Latest / Flava Breakfast / FULL SHOW: Charlie has been spotted on the TV
Transcript
- 0:01Speaker 1: The Flavor Podcast Network, the Flavor Breakfast Podcast with Stace,
- 0:05Speaker 1: Azorah and Charlie.
- 0:07Speaker 2: On today's podcast, I share my dad is dating and
- 0:11Speaker 2: what he's doing about it.
- 0:12Speaker 3: And the stars of one O two and Onana Maudi
- 0:16Speaker 3: two and they sing and it's beautiful.
- 0:19Speaker 4: And Charlie is not at work. But somehow on TV
- 0:22Speaker 4: you'll find out what is going on right here on
- 0:25Speaker 4: the podcast, Lord your Stace and Zarah.
- 0:29Speaker 3: This morning, just the girls here, So don't worry. We
- 0:33Speaker 3: are going to look after you so well that I
- 0:36Speaker 3: just have this feeling when the Flavor Fugitive gives us
- 0:39Speaker 3: his first club at halp Ou seven, someone's going to
- 0:41Speaker 3: be right there and we're going to have one of
- 0:42Speaker 3: the quickest, you know, discoveries of the Flavor Fugitive in
- 0:45Speaker 3: order to go in the drawer to win a trip
- 0:47Speaker 3: to Las Vegas for fifteen grand Ever.
- 0:49Speaker 2: Do you think it'll be faster than what it was
- 0:50Speaker 2: like in bookco though.
- 0:54Speaker 3: So if you're in the zone, you're in the zone.
- 0:56Speaker 3: Be ready, be on the lockout. Remember that the word
- 1:00Speaker 3: is Flavor fugitive because someone says to me saying, ah,
- 1:04Speaker 3: I was saying the wrong word, that I was in.
- 1:07Speaker 4: The area, but I couldn't remember what the word was.
- 1:10Speaker 3: So Regina, I'm just going to call you out here
- 1:12Speaker 3: because she was there in the area Manudewa, but she
- 1:16Speaker 3: was saying I kept on saying. I wanted to call
- 1:18Speaker 3: him the ultimate warrior, lay the future everything.
- 1:21Speaker 2: Okay, okay, well you know it is a trip to
- 1:24Speaker 2: the Rugby League opener. I see a five point fifty
- 1:27Speaker 2: seven text on eight to two double O from stew He.
- 1:30Speaker 4: Said, more than a funner.
- 1:31Speaker 2: Can you please make sure the fugitive doesn't come to
- 1:33Speaker 2: Vegas this morning? I'm working and talkador your boys, Jews.
- 1:37Speaker 4: Joe, it's Vegas.
- 1:38Speaker 3: Okay, okay, I think we can be sure of that today.
- 1:41Speaker 2: Yes, I don't know how to feel steady. I got
- 1:47Speaker 2: a message from my father. It's fifty five to fifty six,
- 1:52Speaker 2: can't quite remember, but born in nineteen sixty nine now
- 1:59Speaker 2: wait or seventy nine?
- 2:01Speaker 3: No, no, it can't be si nine Yeah no, no,
- 2:04Speaker 3: that would make him fifty five this year.
- 2:06Speaker 2: Okay, then that that sounds about right. It's nineteen sixty nine.
- 2:09Speaker 2: So I get a message from him on Facebook. We
- 2:11Speaker 2: talk pretty much every day, to be fair, but this
- 2:15Speaker 2: I was not expecting it. Reads Bob, I know you're
- 2:19Speaker 2: biz because you know who's cool like that? Can you
- 2:22Speaker 2: send that nice pick of me and you and christ
- 2:25Speaker 2: Church space down? Gonna send it to a maybe? Send
- 2:32Speaker 2: it to a maybe?
- 2:33Speaker 4: Yeah? Yeah, who's a maybe? What do you want to
- 2:38Speaker 4: know who it is?
- 2:39Speaker 3: But but is that what fifty five year olds do?
- 2:42Speaker 3: Like they just like, how would I know? I'm not
- 2:45Speaker 3: in the game?
- 2:45Speaker 4: No, but but you must know people?
- 2:48Speaker 3: Oh yeah, I do. Don't worry that. Yes, you know
- 2:52Speaker 3: what I mean. I would never I would never like
- 2:55Speaker 3: to promote myself. It's going to like sitting in the CV,
- 2:58Speaker 3: just like sending in them a photo of yourself. But
- 3:00Speaker 3: then it makes sense because like he's I don't think
- 3:02Speaker 3: he's on dating apps. He's probably connected with someone who
- 3:04Speaker 3: has a mutual friend or a friend with a friend.
- 3:06Speaker 4: Is trying to sit back. None of your dad's on
- 3:08Speaker 4: a dating app for sure, But he wants to send
- 3:11Speaker 4: it to someone. I'm like, you do realize you can
- 3:13Speaker 4: have the photo on the app? Yeah?
- 3:16Speaker 3: Well, I don't think it's so different. You don't probably
- 3:18Speaker 3: need to be age just about it because I'm not being.
- 3:23Speaker 4: People. You know, maybe is pretty, you know across the board,
- 3:27Speaker 4: doesn't it. Oh, I don't send photos.
- 3:30Speaker 2: I wouldn't seend like a self fie of myself, like
- 3:32Speaker 2: after we've already connected on a dating app, or.
- 3:35Speaker 3: Did you ask him the detail? How do you know
- 3:37Speaker 3: this maybe?
- 3:38Speaker 5: No?
- 3:39Speaker 2: I just said, ha ha, you go dad, because I
- 3:43Speaker 2: do want him to find love. This is the thing,
- 3:45Speaker 2: obviously lovely man, a couple of weird things. Is just
- 3:48Speaker 2: randomly sending a photo of yourself to this maybe and
- 3:51Speaker 2: calling them a maybe is really funny.
- 3:53Speaker 3: Necessarily random. Your dad's not telling you the whole story. Obviously,
- 3:56Speaker 3: I've got to that stage. There is this maybe. Now
- 4:00Speaker 3: I've asked, yeah, that's the real daughter response. I'm pretty
- 4:03Speaker 3: disappointed in you.
