Latest / The Bald Brothers Podcast / 103: Songs You Didn't Fully Understand Until You Were Grown

Transcript

103: Songs You Didn't Fully Understand Until You Were Grown · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, what up y'all? Walking to the Ball Brothers.
• 0:02
  Speaker 1: I'm Kevin on stage. They were doing songs you didn't
• 0:07
  Speaker 1: fully understand till you were grown. It could be a
• 0:09
  Speaker 1: full song, it could be a line. We might use
• 0:12
  Speaker 1: the patreons help to fill out some stuff. I'll kick
• 0:16
  Speaker 1: it off. I think it's my turn. All right, well Joe,
• 0:22
  Speaker 1: I want to know when he says take me to
• 0:27
  Speaker 1: the subway or I'll go down, or take me to
• 0:30
  Speaker 1: the subway, I'll go down. As a kid, I did
• 0:32
  Speaker 1: not realize he was talking about eating kouchie. He was
• 0:35
  Speaker 1: eating kouchie. He was.
• 0:38
  Speaker 2: Listening to that song like that really, I mean, if
• 0:41
  Speaker 2: it's on, I'll be like, I don't know, you know.
• 0:45
  Speaker 1: Did not know what he was talking about as I
• 0:47
  Speaker 1: was just singing it in one day this when I moved,
• 0:49
  Speaker 1: I was in La literally the song was on. I
• 0:53
  Speaker 1: was like, take it to the subway, I'll go down.
• 0:56
  Speaker 2: Oh oh yeah, take you to the subwall. Damn wait,
• 1:01
  Speaker 2: that's a different song.
• 1:02
  Speaker 1: What is that?
• 1:04
  Speaker 2: That's a.
• 1:06
  Speaker 1: That's what what is that?
• 1:08
  Speaker 2: That's the other song from domin Minute soundtrack, Take you Too?
• 1:12
  Speaker 2: When you go down? Baby?
• 1:16
  Speaker 3: I wanted, oh the things in.
• 1:20
  Speaker 1: There who won't do I do them for you.
• 1:26
  Speaker 2: Now that line makes sense. Yes, that's a great song,
• 1:29
  Speaker 2: by the way, great song, loving song. Okay, all right, right,
• 1:32
  Speaker 2: all right. I didn't even know he was saying, subway.
• 1:35
  Speaker 2: I didn't even put two or two together. You a
• 1:37
  Speaker 2: dirty dog Joe, dirty dog player. Uh next, what too close? Baby?
• 1:47
  Speaker 2: When you're grinding, I get so excited driving I I
• 1:53
  Speaker 2: ain't know. It's about getting hard on on the dance floor.
• 1:56
  Speaker 2: People say this all the time right over my when
• 1:58
  Speaker 2: it was new, I was like, you know what I'm saying,
• 2:02
  Speaker 2: But people.
• 2:03
  Speaker 3: Say this all the time. You're making it hard for me.
• 2:06
  Speaker 3: It's right there in my face. And I didn't even
• 2:09
  Speaker 3: put two or two together. You're literally making it hard
• 2:12
  Speaker 3: for me. Really, And I still look straight through that,
• 2:16
  Speaker 3: like you're making me struggle because I like you so much.
• 2:19
  Speaker 2: That's all I was thinking about.
• 2:21
  Speaker 1: Back You're dancing kind of close.
• 2:25
  Speaker 4: Little poke coming through still didn't register on you.
• 2:31
  Speaker 1: I know you felt it.
• 2:33
  Speaker 4: Oh you know, I can't help it. You're making it
• 2:37
  Speaker 4: hard for me. He said it in every line, what
• 2:42
  Speaker 4: you wanted to say. I'm getting the rection through.
• 2:47
  Speaker 1: Oh we're grown. I don't know how people.
• 2:52
  Speaker 3: Miss that like my dick is on you. It's getting
• 2:55
  Speaker 3: harder as we dance.
• 2:57
  Speaker 2: Then I've been like, oh, alright, y'all wow, But man,
• 3:03
  Speaker 2: I don't know how this piece two or two together.
• 3:06
  Speaker 1: So when did they click for you?
• 3:08
  Speaker 2: I don't. I think I just saw that's what they're
• 3:11
  Speaker 2: talking about. Never never put to it two together.
• 3:14
  Speaker 1: I never knew. Now this isn't a full song. But
• 3:20
  Speaker 1: when ron Isasley was like, oh, I like your way
• 3:23
  Speaker 1: to receive man. Oh, I love the way you leave. Man,
• 3:29
  Speaker 1: I didn't know that was about coming.
• 3:31
  Speaker 2: What song is that I've been needing to know the
• 3:34
  Speaker 2: name of the song is she?
• 3:37
  Speaker 1: Oh, I like the way you see you may received
• 3:40
  Speaker 1: you man.
• 3:40
  Speaker 2: Between the I'm trying to think of how that song.
• 3:45
  Speaker 5: Oh oh oh dune and him dune there, okay, between
• 3:57
  Speaker 5: the sheets, okay.
• 4:02
  Speaker 1: But I didn't know that specific like receive me, relieve me,
• 4:08
  Speaker 1: oh phil Ronald, Phil Ronald. He was like the.
• 4:19
  Speaker 2: Especially back then you had that's what's going on right
• 4:23
  Speaker 2: now at R and B. They ain't sneaking. And then
• 4:25
  Speaker 2: they up front.
• 4:26
  Speaker 1: That song on TikTok oh.
• 4:29
  Speaker 2: Fat juice and wet we not we not slide, nothing,
• 4:34
  Speaker 2: none of to do it. Man, we coming in sack loose.
• 4:41
  Speaker 1: Oh dang, TikTok, You're gonna mess me up. Hold on,
• 4:45
  Speaker 1: let me play what's this girl's name? Is it new? Yeah?
• 4:50
  Speaker 1: I've only heard it on TikTok. I don't know if
• 4:52
  Speaker 1: it's a real song. Hold on, I want to play
• 4:54
  Speaker 1: for you, because this is gonna be exactly what you're
• 4:57
  Speaker 1: talking about me. Have you heard that it's called me?
• 5:15
  Speaker 1: You never heard that.
• 5:15
  Speaker 2: I'm gonna beat it, push it up? If you tell
• 5:17
  Speaker 2: on me?
• 5:18
  Speaker 1: If I beat it up? Are you gonna tell me?
• 5:20
  Speaker 2: What does that mean?
• 5:24
  Speaker 1: Took every day?
• 5:24
  Speaker 2: If I beat that, push it up, you're gonna tell
• 5:27
  Speaker 2: on me?
• 5:28
  Speaker 1: What is this?
• 5:29
  Speaker 6: Is this?
• 5:30
  Speaker 1: Kevin? Is this s a no? No?
• 5:34
  Speaker 3: Because why why would you say? Are you gonna tell
• 5:36
  Speaker 3: on me? It sounds criminal?
• 5:42
  Speaker 2: I don't know what it's really? Is it the play
• 5:45
  Speaker 2: on something? Because since I'm beating beating you up, you're
• 5:47
  Speaker 2: gonna tell on me? Is it the player beating somebody up?
