Latest / Movie Meltdown / On Holiday with Jackie Kashian
Transcript
- 0:00Speaker 1: Anyone care for a few cold cuts before the fun starts?
- 0:05Speaker 2: Hey everybody, this is Jimmy Pardo from the award-winning podcast
- 0:19Speaker 2: Never Not Funny. You are listening to Movie Meltdown.
- 0:26Speaker 3: It's showtime.
- 0:27Speaker 4: The following feature has been rated R by the Motion
- 0:30Speaker 4: Picture Association of America.
- 0:32Speaker 5: It is intended for mature audiences and parental discretion is advised.
- 0:37Speaker 6: Our nuclear reactor pumping out one million.
- 0:41Speaker 5: Kilowatts of power.
- 1:07Speaker 3: Provide more cooling in the containment chambers. This is a
- 1:12Speaker 3: full-blown four alarm holiday emergency here.
- 1:24Speaker 7: What's up and welcome to Movie Meltdown.
- 1:26Speaker 1: I'm Brian and we are coming to you live via
- 1:28Speaker 1: digital recording from Indianapolis and sort of indie pop-con and
- 1:33Speaker 1: we're just sort of wandering around and Now we're hanging
- 1:35Speaker 1: out with our special guest co-star, Jackie Cash.
- 1:38Speaker 5: Hello.
- 1:39Speaker 1: So, I guess to get our way into it, I've
- 1:43Speaker 1: had a few different directions here. I guess first off,
- 1:45Speaker 1: the comedy thing, which you've been doing quite a while now.
- 1:49Speaker 8: Yes. I count the 80s as one year.
- 1:51Speaker 7: One big, long, coke-filled year.
- 1:54Speaker 8: It was a big, long, crazy, crazy time. But yeah.
- 1:58Speaker 7: And I don't know.
- 2:00Speaker 1: Doing this over the years, I've talked to a lot
- 2:02Speaker 1: of different comics. And I keep trying to pin down.
- 2:04Speaker 9: Like, I don't.
- 2:05Speaker 1: I don't think I have that gene, but I have like,
- 2:08Speaker 1: I'm a smart ass and I like talking obviously, but
- 2:10Speaker 1: it's different to get on stage.
- 2:11Speaker 7: Like it's different to want to get up there and
- 2:14Speaker 7: deal with the crowd.
- 2:16Speaker 8: Is that where the disconnect is for you?
- 2:20Speaker 1: As I said earlier, I don't like people.
- 2:21Speaker 8: Right, right.
- 2:22Speaker 10: Oh no.
- 2:22Speaker 8: Yeah, I'm not that psyched. I mean, I just, because
- 2:24Speaker 8: we're a pop con and it's crowded and it's annoying.
- 2:30Speaker 8: But it's also really cool because you look around and
- 2:32Speaker 8: you're like, oh, these are my people.
- 2:34Speaker 1: See, that stuff I deal with, yeah, I think it's
- 2:36Speaker 1: the presentation part of it because we've done live events
- 2:38Speaker 1: and I've got up there and I've put together like
- 2:40Speaker 1: the movies we're going to watch and all the other stuff.
- 2:42Speaker 1: I like the showcase part of it.
- 2:44Speaker 3: Yeah.
- 2:44Speaker 7: And then it got time to stand up there in
- 2:46Speaker 7: the mic and I was like, I don't care what
- 2:47Speaker 7: you people do.
- 2:48Speaker 1: I didn't care about the people on hand.
- 2:49Speaker 7: Like, I was recording.
- 2:51Speaker 1: I cared about the people listening.
- 2:52Speaker 10: Eventually.
- 2:52Speaker 1: But like the people that showed up and were sitting
- 2:54Speaker 1: there and being kind of smart asses, I was like,
- 2:56Speaker 1: I don't care about any of you people.
- 2:58Speaker 8: Interesting.
- 2:58Speaker 1: Which I know that's, I've heard a few say that
- 3:01Speaker 1: that's part of the challenge for them is they want
- 3:03Speaker 1: to win people over.
- 3:04Speaker 7: They want to be able to do that. You don't
- 3:06Speaker 7: have that.
- 3:06Speaker 1: I don't have that.
- 3:07Speaker 8: I don't know what that is. That sounds interesting. I
- 3:09Speaker 8: want everyone to like me. And I know that that's
- 3:11Speaker 8: never going to happen.
- 3:12Speaker 1: It's a geek thing. We want to be loved, but
- 3:14Speaker 1: most people don't.
- 3:15Speaker 8: Well, and it doesn't matter if they like me in the,
- 3:19Speaker 8: I mean, that's what I've come to decide.
- 3:21Speaker 10: Right.
- 3:21Speaker 8: But with standup, it's with me, the first time I
- 3:25Speaker 8: did it, it was, it's just, it's like heroin. So
- 3:28Speaker 8: there's no not doing it. So I don't know. It's
- 3:32Speaker 8: I mean, there's there's the smartest part of it. There's
- 3:34Speaker 8: the fact that you want to you want to make
- 3:36Speaker 8: people laugh and you want to you want people to
- 3:38Speaker 8: like your jokes and stuff like that. But it's it's
- 3:41Speaker 8: I and there's also an arrogance to it. You know,
- 3:44Speaker 8: you're like, I think I have something to say. Whether
- 3:48Speaker 8: it's a joke or it's a point or if it's,
- 3:51Speaker 8: you know.
- 3:51Speaker 1: Sometimes that's more so depending on the comedy. Sometimes there's
- 3:54Speaker 1: just that.
- 3:55Speaker 8: There's definitely.
- 3:55Speaker 1: And no material.
- 3:57Speaker 8: And I don't use this word lightly. A spectrum.
- 3:59Speaker 5: Mm-hmm.
- 4:00Speaker 8: So it is not.
- 4:01Speaker 9: It's very true.
- 4:02Speaker 8: By any coincidence. So there you go.
- 4:05Speaker 1: So I guess that. first time what was it that
- 4:07Speaker 1: kicked in then if it wasn't that like what was
- 4:09Speaker 1: it that caused the adrenaline rush was it just the
- 4:11Speaker 1: performing aspect or.
- 4:13Speaker 8: Well i've i always when i was a kid i
- 4:14Speaker 8: wanted to act and i wanted to perform and um
- 4:19Speaker 8: and i was in i was in band everybody come
- 4:21Speaker 8: on who doesn't want to.
- 4:22Speaker 1: Hear about my bass even cooler.
- 4:24Speaker 8: Bass clarinet huh it just gets cooler you guys how.
- 4:27Speaker 7: The phone was already taken what.
- 4:29Speaker 8: It's uh my brother uh he played the tuba and
- 4:32Speaker 8: then He's even cooler than you. He played the piccolo.
- 4:37Speaker 8: He was going for size. He played the flute and
- 4:40Speaker 8: then he played the piccolo because it was smaller and
- 4:42Speaker 8: it was less. And then he switched to tuba because
- 4:46Speaker 8: they gave him two tubas and all he had to
- 4:47Speaker 8: do was carry the mouthpiece back and forth to school.
- 4:50Speaker 8: So my family, full of people looking for a shortcut.
- 4:54Speaker 3: Slackers.
- 4:55Speaker 8: So yeah, doing what they can. And so, but the... Yeah,
- 4:59Speaker 8: I don't... I just love it. It's... It's interesting, and
- 5:04Speaker 8: I've been watching, like, in Indianapolis, I'm playing at this,
- 5:08Speaker 8: there's new owners, brand new owners of this downtown Crackers.
- 5:12Speaker 8: Crackers moved. I'm sure I will never work for Crackers
- 5:15Speaker 8: again by taking this gig at Joker's. By the way,
- 5:18Speaker 8: if you're going to start a comedy club, stop it.
- 5:21Speaker 8: With the names.
- 5:22Speaker 1: I don't know what to call it.
- 5:23Speaker 7: Bob's comedy.
- 5:23Speaker 8: There you go.
- 5:24Speaker 7: Just give it the most generic, boring thing.
- 5:27Speaker 8: The fact that I have to say crackers to black
- 5:29Speaker 8: people is disappointing to me.
- 5:32Speaker 7: Enough cracker going on right now.
- 5:33Speaker 8: There's a lot of crackers going on in Indiana. No offense.
- 5:36Speaker 8: And yet, offense. Because there's trouble in Indiana.
- 5:40Speaker 7: I mean, I think they know who they are.
- 5:41Speaker 9: It's okay.
- 5:41Speaker 8: Yes, and some of them embrace it a little too much.
- 5:44Speaker 7: Then you've crossed the line.
- 5:46Speaker 8: Exactly.
- 5:46Speaker 7: That's not fun at all.
- 5:47Speaker 8: Because I've been watching a lot of the new young
- 5:49Speaker 8: comics because they had an open mic on Thursday that
- 5:51Speaker 8: I closed. I did not know that that was happening.
- 5:54Speaker 8: You brought down the house. Well, I have no interest
- 5:59Speaker 8: in looking genius-like after a bunch of guys who have
- 6:02Speaker 8: been doing it for two years. That's not where my ego.
- 6:05Speaker 1: Lies, but fair enough.
- 6:07Speaker 3: Anyway.
- 6:08Speaker 1: Well, then again, I was equally as interested in once
- 6:11Speaker 1: your show got started. I'm like, this is somebody, because again,
- 6:15Speaker 1: podcasting by nature, like it found its home in dorks. Like,
- 6:19Speaker 1: I mean, the geeks that we are, like nobody would
- 6:22Speaker 1: take it upon themselves to create a show and not
- 6:25Speaker 1: get paid for it. Like that's a geek thing.
- 6:28Speaker 8: That's a pretty niche market. So yeah, in 2006, I
- 6:30Speaker 8: started the Dork Forest and Granted, it was free when
- 6:36Speaker 8: I started it, and for four years I did it
- 6:38Speaker 8: on Blog Talk, and the audio was terrible. And then
- 6:41Speaker 8: I had listeners who were like, seriously, you might want
- 6:45Speaker 8: to pre-record and buy a toy.
- 6:46Speaker 7: Yeah, update a little.
- 6:48Speaker 8: And so I was like, well, so I sent out
- 6:50Speaker 8: a thing that said, I'm going to need $ 600. And
- 6:54Speaker 8: it turns out that is an attainable goal.
- 6:56Speaker 1: A minimal investment.
- 6:57Speaker 3: Yes.
- 6:58Speaker 1: I continue to keep buying these recorders and upgrading every time.
- 7:01Speaker 10: Right, right.
- 7:02Speaker 8: And yeah, that's what the donation thing is for, is
- 7:04Speaker 8: to buy new wires and, and mics and better equipment
- 7:07Speaker 8: and this type of thing. So, um, but initially it
- 7:10Speaker 8: was 600 bucks and then it's 20 bucks a month
- 7:12Speaker 8: for Libsyn.
- 7:12Speaker 6: Yeah.
- 7:13Speaker 8: And, um, I did a panel at some, at a,
- 7:16Speaker 8: at a radio con, uh, with, with, uh, with fancy
- 7:20Speaker 8: like with, uh, Chris Hardwick and, uh, the, the main
- 7:23Speaker 8: producer at Nerdist podcasting, Katie Levine, uh, Dave Anthony, uh,
- 7:28Speaker 8: who has the dollop or whatever. And then, um, two
- 7:32Speaker 8: other women whose names I've forgotten because they don't do
- 7:35Speaker 8: standup and I'm a jackass. So, uh, but the thing is,
- 7:38Speaker 8: is that they were all kind of fancy. And then
- 7:40Speaker 8: I am startup Magoo. I mean, I just did it
- 7:42Speaker 8: myself and the rest of them are all, and I,
- 7:45Speaker 8: and I'm part of all things, comedy.com umbrella, the dork
- 7:48Speaker 8: forest is, but I came to it late. And so
- 7:53Speaker 8: the guy who moderated it, great guy, but, hard, you know, at,
- 7:58Speaker 8: at like, we only had an hour at 50 minutes.
- 8:01Speaker 8: Hardwick had to say, do we want to take some questions?
- 8:03Speaker 8: And the first question is, is how do you set
- 8:05Speaker 8: up a podcast? And because people don't know, especially radio
- 8:09Speaker 8: dinosaurs who are, they have a studio and, and, and,
- 8:13Speaker 8: and people. And so Dave said, well, you know, you gotta,
- 8:19Speaker 8: you know, you just set up an account with Lipson.
- 8:21Speaker 8: Cause somebody said, how do you get the podcast to iTunes?
- 8:24Speaker 11: Yeah.
- 8:25Speaker 1: Carry it over on your back.
- 8:28Speaker 8: It sounds dumb.
- 8:30Speaker 1: It's a legit question, really.
- 8:32Speaker 8: If you think about how Apple is always like, well,
- 8:36Speaker 8: our stuff is super intuitive. It's like, no, it isn't.
- 8:39Speaker 8: It's intuitive once you've done it for a day and
- 8:42Speaker 8: a half.
- 8:42Speaker 1: Yeah, when you live in the Apple world, you know
- 8:44Speaker 1: how to do everything.
- 8:45Speaker 8: Yes, because it is comparable.
- 8:46Speaker 7: From the outside?
- 8:48Speaker 8: No, going in, it's a learned skill. So you've got to.
- 8:51Speaker 8: Go to Libsyn, L-I-B-S-Y-N.com. And so like everyone who came
- 8:55Speaker 8: up to me afterwards was like, what word did he say?
- 8:58Speaker 8: And because he didn't spell it and he.
- 8:59Speaker 1: Just said it.
- 9:00Speaker 7: I mean, that's what we've been on since we started.
- 9:01Speaker 7: We've been doing this forever.
- 9:02Speaker 8: And it's one guy, as far as I can tell.
- 9:04Speaker 8: It's Rob. Because whenever I've had any problems, I've emailed
- 9:08Speaker 8: Libsyn and Rob's the only one who responds. He's the
- 9:11Speaker 8: only one who goes to any convention I've ever been to.
- 9:13Speaker 8: And I'm like, I hope you're making all the money, Rob,
- 9:16Speaker 8: because it's $ 20 a month.
- 9:18Speaker 7: And there's a lot of people using it.
- 9:20Speaker 8: Almost everybody's using it. And then he has a template
- 9:25Speaker 8: that he slaps over to make an app if you
- 9:27Speaker 8: want your own app. So podcasting is fascinating.
- 9:33Speaker 7: I think it's become too easy. I've talked about that
- 9:36Speaker 7: a lot lately now.
- 9:37Speaker 1: There's such a flood now that like– When I started,
- 9:41Speaker 1: I knew the other shows. They weren't even in my town,
- 9:43Speaker 1: but I knew the other 12 shows in this part
- 9:45Speaker 1: of the country, some of them personally. And then now,
- 9:49Speaker 1: I can't even find a show because there's 10,000 other
- 9:52Speaker 1: shows on top of it at this point.
- 9:55Speaker 8: Yeah, somebody gave me a card yesterday for a board
- 9:57Speaker 8: game podcast because my husband's a game designer and... he
- 10:00Speaker 8: comes to the board game convention here in Indiana and
- 10:03Speaker 8: I lost the card immediately and I can't remember the
- 10:06Speaker 8: name of the podcast and if I google the words
- 10:08Speaker 8: board game podcast there's going to be 12,000 podcasts.