- 4:04Speaker 4: You didn't ask for the real time.
- 4:06Speaker 5: I don't know.
- 4:07Speaker 4: I just I just do I want to know.
- 4:12Speaker 3: About my dad's dating when I did not.
- 4:14Speaker 2: See You're used to it, you're desensitized. Whereas for me,
- 4:18Speaker 2: I'm like, oh what, I'm not me giving him photos
- 4:22Speaker 2: of and also like, don't use me in the photo
- 4:24Speaker 2: if she's a maybe. No, I think he shows a
- 4:26Speaker 2: bunch of photos. I see a bunch of photos, so
- 4:28Speaker 2: I'm like, do what you want with them. I think
- 4:30Speaker 2: it's fair because it shows. These my cads.
- 4:31Speaker 4: I love them and I'm proud of them in it.
- 4:34Speaker 2: Yeah, yeah, okay, okay, it's just like it isn't it
- 4:39Speaker 2: funny with your parents, especially just any of them dating.
- 4:45Speaker 4: And again, I've been through since I was eight years old,
- 4:48Speaker 4: I know. But you've you know, because you're you know,
- 4:50Speaker 4: you're with You're Scottie. He's your husband. To get the
- 4:53Speaker 4: fit of a soulmates type thing. It's quite weird. Like
- 4:56Speaker 4: my dad dating game. I'm like, anyone can end up
- 5:00Speaker 4: back in the game. No, I've just realized something. I'm
- 5:04Speaker 4: turning into you.
- 5:06Speaker 2: My dad's now in the dating scene the way your
- 5:08Speaker 2: dad's always in the dating scene.
- 5:09Speaker 3: No, my dad's married. I finally get disorted now number three.
- 5:12Speaker 3: But around my age, what was your dad doing he
- 5:14Speaker 3: was on the dating scene. Wasn't he listening?
- 5:17Speaker 4: Ye, he's not.
- 5:19Speaker 5: Don't worry.
- 5:20Speaker 4: Your dad's not going to be as mad as my dad.
- 5:22Speaker 3: It's fine, but do tell them that your head.
- 5:26Speaker 4: Let me tell you that my dad is a boring dude.
- 5:29Speaker 4: He likes gardens.
- 5:30Speaker 3: Your dad is not going to do what my dad
- 5:31Speaker 3: did to me and go, oh they go. You went
- 5:33Speaker 3: to school with no Teacher's pretty hot, and today we
- 5:45Speaker 3: celebrate a song that you may have forgotten about from
- 5:48Speaker 3: nineteen ninety six, Horace Brown One for the Money. So
- 5:56Speaker 3: Horace Brown, he played quite a few different instrument in
- 6:00Speaker 3: a school's marching band and got a break because DeVante
- 6:03Speaker 3: Swing from Jodaese heard one of his demos and then
- 6:06Speaker 3: he got to do some background vocals and he actually.
- 6:08Speaker 4: Started as a writer.
- 6:10Speaker 3: He started writing, and he originally wrote this song one
- 6:13Speaker 3: for the Money, for someone else.
- 6:16Speaker 1: I wrote songs for Silk, and One for the Money
- 6:18Speaker 1: was one of the songs I written for them, and
- 6:20Speaker 1: they didn't take it. It was one of the songs
- 6:23Speaker 1: they didn't take, and so I was like, I was
- 6:25Speaker 1: kind of hurt Cloud, you know, because you know, I
- 6:27Speaker 1: was like, oh man, I wrote a song for Silk
- 6:29Speaker 1: and they didn't take, you know, but they took another
- 6:31Speaker 1: song I wrote for them, Now that I Lost You.
- 6:33Speaker 4: That's right.
- 6:34Speaker 3: So Silk didn't take this song One for the Money,
- 6:36Speaker 3: but they did take another song he wrote, now that
- 6:39Speaker 3: I've Lost You, sound like.
- 6:40Speaker 5: That would I've been making.
- 6:47Speaker 3: So that was written by Horace Brown, and then he
- 6:49Speaker 3: got his first album in nineteen ninety four. His first song,
- 6:53Speaker 3: Taste Your Love I basically can't really play on the
- 6:55Speaker 3: radio right now. It was that controversial Taste Your Love
- 7:00Speaker 3: about what it was about. Yeah, But at the time,
- 7:03Speaker 3: Horace was working with new artists like a guy called
- 7:07Speaker 3: jay Z on Things You Do for Love?
- 7:10Speaker 4: What about Things We Do for Love?
- 7:11Speaker 3: Did you never hear this record with jay Z on there?
- 7:14Speaker 6: I mean that was before even a lot of people
- 7:16Speaker 6: even knew about jay Z.
- 7:18Speaker 4: So that sounded in the remix Things you Do for
- 7:21Speaker 4: Love like this how.
- 7:23Speaker 3: We Know.
- 7:30Speaker 4: Nice.
- 7:30Speaker 3: So that's when Horace Brown moved to Motown and he
- 7:34Speaker 3: got a couple of more singles, One for the Money
- 7:35Speaker 3: being one of them, and Things We Do for Love.
- 7:37Speaker 3: He had Foxy Brown, jay Z and Faith Evans in
- 7:40Speaker 3: there as well. Two thousand he had a single called
- 7:42Speaker 3: shake It Up. Didn't go great though, and he also
- 7:45Speaker 3: was on a reality series called Comeback Kings. But the
- 7:49Speaker 3: comeback was a bit patchy, I guess you have to say.
- 7:53Speaker 3: But otherwise we go back and we remember this great
- 7:56Speaker 3: song that was written originally for Silk, but then he
- 7:58Speaker 3: made it his own, and that's a great one. One
- 8:00Speaker 3: for the Money. That is your hip hop mystery because
- 8:02Speaker 3: if you don't know, no.
- 8:04Speaker 6: You know.
- 8:09Speaker 4: Stays a Zarah and Charlie.
- 8:11Speaker 3: It's a case of no my hockey manor welcome back
- 8:14Speaker 3: everybody from Wana Real Marti too and Wana two.
- 8:18Speaker 4: We have doctor.