• 5:51
  Speaker 2: May I hope?
• 5:53
  Speaker 1: Yeah?
• 5:54
  Speaker 2: Because if if not, that's that's assualt. Hey man, you're
• 6:00
  Speaker 2: gonna tell them. I was like, man, what is that's
• 6:02
  Speaker 2: a Kevin Gates song?
• 6:04
  Speaker 1: Kevin Gates? You're featuring Kevin Gates, You're filthy, dude, tell
• 6:08
  Speaker 1: on me.
• 6:12
  Speaker 2: If I beat that pussy up, You're gonna tell on me.
• 6:15
  Speaker 1: Where's where's the I don't like this Super King, Big
• 6:20
  Speaker 1: Pope and Kevin Gates. Oh, this song is nine years old.
• 6:24
  Speaker 1: It's an old song, nine years old. If I feel
• 6:30
  Speaker 1: like that song wouldn't fly today, it's flying right now.
• 6:35
  Speaker 1: Gonna tik tik, Yeah, I hear that all the time.
• 6:38
  Speaker 2: You're gonna beat that pussy up.
• 6:39
  Speaker 7: You're gonna tell on me?
• 6:40
  Speaker 2: Is why?
• 6:43
  Speaker 1: Like, like I beat it, eat it up up?
• 6:46
  Speaker 2: I hated that now now is the intent is? Since
• 6:51
  Speaker 2: I did a good job, you're gonna you're gonna tell
• 6:53
  Speaker 2: on me like you're gonna spread the word? Or is it.
• 6:58
  Speaker 3: You're gonna tell on me because I beat it up
• 7:00
  Speaker 3: so good, like you're gonna call the authorities. I'm confused now,
• 7:04
  Speaker 3: cause you know, if a dude put in work on
• 7:05
  Speaker 3: the girl, we we be low key wanting the.
• 7:08
  Speaker 2: Group shop spread the word, do we I wouldn't mind it.
• 7:12
  Speaker 1: I ain't been in the streets in a long time.
• 7:13
  Speaker 1: Don't tell nobody what I did. I mean, you know
• 7:15
  Speaker 1: what I'm saying, Like junior soprano.
• 7:17
  Speaker 2: If I do a good job, and you want to
• 7:19
  Speaker 2: tell your little.
• 7:20
  Speaker 1: Friends, but what you do a bad job, they can
• 7:21
  Speaker 1: tell your little friends.
• 7:22
  Speaker 2: You gotta take the l.
• 7:23
  Speaker 1: You ever been in a position like, man, they gonna
• 7:25
  Speaker 1: kill me in the group for that, for taking them. Yeah, yeah,
• 7:28
  Speaker 1: they had plenty of el. Really, what's in L finishing fast?
• 7:32
  Speaker 2: Bust fast fast? You should be proud round.
• 7:38
  Speaker 1: L ain't no l if they're good, man, Now you
• 7:41
  Speaker 1: got a w You people get mad at the ball
• 7:45
  Speaker 1: when when the god falls off, it's a good ball.
• 7:47
  Speaker 3: Man.
• 7:48
  Speaker 1: You should be proud of you. You should give a
• 7:50
  Speaker 1: little hot man no.
• 7:51
  Speaker 4: Because why that that's the they.
• 7:55
  Speaker 2: Didn't get there?
• 7:56
  Speaker 1: You can give it to him later.
• 7:57
  Speaker 2: What if ain't no later? Give a like a like
• 8:01
  Speaker 2: a quick quick bus off. When you're in a relationship,
• 8:04
  Speaker 2: that's fine because you can just get on the back end.
• 8:07
  Speaker 1: It's fine period.
• 8:08
  Speaker 2: But when you just like if this is the debut.
• 8:10
  Speaker 1: What's how long you got to go while we got
• 8:12
  Speaker 1: to go along?
• 8:14
  Speaker 2: Man, it's an l.
• 8:15
  Speaker 1: Why because she get her that's not that's a sou
• 8:20
  Speaker 1: Give her hers first. Then you take the pressure off.
• 8:23
  Speaker 2: She might have she might have been like, Yo, this
• 8:24
  Speaker 2: is feeling really good. Why did you stop.
• 8:28
  Speaker 1: Period, man.
• 8:29
  Speaker 2: So it's like boom, el round Hubbard.
• 8:32
  Speaker 1: Why is that an L?
• 8:33
  Speaker 2: That shouldn't be That's an L for me and it's
• 8:36
  Speaker 2: an L for her. I mean, technically it's not an
• 8:39
  Speaker 2: L for me because.
• 8:40
  Speaker 1: It should be a W for her. We should think
• 8:42
  Speaker 1: about this different thing. What should be like? Man, girl,
• 8:45
  Speaker 1: I don't know what you woman to do.
• 8:46
  Speaker 2: Now. If it's a woman that takes pride in making
• 8:48
  Speaker 2: dudes bus quick, then it is a win.
• 8:51
  Speaker 1: Do women take pride in this? The women agree, I
• 8:55
  Speaker 1: mean they're not agreed. They say it's not know Kevin incorrect.
• 8:59
  Speaker 1: She come first. Let her come first then.
• 9:02
  Speaker 2: But you didn't make it there because you busted. No,
• 9:05
  Speaker 2: do something else first, do something strange.
• 9:07
  Speaker 1: Go clatoral hood, clatoral hood on the side, clatoral hood.
• 9:12
  Speaker 1: Ninety percent of women that cannot orgasm from pean out
• 9:16
  Speaker 1: is like eighty five. It's like eighty five. Ninety percent cannot, Laney,
• 9:21
  Speaker 1: and I think it's as high as eighty five. These
• 9:23
  Speaker 1: women be lying to me straight pen though they've been
• 9:27
  Speaker 1: lying just straight pen. It's like eighty five. I've been
• 9:33
  Speaker 1: lying to me straight pen only though.
• 9:36
  Speaker 3: Anybody anybody in there that I've ever been with? In
• 9:40
  Speaker 3: the comments, is anybody in here that I ever been with?
• 9:46
  Speaker 3: I don't know because I see you, because you're lied.
• 9:50
  Speaker 1: You haven't set to your patreon.
• 9:52
  Speaker 2: No, oh, I don't know who's in here. I don't
• 9:56
  Speaker 2: know who's a member of my patreon.
• 9:58
  Speaker 1: What if somebody's like, yes, me, we we had sex, toy.
• 10:01
  Speaker 1: I actually didn't like it that much. Eighty two percent? Okay,
• 10:04
  Speaker 1: I went a little high.
• 10:05
  Speaker 3: Eighty two percent, Okay, high, that's crazy.
• 10:08
  Speaker 1: Yeah, because straight, because there ain't nothing in there.
• 10:11
  Speaker 2: So that means women have been lying to me.
• 10:13
  Speaker 1: Yes for sure. No, maybe you're at sex.
• 10:16
  Speaker 2: No, man, no, I'm not nah, y'all been lying.
