Latest / The World of Phil Hendrie / Episode #3547 The New Phil Hendrie Show

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Episode #3547 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: Hi, it's Phil Henry.
• 0:01
  Speaker 2: If you don't have a backstage pass, to our website
• 0:03
  Speaker 2: Phil Henryshow dot com, which gives you access to our archives.
• 0:06
  Speaker 2: The great radio show that we did goes back over
• 0:08
  Speaker 2: thirty years. We also have access to all of our
• 0:10
  Speaker 2: webcasts that we've done from twenty thirteen forward. We have
• 0:14
  Speaker 2: video casts. These are actual full show videos of me
• 0:17
  Speaker 2: performing the show in different generations and different incarnations, doing
• 0:22
  Speaker 2: the stuff at the studio in California. Here in Florida,
• 0:25
  Speaker 2: weird Things. We used to do a live show for
• 0:28
  Speaker 2: three hours, then we went to the thirty minute you
• 0:30
  Speaker 2: know podcast, and I mean it's it's you.
• 0:34
  Speaker 3: Gotta I'll take over, But no, I'll take over. Yeah,
• 0:38
  Speaker 3: you got to see it to believe it's in. And
• 0:40
  Speaker 3: I sit here every day looking at it. I don't
• 0:42
  Speaker 3: believe it either had don't. Yeah, get a backstage pass
• 0:45
  Speaker 3: or Phil Henry Show. Less than ten dollars a month
• 0:49
  Speaker 3: you're right, Yeah, less than ten dollars a month for
• 0:52
  Speaker 3: a month, in less than seven dollars a month everaged
• 0:54
  Speaker 3: out over the course of the year. Get a backstage
• 0:55
  Speaker 3: pass World Famous Phil Henry Show. Gray's value line porn
• 0:59
  Speaker 3: very good.
• 0:59
  Speaker 2: Yeah, how about that hiat Thunder. Thunder has come out
• 1:04
  Speaker 2: from under the bed and is joining us for this
• 1:06
  Speaker 2: great Rory McLeod special. This is the best of Operation
• 1:09
  Speaker 2: Peep Tom that Rory put together for us. Rory courses
• 1:12
  Speaker 2: are archivest He is a great curator Phil Hendry Show material.
• 1:15
  Speaker 2: I don't know where he gets the ideas. I think
• 1:17
  Speaker 2: I'll do the best of Peep Tom. But Peep Tom
• 1:19
  Speaker 2: it is. It's with Jay Santos and let's listen to
• 1:22
  Speaker 2: it man here on the world famous Phil Henry Show.
• 1:25
  Speaker 1: The following is a world famous Phil Henry Show encore presentation.
• 1:30
  Speaker 4: We've had and I'm sure you understand the rash of
• 1:34
  Speaker 4: sexual assaults in the city of Los Angeles and in
• 1:37
  Speaker 4: the outlying areas that begin, and law enforcement will tell
• 1:40
  Speaker 4: you this. They begin as individuals who are stalking homes,
• 1:47
  Speaker 4: looking through windows and observing the occupants of those homes.
• 1:52
  Speaker 4: While they feel that they're not being observed, why they
• 1:54
  Speaker 4: feel they are safe within the security of their own home.
• 1:57
  Speaker 4: In point of fact, there's these peeping cons.
• 2:00
  Speaker 2: I understand that, and peeping Tom's eventually in many cases
• 2:03
  Speaker 2: become rapists.
• 2:05
  Speaker 1: So I understand that.
• 2:06
  Speaker 4: Let me finish what it is that I'm trying to say,
• 2:09
  Speaker 4: and I can get some questions. So the training film
• 2:12
  Speaker 4: is very simply one that was shot by myself, and
• 2:15
  Speaker 4: Randy Gleason is one of our subcommanders. We also had
• 2:18
  Speaker 4: Major Elvis Dutent who was bringing an equipment van. And
• 2:23
  Speaker 4: I think we had Jerry Clements too, Is that right, Randy?
• 2:29
  Speaker 4: So Jerry Clemens is also one of our sub commanders,
• 2:31
  Speaker 4: and I think Jerry was with Major Newton in an
• 2:34
  Speaker 4: equipment van. We used the equipment van to transporters from
• 2:38
  Speaker 4: home to home. The film or the video is a
• 2:42
  Speaker 4: point of view, and again I want to unrelate on
• 2:44
  Speaker 4: that point of view of a criminal.
• 2:48
  Speaker 1: What does it show?
• 2:50
  Speaker 4: It shows the point of view, mister Henry of.
• 2:53
  Speaker 2: The perpetrator, all right, So it shows the point of view.
• 2:58
  Speaker 2: So is this a video that shows women in their bedrooms?
• 3:04
  Speaker 4: It is a video. And here is where this is
• 3:06
  Speaker 4: where we got into trouble. And this is where this
• 3:09
  Speaker 4: is where I believe a couple of these periodicals are
• 3:13
  Speaker 4: going to be. You know, I have done things actual
• 3:16
  Speaker 4: I want to sue, all.
• 3:18
  Speaker 2: Right, But I understand that you feel that you'd like
• 3:20
  Speaker 2: to sue, and that you've been misrepresented.
• 3:22
  Speaker 1: Can you tell me what the video shows.
• 3:25
  Speaker 4: I will tell you what the video is about. It
• 3:27
  Speaker 4: is the point of view of a peeping tom. It
• 3:30
  Speaker 4: is the point of view of an individual who could
• 3:32
  Speaker 4: very well evolve into a violent criminal, a rapist, or works.
• 3:38
  Speaker 4: It is the point of view of a individual at
• 3:42
  Speaker 4: stocks homes, that at stocks neighborhoods, that goes door to door,
• 3:46
  Speaker 4: house to house and peers in the windows of unspecting people.
• 3:51
  Speaker 4: This is very, very valuable training footage for those lesser
• 3:56
  Speaker 4: one front lines of law enforcements.
• 3:58
  Speaker 1: All right now, now, Jay, I don't want to pis
• 4:00
  Speaker 1: you and I and.
• 4:01
  Speaker 4: I know that we have done nothing phil to be
• 4:03
  Speaker 4: embarrassed about.
• 4:04
  Speaker 2: I understand that. But can you please tell me, if
• 4:07
  Speaker 2: you wouldn't mind, what exactly is depicted so that so
• 4:11
  Speaker 2: that we understand what the what the issues are here.
• 4:14
  Speaker 4: What is depicted is the point of view of a
• 4:19
  Speaker 4: person who is invading the privacy of individual homes. It's
• 4:26
  Speaker 4: what he sees as he goes along the darkened walls,
• 4:31
  Speaker 4: if you will, and the shadows and areas of darkness
• 4:34
  Speaker 4: and areas of of of cover in the out of
• 4:38
  Speaker 4: doors at night, moving from one house to another. House.
• 4:43
  Speaker 4: So you're seeing Yeah, I know that.
• 4:45
  Speaker 2: But that's not what caused the stir because that when
• 4:49
  Speaker 2: this when this video.
• 4:50
  Speaker 4: You want me to tell you what it's exactly in
• 4:52
  Speaker 4: these videos, and I would ask you why, Well, if
• 4:57
  Speaker 4: you say this is the point of view of a
• 4:58
  Speaker 4: peeping tom, let me just ask you are you do
• 5:02
  Speaker 4: we see naked women? We when you say we don't
• 5:08
  Speaker 4: see anything? Because this was not intended for the general public.
• 5:11
  Speaker 4: It's a training film. Now, this film was originally taken
• 5:14
  Speaker 4: back this footage, this video I should call it because
• 5:17
  Speaker 4: it is video, it's digital video. The video was taken
• 5:20
  Speaker 4: back to a sub commander Leason's home. We were using
• 5:25
  Speaker 4: a one of the sheds in his backyard as one
• 5:29
  Speaker 4: of our subcommander posts, and at that time we took
• 5:33
  Speaker 4: the video and we had the other subcommanders there as
• 5:38
  Speaker 4: well as Major Newton and a couple of other people
• 5:42
  Speaker 4: we know from retired law enforcement, and we reviewed the
• 5:45
  Speaker 4: footage to make sure that we got the point of
• 5:48
  Speaker 4: view that we wanted to get, and we judged it
• 5:52
  Speaker 4: to be standard. We judged it to be suitable. We
• 5:55
  Speaker 4: judged it to be perfectly suitable for what we wanted
• 5:58
  Speaker 4: to do.
• 6:00
  Speaker 1: All right.
• 6:00
  Speaker 2: We're talking here with Jay Satis of the Citizens' Auxiliary Police.
• 6:04
  Speaker 2: They're being threatened with a couple of lawsuits and invasion
• 6:07
  Speaker 2: of privacy, et cetera. Because there was excuse me, training
• 6:10
  Speaker 2: film that is called the Nightstalk or point of View.
• 6:14
  Speaker 1: It was a piece of video footage shot.
• 6:16
  Speaker 2: From the point of view of a peeping tom who
• 6:19
  Speaker 2: was holding the camera.
• 6:21
  Speaker 4: That camera was mounted on a helmet that I was wearing,
• 6:24
  Speaker 4: so it was a helmet cam. I was moving along
• 6:28
  Speaker 4: the wall. I was being directed by Subman Leasa, Major Elviston.
• 6:33
  Speaker 4: They were directing me as to which which angle again
• 6:37
  Speaker 4: at which point of the house I should turn and
• 6:39
  Speaker 4: look in the wind? Which point of house I should
• 6:41
  Speaker 4: move al rule?
• 6:43
  Speaker 1: Okay, so you were you were the operator of the camera.
• 6:46
  Speaker 4: I was The camera was on my person, but.
• 6:49
  Speaker 1: There were people directing you as to which way.
• 6:51
  Speaker 4: To turn bread that's best break.
• 6:53
  Speaker 1: Guess did you have a viewfinder?
• 6:55
  Speaker 4: I had one eye viewfinder. I had a viewfinder that
• 6:59
  Speaker 4: stepped down from the camera that could look at you.
• 7:02
  Speaker 1: All right.
• 7:03
  Speaker 4: Uh, And you asked me a question why, Because I'll
• 7:06
  Speaker 4: tell you why, phil Well, I asked the question. Let
• 7:08
  Speaker 4: me let me tell you why because I've had just
• 7:10
  Speaker 4: about enough of people asking me questions about did you
• 7:16
  Speaker 4: get your will you get your cookies? Looking at No,
• 7:19
  Speaker 4: I'm not I'm.
• 7:20
  Speaker 1: Not asking you that.
• 7:20
  Speaker 2: I just wanted to know who had Initially, who was
• 7:24
  Speaker 2: looking through this camera? Now you say you weren't directing it,
• 7:27
  Speaker 2: that the others were directing you, but you could see
• 7:29
  Speaker 2: through the camera what you.
• 7:31
  Speaker 1: Were looking at?
• 7:31
  Speaker 4: All right?
• 7:32
  Speaker 1: What were you looking at?
• 7:34
  Speaker 4: I was looking at the point of view.
• 7:36
  Speaker 2: No, I've heard you say that already, Jay, But I mean,
• 7:39
  Speaker 2: you know, let's be honest. Were you looking through bedroom
• 7:42
  Speaker 2: windows at women dressing and undressing?
• 7:45
  Speaker 4: I was looking at what a peeping tom, what a
• 7:48
  Speaker 4: successful peaking, what a successful peak peaka tom would look at?
• 7:53
  Speaker 4: In other words, if he were successful in his peak
• 7:58
  Speaker 4: and his out of what they call it, you know,
• 8:01
  Speaker 4: because I can be anest you. I mean, we've we've
• 8:04
  Speaker 4: busted these people before, but what they themselves call if
• 8:07
  Speaker 4: he was successful in his in his peekaboo, you know,
• 8:11
  Speaker 4: a night of peekaboo, or how are they doing? If
• 8:13
  Speaker 4: he were successful, then he saw what I.