- 8:23Speaker 3: Yes my Phrase who plays Martagie in both version, and
- 8:29Speaker 3: Tim Woda Morrison plays Chief Twoe in both versions. This
- 8:32Speaker 3: is a good idea, you guys, you got two for
- 8:34Speaker 3: one deal with your movies here no Manica.
- 8:37Speaker 7: So it was some such a beautiful night, celebration of
- 8:40Speaker 7: our people, our culture, our realest beautiful movie both in
- 8:43Speaker 7: English and Tarel Marti.
- 8:45Speaker 8: Just for me, it was a man night besides Moana
- 8:49Speaker 8: and the movie. But you know, people like Tweety and
- 8:52Speaker 8: Chelsea and Martha Ware Productions, you know, working for Love,
- 8:57Speaker 8: working for Adaha bringing tel version out monumentally at the
- 9:02Speaker 8: same time as the big main movie.
- 9:05Speaker 4: So it's great to be yes, Well, what the kids
- 9:08Speaker 4: think of it? Oh, they loved it.
- 9:10Speaker 3: I mean, yeah, it's a little bit about the kids,
- 9:11Speaker 3: but until the generation.
- 9:14Speaker 4: But I loved it.
- 9:14Speaker 3: And it's a huge emotion, like I know you've just
- 9:16Speaker 3: been on this big whilwind, but if we just listened
- 9:19Speaker 3: to you know, this soundtrack is absolutely incredible and the feelings.
- 9:28Speaker 4: Beautiful sounds.
- 9:32Speaker 3: And daughter and beautiful, and it's not giving anything away
- 9:39Speaker 3: to say, you know, this is about unification of people
- 9:41Speaker 3: across them one. How did you feel seeing the waka
- 9:43Speaker 3: coming across the horizon, Tim, Well.
- 9:45Speaker 8: That's what That's a big part of this film to
- 9:48Speaker 8: me is the an Opataia pushed that fact right back
- 9:51Speaker 8: in the early times when they were making a movie
- 9:53Speaker 8: about Mowana. But it was they said, hang on, doesn't
- 9:56Speaker 8: he This is about the way you find us, jez.
- 9:59Speaker 8: This is about our ancestors that could traverse the oceans
- 10:03Speaker 8: guided by the stars, the currents, and these people could
- 10:06Speaker 8: read the signs. So it's it's awakened ourselves to to
- 10:09Speaker 8: those elements again and those special qualities our tupuna had.
- 10:13Speaker 8: When Mauana puts her hand in the ocean, it takes
- 10:16Speaker 8: me back to who taught our nine one Thompson's and
- 10:19Speaker 8: all our new navigators of this modern era, and it
- 10:23Speaker 8: goes back to that Tahuna Mao from Indonesia. He was
- 10:27Speaker 8: one of the ones that passed on that knowledge. So
- 10:29Speaker 8: so it encumbasses this of course, the drama and the
- 10:32Speaker 8: star colors, the humor, even the rocks performance and he's
- 10:36Speaker 8: speaking a little bit of someone.
- 10:37Speaker 2: Yeah.
- 10:38Speaker 8: Yeah, the language we had to talk of our language
- 10:41Speaker 8: in there from Optai and them. So yeah, that's very
- 10:45Speaker 8: much a highlight. Just the music of Tobacca, the rhythms
- 10:49Speaker 8: and uh, it's just proud to be Polynesian.
- 10:52Speaker 3: Yeah, and Michaels even so, your incritible character, Martini. I
- 10:58Speaker 3: just want to I'll just quite reader for you. Last
- 11:00Speaker 3: night he said you were like Beyonce, like that song
- 11:04Speaker 3: that your song depore and what is it in English?
- 11:07Speaker 4: I don't know, get lost?
- 11:08Speaker 3: Get lost really because you know there's a different ways
- 11:11Speaker 3: you can interpret it. But that was that's an anthem.
- 11:15Speaker 3: How did you come at that song? Ran a straight
- 11:19Speaker 3: with our whole team. You know, it was a whole process,
- 11:23Speaker 3: you know.
- 11:24Speaker 7: I think the first time we did it was last year,
- 11:26Speaker 7: so maybe over the course of a year. I think
- 11:28Speaker 7: it was about three studio sessions. Each of those sessions
- 11:31Speaker 7: were about four five hours long. A couple of tweaks
- 11:34Speaker 7: here and there, but but I had a beautiful vocal
- 11:37Speaker 7: coach here in a Shari who really just keep me
- 11:40Speaker 7: believing that we could we could hit it and stay
- 11:43Speaker 7: healthy over that.
- 11:44Speaker 4: Give us a loane or two. Get loss of loose
- 11:48Speaker 4: and lose.
- 11:54Speaker 1: Enjoy.
- 11:59Speaker 2: I think we need some more was singing. Actually, I
- 12:01Speaker 2: think team's up nixt right, Yeah, I'd say so, I'd
- 12:03Speaker 2: say so. So we'll be back here is Ali. If
- 12:07Speaker 2: you go on with Fleet the Breakfast, we're with the
- 12:10Speaker 2: cast of one or two one O you may.
- 12:13Speaker 4: We are here with the stars of one or two
- 12:15Speaker 4: and one two. They're on Maori, how do they compare?
- 12:19Speaker 2: We're saying that it's better then number one, or it's
- 12:24Speaker 2: on part and you know, sometimes we're prequels and sea calls,
- 12:27Speaker 2: and sometimes you're like, dam nothing can beat.
- 12:30Speaker 4: The original, and fans always get like that.
- 12:34Speaker 3: You've never had experience of that team a sequel that's
- 12:37Speaker 3: not so good.
- 12:38Speaker 4: But would you agree, all three of you, it is
- 12:42Speaker 4: the first. It goes beyond the reef.
- 12:45Speaker 9: Yeah, beyond reef, beyond belief, beyond believe. It's just so forward,
- 12:53Speaker 9: just like keep moving forward. And it's funny when you
- 12:57Speaker 9: get people on I don't know, I like the first one,
- 13:00Speaker 9: but that's because you've stayed put. You've stayed still realized
- 13:05Speaker 9: the world's going further and further beyond the reef.
