Latest / What More Can I Say? / Is J.Cole Still In The Big 3?, Is Pharrell Saving Hip Hop?, The Proposal Fail, Is TIP Back?, & More!

Transcript

Is J.Cole Still In The Big 3?, Is Pharrell Saving Hip Hop?, The Proposal Fail, Is TIP Back?, & More! · What More Can I Say?

• 0:00
  Speaker 1: All right, y'all, welcome to it. One more, can I
• 0:01
  Speaker 1: say podcast? This is episode three on three.
• 0:06
  Speaker 2: That's the rider.
• 0:06
  Speaker 1: Shout right, I'm wanted a hot upon what's happening? No
• 0:11
  Speaker 1: glasses Tony this week? I said, I just didn't want
• 0:14
  Speaker 1: to wear the glasses, uh for one week to try
• 0:17
  Speaker 1: to confuse the people that all of a sudden started
• 0:19
  Speaker 1: wearing rose colored glasses.
• 0:21
  Speaker 3: It's just everywhere now they're still in your swag too.
• 0:26
  Speaker 4: God, it's everywhere now. Told, I ain't gonna lie to you,
• 0:28
  Speaker 4: might as well put them on.
• 0:29
  Speaker 3: I start shaving their hands next.
• 0:31
  Speaker 1: I just said I had to be like nobody.
• 0:36
  Speaker 3: Show friends that validate when I think somebody copying me,
• 0:41
  Speaker 3: because you know some people like nah nah they no
• 0:44
  Speaker 3: Tony copying you. I don't even who's talking about they copy.
• 0:47
  Speaker 4: Ton was only the year and a half ago when
• 0:49
  Speaker 4: he went and got all yeah I first started the
• 0:53
  Speaker 4: shave room, which was about a year ago.
• 0:55
  Speaker 2: Yep.
• 0:55
  Speaker 4: I actually remember that he went got all his glasses tenant.
• 0:59
  Speaker 4: He was so excited telling us people weren't doing it then.
• 1:03
  Speaker 4: Now it's ever I see everybody with them.
• 1:04
  Speaker 2: There yet people doing it.
• 1:06
  Speaker 1: Shout out to you guys all right, man, Let's go
• 1:08
  Speaker 1: ahead and jump to our friend, our fluffy and fine friend.
• 1:14
  Speaker 3: Hello Fellers, Swoop woop, Hello, Hello, Hello, what's going on?
• 1:20
  Speaker 3: I'll see you with the wine glass. Champagne glass.
• 1:22
  Speaker 1: Yah.
• 1:23
  Speaker 2: Shout out to my.
• 1:23
  Speaker 3: Girls Jenise Green, she had a meeting and at her
• 1:26
  Speaker 3: meetings you get champagne flutes. So I just put my
• 1:29
  Speaker 3: water in my champagne flute. Fancy.
• 1:32
  Speaker 2: So okay.
• 1:33
  Speaker 1: You know about the key kidd always doing that upscale stuff.
• 1:38
  Speaker 1: We don't get invited to nothing.
• 1:39
  Speaker 3: Well, you were invited, I'm sure, and Zach was there.
• 1:44
  Speaker 2: I didn't get invited.
• 1:45
  Speaker 3: Well, probably because you weren't here.
• 1:46
  Speaker 2: You weren't here yet. Okay, I'll take it.
• 1:48
  Speaker 3: We didn't live nine lives.
• 1:51
  Speaker 4: Yeah, it came by the time we were recording this pod.
• 1:53
  Speaker 4: I have been up since.
• 1:58
  Speaker 2: Three for me.
• 2:00
  Speaker 4: Yeah, almost ten hours now. We had down at this
• 2:05
  Speaker 4: doing the shift.
• 2:07
  Speaker 2: Okay, Well, shout out to Zach. Bug.
• 2:09
  Speaker 1: That's our friend over there that has been in the
• 2:11
  Speaker 1: same page's for ten hours.
• 2:13
  Speaker 3: Shot you dirty, that's crazy.
• 2:15
  Speaker 4: I washed my ass now. I don't go nowhere without
• 2:20
  Speaker 4: a shower.
• 2:20
  Speaker 2: I will be late. Well, I go somewhere musty fundy man.
• 2:24
  Speaker 2: Zach bug Zach, I want to ask you a question
• 2:26
  Speaker 2: before the pod starts. Oh God, damn.
• 2:30
  Speaker 1: It was just it was boring about his craft. When
• 2:34
  Speaker 1: when new comedy specials dropped, you just go check them
• 2:36
  Speaker 1: out just because to see what people doing.
• 2:38
  Speaker 2: It depends on who it is, depends on who it is.
• 2:41
  Speaker 4: Okay, so it's certain comics that when they drop, I'm
• 2:44
  Speaker 4: going to see it no matter what.
• 2:46
  Speaker 2: What's your first choice.
• 2:47
  Speaker 4: But who dropped, Like if Chappelle, somebody say Chappelle dropping,
• 2:50
  Speaker 4: I'm stopping everything I'm doing. I'm going to watch that.
• 2:53
  Speaker 4: Like I woke up the next day because I wanted to.
• 2:56
  Speaker 4: You know, how you watch something you're a little sleepy,
• 2:58
  Speaker 4: And he was like, I'm not gonna appreciate it because
• 2:59
  Speaker 4: I'm not mentally there, So I'm gonna wake up in
• 3:02
  Speaker 4: the morning.
• 3:02
  Speaker 2: That was first thing I did before I even feed
• 3:04
  Speaker 2: my son. I watched it. Sorry, he was like, I'm hungry.
• 3:09
  Speaker 2: I said, wait, daddy doing something. Man.
• 3:13
  Speaker 1: Anyway, when your kids say they're hungry for the first time,
• 3:15
  Speaker 1: that's not.
• 3:15
  Speaker 2: The real hungry. That's not and they're not hungry. That's
• 3:18
  Speaker 2: just not real kids. They ain't hungry, they're bored, they're
• 3:23
  Speaker 2: just bored. No, they're bored.
• 3:25
  Speaker 3: No, you right, Zach, because I was the kid.
• 3:27
  Speaker 2: They're not hungry. Every time it's like I want a
• 3:31
  Speaker 2: corn dog.
• 3:31
  Speaker 4: I made him my whole thing. I gave him a
• 3:33
  Speaker 4: corn dog, fruit, he had some rice. It was a full,
• 3:37
  Speaker 4: complete meal. Ten minutes later.
• 3:40
  Speaker 2: I want some yoga. No you don't.
• 3:41
  Speaker 4: Don't, you're just bored. You know something to do, go
• 3:45
  Speaker 4: in there, going down, watch TV. You're not hungry. I'm
• 3:48
  Speaker 4: not giving you no yo.
• 3:50
  Speaker 2: I need, I need, I need at least the second
• 3:53
  Speaker 2: or third. I'm hungry.
• 3:54
  Speaker 1: I was like, all right, let's do it. If my
• 3:56
  Speaker 1: kids did that, tell me a lot. I'm hungry. I
• 3:58
  Speaker 1: gotta react to it. And they had eat their meals.
• 4:00
  Speaker 1: I was like, man, why, okay, well, I guess their kids.
• 4:04
  Speaker 1: And then one day I was like, well, I'm just
• 4:05
  Speaker 1: gonna wait until I'm gonna wait one or two hungry
• 4:09
  Speaker 1: that I'm hungry.
• 4:10
  Speaker 2: Okay, Dan, I'm when are we gonna eat back? Now?
• 4:15
  Speaker 2: You're not and they not destroy everything I get. I'm
• 4:19
  Speaker 2: good and hungry.
• 4:20
  Speaker 4: There's Noah take a bite, He'll take one hot dongo.
• 4:23
  Speaker 4: You're gonna play and do something else. You come back
• 4:26
  Speaker 4: awheel nash stuff all on the fingerprints all over the place.
• 4:32
  Speaker 2: Hungry you're playing, I know you was playing?
• 4:36
  Speaker 1: All right man, Well let's go ahead jump to the pod.
• 4:38
  Speaker 1: T R announce that he is back. Come on from
• 4:41
  Speaker 1: all of that comedy that he was doing. Speaking of comics,
• 4:45
  Speaker 1: he is unretiring hisself, and he decided to drop a
• 4:48
  Speaker 1: brand new single produced by Pharrell.
• 4:50
  Speaker 2: Let him know.
• 4:51
  Speaker 1: Let's take a listen to this. If you haven't heard it,
• 4:54
  Speaker 1: pop fam here you go.
• 4:55
  Speaker 2: How much can we play? Bring it?
• 5:00
  Speaker 4: Chut the.
• 5:02
  Speaker 2: Like, can't get in there, ridet why dumping bags? It's
• 5:20
  Speaker 2: luck to you to me let him ship before the
• 5:24
  Speaker 2: right Now, come on, come on, Tip, come on, tip,
• 5:28
  Speaker 2: he's back. Let him know back for sure. That's a
• 5:31
  Speaker 2: record that's that's big. That's a record that's gonna do something.
• 5:34
  Speaker 2: For real. I don't know what made.
• 5:36
  Speaker 4: I don't know what type of beats he is cooking
• 5:38
  Speaker 4: up in that Louis Vuaiton studio he got upstairs, but
• 5:41
  Speaker 4: it ain't been nothing but heat coming up out that
• 5:43
  Speaker 4: for real, is not playing. If you want to embody
• 5:47
  Speaker 4: the thing that I like about for real, it's not
• 5:48
  Speaker 4: only does he make beats, he knows how to embody
• 5:50
  Speaker 4: the sound of the artists. He made the Clips album
• 5:54
  Speaker 4: sound like the Clips should sound right now, and today
• 5:57
  Speaker 4: he made t I sound like how a t I
• 5:59
  Speaker 4: beat should soun down In twenty twenty six, Yep, he
• 6:02
  Speaker 4: is in his bag and Tip. You know he can
• 6:05
  Speaker 4: rap all day, all day long, so he went crazy.
• 6:09
  Speaker 2: I love it. Yeah, it's so good. Shout out Jim Tip.
• 6:12
  Speaker 2: So good.
• 6:12
  Speaker 3: Do y'all feel like I mean, we excited about a
• 6:15
  Speaker 3: Tip record in twenty twenty six? You know what I'm saying?
• 6:19
  Speaker 3: Like that says.
• 6:20
  Speaker 2: Something bus to saying.
• 6:21
  Speaker 3: It just said that the new rappers songs be trash
• 6:24
  Speaker 3: and it sounds like chat GPT and they say it
• 6:26
  Speaker 3: sound like buzz like you made it. But I didn't
• 6:27
  Speaker 3: say that, but that's what they say.
• 6:30
  Speaker 4: If it's true, ain't no reason this forty six year
• 6:33
  Speaker 4: old man can get off the couch and have a
• 6:35
  Speaker 4: better record.
• 6:36
  Speaker 2: Than I mean, where are y'all at ways? Now? Now?
• 6:43
  Speaker 1: What t I is not just any rapper getting off
• 6:46
  Speaker 1: the couch. No, but it's just like he's no. No,
• 6:49
  Speaker 1: I get it to y'all. I'm not taking anything away
• 6:50
  Speaker 1: from t I, right, but it's just these guys. He
• 6:54
  Speaker 1: don't feel like y'all teach.