• 10:19
  Speaker 1: No, I mean you could be the best. Maybe you
• 10:21
  Speaker 1: got the other eighteen percent or maybe you know how
• 10:24
  Speaker 1: they hit the clitoral hood. You gotta go platoral. You
• 10:27
  Speaker 1: gotta definitely be concerned.
• 10:29
  Speaker 2: I'd be.
• 10:29
  Speaker 1: You know, you gotta visit with it. Hello, for sure.
• 10:33
  Speaker 1: If you do that with the peen, then you can
• 10:35
  Speaker 1: do it. But you can't just go peen peen, peen, peen,
• 10:37
  Speaker 1: peen peen peen. You gotta go peens. I saw pe pie.
• 10:40
  Speaker 1: They be claiming it's like drums. They be claiming, they
• 10:46
  Speaker 1: be climaxing mid Maybe they pumps. You gotta take it out,
• 10:52
  Speaker 1: rub it on.
• 10:52
  Speaker 2: Them, just straight. But it's just straight pumps.
• 10:55
  Speaker 1: The helmet on it. Put the helmet on, and like
• 11:00
  Speaker 1: helmet helmet help help. And then if you check the
• 11:02
  Speaker 1: helmet out, it's less for you. You just go helmet, helmet, coatroal,
• 11:05
  Speaker 1: hood hood.
• 11:07
  Speaker 2: If it's eighty two percent, y'all been lying?
• 11:11
  Speaker 1: No, women be lying because they don't want men to
• 11:13
  Speaker 1: feel bad.
• 11:14
  Speaker 2: For sure, give me the real.
• 11:17
  Speaker 7: Peeps.
• 11:18
  Speaker 3: Sorry to interrupt the podcast, but I'm not even interrupting
• 11:20
  Speaker 3: the podcast because we're still in the podcast and I'm
• 11:22
  Speaker 3: on the podcast, canvas on the podcast, I'm part of
• 11:24
  Speaker 3: the podcast. So I just want to tell y'all, man, chaos, right,
• 11:28
  Speaker 3: I don't do well with chaos, you know. I know
• 11:31
  Speaker 3: I be laid all the time and that could call
• 11:33
  Speaker 3: some chaos, but other than that, I don't really do chaos.
• 11:36
  Speaker 7: Well, you know what I'm talking about.
• 11:37
  Speaker 3: You feel me, man, It's just it's just not a
• 11:39
  Speaker 3: good thing. It's not a good sign, it's not a
• 11:41
  Speaker 3: good practice.
• 11:42
  Speaker 7: It's just it throws a whole vibe off. You know
• 11:44
  Speaker 7: what I'm saying.
• 11:45
  Speaker 3: And life in general can be chaotic, man, but if
• 11:48
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• 13:46
  Speaker 1: You got to go through your phone be like are
• 13:48
  Speaker 1: you eighty two or eighteen? She was like, what eighty
• 13:51
  Speaker 1: two or eighteen? You know what I'm talking about?
• 13:54
  Speaker 2: Because they be claiming because some have kept it real
• 13:57
  Speaker 2: to be like, no wonder I caught in a lot.
• 14:00
  Speaker 2: I was talking to her, I was talking to her recently.
• 14:02
  Speaker 2: We had done it a long time ago, and we
• 14:04
  Speaker 2: were we were having a conversation in the now, but
• 14:08
  Speaker 2: it was like we were going through screenshot I was like,
• 14:09
  Speaker 2: I never said that, Yeah you did. We was going
• 14:11
  Speaker 2: through receipts and stuff, and she screenshot a particular conversation
• 14:15
  Speaker 2: we were having and I was like, well, look at that.
• 14:19
  Speaker 2: I called her with a lie because she was like, yeah,
• 14:22
  Speaker 2: I came. But then fast forward to like last year,
• 14:28
  Speaker 2: she was like, yeah, I never came. When we did it,
• 14:30
  Speaker 2: I was like, oh, why did you tell me? I
• 14:31
  Speaker 2: was just I wasn't trippling. I was just like she
• 14:33
  Speaker 2: told me. But then when we had that conversation recently
• 14:36
  Speaker 2: where she was like I came in that conversation years ago,
• 14:40
  Speaker 2: I was like, you was lying. She was like I
• 14:43
  Speaker 2: didn't know.
• 14:43
  Speaker 5: I didn't know.
• 14:44
  Speaker 1: Because they don't think they can take it.
• 14:46
  Speaker 2: I can take it.
• 14:47
  Speaker 1: They stroke our egos. I stroke our egos so we
• 14:49
  Speaker 1: don't feel bad. Give me the real becomes a self
• 14:52
  Speaker 1: fulfilling prophecy. Reason you don't come is because you make
• 14:55
  Speaker 1: him think you did. He think good boy, gonna learn No,
• 14:58
  Speaker 1: he thinks he did a good job. You can take
• 15:00
  Speaker 1: it out. He finishes, and then you pull it out. Listen,
• 15:02
  Speaker 1: here's what you did wrong. Yeah, too much helmet you
• 15:05
  Speaker 1: You avoided the right after sex whifeuf All right, let
• 15:09
  Speaker 1: me tell you what you did wrong. Okay, too fast
• 15:13
  Speaker 1: right after too hard, way too hard? What am I?
• 15:16
  Speaker 2: You went too long on the hard to like five pumps.
• 15:20
  Speaker 1: Yeah, you're trying to jam the whole thing in. Let's
• 15:23
  Speaker 1: bring it back. Go twitting there, yeah, okay, let's have
• 15:27
  Speaker 1: a one on one. Okay. Now you gotta eat that.
• 15:30
  Speaker 1: You gotta I gotta you gotta eat, okay, not like porn.
• 15:33
  Speaker 1: You can't flick the.
• 15:34
  Speaker 2: Tongue every time. Again, most of the time.
• 15:37
  Speaker 1: You gotta go. You gotta eat all right, because you
• 15:39
  Speaker 1: gotta go straight stimulation colt a hood okay okay. And
• 15:43
  Speaker 1: also you gotta suck. You can't just go lick. It's
• 15:45
  Speaker 1: basically like a pena every time. I mean, it's helpful
• 15:48
  Speaker 1: and switch it up. Man. You can't just go flick flick,
• 15:50
  Speaker 1: flick flick flick. If it ain't working, move it around,
• 15:54
  Speaker 1: go around the sides, go down, come back up, reach
• 15:57
  Speaker 1: around the back, all right around, reach around to the butt.
• 16:01
  Speaker 1: Don'tumbing the butt, the butt amongst friends, not jam, but
• 16:08
  Speaker 1: just a little round.
• 16:09
  Speaker 2: How about pinky in the butt? Can Pinky's cool?
• 16:12
  Speaker 1: Pink is little sharper thumb got a little bit more
• 16:14
  Speaker 1: me too. All right, Now, let's try to get tomorrow
• 16:17
  Speaker 1: and more women would have good sex. You gotta tell them, man,
• 16:20
  Speaker 1: ride it up, put it on a clipboard, give him
• 16:23
  Speaker 1: a performance the board. Y have it right on a clipboard.
• 16:27
  Speaker 1: He gonna take it, have it.
