Latest / QUESTION EVERYTHING / A New Era in Fashion: with Sami Miro (SM Vintage, Sustainable Fashion)
Transcript
- 0:04Speaker 1: Big things happen when you're pretty, pretty bold, pretty clever,
- 0:08Speaker 1: pretty strong. I'm Danielle Robe, and each week my guests
- 0:12Speaker 1: and I have conversations that.
- 0:13Speaker 2: Put a new spin on pretty. This is pretty smart.
- 0:19Speaker 1: I've always been drawn to people who live by the
- 0:21Speaker 1: statement do well by doing good.
- 0:24Speaker 2: Our guest today does just that.
- 0:29Speaker 1: Sammy Muro is a sustainable fashion designer with her own line,
- 0:33Speaker 1: Sammy Muro Vintage. Her designs have this unique, undone look.
- 0:37Speaker 1: You'll often see her signature safety pins. It's almost like
- 0:41Speaker 1: she took a scissor to your favorite shirt or blazer.
- 0:43Speaker 1: And that's because she probably did. But let me back
- 0:47Speaker 1: up for a second. Sammy's path to fashion was anything
- 0:50Speaker 1: but traditional. Before she founded her label, the San Francisco
- 0:54Speaker 1: native was making a name for herself in Silicon Valley
- 0:57Speaker 1: at a successful tech startup.
- 1:00Speaker 2: When she moved to La she realized she.
- 1:01Speaker 1: Could turn her passion for vintage clothing into a career.
- 1:06Speaker 1: She launched Sammy Murro Vintage in twenty sixteen. Soon after launching,
- 1:10Speaker 1: she was enlisted by Selena Gomez to design her world
- 1:13Speaker 1: tour wardrobe. Now Kendall Jenner, Belahadide, Hailey Bieber and Billie
- 1:19Speaker 1: Eilish hit Sammy up for her unique designs. Leave Eyes
- 1:22Speaker 1: even tapped Sammy Mirror Vintage for an exclusive up cycled
- 1:25Speaker 1: collab collection. Last month, Sammy reimagined their Denham from an
- 1:29Speaker 1: eco conscious standpoint. She's clearly doing well, but here comes
- 1:35Speaker 1: the doing good part. It's no secret that our obsession
- 1:38Speaker 1: with fashion, and in some cases fast fashion, is hurting
- 1:42Speaker 1: the environment. The UN says the fashion industry accounts for
- 1:45Speaker 1: up to ten percent of global carbon dioxide output, making
- 1:49Speaker 1: it one of the most wasteful industries and most harmful
- 1:53Speaker 1: to our climate. And more clothing is being produced now
- 1:56Speaker 1: than ever. Some estimates from the World Economic Forums suggest
- 2:00Speaker 1: the numbers of garments being produced each year has doubled
- 2:04Speaker 1: since the year two thousand. Today, Sammy's telling us what
- 2:08Speaker 1: sustainability and fashion really means, because, to be honest, I
- 2:11Speaker 1: was kind of confused by it all. And she's sharing
- 2:15Speaker 1: her vision for a cleaner, more resourceful, fashionable future and
- 2:19Speaker 1: sharing some tips and how to give new life to
- 2:22Speaker 1: the classics in our closet. So, Sammy, growing up, you
- 2:28Speaker 1: said you had no connection to the fashion world, and
- 2:31Speaker 1: I laughed when I heard that because I felt the
- 2:33Speaker 1: same way coming from Chicago. How did you know this
- 2:37Speaker 1: is something that you wanted and that you had this
- 2:39Speaker 1: really unique perspective.
- 2:41Speaker 3: I knew that this was something that I wanted once
- 2:44Speaker 3: I found my first connection to the fashion world, and
- 2:50Speaker 3: once I met people in creative industries who liked the
- 2:54Speaker 3: weird way that I dressed. And then I just kind
- 2:58Speaker 3: of decided to on the weekends intern and be like
- 3:01Speaker 3: a coffee runner at a magazine photoshoot, just to experience fashion.
- 3:06Speaker 3: And then I realized that there was something creative in
- 3:09Speaker 3: me that was dormant being from San Francisco, and so
- 3:12Speaker 3: I just quit my corporate life and gave it a go.
- 3:17Speaker 1: So before we get into corporate life, because that's actually
- 3:20Speaker 1: a big part of what kind of sprung you into action.
- 3:24Speaker 1: But you were a kid in San Francisco. You had
- 3:27Speaker 1: a brother, you were raised by your dad, and I
- 3:30Speaker 1: heard that you went to a private school. And part
- 3:34Speaker 1: of this whole vintage style that you came up with
- 3:37Speaker 1: was that you weren't able to afford some of the clothes.
- 3:40Speaker 2: That all the other kids had, and so you came
- 3:42Speaker 2: up with your own. Yeah, exactly.
- 3:45Speaker 3: It really at first it stemmed from insecurity because the
- 3:52Speaker 3: students at my high school were very wealthy, and people
- 3:56Speaker 3: were driving to school in range rovers and I was
- 3:58Speaker 3: taking the bus. But I was always used to being
- 4:01Speaker 3: the odd person out, whether it was because of my
- 4:05Speaker 3: economic background, or if it was because I was the
- 4:09Speaker 3: only person of color around, or I was the only
- 4:13Speaker 3: girl in my household, you know. So I always found
- 4:16Speaker 3: comfort and being different, which is an odd thing, but
- 4:20Speaker 3: it's a really big motivator for me. So it stemmed
- 4:23Speaker 3: from insecurity because I was the shyest girl in the
- 4:28Speaker 3: world and everyone was wearing La Coste and Juicy and
- 4:32Speaker 3: Uggs and you know, all these things that my dad
- 4:35Speaker 3: was like, no, I'm not going to spend seventy dollars
- 4:39Speaker 3: or however it was on a polo or one hundred something.
