing her yoga up there and he slowly approaches
• 1:18:39
  and then she turns around after she.
• 1:18:41
  Hears a yeah, she hears a stick break and she goes, I was
• 1:18:43
  wondering when you'd be up here. And then she turns around, she
• 1:18:45
  goes and she starts to back up. She gets to the edge.
• 1:18:48
  She can't go any further and then it's.
• 1:18:50
  At the top of a mountain. Box.
• 1:18:52
  Yeah, yeah, yeah, it's not. And it's not like a full.
• 1:18:54
  Like a hill, mountain, mountain. Yeah, it's like it's a very
• 1:18:57
  steep, like it's almost like a quarry type edge.
• 1:19:01
  It has, yeah. Like it's like whenever you go
• 1:19:04
  hiking and you get to like the spot to.
• 1:19:06
  Look at. You can't walk down it.
• 1:19:08
  It's not a vertical drop, but it's near vertical.
• 1:19:11
  I'd say like it's 100° angle maybe?
• 1:19:13
  Yeah. And it's like all gravel.
• 1:19:15
  So it's just, it's really intense.
• 1:19:17
  It's really scary. She knows she can't, like,
• 1:19:19
  safely get down it. And so Johnny comes up, she
• 1:19:22
  turns around and he punches through her.
• 1:19:27
  And then he takes the hook, he turns her around, he pulls it
• 1:19:32
  up, he jams it into her head, turns her back around.
• 1:19:36
  And then he pulls on the chain and you see her vertebrae
• 1:19:41
  popping out, you see her go full Gumby, and then her head comes
• 1:19:48
  through her fucking stomach, you guys.
• 1:19:50
  Yeah, through her back, out her back.
• 1:19:53
  And this is one of the gnarliest fucking kills I've seen in a
• 1:19:57
  while. Anything like this, it's amazing
• 1:20:00
  in terms of. Gore innovation in horror.
• 1:20:03
  Yeah, like I, I just, I can't believe they pulled it off as
• 1:20:07
  well as they did. I just everybody in the theater,
• 1:20:10
  even Nacho Man, Randy Obnoxious, Yeah got silent and you could
• 1:20:16
  just feel all of it like the collective sense of.
• 1:20:18
  What the fuck? Yeah, like honestly, they they
• 1:20:21
  did. They achieved something with
• 1:20:23
  that right there. That was as a brand new fucking
• 1:20:26
  kill. That was fucking history.
• 1:20:29
  Yeah, for real. Amazing.
• 1:20:30
  Yeah, and like. And then he just knocks her down
• 1:20:34
  the hill. I like that he like soaks it in
• 1:20:36
  for a second. He's like he like watches the
• 1:20:39
  body there and they he he kicks it.
• 1:20:41
  He just like no respect for the dead here.
• 1:20:44
  He just kicks it and I love. It's such a big shot.
• 1:20:47
  Yeah, we get a wide shot of the body rolling all the way down
• 1:20:51
  the hill, and I appreciate how long it takes to get to the.
• 1:20:54
  Yeah, cuz. We talked about this a lot.
• 1:20:56
  I don't. Even think it gets to the
• 1:20:57
  bottom. No, we.
• 1:20:58
  Watched her splash no, we watched her splash into the
• 1:21:00
  water I. Thought it was rocks.
• 1:21:03
  Maybe it was, I don't know, but yeah.
• 1:21:05
  It's hard to this is how far back the shot is.
• 1:21:08
  You can't even really fully see. Yeah, it's just God.
• 1:21:12
  Sorry, what were you saying? No, I was gonna say how we've
• 1:21:15
  had a lot of episodes recently where we've talked about people
• 1:21:17
  just like, fucking rolling down the hills, Rolling down the
• 1:21:19
  hills. And this one, like, actually
• 1:21:21
  takes the seriousness of it into consideration.
• 1:21:24
  She was not Roddy Piper. No, in this situation, she did
• 1:21:28
  not recover from this shit. Oh, man.
• 1:21:31
  All right. So yeah, that one's out of the
• 1:21:33
  way. So he marches on and he gets his
• 1:21:37
  axe back. He goes back to where he put
• 1:21:39
  that down and then he hears the group arguing so.
• 1:21:43
  Troy is telling Chris and Colt that they're overreacting over
• 1:21:48
  the friends missing. He's like Brody and Aurora just
• 1:21:50
  fucking in the lake. And Aaron is just looking for
• 1:21:53
  those gas station girls. And Chris is like, well, what
• 1:21:55
  about like, you know, the person in the picture?
• 1:21:58
  And he's like, it was just a bad shot.
• 1:22:00
  It was dark. Yeah.
• 1:22:02
  And then Colt was like, just give me the keys and I'm going
• 1:22:04
  to drive to the Ranger station. He goes, oh, you want the the
• 1:22:06
  keys and he tosses them in the woods, which is a fucking stupid
• 1:22:09
  move because you still need the keys to your goddamn car, Troy.
• 1:22:12
  Not only that, they win right at Johnny's feet and.
• 1:22:15
  They have a little car key chain and honestly this moment
• 1:22:18
  watching Johnny just like. I love this man.
• 1:22:21
  This was amazing that they like included this little.
• 1:22:24
  Like, it's like a breather, but it's also like a way to like,
• 1:22:28
  explore his character a little bit and he just picks up the
• 1:22:31
  car. He's just playing with it, and
• 1:22:33
  then he hears Troy being an asshole again and he goes this
• 1:22:36
  Oh yeah, this man. Is brutal even.
• 1:22:38
  To the things he. Loves and.
• 1:22:40
  Then you can hear Chris and Cole, they drive off.
• 1:22:43
  On the ATV, yeah. And Troy, yeah, it's Troy.
• 1:22:48
  OK. Yeah, he's out there like
• 1:22:50
  looking for this. Stuff and then yeah, he's.
• 1:22:52
  Like oh shit, I do need to actually find my key, don't I?
• 1:22:55
  And then Johnny comes up. No Troy.
• 1:23:03
  Troy goes back inside. I lost where I'm at on my notes.
• 1:23:05
  So Troy goes back into. The cabin, the.
• 1:23:07
  Truck is still upfront. And Johnny approaches the truck
• 1:23:11
  and he takes a like a bar and he's, it's like a branch.
• 1:23:14
  Yeah. And he like props dude, I.
• 1:23:16
  Love how smart this. Fucking guy is he?
• 1:23:18
  He puts it on the horn and like he sets a trap for Troy.
• 1:23:21
  I don't care who. You are.
• 1:23:24
  If you hear that outside, that's not good.
• 1:23:27
  Like I I guess somebody either wrecked or somebody put a
• 1:23:30
  fucking thing there is worrying you out in the middle of the
• 1:23:33
  woods. There's no reason for your alarm
• 1:23:35
  to be going. Off.
• 1:23:36
  Yeah, that's not even on alarm. That's not even like a oh.
• 1:23:39
  Man a tree. Fell and set off my car alarm
• 1:23:42
  because I'll be going. That's just the horn.
• 1:23:44
  Somebody's laying on the horn. Yeah, yes.
• 1:23:46
  And so he goes out there and at first, I guess maybe he thinks
• 1:23:49
  it's. Chris, your Colt fucking with
• 1:23:50
  him, which doesn't make any sense because he hasn't heard
• 1:23:52
  the four Wheeler come back. Yeah.
• 1:23:54
  And he goes out there and Johnny gets him.