- 10:12Speaker 1: I know one I can give it to you later
- 10:13Speaker 1: we'll see I don't know if it's the right one
- 10:15Speaker 1: but it's a decent one well somebody else.
- 10:17Speaker 8: Gave me their card too and I was like But
- 10:20Speaker 8: they had come to the stand-up show, too, so I
- 10:22Speaker 8: was like, oh, well, I don't know how to get
- 10:25Speaker 8: you guys back. Was it you guys? I don't know.
- 10:27Speaker 8: So I just tweeted out. I just sent a tweet
- 10:30Speaker 8: and said, hey, did anybody give me a card yesterday?
- 10:33Speaker 1: That person with the card.
- 10:34Speaker 7: You're now doing announcements.
- 10:35Speaker 1: If someone lost the card.
- 10:37Speaker 8: Right.
- 10:38Speaker 7: You people.
- 10:39Speaker 1: And then getting into your topic, it was one of those, again,
- 10:44Speaker 1: we're such geeks, and we're so steeped in that at
- 10:47Speaker 1: this point, but I like, I mean, I somewhat focused
- 10:52Speaker 1: in one area. Again, we sort of slide around different ways, but.
- 10:55Speaker 7: I don't know.
- 10:57Speaker 1: With yours, you go to different people, and each time
- 10:59Speaker 1: they bring something different to the table, which is really cool.
- 11:02Speaker 5: Oh, right.
- 11:02Speaker 8: The Dork Forest.
- 11:03Speaker 1: Yeah.
- 11:03Speaker 8: Yeah. Like, this week's episode is a friend of mine who, like,
- 11:07Speaker 8: I do a lot of comics. I try to mix
- 11:09Speaker 8: it up, though. I try not to do just stand-up comics.
- 11:11Speaker 5: Yeah.
- 11:12Speaker 8: Because it can weed off into comedy then.
- 11:14Speaker 1: Which a lot of those shows do.
- 11:17Speaker 5: Right.
- 11:18Speaker 8: And so she teaches meditation and went and looked into
- 11:22Speaker 8: her navel over in Tibet or India or wherever. And
- 11:25Speaker 8: it was fascinating because she is a dork about– it's
- 11:29Speaker 8: the dork forest. And the last week's episode was this
- 11:32Speaker 8: woman who has watched every episode of Sex and the City.
- 11:36Speaker 3: On purpose? Innumerable.
- 11:37Speaker 8: Innumerable times.
- 11:39Speaker 10: Yeah.
- 11:39Speaker 8: And that's the thing about the Dork Forest is that
- 11:40Speaker 8: if I don't like the thing that you like, save space.
- 11:44Speaker 8: You get to dork out about whatever the thing you like.
- 11:46Speaker 1: That's cool.
- 11:46Speaker 8: I don't know anything about MMA or wrestling. Those wrestling
- 11:51Speaker 8: guys are pretty intense, though. They're hardcore. They're hard to
- 11:54Speaker 8: stop talking.
- 11:55Speaker 7: I'm like, hey.
- 11:56Speaker 1: That's their job.
- 11:57Speaker 7: More than hitting people is talking about hitting people beforehand.
- 12:01Speaker 8: The fans, it's just like, well, this has been fascinating.
- 12:04Speaker 8: I'm turning off the recorders. Because when people dork out
- 12:07Speaker 8: about what they love.
- 12:07Speaker 5: Oh, yeah.
- 12:08Speaker 7: It's nonstop.
- 12:10Speaker 8: I'm one of them. Yeah, I'm on board.
- 12:12Speaker 7: But that's, yeah. And there's so many weird little tiny
- 12:15Speaker 7: rabbit holes you can fall down now.
- 12:17Speaker 1: On the way here, I was like, I'm nominating Misty,
- 12:19Speaker 1: who's sitting here. Hers is like, of the new things
- 12:23Speaker 1: she's gotten into, there's so many levels of her geekiness.
- 12:25Speaker 1: But like, the young adult horror themed novel.
- 12:29Speaker 2: Fear Street Books.
- 12:30Speaker 6: Christopher Pike.
- 12:32Speaker 8: Christopher Pike is the author? No, that's a different genre.
- 12:35Speaker 8: You've got R.L. Stine as the Fear Street books and
- 12:37Speaker 8: Christopher Pike as another genre.
- 12:39Speaker 1: It's all the young adult.
- 12:40Speaker 10: Oh, right.
- 12:41Speaker 8: YA stuff is huge, man.
- 12:43Speaker 7: But this is like 80s and stuff.
- 12:45Speaker 9: From when I was a kid.
- 12:47Speaker 10: Oh, so old school.
- 12:49Speaker 8: It's so narrow. That's beautiful. It's the very specific young
- 12:54Speaker 8: adult stuff when it started. Prior, they called them boys
- 12:58Speaker 8: books when... And I was going to say, when I
- 13:01Speaker 8: was a kid, 1910? Back in the day. That's not,
- 13:05Speaker 8: except for the fact that that is not true.
- 13:07Speaker 7: When we invented books.
- 13:09Speaker 8: Joseph A. Altshuler wrote this series of books, and they
- 13:12Speaker 8: were called boys' books. And they're better written than they have,
- 13:16Speaker 8: I mean, they're amazing. I'm sure that they were crap
- 13:19Speaker 8: in the day.
- 13:19Speaker 1: Because he was born in 1860. All of that was popey, schlocky.
- 13:23Speaker 3: Right, he was born in 1865.
- 13:23Speaker 8: He died in like 1922. And he wrote a Civil
- 13:29Speaker 8: War series, four and four. Guess what it was? Cousins.
- 13:33Speaker 8: One fought for the North, one fought for the South,
- 13:35Speaker 8: you guys. Joseph A. Altshuler.
- 13:37Speaker 3: Crazy.
- 13:37Speaker 8: I read them when I was in junior high.
- 13:38Speaker 7: We should make a miniseries out of them.
- 13:40Speaker 8: And they're out of print, but guess what? They're free
- 13:42Speaker 8: on Kindle because they're in public domain now.
- 13:44Speaker 7: Because they're so old, yeah.
- 13:45Speaker 10: Yeah.
- 13:45Speaker 8: And then he also wrote French and Indian Revolution books.
- 13:52Speaker 8: French and Indian Wars one, and there were four of them.
- 13:55Speaker 7: What about a weird niche?
- 13:56Speaker 8: It's super. And then he wrote, I think it was
- 13:59Speaker 8: two books set in World War I. And those were
- 14:02Speaker 8: his last two books. And so, you know, they're just,
- 14:05Speaker 8: they're called boys books because they're about 17-year-old kids who
- 14:08Speaker 8: essentially either go into the woods or go to war. And, yeah.
- 14:14Speaker 8: But YA as a topic, I think, only came up
- 14:17Speaker 8: in the 80s. Like that's when the real genre started.
- 14:20Speaker 8: And so you're into horror?
- 14:22Speaker 3: Yeah.
- 14:23Speaker 10: Okay, well.
- 14:24Speaker 8: But not too spooky, because I read it before I
- 14:25Speaker 8: go to bed, and I don't want to have nightmares. Oh, jeez,
- 14:28Speaker 8: I can't read any of them. Have you ever read
- 14:30Speaker 8: Gail Carriger? She writes steampunk vampire, they're freaking awesome. It's
- 14:37Speaker 8: called The Finishing School, and it's a series of, they're,
- 14:42Speaker 8: There's an adult series and there's a YA series. And
- 14:45Speaker 8: the finishing school is the YA series. And it's about
- 14:47Speaker 8: girls who go to this finishing school and they learn
- 14:49Speaker 8: to use their fans as weapons. And they learn how
- 14:53Speaker 8: to dress cool and poisons. And it's a world that
- 14:57Speaker 8: is steampunk and it's a world that has vampires and
- 15:00Speaker 8: werewolves and other spookies. So Gail Carragher, I would think Carragher,
- 15:09Speaker 8: but she's been on the Dork Forest, and she said
- 15:12Speaker 8: it's Carragher. So who am I? I'll pronounce my name Cation.
- 15:15Speaker 8: That's how I do it.
- 15:17Speaker 1: Well, I think it hit that time. That's what you
- 15:19Speaker 1: were saying, that didn't even exist in the 80s, and
- 15:21Speaker 1: that's what I wanted to ask you was just about
- 15:23Speaker 1: the dorkiness, our geek obsessions.
- 15:26Speaker 7: Is that just.
- 15:27Speaker 1: Because we live in this time? Like starting in the 80s,
- 15:29Speaker 1: that was the Gen X thing kicked in when we
- 15:31Speaker 1: were little kids.
- 15:33Speaker 8: And computers, and now you could prodigy and meet people
- 15:36Speaker 8: in other towns. Which I did.
- 15:38Speaker 5: Right.
- 15:38Speaker 1: And talked to this girl in California forever and never
- 15:41Speaker 1: got to know who she was, really. Like, it was just.
- 15:43Speaker 7: Weird interconnections through the computer.
- 15:46Speaker 1: It's a new thing, kids. It's going to catch on.
- 15:47Speaker 8: I think it was the computer. It had to be
- 15:49Speaker 8: because you could find the 12 other people in the
- 15:51Speaker 8: world who liked the very specific Garbage Pail Kid stickers
- 15:55Speaker 8: that you had when you were a kid. They also
- 15:58Speaker 8: had those same. And so, I mean, it used to
- 16:01Speaker 8: be pen pals, you know?
- 16:02Speaker 7: Yeah.
- 16:03Speaker 8: But now... And now you can just go on any
- 16:06Speaker 8: Reddit board in the world and you can meet a
- 16:08Speaker 8: hundred people that are your friends.
- 16:10Speaker 7: And is it that we just have more time?
- 16:13Speaker 1: Like, again, we're just a lazier culture now. Like World
- 16:15Speaker 1: War II, people wouldn't have cared about any of this
- 16:18Speaker 1: nonsense because they were trying to die and keep their
- 16:20Speaker 1: family alive.
- 16:21Speaker 8: Well, you know, my father always says that when we
- 16:25Speaker 8: were kids, he used to say that we had a
- 16:26Speaker 8: lot more free time and that it it created revolution.
- 16:30Speaker 8: He said, you know, the great thing about dictatorships is
- 16:33Speaker 8: that they don't have any time because they're busy trying
- 16:35Speaker 8: not to be killed by the government and then a
- 16:37Speaker 8: lot of farming, trying to find food and shelter. And
- 16:41Speaker 8: my father, sometimes glass half full, sometimes glass half empty,
- 16:45Speaker 8: that guy.
- 16:45Speaker 1: I think we all had that, right?
- 16:46Speaker 8: Yeah, I think. And so he is, but I think
- 16:51Speaker 8: there's definitely a leisure class, especially among white people. You know,
- 16:55Speaker 8: I mean, there's a certain amount of, even if you're
- 16:58Speaker 8: poor and white, you are saving up for, I don't know,
- 17:02Speaker 8: a bass boat.
- 17:02Speaker 9: A new Xbox.
- 17:03Speaker 8: Right, your Xbox or your PS4 and it's, it's, yeah, it's, and,
- 17:10Speaker 8: you know, I got, I got a nephew, I got
- 17:12Speaker 8: a couple of nephews who refuse to get a shitty
- 17:14Speaker 8: day job because they're above it. And I'm like, really?
- 17:17Speaker 1: Again, I think that's that new generational thing that like
- 17:20Speaker 1: each generation we get a little worse about it.
- 17:22Speaker 8: The rest of that generation, because I have a dozen
- 17:24Speaker 8: nieces and nephews. I have 13 nieces and nephews and
- 17:27Speaker 8: four great nieces and nephews. And, uh, The other, I
- 17:30Speaker 8: would say 11 of them, have had shitty day jobs.
- 17:33Speaker 1: I think we're giving them that option now, though. It
- 17:37Speaker 1: didn't used to be. It was like, you're 11, go
- 17:39Speaker 1: get a job.
- 17:40Speaker 7: And you would. But now we've got it very relaxed.
- 17:44Speaker 8: Yeah, your parents will let you move back in with them.
- 17:46Speaker 1: My parents were not interested.
- 17:47Speaker 7: Working on that right now.
- 17:49Speaker 8: What are you doing?
- 17:50Speaker 3: Oh, Lord.
- 17:50Speaker 7: But no, I don't know. It's just a weird generational thing.
- 17:53Speaker 1: Thing that i think has allowed us to all be
- 17:55Speaker 1: these geeks that we want to be i think it's
- 17:58Speaker 1: the tech yeah yeah i think that i think it's
- 18:00Speaker 1: all of that yeah world into one it's just timing
- 18:02Speaker 1: of the universe right right.
- 18:04Speaker 8: It's 30 years of of tech which is two generations
- 18:07Speaker 8: of of people just going no no and and and
- 18:11Speaker 8: it's awesome because of the costumes because uh like i I,
- 18:16Speaker 8: the kind of dork that I've been, the kind of
- 18:17Speaker 8: nerd or geek that I've always been is sort of marginal.
- 18:21Speaker 8: I mean, I always read a lot and that made
- 18:23Speaker 8: me sort of antisocial. but I didn't have that sort
- 18:26Speaker 8: of community. My husband, he is a game designer, but
- 18:30Speaker 8: when he was 19, he was in the first LARPing.
- 18:34Speaker 8: They didn't even call it LARPing. He was like, it's
- 18:38Speaker 8: a costume party with game mechanics. It was a theater event.
- 18:42Speaker 8: It was part of his science fiction club. They would
- 18:46Speaker 8: play board games, and they would play D & D,
- 18:48Speaker 8: and they would play LARPing, and then then LARPing was
- 18:53Speaker 8: invented and codified. And then now there's buffer LARPing and
- 18:57Speaker 8: theatrical LARPing. And, and I know all this because I
- 18:59Speaker 8: have a podcast where people tell me too much about everything.
- 19:02Speaker 8: And so I have a little bit of information. I
- 19:04Speaker 8: don't know enough about anything to be an expert on it,
- 19:07Speaker 8: but I'm enthusiastic, which is good. That'll do.
- 19:11Speaker 1: But yeah, I think it's just that weird thing that's
- 19:14Speaker 1: kicked in now. And it, it just gives us the
- 19:16Speaker 1: freedom and the way to connect with all.
- 19:18Speaker 7: These other dorks that like the same thing.
- 19:21Speaker 1: That's, It's good.
- 19:22Speaker 7: I wonder where we're going this next couple of generations ahead.
- 19:29Speaker 7: It's frightening if I think about it too much. So
- 19:31Speaker 7: we'll just see how it goes.
- 19:32Speaker 8: Don't be scared. It's going to be fine. What my
- 19:34Speaker 8: father said about, I was reading a book about the
- 19:37Speaker 8: science fiction book and he goes, what are you reading?
- 19:40Speaker 8: What are you reading over there? And I said, well,
- 19:42Speaker 8: it's about a dystopian future. It's kind of cool. And
- 19:44Speaker 8: he goes, you know, people are always talking about a
- 19:46Speaker 8: dystopian future. Have you looked around? We live in a
- 19:49Speaker 8: dystopian present. You know what the dystopian future is going
- 19:51Speaker 8: to look like? Just like this. Your car is going
- 19:53Speaker 8: to be 10 years old and you're going to be
- 19:54Speaker 8: looking for work. Don't worry about it. Again, glass half full.