- 4:43Speaker 2: For your ug boots.
- 4:45Speaker 3: So I was one day I was walking around San
- 4:47Speaker 3: Francisco and I found this boutique and in the very
- 4:50Speaker 3: back of the boutique it was all vintage and it
- 4:53Speaker 3: was all thrifted, and I found a La cost polo
- 4:56Speaker 3: back there and it was five dollars or something, and
- 4:59Speaker 3: it was at one point purple, and now it had
- 5:03Speaker 3: become kind of like this weird sun damaged mob with
- 5:06Speaker 3: holes in it, and it was five dollars and it
- 5:09Speaker 3: had the alligator and that's all I needed.
- 5:11Speaker 2: So I wore.
- 5:11Speaker 3: It almost every single day. And then I just I
- 5:16Speaker 3: realized that being the only person in the world with
- 5:20Speaker 3: that exact polo that had the sun damage and the
- 5:23Speaker 3: holes in it made me feel really special and unique,
- 5:27Speaker 3: where everyone kind of looked at me, you know, what
- 5:29Speaker 3: are those holes? You know, knew with tag was a
- 5:32Speaker 3: thing back then it wasn't cool to wear some raty
- 5:35Speaker 3: vintage stuff like it is today. So it really just
- 5:40Speaker 3: boosted my creativity to want to be the only one
- 5:44Speaker 3: in the world wearing whatever it was. And then from
- 5:46Speaker 3: then on it was just you know, that just became
- 5:51Speaker 3: me and I was that girl.
- 5:52Speaker 2: Do you remember the first time it worked?
- 5:54Speaker 1: Because I feel like it takes a little time to
- 5:57Speaker 1: go thrifting and put stuff together.
- 6:00Speaker 2: Well, it works when you feel that it works. Oh interesting.
- 6:05Speaker 2: I think that's the whole thing about fashion. It's for me.
- 6:08Speaker 3: It's not about trends, it's not about following what's cool
- 6:12Speaker 3: at the moment. It's wearing something that's flattering that makes.
- 6:15Speaker 2: You feel good.
- 6:16Speaker 3: Because if you're wearing you know, whatever it is, the
- 6:18Speaker 3: coolest trend at the time, but you feel uncomfortable in it,
- 6:23Speaker 3: that's going to reek from you. And even if you're
- 6:28Speaker 3: wearing the most simple, basic thing, but it gives you confidence,
- 6:32Speaker 3: then that's the thing that matters most about fashion to me.
- 6:36Speaker 3: But for me, I want to be the weirdest one,
- 6:38Speaker 3: and were's something that's cut up and that's holds all
- 6:41Speaker 3: over it, and that's what makes me feel comfortable.
- 6:44Speaker 1: You mentioned that you didn't start in fashion, you actually
- 6:46Speaker 1: started out in the corporate world. How did you decide
- 6:50Speaker 1: this is not for me, I'm leaving, I don't want
- 6:54Speaker 1: this life.
- 6:56Speaker 3: Well, the funny thing was is that I knew that
- 6:59Speaker 3: my goal at one point was to be an entrepreneur,
- 7:03Speaker 3: but I had no idea that I would end up
- 7:05Speaker 3: being in fashion. And when I was working for my
- 7:09Speaker 3: corporate tech job, like I said, I was interning and
- 7:13Speaker 3: doing you know, low level stuff just to experience. You know,
- 7:18Speaker 3: I didn't know any designers, I didn't know any range
- 7:23Speaker 3: of fashion and how intricate it could be. But when
- 7:27Speaker 3: I when I quit, I just I was trying out
- 7:31Speaker 3: all of these different things and whether it was my
- 7:34Speaker 3: first time doing things in front of the camera, like
- 7:36Speaker 3: modeling and doing a lot of styling, and then I
- 7:38Speaker 3: just kind of realized that I wanted to push myself
- 7:43Speaker 3: and combine my goal of being an entrepreneur and my
- 7:47Speaker 3: business acumen that I had from school and from working
- 7:51Speaker 3: at a startup with my new found realization of creativity
- 7:56Speaker 3: that I had always had, but I just didn't know
- 7:58Speaker 3: how to hone into it or to make get a business.
- 8:01Speaker 1: I love that you mentioned the startup because tech is
- 8:05Speaker 1: all about looking towards the future and vintage is all
- 8:08Speaker 1: about relishing the past. And here you have these two
- 8:14Speaker 1: really divergent interests. How do they come together for Sammy
- 8:18Speaker 1: Merro Vintage.
- 8:19Speaker 2: That is so interesting.
- 8:21Speaker 3: I somehow have never thought about it like that, but
- 8:24Speaker 3: that's a really beautiful thing. How it came together for
- 8:28Speaker 3: Sammy Merrol Vintage was that everything that I do is
- 8:32Speaker 3: extremely authentic to me, Like I'm not an actor. I
- 8:35Speaker 3: can't lie, I can't say I love your outfit if
- 8:37Speaker 3: I don't love your outfit, if I give somebody a compliment,
- 8:40Speaker 3: it's very authentic and it's honest and it comes from
- 8:43Speaker 3: the heart. So I knew that when I started my business,
- 8:47Speaker 3: especially in fashion, I was this vintage girl that it
- 8:51Speaker 3: had to remain true to that, and I also, growing
- 8:55Speaker 3: up in San Francisco, caring about the planet is very
- 8:59Speaker 3: important too. To be able to combine those two things
- 9:02Speaker 3: that were very real to my life were essential. So
- 9:06Speaker 3: I knew that by designing, and it actually took some
- 9:09Speaker 3: time for me to figure out how to be a
- 9:12Speaker 3: designer with using vintage fabrics, because back then, in twenty sixteen,
- 9:18Speaker 3: it was it was, it didn't exist, like reworking vintage
- 9:23Speaker 3: and upcycling wasn't a thing.