• 8:16
  Speaker 1: Saw, and that I don't understand that I don't understand.
• 8:19
  Speaker 4: In other words, Phil, if this were a peeping tom
• 8:21
  Speaker 4: who were successful at his peak, at his peaky peepy peaking.
• 8:27
  Speaker 2: I'm sorry, pee, yes, successful at at spying on.
• 8:32
  Speaker 4: People exactly a spying on people. Then he would definitely
• 8:36
  Speaker 4: have seen what I saw. And that's what makes it
• 8:39
  Speaker 4: a good training film.
• 8:40
  Speaker 1: And why are you reluctant to tell me what it
• 8:43
  Speaker 1: is that you saw.
• 8:44
  Speaker 4: I'm not reluctant. I don't think I need to. I
• 8:46
  Speaker 4: think you can pretty much use your imagination.
• 8:50
  Speaker 1: All right, So so let me get this straight.
• 8:52
  Speaker 2: And our number eight seven seven eight seven six philm
• 8:55
  Speaker 2: eight seven seven eight seven six seven four four five,
• 8:59
  Speaker 2: so one one more.
• 9:01
  Speaker 4: Thing filled, they could go ahead. We got probably twenty
• 9:05
  Speaker 4: minutes of good footage. We were out two hours, but
• 9:08
  Speaker 4: we only got twenty minutes of quality training footage. And
• 9:14
  Speaker 4: we went back to the As I said to the substation,
• 9:20
  Speaker 4: there was some commentary that there was music or there
• 9:24
  Speaker 4: was beer drinking. I can tell you that that is
• 9:27
  Speaker 4: a slander.
• 9:29
  Speaker 2: Were you guys drinking beer watching this stuff? Because it
• 9:31
  Speaker 2: gets it has the feeling of a stag.
• 9:33
  Speaker 4: Party, not at all. That is a lie that was
• 9:37
  Speaker 4: perpetrated most I think perpetrated for the most part by
• 9:42
  Speaker 4: this newspaper reporter.
• 9:44
  Speaker 2: All right, Jay Satis with us from the Citizens Auxiliary Police.
• 9:47
  Speaker 2: Our number is eight seven seven eight seven six PHIL.
• 9:50
  Speaker 2: Eight seven seven eight seven six PHIL. A training film
• 9:53
  Speaker 2: that was produced by himself and the Citizens Auxiliary Police
• 9:57
  Speaker 2: where they literally were peaking in the win windows of
• 10:01
  Speaker 2: women changing their clothes, so they were giving you the
• 10:04
  Speaker 2: point of view of a peeping tom. Well, there's one
• 10:07
  Speaker 2: problem with that. There's one problem with that. They are
• 10:12
  Speaker 2: actually the peeping toms. Now they don't feel that way.
• 10:15
  Speaker 2: They are not releasing the videotape. They are defending themselves
• 10:19
  Speaker 2: against the threat of lawsuit and they say that what
• 10:21
  Speaker 2: they did absolutely did not violate the law.
• 10:26
  Speaker 4: All right, Anyway, we were looking using a camera. All
• 10:29
  Speaker 4: of a sudden, Bell Army Team Chimber's Bellamy, who's one
• 10:35
  Speaker 4: of the subcommanders. But he's about to be promoted to
• 10:39
  Speaker 4: he's going to be promoted chief petty lutenant or not
• 10:42
  Speaker 4: chief petty lieutenant. But yeah, chief petty lutenant.
• 10:45
  Speaker 1: He's what a chief petty lieutenant?
• 10:47
  Speaker 4: What the fuck is that?
• 10:48
  Speaker 1: Would you watch your language?
• 10:49
  Speaker 4: Please?
• 10:50
  Speaker 5: I would love to watch my language if someone would
• 10:52
  Speaker 5: give me a reason to watch my language.
• 10:55
  Speaker 1: What is chief petty lieutenant. It sounds to be like
• 10:57
  Speaker 1: you marry together.
• 10:59
  Speaker 4: I'll explain it, strainer, we married together Army and navs. Army,
• 11:03
  Speaker 4: we married together Army and Navy terms.
• 11:06
  Speaker 1: Right, that's exactly what Phil just said.
• 11:08
  Speaker 4: I didn't hear. I'm not familiar. But anyway, uh keeper
• 11:12
  Speaker 4: bell Mony h Bellamy cheeper Belummy stepped on the extension
• 11:17
  Speaker 4: cord and he bent it, kep ban it and I'm going,
• 11:21
  Speaker 4: are you kidding me or something? I looked down and
• 11:25
  Speaker 4: all of a sudden, we got no power to the microphone.
• 11:30
  Speaker 4: So I was, you know, Army. I was extremely upset.
• 11:34
  Speaker 4: I don't quite know what I was going to do
• 11:35
  Speaker 4: about it. I talked to said, you know what, we
• 11:42
  Speaker 4: got busted peepe caam. So I took a look at
• 11:44
  Speaker 4: the peepecam and that's when we began to review what
• 11:47
  Speaker 4: we called tom footage. And we're going down to the
• 11:51
  Speaker 4: Tom footage. I'm looking at peep caam only had two
• 11:54
  Speaker 4: peep caam. Peep Caam one peek Cam two was over
• 11:57
  Speaker 4: on Swinson, which is a block down. Now. I put
• 12:01
  Speaker 4: the brace together and didn't see anything. You didn't see nothing.
• 12:04
  Speaker 4: And a lady came out of a baptob at one
• 12:06
  Speaker 4: point and subcommanded Gleishan was there had on? I had
• 12:10
  Speaker 4: the time, I had the peep peep cam on, and
• 12:14
  Speaker 4: you didn't see nothing. And you should have been able
• 12:16
  Speaker 4: to see everything.
• 12:17
  Speaker 1: Yeah, mister Henry, see everything as in the woman would
• 12:20
  Speaker 1: have been nude. Yeah, well yeah, we did even see everything.
• 12:23
  Speaker 1: You sound like a five year old, miss Gray.
• 12:26
  Speaker 4: I'm trying to save you myself, the Newton. We're all
• 12:30
  Speaker 4: trying to save you from the embarrassment of getting out
• 12:32
  Speaker 4: of your tub, turn it around, bending over to pick
• 12:34
  Speaker 4: up a quarter or something, and you're on Prime Prime Now.
• 12:38
  Speaker 4: I'm trying to save you from that.
• 12:39
  Speaker 6: What a graphically disgusting and imbecilic thing to say. You
• 12:43
  Speaker 6: have no proof that I have ever been at risk
• 12:45
  Speaker 6: of anything like that. And besides, Frank and I live
• 12:47
  Speaker 6: in a very exclusive neighborhood. There are very few people.
• 12:53
  Speaker 2: Uh.
• 12:53
  Speaker 6: I don't even think that anyone that would countenance doing
• 12:56
  Speaker 6: something like that would be anywhere near our home.
• 12:59
  Speaker 4: Well, I can tell you he's great. That peeped Tom.
• 13:03
  Speaker 4: They came all shapes and sizes, and we've had a
• 13:05
  Speaker 4: lot of Tom. We've had a high level Tom Ray.
• 13:08
  Speaker 1: What do you mean Tom Ray, are you making up
• 13:10
  Speaker 1: all these terms?
• 13:10
  Speaker 2: Wait a minute, Jay's saying something very smart. A lot
• 13:13
  Speaker 2: of these peeping toms are from the neighborhoods. They're guys
• 13:15
  Speaker 2: that live in the neighborhood.
• 13:16
  Speaker 1: You know.
• 13:17
  Speaker 2: They're guys that are not going to get a lot
• 13:19
  Speaker 2: of people are going to look at them weird because
• 13:22
  Speaker 2: oh wow, I see him all the time. He lives here,
• 13:24
  Speaker 2: and they might be a neighbor or something. Well, what
• 13:27
  Speaker 2: are you trying to tell him?
• 13:27
  Speaker 1: You try to tell me that any one of my neighbors,
• 13:30
  Speaker 1: I don't know.
• 13:31
  Speaker 4: Great, and you can tell me there's a guy down
• 13:33
  Speaker 4: the street by name of.
• 13:34
  Speaker 6: Don't say any names. There's a man who lives down
• 13:37
  Speaker 6: the street from us. We live in a gated community,
• 13:40
  Speaker 6: as does Bobby Dooley and a few others. So anyone
• 13:43
  Speaker 6: that would get into our community. No, this guy that
• 13:46
  Speaker 6: lives down the street, I know him. Uh, Jim Jim Durgan.
• 13:50
  Speaker 1: I don't know. I don't think Durgan's weird. He's real weird.
• 13:54
  Speaker 4: You don't think Durgh we gets his jollys peeping in.
• 13:58
  Speaker 1: I don't think so now, but I you know, I
• 14:01
  Speaker 1: couldn't be sure.
• 14:01
  Speaker 4: Well, I'd be very happy to send over one of
• 14:04
  Speaker 4: our men. We've got two men who are on tom
• 14:08
  Speaker 4: duty right now. I could dive work them over to
• 14:10
  Speaker 4: your neighborhood in sam Monica and see about this guy
• 14:15
  Speaker 4: Durgan d he's home.
• 14:16
  Speaker 6: I don't know if Jim Durgen's home. If Frank is listening, Frank,
• 14:19
  Speaker 6: would you I don't know Frank's listening. Could we get
• 14:22
  Speaker 6: a phone call in too, Frank, I'll call him right
• 14:24
  Speaker 6: now to see if Jim Durgen's home. If Durgon is
• 14:27
  Speaker 6: home and he knows that I'll be getting back there
• 14:31
  Speaker 6: in a few minutes, he may be setting his.
• 14:34
  Speaker 1: Watch to that.
• 14:34
  Speaker 4: Yeah, there's a lot of times they'll synchronize your watches. Okay,
• 14:38
  Speaker 4: I know Ms Gray's getting home about this time. Do
• 14:40
  Speaker 4: you come right home and you take a bath? I do?
• 14:43
  Speaker 4: I don't.
• 14:43
  Speaker 1: This is very private information.
• 14:45
  Speaker 4: No, I understand it. I'll try to be as delicate
• 14:47
  Speaker 4: as I can. You come home and you do take
• 14:50
  Speaker 4: a bath? Yes? All right? Do you then when you
• 14:54
  Speaker 4: get out, do you bend over to Sometimes.
• 14:57
  Speaker 1: I'll bend over to get the lint out from between
• 15:00
  Speaker 1: my toes.
• 15:01
  Speaker 4: Okay, when you do bend over is your posterior toward
• 15:05
  Speaker 4: the window.
• 15:06
  Speaker 1: Well, yes, that's where the brush is. So you're saying,
• 15:09
  Speaker 1: don't do that.
• 15:10
  Speaker 4: I would, Yeah, got mister.
• 15:12
  Speaker 1: Gray on the phone.
• 15:14
  Speaker 4: Listen, Margaret, I've listened to this garbage. Okay, this Jay Santas,
• 15:19
  Speaker 4: let me tell you something. If you're bending over to
• 15:22
  Speaker 4: pick up quarters and the Newton is out in the van,
• 15:25
  Speaker 4: because I know the Newton, I've known the Newton for
• 15:26
  Speaker 4: a long time. You there, Newton, miss Ray. Oh yeah,
• 15:30
  Speaker 4: I've known her for a long time, and she has
• 15:32
  Speaker 4: been in that van, come hell or high. But if
• 15:36
  Speaker 4: Margaret's bending over to get lent out of his belly button,
• 15:39
  Speaker 4: and the Newton is out there with a camera on
• 15:42
  Speaker 4: her head and she's getting a full wide screen shot,
• 15:45
  Speaker 4: I mean seventy two millimeter.
