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Tecuento T3 P14 - Cosas Simples · Tecuento

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I call a program to share Drive Daniel Bilinsonic Friday Vitrice to fourteen hours on
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radio trend Topic, the Histois ok the to all homes, you gayelamos vins
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will come. I write my way without thinking, without thinking where, hello
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hello, Juan Greco, in the operation and musicalization, I see that the
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journey to the old world has made you forget some things, dear, friend,
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but well, you will be well received. We miss you, Juan,
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the truth. We missed you on this show. I miss you,
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Juan, darlings, this is to motivate you. You know this week'
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s been ah What weeks, ladies, what a week. But, well,
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here' s you, us, Juan, Jessica, all in you
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I want a program to share from Argentina to the world by radio train Topic,
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com Ar and all the platforms that you say YouTube to leave us messages.
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It is eleven, twenty- six, forty- two, twenty,
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forty- two, eleven, twenty- six, forty- two, twenty
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- s forty- two, and he who is from the outside adds the
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sign plus fifty- four nine and the good number. Since it' s
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a week, we' re neat. We have a detailed schedule. What
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' s more, there' s no more seconds, no minute, nothing,
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but from that moment on we' re going to break that programming why.
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Because things are about to break. Yes, and today I feel like
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breaking up out of proliquity. I' m not saying what, but I
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feel like breaking up. I want to make you a proposal. I'
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ve been thinking about it for a while. I' ve been thinking about
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it and I' d like you to come with me, please, this
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is the way it is. What you' d say was a brief note
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or a thought. What would you say, to your human loved one,
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not earthly human, artificial intelligence alien, no, what would you tell him,
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what would you propose, what would you suggest. I' ll throw
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one at them. I' d like you to share it. He would
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tell me to make me short at eleven twenty- six, forty- two,
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twenty or forty- two. I would tell my love of life that
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this one or we had reached fifty years of having met casually at a crossroads
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of stars, something that no one thought of, something that the family made
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bets that we didn' t last a year, and this April we turned
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fifty. What would God say to her what blessing God commanded me, because
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only she can understand me, only she can support me? Only she understands
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me, with your silences, with your words, with your looks, with
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a ca and you what you would write to her. Come on, guys,
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let' s set ourselves a target for Friday that' s coming up
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with some of those things. It doesn' t have to be eloquent.
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It can' t be anything. Just someone told me ah I' d
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tell you we took a mate to look at that it' s sencilito and
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what a big spectrum that opens things up. Share a mate, share a
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coffee. What' s more, I can share a coffee with myself,
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because the loved one can be the one next door or be yourself. I
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love myself, I hope, I wait for the messages and speaking of something
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simple, we will begin to develop our themes. Silvia Fesquette, a columnist
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from the newspaper Clarín, among her time notes, wrote one that is the
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corners of our happiness. What does it say? It' s never easy
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to leave the places where he' s gone happy. He' s been
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happy. She' s been happy for a few minutes, a few hours,
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a few days. The temporal dimension seems to be diluted, dissolved,
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lacking in importance. We went through joy and little matter how ephemeral that friction
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was. But we had that invisible indelible bliss. The mark will stay with
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us, with the strength of a salvation or, who knows, perhaps a
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condemnation. But that won' t be the least thing since then and forever,
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that city, that neighborhood, that house, the corner that it is
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about will stop being just a city, a neighborhood, a house, another
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corner to re- mean with its single mention, to mention only its name,
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to become an indiscending part of our history. They' re there They
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keep their memory in us. It will make flesh, in our flesh,
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skin, in our skin, a grazed memory, ready to surprise us with
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its zarpazo at the moment less thought apart, will be with the radiance of
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a lightning, illuminating everything or with a puncture of pain, distilling its bittersweet
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taste. In any case, it will put our senses on guard, disturb
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our soul mind body and evoke sleeping sensations. Who knows how long they say
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that we should not go back after some time to the places we have loved,
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because we run the risk of not finding what we left now, but
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young middle- aged big guys like me, think of those places we have
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been, we go, we move and what we have when we return at
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some point, we will find that the house we think is not wanted,
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that the little thing is not the most important thing and that makes us think
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many things. There are no our adventure friends. If any of the boys
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who lived in hol el Huaychú and the ways of the branch listen to me,
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they will understand what that is, what matches, what carnivals, what
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girlfriends. And I had a girl, what boyfriends there were two blocks,
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two blocks where we were kings, queens, and those two blocks hit the
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neighborhood. Today, the buildings, the new neighbors that we left and now
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we' re turning different lives. So, that' s why we remember
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that and watch when we go back to those places. Let' s think
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there' s a change and this whole theme is revealed by Tejada Gómez and
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César and Cela in their loving song of simple things, I invite you to
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listen to that song in the voice of Ketty James. Please, John One
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dismisses insensitively small things, just like a tree that stays like this in autumn
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time, let' s not at last wet the sadness, the slow death
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of simple things, my simple things that remain in the heart. One returns
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to the old places where he loved life and then understands how dear things are
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absent. That' s why you' re moving away. Now dreaming the
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resounding probe that love is simple and simple things devour them. The weather here
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takes longer in the greater light from noon, where you will find the underserved
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bread in the sun. So, boy, don' t go away now
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dreaming of the return that love is simble and make things simple. I owe
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them at the time it was just old sis or where I love beautiful life.