- 9:26Speaker 2: So I had an epiphany.
- 9:28Speaker 3: One day and realized, this is Samy Mirror vintage. And
- 9:32Speaker 3: then from there it just you know, became a thing.
- 9:35Speaker 3: And then I just worked endlessly to make it happen.
- 9:38Speaker 3: It is just so crazy that you say what you
- 9:40Speaker 3: just said when it's such an It seems like such
- 9:43Speaker 3: an obvious thing. But I never thought about it like that.
- 9:46Speaker 1: I always think it's hard to see your own journey,
- 9:48Speaker 1: you know, it's way easier when people reflect back to you.
- 9:51Speaker 2: Yeah, well I found that to be really unique.
- 9:54Speaker 1: How do you describe Samy Mura vintage to somebody who
- 9:56Speaker 1: hasn't seen the line yet.
- 9:59Speaker 3: Well, it has evolved since the early days. How I
- 10:04Speaker 3: really created the brand identity was by reworking vintage and
- 10:07Speaker 3: creating one of ones. And I did that also because
- 10:11Speaker 3: I had no experience one being an entrepreneur myself two
- 10:15Speaker 3: doing it in fashion. Didn't know anything about the business
- 10:18Speaker 3: side of fashion, so I was able to not spend
- 10:23Speaker 3: as much.
- 10:23Speaker 2: Money by doing it that way.
- 10:25Speaker 3: And then since then, since twenty twenty, we've been doing
- 10:28Speaker 3: both collections, cut and so as well as one of one's.
- 10:33Speaker 3: How I would describe saving mer or vintage now is
- 10:38Speaker 3: that well. Really, as a designer, what makes me happy
- 10:43Speaker 3: and what excites me is to design things that every
- 10:48Speaker 3: person needs and wants in their wardrobe, but to do
- 10:52Speaker 3: it in a way that hasn't been done before.
- 10:54Speaker 1: Hence all the paper clips and the cutting, yeah, and
- 10:58Speaker 1: the things that make these like I think they're timeless
- 11:01Speaker 1: pieces with a unique twist.
- 11:03Speaker 3: Yes, thank you, And that really is the goal, because
- 11:07Speaker 3: I want to make the perfect T shirt that every
- 11:10Speaker 3: person wants in their wardrobe. But I also want to
- 11:15Speaker 3: add really beautiful details into it, like our signature open
- 11:20Speaker 3: seam lines that we have, and really amp up the
- 11:26Speaker 3: value of it by focusing on those details. Because for me,
- 11:30Speaker 3: I never want to be one of those brands that
- 11:32Speaker 3: just has like my logo all over and the screenprint
- 11:35Speaker 3: so that someone can see it a mile away. I'd
- 11:38Speaker 3: rather have signatures to my brand that scream the brand,
- 11:44Speaker 3: but there's no logo.
- 11:46Speaker 2: Thank you for that. I really I'm not into logo
- 11:49Speaker 2: clothing like that.
- 11:50Speaker 1: This is gonna sound really dumb, so excuse I doubt it.
- 11:54Speaker 2: It is. I don't understand.
- 11:56Speaker 1: I researched it, I still don't understand what sustainable means inact,
- 12:01Speaker 1: and I know that's a big pillar for your brand.
- 12:03Speaker 3: Yeah, well, that's a great question, and I don't think
- 12:07Speaker 3: that's stupid at all. I think that it's a question
- 12:11Speaker 3: that probably a lot of people have. And I think
- 12:15Speaker 3: nowadays the word sustainable has almost become more of a
- 12:20Speaker 3: marketing term and allows a lot of greenwashing to come
- 12:26Speaker 3: into the business because now it's this key thing that
- 12:30Speaker 3: everybody needs to focus. Whether you're an existing brand or
- 12:33Speaker 3: a new brand, it has to be something that is
- 12:37Speaker 3: rooted inside of the business. Sustainability to me is there
- 12:43Speaker 3: are a lot of ways to be sustainable, and we
- 12:46Speaker 3: strive to be sustainable in every possible way. So one
- 12:51Speaker 3: way could be with the fabrics that you use for SMV,
- 12:55Speaker 3: we use vintage fabrics and Dad's stock fabrics, and both
- 13:01Speaker 3: of those are pre existing materials, so it takes no
- 13:06Speaker 3: additional manufacturing, no water usage, no dying, no production to
- 13:13Speaker 3: create them, so they're already existing and that's really the
- 13:16Speaker 3: best way to be sustainable. However, it is very difficult
- 13:20Speaker 3: when you have to scale because if you're buying dead
- 13:23Speaker 3: stock fabric, you only have X amount of roles that
- 13:26Speaker 3: you buy from the fabric store that you can use,
- 13:29Speaker 3: and once it sells out, then it sells out.
- 13:31Speaker 2: And I was able to.
- 13:34Speaker 3: Have my business with using only those fabrics until twenty
- 13:38Speaker 3: twenty when we really started growth, and now our fabrics
- 13:43Speaker 3: our best selling fabrics. We've developed sustainably by using ecofabrics
- 13:48Speaker 3: and processes like less water chemicals. We use one of
- 13:53Speaker 3: our fabrics from like our rib fabric is a really soft,
- 13:58Speaker 3: stretchy fabric and that's made for ten Sell, which is
- 14:01Speaker 3: made from eucalyptus. Another one of our fabrics is organic
- 14:05Speaker 3: hemp and cotton. So materials is one way. I could
- 14:09Speaker 3: go on and on, so I'll just give you the
- 14:11Speaker 3: shorter version.
- 14:12Speaker 2: No, it's helpful to understand.