• 15:48
  Speaker 1: And all right, Frank, thank you very much.
• 15:50
  Speaker 4: Wait a second, Margaret, you will you.
• 15:53
  Speaker 1: Just hung up in your own husband. That's right. I
• 15:55
  Speaker 1: called the shot on that one a wide screen. Well,
• 15:59
  Speaker 1: I just saying he's a he's a film guy. He
• 16:01
  Speaker 1: speaks in those terms.
• 16:05
  Speaker 4: You know.
• 16:05
  Speaker 1: We hung up on Jay Sanna's Well, I'm sorry, Dad,
• 16:07
  Speaker 1: Get Jay Samas back on.
• 16:08
  Speaker 4: Jay hung up on me.
• 16:11
  Speaker 1: I'm sorry, Jay, but I'm trying to hang up on
• 16:13
  Speaker 1: Frank and I hit all the buttons.
• 16:15
  Speaker 4: The Newton when you get home, Uh, if you do,
• 16:19
  Speaker 4: bend over will be there to cover If there's a pipe,
• 16:22
  Speaker 4: viser's a tall Okay, the Newton? If you makes you
• 16:27
  Speaker 4: feel better.
• 16:27
  Speaker 1: I don't want anyone looking at me while I'm cutting
• 16:30
  Speaker 1: got it? Are you serious?
• 16:32
  Speaker 6: But if anyone is going to be looking at me,
• 16:34
  Speaker 6: I suppose it should be the highest ranked individual.
• 16:36
  Speaker 1: So who would that be?
• 16:37
  Speaker 4: That be Newton?
• 16:38
  Speaker 6: All right, have the Newton at my bathroom window? Wait
• 16:41
  Speaker 6: a second, why would I even have the window open?
• 16:43
  Speaker 1: Exactly? Why are you even exposing yourself? Put some curtains
• 16:47
  Speaker 1: on it? Well, Phil, I didn't think of that.
• 16:49
  Speaker 4: Okay, all right, Well the Newton can still be there
• 16:52
  Speaker 4: to film, just just in case.
• 16:55
  Speaker 5: Why would she want her excuse me, Mark, why would
• 16:57
  Speaker 5: she want her ass filmed by you guys to show.
• 17:01
  Speaker 4: Her evidence of the time, of the potentiality of it.
• 17:06
  Speaker 1: Of the potential of a tom.
• 17:07
  Speaker 4: Yes, show that the peep is you know their peep.
• 17:10
  Speaker 4: The peep is there, man, the peep is ever present.
• 17:13
  Speaker 2: Zerry Police joins us on the world famous Phil Entry
• 17:16
  Speaker 2: Show tonight to talk about Well, what we were going
• 17:18
  Speaker 2: to talk about here is operation peep Tom and Tom peep.
• 17:22
  Speaker 1: Is that correct?
• 17:23
  Speaker 4: That's correct? Yeah?
• 17:24
  Speaker 1: Can you give me the difference?
• 17:26
  Speaker 4: Well, I think you already know what the differences.
• 17:28
  Speaker 5: The audience doesn't know, Jay. They need to be up
• 17:29
  Speaker 5: to speed operation peep Tom, as I understand it, Well, general,
• 17:33
  Speaker 5: you might if I explained just so as I understand it.
• 17:37
  Speaker 5: You guys have a camera up to the open bedroom
• 17:40
  Speaker 5: windows of women and you video that and then you
• 17:43
  Speaker 5: show it to the homeowner to show how vulnerable they are.
• 17:45
  Speaker 4: Correct, that is correct. Yeah, and that did cause some
• 17:49
  Speaker 4: confrontations for a ton of time.
• 17:51
  Speaker 2: Well, the last thing I saw you tweet was that
• 17:53
  Speaker 2: you got jumped from behind by a husband slash homeowner
• 17:56
  Speaker 2: and you had reconstructive dental work.
• 18:00
  Speaker 4: To him, laugh, you had reconstructive That's exactly what I
• 18:04
  Speaker 4: just heard you do, mister Eddry.
• 18:05
  Speaker 1: Well it's pretty funny, Jay, I'm sorry.
• 18:07
  Speaker 4: What's funny about a guy have his teeth driven back
• 18:10
  Speaker 4: into his throat?
• 18:11
  Speaker 1: Jay?
• 18:11
  Speaker 6: When you say you had you when you say you
• 18:14
  Speaker 6: get jumped from behind by a husband, next thing you know,
• 18:16
  Speaker 6: you've had reconstructive dental work and you considered a chin implant.
• 18:22
  Speaker 4: Oh bullshit, get.
• 18:24
  Speaker 1: Him under control. Yeah, Jay, you can't say that, mister
• 18:27
  Speaker 1: Henry can Yeah, you're not allowed to. You're not allowed
• 18:30
  Speaker 1: to a Batman costume and the phone, bud. I don't
• 18:33
  Speaker 1: know what you're talking to people about.
• 18:35
  Speaker 2: Jay, Listen, I gotta Jay listen. You gotta watch that language.
• 18:39
  Speaker 4: Hey, listen. I can tell you I didn't have a
• 18:42
  Speaker 4: I didn't consider a chin implant. Okay, that is a dirty,
• 18:45
  Speaker 4: silthy lie, a dirty filthy lie.
• 18:48
  Speaker 6: All right, Okay, Well what I heard Jay, though, was
• 18:50
  Speaker 6: the homeowner jumped you from behind, drove your teeth back
• 18:54
  Speaker 6: into your head. Like you said, Now, you've got reconstructive
• 18:56
  Speaker 6: dental work, and you had to ice something down.
• 18:58
  Speaker 7: Well, he had ice it down.
• 19:01
  Speaker 1: What did you have to ice down? You had ice doown?
• 19:03
  Speaker 1: You're what your jentles I.
• 19:05
  Speaker 4: Said on I tweet, I said yes, as a matter
• 19:08
  Speaker 4: of fact, nightly, the doctor has told me this has
• 19:11
  Speaker 4: been about sixty days, and he told me to go
• 19:14
  Speaker 4: ahead and ice it down.
• 19:15
  Speaker 1: Ice down your ice down?
• 19:17
  Speaker 4: What you know?
• 19:18
  Speaker 1: I told you a bull bay, Okay, I understand.
• 19:22
  Speaker 4: Yeah, So I had a reconstructive dental work. I got
• 19:26
  Speaker 4: an ice down my ball back, well not my ball,
• 19:28
  Speaker 4: but I have to ice down down there, and no,
• 19:31
  Speaker 4: I did not consider no cha in plan Jay.
• 19:33
  Speaker 2: Santos the citizens Auxury Police with us as we talk
• 19:37
  Speaker 2: about Operation Peep Tom Tom Peep all this crap, you
• 19:40
  Speaker 2: guys getting your helmet Frisbee. It seems like the community
• 19:43
  Speaker 2: Jay is is kind of picking up on you guys
• 19:45
  Speaker 2: and realize you're not really I mean, you're just not
• 19:48
  Speaker 2: really a cop.
• 19:49
  Speaker 4: I don't have the kind of arrest powers police officer has. Nonetheless,
• 19:53
  Speaker 4: I do have Susans Auxury Police Susan's arrest powers. Sub
• 19:58
  Speaker 4: Commander Blueberry because Subcommander Gleason got married and he went
• 20:02
  Speaker 4: into his His father in law has got a dairy
• 20:04
  Speaker 4: business that he's doing something on. Subcommander Blueberry, though, has
• 20:08
  Speaker 4: been out with me in a lot of calls, and
• 20:10
  Speaker 4: Subcomander Mowberry hadn't been on a job. Forty eight hours.
• 20:13
  Speaker 4: We went out to Ronando Beach. We were double checking
• 20:16
  Speaker 4: whether the thongs were sucked up too much. A lot
• 20:18
  Speaker 4: of these things were double checking and Mouberry, I mean,
• 20:21
  Speaker 4: he had his pants pulled down and it has Frisbee.
• 20:24
  Speaker 1: Well, it's too bad about the kid.
• 20:25
  Speaker 5: Maybe you ought to consider something other than the citizens
• 20:28
  Speaker 5: OBSERVERI police.
• 20:29
  Speaker 4: Now, maybe he's not gonna do that. Maybe Subcommander Buberry
• 20:33
  Speaker 4: is going to be a part of this great organization.
• 20:37
  Speaker 2: Jay Sanders of the said, all right, so tell me Jay,
• 20:39
  Speaker 2: you got punched out by a homeowner as the result
• 20:45
  Speaker 2: of Operation Tom peepe or Peep Tom.
• 20:47
  Speaker 4: That was as a result of Operation Tom Peep. And
• 20:50
  Speaker 4: what happened, as you know, Operation Peep Tom is when
• 20:53
  Speaker 4: we are video and to the bedroom window to show
• 20:55
  Speaker 4: a woman who has got her clothes off or is
• 20:59
  Speaker 4: about to remove her own, and that got us into
• 21:03
  Speaker 4: There was a series of controversial Operation Peep Tom operations
• 21:08
  Speaker 4: over the course of the last two three summers, at
• 21:10
  Speaker 4: which that was when the harassment started. We had our
• 21:13
  Speaker 4: pass getting pulled down and our helmets getting frisbee into
• 21:15
  Speaker 4: collection pawns at that time, and at that place we
• 21:19
  Speaker 4: decided that we would then go to operation to Operation
• 21:22
  Speaker 4: Tom Peep and Operation Tom. People would be wearried, do
• 21:25
  Speaker 4: it not have No, we don't have no camera in
• 21:27
  Speaker 4: the bedroom window. We've got a subcommander as in the
• 21:30
  Speaker 4: case of sub Commander in Bluberry or the Subcommander bun Waw,
• 21:34
  Speaker 4: they would be staring in the name. Who's that?
• 21:37
  Speaker 1: Subcommander?
• 21:38
  Speaker 4: What I got? Subcommanded Booberry and Subcommander bun Wah. What
• 21:41
  Speaker 4: about it?
• 21:43
  Speaker 1: Go ahead Jesus so.
• 21:47
  Speaker 4: So yeah, So Subcommander Booberry and Subcommander bun Wah will
• 21:51
  Speaker 4: be staring through the window and we will videotape them.
• 21:55
  Speaker 4: Stand So we're not even videotaping the woman. We're videotaping
• 21:57
  Speaker 4: Bueberry or bun Wah staring through the window. Staring through
• 22:01
  Speaker 4: the window. Two weeks ago on Japper Steve at Hawthorne,
• 22:06
  Speaker 4: I got jumped from behind by a mister Cole who
• 22:11
  Speaker 4: immediately punched me out. Got the luckiest punch in the
• 22:16
  Speaker 4: history of the world. He punched me out and drove
• 22:19
  Speaker 4: a knee right in there, and as a result, I
• 22:22
  Speaker 4: had to have reconstructive dental work and I've had to
• 22:27
  Speaker 4: put I've had to ice it down. See you, I'm
• 22:30
  Speaker 4: SAMs Henry.
• 22:31
  Speaker 1: Okay, yeah, I hear you so far.
• 22:33
  Speaker 5: What you're telling us status is all of your injuries
• 22:35
  Speaker 5: and all of your failure. Well what now, hold on
• 22:37
  Speaker 5: for a minute.
• 22:38
  Speaker 4: I want to know what do you mean all of
• 22:40
  Speaker 4: my failure?
• 22:40
  Speaker 5: Well, you're talking about who have you actually saved from
• 22:44
  Speaker 5: being peep tommed or tom peeped or whatever.
• 22:47
  Speaker 4: We are there showing women how they're vulnerable, so we'll
• 22:49
  Speaker 4: do either peep charm or tomp peep.