- 19:59Speaker 8: That guy's around. So don't worry about it. It's going
- 20:02Speaker 8: to be fine. You're going to keep plugging, and then
- 20:04Speaker 8: one day you will die.
- 20:05Speaker 1: We make do.
- 20:07Speaker 8: Yeah, it is cheerful, but it's, you know, just trying
- 20:10Speaker 8: to have fun in the midst. That's my thing anyway.
- 20:13Speaker 11: I met you a week ago today I never thought
- 20:18Speaker 11: it would end this way I thought for sure this
- 20:23Speaker 11: time it would last.
- 20:26Speaker 6: I can't believe it's gone so fast. But it was.
- 20:30Speaker 12: So nice while it lasted.
- 20:35Speaker 6: So very nice while it lasted.
- 20:39Speaker 12: It was so nice.
- 20:42Speaker 11: So nice while it lasted.
- 20:49Speaker 1: Seven days I.
- 20:52Speaker 5: Yes, folks, it's intermission time. So how about taking a break?
- 20:56Speaker 5: Get out and stretch a little and relax before the
- 20:59Speaker 5: show begins again. And why not make it refreshment time, too?
- 21:03Speaker 5: We have lots of tasty, delicious treats waiting for you
- 21:06Speaker 5: at the refreshment center. There's hot popcorn, so golden good
- 21:11Speaker 5: and fresh out of the popper. And all kinds of
- 21:13Speaker 5: refreshing ice-cold soft drinks. So why not visit the refreshment
- 21:17Speaker 5: center now? Our courteous attendants are ready and waiting to
- 21:20Speaker 5: serve you with a wide and wonderful variety of good
- 21:24Speaker 5: things to eat and drink. So step right up and
- 21:27Speaker 5: make yourself at home. On this day of independence, on
- 21:36Speaker 5: this Independence Day, listen to an American troubadour from the USA.
- 21:54Speaker 10: Holiday Inn.
- 21:56Speaker 5: Never has there been such a show as this. From
- 21:58Speaker 5: Easter to Christmas, from the 4th of July to Thanksgiving,
- 22:01Speaker 5: there's a song for every holiday and a holiday for
- 22:05Speaker 5: every song.
- 22:06Speaker 9: You'll be the grandest lady in the Easter parade.
- 22:14Speaker 12: USA is united thanks to one whose name was Nancy Hanks.
- 22:20Speaker 6: Abraham.
- 22:22Speaker 10: Abraham.
- 22:27Speaker 2: Easy to dance with.
- 22:29Speaker 9: Be careful.
- 22:33Speaker 10: It's my heart.
- 22:36Speaker 9: It's not my watch you're holding.
- 22:39Speaker 5: It's my heart. Holiday Inn.
- 22:43Speaker 7: This episode is sponsored by World of Leathercraft. Specializing in
- 22:46Speaker 7: handmade leathercraft items with a specific nod to the geeky genres.
- 22:50Speaker 7: Whether you're looking for a wallet, purse, keychain, bracelet, money clip,
- 22:54Speaker 7: luggage tank, book cover, phone sleeve, laptop bag, whatever it is,
- 22:58Speaker 7: World of Othercraft has so much to choose from. Plus,
- 23:00Speaker 7: with genre themes like Star Wars, Doctor Who, Supernatural, Cowboy Bebop,
- 23:05Speaker 7: Magic the Gathering, and more, you'll let people know you
- 23:08Speaker 7: aren't messing around with store-bought junk. Your fandom runs deep
- 23:12Speaker 7: because you're carrying a handmade work of art. And since
- 23:15Speaker 7: you're a Movie Meltdown listener, you get a special deal.
- 23:18Speaker 7: Just use coupon code MELTDOWN25 at checkout and get 25%
- 23:22Speaker 7: off all orders.
- 23:23Speaker 4: Over $ 50. Plus free shipping on everything. So to find
- 23:26Speaker 4: World of Leathercraft, go to etsy.com slash shop slash World
- 23:30Speaker 4: of Leathercraft. Or just go to moviemeltdown.com and click on
- 23:34Speaker 4: the World of Leathercraft banner at the bottom of the page.
- 23:37Speaker 4: Then it will take you to their Etsy page and
- 23:39Speaker 4: you can take a look at all the geek-friendly products
- 23:41Speaker 4: they have to offer.
- 24:02Speaker 9: I'm Arthur Cotto, and you're listening to Movie Meltdown.
- 24:09Speaker 6: It's part of your problem, you know.
- 24:11Speaker 9: You haven't seen enough movies.
- 24:13Speaker 10: All of life's riddles are answered in the movies.
- 24:16Speaker 6: And now, on with the show.
- 24:54Speaker 13: If we took the holiday, took some time to celebrate,
- 25:00Speaker 13: just one day out of life, it would be, it
- 25:08Speaker 13: would be so nice. We thought it was worth, we're
- 25:15Speaker 13: gonna have a celebration.
- 25:22Speaker 1: All right, so I guess to ease our way into movies,
- 25:26Speaker 1: you picked a movie. Have you always been a movie
- 25:28Speaker 1: fan as like a side dorky thing?
- 25:31Speaker 11: No.
- 25:32Speaker 8: I like movies, but I don't know. Like Doug Benson
- 25:36Speaker 8: has a podcast about movies, and it's called Doug Loves Movies,
- 25:41Speaker 8: and there's always some contest where you have to know
- 25:43Speaker 8: things about movies, and I'm the worst. I mean, I
- 25:46Speaker 8: think there are worse people than me. So as per usual, I.
- 25:51Speaker 1: i don't care enough.
- 25:52Speaker 8: To know i and i have i genuinely have some
- 25:57Speaker 8: sort of there's like 200 slots in my brain where
- 26:00Speaker 8: i can recognize people and everybody looks the same other
- 26:04Speaker 8: than that and there's five different people in the world
- 26:06Speaker 8: yeah so if you are a giant black guy i've
- 26:10Speaker 8: seen you before and i don't know what your name
- 26:12Speaker 8: is is jim No, that's not it. I'm sorry. Barry?
- 26:16Speaker 10: Okay.
- 26:17Speaker 8: And if you're a white guy with a beard, you're
- 26:20Speaker 8: also fucked.
- 26:20Speaker 1: Mm-hmm.
- 26:21Speaker 8: Because I know a 30 of those guys. And if
- 26:23Speaker 8: you do stand-up, I'm screwed.
- 26:25Speaker 3: Yeah.
- 26:26Speaker 8: And so if you're a white woman who is tiny
- 26:29Speaker 8: and very fit, yeah, I know a hundred of you.
- 26:33Speaker 7: This makes trivia really hard for you.
- 26:35Speaker 8: So, yeah.
- 26:36Speaker 1: It's that one guy, you know.
- 26:37Speaker 6: Right.
- 26:37Speaker 8: So I... Even as a kid, I got Rock Hudson
- 26:41Speaker 8: and Cary Grant mixed up. And they're both tall, dark-haired dudes.
- 26:45Speaker 8: But they're very different looking. I mean, I can tell
- 26:47Speaker 8: them apart now.
- 26:48Speaker 5: Hi.
- 26:49Speaker 1: But it took.
- 26:50Speaker 8: And by the way, those are two of the slots.
- 26:52Speaker 8: It's not cool. It's not okay. So Jake Gyllenhaal from Minnesota.
- 26:59Speaker 7: Jake, Maggie, I don't know.
- 27:00Speaker 1: I can't keep it straight.
- 27:02Speaker 8: Yeah, I mean, so him and Ryan Gosling and... all
- 27:06Speaker 8: of those sort of dark-haired, super-fit dudes, you're like, now
- 27:09Speaker 8: they seem very handsome.
- 27:10Speaker 1: Well, especially now. I think, like, at least back in
- 27:13Speaker 1: the day, you could be kind of different-looking and get
- 27:15Speaker 1: different kind of roles. But now I feel like modern
- 27:18Speaker 1: movies want nothing but pretty people, and they want them
- 27:21Speaker 1: all to be kind of one of those six people
- 27:23Speaker 1: that you've seen before. Because that way, if we can't
- 27:25Speaker 1: get him, we'll just get this guy, because he looks
- 27:26Speaker 1: a lot like him anyway, and they're both mediocre actors,
- 27:29Speaker 1: so whatever, you know.
- 27:30Speaker 8: I don't know how their acting is, but the... Okay.
- 27:35Speaker 8: You guys said that, not me.
- 27:37Speaker 1: I wasn't naming specifics.
- 27:38Speaker 8: I'm trying to work in this industry.
- 27:39Speaker 1: I'm just saying a lot of actors.
- 27:40Speaker 8: You guys want to shit on some actors, you go
- 27:42Speaker 8: for it. Just some actors.
- 27:42Speaker 1: I didn't say which actors.
- 27:44Speaker 8: I think Ryan Gosling and Jake Gyllenhaal. Those guys are
- 27:48Speaker 8: mediocre actors, right?
- 27:48Speaker 1: Gyllenhaal's really good.
- 27:50Speaker 8: Those guys are mediocre, you just said, right?
- 27:52Speaker 5: No. Take it back.
- 27:53Speaker 1: I was just naming actors in general. There are plenty
- 27:56Speaker 1: out there. They can't all be good.
- 27:58Speaker 8: No, no. Yeah, yeah. There's plenty of crummy everybody, right?
- 28:02Speaker 6: Yeah.
- 28:02Speaker 1: I mean, you know, that's why I think it's weird, though.
- 28:04Speaker 1: The industry now kind of feeds off of what they need. And,
- 28:08Speaker 1: you know, regardless of whether or not you're talented... Who's.
- 28:11Speaker 8: That fat guy who's always funny? Who got skinny?
- 28:14Speaker 7: You know, that one guy.
- 28:16Speaker 8: Jonah Hill? Jonah Hill?
- 28:18Speaker 1: Jonah.
- 28:18Speaker 8: Yeah, Jonah Hill, I think.
- 28:20Speaker 1: But now he's a serious actor. Maybe that's why he
- 28:22Speaker 1: had to lose the weight.
- 28:23Speaker 7: He wanted to be taken serious.
- 28:24Speaker 8: Yeah, and then there's Adam Sandler, and he's goofy looking. So,
- 28:27Speaker 8: I mean, there's kind of... There's the goofy looking dude thing.
- 28:31Speaker 8: And then... um, Melissa McCarthy, who was on, I loved
- 28:36Speaker 8: her on Gilmore girls. And so, but she has opened
- 28:41Speaker 8: up some normal looking women and fat women can now
- 28:45Speaker 8: be in movies. And that's an exciting, a brave new world.
- 28:50Speaker 7: And I'm amazed, like just this last season, I hadn't
- 28:53Speaker 7: paid attention to the show, her show. And I was
- 28:55Speaker 7: just like, it came on. I was like, oh my God,
- 28:57Speaker 7: I haven't seen her lately.
- 28:58Speaker 1: She's dropped so much weight.
- 29:00Speaker 8: Mike and Molly?
- 29:01Speaker 5: Yeah.
- 29:01Speaker 8: Okay.
- 29:02Speaker 1: She is so skinny compared to looking back at Gilmore Girls.
- 29:05Speaker 1: She was a big lady.
- 29:06Speaker 10: Yeah.
- 29:06Speaker 7: She's lost a lot of weight.
- 29:09Speaker 1: I'm mostly just impressed. I'm like, you did a lot
- 29:11Speaker 1: of work for that. But I wonder how much is,
- 29:15Speaker 1: I'm getting real movie roles now.
- 29:17Speaker 7: I wonder if I will start.
- 29:19Speaker 1: To lose those if I don't. Conform a little bit.
- 29:22Speaker 8: No, they shit on her hardcore all the time about
- 29:26Speaker 8: her weight, and she's never going to weigh 135 pounds.
- 29:29Speaker 1: And that's the way everybody knows her. I was kind
- 29:32Speaker 1: of like, you don't want to change too much because
- 29:34Speaker 1: your fan base loves you for who you are, and
- 29:37Speaker 1: if you kind of turn on them and become somebody else.
- 29:40Speaker 8: Saying, Hey, fat fuck, why don't you lose some weight?
- 29:43Speaker 7: She's not going to Holly.
- 29:44Speaker 1: Well, it's the fact that she broke through is amazing.
- 29:48Speaker 8: Really?
- 29:48Speaker 5: Right.
- 29:48Speaker 8: And she was, and it's, I mean, there's, there was
- 29:50Speaker 8: this great article about that just complained about all of
- 29:53Speaker 8: her that said that she was the same character in
- 29:56Speaker 8: all of her roles. And you're like, No, I don't
- 29:59Speaker 8: know that you're watching. Are you watching this?
- 30:01Speaker 1: In general, that happens a lot. Let's not single her
- 30:04Speaker 1: out for being who she is or a woman or whatever,
- 30:06Speaker 1: but Adam Sandler? Is he different in any movie?
- 30:09Speaker 8: Yeah, but the role that she played in the Gilmore
- 30:11Speaker 8: Girls was a lot different than the sort of trashy
- 30:16Speaker 8: no Miranda rights in the heat versus the sort of
- 30:20Speaker 8: uptight spy lady in spy, you know, those are all.
- 30:24Speaker 8: And then she was a criminal in the, in the
- 30:26Speaker 8: thing that I couldn't watch cause that looked horrible. Um,
- 30:29Speaker 8: and then, but cause I, I genuinely love Melissa McCarthy.
- 30:32Speaker 8: I would, but I would not, I can't watch her.
- 30:37Speaker 8: I mean, I, I love her with Paul Feig. I
- 30:39Speaker 8: think it's, I love her. He's directed the, the heat.
- 30:43Speaker 8: And I think he directed Spy as well. Yeah, he did.
- 30:46Speaker 8: So I think I like Paul Feig a lot, and
- 30:48Speaker 8: I like the woman who wrote The Heat. She used
- 30:50Speaker 8: to write on Parks and Rec. And it was filthy,
- 30:55Speaker 8: but it was hilarious and not a Miranda right to
- 30:59Speaker 8: be seen.
- 30:59Speaker 1: Yeah.
- 31:00Speaker 8: It's essentially The Heat reminds me of sort of an
- 31:02Speaker 8: updated version of Midnight Run. Did you ever see that?
- 31:06Speaker 1: That's one of my favorite buddy movies ever. Above and
- 31:09Speaker 1: beyond buddy movies.
- 31:10Speaker 7: Like, it's just a great movie, period.
- 31:13Speaker 1: Like, it's just well written.
- 31:15Speaker 8: Yeah.
- 31:15Speaker 1: Those two, again, finding a dynamic that shouldn't work. and
- 31:18Speaker 1: clicked in a way you never would have seen. It
- 31:21Speaker 1: was amazing.
- 31:22Speaker 8: That's such a great movie. I thought about picking that
- 31:24Speaker 8: one for this, but you wouldn't have had to actually watch.
- 31:28Speaker 1: It because I'm sure you own it. I would have
- 31:29Speaker 1: re-watched it. You would have re-watched it.
- 31:32Speaker 7: I'm in for these.
- 31:33Speaker 1: I let people pick the weirdest stuff sometimes, and I'm like,
- 31:35Speaker 1: I'm in if you want to watch When Harry Met Sally.
