Latest / I Am All In with Scott Patterson / I’ll Be The One with the Coffee (S2 E11, "Secrets and Loans")

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I’ll Be The One with the Coffee (S2 E11, "Secrets and Loans") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. I am all in with Scott
• 0:18
  Speaker 1: Patterson and I heart radio podcast. Well we're back. We
• 0:22
  Speaker 1: are back from our break. Ladies and gentlemen. H happy
• 0:29
  Speaker 1: to be back. We are back. How is everybody's vacation? Huh? Christmas?
• 0:35
  Speaker 1: Good holidays? Why who's the start? Vacation was just filled
• 0:40
  Speaker 1: with COVID and my goodness in our house from the rain.
• 0:46
  Speaker 1: Say hey, we're here. Listen. We've got We've got We've
• 0:50
  Speaker 1: got Danielle Romo, We've got Riley Pelusis, We've got Amy Sugarman.
• 0:53
  Speaker 1: We've got the ball club back together. Everybody's in one
• 0:56
  Speaker 1: piece somewhat. Some of us are in COVID, some of
• 1:02
  Speaker 1: us are out of it, some of it are in
• 1:04
  Speaker 1: the middle of it. But we're still doing the podcast COVID.
• 1:09
  Speaker 1: But if I sound a little weird, it's because I'm
• 1:11
  Speaker 1: in a bathroom because my furnace that's in my attic
• 1:17
  Speaker 1: it broke and so it basically started ringing in my house.
• 1:21
  Speaker 1: So I'm at my mom's house and the internet is
• 1:23
  Speaker 1: not great, so I'm literally my computer is on a
• 1:25
  Speaker 1: toilet and I'm sitting on the bathroom floor. But how
• 1:29
  Speaker 1: do I assume you've never sounded better. Very well themed
• 1:34
  Speaker 1: with this episode that we have to recap today, It's
• 1:37
  Speaker 1: like you couldn't be more loreal. It's just perfect. It's
• 1:41
  Speaker 1: it's like you're mimicking the character. Put the video of
• 1:44
  Speaker 1: it raining inside my house on the Instagram and right
• 1:49
  Speaker 1: to loyalize falling in our porch. Well, I hope everybody
• 1:53
  Speaker 1: had a wonderful holiday break and you've got plenty of
• 1:59
  Speaker 1: stocking stuff. First, get all the presents you wanted, and
• 2:03
  Speaker 1: uh had a wonderful, safe holiday. Happy New Year, everybody
• 2:09
  Speaker 1: is the best year yet. Start starting off that way.
• 2:16
  Speaker 1: I'm going to announce right here on this show that
• 2:18
  Speaker 1: I have COVID and I am in the grips of it,
• 2:24
  Speaker 1: kind of in the middle of it, but I'm rallying
• 2:26
  Speaker 1: a little bit. Yeah, I did not think you were
• 2:29
  Speaker 1: going to make it today. Did you see my text?
• 2:31
  Speaker 1: I said you were a little concerned. I know I was.
• 2:33
  Speaker 1: When I woke up, I was a little concerned. I
• 2:35
  Speaker 1: was like, wow, I you know, because of the fatigue factor.
• 2:39
  Speaker 1: So I don't want you to feel pressure. But it
• 2:41
  Speaker 1: just so people know, it's why we were on last week.
• 2:45
  Speaker 1: Because there's five people on this zoom and lady, I
• 2:52
  Speaker 1: operate best under pressure, let me tell you so. Anyway,
• 3:00
  Speaker 1: But you know that's you just gotta roll with the
• 3:02
  Speaker 1: punches and you gotta deliver, right. Uh. And we're gonna no, no,
• 3:07
  Speaker 1: you you are the champs. I am just I'm just
• 3:10
  Speaker 1: maybe the cut guy in the corner. That's it. You're
• 3:13
  Speaker 1: the champs. I'm just trying to hang in there. And guys,
• 3:20
  Speaker 1: here we go, We're gonna, We're gonna break down. Season two,
• 3:23
  Speaker 1: Episode eleven, Secrets and Loans. Original air date January two
• 3:27
  Speaker 1: thousand and two. What did we think of this episode?
• 3:31
  Speaker 1: I have a definitive reaction. I want to hear your
• 3:34
  Speaker 1: reactions first, Danielle, you go. I mean, just like I
• 3:38
  Speaker 1: was kind of saying earlier, I just really related to
• 3:40
  Speaker 1: this episode just with my recent house league. Um. I
• 3:46
  Speaker 1: just couldn't stop laughing. It was such a good episode. Um.
• 3:50
  Speaker 1: And I know we'll jump into it a little bit more.
• 3:52
  Speaker 1: But Rory in Paris dynamic in this episode was great.
• 3:54
  Speaker 1: I loved it. So I think we have a synopsis
• 3:58
  Speaker 1: coming up. Riley, you want to yeah, I want to
• 4:01
  Speaker 1: give us a synopsis. I would love to give the synopsis.
• 4:04
  Speaker 1: I'm really sad at on how my sexy voice anymore?
• 4:07
  Speaker 1: But glad I don't have COVID, so it's a great
• 4:09
  Speaker 1: trade off. So this is episode eleven, Secrets and Loans.
• 4:15
  Speaker 1: Air date January twenty two, two two. LORIAI is concerned
• 4:18
  Speaker 1: over the fact that she cannot afford to repair her
• 4:21
  Speaker 1: home's extensive termite damage. Turns to anger when Rory tells
• 4:24
  Speaker 1: Emily about their problem and Emily offers a loan to
• 4:27
  Speaker 1: Lorela again. I'm not gonna lie. I did call my
• 4:30
  Speaker 1: dad when my ceiling was leaking in and said, I
• 4:33
  Speaker 1: don't think I'm gonna need to borrow any money, but
• 4:37
  Speaker 1: be ready, just thinking, Uh, so what do we do?
• 4:44
  Speaker 1: How do we feel about this episode? So it's so
• 4:48
  Speaker 1: funny because I think we loved it, and I'm getting
• 4:50
  Speaker 1: a feeling you didn't tell us more. I did not.
• 4:56
  Speaker 1: I did not tell us everything. I thought it was
• 5:00
  Speaker 1: a lackluster performer. I thought it was been there, done that.
• 5:04
  Speaker 1: We've seen this already. Uh, same old tropes, same old stuff,
• 5:10
  Speaker 1: same old, same old, nothing new. I don't didn't get it.
• 5:16
  Speaker 1: I just felt like I just felt like the writer's
• 5:20
  Speaker 1: room took a week off and and and was leaning
• 5:23
  Speaker 1: on you know, on the greatness of the past couple
• 5:27
  Speaker 1: of episodes, and I don't remember laughing at all. I
• 5:33
  Speaker 1: wasn't amused by it at all. It was graating to me, Um,
• 5:39
  Speaker 1: and I think it was one of the reasons critics
• 5:41
  Speaker 1: look at the show and say, well, you know, they
• 5:44
  Speaker 1: could point a finger and say, well, that's in This
• 5:46
  Speaker 1: show is inconsistent. It's not delivering at a very high
• 5:51
  Speaker 1: level every single episode. And this is one of the
• 5:54
  Speaker 1: episodes you can point to in my opinion, Um, that
• 6:00
  Speaker 1: for me did not deliver. It was all I just
• 6:02
  Speaker 1: saw everything coming a mile away. Uh, what can I
• 6:07
  Speaker 1: tell you, Laura, I got on my nerves. I thought
• 6:10
  Speaker 1: the whole thing was shrilled. Do you think it was
• 6:12
  Speaker 1: your least favorite episode? Absolutely? Absolutely absolutely. I thought they
• 6:18
  Speaker 1: could have scrubbed it and redone it. I did not
• 6:23
  Speaker 1: feel that rightly, And Danielle tell me how you guys felt.
• 6:27
  Speaker 1: I did not feel that way well, coming off of
• 6:31
  Speaker 1: last episode. Yeah, brace Bridge Dinner. That was unbelievable. So
• 6:37
  Speaker 1: I'll give it to you, Scott. This one was a
• 6:39
  Speaker 1: little bit softer, but I still loved it. I still
• 6:42
  Speaker 1: found the humor in it. I still thought, Um, there
• 6:47
  Speaker 1: was a lot of good content in there, but it
• 6:50
  Speaker 1: was softer than like coming off of Bracebridge dinner. I'll
• 6:53
  Speaker 1: give you that. I see what's stop saying, and that
• 6:56
  Speaker 1: it was redundant sort of for a better no a
• 7:00
  Speaker 1: word to use. Like Paris and Rory have conflict. We've
• 7:03
  Speaker 1: seen it. Emily and Lorelei have conflict over money. We've
• 7:07
  Speaker 1: seen it. You know, Luke comes to the rescue, but
• 7:09
  Speaker 1: lord I won't won't take his help. We've seen it.
• 7:13
  Speaker 1: But I still totally enjoyed it. Oh, Scott, you guys.
