Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🍑 RHOA Finale Recap: "Marcus, Friend Of"

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🍑 RHOA Finale Recap: "Marcus, Friend Of" · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling.
• 0:09
  Speaker 2: Drama, Darling.
• 0:13
  Speaker 3: Drama, Darling, Hello, what's up everybody?
• 0:21
  Speaker 2: And welcome back in, which welcome in is everywhere? It's insane,
• 0:26
  Speaker 2: how well, how much it's just taken on like a plague.
• 0:30
  Speaker 2: And joining me is Jamie Moyer to talk about Atlanta.
• 0:32
  Speaker 2: Welcome in, Jamie, welcome in.
• 0:36
  Speaker 1: You're right, I can't stop hearing welcome in.
• 0:38
  Speaker 2: No, it's kind of like I feel like I started it,
• 0:41
  Speaker 2: you know. I mean, I was onto this trend over
• 0:43
  Speaker 2: a year ago and now it is just I mean,
• 0:47
  Speaker 2: I didn't make it up, just noticing.
• 0:49
  Speaker 1: You noticed it, and you are starting a wave across
• 0:53
  Speaker 1: the nation with your beautiful darlings where we're all noticing
• 0:57
  Speaker 1: it and we'll continue to notice it, and that's how
• 1:00
  Speaker 1: movement starts.
• 1:01
  Speaker 3: Thank you, too bad.
• 1:03
  Speaker 2: It really doesn't add up to anything positive, you know,
• 1:08
  Speaker 2: my efforts just completely anyway.
• 1:10
  Speaker 1: That's not true. It's the effort and the positivity is
• 1:15
  Speaker 1: politeness and kindness and made the world see a little
• 1:18
  Speaker 1: more of that.
• 1:19
  Speaker 2: Sam's Sister's sister Amen. By the way, this is the
• 1:26
  Speaker 2: finale of Freaking Atlanta. I was happy to hear there's
• 1:31
  Speaker 2: going to be It's a three episode reunion. I was shocked,
• 1:38
  Speaker 2: but I was happy because Atlanta deserves it. I don't
• 1:41
  Speaker 2: care what kind of season they have, you know what
• 1:42
  Speaker 2: I mean? They need to have the three. I mean,
• 1:44
  Speaker 2: they've been around. They If they're docked one reunion episode,
• 1:48
  Speaker 2: I would just feel like it isn't right.
• 1:50
  Speaker 3: How do you feel about that?
• 1:52
  Speaker 1: I'm glad we have three. I'm in that. I'm in
• 1:54
  Speaker 1: a very the minority camp of saying this was an
• 1:58
  Speaker 1: excellent season of twists and turns and what an episode
• 2:03
  Speaker 1: this last episode.
• 2:04
  Speaker 3: Oh god, yeah great, So I.
• 2:08
  Speaker 1: Agree three night reunion is good minus britt Edie not
• 2:13
  Speaker 1: going to be there.
• 2:16
  Speaker 2: And Kenya so just crazy that they even have. Well listen,
• 2:21
  Speaker 2: this is where Faedra is going to make the money
• 2:23
  Speaker 2: that she made because for the amount of episodes that
• 2:26
  Speaker 2: she wasn't in when we were waiting so patiently for
• 2:29
  Speaker 2: her forever. She will now show up for three reunions
• 2:33
  Speaker 2: and it'll be so many like phadrisms and fun and
• 2:37
  Speaker 2: all that good stuff. But agreed, agreed this episode, well
• 2:41
  Speaker 2: welcome in games. You just have a cute little pep
• 2:48
  Speaker 2: in your step today, don't sut?
• 2:49
  Speaker 1: You just oh, you know what life's meant to be lived.
• 2:53
  Speaker 2: And we both are wearing like we're matching kind of
• 2:55
  Speaker 2: black and white, and I'm excited about that. So right
• 3:00
  Speaker 2: this and I'm sorry, Like, okay, let's just plow through
• 3:04
  Speaker 2: the beginning and then we'll get to the end.
• 3:06
  Speaker 3: Let's just take care of that, Okay.
• 3:08
  Speaker 2: Okay, first of all, I mean I did I did
• 3:13
  Speaker 2: call it? Did I not about Phaedra helping with Londi's
• 3:17
  Speaker 2: funeral arrangements? And some I said it, didn't I say it? Okay,
• 3:22
  Speaker 2: I just want everybody to know I wasn't being insensitive,
• 3:26
  Speaker 2: but needless to say, Phaedra was thrilled and she should be.
• 3:30
  Speaker 2: That's her business. And this is you know, when two
• 3:33
  Speaker 2: things come together like that, And boy, oh boy, this
• 3:36
  Speaker 2: Londi thing is just hitting hard. It is so hard
• 3:39
  Speaker 2: because she obviously was so close with Porsha clearly Shimia
• 3:43
  Speaker 2: as well, such a huge member of their family and
• 3:46
  Speaker 2: a huge member of Porscha's team, you know, I mean,
• 3:51
  Speaker 2: she lost not only a family member and a friend,
• 3:53
  Speaker 2: but a probably incredible uh strategist and planner and business
• 4:00
  Speaker 2: person for her entire.
• 4:01
  Speaker 1: Right hand woman, right hand woman, probably did everything like
• 4:05
  Speaker 1: that right hand woman for Porsche and also just a
• 4:08
  Speaker 1: positive light. And you know, we have seen Landi on
• 4:10
  Speaker 1: so many episodes over the years, really sad, poor Porsche.
• 4:14
  Speaker 1: And then I thought it was fascinating how Porscha was like,
• 4:18
  Speaker 1: I'm not going to get into this Smia stuff right now,
• 4:22
  Speaker 1: and I was like, hopefully, that to me is like
• 4:25
  Speaker 1: a you know, precursor for disaster.
• 4:27
  Speaker 2: It is because the second you put that on ice,
• 4:31
  Speaker 2: it's going to freeze up and go to the back
• 4:33
  Speaker 2: of the refrigerator and start getting freezer burn and then
• 4:37
  Speaker 2: it's done.
• 4:38
  Speaker 3: Your throat out.
• 4:39
  Speaker 1: Have you noticed how food's going bad sooner these years? Oh?
• 4:44
  Speaker 2: Interesting, ie goes way in the fridge freezer.
• 4:49
  Speaker 1: I feel like, especially in the fridge, I feel like
• 4:51
  Speaker 1: my food is going bad sooner than it used to.
• 4:54
  Speaker 2: You know, that could be because like time goes faster
• 4:57
  Speaker 2: when you're older.
• 4:59
  Speaker 3: Interesting, So that's what I might.
• 5:01
  Speaker 2: I might say that because it's not like there's a
• 5:03
  Speaker 2: lack of preservatives and things or the other thing is
• 5:06
  Speaker 2: you're just eating healthier whole foods and they don't have
• 5:09
  Speaker 2: longer expiration dates.
• 5:11
  Speaker 1: No, definitely not bad, Like chocolate puddings are going going
• 5:19
  Speaker 1: bad sooner.
• 5:22
  Speaker 2: You know, you gotta check those expiration dates when you're
• 5:24
  Speaker 2: at the grocery store, because they will put them, they'll
• 5:26
  Speaker 2: put the oldest ones in the front.
• 5:28
  Speaker 1: I noticed that as well. All right back on track, Yes,
• 5:32
  Speaker 1: time is moving quickly.
• 5:34
  Speaker 2: I love that little break, a little shout out for
• 5:37
  Speaker 2: expiration days. That just takes me to that one commercial.
• 5:42
  Speaker 2: I don't know if I think it's Geico, but they
• 5:44
  Speaker 2: always renew it. And it's when the aunt is at
• 5:47
  Speaker 2: the house of the Nissan her wife, I mean her husband,
• 5:52
  Speaker 2: and she's cleaning out the refrigerator and she's.
• 5:55
  Speaker 3: Like expired, expired. I love that.
• 5:58
  Speaker 2: And Maddie like, we've been following that commercial for years
• 6:01
  Speaker 2: and so whenever it comes on, she's like expired anyway,
• 6:08
  Speaker 2: all right, So Phaedra's like everybody knows. I'm chairman of
• 6:11
  Speaker 2: the usher board for Heaven.
• 6:18
  Speaker 1: Yes.
• 6:20
  Speaker 2: Homegoing. I don't know what a homegoing is, but that
• 6:23
  Speaker 2: sounds so southern to me. It's like, not even funny,
• 6:26
  Speaker 2: how southern that sounds? Yeah, really nice.
• 6:28
  Speaker 1: I have heard that term homecoming when it comes.
• 6:31
  Speaker 2: Home to she say homecoming or homegoing. It sounded like
• 6:34
  Speaker 2: a homegoing.
• 6:36
  Speaker 1: I'd maybe she did say homegoing back. I feel like
• 6:38
  Speaker 1: I've heard homecoming at funerals when I was back in Detroit,
• 6:42
  Speaker 1: where it'll be like we had a nice homecoming for him, right, Oh,
• 6:47
  Speaker 1: so interesting, it's you know, it's a goodbye.
• 6:50
  Speaker 3: Let me see here.
• 6:51
  Speaker 2: Home going service is a Christian memorial service, oh particularly
• 6:57
  Speaker 2: within the African American community, that celebrates the deceased going
• 7:01
  Speaker 2: home to heaven. It's a joyous occasion that focuses on
• 7:05
  Speaker 2: the belief that the person's soul has returned to God,
• 7:08
  Speaker 2: rather than a purely somber event. These services often incorporate music, singing, eulogies,
• 7:13
  Speaker 2: and tributes, and may be held in a church or
• 7:15
  Speaker 2: other place of worship. That makes so much sense. And
• 7:19
  Speaker 2: you know, I think the wording that we use now
• 7:23
  Speaker 2: is a more beautiful way to welcome in the next.
• 7:26
  Speaker 3: Life because.
