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Celebrity Bodyguards · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on artists on artists on artists. Hey,
• 0:07
  Speaker 1: stop right there, that's right, we're talking to bodyguards.
• 0:11
  Speaker 2: Bodyguards are the people that keep the people that you
• 0:14
  Speaker 2: love safe. And while they might be romanticized in films
• 0:17
  Speaker 2: by Kevin Costner and Whitney Houston, the real life job
• 0:21
  Speaker 2: is anything but romantic.
• 0:23
  Speaker 3: Bodyguards are the people who keep actors safe and in tune,
• 0:27
  Speaker 3: keep movies safe, and we're going to see what makes
• 0:30
  Speaker 3: them tick today.
• 0:32
  Speaker 4: So be careful, don't cross this line and listen in.
• 0:41
  Speaker 2: We're good, We're clear.
• 0:42
  Speaker 3: Yeah, we're clear.
• 0:43
  Speaker 2: She's in her readers blocked. Are we clear she's in
• 0:46
  Speaker 2: her room that I can continue?
• 0:47
  Speaker 3: Hold on, I'm getting a phone call.
• 0:49
  Speaker 2: I'll come back.
• 0:49
  Speaker 1: We're good, No, I'll check.
• 0:51
  Speaker 3: No.
• 0:52
  Speaker 1: Hey, hey, hey, whoa whoa, whoa, whoa whoa. Heyay, let's
• 0:55
  Speaker 1: all back it up on the camera. Hey, speak good, Hey,
• 0:59
  Speaker 1: it's clear.
• 1:00
  Speaker 3: Path here, let's clear a path.
• 1:01
  Speaker 1: Well wait a second, wait a second, we're doing the
• 1:04
  Speaker 1: we're in front of the camera. We don't have to
• 1:06
  Speaker 1: worry about this stuff right now.
• 1:08
  Speaker 2: Oh. I'm just making sure all my stuff is good. Okay,
• 1:11
  Speaker 2: we're good. I'm good. I'm good. You guys are good.
• 1:12
  Speaker 1: I think I'm good.
• 1:13
  Speaker 2: All right, let's suck, let's let our hair down.
• 1:16
  Speaker 4: Oh do you ever call it hands free?
• 1:18
  Speaker 5: Link?
• 1:21
  Speaker 4: What when you check on your client? Then you go,
• 1:24
  Speaker 4: I'm hands free? Oh yeah, and you can tell your
• 1:26
  Speaker 4: your client is safe and secure. Yeah yeah, and you go,
• 1:29
  Speaker 4: all right, I'm hands free.
• 1:31
  Speaker 1: The lightest in air. But that's it, the lightest deep
• 1:33
  Speaker 1: breath I take. When I know my client is safe.
• 1:35
  Speaker 2: I will say. I will say right now, I won't
• 1:39
  Speaker 2: tell you where she is, I won't tell you what
• 1:41
  Speaker 2: she's doing, but I know one hundred percent on my mother,
• 1:46
  Speaker 2: nothing will bother her for an hour. And you know
• 1:48
  Speaker 2: what I mean? It's it's that's safe exactly, that security,
• 1:51
  Speaker 2: that niceness, once you realize the person that you're tasked
• 1:55
  Speaker 2: with keeping safe will not be touched for an hour.
• 1:59
  Speaker 3: I mean what traceable? My client is impermeable.
• 2:03
  Speaker 4: The eagle is in the nest.
• 2:05
  Speaker 1: I like to call it. I put the toddler in
• 2:08
  Speaker 1: front of the TV. They're locked in.
• 2:10
  Speaker 4: Yes, the eagles wings are tucked in.
• 2:13
  Speaker 2: Yeah.
• 2:14
  Speaker 1: Should we go around?
• 2:15
  Speaker 2: Let's talk about it?
• 2:16
  Speaker 1: Okay, who's willing to go?
• 2:19
  Speaker 4: I'm willing to start and willing to put their dick
• 2:22
  Speaker 4: on the table.
• 2:22
  Speaker 2: Let's get the order. Let's get the order of operations
• 2:24
  Speaker 2: really fast. Who wants ago first, Let's put that down.
• 2:26
  Speaker 1: Well, that's actually and following before we get to the
• 2:28
  Speaker 1: orders of operations. Are we sharing clients? Clientele client names?
• 2:31
  Speaker 4: I was told anyone who gets this footage signs the NDA.
• 2:34
  Speaker 2: I've been authored. I've been authorized, dig I have authored
• 2:40
  Speaker 2: this information.
• 2:40
  Speaker 3: We have clearance for that.
• 2:41
  Speaker 2: Yes, yeah, we have clearance.
• 2:43
  Speaker 4: I have clearance because I heard the people getting this
• 2:45
  Speaker 4: have clearance. So we're good the comments. You have clearance.
• 2:50
  Speaker 4: That'll be good.
• 2:50
  Speaker 2: I'm going to tell all so order of operations. You're
• 2:53
  Speaker 2: going first, I'm going first, second, okay, I'll go second,
• 2:58
  Speaker 2: you'll go third, okay, and you're gonna go fourth.
• 3:02
  Speaker 4: Yeah, sorry to check my client. My walkie has a
• 3:06
  Speaker 4: little bit of a video feed, is yours?
• 3:08
  Speaker 1: No no video feed, no video feed.
• 3:10
  Speaker 2: I don't have video feed on mine.
• 3:11
  Speaker 1: Video feed. We got video feed.
• 3:13
  Speaker 3: I got video feed. Good eyes on my client.
• 3:14
  Speaker 2: I have video feed on my phone. I don't need
• 3:16
  Speaker 2: video on a walkie talkie. We're done. Sorry, little joke,
• 3:19
  Speaker 2: that's what you.
• 3:19
  Speaker 3: Think a little joke you that's what you think Hi,
• 3:25
  Speaker 3: Your six is clear?
• 3:26
  Speaker 1: Go ahead, all right?
• 3:30
  Speaker 4: Who is number one?
• 3:31
  Speaker 2: Okay?
• 3:31
  Speaker 3: My six? Hold on my twelve, my nine, my six, twelve,
• 3:36
  Speaker 3: my twelve, All.
• 3:38
  Speaker 1: Clear, twelve nine six twelve nine six.
• 3:40
  Speaker 3: All clear, All clear.
• 3:42
  Speaker 1: Hi. My name un.
• 3:47
  Speaker 3: Chet Far. I am the buddy guard for Julie Andrews.
• 3:55
  Speaker 3: Julie does not leave the house without me. She does
• 3:58
  Speaker 3: not take a breath without me, she does not eat
• 4:00
  Speaker 3: her cereal without me, and she does not walk down
• 4:03
  Speaker 3: the street without me. I have eyes everywhere, and I
• 4:07
  Speaker 3: have a horde of men who are in disguise reporting
• 4:13
  Speaker 3: at all times.
• 4:14
  Speaker 2: You have people reporting on you, secret reporters.
• 4:18
  Speaker 3: I have secret reporters. I have secret reporters. I have
• 4:22
  Speaker 3: secret reporters reporting on the locations surrounding me and surrounding
• 4:27
  Speaker 3: my client. My client's code name, which I will change
• 4:30
  Speaker 3: after this, is two Can. Two Can is in a
• 4:35
  Speaker 3: cage right now, and I it has been the honor
• 4:40
  Speaker 3: of my lifetime to serve her.
• 4:44
  Speaker 2: I will go second, as is decided in the order.
• 4:49
  Speaker 2: My name is Justin Noble, who is the real person?
• 4:56
  Speaker 2: Many people have that name, and I also do. I
• 5:00
  Speaker 2: am the bodyguard of Stephanie aka Lady Gaga. I have
• 5:06
  Speaker 2: been Lady Gaga's bodyguard since born. This way, I am
• 5:11
  Speaker 2: equipped to handle the hordes of monsters that come at
• 5:14
  Speaker 2: her every.
• 5:15
  Speaker 3: Day, monsters and little monsters.
• 5:18
  Speaker 2: The monsters and the little monsters, and sometimes the little
• 5:20
  Speaker 2: monsters are monsters. I want to be clear. I am queer.
