Latest / Hamlet / Shakespeare Monologues Collection vol. 13-William Shakespeare

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Shakespeare Monologues Collection vol. 13-William Shakespeare · Hamlet

• 0:00
  Speaker 1: O all your host of Heaven o Earth?
• 0:02
  Speaker 2: What else?
• 0:04
  Speaker 3: Act one, Scene five from Hamlet by William Shakespeare read
• 0:08
  Speaker 3: volabrivaux dot org in English by Morocheloufe Damascustidia two thousand sixteen. Oh,
• 0:17
  Speaker 3: all new hosts of Heaven o Earth?
• 0:21
  Speaker 4: What else?
• 0:22
  Speaker 1: And shall I couple hell? Hold hold my heart and
• 0:29
  Speaker 1: you my sinews grow not instant old, but.
• 0:33
  Speaker 5: Bear mistifly up.
• 0:35
  Speaker 1: Remember thee.
• 0:38
  Speaker 3: Ay thou, poor ghost, while memory hosts the seat in
• 0:43
  Speaker 3: this distracted globe. Remember thee yea from the table of
• 0:52
  Speaker 3: my memory. I'll wipe away all trivial fond records, all
• 0:56
  Speaker 3: sorts of book soul forms, all pressures past the youth
• 1:00
  Speaker 3: and observation copied there and thy commandment, all low and
• 1:04
  Speaker 3: shoulder within the book and volume of my brain, unmixed
• 1:09
  Speaker 3: with baser matter. Yes, by heaven, Oh most pernicious women,
• 1:18
  Speaker 3: Oh villain, villain.
• 1:20
  Speaker 1: Smiling, damn and villain. My table's met it as I
• 1:25
  Speaker 1: set it down, that one may smile and smile and
• 1:28
  Speaker 1: be a villain.
• 1:30
  Speaker 3: At least I'm sure it may be so in Denmark.
• 1:35
  Speaker 1: So uncle, there you are.
• 1:41
  Speaker 3: Now to my word.
• 1:43
  Speaker 6: It is.
• 1:45
  Speaker 1: A you, and you remember me. I have sworn it
• 1:53
  Speaker 1: and of a valu host of heaven o earth?
• 1:56
  Speaker 7: What else?
• 1:57
  Speaker 3: Act one, Scene five from Her by William Shakespeare. This
• 2:03
  Speaker 3: recording is in the public domain.
• 2:11
  Speaker 8: Five five unknit that threatening, unkind brow by Kate from
• 2:20
  Speaker 8: the Taming of the Shrew at five, Scene to by
• 2:26
  Speaker 8: William Shakespeare, read in English for LibriVox dot org by
• 2:34
  Speaker 8: Tony Addison. Five five unknit that threatening, unkind brow and
• 2:44
  Speaker 8: darknot scornful glances from those eyes to wound thy Lord,
• 2:53
  Speaker 8: thy King, thy governor. It blocked thy beauty, as for
• 3:01
  Speaker 8: us to do bite the meads, confounds thy fame, as
• 3:06
  Speaker 8: wilwind shakefair buds, And in no sense is meat or amiable.
• 3:18
  Speaker 5: A woman moved is like.
• 3:21
  Speaker 8: A fountain, troubled, muddy, ill, seeming, thick, bereft of beauty.
• 3:31
  Speaker 8: And while it is so, none so dry or thirsty,
• 3:36
  Speaker 8: will deign to sip or touch one drop of it.
• 3:41
  Speaker 9: Thy husband is thy Lord, thy life, thy keeper, thy head,
• 3:51
  Speaker 9: thy sovereign, one that cares.
• 3:56
  Speaker 8: For thee and for thy maintenance. Omits his body to
• 4:01
  Speaker 8: painful labor, both by sea and land, to watch the
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  Speaker 8: night in storms, the day in cold, whilst thou liest
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  Speaker 8: warm at home, secure and safe, and craves. No other
• 4:22
  Speaker 8: tribute at thy hands, but love, fair looks, and true
• 4:28
  Speaker 8: obedience Too little payment for so great a debt, such
• 4:36
  Speaker 8: duty as the subject owes the prince. Even such a
• 4:41
  Speaker 8: woman oweth to her husband. And when she is frowerd, peevish, sullen, sour,
• 4:49
  Speaker 8: and not obedient to his honest will, what is she
• 4:54
  Speaker 8: but a foul, contending, revel and graceless traitor to her
• 4:59
  Speaker 8: loving lord. I am ashamed that women are so simple
• 5:04
  Speaker 8: to offer war, where they should kneel for peace, or
• 5:08
  Speaker 8: seek for rules, supremacy and sway, when they are bound
• 5:12
  Speaker 8: to serve love and obey. Why are our bodies soft
• 5:20
  Speaker 8: and weak and smooth, unapt to toil and trouble in
• 5:24
  Speaker 8: the world, but that our soft conditions and our hearts
• 5:31
  Speaker 8: should well agree with our external parts. Come, Come, you,
• 5:39
  Speaker 8: froward and unable worms. My mind hath been as big
• 5:46
  Speaker 8: as one of yours. My heart is great, my reasonably
• 5:50
  Speaker 8: more to bandy word for word and frown for frown.
• 5:54
  Speaker 8: But now I see our lances are but straws our,
• 5:58
  Speaker 8: strength as weak a weakness past. Compare that seeming to
• 6:03
  Speaker 8: be most, which we indeed least are. Then veil your stomachs,
• 6:11
  Speaker 8: for it is no boot. And place your hands below
• 6:17
  Speaker 8: your husband's foot in token of which duty. If he please,
• 6:26
  Speaker 8: my hand is ready, may it do him ease. And
• 6:37
  Speaker 8: of five five unknit that threatening unkind brow from the
• 6:45
  Speaker 8: Taming of the Shrew at five seem too. This recording
• 6:51
  Speaker 8: is in the public domain.
• 6:59
  Speaker 10: Roman's country Men and Lovers by Brutus from Julius Caesar,
• 7:04
  Speaker 10: Act three, Scene two by William Shakespeare, read in English
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  Speaker 10: for LibriVox dot org by Ian King. Be patient till
• 7:15
  Speaker 10: the last Romans, countrymen and lovers hear me for my cause,
• 7:23
  Speaker 10: and be silent that you may hear, believe me for
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  Speaker 10: mine honor, and have respect to mine honor that you
• 7:30
  Speaker 10: may believe. Censure me in your wisdom, and awake your senses,
• 7:35
  Speaker 10: that you may the better judge. If there be any
• 7:39
  Speaker 10: in this assembly, any dear friend of Caesar's to him,
• 7:44
  Speaker 10: I say that Brutus's love to Caesar was no less
• 7:48
  Speaker 10: than his. If then that friend demand why Brutus rose
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  Speaker 10: against Caesar. This is my answer, not that I loved
• 7:58
  Speaker 10: Caesar less, but that I loved Rome more. Had he
• 8:03
  Speaker 10: rather Caesar were living and die all slaves than that
• 8:07
  Speaker 10: Caesar were dead to live all three men. As Caesar
• 8:12
  Speaker 10: loved me, I weep for him. As he was fortunate,
• 8:17
  Speaker 10: I rejoice at it. As he was valiant, I honor him.
• 8:22
  Speaker 10: But as he was ambitious I slew him. There is
• 8:27
  Speaker 10: tears for his love, joy for his fortune, honor for
• 8:31
  Speaker 10: his valor, and death for his ambition. Who is here
• 8:37
  Speaker 10: so base that would be a bondman? If any speak
• 8:42
  Speaker 10: for him? Have I offended? Who is here so rude
• 8:46
  Speaker 10: that would not be a Roman? If any speak for him?