- 13:08Speaker 4: So just unpluckier. Yeah, reached down there and and come
- 13:13Speaker 4: for Come.
- 13:17Speaker 3: I just wanted to say, I woke up thinking about
- 13:18Speaker 3: the fun name family and singing your kids the last night.
- 13:21Speaker 4: What did it mean to you as a fan?
- 13:23Speaker 2: Though?
- 13:23Speaker 9: I was a bit teary eyed, to be honest, because
- 13:26Speaker 9: I looked over and they're all sitting there, and they're
- 13:29Speaker 9: all older, and I saw the little children that me
- 13:32Speaker 9: and bron made.
- 13:34Speaker 4: I saw those those images and I cried.
- 13:39Speaker 9: I tried to look on them, and I was so
- 13:41Speaker 9: proud that they get this and and they get to
- 13:45Speaker 9: see your Yeah, it's pretty cool. They were quite impressed
- 13:49Speaker 9: with my my two words from singing.
- 13:52Speaker 4: Get it, get it.
- 14:00Speaker 9: The sound tricks.
- 14:01Speaker 3: Actually, we just want to play something to you, because
- 14:04Speaker 3: are you inspired Charlie who's not here? You inspired him
- 14:07Speaker 3: because one of your favorite songs. He went, maybe I
- 14:10Speaker 3: could do it to have a listen to this.
- 14:15Speaker 1: Song?
- 14:22Speaker 4: And is working me into a watching slipping way beyond
- 14:33Speaker 4: the ring, beyond the reef. You guys so much for
- 14:38Speaker 4: coming in. It's been an absolute honor. We're so proud
- 14:40Speaker 4: of all.
- 14:41Speaker 3: Of you, and you.
- 14:50Speaker 4: More time for you teams and.
- 14:55Speaker 10: Slipping away from me, away from me, and it's breaking
- 15:06Speaker 10: me into.
- 15:10Speaker 4: Watching you slipping away and you're listening to flavor.
- 15:21Speaker 8: Very good money.
- 15:30Speaker 3: What about when things are inanimate but men are demanding.
- 15:34Speaker 3: So I've got these here tongs. I don't know why
- 15:38Speaker 3: they don't turn on immediately, but if I go, switch
- 15:41Speaker 3: it on, switch it back, then switch it on again.
- 15:44Speaker 4: Oh thanks, Now you go, I.
- 15:46Speaker 2: Know what you mean name, Because there's certain things in
- 15:48Speaker 2: my life where there's like a method to make it work.
- 15:53Speaker 4: And it's funny because you.
- 15:54Speaker 2: Don't realize how high maintenance this object is until someone
- 15:58Speaker 2: else needs to use it and you go, ah, no, no,
- 16:02Speaker 2: you just got to be in the cord, wrap it
- 16:04Speaker 2: around and hold it on the left side and then
- 16:06Speaker 2: it'll go yeah.
- 16:07Speaker 4: And if you're like, why am I used to that?
- 16:09Speaker 5: Why am I putting up with this crap?
- 16:11Speaker 3: Well, because to make it work, because you don't want
- 16:13Speaker 3: to have to get a new one, Like saying your car.
- 16:15Speaker 3: People will go oh your car doors locked, and they go, oh, no,
- 16:17Speaker 3: you don't do it. You have to jiggle it like this,
- 16:19Speaker 3: giggle it like that, and it'll work. So you've got
- 16:22Speaker 3: something in your life and you know how to make
- 16:24Speaker 3: it work, but you have to explain it.
- 16:26Speaker 8: What is it?
- 16:27Speaker 3: What's the thing that sitting there in your life. It
- 16:29Speaker 3: might be a cupboard or a door, you know. I
- 16:32Speaker 3: find that with doors unlocking our front door, people go,
- 16:36Speaker 3: you can lock it. Oh, you just have to pull
- 16:38Speaker 3: it a little bit. So, oh my god, my nana's
- 16:40Speaker 3: my Nana's doors like that And it's been like that.
- 16:44Speaker 2: I'm not kidding. I'm talking fifteen years. Yeah, Like, why
- 16:47Speaker 2: don't we just get it fixed? I don't know, I'm unsure.
- 16:50Speaker 2: Same without sliding to pull and push and jiggle and
- 16:54Speaker 2: pull back just to get the door open.
- 16:56Speaker 3: Yeah, our sliding doors, you can open them unless you
- 16:58Speaker 3: squeeze them together. Squeeze them together and then unlock it.
- 17:01Speaker 5: I'm sick of this.
- 17:01Speaker 4: Say, what's up with all this? Because we can't buy
- 17:05Speaker 4: new stuff?
- 17:06Speaker 3: Okay, just go with that. What about your glasses to
- 17:08Speaker 3: it though?
- 17:08Speaker 2: Because I had a charge in cord for literally three
- 17:12Speaker 2: years until it broke, where the only way my phone
- 17:14Speaker 2: would charge was if it was bent on a completely
- 17:20Speaker 2: crazy angle and my phone sat on top of the
- 17:23Speaker 2: vent charging cord.
- 17:24Speaker 4: Yeah, or hold it down.
- 17:25Speaker 3: You can have like a makeup compact and there's no
- 17:28Speaker 3: mirror in it, so you're using another mirror to make
- 17:31Speaker 3: you know, to use the makeup.
- 17:33Speaker 5: It's like, what am I doing?
- 17:35Speaker 3: I'm just like patching things together. Hang him buy thread here.
- 17:41Speaker 2: It's important to remember this time in nineteen eighty three
- 17:45Speaker 2: when Billy Jean on Motown twenty five Yees Today Today
- 17:49Speaker 2: Forever was broadcasted and Michael Jackson was before minute song
- 17:54Speaker 2: and something incredible happened. His feet started to move backward.
- 18:07Speaker 2: That was the crowd's reaction to Michael Jackson moonwalking first moonwalk.
- 18:12Speaker 2: While so we thought, it turns out that Michael Jackson
- 18:19Speaker 2: made the moon work moonwalk popular because the more digging
- 18:23Speaker 2: I've done into the moonwalk dance, which undoubtedly you know
- 18:27Speaker 2: it became Michael Jackson's.
- 18:29Speaker 3: It was his.