• 5:33
  Speaker 2: I am a queer man, which is important because the
• 5:37
  Speaker 2: amount of queer men that come after me, it's okay
• 5:41
  Speaker 2: for me to go after them because I'm queer. I
• 5:47
  Speaker 2: love Lady Gaga. She's a fantastic woman. She's safe for
• 5:50
  Speaker 2: an hour. She puts me in wild situations because she
• 5:53
  Speaker 2: puts herself in wild situations. We just got back from Coachella,
• 5:56
  Speaker 2: and boy are my armpits tired. It's a joke. I'm
• 5:59
  Speaker 2: a sweat.
• 6:02
  Speaker 4: This is going to be a good time.
• 6:08
  Speaker 1: Hoorah. My name Devin Templeton, USMC, United States Marine Corps,
• 6:17
  Speaker 1: Navy Seals. Then I did a stint in the Coast Guard,
• 6:20
  Speaker 1: and now I am a bodyguard for Asher Roth.
• 6:28
  Speaker 3: Can I get a quick Can I get a quick
• 6:30
  Speaker 3: background check? Is Asher Roth? The guy who sings I
• 6:33
  Speaker 3: Love College?
• 6:33
  Speaker 2: So I want to get everybody your heads up that
• 6:35
  Speaker 2: this headset is connected to the walls talkie, So if
• 6:37
  Speaker 2: you want to use the walkie talkie, you actually just
• 6:40
  Speaker 2: have used the headset.
• 6:44
  Speaker 1: Any male Nachus is a different person than Asher Roth.
• 6:49
  Speaker 4: I couldn't.
• 6:52
  Speaker 1: Asher Roth sang the song I love college, I love drinking.
• 6:56
  Speaker 1: He made millions and millions of dollars and does college
• 6:59
  Speaker 1: tours all the time. Still, can I ask.
• 7:01
  Speaker 3: A secrety question, yes, does he indeed love women as
• 7:04
  Speaker 3: much as he says he does?
• 7:05
  Speaker 1: You would not believe the women that he loves.
• 7:08
  Speaker 2: Does he love drinking?
• 7:09
  Speaker 1: He loves drinking, the two hardest things for a bodyguard,
• 7:12
  Speaker 1: women and drinking. So my job is cut out. But
• 7:15
  Speaker 1: as you can see, I am completely undercover. No, I'm
• 7:18
  Speaker 1: not in the first string. I am the sniper is
• 7:23
  Speaker 1: a sniper asheroth as a sniper. At all times, I'm
• 7:25
  Speaker 1: blending in to his party scene and to his concerts,
• 7:29
  Speaker 1: wearing a fake arm that is connected to a sniper
• 7:32
  Speaker 1: rifle underneath my jacket. As you can see right now,
• 7:35
  Speaker 1: my left arm is fake. Underneath I have a giant
• 7:38
  Speaker 1: sniper rifle that's protecting my client at all times. Thank you.
• 7:44
  Speaker 4: Hello, I'm Tibolt Richardson and I.
• 7:47
  Speaker 1: My name Beth Backwards what's your name, Devin Templeton?
• 7:52
  Speaker 4: Completely different names to me.
• 7:53
  Speaker 2: I see different names, tibbolt copy.
• 7:56
  Speaker 3: Let the record show there are different names.
• 7:59
  Speaker 1: You're on direct.
• 8:04
  Speaker 3: I'm on record right now. Uh tend two over and
• 8:07
  Speaker 3: UH continue. You have clearance to continue your intro.
• 8:11
  Speaker 4: Hello, I am tibblet Richardson. I am Gypsy Rose Blanchard's bodyguard.
• 8:19
  Speaker 4: What do I have personality?
• 8:22
  Speaker 3: No, you don't have to.
• 8:23
  Speaker 2: You don't have a person.
• 8:23
  Speaker 3: You don't have to have a person.
• 8:25
  Speaker 4: Her alias that I will be changing after today. Thank
• 8:27
  Speaker 4: you for that tip. That's a good tip. Her alias
• 8:31
  Speaker 4: that is the piano, the piano man.
• 8:34
  Speaker 2: You call her the piano man.
• 8:36
  Speaker 1: You call.
• 8:39
  Speaker 4: The piano man, no one will ever catch us. And
• 8:42
  Speaker 4: I call her hot husband the eagle now.
• 8:46
  Speaker 2: I would also I wanted to mention I have mentioned uh.
• 8:49
  Speaker 2: Lady Augar's code name UH is roast beef Sandwich. Asher
• 8:54
  Speaker 2: Roth's code name is ash. Yeah.
• 8:57
  Speaker 4: I feel like he doesn't really need one.
• 8:58
  Speaker 1: He needs one. You would not belie leave the type
• 9:00
  Speaker 1: of protection that his family and him are paying for
• 9:03
  Speaker 1: every day. He is under a lot of surveillance and
• 9:07
  Speaker 1: is under a lot of stress.
• 9:09
  Speaker 3: Can I get the security background on Gypsy Rose Blanchard,
• 9:13
  Speaker 3: Remind me who she is?
• 9:14
  Speaker 4: Stop right there?
• 9:16
  Speaker 2: WHOA?
• 9:17
  Speaker 4: She is a convicted felon.
• 9:20
  Speaker 1: WHOA.
• 9:21
  Speaker 3: Look, I don't want any trouble. I'm not pushing boundaries.
• 9:23
  Speaker 3: I only want to know what I am legally cleared
• 9:26
  Speaker 3: to know.
• 9:26
  Speaker 2: Gypsy Rose Blanchard is a woman who was the feature
• 9:29
  Speaker 2: of the documentary Mommy Dead and Dearest her. She conspired
• 9:33
  Speaker 2: with a man she met on the Internet to kill
• 9:35
  Speaker 2: her mother, who was Munchausen's by proxying her.
• 9:37
  Speaker 3: And did she kind of have a hot girl moment
• 9:39
  Speaker 3: on the internet about a year ago?
• 9:40
  Speaker 2: She did?
• 9:42
  Speaker 3: Then this is the suspect. I'm thinking of copy copy,
• 9:45
  Speaker 3: confirmed copy.
• 9:45
  Speaker 1: And I don't know if I can let asheroth anywhere
• 9:48
  Speaker 1: near your Gypsy Rose Blanchard.
• 9:50
  Speaker 2: Let's make something clear. None of our clients are meeting
• 9:52
  Speaker 2: each other.
• 9:53
  Speaker 4: Thank you, Thank you for giving the wikipede wikipede, thank
• 9:59
  Speaker 4: you for giving the w Wikipedia definition of my client.
• 10:02
  Speaker 4: You're welcome, I will say, but I was hired after
• 10:05
  Speaker 4: my client sat on the Internet that she was getting
• 10:07
  Speaker 4: spicy d from her husband on TikTok. She went viral
• 10:11
  Speaker 4: after that, and people kept throwing spicy d's at her.
• 10:17
  Speaker 1: Let's get into it.
• 10:20
  Speaker 3: So what and what what kind of what kind of
• 10:24
  Speaker 3: object or person is a spicy d?
• 10:27
  Speaker 4: The twizzlers are under the seat copy. Would it ruin
• 10:34
  Speaker 4: the whole interview for you folks, the producers? If I'm
• 10:38
  Speaker 4: still kind of on call, I kind of work also
• 10:41
  Speaker 4: a little bit as an assistant.
• 10:42
  Speaker 1: Well, so far she's just been asking for candy.
• 10:46
  Speaker 4: Yeah, and trisk.
• 10:46
  Speaker 2: Gets We did ask the question what is a spicy d? Oh?
• 10:51
  Speaker 4: A spicy d? She gets a lot of dildos thrown
• 10:55
  Speaker 4: at her. Okay, that are covered in spicy sauces.
• 10:57
  Speaker 1: Okay, Well this opens the first question I had for you.
• 11:00
  Speaker 1: Do you have a personal relationship with your client or
• 11:03
  Speaker 1: is it strictly business? Because sometimes Asher Roth doesn't necessarily
• 11:08
  Speaker 1: have a lot of people coming to his concert, so
• 11:09
  Speaker 1: it's just me and the audience, and he'll ask me
• 11:12
  Speaker 1: to come backstage after and I have to remind him
• 11:15
  Speaker 1: I am his bodyguard.