• 7:29
  Speaker 2: Instead of like welcome out, it's like home going, like
• 7:33
  Speaker 2: you're going somewhere else. And remember when Phadri said, oh,
• 7:37
  Speaker 2: you were on the phone when she transitioned. It's not
• 7:40
  Speaker 2: like you're on the phone when she died. Yeah, it's
• 7:45
  Speaker 2: just a lighter It's so much better for like the
• 7:49
  Speaker 2: family to take that those words in than something that's
• 7:53
  Speaker 2: so abrupt to say, I don't know in those moments,
• 7:56
  Speaker 2: it feels like it's helpful.
• 7:57
  Speaker 1: I agree, you know, yeah, you need those little little
• 8:02
  Speaker 1: things to try to make someone feel better in the
• 8:05
  Speaker 1: most terrible time. It feels good to have a little
• 8:08
  Speaker 1: you know. Another tip I've heard, and it's difficult to do.
• 8:11
  Speaker 1: In fact, I just messed this up yesterday with a
• 8:14
  Speaker 1: friend of ours whose mom had passed. But you're not
• 8:17
  Speaker 1: supposed to say, let me know if I can do anything. Okay,
• 8:20
  Speaker 1: you know this because it's it's too open ended. Yeah,
• 8:24
  Speaker 1: when someone passes away, you don't say, let me know
• 8:27
  Speaker 1: if I can do anything. You say I would like to,
• 8:31
  Speaker 1: uh send a dinner, or I would like to like
• 8:36
  Speaker 1: you have to make it more specific. I guess I
• 8:38
  Speaker 1: like that offer something more, more more concrete.
• 8:42
  Speaker 2: I think that's great because even you know you're right,
• 8:45
  Speaker 2: no one's going to be like I mean, of course,
• 8:48
  Speaker 2: if someone's like, let me know if I can do anything,
• 8:50
  Speaker 2: it's always going to be you know, embraced as something nice.
• 8:53
  Speaker 3: But it is open ended and as.
• 8:57
  Speaker 1: Much pressure, like I'm supposed to call you and be
• 9:01
  Speaker 1: like Amy, I would like dinner tonight, yeah, which I
• 9:04
  Speaker 1: am every day all my f fired. I need someone
• 9:07
  Speaker 1: to help me, so yeah. Yeah. But also it's like,
• 9:12
  Speaker 1: I guess, yeah, that does make sense. It's like I'd
• 9:15
  Speaker 1: like to send you dinner on Wednesday? Is better? Yes,
• 9:20
  Speaker 1: or I'm available on Wednesday if you want to help
• 9:23
  Speaker 1: help going through stuff, you know what I mean? Like
• 9:26
  Speaker 1: like then it's just it's just like an improv as well,
• 9:30
  Speaker 1: you're you know, you want to be more specific there.
• 9:33
  Speaker 1: In general, is a little more pressure. If you say,
• 9:36
  Speaker 1: in an improv scene, what do you want to do tonight?
• 9:39
  Speaker 1: It's too much pressure on your partner. But if you say,
• 9:43
  Speaker 1: you know, tonight we're going bowling at the new Bowling
• 9:46
  Speaker 1: Galli owned by favor Bugs, it's worse specific.
• 9:50
  Speaker 2: Right, right, I'd like to get I'd like to put
• 9:54
  Speaker 2: together some gift bags for your your incoming out of
• 9:59
  Speaker 2: t guess that will be coming to.
• 10:01
  Speaker 1: The Yeah that's nice. Yeah, nice. I guess you have
• 10:05
  Speaker 1: unlimited budget, but yeah, it could work.
• 10:12
  Speaker 3: It's just all drama, darling swag.
• 10:15
  Speaker 2: It's just like, well, uh, you know, he doesn't even
• 10:19
  Speaker 2: listen to the Real Housewives or what.
• 10:21
  Speaker 1: No drama darling. He was killed in a very dramatic way.
• 10:25
  Speaker 1: I can't believe this.
• 10:30
  Speaker 3: Oh my god.
• 10:31
  Speaker 2: Okay, So anyway, you know, rip Tolandie, and it just
• 10:35
  Speaker 2: was so awful. And then you know, for for portion
• 10:39
  Speaker 2: to be like I said that this was gonna be
• 10:41
  Speaker 2: my year, and like the shit really hit the fan
• 10:44
  Speaker 2: with her.
• 10:45
  Speaker 3: I mean, it was bad. Let's go to Angela and
• 10:48
  Speaker 3: her therapist. Now this was very telling.
• 10:53
  Speaker 2: Because at one point, the therapist alludes to why Angela
• 10:58
  Speaker 2: doesn't or hasn't trusted Charles. She literally and I think
• 11:03
  Speaker 2: Angela really wanted to shut her down when she started
• 11:05
  Speaker 2: to do that, because she's like, well, I don't know
• 11:08
  Speaker 2: if I can, you know, trust him. I mean I
• 11:10
  Speaker 2: trust him, I don't know why. And then the therapist
• 11:12
  Speaker 2: is like, well, I mean because and she's like uh huh,
• 11:15
  Speaker 2: you know, I think she shut her down, like yeah,
• 11:17
  Speaker 2: there's a reason why you don't trust him, and.
• 11:21
  Speaker 1: She did monopoly, that's right, doctor. Yes, he always takes
• 11:26
  Speaker 1: money from the banker's room. That's correct.
• 11:30
  Speaker 3: Oh my god, the banker's room.
• 11:32
  Speaker 2: Yes, So you know she is talking about how he
• 11:36
  Speaker 2: warned her not to buy these properties. She didn't listen
• 11:39
  Speaker 2: to him. He will not dump any more money into them.
• 11:43
  Speaker 2: She if, in fact, these properties don't do well or
• 11:48
  Speaker 2: she's left with them it's going to ruin their marriage.
• 11:51
  Speaker 2: And it's bad, It's really bad. And it comes down
• 11:54
  Speaker 2: to these properties Angela has.
• 11:56
  Speaker 1: It comes down to these properties and other things.
• 11:58
  Speaker 3: Well, yeah, just you know, it's just the properties.
• 12:02
  Speaker 1: Otherwise they have a perfect marriage.
• 12:04
  Speaker 2: Yeah, but you know, she's like willing to talk about
• 12:06
  Speaker 2: the properties, but not the fact that he probably cheated
• 12:08
  Speaker 2: in the past, Like, it's not your fault about the properties,
• 12:10
  Speaker 2: he's cheated.
• 12:11
  Speaker 3: But also there's this business problem.
• 12:13
  Speaker 1: But I do think, man, she blew it, Like you know,
• 12:17
  Speaker 1: I get I get it. But when you added such
• 12:21
  Speaker 1: a financial strain, you know, like to you what marriage,
• 12:27
  Speaker 1: it's not good? Like no three? And then those properties
• 12:30
  Speaker 1: were a mess. Remember when they showed them to us
• 12:32
  Speaker 1: and the pool was empty.
• 12:33
  Speaker 3: I that's right, that pool. You were like, did you
• 12:36
  Speaker 3: see the pool?
• 12:37
  Speaker 2: Now that they are so bad and they need so
• 12:41
  Speaker 2: much money to even like get them back to one.
• 12:44
  Speaker 2: And not only that, but she's had to lower the prices.
• 12:47
  Speaker 2: She's never going to make her return. In the credits
• 12:50
  Speaker 2: to the end, we did see that she got rid
• 12:51
  Speaker 2: of two, probably for a very cheap price, and she
• 12:54
  Speaker 2: still has the one.
• 12:56
  Speaker 1: Oh so she always had three. That's what I wanted
• 12:58
  Speaker 1: to ask you she always had well in La those
• 13:01
  Speaker 1: would have gone in two seconds and for eight times
• 13:05
  Speaker 1: as much. You know, she thought she was doing something good,
• 13:09
  Speaker 1: so she did unload two. But didn't it say something.
• 13:12
  Speaker 1: I couldn't understand it. It kind of said like she
• 13:14
  Speaker 1: lost one.
• 13:16
  Speaker 3: Oh right, she.
• 13:19
  Speaker 1: Right?
• 13:20
  Speaker 3: Yeah, I think you're right she did. I'm sorry.
• 13:22
  Speaker 2: I think she said she lose it to the bank.
• 13:24
  Speaker 2: I think she lost it to the bank. I'm sorry,
• 13:27
  Speaker 2: I think it did say that.
• 13:29
  Speaker 1: I mean, I could be wrong, Lord knows, I was
• 13:32
  Speaker 1: at that point. My head was swimming from the entire episode.
• 13:35
  Speaker 2: I couldn't focus on what they were saying. At the end,
• 13:37
  Speaker 2: I was like, you guys, you went five months later.
• 13:40
  Speaker 2: We escalated so fast at the end. Why couldn't you
• 13:43
  Speaker 2: have given this to us sooner?
• 13:45
  Speaker 3: It just was a lot.
• 13:46
  Speaker 1: Yeah, it was a lot, and like, all right, let's
• 13:48
  Speaker 1: just keep going in order. Okay, So you know this
• 13:51
  Speaker 1: is good. Though I liked the therapist.
• 13:53
  Speaker 3: And yeah, therapist was good. And then she should go
• 13:55
  Speaker 3: bad for Angel.
• 13:56
  Speaker 1: I must say, just to close that threat about the therapist,
• 14:00
  Speaker 1: her life is very difficult and in a very sad place,
• 14:05
  Speaker 1: and her first season brought much embarrassment to her, and
• 14:09
  Speaker 1: we also know her family isn't getting along. Just yikes.
• 14:12
  Speaker 2: You know, yeah, there was that foreclosure of one of
• 14:17
  Speaker 2: the properties for sure, because Phajer brought that up at
• 14:19
  Speaker 2: the end.
• 14:20
  Speaker 3: Remember, so you're right.
• 14:21
  Speaker 1: That's what I'm saying. She lost one geez.
• 14:23
  Speaker 2: Okay, So Shemiah's an unbelievable event with the eighteen costume changes.
• 14:30
  Speaker 1: Whoop she was on it? How much money? Who was
• 14:35
  Speaker 1: the one of the house I've shaded her? They're like,
• 14:37
  Speaker 1: this must have cost a fortune.