- 18:31Speaker 2: It turns out that people recorded instances of the moonwalk
- 18:35Speaker 2: all the way back in the nineteen thirties, including you know,
- 18:38Speaker 2: through similar moves by Charlie Chaplin, and also it was
- 18:43Speaker 2: called like the buzz where it wasn't exactly the way
- 18:46Speaker 2: Michael Jackson did it, but it definitely is where the
- 18:48Speaker 2: inspiration comes from, these instances of it being seen in
- 18:52Speaker 2: the nineteen forties, fifties, sixties, seveny Brown I.
- 18:55Speaker 4: Know exactly exactly. James Brown is one.
- 18:58Speaker 2: Of the many names on this, even like cartoons and
- 19:02Speaker 2: stuff like that. You know they're saying, oh, you know
- 19:03Speaker 2: that something happened in a card.
- 19:05Speaker 3: I think it's a little bit easier for a cartoon
- 19:07Speaker 3: character to do it. And weakly, I didn't think that
- 19:10Speaker 3: I would read this when looking into it.
- 19:12Speaker 2: In nineteen eighty, the music video for the single one
- 19:16Speaker 2: Step Ahead by KEYWEK.
- 19:19Speaker 4: Rock band.
- 19:22Speaker 2: End, the key boardist Eddie Rayner is then performing a
- 19:27Speaker 2: predecessor of the moonwalk, which is apparently taught to him
- 19:30Speaker 2: by a fellow bandmate.
- 19:32Speaker 4: So you know, again, it's still not the same as
- 19:36Speaker 4: m MJ. It didn't look as smooth as no. And
- 19:40Speaker 4: then what the heck?
- 19:43Speaker 11: Then I hear this the Bobby Brown teach Michael Jackson
- 19:47Speaker 11: the morewok. We all know that when Michael Jackson first
- 19:50Speaker 11: performed the mowall, it revolutionized the game forever and it
- 19:54Speaker 11: became associated with the King of part.
- 19:57Speaker 2: But then during a twenty twenty live stream with Fat Joe,
- 20:03Speaker 2: Bobby Brown was talking about how he taught Michael Jackson
- 20:09Speaker 2: the moonwalk.
- 20:10Speaker 1: I had just came from from Alabama learning how to
- 20:13Speaker 1: do the moonwalk, the real moonwalk when you put the
- 20:16Speaker 1: sand on the ground and hey, yeah, you do it
- 20:20Speaker 1: from the sand on the ground.
- 20:21Speaker 5: It was like soft shoot.
- 20:22Speaker 1: And Michael asked me show him how to moonwalk. He
- 20:27Speaker 1: perfected it, but I taught him how.
- 20:29Speaker 6: To do it.
- 20:30Speaker 3: Yeah, well Michael's not here to verify that. So okay,
- 20:34Speaker 3: Bobby Brown, I mean, you know that's the thing.
- 20:37Speaker 2: There's no doubt Michael Jackson took inspiration from probably multiple
- 20:41Speaker 2: people that have been shuffling backwards, moving backwards.
- 20:45Speaker 4: You know, it's very.
- 20:46Speaker 2: Funky, you know, to move sort of backwards or on
- 20:49Speaker 2: the spot. And I'm pretty sure Michael Jackson said that
- 20:52Speaker 2: in the documentary that he just sort of came over
- 20:54Speaker 2: him that exact motion, you know.
- 20:57Speaker 4: With the foot up to down.
- 20:58Speaker 2: So wouldn't you want to claim that you created the
- 21:02Speaker 2: moonwalk or talk Michael Jackson how to moonwalk?
- 21:04Speaker 3: It's a lo I'm thinking, yeah, Bobby Brown, okay, but
- 21:07Speaker 3: we all know that I kind of moment and we
- 21:08Speaker 3: remember the time Michael Jackson first of the moonwalk.
- 21:12Speaker 4: On stage ninety eighty three, we have Stays Azora and Charlie.
- 21:20Speaker 3: Actually speaking of looking for a fugitive. It's kind of
- 21:23Speaker 3: what we're doing with Charlie today because you know, he
- 21:25Speaker 3: went okay, he's having a day off, and we're like, oh,
- 21:28Speaker 3: hope he's okay. He was, well, I hope everything's okay.
- 21:31Speaker 3: Then we turn on TV. Breakfast is on there in
- 21:36Speaker 3: the background without us listening to the sound, and what
- 21:39Speaker 3: do we see.
- 21:39Speaker 2: We see Charlie Pulmetre at a High Rocks event. Yeah,
- 21:44Speaker 2: Biddy didn't realize that the Breakfast channel was going to
- 21:47Speaker 2: be there. Hey, hey, okay, well it's a little bit
- 21:50Speaker 2: of a hypeboy. We're you know, blowing it up a
- 21:52Speaker 2: little bit because we didn't know that he was taken
- 21:54Speaker 2: down to go on High Rocks.
- 21:56Speaker 3: Though, So high Rocks. I hate it when you speak, Jim,
- 21:59Speaker 3: butarently high Rocks. It's the type of what a workout.
- 22:02Speaker 3: Is it a particular workout? I think it's a cross fit,
- 22:06Speaker 3: come and tell us, look, it's the way not in
- 22:09Speaker 3: our in our range. But he says, I'm doing high Rocks, Like, okay,
- 22:12Speaker 3: what does that mean?
- 22:13Speaker 2: And then it turns out it's a very special high
- 22:15Speaker 2: Rocks where he's being boted to a location. It's a
- 22:19Speaker 2: floating high Rocks whatever that means.
- 22:22Speaker 4: It's on a badge.
- 22:23Speaker 3: Yeah.
- 22:23Speaker 6: High Rocks is a worldwide competition. So it's a hybrid
- 22:28Speaker 6: training comp so it's kind of some of the crossfits
- 22:31Speaker 6: more like weights, whereas this is a lot of running.
- 22:34Speaker 4: I've seen these videos.
- 22:35Speaker 6: Yeah, so you have to do there's eight one k
- 22:38Speaker 6: runs split up and then you have exercises in.