- 31:37Speaker 8: What kind of movies don't you like?
- 31:39Speaker 1: I'm again, I don't single out any, like.
- 31:42Speaker 8: I can't watch horror. I can't see. I love horror.
- 31:45Speaker 8: I'm sure that's your favorite, but like I tried to
- 31:48Speaker 8: trade with somebody in college. They said, if you watch
- 31:50Speaker 8: the omen, I'll watch pillow talk. And so I was like, well,
- 31:55Speaker 8: we have to end with pillow talk cause I'm going
- 31:56Speaker 8: to bed. And so we watched the omen and then
- 31:59Speaker 8: they wouldn't fricking watch pillow talk.
- 32:01Speaker 10: And, uh, Pillow Talk's adorable.
- 32:04Speaker 8: It's an indictment against society, you guys. It's pretty sweet.
- 32:08Speaker 1: I think the newer stuff that falls, again, the more romantic,
- 32:12Speaker 1: or actually comedies in general, like the handful that we've mentioned,
- 32:15Speaker 1: the Paul Feig stuff, maybe I feel like a lot
- 32:17Speaker 1: of comedies now are so dumbed down that I don't
- 32:20Speaker 1: seek them out.
- 32:21Speaker 8: Well, there's Trouble. it's steve carell is an amazing actor
- 32:24Speaker 8: yeah uh i have yet to see a script that
- 32:26Speaker 8: he has chosen that i have been psyched about.
- 32:28Speaker 1: And i'm assuming that's just what they hand him like
- 32:30Speaker 1: they're just we want you to be kind of that
- 32:32Speaker 1: steve carell guy here's a script that.
- 32:34Speaker 8: Remember devil wears prada with meryl streep and uh and
- 32:38Speaker 8: the and the ute uh okay and hathaway yes and
- 32:43Speaker 8: uh and uh and the and who played her boyfriend
- 32:46Speaker 8: okay Okay. Well, it's two different movies, Devil Wears Prada.
- 32:51Speaker 8: Meryl Streep is in a drama about a middle-aged lady
- 32:55Speaker 8: going through a divorce. And Anne Hathaway is in a
- 32:57Speaker 8: romantic comedy that's poorly written. And they're two different. I
- 33:03Speaker 8: would like to see both of those movies. I certainly
- 33:05Speaker 8: don't want to see that movie.
- 33:06Speaker 7: Jammed together.
- 33:07Speaker 8: That movie is jarring as all hell to me. And
- 33:11Speaker 8: it got Academy Award. It got so acclaimed. And I
- 33:14Speaker 8: was like, And I was taking an acting class and
- 33:16Speaker 8: they insisted we watch it. And I was like, no,
- 33:19Speaker 8: this is not good. But I've also, in acting class,
- 33:22Speaker 8: they asked who our favorite actor was. And I said
- 33:24Speaker 8: Dennis Quaid. Just because I think he's handsome.
- 33:29Speaker 1: I love Jaws 3D. I love Breaking Away. He is
- 33:32Speaker 1: good in Breaking Away. That's one of those, like, I.
- 33:36Speaker 8: May not be your movie geek that you're looking for,
- 33:38Speaker 8: by the way.
- 33:39Speaker 1: Well, no, again, because I like to throw it out
- 33:41Speaker 1: there to everybody. I don't like to fall too much into,
- 33:43Speaker 1: because again, we'll do horror all day long, but I'm like.
- 33:46Speaker 7: I think you just start to repeat yourself after a while.
- 33:48Speaker 1: Like, you just fall into the same, again, my Dork
- 33:51Speaker 1: Forest angle is like, I feel like you can go
- 33:54Speaker 1: to movies and find anything, really, because each story differs
- 33:59Speaker 1: so much because you are getting totally different topics and
- 34:02Speaker 1: totally different parts of the world, maybe, and like, you
- 34:04Speaker 1: just bring in a totally different approach to it depending
- 34:07Speaker 1: on the movie.
- 34:08Speaker 7: So I just kind of like film.
- 34:10Speaker 6: Yeah.
- 34:10Speaker 7: But then I'm certainly drawn to the geekier genres. I
- 34:13Speaker 7: like your sci-fis and your horrors.
- 34:15Speaker 8: Have you ever heard Matt Weinhold's podcast called, him and
- 34:19Speaker 8: four other guys, it's not his podcast, but it's called
- 34:22Speaker 8: Monster Party. And all they talk about are monsters.
- 34:25Speaker 7: Yes. I, I, I know of it.
- 34:26Speaker 9: Yeah.
- 34:26Speaker 8: I did one about supposedly fiendish females and they know
- 34:30Speaker 8: that I don't know anything about movies. So they're like,
- 34:32Speaker 8: you could pick comic books and TV and books if
- 34:35Speaker 8: you need to. And they said, who's your fiendish female?
- 34:38Speaker 8: And my, and luckily out the gate, I had picked
- 34:41Speaker 8: Shelob from Lord of the Rings, who is the spider in, in, um,
- 34:46Speaker 8: in the, in, in Kirith Ungle in the, yeah. So, uh,
- 34:51Speaker 8: So that, that was a save, but I, I, they
- 34:53Speaker 8: know so many monster movies from the thirties and forties
- 34:56Speaker 8: and fifties and you know, all these.
- 34:59Speaker 3: Yeah.
- 34:59Speaker 8: And one of the episodes coming up on the dork
- 35:01Speaker 8: forest is just about zombies.
- 35:03Speaker 7: And there's a multitude now.
- 35:05Speaker 6: Right.
- 35:05Speaker 8: And well, this guy, he bought five or six years ago,
- 35:09Speaker 8: started working with his people to make a role playing
- 35:11Speaker 8: game where you could, uh, it's called outbreak undead maybe.
- 35:16Speaker 8: And whatever, it doesn't matter, but.
- 35:17Speaker 7: It's all interchangeable.
- 35:18Speaker 10: Right.
- 35:18Speaker 8: And well, he, The cool thing about his RPG is
- 35:22Speaker 8: that you can make yourself as a zombie fighter and
- 35:26Speaker 8: play your character, except for that you probably die because
- 35:30Speaker 8: you don't have any skill sets. So what you do
- 35:32Speaker 8: is you fill out this personality. He actually commissioned a
- 35:36Speaker 8: personality test. So you answer like 40 questions. It gives
- 35:39Speaker 8: you your stats. And then he said that somebody emailed
- 35:44Speaker 8: him and they said, because of the game, they went
- 35:47Speaker 8: and they started working out.
- 35:50Speaker 1: I want to change my stats.
- 35:52Speaker 8: And they started going to the gun range, which, by
- 35:55Speaker 8: the way, I've only been to the gun range once.
- 35:57Speaker 8: Super fun. That's where guns belong, at the gun range.
- 36:00Speaker 1: I'm working out my charisma. I'm going to roll my
- 36:03Speaker 1: 20 die and see where I end up.
- 36:05Speaker 8: On that range. And stand-up comics, all we have are charisma.
- 36:08Speaker 8: It's not going to help with zombies. You will be killed.
- 36:11Speaker 8: You will die. You will be piled upon.
- 36:13Speaker 1: Get a zombie with a really good sense of humor.
- 36:15Speaker 8: He's like, wait, wait, wait, guys.
- 36:16Speaker 1: Let's not eat him yet.
- 36:17Speaker 10: Hold on.
- 36:18Speaker 8: Shaun of the Dead.
- 36:18Speaker 1: He's got some good material here.
- 36:20Speaker 3: Wait a minute.
- 36:22Speaker 7: But yeah. So again, that's kind of my take.
- 36:25Speaker 1: I think there's so much to film that you can
- 36:27Speaker 1: find whatever you want from it.
- 36:29Speaker 7: And then everybody.
- 36:30Speaker 1: Normally, again, I run into some people that just don't
- 36:33Speaker 1: get it as a whole. But for the most part,
- 36:35Speaker 1: most people at least have like their thing that they're
- 36:37Speaker 1: into if it's one movie or one genre or something.
- 36:40Speaker 7: That they just kind of are taken with.
- 36:42Speaker 1: So to get into this.
- 36:44Speaker 9: Week's... It's time for Sofa Theater.
- 36:48Speaker 6: How's your garden grow, Case?
- 36:50Speaker 10: Is life wonderful where you are?
- 36:52Speaker 9: Can be.
- 36:53Speaker 3: But it hasn't been? Well, I don't call what I've
- 36:55Speaker 3: been doing living.
- 36:56Speaker 10: And what do you recommend for yourself, Doctor?
- 36:58Speaker 3: A holiday. Follow him. As long as I need.
- 37:01Speaker 10: You mean just to play?
- 37:02Speaker 6: No.
- 37:03Speaker 3: No, I've been working since I was 10. I want
- 37:05Speaker 3: to find out why I'm working. The answer can't be
- 37:07Speaker 3: just to pay bills or to pile up more money.
- 37:09Speaker 3: Even if you do, the government's going to take most
- 37:11Speaker 3: of it.
- 37:12Speaker 8: Yes, but what is the answer?
- 37:13Speaker 3: Well, I don't know. That's what I intend to find out.
- 37:15Speaker 3: You know, the world's changing out there. There's a lot
- 37:17Speaker 3: of new, exciting ideas running around. Some of them might
- 37:19Speaker 3: be writing, some might be car guy, but they're affecting
- 37:21Speaker 3: all our lives. They want to know how I stand,
- 37:23Speaker 3: where I fit into the picture, what it's all going.
- 37:25Speaker 5: To mean to me.
- 37:25Speaker 3: I can't find that out sitting behind some desk in
- 37:27Speaker 3: an office, so as soon as I get enough money together,
- 37:29Speaker 3: I'm going to knock off for a while.
- 37:30Speaker 10: Quit?
- 37:31Speaker 5: Quit.
- 37:32Speaker 3: I want to save part of my life for myself.
- 37:35Speaker 3: There's a catch to it, though. It's got to be
- 37:36Speaker 3: part of the young part. You know, retire young, work old.
- 37:40Speaker 3: Come back and work when I know what I'm working for.
- 37:42Speaker 3: Does that make sense to you?
- 37:44Speaker 1: This week's Silver Theater feature is Holiday. The year is 1938.
- 37:48Speaker 1: The director is George Cukor. Cukor.
- 37:51Speaker 7: I was trying to make.
- 37:52Speaker 1: Sure I wrote it down the right way.
- 37:53Speaker 8: Cukor.
- 37:54Speaker 1: And the plot, according to IMDb, which is always sketchy,
- 37:59Speaker 1: a young man falls in love with a girl from
- 38:01Speaker 1: a rich family. His unorthodox plans to go on a
- 38:03Speaker 1: holiday for the early years of his life are met
- 38:06Speaker 1: with skepticism by everyone except for his fiance's eccentric sister
- 38:10Speaker 1: and long-suffering brother. Spoiler alert.
- 38:15Speaker 8: Except for that it's Cary Grant and Katharine Hepburn plays
- 38:18Speaker 8: the sister.
- 38:18Speaker 1: Yeah.
- 38:19Speaker 8: So who goes in thinking that they're not going to
- 38:22Speaker 8: probably end up together?
- 38:24Speaker 1: Actually, again, we're rolling right into it here. So yeah,
- 38:27Speaker 1: go watch the movie because we'll spoil all this. But
- 38:30Speaker 1: it's been since 1938. So really, you're falling behind here.
- 38:33Speaker 3: Right.
- 38:34Speaker 8: Rosebud.
- 38:34Speaker 1: But yeah, I didn't expect to... get that far in,
- 38:39Speaker 1: you know, at least eventually you start seeing there's something there.
- 38:43Speaker 1: But like, yeah, the fact that we start off with
- 38:44Speaker 1: the sister and he spent so much time, I was like,
- 38:47Speaker 1: is it just not going to be a couple? Like,
- 38:50Speaker 1: are they just characters that happen to be in the story?
- 38:52Speaker 1: Cause they always put them together and like, usually they're
- 38:54Speaker 1: a couple. And I was like, this one's a little
- 38:57Speaker 1: different the way they're approaching it.
- 38:58Speaker 8: This one is incredibly well written. It's one of the
- 39:00Speaker 8: best written romantic comedies I think I've ever seen. I've
- 39:04Speaker 8: ever seen. And there's some great romantic comedies of that era, obviously.
- 39:07Speaker 8: There's His Girl Friday and.
- 39:09Speaker 7: It Happened One Night.
- 39:11Speaker 8: It Happened One Night and Bring a Baby. Bring a
- 39:14Speaker 8: Baby with Cary Grant and Katharine Hepburn. Katharine Hepburn plays
- 39:18Speaker 8: an idiot. And it is almost impossible. I have friends
- 39:22Speaker 8: who cannot watch it because they're like, she is not an...
- 39:25Speaker 8: what is, I can't.
- 39:26Speaker 1: Which is weird for her.
- 39:27Speaker 9: Yeah.
- 39:28Speaker 1: That is so not her type.
- 39:29Speaker 8: That's her acting.
- 39:30Speaker 5: Yeah.
- 39:30Speaker 8: And so that's some acting going on. She's probably the
- 39:33Speaker 8: smartest person in the room.
- 39:34Speaker 1: That was what I was sort of mentioning earlier. Like,
- 39:38Speaker 1: I feel like now you have to be the same
- 39:39Speaker 1: cookie cutter thing. I was like, back in the day.
- 39:42Speaker 1: specifically for women in the day like you could be
- 39:45Speaker 1: very unconventional you didn't like you could look like betty
- 39:48Speaker 1: davis and get leading film roles and i'm just like
- 39:50Speaker 1: that doesn't really happen now like you have to be
- 39:53Speaker 1: very specific and have a very leading woman look and
- 39:57Speaker 1: i feel like especially that run in like the 40s
- 39:59Speaker 1: where like they just gave great actresses great roles and
- 40:02Speaker 1: i'm just like that's awesome and like what a great
- 40:06Speaker 1: time it would have been to be an actress because
- 40:08Speaker 1: They were making a lot of it. He's a director
- 40:11Speaker 1: that kind of did that. He would always kind of
- 40:12Speaker 1: find amazing actresses and bring them in and be like.
- 40:16Speaker 8: George Cukor is amazing. He's such a great director. And
- 40:21Speaker 8: this movie, I saw it in 1989, I think, or 1990.
- 40:28Speaker 8: And I watched it, VHS, and then rewound it and
- 40:32Speaker 8: watched it again. That's why I ended up picking it.
- 40:35Speaker 12: Yeah.
- 40:36Speaker 8: It blew my mind because it has such a political B-plot. Like,
- 40:43Speaker 8: the message of it is just about, you know, we
- 40:48Speaker 8: were talking earlier about people doing what they want and
- 40:52Speaker 8: having this free time and this niche kind of thing.
- 40:54Speaker 8: And it's essentially about, you know, there's no reason. Cary
- 40:59Speaker 8: Grant grew up poor. And so he grows up poor.
- 41:03Speaker 8: And then he's... become relatively successful. And he's like, you know,
- 41:08Speaker 8: if I, if, if this deal goes through, I'm going
- 41:10Speaker 8: to take off.
- 41:11Speaker 7: Yeah.
- 41:11Speaker 8: And you get the impression that he's going to take
- 41:13Speaker 8: off for like three or four years.