• 22:50
  Speaker 1: You don't make any sense. Wait a minute, what Margaret,
• 22:53
  Speaker 1: I want to know? In other words, after.
• 22:56
  Speaker 6: You got punched out, and this is not the first
• 22:58
  Speaker 6: time by this husband, did you explain to him what
• 23:02
  Speaker 6: you were doing?
• 23:04
  Speaker 4: Sub Commander Mooberry was trying to explain to him that
• 23:06
  Speaker 4: we're not video videotaping your wife or videotaping me staring
• 23:10
  Speaker 4: at your wife. You know, Yes, he was looking at
• 23:14
  Speaker 4: her appeel, her underwear off, and she was putting a
• 23:16
  Speaker 4: lotion on her But I guess, oh that's great.
• 23:19
  Speaker 1: Well, and that's when the homeowner jumped you from behind.
• 23:23
  Speaker 4: Yes, yeah, but Mowberry tried to explain him, Hey, it's
• 23:26
  Speaker 4: not it's that's not uh, bring it to her, Admiral
• 23:29
  Speaker 4: Santus's fall. That's my fault because I saw your wife
• 23:32
  Speaker 4: putting lotion on her butt, on her but on her
• 23:34
  Speaker 4: butt off. And I want you to know, sir, that
• 23:36
  Speaker 4: any pervert could see that unless she closed the windows.
• 23:40
  Speaker 4: I saw her putting lotion on her butt and I
• 23:42
  Speaker 4: saw her peel off her underwear and take some selfies
• 23:44
  Speaker 4: of herself. And that's when this guy, that's when this
• 23:47
  Speaker 4: guy picked He picked Moueberry up and put him headfirst
• 23:50
  Speaker 4: into a garbage can and come after me.
• 23:52
  Speaker 1: So you guys are out of line again with this.
• 23:55
  Speaker 1: Peep Tom and Tom Peep, No, no, nowhere in.
• 23:58
  Speaker 4: No, Officer, Henry, you've with us, We've been on the
• 24:01
  Speaker 4: mobile operations and we've seen some pretty harry stuff.
• 24:04
  Speaker 6: We haven't heard you do anything Jay other than be
• 24:07
  Speaker 6: entirely inappropriate with people.
• 24:09
  Speaker 1: I think what you gotta do is you got to
• 24:11
  Speaker 1: get rind of operation. Tom Peep and Peep Tom. Where's
• 24:14
  Speaker 1: Major Elvis Newton?
• 24:14
  Speaker 4: In the middle of all this, Major Evis Newton was
• 24:17
  Speaker 4: back in the van. He was at the time. I
• 24:20
  Speaker 4: think he was watching some entertainment tonight. I don't know
• 24:22
  Speaker 4: what he was watching, but he had something on a
• 24:24
  Speaker 4: TV in a van and he was having I think
• 24:27
  Speaker 4: somebody made some Pepeter's or Tomaly's for him.
• 24:30
  Speaker 1: You know, all right, so he's eating pepits. You got
• 24:32
  Speaker 1: a problem, Yeah, I got a problem.
• 24:34
  Speaker 5: Listen to Major Elvis Newton's eating Timali's. Well, you guys
• 24:37
  Speaker 5: are up there. You're getting reconstruction.
• 24:41
  Speaker 4: Okay, every time I come on your program, mister Henry's
• 24:44
  Speaker 4: a mistake.
• 24:45
  Speaker 1: Jay, I want to hear the story.
• 24:46
  Speaker 4: No, no, no, no no. Every time I come on
• 24:49
  Speaker 4: your program, it's a mistake. And I will tell you now, Missanry.
• 24:53
  Speaker 4: We put our allies all bad boy?
• 24:56
  Speaker 1: Bad boy? What did you gonna do? What did you
• 24:58
  Speaker 1: gonna do?
• 24:59
  Speaker 8: If the thing?
• 25:00
  Speaker 4: You know?
• 25:01
  Speaker 1: Put some you want this all the time. I never
• 25:03
  Speaker 1: miss it.
• 25:04
  Speaker 4: Yeah.
• 25:04
  Speaker 1: Well I don't know if they're gonna use bad boys,
• 25:06
  Speaker 1: but that's uh, now that's the show they have on
• 25:07
  Speaker 1: the on the TV. Oh my god. So the citizens
• 25:10
  Speaker 1: Ox every Plice is going to do a copstyle show. Yeah,
• 25:12
  Speaker 1: they're going to do a copstyle show.
• 25:15
  Speaker 2: And uh they'll use their theme music, you know, the
• 25:18
  Speaker 2: uh Don Dunn.
• 25:21
  Speaker 4: What a what? You know what?
• 25:22
  Speaker 1: It's going to be a disaster.
• 25:23
  Speaker 4: I can.
• 25:24
  Speaker 6: I know that, Jay means well, and I know I
• 25:26
  Speaker 6: think it'll be a rip roaring, snorting and gas emitting disaster.
• 25:31
  Speaker 1: And uh I I really I fear for all concerned.
• 25:35
  Speaker 1: I'm market Gray. Thank you all right, that's great, good friend.
• 25:40
  Speaker 1: Jay Santos of the citizens Uxory.
• 25:42
  Speaker 2: Please God damn it, Bud, turn that downright think blasting
• 25:45
  Speaker 2: my freaking ears out?
• 25:46
  Speaker 1: Man and Jay, how are you feel you're really good?
• 25:52
  Speaker 4: Or get you ready for thank you coming out here
• 25:54
  Speaker 4: and you know, gett a twenty feeling.
• 25:59
  Speaker 9: You know, I broke a duly authorized organization swings in direction. Yeah,
• 26:04
  Speaker 9: it may be called the state Police, militia arrangers, our assitizens,
• 26:09
  Speaker 9: Auxury Police. These are the stories of the men who's training,
• 26:13
  Speaker 9: skill and courage.
• 26:15
  Speaker 4: Yeah, right now, Phil, I'll tell you where we are
• 26:20
  Speaker 4: right now is just essentially, you know, cruising around trying
• 26:28
  Speaker 4: to just in our own way, trying to make sure
• 26:30
  Speaker 4: that we've got a good handle on what's going to
• 26:33
  Speaker 4: be happening here in the next to the next several months,
• 26:37
  Speaker 4: because what is happening for the next several months, filloms,
• 26:39
  Speaker 4: We're going to be going through the neighborhoods. We're gonna
• 26:42
  Speaker 4: looking and see, uh if there are if there are
• 26:44
  Speaker 4: women who are being compromised, if there are women who
• 26:47
  Speaker 4: are being uh take advantage of with these peep tom
• 26:50
  Speaker 4: what we call peep tom. I know the technical term
• 26:53
  Speaker 4: is a peeping tom. But for us and as citizens
• 26:55
  Speaker 4: on Xury Police, and for for me and mine we
• 27:00
  Speaker 4: prefer to shorten it. It's something that police are going
• 27:03
  Speaker 4: to do and we call it Peep Tom. The program
• 27:06
  Speaker 4: and the project which originated last summer will continue. And
• 27:09
  Speaker 4: I'm just one more comment. Films. You know, you have
• 27:12
  Speaker 4: some questions you probably want to ask. H extra comment
• 27:16
  Speaker 4: would be that we do have right now a deal
• 27:19
  Speaker 4: in place with a production company we hope is well.
• 27:22
  Speaker 1: I wanted to get to that. What is the name
• 27:24
  Speaker 1: of the production company.
• 27:25
  Speaker 4: I'm really not at liberty to say right now, but
• 27:27
  Speaker 4: we are going to produce a series of citizens Auxuri
• 27:30
  Speaker 4: police shows. Do we hope we'll you know, people are
• 27:35
  Speaker 4: going to enjoy and they'll like to watch, you know.
• 27:40
  Speaker 2: Okay, fine, Jay, status of the Citizens of Uxori police
• 27:43
  Speaker 2: with us. Now, you guys are out and about tonight
• 27:47
  Speaker 2: doing what we're at.
• 27:47
  Speaker 4: About tonight, and we're going to be looking for Peep
• 27:50
  Speaker 4: Tom or Operation Operation Tommy Peep.
• 27:53
  Speaker 1: But what is the name of this thing? I know
• 27:56
  Speaker 1: the thing's called Peeping Tom.
• 27:57
  Speaker 4: Yeah, it's called Peeping Tom, but that's not the name
• 28:00
  Speaker 4: of the operator. General that one more time you try
• 28:03
  Speaker 4: to get out a good put down. You can't say
• 28:05
  Speaker 4: diddle squid.
• 28:06
  Speaker 1: Sh didle squid that SATs. Everybody knows you're.
• 28:11
  Speaker 4: In a top. Hey, let me tell you what you
• 28:14
  Speaker 4: people are a thing. I'm a copper nt. The fact
• 28:16
  Speaker 4: that we've got Operation Tom Peep is going to save
• 28:19
  Speaker 4: a lot of women.
• 28:20
  Speaker 1: Operation Tom Peep. Now I thought it was called Peeping Tom.
• 28:23
  Speaker 4: It is called it. The guy that looks through a
• 28:26
  Speaker 4: window to try to get his cookies, that's called peeping Tom. Yes,
• 28:29
  Speaker 4: so why don't you call it that because we call
• 28:31
  Speaker 4: it Operation Palm palm peep.
• 28:34
  Speaker 1: What do you mean Operation tom peep? It's you said,
• 28:37
  Speaker 1: it's Tom peep.
• 28:38
  Speaker 4: Yeah, it's Tom peep.
• 28:39
  Speaker 1: No, you said pump teep. All right, it's it's Operation
• 28:42
  Speaker 1: Peeping Tom. How about that?
• 28:44
  Speaker 4: No, No, it's Operation Peeping Tom. It's operation It doesn't
• 28:49
  Speaker 4: make any difference. Who gives a shit?
• 28:52
  Speaker 1: Hey, Jay, watch the language, you guys get to do it. Yeah. Well,
• 28:55
  Speaker 1: I'm the host of the show. So you are out
• 28:57
  Speaker 1: right now, out and about, and that's.
• 28:59
  Speaker 4: Right, Phil. And what we're gonna do is monitor the radio.
• 29:03
  Speaker 4: Turn a radio up, will you? Hey, glease and turn
• 29:05
  Speaker 4: it up? Okay, don't kick field right, I'm on channel sixteen.
• 29:09
  Speaker 4: We got what do you got over Thereame got up?
• 29:12
  Speaker 4: Front name talk about Okay, we got a we got
• 29:14
  Speaker 4: a peeper. We got a peeper. Let's go go go, go, go, go, go, go, go, go, go,
• 29:18
  Speaker 4: go go go.
• 29:19
  Speaker 10: Now you have a peeper where we have a peeper
• 29:21
  Speaker 10: over here on Harlan and right, and we're just turning
• 29:26
  Speaker 10: up Harlan. Now there's a woman who's been over and
• 29:28
  Speaker 10: she's got the comics spread out on the floor and
• 29:31
  Speaker 10: apparently she's laying on the floor of start naked. And
• 29:35
  Speaker 10: you know this how because one of our ospurs is
• 29:38
  Speaker 10: over there right now he has identify a peeper. Totally
• 29:41
  Speaker 10: miss stump to peep. All right, once we get over there, film,
• 29:46
  Speaker 10: we're going to jump from the vehicle. We got a
• 29:48
  Speaker 10: major Lviis Newton is with a major Dowtony you.
• 29:50
  Speaker 4: All right, I'm Finney. That's exciting. And here's a box
• 29:55
  Speaker 4: of those cheese bits too. Major Newton likes to have
• 29:57
  Speaker 4: you want the cheese bits you're with I want to
• 29:59
  Speaker 4: please jeez. Major Newton needs a squeeze chee. Who's got
• 30:03
  Speaker 4: to squeeze you? So phil uh?