• 8:51
  Speaker 10: Have I offended? Who is here so vile that will
• 8:55
  Speaker 10: not love his country? If any speak for him? Have
• 9:00
  Speaker 10: I offended? I pause for a reply? Then none have
• 9:08
  Speaker 10: I offended. I have done no more to Caesar than
• 9:11
  Speaker 10: you shall do to Brutus. The question of his death
• 9:15
  Speaker 10: is enrolled in the capital. His glory not extenuated wherein
• 9:20
  Speaker 10: he was worthy, nor his offense is enforced for which
• 9:24
  Speaker 10: he suffered death. Here comes his body, mourned by Mark Antony, who,
• 9:32
  Speaker 10: though he had no hand in his death, shall receive
• 9:35
  Speaker 10: the benefit of his dying a place in the commonwealth,
• 9:39
  Speaker 10: as which of you shall not? With this, I depart
• 9:44
  Speaker 10: that as I slew my best lover for the good
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  Speaker 10: of Rome. I have the same dagger for myself, when
• 9:51
  Speaker 10: it shall please my country to need my death. And
• 9:58
  Speaker 10: of Romans, countrymen and lovers from Julius Caesar, Act three,
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  Speaker 10: Scene two. This recording is in the public domain. Friends, Romans,
• 10:12
  Speaker 10: countrymen by marc Antony from Julius Caesar, Act three, Scene
• 10:16
  Speaker 10: two by William Shakespeare, read in English for LibriVox dot
• 10:20
  Speaker 10: org by Iain King, Friends, Romans, countrymen, lend me your ears.
• 10:30
  Speaker 10: I come to bury Caesar, not to praise him. The
• 10:34
  Speaker 10: evil that men do lives after them. The good he
• 10:37
  Speaker 10: is oftenterred with their bones. So let it be with Caesar.
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  Speaker 10: The noble Brutus hath told you Caesar was ambitious. If
• 10:47
  Speaker 10: it were so, it was a grievous fault, and grievously
• 10:51
  Speaker 10: hath Caesar answered it here under leave of Brutus, and
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  Speaker 10: the rest. For Brutus is an honorable man. So are
• 11:00
  Speaker 10: they all all honorable men? Come I to speak in
• 11:05
  Speaker 10: Caesar's funeral. He was my friend, faithful and just to me.
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  Speaker 10: But Brutus says he was ambitious, and Brutus is an
• 11:16
  Speaker 10: honorable man. He hath brought many captives home to Rome,
• 11:21
  Speaker 10: whose ransoms did the general coffers. Phil did this in
• 11:26
  Speaker 10: Caesar seem ambitious when that the poor have cried Caesar
• 11:32
  Speaker 10: hath wept. Ambition should be made of sterner stuff. Yet
• 11:37
  Speaker 10: Brutus says he was ambitious, and Brutus is an honorable man.
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  Speaker 10: He all did see this on the loopercal I thrice
• 11:47
  Speaker 10: presented him a kingly crown, which he did thrice refuse.
• 11:53
  Speaker 10: Was this ambition? Yet Brutus says he was ambitious, and
• 11:59
  Speaker 10: sure he is an honorable man. I speak not to
• 12:04
  Speaker 10: disprove what Brutus spoke, But here I am to speak
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  Speaker 10: what I do know. You all did love him once,
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  Speaker 10: not without cause. What cause withholds you then to mourn
• 12:17
  Speaker 10: for him? Oh judgment, thou art fled to brutish beasts,
• 12:23
  Speaker 10: and men have lost their reason. Bear with me. My
• 12:30
  Speaker 10: heart is in the coffin there with Caesar, and I
• 12:34
  Speaker 10: must pause till it comes back to me and of friends, Romans, countrymen.
• 12:42
  Speaker 10: From Julius Caesar, Act three, seem two. This recording is
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  Speaker 10: in the public domain.
• 12:53
  Speaker 8: I have been told so by many, But indeed an
• 12:57
  Speaker 8: old religious uncle of mine taught me to speak by
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  Speaker 8: rosalind from as you like it at three Scene two
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  Speaker 8: by William Shakespeare read in English for Librivos dot org
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  Speaker 8: by Tony Addison. I have been told so of many,
• 13:20
  Speaker 8: but indeed an old religious uncle of mine taught me
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  Speaker 8: to speak, who was in his youth an inland man,
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  Speaker 8: one that knew gotship too well, for there he fell
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  Speaker 8: in love. I have heard him read many lectures against it,
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  Speaker 8: and I thank God. I am not a woman to
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  Speaker 8: be touched with so many giddy offenses as he hath
• 13:38
  Speaker 8: generally attacked their wholesex withal. Can you remember any of
• 13:43
  Speaker 8: the principal evils that he laid to the charge of women?
• 13:47
  Speaker 8: There were none principle. They were all like one another,
• 13:50
  Speaker 8: as Hutpencer, every one fault seeming monstrous till his fellow
• 13:54
  Speaker 8: fault came to match him. Aye, prithee recount some of them. No,
• 14:01
  Speaker 8: I will not cast away my physic but on those
• 14:03
  Speaker 8: that are sick. There is a man haunts the forest
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  Speaker 8: that abuses our young plants with carving a rosalind on
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  Speaker 8: their barks, hangs oats upon hawthorns, and allergies on brambles,
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  Speaker 8: all forsooth and deifying the name of a rosalind. While
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  Speaker 8: if I could meet that fancy munger. I would give
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  Speaker 8: him some good counsel, for he seems to have the
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  Speaker 8: quotidian of love upon him.
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  Speaker 6: I am he that is so, love.
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  Speaker 8: Shaked, I pray yo, tell me your remedy. There is
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  Speaker 8: none of my uncle's marks upon you. He took me
• 14:36
  Speaker 8: how to know a man in love? In which cage
• 14:39
  Speaker 8: of rushes? I am sure you are not prisoner. What
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  Speaker 8: were his marks? A lean chee a which you have not,
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  Speaker 8: a blue eye and sunken which you have not, an
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  Speaker 8: unquestionable spirit which you have not, a beard neglected which
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  Speaker 8: you have not. But I pardon you for that, for
• 15:03
  Speaker 8: simply your having impeared is the younger brother's revenue. Then
• 15:09
  Speaker 8: if your who should be ungutted, your bonnet unbanded, yes,
• 15:14
  Speaker 8: meave unbuttoned, yes you untied, and everything about your demonstrating
• 15:19
  Speaker 8: your careless desolation. But you are no such man. You
• 15:24
  Speaker 8: are rather point devising your accouterments as loving yourself than
• 15:28
  Speaker 8: seeming the lover of any other fair youth. I would
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  Speaker 8: I could make thee believe I love.
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  Speaker 10: Me, believe it.
• 15:38
  Speaker 8: You may as soon make her that you love believe it,
• 15:40
  Speaker 8: which I warrant she is apt to do than to
• 15:42
  Speaker 8: combuss she does. That is one of the points in
• 15:45
  Speaker 8: the which women still give the light of their consciences.
• 15:48
  Speaker 8: But in good sooth are you he that hangs the
• 15:50
  Speaker 8: burses on the trees, wherein Rosalind is so admired? I
• 15:54
  Speaker 8: swear to thee youth by the white hand of Rosalind,
• 15:58
  Speaker 8: I am that he that un fortune that he? But
• 16:02
  Speaker 8: are you so much in love? As your rhymes speak?
• 16:05
  Speaker 8: Neither rhyme nor reason can express how much love is
• 16:13
  Speaker 8: merely a madness? And I tell you deserves as well
• 16:17
  Speaker 8: a dog has and a whip, as mad men do.
• 16:20
  Speaker 8: And the reason why they are not so punished and
• 16:22
  Speaker 8: cured is that the lunacy is so ordinary that the
• 16:26
  Speaker 8: whippers are in love too. Yet I profess cearing it
• 16:29
  Speaker 8: by counsel, did you ever cure any so? Yes?
• 16:35
  Speaker 11: One?
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  Speaker 8: And in this manner he wants to imagine me his love,
• 16:39
  Speaker 8: his mistress. And I set him every day to woomy.
• 16:43
  Speaker 8: At which time would I, being but a moonish youth,
• 16:46
  Speaker 8: grieve be a feminent, changeable, longing and liking, proud, fantastical, apish,
• 16:52
  Speaker 8: shallow inconstant, full of tears, full of smiles, for every
• 16:56
  Speaker 8: passion something and for no passion truly anything, as boys
• 17:01
  Speaker 8: and women are for the most part cattle of this
• 17:03
  Speaker 8: gallop would now like him, now loath him, then entertain him,
• 17:08
  Speaker 8: then forswear him. Now weep for him, then spit at him.