• 1:23:56
  Johnny hits him. I like Johnny's movie.
• 1:23:58
  Yeah, so like Johnny does that. And he immediately books it,
• 1:24:02
  which again, the thing with this movie is I love how it's like
• 1:24:05
  this is how that horror villain, yes, maneuvers in this
• 1:24:08
  situation. So like, he sets the horn and he
• 1:24:11
  walks along the side of the house and he's booking it like
• 1:24:14
  he's power walking and he walks around the whole house.
• 1:24:18
  Yes. And then he comes back around to
• 1:24:19
  the front. And then that's when Troy is out
• 1:24:23
  there, you know, setting the thing.
• 1:24:25
  And then you can also see the other guy in.
• 1:24:28
  Yeah, Evan. Evan.
• 1:24:29
  Yeah, he notices. Yeah, he sees.
• 1:24:31
  Johnny through the. Window and he's like wait, what
• 1:24:33
  am I? High, what's happening?
• 1:24:35
  And so Johnny comes up and he swings at Troy with the axe and
• 1:24:41
  Troy catches it. Yeah, catches it.
• 1:24:42
  He ends up getting cut on the leg and he falls back.
• 1:24:46
  But then Evan comes out and shoots Johnny.
• 1:24:48
  Yeah. And that knocks him down.
• 1:24:50
  And so he puts a tourniquet around Troy's leg and he's like,
• 1:24:53
  OK, we need to go. I like how like when this is all
• 1:24:57
  happening you like you can see like trying to search to.
• 1:24:59
  Breathe again. Yeah.
• 1:25:00
  We just see him go. Yeah.
• 1:25:02
  And he follows. Along, he picks up the axe
• 1:25:04
  again. He throws it.
• 1:25:05
  It hits Evan in the head, and we don't actually see it at first.
• 1:25:08
  We just hear Troy go, Oh my God, Evan Yeah.
• 1:25:11
  And then like, we cut back to like, from Johnny's POV as he's
• 1:25:15
  walking, we see Evan on the ground with the axe in his head.
• 1:25:17
  And then we see you, Troy. And Troy falls because his leg
• 1:25:20
  is like, fox. And then Johnny picks up a big
• 1:25:23
  boulder and just splatters him. I wonder how they did that
• 1:25:27
  because like it's a one shot. It's a one shot and the shot
• 1:25:30
  like the effect is. Super convincing.
• 1:25:32
  How the fuck did? They pull.
• 1:25:33
  Yeah. He like brains, that guy, Yeah.
• 1:25:36
  And. God, man, they did an amazing
• 1:25:38
  job, Yeah. OK.
• 1:25:41
  And at that point, Chris? And Colt have come back on the
• 1:25:44
  four Wheeler and they're calling for Troy and Evan and they're
• 1:25:47
  saying the ranger's going to meet us at the station.
• 1:25:50
  They found Aaron's dead body, which is why.
• 1:25:53
  They came back. Yeah.
• 1:25:54
  They're like Troy. Troy Aaron's.
• 1:25:56
  Dead and then like they see Johnny and they freak out and
• 1:25:59
  they barely make it onto the ATV before well, because at this
• 1:26:03
  time like Johnny has reached into Troy his pocket because.
• 1:26:05
  He saw Troy put the necklace in his pocket.
• 1:26:08
  Oh, yeah. He reaches into his pocket.
• 1:26:09
  It's empty. And then when he looks over and
• 1:26:11
  Chris is checking the ground, she sees blood on the ground and
• 1:26:14
  she sees Johnny sees the necklace on her neck.
• 1:26:16
  So at some point, Troy did give it to her.
• 1:26:19
  And then he comes over to her. And Cole is like, Oh my God,
• 1:26:21
  Chris, you've got to. We've gotta go now.
• 1:26:23
  When they get away, just in time, Yeah.
• 1:26:25
  So Johnny continues walking. He's in a.
• 1:26:28
  Very pretty field and a beautiful.
• 1:26:31
  Sunset and I just took a moment to appreciate the scenery.
• 1:26:33
  I do love that. Yeah.
• 1:26:34
  It's like sundown. Yeah, I just.
• 1:26:36
  Love my time passes so peaceful. This is like.
• 1:26:40
  The lavender field? Really.
• 1:26:42
  Beller and Edward, like, just laid together.
• 1:26:45
  I kind of remind. It reminded me of like the
• 1:26:48
  Texas. Chainsaw movie that came out on
• 1:26:49
  Netflix where? Like he's in the sunflower
• 1:26:52
  field, Yeah. Which is a beautiful in its own
• 1:26:55
  it. Is.
• 1:26:56
  All right, so Johnny is like walk.
• 1:26:58
  And then it cuts. Back to Night and one of the
• 1:27:01
  other things I like about this movie is like, they don't do
• 1:27:03
  artificial lighting with this stuff.
• 1:27:05
  When it's dark outside, you don't see shit.
• 1:27:07
  You don't see shit. And when you?
• 1:27:08
  Do cut into a person's face you get.
• 1:27:10
  Like all of that noise with it. So you can tell that they like
• 1:27:14
  have all of the like shit on their camera.
• 1:27:17
  That means they they ramped up the ISO and the ISO.
• 1:27:20
  Hell on the scene so. They make.
• 1:27:24
  It back to the They're at their station and the Ranger is
• 1:27:29
  yelling. At Chris, he's like, where did
• 1:27:30
  you get that necklace? He's like, that's Johnny's mom's
• 1:27:33
  necklace. It has to be there.
• 1:27:35
  And she goes, well, I'll just go put it back.
• 1:27:36
  He's you can't just put it back. You have to get him back
• 1:27:39
  underground. He has to be in that hologram.
• 1:27:41
  That's the only place they can hold him.
• 1:27:43
  Yeah. He's like, he's awake now.
• 1:27:45
  Yeah, Yeah, he's like. And then Johnny approaches.
• 1:27:49
  And he's like, I know what you did 10 years ago.
• 1:27:52
  He's like, yeah. He's like, you Remember Me?
• 1:27:54
  I remember you. He's like, I put you in the
• 1:27:56
  ground before, I'll put you in the crowd now and they shoot.
• 1:27:58
  Him and close like, oh cool, so he can be shot.
• 1:28:01
  He goes no bullets, just saw him down.
• 1:28:03
  He's like, we've got to get him to the fire tower.
• 1:28:04
  That's the only ground that can hold him.
• 1:28:07
  And he tells Chris that his father was the only one that
• 1:28:10
  survives the white pine slaughter and that Johnny rose
• 1:28:13
  up 10 years later and killed all of his loved ones.
• 1:28:18
  They see there we go. We got the truth to it. 10 years
• 1:28:20
  later he rose up. But I guess.
• 1:28:22
  He's still a hitched underneath the ground, Yeah, but then he
• 1:28:26
  also said 10 years ago, so that. Seems like it's maybe 40 years
• 1:28:29
  ago. It's all confusing.
• 1:28:32
  I need a timeline. Yeah.
• 1:28:33
  Chris Nash, please give us a written diagram.
• 1:28:36
  He Yeah. So like he he tells, I mean.
• 1:28:39
  That's where she's like, so the whole thing like it it actually
• 1:28:43
  happened. She's like, he's like, well,
• 1:28:45
  most of it, but not all of it's true.
• 1:28:47
  Yeah, yeah, it just is. Yeah.