- 22:41Speaker 2: Between each run. My gosh, that is horrific. It's a
- 22:44Speaker 2: very he's doing that today. Yeah, oh gosh, we're not
- 22:47Speaker 2: going to see him tomorrow. He'll make one k runs.
- 22:50Speaker 6: Yeah, So you run, you run a k and then
- 22:52Speaker 6: you do an exercise and exercize. For example, you've got
- 22:55Speaker 6: a thousand meters on the ski, a thousand meters on
- 22:58Speaker 6: the rower. I wait for lunges, Oh, what are the
- 23:03Speaker 6: other ones? And then.
- 23:05Speaker 4: Roaming.
- 23:05Speaker 2: There's like running like in terms of its cardio. So
- 23:08Speaker 2: you'd finish a one k run and then it's okay,
- 23:10Speaker 2: now do start again. Literally a kilometer on a rhymes intense.
- 23:14Speaker 2: So I wouldn't make it.
- 23:16Speaker 4: And so who gets to do it? Who does it?
- 23:18Speaker 6: Anyone can do it. The New Zealand Competition is happening
- 23:22Speaker 6: in February here. It's the first time it's come to
- 23:23Speaker 6: New Zealand, so it's been all around the world.
- 23:25Speaker 4: Why is this one on the TV and why is
- 23:27Speaker 4: it on the water?
- 23:27Speaker 6: I guess that just making it a bit different.
- 23:30Speaker 3: Okay, okay, So did Charlie have to get selected to
- 23:33Speaker 3: do that? And is he there is an instructor or
- 23:35Speaker 3: a No.
- 23:36Speaker 6: I think he's actually doing it. I think he's been
- 23:37Speaker 6: selected to because he's my performer.
- 23:40Speaker 5: Oh okay, well, then let's go Charlie, because.
- 23:51Speaker 4: We need to know. We need to find out. Are
- 23:52Speaker 4: we smarter than an.
- 23:53Speaker 2: Ncee A today it's a new word decided to add
- 23:58Speaker 2: because we are definitely not smarter and in a students
- 24:01Speaker 2: that are currently sitting their exams, we never get this right.
- 24:04Speaker 4: But that doesn't matter.
- 24:05Speaker 2: We're still try and we're still showing up today on
- 24:07Speaker 2: the exam. Exams for exams level too, Education for Sustainability, Well.
- 24:13Speaker 4: That sounds good.
- 24:14Speaker 2: Educational sustainability, yes, Level three Earth and Space Science and
- 24:18Speaker 2: Scholarship Chinese. Oh and there's also Musical Studies Level three
- 24:21Speaker 2: and scholarship Spanish.
- 24:23Speaker 4: Tomorrow's the last to have exams. Guys, it's crazy. Congratulations
- 24:28Speaker 4: as well. I know you made.
- 24:30Speaker 2: It's the end of the year, so we are going
- 24:32Speaker 2: to be asked to quit. Asked a question by producer
- 24:36Speaker 2: n missus Shine, good morning, Good morning, miss Shine.
- 24:41Speaker 6: Good morning. This is actually we go on music subjects.
- 24:45Speaker 6: So this might have been something that Charlie might have known,
- 24:47Speaker 6: but I'm going to test you guys instead.
- 24:49Speaker 4: Okay, sorry Charlie as an abstin shat.
- 24:52Speaker 6: Do you have any of you read music before? Have
- 24:55Speaker 6: you played? It's true?
- 24:56Speaker 8: Ye?
- 24:56Speaker 4: Yeah, yeah, yeah.
- 24:57Speaker 6: Okay, so we're looking. Let's use a sheet of music
- 25:01Speaker 6: and you see the litter p above. Do you have
- 25:05Speaker 6: any idea what you might do.
- 25:08Speaker 4: If there's a p you pause? Good thinking, but no,
- 25:14Speaker 4: I have no idea. It's an Italian word, but yeah,
- 25:18Speaker 4: is it staccato or something like that?
- 25:21Speaker 6: You're on the right track.
- 25:23Speaker 4: Does it mean you go higher?
- 25:25Speaker 6: Nah?
- 25:26Speaker 4: It means.
- 25:29Speaker 3: Yeah, pap pronounced like papa pa go hard?
- 25:33Speaker 5: Nah?
- 25:34Speaker 6: The opposite relax quiet, soft, soft, softly piano.
- 25:42Speaker 4: I thought I thought soft, chill out was quite good. Relation. Yeah,
- 25:48Speaker 4: just now, but it's like quiet.
- 25:50Speaker 5: And then.
- 25:52Speaker 6: No, you don't want to change the volume. You just
- 25:54Speaker 6: want to play it softly. It's very complicated.
- 25:57Speaker 4: But piano, okay, we'll just piano.
- 26:00Speaker 5: Piano.
- 26:01Speaker 6: Yeah, but it's piano.
- 26:03Speaker 4: But is it the same thing?
- 26:05Speaker 6: No?
- 26:05Speaker 3: Oh, okay, well, we're probably related. I mean, what, it's
- 26:09Speaker 3: not just called piano for no reason? Is that ver true?
- 26:13Speaker 4: Hey, good luck to those sitting the real exams.
- 26:16Speaker 2: It's all about you guys, and we say good luck
- 26:18Speaker 2: and well done to anyone who said it already.
- 26:21Speaker 8: The latest celebrity goss from around the world wave breakfast, oh.
- 26:25Speaker 4: M oh my, oh my gosh, throwing that money and
- 26:29Speaker 4: any on the stage.
- 26:32Speaker 2: Yeah, so as soon as celebrity was Khalifa is not
- 26:35Speaker 2: happy about it. A fan is throwing money on the stage.
- 26:40Speaker 2: He had some words for the span and said, I'm
- 26:44Speaker 2: not no stripper, is what he said. So yeah, he
- 26:48Speaker 2: hit the club for an afterpudy to be fe I'm like, dude,
- 26:50Speaker 2: you're in a club.
- 26:50Speaker 4: You're in a night club. It's not like it's on
- 26:52Speaker 4: stage or a a concert. You're getting paid by this club.