• 14:39
  Speaker 2: Yeah, it was a proper event, one that many housewives
• 14:43
  Speaker 2: could not do or pull off.
• 14:45
  Speaker 1: Yeah no, but listen one song bullshit Sina, one dancing
• 14:53
  Speaker 1: song bullshit?
• 14:54
  Speaker 3: I mean you already know no love? Oh wait, how
• 14:58
  Speaker 3: about that one part?
• 15:00
  Speaker 2: And Drew was like, as the resident singer of this group,
• 15:02
  Speaker 2: I'm just going to show up just to make sure
• 15:04
  Speaker 2: her mic is working. And when they're like as the
• 15:06
  Speaker 2: resident singer, they flash back to her singing to Ralph
• 15:10
  Speaker 2: at the reunion.
• 15:13
  Speaker 1: I must say that flashback was shady as hell. But
• 15:15
  Speaker 1: also I remember that and I remember thinking, what is
• 15:20
  Speaker 1: this life? Who is Ralph? How dumb do you have
• 15:23
  Speaker 1: to be to sit on a reunion and let someone
• 15:25
  Speaker 1: sing a song about what a fuck up you are
• 15:28
  Speaker 1: and also who at Bravo was like I love this.
• 15:34
  Speaker 1: Wheel out the mic and let her sing how much
• 15:37
  Speaker 1: she hates her husband on the reunion. It's so great.
• 15:40
  Speaker 1: This life is so great, Like if I was Ralph,
• 15:42
  Speaker 1: that would be my Like, that's the moment in the
• 15:44
  Speaker 1: movie where it's like, yep, this is me. You know,
• 15:47
  Speaker 1: it's like, this is me. I'm getting a breakup song
• 15:52
  Speaker 1: sung to be on a reunion of a cable network
• 15:55
  Speaker 1: television show. She's like, you never loved me, you never cared.
• 16:02
  Speaker 1: The camera just panted. But he's like.
• 16:11
  Speaker 3: The irony of that moment? Was it the end?
• 16:13
  Speaker 2: And he's like, so, what did you think about that?
• 16:16
  Speaker 2: And he's like, I loved it.
• 16:17
  Speaker 3: It was great seeing.
• 16:19
  Speaker 2: Her saying I was like, you guys are something else.
• 16:22
  Speaker 2: They are such a piece of work. He finally crawled
• 16:26
  Speaker 2: out of that basement and got to sit at the piano,
• 16:30
  Speaker 2: and you know they're setting up that shot because they're
• 16:32
  Speaker 2: both just like, oh yeah, well, we'll just we'll just
• 16:35
  Speaker 2: act like we're now friends at the end at the
• 16:36
  Speaker 2: end of the season. You know, we were friends at
• 16:38
  Speaker 2: the beginning of the season. Now the end of the season,
• 16:40
  Speaker 2: we're going to wrap it up and we're just going
• 16:42
  Speaker 2: to be cordial and respectful. And then and I wonder
• 16:46
  Speaker 2: when that was shot, you know, I mean that was
• 16:48
  Speaker 2: probably shot months after they wrapped where they're like, all right,
• 16:51
  Speaker 2: we need to like wrap up your story, so let's
• 16:53
  Speaker 2: just get Ralph out of the basement.
• 16:55
  Speaker 1: And she is so passive aggressive. I was like, of
• 17:03
  Speaker 1: course you can see them if you'd like to ask
• 17:05
  Speaker 1: for permission, and all the cameras are like you right
• 17:09
  Speaker 1: over to him, and he's like, ragg I'd like to
• 17:19
  Speaker 1: come up from the basement if I may get a
• 17:21
  Speaker 1: piece of cheese out of the refrigerator.
• 17:24
  Speaker 3: Oh good, I'm glad you asked for permission. I'll allow it.
• 17:30
  Speaker 1: Oh my god. Ralph has disaster of Leta are current disasters.
• 17:38
  Speaker 3: They really are.
• 17:39
  Speaker 2: And the fact that like Drew really leans into this
• 17:42
  Speaker 2: because her storyline was very light this season. I mean,
• 17:45
  Speaker 2: she was barely.
• 17:46
  Speaker 1: There Dennis Dennis in the beginning, I.
• 17:49
  Speaker 2: Know, but it was like because of that, she was
• 17:51
  Speaker 2: pushed aside and not included, and then you know she was.
• 17:56
  Speaker 3: She would come in and out.
• 17:57
  Speaker 2: It just felt like she wasn't a full how wife
• 18:00
  Speaker 2: this season in a way, but she had a strong
• 18:03
  Speaker 2: thread of drama going on and yet not a heavy
• 18:08
  Speaker 2: amount of camera time. You know, it didn't equal out.
• 18:10
  Speaker 2: It was strange. I actually wanted more Drew. That's I
• 18:13
  Speaker 2: leave this season saying I wanted more Drew. She is
• 18:17
  Speaker 2: such a character and fun to watch because of the
• 18:20
  Speaker 2: absurdity and you know, so having her and Ralph at
• 18:25
  Speaker 2: the end be like, well, I just want to be friends.
• 18:27
  Speaker 3: Yeah, let's just be chill.
• 18:28
  Speaker 2: Let's we're friends. Okay, cool, And then you know cameras
• 18:31
  Speaker 2: are down and they're just probably ripping each other's faces off.
• 18:33
  Speaker 1: But whatever, okay, disaster, disaster, Careful who you marry?
• 18:38
  Speaker 3: Darlings, darlings.
• 18:41
  Speaker 2: So at Shimiya's event, Britt really comes for Samia about Porscha,
• 18:50
  Speaker 2: and then she brings up her daughter in the end, like, oh,
• 18:53
  Speaker 2: did you see your daughter after Miami or you went
• 18:55
  Speaker 2: to Miami after they went to Grenada. She brought up
• 18:59
  Speaker 2: she went so low about remember when her daughter.
• 19:03
  Speaker 1: Was Are you kidding me? Yes, Britt, Britt is.
• 19:05
  Speaker 3: This is sorry?
• 19:08
  Speaker 1: Go ahead, No, you're right. I don't know what to
• 19:10
  Speaker 1: say about it. Of course I remember it. It's a
• 19:12
  Speaker 1: fucking nightmare. Britt is so not versed in how to
• 19:17
  Speaker 1: do this show. It has been a glaring all season
• 19:22
  Speaker 1: long to us what the problem is here and for
• 19:27
  Speaker 1: her to to when she feels attacked, she comes with
• 19:31
  Speaker 1: the big guns in a very non television way. And
• 19:37
  Speaker 1: after the show she was actually blindsided Britt obviously because
• 19:43
  Speaker 1: she was like, good job, like she was happy for her,
• 19:47
  Speaker 1: and then she was like, I don't appreciate what you
• 19:50
  Speaker 1: revealed to Portia. And then she's like, and that's not
• 19:54
  Speaker 1: even true, which and now I hate to say it,
• 19:56
  Speaker 1: but I have to give this one to Britt. I
• 19:58
  Speaker 1: guarantee you show me a s showed her those texts.
• 20:00
  Speaker 1: I do too.
• 20:01
  Speaker 3: I was like, oh my god, who am I going
• 20:03
  Speaker 3: to believe?
• 20:03
  Speaker 2: And I just thought Britt, I shouldn't believe her, but
• 20:07
  Speaker 2: I believe her.
• 20:08
  Speaker 1: I believe her. Okay, now I believe her. Now there
• 20:10
  Speaker 1: was a second part that maybe I don't believe. I
• 20:12
  Speaker 1: think she probably exaggerated it. But I guarant fucking tea
• 20:16
  Speaker 1: that Sami has showed Kelly and Britt the text threat
• 20:21
  Speaker 1: to try to prove a point about porsia, which Samiah
• 20:25
  Speaker 1: big mistake, huge shouldn't have done that. Don't show these
• 20:31
  Speaker 1: new housewives. They need storylines. They're grasping at straws. You
• 20:38
  Speaker 1: don't mess with people's money, and so people that are
• 20:41
  Speaker 1: on a housewife's show want that check. So they're going
• 20:47
  Speaker 1: to look for the drama and don't bring it to
• 20:50
  Speaker 1: their doorsteps. So that was terrible. So point to brit
• 20:54
  Speaker 1: on the fact that Shmiad definitely showed her the text messages.
• 20:57
  Speaker 1: In my opinion, point taken away, Okay, when you go
• 21:01
  Speaker 1: so low to mention how doing shots when your daughter
• 21:05
  Speaker 1: is sick, no.
• 21:06
  Speaker 3: Way disgusting that you can't come back from that.
• 21:11
  Speaker 2: And then flash back to when she was in Grenada
• 21:14
  Speaker 2: and she put on that show where she was like,
• 21:16
  Speaker 2: I'm your sister, I'm here, I'll be here no matter what.
• 21:20
  Speaker 2: And then it just went too long, you know.
• 21:23
  Speaker 1: Because BRIT's Yeah, because she's tried too harder. I don't know,
• 21:29
  Speaker 1: she's she's not good and she's trying to be it.
• 21:35
  Speaker 1: She wants to be a housewife, she wants to be
• 21:37
  Speaker 1: successful on the show. She she can't do it, she
• 21:40
  Speaker 1: doesn't know how to do it.
• 21:42
  Speaker 2: She shouldn't have been here, she should have Kenya should
• 21:45
  Speaker 2: have just been like not done that, and then they
• 21:47
  Speaker 2: could have gotten rid of brit after a Brit made
• 21:50
  Speaker 2: those threats with the gun with.
• 21:52
  Speaker 1: The gun and then by the way, welcome her out
• 21:57
  Speaker 1: when she's like, you're the one who threads people the guns.
• 22:00
  Speaker 2: I was like, I'm glad that that finally circled back,
• 22:05
  Speaker 2: Like everybody, just let that go. It's I don't know
• 22:09
  Speaker 2: if they were told, like, don't mention all any of
• 22:11
  Speaker 2: this at all for the rest of the season, but
• 22:13
  Speaker 2: it is strange that nobody talked about Kenya at all,
• 22:19
  Speaker 2: what happened, that she wasn't around because of what because
• 22:24
  Speaker 2: of what she did to brit no one brought it up.