• 16:29
  Speaker 2: Right, and if you feel a certain way about having
• 16:33
  Speaker 2: the conversation and straight up, just have the clipboard there
• 16:35
  Speaker 2: in the checklist right there, and then he can glance
• 16:37
  Speaker 2: at the checklist. Let me say yes, oh, okay, okay.
• 16:43
  Speaker 1: Men love stats. They watch football game definitely. How many mispasses,
• 16:47
  Speaker 1: how many exceptions? How many pressures do today? Yeah, what's
• 16:50
  Speaker 1: your pump radius? How many times you treat them like
• 16:53
  Speaker 1: a quarterback, Just like you know in the football game,
• 16:56
  Speaker 1: the quarterback throws the interception, they go right back. They
• 16:59
  Speaker 1: got the iPad. They're looking at the Microsoft every time
• 17:02
  Speaker 1: record the sex. He look here, you're going pump. You're
• 17:05
  Speaker 1: going pump crazy. I'm not getting nothing out of that.
• 17:08
  Speaker 1: Look at my face. You see anything on my face?
• 17:10
  Speaker 1: You feel my body doing anything? All right? I know
• 17:13
  Speaker 1: you're excited too, But if you got to reading my body,
• 17:16
  Speaker 1: I misread the route you got. I know you gotta
• 17:19
  Speaker 1: read the coverage. Take the chut down. I ain't nothing
• 17:22
  Speaker 1: wrong with that break there you go, ready, bray, kids,
• 17:28
  Speaker 1: Maybe you don't talk about it in the bedroom right
• 17:31
  Speaker 1: after post coitus.
• 17:32
  Speaker 2: Now you gotta know, you gotta know your partner.
• 17:34
  Speaker 1: Yeah, because some men can't take it. Period. Don't want
• 17:36
  Speaker 1: to be in a relationship with a man who can't
• 17:38
  Speaker 1: take criticism. Okay, Melissa cooks, she said it's too salty.
• 17:41
  Speaker 1: If I don't tell her the truth, then how was
• 17:44
  Speaker 1: she known?
• 17:44
  Speaker 2: You can tell her it's too salty.
• 17:46
  Speaker 1: I have to the thing about Melissa that I realized
• 17:49
  Speaker 1: though sometimes she already knows. She just wants to know
• 17:52
  Speaker 1: shell like if somebody else can taste it, so be like.
• 17:55
  Speaker 1: So if I lie, then she's like, oh dang, man,
• 17:56
  Speaker 1: be a mom. So I'll be like, look good, yeah,
• 18:01
  Speaker 1: look good. Sex should be the same way. But me,
• 18:04
  Speaker 1: and if we're being honest, a lot of times our
• 18:05
  Speaker 1: egos are far too fragile.
• 18:07
  Speaker 2: Man, give me the note, Yeah, give me the notes.
• 18:10
  Speaker 2: I'm all for the note.
• 18:11
  Speaker 1: Give me the notes. Man, you know, but I'm I don't.
• 18:15
  Speaker 1: I can't speak for a lot of men, but it
• 18:16
  Speaker 1: seems like from what the comments say and from the
• 18:19
  Speaker 1: love hour, it don't seem like, man, we're not really
• 18:22
  Speaker 1: socialized too please. Like that, and the combination with not
• 18:26
  Speaker 1: being socialized to please and then women feeling like they
• 18:29
  Speaker 1: can't tell us yeah, then then you got eighty two
• 18:32
  Speaker 1: because eighty two.
• 18:33
  Speaker 7: Percent is crazy.
• 18:34
  Speaker 2: That's crazy.
• 18:35
  Speaker 1: Eighty two percent is just there's no way. That's why
• 18:39
  Speaker 1: them dog on roses are flying off the shelves, like,
• 18:42
  Speaker 1: get the hell out of here now when you're out
• 18:43
  Speaker 1: of town. Now that rose know what.
• 18:44
  Speaker 2: To do, rolls go, cause that's crazy, man. So don't
• 18:48
  Speaker 2: be lying to me.
• 18:49
  Speaker 1: Don't lie to Tony Man the truth I don't want
• 18:54
  Speaker 1: to hear. We're a little off track. We went way
• 18:56
  Speaker 1: off the little off track. Got another song. I had
• 19:00
  Speaker 1: many songs and got one. Billy Jean, what's that about?
• 19:04
  Speaker 1: Billy Jean is not my lover. She's just a girl
• 19:06
  Speaker 1: who claims that I'm the one.
• 19:07
  Speaker 2: So it's like, but the kid is not my son,
• 19:10
  Speaker 2: even though all the lyrics are just like right there
• 19:12
  Speaker 2: in your face. And when I was a kid, I
• 19:13
  Speaker 2: wasn't really processing what he was talking about.
• 19:18
  Speaker 1: It's not about sex.
• 19:20
  Speaker 2: It's about him getting a girl pregnant that he was
• 19:22
  Speaker 2: messing with. But he's saying, Yo, that kid ain't mine, Tony,
• 19:24
  Speaker 2: how are you missing this? I was a kid.
• 19:27
  Speaker 1: I was a kid. I got that literally first beatim.
• 19:32
  Speaker 2: Billy Jean is not my lover, She's just a girl.
• 19:34
  Speaker 1: Claim he's a vers batim. He literally there's no double
• 19:38
  Speaker 1: on Tandra.
• 19:38
  Speaker 2: I know, but I was a kid. I was like,
• 19:40
  Speaker 2: what's he talking about? I like this song? Why is
• 19:43
  Speaker 2: why is footsteps?
• 19:44
  Speaker 3: Like?
• 19:44
  Speaker 2: Up? Okay, what claims that I'm the one? But the
• 19:48
  Speaker 2: kid ain't my son? I was like, what kid?
• 19:51
  Speaker 1: Well, k we're talking about you got a lot of
• 19:53
  Speaker 1: kid man.
• 19:54
  Speaker 2: I was just enjoying the ride.
• 19:56
  Speaker 1: That's very obvious, but I'm figured it out eventually told
• 20:01
  Speaker 1: it's about as verbatim as you can be with you
• 20:04
  Speaker 1: a kid. Diana as the prequel to what you know
• 20:07
  Speaker 1: about Dirty Diana when she was trying to catch him
• 20:10
  Speaker 1: up right, and then Billy Jean is I feel like
• 20:13
  Speaker 1: that's about the same person.
• 20:15
  Speaker 2: Well, Billy Jean, man, I never even dusted off. She's
• 20:19
  Speaker 2: just claiming as my kid. Man, I ain't man, she's
• 20:22
  Speaker 2: just a girl.
• 20:22
  Speaker 1: Oh my god, she was.
• 20:24
  Speaker 2: A girl that claims the one. She's lying.
• 20:27
  Speaker 1: I'm gonna tell you when I figured out about four
• 20:29
  Speaker 1: months ago. Oh Love come down, You make my love
• 20:34
  Speaker 1: come down? Oh you make my love come down? Didn't click?
• 20:41
  Speaker 7: Listen y'all.
• 20:42
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• 22:43
  Speaker 2: Backup at all, what is this? What were doing?