- 14:13Speaker 3: Yeah, another way that is I would say the least
- 14:18Speaker 3: known way of being sustainable is just in general thinking
- 14:23Speaker 3: about the people in the process, within the supply chain
- 14:29Speaker 3: and when you let's give an example, think about a
- 14:32Speaker 3: fast fashion brand. So you get a dress and it's
- 14:37Speaker 3: eight dollars. Okay, So if you have a product, obviously
- 14:42Speaker 3: the company has to make money, so imagine what that
- 14:44Speaker 3: margin is. So let's say it's a four dollars cost
- 14:48Speaker 3: to make it, and then you keep backtracking. Okay, so
- 14:51Speaker 3: how much did that sew or get paid? Okay, well
- 14:54Speaker 3: it's made in another country, then backtracking the shipping, the
- 15:00Speaker 3: materials being developed, and so everything is done as cheaply
- 15:04Speaker 3: as possible. And then when you think about the people,
- 15:07Speaker 3: you know, one, how much did they get paid to
- 15:10Speaker 3: what is the environment that they're working in, Because if
- 15:13Speaker 3: you have to make something that cheaply, you're not gonna
- 15:15Speaker 3: have ac and you know, all the water and the
- 15:17Speaker 3: snacks and a good a positive environment for people. It's
- 15:20Speaker 3: really about how quickly you can make it and how
- 15:23Speaker 3: cheaply you can make it. So what's what that has
- 15:26Speaker 3: done now is you know, it really gives kind of
- 15:29Speaker 3: just like how McDonald's and these fast food chains they
- 15:33Speaker 3: have all of the power. When it comes to farming.
- 15:36Speaker 3: The same thing happens with fast fashion brands. They are
- 15:40Speaker 3: the ones paying the most and dustly they have all
- 15:44Speaker 3: of the power. So it's a really slippery, scary, scary
- 15:49Speaker 3: slow Caring about the people and their wages is a
- 15:53Speaker 3: really huge thing that doesn't really get discussed.
- 15:57Speaker 1: Thank you for describing it. I was looking up some
- 16:02Speaker 1: stats when I was trying to understand what it meant.
- 16:05Speaker 1: In the last fifteen years of the fashion industry has
- 16:08Speaker 1: doubled in production, which is.
- 16:10Speaker 2: Wild and I didn't know this.
- 16:12Speaker 1: So I would hear people talk about how like designer
- 16:15Speaker 1: brands would burn a ton of their excess clothing materials, bags, whatever,
- 16:20Speaker 1: because they didn't want the price to go down. But
- 16:23Speaker 1: the fashion industry accounted for eight to ten percent of
- 16:26Speaker 1: global carbon dioxide output and twenty percent of the world's
- 16:30Speaker 1: plastic production.
- 16:31Speaker 2: Yeah, so.
- 16:34Speaker 1: You are this independent brand that is trying to make
- 16:40Speaker 1: a huge wave in this fast fashion world.
- 16:44Speaker 2: There are like really bad players there.
- 16:46Speaker 3: Yeah, really bad. We don't care, don't care, steal your designs.
- 16:53Speaker 2: That's another thing about that. That's a tangent. I just
- 16:56Speaker 2: saw that for the first time, and it's been happening
- 16:59Speaker 2: for years. Yeah, and there's no recall, like, there's nothing there.
- 17:04Speaker 3: No, there's nothing you can do because you can't trademark
- 17:07Speaker 3: a design and if you do try and trademark a design,
- 17:10Speaker 3: the process takes years and years and costs so much money,
- 17:16Speaker 3: and you know, there's a zillion loopholes regardless. So it's
- 17:21Speaker 3: just something that us smaller designers have to deal with.
- 17:26Speaker 3: I don't let it get to me anymore, and I
- 17:28Speaker 3: just it just comes with the territory.
- 17:30Speaker 2: So you've seen it happen.
- 17:32Speaker 3: Oh my gosh, every fast fashion company, literally every single
- 17:37Speaker 3: one has copied me.
- 17:39Speaker 1: Really yeah, and there's.
- 17:42Speaker 3: Nothing you can do.
- 17:45Speaker 2: What it really comes down.
- 17:46Speaker 3: To, though, is okay, they've completely to the t have
- 17:51Speaker 3: stolen my designs. But the difference is it takes a
- 17:55Speaker 3: certain customer to want to support a small business who's
- 18:00Speaker 3: doing better in terms of our intention. Our fabrics are
- 18:05Speaker 3: so so so nice, and I'm sure a few compared
- 18:10Speaker 3: one Fast Fashion brands copy to Sammy Murou Vintage. I mean,
- 18:16Speaker 3: it's just like a night and day experience in terms
- 18:19Speaker 3: of the touch and the and the sewing and.
- 18:22Speaker 2: All of that.
- 18:23Speaker 3: So it's for a specific person who wants to support
- 18:28Speaker 3: an eco brand.
- 18:29Speaker 1: Yeah yeah, So much of success in life hinges on
- 18:37Speaker 1: support and community. I've never understood that more than when
- 18:40Speaker 1: I launched Pretty Smart.
- 18:42Speaker 2: Here's what I mean.
- 18:42Speaker 1: As a TV host, my work was fast paced research, study,
- 18:46Speaker 1: produce stories or interviews for the next day, get out
- 18:48Speaker 1: into the field and do them post, produce and repeat.
- 18:51Speaker 1: And when I launched the podcast, I was doing all that.
- 18:53Speaker 1: But once I put the episodes out, there was a
- 18:55Speaker 1: feedback loop. It was all about you engaging, interacting, fostering
- 19:00Speaker 1: the Pretty Smart team, the community.
- 19:02Speaker 2: I never experienced.
- 19:03Speaker 1: Anything like it, and that's where Squarespace comes in. Squarespace
- 19:06Speaker 1: provides me with the infrastructure to build upon the community that.
- 19:10Speaker 2: The podcast has cultivated.