• 7:18
  Speaker 1: I wish you guys could see his face. Okay, so
• 7:20
  Speaker 1: let's break it down. So let's start with Paris and
• 7:23
  Speaker 1: Rory and the p S A T S. Did you
• 7:25
  Speaker 1: find that amusing at all? Not in the least m hm,
• 7:35
  Speaker 1: I giggled. I thought it was. I mean, I can
• 7:38
  Speaker 1: remember taking the p S A T S. I sort
• 7:40
  Speaker 1: of remember people wanting to know what your score was,
• 7:42
  Speaker 1: and he's sort of being like, I don't know, and
• 7:45
  Speaker 1: Paris just desperately needing to know. I also think it's
• 7:48
  Speaker 1: fascinating that they are neck and neck. Rory's score is
• 7:52
  Speaker 1: twenty points higher than Paris, but they really they are
• 7:57
  Speaker 1: competitors Paris his anxiety really had me l O l ng.
• 8:02
  Speaker 1: I thought it was great. Her anxiety Paris is anxiety.
• 8:07
  Speaker 1: She's a complete psychopath sitting there just like in her
• 8:12
  Speaker 1: pathetic state. You know, I just I'm sorry, maybe you know,
• 8:21
  Speaker 1: maybe it's the COVID or whatever an episode, because it
• 8:26
  Speaker 1: makes this conversation again with this psychopath sitting here like
• 8:32
  Speaker 1: fishing for compliments, and please ask me the question. I mean,
• 8:37
  Speaker 1: And and Rory is so above it at this point.
• 8:39
  Speaker 1: Is and she just looks at Paris like this nut
• 8:42
  Speaker 1: job again. And no, I'm not going to play into
• 8:45
  Speaker 1: her game, because that's exactly you know, this is tis.
• 8:50
  Speaker 1: The nature of psychopathology is the instant gratification that they seek.
• 8:55
  Speaker 1: It's it's nothing's long term, that's nothing's planned out. They
• 8:58
  Speaker 1: just you know, they just need to have their satisfaction
• 9:02
  Speaker 1: when they need it. And it's and it's all about them,
• 9:05
  Speaker 1: and it's and and Rory knows this instinctively, if not,
• 9:09
  Speaker 1: you know, intellectually, And she just wasn't gonna play the game.
• 9:14
  Speaker 1: She knew exactly how to play Paris, she knew exactly
• 9:17
  Speaker 1: how that that was. That was amusing. But we've already
• 9:23
  Speaker 1: seen Rory. Uh correct deal with it in in a
• 9:28
  Speaker 1: similar way, so she's already it wasn't anything groundbreaking. There's
• 9:32
  Speaker 1: nothing left to figure out with Paris. There's nothing compelling
• 9:36
  Speaker 1: about Paris. I just found it amusing when the girls
• 9:41
  Speaker 1: are splitting up their fritos, which I thought, who thought
• 9:43
  Speaker 1: of that? So they're splitting up their fritos and here
• 9:46
  Speaker 1: comes Paris, just fishing, like you said, trying to get
• 9:50
  Speaker 1: them to ask for her scores. But there was such
• 9:54
  Speaker 1: a funny zimmer in there when they're taught. So before
• 9:58
  Speaker 1: Paris walks up, the two girls are talking about out
• 10:00
  Speaker 1: how the boy hasn't called her, and the one says,
• 10:03
  Speaker 1: did you guys catch that one? The one says, well,
• 10:05
  Speaker 1: I thought we really connected in my closet the other day.
• 10:09
  Speaker 1: Didn't quite get that. So they're splitting the free us
• 10:12
  Speaker 1: and then Grory's just like okay, Paris like she's not
• 10:15
  Speaker 1: even sitting with them, doubt was your scores? And then
• 10:19
  Speaker 1: the whole thing like are you a person that gets
• 10:21
  Speaker 1: happy about sunset? Like I just thought, I actually thought
• 10:24
  Speaker 1: that was funny, right scoped For the first time I
• 10:33
  Speaker 1: felt paris Is anxiety. I was like, just tell her
• 10:35
  Speaker 1: the score, like I just was like, just tell her,
• 10:38
  Speaker 1: throw in her face, what did you think of your
• 10:41
  Speaker 1: your performance? I liked it my performance, Yeah, I don't know,
• 10:47
  Speaker 1: I don't I don't know that there was a lot
• 10:49
  Speaker 1: there to really comment on. I think, you know, sure, yeah,
• 10:53
  Speaker 1: I served serviced it okay, and it was fine. But
• 10:57
  Speaker 1: I just don't think there was a tremendous amount of
• 11:01
  Speaker 1: you know, there wasn't really an arc. I mean, he
• 11:04
  Speaker 1: served his purpose, he offered the money, was you know,
• 11:07
  Speaker 1: the good guy, the whole thing. But you know, again
• 11:09
  Speaker 1: we've seen it over and over again, and he kind of,
• 11:12
  Speaker 1: you know, he kind of gave up. The one thing
• 11:15
  Speaker 1: I did notice about that one scene outside when he
• 11:19
  Speaker 1: I'm under the porch right and when I'm under the porch,
• 11:22
  Speaker 1: is that he kind of gave up too quickly. I agree,
• 11:25
  Speaker 1: and I think it it for me, it minimized, um,
• 11:31
  Speaker 1: I don't know any potential relationship or the or the
• 11:34
  Speaker 1: depth of their friendship, And why couldn't she trust him
• 11:38
  Speaker 1: to take this? And I didn't quite understand that because
• 11:41
  Speaker 1: it was such an easy thing for him, and look,
• 11:44
  Speaker 1: hey it's not a big deal. But then this goes
• 11:46
  Speaker 1: back to laurelized pride and I think you make a
• 11:48
  Speaker 1: great point. I do agree that Luke. First of all,
• 11:52
  Speaker 1: I love that he comes to the rescue. I love
• 11:54
  Speaker 1: that he goes under her and can tell what's going on.
• 11:58
  Speaker 1: And he's very manly, you know, and is just very cool,
• 12:01
  Speaker 1: and he's very good to her. And then you get
• 12:04
  Speaker 1: that glimpse of like Luke is successful. Like at first glance,
• 12:10
  Speaker 1: you're like, oh, he owns a diner. He's sort of
• 12:13
  Speaker 1: an average guy, blue collar, you might say, but he's
• 12:18
  Speaker 1: very successful, very smart, always can teach her about the
• 12:22
  Speaker 1: loans and the bank and this, and that I agree
• 12:25
  Speaker 1: with you. He should have. He should have stepped up
• 12:27
  Speaker 1: and said, lord, line, stop this nonsense, borrow the money
• 12:31
  Speaker 1: from me. This is what's happening. But yeah, and it
• 12:35
  Speaker 1: but it does go back to her pride, and I
• 12:38
  Speaker 1: get that, and you know she's really digging in and
• 12:42
  Speaker 1: wanting to do it herself. But I don't know. I
• 12:45
  Speaker 1: just again, you know, you're setting up Luke to suffer
• 12:50
  Speaker 1: in silence even more. Okay, he did his bid, he
• 12:54
  Speaker 1: did his bidding, he put in his bid, it got
• 12:56
  Speaker 1: rejected again, and and now he's, you know, assuming that
• 12:59
  Speaker 1: familiar roll of oh gosh, Okay, well I'll just suffer here.
• 13:03
  Speaker 1: And and it's sort of a device where, you know,
• 13:06
  Speaker 1: the writing has to leave Laurel if vulnerable to to
• 13:11
  Speaker 1: battle it out on the icy flats with her mother,
• 13:16
  Speaker 1: yet guess, and that's what and that's what that was
• 13:19
  Speaker 1: another you know, here we go again with this, and
• 13:23
  Speaker 1: it just it just felt to me manufactured and contrived.
• 13:26
  Speaker 1: It didn't feel natural. It didn't feel you know. And
• 13:29
  Speaker 1: immediately Emily gets up and goes to the check book.
• 13:31
  Speaker 1: Immediately there's conflict immediately, you know, and it's it's like
• 13:35
  Speaker 1: everything this woman tries to do for her, and I
• 13:38
  Speaker 1: think I just got tired of you know, I was
• 13:40
  Speaker 1: I was actually not shouting at the TV screen. I
• 13:43
  Speaker 1: don't talk to the TV screen. I'm not greaty in
• 13:46
  Speaker 1: that way. Um, but it's like, well, you let this
• 13:49
  Speaker 1: woman help you. She has actual good intentions and why
• 13:52
  Speaker 1: can't you see it? And it just it it made it.
• 13:56
  Speaker 1: It made me sad that their relationship was just so
• 14:00
  Speaker 1: completely in tatters still where they cannot communicate on an
• 14:06
  Speaker 1: adult level with with any kind of mutual trust. I mean,
• 14:10
  Speaker 1: I think Emily trust her, and I think Emily is
• 14:13
  Speaker 1: making far more of an effort to repair the damage
• 14:17
  Speaker 1: that was done. And I think she's taking responsibility for
• 14:20
  Speaker 1: her for her end in it, and and overcompensating and
• 14:24
  Speaker 1: trying to make up for it, and and Laurela is
• 14:26
  Speaker 1: just beating the stuffing out of her every chance she gets.