• 6:57
  Speaker 2: Yeah, like y'all. I look, I went to it. I
• 7:03
  Speaker 2: went to a one.
• 7:04
  Speaker 1: I got young twenty year old people that are that
• 7:08
  Speaker 1: are my children, and I listened to what they listened to.
• 7:11
  Speaker 1: I went to a party that's what's a gen Z right, yeah,
• 7:14
  Speaker 1: gen Z mostly gen Z and I'm in it. The
• 7:18
  Speaker 1: DJs gen Z and I'm in there. Like what they
• 7:22
  Speaker 1: was playing and everything everything yea from our generation, our
• 7:28
  Speaker 1: generation stuff bed my generation before my generation. They're playing out,
• 7:32
  Speaker 1: they're playing a mix up everything everything. Very few other
• 7:38
  Speaker 1: new and if it's new, it's it's Gonna, it's Future,
• 7:43
  Speaker 1: it's Glo Reala, It's it's Lotto, it's Dojah. It's the
• 7:48
  Speaker 1: very few new new rappers, very few new ones. And
• 7:53
  Speaker 1: I was like, damn, that's crazy. And then you started
• 7:56
  Speaker 1: compared about it. It'll be like and I'm not this
• 7:59
  Speaker 1: is no shade Ll cool J. This would be like
• 8:02
  Speaker 1: ll coming out with a record like t I coming
• 8:06
  Speaker 1: out in the midst of all of the hotness, Like
• 8:10
  Speaker 1: do you think LLLL would have? LLLL could not get
• 8:13
  Speaker 1: this type of response from a record.
• 8:16
  Speaker 2: And he's a huge artist back when he was popping.
• 8:19
  Speaker 1: He couldn't get this type of response if he had
• 8:21
  Speaker 1: to try to come out.
• 8:22
  Speaker 2: When Jay Ludam did.
• 8:26
  Speaker 4: Doctor d he he did come with that one woe
• 8:29
  Speaker 4: that in the midst of that, he had a j
• 8:30
  Speaker 4: LO record. You remember he came out with that Jalo record
• 8:32
  Speaker 4: and then he came out with the They Call Me Big.
• 8:37
  Speaker 2: That was in the midst of It's just think.
• 8:39
  Speaker 3: About when are we gonna get in the midst of
• 8:41
  Speaker 3: all of that. That's what I'm missing, ain't no miss,
• 8:45
  Speaker 3: It's one, It's always one. So now we're excited for
• 8:47
  Speaker 3: Tip to come back, and we're excited for j Cole.
• 8:50
  Speaker 2: Where's everybody out? Everybody over thirty five wrapping?
• 8:53
  Speaker 3: Everybody need to clock in. Everybody need to we need
• 8:55
  Speaker 3: to have a meeting. Everybody need to clock in, get
• 8:57
  Speaker 3: on their zooms, getting the lab, getting a booth open here,
• 9:00
  Speaker 3: everybody opening dunkin donuts and pop pass. We need to
• 9:03
  Speaker 3: get to in the lab. I need some records.
• 9:06
  Speaker 2: Now.
• 9:06
  Speaker 1: People are trash, right, No, No, they're really trash. And
• 9:10
  Speaker 1: I blame to be honest with you, I know I blame.
• 9:15
  Speaker 4: Record labels, the music like artist development.
• 9:21
  Speaker 2: No, they're not blame that. I blame the ageism.
• 9:24
  Speaker 1: I blame people thinking that the old rappers were dumb,
• 9:29
  Speaker 1: they were broke.
• 9:29
  Speaker 2: You heard during that age when the in and they
• 9:31
  Speaker 2: was starting.
• 9:32
  Speaker 1: To get its speed, all the old rappers is making
• 9:35
  Speaker 1: fun of old rappers deals talking about how they was broke,
• 9:39
  Speaker 1: how they really hadn't and they looked at them as
• 9:41
  Speaker 1: less than opposed to looking at them rappers that really
• 9:46
  Speaker 1: they the skill level was was high.
• 9:49
  Speaker 2: They're super high.
• 9:50
  Speaker 1: Everybody like to be able to rap bro to even
• 9:53
  Speaker 1: be able to be considered a good rapper, you had
• 9:56
  Speaker 1: to be saying something. You weren't just talking about cars
• 9:59
  Speaker 1: and clone and they ain't talk about a girl over here.
• 10:02
  Speaker 1: They ain't talk about you, the king of the trap.
• 10:04
  Speaker 1: They talk about this. The whole song is it's a
• 10:08
  Speaker 1: d D. It's you don't know where you're going in
• 10:10
  Speaker 1: the song, opposed to when Jay wrote a song and
• 10:15
  Speaker 1: it was like change clothes and.
• 10:16
  Speaker 2: Go what it was like you heard it, change clothes
• 10:21
  Speaker 2: and just thinking about it. Get in my car, in
• 10:27
  Speaker 2: my car, ain't got to pick up. It's about a
• 10:31
  Speaker 2: girl all the time. Yeah, in my on was about
• 10:39
  Speaker 2: it wasn't about Air Force one and then it was
• 10:42
  Speaker 2: about something.
• 10:43
  Speaker 4: Else but but you see how fun that record sounds.
• 10:46
  Speaker 2: That's what I think is missing.
• 10:48
  Speaker 1: These dudes can They can't stay on subject. They can't
• 10:52
  Speaker 1: make you feel a way like you know what I'm saying.
• 10:54
  Speaker 1: It's a think about your your favorite raps song? What's
• 10:57
  Speaker 1: your favorite raps song all time?
• 10:59
  Speaker 2: Yeah? Oh my god? I asked her own question. Many man,
• 11:07
  Speaker 2: what was your uncle plaint of the car while he
• 11:08
  Speaker 2: was a child? Hit him up?
• 11:10
  Speaker 3: Tupac and uh not California Love? What's my favorite Tupac song?
• 11:14
  Speaker 3: Give me some Tupac song? Y'all not hit them up?
• 11:18
  Speaker 2: But I get around?
• 11:19
  Speaker 3: Nope, nope, Hail Mary was one of but Tupac's. I
• 11:23
  Speaker 3: have a favorite Tupac song and I can't think of it.
• 11:25
  Speaker 3: That's gonna piss me exactly his favorite song?
• 11:27
  Speaker 2: What's your favorite song? I don't have a favorite song. Okay,
• 11:31
  Speaker 2: how about this? The song that you said is a
• 11:33
  Speaker 2: perfect song? No hands exactly.
• 11:36
  Speaker 1: That was about being in the strip club and girls twerking. Yes,
• 11:39
  Speaker 1: it didn't talk about nothing else, nothing else, nothing else.
• 11:42
  Speaker 1: If you listen to the New dudes, you won They
• 11:44
  Speaker 1: all sound like they all Quavo, little Baby Gunner. They
• 11:50
  Speaker 1: all sound like everybody else because they all use the
• 11:54
  Speaker 1: same auto tune niggas, using the same the same like
• 11:58
  Speaker 1: ad libs.
• 11:59
  Speaker 2: It's nasty.
• 12:00
  Speaker 3: Come on now, you pardon because back in the day,
• 12:03
  Speaker 3: you had fifty fifty sound like fifty, You had rule
• 12:07
  Speaker 3: ja rul sound like Ja Rul, Nelly sound like Nelly,
• 12:10
  Speaker 3: whole sound like whole. Now because everybody's music is made
• 12:14
  Speaker 3: by chat GPT and buzz like you, they all pressing
• 12:17
  Speaker 3: the same setting and were getting the same records over
• 12:20
  Speaker 3: and over again, or they're trying to make the same
• 12:22
  Speaker 3: girl over and over again. That's the problem, and we
• 12:25
  Speaker 3: need to put the computers down, get back in the
• 12:27
  Speaker 3: lab because I'm getting I'm getting fit.
• 12:28
  Speaker 2: You have to bring good beats back.
• 12:33
  Speaker 4: But guess what the producers were one of a kind,
• 12:36
  Speaker 4: a Yay record. You could listen to a Yay record
• 12:38
  Speaker 4: and know it from a pharral record. You can listen
• 12:40
  Speaker 4: now all the producers again using the same stating on
• 12:43
  Speaker 4: chat GPT, and now all.
• 12:45
  Speaker 3: The records are sounding the light. We have to get
• 12:47
  Speaker 3: back to work.
• 12:48
  Speaker 2: Simple Yay made it simple.
• 12:50
  Speaker 4: When he started making the simple beats, people thought that
• 12:53
  Speaker 4: they could just do. All I need is a lot
• 12:54
  Speaker 4: of bass and then they didn't see the art for
• 12:56
  Speaker 4: him in that, and I feel like we missing.
• 12:58
  Speaker 2: The lively bat. Yeah.
• 12:59
  Speaker 4: What makes say, remember when YA was doing You and
• 13:01
  Speaker 4: Yay start off with the samples right, and then after
• 13:04
  Speaker 4: after Ya did the samples, he kind of went into
• 13:06
  Speaker 4: the eight o wait heartbreak type of sound.
• 13:08
  Speaker 2: And it's simple beats.
• 13:10
  Speaker 4: Not simple, but I'm saying used a lot more bass
• 13:12
  Speaker 4: and not as many instruments and strings. This wasn't as
• 13:15
  Speaker 4: much going on in the record. I disagree, all right,
• 13:18
  Speaker 4: well you could disagree. My point is the beats have
• 13:21
  Speaker 4: to change. It ain't about Yay. It's about the beats changing.
• 13:25
  Speaker 4: You all are making dark records. Even when we even
• 13:28
  Speaker 4: in our killing records, they was happy. We yes, but
• 13:32
  Speaker 4: I'm high than the mother right now, dead right now.
• 13:37
  Speaker 2: It's a violent record, but it was violent.
• 13:43
  Speaker 1: Starting that felt good. Yes, the music don't sound happy
• 13:49
  Speaker 1: no more. It sounds sad.
• 13:51
  Speaker 3: But everybody's trying to tell the same.
• 13:53
  Speaker 4: That by beats like Yay made sadder sounding beats in
• 13:58
  Speaker 4: this period. And then people took that and they said,
• 14:00
  Speaker 4: we're just gonna be sad all damn time. We ain't
• 14:02
  Speaker 4: never gonna be happy.
• 14:04
  Speaker 2: A lack of variety.
• 14:05
  Speaker 1: You all right, I think, but I think it is
• 14:07
  Speaker 1: a culmination of and then it's also I think people
• 14:10
  Speaker 1: are making music to have cout. Hey, I want to
• 14:13
  Speaker 1: I want to bag the baddest Instagram girl. I want
• 14:16
  Speaker 1: to have some money. I want people talk about me
• 14:18
  Speaker 1: on the shade Room. I want to hastle jewelry. I'm
• 14:21
  Speaker 1: gonna travel and once they get it, they cool.
• 14:24
  Speaker 2: I done it. I'm cool.