• 11:17
  Speaker 4: That's a good like thing to think about, where it's
• 11:20
  Speaker 4: like as a bodyguard, you're being paid as a bodyguard,
• 11:23
  Speaker 4: and also you're being paid as an audience member, and
• 11:26
  Speaker 4: I'm paid as a bodyguard and also a pantry for
• 11:28
  Speaker 4: her an organizer of her pantry.
• 11:30
  Speaker 1: Well, it's hard for me because I cannot legally face
• 11:32
  Speaker 1: the concert. I have to be turning around looking for threats.
• 11:35
  Speaker 1: So it does feel like I'm a disrespectful and he
• 11:39
  Speaker 1: gets confused and asks me to come backstage if I've
• 11:41
  Speaker 1: got a problem with him. Every single time.
• 11:43
  Speaker 2: I am Stephanie's bodyguard and catapult. Sometimes she likes to
• 11:49
  Speaker 2: be thrown, you thrower. She's very little. I'm six foot eight,
• 11:54
  Speaker 2: and so you know, we have a very serious, specific relationship.
• 11:58
  Speaker 2: She likes to make jokes to me and and I
• 12:00
  Speaker 2: listened to them, and I receive them. I don't make
• 12:02
  Speaker 2: them back. That's not my job. It's not her job either,
• 12:05
  Speaker 2: But it's also not my leisure, and it's her leisure.
• 12:08
  Speaker 2: So if she asks me to throw her, I certainly
• 12:10
  Speaker 2: do that. I am kind of the special effects person
• 12:14
  Speaker 2: for every time she's practicing a show. For the Coachella set,
• 12:17
  Speaker 2: I was throwing her. I was fighting her as some
• 12:20
  Speaker 2: sort of queen. I'm kind of her big action figure.
• 12:22
  Speaker 3: What kind of security precautions do you have to take
• 12:25
  Speaker 3: before you uh throw Lady Gaga?
• 12:28
  Speaker 2: Well, I have to check her. I have to check
• 12:30
  Speaker 2: her vitals. We have to get an EKG and we
• 12:32
  Speaker 2: have to get a lot of health scans to make
• 12:34
  Speaker 2: sure that she's ore. Yes, and then after we play around,
• 12:37
  Speaker 2: I have to test her again to make sure I
• 12:39
  Speaker 2: didn't do anything. It's just a security issue. It's an
• 12:42
  Speaker 2: insurance issue, and we just claim it. It's just if
• 12:44
  Speaker 2: you break it, you buy it. You know what I mean?
• 12:46
  Speaker 2: And so if I do break something on her, I
• 12:48
  Speaker 2: have to pay her.
• 12:49
  Speaker 3: Has this happened before?
• 12:50
  Speaker 2: It has happened before. I accidentally cut her ear while
• 12:53
  Speaker 2: I threw her into a ceiling van.
• 12:56
  Speaker 1: What should you buy her ear?
• 12:58
  Speaker 2: I bought some band aids. It was a very small infraction,
• 13:02
  Speaker 2: but a serious one. Imagine if it was worse.
• 13:08
  Speaker 3: Okay, that's most of our job, I would say, yeah.
• 13:10
  Speaker 2: Imagine if it was worse.
• 13:11
  Speaker 3: It was worse.
• 13:12
  Speaker 2: We kind of imagined the worst situation in everything. I've
• 13:15
  Speaker 2: already figured out the worst situation that could happen right here.
• 13:17
  Speaker 2: A shooter could come in that door.
• 13:22
  Speaker 3: That's funny, that's the situation I was picturing too. I
• 13:24
  Speaker 3: think the worst thing that could happen to us is
• 13:26
  Speaker 3: a shooter comes through that door.
• 13:30
  Speaker 1: No, I feel this. You guys are wrong. Nine point
• 13:34
  Speaker 1: two earthquake or scale and then a shooter comes through
• 13:37
  Speaker 1: that door.
• 13:37
  Speaker 2: Oh so weird, disoriented and we're kind of hard chair.
• 13:41
  Speaker 2: We have been separated from our gar.
• 13:43
  Speaker 4: Worst thing that could happen to this room right now,
• 13:45
  Speaker 4: the ghost of our mother comes through that door, kills us.
• 13:49
  Speaker 4: That was a gypsy Rose blinchered reference and this is
• 13:53
  Speaker 4: going to be hard. Okay, So we all get to
• 13:56
  Speaker 4: do those things. Do you get to be Martha Stewart's
• 13:58
  Speaker 4: taste test or I'm dying.
• 13:59
  Speaker 1: To know the Andrews.
• 14:02
  Speaker 2: So that is.
• 14:06
  Speaker 3: A different woman. So that is actually a common A
• 14:10
  Speaker 3: lot of the threats that Artha Stewart has, Julie Andrews
• 14:14
  Speaker 3: also has. It's the same fan base, it's the same clientele.
• 14:18
  Speaker 3: The only difference is Julie Andrews is absolutely sworn by
• 14:23
  Speaker 3: elderly musical theater fans in sweater vests. And they work
• 14:28
  Speaker 3: a mind game. They infiltrate her apartment. She lives in
• 14:33
  Speaker 3: an apartment, big one, yeah, big one, big apartment. They
• 14:37
  Speaker 3: infiltrate her apartment Brownstone, Brownstone.
• 14:40
  Speaker 2: You've said too much.
• 14:43
  Speaker 3: I will not disclose any more features of the apartment.
• 14:46
  Speaker 2: I already know exactly where it is.
• 14:48
  Speaker 3: You felt right into our Oh yeah, what's the address?
• 14:50
  Speaker 3: Radio it to me in code.
• 14:53
  Speaker 4: You guys, walkies are connected to each.
• 14:54
  Speaker 1: Other, connected.
• 15:00
  Speaker 2: Broadway Bay.
• 15:03
  Speaker 3: That is erect. I just recated to you in code.
• 15:08
  Speaker 2: I heard it.
• 15:10
  Speaker 3: I want to give credit where your credit is due.
• 15:12
  Speaker 3: You did guess it correctly.
• 15:14
  Speaker 2: Thank you.
• 15:15
  Speaker 3: Listen, I have it. But that is a decoy house.
• 15:19
  Speaker 3: Julie Andrews's real location is in time and space in
• 15:23
  Speaker 3: a way that you cannot even comprehend.
• 15:25
  Speaker 1: Just gave it away. I now know where she lives.
• 15:29
  Speaker 5: Say it in codean code, Bravo, Charlie alpha alpha, diego,
• 15:34
  Speaker 5: alpha delta, Juliette foxtrot uniform, Charlie keilo.
• 15:41
  Speaker 2: That is correct, bc AA d e fkkj.
• 15:46
  Speaker 1: F u ck. Okay, it's a code. It's a code
• 15:49
  Speaker 1: on the code. You think the phonetic alphabet alone would
• 15:52
  Speaker 1: give away the code.
• 15:54
  Speaker 4: You fell into his trap.
• 15:55
  Speaker 3: You fell in exactly into his trap. Now that's the
• 15:57
  Speaker 3: worst case scenario. You fall into a trap Richter scale
• 16:01
  Speaker 3: earthquake flood, Then a shooter.
• 16:04
  Speaker 2: Coster comes in on a boat.
• 16:09
  Speaker 4: Shooter comes in on a boat.
• 16:11
  Speaker 3: Through that on a boat, or he's strong.
• 16:14
  Speaker 2: Earthquake releases the water lines. Theater flooded, we are drowning.
• 16:18
  Speaker 2: Shooter comes in on boat, shoots us in water.
• 16:19
  Speaker 4: You already said too much. I know where your client lives.
• 16:22
  Speaker 4: My client, yeah, a place with earthquakes.
• 16:25
  Speaker 2: No, California, not correct. I have a question about your client.
• 16:31
  Speaker 1: Please?
• 16:32
  Speaker 2: Were you her bodyguard when she went to jail for
• 16:34
  Speaker 2: insider trading?
• 16:37
  Speaker 1: Different?
• 16:38
  Speaker 3: That is also Martha Stewart. Okay, that is Martha Stewart.