- 19:11Speaker 1: Once the pod goes out, it's my lifeline to what
- 19:14Speaker 1: you like, what you don't like. I love getting messages
- 19:17Speaker 1: about the episodes, hearing your reflections, are favorite moments from
- 19:20Speaker 1: the guests. They come right to my phone from the
- 19:22Speaker 1: contact box. Squarespace also allows you to take it a
- 19:25Speaker 1: step further with email campaigns.
- 19:27Speaker 2: Once people are in touch.
- 19:28Speaker 1: With you, you can transform those interactions into email subscribers.
- 19:32Speaker 1: When I launched the Pretty Smart Limited Edition, sweatshirts. I
- 19:35Speaker 1: started with a Squarespace email template, customized it with my
- 19:38Speaker 1: brand logo and colors, and press send, and the platform
- 19:41Speaker 1: has built in analytics, so I measure the impact of
- 19:44Speaker 1: every email in message to learn where the site visits
- 19:47Speaker 1: and sales are coming from. That means I can determine
- 19:49Speaker 1: what's working and what I can work on. Squarespace Acts
- 19:52Speaker 1: is my community hub. The all in one platform is
- 19:54Speaker 1: my lifeline to my pretty smart people. Head to squarespace
- 19:57Speaker 1: dot com slash pretty smart for a free trial, and
- 20:00Speaker 1: when you're ready to launch, use offer code pretty Smart
- 20:02Speaker 1: to save ten percent off your first purchase of a
- 20:04Speaker 1: website or domain. You said, being in LA and meeting
- 20:10Speaker 1: people from different creative backgrounds made me realize I had
- 20:13Speaker 1: something within me that was dormant that I wasn't able
- 20:16Speaker 1: to express in San Francisco. I think that dormant feeling
- 20:21Speaker 1: that you so poignantly discussed is in so many people. Yeah,
- 20:28Speaker 1: I actually hear it a lot of our listeners and
- 20:30Speaker 1: viewers will message me like, I've had this business idea,
- 20:34Speaker 1: I have this thing I want to do.
- 20:36Speaker 2: How did you make it not dormant? How did you
- 20:38Speaker 2: get it out of you?
- 20:40Speaker 3: I realized that, you know, I was still in my
- 20:43Speaker 3: twenties when I started saving rare a vintage, and I
- 20:46Speaker 3: realized that I'm the kind of person that if I
- 20:51Speaker 3: want something, I have to make it happen, otherwise I
- 20:54Speaker 3: will regret it forever. Yeah, and I think that that
- 20:57Speaker 3: also resonates with a lot of people. But there's so
- 20:59Speaker 3: much much fear and so much unknown. You know. I
- 21:02Speaker 3: quit my corporate job. I had a four to oh
- 21:04Speaker 3: one k, I had insurance, I had security in terms
- 21:09Speaker 3: of getting you know, a salary, and I just knew
- 21:15Speaker 3: that if all failed, I at least had at that
- 21:18Speaker 3: point enough education and enough experience to be able to
- 21:23Speaker 3: go back to that. So it was the perfect timing
- 21:26Speaker 3: for me. I actually really applaud people who just kind
- 21:29Speaker 3: of do it from the jump because they don't necessarily
- 21:35Speaker 3: have something to fall back on, and to me that
- 21:37Speaker 3: I commend that. But for me, I had something to
- 21:40Speaker 3: fall back on, and I just had to give it
- 21:43Speaker 3: a try. My family thought I was absolutely insane. My
- 21:46Speaker 3: dad is a you know, a professor, and my brother
- 21:49Speaker 3: is is he was working on Wall Street and he
- 21:55Speaker 3: is a lawyer now. And so the idea of quitting
- 21:58Speaker 3: something without having a job already lined up.
- 22:02Speaker 2: Was just nuts.
- 22:03Speaker 3: But I just had to go with my gut and
- 22:05Speaker 3: it was definitely hard. Yeah, but I wouldn't have done
- 22:08Speaker 3: it any other way.
- 22:11Speaker 1: I think part of being creative is there's just always
- 22:14Speaker 1: self doubt. How do you quiet that voice, because I'm
- 22:18Speaker 1: sure you still even get it.
- 22:20Speaker 3: That's a great question. I don't know that I ever
- 22:23Speaker 3: quiet that voice.
- 22:24Speaker 1: It is.
- 22:26Speaker 3: It's loud, but it motivates me because I have always
- 22:35Speaker 3: had people doubt me, whether it was people I went
- 22:38Speaker 3: to school with, or a teacher or a family member,
- 22:42Speaker 3: And I think that I am who I am because
- 22:48Speaker 3: I had people who doubted me. And forever it's been
- 22:51Speaker 3: this thing where you know, I want to do my
- 22:54Speaker 3: best and I want to do something different and create
- 22:57Speaker 3: something special to show the people that they're wrong.
- 23:01Speaker 2: That's such a strong place to come from.
- 23:05Speaker 3: Yes, I think the most interesting people are those who
- 23:10Speaker 3: have dealt with a lot of hardship and trauma and
- 23:13Speaker 3: have had a difficult childhood or you know, whatever it is,
- 23:19Speaker 3: because if you're able to come back from that, then
- 23:24Speaker 3: it shows a lot of strength and it also shows
- 23:27Speaker 3: a range in capabilities and the range in experience in
- 23:36Speaker 3: terms of you know, you weren't just handed what you
- 23:39Speaker 3: were given. You had to work so much harder to
- 23:42Speaker 3: get there. And for me as a black woman, for
- 23:48Speaker 3: me as a person who just who always went to
- 23:53Speaker 3: schools with super rich people everywhere and mostly white people everywhere,
- 23:58Speaker 3: and then being in tech and being also the only woman,
- 24:01Speaker 3: and then also being two decades younger than everybody, I
- 24:07Speaker 3: always had to kind of prove myself and that's kind
- 24:11Speaker 3: of a shitty thing to have to do, but it
- 24:14Speaker 3: has made all of those different elements has just made
- 24:17Speaker 3: me work a zillion times harder than the average person.