• 17:12
  Speaker 8: That I drave my suitor from his mad humor of
• 17:15
  Speaker 8: love to a living humor of madness, which was to
• 17:19
  Speaker 8: perswear the full stream of the world, and to live
• 17:22
  Speaker 8: in anok MEREI monastic, And thus I cured him. And
• 17:27
  Speaker 8: this way, when I take upon me to wash your
• 17:29
  Speaker 8: liver as clean as the sand chief's heart, that there
• 17:32
  Speaker 8: shall not be one spot of beleven it, I would
• 17:36
  Speaker 8: not be cured, youth. I would cure you if you were.
• 17:41
  Speaker 8: But call me Rosalind, and come every day to my
• 17:44
  Speaker 8: cart and woo me. Now, by the faith of my love,
• 17:48
  Speaker 8: I will tell me where it is. Go with me
• 17:51
  Speaker 8: to it, and I'll show it to you. And by
• 17:53
  Speaker 8: the way you shall tell me where in the forest
• 17:55
  Speaker 8: you live. Will you go with all my heart? Good youth, Nay,
• 18:00
  Speaker 8: you must call me Rosalind, Come, sister, will you go?
• 18:08
  Speaker 8: And of I have been told so of many. But
• 18:13
  Speaker 8: indeed an old religious uncle of mine taught me to
• 18:17
  Speaker 8: speak from as you like it at three scene two.
• 18:25
  Speaker 8: This recording is in the public domain. What studied torments
• 18:37
  Speaker 8: Tyrant asked for me by Paulina from the Winter's Tale
• 18:44
  Speaker 8: at three scene two by William Shakespeare, read in English
• 18:50
  Speaker 8: for LibriVox dot Org by Tony Edison. What studied torments
• 18:58
  Speaker 8: Tyrant has for me? What wheels racks? Fires?
• 19:04
  Speaker 12: What playing boiling and leads or oil? What old or
• 19:09
  Speaker 12: newer torture must I receive? Whose every work deserves to
• 19:14
  Speaker 12: taste of thy most worst, thy tyranny, together working with
• 19:18
  Speaker 12: thy jealousies, fancies too weak for boys to green and
• 19:22
  Speaker 12: idle for girls of nine, Oh, think what they have done,
• 19:28
  Speaker 12: and then run mad, indeed stark mad.
• 19:31
  Speaker 8: For all thy bygone bolleries were but spices of it
• 19:35
  Speaker 8: that thou betrayedst Plexinter's nothing that did but show thee
• 19:39
  Speaker 8: of a fool inconstant and damnable ingrateful. Nor was it
• 19:43
  Speaker 8: much thou wouldst have poisoned good camillos on it to
• 19:47
  Speaker 8: have him kill a king. Poor trespasses more monstrous standing
• 19:51
  Speaker 8: by were off I reckon the casting both the crows,
• 19:54
  Speaker 8: thy baby daughter to be unknown, or little Thou wuld
• 19:57
  Speaker 8: devil would have shed water at done it. No, it's
• 20:01
  Speaker 8: directly late to the death of the young prince, whose
• 20:05
  Speaker 8: honorable thoughts thought I for once attender got the heart
• 20:10
  Speaker 8: that could conceive a gross and foolish sire blumished to
• 20:14
  Speaker 8: grocious damn. This is not no late to thy answer,
• 20:19
  Speaker 8: but the lot o Lord, when I hope said, dry
• 20:23
  Speaker 8: woe the queen. The queen, the sweetest, dearest creature is dead.
• 20:31
  Speaker 8: I'm benance Ford not drop down yet, And of what
• 20:42
  Speaker 8: studied torments tyrant hasked for me from the Winter's Tale
• 20:48
  Speaker 8: at three, scene two. This recording is in the public domain.
• 21:00
  Speaker 11: Weeps ye still sayst thou by the Queen from Symboling,
• 21:07
  Speaker 11: Act one, Scene five by William Shakespeare, read in English
• 21:12
  Speaker 11: for LibriVox dot org by John Burlinson.
• 21:17
  Speaker 2: Weep ye still sayst thou. Dost thou think? In time?
• 21:23
  Speaker 2: She will not quench and let instructions enter where folly
• 21:30
  Speaker 2: now possesses. Do thou work? When thou shalt bring me word?
• 21:37
  Speaker 2: She loves my son. I'll tell thee on the instant
• 21:42
  Speaker 2: Thou art, then as great as is thy master, greater
• 21:51
  Speaker 2: for his fortunes all lie speechless, and his name is
• 21:56
  Speaker 2: at last gasp writ turn, he cannot nor continue where
• 22:03
  Speaker 2: he is. To shift his being is to exchange one
• 22:09
  Speaker 2: misery with another, And every day that comes comes to
• 22:16
  Speaker 2: decay the day's work in him. What shalt thou expect
• 22:23
  Speaker 2: to be depender on a thing that leads who cannot
• 22:28
  Speaker 2: be new built, nor has no friends, so much as
• 22:33
  Speaker 2: but to prop him? Thou takest up? Thou knowst not
• 22:40
  Speaker 2: what but taketh for thy labor. It is a thing
• 22:45
  Speaker 2: I made, which hath the King five times redeem'd from death.
• 22:52
  Speaker 2: I do not know what is more cordial, Nay I
• 22:57
  Speaker 2: prithee take it. It is an earnest of a further
• 23:02
  Speaker 2: good that I mean to THEE. Tell thy mistress how
• 23:07
  Speaker 2: the case stands with her? Do it is from thyself?
• 23:14
  Speaker 2: Think what a chance thou changest on? But think thou
• 23:19
  Speaker 2: hast thy mistress still to boot my son, who shall
• 23:26
  Speaker 2: take notice of THEE. I'll move the king to any
• 23:31
  Speaker 2: shape of thy preferment, such as thou desire, And then
• 23:37
  Speaker 2: myself a chiefly that set THEE on to this desert,
• 23:43
  Speaker 2: am bound to load thy merit richly call my women.
• 23:51
  Speaker 2: Think on my words a sly constant nay not to
• 24:00
  Speaker 2: be shaped the agent for his master, and the remembrancer
• 24:06
  Speaker 2: of her, to hold the hand fast to her lord.
• 24:11
  Speaker 2: I have given him that which, if he take, shall
• 24:16
  Speaker 2: quite unpeople her of leisures for her sweet, and which
• 24:22
  Speaker 2: she after, except she bend her humor, shall be assur'd
• 24:28
  Speaker 2: to taste of two.
• 24:33
  Speaker 13: So so.
• 24:37
  Speaker 2: Well done, well done, the violets, cowslips, and the prime
• 24:44
  Speaker 2: roses bear to my closet fare thee well Pisanio, think
• 24:52
  Speaker 2: on my word, and.
• 24:55
  Speaker 11: Of weep ye still sayest thou from s Act one,
• 25:02
  Speaker 11: Scene five. This recording is in the public domain.
• 25:12
  Speaker 1: Oh Romeo Romeo.
• 25:14
  Speaker 6: Wherefore art thou by Juliet from Romeo and Juliet Act
• 25:20
  Speaker 6: two seen two by William Shakespeare read in English for
• 25:24
  Speaker 6: libroxa work by Doreen oh Romeo Romeo. Wherefore art thou Romeo,
• 25:32
  Speaker 6: deny thy father and refuse thy name? Or if thou
• 25:37
  Speaker 6: wilt not be but swore my love, and I'll no
• 25:41
  Speaker 6: longer be a capulate tis but thy name that is
• 25:46
  Speaker 6: my enemy. Thou art thyself, though.
• 25:50
  Speaker 4: Not a montacue.
• 25:51
  Speaker 5: What's a montacue?
• 25:53
  Speaker 6: It is nor hand, nor foot, nor arm, nor face,
• 25:58
  Speaker 6: nor any other part belonging to a man, oh be
• 26:02
  Speaker 6: some other name. What's in a name that which we
• 26:06
  Speaker 6: call a rose? Be? Any other name would smell as sweet?
• 26:11
  Speaker 1: So Romeo would, were he not Romeo.