• 16:43
  Speaker 3: That did not happen to my client. My client is
• 16:46
  Speaker 3: Julie Andrews. She has never been to jail, and I
• 16:49
  Speaker 3: have made sure of it. There have been close calls.
• 16:52
  Speaker 2: There have j Andrews almost went to jail.
• 16:54
  Speaker 3: There have been many close calls.
• 16:58
  Speaker 4: Let's cut the ship. Who are your real clients? Are
• 17:08
  Speaker 4: these aliases for somebody else?
• 17:12
  Speaker 2: My client is lady got me.
• 17:18
  Speaker 3: And you got me. Julie Andrews was a code word
• 17:23
  Speaker 3: for Guy Fieri. You got me, you got me.
• 17:29
  Speaker 2: And I'm guessing yours is a fake.
• 17:33
  Speaker 1: I feel like you've decided to switch.
• 17:37
  Speaker 4: I have a feeling that yours mine is gypsy rosenger?
• 17:42
  Speaker 3: And what is that a code word for?
• 17:44
  Speaker 2: Because if you had a choice and you wanted to switch,
• 17:48
  Speaker 2: this would be the moment.
• 17:50
  Speaker 3: This would be the only time you have clearance to switch.
• 17:54
  Speaker 4: I'm gonna tell you right now, I will not be
• 17:57
  Speaker 4: saying any client's name. Besides you see Rose Blanchard until
• 18:02
  Speaker 4: you drop the Lady Gauga act so too, and for
• 18:06
  Speaker 4: you to switch, drop the ash.
• 18:09
  Speaker 3: Everyone must sacrifice their.
• 18:12
  Speaker 4: I just want I will only be honest when the
• 18:14
  Speaker 4: whole room is honest.
• 18:17
  Speaker 1: Well, ask yes or no questions to see if we're lying.
• 18:20
  Speaker 1: We're gonna go around yes or no, bullet answers yes
• 18:24
  Speaker 1: or no bullet, Yes or no or no or bullet.
• 18:27
  Speaker 3: Yes or no bullet, and then or bullet is I'd
• 18:30
  Speaker 3: rather die?
• 18:31
  Speaker 4: Yes or no bullet? And then somewhere in the middle
• 18:34
  Speaker 4: is check the perimeter.
• 18:36
  Speaker 2: As many know, this is the bodyguard version of Mary.
• 18:39
  Speaker 1: Yes, no bullet? Yes, Okay, are you ready rapid fire?
• 18:44
  Speaker 1: Do you like your client?
• 18:47
  Speaker 4: I'm sorry, before I play your little hell, I'm sorry,
• 18:52
  Speaker 4: before I play your little I can tell you're annoyed.
• 18:55
  Speaker 4: I got your wear there, won't you? Before I play
• 18:58
  Speaker 4: a little game?
• 18:59
  Speaker 1: What is this? We say, it's the most basic understanding.
• 19:03
  Speaker 4: Yeah, but do I tell you I'm not I'm not
• 19:07
  Speaker 4: going to reveal my real client.
• 19:09
  Speaker 1: No, but this is we are seeing we're lying about
• 19:11
  Speaker 1: our real clients or not. Yes, no, bullet. We ask
• 19:15
  Speaker 1: a question, you say yes or no or bullet and just.
• 19:18
  Speaker 3: Tell the truth. If you don't have the truth, there's
• 19:21
  Speaker 3: nothing to fear.
• 19:22
  Speaker 1: Okay, let's try this again. Do you like your client?
• 19:25
  Speaker 3: Bullet?
• 19:27
  Speaker 2: Yes?
• 19:27
  Speaker 3: Does your client have a vegetarian diet?
• 19:32
  Speaker 2: Bullet?
• 19:33
  Speaker 1: Yes? No?
• 19:38
  Speaker 3: Okay, so we're both. Oh, we're all playing at the
• 19:40
  Speaker 3: same time. Yes, got it, my client? And what was
• 19:44
  Speaker 3: the first question?
• 19:45
  Speaker 2: Do you like them?
• 19:46
  Speaker 4: The game was hard for me to understand too.
• 19:48
  Speaker 1: You're just catching up to aren't you. Okay, explain this
• 19:50
  Speaker 1: game one more time.
• 19:52
  Speaker 2: I understand.
• 19:57
  Speaker 1: Everybody is playing this game. Yes, okay, No, it's tough
• 20:00
  Speaker 1: for bodyguards to understand anything but bodyguarding. You're going to
• 20:04
  Speaker 1: answer these questions. We can all throw them out. Understood, Yes,
• 20:08
  Speaker 1: no or bullet?
• 20:09
  Speaker 3: We and once and just so I'm clear on the
• 20:11
  Speaker 3: perimeters in the safety and the foundation.
• 20:13
  Speaker 4: Check the perimeter.
• 20:14
  Speaker 3: Check. Let me check the foundation of the game really
• 20:16
  Speaker 3: quick to see if it adds up. Check trick check,
• 20:18
  Speaker 3: rick checktrick check. One person will present a question we
• 20:22
  Speaker 3: all answer individually for our respective clients.
• 20:24
  Speaker 1: Bullet. What so.
• 20:29
  Speaker 3: Game that the game is shot? Their security has been
• 20:33
  Speaker 3: compromised because I asked a clarifying question about.
• 20:36
  Speaker 1: The game, and I wouldn't give it. I'd rather take
• 20:39
  Speaker 1: a bullet to my head. I have clarified this game
• 20:41
  Speaker 1: one thousand times.
• 20:43
  Speaker 2: I would like to talk about things that bodyguards do.
• 20:46
  Speaker 4: Okay, I want to apologize as we move on to that.
• 20:50
  Speaker 4: I apologize for thinking everyone was a rat and Lyne,
• 20:55
  Speaker 4: thank you. That's okay, It's just what I do.
• 20:57
  Speaker 3: Well, I was so and I still figure.
• 21:04
  Speaker 2: My question is, when it comes to being a bodyguard,
• 21:09
  Speaker 2: what is the thing that you tell the fans to
• 21:13
  Speaker 2: get them away?
• 21:17
  Speaker 3: I say this is for guy, this is for my client.
• 21:23
  Speaker 3: I say, meats not in here. Meats not in here.
• 21:28
  Speaker 3: Because his clients, I mean his fans, they all want
• 21:33
  Speaker 3: smoke house rips. They all want a big juicy burger.
• 21:37
  Speaker 3: That's what they want. So I defer them and I say,
• 21:40
  Speaker 3: there's no meat. You got to go over there. I say,
• 21:43
  Speaker 3: this is a tofu house. You gotta go. You don't
• 21:46
  Speaker 3: want this, you gotta go. The meat's not in here.
• 21:51
  Speaker 4: You got this, this is you gotta go.
• 21:57
  Speaker 2: That's good.
• 21:59
  Speaker 1: Was it work?
• 22:00
  Speaker 3: Yes? His fans are.
• 22:04
  Speaker 1: People who him more about the meat.
• 22:09
  Speaker 3: Come again?
• 22:10
  Speaker 1: Or his fans are less about him more about the meat.
• 22:12
  Speaker 3: They're more about the meat. They follow Guy because Guy
• 22:15
  Speaker 3: leads them to what they really want, which is meat.
• 22:17
  Speaker 3: Guy is a symptom of their true fanhood and not
• 22:20
  Speaker 3: the cause.
• 22:21
  Speaker 4: Wow. Must be nice to id the fanship and know
• 22:24
  Speaker 4: the fandom and know what they're what their motive is
• 22:27
  Speaker 4: at all times.
• 22:28
  Speaker 3: They are motivated by food like a hungry dog.
• 22:32
  Speaker 4: What about the the women who love Guy and thirst after?
• 22:36
  Speaker 3: The women are motivated by sex?
• 22:39
  Speaker 4: What do you do about that?
• 22:40
  Speaker 1: Saying works? They say?
• 22:43
  Speaker 3: Got it?
• 22:44
  Speaker 2: Who is more aggressive? The women who want meat or
• 22:46
  Speaker 2: the women who want sex? The women, Well, the women.
• 22:48
  Speaker 3: Who want sex are more aggressive towards me than the
• 22:51
  Speaker 3: men who want meat.