- 24:21Speaker 3: And also I had a huge learning disability too, so
- 24:26Speaker 3: that really taught me how I had to work ten
- 24:28Speaker 3: times harder because a homework assignment that would take a
- 24:32Speaker 3: normal person thirty minutes to do would take me six
- 24:36Speaker 3: hours to do.
- 24:37Speaker 2: So.
- 24:37Speaker 3: So resilience that you've built up, mm hmm, yeah, that's
- 24:41Speaker 3: a really good point.
- 24:42Speaker 1: You have to be resilient in life, especially in fashion.
- 24:45Speaker 3: Especially in fashion, in any industry really. But yeah, you
- 24:51Speaker 3: can't let the external environment bring you down. You have
- 24:55Speaker 3: to just you have to be able to empower yourself.
- 24:59Speaker 1: This shocked within the first month of starting your brand.
- 25:02Speaker 1: Selena Gomez hired you to redesign her world tour in Asia,
- 25:06Speaker 1: and you.
- 25:07Speaker 2: Had forty eight hours to prepare. Is that true? It's
- 25:10Speaker 2: very true.
- 25:12Speaker 1: How and also a better question is how did that
- 25:17Speaker 1: challenge set you up for the rest of your career?
- 25:20Speaker 2: Because what an initiation?
- 25:22Speaker 3: Yeah, that was quite an initiation, not to toot my
- 25:25Speaker 3: own horn, but also my therapist would be really proud
- 25:28Speaker 3: of me for tooting my own horn because I am
- 25:31Speaker 3: too apparently I have imposter since true, but you know,
- 25:35Speaker 3: at this point, I've had enough major experiences like that
- 25:40Speaker 3: where I surprise myself. But at this point, I'm like,
- 25:44Speaker 3: I truly can do anything. Give me any project, give
- 25:47Speaker 3: me any deadline, and I will tackle it with excellence.
- 25:53Speaker 2: And although it is the.
- 25:54Speaker 3: Most stressful situation and twenty four hours of working for
- 25:59Speaker 3: however long, I'm so dedicated and just want to do
- 26:03Speaker 3: everything as best as possible. So for that situation I
- 26:08Speaker 3: had forty eight hours, I had a huge opportunity. I
- 26:10Speaker 3: never did anything like that before or even still have
- 26:14Speaker 3: done anything like that, and I had to just be like, well,
- 26:18Speaker 3: if this person is trusting me, then I must have
- 26:20Speaker 3: something good. And I just packed up everything and headed
- 26:27Speaker 3: to Asia and didn't also really know what I was
- 26:29Speaker 3: walking into. But it was.
- 26:33Speaker 2: A game changer for me.
- 26:36Speaker 3: Also really in the industry of world tours at that point,
- 26:43Speaker 3: if you are on a world tour, you were the
- 26:45Speaker 3: same five outfits every single night for the entire year.
- 26:49Speaker 3: And what we did for the first time ever was
- 26:52Speaker 3: we created new outfits every night, and that was the
- 26:56Speaker 3: first time anybody had ever done that. And so it
- 26:58Speaker 3: was really amazing for her to trust me because we
- 27:02Speaker 3: stopped outside of her fashion box and we did made
- 27:07Speaker 3: really fun looks and reworked so much vintage and it
- 27:11Speaker 3: was an experience so cool.
- 27:14Speaker 1: To do that for a world tour because everything, especially
- 27:16Speaker 1: for like a pop sensation, is like new now next,
- 27:20Speaker 1: and for you to again bring the vintage vibe is
- 27:23Speaker 1: really is unique.
- 27:24Speaker 2: Yeah, it was really awesome.
- 27:27Speaker 1: You've said that your brand's ethos has founded on uplifting
- 27:30Speaker 1: voices that are often silenced. I think black representation has
- 27:34Speaker 1: been pretty rare in the fashion world. I think a
- 27:37Speaker 1: lot of people credit Virgil with opening it up a
- 27:39Speaker 1: little bit, It's still not where it needs to be.
- 27:43Speaker 1: How are you most proud of how you've used your voice?
- 27:47Speaker 1: I would say that I am most proud of how
- 27:49Speaker 1: I use my voice by continuously educating and continuously showing
- 27:57Speaker 1: that it's okay to be different and that you don't
- 28:03Speaker 1: have to be on a traditional path to get what
- 28:05Speaker 1: you want unless you want to be a doctor or
- 28:08Speaker 1: something of the sort, where I hope you have that
- 28:10Speaker 1: proper education. Yes, we very much would like you to
- 28:13Speaker 1: take a tradition around.
- 28:15Speaker 3: The traditional rounds. I would say that I'm most proud because,
- 28:20Speaker 3: above anything else, what I care about is showing the
- 28:25Speaker 3: world and the people that you should be doing better
- 28:28Speaker 3: for the planet, better for yourself, better for the people.
- 28:32Speaker 3: And what excites me a lot is to.
- 28:36Speaker 2: When you look at.
- 28:37Speaker 3: Sandy Merri Vintage, it is we make really cool stuff.
- 28:41Speaker 3: We are fashionable, and it is very cool and it
- 28:44Speaker 3: is very different. But our ethos is what holds us together,
- 28:49Speaker 3: and our ethos is being eco conscious and it is
- 28:54Speaker 3: about representing the underdog.
- 28:57Speaker 2: And having that.
- 29:01Speaker 3: Having that I don't even want to say juxtaposition because
- 29:04Speaker 3: it shouldn't be a juxtaposition, which I guess is my
- 29:06Speaker 3: point of being cool with education in doing better shows
- 29:16Speaker 3: that that is also cool, yeah, and that people can
- 29:20Speaker 3: combine the two and that standing for something bigger than
- 29:25Speaker 3: what looks cool.