- 41:15Speaker 3: At least.
- 41:15Speaker 8: At least.
- 41:16Speaker 1: He kind of makes it seem like, and I'm done working.
- 41:18Speaker 1: Like I'm just, I might have to come back to
- 41:21Speaker 1: it later if things don't work out. But he seems
- 41:22Speaker 1: like at that point he's done. And if everything, again,
- 41:26Speaker 1: he's so like open-minded about it. He's just like, and
- 41:28Speaker 1: if everything falls through, I might have to come back
- 41:30Speaker 1: and get a job when I'm old. But like, Right.
- 41:32Speaker 8: Or the money's going to last as long as the
- 41:35Speaker 8: money lasts, you know?
- 41:36Speaker 1: And he's not worried about it. It's not like I'm
- 41:38Speaker 1: stockpiling as much as I can. He's just like, I'm
- 41:40Speaker 1: going to take off as long as I can take off.
- 41:42Speaker 3: Right.
- 41:43Speaker 1: We'll see how this goes.
- 41:44Speaker 5: Right.
- 41:44Speaker 8: And it has this sort of a Capra-esque kind of
- 41:49Speaker 8: feel to it, except for that Frank Capra, he's a
- 41:53Speaker 8: little bit with a hammer, you know?
- 41:55Speaker 7: He's very structured in the way he does his very
- 41:57Speaker 7: happy little world.
- 41:58Speaker 8: Well, his message, there's never ever, like, it's not a mystery, right?
- 42:01Speaker 8: Do you remember that– I'm trying to find the movie
- 42:04Speaker 8: in my head, which is– it's a movie with Jimmy Stewart,
- 42:11Speaker 8: You Can't Take It With You. That's it. And You
- 42:13Speaker 8: Can't Take It With You was a huge hit early,
- 42:17Speaker 8: and I can't remember what year it was, but it
- 42:19Speaker 8: was during the Depression, and it was essentially about money,
- 42:24Speaker 8: and it was about people who had a lot of
- 42:25Speaker 8: money and who didn't have a lot of money. And
- 42:28Speaker 8: in Holiday, it's about people who have a lot of
- 42:30Speaker 8: money and about people– who sort of the American dream
- 42:34Speaker 8: where you worked and you used your smarts and you
- 42:36Speaker 8: used hard work and you got far. And then you
- 42:39Speaker 8: looked around and saw all that money and was like, oh, well,
- 42:43Speaker 8: I'm pretty sure this is not going to fill the
- 42:45Speaker 8: hole in my heart. So I'm going to go look
- 42:47Speaker 8: for that. And then he has the greatest friends in
- 42:51Speaker 8: the world. The two professors, the couple.
- 42:53Speaker 1: Yeah, that whole little relationship is amazing to watch.
- 42:57Speaker 5: Yeah.
- 42:58Speaker 8: And those character actors, I forget, do you have the.
- 43:01Speaker 1: I have the actors, yeah.
- 43:03Speaker 7: Let's see. Nick Potter is... Edward Everest Horton.
- 43:08Speaker 8: Yes, Edward Everest Horton, who was a great character actor
- 43:11Speaker 8: from the 30s.
- 43:11Speaker 1: Actually, the whole time I'm like, she looks really familiar.
- 43:14Speaker 7: She's Jean Dixon.
- 43:15Speaker 8: And she's Dick Dixon, yeah.
- 43:17Speaker 1: Yeah, she turns up in a lot of stuff over
- 43:20Speaker 1: the years.
- 43:20Speaker 8: And their timing together and their riffing is adorable and hilarious. And,
- 43:26Speaker 8: you know, when they're up in the playroom and Seton says,
- 43:31Speaker 8: Comes up.
- 43:33Speaker 7: The jackass cousin couple.
- 43:34Speaker 8: The jackass cousin couple. And he's like, you would make
- 43:37Speaker 8: more money if we had the right kind of government.
- 43:40Speaker 8: And so George Cukor is incredibly... He's just a lot
- 43:42Speaker 8: more subtle about dreams and about money and about government
- 43:47Speaker 8: and about politics. But I found it, in 1989 when
- 43:51Speaker 8: I watched it, enormously radical. I was like, this is 1938.
- 43:55Speaker 6: And.
- 43:57Speaker 8: They're talking about the brother who is a musician who
- 44:02Speaker 8: is not allowed. He's not allowed. He has to be
- 44:05Speaker 8: a banker because that's what his family's always done. But
- 44:09Speaker 8: he doesn't want to be a banker.
- 44:10Speaker 1: And he plays everything. Like within the course of this,
- 44:13Speaker 1: you see him like.
- 44:14Speaker 7: He's playing the drums. He plays piano.
- 44:16Speaker 1: He's playing like a piccolo or something when he comes
- 44:18Speaker 1: in the room. He's obviously very talented.
- 44:21Speaker 8: Right, he screwed around with a stringed instrument at one point.
- 44:23Speaker 1: Yeah, it's like he's just been forced to be nothing but,
- 44:26Speaker 1: you know, okay, well, you have to be part of
- 44:28Speaker 1: this rich family. We don't want any musicians hanging around.
- 44:30Speaker 8: Right, right, you're a cypher.
- 44:31Speaker 1: So instead, you're a drunk. Like, we've just forced you
- 44:34Speaker 1: to become the family drunk because you can't pursue your dreams.
- 44:37Speaker 8: Man, one of the greatest lines in that movie is.
- 44:41Speaker 8: So how long does it last? You know, how long
- 44:45Speaker 8: does it work? And he goes, well, as long as
- 44:47Speaker 8: it lasts. And she's just like, oh Christ, that actually
- 44:51Speaker 8: hurts my heart. I can't. Well, that's, I don't think
- 44:55Speaker 8: I can do that.
- 44:55Speaker 1: That speech with him, the brother in particular, like he,
- 44:58Speaker 1: he does above and beyond a normal, just drunk character role.
- 45:02Speaker 1: He's a little better than that, but he doesn't have
- 45:03Speaker 1: a time to do through most of it. And then
- 45:05Speaker 1: there's that one, like three fourths of the way in
- 45:07Speaker 1: where it's just that scene with him and his sister.
- 45:09Speaker 1: And he gives that speech and you're like, okay, like
- 45:12Speaker 1: this is like, he's an actor. He's a real actor
- 45:14Speaker 1: because that, that whole thing of like, you understand why
- 45:17Speaker 1: he's as sad as he is. Why is he, he
- 45:20Speaker 1: uses like him describing what it's like to be drunk.
- 45:22Speaker 8: Right. Cause you can judge him in the beginning of
- 45:24Speaker 8: the movie. You can judge him the second time you
- 45:26Speaker 8: see him. Uh, you get a little bit, a glimpse
- 45:29Speaker 8: into him that first time up in the playroom. And then,
- 45:33Speaker 8: and then he has that great scene. And then he
- 45:35Speaker 8: has the second great scene where he tries to talk
- 45:37Speaker 8: to her about how she has so much more charisma
- 45:40Speaker 8: than her sister. And then at the end of it,
- 45:45Speaker 8: I worry about that guy. I worry about that character
- 45:47Speaker 8: where you're like.
- 45:48Speaker 1: He feels very real though because it's like you see
- 45:50Speaker 1: a lot of people going through life that are just
- 45:52Speaker 1: really sad and they don't look like they're looking for
- 45:55Speaker 1: a way out. They've just accepted it.
- 45:57Speaker 8: Right, but they've got those horse blinders on and he's
- 46:00Speaker 8: in that corridor.
- 46:01Speaker 1: And they found a crutch. That's what his is. He's like,
- 46:03Speaker 1: I'm not gonna fix my problems. Probably even if I
- 46:06Speaker 1: had a way to, it's too much work at this point.
- 46:08Speaker 1: I've gotten into my cycle here. I found what makes
- 46:11Speaker 1: it work for me, and it's booze.
- 46:13Speaker 8: Yeah, and if he could get out of that corridor,
- 46:15Speaker 8: his life, I think, would be so much bigger.
- 46:17Speaker 1: Because he's smart, and he's talented. And you could see
- 46:20Speaker 1: if he could get away from, again, I guess the
- 46:22Speaker 1: whole family. It's like if he could get out of
- 46:24Speaker 1: that little corner he's been shoved into, he'd probably do
- 46:27Speaker 1: just fine.
- 46:27Speaker 8: Yeah, yeah.
- 46:28Speaker 1: But that's what I thought was interesting. And also, it's
- 46:31Speaker 1: probably the bigger picture of the culture and the government,
- 46:34Speaker 1: as they refer to it minorly. but I think just
- 46:38Speaker 1: the family structure thing, I think you also get that,
- 46:41Speaker 1: like the structure of, because they make it seem like
- 46:44Speaker 1: grandfather worked his way up. He was a bootstrap kind
- 46:47Speaker 1: of guy.
- 46:48Speaker 5: Yep.
- 46:48Speaker 1: So you see like, he's kind of the, the Cary
- 46:50Speaker 1: Grant of the bunch. Like he's the one that came
- 46:52Speaker 1: in and like, I'm going to work my way to success.
- 46:54Speaker 1: And then we see what happens when you get to
- 46:55Speaker 1: children of success.
- 46:57Speaker 3: Yep.
- 46:57Speaker 1: Who have an entirely, like they do not understand anything
- 47:01Speaker 1: that is not the world around them. So when somebody
- 47:03Speaker 1: like Cary Grant comes, they're like, Whoa, what is this?
- 47:05Speaker 1: Like it's, For some, it's a breath of fresh air.
- 47:08Speaker 1: For some, it's like, oh, why are you even here?
- 47:10Speaker 1: They're so above normal people that they don't even comprehend
- 47:15Speaker 1: how to live in that world.
- 47:16Speaker 8: Right, and there's also, and this is, talk about the minutiae,
- 47:21Speaker 8: because I've seen them. I own it. I watch it
- 47:23Speaker 8: on a regular basis.
- 47:24Speaker 9: Still on VHS.
- 47:25Speaker 5: Yes.
- 47:26Speaker 8: Yes, I do. And a remote that has a wire. Now,
- 47:29Speaker 8: the kid- When we look at grandfather and we look
- 47:34Speaker 8: at Cary Grant, that's the parallel. At one point, the sister,
- 47:38Speaker 8: who he initially falls in love with, is like, you're
- 47:40Speaker 8: going to be like grandfather. And he's like, oh, no.
- 47:43Speaker 3: No.
- 47:43Speaker 8: No, I'm not. Because.
- 47:44Speaker 1: I look around at this and I'm like, my plan
- 47:47Speaker 1: is to get away from everything that.
- 47:49Speaker 10: You now have.
- 47:50Speaker 8: Well, and also, I think it was the choices that
- 47:53Speaker 8: her grandfather made.
- 47:54Speaker 5: Yeah.
- 47:55Speaker 8: You know, when Catherine Hepburn says, you know, he stole
- 47:57Speaker 8: the company from the shareholders.
- 48:00Speaker 4: Yeah.
- 48:01Speaker 8: That's a decision Cary Grant doesn't want to make. And
- 48:03Speaker 8: that's the choice that he makes. He's like, I'm going
- 48:06Speaker 8: to make a shitload of money and then I'm going
- 48:08Speaker 8: to go navel gaze in Tibet and possibly take up meditation.
- 48:11Speaker 8: We don't know what he's going to do, but he's just.
- 48:13Speaker 7: I don't think he even knows what he's going to do.
- 48:14Speaker 7: I'm going to find myself.
- 48:16Speaker 8: He's going to take a cruise to Europe with the.
- 48:19Speaker 7: Potters or the Porters. Who doesn't want to go with them?
- 48:22Speaker 8: Yeah, I want to hang out with them forever. They're
- 48:24Speaker 8: pretty cool. And the fact that he could do a
- 48:26Speaker 8: back flip-flop Cary Grant can do a backward flip-flop. It's amazing.
- 48:30Speaker 1: That's, yeah, something I didn't see coming. He's always so
- 48:33Speaker 1: buttoned down in his roles. And to watch him being
- 48:37Speaker 1: very silly in a lot of scenes, I'm not used
- 48:40Speaker 1: to him doing that.
- 48:41Speaker 8: Right, and she's standing on his shoulders at one point,
- 48:43Speaker 8: and that's clearly both of those actors.
- 48:45Speaker 1: And they do flip off onto the floor, and she
- 48:48Speaker 1: doesn't die. And they do a topple.
- 48:51Speaker 8: I was unfamiliar with your vaudeville training.
- 48:55Speaker 1: I didn't see her being able to land that move
- 48:58Speaker 1: and not injure herself.
- 49:00Speaker 8: Catherine Hepburn in the Philadelphia story as opposed to Grace
- 49:05Speaker 8: Kelly in High Society because it's a musical remake with
- 49:08Speaker 8: Frank Sinatra. The Philadelphia story has Jimmy Stewart and Catherine
- 49:13Speaker 8: Hepburn and uh, high society has been Crosby, Frank Sinatra
- 49:16Speaker 8: and Grace Kelly in the Philadelphia story. Um, Catherine Hepburn
- 49:21Speaker 8: jumps into the water in the pool and Grace Kelly
- 49:25Speaker 8: does not. Grace Kelly is like, Oh, I think not.
- 49:28Speaker 8: I will not be ruining my hair.
- 49:30Speaker 1: And, uh, you will eventually refer to me as princess.
- 49:32Speaker 8: Yes, exactly.
- 49:34Speaker 1: I don't have to jump in the pool.
- 49:35Speaker 8: I don't have to jump in the pool. So, but
- 49:37Speaker 8: it was, it's such a, in some ways I find
- 49:41Speaker 8: it just a very palatable, important movie, the holiday, just
- 49:46Speaker 8: because it's so, it's one of those movies where you can,
- 49:49Speaker 8: you can get a kid to watch it and it's
- 49:51Speaker 8: in black and white because it's a comedy, but like
- 49:55Speaker 8: you couldn't do with of mice and men or with
- 49:58Speaker 8: a lot of other, my favorite thing about romantic comedies
- 50:03Speaker 8: or movies in general is the B plot is the
- 50:06Speaker 8: B message. Like, It could be right wing. It could
- 50:09Speaker 8: be left wing. It doesn't matter. Remember Blue Crush? The
- 50:12Speaker 8: B-plot of Blue Crush was true happiness is found through
- 50:16Speaker 8: corporate sponsorship.
- 50:18Speaker 1: Wait, that's not true? Because that's what I keep gunning
- 50:20Speaker 1: for on this show.
- 50:21Speaker 10: Exactly.
- 50:21Speaker 8: But you look at like Flashdance? No, I'm thinking of.
- 50:27Speaker 7: It's about welding.
- 50:28Speaker 8: It's about welding. But I think I was talking about.
- 50:32Speaker 8: I'm spacing the name of it, and it's huge, and
- 50:36Speaker 8: it has Patrick Swayze, and it's dancing. Dirty Dancing. There
- 50:39Speaker 8: we go. Dirty Dancing. So what's the B-plot of Dirty Dancing?
- 50:43Speaker 1: Don't get knocked up. Don't get knocked up.
- 50:46Speaker 8: Keep abortion legal. Because otherwise, some guy with a hanger
- 50:50Speaker 8: in a dealy bob at Footloose. Censorship is bad. So
- 50:56Speaker 8: it could be.