• 22:26
  Speaker 2: And I think it was because out of loyalty to Kenya,
• 22:30
  Speaker 2: because they didn't want to like shine any more light
• 22:32
  Speaker 2: on it. I can't understand another reason why unless they
• 22:36
  Speaker 2: told them not to talk about that, but they could
• 22:38
  Speaker 2: have talked about it.
• 22:40
  Speaker 1: Do you think they do that? Do you think there's
• 22:43
  Speaker 1: like an episode memo that goes from production to the housewives,
• 22:47
  Speaker 1: like good work everyone, but we got to stop bringing
• 22:50
  Speaker 1: up the gun a little bit and more titty from you, Phedra.
• 22:54
  Speaker 1: I don't know, but probably not, but maybe I don't know,
• 22:57
  Speaker 1: but yeah.
• 22:57
  Speaker 2: Yeah, they have parameters. I would absolutely think they do.
• 23:00
  Speaker 2: Especially with them it comes to legal they probably have
• 23:02
  Speaker 2: a lot of legal ram a lot of legal parameters.
• 23:08
  Speaker 1: Thank you.
• 23:09
  Speaker 2: The brain fog is real, y'all's well of us, Okay.
• 23:18
  Speaker 2: I also want to mention that the reason why I
• 23:22
  Speaker 2: fully believe that Shamia showed them the text is because
• 23:25
  Speaker 2: from the jump she went to all the New Housewives
• 23:28
  Speaker 2: talking about how she wasn't getting along with Porsha and
• 23:30
  Speaker 2: how she feels like she's in her shadow from day
• 23:32
  Speaker 2: one since she got on this show, and she was like,
• 23:34
  Speaker 2: Porsha doesn't want me on this show. It's like, of
• 23:36
  Speaker 2: course we believe her, and Shimiya, are you gonna flat
• 23:39
  Speaker 2: out lie to all of us right now?
• 23:41
  Speaker 1: Yeah? But that's the thing. Shemiya is definitely lying about
• 23:44
  Speaker 1: the text, and you could see it happening. But there
• 23:47
  Speaker 1: was another thing that I don't think she was lying
• 23:49
  Speaker 1: about that I think Britt was lying about. I can't
• 23:52
  Speaker 1: remember now, of course, because my brain was self filled
• 23:54
  Speaker 1: with this episode's delights, but I definitely think that like
• 23:58
  Speaker 1: Shamia is like like basically to me is like I
• 24:01
  Speaker 1: never spoke to you. Not true, and I never showed
• 24:03
  Speaker 1: you these text messages come on. But then there was
• 24:06
  Speaker 1: one thing where I was like, okay, I can't remember.
• 24:08
  Speaker 2: Yeah, it was like we were in a we were
• 24:11
  Speaker 2: in a hot air balloon and you said to me,
• 24:14
  Speaker 2: it's like, I'm not sure about that.
• 24:16
  Speaker 1: Yeah, but that that mentioning her daughter being sick is
• 24:21
  Speaker 1: very close to saying Kelly had abortions. I Amy, you
• 24:25
  Speaker 1: know this very well. I don't like people putting business
• 24:30
  Speaker 1: out into these streets.
• 24:31
  Speaker 3: Not when it comes.
• 24:32
  Speaker 2: It goes so low, like so low, so needs to
• 24:37
  Speaker 2: just pull it back. It's it's really bad how low
• 24:40
  Speaker 2: she goes and how fast she'll do it.
• 24:42
  Speaker 1: She pulled herself right on out, didn't she because she
• 24:45
  Speaker 1: knew it.
• 24:45
  Speaker 3: Yeah, she, she sure did. And we're leaving. Okay, we're
• 24:49
  Speaker 3: going to have a scene with my family and Mike's family.
• 24:52
  Speaker 1: You know.
• 24:52
  Speaker 2: I mean that was also weird. I mean I guess
• 24:56
  Speaker 2: I should say what.
• 24:58
  Speaker 1: Oh, go ahead, I don't know what that was either.
• 25:01
  Speaker 3: Yeah, that was very odd.
• 25:03
  Speaker 2: Okay, we're gonna take a very quick break and then
• 25:06
  Speaker 2: we'll talk about the strange like family get together.
• 25:09
  Speaker 1: But i'llso talk about Page's new honey.
• 25:12
  Speaker 2: Yeah, Okay, we are back talking the Real Housewives of
• 25:17
  Speaker 2: Atlanta and I am with Jamie Moyer Jamels, So we'll
• 25:22
  Speaker 2: talk about Phaedra and Chi Chi at the vineyard.
• 25:26
  Speaker 1: Oh so love this Chee Chee guy. And that's also
• 25:30
  Speaker 1: the name of my most beloved rested peace at her
• 25:33
  Speaker 1: homegoing chee Chi La La. Oh my god, I love
• 25:40
  Speaker 1: ch ch yes Amy and chee Chi La La best ties.
• 25:45
  Speaker 3: Oh my gosh.
• 25:46
  Speaker 2: Remember we had that photo shoot when we were doing
• 25:48
  Speaker 2: our show Sweet and Salty and we went to the
• 25:53
  Speaker 2: park and Los Filas the God Now I can't even
• 25:56
  Speaker 2: remember the name.
• 25:57
  Speaker 3: It was that huge.
• 25:58
  Speaker 1: It's called Disneyland. It wasn't that. I'm gonna show a
• 26:05
  Speaker 1: picture to those Tier two darlings.
• 26:09
  Speaker 3: The drama mamas. Oh my gosh, look how cute she is.
• 26:13
  Speaker 1: She was so cute. She would just let you just
• 26:16
  Speaker 1: carry her around in your arms like a little baby,
• 26:21
  Speaker 1: My sweet little chee Chi La La. So anyway, when
• 26:24
  Speaker 1: he said his name was Chee Chee I said, adorable.
• 26:27
  Speaker 1: Remind me of my Chee Chi La La.
• 26:29
  Speaker 3: Yeah.
• 26:29
  Speaker 2: I think they met on married to Medicine. Remember when
• 26:32
  Speaker 2: was on married to med So that's what that footage was.
• 26:36
  Speaker 2: Did you remember that when they met.
• 26:38
  Speaker 1: I never I. I didn't know what that was. I
• 26:41
  Speaker 1: just thought it was some kind of a fancy dinner.
• 26:43
  Speaker 1: So they met on Married to med Interesting. Yeah, and
• 26:46
  Speaker 1: you saw that episode? Did you think I didn't see it? Eight?
• 26:49
  Speaker 2: I missed that whole season. I actually need to go
• 26:51
  Speaker 2: back and watch that. I think I might do that
• 26:53
  Speaker 2: over the Christmas break, because that was during a time
• 26:56
  Speaker 2: in which, well, like many times in the drama Darling World,
• 27:01
  Speaker 2: when we had an embarrassment of shows on and they
• 27:04
  Speaker 2: always do that with Mary to Med is that they
• 27:09
  Speaker 2: shovel all these shows in at one time, and there
• 27:12
  Speaker 2: are too many to keep up with. So I ended
• 27:15
  Speaker 2: up not watching it at all, which was bad on I.
• 27:19
  Speaker 1: You know, I don't know how you do what you do.
• 27:21
  Speaker 1: I swear, there's so much content. I'm gonna put this
• 27:26
  Speaker 1: phone away with Chi chi la la. I couldn't find
• 27:27
  Speaker 1: the picture of me and you and Chee chee. But
• 27:29
  Speaker 1: look what I did find.
• 27:30
  Speaker 3: Oh my parents, Oh my gosh, look how young they look.
• 27:34
  Speaker 1: Wow they look the same. Your parents look the same.
• 27:37
  Speaker 1: Ever I've ever seen it, Okay, put in my phone up. Yeah,
• 27:40
  Speaker 1: Married in Medicine, I've never seen that one episode, you know,
• 27:42
  Speaker 1: I dedicate my life to watching the episodes of the
• 27:46
  Speaker 1: shows that you and I discussed.
• 27:48
  Speaker 3: Dedicate your life, I dedicate my life to it.
• 27:52
  Speaker 1: I dedicate my life. But I have to say, there's
• 27:56
  Speaker 1: been times where you've given me a pass on certain shows.
• 27:58
  Speaker 1: And there's just a certain shows is that I just
• 28:00
  Speaker 1: don't ever want to watch. But one that I do
• 28:03
  Speaker 1: think I need to watch. It's not Married to med
• 28:05
  Speaker 1: It's the below Decks. Oh yeah, you never watched them. Yeah,
• 28:10
  Speaker 1: and you told me I should watch Potomac, Potomac, Potomac.
• 28:17
  Speaker 3: No, that's right, you're right. I guess we're from Michigan.
• 28:20
  Speaker 1: Potomac. You told me, let me put the Michigan pot
• 28:24
  Speaker 1: You told me I needed to watch Potomac.
• 28:27
  Speaker 3: Yes, watch Botanic.
• 28:30
  Speaker 1: But you still stand by that. Oh yes, oh one
• 28:36
  Speaker 1: episode one?
• 28:37
  Speaker 3: No, I don't know if you need to go back
• 28:38
  Speaker 3: that far.
• 28:40
  Speaker 1: We'll discuss, okay, I mean, look, I mean we talk
• 28:44
  Speaker 1: about on her office. We dedicate our lives.
• 28:47
  Speaker 2: Phedra and Chee che You know they met like four
• 28:50
  Speaker 2: months ago. She's loving it, he's younger. It's great. Happy
• 28:54
  Speaker 2: for them. Uh now, let's talk about this strange brit
• 28:58
  Speaker 2: and Mike family get together they got married during COVID,
• 29:02
  Speaker 2: so both their families never came together to meet. Here
• 29:06
  Speaker 2: we are, like four years later, and now both sides
• 29:09
  Speaker 2: are coming together to meet for what will be what
• 29:14
  Speaker 2: they're gonna get married again with everybody?
• 29:17
  Speaker 1: Sounds like it, okay, okay.