• 14:31
  Speaker 1: And I'm just tired of seeing it. It's all. It
• 14:33
  Speaker 1: almost comes off like elder abuse. And I wanted to
• 14:36
  Speaker 1: stop doing it. I wanted to grow up. I want
• 14:39
  Speaker 1: to shake her and say, hey, you know, come on,
• 14:44
  Speaker 1: what happened? Right? It happened, you know? And and oh
• 14:48
  Speaker 1: my god, you know she's everybody's screwed up here. So
• 14:51
  Speaker 1: let's I don't know, I was. I just didn't want
• 14:54
  Speaker 1: to see a battle, not during the holidays. No. Yeah,
• 15:04
  Speaker 1: So let me ask all of you this, what did
• 15:06
  Speaker 1: you think when Rory maybe overstepped and told Emily what
• 15:13
  Speaker 1: was going on? And did you think loyalized, very angry
• 15:18
  Speaker 1: reaction was too much? What did everybody think of sort
• 15:21
  Speaker 1: of that situation. I definitely thought it was too much
• 15:27
  Speaker 1: like loyalized reaction to Rory, because at the end of
• 15:30
  Speaker 1: the day, Rory wants help too, you know, like it's
• 15:33
  Speaker 1: their house, you know, she wants it to get fixed
• 15:36
  Speaker 1: and realizes that her family needs some help. So she's
• 15:39
  Speaker 1: gonna tell her grandma about it, you know, like it's
• 15:42
  Speaker 1: a very I think normal thing to do. Um. But yeah,
• 15:47
  Speaker 1: the way that lorea Ie reacted was she was projecting
• 15:50
  Speaker 1: on her own insecurities versus like what the actual situation was. Like, sorry,
• 15:54
  Speaker 1: Lorla that you don't want to ask your mom for help,
• 15:57
  Speaker 1: but Rory, can you know m hmm, Well, I thought, um,
• 16:05
  Speaker 1: you know, Laurel I made it a big deal right away.
• 16:08
  Speaker 1: She woke her own daughter up in eleven o'clock at night.
• 16:11
  Speaker 1: Oh can you hear the termites munching? And it's horrible
• 16:14
  Speaker 1: and it's gross, and oh, let's get out of here.
• 16:16
  Speaker 1: And they she you know, she gets her up and
• 16:19
  Speaker 1: gets her dressed, and they have to walk to Suki's
• 16:22
  Speaker 1: and then and then you know, they start eating milkshakes
• 16:25
  Speaker 1: at Suki's and then that scene and then Jackson comes
• 16:28
  Speaker 1: out whatever with his pajamas. But um, which I fell
• 16:32
  Speaker 1: flat for me too. I didn't find that funny. Uh um.
• 16:36
  Speaker 1: And so it's like it's Laurel I who made the
• 16:38
  Speaker 1: big deal out of it, and now she wants everybody
• 16:40
  Speaker 1: forget about it. And I can take care of this. Well,
• 16:44
  Speaker 1: if if you thought that you were gonna make if
• 16:46
  Speaker 1: you if you just wanted to take care of it
• 16:48
  Speaker 1: yourself and figured out all by yourself, why the hell
• 16:50
  Speaker 1: did you wake your daughter up at eleven o'clock at night,
• 16:52
  Speaker 1: get her up, get her to Suki's and you know,
• 16:55
  Speaker 1: you know this girl needs a rest. She's going to
• 16:57
  Speaker 1: this private school. She she can't be up and a
• 16:59
  Speaker 1: pee bowl and termites and you know, my my mom's upset.
• 17:04
  Speaker 1: You know, it's it's why do you how do you
• 17:06
  Speaker 1: do that to your child? And then sort of try
• 17:08
  Speaker 1: to downplay everything. It's like, listen to me, and of
• 17:11
  Speaker 1: course it's a big deal. Of course she's gonna say
• 17:13
  Speaker 1: to grandma, well, you know we have termites because my
• 17:15
  Speaker 1: mom won't be up in the middle of the night.
• 17:17
  Speaker 1: We you know, it's a big, big enough of rom
• 17:18
  Speaker 1: we're gonna lose our house. And my mom wanted to
• 17:20
  Speaker 1: get the hell out of the house before collapsed around us.
• 17:23
  Speaker 1: So I just didn't understand the logic of it, you know,
• 17:26
  Speaker 1: I didn't understand the logic of of of how Laurel
• 17:29
  Speaker 1: I was justifying all of these actions and behaviors. So
• 17:33
  Speaker 1: it was a little bit of a mystery to me. Yeah,
• 17:36
  Speaker 1: I think it's it's interesting because I agree that it's
• 17:39
  Speaker 1: it's putting a lot of even though lore Ly and
• 17:41
  Speaker 1: Rory had this very open relationship and they're very honest
• 17:43
  Speaker 1: and they know everything, that's a lot of anxiety, Like
• 17:46
  Speaker 1: we said, for a sixteen seventeen year old kids to
• 17:49
  Speaker 1: go like the house is falling apart and we don't
• 17:52
  Speaker 1: have any money. Right, So there were jokes like we'll
• 17:55
  Speaker 1: never eat again, and you know, different little jokes. But
• 18:00
  Speaker 1: at the same time, as a kid, you'd be like,
• 18:02
  Speaker 1: am I have a place to live? Right? As she
• 18:04
  Speaker 1: traumatizes her kid, we have no money, We're broke. I
• 18:09
  Speaker 1: don't know what to do, but keep your mouth shut
• 18:12
  Speaker 1: and if you open your mouth, I'm gonna be piste off.
• 18:15
  Speaker 1: I just thought it was I just thought it was
• 18:17
  Speaker 1: Laurel I out of control, you know, not get it
• 18:21
  Speaker 1: that Laurel I said, don't ask grandma Grandpa, and then
• 18:23
  Speaker 1: Rory goes around her and brings it up. But you
• 18:28
  Speaker 1: know that money is not a lot for Emily and
• 18:30
  Speaker 1: richert It's like they want to help. Like you said,
• 18:34
  Speaker 1: I get where you're coming from. Like it would be easier.
• 18:37
  Speaker 1: These people would all sort of forgive each other and
• 18:41
  Speaker 1: move on. Are they a family or aren't they? Does
• 18:43
  Speaker 1: Laurel I want her daughter to to to grow up
• 18:46
  Speaker 1: in a family or not? Does she want to be
• 18:49
  Speaker 1: the ringmaster her entire life and and and and control
• 18:53
  Speaker 1: the video or does she want her mom and dad
• 18:56
  Speaker 1: to be a part of a real part of Rory's life,
• 18:59
  Speaker 1: which they are inevitable we anyway, And Rory obviously has
• 19:02
  Speaker 1: that trust of her grandparents. It's not like she just
• 19:05
  Speaker 1: thinks like, oh, they're rich, they'll give us the money.
• 19:07
  Speaker 1: It's like, that's my grandparents, they will help us. Interesting. So, okay,
• 19:14
  Speaker 1: so let me ask you all this from our perspective.
• 19:18
  Speaker 1: What should Lorala I have done? I guess I think
• 19:21
  Speaker 1: she should just borrow the money from Luke. But I
• 19:24
  Speaker 1: get why she didn't. What would you have liked to
• 19:27
  Speaker 1: have seen Lorela I do? No, that's good, right, I
• 19:31
  Speaker 1: think that's good. And then Luke gets involved, and then
• 19:34
  Speaker 1: there's sort of a conflict between Emily and Luke. Yeah,
• 19:37
  Speaker 1: and there's a chance for real comedy and you know,
• 19:41
  Speaker 1: but it but it widens the family somewhat. It it
• 19:46
  Speaker 1: brings the townspeople involved, and I mean, I mean, who knows.
• 19:49
  Speaker 1: You know, that's that's one possibility, Daniel, you were going
• 19:52
  Speaker 1: to say something, Yeah, No, I love that. I didn't
• 19:55
  Speaker 1: think about that, but I love that. I was gonna say,
• 19:58
  Speaker 1: I wish she just went to Emily because it would
• 20:00
  Speaker 1: have shown a little level of maturity and alive branch
• 20:03
  Speaker 1: per se, you know, like, all right, I'm treating you
• 20:07
  Speaker 1: like my mom now, you know, instead of like Laurel
• 20:09
  Speaker 1: I always been so I'm an independent woman like I
• 20:12
  Speaker 1: would have loved to see the vulnerability for a second
• 20:15
  Speaker 1: between Emily and Laura covered termites. It's not I don't
• 20:24
  Speaker 1: find out. Depends it depends on your policy. I guess
• 20:27
  Speaker 1: you have termiz in l A. I don't have to
• 20:29
  Speaker 1: termise where I am right now. But but another another
• 20:31
  Speaker 1: storyline could have been, you know, they Laura la goes
• 20:35
  Speaker 1: to her mother right away, They help out, and then
• 20:38
  Speaker 1: the conflict becomes Emily starts shopping for a new house
• 20:44
  Speaker 1: for Laurel. I totally and stars hollow or in Hartford. Well,
• 20:49
  Speaker 1: I was gets closer to Chilton, I thought, and you
• 20:51
  Speaker 1: were closer to us, And I know you love your
• 20:54
  Speaker 1: little town with all your your wild characters in there.
• 20:57
  Speaker 1: But I think now maybe it's time you get closer
• 20:59
  Speaker 1: to me and and Richard, and you know, we're getting older.