• 22:49
  Speaker 1: Please? Orgasm this shit? You make my love come down?
• 22:53
  Speaker 1: Ooh you make my love come. Try not bustle nor
• 22:59
  Speaker 1: on the track. And I mean I was listening to
• 23:01
  Speaker 1: it on ninety four to seven the Wave just to drive,
• 23:04
  Speaker 1: and I was like, wait a second, and I tweeted
• 23:08
  Speaker 1: about it. People were like, man, s busted on the
• 23:11
  Speaker 1: track on the d come she said, come in the song,
• 23:16
  Speaker 1: she said coming the song never.
• 23:20
  Speaker 2: Just you just go love was just coming down town.
• 23:25
  Speaker 1: People just busting busted. Ooh, you make my love. It's
• 23:32
  Speaker 1: because it's it's upbeat. You're just like boo boo, dude,
• 23:40
  Speaker 1: plastick song. It feels good. Really wow, eighteen percent.
• 23:46
  Speaker 2: I never knew. I never knew.
• 23:49
  Speaker 1: They say the rain is about that, but I asked
• 23:51
  Speaker 1: Coco about that. She said, that's not it's not about Yeah.
• 23:55
  Speaker 1: She was like, no, it's about rain. And people are like,
• 23:58
  Speaker 1: I'm glad you clear that up. Yeah, people people swear
• 24:00
  Speaker 1: up and down it's about that. Yeah.
• 24:02
  Speaker 3: She was like, nobody trying to get peed on that.
• 24:05
  Speaker 2: You give good love, but.
• 24:10
  Speaker 1: Oh snap, you give good love.
• 24:12
  Speaker 2: That was somebody else's man she was messing with. I
• 24:17
  Speaker 2: was saving all my love for you, or maybe that's
• 24:20
  Speaker 2: a song you give good love is the one thinking
• 24:24
  Speaker 2: you give good love.
• 24:26
  Speaker 1: To me, babe. You might be thinking of saving all
• 24:29
  Speaker 1: my love for you a few stolen moments, that's all
• 24:35
  Speaker 1: we uh, something like that. You got your family? Oh,
• 24:40
  Speaker 1: she was a side check. That's what is The night
• 24:44
  Speaker 1: heard was about Jermaine Jackson. I can't say that's what
• 24:48
  Speaker 1: I heard, So what I heard that's why people get
• 24:50
  Speaker 1: mad Scisster all the time. Melissa loves Whiting Houston. She
• 24:53
  Speaker 1: didn't like scissors the Weekend. I was like, how you
• 24:55
  Speaker 1: like saving all My Love for you? And the Weekend
• 24:57
  Speaker 1: is the same song. She was, but that's Whitney. No,
• 25:04
  Speaker 1: I don't think she knew what Saving All My Love
• 25:07
  Speaker 1: was about. When you know what it's about, the lyrics
• 25:09
  Speaker 1: are like, yeah, I said Whitney.
• 25:13
  Speaker 2: And Whitney song is even worse than because that man
• 25:16
  Speaker 2: had a family way worse.
• 25:19
  Speaker 1: Siss just is like nigga, it is what it is.
• 25:21
  Speaker 1: Listen to this and I said, Whitney. My dad got
• 25:26
  Speaker 1: so mad at me because he played. He used to
• 25:27
  Speaker 1: play these chords on the piano in church, and I
• 25:29
  Speaker 1: was like, oh, it sounds just like saving all my
• 25:30
  Speaker 1: love for you was like, no, this is for God.
• 25:32
  Speaker 1: And I was like, you stolen moment, the weekend you got, you.
• 25:43
  Speaker 2: Got your family and.
• 25:45
  Speaker 1: Beat you there at your house.
• 25:47
  Speaker 2: Tried to resist, She tried to fight it, but that's
• 25:57
  Speaker 2: how it beats.
• 25:59
  Speaker 1: You're married. But what I know a man's gonna do.
• 26:06
  Speaker 4: S triflingrifling straight, I said, Whitney.
• 26:12
  Speaker 2: Man got a family.
• 26:15
  Speaker 1: Ju me, it's because it's so Soothie's a good time.
• 26:23
  Speaker 1: Find a man of my Oh, she.
• 26:30
  Speaker 4: Buried her soul, Karra, she's burying her soul on the track.
• 26:38
  Speaker 1: Feeling blue. People don't say feeling blue in songs. My
• 26:41
  Speaker 1: more non Whitney was out here. I don't know who
• 26:46
  Speaker 1: wrote the song.
• 26:47
  Speaker 7: But it's like, that's crazy.
• 26:49
  Speaker 1: It's right there. That's why I say, y'all get mad.
• 26:51
  Speaker 1: I was just talking about this with Angel. Keep the same, Managy,
• 26:53
  Speaker 1: you can't sexy. Red, ain't nothing but Trina for these kids.
• 26:57
  Speaker 1: We can't be holier than now when we didn't we
• 27:01
  Speaker 1: listened to Trina. It's just Trina for this generation. Me
• 27:05
  Speaker 1: and not better. Been filthy people been filthy since filthy
• 27:08
  Speaker 1: been filterin the Bible.
• 27:09
  Speaker 2: Daby got back.
• 27:10
  Speaker 3: He's standing on ass cheeks talking about women's asses.
• 27:16
  Speaker 1: Among his mountains.
• 27:17
  Speaker 3: Stand on a big booty baby got back. Look at her,
• 27:21
  Speaker 3: but she's just so black. I like big butts, and
• 27:25
  Speaker 3: I cannot lie.
• 27:28
  Speaker 1: We've been filthy the beginning.
• 27:31
  Speaker 3: You don't know now, Nigga two Live crew was all filth,
• 27:34
  Speaker 3: me so horny.
• 27:35
  Speaker 1: Parental advisory, explicit content. What's because of us?
• 27:39
  Speaker 2: He's sitting on the toilet with naked girls in the
• 27:41
  Speaker 2: shower in the background. Stop acting like we just feel.
• 27:45
  Speaker 1: Nelly swiped a credit card through a butt. I watched it.
• 27:50
  Speaker 2: Been filthy.
• 27:51
  Speaker 1: I watched it a lot. Actually I stayed up to watch.
• 27:55
  Speaker 1: I want to another credit card.
• 27:57
  Speaker 2: I never turned tip drill off. What every time it
• 28:00
  Speaker 2: was on, I was locked in. It was like good feelings.
• 28:04
  Speaker 2: I was locked in. I was like, man, it must
• 28:08
  Speaker 2: be the ass because it ain't your face. I needed
• 28:10
  Speaker 2: a tip drill. I want a tip drill.
• 28:12
  Speaker 1: And I was like.
• 28:15
  Speaker 2: That photo shoot looked incredible.
• 28:17
  Speaker 1: I was just like me and Angel.
• 28:21
  Speaker 3: Just one girl was popping it so hard her little
• 28:24
  Speaker 3: strap broke on the I was like, the strap pop loose.