• 30:05
  Speaker 1: Now, Major Elvis Newton is with you, the founder of
• 30:07
  Speaker 1: the Citizens of Oxord Police.
• 30:08
  Speaker 4: That is correct, he's with us here. He's watching one
• 30:11
  Speaker 4: of a closed shirtuit. Why do you watch right now?
• 30:13
  Speaker 4: That's a wheel of points. He's got a wheel of
• 30:15
  Speaker 4: fortune on now. But he will And Major Newton?
• 30:18
  Speaker 1: What is the purpose of Major Newton being there?
• 30:20
  Speaker 4: Now?
• 30:20
  Speaker 1: What is he doing besides eating squeeze cheese?
• 30:23
  Speaker 4: Why don't you go straight to hell?
• 30:25
  Speaker 1: H What does that mean?
• 30:26
  Speaker 4: Jay?
• 30:27
  Speaker 1: What was that all about?
• 30:28
  Speaker 4: I just I'm getting sick and turing a lot. It's
• 30:29
  Speaker 4: more on asses and everything like that. Right pull up here,
• 30:32
  Speaker 4: all right, we're gonna jump out and Major Newton, you
• 30:34
  Speaker 4: right the stream. Let's go go, go, go, go go.
• 30:39
  Speaker 4: All right, we're going through uphill right now, our way
• 30:42
  Speaker 4: over to this address at twenty five fifteen Holderingay, is there.
• 30:53
  Speaker 1: A peeping tom at that address?
• 30:55
  Speaker 4: Yes, ma'am, remis okay, all right? We at the window
• 30:58
  Speaker 4: here is just a bedroom window here at the right
• 31:00
  Speaker 4: bedroom with a lady is I'm looking in the window
• 31:04
  Speaker 4: to see where and if there is nudity. And again,
• 31:06
  Speaker 4: mister Andy's got understand we're not uh, we have to
• 31:09
  Speaker 4: check to make sure there's that. There was no people looking.
• 31:12
  Speaker 1: At a nude All right, well, what are you looking at?
• 31:18
  Speaker 4: We're looking at what yeah, she is nude? Right, Oh yeah, yeah,
• 31:28
  Speaker 4: hold on from it?
• 31:30
  Speaker 1: Oh yeah, what the fuck are you guys doing?
• 31:33
  Speaker 4: Excuse me?
• 31:34
  Speaker 1: What are you doing? Shantas, I'm looking at the hold.
• 31:37
  Speaker 4: On from it? Oh yeah yeah I took it out.
• 31:40
  Speaker 4: Oh yeah yeah, what are you guys doing? Excuse me, sir?
• 31:44
  Speaker 4: I'm j Senis. What are you guys doing? We don't
• 31:46
  Speaker 4: put that weapon down? Sir? What are you doing? I'm Jay,
• 31:48
  Speaker 4: Santas says is uxury police.
• 31:50
  Speaker 1: Sounds like Jay has a visitor there. It sounds like
• 31:53
  Speaker 1: a husband. Where are they anyway in the jungle? It
• 31:56
  Speaker 1: sounds like it's rama of the jungle.
• 31:58
  Speaker 4: Oh, sir, put down a weapon? Okay, why are you doing?
• 32:00
  Speaker 4: I'm like, but we were checking to see if you're
• 32:02
  Speaker 4: wife she is nude, and there was a peeper here.
• 32:05
  Speaker 4: I've been the paper with you guys. Now it was
• 32:07
  Speaker 4: not I sir. Put the weapon down, all right? Gleason
• 32:09
  Speaker 4: one two and go three step drop? Hey what's that
• 32:12
  Speaker 4: up there? It looks like Superman. Huh God, get the
• 32:15
  Speaker 4: weapon away, Get the weapon all right? One in custody,
• 32:19
  Speaker 4: won in custody.
• 32:20
  Speaker 1: Hey, son us, you have no right to pull a
• 32:22
  Speaker 1: guy into custody.
• 32:22
  Speaker 4: We do if he pulls a weapon onst and this guy.
• 32:25
  Speaker 8: Pulled a weapon, Yeah, well he pulled a weapon, right,
• 32:27
  Speaker 8: you had your weapon pulled?
• 32:29
  Speaker 4: Hey, you know something, dickman. Even if I had that's
• 32:32
  Speaker 4: called colharrow.
• 32:33
  Speaker 1: Okay, even if you had what if I had mine?
• 32:38
  Speaker 1: Oh my god, if I had my way out?
• 32:41
  Speaker 4: Okay, Now you guys are gonna be in trouble now, sir,
• 32:43
  Speaker 4: you pull a weapon. We were checking for a peeper.
• 32:45
  Speaker 4: We did have an identity of a peeper. Tom, are
• 32:48
  Speaker 4: you the husband here? Why?
• 32:49
  Speaker 11: What?
• 32:49
  Speaker 4: God? Peeking at her? There was a man peeping in
• 32:52
  Speaker 4: I know it was you, Now it was not I, sir,
• 32:55
  Speaker 4: tweing him to fifty three, turn him into fifty pail
• 32:57
  Speaker 4: a prop on. All right, we gotta uh we're gonna
• 33:00
  Speaker 4: head on back to the truck now and we're going
• 33:02
  Speaker 4: to pop this guy in custay get in the back.
• 33:06
  Speaker 4: What are you guys do it? It couldn't get in there, yes,
• 33:08
  Speaker 4: slob I fill on our way to another call. Now, okay, Jay.
• 33:14
  Speaker 2: Can you talk to me for a minute. You got
• 33:17
  Speaker 2: a guy there, a husband who thinks you're peeping in
• 33:19
  Speaker 2: his wife's window.
• 33:21
  Speaker 1: What happened there?
• 33:22
  Speaker 4: We had a peeper in the area. How many times
• 33:25
  Speaker 4: were I gonna tell you? She Jay.
• 33:28
  Speaker 6: All we know is that you went over there because
• 33:30
  Speaker 6: you said there was seven peeping in the window by
• 33:32
  Speaker 6: the time you got over there.
• 33:33
  Speaker 1: This is what we heard. You were going almost as
• 33:37
  Speaker 1: if you were getting your cookies.
• 33:39
  Speaker 5: Why don't you admit, at Satos, you're looking in the
• 33:41
  Speaker 5: window getting your cookies?
• 33:42
  Speaker 4: No, I was not. That is called residual in collateral.
• 33:46
  Speaker 4: It's gonna happen. You're gonna look in the window. You're
• 33:48
  Speaker 4: gonna see a lady there, and you're gonna see her naughty.
• 33:52
  Speaker 1: You know, Oh, you're gonna see her naughty.
• 33:55
  Speaker 5: This guy Satos is a danger to every living swinging
• 33:59
  Speaker 5: dick out there.
• 34:00
  Speaker 1: God General, No, I mean it, And Henry, if I
• 34:04
  Speaker 1: put it on you, you're got to get the cuts
• 34:06
  Speaker 1: on this guy.
• 34:07
  Speaker 4: I hit it. It's on Jefferson Circle, So we got
• 34:09
  Speaker 4: an emergency now, so we do feel I headed. There's
• 34:15
  Speaker 4: a guy looking at a window down there on Jefferson Circle.
• 34:19
  Speaker 4: And as soon as we get pulled it up there, now,
• 34:21
  Speaker 4: let's right over keeping talking over that window here on
• 34:32
  Speaker 4: a free.
• 34:38
  Speaker 1: Have you caught up to the guy?
• 34:39
  Speaker 4: No, we're standing at the window right now.
• 34:42
  Speaker 1: Let me tell you something, man, this sounds pretty sick.
• 34:44
  Speaker 4: Okay, oh my god, you're trying to say I'm getting
• 34:47
  Speaker 4: a cookie.
• 34:47
  Speaker 5: That's exactly what we're saying. It sounds like you're standing
• 34:50
  Speaker 5: at the window there.
• 34:53
  Speaker 4: Nobody explain some of you general because I don't I
• 34:55
  Speaker 4: know you're in the military, but you know, a police
• 34:56
  Speaker 4: work that's residual.
• 34:57
  Speaker 1: Okay, what do you mean by residual?
• 34:59
  Speaker 4: Yeah, saying that now, residual is yeah, of course, if
• 35:02
  Speaker 4: I look in the window to make sure the lady's okay,
• 35:05
  Speaker 4: to see if the peeper looked at her. If the
• 35:07
  Speaker 4: peeper looked at her, then she was violated his eyeballs.
• 35:11
  Speaker 4: Technically speaking, his eyes violated her. So I want to
• 35:14
  Speaker 4: look and see she's nude, and so she's been violated,
• 35:19
  Speaker 4: even though she may not have known that he was there. Now,
• 35:22
  Speaker 4: the residual effect is I'm gonna look and see her
• 35:25
  Speaker 4: nude naturally. Oh wow, man, you're saying I'm not allowed
• 35:28
  Speaker 4: to get excited. Oh god.
• 35:30
  Speaker 6: So in other words, you are standing there panting like
• 35:32
  Speaker 6: an animal, like a fourteen year old Yeah.
• 35:35
  Speaker 1: So I mean like a fourteen year old boy.
• 35:37
  Speaker 4: And you're going ahead, man, mus Gray. You gotta understand something,
• 35:41
  Speaker 4: you know. First of all, I don't don't forget it.
• 35:48
  Speaker 4: What's going on? Good, Major Newton has just been attacked
• 35:52
  Speaker 4: by the man that we got to get back.
• 36:00
  Speaker 1: Back to the truck right now.
• 36:01
  Speaker 4: I'm sure here looking at the naked lady.
• 36:02
  Speaker 1: Will you come on, man?
• 36:03
  Speaker 4: All right, let's go, let's go go. Hey, what do
• 36:06
  Speaker 4: you think they're doing? Huh hit, there's no man over
• 36:08
  Speaker 4: the head. If he hit me over the head, take
• 36:11
  Speaker 4: him into custody. Why you dirty? Now put him back
• 36:14
  Speaker 4: in a truck.
• 36:15
  Speaker 2: You know, you guys have kidnapped that man. You're looking
• 36:17
  Speaker 2: at a woman's window. You think this is gonna be
• 36:20
  Speaker 2: on TV. It may be on TV if you guys
• 36:22
  Speaker 2: ever get out of prison, which I seriously doubt is
• 36:24
  Speaker 2: ever gonna happen.
• 36:25
  Speaker 1: Good, no, where you're going now, said.
• 36:26
  Speaker 4: Like the now we got another one, got another one now?
• 36:30
  Speaker 4: Actually we're leaving that guy in a okay, yeah, but
• 36:33
  Speaker 4: you kick him out. I kicked the guy out. I
• 36:35
  Speaker 4: threw him out. I think the better part of valor.
• 36:37
  Speaker 1: All right, So Major Newton threw that guy out of
• 36:39
  Speaker 1: the truck.
• 36:39
  Speaker 4: That's right.
• 36:40
  Speaker 1: You guys got you know something to what I'm gonna
• 36:42
  Speaker 1: do saddles. I'm gonna call the cups on you after
• 36:44
  Speaker 1: the show and let him know about everything I've heard.
• 36:47
  Speaker 4: That's your wordy, gas Mine. It's gonna be your work,
• 36:49
  Speaker 4: gas Mine.
• 36:50
  Speaker 1: Well we have the address? Do we have the addresses? Bud?
• 36:53
  Speaker 1: What of where these women were being peeked?
• 36:55
  Speaker 4: Noah? Really better, Harry? You don't think I'm completely stupid,
• 36:59
  Speaker 4: do you? I may up the street names any addresses.