• 1:28:48
  Johnny's a real 1. He did fuck people up and he is
• 1:28:51
  a real threat because we're in a sequel.
• 1:28:53
  We're in at least the third movie, yeah.
• 1:28:55
  This is in the in the franchise. So that's kind of.
• 1:28:59
  Nice. I love this here.
• 1:29:00
  So like, he has the gun on Johnny.
• 1:29:02
  He's like, all right. I'm gonna need you to go down
• 1:29:04
  there. I'm gonna need you to chain him
• 1:29:05
  up so we can drag him to the fire tower.
• 1:29:08
  And Colt, I can't do this. Why can't you do it?
• 1:29:11
  Colt? I'm too scared.
• 1:29:12
  But like, why would he not be too scared?
• 1:29:15
  To hold the gun. Cuz I always with the gun you
• 1:29:17
  can pull the trigger and just like you don't have to touch
• 1:29:19
  him. Except when the Ranger tries to
• 1:29:21
  pass in the gun Johnny. Grabs it so it's all too late
• 1:29:23
  and he tells Chris and Colt to run.
• 1:29:26
  He's like, you got to run, you got to.
• 1:29:27
  Go. And Johnny breaks the ranger's
• 1:29:29
  spine. Oh my God, yeah.
• 1:29:31
  This is full of Wolf Creek head on a stick.
• 1:29:34
  Like. The thing is like you think.
• 1:29:37
  He grabs him and he breaks his spine and he drops him and
• 1:29:41
  you're like, OK, I guess he thinks that he killed him.
• 1:29:44
  But he goes over to the building that's next to the center.
• 1:29:48
  And then you just hear a motor turn on.
• 1:29:50
  And I like last night you were like when a machine is running
• 1:29:54
  for that long. You know it's not good, you know
• 1:29:57
  it's something fucked up. It's going to happen, especially
• 1:29:59
  with the way. It sounds this is a fucking
• 1:30:03
  master class of building tension right here because I know what's
• 1:30:07
  going to happen. And then I hear that sound and
• 1:30:09
  it goes on for so long. And like seeing him slowly walk
• 1:30:12
  over and pick him up, knowing that this guy is still alive and
• 1:30:16
  dragging him over there. So he drags him in there and in
• 1:30:20
  there what he turned on is the little log cutting machine.
• 1:30:23
  It's such a slow log splitter, but I love it because he says
• 1:30:26
  the Ranger. Down where he can see it, he
• 1:30:28
  puts a log in there, shows exactly what it does.
• 1:30:30
  And it's not like a quick, it's so slow.
• 1:30:33
  It's like a Doo Doo Doo Doo Doo. Doo Doo Doo, it's like 1.
• 1:30:36
  Of those things like have you seen those videos of the?
• 1:30:39
  Hydraulic press. Yeah, the guy just like, just
• 1:30:41
  like breaking all kinds of a random show.
• 1:30:42
  Like, you think you could maybe not break this thing?
• 1:30:45
  Watch this. It does it.
• 1:30:46
  Yeah. Like, it just powers.
• 1:30:48
  That's exactly what this thing does.
• 1:30:50
  And here's I think where the difference is for us, because he
• 1:30:52
  does that. He's like, this is what this
• 1:30:54
  machine's going to do to you. And then he puts his arm in and
• 1:30:58
  he cuts the hand off and the Ranger doesn't really react.
• 1:31:00
  I don't know if it's because he's in shock, if it's because
• 1:31:02
  of the paralysis. He doesn't scream or anything.
• 1:31:05
  I think he just doesn't want to give him the satisfaction.
• 1:31:07
  And Johnny? Either is like all right, I
• 1:31:09
  don't have time for. This or OK, well, this is boring
• 1:31:12
  for me now. Either way.
• 1:31:15
  I think he was initially planning to chop him up bit by
• 1:31:18
  bit, and then he decided it wasn't worth it.
• 1:31:20
  And I like how crunch. Yeah, that's what I'm saying.
• 1:31:23
  I feel like Johnny. Is very pragmatic.
• 1:31:24
  Yeah, so he was like, all right, cool.
• 1:31:27
  I guess we're just gonna go ahead and put your head in
• 1:31:28
  there. Could be.
• 1:31:29
  I think that he really. I'm of the thought that he
• 1:31:33
  wanted to demonstrate with the walk and they're like, all
• 1:31:35
  right, that's what it looks like on the walk.
• 1:31:37
  This is what it looks like on you now.
• 1:31:39
  You're gonna die, which I think is like, I think that tracks
• 1:31:43
  with his level of like showmanship and fucked up in
• 1:31:46
  this with how he kills these people.
• 1:31:49
  But either way, we cut to. Colt and Chris in the woods, and
• 1:31:53
  they've got like a whole plan. Like we see them with a gas can
• 1:31:56
  and some chains and they're like, yeah, Johnny's like in the
• 1:31:59
  airshine. He's like listening to them.
• 1:32:01
  Game plan. The entire thing Colts like I'm
• 1:32:03
  gonna. Distract him.
• 1:32:04
  And then too. Right up with the and Johnny
• 1:32:07
  hears all of this. And so when Colt comes up to
• 1:32:10
  him, Johnny is ready and immediately kills him.
• 1:32:12
  I love this. It's almost kind of funny
• 1:32:14
  because. He's like, hey, fuck Facey.
• 1:32:17
  That's not what he says. But like, it's basically, yeah.
• 1:32:20
  It's like Johnny like immediately turns around and
• 1:32:22
  just. Axes.
• 1:32:23
  Him right in the face and he's dead.
• 1:32:25
  This feels very Friday the 13th part 6 with Tommy.
• 1:32:28
  Yeah, that's how he taunts Jason.
• 1:32:30
  Yeah, but I love how he's like fuck that.
• 1:32:33
  And immediately. Just like gets him.
• 1:32:34
  And it's almost like, fuck, he didn't get to like, yeah, he's
• 1:32:37
  so amazing to die and enjoy this.
• 1:32:39
  Yeah, he's like, well, I know. Chris is nearby, so he's just
• 1:32:41
  like beating the ever loving fuck out of cult sports.
• 1:32:46
  It's animalistic, man. It is, and it's like the.
• 1:32:49
  Driver says at the end like. Animals don't have reason like
• 1:32:54
  like he. He takes the like the axe.
• 1:32:57
  And he's just like repeatedly bashed in his head.
• 1:33:00
  And Chris, Chris is in shock. I love this because.
• 1:33:03
  This is the part, this is where like it becomes a typical horror
• 1:33:08
  movie and it switches to like, how would this really play out?
• 1:33:12
  Because Chris is like. I don't stand a.
• 1:33:16
  Chance. It's crazy.
• 1:33:18
  Yeah, and she's watching this. And she just quietly sets the
• 1:33:21
  gas can. Down the chains, down.
• 1:33:22
  And she puts the necklace over top of the gas can.
• 1:33:25
  I think she realized at that point she's like, I think that's
• 1:33:27
  just what he wants. Yeah, she's like.
• 1:33:28
  I don't stand a chance. Here's his necklace maybe.
• 1:33:31
  I can tell somebody that he's loose, but either way, like, I'm
• 1:33:33
  not going to survive this. And she runs through the woods,
• 1:33:36
  and this is where we kind of switched to her POV.
• 1:33:39
  Yeah. It's like from like you get the
• 1:33:40
  same shots like that you've been getting from Johnny.
• 1:33:42
  Yes, and it's like from her and it's the same kind of like.