• 22:52
  Speaker 4: Do you think an all bodyguard all of it? No
• 22:56
  Speaker 4: matter the client, you're always dealing with two people, men
• 22:59
  Speaker 4: who want me or women who wants hecks.
• 23:02
  Speaker 2: No, my men want a friend and the women actually
• 23:10
  Speaker 2: don't talk to her. It's very interesting.
• 23:15
  Speaker 3: Interesting.
• 23:15
  Speaker 2: I have a very simple thing that I say to
• 23:17
  Speaker 2: all of them. The monsters tend to get handsy. The
• 23:21
  Speaker 2: little monsters are very handsy and they like to touch her.
• 23:23
  Speaker 2: They want to feel her hair, they want to feel
• 23:25
  Speaker 2: her nose, they want to touch everything about her. And
• 23:27
  Speaker 2: I get it. She's very touchable. When I throw her,
• 23:30
  Speaker 2: I would be remiss to say I don't stop for
• 23:32
  Speaker 2: a second and think, Wow, what an interesting density to her.
• 23:37
  Speaker 2: But I will say I look at them and I say, listen,
• 23:40
  Speaker 2: let me tell you my name. My name is do
• 23:43
  Speaker 2: not touch Lady Gaga. When you see me on the street,
• 23:47
  Speaker 2: you will call me by do not touch Lady Gaga.
• 23:51
  Speaker 2: You will see me and you will say, hey, there's
• 23:53
  Speaker 2: my friend. Do not touch Lady Gaga. And then I
• 23:56
  Speaker 2: say say my name and they say, do not touch
• 23:58
  Speaker 2: Lady Gaga. And I said present, and I have them
• 24:01
  Speaker 2: walk in.
• 24:02
  Speaker 3: What do they say when they call you in for
• 24:04
  Speaker 3: jury duty?
• 24:05
  Speaker 2: Jury duty? Yeah, they say, do not touch Lady Gaga.
• 24:11
  Speaker 4: They say, you say they do.
• 24:13
  Speaker 2: You've changed your name. I changed my legal name to
• 24:16
  Speaker 2: do not touch Lady Gaga.
• 24:18
  Speaker 3: Your driver's license as well.
• 24:19
  Speaker 2: My driver's license. I was pulled over a to you
• 24:22
  Speaker 2: I checkpoint recently and that caused issues.
• 24:25
  Speaker 1: What is the first name and what is the last thing?
• 24:27
  Speaker 4: I was just about to ask where it ends and
• 24:29
  Speaker 4: where it begins?
• 24:29
  Speaker 2: It's one word, do not touchy Gaga, and then my
• 24:32
  Speaker 2: last name Nobel.
• 24:34
  Speaker 4: No, okay, you kept it.
• 24:35
  Speaker 2: Yes, I found out there's somebody else name justin Noble,
• 24:38
  Speaker 2: so I changed my name to do not touchy Gaga.
• 24:40
  Speaker 4: Oh see, we can all switch during the middle of things.
• 24:42
  Speaker 2: And you know it's interesting. I did that before I
• 24:44
  Speaker 2: got this job, so it is a relief to have it.
• 24:47
  Speaker 4: Oh wow, Yeah, that's a passionate bodyguard.
• 24:51
  Speaker 2: I have no problem with switching, by the way, and
• 24:52
  Speaker 2: you're more than welcome to whenever you want.
• 24:54
  Speaker 4: I will not. I will only switch when everyone's being
• 24:57
  Speaker 4: honest about out who their client is.
• 25:02
  Speaker 1: I really tried to help you by playing that game,
• 25:04
  Speaker 1: and we quickly ended it.
• 25:07
  Speaker 4: I'll tell you this, the game was confusing.
• 25:10
  Speaker 1: Couldn't have been more straightforward. My move is I go oh,
• 25:14
  Speaker 1: because I'm walking around the concert, I go p you.
• 25:17
  Speaker 1: This guy stinky usually clears the crowd pretty quick.
• 25:22
  Speaker 2: Oh you you put a we call it you skunk him.
• 25:24
  Speaker 1: I skunk him out.
• 25:25
  Speaker 2: You skunk him out, and everyone's nervous.
• 25:27
  Speaker 1: You who foughted it?
• 25:28
  Speaker 4: I genuinely haven't heard someone go pe you in so long.
• 25:32
  Speaker 1: PI you.
• 25:34
  Speaker 2: It is irregular, which is why I would respond.
• 25:36
  Speaker 1: To it, because I'm having the reverse problem. Usually the
• 25:39
  Speaker 1: women want meat. There walking into a bar setting looking
• 25:42
  Speaker 1: for food. They're hoping the getting closer to where the
• 25:46
  Speaker 1: food section might be. Yes, they are at a gas
• 25:51
  Speaker 1: smash burgers, and the men all they want Asher for
• 25:54
  Speaker 1: is sex for Asher.
• 25:56
  Speaker 2: For Asher.
• 25:58
  Speaker 3: They want sex for him or with him.
• 25:59
  Speaker 1: They what they're rooting for him. They are hoping he scores.
• 26:06
  Speaker 1: It is dangerous, it is toxic. And I am doing
• 26:09
  Speaker 1: my best to blend right in, and I think I'm
• 26:11
  Speaker 1: doing a pretty good job. This is usually how I'm dressed.
• 26:14
  Speaker 4: You look great.
• 26:15
  Speaker 2: What do you say to the fans of Gypsy Rose.
• 26:17
  Speaker 4: I usually grab my client, who's kind of small, and
• 26:20
  Speaker 4: throw them up top of my shoulders, and then I'll
• 26:24
  Speaker 4: look straight into the fans face and I'll go, eyes
• 26:26
  Speaker 4: down here.
• 26:27
  Speaker 1: Bud, eyes down down here, so you don't want them
• 26:32
  Speaker 1: looking up.
• 26:32
  Speaker 4: You want my clients up there on my shoulders, And
• 26:35
  Speaker 4: I go, if you're going to talk to them, you
• 26:37
  Speaker 4: can talk to me first. And I kind of it
• 26:40
  Speaker 4: feels good to hold my client's thighs a little bit
• 26:43
  Speaker 4: in in a professional sense, like and be like you're
• 26:45
  Speaker 4: not running anywhere I have full full grass.
• 26:49
  Speaker 1: Are they a runner?
• 26:50
  Speaker 4: Yeah, you would say, you could say what I say
• 26:53
  Speaker 4: to Gypsy Rose fans. I look at them and I say, hey,
• 27:01
  Speaker 4: they're giving out candy outside. All right? I usually say,
• 27:05
  Speaker 4: did you get the swag bag over there?
• 27:08
  Speaker 1: You're going to events with swagbag?
• 27:10
  Speaker 3: Oh? Yeah, what do you think Gypsy's going?
• 27:12
  Speaker 4: We're we're going to premiere.
• 27:14
  Speaker 1: I don't know.
• 27:15
  Speaker 3: Skincare launches.
• 27:16
  Speaker 2: Gypsy loves a gifting suite.
• 27:18
  Speaker 4: She does, she does, and her fans will come around
• 27:20
  Speaker 4: and I'll go, whoa did you see there's an external
• 27:22
  Speaker 4: charger in the swag bag. And they run for the hills.
• 27:29
  Speaker 1: They're scared off and.
• 27:30
  Speaker 4: They run for the gifting sweet hills.
• 27:35
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• 29:23
  Speaker 1: Now. I've got a question. Do you have a moment
• 29:26
  Speaker 1: that to find your bodyguard career with your client? Have
• 29:29
  Speaker 1: you ever been in a precarious situation that something that
• 29:31
  Speaker 1: you said, Wow, I really did save the day a
• 29:34
  Speaker 1: client before.
• 29:36
  Speaker 2: The Super Bowl. I had with her as she jumped
• 29:38
  Speaker 2: out of the sky. You might see me. I was
• 29:41
  Speaker 2: covered in all black and I was right behind her
• 29:43
  Speaker 2: just in case a little monster came from nowhere and
• 29:45
  Speaker 2: tried to swipe her before she hit the ground. In
• 29:48
  Speaker 2: the sky as well, I did jump backwards. I was
• 29:50
  Speaker 2: in the sky, yes, and I was part of the
• 29:52
  Speaker 2: drones too. Wow, But I saved her. That was very scary.