• 37:02
  Speaker 4: We did have actual, real live peeps. We did. We
• 37:07
  Speaker 4: peeped and we know that the peeper did, but we
• 37:09
  Speaker 4: didn't give you no real address. It's Jay Samos and
• 37:12
  Speaker 4: this is going to be she is the hallmark of
• 37:14
  Speaker 4: the new show that we're going to do. We're gonna say, yeah,
• 37:16
  Speaker 4: we're looking at peepers, but guess what, maybe no, we're
• 37:19
  Speaker 4: not looking at peepers, and you don't know what the
• 37:20
  Speaker 4: hell it is we're doing. So I hope you know
• 37:24
  Speaker 4: he's at a helicopter. Man. That sounds kind of weird.
• 37:26
  Speaker 4: Doesn't this sound like that?
• 37:29
  Speaker 1: You know something?
• 37:30
  Speaker 2: Santos, right, I don't know how. I don't know why
• 37:33
  Speaker 2: it is. I even put I put you on the
• 37:35
  Speaker 2: air myself.
• 37:36
  Speaker 4: Maybe saung cowls. You love me.
• 37:39
  Speaker 1: Yeah, that's at Santas. We love you Jesus.
• 37:44
  Speaker 9: Whenever the laws of any state are broken, a duly
• 37:47
  Speaker 9: authorized organization swings into action. It may be called the
• 37:51
  Speaker 9: state police, state troopers, militia, the.
• 37:54
  Speaker 4: Rangers, joy police.
• 37:57
  Speaker 9: These are the stories.
• 37:58
  Speaker 2: The guys that couldn't care for those two escapees from
• 38:01
  Speaker 2: upstate New York.
• 38:02
  Speaker 4: Excuse me, excuse me? Excuse me? Hey? Wait wait wait
• 38:04
  Speaker 4: wait wait wait wait wait wait wait wait wait wait
• 38:06
  Speaker 4: wait wait wait wait wait wait wait wait wait wait
• 38:09
  Speaker 4: wait wait shut up? Shut? Oh my god? Did I
• 38:14
  Speaker 4: just hear what you said?
• 38:15
  Speaker 1: What is it with you?
• 38:16
  Speaker 4: Man? Oh? Dad? Just hear what you said?
• 38:18
  Speaker 1: Did you hear me? Say?
• 38:19
  Speaker 4: What did you say? The guys that couldn't capture the
• 38:23
  Speaker 4: guys that was in the upstate, in the prison of
• 38:26
  Speaker 4: an upstate New York Yes, all right, Well that's that's
• 38:30
  Speaker 4: actually pretty accurate. So I I guess I don't have
• 38:32
  Speaker 4: really much too.
• 38:34
  Speaker 1: Sorry, Yeah, you better believe it's accurate.
• 38:37
  Speaker 4: All right, Fine, stick it in and break it off, though. God, oh,
• 38:41
  Speaker 4: I'm trying to say lives you know you lost? Dig
• 38:44
  Speaker 4: it in and break it off, you know, Jay.
• 38:47
  Speaker 1: I am so upset with this program today that I
• 38:49
  Speaker 1: think I may blow another hole in the crown.
• 38:52
  Speaker 4: Oh my god, Yes, I.
• 38:54
  Speaker 1: Knew you'd read something filthy end of that? Would you
• 38:56
  Speaker 1: turn this?
• 38:56
  Speaker 4: God? Do the citizens on Jerry police?
• 39:01
  Speaker 9: These are the sortaries of the man who's training, skill
• 39:03
  Speaker 9: and courage.
• 39:05
  Speaker 2: Goodbye, I gotta tell you some of my everything that
• 39:08
  Speaker 2: I heard Jay doing there from jerking off in front
• 39:10
  Speaker 2: of the window.
• 39:11
  Speaker 1: You really think that was going on?
• 39:12
  Speaker 4: Oh?
• 39:13
  Speaker 2: Without question? Without question? Yeah, I mean he's all standing
• 39:16
  Speaker 2: and going. Yeah, guy's purving out and everything.
• 39:20
  Speaker 5: Well, if that's the case, and I came out of
• 39:23
  Speaker 5: my home and I saw some guys standing on a
• 39:25
  Speaker 5: winter oh man, I you know the fantasy that goes
• 39:29
  Speaker 5: through my.
• 39:29
  Speaker 1: Mind of taking a guy like that apart?
• 39:31
  Speaker 4: WHOA now what?
• 39:33
  Speaker 6: Well, if that's the case, then absolutely the police should
• 39:36
  Speaker 6: be alerted well to know, Like I said, the guy's
• 39:39
  Speaker 6: giving out fake addresses.
• 39:40
  Speaker 1: He can claim he never was there. As a matter
• 39:42
  Speaker 1: of fact, maybe he wasn't there. Well, what do you
• 39:44
  Speaker 1: think he made the whole thing up? I don't know.
• 39:46
  Speaker 2: I don't know whether there was a peeper at those
• 39:48
  Speaker 2: addresses or not. Santus has been he ever since cops
• 39:52
  Speaker 2: was went on the air. That guy has been hungry,
• 39:56
  Speaker 2: he's been thirsting to have a show on that is
• 39:59
  Speaker 2: like that. That's gonna be a cop style show that
• 40:02
  Speaker 2: features the citizens Uxuri police. That has been his dream,
• 40:06
  Speaker 2: that has been his uh whatever you want to call it.
• 40:09
  Speaker 4: Operation peep Tom, if you may go ahead. Operation peep
• 40:13
  Speaker 4: Tom was we would go to different bedroom windows if
• 40:17
  Speaker 4: we heard. We would have a subcommander who would be
• 40:19
  Speaker 4: on a two way radio say okay, we got a
• 40:21
  Speaker 4: peep Tom, and then we would go into a full sprint.
• 40:24
  Speaker 4: We'd park the van, go in a full sprint to
• 40:26
  Speaker 4: the location of the peep Tom window where a woman was, yes, exposed,
• 40:31
  Speaker 4: and we would video her exposed and then knock on
• 40:36
  Speaker 4: the knock on the door and show the husband. You
• 40:40
  Speaker 4: find that funny.
• 40:41
  Speaker 1: I find it very funny. I foind it that.
• 40:43
  Speaker 2: That's the funniest thing I've ever heard in my life.
• 40:44
  Speaker 2: Will you knock on the door and say, hey, sir,
• 40:46
  Speaker 2: we just videoed your wife. That's correct, Yes, and you
• 40:49
  Speaker 2: got beat up at least twice I got I was.
• 40:52
  Speaker 4: Let me tell you something right now. First of all,
• 40:53
  Speaker 4: I did knock get beat up. The guy put his
• 40:55
  Speaker 4: hands on me. You talk about the you talk about
• 40:57
  Speaker 4: the Dave Dugan episode. Is that right?
• 40:59
  Speaker 1: I don't know who the guy was.
• 41:01
  Speaker 4: There's a guy by named of Dave dug and he
• 41:02
  Speaker 4: put his hands on me. We did a three step
• 41:04
  Speaker 4: takedown at Halam. Okay, it was all big misunderstanding.
• 41:08
  Speaker 1: Yeah, three step takedown.
• 41:09
  Speaker 5: This guy at least threw a couple of punches at
• 41:11
  Speaker 5: you when he found out that you'd videoed his wife
• 41:14
  Speaker 5: with no.
• 41:14
  Speaker 1: Clothes on that.
• 41:15
  Speaker 4: Yes he did, but not every husband did that.
• 41:18
  Speaker 1: Yeah, because they probably weren't home. You know, Hey, Jay, listen,
• 41:24
  Speaker 1: I want to know what operate. This is Operation tom Peep, right,
• 41:26
  Speaker 1: this is Operation tom Peep.
• 41:28
  Speaker 4: But I don't want to have to justify what a
• 41:30
  Speaker 4: lot of very hard working siss Audrey Police osers have
• 41:33
  Speaker 4: done and will continue to do to protect the syss
• 41:36
  Speaker 4: this community.
• 41:37
  Speaker 1: Maybe what you can do, Jay is not.
• 41:38
  Speaker 6: Keep calling them osiphers because you sound you sound like
• 41:41
  Speaker 6: you've got Oliver Twist's.
• 41:42
  Speaker 1: Gruel for a mind.
• 41:43
  Speaker 4: You know what.
• 41:47
  Speaker 1: I agree with, Margaret?
• 41:50
  Speaker 4: You do you?
• 41:51
  Speaker 2: You sound like you've got someone's leftover breakfast for a mind,
• 41:54
  Speaker 2: not a brain a mind.
• 42:00
  Speaker 4: I'm gonna get Subcomandic Gleason come here.
• 42:04
  Speaker 1: Oh, can I talk to you?
• 42:07
  Speaker 4: Can I do it? Oh?
• 42:09
  Speaker 1: Can I talk to Jay?
• 42:10
  Speaker 4: This soap commander Gleason that Jay wants me to talk
• 42:14
  Speaker 4: to you.
• 42:14
  Speaker 1: No, I don't want to talk to Subcommander Gleason.
• 42:16
  Speaker 4: Given.
• 42:18
  Speaker 2: Yeah, hey, Jay, I'm sorry, but we asked tough questions
• 42:22
  Speaker 2: here on the Phil Innry Show, especially when you're going
• 42:24
  Speaker 2: around with cameras.
• 42:26
  Speaker 4: We are not going around with cameras and sticking them
• 42:28
  Speaker 4: in the bedroom windows.
• 42:29
  Speaker 1: Yeah, you did me, he just said, you did.
• 42:31
  Speaker 4: We're not doing it so we can get our cookies. Okay,
• 42:33
  Speaker 4: we're doing it.
• 42:34
  Speaker 2: Didn't you take one videotape back to the van where
• 42:37
  Speaker 2: Major Elvis Newton was having whatever it was, macaroni and cheese.
• 42:40
  Speaker 4: No, he wasn't. He was having cheese it and he
• 42:42
  Speaker 4: was watching Wheel Fortune.
• 42:44
  Speaker 1: And he reviewed this tape of this woman getting undressed.
• 42:48
  Speaker 4: Yes, he did. And when we determined that it was
• 42:51
  Speaker 4: it was serious peept on material, we took it back
• 42:54
  Speaker 4: to the husband.
• 42:54
  Speaker 1: They show it to him and that's when you got
• 42:56
  Speaker 1: your ass kick.
• 42:57
  Speaker 4: And I did not get my ass kicked for the night.
• 43:00
  Speaker 4: He didn't get his ass kicked. I was there. He
• 43:02
  Speaker 4: did get Yeah, he got his ass kicked, do it?
• 43:06
  Speaker 4: I got a guy through a couple of punches. We
• 43:09
  Speaker 4: did a three step take down, right, said, yeah, we
• 43:11
  Speaker 4: did the three step take down.
• 43:12
  Speaker 1: Yeah, then you did the three step was the guy arrested?
• 43:16
  Speaker 4: We agreed to disagree on that one? Yeah, uh huh,
• 43:19
  Speaker 4: we agreed to disagree, mister Henry on that one. What
• 43:22
  Speaker 4: is this?
• 43:23
  Speaker 5: You know, Jane, I don't Did you ever actually find
• 43:26
  Speaker 5: any guys that were Peeping Tom's No, because Operation Peep
• 43:29
  Speaker 5: Tom was a prevaive measure.
• 43:33
  Speaker 4: You know what I mean by preventive measure? What a
• 43:36
  Speaker 4: preventive measure?
• 43:36
  Speaker 1: Preventative measure.
• 43:37
  Speaker 4: Yeah, so we would show women and the husband. See
• 43:40
  Speaker 4: look at this. We just videoed your wife sitting on
• 43:43
  Speaker 4: a toilet. Okay, there she is. She's sitting on a
• 43:45
  Speaker 4: toilet and she's wiping. Do you know what would happen?