• 21:03
  Speaker 1: And it was just school. It was just school, the
• 21:05
  Speaker 1: whole thing. Yeah, So then and then that could have
• 21:07
  Speaker 1: caused all kinds of conflict between Laurela and myself and
• 21:10
  Speaker 1: you know we're gonna commute back and forth and you
• 21:13
  Speaker 1: know whatever, ye I'll never see at the diner again.
• 21:15
  Speaker 1: You know, there are a million ways you could have
• 21:17
  Speaker 1: gone about it, but I don't know, or go fund me,
• 21:24
  Speaker 1: I need take I don't know. She could have rented
• 21:26
  Speaker 1: out a room now, I do think the houses only
• 21:28
  Speaker 1: two bedroom stuff, So I guess not that I see
• 21:31
  Speaker 1: what you're saying, Like, we could play with this, and
• 21:32
  Speaker 1: there were other options, and the town could have come
• 21:35
  Speaker 1: together and raised the money for her, and it could
• 21:38
  Speaker 1: have been a big town celebration, and you know, Luke
• 21:41
  Speaker 1: could have led the way, or Taylor could have led
• 21:43
  Speaker 1: the way. You know, it would have been super surprising.
• 21:46
  Speaker 1: Emily could have been involved, and then it turns out
• 21:48
  Speaker 1: that Emily was really the ringmaster behind it, right right right,
• 21:52
  Speaker 1: oh mom, thank you? You know whatever, there's a million
• 21:55
  Speaker 1: ways it could have gone. It's just I don't know
• 21:58
  Speaker 1: it was. The banker was Larry Dallas from Three's Company.
• 22:04
  Speaker 1: He was great Richard Klein, you know right away. So
• 22:09
  Speaker 1: for those of you that are older threes Company that
• 22:13
  Speaker 1: was Jack Tripper's best friend, Richard Klein. He played Larry
• 22:17
  Speaker 1: Dallas and then he's the banker. And look, I like
• 22:21
  Speaker 1: that scene too, because I liked Emily performed, you know,
• 22:25
  Speaker 1: I like the performance there where she's just sitting back
• 22:29
  Speaker 1: like okay, and then that is true, but bankers like, oh,
• 22:33
  Speaker 1: you want me to just tell you the truth? You
• 22:36
  Speaker 1: don't qualify for this loan by, but here's the soul.
• 22:42
  Speaker 1: It was almost like they were in Cahoon's. But at
• 22:44
  Speaker 1: the same time, the banker was like tell the truth,
• 22:46
  Speaker 1: like yeah, but it's and I don't like how, you know,
• 22:54
  Speaker 1: you know, we're portraying. Emily's being portrayed as some kind
• 22:57
  Speaker 1: of underhanded connected with the banker, the evil banker, you know,
• 23:02
  Speaker 1: this kind of I mean, it's like Jesus, you know,
• 23:04
  Speaker 1: there was a level of maturity that I found lacking
• 23:08
  Speaker 1: in this script um and a level of naive tay
• 23:12
  Speaker 1: and I just thought it just lacked scope, It lacked size,
• 23:16
  Speaker 1: it lacked what Gilmore really can bring to bear um
• 23:21
  Speaker 1: with these gigantic life moments, with these with with these
• 23:27
  Speaker 1: that really resonate when you watch them, and it just
• 23:30
  Speaker 1: to me, it just all seemed like they were leaning
• 23:33
  Speaker 1: on you know, old tried and true, very thin kind
• 23:37
  Speaker 1: of methodology. Here. Let me ask you sort of inside
• 23:41
  Speaker 1: baseball question, when you have an episode like them, So
• 23:44
  Speaker 1: they write the episodes in order, right, like I would
• 23:47
  Speaker 1: assume they don't really write them out of work. So
• 23:49
  Speaker 1: when you have an episode like the brace Bridge Dinner
• 23:51
  Speaker 1: that's just huge, like brilliantly written, these intense scenes coursing
• 23:59
  Speaker 1: carriages going around the town, a big giant episode like
• 24:03
  Speaker 1: we would call it a sweeps episode, would it be
• 24:07
  Speaker 1: not that shocking that the following episode just can't live
• 24:10
  Speaker 1: up to that? Oh? Yeah, probably because I think there's
• 24:14
  Speaker 1: a probably a level of fatigue and um, I don't know, Yeah,
• 24:21
  Speaker 1: you're cranking out episodes and you've got you know, we
• 24:25
  Speaker 1: always back in the day sweeps, so like the November episodes,
• 24:30
  Speaker 1: the February episodes of the May episodes were always the biggest,
• 24:35
  Speaker 1: you know, so this was of that time. So I'm
• 24:39
  Speaker 1: wondering maybe there is something to what you're saying that
• 24:41
  Speaker 1: this episode, no, it wasn't a five star because they
• 24:45
  Speaker 1: had just done this huge thing to to actually back
• 24:50
  Speaker 1: to back. H Yeah, yeah, I think that's a good point.
• 24:53
  Speaker 1: But still, as a fan, I want to tune in
• 24:57
  Speaker 1: and I want to be knocked out. You want a
• 25:00
  Speaker 1: home run every week? I do, And and this this
• 25:04
  Speaker 1: this was maybe a seeing I single through the right side,
• 25:08
  Speaker 1: you know, a dribbler. What can I tell you? So
• 25:12
  Speaker 1: I still I don't know I'm gonna be the one
• 25:14
  Speaker 1: that's like I enjoyed this episode. I thought the Kirk
• 25:18
  Speaker 1: scene played well for me when he was saying all
• 25:21
  Speaker 1: those funny lines like I don't want to him on
• 25:23
  Speaker 1: the porch and then he's like, look's come over here
• 25:25
  Speaker 1: in case something from the roof ricochets off. Like I
• 25:28
  Speaker 1: thought that worked for me, him being the term I guy.
• 25:33
  Speaker 1: I love the beginning where Kase Sara Sara's playing and
• 25:37
  Speaker 1: she's so happy and waking up in her bed and
• 25:39
  Speaker 1: her jammies and goes out in her robe and Rory's
• 25:42
  Speaker 1: in her cute jammies and then music stops and she's
• 25:45
  Speaker 1: through the porch like, I don't know, I found it
• 25:49
  Speaker 1: all kind of amusing. It just wasn't enough for me.
• 25:54
  Speaker 1: The fact that that was the main theme of the
• 25:59
  Speaker 1: entire episode just wasn't enough. A layer, sure, a story,
• 26:06
  Speaker 1: c story, but not the A. Okay, that's yeah, that's fair.
• 26:11
  Speaker 1: I also thought the scene to me, yeah, it missed
• 26:14
  Speaker 1: an a storyline. It missed it missed something thematic and
• 26:18
  Speaker 1: larger and more fun that could p s a t
• 26:23
  Speaker 1: A storyline. But then something bigger was the A. Yeah,
• 26:28
  Speaker 1: I like the scene in the diner when you two
• 26:31
  Speaker 1: are bantering about the Rocky Horror Picture Show. It's like,
• 26:34
  Speaker 1: I'll do your makeup. That'll be a hilp, like the
• 26:37
  Speaker 1: banter in the sarcasm. I just thought it was great.
• 26:40
  Speaker 1: Yeah you didn't love it. Sorry, we take a break,
• 26:47
  Speaker 1: glad you grachy sick people are everybody. Let's take a
• 26:53
  Speaker 1: break while we Uh, we're gonna get our med at
• 26:55
  Speaker 1: meds going normally, but I think even all right, we'll
• 27:01
  Speaker 1: be back after these works. Yeah, hi, everybody, we're back
• 27:09
  Speaker 1: and uh we're discussing one of the more delightful experiences
• 27:13
  Speaker 1: watching Gilmore. Uh am I the only one who noticed
• 27:17
  Speaker 1: the freezer issue, which which freezer freezers? You're talking about
• 27:22
  Speaker 1: so Rory and Laura La go over to sukis, you know,
• 27:25
  Speaker 1: in the middle of the night up everyone's wearing their
• 27:29
  Speaker 1: huge jammies. I really I don't get to fashion, but
• 27:31
  Speaker 1: I like to lorelize schandelier shirt. So they're all getting
• 27:35
  Speaker 1: step out of the freezer and Laura La goes to
• 27:38
  Speaker 1: sort of kick the door closed, like tap it, but
• 27:41
  Speaker 1: with a kick, and it did not close. So I
• 27:45
  Speaker 1: think I did do a little googling because I was like,
• 27:49
  Speaker 1: did I notice that or am I just like crazy?
• 27:52
  Speaker 1: And they did say it seems because it wasn't a
• 27:55
  Speaker 1: real freezer, so it was like, didn't close like a
• 27:57
  Speaker 1: freezer would. Yeah, they're not They're not real. There's not
• 28:03
  Speaker 1: there's not not real refrigeration going on there. It's all props.