- 26:58Speaker 2: This was in Thailand, Thailand, even wait, come on, man,
- 27:02Speaker 2: exactly so one of the fans made it rain and
- 27:07Speaker 2: then whiskly if just so talk it the wrong way,
- 27:10Speaker 2: he said, I want to show love to everybody with
- 27:12Speaker 2: this one person in here. I really need to talk
- 27:14Speaker 2: to the guy right here stop throwing money at the stage.
- 27:16Speaker 2: I'm not a strip of dog. Quit throwing money on stage.
- 27:19Speaker 2: Keep your money, it's your money. Give it back to him,
- 27:21Speaker 2: Give all his money back to him. Do not throw
- 27:24Speaker 2: money on the stage. And I'm like, okay, well, if
- 27:28Speaker 2: I was standing in the vicinity, I would not want
- 27:30Speaker 2: to give it back to the guy throwing the money,
- 27:32Speaker 2: because was Caliph is like, give it back to him.
- 27:34Speaker 4: Everyone giving back to him.
- 27:35Speaker 3: I'm like, oh, you.
- 27:37Speaker 4: Can stop farting. Give it back to him. That fifty
- 27:40Speaker 4: dollars will stay where it is, okay.
- 27:42Speaker 3: Kendrick Lamar has done a form of a tribute to
- 27:46Speaker 3: Isaac Hayes and so this is with his song Squabble
- 27:50Speaker 3: Up and So in it he is basically paying tribute
- 27:55Speaker 3: to Isaac Hayes by being dressed as Black Moses, because
- 28:00Speaker 3: that is what Isaac Hayes did. So Isaac Hayes, his estate,
- 28:04Speaker 3: has said on x Isaac Hayes as Black Moses stands
- 28:08Speaker 3: as a powerful symbol of liberation, leadership, and cultural pride.
- 28:12Speaker 3: Thank you Kendrick Lamar for honoring Isaac and his legacy
- 28:14Speaker 3: reminding the world of the everlasting power of blackness.
- 28:18Speaker 4: I feel like look came out, heim out.
- 28:21Speaker 2: I feel like a lot of people are going to
- 28:24Speaker 2: be kissing Kendrick's ass as well, because you think about
- 28:28Speaker 2: how he's going to be the halftime show at the
- 28:31Speaker 2: super Bowl and he's just doing so well at the moment.
- 28:33Speaker 2: I just remember when Drake had his moment when everyone
- 28:36Speaker 2: wanted to be friends with Drake, and now everyone wants
- 28:38Speaker 2: to be friends with Kendrick, even though that's a that's
- 28:40Speaker 2: a legitimate you know, yeah, no story, that's legit, yeah,
- 28:43Speaker 2: from but you know, yeah, Isaac me Kendrick. Kendrick was
- 28:48Speaker 2: quite for a few years, and now I feel like
- 28:49Speaker 2: Kendrick's to go with all the friends, you know.
- 28:51Speaker 6: What I mean?
- 28:53Speaker 4: Did I have tickets to the super Bowl?
- 28:55Speaker 6: Yeah?
- 28:56Speaker 3: Yeah, you'll find you have more friends all of a sudden.
- 28:58Speaker 2: When something like that the girls, I need to know
- 29:01Speaker 2: whether there's any truth in this stace. I have no kids,
- 29:05Speaker 2: but when I read something like this on a girl
- 29:08Speaker 2: page and this was posted anonymously, this person will either
- 29:12Speaker 2: be from Australia or New Zealand, that's who's in this group.
- 29:15Speaker 3: They're not a made up person. No, they're not even American,
- 29:18Speaker 3: which is close to made up. So she has said,
- 29:22Speaker 3: does anyone just not like their child and went on
- 29:27Speaker 3: to explain that she took her seven year old on
- 29:30Speaker 3: a trip with her class and her child screamed, cried,
- 29:35Speaker 3: and break broke down because she was talking to another
- 29:38Speaker 3: one of the kids in the group.
- 29:40Speaker 2: So like her daughter or son got jealous and decided
- 29:47Speaker 2: to slap the mother in the face.
- 29:49Speaker 3: Oh, they got some stuff going on. It's not just
- 29:52Speaker 3: that the mother doesn't like her. Obviously their relationships a
- 29:56Speaker 3: bit strained. Yes, well quite The post gained quite a
- 30:02Speaker 3: lot of traction. You know, someone commented saying, I don't
- 30:05Speaker 3: like my son sometimes, and he sure doesn't like me
- 30:08Speaker 3: half the time.
- 30:08Speaker 2: But you know, went on to explain about how to
- 30:10Speaker 2: be resilient. I guess in those situations.
- 30:15Speaker 3: Part of it, I think is if a parent is going,
- 30:18Speaker 3: you know, struggling with a personality trade of the kids,
- 30:20Speaker 3: sometimes it's because it's a mirror back to you. You go, oh,
- 30:23Speaker 3: this kid is just like me, and that can be triggering.
- 30:27Speaker 3: So then as a parent we can work on that.
- 30:30Speaker 3: You know, go, Okay, why does this part of me
- 30:33Speaker 3: being reflected back to me drive me crazy?
- 30:36Speaker 2: That's exactly what someone commented, saying that exact same thing, Like,
- 30:39Speaker 2: you need to actually look into yourself and be like,
- 30:42Speaker 2: why do I feel like I want her to go
- 30:45Speaker 2: in love with her dad? Why do I feel like
- 30:47Speaker 2: I want them? You know why I don't like my
- 30:50Speaker 2: own child? Because there's some something deeper in that.
- 30:53Speaker 3: Yeah, it's really interesting when your kid has a different
- 30:56Speaker 3: personality to you and you go, wow, it was fascinating,
- 30:59Speaker 3: but oh yeah.
- 31:00Speaker 5: I never thought about that.
- 31:01Speaker 3: Yeah, no, it's really interesting. But then, as I say,
- 31:06Speaker 3: a lot of the time, the things that can be
- 31:08Speaker 3: most annoying about your child, if you're really honest, it's
- 31:11Speaker 3: because they're like you, and see you don't appreciate seeing
- 31:15Speaker 3: what it looks like and someone else who is just
- 31:19Speaker 3: like you, do you know what I mean? It's like,
- 31:22Speaker 3: is that what my face looks like? Is that why
- 31:24Speaker 3: people get annoyed when.