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I don' t make it clear that you don' t have a
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single place. There will be one more, one less, but it doesn
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' t have one place because it doesn' t have a loneliness. We
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' re growing, we' re changing places, beliefs, motivations. Then
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comes a time when every place you come back touches, travels, one has
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left a mark. Another subject. Edgar tole in his books deals with different
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subjects referred to the now. The importance of the work, the importance is
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of enlightenment and we are going to follow that from here to the end of
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the year. He tells us about the treasure we have and the importance of
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describing it to reach enlightenment and expresses it. So it begins with a fable
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called the treasure. A beggar had been sitting on the side of a road
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for more than thirty years, one day passing by a stranger and the beggar,
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extending his hand with a cap, asking for coins and the stranger answers.
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I don' t have any coins, I don' t have anything
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to give you. But what is that that upon which he is seated nothing
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replied the beggar. Just an old box. I' ve been sitting on
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them that I remember and you once looked inside. The beggar didn' t
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answer. Why is there nothing in it good, how about if you take
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a look at it, the beggar with effort managed to open the lid and,
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to his astonishment, disbelief and euphoria, discovered that the box was full
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of gold. I am that stranger who has nothing to give you and who
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tells you to look inside, not inside some box, as in the parabla,
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but in an even closer place, within yourself. I' m sure
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you' ll tell me, but I' m not a beggar. Those
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who have not discovered their true wealth, the shining jewel of the cer and
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the deep and unchanging peace found in that place are beggars. Even if they
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have great material wealth, they seek externally waste of pleasure or fullness for validation,
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security or love, while within they have a treasure that not only includes
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all those things, but is infinitely greater than anything the world can offer remember
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all the talks we have had about letting go, of seeking within to recognize
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ourselves. And follow the text. Enlightenment evokes the idea of a superhuman achievement
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and gave him the achievement he seeks to preserve things. So, it'
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s usually the ego that influences that, but it' s just the natural
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state of feeling unity with being connected to something immeasurable and indestructible, something that
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almost paradoxically is essentially you and yet is much bigger than you and without finding
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your true nature, beyond name and form, the inability to feel that connection
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give rise to the illusion of separation of yourself unconsciously conscious, like an isolated
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fragment, arises fear, inner conflict and the outside becomes norm. I love
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the simple definition of enlightenment given by Buddha as suffering. There is nothing superhuman
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in this true, of course, as every definition is incomplete, it just
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says that enlightenment is not, it is not suffering, but that it remains
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when there is no more suffering. The wedding does not talk about this and
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your silence implies that you have to find out for yourself. Use a negative
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definition so that the mind does not turn it into something to be believed or
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a superhuman achievement, a goal that is impossible to achieve, that is,
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it does not dogmatize you to seek it. Despite this caution of the bush
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of most Buddhists he still believes that enlightenment is for the Buddha and not for
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them. At least not in this life and there they are wrong. This
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would be the beginning of the search for one' s own being something that
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each of us should realize throughout our lives, to seek to remember everything we
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' ve talked about, to work with the ego, to not back up
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just for the one they' ll say, that is, to look at
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the one they say. For me to be then I end up being what
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someone else wants, not what I want. I dominate the other indirectly or
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directly in some cases, and I care. And here comes the suffering,
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the depression and everything else and just the enlightenment that I want. There'
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s no suffering. As Buddha says, it' s happiness, it'
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s peace, we' re going to follow it, let' s pause,
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the heart flies, the blanket is r I' m never seeing the
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belief that, by chance, after so many times, all effective was expected.