• 26:14
  Speaker 6: Called, retain that dear perfession which he owns without that title. Romeo,
• 26:20
  Speaker 6: doff thy name and for that name which is no
• 26:24
  Speaker 6: part of the take all myself and of oh Romeo Romeo.
• 26:32
  Speaker 6: Wherefore ardaal from Romeo and Juliet at two see to
• 26:36
  Speaker 6: this recording is in the public domain.
• 26:46
  Speaker 14: Methinks I am a prophet and new inspired by John
• 26:49
  Speaker 14: of Gaunt from Richard the second Act two, Scene one
• 26:55
  Speaker 14: by William Shakespeare, read in English for LibriVox dot org
• 26:59
  Speaker 14: by Thomas Peter. Methinks I am a prophet, new inspired,
• 27:06
  Speaker 14: and thus expiring to foretell of him. His rash fierce
• 27:10
  Speaker 14: blaze of riot cannot last, for violent fires soon burn
• 27:14
  Speaker 14: out themselves. Small showers last long, but sudden storms are short.
• 27:22
  Speaker 14: He tires Betimes that spurs too fast. Betimes with eager
• 27:26
  Speaker 14: feeding food doth choke the feeder. Light, vanity, insatiate, cormorant
• 27:34
  Speaker 14: consuming means soon preys upon itself, This royal throne of kings,
• 27:41
  Speaker 14: this sceptid isle, this earth of majesty, this seat of Mars,
• 27:50
  Speaker 14: this other Eden demi paradise, this fortress built by nature
• 27:56
  Speaker 14: for herself against infection and the hand of war, This
• 28:02
  Speaker 14: happy breed of men, this little world, this precious stone
• 28:07
  Speaker 14: set in the silver sea, which serves it in the
• 28:10
  Speaker 14: office of a ball, or as a mote defensive to
• 28:14
  Speaker 14: a house against the envy of less happier lands. This
• 28:19
  Speaker 14: blessed plot, this earth, this realm, this England, this nurse,
• 28:29
  Speaker 14: this teeming bomb of royal kings, feared by their breed
• 28:34
  Speaker 14: and famous by their birth, renowned for their deeds, as
• 28:37
  Speaker 14: far from home, for Christian service and true chivalry houses
• 28:43
  Speaker 14: the sebulcher and stubborn jewelry of the world's ransom, blessed
• 28:48
  Speaker 14: merry son, This land of such dear souls, this dear
• 28:54
  Speaker 14: dear land, dear for her reputation through the world, is
• 29:00
  Speaker 14: now least out I die, pronouncing it like to a
• 29:05
  Speaker 14: tenement or pelting farm. England, bound in with the triumphant sea,
• 29:11
  Speaker 14: whose rocky shore beats back the envious siege of watery Neptune,
• 29:17
  Speaker 14: is now bound in with shame, with inky blots and
• 29:21
  Speaker 14: rotten parchment bonds. That England that was wont to conquer others,
• 29:28
  Speaker 14: has made a shameful conquest of itself. Ha, what scandal vanish.
• 29:36
  Speaker 2: With my life?
• 29:37
  Speaker 14: How happy then were my ensuing death? And of methinks
• 29:44
  Speaker 14: I am a prophet new inspired from Richard the Second
• 29:49
  Speaker 14: Act too, Scene one. This recording is in the public domain.
• 29:58
  Speaker 14: I know thee not old Man by King Henry the
• 30:01
  Speaker 14: Fifth from Henry the Fourth, Part two, Act five, Scene
• 30:07
  Speaker 14: five by William Shakespeare, read in English for LibriVox dot
• 30:11
  Speaker 14: org by Thomas Peter. I know thee not old man?
• 30:17
  Speaker 14: Fall to thy prayers? How ill white hairs become a
• 30:22
  Speaker 14: fool and jester. I have long dreamt of such a
• 30:26
  Speaker 14: kind of man, so surfeit swell'd, so old and so profane.
• 30:32
  Speaker 14: But being awaked, I do despise my dream. Make less
• 30:37
  Speaker 14: thy body, hence and more thy grace. Leave gormandizing know
• 30:43
  Speaker 14: the grave doth gape for thee thrice wider than for
• 30:46
  Speaker 14: other men. Reply not to me with a full born jest.
• 30:50
  Speaker 14: Presume not that I am the thing I was for
• 30:53
  Speaker 14: God doth know. So shall the world perceive that I
• 30:57
  Speaker 14: have turned away my former self? So will I those
• 31:01
  Speaker 14: that kept me company? When thou dost here I am
• 31:05
  Speaker 14: as I have been, approach me, and thou shalt be
• 31:09
  Speaker 14: as thou west, the tutor and the feeder of my rise,
• 31:14
  Speaker 14: till then I banish thee on pain of death, as
• 31:18
  Speaker 14: I have done the rest of my misleaders, not to
• 31:21
  Speaker 14: come near our person by ten miles for combatants of life.
• 31:25
  Speaker 14: I will allow you that lack of means enforce you
• 31:29
  Speaker 14: not to evils. And as we hear you do reform yourselves,
• 31:33
  Speaker 14: we will, according to your strengths and qualities, give you advancement.
• 31:39
  Speaker 14: Be at your charge, my Lord, to see perform'd the
• 31:42
  Speaker 14: tenor of our word set on, and of I know
• 31:48
  Speaker 14: THEE not old man. From Henry the Fourth Part two,
• 31:52
  Speaker 14: Act five, Scene five. This recording is in the public domain.
• 32:01
  Speaker 13: I left no ring with her by viola from Twelfth Night,
• 32:06
  Speaker 13: Act too, seemed to by William Shakespeare, read in English
• 32:10
  Speaker 13: for LibriVox dot org by Rachel. I left no ring
• 32:15
  Speaker 13: with her? What means this lady, fortune forbid my outside
• 32:20
  Speaker 13: have not charmed her. She made good view of me,
• 32:24
  Speaker 13: indeed so much that sure methought her eyes had lost
• 32:28
  Speaker 13: her tongue, for she did speak in starts distractedly. She
• 32:34
  Speaker 13: loves me, sure the cunning of her passion invites me
• 32:38
  Speaker 13: in this churlish messenger. None of my lord's ring, why
• 32:43
  Speaker 13: he sent her none?
• 32:44
  Speaker 4: I am the man.
• 32:46
  Speaker 13: If it be so, as tis poor lady, she were
• 32:50
  Speaker 13: better love a dream disguise. I see thou art a wickedness.
• 32:56
  Speaker 13: Wherein the pregnant enemy does much? Oh easy is it
• 33:00
  Speaker 13: for the proper false in women's wax and hearts to
• 33:03
  Speaker 13: set their forms? Alas, our frailty is the cause, not we?
• 33:09
  Speaker 13: For such as we are made of, such we be?
• 33:13
  Speaker 4: How will this fadge?
• 33:14
  Speaker 13: My master loves her dearly, and I, poor monster, fond
• 33:19
  Speaker 13: as much on him, and she mistaken seems to dote
• 33:23
  Speaker 13: on me. What will become of this? As I am man?
• 33:28
  Speaker 13: My state is desperate for my master's love, as I
• 33:32
  Speaker 13: am woman? Now alas the day, what thriftless size shall
• 33:37
  Speaker 13: poor Olivia breathe?
• 33:40
  Speaker 4: O time thou.
• 33:42
  Speaker 13: Must untangle this? Not I It is too hard and
• 33:46
  Speaker 13: not for me to untie. End of I left no
• 33:51
  Speaker 13: ring with her from twelfth Night, Act two seem to
• 33:55
  Speaker 13: this recording is in the public domain.
• 34:04
  Speaker 6: Fire is in mine years? Can this be true? By Beatrice?
• 34:08
  Speaker 6: For much ado about nothing? Act three, Sing one by
• 34:12
  Speaker 6: Women and Shakespeare ready English for Libovox don't work by Dorain?
• 34:18
  Speaker 6: What fire is in mine years? Can this be true?
• 34:21
  Speaker 6: Stead I condemned for pride and scorn so much contempt.
• 34:25
  Speaker 4: Farewell and made them pride.