• 28:39
  Speaker 2: I was like, this might be one of the best
• 28:43
  Speaker 2: videos of all time. I got no shame in loving
• 28:48
  Speaker 2: that video. Don't care, I don't care.
• 28:53
  Speaker 1: To come on TV TV.
• 28:57
  Speaker 2: Wait.
• 28:57
  Speaker 1: We really got holding and we turned into our parents.
• 29:00
  Speaker 1: Every generation we forget because when we were young it
• 29:02
  Speaker 1: made sense. But we ain't nothing nothing new up in
• 29:05
  Speaker 1: the sign Lucill Bogan. Have you heard Lucille Bogan.
• 29:08
  Speaker 2: Uh huh. It was two girls in that tip drill
• 29:10
  Speaker 2: video had me just a mesmera. I'm still on it.
• 29:13
  Speaker 2: It was two girls in particular that was extra cutting
• 29:15
  Speaker 2: up in that video. One of them was in atl
• 29:17
  Speaker 2: of the movie. She was the one walking to a
• 29:19
  Speaker 2: car and Evan Ross tried to holler at him.
• 29:21
  Speaker 1: I was like, listen to Lucil Bogan till the cows
• 29:26
  Speaker 1: come home straight back In the real Rap, Raw told.
• 29:35
  Speaker 8: I got a main islo. I got a main I
• 29:38
  Speaker 8: like every time I fuck their men's I give them
• 29:42
  Speaker 8: the dog gone claps. Oh, give them the dog gone clap.
• 29:49
  Speaker 2: Give them the dog.
• 29:51
  Speaker 1: She say, clop or fly.
• 29:55
  Speaker 3: That they really like.
• 30:00
  Speaker 1: Get straight real rat. I told him I.
• 30:02
  Speaker 2: Got a good cock and it's got.
• 30:04
  Speaker 1: Four damn good name.
• 30:06
  Speaker 8: Rough talk, rough cock, tough cock. Cock without a boone.
• 30:11
  Speaker 1: You can fuck my coper, stuck my cocker, leave.
• 30:14
  Speaker 8: My cock along, Oh, baby, honey, out of this.
• 30:18
  Speaker 1: All night long.
• 30:24
  Speaker 8: My cocker stuck my cock, baby until.
• 30:26
  Speaker 1: The cow come this real rats, you know both of
• 30:33
  Speaker 1: my men.
• 30:34
  Speaker 8: They are tight like that.
• 30:36
  Speaker 1: They got a red big stick. It's like a baseball bat.
• 30:43
  Speaker 6: Do it to me.
• 30:44
  Speaker 1: All nine long baseball. That is crazy.
• 30:48
  Speaker 8: I want you to do it to me, baby, honey, guy,
• 30:52
  Speaker 8: come till the cows come home.
• 30:57
  Speaker 1: Then a bitch wrong bosted more. I got hairs on
• 31:03
  Speaker 1: my cuff fall sweep floor.
• 31:06
  Speaker 8: I got funk from them hairs. Ad will shut the
• 31:09
  Speaker 8: door and I look over your hand, Sean, I'm a
• 31:12
  Speaker 8: bitch from Baltimore.
• 31:14
  Speaker 2: Oh whoa oh, and I.
• 31:22
  Speaker 6: Got hairs on my coff We been in body floor.
• 31:28
  Speaker 2: She is film.
• 31:31
  Speaker 6: I got a big fat billy. I got a big
• 31:34
  Speaker 6: broad ass, and I can fucking and lame with real
• 31:38
  Speaker 6: good class.
• 31:39
  Speaker 8: Talking about fucking talking about grinding baby.
• 31:43
  Speaker 3: All night long.
• 31:44
  Speaker 1: Yos no double you.
• 31:50
  Speaker 2: You can hear the record crackling over this fiew.
• 31:56
  Speaker 1: Ab you stuck my.
• 31:58
  Speaker 8: Push this baby, I'm stuck your nick all do till
• 32:01
  Speaker 8: you wanted, Hella.
• 32:02
  Speaker 1: I make you want to do it all night.
• 32:10
  Speaker 2: I'm doing to you to make you ship.
• 32:13
  Speaker 1: This is the most sippy song Overmara.
• 32:17
  Speaker 4: Come, I don't want to hear nothing about someone you
• 32:22
  Speaker 4: don't got a problem with Lucille Bogan.
• 32:25
  Speaker 1: I don't want to hear nothing now. She said they
• 32:27
  Speaker 1: have another song. Patroon says another song called Shave Dry.
• 32:31
  Speaker 1: I've never heard that one.
• 32:32
  Speaker 2: She is pure Phil.
• 32:33
  Speaker 1: Let's hear a shave and dry too. I've never heard
• 32:39
  Speaker 1: this one.
• 32:42
  Speaker 3: I got nipples on my tt diigga's the end of
• 32:45
  Speaker 3: my thumb.
• 32:46
  Speaker 6: I got some tween my leggs gonna make a dead name.
• 32:50
  Speaker 1: Comeee, she just goes right in dry James Louise Lucil
• 32:58
  Speaker 1: what's her name?
• 33:00
  Speaker 4: Baby criting me till I cried.
• 33:06
  Speaker 6: Man sucked all night and all the night before, baby,
• 33:10
  Speaker 6: And I feel just like I want on more reddy
• 33:16
  Speaker 6: money money, shame needs shame y, holl up, Baby won't
• 33:25
  Speaker 6: do the shame.
• 33:26
  Speaker 1: Sure turned it on the one Tony first Niles, my.
• 33:31
  Speaker 8: Titty big in my thumb, Daddy that I come when you.
• 33:35
  Speaker 6: Won't, and you can make them come.
• 33:39
  Speaker 2: She is Phil.
• 33:41
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• 33:45
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  Speaker 3: let's earn in back to this podcast.
• 35:45
  Speaker 1: All I'm saying is sexy red, ain't even that dirty?
• 35:50
  Speaker 1: No got jersey and.
• 35:51
  Speaker 2: Wet, fat, juicy and wet. She died in nineteen forty eight. Yeah,
• 35:56
  Speaker 2: we was young.
• 35:57
  Speaker 1: What was she born?
• 35:58
  Speaker 2: She was fifty one years old. She was born in
• 36:00
  Speaker 2: eighteen ninety seven and Amory, Mississippi. She died in Los Angeles, California. Dang,
• 36:07
  Speaker 2: that was pure film.
• 36:09
  Speaker 1: That was uncut cocaine, never been stepped on. Pablo Escobar
• 36:15
  Speaker 1: whole selling real rap. First line. I got nipples on
• 36:19
  Speaker 1: my tennis, big as my thumb. Make a dad man, come, hello.
• 36:25
  Speaker 1: This is my first introduction to you. That that's the
• 36:27
  Speaker 1: first somebody to put that on party. Hey man, you
• 36:29
  Speaker 1: heard that new loose seal.
• 36:33
  Speaker 2: You hear them the cracklings.
• 36:36
  Speaker 1: I got nibbles big as Alabama.
• 36:39
  Speaker 2: Make a dad man, Come, I'm gonna suck your big
• 36:42
  Speaker 2: so good you're gonna take a ship. Hey, how about that?