• 1:33:44
  And here's the thing. This is also really.
• 1:33:46
  Chilling I have talking about this, but like she's running
• 1:33:49
  through the woods and we hear these terrifying animal noises
• 1:33:53
  and it's just night time animal noises.
• 1:33:55
  But because this is not what we are accustomed to, this is not
• 1:33:58
  what we live with. It sounds terrifying.
• 1:34:01
  Well, it's not only that, but you are hearing Johnny still.
• 1:34:05
  Back. And that's the thing too, is
• 1:34:06
  that in the background you still hear the.
• 1:34:09
  But I wonder how much of that is real and how much.
• 1:34:12
  Because here's the thing, the woods are, especially at night
• 1:34:15
  and you don't know, tricky. I think that she could maybe be
• 1:34:19
  getting lost and accidentally tracking back and getting close
• 1:34:22
  and she's hearing it and that's freaking her out.
• 1:34:23
  So she's running. It continues running.
• 1:34:25
  I think she's just still hearing it in her head and she's every.
• 1:34:28
  Sound she's hearing, she's equating to him.
• 1:34:30
  That's a paranoia. I think that that was what it
• 1:34:32
  was, but I was also trying. To think practically like it
• 1:34:35
  could be both, it could potentially be that, but yeah,
• 1:34:37
  basically it's like. We're getting these same kind of
• 1:34:40
  time lapse shots. We know that it's like passing
• 1:34:42
  throughout the night. We see her running, we see her
• 1:34:45
  walking, we see her kind of jogging.
• 1:34:46
  At one point we see her fall and a branch has gone through her
• 1:34:49
  leg. Oh my God, pull that out.
• 1:34:51
  And that's gross. And she eventually makes.
• 1:34:53
  It to a road and she's like worn out.
• 1:34:56
  It's the next day. It's morning.
• 1:34:57
  Yeah. And.
• 1:34:59
  She is just like standing in the middle of the road.
• 1:35:01
  Out of energy. And she's just standing there
• 1:35:02
  and slowly walking and then a truck comes down and.
• 1:35:07
  And the driver pulls her in. And I, I just referred to the
• 1:35:10
  woman as the driver the whole time.
• 1:35:12
  Yeah. And then the driver is like you.
• 1:35:15
  Know gets her in there and she's like.
• 1:35:16
  Trying so hard to keep Chris engaged the whole time because
• 1:35:19
  she's really just trying to make sure she doesn't pass out and
• 1:35:21
  die. Yeah, basically, she can tell
• 1:35:23
  she's in shock. She can tell she's lost blood.
• 1:35:25
  She asked her what happened and Chris is like it was an animal.
• 1:35:28
  She what? Not entirely wrong.
• 1:35:31
  Yeah, yeah. I mean like, how do you, how do
• 1:35:33
  you describe that? Exactly.
• 1:35:35
  You could say as a person, but like when you see that like that
• 1:35:38
  was not a normal person. And this is where the driver is
• 1:35:42
  like again, just. Trying to talk to her.
• 1:35:43
  And she goes, well, my brother was involved in this thing with
• 1:35:46
  this bear. You know, there was a call a
• 1:35:49
  bear had attacked a bunch of animals.
• 1:35:51
  And he goes out there and he's trying to investigate what
• 1:35:53
  happened. And the bear attacks him.
• 1:35:55
  You know, she's like, you know, and he made out of it.
• 1:35:57
  He made it out of it. And so you and she goes, well,
• 1:36:00
  how did he make it out? And this is where we don't
• 1:36:03
  really get a full answer. She goes, well, he just kind of
• 1:36:05
  came to in the Creek. And by this point, the rest of
• 1:36:09
  the group had arrived. They call, they coppered him
• 1:36:12
  out. They choppered him out.
• 1:36:14
  I tried to say copter, I gotcha. Yeah, they chopper him out.
• 1:36:18
  They get him to a. Hospital over 100 stitches
• 1:36:20
  later, but he's still here, he's still alive.
• 1:36:22
  And she goes, well, why did the bear do that?
• 1:36:24
  And he goes well, they call it like hen house syndrome or hen
• 1:36:26
  house disease. And basically just, you know, a
• 1:36:28
  bear gets the taste of it and it kind of goes wild and you know,
• 1:36:32
  it just keeps killing and it won't stop because animals don't
• 1:36:36
  get too hung up on reason. And just for context, this
• 1:36:40
  scene. Goes on for maybe 10 minutes.
• 1:36:42
  Yeah, it's a, it's a very long like discussion and.
• 1:36:46
  The whole time you're like very intense.
• 1:36:47
  You're waiting that like there's like a lot of her just like
• 1:36:50
  having like small. Talk.
• 1:36:51
  So what happened? Where'd you come from?
• 1:36:53
  You know, show like that, but they're like you keep waiting
• 1:36:55
  for the other shoe to drop because we're so.
• 1:36:57
  Conditioned by horror movies that it's never really over and
• 1:37:00
  so like we're just waiting for like her to reveal like maybe
• 1:37:02
  she's Johnny's sister or see what I the thing that so.
• 1:37:07
  People have have problems with this ending, but I think it's a
• 1:37:11
  fucking great. I think it's amazing what The
• 1:37:15
  thing is. Maybe we should finish this.
• 1:37:18
  However, I do have a question. Do you think that her brother
• 1:37:23
  encountered Johnny? That was part of my question,
• 1:37:26
  but I don't think Johnny. Would have left anyone alive.
• 1:37:29
  Well, she made it out. Well, that's true.
• 1:37:32
  That's a good point, and so did the ranger's dad.
• 1:37:35
  So there's always. One survivor, maybe, and that's
• 1:37:38
  entirely impossible. There is a part of me that like
• 1:37:40
  wonders. That and they are doing an in a
• 1:37:42
  violent nature too and I wonder if maybe it'll be tied to her
• 1:37:45
  brother I. I'm very curious about the
• 1:37:48
  sequel. Yeah, I'm super excited.
• 1:37:50
  I kind of maybe hope it's a prequel with him.
• 1:37:53
  I don't know man. I I think it could.
• 1:37:56
  Be but I think it also I want to see what happens after too.
• 1:37:59
  OK. But yeah, so Chris?
• 1:38:02
  Like is nodding off at this point and she's not really
• 1:38:05
  responding. And the driver sees the pool of
• 1:38:06
  blood and she goes, Oh my God, hold on.
• 1:38:09
  I got to pull over. We got to tie this up.
• 1:38:11
  And Chris is like panning. And she's like, no, no, no,
• 1:38:12
  please keep driving. Please.
• 1:38:13
  I'll stay awake. I'll stay awake.
• 1:38:14
  And she's like, listen, I'm just going to do this real quick.
• 1:38:17
  I'm just going to take my belt and just kind of tie it up.
• 1:38:19
  And the whole time this is happening and it feels like an
• 1:38:21
  eternity. Yeah.
• 1:38:23
  Yeah. And like we're just staring out
• 1:38:24
  because we have been so conditioned by every movie we've
• 1:38:28
  seen in our entire lives. Well, not only that, but this
• 1:38:31
  movie, Yes. Like this movie you've?
• 1:38:33
  Seen how we operate and that's what I was going to.
• 1:38:35
  That's what I was getting to like the entire time, even
• 1:38:39
  building up to this, I have tension because like I know how
• 1:38:41
  he maneuvers. Like I'm already imagining him
• 1:38:44
  walking through the woods right now and like you're just staring
• 1:38:47
  into the woods and you're on the same.