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A lot of words, a lot of words and times are consuming us.
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One thing I brought today to share with you is how to explain some
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topic, to prun an idea. Let us see what point to take into
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account for clear communication. Let' s look at these points and then let
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' s hear one after the other, two ways to explain ourselves something in
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an agile and enjoyable way. How many times surely we would have ever gone
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through the experience of having a conversation with someone are they telling you something about
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a subject that is very interesting to them or about which they know a lot
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and you are following it. You' re following him. Then, at
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some point you realize you lost the thread of what they' re saying.
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You realize you have no idea what they' re talking about and when this
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happened, you probably felt bad. Like if I wasn' t smart enough
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to understand what they were saying and you wasted that person' s time or
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if we didn' t put the other side, you were talking about something
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relatively complex and you could practically do the moment when your listener. You'
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d have to pay attention to yourself, but the listener left, he got
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distracted, he looks at you looking like a lost MM. Not only is
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it uncomfortable, but it' s also discouraging, when what you' re
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saying is important or valuable to the listener. There are things you can do
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to improve this all you need to do and find the best way to explain
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the subject than you do. We hear this on all the radios at all
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times, on TV show that you' re an expert on something doesn'
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t mean you can communicate it well, because you have to chew it and
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you have to look at it. One of these steps is to start with
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the right place. They all have different backgrounds. We have an auditorium,
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everyone has a set, different knowledge and our job is to explain the information
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in terms they already understand. If you have any doubts about what you about
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your listener, you know or understand when you begin to explain or start the
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exhibition questions as you know the subject, they have an idea of what we
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are going to talk about. Try to get an average understanding of what they
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' re in. It' s also a way to catch them. I
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mean, well, we' re leaving from here. If you' re
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going to expose yourself to people who come from environments you don' t know,
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you' ll have to do some research at an informal meeting with simple
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questions. They can give you signs of how many know about the subject or
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how much you are interested in the subject, whether it is a business talk
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or dissertation. Well, you have to consult with whoever hires us, who
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wants us to expose the subject, why, for what, what have you
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seen that you haven' t seen, for if you' ve seen if
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you leave from zero, from five, from ten or where, from where
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parts and another topic is not to worry too much, because if what you
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' re saying, the audience hears it before. It' s a way
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to give a base and then draw attention. Don' t go too deep.
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Most of us like to learn, but we can absorb a certain amount
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of information at the same time. Then you have to avoid bombarding people with
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too much knowledge at once. It is better to explain, for example,
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three things that someone will understand rather than bombarded with a whole load of information
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that will eventually confuse or directly saw your ears. Or we' ll lose
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it as a listener to explain it in a broader way. Clarity needs to
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be prioritized rather than precision. Generally, when we know a lot about something
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it brings us to the subject, that impulse to give accurate data and the
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other one needs accurate approximations. That clarity is better to come to a simpler
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explanation that may not be completely correct from a technical point of view, but
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that people understand it would be like a training explanation by dripping today a little
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more and in another little now here, in Argentina, with the issue of
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dengue, we have a lot of people who know about dengue, but the
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scientists who speak, the doctors who speak, fill us with concepts. Today
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one was talking about the mosquito lung. What happened to his mosquito lung,
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when that process bit him. The journalist did not know how to stop it,
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because it gave him no air to put anything in, a base,
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nothing, until in a moment I said sorry. What I want to know
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is how the mosquito spreads. In how long now do a mosquito dissection.
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I don' t want it, so look, let' s be clear,
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let' s be aware and something to point out, explain why the
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issue is important, why we' re talking about these things. The more
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one can transmit it, the more likely it is. People need to remember
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it and consider a way to do it, to set an example that demonstrates
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how the issue is relevant to their lives. If not now then we will
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hear these two examples that I have brought. Remember what you remember about advertising.
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There are historical advertisements that are remembered for details. There was a parme
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wine came Crespi' s memory, which made a propaganda talk about the baby
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' s Scarpines and people remembered associating Scarpines with the drink. It is also
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an act of publication, but there the publicist was something simple, something motive.
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He touched the excitement and people began to remember. It' s like
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giving it to people who listen to nemonic rules. I invite you to cross
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the spectrum. I took two audios. There are videos of this too.
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One is called the peasant who I think begins a little bit torn, and
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the other is called carrot, egg or coffee listen to it and see how
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clear the examples are. Please. John, a young woman, used to
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complain all the time about her life about how things were so difficult for her.
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He wondered how to overcome problems and not give up. I was tired.