• 36:46
  Speaker 1: That's too good?
• 36:46
  Speaker 2: About that?
• 36:47
  Speaker 1: That's actually too good?
• 36:48
  Speaker 2: I don't want it that good.
• 36:50
  Speaker 1: Let's pull it back.
• 36:51
  Speaker 2: I don't want it that good. Ever, I like it.
• 36:55
  Speaker 1: I like it as much as the next.
• 36:56
  Speaker 2: But I never needed to be that good.
• 36:59
  Speaker 1: Never that's you connected parts of my body that's supposed
• 37:02
  Speaker 1: to be separate.
• 37:03
  Speaker 2: I'm not with it.
• 37:04
  Speaker 1: You making stuff happen that ain't supposed to happen.
• 37:06
  Speaker 2: Ladies, if you could do that, stay away from me,
• 37:10
  Speaker 2: Stay the hell away from me.
• 37:11
  Speaker 1: Now I'm confused. Hold on, I gotta go to the bathroom.
• 37:14
  Speaker 1: And my dude went in the bath even when now
• 37:16
  Speaker 1: you got the nurse wiping your butt.
• 37:17
  Speaker 3: See I can never. I can never look at it again.
• 37:22
  Speaker 3: You gotta go out of there.
• 37:23
  Speaker 2: I'm gone.
• 37:24
  Speaker 1: I can't with you.
• 37:25
  Speaker 2: You go, tony man, you made me take a ship
• 37:28
  Speaker 2: on myself. You'll never see me again. Blocking. I'm blocking
• 37:31
  Speaker 2: you for sure. I don't even know you. Who is this?
• 37:36
  Speaker 2: Who is.
• 37:38
  Speaker 1: All right? Recast it today? The best man?
• 37:44
  Speaker 2: All right?
• 37:46
  Speaker 1: Now, we got a lot of care.
• 37:47
  Speaker 2: There's a lot of characters.
• 37:48
  Speaker 1: Man, you want to do the whole thing? It's too many.
• 37:51
  Speaker 1: So we got we got four men, four women?
• 37:53
  Speaker 2: Oh?
• 37:54
  Speaker 6: Is it is? It?
• 37:54
  Speaker 8: Is that?
• 37:55
  Speaker 3: All?
• 37:55
  Speaker 1: Yeah? You got you got Diggs, you got more Chestnut,
• 37:58
  Speaker 1: you got then you got Ni Alonni along.
• 38:06
  Speaker 2: Yep, what's her name something?
• 38:10
  Speaker 3: Uh?
• 38:10
  Speaker 2: Morris Chestna's wife.
• 38:12
  Speaker 1: Oh, she was from Players Club.
• 38:15
  Speaker 2: You also got what's her name? Desusa? What's her name?
• 38:19
  Speaker 2: Susan Susan de Sou Melissa Melissa de Susa. Yes, and
• 38:23
  Speaker 2: then you got I don't know if we count Katrina Hall.
• 38:26
  Speaker 1: No, we don't need to go t Nia Morris, Harold,
• 38:30
  Speaker 1: Terrence Snai, Melissa de Susa, Monica Calhoun. That's Monica Calhoun.
• 38:35
  Speaker 1: I think that's what you do. Okay. We didn't need
• 38:37
  Speaker 1: to go to Regina Hall okay, so let's start with
• 38:39
  Speaker 1: Tate Digs.
• 38:41
  Speaker 2: We knew what I got in that room. Lance Gross.
• 38:47
  Speaker 1: I like Lance. Yeah. Do you buy him as an author? Yeah?
• 38:52
  Speaker 1: I don't get no part of Land. I like Lance
• 38:57
  Speaker 1: to Lance Gross, let's gross. I'll give you Lance Growth.
• 39:01
  Speaker 1: That's good. Neil Long is Jordan Armstrong, cold by Hard?
• 39:14
  Speaker 2: Why'm not the cobalar?
• 39:20
  Speaker 1: What not? Had not got no arguments?
• 39:23
  Speaker 2: Really, I don't think. Give it to me, give it
• 39:27
  Speaker 2: to me, give me the cobar.
• 39:30
  Speaker 1: Let's get it all right, all right, okay, Morris chest
• 39:35
  Speaker 1: Un as Lance Sullivan. Lance Sullivan's character was a Was
• 39:39
  Speaker 1: he a talking football player at the time or he
• 39:41
  Speaker 1: was not, he was still playing, he was about to
• 39:43
  Speaker 1: go to the league, or he was in the league.
• 39:45
  Speaker 1: So he's got to be athletic.
• 39:46
  Speaker 2: He's got to be Ali Hodge or Travontae Tante Rhoadesh
• 39:54
  Speaker 2: one of them two.
• 39:57
  Speaker 1: Is he? Morris was like the bomb show of the
• 40:00
  Speaker 1: day though.
• 40:02
  Speaker 2: That's what they That's that's what Hodge though women.
• 40:06
  Speaker 1: Love him as the main name, like Aaron Perre. Let's
• 40:09
  Speaker 1: move faster. I feel like he's like taking the reins.
• 40:11
  Speaker 1: Well he just got here though, he just exploded where
• 40:15
  Speaker 1: was Morris that at the time. That's what that was
• 40:18
  Speaker 1: just coming out so as a sex symbol. Right, women
• 40:24
  Speaker 1: love Altus though he was too old.
• 40:28
  Speaker 2: They love some Alders.
• 40:31
  Speaker 1: I'm cool with all this, okay, And I buy him
• 40:34
  Speaker 1: on the physical tip.
• 40:35
  Speaker 2: It looks like athletic.
• 40:37
  Speaker 1: What was he in The Beast bird Man or Hawkman?
• 40:39
  Speaker 1: Hawk Man?
• 40:40
  Speaker 2: Yeah?
• 40:41
  Speaker 1: Yeah, and he was in He's in Alex Cross as well.
• 40:44
  Speaker 2: Yeah. Right, I've been watching that.
• 40:46
  Speaker 1: How do you like it?
• 40:46
  Speaker 2: It's good. He's just annoying me. How he's handling his
• 40:49
  Speaker 2: wife's death is annoying man.
• 40:51
  Speaker 1: Yeah, all right, I'm all right. Harold Perrinew, who doesn't
• 40:57
  Speaker 1: get enough credit if you ask me, Oh, he's great.
• 41:00
  Speaker 2: He was, he's got range on him. He's good. And
• 41:05
  Speaker 2: From he's in a series called From. He's good.
• 41:09
  Speaker 1: He's always hal p.
• 41:11
  Speaker 2: Here's here's what I had given the Given the type
• 41:13
  Speaker 2: of character it is, you know, it's kind.
• 41:15
  Speaker 1: Of a push over a little bit, a little bit.
• 41:18
  Speaker 1: I know.
• 41:21
  Speaker 2: That little real can play that type of character.
• 41:26
  Speaker 1: That's a good cat. I give you that.