• 43:48
  Speaker 4: Hold on for okay, we just got a call. We
• 43:53
  Speaker 4: got a call. Let's go out to the van. Hold on,
• 43:57
  Speaker 4: got this is a Peep Tom call. No, it's a
• 43:59
  Speaker 4: Tom Tom Peep called.
• 44:00
  Speaker 1: You gotta explain to us what Tom Peep is.
• 44:04
  Speaker 4: Let's go, okay, operate Tom Peep, operates Tom Peeper. Okay,
• 44:11
  Speaker 4: I'm shown me right now. I'm side of the VAM.
• 44:13
  Speaker 4: We are on our way to operate tom peep. This
• 44:15
  Speaker 4: is an area of the neighborhood here down the street.
• 44:21
  Speaker 1: Let's slow down, Jay, I can't huh.
• 44:23
  Speaker 4: Okay, listen, we've just spotted an area where there's a woman.
• 44:27
  Speaker 4: We've got two hans or two women are taken her
• 44:29
  Speaker 4: clothes off. Now Operation tom peep if.
• 44:31
  Speaker 1: You wanna know, Ugh, Jay, you wanna slow down?
• 44:35
  Speaker 4: No, I can't. Operation tom Peep is we don't video
• 44:39
  Speaker 4: the woman. We video us looking at the woman. So
• 44:42
  Speaker 4: we have Subcommander Hipcat there. He identified a woman as
• 44:46
  Speaker 4: taking her pants off and she's naked, and we're gonna
• 44:49
  Speaker 4: go and with video him looking.
• 44:50
  Speaker 1: At her, you're gonna video him staring at her.
• 44:54
  Speaker 4: Yes, so we're not videoing her, we're showing him looking
• 44:57
  Speaker 4: at her. Okay, Oh what was this? Okay? We got
• 45:03
  Speaker 4: to keep going. There's an operation tom peeple okay. So,
• 45:07
  Speaker 4: and this is essentially this is essentially to address all
• 45:11
  Speaker 4: you monkeys. This didn't lay pee Tom.
• 45:13
  Speaker 1: I don't like being called a monkey.
• 45:15
  Speaker 4: Santos, Well, yes, I'm gerald you didn't like co operation
• 45:18
  Speaker 4: peep Tom, that's tom Peep. Whatever Okay, all right, here's
• 45:23
  Speaker 4: I'm comanderr he Cowway. See I'm looking at her now.
• 45:26
  Speaker 4: She's got no clue and she's she's about to use
• 45:28
  Speaker 4: the toilet.
• 45:30
  Speaker 1: Okay, are you guys with the camera and the toilet.
• 45:32
  Speaker 4: No, there's no camera on her. No camera. Now he
• 45:36
  Speaker 4: is wearing a gar You win a helmet cam. I
• 45:38
  Speaker 4: got a helmet cam on, yeah, and it's I've turned
• 45:41
  Speaker 4: it on. But we're not gonna look at the table.
• 45:43
  Speaker 4: Oh yeah, sure, okay, Now, no, I'm not looking in
• 45:47
  Speaker 4: the window. Sub Commander Gleas is not looking in the window.
• 45:49
  Speaker 4: Major Ovis Smuton is back in the van. But you are,
• 45:53
  Speaker 4: huh you are right? Yeah, that's what I'm doing. I'm
• 45:55
  Speaker 4: talking to Henry on On. Okay, yes, I'm looking at now.
• 45:59
  Speaker 4: She removed her brazier, and she's removed her underwear and
• 46:05
  Speaker 4: she's going into the bathroom. Now she went into a stall.
• 46:08
  Speaker 4: I can't see nothing. So this is not a full
• 46:10
  Speaker 4: tom peep. Okay, this is not a full tom peep.
• 46:12
  Speaker 1: So what do you mean you just said you saw
• 46:14
  Speaker 1: her that guy saw her taking her top off?
• 46:17
  Speaker 4: Well, and I guess there, hold on show we got
• 46:21
  Speaker 4: here just had to be fun. Here's that there were
• 46:24
  Speaker 4: Jay Santas. This is obviousntly pratty. He saw your wife
• 46:31
  Speaker 4: got a d Jesus Christ.
• 46:33
  Speaker 1: Well what happened?
• 46:34
  Speaker 4: Jay? This prick came out of the house. Can you
• 46:39
  Speaker 4: do that? You call a cop? I am a cop.
• 46:41
  Speaker 4: This prick came out of the house. Mister Henry, just
• 46:43
  Speaker 4: bums alone. Oh ow ow, mister Henry is the subcommanded Gleason.
• 46:48
  Speaker 4: Mister mister Santa's bringing admiral bringing her Admiral Santos. He
• 46:53
  Speaker 4: got checked in the balls.
• 46:54
  Speaker 2: Okay, I don't know what's going on, but I suggest
• 46:58
  Speaker 2: that you guys get the police over there.
• 47:00
  Speaker 4: Well, we had the police told her about God. He
• 47:02
  Speaker 4: kok me right the Major Newton, Sir anles go, we'll
• 47:06
  Speaker 4: clod in the van right now. And uh, Major Newton's
• 47:09
  Speaker 4: what happened? I both know I can't do that's sad.
• 47:12
  Speaker 4: I'm Major Eldest Newton. Is this mister Henry, Yes, Sir,
• 47:15
  Speaker 4: Sir Henry, I've just now been informed that my Brigadier
• 47:19
  Speaker 4: aim had I took a kiss to the groin. This
• 47:24
  Speaker 4: is Tom Peepe and only I want you to describe.
• 47:28
  Speaker 4: We talk. We do not film anyone.
• 47:30
  Speaker 2: You have one of your sub commanders looking in the
• 47:31
  Speaker 2: window and saying, yeah, she's exposed.
• 47:34
  Speaker 4: Yes, did the homeowner was the at least interested in
• 47:36
  Speaker 4: what you were able to see? Jay, No, he wasn't.
• 47:39
  Speaker 4: Heave all right, let me talk here to hepcat. Come here.
• 47:44
  Speaker 4: I saw a lady taker brof and she took off
• 47:47
  Speaker 4: her pants and then she went into the toilet. But
• 47:49
  Speaker 4: I couldn't see nothing. You couldn't see anything. Do you
• 47:51
  Speaker 4: have any of the tape I was told not to record.
• 47:54
  Speaker 4: This is Tom Peep.
• 47:55
  Speaker 1: Yeah, well what is it with you? Major Newton? You
• 47:58
  Speaker 1: gotta get your your cookies looking at this stuff?
• 48:01
  Speaker 4: My cookies, my cookies, he says. I started the Citizens
• 48:06
  Speaker 4: Auxidiary Police twenty seven years ago trying to protect this neighborhood.
• 48:10
  Speaker 4: I can tell you said the list thing that I want.
• 48:12
  Speaker 4: Give the phone maborhood ever pulled the phone away from me.
• 48:16
  Speaker 4: You pull the phone away from me. The next time
• 48:18
  Speaker 4: you take your pets off to take a leak, there
• 48:20
  Speaker 4: won't be anything there but a catheter.
• 48:23
  Speaker 2: Oh wow, So the Citizens Auxiary Police will join us
• 48:27
  Speaker 2: and Operation Eyeball to Eyeball. This is another you know
• 48:30
  Speaker 2: program that they had named Operation good Morning. It was
• 48:34
  Speaker 2: originally Operation peep Tom.
• 48:35
  Speaker 8: Is that it bud Yeah, grizzy, Operation peep Tom that
• 48:39
  Speaker 8: they did did sorry Jun and some oner son you
• 48:42
  Speaker 8: sir that they said that David, excuse me, that was
• 48:46
  Speaker 8: Operation peep Tom a couple of summers ago. Thatday rolled
• 48:48
  Speaker 8: out and debued for us. You mean debuted, you mean debute, Yeah,
• 48:52
  Speaker 8: I'm sorry, debute. And then they decided to change it
• 48:56
  Speaker 8: because they got negative publicity. They changed it to good
• 48:59
  Speaker 8: operation good morning, little schoolgirl. Then they thought that that
• 49:02
  Speaker 8: was bad on account of the whole school girl. It's
• 49:04
  Speaker 8: just kind of said wreck. So then he changed the
• 49:06
  Speaker 8: operation eyeball. And then he changed operation eyeball eyeball.
• 49:10
  Speaker 1: What the hell, man, why to do that?
• 49:11
  Speaker 8: Because it's more descriptive and everything more descriptive. We'll find
• 49:15
  Speaker 8: out a long time since week, since we had been
• 49:18
  Speaker 8: talking to you. And this is important stuff, man, because
• 49:21
  Speaker 8: eyeball eyeball as what was called. Now, whoever thought that that,
• 49:25
  Speaker 8: you know, you'd still be in business on this thing,
• 49:28
  Speaker 8: you know, lo these many days later and everything, you
• 49:31
  Speaker 8: know what I mean, I'm not.
• 49:33
  Speaker 4: Exactly sure I know what you're talking about, dick.
• 49:35
  Speaker 8: Man, But if I if I take you how do
• 49:38
  Speaker 8: we know that Operation Operation Peep Tom still be around
• 49:42
  Speaker 8: with all stuff that people told you?
• 49:44
  Speaker 2: What he's saying, you know, after all of the heart,
• 49:48
  Speaker 2: after all the heat you took on Operation peep Tom.
• 49:51
  Speaker 6: Don't you remember, Jay, all of the people that called
• 49:53
  Speaker 6: in and complained about you sticking a camera in a
• 49:55
  Speaker 6: bedroom window?
• 49:56
  Speaker 4: All right, okay, I mean if dick Man said that
• 49:58
  Speaker 4: would be a whole lot easier understand. But really, essentially,
• 50:02
  Speaker 4: what Operation Peep Tom evolved into.
• 50:05
  Speaker 1: Well see, that's what we want to know.
• 50:06
  Speaker 5: Peep Tom evolved into what good Morning Little school Girl?
• 50:10
  Speaker 5: Jesus h I could have told you, Sanos, that was
• 50:13
  Speaker 5: a boneheaded.
• 50:14
  Speaker 1: Idea at general.
• 50:15
  Speaker 4: Unfortunately you weren't there. If you have been there, maybe
• 50:18
  Speaker 4: you would have been able to warn us. Maybe not.
• 50:20
  Speaker 4: Good Morning Little Schoolgirl was an evolution of peep Tom.
• 50:24
  Speaker 4: So that you know, we made it more colloquial. We
• 50:27
  Speaker 4: made it kind of have a blues favor flavor to it.
• 50:30
  Speaker 4: So what man?
• 50:31
  Speaker 1: So what so what if it had a blues favor?
• 50:34
  Speaker 7: I didn't say blues favorite, blues flavor.
• 50:37
  Speaker 1: All right, So what if it had a blues flavor?
• 50:39
  Speaker 4: So it's more, it's more, uh, you know, people get
• 50:43
  Speaker 4: are more comfortable with it, you know what I mean,
• 50:45
  Speaker 4: they're more comfortable with it.
• 50:47
  Speaker 1: Well, that doesn't make me comfortable as a woman. Good morning,
• 50:49
  Speaker 1: little school girl.
• 50:50
  Speaker 4: Well I know, so we changed it. Okay, we changed
• 50:52
  Speaker 4: the operational Eyeball. Operation Eyeball went out in the field
• 50:56
  Speaker 4: as of the first of June. And when we went
• 50:59
  Speaker 4: out with Operation Eyeball, we had the camera which was
• 51:03
  Speaker 4: strapped to a helmet. And as you know, Phil, operation
• 51:06
  Speaker 4: Eyeball operates peep Tom was designed to let women and
• 51:10
  Speaker 4: husbands know that they're they're you know, vulnerable to peeping toms.