• 34:28
  Speaker 6: Do no glory lives behind the back of such and
• 34:32
  Speaker 6: benedict love on. I will requite thee taming my wild
• 34:37
  Speaker 6: heart to die loving hand. If thou dost love my kindness,
• 34:41
  Speaker 6: shall incite thee to buy their loves up in the
• 34:45
  Speaker 6: holy band. For others say thou dost deserve? And I
• 34:49
  Speaker 6: believe it. But the reportingly and of what fire is
• 34:54
  Speaker 6: in mine years?
• 34:55
  Speaker 4: Can this be true?
• 34:56
  Speaker 6: For much ado about nothing? Act three, seeing one recording
• 35:00
  Speaker 6: is in the public domain. You see me, lord Besieno,
• 35:09
  Speaker 6: where I stand by Portia from The Merchant of Venus,
• 35:13
  Speaker 6: Act three seen two by William Shakespeare, read in English
• 35:17
  Speaker 6: for lebervouxa Worg by Doreen. You see me, Lord Bessieno,
• 35:23
  Speaker 6: where I stand such as I am. Though for myself
• 35:26
  Speaker 6: alone I will not be ambitious in my wish to
• 35:29
  Speaker 6: wish myself much better. Yet for you I will be
• 35:33
  Speaker 6: troubled twenty times myself a thousand times more fair ten
• 35:37
  Speaker 6: thousand times more rich than only to stand high in
• 35:41
  Speaker 6: your account, I might in virtue, beauties, livings, friends exceed account.
• 35:48
  Speaker 6: For the full sum of me is some of something
• 35:51
  Speaker 6: which to Turbine Grass is an unlessened girl, unschooled, unpracticed,
• 35:57
  Speaker 6: happy in this. She is not yet so old, but
• 36:00
  Speaker 6: she may learn happier than this. She is not bred
• 36:03
  Speaker 6: so dull, but she can learn Happiest of all is
• 36:06
  Speaker 6: that her gentle spirit commits itself to yours, to be
• 36:09
  Speaker 6: directed as from her lord, her governor, her king myself,
• 36:13
  Speaker 6: and what is mine to you and yours is now converted.
• 36:17
  Speaker 6: But now I was the lord of this fair mentioned,
• 36:20
  Speaker 6: master of my servants, queen lor myself, and even now,
• 36:24
  Speaker 6: but now this house, these servants, and the same myself.
• 36:28
  Speaker 4: Are yours, my Lord.
• 36:30
  Speaker 6: I give them with this ring, which when you part from,
• 36:32
  Speaker 6: lose or give away, let the presage the ruin.
• 36:35
  Speaker 4: Of your love, and be my vantage to exclaim on you.
• 36:39
  Speaker 8: And of you.
• 36:40
  Speaker 6: See me, Lord Bassiano whereisin from the Merchant of Venus,
• 36:43
  Speaker 6: Act three s two. This recording is in the public domain.
• 36:52
  Speaker 4: The quality of mercy is not strained by poorsture. From
• 36:56
  Speaker 4: the Merchant of Venice Act for Seene one by William
• 36:59
  Speaker 4: Shakespeare read in English for Librivax dad work by Lillimerie.
• 37:03
  Speaker 4: The quality of mercy is not strained. It dropeth as
• 37:07
  Speaker 4: a gentle reign from Heaven upon the place beneath. It
• 37:10
  Speaker 4: is twice blessed. It blesseth him that gives, and him
• 37:14
  Speaker 4: that takes, tis mightiest. In the mightiest it becomes the
• 37:17
  Speaker 4: throned monarch, better than his crown. His scepter shows the
• 37:21
  Speaker 4: force of temporal power, the attribute to all and majesty.
• 37:25
  Speaker 4: Wherein doth seek the dread in fear of kings. But
• 37:29
  Speaker 4: mercy is above this sceptid sway. It is enthroned in
• 37:32
  Speaker 4: the hearts of kings. It is an attribute to God himself,
• 37:36
  Speaker 4: an earthly power. Doth then show likest Gods when mercy
• 37:40
  Speaker 4: seasons justice. Therefore, jew though justice be thy plea, consider this,
• 37:46
  Speaker 4: that in the cause of justice, none of us should
• 37:49
  Speaker 4: see salvation, we do pray for mercy. In that same
• 37:53
  Speaker 4: prayer doth teach us all to render the deeds of mercy.
• 37:56
  Speaker 4: I have spoke thus much to mitigate the justice of
• 37:58
  Speaker 4: thy plea, which, if thou follow the strict court of venice,
• 38:02
  Speaker 4: must needs give sentence against the merchant there end of
• 38:07
  Speaker 4: the quality of mercy is not strained from the Merchant
• 38:10
  Speaker 4: of Venice, Act for or Scene one. This recording is
• 38:13
  Speaker 4: in the public domain. Recording by Lily Marie. Look here
• 38:23
  Speaker 4: upon this picture and on this by Hamlet from Hamlet,
• 38:26
  Speaker 4: Act three, Scene four by Lily Shakespeare, read in English
• 38:30
  Speaker 4: for libribox dot work by Lily Marie. Look here upon
• 38:33
  Speaker 4: this picture and on this the counterfeit presentment of two brothers.
• 38:38
  Speaker 4: See what a grace was seated on this brow. Hyperion's
• 38:41
  Speaker 4: curls the front of Jove himself and eye like Mars
• 38:45
  Speaker 4: to threaten and command a station like the herald mercury
• 38:49
  Speaker 4: new lighted on a heaven kissing hill. A combination and
• 38:52
  Speaker 4: a form, indeed, where every god is seemed to set
• 38:55
  Speaker 4: his seal to give the world assurance of a man.
• 38:58
  Speaker 4: This was your husband. Look you now? What follows here
• 39:02
  Speaker 4: is your husband like a milder's ear blasting his wholesome brother.
• 39:06
  Speaker 3: Have you eyes?
• 39:08
  Speaker 4: Could you on this fair mountain leave to feed and
• 39:10
  Speaker 4: fatten on this moor?
• 39:12
  Speaker 6: Ha?
• 39:13
  Speaker 4: Have you eyes? You cannot call it love, for at
• 39:15
  Speaker 4: your age the heyday in the blood is tame, It's
• 39:18
  Speaker 4: humble and waits upon the judgment, And what judgment would
• 39:21
  Speaker 4: step from this? To this sense? Sure you have else?
• 39:25
  Speaker 4: Could you not have motion? But that sure that sense
• 39:28
  Speaker 4: is apoplexed, for madness would not err nor sense to
• 39:31
  Speaker 4: ecstasy was ne'er so enthralled, But it reserved some quantity
• 39:35
  Speaker 4: of choice to serve in such a difference. What devil
• 39:39
  Speaker 4: wast that thus hath cousened you at hoodman blind eyes
• 39:42
  Speaker 4: without feeling, feeling without sight, ears without hands or eyes
• 39:46
  Speaker 4: smelling stands all or but a sickly part of one's
• 39:49
  Speaker 4: true sense could not so mope? Oh shame, where is
• 39:53
  Speaker 4: thy blush? Rebellious hell? If thou canst mutine in a
• 39:57
  Speaker 4: matron's bones to flaming youth led virgin, she be is
• 40:00
  Speaker 4: wax and melted her own fire, Proclaim no shame when
• 40:04
  Speaker 4: the compulsive ardor gives the charge, since frost itself is active,
• 40:08
  Speaker 4: do burn in reason panders will and do look here
• 40:13
  Speaker 4: upon this picture and on this from Hamlet, Act three,
• 40:16
  Speaker 4: seeing four. This recording is in the public domain. Recording
• 40:20
  Speaker 4: by Lily Marie.
• 40:27
  Speaker 7: Now until the break of day by Auburn from a
• 40:31
  Speaker 7: Midsummer nights dream at five see one by William Shakespeare
• 40:37
  Speaker 7: reading English for Liberfox dot org by Linda Tayne. Now
• 40:43
  Speaker 7: until the break of day, through this house, each very
• 40:46
  Speaker 7: straight to the best bread bed, will we which by
• 40:51
  Speaker 7: arts shall bless be, and the issue there create ever
• 40:56
  Speaker 7: shall be fortunate. So shall all the couples through ever
• 41:01
  Speaker 7: true in loving bee, and the plots of Natural's hand,
• 41:05
  Speaker 7: shall not in their issues stand never mow hair, leap,
• 41:10
  Speaker 7: nor scar nor mark predigious such as are despice inactivity,
• 41:17
  Speaker 7: shall upon their children be which this few drew consecrate.