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When it looked like I had solved a problem. Another one appeared his
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father, he was a chef and one day he took him to his place
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of work. As he constantly heard the girl' s complaints, he wanted
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to give her life advice. He placed three pots in the fire and looked
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for a carrot, an egg, and some coffee beans. When the water
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began to boil, he placed the carrot in one, in another he placed
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the egg and in the last he put the coffee beans. The young woman
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waited impatiently and wondered what her father intended to explain to her. After about
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ten minutes, the man turned off the fire, pulled out the carrot and
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egg and placed them on a plate. He also poured the coffee and put
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it in a container. By the plate. He looked at his daughter and
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asked her dear what you see here carrot, egg and coffee. His daughter
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answered. His father asked him to approach and touch the carrot. She did
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it and noticed it was soft. Then he asked her to break the eggshell.
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She did it and noticed that the egg was hard. Then he asked
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her to try the coffee. She tasted it and enjoyed its rich aroma calmly.
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His daughter asked him father, what does this mean? He explained that
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all three things had faced the same adversity boiling water, but each had reacted
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differently. The carrot reached strong, hard water, but after remaining in boiling
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water, it became weak and fragile, while the egg had arrived fragile.
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Its thin shell protected its inner liquid, but after being in the boiling water
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its interior hardened. Finally, coffee beans had reacted in a unique way.
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After being in the boiling lake, he managed to switch to the water.
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Which one of them are you, the father asked his daughter. When adversity
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comes, how do you react you are perhaps like the carrot, which seems
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strong, but when times of adversity come, you become weak and lose your
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strengths. You' re like the egg that has a noble heart, but
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after all the troubles, you get stiff and hard inside, or you'
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re like coffee. Coffee changes to boiling water that causes pain. When the
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water reaches the boiling point is when the coffee wants its best flavor. So
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I know how coffee when things get bad, you react in the best way
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and you react which of the three beings. If you like this tired of
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the country routine and so much work, you already decide to sell your chaka.
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Yeah, I didn' t know how to write the ad this classified,
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or I had a neighbor who was a poet. He' s asking
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you for a favor. I know this has nothing to do with your work,
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but I ask you to write me down. It' s three lines.
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Write me the notice of sale of the chakra. I' m sick
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of working them. I' m sick of being here and I' d
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like to sell it. And the poet says, of course, and writes
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to him listens a little bit of sky adorned with wonderful flowers, dotted with
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green trees, excellent fields, as well as a crystalline river that waters the
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meadows with the purest water that has ever been seen. And the poet,
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because he left when he returned, decided to visit the new, but thought
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that the guy who asked for the notice had moved. Such was the surprise
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that the peasant was still working in the farm. He says the neighbor wouldn
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' t leave the chaca and the guy says no crazy. After reading the
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warning you gave me, I realize that I lived in the most wonderful place
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on earth, that there is no better place. So, gentlemen, let
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' s not wait for a poet to come and give us a heads-
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up to tell us how wonderful our life is, our home, the family,
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which is not the family, but it' s one we have.
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We are going to thank God, because we have life, because we have
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health, hope, because we have hope, because we can breathe what is
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a luxury in times of pandemic and that we can continue above all things,
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continue to have a good time every day. Let' s not forget.
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We were born to be happy, not to be perfect. We see the
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one we were born to be happy. Well, I hope you' ve
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understood, understood these two professionals looked at these ways to explain the situations.
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Now let' s jump, let' s go to the other line.
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Here he is. We' ve been in development, in how to chat,
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how to explain, where to go. And now we' re going
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to literature, narration, that putting in those great writers that we have and
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here I' m going to share with you a story that is the title
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of one of your books by Graciela cabal Argentine writer of children' s and
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youth' s literature. She also stood out as a journalist, teacher and
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writer. She died in February of two thousand and four. The book where
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the title and story are extracted is from a South American publisher of the year
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nineteen hundred and ninety- seven. Once upon a time there was a boy
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who was afraid. Fear of darkness because monsters grow in darkness. Fear of
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loud noises because loud noises make holes in your ears. Fear of tall people
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because they squeeze you to kiss you, fear the little people because they push
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you to rip off your toys. I was so scared of this kid.
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Then the mother took him to the doctor and the doctor prescribed the boy a
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syrup so as not to be afraid to love was the syrup, but the
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dad thought that better than a syrup was a good challenge. He did tell
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her enough to be afraid. You, uh, I was never afraid when
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I was Chico, but the guy thought that better than syrup and rite was
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the cute mockery. Lan' s scared, the baby' s scared.