• 14:25
  Speaker 1: And it's no real creativity. It's nobody that's like, hey,
• 14:30
  Speaker 1: I'm about to make this and I'm about to shut
• 14:33
  Speaker 1: everybody down. Every rapper when you hear them talk about
• 14:37
  Speaker 1: like when you heard perfect example, when you heard Fat
• 14:41
  Speaker 1: Joe and French Montana talk about what was it lean
• 14:46
  Speaker 1: back or whatever whatever they were talking about all the
• 14:49
  Speaker 1: way up and they were talking about the song and
• 14:52
  Speaker 1: they're like Fat Joe's like, yo, bro, I got one,
• 14:55
  Speaker 1: I got one. Get over here. I need you to
• 14:57
  Speaker 1: get on this. Like they excited because they know I'm
• 15:00
  Speaker 1: about to t up. I'm about to be the goud
• 15:03
  Speaker 1: for a minute. That was the thing back then. It
• 15:05
  Speaker 1: was a competition. Healthy competition gets artists like I'm about
• 15:08
  Speaker 1: to put some out. It's the whole world gonna like
• 15:11
  Speaker 1: your grandma, gonna like, your auntie gonna like. But right
• 15:14
  Speaker 1: now everybody just putting music out that they core fans like,
• 15:19
  Speaker 1: that they.
• 15:19
  Speaker 3: Made in a microwave. I don't know, we just you know,
• 15:22
  Speaker 3: records that sent a tusa time were made by people
• 15:24
  Speaker 3: like Jermaine dupri and you know, Scott Storch, and you know,
• 15:29
  Speaker 3: you just had those legendary people that were producers, yeah,
• 15:32
  Speaker 3: and songwriters that they get you get them with an
• 15:36
  Speaker 3: incredible talent, and the music is timeless right now. Every
• 15:39
  Speaker 3: song is missing a recipe. It's either a talent with
• 15:42
  Speaker 3: no real production, or it's a production producer with no
• 15:45
  Speaker 3: real talent, or it's just all mitch match. And we
• 15:47
  Speaker 3: just you know, I agree. I found my favorite Tupac
• 15:51
  Speaker 3: song too. It's pitching me Rowland, I forgot.
• 15:54
  Speaker 2: That's a lot.
• 15:55
  Speaker 3: I'm gonna used to play in the Maasachi shirts and
• 15:57
  Speaker 3: in the range row.
• 16:00
  Speaker 2: Dope deal.
• 16:00
  Speaker 3: Uncle he was he was, he wasn' an adult deal.
• 16:02
  Speaker 3: He was an entrepreneur.
• 16:06
  Speaker 2: What business picture.
• 16:07
  Speaker 4: Me rolling and unevents and anyway, go listen to that.
• 16:11
  Speaker 2: That's why I gotta be in pocket. Reason I got
• 16:14
  Speaker 2: a lot of stuff.
• 16:14
  Speaker 3: Come on, I know you drove off the dealership listening
• 16:17
  Speaker 3: to that.
• 16:18
  Speaker 2: Man with a five hundred man, you know what I mean. Like,
• 16:22
  Speaker 2: I remember when I first seen it.
• 16:23
  Speaker 1: I'm not gonna say that to do what he was
• 16:25
  Speaker 1: doing for a living, I was like, hey, man, that's
• 16:29
  Speaker 1: the Tupac off roll through my neighborhood in the takt
• 16:33
  Speaker 1: to be twelve and said, I got to see inside
• 16:36
  Speaker 1: of this broke. He's like man, He's like, man, little
• 16:39
  Speaker 1: bro you'll get you one one day. You'll get you
• 16:41
  Speaker 1: one one day. Man, you just gotta keep working. I like,
• 16:44
  Speaker 1: that's the thing. But again, picture me rolling you are
• 16:49
  Speaker 1: one topic the entire time. It made you feel away.
• 16:54
  Speaker 2: It's fun.
• 16:55
  Speaker 4: It's yes, it's y'all killed the producer. Yeah, y'all made
• 16:59
  Speaker 4: the The producers was making these records. I'm trying to
• 17:02
  Speaker 4: tell you even before that rap era, that that Golden
• 17:05
  Speaker 4: era rep that we're talking about, if the songwriters and
• 17:08
  Speaker 4: the producers they mattered.
• 17:10
  Speaker 2: Yes, it's like, who are the top.
• 17:12
  Speaker 4: Producers right now that we had like Scott Kiky just
• 17:15
  Speaker 4: named them, Scott Storch, Timberling. These people were making records
• 17:20
  Speaker 4: and the producers was going against each other, like man
• 17:23
  Speaker 4: it's a few now, but it's not like it was.
• 17:26
  Speaker 4: Is the top, but they had real talent to work with.
• 17:30
  Speaker 4: Now they now a lot of them are.
• 17:33
  Speaker 2: And I ain't mad at the producers. That's not going
• 17:35
  Speaker 2: to chase the artists.
• 17:36
  Speaker 1: I mean, there is some producers out now that are
• 17:38
  Speaker 1: very talented, and they probably like, Man, I'm like, if
• 17:40
  Speaker 1: y'all want it, then I ain't gonna chase you about it, bro,
• 17:43
  Speaker 1: I'm not gonna chase you about it.
• 17:45
  Speaker 4: Then they got a dragted artist to the to record,
• 17:47
  Speaker 4: and I think we're.
• 17:49
  Speaker 3: Given the artists a hard times right now. But I
• 17:51
  Speaker 3: feel like it's it's a lot of factors. I feel like,
• 17:53
  Speaker 3: maybe they're not making money off of music, so the
• 17:55
  Speaker 3: focus isn't making beautiful records that last to test the time,
• 17:59
  Speaker 3: because what you've learned is that they don't really get paid.
• 18:01
  Speaker 2: Off the records.
• 18:02
  Speaker 4: Temptations been getting ribbed since the seventy People been getting
• 18:06
  Speaker 4: robbed since the beginning of time when they come to music. Okay,
• 18:10
  Speaker 4: that never stopped the quality of music, but that was coming.
• 18:13
  Speaker 3: Out as an upcoming artists be like, why would I
• 18:15
  Speaker 3: really put my heart and soul into this if I'm
• 18:17
  Speaker 3: not even gonna.
• 18:18
  Speaker 2: Get paid, but I don't.
• 18:19
  Speaker 3: Don't you get tour off of those records, And I don't.
• 18:22
  Speaker 4: Believe you believe me. I don't believe you because we
• 18:25
  Speaker 4: all we came up in radio. And if you want
• 18:28
  Speaker 4: to know an industry where you don't get paid, where
• 18:29
  Speaker 4: you get started and you and you only do it
• 18:32
  Speaker 4: because of the heart and because of the love on this,
• 18:34
  Speaker 4: so you can't.
• 18:35
  Speaker 2: Till with These people are artists.
• 18:37
  Speaker 4: People ain't been getting jipped contractually in the music industry.
• 18:42
  Speaker 4: That didn't change their love and their passion for making
• 18:44
  Speaker 4: good records. They still made good records. They just got jipped,
• 18:47
  Speaker 4: you know what I'm saying. So if I'm gonna be
• 18:49
  Speaker 4: an artist, I still got to be an artist.
• 18:51
  Speaker 2: I get. I get what I get saying. You both right.
• 18:55
  Speaker 3: You could just say I'm right.
• 18:56
  Speaker 2: Now made some of the best music ever and get
• 18:59
  Speaker 2: a die.
• 19:01
  Speaker 4: And so why would the New Ta why would the
• 19:03
  Speaker 4: New Tea guys look at us and say, why would
• 19:05
  Speaker 4: I do that? But I could go do something else,
• 19:07
  Speaker 4: do a different thing. Then that's what I'm saying.
• 19:11
  Speaker 3: They're trying to make it quick, don't make the money
• 19:13
  Speaker 3: quick because they feel like it's not a fair game,
• 19:16
  Speaker 3: So why would I keep pouring into it? I hear
• 19:19
  Speaker 3: what you're saying, but you gotta I mean, you gotta
• 19:21
  Speaker 3: really love, really really love it. A lot of people
• 19:23
  Speaker 3: looking at the music industry as a quick come up.
• 19:25
  Speaker 3: I will buy some fake streams, make people believe I'm popping,
• 19:29
  Speaker 3: put out a record, and go on batties commer.
• 19:32
  Speaker 4: You know what I'm saying, And you're not, And then
• 19:34
  Speaker 4: you want to be an influencer. Then we need to
• 19:36
  Speaker 4: get people that want to be artists. Because if you
• 19:38
  Speaker 4: just if you just want to check, you want to
• 19:40
  Speaker 4: get popular and get famous, that's cool if that, but
• 19:42
  Speaker 4: you just wouldn't use music to do that, that's fine.
• 19:44
  Speaker 4: But I'm talking about people who if we're talking about
• 19:47
  Speaker 4: good music that comes from passion and wanting to.
• 19:50
  Speaker 3: Be it right, So you gotta support the real artists.
• 19:52
  Speaker 3: We gotta support the Leon Thomas and the you know,
• 19:55
  Speaker 3: Coco Jones.
• 19:56
  Speaker 4: And the elementateor y'all and hip hop and R and
• 19:59
  Speaker 4: B Ain't dead. Your niggas just scared, all right?
• 20:03
  Speaker 2: You got that.
• 20:05
  Speaker 1: I don't even know where that came from, but yeah.
• 20:09
  Speaker 3: Yeah, y'all support Zach when it drops, R and B Sax.
• 20:13
  Speaker 1: Zach or whatever sex saxophone Zach. Listen to this, though, Man,
• 20:19
  Speaker 1: do we look at.
• 20:20
  Speaker 2: Him the same? Being that they screwed his head off
• 20:23
  Speaker 2: the Big Three? Is barz all of that?
• 20:27
  Speaker 5: Let me tell you something, man, they screwed his head
• 20:29
  Speaker 5: off the Big Three?
• 20:30
  Speaker 2: Is he in the Big Three?
• 20:32
  Speaker 5: I don't like that, terminoledge give me a pass, but
• 20:35
  Speaker 5: they better screw it by going that. I don't look
• 20:38
  Speaker 5: at him the same. He ain't come outside. I don't
• 20:40
  Speaker 5: look him the same. The sword is dull. I don't
• 20:43
  Speaker 5: care what he spit because I've been listening to him spitting.
• 20:46
  Speaker 5: I always said he's one of the greatest, and all
• 20:49
  Speaker 5: that is irrelevant to me. When you're talking all like
• 20:51
  Speaker 5: gangster and they call you to the yard and you
• 20:54
  Speaker 5: don't step outside, I can't look at you.
• 20:57
  Speaker 2: I'm keeping it a buck with you. That's how it is, man.
• 21:00
  Speaker 2: The music is great. Don't give it if you lose.
• 21:03
  Speaker 2: I never forget.
• 21:04
  Speaker 1: Hey man, I had to give Fat Joe credit. He's
• 21:09
  Speaker 1: standing on what he believed. Fat Joe, Hey Man, he
• 21:11
  Speaker 1: like look and Fat Joe had a beef for one
• 21:13
  Speaker 1: of the biggest rappers ever.
• 21:15
  Speaker 3: Who is he talking about?
• 21:16
  Speaker 1: Though?
• 21:16
  Speaker 4: In the clip he's talking about jig call. Let's give
• 21:18
  Speaker 4: some context you j Cole. He was they're talking about
• 21:21
  Speaker 4: the album getting ready to come out. Jadakins said he
• 21:24
  Speaker 4: heard some stuff in his fire.
• 21:25
  Speaker 1: He liked it because he's coming out with a mixtape
• 21:27
  Speaker 1: along with Yeah.