- 50:59Speaker 8: It could be middle-of-the-road kind of message. It could be
- 51:02Speaker 8: super left-wing, which is what I guess... Who knew that
- 51:05Speaker 8: I was a huge radical wanting to control my own body?
- 51:08Speaker 8: I know. It's radical.
- 51:09Speaker 1: What were you thinking?
- 51:10Speaker 8: It's a, I know let's start legislating what hand guys
- 51:13Speaker 8: jerk off with. And, uh, let's see how long that lasts.
- 51:16Speaker 1: Change things a little.
- 51:17Speaker 8: It's a, I think guys in March and, uh, anyway, so,
- 51:22Speaker 8: but yeah, it could be about anything.
- 51:23Speaker 1: I like, and again, that going back to just why
- 51:26Speaker 1: I'm so drawn to film in general, because I can
- 51:28Speaker 1: have these, I think it's such a great window into
- 51:31Speaker 1: the time that it's made. And some people don't want
- 51:33Speaker 1: to pin it down. Like you, you, it's sort of
- 51:35Speaker 1: like now they don't want to put a year on things.
- 51:37Speaker 1: They like it to have a good window to resell it. And,
- 51:39Speaker 1: be able to buy it on DVD or Blu-ray or whatever.
- 51:42Speaker 1: But I love going back and looking at stuff from,
- 51:45Speaker 1: you know, as far back as, you know, 30s and
- 51:47Speaker 1: silent film all the way up to like.
- 51:49Speaker 7: Even 70s and 80s.
- 51:50Speaker 1: Like you see exactly what was going on in the
- 51:53Speaker 1: country or world, depending on where they made the film.
- 51:56Speaker 1: And you see it through the story. Like even if
- 51:59Speaker 1: it's not your A story, like you just kind of
- 52:01Speaker 1: see the world that it was made in at that time.
- 52:04Speaker 1: So then for the show, I'm always like, OK, let's
- 52:06Speaker 1: have this discussion. And sometimes it's about the plot and
- 52:10Speaker 1: sometimes it's like, but did you see what was going on?
- 52:13Speaker 1: Like you can get that like you can you can
- 52:15Speaker 1: go back to revisit history through this story. And I
- 52:19Speaker 1: just kind of love that that you do kind of
- 52:20Speaker 1: get this window into what was going on in the
- 52:22Speaker 1: world in 1938. And somebody who, like, if this is
- 52:26Speaker 1: a movie in the 60s and this guy wanted to
- 52:28Speaker 1: drop out and go find himself, nobody would blink an eye.
- 52:30Speaker 1: There was tons of people doing that. In 1938, he
- 52:33Speaker 1: is a freak.
- 52:34Speaker 8: Yeah, he's a revolutionary.
- 52:36Speaker 1: It's a huge deal. They need to lock him up.
- 52:39Speaker 8: That's why the dad's so freaked out about it.
- 52:41Speaker 2: Yeah.
- 52:42Speaker 3: I'm afraid I'm not quite as anxious as I might
- 52:44Speaker 3: be for the things that most people work towards. I
- 52:46Speaker 3: don't want too much money. Too much money? Well, more
- 52:50Speaker 3: than I need to live by. You see, it's always
- 52:52Speaker 3: been my idea to make a few thousands early in
- 52:54Speaker 3: the game and then quit for as long as they
- 52:55Speaker 3: last and try to find out who I am and
- 52:57Speaker 3: what goes on and what about it. Now, well, I'm
- 52:59Speaker 3: young and feel good all the time. Well, I'm sure
- 53:03Speaker 3: Julia understands what I'm getting at, don't you, Julia?
- 53:06Speaker 5: I'm not sure I do, Johnny.
- 53:07Speaker 3: You wish to occupy yourself otherwise, is that it? Please
- 53:11Speaker 3: don't make me feel guilty about it, sir. Even if
- 53:13Speaker 3: it turns out to be one of those fool ideas
- 53:15Speaker 3: that people dream about and then go flat on. Even
- 53:17Speaker 3: if I find I've had enough of it in three months,
- 53:18Speaker 3: still I want it. I've got a feeling if I
- 53:20Speaker 3: let this chance go by, there'll never be another one
- 53:22Speaker 3: for me. So I don't think anyone would mind if
- 53:25Speaker 3: I just have a go at it. Will they, Julia?
- 53:31Speaker 9: Will they, dear?
- 53:33Speaker 8: I mean, and that's true. That's a great point because
- 53:35Speaker 8: that's true of like all art. Like you look at Aristophanes.
- 53:40Speaker 8: You look at Tom Brown's School Days, which is this
- 53:44Speaker 8: book written in the 1850s that That all British kids
- 53:48Speaker 8: had to read. And it was about the flower of
- 53:51Speaker 8: British manhood. And it was in the height of the
- 53:54Speaker 8: British Empire. You know, the British Empire was just coming
- 53:56Speaker 8: into its... Not the height, because that would be more
- 54:00Speaker 8: 20 years later. But the thing is, it was about
- 54:02Speaker 8: how they have this destiny. They have this God-given right
- 54:06Speaker 8: to show.
- 54:07Speaker 1: To roll across the world.
- 54:08Speaker 8: Brown people definitely need to be told about... tea and, uh,
- 54:12Speaker 8: or which came from India and it wasn't theirs, but, uh, whatever.
- 54:16Speaker 1: They took whatever they needed.
- 54:17Speaker 8: And then they redistributed it. So, I mean, it's, it's
- 54:21Speaker 8: just a glimpse into whatever, but what's weird about Tom
- 54:24Speaker 8: Brown school days is that in the 1950s, there was
- 54:28Speaker 8: a series written in the fifties and sixties and maybe
- 54:31Speaker 8: early seventies by George McDonald Frazier called, uh, Flashman. And
- 54:35Speaker 8: Flashman is about a minor character in this, you know, uh,
- 54:40Speaker 8: Everybody has to read To Kill a Mockingbird, right? So
- 54:43Speaker 8: everybody in England had to read Tom Brown's School Days
- 54:47Speaker 8: in junior high, in whatever, grade eight. And George MacDonald
- 54:53Speaker 8: Fraser is a British writer who wrote Flashman. And Harry
- 54:57Speaker 8: Flashman was a tiny character in Tom Brown's School Days
- 55:00Speaker 8: who was kicked out in the first third of the
- 55:02Speaker 8: book for being a bully and unsportsmanlike and so not funny.
- 55:07Speaker 8: The Epitome of an English Gentleman. So George MacDonald Fraser
- 55:10Speaker 8: in the 50s, rebelling against the empire, essentially the British empire,
- 55:16Speaker 8: writes this book, this series of books about Harry Flashman
- 55:19Speaker 8: and what a fucking dirtbag he is and how he
- 55:22Speaker 8: just keeps being rewarded for being a dirtbag.
- 55:24Speaker 1: It happens quite often.
- 55:27Speaker 8: And I remember reading, it is so dark. And Andy,
- 55:31Speaker 8: my husband, gave it to me when we were dating.
- 55:33Speaker 8: He was like, you should read this.
- 55:34Speaker 1: It's so dark.
- 55:35Speaker 8: And it was, Harry Flashman is a coward and a
- 55:39Speaker 8: rapist and a horrible, horrible person. And I was like,
- 55:43Speaker 8: why is he having me? But he always gets his comeuppance.
- 55:47Speaker 8: And he always, there's, by the end of the book,
- 55:51Speaker 8: because in the middle of the book, I was like,
- 55:52Speaker 8: why the fuck am I reading this? Why would he
- 55:54Speaker 8: give me this? Who am I dating?
- 55:55Speaker 1: Why am I invested in this character?
- 55:57Speaker 10: Right.
- 55:57Speaker 8: And who's this guy that gave me this book? But
- 56:00Speaker 8: by the end of the book, I'm like, where the
- 56:01Speaker 8: hell's the next one? Because this is amazing. And it's
- 56:04Speaker 8: so incredibly well-researched historical fiction-wise that the Flashman series is...
- 56:10Speaker 8: The first book takes place when the British are in
- 56:12Speaker 8: Afghanistan in 1848. And it's a massacre. Almost every British
- 56:18Speaker 8: soldier is killed. And it would have been great if
- 56:21Speaker 8: we would have read that before we went into Afghanistan.
- 56:23Speaker 1: But nope.
- 56:25Speaker 8: We don't have to read in our country. Harry Flashman lives... And, uh,
- 56:30Speaker 8: it goes on and he's in every single major British empire, um,
- 56:35Speaker 8: historical event from 1848 to 19.
- 56:37Speaker 1: He's Forrest Gump at this point.
- 56:39Speaker 8: Exactly.
- 56:40Speaker 1: He just keeps ending up in the middle of these
- 56:42Speaker 1: crazy adventures.
- 56:43Speaker 8: He's, and of course, pre Forrest Gump and, uh, one
- 56:45Speaker 8: gajillion times better than fucking Forrest Gump. Anyway. Is there
- 56:52Speaker 8: any reason for anyone not to burn every copy of
- 56:55Speaker 8: Forrest Gump? And, uh, i've never seen it i never
- 56:59Speaker 8: will see it and it's like it's like the colorization
- 57:02Speaker 8: of the first 10 minutes of wizard of oz as
- 57:04Speaker 8: far as i'm concerned that's what forrest gump would be
- 57:07Speaker 8: for me i have an opinion uh award winner it's
- 57:12Speaker 8: not who cares the academies are you kidding me rich.
- 57:16Speaker 1: People like to give other rich people awards i mean
- 57:18Speaker 1: that's what they do it's.
- 57:19Speaker 8: Uh yeah but uh I tried to watch all the
- 57:23Speaker 8: Academy Awards once. I was like, because when you move
- 57:25Speaker 8: to Los Angeles, everyone's like, you've never seen Chinatown? And
- 57:28Speaker 8: I'm like, no, I don't like incest. I'm good. I
- 57:31Speaker 8: don't watch Game of Thrones either. Never mind. So I
- 57:37Speaker 8: decided to try to watch all of the AFI Top 100. See,
- 57:40Speaker 8: the AFI Top 100 is different than the top nominated.
- 57:45Speaker 8: And I did. I decided to watch them on Fast Forward.
- 57:50Speaker 8: I was like, and then if they were worth it,
- 57:52Speaker 8: I would slow it down. And the only one I
- 57:54Speaker 8: made it, and I'd seen a bunch of them, most
- 57:56Speaker 8: of the lighter ones, the ones that are scary. I
- 57:59Speaker 8: don't watch scary movies because success. Congratulations. You've already scared me.
- 58:04Speaker 8: Oh my God. I saw that. I was, and it
- 58:05Speaker 8: was a packed movie theater and I couldn't get out.
- 58:08Speaker 8: I was just literally like crawling on my seat through
- 58:11Speaker 8: this whole thing. And it was scary. I know that
- 58:15Speaker 8: they're well done. I know that it's incredibly well done.
- 58:17Speaker 8: And I'm sure Forrest Gump was incredibly well done, but
- 58:20Speaker 8: I could give a shit.
- 58:21Speaker 1: It's Zemeckis, but it's Zemeckis, who I think is actually
- 58:24Speaker 1: a really good storyteller.
- 58:25Speaker 8: What else has he done?
- 58:25Speaker 1: Because I know his name. Again, I love his old
- 58:27Speaker 1: version of himself. He's the reason we have Back to
- 58:31Speaker 1: the Future, and geeks have lined up for years.
- 58:33Speaker 8: Did he do Back to the Future?
- 58:34Speaker 1: Yeah, he directed Back to the Future, all three of them.
- 58:37Speaker 1: He directed Who Framed Roger Rabbit. He did Romancing the Stone.
- 58:41Speaker 1: I love Who.
- 58:42Speaker 8: Framed Roger Rabbit. That's what I was going to say.
- 58:44Speaker 8: and romancing the stone yeah.
- 58:45Speaker 1: He's a great filmmaker back then he's the like to
- 58:48Speaker 1: me the that's almost the turning point is for his
- 58:50Speaker 1: gum because he's putting in that little cg feather and
- 58:54Speaker 1: he went.
- 58:54Speaker 8: Ah cg ah.
- 58:56Speaker 1: And everything for years after that was nothing but i
- 58:59Speaker 1: want people in front of a green screen i don't
- 59:01Speaker 1: want any humans i want to completely replace you yeah
- 59:04Speaker 1: like he just went on a weird tech thing where
- 59:06Speaker 1: he's just like i want to control everything i don't
- 59:09Speaker 1: want stupid actors to get in my way. He finally
- 59:12Speaker 1: came out of that.
- 59:13Speaker 7: He came back, I think.
- 59:15Speaker 1: The Denzel Washington pilot movie.
- 59:20Speaker 8: Oh, Where He's Drunk?
- 59:21Speaker 5: Yeah.
- 59:22Speaker 8: Okay, I didn't see that one, but yeah.
- 59:24Speaker 1: That's like the first one he made that was like
- 59:25Speaker 1: a real live action normal movie that he's made.
- 59:28Speaker 8: Have you ever seen He Got Game? Denzel Washington, Spike Lee? Yes,
- 59:31Speaker 8: a long time ago. It was an amazing movie, only
- 59:34Speaker 8: because I remember thinking, wow, Spike Lee made Denzel Washington unattractive.
- 59:39Speaker 7: That's hard to do.
- 59:39Speaker 8: That is a, that is, that's almost CGI. How do
- 59:42Speaker 8: you do that?
- 59:43Speaker 7: Yeah.
- 59:44Speaker 8: Denzel is like one of the most handsome guys.
- 59:47Speaker 1: That's yeah.
- 59:47Speaker 7: That's his thing.
- 59:48Speaker 6: Yeah.
- 59:48Speaker 1: It's like, you can't, you can't make him look bad.
- 59:50Speaker 7: It's kind of hard.
- 59:51Speaker 8: And, and then, uh, though I did not see the
- 59:53Speaker 8: preacher's wife because I love the bishop's wife and Cary
- 59:57Speaker 8: Grant and sons of bitches. I can't remember her name. Uh,
- 1:00:00Speaker 8: who was in the preacher, the bishop's wife. Uh, she
- 1:00:03Speaker 8: was an amazing actress and, uh, Guess who she isn't?
- 1:00:06Speaker 8: Whitney Houston cannot replace her at all, ever.
- 1:00:09Speaker 7: She's not that good of an actress?
- 1:00:12Speaker 8: Well, it was.
- 1:00:12Speaker 7: She fooled all of us that she was not on
- 1:00:14Speaker 7: the crack.
- 1:00:16Speaker 9: Crack is whack.
- 1:00:18Speaker 8: Crack is whack.
- 1:00:19Speaker 7: Can't argue with that.
- 1:00:20Speaker 8: Now it's hard to... Yeah, yeah. It's... Cary Grant to
- 1:00:26Speaker 8: save the day. Come on, Cary Grant. Because I love
- 1:00:29Speaker 8: most Cary Grant.
- 1:00:30Speaker 5: Movies. Stop it.
- 1:00:31Speaker 3: I'll start jittering.
- 1:00:32Speaker 1: He's one of the... Again, I feel like this is
- 1:00:35Speaker 1: a different little window into him for me because I
- 1:00:37Speaker 1: feel like he is one of those that I don't
- 1:00:39Speaker 1: feel like stretches a whole lot, at least in that era. Again,
- 1:00:43Speaker 1: I haven't watched a ton of his later stuff.