• 41:23
  Speaker 7: Every ferry take his gate, and each several chamber blasts
• 41:28
  Speaker 7: through this palace with street peace, and the owner of
• 41:33
  Speaker 7: it blest ever shall in safety rest trip away, make
• 41:38
  Speaker 7: no stay, meet me all by break of day, and
• 41:43
  Speaker 7: of now until the break of day from a midsummer
• 41:47
  Speaker 7: night stream at five s one. This recording is in
• 41:52
  Speaker 7: the public domain.
• 41:57
  Speaker 15: Oh for a use of fire that would ascend by
• 42:00
  Speaker 15: the chorus from Henry the fifth Act one prolog by
• 42:06
  Speaker 15: William Shakespeare, read in English for LibriVox dot org by
• 42:10
  Speaker 15: Chris Pyle. Oh for a muse of fire that would
• 42:15
  Speaker 15: ascend the brightest heaven of invention a kingdom for a
• 42:19
  Speaker 15: stage princes to act and monarchs to behold the swelling scene.
• 42:25
  Speaker 15: Then should the warlike harry, like himself, assume the port
• 42:28
  Speaker 15: of Mars, and at his heels leashed in like hound,
• 42:33
  Speaker 15: should famine sword and fire crouch for employment. But pardon, gentles,
• 42:39
  Speaker 15: all the flat, unraised spirits that have dared on this
• 42:42
  Speaker 15: unworthy scaffold to bring forth so great an object. Can
• 42:47
  Speaker 15: this cockpit hold the vasty fields of France? Or may
• 42:51
  Speaker 15: we cram within this wooden o the very cask that
• 42:54
  Speaker 15: did affright the air at Agincourt. Oh, pardon, since a
• 42:57
  Speaker 15: crooked figure may attest in little place, and let us
• 43:01
  Speaker 15: ciphers to this great accompt on your imaginary force's work.
• 43:05
  Speaker 15: Suppose within the girdle of these walls, and now confined
• 43:09
  Speaker 15: two mighty monarchies, whose high, upreared and abutting fronts the
• 43:13
  Speaker 15: perilous narrow ocean parts, asunder, peace out our inferfections with
• 43:18
  Speaker 15: your thoughts, and to a thousand parts, divide one man
• 43:22
  Speaker 15: and make imaginary puiscence. Think when we talk of horses,
• 43:27
  Speaker 15: that you see them printing their proud hoofs in the
• 43:30
  Speaker 15: receiving earth. Ortis your thoughts that now must deck our
• 43:33
  Speaker 15: kings carry them here and there, jumping over times, turning
• 43:38
  Speaker 15: the accomplishment of many years into an hourglass. Or the
• 43:42
  Speaker 15: witch supply admit me chorus to this history, who prologue
• 43:46
  Speaker 15: like your humble patients, prey gently to hear, kindly to
• 43:51
  Speaker 15: judge our play. End of oh for a muse of
• 43:57
  Speaker 15: fire that would ascend Henry the fifth, Act one prologue.
• 44:04
  Speaker 15: His recording is in the public domain.
• 44:11
  Speaker 11: Troy.
• 44:12
  Speaker 15: Yet upon his basis had been down by ulysses from
• 44:17
  Speaker 15: Troylus and Cressida, Act one, Scene three by William Shakespeare,
• 44:22
  Speaker 15: read in English for LibriVox dot org by Chris Pyle, Troy.
• 44:28
  Speaker 15: Yet upon his basis had been down, and the great
• 44:31
  Speaker 15: Hector's sword had lacked a master. But for these instances
• 44:36
  Speaker 15: the specialty of rule hath been neglected. And look how
• 44:39
  Speaker 15: many greci intents do you stand hollow upon this plane,
• 44:42
  Speaker 15: So many hollow factions, When that the general is not
• 44:46
  Speaker 15: like the hive, to whom the foragers shall all repair.
• 44:50
  Speaker 15: What honey is expected? Degree being visited the unworthiest shows
• 44:55
  Speaker 15: as fairly in the mask the heavens themselves alanets and
• 45:00
  Speaker 15: this center observe degree priority and place in sisture, course, proportion, season, form, office,
• 45:09
  Speaker 15: and custom in all line of order. And therefore is
• 45:13
  Speaker 15: the glorious planet's soul in noble imminence, enthroned in sphered
• 45:18
  Speaker 15: amidst the other, whose medicinable eye corrects the ill aspects
• 45:22
  Speaker 15: of planets, evil and posts, like the commandment of a king,
• 45:26
  Speaker 15: sons checked to good and bad. But when the planet's
• 45:29
  Speaker 15: an evil mixture to disorder, wonder what plagues and what portents?
• 45:35
  Speaker 15: What mutiny, what raging of the sea, shaking of earth,
• 45:39
  Speaker 15: commotion in the winds, frights, changes, horrors, divert and crack,
• 45:44
  Speaker 15: rind and deracinate the unity and married calm of states
• 45:48
  Speaker 15: quite from their fixture. Oh and degree is shaped, which
• 45:52
  Speaker 15: is the latter to all high designs that enterprise is sick?
• 45:57
  Speaker 15: How could communities degrees in schools and brotherhoods and cities
• 46:00
  Speaker 15: peaceful commerce from dividable shores the primogenitive and doue of birth, prerogative, age, crowns, scepters, laurels.
• 46:09
  Speaker 15: But by degree stand in authentic place. Take but degree away,
• 46:14
  Speaker 15: untune that string, and hark what discord follows Each thing
• 46:19
  Speaker 15: meets in mere a pugnancy. The bounded waters shall lift
• 46:23
  Speaker 15: their bosoms higher than the shores, and make a sop
• 46:26
  Speaker 15: of all this solid globe. Strength shall be the lord
• 46:30
  Speaker 15: of imbecility, and the rude sun should strike his father dead.
• 46:34
  Speaker 15: Force should be right, or rather right and wrong, between
• 46:38
  Speaker 15: whose endless jar justice resides should lose their names, and
• 46:43
  Speaker 15: so should justice too. Then everything includes itself in power,
• 46:49
  Speaker 15: power into will, will into appetite, and appetite and universal wolf,
• 46:55
  Speaker 15: so doubly seconded with will and power, must make perforce,
• 46:59
  Speaker 15: and universe, so prey and last eat up himself great Agamemnon.
• 47:06
  Speaker 15: This chaos, when degree is suffocate, follows the choking, and
• 47:10
  Speaker 15: this neglection of degree. It is that by a pace
• 47:14
  Speaker 15: goes backwards with a purpose, it hath to climb the
• 47:19
  Speaker 15: generals disdained by him, one step below he, by the next,
• 47:23
  Speaker 15: then next by him beneath. So every step exampled by
• 47:27
  Speaker 15: the first pace that is sick of his superior grows
• 47:30
  Speaker 15: to an envious fever of pale and bloodless emulation. And
• 47:34
  Speaker 15: tis this fever that keeps Troy on foot, not her
• 47:38
  Speaker 15: own sinews to end detail of length, Troy, in our weakness,
• 47:43
  Speaker 15: stands not in her strength. Troy yet upon his basis
• 47:49
  Speaker 15: had been down from Troilus and Cresida, Act one, Scene three.
• 47:55
  Speaker 15: This recording is in the public domain.
• 48:02
  Speaker 16: The more my wrong, the more his spite appears by
• 48:07
  Speaker 16: Kate from the Taming of the Shrew, Act four, Scene
• 48:11
  Speaker 16: three by William Shakespeare, read in English for LibriVox dot
• 48:16
  Speaker 16: org by Lindsey Anderson. The more my wrong, the more
• 48:23
  Speaker 16: his spite appears. What did he marry me to famish me?
• 48:28
  Speaker 16: Beggars that come unto my father's door upon entreaty have
• 48:32
  Speaker 16: a present alms, if not elsewhere they meet with charity.