• 28:09
  Speaker 1: How do they keep the ice cream cold? When Suki
• 28:11
  Speaker 1: is like scooping it? Um, gosh, that is a good well,
• 28:16
  Speaker 1: you know they bring in a thing of does it's
• 28:19
  Speaker 1: somewhat you know, halfway melted or three quarters melted or
• 28:23
  Speaker 1: quarter melted. That's not hard And as the scene goes on,
• 28:27
  Speaker 1: would you get a fresh cold one? So it's not
• 28:29
  Speaker 1: all s props would always have a couple of backups. Yeah,
• 28:32
  Speaker 1: So what do you guys think of Lane and the
• 28:35
  Speaker 1: cheerleader situation? Just out of the blue, just like what's
• 28:43
  Speaker 1: going on here? Just came out of the blue, so
• 28:46
  Speaker 1: out of the blue. And it was kind of like
• 28:48
  Speaker 1: the first time we saw Rory get a little, I
• 28:51
  Speaker 1: want to say, kind of jealous because she was like,
• 28:53
  Speaker 1: you're so preppy now, Like, I don't know, I saw
• 28:57
  Speaker 1: a little jealousy, Yeah, jealousy. And that uniform scene when
• 29:04
  Speaker 1: they're all tailors making them undress uniforms because it's freezing
• 29:09
  Speaker 1: cold outside. That was my favorite scene. I thought Lane
• 29:15
  Speaker 1: was quite a good cheerleader. Yeah, but what what was
• 29:22
  Speaker 1: the purpose of that? What what is the purpose of
• 29:27
  Speaker 1: turning Lane into a cheerleader? It's unexpected. Yeah, I guess
• 29:32
  Speaker 1: I never would have said Lane would be a cheerleader,
• 29:36
  Speaker 1: But I just I just don't. I don't. I didn't know.
• 29:39
  Speaker 1: She's she's a rebellious teen, listening to underground rock, hiding
• 29:45
  Speaker 1: from her mother, you know, most of the time, and
• 29:49
  Speaker 1: all of a sudden, she's a cheerleader. I mean, I
• 29:51
  Speaker 1: don't know. You know what I found interesting is when
• 29:54
  Speaker 1: Rory left to go to Chiltern, Lane was like oh no,
• 29:58
  Speaker 1: don't become like, you know, one of those preppy kids.
• 30:01
  Speaker 1: And then now Lane is the preppy one. I don't know,
• 30:06
  Speaker 1: I do feel like, Okay, as much as I enjoyed
• 30:09
  Speaker 1: this episode, I will give Scott because there was a
• 30:12
  Speaker 1: lot of sort of like random bleep going on, Like
• 30:15
  Speaker 1: it was sort of like the writers like, let's give
• 30:17
  Speaker 1: Lane something to do. Let's do that, let's flatten the basketball.
• 30:24
  Speaker 1: It's like, okay, he throws a basketball at it. And
• 30:27
  Speaker 1: it was like, you know, the obligatory Dean scene where
• 30:32
  Speaker 1: he's so sweet and he's so caring and the whole thing,
• 30:37
  Speaker 1: and and she responds, right, she now she needs him,
• 30:41
  Speaker 1: now she appreciates now she really needs him. Um, but
• 30:45
  Speaker 1: he gets his basketball flood? Why do you throw a
• 30:47
  Speaker 1: basketball in my head? But I don't like basketball? That's
• 30:55
  Speaker 1: I don't know. I don't know, man, this one I
• 30:58
  Speaker 1: was trying. I watched it twice too. I mean I
• 31:01
  Speaker 1: was just like, did I miss something? What's going on here?
• 31:06
  Speaker 1: You know? Yeah, I enjoyed it both times. But also
• 31:10
  Speaker 1: I maybe feel better than you guys, because once I
• 31:16
  Speaker 1: love my ceiling and the water pouring in is it
• 31:20
  Speaker 1: the COVID review, it does this episode have the great
• 31:25
  Speaker 1: misfortune of being reviewed under COVID circumstances. That should be
• 31:29
  Speaker 1: the title of this episode. Yeah, so I was like,
• 31:32
  Speaker 1: we should do an experiment, like in six months and
• 31:35
  Speaker 1: just out of nowhere, go back and watch this one
• 31:37
  Speaker 1: again and see you guys like it when you're all
• 31:40
  Speaker 1: feeling and see I'm on the one I feel okaytions No,
• 31:47
  Speaker 1: it just it just missed. It just kept missing for me.
• 31:52
  Speaker 1: Why are those two girls names out of my head?
• 31:55
  Speaker 1: The two best friends? Yeah, I found them so amusing.
• 32:02
  Speaker 1: I apologize. Don't send me mean comments. Their names just
• 32:05
  Speaker 1: went out of my head. I don't know why. Well,
• 32:08
  Speaker 1: I don't know there was see there there isn't a
• 32:10
  Speaker 1: lot more to discuss because it wasn't much more to
• 32:13
  Speaker 1: the episode. I mean, what, what the heck more was
• 32:16
  Speaker 1: there to the episode? They? You know, yeah, she gets
• 32:20
  Speaker 1: the loans the end. Okay, right, she gets the loan.
• 32:28
  Speaker 1: They okay, freaking go back to bed now. Okay. Look,
• 32:37
  Speaker 1: as much as I disagree that, I don't think it
• 32:39
  Speaker 1: was as bad as you do. I get you're right,
• 32:42
  Speaker 1: it looked maybe it was an episode filled with sort
• 32:44
  Speaker 1: of BC storylines. It wasn't up to you know it.
• 32:50
  Speaker 1: They raised the bar so high prior and this didn't
• 32:54
  Speaker 1: come close. I think we got a little glimpse of
• 32:58
  Speaker 1: next week because Emily engines that Richard is sort of
• 33:01
  Speaker 1: closing his accounts and he's enjoying that because next week
• 33:06
  Speaker 1: is a big one with Richard coming to Stars Hollow,
• 33:10
  Speaker 1: so everybody can get excited about that. So yeah, I mean, yeah,
• 33:15
  Speaker 1: maybe it was just sort of an episode because they
• 33:17
  Speaker 1: have to deliver twentysomething episodes. There was a good Yannique scene.
• 33:24
  Speaker 1: There was a good Michelle scene, wasn't there. She went
• 33:27
  Speaker 1: into the the end with her shiny shirt, with her
• 33:31
  Speaker 1: microwave shirt, you know, and what did They had some
• 33:36
  Speaker 1: kind of a scene. Why do I not remember this
• 33:39
  Speaker 1: at all? I don't know. Don't you remember she goes
• 33:42
  Speaker 1: into the stars Hollow and and Yanni and her have
• 33:46
  Speaker 1: a scene in her shiny shirt, remember her glitterly microwave shirt,
• 33:52
  Speaker 1: her high glitter radiation shirt. So they're at the front
• 33:57
  Speaker 1: desk and Michelle is about to answer the phone and
• 34:00
  Speaker 1: he's talking about taking the wrong approach. Yeah, right, right,
• 34:05
  Speaker 1: manipulation rejected by the banks exactly. Pardon me, pardon me.
• 34:13
  Speaker 1: There's a little racy or like a pretty scandalous line
• 34:17
  Speaker 1: from Michelle in there, he says, you know, in Thailand
• 34:23
  Speaker 1: women do this trick with a ping pong ball. That
• 34:25
  Speaker 1: is a big crowd pleaser. I missed that. You really
• 34:32
  Speaker 1: do have to watch the episodes twice because you catch
• 34:36
  Speaker 1: an entire set of lines the second time. I liked
• 34:41
  Speaker 1: when Mrs Kim shoot Rory out of the antique shop
• 34:45
  Speaker 1: with the broom and said, you're a carrier. She sprayed,
• 34:53
  Speaker 1: she was a sprayer with the hose. We won't we
• 34:57
  Speaker 1: We don't have to make everybody suffer. We can. We
• 34:59
  Speaker 1: can move on into our favorite fashion moments, our favorite lines,
• 35:02
  Speaker 1: and pop culture and just get out of this and
• 35:05
  Speaker 1: and see how next week is. I don't know. I
• 35:07
  Speaker 1: think a lot of people are going to agree with me.
• 35:09
  Speaker 1: I can't wait to find that. I think that. I
• 35:11
  Speaker 1: think it's not you know, my intention. But I'm sorry,
• 35:16
  Speaker 1: I I you know, I just did, and I was listening.
• 35:21
  Speaker 1: I was hard up for entertainment, you know, being bedridden
• 35:24
  Speaker 1: for a couple of days. You know, I really wanted
• 35:25
  Speaker 1: to get up and watch something spectacular. I was open
• 35:29
  Speaker 1: for it. Did you watch anything else that? Wow? Do you? Um? No?
• 35:40
  Speaker 1: I didn't watch anything else. I went right back to bed.
• 35:44
  Speaker 1: I was disappointed, Babbie, Ill have you been watching to
• 35:48
  Speaker 1: being on stop for ten days? Yep? I did, um
• 35:52
  Speaker 1: and lay in Paris back um in the morning show,
• 35:57
  Speaker 1: lots of housewives. There's three going on right now at
• 36:00
  Speaker 1: one time, so I'm fully just crushing in the TV game.
• 36:05
  Speaker 1: Here's my favorite fashion moment. The pajamas Rory's. I need
• 36:10
  Speaker 1: to know were those Nickingnora again? We might even look
• 36:12
  Speaker 1: up because she had a great pair of pajamas in
• 36:15
  Speaker 1: the you know seene right after the title credits when
• 36:19
  Speaker 1: Kasarassara is going and then she had another pair of
• 36:22
  Speaker 1: pajamas when they went to Suki's that were also adorable.