• 21:29
  Speaker 4: So Fat Joe is asking the question, well is he
• 21:34
  Speaker 4: He can't be talking that ra Ross stuff like I'm
• 21:37
  Speaker 4: the greatest stuff because when you was called out to
• 21:39
  Speaker 4: go prove it, you ducked and you know you said
• 21:43
  Speaker 4: you bowed out. So he's like, he ain't trying to
• 21:46
  Speaker 4: hear that, you know what I'm saying. But Jadakons is like, well,
• 21:48
  Speaker 4: the music is still fire, Like the music is good.
• 21:51
  Speaker 4: The music is the music. He was like, and that's
• 21:53
  Speaker 4: when he asked, you see them starting where he asked
• 21:55
  Speaker 4: the question. He's like, it's good, Okay, I'm just saying it, and
• 21:57
  Speaker 4: that's when he went into how he felt.
• 22:00
  Speaker 2: Wow, yeah, I mean you agree with him? You agree
• 22:03
  Speaker 2: with Joe? No, I could get where you're coming from.
• 22:06
  Speaker 1: I'm not mad at him for saying, Hey, look because again,
• 22:09
  Speaker 1: Fat Joe, you're talking about him and jay Z had
• 22:12
  Speaker 1: had issues, him and fifty cent had issues, and Fat Joe.
• 22:16
  Speaker 2: Ain't never dug none of it. He ain't never dug
• 22:19
  Speaker 2: in it.
• 22:20
  Speaker 1: So he looking at it from through that lens, and
• 22:23
  Speaker 1: the lens that I think Jada looking at it through
• 22:25
  Speaker 1: is like, Yo, man, I get it. Yeah whatever, But man,
• 22:29
  Speaker 1: whatever y'all talking about, he can rap and these records
• 22:33
  Speaker 1: he got, ain't nobody gonna be thinking about none of that,
• 22:37
  Speaker 1: he said, because that's what hes talking about. He's coming
• 22:38
  Speaker 1: out with a mixtape that's gonna have locks beats that
• 22:42
  Speaker 1: he rapped over.
• 22:43
  Speaker 2: And he heard him and he's like, man, it's crazy.
• 22:46
  Speaker 1: I think j Cole's skill level you got gonna you're
• 22:51
  Speaker 1: not gonna ever look at him less than. I don't
• 22:53
  Speaker 1: agree with Joe and that I don't think you ever
• 22:55
  Speaker 1: look at him less than. But I do think that
• 22:58
  Speaker 1: I would like to ask, I definitely if I ever
• 23:00
  Speaker 1: good chance at anything like, what made you really really say?
• 23:03
  Speaker 2: You know what? I'm cool on that, y'all go do what.
• 23:05
  Speaker 3: Y'all do the Holy Spirit no common sense. Nah, I
• 23:10
  Speaker 3: don't hold it against I think it was the smartest
• 23:12
  Speaker 3: thing he could have done. And I don't hold it
• 23:13
  Speaker 3: against him, and I think he's still in a Big
• 23:15
  Speaker 3: three conversation. You that don't take away his skill set
• 23:17
  Speaker 3: because he didn't want to engage in a fight and
• 23:20
  Speaker 3: engage in slugging, you know, insults across to other black men.
• 23:24
  Speaker 3: If you really a J Cole fan and you listen
• 23:26
  Speaker 3: to his music, he ain't never really been about tearing
• 23:28
  Speaker 3: down our community. That fight too, went all the way
• 23:32
  Speaker 3: to the Super Bowl of somebody calling each other names,
• 23:34
  Speaker 3: you know what I'm saying, So it would to me
• 23:36
  Speaker 3: it would have looked off brand for J Cole even
• 23:38
  Speaker 3: been a part of something like that. So I'm not
• 23:40
  Speaker 3: knocking him for not being a part of that beef.
• 23:42
  Speaker 3: I think it was the smartest thing he could have done,
• 23:44
  Speaker 3: and I think it was real, the realest thing, because
• 23:46
  Speaker 3: so many people let people peer pressure them into stuff
• 23:49
  Speaker 3: that they have no business being a part of. And
• 23:51
  Speaker 3: now you're looking stupid on it because your head that
• 23:53
  Speaker 3: got blown off. So I don't think this was a
• 23:56
  Speaker 3: bad move for J Cole, and I take my wig
• 23:57
  Speaker 3: off to him. I think he did the right thing.
• 23:59
  Speaker 3: It made the right desay decision.
• 24:03
  Speaker 2: Zack. I totally this. I totally disagree.
• 24:08
  Speaker 4: I'm with Fat Joe and I'm gonna tell y'all why
• 24:13
  Speaker 4: J Cole from a beef standpoint. Absolutely, like you know,
• 24:16
  Speaker 4: Fat Joe was in some real street beef. Not I'm
• 24:18
  Speaker 4: not speaking on that. I'm talking about from a rap perspective.
• 24:21
  Speaker 4: J Cole has if you listen to when Kiki just said,
• 24:24
  Speaker 4: if you listen to J Cole records, if you listen
• 24:26
  Speaker 4: to J Cole records, I know right, I got my
• 24:28
  Speaker 4: back on this.
• 24:29
  Speaker 2: He repeatedly says he's the best. He repeatedly.
• 24:34
  Speaker 4: He has never been short on I'm the best, I'm
• 24:37
  Speaker 4: the greatest. Y'all can't mess with me, and he meant
• 24:39
  Speaker 4: lyrically right, he got called out being bagged out.
• 24:45
  Speaker 2: So now on this record, that's fine.
• 24:48
  Speaker 4: You made that decision on this record, I don't want
• 24:51
  Speaker 4: to hear that though, not that I'm the best. Can't
• 24:54
  Speaker 4: nobody mess with me stuff. You can make your records
• 24:56
  Speaker 4: about whatever you want to make it with. They'll probably
• 24:58
  Speaker 4: be great. But you can't sit up Ben tell me
• 25:00
  Speaker 4: you the coldest no more?
• 25:02
  Speaker 2: Why why not?
• 25:03
  Speaker 4: Because you got you got a chance to prove it
• 25:05
  Speaker 4: and you didn't get in the field.
• 25:06
  Speaker 3: But who do I need to prove it to? I
• 25:08
  Speaker 3: know I'm me, so why would I Why do I
• 25:10
  Speaker 3: kind of prove that to.
• 25:11
  Speaker 4: You or anybody that's the sport, then don't okay, And
• 25:14
  Speaker 4: if we just go on by opinions, it don't matter
• 25:15
  Speaker 4: that anybody can just say whatever, this is a sport.
• 25:19
  Speaker 4: When you in the sport of the game, when you
• 25:20
  Speaker 4: in the game, you gotta play the game. Yes, so
• 25:23
  Speaker 4: you you, you put up your points. You caught you
• 25:27
  Speaker 4: man two, I'm the best rapper, it's a rap.
• 25:30
  Speaker 1: Yes, you're the best. If you're the best, prove it
• 25:34
  Speaker 1: to the.
• 25:37
  Speaker 2: Best.
• 25:37
  Speaker 3: I don't have to prove that if I'm the best,
• 25:39
  Speaker 3: If I truly believe I'm the best, I don't have
• 25:40
  Speaker 3: to prove it to anybody, and especially in a beef
• 25:44
  Speaker 3: that I know ain't directed towards me for real, when
• 25:48
  Speaker 3: you are. When we saw this whole thing break down,
• 25:50
  Speaker 3: we saw the entire industry was mad and jealous of Drake,
• 25:53
  Speaker 3: so all that was directed towards him. Jay Call would
• 25:55
  Speaker 3: have messed around of being collateral damage on a beef
• 25:58
  Speaker 3: that ain't even truly his whole beef win different.
• 26:01
  Speaker 4: I think if Ja Cole was in the beef, it
• 26:03
  Speaker 4: wouldn't even have been as personal because them dudes really
• 26:06
  Speaker 4: disliked each other. I could I think it would have
• 26:07
  Speaker 4: been a more lyrical like but if I'm Ja Cale,
• 26:10
  Speaker 4: I'm a better lyrical rapper.
• 26:12
  Speaker 3: I'm Ja Cole. I know this is personal, so why
• 26:14
  Speaker 3: would I put myself in the middle of y'all personal beef?
• 26:17
  Speaker 3: Y'all arguing over bitch and I ain't even.
• 26:18
  Speaker 2: Hit you keep saying you the best? That's like, that's
• 26:21
  Speaker 2: what they really mad about? To they mad about it?
• 26:24
  Speaker 3: I mean, I don't mean, I see I turned into
• 26:26
  Speaker 3: a real why end?
• 26:27
  Speaker 2: I mean to say they're mad about women.
• 26:31
  Speaker 4: And if I'm Ja co and I know I ain't
• 26:33
  Speaker 4: hit none of the women y'all hit or I don't
• 26:35
  Speaker 4: care that much.
• 26:36
  Speaker 2: What am I hopping in the middle of this beef for?
• 26:39
  Speaker 2: You're not hopping in the middle of the my day,
• 26:42
  Speaker 2: ain't even Kiki no more my man week back on.
• 26:45
  Speaker 4: I just think I just personally think, if you gonna
• 26:48
  Speaker 4: say you the best and somebody call you out you
• 26:51
  Speaker 4: do it. That's like a boxer being like, I'm the
• 26:52
  Speaker 4: best boxer alive and they're like, well, let's fight.
• 26:55
  Speaker 2: Nah, I don't fight no more. I ain't fighting.
• 26:57
  Speaker 4: Then what the hell you shouldn't have talked about saying
• 27:00
  Speaker 4: saying you the best?
• 27:03
  Speaker 2: Thing but what saying again, you that J Cole talks.
• 27:07
  Speaker 2: I get it. I understand, y'all.
• 27:12
  Speaker 3: He is the J Cole is one of them.
• 27:15
  Speaker 2: We all know that.
• 27:17
  Speaker 3: If that's the truth, that's it was somebody who ain't
• 27:19
  Speaker 3: one of them saying that, then ye approve yourself. But
• 27:22
  Speaker 3: if I'm truly wanted.
• 27:23
  Speaker 1: Them, what I got the pro y'all, because you're talking
• 27:25
  Speaker 1: to another one of them, don't you talking to one
• 27:32
  Speaker 1: of the dudes.
• 27:32
  Speaker 2: That's that's like.
• 27:33
  Speaker 3: But I know you, I know you're really mad.
• 27:36
  Speaker 2: It makes you look scary, y'all.
• 27:39
  Speaker 4: Kendrick might have called cold on the load, like, bro,
• 27:42
  Speaker 4: I'm sorry you caught that collateral shot.
• 27:44
  Speaker 3: I'm really not at you. I'm at your boy, you know, Kendrick.
• 27:50
  Speaker 4: But y'all, see, y'all, let people like Zach gas shot
• 27:54
  Speaker 4: up to get beat up and stuff like that.
• 27:56
  Speaker 3: Y'all gotta be smarter than that. You know, if you
• 28:00
  Speaker 3: know a fight ain't yours. Move out the way and
• 28:02
  Speaker 3: let them handle their business. And you still one of them.
• 28:05
  Speaker 2: J Cole.
• 28:05
  Speaker 3: Everybody got excited when you dropped the trailer.