• 1:38:49
  Headspace as her, every little shadow, every movement of the
• 1:38:52
  trees, you're like, is that him? Yeah, she's just, I guess, shots
• 1:38:55
  of like an empty forest and. Her like looking at it back and
• 1:38:59
  forth, it's so out from her and it just pans over the.
• 1:39:03
  Forest And eventually we get to the gas can and we see that the
• 1:39:06
  necklace is gone and that's where it leaves off.
• 1:39:09
  That's it. So Johnny took the necklace and
• 1:39:11
  he was happy. Yeah, he went back.
• 1:39:13
  Maybe. Unless he's actually out there
• 1:39:15
  in the woods. Maybe.
• 1:39:16
  That's where the second one picks up.
• 1:39:17
  That's true. Good because he he moves slowly
• 1:39:20
  and it could be. Night time by the time he gets
• 1:39:22
  there, but he he catches up always he gets there.
• 1:39:26
  So, yeah, that's how it ends. Yeah.
• 1:39:29
  All right, so where are you changing it?
• 1:39:32
  I'm gonna bump it up to a 9.5, all right.
• 1:39:37
  I'm keep in mind that's in man. This movie.
• 1:39:39
  Checks every fucking box I have. It exceeded every expectation I
• 1:39:44
  have for this movie. I think the only thing I'd
• 1:39:46
  change is like some of those shots with the college.
• 1:39:48
  Kids. College kids, What do you mean?
• 1:39:52
  Just like some of their like. Dialogue and.
• 1:39:54
  Stuff. See.
• 1:39:55
  That's the thing. Like I feel like it plays
• 1:39:57
  perfectly into. The tropes and like being like
• 1:40:03
  AB horror movie, which is exactly what I set out to do,
• 1:40:07
  which if you don't like it, that's fine, but like you know,
• 1:40:09
  I thought that that like it suited it perfectly because I
• 1:40:12
  like I know the movie that's happening right here.
• 1:40:14
  So much of it is strong that like I wish it was.
• 1:40:18
  It didn't just feel quite as I felt it.
• 1:40:20
  I wish it felt like intentionally still did compared
• 1:40:24
  to it doesn't feel like that though.
• 1:40:25
  I it. Did to me but.
• 1:40:27
  If it doesn't to you, I get it, yeah.
• 1:40:29
  OK, all right. What did Talia think of this?
• 1:40:35
  OK, well, she was very sleepy at first.
• 1:40:37
  She was. Like I've seen the woods, I love
• 1:40:40
  leaves. We're not.
• 1:40:42
  Fun fact with Talia, if you take her for a walk in the fall you
• 1:40:45
  are not allowed to pick up a leaf.
• 1:40:47
  She will immediately take that shit from your hand and leave.
• 1:40:49
  This is true on the ground. She's also allergic to pine
• 1:40:52
  trees. I don't know if.
• 1:40:53
  There were any pine trees out there, but they're probably
• 1:40:55
  where it was, the woods. Yeah.
• 1:40:56
  She didn't care for that, though.
• 1:40:58
  She did. Not enjoy the.
• 1:40:59
  Horn section. When Johnny set off the horn,
• 1:41:03
  no, she like, her ears went straight back and she kind of
• 1:41:05
  stared at the screen. She was like, I don't like this,
• 1:41:07
  like this Johnny fella. Yeah, she's like what the fuck
• 1:41:09
  is his? Problem.
• 1:41:10
  She does appreciate his. Appreciation for cars, yes.
• 1:41:14
  And then she got the hiccups throughout the.
• 1:41:16
  Whole like third act like she was very tense with Chris.
• 1:41:20
  So I think she would give this A10, but there was like maybe a
• 1:41:23
  dead dog at the beginning. We don't know what animal it
• 1:41:25
  was. So I think she's going to be
• 1:41:26
  right there with me. It's a 9.5.
• 1:41:28
  She won't deduct the full point. Yeah, it was dog like, which is
• 1:41:31
  enough. For her, it's enough.
• 1:41:32
  She was like. I will give it the benefit of
• 1:41:34
  the doubt. But I don't like it.
• 1:41:35
  OK, All right. I think it did scare her though.
• 1:41:38
  OK, yeah, so I was thinking it was Zoe, obviously the.
• 1:41:41
  Ultimate Warrior is going to be Johnny because he doesn't give
• 1:41:44
  up, but we need to figure out which point in the movie does
• 1:41:47
  she respect Johnny the most. OK.
• 1:41:49
  That's a good question, I think. That's a great question.
• 1:41:57
  See Zoe likes. To fuck with her prey too, I
• 1:42:00
  think. Honestly I think it's with the
• 1:42:01
  Ranger When? She is like, we're just gonna go
• 1:42:05
  ahead and cut your head off now because she gets like that.
• 1:42:08
  Like she'll chase something down and when she gets it to a
• 1:42:10
  certain point, she kinda like, she'll either look at it like if
• 1:42:12
  she gets a bug or something, she'll chase it down.
• 1:42:14
  And when she gets it to a point, she kinda looks at it.
• 1:42:16
  She's like, I'm done with this. Can you just do the rest?
• 1:42:21
  I agree with that, but see it's. Either that.
• 1:42:24
  One or I think Aaron because she likes to carry it around.
• 1:42:28
  That's true. And she carried, he carried
• 1:42:31
  Aaron. A long.
• 1:42:32
  Fucking and wow, and she likes to leave the bodies in.
• 1:42:36
  Very strategic places. And I feel like she did that the
• 1:42:38
  most with Aaron. I think that's true.
• 1:42:40
  Yeah. Like because he is.
• 1:42:42
  I mean, granted. He's using Aaron as like.
• 1:42:45
  A device, yeah, but and. That's kind of how Zoe.
• 1:42:48
  Uses like her toy. Mooses like she likes to leave
• 1:42:51
  them. She's like, you are my chosen 1
• 1:42:53
  today if here you go. If this ever were turned into a
• 1:42:56
  video game I want like. If you have a door that's locked
• 1:43:00
  and you need a key, you have to kill somebody.
• 1:43:01
  That way you have a body and that's your key.
• 1:43:03
  I thought you were gonna say that would be.
• 1:43:06
  How you would like have a flag for a save point?
• 1:43:09
  Like you have to leave a body part there.
• 1:43:11
  That would be good too. Yeah.
• 1:43:12
  But I think like if you need to get into a building like.
• 1:43:14
  Shit, I need a corpse. Yeah, where can I tell you I
• 1:43:17
  need to throw it through the door?
• 1:43:19
  OK. OK, so Ranger station then?
• 1:43:24
  Aaron Ranger Station, Yeah, yeah.
• 1:43:30
  Dream sequel. What are you hoping from?
• 1:43:32
  Because this has been. Announced.
• 1:43:33
  Yep, there's a sequel. They have officially green
• 1:43:36
  lighted. And in violent.
• 1:43:38
  Nature. Too stoked for that.
• 1:43:40
  I can't wait. So OK.
• 1:43:42
  MY2 possible options are. Surprise prequel.
• 1:43:45
  We don't know that it's a prequel until near the end when
• 1:43:48
  we find out it's the driver's brother surviving that is
• 1:43:50
  hacking the Creek. That could work.
• 1:43:52
  Like we see a whole story play out before then and then all of
• 1:43:55
  a sudden like, oh man, he's there.