• 48:36
  Speaker 16: But I, who never knew how to entreat, nor never
• 48:40
  Speaker 16: needed that I should entreat, and starved from meat, giddy
• 48:44
  Speaker 16: for lack of sleep, with oaths, kept waking with brawling, fed,
• 48:49
  Speaker 16: and that which spites me more than all these wants.
• 48:53
  Speaker 16: He does it under name of perfect love, as who
• 48:57
  Speaker 16: should say if I should eat or sleep toward deadly
• 49:00
  Speaker 16: sickness or else present death, hy prithee, go and get
• 49:04
  Speaker 16: me somewhere past. I care not what, so it be
• 49:07
  Speaker 16: wholesome food. End of the more my wrong From the
• 49:15
  Speaker 16: Taming of the Shrew, Act four, Scene three by William Shakespeare.
• 49:21
  Speaker 16: This recording is in the public domain.
• 49:33
  Speaker 5: Oh that this two too solid flesh would melt by
• 49:36
  Speaker 5: Hamlet from Hamlet, Act one, Scene two by William Shakespeare,
• 49:41
  Speaker 5: read in English for Librivoux dot org by Leanyelle. Oh
• 49:50
  Speaker 5: that this two two solid flesh would melt for and
• 49:54
  Speaker 5: resolve itself into a dew without the Everlasting had not
• 49:58
  Speaker 5: fixed his canon against self se water. Oh God, God,
• 50:03
  Speaker 5: how weary, stay flat and unprofitable seemed to be all
• 50:08
  Speaker 5: the uses of this world?
• 50:11
  Speaker 4: Fine on it?
• 50:12
  Speaker 5: Oh fie tois an unweeded god, and that grows to
• 50:17
  Speaker 5: seed things rank and gross in nature, possess it merely
• 50:23
  Speaker 5: that did she come to this but two months dead? Nay,
• 50:29
  Speaker 5: not so much, not too so excellent a king that
• 50:35
  Speaker 5: was to this hyperion to a satur so loving to
• 50:39
  Speaker 5: my mother that he might not be team the winds
• 50:42
  Speaker 5: of heaven visit her face too roughly Heaven, and e
• 50:46
  Speaker 5: must I remember why she would hang on to him,
• 50:50
  Speaker 5: as an increase of appetite had grown by what it
• 50:52
  Speaker 5: fed on. And yet within a month, Let me not
• 50:57
  Speaker 5: think on it, frailty.
• 50:58
  Speaker 4: My name is woman.
• 51:01
  Speaker 5: A little month or her Those shoes were old with
• 51:05
  Speaker 5: which she followed my poor father's body like Niobi all tears.
• 51:10
  Speaker 5: Why she even she, Oh God, a beast that wants
• 51:16
  Speaker 5: to discourse of reason, would have mourned longer married with
• 51:19
  Speaker 5: my uncle, my father's brother. But no more like my
• 51:25
  Speaker 5: father than I to Hercules within a month here yet
• 51:30
  Speaker 5: the sort of most unrighteous tears had left the flushing
• 51:33
  Speaker 5: in her gold eyes. She married, Oh, most wicked speed
• 51:39
  Speaker 5: to posed with such dexterity to incestuous sheets. It is
• 51:45
  Speaker 5: not nor it cannot come to good. But break my heart,
• 51:51
  Speaker 5: for I must hold my tongue. End of oh that
• 51:58
  Speaker 5: this two too solid flesh wood mouth from Hamlet, Act one,
• 52:02
  Speaker 5: Scene two. This recording is in the public domain. Now
• 52:11
  Speaker 5: might I do it?
• 52:12
  Speaker 8: Pat?
• 52:13
  Speaker 5: Now he is praying by Hamlet from Hamlet at three
• 52:17
  Speaker 5: seen three by William Shakespeare, read in English for liveryvoux
• 52:21
  Speaker 5: dot org by the yanyell. Now might I do it?
• 52:30
  Speaker 8: Pat?
• 52:32
  Speaker 3: Now he is.
• 52:32
  Speaker 5: Praying, And now I'll do it. And so he goes
• 52:39
  Speaker 5: to heaven. And so am I revenged, that would be scanned.
• 52:45
  Speaker 5: A villain kills my father, and for that I his
• 52:48
  Speaker 5: sole son do this same villain said to heaven. Why
• 52:55
  Speaker 5: this is hire and salary, not revenge. He took my
• 52:59
  Speaker 5: father grossly full of bread, with all his crimes broad
• 53:04
  Speaker 5: blown as flushes may, and how is all it stands?
• 53:08
  Speaker 5: Who knows save heaven? But now a circumstance and course
• 53:12
  Speaker 5: of thought tis heavy with him, And am I then
• 53:15
  Speaker 5: revenged to take him in the purging of his soul
• 53:18
  Speaker 5: when he is fit and seasoned for his passage? No
• 53:26
  Speaker 5: up sword, And know thou a more horrid hint when
• 53:30
  Speaker 5: he is drunk asleep, or in his rage, or in
• 53:34
  Speaker 5: the incestuous pleasure of his bed and gaming swearing, or
• 53:39
  Speaker 5: about some act that has no relish of salvation in it.
• 53:44
  Speaker 5: Then trip him that his heels may kick at heaven,
• 53:49
  Speaker 5: and that his soul may be as damned and black
• 53:52
  Speaker 5: as hell.
• 53:52
  Speaker 4: Where to it goes?
• 53:55
  Speaker 5: My mother stays this physic, but prolongs thy sickly day
• 54:03
  Speaker 5: end of Now might I do it? Pat now he
• 54:05
  Speaker 5: is praying? From Hamlet, Act three, Scene three. This recording
• 54:10
  Speaker 5: is in the public domain. Oh my offense is rank.
• 54:22
  Speaker 5: It smells to heaven by Claudius from Hamlet, Act three,
• 54:27
  Speaker 5: Scene three by William Shakespeare, read in English for Librevox
• 54:31
  Speaker 5: dot Org by Leannoo. Oh my offense is rank. It
• 54:41
  Speaker 5: smells to heaven, It hath the primal eldest curse upon it,
• 54:46
  Speaker 5: a brother's murtha.
• 54:50
  Speaker 15: Pray?
• 54:50
  Speaker 4: Can I not?
• 54:51
  Speaker 5: Though inclination be as sharp as well? My stronger guilt
• 54:57
  Speaker 5: defeats my strong intent, And like a man a double
• 55:01
  Speaker 5: business bound, I stand and pause where I shall first begin,
• 55:05
  Speaker 5: and both neglect. What if this cursed hand were thicker
• 55:11
  Speaker 5: than itself with brother's blood? Is there not rain enough
• 55:14
  Speaker 5: in the sweet heavens to wash it white as snow?
• 55:17
  Speaker 5: Where who serves mercy? But to confront the visage of offense?
• 55:22
  Speaker 5: And what's in prayer? But this two fought force to
• 55:25
  Speaker 5: be forestalled. Ere we come to fall or pardoned, being down,
• 55:30
  Speaker 5: then I'll look up. My fault has passed. But oh,
• 55:37
  Speaker 5: what form of prayer can serve my turn? Forgive me
• 55:40
  Speaker 5: my foul murtherer that cannot be, since I am still
• 55:45
  Speaker 5: possessed of those effects for which I did the murther
• 55:49
  Speaker 5: my crown, mine own ambition, and my queen. May one
• 55:55
  Speaker 5: be pardoned and retain the offense In the corrupted currents
• 55:59
  Speaker 5: of this world, Defense's gilded hand may shove by justice,
• 56:04
  Speaker 5: and often seeing the wicked prize itself buys out the law,
• 56:08
  Speaker 5: but tis not so above there is no shuffling there.
• 56:13
  Speaker 5: The action lies in his true nature. And we ourselves
• 56:17
  Speaker 5: compelled even to the teeth and forehead of our thoughts,
• 56:21
  Speaker 5: to give an evidence. What, then, what rests?
• 56:27
  Speaker 4: Try?
• 56:28
  Speaker 5: What repentance can?
• 56:30
  Speaker 6: What can it not?
• 56:32
  Speaker 4: Yet?