• 28:08
  Speaker 1: The record's gonna and I think that's why I think
• 28:11
  Speaker 1: we're gonna get the reason he's doing two projects.
• 28:15
  Speaker 2: They're probably gonna drop. Probably we got to each other.
• 28:18
  Speaker 1: I think the album is to be like, yo, I
• 28:22
  Speaker 1: can still do this because the last album before this
• 28:24
  Speaker 1: was it was it was all right. I think he
• 28:27
  Speaker 1: getting able to get in his bag and get radio hits,
• 28:31
  Speaker 1: do what he does and dominate where he dominates. I
• 28:34
  Speaker 1: think the mixtape is gonna be like all right, and
• 28:38
  Speaker 1: he might answer some of that questions why he backed out,
• 28:41
  Speaker 1: but he gonna let people know, hey, man, just because
• 28:44
  Speaker 1: I backed out of that. Man, y'all gotta remember I'm
• 28:47
  Speaker 1: one of them. I'm one of them, and I think
• 28:49
  Speaker 1: he's gonna talk about that.
• 28:50
  Speaker 4: I've never seen I have never seen one of them
• 28:53
  Speaker 4: duck a rap battle in rap history that I.
• 28:55
  Speaker 2: Have never seen one of them.
• 28:57
  Speaker 1: Every time one of them claim that they was one
• 28:59
  Speaker 1: of them and somebody stepped to them, they showed him.
• 29:02
  Speaker 2: They was like, okay, all you think is sweet?
• 29:04
  Speaker 4: You don't think you could showbody ever came and apologized tone.
• 29:08
  Speaker 2: That was the first rap apology I ever heard. Zach,
• 29:11
  Speaker 2: you don't you might ignore him. If you ignore him, cool,
• 29:14
  Speaker 2: but this is my thing.
• 29:15
  Speaker 3: But they say I'm sorry.
• 29:17
  Speaker 2: Jay Z has done this an. He never backed out.
• 29:20
  Speaker 2: Jay Z never backed down.
• 29:21
  Speaker 1: But look what I'm about to say something though jay
• 29:24
  Speaker 1: Z probably would never get into another rap battle again
• 29:28
  Speaker 1: with anybody if they said something. But what he what
• 29:30
  Speaker 1: he started doing. Let me finish, Let me finish. When
• 29:34
  Speaker 1: I started what he started doing. You're angry, little man.
• 29:40
  Speaker 2: I don't crazy about it. No, let me finished my point.
• 29:44
  Speaker 1: Jay Z started hitting people with legendary verses, like he
• 29:48
  Speaker 1: would say something I forgot. Well, He's like, I'm somewhere
• 29:51
  Speaker 1: off in the saying somewhere y'all, I'm flying over all
• 29:53
  Speaker 1: of these things he would say, and he let y'all
• 29:56
  Speaker 1: know if you think, if you make up, if you
• 29:58
  Speaker 1: think you could make another whole, make another one, all
• 30:01
  Speaker 1: of these.
• 30:01
  Speaker 2: All fighting back, you're proving my point.
• 30:03
  Speaker 1: No, but I'm saying maybe J Cole is saying, Hey,
• 30:06
  Speaker 1: I don't need to be in this rap battle where
• 30:08
  Speaker 1: y'all going back and forth. I'm gonna give y'all some
• 30:11
  Speaker 1: lines in these in this album.
• 30:13
  Speaker 2: We don't know that. A're gonna let people know why
• 30:16
  Speaker 2: I decided to.
• 30:17
  Speaker 4: I don't think that's I can't respect those lines though,
• 30:19
  Speaker 4: That's what I'm saying. I don't want to hear those
• 30:21
  Speaker 4: lines now, because what I'm trying to say is you've
• 30:23
  Speaker 4: never heard anybody say something about jay Z, and jay
• 30:26
  Speaker 4: Z come back in a concert and be like, I'm
• 30:28
  Speaker 4: sorry y'all the way. I know you said you the
• 30:31
  Speaker 4: greatest and I'm the greatest, and you talked about tying
• 30:32
  Speaker 4: up my wife.
• 30:33
  Speaker 2: But I don't want no smoke.
• 30:35
  Speaker 4: No, I gave you bars, not I don't have to
• 30:37
  Speaker 4: give you a whole song. I don't have to make
• 30:38
  Speaker 4: you famous. But you know that these bars fat is
• 30:41
  Speaker 4: for you. And in the hip hop world know what
• 30:44
  Speaker 4: it is. Nobody in the history of hip hop has
• 30:47
  Speaker 4: apologized and ducked smoke.
• 30:50
  Speaker 2: That was a little said about it.
• 30:52
  Speaker 3: Why are you mad at black man stepping away from.
• 30:55
  Speaker 4: Because you talked stuff? It's not you don't get to
• 30:57
  Speaker 4: throw if you were never started. He didn't start it,
• 31:01
  Speaker 4: That's what I'm saying, Kendrick. Kendrick threw the first shot exactly.
• 31:05
  Speaker 4: And why are you mad at Jake because he didn't
• 31:07
  Speaker 4: take the bait getting talked about at the super Bowl?
• 31:11
  Speaker 4: You know what I'm saying, What are you win here?
• 31:16
  Speaker 4: You know how you roasting right, and it's a group
• 31:18
  Speaker 4: of people roasting and you got that. You got that
• 31:20
  Speaker 4: person who don't say nothing, and then one dude might
• 31:23
  Speaker 4: be getting roasted real bad.
• 31:24
  Speaker 2: So he decided it's going to the dude who ain't
• 31:26
  Speaker 2: even talking. That's weak. You like, I wasn't even saying that.
• 31:28
  Speaker 2: I ain't. I ain't in this. He getting the best
• 31:30
  Speaker 2: of you. But you can't come in be like I'm
• 31:32
  Speaker 2: so funny throw jokes at people. Then when they come in,
• 31:34
  Speaker 2: you be like, I ain't on that.
• 31:36
  Speaker 4: No, you you you constantly talk about being the best.
• 31:42
  Speaker 2: Cole constantly talks about being the best rapper.
• 31:45
  Speaker 1: Ithouse and it was the Big three before Kendrick came.
• 31:50
  Speaker 4: It was the Big three. Kendrick said, it ain't no
• 31:52
  Speaker 4: big three, it's just me.
• 31:54
  Speaker 1: That was a shot, Jake, Jake, If that's a shot,
• 31:57
  Speaker 1: then j Cole, as he said, any shots that's considered
• 32:00
  Speaker 1: a shot.
• 32:01
  Speaker 4: How come j Cole's him saying he the best and
• 32:04
  Speaker 4: considered to say I'm the best rapper.
• 32:05
  Speaker 2: It's a rap.
• 32:06
  Speaker 4: He said that on in twenty twenty two. I got
• 32:09
  Speaker 4: plenty of them.
• 32:09
  Speaker 3: Because everybody says they're the best rapper. Is that this
• 32:12
  Speaker 3: was a targeted assault for Drake and Jake to know
• 32:18
  Speaker 3: that and he got up out of it.
• 32:20
  Speaker 2: It was three wives men and hit him with a call.
• 32:23
  Speaker 2: Kendri ate him with a call.
• 32:24
  Speaker 3: Kendrick kit him with a call.
• 32:26
  Speaker 2: He said, man, it was three wise men and hip hop.
• 32:30
  Speaker 4: That was It's three wise men that were leading hip
• 32:32
  Speaker 4: hop at the time, Kendrick, Drake, j Cole and it
• 32:35
  Speaker 4: be kind.
• 32:35
  Speaker 2: It became like.
• 32:37
  Speaker 4: People had their favorites, people had their favorite No, he
• 32:40
  Speaker 4: just messed, I.
• 32:41
  Speaker 2: Said, Kiki.
• 32:42
  Speaker 1: Theory doesn't seem alls not like he could have been like,
• 32:45
  Speaker 1: hey man, look that really wasn't for you.
• 32:48
  Speaker 2: I don't know, I don't know.
• 32:49
  Speaker 1: That's not and you got to come up with a
• 32:52
  Speaker 1: fake phone call to make it.
• 32:54
  Speaker 2: That's not what man. Come on, y'all, y'all are trying.
• 32:58
  Speaker 4: To justify this man's apology. Why are you so mad
• 33:02
  Speaker 4: that Jacob was smart enough to get up out of that.
• 33:04
  Speaker 1: Because Jart talked it and then I didn't want to
• 33:08
  Speaker 1: smoke and that's okay, but don't I don't.
• 33:10
  Speaker 4: Want to hear on this album you talking all that.
• 33:13
  Speaker 4: You can't talk tos no more. That's all I'm saying.
• 33:15
  Speaker 3: Cole say, I'm gonna let y'all air each other out.
• 33:17
  Speaker 3: And then when y'all cool off, I'm gonna drop my
• 33:19
  Speaker 3: album and then we're gonna move on.
• 33:21
  Speaker 2: I'm not getting it now.
• 33:22
  Speaker 3: I want a beef now. It's a lesson in that,
• 33:26
  Speaker 3: it's a lesson in what Ja Cole did. And I
• 33:28
  Speaker 3: hope y'all catch it.
• 33:29
  Speaker 2: Don't talk shit in the beginning. No, I'm not.
• 33:31
  Speaker 1: I'm like I said, I'm not a person that you could.
• 33:35
  Speaker 1: You can talk crazy too first, and I'm not gonna
• 33:38
  Speaker 1: get my lick back.
• 33:40
  Speaker 2: I have to. I have to, so I get it.
• 33:42
  Speaker 1: But so I understand. I understand what Fat Joe's thinking,
• 33:48
  Speaker 1: and I do. And for J Cole, what you said,
• 33:51
  Speaker 1: we talked about this months and months and months and
• 33:53
  Speaker 1: months ago, where you were like, hey, man, Ja Cole,
• 33:56
  Speaker 1: when you start throwing and not want to tear down
• 33:58
  Speaker 1: another black man in there and stop like not get
• 34:00
  Speaker 1: in the middle of stuff. Then I started sympathizing with it.
• 34:03
  Speaker 1: And plus I am a J Cole fan, so I
• 34:07
  Speaker 1: don't want to be I'm not. I'm not gonna listen
• 34:10
  Speaker 1: to this album like I'm not gonna go as far
• 34:12
  Speaker 1: as Fat Joe. That's far he got the chill. I'm
• 34:15
  Speaker 1: not listening to it. I don't want to hear nothing,
• 34:17
  Speaker 1: you know, crazy Jay Cole about to drop. We got
• 34:19
  Speaker 1: whip waamb or some ship. We got all the compared
• 34:22
  Speaker 1: names out here, and I'm listening to j Colet.
• 34:26
  Speaker 2: Yes, I am listening to everything he dropped.
• 34:29
  Speaker 4: As you should. I just don't want to hear him
• 34:31
  Speaker 4: talk that beef stuff.
• 34:32
  Speaker 2: I don't care what he's talking about. I want to
• 34:33
  Speaker 2: hear him. He's a better rapper than everything we've heard
• 34:36
  Speaker 2: thus false.
• 34:37
  Speaker 3: Yes he is.
• 34:38
  Speaker 2: He ain't better than Kendrick, still one of the Big three.
• 34:44
  Speaker 2: Who's better than Kendrick.