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The boy was still afraid, afraid of darkness, loud noises, tall people,
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short people and also bitter syrups, challenges and mockery. This boy was
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still very afraid. One day, the boy went to the square in fear.
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It was to give the taste to the mother full of short people was
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to the square and tall people, the boy sat on a bench next to
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the mom and it was there that he saw a short person, but a
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little tall, who was hitting a dog with a black and white branch.
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It was the dog with spots, very white, skinny and very dirty was
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the dog. The kid got a thing here in the middle of his belly
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button. Then he got up from the bank and went to the dog'
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s side and stood there and didn' t know what to do. Scared
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to death. The person stayed tall, but a little short looked at the
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boy. Then he said something and left. The boy went back to the
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target and the dog followed him to the boy and sat next to him.
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It' s nobody' s. He told the boy to the mom we
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took him, didn' t the mom say, yeah, said the kid
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took him. The dog was bathed in the mother' s house, but
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the dog was hungry. The boy gave him milk and a little polenta at
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noon, but the dog was still hungry, very hungry was that dog.
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Then the dog went and ate all the monsters that were in the dark,
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the loud noises that are made holes in the ears and as I was still
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hungry. He also ate the syrup, the doctor' s bitter, the
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dad' s challenges, the uncle' s taunts, the kisses of tall
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people and the pushes of short people with the belly full. The dog went
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to sleep under the boy' s bed. He went to sleep in case
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there were any monsters left. Now the boy, who was afraid, is
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no longer afraid, He has a dog. Where you' re going to
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fly through those skies racing lustra you' ll see it from your wandering flight.
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My gross eyes, the immensity, the vast sailboats of the storms carry
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the clouds in deaf golden light. The sun sets and yes, Mrs London
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lived vice- navio ue grandmother Londre. Liliana Bodoc wrote the story. Friends
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by the wind. Sometimes life behaves like the wind. It upsets and razes
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something whispers, but it is not understood in its path. Everything is in
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danger even that which has roots in buildings, for example, or in everyday
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customs. When life behaves that way, our eyes get dirty with those we
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see, that is, the true eyes. At our side they pass written
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papers with a letter that we want to recognize. The sky moves faster than
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the hours and the worst thing is that no one knows if ever to return
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to calm. That' s how it happened the day Dad left home.
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Life transformed us into wind almost without warning. I remember the door that closed
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behind his shadow and his suitcases. I can also remember the dry clothes shaking
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in the sun while Mom closed the windows so that inside something would stay in
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place. I told Ricardo to come with his son. How about that.
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I' m fine with it I lied about what my mother was trying to
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do. Mom stopped polishing the tray and looked at me. You' re
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not telling me very strongly. I don' t have to be convinced.
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And what does that mean, the woman asked me what more questions she asked
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me. Throughout my life I was forced to lift my eyes from the book.
45:36
It means this birthday mom and not mine. The cat came out of
45:42
her basket and went tangled between Mom' s legs. Mom having a boyfriend
45:49
was almost unbearable, but that boyfriend had a son was a real threat.
45:57
Again a danger to my life. There was wind on the horizon again.
46:05
“ They will understand each other well,” Mama said,“ Juanjo is
46:08
your age. The unique cat being who understood my desolation jumps on my knees.
46:17
Thank you, good kitty. There were several past, several years since
46:23
that wind that took Dad home. The damage was already repaired, the holes
46:30
in the library were occupied by new books and I had not found drops of
46:35
crying hidden in the vases disguised as stalactectas in the freezer disguised as bits of
46:44
glass. I just broke a drink. Mom invented that as long as she
46:52
kept her sadness from me, she was capable of those and other amazing sorceries.
46:59
There were no traces of wind or tears, and just as we began
47:04
to laugh eagerly and ride together on a bicycle, a certain Ricardo appeared and
47:10
everything was in danger again. Mom pulled the hatches out of the oven before
47:17
the wind. She made them every Sunday after seemed to take a grudge at
47:25
the recipe because she bothered with the mere mention of the matter. Now,
47:31
this Ricardo and his Juanjo had managed to get him to do them again,
47:37
something I couldn' t get. Oh, I' m gonna fix myself
47:44
a little bit. Did Mom say, looking at her hands? What are
47:50
you gonna wear? I asked her the blue dress. Mom came out of
47:59
the kitchen and the grata returned to her basket and I was left alone to
48:04
imagine what was waiting for me. Surely, that horrible juanjo was going to
48:09
devour the cokes and bits of meringue that would stick to the sides of his
48:15
mouth. It was also certain that the soap was going to be left dirty.