• 56:32
  Speaker 5: What can it when one cannot repent? A wretched state,
• 56:38
  Speaker 5: Oh person, black as death, Oh lime soul that's struggling
• 56:44
  Speaker 5: to be free? Art more engaged, Help angels, make us say, bow,
• 56:53
  Speaker 5: stubborn knees and heart with strings of steel, be softest
• 56:58
  Speaker 5: sinews of the newborn babe, all may be well. End
• 57:05
  Speaker 5: of oh my offense's rank. It smells to heaven. From Hamlet,
• 57:09
  Speaker 5: Act three, Scene three. This recording is in the public domain.
• 57:21
  Speaker 10: If you have tears, prepared to shed them now? By
• 57:23
  Speaker 10: Marc Anthony from Julius Caesar, Act three, Scene two by
• 57:27
  Speaker 10: William Shakespeare, read in English for LibriVox dot Org by
• 57:32
  Speaker 10: Ian King. If you have tears, prepare to shed them now?
• 57:40
  Speaker 10: You all do know this mantle. I remember the first
• 57:43
  Speaker 10: time ever Caesar put it on twas on a summer's
• 57:46
  Speaker 10: evening in his tent. That day he overcame the nervey eye.
• 57:52
  Speaker 10: Look in this place, ran Cassius's dagger through See what
• 57:57
  Speaker 10: a rent the envious casker made through this the well
• 58:01
  Speaker 10: beloved Brusus stabbed, and as he plucked his cursed steel away.
• 58:08
  Speaker 10: Mark how the blood of Caesar followed it, as rushing
• 58:12
  Speaker 10: out of doors to be resolved if Brutus so unkindly
• 58:16
  Speaker 10: knocked or no, For Brutus, as you know, was Caesar's angel, Judge,
• 58:25
  Speaker 10: O you gods, how dearly Caesar loved him. This was
• 58:30
  Speaker 10: the most unkindest cut of all. For when the noble
• 58:33
  Speaker 10: Caesar saw him stab ingratitude more strong than Trait's arms,
• 58:40
  Speaker 10: quite vanquished him. Then burst his mighty heart and in
• 58:47
  Speaker 10: his mantle, muffling up his face, even at the base
• 58:50
  Speaker 10: of Pompey's stature, which all the while ran blood. Great
• 58:55
  Speaker 10: Caesar fell. Oh what a fool was there, my country men?
• 59:01
  Speaker 10: Then I and you and all of us fell down?
• 59:05
  Speaker 10: What bloody treason flourished over us?
• 59:09
  Speaker 13: Oh?
• 59:09
  Speaker 10: Now you weep, and I perceive you feel the dint
• 59:14
  Speaker 10: of pity. These are gracious drops, kind souls. What weep
• 59:22
  Speaker 10: you when you but behold our Caesar's vesture wounded? Look
• 59:26
  Speaker 10: you here here is himself marred, as you see with traitors.
• 59:37
  Speaker 10: End of if you have tears prepared to shed them now?
• 59:40
  Speaker 10: From Julius Caesar, Act three, Scene two. This recording is
• 59:45
  Speaker 10: in the public domain.
• 59:52
  Speaker 13: Think not, I love him, though I ask for him?
• 59:55
  Speaker 13: By Phoebe from As You Like It, Act three, Scene
• 59:58
  Speaker 13: five by William Shakespeare, read in English for LibriVox dot
• 1:00:02
  Speaker 13: org by Rachel. Think not I love him though I
• 1:00:08
  Speaker 13: ask for him. Tis but a peevish boy. Yet he
• 1:00:12
  Speaker 13: talks well. But what care I for words? Yet words
• 1:00:17
  Speaker 13: do well when he that speaks them pleases those that hear.
• 1:00:23
  Speaker 4: It is a pretty youth, not.
• 1:00:25
  Speaker 13: Very pretty, but sure he's proud, and yet his pride
• 1:00:30
  Speaker 13: becomes him. He'll make a proper man. The best thing
• 1:00:35
  Speaker 13: in him is his complexion. And faster than his tongue
• 1:00:38
  Speaker 13: did make offense his eye, did heal it up. He's
• 1:00:42
  Speaker 13: not very tall, yet for his years he's tall.
• 1:00:46
  Speaker 17: His leg is but so so, and.
• 1:00:48
  Speaker 13: Yet tis well. There was a pretty redness in his lip,
• 1:00:53
  Speaker 13: a little riper and more lusty red than that that
• 1:00:56
  Speaker 13: mixed in his cheek. Twas just the difference TwixT the
• 1:01:00
  Speaker 13: constant read and mingled damask. There be some women Sylvius
• 1:01:05
  Speaker 13: had they marked him in parcels as I did would
• 1:01:08
  Speaker 13: have gone nearer to fall in love with him. But
• 1:01:11
  Speaker 13: for my part I love him not, nor hate him not.
• 1:01:15
  Speaker 13: And yet I have more cause to hate him than
• 1:01:18
  Speaker 13: to love him. For what had he to do to
• 1:01:20
  Speaker 13: chide at me? He said, mine eyes were black and
• 1:01:25
  Speaker 13: my hair black. And now I am remembered scorned at me.
• 1:01:30
  Speaker 13: I marvel why, I answered, not again, But that's all
• 1:01:34
  Speaker 13: One amittance is no acquittance. I'll write to him a
• 1:01:38
  Speaker 13: very taunting letter, and thou shalt bear it, wilt thou, Sylvius.
• 1:01:46
  Speaker 13: I'll write it straight. The matters in my head and
• 1:01:49
  Speaker 13: in my heart. I will be bitter with him and
• 1:01:51
  Speaker 13: passing short. Go with me, Sylvius, and of think not
• 1:01:59
  Speaker 13: I love him, though I ask for him from as
• 1:02:01
  Speaker 13: you like it, Act three, Scene five. This recording is
• 1:02:06
  Speaker 13: in the public domain.
• 1:02:13
  Speaker 17: I know you all in will awhile uphold by Prince
• 1:02:16
  Speaker 17: hal from Henry the Fourth Part one, Act one, Scene
• 1:02:20
  Speaker 17: two by William Shakespeare, read in English for LibriVox dot
• 1:02:24
  Speaker 17: org by Asia.
• 1:02:27
  Speaker 4: I know you all, and will.
• 1:02:29
  Speaker 17: Awhile uphold the unyoked humor of your idleness. Yet herein
• 1:02:34
  Speaker 17: will I imitate the Sun, who doth permit the base
• 1:02:38
  Speaker 17: contagious clouds to smother up his beauty from the world,
• 1:02:42
  Speaker 17: that when he pleas again to be himself being wanted,
• 1:02:46
  Speaker 17: he may be more wondered at by breaking through the
• 1:02:49
  Speaker 17: foul and ugly mists of vapors that did seem to
• 1:02:53
  Speaker 17: strangle him. If all the year were playing holidays to sport,
• 1:02:59
  Speaker 17: would be as tea tedious as to work. But when
• 1:03:02
  Speaker 17: they seldom come they wished for come, And nothing pleaseth
• 1:03:07
  Speaker 17: but rare accidents. So when this loose behavior I throw
• 1:03:12
  Speaker 17: off and pay the debt I never promised by how
• 1:03:17
  Speaker 17: much better than my word I am? By so much
• 1:03:19
  Speaker 17: shall I falsify men's hopes, And like bright metal on
• 1:03:24
  Speaker 17: a sullen ground, my reformation glittering o'er my fault, shall
• 1:03:29
  Speaker 17: show more goodly and attract more eyes than that which
• 1:03:33
  Speaker 17: hath no foil to set it off. I'll so offend
• 1:03:38
  Speaker 17: to make offense a skill redeeming time when men think
• 1:03:43
  Speaker 17: least I will.
• 1:03:49
  Speaker 6: End of.
• 1:03:50
  Speaker 17: I know you all, and will a while uphold from Henry.
• 1:03:53
  Speaker 17: The fourth part one, Act one seen to This recording
• 1:03:57
  Speaker 17: is in the public domain and end of Shakespeare Monologus Collection,
• 1:04:04
  Speaker 17: Volume thirteen, Multilingual by William Shakespeare. All LibriVox recordings are
• 1:04:10
  Speaker 17: in the public domain. For more information or to find
• 1:04:13
  Speaker 17: out how you can volunteer, please visit LibriVox dot org.