• 34:46
  Speaker 4: Kendrick got the crown because he went and took it
• 34:49
  Speaker 4: like a man. He went and took it. He didn't
• 34:53
  Speaker 4: go dust his pail and apologize to people. It was
• 34:57
  Speaker 4: it was a dude at the top of the hill.
• 34:58
  Speaker 4: His name was Drake. Kendrick said I want it, and
• 35:01
  Speaker 4: he said.
• 35:01
  Speaker 2: It was two dudes. Actually it was two dudes up there.
• 35:05
  Speaker 2: He scared one off and one one stoodent funk got
• 35:16
  Speaker 2: his ass whooped. So now we got it.
• 35:18
  Speaker 4: Now we got a king, and it's an undisputed king.
• 35:20
  Speaker 4: So you know what, he's still one of the Big three, period.
• 35:25
  Speaker 1: I'm not I'm not even kidding, Why are you tying?
• 35:29
  Speaker 1: Why do you gotta make the light skinned dude screaming?
• 35:31
  Speaker 2: Run away?
• 35:32
  Speaker 1: Fault?
• 35:34
  Speaker 2: The light skin got gass. Whoop?
• 35:36
  Speaker 4: No, the the lighter skin dude who not even from
• 35:39
  Speaker 4: the United States had the balls to staying and to
• 35:41
  Speaker 4: take his ass whooping? That is you are that one,
• 35:46
  Speaker 4: apologized one of them in court.
• 35:50
  Speaker 2: Now after he got his ass whoop he did? Are
• 35:55
  Speaker 2: you trying to do? Police? I don't know. The police
• 36:03
  Speaker 2: is crazy. It's a lot of life behavior. One ran
• 36:07
  Speaker 2: down the.
• 36:07
  Speaker 4: Hill and then one y'all let that little bloogie man
• 36:14
  Speaker 4: scared him off the hill.
• 36:16
  Speaker 2: Yea crazy that is all right man.
• 36:20
  Speaker 1: Speaking of what Pharrell is doing earlier in the part,
• 36:22
  Speaker 1: Quavo has revealed the new album is complete and heavily
• 36:25
  Speaker 1: produced by Forrell.
• 36:28
  Speaker 2: Quaite Fo. He got an album produced by for rel.
• 36:32
  Speaker 3: Arel single handed least saving hip hop right now?
• 36:34
  Speaker 2: Yes, he gave up the CLIFFSI.
• 36:39
  Speaker 4: He then went from wait a minute, wait for saving
• 36:43
  Speaker 4: hip hop on his own. He is like low key,
• 36:46
  Speaker 4: like a little superhero in the middle of the night.
• 36:48
  Speaker 4: He's just here in New York. He over here and
• 36:50
  Speaker 4: you going down south, okay, And.
• 36:52
  Speaker 1: The thing is so crazy we ain't heard of Quavo
• 36:54
  Speaker 1: record and were already excited for.
• 36:58
  Speaker 2: They just give him a beat. He was like, heyn,
• 37:00
  Speaker 2: do it like this, do it like this.
• 37:03
  Speaker 4: He got him sound and how he needs to sound.
• 37:05
  Speaker 4: I don't think for Real is just gonna give you
• 37:07
  Speaker 4: a beat and let you just do what you want
• 37:08
  Speaker 4: to do. No, he's gonna be like, nah, yeah, I
• 37:11
  Speaker 4: like the vision.
• 37:12
  Speaker 2: Let's do it like this.
• 37:13
  Speaker 4: Matter of fact, go downstairs and go get a little
• 37:15
  Speaker 4: bit lituis baton shirt recording that you'll feel flyer.
• 37:20
  Speaker 2: I mean, you get a beat for Forrell. Maybe it's
• 37:22
  Speaker 2: some clothes, but do you know what they be doing it? Though?
• 37:25
  Speaker 2: Like they do it. They recorded in that headquarters.
• 37:27
  Speaker 4: He's got to them build a studio in the Louis
• 37:29
  Speaker 4: Vuitton headquarters.
• 37:30
  Speaker 2: Oh my god.
• 37:31
  Speaker 4: So you're gonna probably go get fresh just because you're there, yep.
• 37:36
  Speaker 4: And then he'd be like, all right, let's go to work.
• 37:38
  Speaker 4: That's crazy, that's crazy. I want to get an album
• 37:41
  Speaker 4: produced by Forrell.
• 37:42
  Speaker 2: We need a we need a Midwest record.
• 37:45
  Speaker 1: Yeah, studios bro one just one episode, hey man, shotty Quabo.
• 37:54
  Speaker 2: Man, that's gonna be a big deal. We want to
• 37:56
  Speaker 2: hear that.
• 37:56
  Speaker 1: Get off, all right, Mello Malagro Grams's now set to
• 38:00
  Speaker 1: represent herself and Meg the Stallion's defamation appeal after her
• 38:05
  Speaker 1: lawyers dropped out. So she is going to represent herself
• 38:09
  Speaker 1: against Meg the Stallion. Alagro Grams, You're gonna lose.
• 38:15
  Speaker 3: They already lost once.
• 38:16
  Speaker 2: I thought she was bad. She was the first one.
• 38:20
  Speaker 2: She won. She won the first. So let me Megan won.
• 38:24
  Speaker 4: Let's give it all one. It's an appeal. Meg sue Milagro.
• 38:31
  Speaker 4: Case got dismissed, case got dismissed. Meg is meg is
• 38:37
  Speaker 4: what's it called when you.
• 38:38
  Speaker 2: Appeal to the decision.
• 38:39
  Speaker 4: She's doing the appeal, so they at that stage and
• 38:42
  Speaker 4: then Malagro's lawyers have left her now.
• 38:45
  Speaker 2: But Milagro won the first one.
• 38:48
  Speaker 3: Meghan the Stallion won a defamation lawsuit against blogger Malagro
• 38:51
  Speaker 3: in December of twenty twenty five for spreading false rumors
• 38:54
  Speaker 3: in Deep Fake AI pornographic video after Meghan try Meghan shoot,
• 39:00
  Speaker 3: and trial jury found Cooper liable for seventy five thousand
• 39:04
  Speaker 3: dollars and they later reduced it to fifty nine thousand
• 39:07
  Speaker 3: dollars by a judge. Megan one, you made that whole
• 39:11
  Speaker 3: story now keep he made that ship up like he
• 39:15
  Speaker 3: was in the corner man, I agree with you.
• 39:17
  Speaker 2: I'm trying to him. He was good and lying. That's
• 39:21
  Speaker 2: like he was in the corporal Boy. Ways, you won't
• 39:23
  Speaker 2: be in the Z report report. Can I can I
• 39:25
  Speaker 2: talk you liar?
• 39:30
  Speaker 1: That's not he got the Baptist finger. I don't can
• 39:35
  Speaker 1: Can the liar speak for sure?
• 39:36
  Speaker 2: Yes? Go ahead, sir? What else would you like to
• 39:38
  Speaker 2: show us.
• 39:40
  Speaker 1: What he's doing right now with that figure? The figure
• 39:42
  Speaker 1: was thought, Okay, here it is? Here is here?
• 39:45
  Speaker 2: It is?
• 39:47
  Speaker 4: She was she was liable for promoting. She was found liable,
• 39:50
  Speaker 4: but they found a loophole within something with significance of
• 39:55
  Speaker 4: free speech and her being a journalist.
• 39:58
  Speaker 2: So she's promoting.
• 40:00
  Speaker 4: She found her liable for promoting deep fakes and inflicting
• 40:03
  Speaker 4: emotional stress. While Maggie's legal team appeals to reduction in damages.
• 40:08
  Speaker 4: Yeah she lost h Yeah there go?
• 40:13
  Speaker 2: So what the hell is? Why? Man? Gon leave the
• 40:15
  Speaker 2: girl loone? Then? Because it's it's see.
• 40:19
  Speaker 3: I know black men and some of y'all have a
• 40:20
  Speaker 3: hard time when we mentioned Meghan the Stallion.
• 40:23
  Speaker 2: Y'all just want her to be wrong.
• 40:26
  Speaker 4: She's appealing the reduction in damages and dismissal. Is That's
• 40:30
  Speaker 4: what I was talking about in the missial of the
• 40:31
  Speaker 4: core defamation claim. So it got It's no reason why
• 40:35
  Speaker 4: would they appeal together?
• 40:37
  Speaker 2: You see what I'm saying.
• 40:38
  Speaker 3: No, Malagro is trying to get the fine lesson, thank you.
• 40:43
  Speaker 4: No, it got lesson to fifty nine thousand dollars. Yes,
• 40:46
  Speaker 4: however that does not mean you won. That means you
• 40:49
  Speaker 4: lost and you still have So if you got to
• 40:51
  Speaker 4: pay fifty nine, why is there Why is Meg's team
• 40:54
  Speaker 4: going against that fine, going against that Why why they
• 40:57
  Speaker 4: appealing the reduction?
• 40:58
  Speaker 3: Milacro's appealing to try to get less Megan. Megan won.
• 41:03
  Speaker 3: That's just the facts. She won the case, the girl
• 41:06
  Speaker 3: owe her money, and the girl probably playing these little
• 41:08
  Speaker 3: court games to try to keep the story of your lives.
• 41:10
  Speaker 3: We keep talking about it, but at the end of
• 41:11
  Speaker 3: it that part two.
• 41:14
  Speaker 2: But Megan one, okay, so.
• 41:15
  Speaker 1: You gotta keep them paying it. That's what happened. And
• 41:17
  Speaker 1: then that's why Malago. Now, now this whole story makes sense.
• 41:20
  Speaker 1: Mulago Grahams lawyers dropped out because they know that she's gonna.
• 41:24
  Speaker 3: Lose, and it's a waste of time.
• 41:25
  Speaker 1: It's a waste of time, so she is getting ready
• 41:27
  Speaker 1: to go represent herself. What you're gonna lose against Rock
• 41:31
  Speaker 1: Nation lawyers. You're gonna lose again, Malago, grahams, stop wasting time.
• 41:34
  Speaker 2: I was confused planet. You're gonna lose. You going against
• 41:41
  Speaker 2: God damn Rock Nation lawyers.
• 41:43
  Speaker 1: Man, Come on, stop playing with me, Bro stop playing
• 41:46
  Speaker 1: and thanks act for making me agree with the.
• 41:48
  Speaker 2: Lie you told. But it was good. It wasn't a lie.
• 41:51
  Speaker 3: I was just misread, he told all the Chicago and
• 41:56
  Speaker 3: Megan lost this kid?
• 41:57
  Speaker 2: Sure did I gotta go retract that tomorrow morning? What
• 42:02
  Speaker 2: is legal things? What hold on now? He said? Wait?
• 42:07
  Speaker 2: And then the figure did this gik okay, all right,
• 42:19
  Speaker 2: listen to this man is listen Meghan the Stallion, this
• 42:27
  Speaker 2: says this, and then I'm done.
• 42:29
  Speaker 1: Wain explain you know what made need some simpler lawyers,
• 42:35
  Speaker 1: because this is confused you except that it says except
• 42:40
  Speaker 1: it says.