• 29:20
  Speaker 2: I think she was waiting to see if she'd be
• 29:22
  Speaker 2: on the show so she could have her wedding on
• 29:24
  Speaker 2: the show.
• 29:24
  Speaker 3: That's what it sounds like.
• 29:25
  Speaker 1: Could be. Could be She's so delusional. Perhaps she thinks
• 29:28
  Speaker 1: she'll get an offshoot show.
• 29:30
  Speaker 3: No, I don't know.
• 29:31
  Speaker 1: It's such a strange dynamic with that they are married party.
• 29:35
  Speaker 1: I know, I know they are married, but it's like
• 29:37
  Speaker 1: the dynamic with them is bizarre. The party was a
• 29:41
  Speaker 1: little I get. I thought the party actually looked kind
• 29:43
  Speaker 1: of fun and everybody was having a good time. But
• 29:45
  Speaker 1: it's like, why don't they all know each other? What
• 29:48
  Speaker 1: is going on with their.
• 29:51
  Speaker 3: No one's talking, you know who? The common denominator and
• 29:54
  Speaker 3: all this is dam.
• 30:03
  Speaker 2: I mean, yeah, yeah, her whole family has a problem
• 30:06
  Speaker 2: with her. All of her sisters do, and sometimes they don't.
• 30:10
  Speaker 2: But somehow they magically were able to like get out
• 30:14
  Speaker 2: of that and come and be with her on camera,
• 30:17
  Speaker 2: it's not giving good vibes.
• 30:19
  Speaker 1: It's not giving good vibes. And there's something there with
• 30:22
  Speaker 1: her that is just a click off for me. And
• 30:25
  Speaker 1: I've said it from moment one. Yeah, it's not that
• 30:28
  Speaker 1: I don't like her. It's not that I just think
• 30:31
  Speaker 1: she is a former video vixen who is attempting to
• 30:44
  Speaker 1: rebrand and was trying to use the show to project
• 30:48
  Speaker 1: a housewife's image while having many secrets in her marriage,
• 30:54
  Speaker 1: perhaps skeletons in her closet, perhaps a pill pro allegedly
• 31:04
  Speaker 1: not knowing how to do the things, the donations, the events.
• 31:08
  Speaker 1: I mean, it was a disastrous season for her. I
• 31:11
  Speaker 1: wanted her to succeed. It was rough.
• 31:14
  Speaker 2: I I didn't really I was like the second that
• 31:17
  Speaker 2: she said the gun thing, I was like, what do
• 31:20
  Speaker 2: we you should be leaving with.
• 31:22
  Speaker 3: Kenya Like, h you're right.
• 31:24
  Speaker 2: So I really had a hard time sticking in there
• 31:29
  Speaker 2: with her. So none of it really surprises me. I
• 31:31
  Speaker 2: just think she's a real wash. She should not come
• 31:33
  Speaker 2: back next season. What do you think?
• 31:34
  Speaker 1: One hundred percent not coming back? And I think that
• 31:37
  Speaker 1: by her walking out that way. One of the realest
• 31:40
  Speaker 1: moments on this entire season was when she had enough
• 31:44
  Speaker 1: and she was like, take this bullshit off of me.
• 31:46
  Speaker 1: And I was like, there she is. That's a real person.
• 31:48
  Speaker 2: She's like, Yeah, let's actually lean into what is somewhat
• 31:52
  Speaker 2: real for you.
• 31:54
  Speaker 1: Right. That's a big problem I'm noticing both on this show,
• 31:57
  Speaker 1: and I think a little bit with Love Island.
• 32:00
  Speaker 3: Absolutely love.
• 32:00
  Speaker 1: When people know they're going to be on TV, they
• 32:04
  Speaker 1: are they're not giving us the realness and it leaks through.
• 32:08
  Speaker 1: And that's why you need to not be that way.
• 32:10
  Speaker 1: You just need to forget about the cameras. Remember what
• 32:12
  Speaker 1: I said when I recapped Valley episode one, season one,
• 32:17
  Speaker 1: Everyone head on over on the patreot. I mean, you
• 32:21
  Speaker 1: archived these episodes. But the point is, I said, this
• 32:25
  Speaker 1: show is amazing because those new people Michelle jan At, Jason, Zach,
• 32:32
  Speaker 1: they don't know what they're on and so they're they're
• 32:35
  Speaker 1: letting it all hang out. Michelle Jesse, they were having
• 32:38
  Speaker 1: the most real fights you've ever seen. There was no
• 32:40
  Speaker 1: bullshit for the cameras. Mike and Britt. I wouldn't be
• 32:44
  Speaker 1: surprised if their house had a facade on it that
• 32:47
  Speaker 1: fell over and showed a different house. It was all
• 32:49
  Speaker 1: just It reminds me amy of when my mom and
• 32:52
  Speaker 1: I were selling the house and we loaded everything into
• 32:55
  Speaker 1: the garage because we had to have the pictures taken.
• 32:57
  Speaker 1: It was like three helpers and we loaded every think
• 33:00
  Speaker 1: into the garage. And it was like the moment in
• 33:03
  Speaker 1: Risky Business where he buys back all this stuff from
• 33:05
  Speaker 1: his mom's house and they like throw the Faberge egg.
• 33:08
  Speaker 1: They were like closing the garage on what looked like
• 33:11
  Speaker 1: the most chaotic home you could ever see. And then
• 33:14
  Speaker 1: my mom would walk through the house every day. I'd
• 33:16
  Speaker 1: be like, this is the house I've always wanted. Yeah,
• 33:18
  Speaker 1: but you have too much shit.
• 33:20
  Speaker 3: It's all in the garage.
• 33:21
  Speaker 2: Yeah, totally, that is the Yes, that's perfect, perfect analogy,
• 33:28
  Speaker 2: Absolutely brilliant.
• 33:29
  Speaker 3: I mean it's true.
• 33:30
  Speaker 2: And I think they're all like I mean not a
• 33:33
  Speaker 2: lot of housewives that come in nowadays are like that.
• 33:36
  Speaker 2: You know, they've got their rented houses, they have questionable money.
• 33:42
  Speaker 2: We're not sure what they're what they're bringing to the table.
• 33:44
  Speaker 2: It's all a facade. And and then and here we yeah,
• 33:49
  Speaker 2: absolutely so who called who a lady of the of
• 33:53
  Speaker 2: the evening, Lady of the night was?
• 33:54
  Speaker 3: It was it Shemiah.
• 33:57
  Speaker 1: To britt I believe so amazing.
• 34:01
  Speaker 2: I mean, I gotta say, because I do love the
• 34:03
  Speaker 2: term lady of the evening, and I mean.
• 34:05
  Speaker 1: Classy term for a sports That's the thing at the base.
• 34:12
  Speaker 1: All of the housewives know that Britt was a video girl,
• 34:15
  Speaker 1: and we all know what that means.
• 34:18
  Speaker 3: We do.
• 34:20
  Speaker 2: Now, let's talk about this freaking Oakley Foundation event. Wow,
• 34:28
  Speaker 2: this really blew the wheels off the entire series. Like
• 34:33
  Speaker 2: I we got basically Charles Oakley losing his shit on
• 34:38
  Speaker 2: some guy, some random guy that showed up at a
• 34:40
  Speaker 2: Williams Sonoma and we're trying to track it down to
• 34:43
  Speaker 2: who it is. And the amount of screen time that
• 34:45
  Speaker 2: Marcus got was more than Kenya this season.
• 34:50
  Speaker 3: I was shocked. He's gonna be a season. He's gonna
• 34:53
  Speaker 3: be at the third reunion.
• 34:55
  Speaker 1: I have they need to bring him in, but also
• 34:58
  Speaker 1: not I haven't. I couldn't wait when I was watching
• 35:01
  Speaker 1: this last night at four AM or whatever the heck
• 35:04
  Speaker 1: I did, because you know I have crazy hours. Yes,
• 35:06
  Speaker 1: I was like, I can't wait to get Amy's take
• 35:10
  Speaker 1: on this Marcus thing. We have to unpack both the
• 35:13
  Speaker 1: Marcus thing at the Phedra accusal, Where would you like
• 35:18
  Speaker 1: to begin.
• 35:20
  Speaker 3: The Marcus thing absolutely all right, Yeah, so he.
• 35:25
  Speaker 1: Marcus at Williams Sonoma felt like the oddest thing I've
• 35:31
  Speaker 1: ever seen in the first place, right, we know, Yeah,
• 35:35
  Speaker 1: that felt weird as hell.
• 35:37
  Speaker 3: It felt weird as hell.
• 35:38
  Speaker 2: We loved him coming up eating the waffle and just
• 35:41
  Speaker 2: being like, can I pull you for a second?
• 35:44
  Speaker 1: Sure, Jeremiah, what the fuck?
• 35:46
  Speaker 2: Just like going all Bachelor Love Island, I'm gonna pull
• 35:50
  Speaker 2: you because I really feel like I haven't never quick.
• 35:52
  Speaker 2: I'm exploring, so like I'm not like locked down. I
• 35:55
  Speaker 2: didn't close it up, So I just need to talk
• 35:57
  Speaker 2: to you about some tea. And this guy moving about
• 36:01
  Speaker 2: bobbing and weaving in between the housewives and Charles Oakley
• 36:05
  Speaker 2: at William's Sonoma and then entering into this event like
• 36:10
  Speaker 2: like he was on a red carpet and being delivered.
• 36:14
  Speaker 2: So when they basically are like yes or he says
• 36:17
  Speaker 2: to everybody, I saw Charles Oakley in my restaurant with
• 36:23
  Speaker 2: women twice.
• 36:25
  Speaker 3: And this was in June.
• 36:26
  Speaker 2: And we find out from angel at least in her confessional,
• 36:29
  Speaker 2: it's impossible he was coaching at that time. He was
• 36:32
  Speaker 2: out of town, and Ben Angela is like, who brought
• 36:37
  Speaker 2: you to this event, like, or who put you at
• 36:40
  Speaker 2: william Sonoma?