- 31:25Speaker 6: I do this?
- 31:28Speaker 4: Just like damn, yeah, oh you've got two daughters. Yeah yeah, yeah,
- 31:33Speaker 4: for sure.
- 31:33Speaker 3: It's it's like, oh, oh, okay, I see now, okay, so.
- 31:38Speaker 4: Do we react?
- 31:41Speaker 2: Oh my gosh, we are gobsmacked by this, aren't we?
- 31:44Speaker 5: Yes?
- 31:44Speaker 4: We are Adele Okay.
- 31:48Speaker 3: She has a new album that was recorded during her
- 31:53Speaker 3: residency of a hundred shows at the Colosseum and Caesar's
- 31:56Speaker 3: Palace in Las Vegas. It's two hours of musics, and
- 32:01Speaker 3: she says, to commemorate the ending of my residency in
- 32:03Speaker 3: Las Vegas, I'm making a limited edition vinyl box set
- 32:07Speaker 3: featuring the entire live setlist, of photo book, and even
- 32:09Speaker 3: confetti from the show. It's got a full color, fifty
- 32:13Speaker 3: six page book and three vinyl LPs. And it'll cost
- 32:17Speaker 3: you six hundred dollars. Oh okay, so you get quite
- 32:22Speaker 3: a lot though for that. Yeah, but people are just
- 32:24Speaker 3: saying that's so greedy. Well it's a US dollars. It's
- 32:29Speaker 3: three forty nine six hundred basically for US.
- 32:32Speaker 2: Yeah, yeah, you do get a lot. And I say, there,
- 32:35Speaker 2: if you're a super fan, Like, think about it. If
- 32:37Speaker 2: you're a superfan adele fan, you went to that show,
- 32:39Speaker 2: how incredible would it be to get you were saying,
- 32:42Speaker 2: it's three vinyls, a live recording of one of the
- 32:46Speaker 2: sets that.
- 32:47Speaker 4: She's all of. That's what that's on the vinyls and
- 32:49Speaker 4: you got the photo book and the set list.
- 32:51Speaker 2: A yeah, it's like a hundred hundreds of pages of
- 32:54Speaker 2: photos and confetti the committee for that and also it's like, okay,
- 33:00Speaker 2: well if that confiti is clean, then you're lying. You
- 33:03Speaker 2: just grabbed from the same supplier and put some in
- 33:05Speaker 2: each box, like as if they're grabbing the confiti from
- 33:08Speaker 2: the floor.
- 33:09Speaker 4: Stace. Yeah, I know, I know. They go.
- 33:12Speaker 2: Now, let's will be the six hundred right on top exactly,
- 33:15Speaker 2: Well six hundred dollars, I mean, at least he's quite
- 33:17Speaker 2: a bit in there.
- 33:18Speaker 4: Yeah.
- 33:18Speaker 3: I can't.
- 33:20Speaker 4: Think people spend like two grand on an iPhone.
- 33:24Speaker 3: Yeah, I guess so, okay, so where you look at it,
- 33:27Speaker 3: But so you say six and dollar albums, grow up.
- 33:30Speaker 4: I don't love an a lot of money. I don't
- 33:32Speaker 4: have other an artist enough, you know, to either have
- 33:35Speaker 4: something like that. But I know people there the swifties
- 33:37Speaker 4: who would be like, oh yeah, six hundred. But just
- 33:39Speaker 4: still it depends how the baby it's looking.
- 33:42Speaker 2: We should have Charlie back tomorrow, who we discovered was
- 33:47Speaker 2: on Telly this morning.
- 33:48Speaker 4: Yes, doing the higher Rocks, which I had to find
- 33:51Speaker 4: out what that means in English.
- 33:52Speaker 2: I still can't remember what that means, though we had
- 33:54Speaker 2: an explanation from producer in her and I'm still unsure
- 33:58Speaker 2: how to explain functional.
- 34:00Speaker 3: It's like CrossFit or something, but it's a competition and
- 34:02Speaker 3: it's a big deal. When's the first time it's hapened
- 34:04Speaker 3: in New Zealand and they're doing it on a barge
- 34:05Speaker 3: and he got invited and it is real excited, so
- 34:07Speaker 3: he took the day off.
- 34:08Speaker 4: So that's cold. It is an honor to be invited
- 34:10Speaker 4: to go do that. But it's pretty crazy.
- 34:12Speaker 2: You got boded out to a barge and I mean
- 34:14Speaker 2: we didn't know really what was happening today and then
- 34:16Speaker 2: we just say, oh, he's on Telly. Hey, that's Charlie
- 34:18Speaker 2: on Telly, who's not at work right now. Well, to
- 34:20Speaker 2: be fear Stacey, he's putting in the work today.
- 34:23Speaker 8: Yeah.
- 34:24Speaker 2: You know, when I found out that they've got to
- 34:25Speaker 2: do eight one kilometer runs and in between those runs
- 34:29Speaker 2: there is like one thousand meters on a rowing machine,
- 34:32Speaker 2: a thousand meters on a ski, I'm like, I I
- 34:35Speaker 2: don't like feeling Charlie won't even be here tomorrow, but
- 34:39Speaker 2: we're hoping and we're proud of him and it's nice
- 34:41Speaker 2: to see him on the Telly.
- 34:42Speaker 5: Ay.
- 34:43Speaker 4: Yeah, well bloody ever had what if you're doing today?
- 34:47Speaker 2: Hey, if you missed any thank you shoul check out
- 34:48Speaker 2: our podcast and I have radio.
- 34:50Speaker 4: It's all for free.
- 34:51Speaker 2: It's all the best bits and you should go and
- 34:52Speaker 2: listen to it right now. It takes pod p O
- 34:55Speaker 2: D to eight to two double o. Or he's just
- 34:56Speaker 2: suit it up Flavor Breakfast. Okay, see tomorrow, nay for
- 35:00Speaker 2: they want to hear more of Stacy Zeran Charlie.
- 35:03Speaker 3: Catch the weekday Mornings from Sex or try there Off
- 35:06Speaker 3: the Record podcast