• 1:43:57
  Maybe. Did she say how long ago it was?
• 1:44:00
  Because maybe it was 10 years ago.
• 1:44:02
  I don't think she did when the Rangers family was also killed.
• 1:44:05
  That's a great point though, you're right.
• 1:44:07
  It could be that I think. That could be real fun, or it
• 1:44:10
  immediately. Picks up at the very end of the
• 1:44:13
  first one, and we were all right to be paranoid, but I kind of
• 1:44:17
  don't want it to do that because I like this, as bleak as it is.
• 1:44:21
  I kind of like that we're left with her paranoia and how she's
• 1:44:24
  always going to be looking over her shoulder because that feels
• 1:44:26
  realistic. I think that that's fine to
• 1:44:28
  leave it with her. I don't think she's ever going.
• 1:44:30
  To be back. So she doesn't need to be in the
• 1:44:32
  sequel. OK, so yeah, but if he is still
• 1:44:35
  out. There.
• 1:44:36
  You know, I think like, it sounded like the Ranger said the
• 1:44:42
  only way to put him down is you have to put him down at the fire
• 1:44:47
  tower. And The thing is, he's not down.
• 1:44:50
  He got the necklace and he could just be awakened and he needs to
• 1:44:55
  be brought down in order to, you know, not be around anymore.
• 1:45:00
  So I think that he's out there, so and I think that he's still a
• 1:45:03
  part of, you know, nature. So I don't know, like, does she
• 1:45:09
  go back and does she tell people what happened or does she stick
• 1:45:13
  with the story that it was an animal?
• 1:45:15
  Because there's gotta be a new crew of people that go in there?
• 1:45:18
  Yeah, it's just territorial stays in.
• 1:45:21
  She would need to like, she'd have to be like going.
• 1:45:24
  Around town and finding people. Who had been there?
• 1:45:26
  For a while and knew about like the Johnny lore so or I could
• 1:45:31
  completely. Disregard her, the woman drops
• 1:45:36
  her off. And then we.
• 1:45:38
  Pick it up with her because she's from the area.
• 1:45:41
  Yeah, she's from the area. She's a very much established.
• 1:45:44
  Horror person too and she like fucking her monologue.
• 1:45:48
  To be able to go on for 10 minutes and just be completely
• 1:45:51
  captivating I think is really impressive.
• 1:45:53
  So she could carry. Begs the question, does she
• 1:45:56
  actually know about them? But also the other thing is too,
• 1:45:59
  we don't really want it to. Pick it up with a protagonist we
• 1:46:03
  want to like, pick back up with Johnny.
• 1:46:05
  That's true. Yeah, you're right.
• 1:46:08
  So what is he? Maybe he Shit, you're right.
• 1:46:11
  I like my surprise prequel idea. I think it could.
• 1:46:14
  Work, but if I'm being honest see it.
• 1:46:16
  Like he's in the woods and we see like a.
• 1:46:19
  Truck drive away. So we think it's the end of this
• 1:46:22
  one, but it's see, here's the thing I don't want.
• 1:46:26
  It to be a prequel, though. I wanted like, I mean, I guess
• 1:46:29
  you could do whatever you want, like after, if that's still
• 1:46:31
  good. But like, I want it to continue.
• 1:46:34
  I don't want it to be like, well, this is where that ends.
• 1:46:37
  We can only explore the past. I want to see what happens
• 1:46:40
  afterwards. He's a part of nature at this
• 1:46:43
  point. Yeah.
• 1:46:44
  And he's not going away. So something's, you know, I
• 1:46:49
  mean, that's just how it is. So I don't know.
• 1:46:53
  I think that they have an interesting task.
• 1:46:55
  Yes. I don't know how they're going
• 1:46:57
  to do this that they come up with, yeah.
• 1:46:59
  I have a more. Important question for you now.
• 1:47:01
  Yeah. Who did you relate to?
• 1:47:03
  That is a good question. That's a tough one.
• 1:47:15
  All right, I'll go then while you think.
• 1:47:16
  Go. For me it would be.
• 1:47:18
  Aurora, because I would be very excited to do some like lake
• 1:47:21
  dock yoga and then just to be found out like it's a beauty
• 1:47:24
  call. I'd be like, it wouldn't be as
• 1:47:27
  disappointing if you'd just told me from the get go, you know
• 1:47:29
  what I mean? Like I came out here ready to
• 1:47:32
  get Zen. That's true.
• 1:47:34
  And I'm I'm a little bit annoyed.
• 1:47:35
  I get that. OK.
• 1:47:37
  I came out here from my. Own not my own, you know what I
• 1:47:40
  mean? Yeah.
• 1:47:42
  All right. I think I.
• 1:47:44
  I'm going to pick Aaron because I like his aesthetic.
• 1:47:48
  Yes, I like. He's got the flannels, He's got
• 1:47:50
  the little, like the many layers.
• 1:47:52
  Yeah, the messy hair. The messy hair I like.
• 1:47:55
  I like the tape recorder thing, yeah.
• 1:47:57
  You know what I mean? I mean, we have like a record
• 1:48:00
  player, so we have the whole. Aesthetic thing going on, yeah.
• 1:48:03
  And I got, I still got tapes in my car, yeah.
• 1:48:06
  Exactly actually so. I also like the whole.
• 1:48:09
  Idea of like, you know, being like the campfire, like war
• 1:48:13
  teller. Yeah.
• 1:48:14
  Thing, You know what I mean? Like, yeah, that's cool.
• 1:48:16
  I've never done that myself, but I would like to do that one day.
• 1:48:20
  Yeah. Yeah.
• 1:48:21
  All right. So that's what I relate to.
• 1:48:23
  It's hard. To.
• 1:48:23
  Relate to a lot of these characters because we just get
• 1:48:25
  like small snippets. Yeah.
• 1:48:28
  So they're very like generalized people.
• 1:48:31
  Yeah. So it's, it's really hard.
• 1:48:32
  I don't relate to Johnny. I'm.
• 1:48:35
  I'm glad to hear that. Yeah.
• 1:48:38
  OK, so. Does that mean we have our
• 1:48:41
  tagline time now? We do have our tagline.
• 1:48:44
  How do we? How do we top the tagline for
• 1:48:47
  this all? Right, let's see Johnny be good.
• 1:48:57
  God damn. It Yes.
• 1:48:58
  OK, Johnny be Johnny, be good. OK.
• 1:49:02
  Whatever I. Also want everybody to know how
• 1:49:05
  proud Travis. Was today earlier.
• 1:49:06
  Because we had it on Pluto TV and the ruins came on and we
• 1:49:09
  will always put it on the ruins when that comes on and we're
• 1:49:13
  watching it. And he looks at Talia Italia.
• 1:49:17
  Do you think their vacation was ruined?
• 1:49:20
  And Talia like. Is great at like those just like
• 1:49:24
  like the Jim Halpert kind of stare.
• 1:49:26
  It was great. He was so he was so proud of
• 1:49:29
  himself. I just don't know.
• 1:49:29
  Everybody didn't know that, so he's been.
• 1:49:31
  Riding that high all day and he gets to continue with Johnny.
• 1:49:33
  Be good. Yeah.
• 1:49:34
  Yeah, baby. All right.
• 1:49:36
  So are. We ready for some reviews?
• 1:49:38
  Yes. All right, Yeah.