• 29:56
  Speaker 2: It is. I had to do a lot of air
• 29:58
  Speaker 2: combat training ow into the iFly at Universal City City
• 30:02
  Speaker 2: Walk skydiving simulator, and I practiced. I had people throw
• 30:07
  Speaker 2: things at me, knives, guns, it, cell phones, anything to
• 30:12
  Speaker 2: see if I could swap them in the middle of
• 30:13
  Speaker 2: the air. And I was ready and I didn't have to,
• 30:17
  Speaker 2: But that was one of the craziest things of my life.
• 30:19
  Speaker 2: I'm standing up there being like I'm with Lady Gaga
• 30:22
  Speaker 2: about to defend her from being attacked midair like some
• 30:25
  Speaker 2: sort of baby bird. Who's beautiful, that's beautiful.
• 30:28
  Speaker 3: I remember the day exactly, June thirteenth, twenty thirteen, Diners,
• 30:34
  Speaker 3: Drive Ins and Dives. We are in Kansas off the
• 30:37
  Speaker 3: I eighty. A tornado approaches. It is below us, above us,
• 30:42
  Speaker 3: to the east of US, and to the west.
• 30:44
  Speaker 1: Of us of the tornado.
• 30:47
  Speaker 4: So the tornado is like right on you.
• 30:49
  Speaker 2: One might say you are the tornado.
• 30:51
  Speaker 3: We are in a tornado, but we have to finish
• 30:55
  Speaker 3: the episode of Diners, Drive Ins and Dives. We are
• 30:58
  Speaker 3: at Patty's crabshef. It is a crab shack that is
• 31:03
  Speaker 3: known for having a delicious crab cake sandwich in Kansas.
• 31:09
  Speaker 1: They I heard about this.
• 31:12
  Speaker 4: What did you hear about the crowd cake?
• 31:14
  Speaker 1: I heard the sandwiches. I heard about this day for you,
• 31:18
  Speaker 1: But I also heard about.
• 31:19
  Speaker 3: The sandwiches so this information is spreading.
• 31:22
  Speaker 1: I mean, you know the reddits copy reddit, slash or
• 31:25
  Speaker 1: slash every good bodyguard.
• 31:26
  Speaker 4: The reddit guard. We're talking about bodyguard, but we are
• 31:32
  Speaker 4: the asshole bodyguard.
• 31:34
  Speaker 3: We were going to read some of those later.
• 31:37
  Speaker 2: Oh, am I the asshole body guard my favorite reddit
• 31:39
  Speaker 2: and you have to finish the story the bodyguard.
• 31:42
  Speaker 1: Am I the asshole Bodyguard? Am I the body bodyguard?
• 31:46
  Speaker 4: Am I overreacting Bodyguard?
• 31:48
  Speaker 3: Am I? The relationship slash Bodyguard, Bodyguard, Bodyguard, shower thoughts
• 31:53
  Speaker 3: Bodyguard twenty thirteen. We're in the middle of a tornado.
• 31:58
  Speaker 3: We are going to film the last episode of the day,
• 32:00
  Speaker 3: which is the crab Shack.
• 32:02
  Speaker 1: You got this.
• 32:03
  Speaker 3: Information, like like, I'm reminding myself, let me hold on
• 32:08
  Speaker 3: for your life.
• 32:11
  Speaker 1: I heard about this.
• 32:12
  Speaker 3: So there is also a horde of women who are
• 32:15
  Speaker 3: sheltering in place. They smell crab. There is one crab left.
• 32:22
  Speaker 3: Guy is hungry and when he gets hungry, he passes out.
• 32:26
  Speaker 3: He is hypoglycemic. So the women dive for the crab.
• 32:32
  Speaker 3: Guy also dives for the crab. I throw my body
• 32:36
  Speaker 3: in front of the women and I say, this is
• 32:38
  Speaker 3: a tofu house. This is a Tofu house.
• 32:41
  Speaker 4: This brilliant until they scatter.
• 32:50
  Speaker 3: I never saw those women again.
• 32:53
  Speaker 4: And that's a good bodyguard.
• 32:55
  Speaker 3: You get rid of a fan for good when you
• 32:57
  Speaker 3: vanquish a fan.
• 32:58
  Speaker 4: When you vanquished it is the.
• 33:01
  Speaker 3: Most important moment of a bodyguard's life.
• 33:03
  Speaker 2: Let's be transparent. We hate fans and we want them dead.
• 33:06
  Speaker 1: Absolutely. I've worked tirelessly to make sure Asher Roth has
• 33:10
  Speaker 1: not one fan left.
• 33:11
  Speaker 2: You have been one of the most successful bodyguards of.
• 33:17
  Speaker 1: Gypsy Rose.
• 33:17
  Speaker 4: Loves her fans so and and and we got to
• 33:21
  Speaker 4: keep them or else we lose row.
• 33:23
  Speaker 1: Do you have a harrowing day?
• 33:25
  Speaker 3: What do you mean a moment bodyguardship.
• 33:30
  Speaker 4: I'd say it was the day Gypsy Rose met Kim Kardashian,
• 33:35
  Speaker 4: which is the real thing, and it's on the newest
• 33:39
  Speaker 4: season of The Kardashians and Gypsy Rose. There was a
• 33:44
  Speaker 4: lot more Kardashian fans, and I'm not used to Kardashian fans.
• 33:47
  Speaker 4: I'm used to Gypsy Rose fans.
• 33:50
  Speaker 2: What is the difference, If you had to say.
• 33:52
  Speaker 4: I'd say Gypsy Rose fans are just inquiring. That's why
• 33:58
  Speaker 4: I like just being like, oh, you can go outside,
• 34:00
  Speaker 4: there's free stuff. They just have questions. They're not a
• 34:04
  Speaker 4: lot of picture asks, not a lot of hugs, just like,
• 34:07
  Speaker 4: oh shit, is that you who? And the Kardashian fans,
• 34:13
  Speaker 4: I've never seen anything in my life.
• 34:16
  Speaker 3: Can I ask you, who do you think would win
• 34:18
  Speaker 3: a horde of ten inquiring fans versus one Kardashian fan.
• 34:24
  Speaker 4: I say this with full confidence, one Kardashian fan. I've
• 34:28
  Speaker 4: never seen anything like it, and I feel as if
• 34:30
  Speaker 4: they're similar to Little Monsters.
• 34:32
  Speaker 2: The Little Monsters and the Kardashians do have some crossover.
• 34:35
  Speaker 2: I would say for sure.
• 34:37
  Speaker 4: These are these are uh yeah, these are some some
• 34:41
  Speaker 4: spicy people.
• 34:42
  Speaker 2: They're intense and they know everything about the people they want.
• 34:45
  Speaker 2: I mean, I would say the standship of some of
• 34:49
  Speaker 2: these fans, these obsessive fans, it is, you know, these
• 34:53
  Speaker 2: people should be recruited for the CIA. They could be
• 34:55
  Speaker 2: doing my job. They know her every move and so
• 34:59
  Speaker 2: I have to study from them. I have some informants
• 35:01
  Speaker 2: in the Little Monster community that they come to me,
• 35:03
  Speaker 2: and if they are found out that they're talking to
• 35:05
  Speaker 2: the bodyguard, they get excommunicated. They're forced, they're forced to
• 35:08
  Speaker 2: become Doja Cat fans, and they're devastating. Holy God, there
• 35:12
  Speaker 2: are a lot of former Gaga fans that are now
• 35:15
  Speaker 2: DOJ Doja cut fans in the rest by force. Every
• 35:20
  Speaker 2: person at a Doja ct Doja cat concert was coerced
• 35:24
  Speaker 2: into being there. They are forced to be there, and
• 35:27
  Speaker 2: they didn't want to be. It's a sad thing to see.
• 35:31
  Speaker 4: That's that you've got your own network of.
• 35:33
  Speaker 1: Your little monsters.
• 35:35
  Speaker 2: I do I do, I do have that. What's the
• 35:38
  Speaker 2: most hating thing that happened to you? Depending on mister Asher.