• 36:26
  Speaker 1: Looked like the same designer. So I'm giving Suki's robe
• 36:29
  Speaker 1: was adorable. I'm giving pajamas just the ultimate thumbs up
• 36:33
  Speaker 1: in this episode. There is no other fashion moment that's
• 36:37
  Speaker 1: it like I like that was for me too. That's
• 36:44
  Speaker 1: the high high glitter radiation microwave shirts she was wearing.
• 36:49
  Speaker 1: That was quite toxic for people and they needed to
• 36:52
  Speaker 1: check their radiation levels after, you know, coming in contact
• 36:57
  Speaker 1: with that shirt. Let me tell you that was a
• 37:00
  Speaker 1: microwave of stars hollow can start to start an Instagram
• 37:04
  Speaker 1: page microwaves on our Instagram. Should we take one more
• 37:10
  Speaker 1: break and then come back with the highlight of that
• 37:13
  Speaker 1: of the episode? Yes, I think we should. Yes, let's
• 37:17
  Speaker 1: take a break and we will de shine our shirts
• 37:22
  Speaker 1: somehow so that not to give off the radiation. Uh.
• 37:27
  Speaker 1: And we'll be back after these messages. Yeah, all right, everybody,
• 37:34
  Speaker 1: We're back. Uh. And then that Rory eats a goos
• 37:40
  Speaker 1: did you see that? And she gave one to Kirk.
• 37:42
  Speaker 1: She gave to Kirk to Kirk got two waffles. I've
• 37:47
  Speaker 1: been crazing an ago waffle, you know. For me, that
• 37:50
  Speaker 1: was the highlight of the entire episode. When Kurt ate
• 37:54
  Speaker 1: those waffles. I was so happy for Kirk. No, I'm
• 37:57
  Speaker 1: just kidding on it. No, Kirk did seem to have
• 38:03
  Speaker 1: a lot of termite knowledge though, totally that was impressive,
• 38:10
  Speaker 1: totally impressive, and I thought, that is a that's that's
• 38:13
  Speaker 1: where he belongs. He belongs in the termite field. Kirk
• 38:18
  Speaker 1: should be a termite ologist, he should be a he
• 38:23
  Speaker 1: should be fumigating houses. That's perfect for him. And so
• 38:27
  Speaker 1: Luke came over and he knows a lot of stuff too,
• 38:33
  Speaker 1: But you can't steal Kirk's thunder for the accuracy of
• 38:38
  Speaker 1: the wardrobe, for the for for the depth of the knowledge.
• 38:43
  Speaker 1: I also like that Luke is a baller and fifteen
• 38:47
  Speaker 1: dollars was not going to be an issue for him whatsoever.
• 38:51
  Speaker 1: It was like, look, how like definitely and starting to
• 38:54
  Speaker 1: think Luke's got a quarter of a million dollars somewhere
• 38:56
  Speaker 1: in the night. Oh, no doubt, definitely, no doubt. Yeah,
• 39:05
  Speaker 1: he is good with the good with the money. No,
• 39:08
  Speaker 1: he's been investing in big tech. I mean he's not.
• 39:13
  Speaker 1: He's rich as mightas right now, he's rich as might
• 39:17
  Speaker 1: as he invested well totally, Oh he's yeah, he's a
• 39:21
  Speaker 1: macdaddy right now. Oh yeah, he might get a microwave
• 39:28
  Speaker 1: shirt and go high glitter on it. You know, you
• 39:30
  Speaker 1: never know the two of those, you know, that could
• 39:33
  Speaker 1: be their wedding. He did did he? Did he get
• 39:35
  Speaker 1: a Gucci belt from Bloomingdale's when loreli A dressed him.
• 39:38
  Speaker 1: I think he got a belt. I don't know if
• 39:41
  Speaker 1: it was a Gucci. He can wear some clothes now,
• 39:43
  Speaker 1: you just need to get him the clothes. Yeah, he can. So.
• 39:47
  Speaker 1: Riley was last episode when you were out and Danielle
• 39:51
  Speaker 1: filled in. Yeah, that's why this is the return of Riley.
• 39:57
  Speaker 1: God done, do COVID free? Have you tested negative? I
• 40:05
  Speaker 1: have not tried testing again, but I feel okay. Did
• 40:09
  Speaker 1: you go somewhere to get to tested? Did you do
• 40:11
  Speaker 1: it at home? I did both? M We got a guy,
• 40:15
  Speaker 1: We got a guy, got a person. You sent me
• 40:18
  Speaker 1: a guy. We I shouldn't even tell this because it's like,
• 40:24
  Speaker 1: but we have to test a bunch of people for
• 40:26
  Speaker 1: work today, and I actually sent our guy a note
• 40:29
  Speaker 1: that said, don't worry. I'm fully expecting this person is
• 40:33
  Speaker 1: going to come back positive. So I don't want you
• 40:35
  Speaker 1: to feel upset when we have to break the news
• 40:38
  Speaker 1: to me, like we're well prepared for it, our poor COVID.
• 40:42
  Speaker 1: So I heart we as someone that does all our testing.
• 40:44
  Speaker 1: And I mean the COVID episode, the COVID episode. I
• 40:50
  Speaker 1: think everyone listening also is experiencing the same things. It's
• 40:53
  Speaker 1: just like, well, so what are we at? Wait? I
• 40:57
  Speaker 1: give our Paul stivity, right, what are you talking about?
• 41:02
  Speaker 1: We have five people working right now and four either
• 41:06
  Speaker 1: have it or have it. We are literally the l
• 41:09
  Speaker 1: A statistic. We're one in four people don't forget, East's
• 41:16
  Speaker 1: four out of five. No, not me, don't get me,
• 41:20
  Speaker 1: you're four out of five. I don't leave my house.
• 41:22
  Speaker 1: I don't leave my house. Well, I don't know that
• 41:24
  Speaker 1: it's COVID, but it probably is. I dodged a bullet
• 41:33
  Speaker 1: for two years, and now bullet TikTok. You' all you
• 41:38
  Speaker 1: gotta do is get on TikTok. And also, people give
• 41:40
  Speaker 1: their symptoms and you have every single one. I love
• 41:45
  Speaker 1: that you go to TikTok for this symptom. Okay, I'm
• 41:47
  Speaker 1: Stilliam says with TikTok. That's that's a problem. I want
• 41:51
  Speaker 1: to start our TikTok account. Don't forget. We're getting on that, Scott.
• 41:54
  Speaker 1: We're starting our TikTok within the next I'm gonna get
• 41:59
  Speaker 1: on there and show off my curves. Man, get some attention.
• 42:04
  Speaker 1: I start influencing. It's not necessarily accurate. Yeah, we're gonna
• 42:10
  Speaker 1: have some dance routines, dance moves, We're gonna, we're gonna
• 42:15
  Speaker 1: do We're gonna just gonna take over. I'm born, did
• 42:19
  Speaker 1: do TikTok, born to do it. By the way, I
• 42:23
  Speaker 1: will say that I saw TikTok this week where the
• 42:25
  Speaker 1: guy was talking about Sex in the City the reboot,
• 42:29
  Speaker 1: but he tagged it and admitted that he was tagging
• 42:31
  Speaker 1: it Gilmore Girls because more people will watch or see
• 42:34
  Speaker 1: the TikTok if he tags it Gilmore Girls. Smart man, Yep,
• 42:39
  Speaker 1: I don't know who that guy was. That's a word
• 42:41
  Speaker 1: to the wise. Make sure you tag gg no matter
• 42:45
  Speaker 1: what subject you're talking about, he'll get the eyeballs. Listen, man,
• 42:50
  Speaker 1: it's been a strange trip. It's been a really long,
• 42:54
  Speaker 1: strange trip. Brothers and sisters. Let me tell you something.
• 42:57
  Speaker 1: I was in Colorado and that every time I hoist
• 43:01
  Speaker 1: my skis on my shoulders and walk to the lift,
• 43:06
  Speaker 1: I would see another influencer in a bikini grinding on
• 43:09
  Speaker 1: a snowmobile and it would just seem normal. So it's like, what,
• 43:14
  Speaker 1: you know, the world has changed. Okay, the world has changed.
• 43:17
  Speaker 1: And I don't know how else to explain it. But
• 43:23
  Speaker 1: you know, either just got to accept it and roll
• 43:25
  Speaker 1: the punches, or just get back in bed and put
• 43:27
  Speaker 1: the sheets over your head. He doesn't have COVID, don't worry.
• 43:36
  Speaker 1: I'm not sure. I'm no doctor. It's just a bit
• 43:41
  Speaker 1: of a congestion. If COVID brain was an episode would
• 43:48
  Speaker 1: be this. Well, speaking of grinding, should we grind out?
• 44:00
  Speaker 1: Give us a pop culture? Right? Well, thank you so
• 44:03
  Speaker 1: much for filling in, Danielle. You did a fantastic job.