- 29:27Speaker 2: Is the coolest thing that you can do? That's a bar.
- 29:31Speaker 1: Yes, how do you think that we can retool our
- 29:35Speaker 1: own wardrobes to make them sustainable? Like for people that
- 29:40Speaker 1: don't have your eye like me, like, how can I
- 29:43Speaker 1: go into my closet and start to see things differently?
- 29:48Speaker 3: Well, before you said people who don't have my eye,
- 29:52Speaker 3: what I was going to say was what I do
- 29:57Speaker 3: is when I'm kind of over something that I have,
- 29:59Speaker 3: instead of giving it away, I will first try to
- 30:04Speaker 3: just rework it. So whether it's new or whether it's vintage,
- 30:08Speaker 3: that's always the thing that I do. If I've worn it,
- 30:11Speaker 3: like I'm over it and I'm with my scissors and
- 30:15Speaker 3: my safety pins and I am reworking the whole entire thing,
- 30:19Speaker 3: and it's not gonna look anything like what I was
- 30:22Speaker 3: wearing before, just because my eyes, Like, I don't like
- 30:26Speaker 3: anything to be the way it's supposed to be, and
- 30:29Speaker 3: now it's like it's just a bad thing. Like when
- 30:32Speaker 3: I go out, I'm like, okay, I'm gonna get ready.
- 30:35Speaker 3: It takes me five seconds to do my hair and makeup,
- 30:37Speaker 3: but then I'm like, so then I'll wait and I'll
- 30:40Speaker 3: dilly dally and then and then I have to leave
- 30:43Speaker 3: in twenty minutes. I'm like, okay, great, now time to
- 30:45Speaker 3: get dressed, which what am I ever thinking? And then
- 30:49Speaker 3: I start reworking ten outfits and there's a zillion scraps
- 30:55Speaker 3: all over my floor and then it takes me an
- 30:58Speaker 3: hour and a half, you know.
- 30:59Speaker 2: So it's just it's just a mess.
- 31:01Speaker 1: One of the things I'm learning from you in this
- 31:03Speaker 1: interview is to just have more fun with fashion, Like,
- 31:07Speaker 1: don't be so concerned about is this cool?
- 31:11Speaker 2: Does this look right?
- 31:12Speaker 3: And just.
- 31:14Speaker 2: Enjoy mess around.
- 31:15Speaker 3: Easier said than done, for sure, and yes and no, because,
- 31:18Speaker 3: like I was saying earlier, if your style is a
- 31:22Speaker 3: simple white T shirt and jeans, great, that's perfect for
- 31:26Speaker 3: you because if that makes you feel good, then you're
- 31:29Speaker 3: not going to be thinking about your outfa. You're going
- 31:31Speaker 3: to be like pulling your shirt up and you know,
- 31:34Speaker 3: feeling uncomfortable, and then you can focus on what's in
- 31:36Speaker 3: front of you and have a real conversation and not
- 31:40Speaker 3: feel insecure about what you're wearing. So at the end
- 31:43Speaker 3: of the day, if you are comfortable, that's literally all
- 31:46Speaker 3: that matters. Not everybody has to be weird and cut
- 31:49Speaker 3: everything up. You know, it's just it's not for everybody,
- 31:53Speaker 3: and that's okay, and you should feel okay and confident
- 31:58Speaker 3: because you are gorgeous and you're intelligent, and if you
- 32:02Speaker 3: like more simple things, or if you like a specific
- 32:06Speaker 3: range of things, but that's okay.
- 32:08Speaker 2: Okay, So I won't start cutting up my whole closet.
- 32:10Speaker 3: We're doing and you might love it, and you might
- 32:12Speaker 3: be the next thing mirror of vint I won't. There's
- 32:15Speaker 3: only one Danielle Marrovinti.
- 32:19Speaker 2: We can do a club. I love it, okay.
- 32:23Speaker 1: So one of the biggest mistakes I made in my twenties,
- 32:26Speaker 1: and I tell this to people and it's it sounds ridiculous.
- 32:29Speaker 2: But I didn't know what my style was. And one
- 32:32Speaker 2: of the.
- 32:32Speaker 1: Biggest mistakes was I would buy pieces that were kind
- 32:37Speaker 1: of expensive and now I look at them and I've
- 32:40Speaker 1: either given them away or I get angry looking at
- 32:43Speaker 1: the yellow heels I bought it for closet, Like, why
- 32:46Speaker 1: did I buy those? If you could give a piece
- 32:49Speaker 1: of advice to women in their twenties who are still
- 32:54Speaker 1: cultivating their style, what would it be.
- 32:57Speaker 3: I would say, outside of the whole where what makes
- 33:01Speaker 3: you comfortable. Thing, I would say to buy things that
- 33:05Speaker 3: are more timeless, and especially if it's expensive, and especially
- 33:10Speaker 3: if you're saving up for it, think about, am I
- 33:13Speaker 3: gonna want to wear.
- 33:13Speaker 2: This next year?
- 33:15Speaker 3: Am I going to want to wear this after the
- 33:16Speaker 3: one time I wear it? And to think like that,
- 33:20Speaker 3: because that the ultimate thing is to be able to
- 33:24Speaker 3: rewar something. So if you can have your wardrobe last
- 33:29Speaker 3: for longer, that's also eco conscious and better for our
- 33:32Speaker 3: planet and fewer things go to the landfill. So to really,
- 33:35Speaker 3: I think, just in general, just be conscious of what
- 33:39Speaker 3: you do, whether it's shopping and thinking about the result
- 33:44Speaker 3: and what happens from there and how long you're going
- 33:47Speaker 3: to have it, and you know, it's just an important
- 33:50Speaker 3: thing to make conscious decisions and not just rash.