• 41:29
  Speaker 2: Because I was trying to dig through actors that I
• 41:31
  Speaker 2: could be, but I was I couldn't find. I couldn't
• 41:35
  Speaker 2: land on anybody that could be you know, and the
• 41:38
  Speaker 2: pushover type role. And I know, I know Reel can
• 41:40
  Speaker 2: play those types.
• 41:41
  Speaker 1: Of play that role and to be believable. Yeah, he's
• 41:47
  Speaker 1: funny too, to help her know what's funny in there?
• 41:51
  Speaker 2: I'm with it.
• 41:52
  Speaker 1: I got no I got no beef with that, all right,
• 41:54
  Speaker 1: Terrence Howard.
• 41:56
  Speaker 2: I got Aaron Pierre in that role.
• 41:59
  Speaker 1: And Pierre that's what fossa.
• 42:01
  Speaker 2: Yeah, really, that's why I put it light skinned, light eyes,
• 42:06
  Speaker 2: m you know what I'm saying. And uh, I feel
• 42:10
  Speaker 2: like he could play on that dynamic between him. Remember
• 42:13
  Speaker 2: remember that scene and the First Best Man when he
• 42:18
  Speaker 2: was pushing, yeah, pushing the thing, trying to get more
• 42:22
  Speaker 2: chestnut the crack.
• 42:23
  Speaker 1: Yeah.
• 42:24
  Speaker 2: I could see that scene being like dope, a dope
• 42:27
  Speaker 2: dynamic between I haven't seen Pierre and anything. Nothing.
• 42:30
  Speaker 1: You ain't seen him, know, I ain't see Rebel Ridge yet.
• 42:33
  Speaker 1: I didn't see Mufossa. I mean, uh, Mufossa okay, So
• 42:40
  Speaker 1: I don't know.
• 42:41
  Speaker 2: I was trying. I was trying to go younger, so
• 42:44
  Speaker 2: I kind.
• 42:46
  Speaker 1: Yeah, they were younger. They were twenties, probably late.
• 42:48
  Speaker 2: Twenties, early thirties. I was trying to stay in that
• 42:50
  Speaker 2: round thea. Keith is who I thought about initially.
• 42:53
  Speaker 1: He definitely can play that.
• 42:54
  Speaker 2: Yeah, he's I was like Lakeith at first, I.
• 42:57
  Speaker 1: La Keith, I'm with it. You're on Tom Snai Lathan,
• 43:04
  Speaker 1: who's today Sonnai Lathan? Will they won't? They should? They
• 43:08
  Speaker 1: shouldn't they now?
• 43:10
  Speaker 3: Now?
• 43:10
  Speaker 2: In that role, she was just kind of like you
• 43:14
  Speaker 2: could tell she was trying to get her footing on
• 43:16
  Speaker 2: the relationship between her and the DIGG. She was kind
• 43:19
  Speaker 2: of unsure, kind of insecure in that role. So mm hmmm, Shorn.
• 43:31
  Speaker 1: I was gonna say, I was gonna say, I think
• 43:39
  Speaker 1: Gabriel Dennis could do it.
• 43:41
  Speaker 2: Oh, Gabriel Dennis, I think to do that because she
• 43:45
  Speaker 2: got rad, she got crazy, real, she got crazy.
• 43:50
  Speaker 1: How many she can do drama? She can do she
• 43:52
  Speaker 1: can do whatever. All I like Gabrielis.
• 43:55
  Speaker 2: I like Gabriel didn't All right.
• 43:57
  Speaker 1: Gabrielle listened to Susa as Shelby.
• 44:03
  Speaker 2: You know what I had in that room area of
• 44:05
  Speaker 2: the bots, Oh, Angela, that's the thing I had her
• 44:11
  Speaker 2: in that ro I went, I went at it.
• 44:17
  Speaker 1: That is Tony Baker casting in corporate. I wouldn't have
• 44:21
  Speaker 1: thought about her.
• 44:22
  Speaker 7: That's good.
• 44:24
  Speaker 1: That's really good looking. Okay, Okay, Now Monica Calhoun is
• 44:30
  Speaker 1: being Morgan. She's got to be sweet as pie because
• 44:34
  Speaker 1: her death really well before that part. You gotta be
• 44:40
  Speaker 1: the that's who the Diggs slept with write in the book.
• 44:47
  Speaker 1: Yeah right, but oh no she does. She dies later.
• 44:51
  Speaker 1: She didn't. Man, who could be the and I think
• 44:56
  Speaker 1: the way recently worked because she looks so innocent.
• 45:00
  Speaker 2: They saying, Haley Halle Halle Bailey Bailey. Is she too young?
• 45:06
  Speaker 1: She's too young? Okay, too young. She's a child to me.
• 45:11
  Speaker 1: She gotta be like she can't be more than twenty three, right,
• 45:16
  Speaker 1: I think she's about twenty three. Kyler Pratt, she's twenty four.
• 45:22
  Speaker 1: Kinda pratt.
• 45:24
  Speaker 2: She does have the innocence about her. Melissa Fredricks, Melissa
• 45:30
  Speaker 2: ain't an actress. I'm not mad at Kyler Pratt.
• 45:35
  Speaker 1: She does have the innocence. Yeah, I'm not mad either.
• 45:39
  Speaker 1: Kyla Pratt.
• 45:40
  Speaker 2: Is she in the thirty eight?
• 45:41
  Speaker 1: Maybe? Eh? On the dot cav She's a sweetheart. I
• 45:47
  Speaker 1: met her at the NAACP last year. Are you gonna
• 45:50
  Speaker 1: go to the NAACP events? You you gotta go, man,
• 45:54
  Speaker 1: you want to get invioted to stuff you gotta go.
• 45:56
  Speaker 1: You don't gotta wear her bottoms?
• 45:58
  Speaker 2: Oh no, no, you know what I'm saying, you.
• 46:00
  Speaker 1: Gotta I mean you can't wear one? Why not? Why not?
• 46:04
  Speaker 2: We're not gonna do this. Let's stay focused on the best.
• 46:06
  Speaker 1: Man Mankyla Pratt, I'm good with this. Get it all right,
• 46:11
  Speaker 1: all right, that's it. We got uh, let's recapkis ap,
• 46:20
  Speaker 1: we got O dag it, it went away, shoot grosser table,
• 46:27
  Speaker 1: Lance Gross, Jordan Armstrong. We got out as Hodge as
• 46:34
  Speaker 1: Lance Sullivan. We got uh, are you not the bosun
• 46:40
  Speaker 1: as a Robin she's a Oh no, no, she's Melissa Susan, Yes,
• 46:45
  Speaker 1: Shelby sonight Latin. We said oh, we said Gabrielle Dennis, Yes,
• 46:49
  Speaker 1: Harold perrinew we said Little Real, which is great. Terrence Howard,
• 46:52
  Speaker 1: Aaron Perre, that's Buffossa, Kyler Pratt, Monica Calhoun. Yeah, that's good,
• 46:58
  Speaker 1: that's good it. Yeah, I'm good with that.
• 47:00
  Speaker 2: Casting.
• 47:00
  Speaker 1: All right, we'll see y'all next time. Patreon. We got
• 47:03
  Speaker 1: one more episode and then we're done.