- 1:00:45Speaker 8: Yeah. Loretta Young. But yeah, you're right because it was.
- 1:00:52Speaker 8: In his early stuff, he did get to mix it up,
- 1:00:54Speaker 8: and then they set him up, which is supposedly why
- 1:00:58Speaker 8: he quit acting. He quit acting when that last movie
- 1:01:01Speaker 8: he did where I think Audrey Hepburn was in it?
- 1:01:05Speaker 4: Yeah.
- 1:01:06Speaker 8: Or somebody super young, and he was probably 48.
- 1:01:09Speaker 3: Yeah.
- 1:01:10Speaker 8: And she was 22.
- 1:01:10Speaker 1: Standard Hollywood scenario.
- 1:01:12Speaker 8: And he said, oh, I don't want to be any
- 1:01:14Speaker 8: part of this. He said, in real life, I'll screw
- 1:01:17Speaker 8: everybody over the age of 18, men or women, but
- 1:01:20Speaker 8: I don't want any part of.
- 1:01:22Speaker 1: That's weird that, yeah. He was like, I don't want
- 1:01:24Speaker 1: to perpetuate it. On screen, he wants it different.
- 1:01:26Speaker 8: Well, it's very... And this is not... I almost compared
- 1:01:29Speaker 8: him to Bill Cosby. That is not.
- 1:01:31Speaker 1: Let's not go down that road.
- 1:01:32Speaker 8: It's because Bill Cosby's public persona was so squeaky clean
- 1:01:36Speaker 8: it's not like I don't I Cary Grant to my
- 1:01:39Speaker 8: knowledge um was was not a horrible person to my
- 1:01:44Speaker 8: knowledge he was a perfectly nice man.
- 1:01:46Speaker 7: From the far as yeah far as I've heard from.
- 1:01:49Speaker 8: All accounts And it would have come out at this point. Oh, yeah.
- 1:01:52Speaker 1: Everybody's stuff finally surfaced.
- 1:01:54Speaker 8: If somebody found a Martin Luther King having an affair,
- 1:01:57Speaker 8: they would have found Cary Grant having an affair.
- 1:02:00Speaker 7: We'll dig up whatever dirt we have to.
- 1:02:02Speaker 3: Right.
- 1:02:03Speaker 8: When you look at people's political errors in the background or... Well,
- 1:02:07Speaker 8: not political, but like... a political person i guess is
- 1:02:11Speaker 8: um when when you look at people's i could never
- 1:02:14Speaker 8: go into politics i used to think about how great
- 1:02:17Speaker 8: a sitcom where a comic was president and every single
- 1:02:20Speaker 8: episode there would be like a scandal like a scandal
- 1:02:24Speaker 8: liaison who would come in and go hey uh bad
- 1:02:28Speaker 8: news and uh they found out about that thing and
- 1:02:31Speaker 8: every episode the president would go ecstasy in alaska And
- 1:02:35Speaker 8: they go, no, not that one yet.
- 1:02:38Speaker 1: Have you pitched this idea?
- 1:02:39Speaker 8: I have not.
- 1:02:40Speaker 1: It is better than half of what's on there.
- 1:02:42Speaker 5: I know.
- 1:02:42Speaker 8: It would be a very funny, I think, sitcom idea.
- 1:02:45Speaker 1: In the world of Veep, I think you can make
- 1:02:46Speaker 1: this fly.
- 1:02:47Speaker 8: Yeah, yeah. Because it could be, yeah, I don't know.
- 1:02:50Speaker 8: The only television I watch is very disappointing to everyone
- 1:02:54Speaker 8: who wants me to watch everything. So all I watch
- 1:02:56Speaker 8: is Agents of S.H.I.E.L.D. and The Expanse. But are you
- 1:03:00Speaker 8: excited about the new Gilmore Girls? I am excited. Because
- 1:03:05Speaker 8: I love the old Gilmore Girls, but I didn't watch
- 1:03:07Speaker 8: the last season because they jumped over the broomstick. They
- 1:03:10Speaker 8: jumped over the shark.
- 1:03:11Speaker 1: Well, they pissed off the writer-producer combo there.
- 1:03:15Speaker 6: Amy, what's her face?
- 1:03:16Speaker 7: Palladino? Yeah, her and her husband walked off. They were like, no.
- 1:03:19Speaker 8: But she's back for this reboot, so I'm kind of
- 1:03:22Speaker 8: excited about that.
- 1:03:22Speaker 7: That's promising, I think.
- 1:03:23Speaker 6: Yeah.
- 1:03:24Speaker 3: Who knows?
- 1:03:25Speaker 1: One episode.
- 1:03:28Speaker 7: But even then, like... But that's fine.
- 1:03:30Speaker 1: I mean, to me, that means she's a good sport
- 1:03:32Speaker 1: and she knows where she came from. Like, she's not like,
- 1:03:34Speaker 1: screw you guys, I'm making multi-millions of dollars now.
- 1:03:36Speaker 11: Right.
- 1:03:37Speaker 1: She knows, she's like, this is where I got my start. Like,
- 1:03:39Speaker 1: I owe you guys something.
- 1:03:40Speaker 8: I think she shows up at that theater group, the Groundlings,
- 1:03:42Speaker 8: that she started at. I think she shows up occasionally
- 1:03:44Speaker 8: just to go.
- 1:03:45Speaker 10: What are you guys doing?
- 1:03:45Speaker 7: Nothing but cool.
- 1:03:46Speaker 8: Yeah, she seems like nothing but like a decent person.
- 1:03:49Speaker 1: Yeah, which is unusual to have broken through the way
- 1:03:51Speaker 1: she did.
- 1:03:52Speaker 8: It's awesome. Gives us all hope.
- 1:03:54Speaker 1: Yeah.
- 1:03:54Speaker 8: So... Yeah, but... So did you like it? Did you
- 1:03:58Speaker 8: like Holiday?
- 1:03:58Speaker 3: I did.
- 1:03:59Speaker 1: Again, I think I sort of go in as a
- 1:04:01Speaker 1: lot of the older ones that I know of, but
- 1:04:03Speaker 1: I haven't sat down and watched. I usually have some
- 1:04:06Speaker 1: sort of preconceived notion, and I didn't at all expect
- 1:04:09Speaker 1: it to be what it was, and I didn't expect
- 1:04:11Speaker 1: the performance. Actually, out of both of them, because Cary
- 1:04:14Speaker 1: Grant's always in his specific mode, and this is very
- 1:04:17Speaker 1: different for Katherine.
- 1:04:18Speaker 10: Hepburn, too.
- 1:04:19Speaker 1: Because she's uncertain.
- 1:04:20Speaker 8: She never plays a character who's as uncertain as this.
- 1:04:23Speaker 1: And kind of, not on top of what's going on.
- 1:04:26Speaker 1: She's almost clueless for two thirds of this. Like she's
- 1:04:29Speaker 1: going right along with her family. Like she, she assumes
- 1:04:32Speaker 1: she's happy. She assumed, and it's only this new character
- 1:04:35Speaker 1: comes in that like kind of makes her look at
- 1:04:37Speaker 1: the world from a different perspective. And she's like, Oh,
- 1:04:41Speaker 1: Oh no, what I'm doing is really wrong for me.
- 1:04:43Speaker 8: You know, it's like, this is actually not working.
- 1:04:45Speaker 7: Yeah.
- 1:04:45Speaker 1: And it took like that to do it. But again,
- 1:04:48Speaker 1: she's not normally that character. She would have almost been
- 1:04:50Speaker 1: more of the younger sister. She would have been the
- 1:04:53Speaker 1: one setting her ways. into the society lifestyle, find herself,
- 1:04:56Speaker 1: you know, whatever she needs to get ahead. Like, again,
- 1:04:59Speaker 1: they even say, what was I wrote it down? It
- 1:05:00Speaker 1: was like, um, there's no such thrill in the world
- 1:05:03Speaker 1: as making money. And I'm like, that's a very specific
- 1:05:07Speaker 1: statement to work into this movie and to have be
- 1:05:10Speaker 1: the center of this family. Like, so watching, yeah, I
- 1:05:14Speaker 1: feel like I, I, I think it would have been
- 1:05:16Speaker 1: cast differently. Maybe in a few years later, I think
- 1:05:19Speaker 1: even though that's the younger sister, I feel like she
- 1:05:20Speaker 1: would have been cast as the younger sister, uh, And
- 1:05:24Speaker 1: the one set in the ways and would have been
- 1:05:25Speaker 1: trying to bring him along with the family way.
- 1:05:27Speaker 7: So it was really kind of interesting to see.
- 1:05:29Speaker 1: Her become more of the free spirit by the end
- 1:05:32Speaker 1: of it and be like, everything you're doing is wrong.
- 1:05:34Speaker 1: I want to kind of go out into the world
- 1:05:36Speaker 1: and see things and just not be a slave to
- 1:05:40Speaker 1: this life that the riches have bought us.
- 1:05:43Speaker 8: Yeah, yeah. I could take my giant bag of money
- 1:05:46Speaker 8: that grandfather left me and go do and genuinely find
- 1:05:49Speaker 8: what makes me.
- 1:05:49Speaker 1: Happy, which is.
- 1:05:52Speaker 8: There's a weird note to that only because I, like,
- 1:05:56Speaker 8: I don't come from a wealthy background. Most people do not.
- 1:06:00Speaker 8: I am the youngest of six. And so there's, my
- 1:06:03Speaker 8: father would have had to have been Mel Gibson for
- 1:06:05Speaker 8: us to have been any sort of wealth. But the.
- 1:06:08Speaker 7: Let's hope that.
- 1:06:09Speaker 8: Yeah, not at all.
- 1:06:10Speaker 1: Let's not go down that road either.
- 1:06:11Speaker 8: Exactly. And so, but the, the. The people that I've
- 1:06:15Speaker 8: met who came from money, because there's this whole thing
- 1:06:17Speaker 8: in America where your grandfather or he makes good money.
- 1:06:21Speaker 8: The second generation, like the father in this case, solidifies
- 1:06:25Speaker 8: that money. And then the third generation, they usually do
- 1:06:28Speaker 8: weed off. They usually do have some sort of problems.
- 1:06:34Speaker 7: The second ones are just frustrated because they probably didn't
- 1:06:37Speaker 7: want to go into that, but they were forced to.
- 1:06:39Speaker 7: And then they conformed and they build a really strong family.
- 1:06:42Speaker 7: So they have problems too.
- 1:06:44Speaker 5: Yeah.
- 1:06:44Speaker 8: Some of them are into it and some of them
- 1:06:45Speaker 8: are not. And, and I know there's a, there's a movie,
- 1:06:49Speaker 8: I think it's pillow talk and, uh, Tony Randall, uh,
- 1:06:53Speaker 8: and Carrie and Rock Hudson. There you go. Our friends. And, uh,
- 1:06:58Speaker 8: and Rock Hudson is a very successful, um, Broadway, uh,
- 1:07:02Speaker 8: music writer, composer. And, um, Tony Randall is a producer
- 1:07:08Speaker 8: of Broadway musicals. And at one point, Tony Randall says
- 1:07:11Speaker 8: to Rock Hudson, you know, I started out with a
- 1:07:15Speaker 8: million dollars in college and I, I still, I still
- 1:07:18Speaker 8: have a million dollars. I just can't seem to get ahead.
- 1:07:21Speaker 8: And you came from nothing and look how far you've come.
- 1:07:24Speaker 8: And it's just, there's a certain amount of apathy or
- 1:07:27Speaker 8: lethargy that can hit a generation like second or third
- 1:07:29Speaker 8: generation of money. And in Los Angeles, uh, you meet
- 1:07:34Speaker 8: comics and people who they don't know what they do,
- 1:07:36Speaker 8: but they come for money. Like, there's a guy I know,
- 1:07:39Speaker 8: and he's a good guy, but his grandfather was a pharmaceutical,
- 1:07:45Speaker 8: probably doctor. nightmare of a disaster of a human being
- 1:07:48Speaker 8: who made a shitload of money there's so.
- 1:07:50Speaker 1: Much money still being made in that field let alone
- 1:07:53Speaker 1: if you were like the early one.
- 1:07:54Speaker 8: Early adopter of let's get americans addicted to every pill
- 1:07:57Speaker 8: in america and so the i saw i saw serenity
- 1:08:03Speaker 8: i know what's gonna happen reavers you guys so uh
- 1:08:06Speaker 8: the the um the But this guy, he just, he
- 1:08:11Speaker 8: drifts because he doesn't have any money. And there's a,
- 1:08:13Speaker 8: I've seen, there's a couple of them who are like, well,
- 1:08:15Speaker 8: I guess I'll do standup. You know, Michael Douglas's brother,
- 1:08:19Speaker 8: Eric Douglas, he did standup and ended up, ended up ODing.
- 1:08:23Speaker 8: And cause you just, you get up, suck, you get
- 1:08:25Speaker 8: sucked into this world where there's too much money and
- 1:08:27Speaker 8: not enough purpose and you can't find, I mean, I
- 1:08:30Speaker 8: feel very lucky that at 19, I knew that I
- 1:08:33Speaker 8: wanted to do standup. And so I would have any
- 1:08:35Speaker 8: shitty job that I needed to have to continue to
- 1:08:37Speaker 8: do standup until, I decided to take the leap and
- 1:08:42Speaker 8: quit my day job, which I didn't. I quit my
- 1:08:44Speaker 8: day job in 2003 when I got my half hour
- 1:08:45Speaker 8: special from Comedy Central, which means that I had been.
- 1:08:48Speaker 1: Doing a lot of years of working a real job.
- 1:08:50Speaker 11: Right.
- 1:08:50Speaker 8: It means that I had a day job for, you know,
- 1:08:53Speaker 8: good almost 20 years. And so I don't recommend I mean,
- 1:08:57Speaker 8: if you cause I have a thing where I need
- 1:08:59Speaker 8: a regular income. If it's 300 bucks a week, that's,
- 1:09:03Speaker 8: it's something, it's a real job. It's a system. Genuine
- 1:09:07Speaker 8: amount of money. And I'm willing to live with two
- 1:09:10Speaker 8: or three people stack like cordwood just so I can
- 1:09:13Speaker 8: do standup comedy and work for a living. And so,
- 1:09:17Speaker 8: Get a job, you guys.
- 1:09:19Speaker 3: What?
- 1:09:19Speaker 8: Gramication, just talked. But that's one of the things I
- 1:09:23Speaker 8: love about the movie is it's tiny, sort of subtle
- 1:09:26Speaker 8: exploration of money in the background of something that is
- 1:09:30Speaker 8: clearly just super sweet. Cary Grant, Catherine Hepburn, kiss, kiss, kiss.
- 1:09:36Speaker 8: Which is from 30 Rock.
- 1:09:37Speaker 7: But again, even then it doesn't do that. Like, we
- 1:09:40Speaker 7: never really get to that point.
- 1:09:41Speaker 1: Even by the end of the movie when you see
- 1:09:43Speaker 1: they sort of like each other. And even then I'm like,
- 1:09:47Speaker 1: If I'm looking forward, I'm like, is this a real
- 1:09:49Speaker 1: relationship or is it just we represent something specifically from
- 1:09:53Speaker 1: her point of view?