• 1:49:42
  Man, I posted that reviews call for reviews say so there could
• 1:49:44
  be. Some I'll check them in a little
• 1:49:46
  bit, but we're going to start off with our Internet review and
• 1:49:50
  I pulled us a little IMDb review OK, so this is a 5 out of 10 OK
• 1:49:59
  and I chose it because they had some good criticisms OK, that a
• 1:50:02
  lot of people relate to yes, I'm glad to hear like actual
• 1:50:05
  thoughts. I thought it.
• 1:50:06
  Was boring. Yeah.
• 1:50:07
  So this is a 5. Out, yeah, A5 out of. 10 It's
• 1:50:11
  titled Admirable New approach to the genre but over hyped all
• 1:50:15
  right in a violent nature as a slasher film shot.
• 1:50:19
  Mostly from the perspective. Of the undead killer named
• 1:50:22
  Johnny. While I appreciated the unusual
• 1:50:24
  approach, most of the film for me felt devoid of any major
• 1:50:28
  tension. It was many lingering shots of
• 1:50:30
  the killer just walking through the woods.
• 1:50:32
  For the most part it is just a by the number slasher movie with
• 1:50:36
  one really inventive killer during a yoga scene.
• 1:50:39
  I appreciated some of the gory killers and practical effects.
• 1:50:42
  Unfortunately some of the acting was not up to par.
• 1:50:45
  The line deliveries were extremely wooden.
• 1:50:47
  The best actor was the woman driving the car at the end of
• 1:50:50
  the film. The ending of the film was very
• 1:50:53
  anticlimactic. The film wasn't a disaster but I
• 1:50:56
  felt it was over hyped by the critics.
• 1:50:59
  So I obviously I agree about the wooden.
• 1:51:01
  Delivery of some of the lines, 'cause that was one of my main
• 1:51:04
  criticisms. And that's honestly what held me
• 1:51:06
  back from, like, giving it a full 10.
• 1:51:09
  I see. I see people's argument that
• 1:51:12
  they don't like the ending of it because it feels unresolved.
• 1:51:15
  And in a lot of ways, it really is.
• 1:51:17
  I mean, that's why you don't want a prequel.
• 1:51:19
  You want to know what happens after, you know, Yeah, And I get
• 1:51:22
  that. I fully understand that and I
• 1:51:25
  understand why people don't love it.
• 1:51:27
  But I also think if you're somebody that's watched like a
• 1:51:29
  shit ton of horror movies and you kind of always wonder if it
• 1:51:32
  like, OK, but what if the killer didn't pop up at the end?
• 1:51:36
  Like I kind of like this idea of it and.
• 1:51:38
  She's just going to be. Fucking paranoid for the rest of
• 1:51:40
  her life. I love it.
• 1:51:41
  I just like how. I mean, I don't love it for
• 1:51:43
  Chris, but like I. Love the way the movie did.
• 1:51:45
  This no I I like it because it's a way of the.
• 1:51:49
  Like they're fucking with you, like the like, like at the end,
• 1:51:52
  like they've built this whole thing up.
• 1:51:54
  Like you know how he operates and you like, you have this
• 1:51:58
  feeling like, well, we've seen him, We know he's coming.
• 1:52:01
  We know he's going to show up eventually.
• 1:52:03
  And The thing is, the longer it goes on, the longer you think,
• 1:52:08
  like the more you think, oh, something's gonna happen.
• 1:52:10
  Because if if we're still on this for this long, that's gotta
• 1:52:14
  like have a pay off. Like there's going to be
• 1:52:15
  something come up. Absolutely.
• 1:52:17
  And it just it fucking toys with you.
• 1:52:20
  And like after the fact, like I feel like I respect the fact
• 1:52:24
  like, oh fuck, I got got like they they got me.
• 1:52:27
  Like I thought he was going to come and they didn't.
• 1:52:29
  And it worked. The tension.
• 1:52:30
  That's a testament to how good they were at building up
• 1:52:34
  attention and how like good they were at establishing how he
• 1:52:38
  functions. Because like I was like, I'm
• 1:52:40
  already picturing in my head exactly his movements, what's
• 1:52:44
  going to happen? And I I understand why this
• 1:52:47
  ending doesn't work for. People, if you want like an
• 1:52:49
  actual solid resolution. I get why this is unsatisfying.
• 1:52:54
  Personally I love it because they've just fucked with your
• 1:52:57
  head so much. Yeah, exactly.
• 1:52:58
  It's so good for that, OK. And I also love the fact that
• 1:53:02
  it's by the numbers, because that's.
• 1:53:04
  The whole point, Yeah, by the numbers, but from a completely
• 1:53:08
  different perspective. Yeah, I like that.
• 1:53:11
  OK, on to listener reviews. OK, so First off, Kendra, she,
• 1:53:19
  she chimed in on. Instagram.
• 1:53:21
  Saying you mean the hiking minion movie see exactly and I
• 1:53:26
  just when he put on the mask. I was like, he's got two eyes
• 1:53:31
  still, but I guess some of the minions, some of the minions do.
• 1:53:33
  Yeah, right. Shit.
• 1:53:35
  Damn it. OK, yes.
• 1:53:37
  Kendra, that's what we were talking about.
• 1:53:39
  Yeah. All right.
• 1:53:41
  And you know, what grew is evil. He is.
• 1:53:44
  He is. That's his whole thing.
• 1:53:45
  That's true. All right.
• 1:53:47
  Cube save. Says love this.
• 1:53:49
  One Yoga Kiel is so damn good. Fuck yes.
• 1:53:52
  Yeah, that's the highway. Although like I know a lot of
• 1:53:54
  people. Say that's the scene.
• 1:53:55
  And I would agree, but I also think the walk cutting scene,
• 1:53:59
  there's two scenes for me. If you're saying this scene, I'm
• 1:54:02
  like, which one are you talking about?
• 1:54:03
  Are you talking about that one? Are you talking about the walk
• 1:54:04
  cutting? No, for me it's definitely the
• 1:54:07
  yoga scene. But then if I think.
• 1:54:08
  About like memorable moments. I also add in the log splitter
• 1:54:11
  and Aaron being dragged through the woods.
• 1:54:14
  See The thing is, I think the walks splitter is the meanest.
• 1:54:18
  Yes, it's definitely the meanest, but yoga?
• 1:54:21
  Kill is the gnarliest. Yeah, he had beef with that guy
• 1:54:24
  and I think he wanted to like. Really get his revenge that
• 1:54:27
  time. All right, moving over to
• 1:54:29
  Twitter we got Ward Zombie who says?
• 1:54:31
  As a big fan of slasher films I love this movie.
• 1:54:34
  It seemed boring to some but I loved the whole thing.
• 1:54:36
  He had some good humour, wacky kills and a crazy ending.
• 1:54:40
  Even gave me an idea for a tabletop game today.
• 1:54:43
  Big recommend for a zombie if you make the.
• 1:54:48
  Tabletop. RPG I'm.
• 1:54:49
  Assuming it's an RPG. Yeah, I hope it's an RPG.
• 1:54:53
  Share it. Please share it.
• 1:54:54
  I'm curious too. Yeah, that sounds interesting.
• 1:54:57
  Yes. Yeah, I'm glad that you liked it
• 1:54:59
  though. And.
• 1:55:00
  I'm. Glad that you mentioned the
• 1:55:02
  humor too, cuz it's pretty. I think there's some really
• 1:55:05
  fucking funny moments, Yeah, I think they they strike.