• 36:41
  Speaker 3: Who pinned you?
• 36:42
  Speaker 2: Who placed you? Who dropped you at william Sonoma? Like
• 36:46
  Speaker 2: who was this?
• 36:47
  Speaker 1: Well? And also, let's talk about the meeting with Marcus.
• 36:51
  Speaker 1: This is where I almost felt like, did Angela set
• 36:54
  Speaker 1: this up to herself?
• 36:56
  Speaker 3: Like she sures had did Who.
• 36:58
  Speaker 1: Meets with this guy a camera and the guy goes, yeah,
• 37:02
  Speaker 1: I saw him in my restaurant and she's like, no,
• 37:04
  Speaker 1: you didn't.
• 37:05
  Speaker 3: He's right, You're right, I didn't someone you're looking for.
• 37:10
  Speaker 1: Yeah, someone hired me to do this. It was all
• 37:12
  Speaker 1: This was the most I'm gonna say it. This probably
• 37:16
  Speaker 1: is one of the most bizarre moments in housewife history.
• 37:21
  Speaker 1: This Marcus conundrum, the oddity of it is palpable from
• 37:28
  Speaker 1: from start to finish. That lu as weird as fuck too.
• 37:33
  Speaker 2: It's weird as hell. And then we're going back in
• 37:36
  Speaker 2: time so we're seeing it with a filter, so that
• 37:41
  Speaker 2: but it looks to me it smells of who's going
• 37:44
  Speaker 2: to pay me the most money to tell their story?
• 37:48
  Speaker 2: You know, because whoever got him there in the first place,
• 37:51
  Speaker 2: he was probably bribed to do it, or he reached
• 37:55
  Speaker 2: out to someone and said, you know, he was in
• 37:57
  Speaker 2: some dms and he saw Charles Oakley there at some time,
• 38:00
  Speaker 2: and then it turned into he was.
• 38:02
  Speaker 3: There in June.
• 38:03
  Speaker 2: Yeah, and now Angela's like, I'm desperate. I have to
• 38:07
  Speaker 2: pay you off because I can't lose my marriage and
• 38:10
  Speaker 2: I can't I have too many properties. And maybe he
• 38:14
  Speaker 2: decided to have empathy towards her and he switched allegiances
• 38:18
  Speaker 2: and then was like, I will show up and apologize
• 38:21
  Speaker 2: to Charles Oakley in person on camera, and Charles couldn't
• 38:25
  Speaker 2: even let him speak on it, and so he had
• 38:27
  Speaker 2: to yell his apologies.
• 38:30
  Speaker 1: That was not sane, unhinged. You know, Marcus, is anyone
• 38:35
  Speaker 1: who knows that Housewives are filming? We've seen this part
• 38:38
  Speaker 1: of it before. Yeah, when people want to go on camera,
• 38:42
  Speaker 1: like remember there was like a Salt Lake party where
• 38:44
  Speaker 1: some drunk one was like, yeah, get out him. Like
• 38:46
  Speaker 1: they want to be on camera. Strangers want to be
• 38:48
  Speaker 1: on camera. They want to be like here's me on
• 38:50
  Speaker 1: the Housewives confronting Jen Shaw like they they everyone in
• 38:54
  Speaker 1: this world, I hate to say, thinks they're the main
• 38:56
  Speaker 1: character of their own story. So they know there's cameras
• 38:58
  Speaker 1: in town. Let's go popop on them. I get it,
• 39:01
  Speaker 1: but there's this one when it clicks too far.
• 39:05
  Speaker 2: Yeah it went yeah, go ahead, go ahead, now you
• 39:11
  Speaker 2: go ahead.
• 39:12
  Speaker 3: I want to hear what you have to say.
• 39:13
  Speaker 1: Welcome in the most disturbing thing about this that I
• 39:18
  Speaker 1: have to know now, is is it even possible that
• 39:22
  Speaker 1: it was Vadra.
• 39:23
  Speaker 3: If this is.
• 39:26
  Speaker 1: I don't think it's.
• 39:28
  Speaker 2: Almost too on the nose, because if she did do
• 39:32
  Speaker 2: this dirty work, we can know we did all this
• 39:36
  Speaker 2: heavy lifting to allow her back into our lives. And
• 39:40
  Speaker 2: if this is how she's going to repay us, we're screwed.
• 39:43
  Speaker 3: If this is true.
• 39:44
  Speaker 1: I know we're screwed if this is true. And I'll
• 39:47
  Speaker 1: have to tell you if this is true, I'm done
• 39:49
  Speaker 1: with Fadra. I gave her a second chance when she
• 39:53
  Speaker 1: betrayed Candy, my favorite, one of my top three favorite housewives,
• 39:57
  Speaker 1: and what she did with that first thing was so
• 40:02
  Speaker 1: dirty and nasty. Now this is just dumb, And if
• 40:07
  Speaker 1: Fadra did this, it shows me that Fadra is one
• 40:11
  Speaker 1: of the fakest humans on earth, that all she cares
• 40:14
  Speaker 1: about is manufacturing dumb storylines on a show that she
• 40:17
  Speaker 1: already is interesting enough. And I'll be very upset Amy
• 40:20
  Speaker 1: if it's true.
• 40:21
  Speaker 3: I will be as well.
• 40:23
  Speaker 2: And I think that when you make the blanket statement,
• 40:28
  Speaker 2: if this is true, Fadra is the fakest person I
• 40:31
  Speaker 2: would say that she. Uh. I don't mean to sound
• 40:34
  Speaker 2: this as an insult against because I don't want to
• 40:37
  Speaker 2: go against her without knowing, but I think across the board,
• 40:40
  Speaker 2: she hasn't been the most real housewife this entire time regardless,
• 40:44
  Speaker 2: So it wouldn't necessarily be shocking because she has had
• 40:48
  Speaker 2: a facade this whole time. The reason why she gets
• 40:50
  Speaker 2: away with it is because she's so fun charming and
• 40:54
  Speaker 2: funny and smart and witty and entertaining, so like that
• 40:58
  Speaker 2: is her place in how housewives. Other housewives have places
• 41:03
  Speaker 2: where they show up and do what they do best.
• 41:05
  Speaker 2: You've got people who are super organic and real, and
• 41:08
  Speaker 2: that's and they're not as funny or entertaining, and they're
• 41:10
  Speaker 2: not going to have as certainly as many means as
• 41:12
  Speaker 2: say someone like Fadra.
• 41:14
  Speaker 3: But Fadra doesn't.
• 41:15
  Speaker 2: Necessarily have to be real at all, ever, because she's
• 41:18
  Speaker 2: already established herself from so long ago as being this
• 41:22
  Speaker 2: caricature that she is, and that's what we celebrate and
• 41:24
  Speaker 2: why we keep coming back.
• 41:26
  Speaker 1: Excellent point exactly so, and she doesn't need to do this.
• 41:30
  Speaker 1: This is like scraping the bottom of the barrel. And
• 41:32
  Speaker 1: that's why I think she didn't do it when she said,
• 41:35
  Speaker 1: do you think I would come back after all that
• 41:38
  Speaker 1: I have been through and do something this sloppy? M
• 41:42
  Speaker 1: But Angela made a great point. Who is guilty the
• 41:48
  Speaker 1: one who brings you the information? And so if Fadra
• 41:51
  Speaker 1: went to her behind the scenes and goes his name
• 41:53
  Speaker 1: as Marcus Daley lives at this address, how do you
• 41:57
  Speaker 1: know that?
• 41:58
  Speaker 2: Also the foreclosure thing, I mean, that's not that hard
• 42:01
  Speaker 2: to figure out, but you'd have to be looking.
• 42:05
  Speaker 1: Oh if looking into all of them, there's no question.
• 42:08
  Speaker 1: But would you she be so sloppy and Marcus had
• 42:11
  Speaker 1: some he was.
• 42:13
  Speaker 4: Sketchy, sketchy, wiley eyes look tweaky, Yeah, tweaky, excellent, Amy exactly, tweak,
• 42:22
  Speaker 4: allegedly tweaky, and the whole situation was sweaky, Yeah, trying.
• 42:30
  Speaker 1: To figure out who's tweaking and who's tweaking allegedly. Yeah,
• 42:34
  Speaker 1: he was, Yeah, twirky, tweaky, twacky, he was so that
• 42:39
  Speaker 1: whole situation. I can't understand it. Please make it make sense.
• 42:44
  Speaker 2: Do we think that Phaedia really is behind this obviously
• 42:47
  Speaker 2: we're gonna find out at the reunion, I mean, or
• 42:50
  Speaker 2: maybe we never will. But what is the text that
• 42:54
  Speaker 2: when they're sitting there and Drew and Angel are sitting
• 42:56
  Speaker 2: there with Marcus and they're like, who brought this information
• 42:59
  Speaker 2: to you? Who put you at Williams Sonoma? And he
• 43:05
  Speaker 2: doesn't want to say, and they're like, do you want
• 43:06
  Speaker 2: to write it? So he puts it in his text
• 43:08
  Speaker 2: and he shows them and they have a reaction. So
• 43:12
  Speaker 2: then when we get to real time, it looks like
• 43:14
  Speaker 2: it's brit.
• 43:15
  Speaker 3: They kind of did a little zigzag. They made it
• 43:17
  Speaker 3: seem like a grit.
• 43:19
  Speaker 1: They thought they I thought I was gonna say it
• 43:20
  Speaker 1: was Kelly, Oh her event she had problems with with.
• 43:25
  Speaker 2: With Then they swerved and then it like landed on Phaedra.
• 43:30
  Speaker 2: So I'm like, okay, well then who was it?
• 43:32
  Speaker 1: Well here's one thing I can promise you. Marcus is nuts.
• 43:36
  Speaker 1: So he could dipe in Phaedra, why would they believe him?
• 43:39
  Speaker 1: He two seconds could later be like and also God
• 43:42
  Speaker 1: is thorn of earth earth trap like he had that
• 43:48
  Speaker 1: on a earth trap vibe, Like I could go to
• 43:50
  Speaker 1: your house and I'm done with our friend group. Why
• 43:55
  Speaker 1: And then I just type you a message and it
• 43:57
  Speaker 1: says like Denise, you know, like anyone could do that.