• 42:41
  Speaker 4: Meghan the Stallion is appealing a judge decision to lower
• 42:44
  Speaker 4: the awarded damages from seventy five thousand to fifty nine
• 42:47
  Speaker 4: thousand and dismissed the main defamation claim, arguing Graham's qualified
• 42:51
  Speaker 4: as media defended under Florida law. She's appealing the judge decision.
• 42:55
  Speaker 3: Why would Meghan please read? Because you might be the
• 42:58
  Speaker 3: names wrong again.
• 43:00
  Speaker 4: Meg, the Stallion is appealing a judge's decision to lower
• 43:03
  Speaker 4: the rewarded damages from seventy five to fifty nine thousands.
• 43:06
  Speaker 2: So they're they're appealing.
• 43:08
  Speaker 3: That's because the girl, Megan would like for that girl
• 43:11
  Speaker 3: to cover her legal fees, because you've wasted my time
• 43:13
  Speaker 3: in this court room. Now you must cover my legal fees.
• 43:15
  Speaker 2: So she is appealing it, Zach. So she won the lawsuit,
• 43:24
  Speaker 2: I don't give it.
• 43:24
  Speaker 4: If you won while you're back in court, then that
• 43:28
  Speaker 4: she didn't get the desired outcome that she wanted. Had
• 43:30
  Speaker 4: she got the desire outcome she wanted, she wouldn't be appealing.
• 43:33
  Speaker 4: That's all I'm saying.
• 43:35
  Speaker 3: Hey man, I'm making a donation today to Gary Public Schools.
• 43:39
  Speaker 2: Let's just make we gonna be out for the pride.
• 43:41
  Speaker 2: We need to make a donation because this boy is slow.
• 43:44
  Speaker 2: This is the child that got left bead. Because I'm
• 43:46
  Speaker 2: trying to tell you I don't read.
• 43:51
  Speaker 1: That's very smart, right, I know, I'm definitely right.
• 43:57
  Speaker 2: Giving Tory Lanez what's up? I'm if you keep going.
• 44:01
  Speaker 2: I get what y'all saying.
• 44:03
  Speaker 4: I know it sounds won but I'm sitting here and
• 44:05
  Speaker 4: I knew I was because I read it this morning.
• 44:07
  Speaker 4: Did Megan already accepted the reduced damages and that a
• 44:11
  Speaker 4: jury found her liable for other issues not defamation?
• 44:17
  Speaker 2: I want to move on to this. They found her liable,
• 44:20
  Speaker 2: they found Okay, that's what they found.
• 44:22
  Speaker 1: Okay, shed I get it now, y'all wrong, out of jail,
• 44:29
  Speaker 1: out of till you get this.
• 44:31
  Speaker 2: I get it.
• 44:32
  Speaker 4: I get what happened now. Oh lord, you need to
• 44:35
  Speaker 4: understanding what happened.
• 44:36
  Speaker 2: A few moments later, y'all figured out. I'll figure it out. Okay,
• 44:42
  Speaker 2: I'll try.
• 44:46
  Speaker 1: So weak b gosh, come on, all right, all right,
• 44:52
  Speaker 1: here we go. Say you proposed to so, and they
• 44:55
  Speaker 1: say no because they realized they're not ready or they
• 44:58
  Speaker 1: didn't like the way you propose. Would you still stay
• 45:02
  Speaker 1: with that person and try to work it out.
• 45:06
  Speaker 3: If you proposed? Then the person says no, yes, I
• 45:10
  Speaker 3: would not. I would not stay with the person. Okay, No, listen, No,
• 45:16
  Speaker 3: I feel like I don't know because as a man,
• 45:18
  Speaker 3: I don't know how it feels to propose to somebody.
• 45:20
  Speaker 3: But I'm sure it takes a lot of courage, a
• 45:22
  Speaker 3: lot of preparation. But some of y'all don't take a
• 45:24
  Speaker 3: lot of courage and a lot of preparation. So actually
• 45:26
  Speaker 3: I was going to find out, but I'll.
• 45:28
  Speaker 2: Let you speak.
• 45:29
  Speaker 4: Well, I heard about this. I would never take nobody back.
• 45:32
  Speaker 4: If you say no to me, you're saying no to
• 45:35
  Speaker 4: the relationship, Like where we where do we pick up from?
• 45:38
  Speaker 3: But y'all again, but no, some men don't put effort
• 45:41
  Speaker 3: into the proposal. Again, So that's the story, and then.
• 45:44
  Speaker 2: That's the hell. No, the story I heard.
• 45:47
  Speaker 1: What about that effort that paid for that, that shiny
• 45:50
  Speaker 1: thing that's going on?
• 45:50
  Speaker 3: You did his big coin, he got with the white
• 45:54
  Speaker 3: people and got it together.
• 45:55
  Speaker 2: Let's just let's just say no, that was very smarter
• 45:57
  Speaker 2: to him.
• 45:57
  Speaker 1: Yes, but my thing is saying, like, what about the
• 46:02
  Speaker 1: person like, because for real, to be honest with you,
• 46:04
  Speaker 1: the stress of getting that shining motherfucker on your head
• 46:08
  Speaker 1: is a lot more than.
• 46:09
  Speaker 2: The proposal itself.
• 46:11
  Speaker 1: You not we're thinking about that, guys, I definitely not thinking,
• 46:16
  Speaker 1: am I wrong? I think if I think about getting married,
• 46:19
  Speaker 1: I'm thinking about the goddamn ring. Yes, that that that
• 46:23
  Speaker 1: is that's in my head, like that number is in
• 46:25
  Speaker 1: my head, Like, how okay, this is what I think
• 46:28
  Speaker 1: she might like. Yes, scared, this is what I wanted
• 46:30
  Speaker 1: to walk around with. I gotta get the bread for it.
• 46:35
  Speaker 1: That's the stress. So I don't think it's fair for
• 46:38
  Speaker 1: somebody to be looking at somebody if they didn't propose
• 46:40
  Speaker 1: the way you thought it should have happened.
• 46:43
  Speaker 2: And of course nobody's gonna be like, huh take this
• 46:45
  Speaker 2: ring men that stop.
• 46:47
  Speaker 4: No, But I'm telling you, Tom, the situation I'm talking
• 46:50
  Speaker 4: about is there was a guy he proposed right, she
• 46:54
  Speaker 4: said no because she didn't like the proposal, and he
• 46:58
  Speaker 4: had to redo. He had to still got married, but
• 47:01
  Speaker 4: he redid the propose. Now me, you got me fed
• 47:06
  Speaker 4: all the way up. The fact that you don't appreciate
• 47:09
  Speaker 4: that I went and spent my heart on money. I
• 47:10
  Speaker 4: don't give a damn if I just said, here go,
• 47:13
  Speaker 4: I don't give a damn how I propose. If I'm
• 47:17
  Speaker 4: trying to take your hand in marriage, you still you're
• 47:19
  Speaker 4: so worried about what I'm asking you to do that
• 47:21
  Speaker 4: you don't even understand what I'm doing.
• 47:24
  Speaker 2: Nah, that's crazy.
• 47:25
  Speaker 4: The ring and what I'm actually asking you to do
• 47:27
  Speaker 4: spending the rest of my life with you is bigger
• 47:29
  Speaker 4: than the way I asked you. I didn't cut you out.
• 47:31
  Speaker 4: I'm pretty sure you ain't saying, Hey, you man, do that.
• 47:35
  Speaker 2: You know what I'm saying.
• 47:36
  Speaker 4: You just did whatever fairy tale you had in your mind.
• 47:38
  Speaker 4: It didn't match that. So now you need to redo.
• 47:41
  Speaker 2: He better than me?
• 47:43
  Speaker 4: He better than me because I take my box, I'm
• 47:45
  Speaker 4: taking my ring, I'm taking everything, and I'm getting the
• 47:47
  Speaker 4: hell out of here.
• 47:47
  Speaker 2: I don't give damn how I asked you that.
• 47:50
  Speaker 3: Seeing that's the problem. You should care, how you say,
• 47:52
  Speaker 3: you should care, how you act.
• 47:54
  Speaker 4: I heard a woman say, my friends wasn't here, so
• 47:58
  Speaker 4: I need a new proposed that that's crazy your friends?
• 48:01
  Speaker 2: What is this about? Is this about us?
• 48:03
  Speaker 4: Or no?
• 48:04
  Speaker 2: If she if she don't take your proposal, she don't
• 48:07
  Speaker 2: want to marry you.
• 48:08
  Speaker 1: Leave now you no like look, good luck finding somebody
• 48:11
  Speaker 1: else is gonna give you this ring. I'm not gonna
• 48:14
  Speaker 1: ask you in a weak way. I'm gonna be as
• 48:17
  Speaker 1: romantic as I know how what.
• 48:19
  Speaker 3: You're gonna be.
• 48:21
  Speaker 2: Say that I'm romanticould be romantic? Romantic? Romantic? Y'are crazy?
• 48:34
  Speaker 3: You guys some men don't put effort into it, and
• 48:38
  Speaker 3: I think that's when that's the extreme case of when
• 48:40
  Speaker 3: you would say, let's redo this, because it is a
• 48:44
  Speaker 3: very important moment for a woman for that to happen.
• 48:47
  Speaker 3: So you should put effort into how you do it.
• 48:50
  Speaker 2: Zach, you can't just I love. You can't.
• 48:55
  Speaker 3: Now, you can't just slide the ring or you know,
• 48:58
  Speaker 3: we wake up in the morning, hear you you want.
• 49:00
  Speaker 2: To like, Nah, what, Let me ask you something.
• 49:03
  Speaker 3: Find out what your woman like, find out her, find
• 49:06
  Speaker 3: out the proposal she would like.
• 49:07
  Speaker 4: First, let me ask you a question. Yes, what's the
• 49:09
  Speaker 4: equivalent to what a ring costs to a guy? That's
• 49:12
  Speaker 4: something a guy might want.
• 49:14
  Speaker 3: I'll spent five thousand dollars in one weekend, ten thousand
• 49:18
  Speaker 3: dollars in one week much.
• 49:22
  Speaker 2: Let's say I wanted a night Let's say what. Yeah,
• 49:26
  Speaker 2: let me say.
• 49:27
  Speaker 4: Act like rings is a million dollars Like stop it now.
• 49:32
  Speaker 4: Let's say my girl got me a nice little I
• 49:34
  Speaker 4: wanted me a five hundred because I do want one.
• 49:37
  Speaker 4: I know how much it costs a nineties five hundred
• 49:40
  Speaker 4: bands like we was talking about. Okay, she got that
• 49:42
  Speaker 4: for me fifteen thousand. That's how much somebody spent on
• 49:44
  Speaker 4: the ring. That's what I don't give a damn. If
• 49:46
  Speaker 4: she threw the keys at me and it hit me
• 49:48
  Speaker 4: in the head, can you go and it hit me
• 49:50
  Speaker 4: in the head, She'm gonna be like, Oh, I ain't
• 49:52
  Speaker 4: taking it.
• 49:53
  Speaker 2: I don't like the way you asked what. I don't
• 49:55
  Speaker 2: like it. I don't like the way you gave me
• 49:58
  Speaker 2: your heart and your world.
• 49:59
  Speaker 3: Come on, what would be the point of spending all
• 50:02
  Speaker 3: the money y'all say, y'all spend on rings and saving
• 50:04
  Speaker 3: up in the stress. What would be the point of
• 50:06
  Speaker 3: going through all that just to f over the proposal?