• 35:40
  Speaker 1: The day that song came out, that was a remix
• 35:43
  Speaker 1: of his song that went, I hate call it, I
• 35:46
  Speaker 1: love college, but hate all the drinking. Yeah, the Christian remix.
• 35:50
  Speaker 1: It broke him in half. He said, they're stealing my thing.
• 35:54
  Speaker 1: That's my thing. I spent four hours consoling the man.
• 35:57
  Speaker 4: So you're regarding his ego in a sense.
• 35:59
  Speaker 1: I was guarding his heart.
• 36:01
  Speaker 2: Wow.
• 36:01
  Speaker 1: Wow, guarding his heart.
• 36:02
  Speaker 3: That's not all happens sometimes.
• 36:05
  Speaker 1: I mean, we have a wonderful relationship. I would say
• 36:09
  Speaker 1: he's one of my closest friends. I love him, I
• 36:11
  Speaker 1: would die for him. I'm not paid to be his
• 36:14
  Speaker 1: bodyguard anymore. I just do it because I.
• 36:17
  Speaker 3: Love You're a volunteer bodyguard.
• 36:19
  Speaker 1: I'm a voluntar a VBGG.
• 36:23
  Speaker 4: Oh you're a volunteer.
• 36:24
  Speaker 1: I'm a volunteer body, and.
• 36:26
  Speaker 4: What do you do to like get a roof over
• 36:29
  Speaker 4: your head and food on the table?
• 36:31
  Speaker 1: Roof over head, food on the table? I or can telemarketing? Okay, yeah,
• 36:38
  Speaker 1: I'm actually on hold. I'm waiting for this old lady
• 36:44
  Speaker 1: to figure out how to pick up a whold call again. Okay,
• 36:47
  Speaker 1: she's about to buy so much protein powder.
• 36:52
  Speaker 4: Speaking of the protein cookies or in the bag in
• 36:55
  Speaker 4: the backseat.
• 36:56
  Speaker 1: It's good that you're you're giving her some protein cookies.
• 37:00
  Speaker 2: That's good. Okay, yes, no, go ahead. I have a
• 37:04
  Speaker 2: question for all of us. First of all, i'd like
• 37:06
  Speaker 2: I'd like to check us. We have spent the last
• 37:09
  Speaker 2: I don't know, thirty or so minutes talking about our clients.
• 37:16
  Speaker 4: Okay, so it's time we talk about ourselves. Are real clients.
• 37:23
  Speaker 3: I have already revealed you have. I have already caved
• 37:26
  Speaker 3: right away, and.
• 37:28
  Speaker 1: It was my favor handled torture.
• 37:33
  Speaker 4: Let's information.
• 37:34
  Speaker 3: Let's talk about ourselves, shall we?
• 37:36
  Speaker 4: Where'd you guys train? Sorry, we're asking something.
• 37:40
  Speaker 2: No, we can talk about training.
• 37:42
  Speaker 4: You want to talk, We're gonna talk about ourselves.
• 37:44
  Speaker 2: I want to talk about ourselves and what we do
• 37:46
  Speaker 2: when we're not bodyguards? Who are we beyond this? You
• 37:51
  Speaker 2: know what, when do you let your hair down? What
• 37:54
  Speaker 2: do you do?
• 37:54
  Speaker 3: Bodyguard? It's so hard to separate yourself from your job. Yes,
• 37:58
  Speaker 3: we're constantly assessing rreats.
• 38:01
  Speaker 4: But also might depend on your contract. I'm curious, are
• 38:03
  Speaker 4: you any of you like live in and go on
• 38:05
  Speaker 4: tour in the full time or are you guys like
• 38:09
  Speaker 4: just contract it out.
• 38:11
  Speaker 1: I'm living full time as much as I can volunteer.
• 38:15
  Speaker 2: You're full time volunteer.
• 38:16
  Speaker 1: Full time volunteer. And when I have off, I do
• 38:19
  Speaker 1: my dance classes at playground. Okay, I really have a
• 38:23
  Speaker 1: blast with those.
• 38:24
  Speaker 2: What kind of dances do you like to do?
• 38:26
  Speaker 1: I like the modern hip hop classes and the spiritual
• 38:30
  Speaker 1: modern dance nice okay.
• 38:34
  Speaker 3: I attend a singles cooking class where we makenochi. It
• 38:42
  Speaker 3: is a different kind of niochi every week. There are
• 38:45
  Speaker 3: four main niochis in the course curriculum. Pesto, Tomato, White Sauce.
• 38:52
  Speaker 4: I can't wait for the last, no one say anything,
• 38:58
  Speaker 4: and Vodka sauce.
• 39:02
  Speaker 3: Didn't think I'd land the plane. I didn't think i'd
• 39:05
  Speaker 3: land the plane joke's on you. I know four kinds
• 39:08
  Speaker 3: of pasta sauces, and I remember them from my class.
• 39:13
  Speaker 3: These are the kind of skills I'm trying to learn
• 39:15
  Speaker 3: because I need to learn if I'm going to be
• 39:18
  Speaker 3: a bodyguard. And here I am putting myself in my
• 39:22
  Speaker 3: job again. If I'm going to be Guy Fieri's bodyguard,
• 39:25
  Speaker 3: I need to know every single food threat available to him.
• 39:29
  Speaker 3: I need to know everything that could kill him, and
• 39:32
  Speaker 3: I need to understand him completely, so one of these
• 39:36
  Speaker 3: days I will fully become him in order to guard
• 39:40
  Speaker 3: him fully. I guess that could mean I don't have
• 39:45
  Speaker 3: a personal life. I have a girlfriend, but we don't
• 39:48
  Speaker 3: talk very much.
• 39:50
  Speaker 1: Take a single cooking glass.
• 39:55
  Speaker 2: Do you ever feel like a bastard lying to all
• 39:57
  Speaker 2: those single people.
• 39:59
  Speaker 4: The other single, brave single people going to that class home.
• 40:03
  Speaker 3: There's a secret that wears heavy on.
• 40:06
  Speaker 2: My shoulder, and I guess I'm genuinely wondering how you
• 40:08
  Speaker 2: sleep at night cooking yoke with a bunch of single people.
• 40:11
  Speaker 1: White sauce, Yoki alfredo yoke unheard of? Why are they
• 40:18
  Speaker 1: making you make depressing meals in this single class?
• 40:23
  Speaker 2: And why are they making you make just nyoki week
• 40:25
  Speaker 2: after a week's extremely time consuming too.
• 40:30
  Speaker 3: It is a hyper specific class. I'm trying to develop
• 40:33
  Speaker 3: hyper specific skills. And yes, the women there hit on
• 40:37
  Speaker 3: me constantly, because that is half of the class. That
• 40:41
  Speaker 3: is part of it. That is the implied function of
• 40:44
  Speaker 3: the singles cooking class is that you don't leave single.
• 40:48
  Speaker 3: But I have to shake these women off. They reach
• 40:51
  Speaker 3: out their hand and I have to go no, we can't.
• 40:55
  Speaker 4: I actually can understand that that informs your work as
• 40:58
  Speaker 4: guys body guard. Yet that hobby of yours, while you
• 41:02
  Speaker 4: derive enjoyment from it, you also are training to defend
• 41:07
  Speaker 4: women in a in a like in a food setting.
• 41:10
  Speaker 3: It's a constant, never ending threat. My girlfriend is not happy.
• 41:16
  Speaker 2: I understand I would not be either.
• 41:19
  Speaker 1: Are your hobbies for multiple reasons?
• 41:21
  Speaker 2: Yeah? Well, I do live on the property at Lady
• 41:24
  Speaker 2: Gaga's house.
• 41:25
  Speaker 4: She has House of Gaga.
• 41:27
  Speaker 2: Yes, I live at House of Gaga. I live in
• 41:30
  Speaker 2: a guesthouse that she built specifically for me. It is
• 41:32
  Speaker 2: a three story house.
• 41:34
  Speaker 4: Oly god.
• 41:35
  Speaker 2: I have a partner. He works for Lady Gaga as well.
• 41:44
  Speaker 1: Why'd you pause?
• 41:45
  Speaker 4: Yeah? All good here, we know you said no threat here.
• 41:50
  Speaker 2: The bodyguard community is very, very intense. The queer bodyguard
• 41:55
  Speaker 2: community is even more intense and much much smaller.