• 44:01
  Speaker 4: Anybody can type a name on a textread yeah, show
• 44:05
  Speaker 4: me where are my receipts.
• 44:07
  Speaker 2: Proof, timeline, screenshots, fucking everything? Hold on, then we go,
• 44:14
  Speaker 2: because you're right. He started to bob and weave into
• 44:17
  Speaker 2: a world in which I thought we were watching, you know,
• 44:22
  Speaker 2: a film noir, because he was like Junebug, you know,
• 44:24
  Speaker 2: he started to do these weird code names and what
• 44:31
  Speaker 2: was that all about? And Porscha being the godfather. It's like, yeah,
• 44:35
  Speaker 2: just so nuts.
• 44:37
  Speaker 1: Would Porscha be so dumb as to come back and
• 44:42
  Speaker 1: in her first season back do something so sloppy? I
• 44:46
  Speaker 1: just don't see it. And also Charles Oakley popping off
• 44:52
  Speaker 1: like that, and Angela showed her ass as far as
• 44:56
  Speaker 1: her being kind of flaky. She's like, Charles, please, I'm
• 44:58
  Speaker 1: trying to clear your name. He's like, clear my name
• 45:01
  Speaker 1: from what? Woman? Get getting the fuck out of here.
• 45:04
  Speaker 1: It's like, oh, that's this right, Can you clear my
• 45:07
  Speaker 1: name if you claim? I was Oh, he's coaching that
• 45:10
  Speaker 1: thirty days in a row in a different city, right please.
• 45:13
  Speaker 1: But regardless, they don't bring the guy to the event.
• 45:18
  Speaker 1: It beautiful event, and it works and.
• 45:23
  Speaker 2: Everybody looks so good. The what the way Angela moves
• 45:26
  Speaker 2: is she will go in the opposite the wrong direction tenfold.
• 45:32
  Speaker 2: So it's like this, It's like, I want to get
• 45:35
  Speaker 2: into investing in properties. That sounds good, but right now
• 45:39
  Speaker 2: real estate is down. You probably shouldn't go in that direction. Okay,
• 45:43
  Speaker 2: I'm going to buy three properties. Okay, wait a minute.
• 45:47
  Speaker 2: So it's like that, and then you go into this
• 45:50
  Speaker 2: scandal and it's like, okay, we need to bury this
• 45:53
  Speaker 2: Marcus thing. He's never going to be seen from, seen
• 45:55
  Speaker 2: and heard from again. It's all water under the bridge.
• 45:58
  Speaker 2: He's just some troll that showed up. Let's just wash
• 46:01
  Speaker 2: it away. Okay, good advice. I'm going to have a
• 46:06
  Speaker 2: meeting with Marcus and je and then I'm going to
• 46:08
  Speaker 2: bring him to this event and I'm going to show
• 46:10
  Speaker 2: everybody she does the absolute opposite and does too much
• 46:14
  Speaker 2: in the wrong direction.
• 46:16
  Speaker 1: Agreed, Wow, absolutely agreed. And that is why I do
• 46:20
  Speaker 1: like her for the show. I think she's going back
• 46:23
  Speaker 1: next season one hundred.
• 46:25
  Speaker 2: Only need the money so that you know, this is
• 46:28
  Speaker 2: like we talked about it from from the jump about
• 46:32
  Speaker 2: their money problems, and why would they be doing a
• 46:35
  Speaker 2: show like this. Why would Charles be so upset on
• 46:39
  Speaker 2: camera every time we see him. Why is he putting
• 46:41
  Speaker 2: up with this because he knows that she needs to
• 46:44
  Speaker 2: pay down the debt that she owes. He knows this,
• 46:47
  Speaker 2: He's going to support her. But I don't know what's
• 46:49
  Speaker 2: going to happen with them.
• 46:50
  Speaker 3: I really don't.
• 46:51
  Speaker 1: He's another one who was like, take this microphone off
• 46:53
  Speaker 1: of me. I'm done with this shit. Both him and
• 46:55
  Speaker 1: brittin the Real Is moments on the whole episode, they
• 46:58
  Speaker 1: were like, I'm over this ship because it's not real life,
• 47:02
  Speaker 1: and they I get it. They're like, this is dumb.
• 47:04
  Speaker 1: And also Charles Ugley is like, why you know, why
• 47:07
  Speaker 1: are you inventing drama? Why would you bring him to
• 47:10
  Speaker 1: the to the event, our beautiful event, Like I could
• 47:13
  Speaker 1: see why he's mad. And then they're gonna go home
• 47:15
  Speaker 1: and Angels and be like, Charles, I did it so
• 47:18
  Speaker 1: you can say it was Fader and he'll be like,
• 47:19
  Speaker 1: listen to yourself, this is all so dramatic. Like I
• 47:22
  Speaker 1: just don't understand. Could I have shown up at the event,
• 47:24
  Speaker 1: It said to Angela, Charles Oakley and I had an
• 47:27
  Speaker 1: unfair and she'd be like, perfect, let's have lunch. And
• 47:30
  Speaker 1: then I'm like, you know who told me that, Amy Phillips.
• 47:33
  Speaker 1: And then it's like she that she just invites you
• 47:35
  Speaker 1: and goes off on you at a Gayla event. It's
• 47:38
  Speaker 1: like that, it's that random.
• 47:40
  Speaker 2: It's so random, And that they would give him this
• 47:42
  Speaker 2: much time, she had to have either like blackmailed him
• 47:46
  Speaker 2: to tell a different narrative or story or paid him
• 47:50
  Speaker 2: off really well because for him to swing in the
• 47:53
  Speaker 2: other direction, and then for him to not come in
• 47:55
  Speaker 2: there and be.
• 47:56
  Speaker 3: Like Fedra texted me Charles.
• 47:59
  Speaker 2: I am sorry, Like you know, it seems like that
• 48:01
  Speaker 2: wouldn't have been too far from where they began, with
• 48:04
  Speaker 2: him coming in and with such an entrance and being
• 48:06
  Speaker 2: such a huge part of the show.
• 48:08
  Speaker 1: Completely she was like Marcus everyone and everyone was like why,
• 48:13
  Speaker 1: like the whole thing, and He's true, he already knew.
• 48:18
  Speaker 1: How does Marcus get a seat at the table? Is
• 48:20
  Speaker 1: what I'm saying. Where's the betting in this process? I'm
• 48:23
  Speaker 1: telling you it makes it makes a regular person living
• 48:26
  Speaker 1: in any city that a housewife show is on think
• 48:28
  Speaker 1: to themselves, do I just have to walk forward and
• 48:31
  Speaker 1: be like I know your husband and then get two episodes.
• 48:36
  Speaker 2: Yeah, yeah, uh, I'm worried about behind it. I just
• 48:41
  Speaker 2: I'm a little worried that phagers behind it. I don't know,
• 48:44
  Speaker 2: because like, what does she have to lose.
• 48:46
  Speaker 1: At this point, I'm glad you said that. I too
• 48:51
  Speaker 1: was worried she's behind it, But my logical brain is
• 48:55
  Speaker 1: telling me that she would not be that careless this.
• 49:00
  Speaker 1: But it also we do know Faedra is dangerous. She's
• 49:05
  Speaker 1: charming as hell, but she's also a little bit nuts
• 49:09
  Speaker 1: and she she she wants. She very much cultivates her image.
• 49:15
  Speaker 1: She knows how to get on the show and say
• 49:18
  Speaker 1: funny things and be silly. She knows how to do it.
• 49:21
  Speaker 2: The second that she was on Traders and was a star,
• 49:27
  Speaker 2: she was like, I'm infallible and in anyways, I kind
• 49:31
  Speaker 2: of understand because tras if you guys have not seen
• 49:34
  Speaker 2: her on Traders, good, you gotta go and watch.
• 49:39
  Speaker 1: Then who said you don't let your husband see your son?
• 49:41
  Speaker 1: Was that Angela to Faedra or brit.
• 49:44
  Speaker 3: You don't let your husband see your son?
• 49:46
  Speaker 1: Someone was someone was shading her about Apollo at the
• 49:49
  Speaker 1: during the fight. Oh I remember that?
• 49:52
  Speaker 2: Wow, Yes, I should again, so, which is weird because
• 49:58
  Speaker 2: Faedra said it the very beginning, like we're great, we
• 50:01
  Speaker 2: co parents so well, and you know, so.
• 50:04
  Speaker 1: Again, I could say I'm a millionaire Amy and everyone
• 50:08
  Speaker 1: knows it's true. I'm not. We can say anything as
• 50:13
  Speaker 1: poor as a person can be, you know, anyone can
• 50:18
  Speaker 1: say anything. So she's like, yeah, Apollo and I have
• 50:20
  Speaker 1: a great relationship. But someone at that party was like,
• 50:22
  Speaker 1: you don't even let him see his kids, which I believe.
• 50:24
  Speaker 3: Yeah, yeah, that fight was nuts.
• 50:28
  Speaker 2: I want to see Angela come back. I do not
• 50:31
  Speaker 2: want to see Britt come back. Kelly absolutely yes, And
• 50:37
  Speaker 2: then they're just gonna have to and everybody else, they're
• 50:38
  Speaker 2: gonna have to fill in the links.
• 50:39
  Speaker 3: I totally want Drew back. I need Drew. I just
• 50:42
  Speaker 3: I just love her.
• 50:43
  Speaker 2: Now when they talk about when they have this, like
• 50:46
  Speaker 2: five months later thing, Portia has a court date for
• 50:51
  Speaker 2: her divorce and then and then all of a sudden,
• 50:55
  Speaker 2: Simon is detained by ice in Atlanta, and though those
• 51:01
  Speaker 2: producers and editors put up there, their divorce is on ice.
• 51:05
  Speaker 3: That is what they did.
• 51:06
  Speaker 1: It's a good line. That was a good line to him. Yeah,
• 51:11
  Speaker 1: I mean that divorce is nuts. Yeah, what's the whole thing.