• 50:10
  Speaker 2: That's how you know that he's doing the best he can.
• 50:12
  Speaker 3: I mean that some men, some men are just low
• 50:16
  Speaker 3: effort and they don't effort.
• 50:22
  Speaker 2: Low effort. Is not fair that they got.
• 50:24
  Speaker 3: No homies that did bogus proposals. Proposal, y'all ain't got
• 50:29
  Speaker 3: no homies that that don't never be what you call it? Romantic?
• 50:33
  Speaker 4: Y'all, Those homies deserve to be told this is not
• 50:38
  Speaker 4: how I want to be proposed.
• 50:40
  Speaker 2: They don't because guess what, they're marrying them.
• 50:43
  Speaker 1: They know that they're not romantic guys, and they're pretty like,
• 50:45
  Speaker 1: I mean a lot of that to falls under the
• 50:48
  Speaker 1: creative space and being able to.
• 50:50
  Speaker 3: Call somebody.
• 50:53
  Speaker 2: Guys.
• 50:54
  Speaker 4: Those guys that you're talking about, the ones who I
• 50:56
  Speaker 4: like that, they usually ain't got no ring the.
• 50:59
  Speaker 2: Court. That's not what I'm talking about. I'm talking about.
• 51:02
  Speaker 4: So if anybody went and spent money by the ring
• 51:05
  Speaker 4: and decide to get on one knee.
• 51:06
  Speaker 3: Yeah, you know you're a man.
• 51:08
  Speaker 2: You know that it.
• 51:09
  Speaker 4: May not be exactly how you wanted or how you want,
• 51:11
  Speaker 4: but that should not you should as the woman, you
• 51:14
  Speaker 4: should accept that proposal yes.
• 51:16
  Speaker 2: And that ring and boom, and then move on from there.
• 51:19
  Speaker 2: I'm the best he could.
• 51:21
  Speaker 3: We agree on that. For a man doing the best
• 51:24
  Speaker 3: he could and put an effort. We agree on that.
• 51:26
  Speaker 3: But we're I'm talking about. There are men, and y'all
• 51:29
  Speaker 3: could act like y'all don't know this, but there are
• 51:30
  Speaker 3: men who do half ass everything they have asked day life.
• 51:34
  Speaker 3: They have fast the relationship, taking you a half fast
• 51:37
  Speaker 3: proposal and they and you think I'm supposed to be
• 51:39
  Speaker 3: happy with that? Absolutely not. People called me a vain
• 51:43
  Speaker 3: and crazy because before I got engaged, I was like,
• 51:45
  Speaker 3: when I do get engaged, it has to be a
• 51:47
  Speaker 3: ring that I like, or I'm my man, get on
• 51:50
  Speaker 3: his knee and I look at the ring and I
• 51:51
  Speaker 3: don't like it. I'm gonna say yes, And then when
• 51:54
  Speaker 3: we get in the car, I'm gonna say, Babe, we
• 51:56
  Speaker 3: gotta get a different ring because I don't like it.
• 51:58
  Speaker 1: Nothing wrong with that talking about saying but saying nobody
• 52:05
  Speaker 1: like I hate that looking at that ring and be like,
• 52:08
  Speaker 1: but if.
• 52:08
  Speaker 3: You say, you know, my face would have told me
• 52:12
  Speaker 3: said yes.
• 52:13
  Speaker 2: First that's what we're talking about. I know, but yes.
• 52:15
  Speaker 3: And then you said, woman is allowed to say no
• 52:17
  Speaker 3: if it is truly she knows, she'd ben bs and
• 52:20
  Speaker 3: I have the.
• 52:21
  Speaker 2: Right to take my ring, take it and go take it.
• 52:24
  Speaker 2: I don't want your ring.
• 52:25
  Speaker 1: If you're gonnabody else. You can accept my proposal giving.
• 52:30
  Speaker 4: You my whole life if you didn't thought into it,
• 52:33
  Speaker 4: I don't.
• 52:33
  Speaker 3: Want it, just like you don't. The girl bought you
• 52:37
  Speaker 3: a gift and you didn't feel like she would. She
• 52:40
  Speaker 3: didn't put right, So it's okay for him to turn
• 52:42
  Speaker 3: down this girl, Jean Jack she got but he she
• 52:45
  Speaker 3: I want the proposal?
• 52:47
  Speaker 4: Did I turn it down? If she got me something
• 52:50
  Speaker 4: that costs ten thousand dollars. She got me a thirteen
• 52:53
  Speaker 4: dollar jacket. And if you had a thirteen dollar ring
• 52:56
  Speaker 4: and a thirteen dollars proposal, turn it down.
• 52:58
  Speaker 3: Ain't That's all I'm saying.
• 53:00
  Speaker 1: If I had and guess what, and guess what, we
• 53:02
  Speaker 1: ain't together so it all worked out. What I'm trying
• 53:05
  Speaker 1: to say is if you give me a ten thousand
• 53:08
  Speaker 1: dollars something that you spent thousand dollars on, and that's
• 53:11
  Speaker 1: how you presented it, and I ain't, like.
• 53:13
  Speaker 3: Man, come on, I need some standards.
• 53:14
  Speaker 4: No, no, no, ladies get you first. It's hard to
• 53:17
  Speaker 4: just find a dude to do it. You need to
• 53:21
  Speaker 4: be happy doing no.
• 53:22
  Speaker 3: And that's the problem. No, No, you don't need to
• 53:24
  Speaker 3: just be happy he.
• 53:25
  Speaker 1: Doing no if you are in a relationship. And that's
• 53:27
  Speaker 1: what you gotta think about, all of the all of
• 53:29
  Speaker 1: the things of it. We kind of speaking on the
• 53:31
  Speaker 1: top line.
• 53:32
  Speaker 3: I think, Yeah, I'm thinking, I'm talking extreme caseship.
• 53:36
  Speaker 2: You my chick terrible for years. Yes, you my chick
• 53:40
  Speaker 2: for years.
• 53:40
  Speaker 1: And we like we were like, all right, let's do this,
• 53:43
  Speaker 1: and I go, I can do the best ring that
• 53:45
  Speaker 1: I can. I go and set up his proposal the
• 53:48
  Speaker 1: best way I can and then you tells you look
• 53:51
  Speaker 1: at that and you're like, you didn't put enough effort
• 53:54
  Speaker 1: into this proposal.
• 53:55
  Speaker 2: No, I'm gonna be like this.
• 54:00
  Speaker 3: Yeah, if you set up the best that you hear, Yes,
• 54:03
  Speaker 3: I'm not. But some people don't even try. They don't
• 54:07
  Speaker 3: even set they don't even think.
• 54:08
  Speaker 4: But that's because they got pregnant and they trying to
• 54:10
  Speaker 4: hurry him.
• 54:12
  Speaker 2: That's like a fake phone call. Add Yeah, just y'all
• 54:18
  Speaker 2: added a whole fake phone call. Well you added a
• 54:20
  Speaker 2: whole fake lawsuit. Wait a minute. I know I'm not
• 54:27
  Speaker 2: I'm not always right on this, but I ain't always wrong.
• 54:30
  Speaker 3: Yes you are.
• 54:32
  Speaker 2: You told a whole lout and I believe it.
• 54:35
  Speaker 1: I was like, dang, yeah, I tried to rash and
• 54:37
  Speaker 1: he came with the official All right, man, give us
• 54:39
  Speaker 1: some comments for the positle get out of here.
• 54:41
  Speaker 3: All right. Potfam has been on one today. Shout out
• 54:46
  Speaker 3: to y'all for watching so early. We got some good comments.
• 54:49
  Speaker 3: I just don't know what they just went. Hold on
• 54:52
  Speaker 3: dang or was it on my phone?
• 54:54
  Speaker 1: Hold on, y'all, okay, hold on you Ky's finding the
• 54:58
  Speaker 1: comments po him and was watching it home.
• 55:02
  Speaker 3: What y'all doing later today all right here we got
• 55:09
  Speaker 3: I really did have it set up until I had
• 55:11
  Speaker 3: to look up Megan the Stallion's case.
• 55:13
  Speaker 2: Those people be lying.
• 55:17
  Speaker 3: People. Okay, Tony, you told people to check in where
• 55:19
  Speaker 3: they're from. We got Las Vegas in here, we got
• 55:21
  Speaker 3: North Carolina checking in. Of course, Chicago checking in. So
• 55:26
  Speaker 3: shout out to everybody letting us know where they're from. Madison,
• 55:28
  Speaker 3: Wisconsin and the comments. Somebody said something about my wig.
• 55:34
  Speaker 3: I'm trying to find it, it said Key Key's wig
• 55:37
  Speaker 3: is the fourth member of the pod, and I'm here
• 55:39
  Speaker 3: for it. The Curls is sitting, but thank you for that.
• 55:45
  Speaker 3: Zach to Ryan, why are you breathing so hard?
• 55:47
  Speaker 2: You okay? They said, exactly, Ryan alone here I did,
• 55:53
  Speaker 2: I did.
• 55:53
  Speaker 3: I ain't know what was going on, And they said,
• 55:58
  Speaker 3: shout out to Tone on the live DJ Red that
• 56:01
  Speaker 3: is your new name. So shout out to Jen Taylor
• 56:06
  Speaker 3: all things quailing. And who else did I read? Oh
• 56:11
  Speaker 3: William Moore, Damn Kiki Jesus daycare. That was crazy. Shout
• 56:15
  Speaker 3: out to y'all. So yeah, shout out to.
• 56:17
  Speaker 1: The pot FAMU to the pot fam, shout everybody all
• 56:20
  Speaker 1: over the place.
• 56:21
  Speaker 2: I know we got Atlanta.
• 56:23
  Speaker 1: I know, we got Atlanta, were strong in Atlanta, Oh yes,
• 56:26
  Speaker 1: definitely strong Atlanta.
• 56:27
  Speaker 2: Even New York too, New York.
• 56:29
  Speaker 3: A lot of people in my life from New York
• 56:31
  Speaker 3: saying they watched the.
• 56:31
  Speaker 2: Pot oh wow. And then we I know we that
• 56:34
  Speaker 2: was the first Las Vegas I've heard.
• 56:35
  Speaker 3: Yeah, and Wisconsin I ain't never nobody too.
• 56:40
  Speaker 2: So we all over. We got two people in every city.
• 56:43
  Speaker 3: Come on, that's all we need.
• 56:44
  Speaker 2: It's all you need is two people.
• 56:45
  Speaker 3: Tell two people.
• 56:46
  Speaker 1: It's two people tell some old people. Come on, come on, man,
• 56:50
  Speaker 1: we're on our way. This is our here, all right.
• 56:54
  Speaker 1: Sometimes remember no response is a good response, all right, man, Okay,
• 57:01
  Speaker 1: set your last down, all.
• 57:04
  Speaker 2: Right, y'all, don't forget to check us out on the
• 57:06
  Speaker 2: Shade Room Live tomorrow. What's your day to?
• 57:13
  Speaker 3: This will come out tomorrow.
• 57:14
  Speaker 1: So so yeahday today. Yeah, thank you for helping me
• 57:18
  Speaker 1: again finger All right. With that being said, well one
• 57:24
  Speaker 1: can we say