- 33:54Speaker 2: I like this, I'm gonna buy it now, you know. Yes?
- 33:58Speaker 2: I love the video on Instagram of you cutting stuff up.
- 34:01Speaker 2: Yeah in your mirror.
- 34:02Speaker 3: Oh right, yeah, my backwards my signature backwards cut. I
- 34:05Speaker 3: mean that's also funny too, because because I didn't go
- 34:08Speaker 3: to fashion school and I just do things.
- 34:11Speaker 2: The way that I want to do it.
- 34:13Speaker 3: I don't like necessarily put things on the body form
- 34:16Speaker 3: and pin things like you're supposed to. I literally just
- 34:19Speaker 3: design things while I'm wearing them. And that's how I
- 34:22Speaker 3: kind of my weird like zig zaggy cuts ended up
- 34:28Speaker 3: happening because I was cutting it on myself and just
- 34:31Speaker 3: kind of like on a whim and not like me,
- 34:34Speaker 3: you know, making sure I had a pattern and like
- 34:36Speaker 3: drawing the line first and then making sure the cut
- 34:38Speaker 3: was perfect. I would just like cut everything on myself,
- 34:41Speaker 3: and then you know, that just kind of became my
- 34:43Speaker 3: my thing, and so you know, there's beauty that comes
- 34:47Speaker 3: from just doing things the way you want to do it,
- 34:49Speaker 3: unless it's.
- 34:50Speaker 2: Surgery, unless you're a doctor. Thank you very much.
- 34:54Speaker 1: Okay, Rapid Fire, you ready a celeb that you'd love
- 34:58Speaker 1: to see rocking SMV Georgia Smith. What piece of clothing
- 35:02Speaker 1: in your own closet do you wear the most?
- 35:04Speaker 3: My Porterhouse jeans.
- 35:07Speaker 2: For people like me who don't know what Porterhouse.
- 35:09Speaker 3: Is, they're just there are saying mirror of vintage jeans.
- 35:12Speaker 3: They're all reworked from quality vintage.
- 35:14Speaker 2: Dunem That's dope.
- 35:17Speaker 1: Do you have any rituals or things you say or
- 35:19Speaker 1: do before a big moment in your life?
- 35:21Speaker 3: Yes, I would say that the biggest thing for me
- 35:26Speaker 3: that really applies to every single person is a lot
- 35:29Speaker 3: of us have self doubt. Let's say you're going to
- 35:33Speaker 3: a networking event or a fashion event or a job interview,
- 35:39Speaker 3: and you're at this event and you see the CEO
- 35:44Speaker 3: of a tech company or you see Belahadid, and then
- 35:49Speaker 3: you're like, well, what am I doing here if that
- 35:51Speaker 3: person is here? And everybody has self doubt and thinking
- 35:56Speaker 3: that they're not good enough to be in the situation
- 35:59Speaker 3: that they're in. But what you have to remind yourself
- 36:02Speaker 3: is you were invited there for a reason, and you
- 36:04Speaker 3: bring something very special to whatever the scenario is, and
- 36:09Speaker 3: you have to remember that, and you can't. You can't
- 36:12Speaker 3: shrivel up into nothing because that's not why you're there.
- 36:17Speaker 2: That's really powerful coming from you.
- 36:19Speaker 3: I think, thank you.
- 36:21Speaker 2: Is there a book that's changed your life that you
- 36:22Speaker 2: think everybody should read?
- 36:24Speaker 3: I don't know why. The first thing that came to
- 36:26Speaker 3: mind was the shel silver Stein Where the Sidewalk In.
- 36:30Speaker 2: Where the Sidewalk? I love that book. Let's let that
- 36:34Speaker 2: be my answer. I love that.
- 36:37Speaker 1: Okay, pretty smart card deck fifty two questions.
- 36:40Speaker 2: I just listened to this one. Whichever one you feel
- 36:43Speaker 2: connected to. I'm going to take a hidden one. Okay,
- 36:46Speaker 2: I like that.
- 36:49Speaker 1: So a mistake you've made along the way that you'd
- 36:52Speaker 1: like to save other people from.
- 36:54Speaker 2: Oh yeah, I think.
- 36:55Speaker 3: This would apply to many entrepreneurs. It's very scary to
- 37:01Speaker 3: put out a product, or to put out something that
- 37:05Speaker 3: has your name on it.
- 37:07Speaker 2: And I've come.
- 37:07Speaker 3: Across a lot of people who have these ideas, who
- 37:10Speaker 3: are afraid to put out let's say, their first collection
- 37:14Speaker 3: or their first design.
- 37:15Speaker 2: And I was this way too.
- 37:17Speaker 3: And I wouldn't put anything out because I was so afraid.
- 37:21Speaker 3: But once you put it out there, regardless of how
- 37:26Speaker 3: many customers you have, doing that thing of just launching
- 37:32Speaker 3: it is a huge release, and then you realize it's
- 37:36Speaker 3: not that hard, it's not that scary, and it allows
- 37:40Speaker 3: you to keep going.
- 37:42Speaker 2: So just don't be afraid, just do just do it. Yeah,
- 37:46Speaker 2: what do you have to lose if you don't do
- 37:49Speaker 2: it? It's way worse. If you don't do it.
- 37:51Speaker 3: You'll never know if you should have done it, if
- 37:53Speaker 3: it was a million billion dollar idea.
- 37:56Speaker 2: My last question, the smartest decision you've ever made?
- 38:00Speaker 3: Quitting my corporate job to pursue my creative instincts.
- 38:06Speaker 2: Thank you, Sammy Merol, thank you all right. Today is
- 38:36Speaker 2: a good day to have a good day. I'll see
- 38:37Speaker 2: you next week.