• 51:15
  Speaker 4: That's what our camera would do. We would, you know,
• 51:17
  Speaker 4: take film footage of a new lady and show it
• 51:21
  Speaker 4: to the husband and go it is.
• 51:26
  Speaker 1: What Yeah?
• 51:27
  Speaker 2: And how many times did you get belded? How many
• 51:29
  Speaker 2: times you get your teeth knocked out?
• 51:30
  Speaker 4: Just once? I mean the other times I was assaulted,
• 51:33
  Speaker 4: but it wasn't a face.
• 51:34
  Speaker 7: What do you mean?
• 51:35
  Speaker 4: I kipped in the nuts?
• 51:36
  Speaker 2: They knocked him, They knocked you. You crazy, So you
• 51:39
  Speaker 2: know you had to come up with something else. What
• 51:41
  Speaker 2: are you doing putting a camera in people's bedroom windows for.
• 51:43
  Speaker 4: Top race peep Tom? Okay, and I tried to tell
• 51:46
  Speaker 4: the guys a lot of peeping tom's around here. So
• 51:48
  Speaker 4: we did operation eyeball. We had the camera on the
• 51:50
  Speaker 4: helmet and we had a gigantic eye that was made
• 51:54
  Speaker 4: by Lou Westerfield's daughter. She works in a clay class
• 51:57
  Speaker 4: and she made a big eye and he painted blue
• 51:59
  Speaker 4: and put the eye on top of the camera and
• 52:01
  Speaker 4: we call operation We just set operation eyeball, and that
• 52:05
  Speaker 4: got me beat up. So we went back to the
• 52:07
  Speaker 4: drawing board.
• 52:08
  Speaker 1: Yeah, I got you beat up, all right.
• 52:09
  Speaker 5: You know what you are, you Sanos, You're the whitely
• 52:11
  Speaker 5: coyote and the road runner is just any neighborhood person.
• 52:15
  Speaker 1: Out there that catches you.
• 52:17
  Speaker 4: Well, you say what you all say. But guess what.
• 52:19
  Speaker 4: We game up with operation eyeball eyeball. And by coming
• 52:22
  Speaker 4: up with operation eyeball eyeball, we have the eyeball on
• 52:25
  Speaker 4: the camera. Then we look in a bedroom window and
• 52:28
  Speaker 4: women know, oh it's eyeball eyeball, so they know that,
• 52:32
  Speaker 4: you know they're safe.
• 52:33
  Speaker 1: Why wouldn't that work with operation eyeball.
• 52:35
  Speaker 4: Because it's hand to one sided.
• 52:37
  Speaker 1: So this way you call it operation eyeball to eyeball.
• 52:40
  Speaker 1: What does that mean?
• 52:41
  Speaker 4: So the woman looks in and she sees the camera.
• 52:43
  Speaker 4: She goes, yeah, I'm okay, all right, I'm good. Or
• 52:46
  Speaker 4: I got your message. I'm nude. I better close the window.
• 52:50
  Speaker 1: So let me get this straight. No, no, I'll do this.
• 52:52
  Speaker 1: So I'm standing in my bedroom or some friend of mine.
• 52:55
  Speaker 6: We're naked, and your camera comes around the corner and
• 52:59
  Speaker 6: I see the can because I see the giant eyeball, like, oh,
• 53:02
  Speaker 6: that's great.
• 53:02
  Speaker 1: That's Jay. So I'm fine and I'm naked, and I'm
• 53:07
  Speaker 1: supposed to feel better about that.
• 53:08
  Speaker 4: It's great. With all due respect, I seriously doubt if
• 53:11
  Speaker 4: we would be having video of you nude.
• 53:16
  Speaker 1: Now what does that mean? Look, Margaret, let it go.
• 53:21
  Speaker 1: What does it mean?
• 53:22
  Speaker 4: No, you're right. We would. We would. We would. We
• 53:24
  Speaker 4: would take the video footage of you.
• 53:25
  Speaker 1: All right, that's better, even though I'm more outraged.
• 53:27
  Speaker 4: Good. We would take video video of you, and then
• 53:31
  Speaker 4: you'd see us and we'd go, look, we pointed the eye.
• 53:36
  Speaker 4: We'd pointed the eyeball.
• 53:37
  Speaker 1: You pointed at the eyeball?
• 53:39
  Speaker 4: Was it the Guthington Family General Shop?
• 53:41
  Speaker 1: No, the guy he pointed at the eyeball, and she
• 53:44
  Speaker 1: went and got her husband.
• 53:45
  Speaker 2: The guy came around the corner and Jay was still
• 53:47
  Speaker 2: pointing at the eyeball when this guy hit him with
• 53:49
  Speaker 2: a baseball bat.
• 53:51
  Speaker 4: That guy hit me from behind too.
• 53:53
  Speaker 2: So you're standing there with a camera and you're filming
• 53:56
  Speaker 2: the woman naked, and you're pointing at the eyeball on
• 53:58
  Speaker 2: top of the camera to.
• 53:59
  Speaker 1: Tell or what tell her?
• 54:00
  Speaker 4: It's Operation eyeball eyeball? How many times ago say it?
• 54:03
  Speaker 1: Yet you ask kick it?
• 54:05
  Speaker 4: Got? Yeah? It did technically get my ass kicked, but
• 54:07
  Speaker 4: it shouldn't have.
• 54:08
  Speaker 2: Because the guy doesn't want his wife being photographed, whether
• 54:12
  Speaker 2: it's Operation eyeball to eyeball, Jay Santos or anybody else.
• 54:16
  Speaker 4: All right, And that's why we're on the program tonight
• 54:18
  Speaker 4: to explain it and to educate people. Oh if you
• 54:22
  Speaker 4: let me say.
• 54:22
  Speaker 1: Things, Yeah, well you get explain it, man, but you
• 54:25
  Speaker 1: don't do it very good.
• 54:26
  Speaker 4: Yeah. I am operate. Yeah you're gonna give me a chance.
• 54:29
  Speaker 1: Go ahead, Yeah, go ahead.
• 54:30
  Speaker 4: I like that. I got to hear this, Oh man,
• 54:33
  Speaker 4: do it? Jay? All right? Operation eyeball eyeball. The matter
• 54:37
  Speaker 4: of fact, we happen to be out tonight and I
• 54:40
  Speaker 4: just pull up and I've been sitting here screaming and
• 54:41
  Speaker 4: yelling at you, right near your house. And now we
• 54:43
  Speaker 4: have put the eyeball on. I got it right here,
• 54:46
  Speaker 4: put it on top of the thing that's a subcommand
• 54:49
  Speaker 4: or Gleason. What we're gonna do, Phil is we are
• 54:52
  Speaker 4: near the Bologny home Jim and Jessica Bologna, Bologne, excuse me,
• 54:57
  Speaker 4: and we're gonna sneak up the window here. And what
• 55:01
  Speaker 4: I'm doing is I've got the camera. Now. She is
• 55:04
  Speaker 4: known to get undressed for a bad rub about now.
• 55:09
  Speaker 1: And so what do you mean?
• 55:11
  Speaker 4: Well, in the past, we did. We picked up a
• 55:13
  Speaker 4: couple of greasy, stinking punks who told us about eyeballer
• 55:17
  Speaker 4: and I said, oh, keeping Tom, and they go, yeah.
• 55:20
  Speaker 1: So yeah, I'm bull crap.
• 55:22
  Speaker 4: Hey, General, that's what happened. I swear almighty gone.
• 55:24
  Speaker 1: All right, So what are you doing now, pep, We're coming.
• 55:27
  Speaker 4: Up on the window. Shut up, all right? Shut up,
• 55:30
  Speaker 4: you guys. Do you want me to get some Coca cola?
• 55:32
  Speaker 4: Would you? Shut up? All right? Now, I come up
• 55:35
  Speaker 4: on a window. She's in the window right now, all right?
• 55:39
  Speaker 4: And yeah, now her panties come off, Okay, her panties
• 55:43
  Speaker 4: just now did come off? The panties just now, did
• 55:46
  Speaker 4: come off. Okay, So I am now taking footage of her,
• 55:50
  Speaker 4: and she's sitting and she's gonna put some lotion or
• 55:53
  Speaker 4: some on her butt. God damn, what's she doing? Put butt?
• 55:56
  Speaker 4: Usually put it on their legs. But uh so, all right,
• 56:01
  Speaker 4: now she's turned and she sees us. All right, we're
• 56:03
  Speaker 4: pointing at the eyeball. I'm pointing at the eye. What
• 56:05
  Speaker 4: are you doing? I'm pointing at the eyeball? You know,
• 56:07
  Speaker 4: take a look at this.
• 56:11
  Speaker 1: Hello, what happened to him?
• 56:14
  Speaker 4: Hello?
• 56:14
  Speaker 1: Hey? Is this Gleason? Is Phil Henry on the on
• 56:17
  Speaker 1: the air right.
• 56:17
  Speaker 4: Noway, got clapp get out of here? Ahu, clot got
• 56:22
  Speaker 4: a dragon back?
• 56:25
  Speaker 1: Is he all right?
• 56:26
  Speaker 4: He's okay, he's unconscious.
• 56:28
  Speaker 3: Yeah.
• 56:30
  Speaker 4: Wow, hey mister Henry. Yeah, I got your got your
• 56:36
  Speaker 4: sponge cake and I got your hamburger.
• 56:38
  Speaker 1: Jay, we're on the air.
• 56:40
  Speaker 4: Oh okay, Oh eyeball.
• 56:43
  Speaker 1: Eyeball, the eyeball. You just got hit with a baseball.
• 56:45
  Speaker 2: Bat by who by the husband?
• 56:49
  Speaker 4: Oh okay, Well, back could draw back a drawing board.
• 56:53
  Speaker 1: I'd just say, back to the drawing board. You know
• 56:54
  Speaker 1: what you ought to do? Throw the drawing board out
• 56:57
  Speaker 1: and get something else to play with.
• 57:00
  Speaker 4: You want to conker cown, you got bad Breathley fucking
• 57:04
  Speaker 4: get out of my faith.
• 57:05
  Speaker 1: All right, there's Jay Sanders of the Citizens of Auxury Police.
• 57:08
  Speaker 6: You know, I know there's a lot of idiots you
• 57:11
  Speaker 6: have on this show. God knows, there are many many
• 57:13
  Speaker 6: idiots you have in this program, but none are quite
• 57:16
  Speaker 6: as distinctive as Jay. And often I wonder whether he's
• 57:19
  Speaker 6: just putting everyone on.
• 57:21
  Speaker 1: Oh he is.
• 57:21
  Speaker 5: I've talked to him at length. He wants to be
• 57:23
  Speaker 5: law enforcement.
• 57:25
  Speaker 2: Well that eyeball to eyeball and pointing at a gigantic eye.
• 57:28
  Speaker 2: He took a baseball. By the way, he's lucky he's
• 57:32
  Speaker 2: not getting arrested.
• 57:33
  Speaker 1: Well, that's the whole thing. I think that guy is
• 57:35
  Speaker 1: probably gonna wind up getting busted. And he's gonna go downtown. Man,
• 57:39
  Speaker 1: I mean going downtown. You don't go downtown because you
• 57:42
  Speaker 1: know what they do.
• 57:42
  Speaker 11: Man.
• 57:42
  Speaker 5: You go downtown and uh everything, God go Operation eyeball
• 57:47
  Speaker 5: eyeball Man, Peep.
• 57:48
  Speaker 1: And Tom and all that jazz.
• 57:52
  Speaker 2: World famous Phil Henry show, The El Pacifico here in
• 57:55
  Speaker 2: Southern California.
• 57:57
  Speaker 1: Executive producer Phil Henry for it. See I Free Incorporated.
• 58:02
  Speaker 4: Alright, reserve.
• 58:04
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