- 1:09:54Speaker 8: Oh, that's interesting.
- 1:09:55Speaker 1: So like for the Hollywood ending, it's, hey, I want
- 1:09:58Speaker 1: to come with you on this trip. Six months, 12
- 1:10:00Speaker 1: months down the line, is she like, we're really different people.
- 1:10:05Speaker 1: I like that I've broken out of my little world
- 1:10:08Speaker 1: and you were nice to go on that trip with, but.
- 1:10:12Speaker 7: We're really different.
- 1:10:15Speaker 8: Wow, you're still thinking.
- 1:10:17Speaker 1: Rock Hudson looks pretty good. I'm going to go to
- 1:10:19Speaker 1: this movie over here. I think I've got a future
- 1:10:21Speaker 1: with Rock Hudson. Nothing could go wrong there. I'm going
- 1:10:24Speaker 1: with Rock Hudson.
- 1:10:27Speaker 8: Okay, so the other Cary Grant, Katherine Hepburn reason when
- 1:10:31Speaker 8: I was a kid that I got mixed up is
- 1:10:33Speaker 8: because Cary Grant did a movie called My Favorite Wife. Oh, shit,
- 1:10:37Speaker 8: I'm getting them mixed up with a third person, James Garner.
- 1:10:40Speaker 1: See, they're all interchangeable.
- 1:10:42Speaker 8: When I was a kid, and James Garner, of course,
- 1:10:45Speaker 8: enormously different than those two gentlemen.
- 1:10:47Speaker 1: Yeah, those guys wouldn't live on a beach.
- 1:10:48Speaker 8: 10 or 12 years, right, and be a PI. 10
- 1:10:52Speaker 8: or 12 years younger than both of those guys. But
- 1:10:55Speaker 8: James Garner did a remake of My Favorite Wife with
- 1:10:58Speaker 8: Doris Day.
- 1:10:59Speaker 1: And he always had that kind of vibe to him.
- 1:11:02Speaker 1: Even in the 70s, he felt like a little established.
- 1:11:04Speaker 1: behind like he felt.
- 1:11:06Speaker 8: Like he was old school Hollywood Hollywood star he had
- 1:11:09Speaker 8: that star thing he still kind of had that maverick
- 1:11:12Speaker 8: I mean he was the guy was amazing quite honestly
- 1:11:16Speaker 8: he was one of my favorite I mean he was
- 1:11:18Speaker 8: he's just charming he was the Dennis Quaid of his
- 1:11:22Speaker 8: but could.
- 1:11:22Speaker 1: Kind of make that work on a way that like
- 1:11:24Speaker 1: even like Again, Dennis Quaid, I feel like, would hit
- 1:11:26Speaker 1: a specific wall.
- 1:11:27Speaker 6: Yes.
- 1:11:27Speaker 1: He's charming in a specific role. I feel like Garner
- 1:11:30Speaker 1: could kind of make anything. He never hit that wall.
- 1:11:32Speaker 8: He never hit that wall.
- 1:11:33Speaker 1: Yeah, he could make anything kind of work.
- 1:11:35Speaker 8: One of the last very weird movies that he did
- 1:11:38Speaker 8: was a movie with Eddie Murphy? Eddie Murphy, where he played,
- 1:11:43Speaker 8: I believe James Garner was only in the first third
- 1:11:47Speaker 8: of the movie, because he was about 70 at this time.
- 1:11:50Speaker 8: And it was about a guy, a senator in Florida.
- 1:11:55Speaker 8: Who dies. And James Garner played the senator. And then
- 1:12:01Speaker 8: Eddie Murphy is a guy who's like a city councilman
- 1:12:04Speaker 8: with the same name. And it's a movie about name recognition.
- 1:12:08Speaker 8: And so he gets elected.
- 1:12:09Speaker 1: That was pretty impressive.
- 1:12:10Speaker 7: Yeah, the way that they used that.
- 1:12:13Speaker 1: Yeah.
- 1:12:13Speaker 8: And so he gets elected as a U.S. senator because
- 1:12:18Speaker 8: he has the same name as the James Garner character.
- 1:12:20Speaker 8: And James Garner was a very conservative white guy. And
- 1:12:24Speaker 8: Eddie Murphy was Eddie Murphy.
- 1:12:24Speaker 1: They just slapped the name really big and there was
- 1:12:27Speaker 1: no photo and all these old white people are like, yeah,
- 1:12:29Speaker 1: I remember that name.
- 1:12:30Speaker 8: That's the dude I'm voting for. And then, but the
- 1:12:33Speaker 8: weirdest thing, I mean, that movie was terrible.
- 1:12:35Speaker 7: The Distinguished Gentleman?
- 1:12:36Speaker 6: Yeah.
- 1:12:36Speaker 10: Yeah.
- 1:12:36Speaker 8: That's it.
- 1:12:37Speaker 1: I was like, I know it's in there somewhere. I
- 1:12:38Speaker 1: know I have to dig for it, but it's all
- 1:12:39Speaker 1: still in there.
- 1:12:41Speaker 8: But that was the first time I learned, because the
- 1:12:45Speaker 8: shittier the movie sometimes, the more the more weird kind
- 1:12:50Speaker 8: of B-plot, the more information you get. And The Distinguished Gentleman,
- 1:12:54Speaker 8: what I learned in that movie, was that they put
- 1:12:57Speaker 8: slums next to power towers, and the kids are all
- 1:13:02Speaker 8: born slightly retarded. And it's not cool. It's not okay, folks. Hey,
- 1:13:08Speaker 8: let's stop doing that.
- 1:13:09Speaker 1: Again, that sounds like our society. It's all about money.
- 1:13:13Speaker 8: But it was a political awareness that I, and I
- 1:13:15Speaker 8: was like, look at this shitty movie teaching me something.
- 1:13:18Speaker 8: Because it was not a good movie. It's the Erin
- 1:13:21Speaker 8: Brockovich of its day. The Erin Brockovich of shitty movies.
- 1:13:25Speaker 8: But yeah, but it was fascinating. Movies are fascinating. Good
- 1:13:28Speaker 8: work having a podcast about movies.
- 1:13:30Speaker 1: There's a lot to find. That's what I always say.
- 1:13:33Speaker 1: I use movies as a way to figure out life.
- 1:13:37Speaker 1: It hadn't happened yet, but I'm working on it. I
- 1:13:39Speaker 1: feel you examine different things, and it's stuff that you
- 1:13:43Speaker 1: probably wouldn't do, but because the movie, because the plot
- 1:13:46Speaker 1: is sort of presented to you, you go, oh, that's
- 1:13:48Speaker 1: the way to go. But yeah, so that's what I
- 1:13:51Speaker 1: always take from it, is there's just good stuff to
- 1:13:54Speaker 1: take from all movies, even the shitty ones.
- 1:13:56Speaker 6: Right, right.
- 1:13:57Speaker 7: That's the moral of the story. Well, thank you for
- 1:13:59Speaker 7: joining us. I guess tell people where to find you.
- 1:14:02Speaker 8: Well, my name is Jackie Cation and I do stand-up comedy.
- 1:14:05Speaker 8: And so you can go to JackieCation.com. You can also
- 1:14:07Speaker 8: go to FamilyPetAncestry.com, which points to JackieCation.com because I found
- 1:14:11Speaker 8: Family Pet Ancestry to be hilarious. So I bought that
- 1:14:15Speaker 8: URL and I pointed it at mine because if someone's
- 1:14:17Speaker 8: looking to find out if their cat came over on
- 1:14:19Speaker 8: the Mayflower... They're going to find my stand-up comedy. When
- 1:14:22Speaker 8: will they ever know about that? When will they know?
- 1:14:25Speaker 8: When will they know if their dog is eligible to
- 1:14:26Speaker 8: join the DAR, the Dogs of the American Revolution? Anyway,
- 1:14:31Speaker 8: so you can go to JackieCation.com. I also have a
- 1:14:33Speaker 8: podcast called The Dork Forest. There are 600, 700 episodes.
- 1:14:38Speaker 8: It's at DorkForest.com, TheDorkForest.com. And it's on iTunes, of course.
- 1:14:43Speaker 8: And then I have a new podcast at Nerdist where
- 1:14:46Speaker 8: I just talk about stand-up with another woman comic, uh
- 1:14:50Speaker 8: who we talk about every every people ask this very
- 1:14:56Speaker 8: dumb question only dumb because it's been asked a gajillion
- 1:14:59Speaker 8: times what's it like being a woman comic.
- 1:15:02Speaker 1: I was trying to decide which one you were going
- 1:15:03Speaker 1: with the bad general comedy question or the one that
- 1:15:06Speaker 1: you're forced with which is the woman.
- 1:15:08Speaker 8: Comedy question and so about six months ago i've never.
- 1:15:11Speaker 1: Asked that thankfully all the female comics I've talked to.
- 1:15:13Speaker 1: I'm like, you know, I don't want to, don't want
- 1:15:15Speaker 1: to go down that road.
- 1:15:15Speaker 8: Laurie Kilmartin was like, do you want to answer that
- 1:15:17Speaker 8: fucking question every single week, uh, on this podcast? And
- 1:15:21Speaker 8: I said, well, that sounds hilarious. And so, because I've
- 1:15:24Speaker 8: been doing standup comedy for so long and I've spent
- 1:15:27Speaker 8: my entire comedy career pretending I wasn't a woman comic,
- 1:15:30Speaker 8: that I was just a comic. And, um, it's kind of,
- 1:15:34Speaker 8: we're in a brave new world of standup comedy where
- 1:15:36Speaker 8: women comics get to be women as well as comics.
- 1:15:39Speaker 8: And so I learned so much from like the 25,
- 1:15:42Speaker 8: 35 year old women comics that are doing standup who
- 1:15:44Speaker 8: get to talk about, and if a guy gives them
- 1:15:47Speaker 8: shit about it, they're just like, What? You're still talking
- 1:15:50Speaker 8: about your balls, right? So I still get to talk
- 1:15:52Speaker 8: about my ovaries or any, I could talk about my
- 1:15:54Speaker 8: left tit. It's going to be amazing.
- 1:15:55Speaker 1: There's an audience there to support them because it used
- 1:15:58Speaker 1: to be, like now I feel like there's just as many,
- 1:16:00Speaker 1: you know, female fans out there hitting standup shows, like supporting.
- 1:16:04Speaker 1: And there always have.
- 1:16:05Speaker 8: But the thing is, is there were only, there was,
- 1:16:08Speaker 8: I was the only woman comic in the room and
- 1:16:11Speaker 8: now there's two or three. So if a guy says
- 1:16:13Speaker 8: something weird and horrible, like, hey, we're going out to breakfast.
- 1:16:15Speaker 8: You can come and sit on my face. You don't
- 1:16:18Speaker 8: have to just go, Can we just go to breakfast?
- 1:16:22Speaker 8: Now you can look at another woman comic in the
- 1:16:25Speaker 8: room and go, fuck wit, just said something out loud.
- 1:16:29Speaker 8: And you have someone to bond with. Before it was
- 1:16:32Speaker 8: just me in the room having to have to just go.
- 1:16:35Speaker 8: That was hilarious. In other news, where are we going? Denny's?
- 1:16:38Speaker 8: Can we just go to Denny's?
- 1:16:40Speaker 1: That was the only difference. You're still doing your job
- 1:16:42Speaker 1: the way that you do your job.
- 1:16:44Speaker 6: I've always, yeah.
- 1:16:44Speaker 1: You're always in a room with a bunch of guys
- 1:16:46Speaker 1: back in the day.
- 1:16:47Speaker 8: Back in the day.
- 1:16:48Speaker 1: Now that's not the case.
- 1:16:49Speaker 8: Now there's another woman there that you could actually look
- 1:16:51Speaker 8: at and go, oh, hey, dumb thing, right?
- 1:16:53Speaker 10: That was dumb.
- 1:16:54Speaker 8: That was not.
- 1:16:54Speaker 1: This guy's an idiot, right?
- 1:16:56Speaker 8: I'm not crazy, right? That was weird.
- 1:16:59Speaker 4: Yes!
- 1:17:00Speaker 8: Hooray! So that's how great comedy is now. It's always
- 1:17:03Speaker 8: been great. It's even greater today.
- 1:17:05Speaker 1: It gives you more options now.
- 1:17:07Speaker 8: Super fun. But thank you for having me.
- 1:17:09Speaker 10: All right.
- 1:17:09Speaker 1: Thank you for being on. Otherwise, that about does it.
- 1:17:11Speaker 1: We will return next time. Same Geek Feed.
- 1:17:13Speaker 7: Thanks for listening.
- 1:17:29Speaker 6: We'll be right back. I've been to dream and differ
- 1:18:00Speaker 6: from all of us. This is the dawning of the
- 1:18:05Speaker 6: rest of our lives.
- 1:18:08Speaker 1: On holidays.
- 1:18:22Speaker 13: To find the money's on the other side.
- 1:18:28Speaker 6: Can I get another AMA?
- 1:18:30Speaker 12: There's a flag wrapped around a score of men Can.
- 1:18:35Speaker 6: I get a plastic bag on a monument? I beg
- 1:18:41Speaker 6: to dream and differ from the hollow eyes It says
- 1:18:49Speaker 6: the dawn On.
- 1:18:42Speaker 10: Holiday Hey.
- 1:19:37Speaker 6: We'll be right back.
- 1:20:04Speaker 12: I beg to dream and differ from the hollowed eyes
- 1:20:08Speaker 12: This is the darling of the rest of our lives
- 1:20:18Speaker 12: I beg to dream and differ from the hollowed.
- 1:20:30Speaker 6: Eyes This is.
- 1:20:42Speaker 12: The coming of the last of our lives This is.
- 1:20:56Speaker 8: Our lives on holiday Okay I'm going to stop trying
- 1:21:00Speaker 8: to cheer you up now. Because it's clearly not working.
- 1:21:04Speaker 8: I apologize.
- 1:21:05Speaker 7: I'm a realist. I do what I can.
- 1:21:07Speaker 8: I don't know if that's realism, but you do whatever
- 1:21:09Speaker 8: you want to do. We do die.
- 1:21:10Speaker 1: You can't fight it. There you go.
- 1:21:15Speaker 7: See, work on that. That's what we need. A steampunk
- 1:21:16Speaker 7: machine that keeps you from dying. Or some sort of cyborg.
- 1:21:20Speaker 6: Or a Dracula.
- 1:21:21Speaker 9: You got that going, too.
- 1:21:23Speaker 5: In appreciation of.
- 1:21:23Speaker 3: Your very great success in the field of love and finance,
- 1:21:26Speaker 3: I wish to congratulate you, sir, on behalf of the
- 1:21:28Speaker 3: members of the Fifth Avenue Anti-Stuff Shirt and Flying Trapeze Club.
- 1:21:32Speaker 9: This episode is a production of Movie Meltdown, produced and
- 1:21:34Speaker 9: edited by The Oddity Studios, with opening music performed by
- 1:21:38Speaker 9: The Empires. For more on how to sponsor or support
- 1:21:41Speaker 9: the show, email producer at moviemeltdown.com.
- 1:21:43Speaker 6: Talk hard!