• 1:55:08
  A Like a humorous chord with. Like the college kids.
• 1:55:11
  But I also think when he throws, like, his body, I think that
• 1:55:14
  that was meant to be funny. It really.
• 1:55:16
  And it really fucking is. Yeah.
• 1:55:18
  Like last. Night watching it, I was just
• 1:55:20
  like, Oh my God. And that's why when you brought
• 1:55:22
  it up at the beginning of this episode, I lost my shit because
• 1:55:25
  it's so funny. Yeah, OK.
• 1:55:27
  Next. We have Tyler, who I think is
• 1:55:29
  this is the one that you, yes, it definitely is.
• 1:55:31
  Who says I don't know if you all have played?
• 1:55:33
  The Friday the 13th. Game but this is literally what
• 1:55:36
  it's like playing it's Jason. This was a relatively slow but
• 1:55:39
  fun ride. Very unique perspective too.
• 1:55:41
  The yoga kill was bonkers, but the Rangers death scene,
• 1:55:44
  honestly, it really disturbed me.
• 1:55:45
  It's so long. Eight out, ten.
• 1:55:48
  There we are. So, yeah, yeah, just like both
• 1:55:50
  of them there. Yeah, I, I that's the thing.
• 1:55:52
  Yeah. I think the yoga kill is fucking
• 1:55:54
  intense. And then the Ranger's death is
• 1:55:57
  like, it's just so mean. And I know a lot of people say
• 1:56:00
  this movie is slow, but I really don't think it.
• 1:56:02
  Is it keeps going? Yeah, there are a few shots of
• 1:56:05
  like Johnny walking through the woods, but I don't think it's
• 1:56:08
  not like they go on for 5 minutes at a time.
• 1:56:10
  Yeah, I think it's, it's like I said before, it's surprisingly.
• 1:56:13
  Well paced and also I have played the Friday the 13th game.
• 1:56:16
  Unfortunately, I played it whenever it was a dead
• 1:56:18
  community, but you know, it's cool.
• 1:56:21
  I like the Texas Chainsaw 1, though.
• 1:56:23
  I know it's completely different, but with Jason you're
• 1:56:25
  able to teleport around. Yeah.
• 1:56:27
  So that kind of explains like, you know, you get some of the
• 1:56:29
  jump cuts, stuff like that. I can totally see it.
• 1:56:32
  OK, I think that's it. OK, Yeah, I don't think we.
• 1:56:37
  Got anybody else? OK, well then that's it.
• 1:56:39
  For in a violent nature, yeah. And.
• 1:56:41
  Next week I'm going to say real quick though, we'll make my.
• 1:56:45
  Declaration like I did the first time we watched Terrify, but I
• 1:56:48
  think we got on our hands a new horror slasher icon.
• 1:56:54
  I Absolutely I. Think it's gonna end with the
• 1:56:57
  sequel? Johnny yes, I think.
• 1:56:59
  I think we got. Somebody here you got.
• 1:57:00
  Somebody on your hands right there.
• 1:57:02
  That can make an impact. It's awesome.
• 1:57:05
  So, OK, moving on, what we got coming up next, next we are back
• 1:57:09
  to our franchise shoot. Yeah.
• 1:57:11
  We got Brad a Chalky, which means we.
• 1:57:13
  Finally. Get.
• 1:57:16
  Jennifer Tilly. Yes, we do.
• 1:57:19
  Yeah. So bridal Chucky currently.
• 1:57:22
  Streaming on Netflix. But you can also rent it from
• 1:57:24
  YouTube, Google Play, Fandango at home or Prime, rent the
• 1:57:28
  fucking movie or subscribe to Netflix or.
• 1:57:33
  Own the movie man. This is a good fucking movie.
• 1:57:35
  It is such a good movie. This is one of my favorite
• 1:57:37
  Child's Play movies. It is I.
• 1:57:38
  Love it so much. Fucking fun, I love it.
• 1:57:43
  John Ritter's in it. Oh my God, he is.
• 1:57:46
  Yes, Rob. Zombie like living dead girl
• 1:57:49
  was. Tiffany's whole fucking intro to
• 1:57:51
  this. It's amazing.
• 1:57:53
  Katherine Heigl weirdly is also in this.
• 1:57:58
  I just sort of like, weirdly she's.
• 1:57:59
  In it. Oh yeah.
• 1:58:00
  Weirdly. Yeah, I just, you know.
• 1:58:01
  Yeah, she's she's there. So yeah, definitely watch that.
• 1:58:04
  Be ready for our next. Entry in the franchise, yeah,
• 1:58:08
  I'm excited about it. I think this, that's it.
• 1:58:12
  All right, so we would like to shout.
• 1:58:15
  Out our patrons. Yeah, buddy.
• 1:58:17
  Yeah. Joe Freaka.
• 1:58:18
  Tron. Friday Tron, as is his name.
• 1:58:21
  Amber Michael Ward. Zombie, Tyler and Chad, thank
• 1:58:25
  you all so much. We really appreciate the support
• 1:58:27
  you guys have for the show. You guys are awesome.
• 1:58:30
  Yeah, you guys are there for us. You are, you're our community,
• 1:58:34
  yes Yeah, you're our bubbies. We appreciate you guys.
• 1:58:37
  But if you can't do any Patreon shit like they can, you can do
• 1:58:42
  other things like you can rate US on whatever platform you
• 1:58:47
  listen on. You can subscribe to whatever
• 1:58:49
  platform you listen on, or you can just leave us a little
• 1:58:53
  review. And that all does us some good
• 1:58:56
  shit. It really does.
• 1:58:57
  It helps their algorithm. It tells us that we're great.
• 1:59:00
  We're awesome, we're cool. Yeah, yeah, it helps the show.
• 1:59:03
  So if you can do that, we greatly.
• 1:59:05
  Appreciate it. You can find us on social media.
• 1:59:10
  We have our Threads and Instagram least favorite scary
• 1:59:14
  movie podcasts are in our Twitter and Blue Sky, which is
• 1:59:19
  least Faith pod and our e-mail least favorite
• 1:59:22
  scarymovie@gmail.com and you can find us on our website.
• 1:59:25
  What's your least favorite scary movie.com?
• 1:59:27
  Yes, I think that's all of the things.
• 1:59:30
  That's it. We.
• 1:59:31
  Appreciate you guys. We've given you a solid. 3.
• 1:59:34
  Hours and 40 minutes of content this week.
• 1:59:36
  Yes, we hope you really enjoy it.
• 1:59:38
  We've been. Very weird.
• 1:59:40
  Recording all of this, but like in the best kind of way.
• 1:59:43
  So we hope you guys have had as much fun as we had.
• 1:59:45
  Had a good time. Yeah.
• 1:59:46
  Yeah. All right, We'll see you guys on
• 1:59:48
  Bride. Of Chucky, yeah.
• 1:59:49
  See y'all bye. All right, like what?
• 2:00:04
  Like whenever I'm trying to sign into something and it's like.
• 2:00:07
  Your code to. Sign into that yeah cuz that.
• 2:00:10
  Happens at work I have. To do that with work, see, right
• 2:00:12
  now you're going to cut that out.
• 2:00:13
  Yeah, well, no, that might be a funny like end credit.
• 2:00:16
  OK, there you go. Hello.
• 2:00:17
  Hi, thanks for listening. To the episode.
• 2:00:20
  Thanks. For.
• 2:00:21
  Saying yeah. All right.