• 44:06
  Speaker 1: Seeing the reviews, everybody loves you. Thank you. So I'm Riley,
• 44:11
  Speaker 1: I'm back. I'm back with your pop culture. Thank you
• 44:14
  Speaker 1: for having me. Um. So, First, we have Matto and
• 44:16
  Speaker 1: Louise talking about boys while they're eating lunch at Chilton,
• 44:19
  Speaker 1: and Madeline says boys and Nancy Drew Mystery Nancy Drew
• 44:23
  Speaker 1: is a fictional character, a sleuth in an American mystery
• 44:25
  Speaker 1: series created as a female counterpart to the Hardy Boys series.
• 44:29
  Speaker 1: More than five hundred Nancy Drew books have been published
• 44:32
  Speaker 1: since ninety and in nineteen seventy seven, The Hardy Boys
• 44:35
  Speaker 1: Slash Nancy Drew Mystery Series was a TV series starring
• 44:39
  Speaker 1: Pamela Sue Martin as Nancy Drew. Then to the big
• 44:42
  Speaker 1: screen in two thousand seven came Nancy drews darring Emma Roberts.
• 44:46
  Speaker 1: Due to only having a learner's permit and not an
• 44:48
  Speaker 1: actual driver's license, Emma Roberts was not allowed to drive
• 44:52
  Speaker 1: by herself in these car chase scenes and the best
• 44:55
  Speaker 1: thing about Gilmore Girls is these references made sense then
• 44:59
  Speaker 1: and even now. And actually there's a Nancy Drew TV
• 45:02
  Speaker 1: series on the CW starring Kennedy m McMahon, which is
• 45:05
  Speaker 1: so cool, just super tangent sidebar as you just mentioned,
• 45:11
  Speaker 1: Emma Robberts, did you guys see the Harry Potter thing
• 45:15
  Speaker 1: where they showed what they thought was a picture of
• 45:18
  Speaker 1: Emma Watson who was in Harry Potter and it was
• 45:20
  Speaker 1: Emma Roberts. I felt so bad, dh, I need to
• 45:27
  Speaker 1: go back and working to go google it too, and
• 45:31
  Speaker 1: like Emma Roberts and Emma Watson are like commenting about.
• 45:34
  Speaker 1: I mean, that is hilarious. I felt bad for that
• 45:39
  Speaker 1: producer that made that mistake. Picture so good. So next
• 45:46
  Speaker 1: we have Suky and Rory list off the reasons why
• 45:48
  Speaker 1: Lorela is an upstanding citizen and she get the loan,
• 45:51
  Speaker 1: Rory says, And you played Teva in the stars Hollow
• 45:54
  Speaker 1: Community Theater production of Fiddler on the Roof. Fiddler on
• 45:57
  Speaker 1: the Roof is one American epic music drama comedy, and
• 46:01
  Speaker 1: an adaptation of the nineteen sixty four Broadway musical topol
• 46:05
  Speaker 1: is only thirty five years old when he performed the
• 46:07
  Speaker 1: role of Tebia, a character is supposed to be over
• 46:10
  Speaker 1: fifty years old. To make Topo look older, the makeup
• 46:13
  Speaker 1: team clipped fifteen white hairs from the director's beard and
• 46:16
  Speaker 1: applied them to Topal's eyebrows. Gross and the sunrise sunset
• 46:21
  Speaker 1: scene was not lit by electric light, but by hundreds
• 46:25
  Speaker 1: of candles. Luke tells Laura Lae they fixed the house
• 46:29
  Speaker 1: and she can pay for it when she can. Laura
• 46:31
  Speaker 1: Lai says, because I'm Tony Soprano. Anthony John Soprano is
• 46:36
  Speaker 1: a fictional character in HBO television drama series The Sopranos.
• 46:40
  Speaker 1: HBO was worried that the title of the series would
• 46:43
  Speaker 1: make the audience think that it was about music. That
• 46:46
  Speaker 1: is why the gun image is in the logo. It
• 46:48
  Speaker 1: is said that during some scenes, James Gandalfeni insert a
• 46:52
  Speaker 1: small stone in his shoe to anger him, making him
• 46:54
  Speaker 1: play the role of Tony Soprano more authentically. Both great tippets.
• 47:00
  Speaker 1: Ridley Scott, would you do that like playing Luke? Would
• 47:04
  Speaker 1: you be like, let me put a rock in my
• 47:05
  Speaker 1: shoe to make me a little more grumpy. Just just
• 47:11
  Speaker 1: have COVID. It's just about to say that by the way,
• 47:20
  Speaker 1: Like you guys, Stock is sick and he's doing this
• 47:24
  Speaker 1: podcast like he's like, I'm going to do it. Well,
• 47:29
  Speaker 1: you know, I put it off for a couple of
• 47:30
  Speaker 1: days and I couldn't have done it Monday or Tuesday
• 47:33
  Speaker 1: when I came back. Right, but you're here now. But
• 47:36
  Speaker 1: I'm here now. I can't even believe. I'm like, my
• 47:39
  Speaker 1: eyes are open. Don't you don't look your mask? Wait. Actually,
• 47:47
  Speaker 1: when I saw Scott jump on the zoom this morning,
• 47:50
  Speaker 1: I was like, I love the facial hair and I
• 47:52
  Speaker 1: think he looks a little stronger. I've lost ten pounds
• 48:00
  Speaker 1: sitting here. Mm hmm the toilet at the end of
• 48:10
  Speaker 1: the episode, when flush the toilet, so everyone knows and
• 48:13
  Speaker 1: I'm recording this podcast in a bath. Yes, you need
• 48:16
  Speaker 1: to prove that you can make that claim without proof. Yeah,
• 48:20
  Speaker 1: nobody moved because at the end of the episode, toilet
• 48:23
  Speaker 1: flush right your Hive star reviews for this particular episode,
• 48:33
  Speaker 1: I was gonna try and make a potty joke, but
• 48:35
  Speaker 1: I'll refrain. Laura Lai and Emily fight outside the bank,
• 48:39
  Speaker 1: and Laura la finally agrees to let Emily in on
• 48:41
  Speaker 1: the bank meeting. Laura I says to Emily, I swear
• 48:44
  Speaker 1: one of these days, Alice pal right to the moon.
• 48:46
  Speaker 1: This is a reference to The Honeymooners and American television
• 48:49
  Speaker 1: sitcom which originally aired from fifty six created by and Starry,
• 48:55
  Speaker 1: starring Jackie Gleason as Ralph. Ralph's phrase to the when
• 49:00
  Speaker 1: Alice was ranked number two and TV guys list of
• 49:02
  Speaker 1: TV's twenty top catchphrases, and the four main characters, Ralph,
• 49:06
  Speaker 1: at Alice and Trixie later became the prototypes for the
• 49:10
  Speaker 1: four main characters in The flint Stones. The show was
• 49:12
  Speaker 1: shot writing a kisser, m hmm, pal writing the kisser
• 49:19
  Speaker 1: who said that nobody said, kisser, what are you talking about?
• 49:23
  Speaker 1: It was the They claimed that the to the moon,
• 49:25
  Speaker 1: Alice is the catchphrase that was And how and how
• 49:28
  Speaker 1: I wondered did Emily not get that reference because she's
• 49:32
  Speaker 1: of that age where you know, The Honeymooners was a
• 49:35
  Speaker 1: hit show when she was an adult and everybody knew
• 49:38
  Speaker 1: that that phrase. So it also came back in two
• 49:43
  Speaker 1: thousand five as a film and it bombed sadly. Well, yeah, Laura,
• 49:48
  Speaker 1: I talks a Suki about the money it is going
• 49:50
  Speaker 1: to cost them to tent their house. Laura I says,
• 49:53
  Speaker 1: I was thinking about opening a Coyote Ugly Eliminated stand.
• 49:56
  Speaker 1: Kayote Iu Believe, the two thousand American musical comedy drama
• 49:59
  Speaker 1: film based on Coyote Ugly Saloon. The original Coyote Ugly
• 50:03
  Speaker 1: Saloon officially opened its doors on First Avenue in New
• 50:06
  Speaker 1: York and the other thirteen locations followed. The saloon is
• 50:11
  Speaker 1: known for its beautiful bartenders performing on the bar, and
• 50:14
  Speaker 1: in the movie Land Rhymes did all the singing for
• 50:17
  Speaker 1: the character of Violet, so when the two are duetting
• 50:19
  Speaker 1: on the bar, Rhymes is essentially duetting with herself. And finally,
• 50:23
  Speaker 1: Tyra Banks tore her lateral meniscus dancing on top of
• 50:26
  Speaker 1: the bar. Dangerous business dancing on a bar. Laura Lai
• 50:31
  Speaker 1: tells Rory they will go out to celebrate her s
• 50:33
  Speaker 1: a t scores. Lorli says, okay, so we should celebrate.
• 50:37
  Speaker 1: How about we all get dressed up tonight and hit
• 50:39
  Speaker 1: the Rocky Horror Picture Show, which is what you guys
• 50:41
  Speaker 1: talked about the bantering back and forth. The Rocky Horror
• 50:45
  Speaker 1: Picture Show in musical comedy horror film starring Tim Curry,
• 50:49
  Speaker 1: Susan Srandon, Barry Bosswick, and even meat Loaf. Dr. Everett V.
• 50:54
  Speaker 1: Scott crashes through the wall for his entrance because the
• 50:57
  Speaker 1: set builders forgot to put an extra door in the lab.