• 51:14
  Speaker 1: There is a prenup. There is they were only married
• 51:17
  Speaker 1: for a very short amount of time. And the house
• 51:20
  Speaker 1: that she's in was that his house that he used
• 51:22
  Speaker 1: to live in with Farah.
• 51:23
  Speaker 2: No, they bought another house, so that's the other house
• 51:27
  Speaker 2: that they moved into when after they got married. Yeah,
• 51:30
  Speaker 2: they did have a prenup, so it was signed in
• 51:34
  Speaker 2: before their wedding.
• 51:35
  Speaker 3: Yeah.
• 51:36
  Speaker 1: Can I say shout out to Shamia's husband, what a sweetheart,
• 51:39
  Speaker 1: beautiful roses and also just their daughter is so cute
• 51:44
  Speaker 1: and also just him dropping probably three hundred thousand on
• 51:47
  Speaker 1: her doing that performance.
• 51:50
  Speaker 2: Yes, all right, well listen, we'll see these peaches in
• 51:55
  Speaker 2: a week. We'll see them at reunion. And uh I
• 52:00
  Speaker 2: did excited about that.
• 52:01
  Speaker 1: Oh well, did you know that there was a britt
• 52:04
  Speaker 1: Edie filed a twenty million dollar lawsuit against Bravo and
• 52:07
  Speaker 1: then dropped it that I was looking at that last
• 52:11
  Speaker 1: night on TikTok as I was continuing my research into
• 52:14
  Speaker 1: the early morning. And now she's saying that the pictures
• 52:18
  Speaker 1: that Kenya showed weren't her, which again I believe is untrue.
• 52:23
  Speaker 1: I think it is her, because why would you act
• 52:25
  Speaker 1: like it was you all the way until six months later,
• 52:27
  Speaker 1: and she will be doing cleanup for the for many years.
• 52:31
  Speaker 1: Based on one disastrous season on the Real Housewives of Atlanta,
• 52:35
  Speaker 1: this is going to go down in history.
• 52:38
  Speaker 2: There are rumors that, you know, allegedly Britt lost her
• 52:42
  Speaker 2: insurance license long before any before she was even on
• 52:46
  Speaker 2: the Housewives. So I don't yeah, yeah, yeah, okay. What
• 52:50
  Speaker 2: was the other thing on the reunion smoking mirrors?
• 52:53
  Speaker 1: She was always smoking merors the minute when she was
• 52:56
  Speaker 1: at that party and she was like, and then we'll
• 52:58
  Speaker 1: have our baby. I was like, am I watch? She
• 53:00
  Speaker 1: like yeah, that was Whatever happened to baby Jane? This
• 53:03
  Speaker 1: whole her whole personality. Something is a little opt.
• 53:07
  Speaker 3: Like have to and he's then is he real? Like
• 53:12
  Speaker 3: I don't know what.
• 53:13
  Speaker 1: Is his deal? Why were they in that? Why were
• 53:15
  Speaker 1: that very tiny private jet? What? What?
• 53:18
  Speaker 2: What the jet?
• 53:19
  Speaker 3: I can't believe we forgot to talk about that. What
• 53:21
  Speaker 3: in the hell.
• 53:22
  Speaker 1: It's like, if anyone can go to an airport and
• 53:24
  Speaker 1: tour a jet, Amy, you and I can show up
• 53:27
  Speaker 1: make airport and be like, we'd like to check out
• 53:29
  Speaker 1: the A seven five, Like what are they doing.
• 53:33
  Speaker 2: The eight seven five? Jamie loves an A seven five.
• 53:36
  Speaker 2: She's such a sucker.
• 53:37
  Speaker 1: I'm gonna fly. I need a pj A seven five.
• 53:41
  Speaker 2: Yeah, that was just it's just giving so much thirst
• 53:44
  Speaker 2: and not realness.
• 53:45
  Speaker 1: Yeah, not realness. It's like did they watch the shows?
• 53:48
  Speaker 1: And I just it's giving manufactured by us in a room.
• 53:53
  Speaker 1: How can we How can we do this, Mike? We
• 53:56
  Speaker 1: need to make it look like we're rich. Okay, you
• 53:58
  Speaker 1: need to make sure they don't know that you don't
• 54:00
  Speaker 1: have your license anymore. Good. We need to make sure
• 54:03
  Speaker 1: that you and your sisters get you know, like it's
• 54:06
  Speaker 1: just give me.
• 54:06
  Speaker 2: She basically like, oh, I've lot let me show you
• 54:10
  Speaker 2: what my storyline can bring for next season. I've lost
• 54:13
  Speaker 2: my insurance license, so now I need to jump back
• 54:15
  Speaker 2: from that. Oh, I'm finally talking to my family again
• 54:18
  Speaker 2: after years and we are actually might be planning a
• 54:22
  Speaker 2: wedding and might have a baby.
• 54:24
  Speaker 3: It's like, oh my god, could you lay it on
• 54:26
  Speaker 3: any thicker?
• 54:27
  Speaker 1: Yeah?
• 54:27
  Speaker 3: And by the way, we don't want to see it, so.
• 54:30
  Speaker 1: Yeah, yeah, very strange. And then the other thing I
• 54:33
  Speaker 1: wanted to say is at the reunion, that little fight
• 54:37
  Speaker 1: between Shemi and Portia. It brings me back to what
• 54:40
  Speaker 1: I said three or four episodes ago to you. When
• 54:43
  Speaker 1: the moms are fighting, it's very bad. Oh, it's hard
• 54:46
  Speaker 1: to come back from mom fightings.
• 54:49
  Speaker 3: Yes, it is, sure.
• 54:50
  Speaker 1: How can you remain best friends? If imagine if your
• 54:53
  Speaker 1: sweet mom and my sweet mom hated each other and
• 54:56
  Speaker 1: we're posting about it on social media. It would be
• 54:59
  Speaker 1: so hard for us.
• 55:01
  Speaker 2: Livinia and Madeleine just going at it, Yeah, just going
• 55:04
  Speaker 2: at it about like the.
• 55:05
  Speaker 3: Most intellectual way.
• 55:08
  Speaker 2: Yeah, like human was like, yeah, I beg your pardon,
• 55:14
  Speaker 2: but I must message the community about my most recent
• 55:19
  Speaker 2: unfortunate events with dear Lavinia. As stated previously, my original
• 55:26
  Speaker 2: copy of Mary Shelley's Frankenstein I lent her in the
• 55:32
  Speaker 2: ripe year of two thousand and eight. She claims she
• 55:37
  Speaker 2: no longer has it.
• 55:39
  Speaker 3: What say you?
• 55:40
  Speaker 1: Yeah, my buttle is like dearest question mark, Madeleine, as
• 55:47
  Speaker 1: Haarrah and Athena had a battle upon the fields of
• 55:52
  Speaker 1: Zeus's land of Harah, you also have betrayed me upon
• 55:57
  Speaker 1: putting this to the social medias that I have not
• 56:00
  Speaker 1: turned your book like it'd be so hilarious. But like
• 56:03
  Speaker 1: beginning you think about how.
• 56:05
  Speaker 2: Spovsky's third could never express my anger more.
• 56:10
  Speaker 1: Shakespeare once said, for thine borrower, Shama lender b Yeah,
• 56:17
  Speaker 1: that's nuts. And also though like, imagine this, and I
• 56:20
  Speaker 1: bet every darling could agree. You don't come for my mom.
• 56:24
  Speaker 1: So if someone says something to me about my mom,
• 56:27
  Speaker 1: that's where again fighting words happened. And it was hard
• 56:31
  Speaker 1: for me because my mom was a theater professor in
• 56:34
  Speaker 1: Detroit when I was in theater, and I knew there
• 56:36
  Speaker 1: were people in my midst who did not like her
• 56:39
  Speaker 1: because she didn't cast them. Oh, and I was always looking.
• 56:42
  Speaker 1: I'd be like, what do you think of my mom?
• 56:46
  Speaker 1: Love Levin, I'd be.
• 56:46
  Speaker 3: Like, okay, gay right, right right.
• 56:50
  Speaker 1: So that is something that I said to you weeks ago.
• 56:54
  Speaker 1: This mom thing is going to be the hardest one
• 56:57
  Speaker 1: to get over for these two girls.
• 57:00
  Speaker 3: Absolutely.
• 57:01
  Speaker 2: And meanwhile, we're over on Next Gen n YC with
• 57:06
  Speaker 2: with Jea and Riley, whose moms haven't talked in years.
• 57:11
  Speaker 2: But it's different because it's you know, they've really been
• 57:15
  Speaker 2: separated for a long time. They were you know, so
• 57:17
  Speaker 2: those two.
• 57:18
  Speaker 1: Were girls, Shemiah and and Portrait grew up as best
• 57:21
  Speaker 1: friends and the moms were also best friends.
• 57:25
  Speaker 3: It's Bad's not gonna go well.
• 57:26
  Speaker 1: It's not wait for the reunion.
• 57:28
  Speaker 3: So okay, well, Jamie, talk about the husband. I love
• 57:33
  Speaker 3: when you do that. It makes me laugh so far.
• 57:36
  Speaker 2: It's like your favorite too, when Renna does that, right,
• 57:39
  Speaker 2: it's when Renna.
• 57:40
  Speaker 1: Does that, talk about No, it's it's Kim, let's talk
• 57:42
  Speaker 1: about the husband.
• 57:43
  Speaker 2: Oh sorry, Oh it's it's it's Kim Richards in Amsterdam.
• 57:48
  Speaker 2: When she's talking to Lisa, Renna s are you let's.
• 57:51
  Speaker 1: Talk about the reunion?
• 57:52
  Speaker 3: Who Ladies and gentlemen.
• 57:58
  Speaker 2: Please follow jam detroit over on Instagram. Also check her
• 58:02
  Speaker 2: out on I am dB Jamie.
• 58:05
  Speaker 1: Moyerrama A A, I M E j E I M
• 58:09
  Speaker 1: E drama dot.
• 58:14
  Speaker 3: Love you, darlings