48:22
When he washes his hands. I was going to talk about your dog
48:28
for the sole purpose of demeaning my cat. I can see him walking through
48:36
my house with the jordones of the shoes untied, trying to anticipate the way
48:40
to stay with my bedroom. But more than anything else, I was terrified
48:47
by the certainty that I would be one of those guys who, instead of
48:52
talking, make stopped noises of car bumps in the stomach synenas from firefighters to
49:00
metallators explosions. Mom screamed stuck on the bathroom door. What' s up,
49:08
what' s called the words that look like noises. It was heard
49:15
that the water was falling warm and my mother was trying to understand my question.
49:23
The cat slept and I waited for words that made noise. He repeated.
49:31
Mom, yeah, boom pial uh ring Tok. Please, he said
49:42
you' re calling. Please, I had no choice but to open the
49:46
door hello. Ricardo said looking behind the roses, I looked at his son
49:53
mercilessly as I had imagined. He was wearing a ridiculous t- shirt and
50:00
pants that were shorted right away. Mom showed up as pretty as if she
50:07
hadn' t managed as she did and the blue looked really good on her
50:14
eyebrows. Spices could go and listen to music in your room. Mom suggested,
50:23
the woman who was in desperate years because of the lack of air.
50:28
Yes, and it' s just that I swallowed everything to kill these guests
50:32
for suffocation. I did my job without complaining and the horrible boy followed me
50:37
in silence. I sat on one bed, he sat on the other.
50:42
I would certainly already be saying that the bedroom would soon be his property and
50:47
that I slept in the basket next to the cat. I didn' t
50:52
play music because I had nothing to celebrate. That was a sad day for
50:58
me It didn' t seem fair to me and I decided that I should
51:02
also suffer. Then I looked for a thorn and put it between question marks,
51:07
how long your mom' s been dead. Juan Jo opened his eyes
51:12
wide to disguise four years he answered, but my anger was not satisfied with
51:19
that and how it was I asked again this time he narrowed his eyes.
51:24
I was hoping to hear any answer but the one that came from a severed
51:35
voice was like the wind. He said. I put my head down and
51:38
said I was on the air that I had stored. Juanjo was talking about
51:43
the wind. It would be the same wind that went through my life.
51:49
It' s a wind that comes all of a sudden and gets in everywhere.
51:52
I asked, yes, that' s it, and it whispers living,
51:57
too.“ I whispered,” Juanjo said,“ but I didn
52:00
’ t understand what he was saying. I didn' t understand either.
52:06
The two winds mixed in my head. A silence passed, a wind so
52:10
strong that it moved the buildings, he said, and that the buildings have
52:15
roots. The wind was so strong that it moved the buildings, he said.
52:25
My eyes got dirty. I said to me too your dad closed the
52:31
windows. Yeah, my mom, too, why they did it. It
52:38
must have been for something to stay in place. Sometimes life behaves like a
52:44
messy wind and sweeps away something whispers, but it is not understood in its
52:50
path. Everything is in danger even that which has roots in buildings, for
52:57
example, everyday customs. If we want to, we' re going to
53:01
eat coke. I told him because Juan Jo and I had a wind in
53:08
common and maybe it was time to open the windows. Dear friends. We
53:19
' re out of time. We' re closing. I wish you a
53:24
beautiful next week, a good weekend. He said it in the company of
53:31
AlejandroÁlvarez Coronel with PI news and I remind them that they can continue to
53:38
listen to us seeing us on the site of Radio Trein Topic com ar search
53:45
I tell you everything goes together or on the different platforms YouTube, Spreaker,
53:51
Spotify. You can follow my activity on Instagram, Daniel Berinsone and already are
53:59
beginning to be UAs the notes that we treat here on my site Berinson,
54:04
from Daniel com we are rebuilding it because it has been recently hacked. So
54:10
there they' ll be able to find the notes they hear, they'
54:15
ll be able to read them down, work friends of heart. Thank you
54:22
and don' t forget to send me the message of what would you write
54:29
to the loved one, what would you tell him? Eleven, twenty-
54:32
six, forty- two, two, one thousand forty- two. Hug
54:36
tight and see you next Friday at 13: 00 in this very place.
55:05
T Ue another marriage