• 51:00
  Speaker 1: Upset And we love hidden fines on this podcast. And
• 51:03
  Speaker 1: here's one from Rocky Horror Picture Show. Aside from the
• 51:06
  Speaker 1: chemical symbols scrawled on the lab wall, next to the
• 51:09
  Speaker 1: control panel, there's a grocery list calling for flower eggs,
• 51:12
  Speaker 1: bread sugar, and two hypodermics. You know, I've never seen
• 51:16
  Speaker 1: a film, uh that engaged in an audience so thoroughly
• 51:20
  Speaker 1: that Rocky Horror Picture Show. I was actually my first
• 51:24
  Speaker 1: year of college is when that hit its zenith. And
• 51:29
  Speaker 1: every Friday night, every weekend night, uh in New Brunswick,
• 51:33
  Speaker 1: cause I went to Rutgers UM. You know, there was
• 51:36
  Speaker 1: the theater and they would show the film there and
• 51:39
  Speaker 1: everybody would dress up as one of the characters and
• 51:42
  Speaker 1: people would get up on the in front of the
• 51:44
  Speaker 1: screen and act out. You know. There was there was
• 51:46
  Speaker 1: a moderator and and they'd stopped the film and everybody,
• 51:50
  Speaker 1: I mean, it was just it was I've never seen
• 51:53
  Speaker 1: anything like it. I've never experienced angeles sometimes, Oh my god,
• 51:59
  Speaker 1: what a film? What? What? What a fun film? Anyway? No,
• 52:05
  Speaker 1: it's a great film, um mrs so next, Mrs Kim
• 52:08
  Speaker 1: kicked Rory out of the antique shop because of the
• 52:10
  Speaker 1: wood and the termites, Rory says, and then she chased
• 52:12
  Speaker 1: me halfway down the street with a hose. It was
• 52:15
  Speaker 1: like the scene from Silkwood. Silkwood is American biographical drama
• 52:19
  Speaker 1: film directed by Mike Nichols and starring Meryl Streep Share
• 52:22
  Speaker 1: and Kurt Russell. The film centers around at death while
• 52:25
  Speaker 1: investigating alleged wrong doings at the Kerr McGee plutonium plant,
• 52:29
  Speaker 1: which is why she wanted to I want watch Silkwood.
• 52:33
  Speaker 1: Seen it. I had never heard of it before. See
• 52:37
  Speaker 1: yeah like that. For you guys to watch that today,
• 52:41
  Speaker 1: especially today, if you're all uplifting film, they should watched Contagion.
• 52:50
  Speaker 1: Oh my gosh, No, I want to see the I
• 52:58
  Speaker 1: want to see don't look up. But what is it good?
• 53:03
  Speaker 1: Right with Leo? With Leo? Isn't it Leo? Meryll Jonah.
• 53:09
  Speaker 1: I was looking at his his Twitter feed today, Leo,
• 53:14
  Speaker 1: and it made me feel so completely insignificantly. This guy,
• 53:23
  Speaker 1: he's the kiding of the world. Literally, Alright, excuse me
• 53:28
  Speaker 1: while I die. Oh God, alright, time for a cough drop. Right,
• 53:40
  Speaker 1: let's take I think I should take the paper off.
• 53:43
  Speaker 1: I've been taking these with the paper on um Man
• 53:48
  Speaker 1: was that guy committed to Claus Like he's worried about
• 53:56
  Speaker 1: the butterflies in Uruguay? And I mean he's he's keeping
• 54:00
  Speaker 1: arack of everything. Just go on, go on his Twitter
• 54:03
  Speaker 1: feed and you can see how involved he is. Yeah,
• 54:08
  Speaker 1: how completely embedded he is in this world. Quite amazing.
• 54:14
  Speaker 1: I really want to see that Adam McKay film. I
• 54:16
  Speaker 1: really want to see that film that's on Netflix. So
• 54:18
  Speaker 1: I think I'm like, you can watch it right after this.
• 54:22
  Speaker 1: Let's review that. Maybe Henry and Henry yeah it, let's
• 54:30
  Speaker 1: do that. Next review. I think Henry mentioned it is uh,
• 54:36
  Speaker 1: we did flash Dance and then it's the sixth Cents,
• 54:39
  Speaker 1: so you can watch that too today. Sixth tense. I
• 54:43
  Speaker 1: don't want to ruin it. I don't want to ruin it.
• 54:46
  Speaker 1: There's a real there's a real twist. I see I
• 54:50
  Speaker 1: see dead people that one. Yeah, there's a real twist
• 54:56
  Speaker 1: in the end. No boy, so our alert okay, last,
• 55:02
  Speaker 1: but for pop culture or in Laura, I talk about
• 55:05
  Speaker 1: their loan process, and Lawley says, Honey, it's not the
• 55:08
  Speaker 1: amount of places that turns you down that matters. It's
• 55:10
  Speaker 1: the quality quality of the place that turns you down
• 55:12
  Speaker 1: that matters. And when you've got Jackos loan and stuff
• 55:15
  Speaker 1: not wanting your business, you know it's time to hang
• 55:17
  Speaker 1: out with the Corries. That was a reference that I
• 55:20
  Speaker 1: really appreciate it. So this is a reference to the
• 55:24
  Speaker 1: Two Corries, also known as The Quarries. The actors are
• 55:28
  Speaker 1: Corey Feldman and Corey Hame. The Two Quarries was a
• 55:31
  Speaker 1: two thousand seven TV series as a look at their
• 55:34
  Speaker 1: lives of formal child actors. So she Wasn't She Wasn't
• 55:39
  Speaker 1: before time and Corey Feldman and Corey Hame were the highlighted,
• 55:44
  Speaker 1: were the highest paid at teen stars and were essentially
• 55:47
  Speaker 1: the kings of the teen box office back in the
• 55:49
  Speaker 1: mid late eighties. And Corey Hame unfortunately passed away from
• 55:55
  Speaker 1: pneumonia in two thousand ten. Do you have a favorite
• 55:58
  Speaker 1: Corey Feldman Corey Hayne movie? Not necessarily, they don't want
• 56:02
  Speaker 1: to be in it together. Goonies for Corey Feldman, great call,
• 56:08
  Speaker 1: I'm a stand by Me myself and Corey Hayne Lucas.
• 56:11
  Speaker 1: I love Lucas. If you haven't seen it, you should.
• 56:15
  Speaker 1: Corey Feldman was great and uh, she was like the best.
• 56:20
  Speaker 1: That's it for pop culture, right? Yeah? I think I
• 56:25
  Speaker 1: said my favorite lines. I revealed them as we went along.
• 56:30
  Speaker 1: You're a carrier. This is Kim Danielle. What's your favorite line?
• 56:38
  Speaker 1: Have a good one. From when Rory was telling Emily
• 56:41
  Speaker 1: about their problems and Rory goes, we have termites. They're
• 56:44
  Speaker 1: eating our hold mouse and Laura le goes, but they
• 56:46
  Speaker 1: always say thank you. Mine is also Rory and Laura
• 56:51
  Speaker 1: lay together. Um, Rory says, so do you think the
• 56:54
  Speaker 1: porch is falling apart? Or do you just weigh a ton? Oh?
• 56:59
  Speaker 1: My go? I thought it one more? You can't gap two?
• 57:04
  Speaker 1: I gotta go. I'm haven't. I'm struggling to find one
• 57:08
  Speaker 1: that I like. Um. I think it's Kirk commenting on
• 57:15
  Speaker 1: how delicious the waffles were. Also when laurelized as we
• 57:20
  Speaker 1: liked the entire house Kirk, and he says, given that kitchen,
• 57:28
  Speaker 1: this might have been my favorite Kirk episode so far. Nope,
• 57:34
  Speaker 1: oh well you got I don't know about that. This
• 57:39
  Speaker 1: might be my favorite podcast. It's when Kirk seemed the
• 57:42
  Speaker 1: most normal. Yeah, he seemed like, yeah, he just knew
• 57:46
  Speaker 1: his Yeah, we really had together. Next week is Richard Comes.
• 57:57
  Speaker 1: I forget exactly what it's called. Richard Comes two stars
• 58:00
  Speaker 1: hollow Richard and stars hollow. Wait the big finish, hold on,
• 58:10
  Speaker 1: see you next week. All right, kids, thanks for tuning in,
• 58:13
  Speaker 1: and I'm going to try to do this. Give us
• 58:16
  Speaker 1: a nice little send off for the Maiden Voyager. I
• 58:21
  Speaker 1: am Scott Patterson and this is the I Am All
• 58:23
  Speaker 1: In Podcast. I heard Radio one of leven Productions. It's
• 58:27
  Speaker 1: been a pleasure. Thanks for downloading. We are gonna up
• 58:32
  Speaker 1: our vitamin C D and gummy regimen and we will
• 58:38
  Speaker 1: see you next time. Thanks for tuning in. By h
• 59:10
  Speaker 1: Hey everybody, and don't forget follow us on Instagram at
• 59:13
  Speaker 1: I Am All In Podcast and Emailie at Gilmore at
• 59:18
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• 59:21
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• 59:23
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• 59:27
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• 59:29
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