• 41:59
  Speaker 4: Yeah, the only queer other queer bodyguard I know besides
• 42:01
  Speaker 4: you is the guy who does the Jonas Brothers.
• 42:03
  Speaker 2: Yes, I know Ethan. I know Ethan very well. That
• 42:10
  Speaker 2: guy is a dick in a funny way to do
• 42:14
  Speaker 2: all three. He does all three and he does the
• 42:16
  Speaker 2: bonus Jonas too.
• 42:17
  Speaker 3: Well, you're safe here.
• 42:18
  Speaker 2: Thank you, you are thank you. You'll protect me.
• 42:21
  Speaker 3: I will protect you from any homophobe that walks through
• 42:24
  Speaker 3: this door.
• 42:24
  Speaker 2: Thank you.
• 42:25
  Speaker 4: That's your hobby.
• 42:26
  Speaker 1: I guess threats. We're up against homophobes.
• 42:28
  Speaker 2: I already clocked that homophobe can enter there. A homophobe
• 42:30
  Speaker 2: can enter there.
• 42:31
  Speaker 3: A homophobe can enter with a gun from there. A
• 42:33
  Speaker 3: homophobe can enter with a gun from there.
• 42:37
  Speaker 1: Be watching this after it goes up, and they probably
• 42:39
  Speaker 1: will be.
• 42:40
  Speaker 4: Every ten minutes someone gets a gun.
• 42:42
  Speaker 1: Whoa he thanks for that fact. And I don't know
• 42:47
  Speaker 1: if it's accurate.
• 42:48
  Speaker 4: It's probably Yeah, I.
• 42:50
  Speaker 2: Would probably say a gun store makes a sale every
• 42:52
  Speaker 2: ten minutes. I would probably say it's more frequent.
• 42:54
  Speaker 4: Yeah, what's your hobby.
• 42:56
  Speaker 2: My hobby is I like to do blackout poetry. So
• 42:58
  Speaker 2: I take like books like encyclopedias or other newspapers, and
• 43:04
  Speaker 2: I use a sharpie and I cut out all the letters.
• 43:06
  Speaker 2: So I found an article about Elon Musk recently, not
• 43:09
  Speaker 2: to get political, and I blacked out poem. Yes, so,
• 43:12
  Speaker 2: as you can tell right here, it's a newspaper. But
• 43:14
  Speaker 2: I've blacked out most of the letters, and you take
• 43:18
  Speaker 2: little letters and little words from some of the articles.
• 43:22
  Speaker 2: So the article was about Elon Musk tanking his sales
• 43:25
  Speaker 2: for Tesla's, and the poem reads, Elon Musk is a
• 43:32
  Speaker 2: Tesla dumb.
• 43:35
  Speaker 4: That's awesome, have a hobby.
• 43:37
  Speaker 2: Thank you.
• 43:37
  Speaker 1: That's interesting, dumb.
• 43:39
  Speaker 3: It sort of refrained, it retains the same meeting as
• 43:41
  Speaker 3: the original article.
• 43:43
  Speaker 1: Yes, you're more you're more of an editor than no.
• 43:46
  Speaker 2: No, no, it's poetry. Well, you are beholden to the
• 43:49
  Speaker 2: words that are already in.
• 43:50
  Speaker 4: Sure, but you don't really flip them on their head.
• 43:52
  Speaker 4: You just kind of summarize what's probably on the page.
• 43:53
  Speaker 2: Well that's all the words that were there. I committed
• 43:56
  Speaker 2: to making a poem out of it. I'm sorry, that's
• 43:58
  Speaker 2: what I have.
• 43:58
  Speaker 3: I think you are a copy editor. You wouldn't complain
• 44:01
  Speaker 3: blackout copy.
• 44:02
  Speaker 1: Hey, look at this one. It's about the stock market
• 44:04
  Speaker 1: and it's blacked out everything and it says stock market
• 44:07
  Speaker 1: is down.
• 44:09
  Speaker 2: Well, what do you think? Can you can? You?
• 44:12
  Speaker 1: Can you a really good summary? Very quick?
• 44:15
  Speaker 2: Are you? Are you surprised? I found that in that.
• 44:19
  Speaker 1: Disarmed you kind of just blank blacked out all the
• 44:24
  Speaker 1: rest of the words. It was just the first centis
• 44:26
  Speaker 1: that's just there?
• 44:26
  Speaker 3: He actually makes me go, oh, I didn't need to
• 44:29
  Speaker 3: read the rest of the article.
• 44:31
  Speaker 2: Headline work kind of Yeah, they're kind of like AI summaries.
• 44:34
  Speaker 2: I've gotten that note before.
• 44:36
  Speaker 4: Oh god, I'm sorry.
• 44:37
  Speaker 1: Okay, what's your hobby?
• 44:39
  Speaker 4: I like taking Lama's classes.
• 44:41
  Speaker 2: Wow, do you live with Gypsy Rose?
• 44:44
  Speaker 4: I live like in the same unit? Is Gypsy? Same unit?
• 44:51
  Speaker 1: Yeah, you've given me too much. I know exactly where.
• 44:54
  Speaker 3: She lives now, I know what I told you?
• 44:57
  Speaker 4: She is it?
• 45:00
  Speaker 3: She? What?
• 45:05
  Speaker 1: So?
• 45:06
  Speaker 3: Who is your real client? And you can tell me?
• 45:09
  Speaker 1: But I already Mamma's must have been a clue.
• 45:11
  Speaker 4: You already know.
• 45:11
  Speaker 3: I already know. I've been piecing it together this whole time.
• 45:15
  Speaker 1: We've been We've been texting each other on the side,
• 45:18
  Speaker 1: one letter at a time.
• 45:19
  Speaker 3: I've been speaking in a code where every seventh word
• 45:22
  Speaker 3: I say goes into the walkie and it creates a sentence.
• 45:26
  Speaker 1: Kind of like black out poetry.
• 45:28
  Speaker 4: Is that what all that pasta ship was about?
• 45:31
  Speaker 3: Yes, if you play back the tape, it actually spells
• 45:36
  Speaker 3: out the name of your real client.
• 45:40
  Speaker 2: And I have been taking every single thing you've said
• 45:42
  Speaker 2: and sending it via the camera in my.
• 45:46
  Speaker 4: Classes, your kids classes, my.
• 45:48
  Speaker 2: Children's glasses, kids glasses. Yes, I've been sending them over
• 45:53
  Speaker 2: to my headquarters, to the people that make the album
• 45:56
  Speaker 2: covers for Lady.
• 45:57
  Speaker 4: Kaka the album cover yeah one's god damn.
• 46:00
  Speaker 2: The Joe Anne album and the liner notes. They work
• 46:04
  Speaker 2: with words, and they've been conspiring and putting all the
• 46:07
  Speaker 2: words together into a complex algorithm that's telling you the
• 46:10
  Speaker 2: true meaning of what you're saying.
• 46:12
  Speaker 4: Okay, how did you get me?
• 46:14
  Speaker 1: You told me before and you forgot.
• 46:16
  Speaker 3: Oh oh, that's a classic bodyguard missed up.
• 46:22
  Speaker 4: Well, first person to say it loses all power.
• 46:24
  Speaker 1: Can I ask one question?
• 46:26
  Speaker 4: Yeah?
• 46:26
  Speaker 1: What is Lama's I've been wondering my entire life.
• 46:31
  Speaker 4: It's a It's like a flexibility training and a body
• 46:34
  Speaker 4: training to just like prepare for birthing.
• 46:36
  Speaker 2: You've been taking those classes.
• 46:38
  Speaker 4: Yeah, I find it. I find it relaxing and like yoga,
• 46:40
  Speaker 4: but less hard.
• 46:42
  Speaker 2: Yeah.
• 46:42
  Speaker 1: Okay, now we're breathing.
• 46:44
  Speaker 4: Why shall I reveal.
• 46:45
  Speaker 3: If you already know?
• 46:48
  Speaker 1: Okay, then we can talk about them together.
• 46:51
  Speaker 4: Great.
• 46:52
  Speaker 2: I didn't like what they did on that Award show.
• 46:54
  Speaker 1: No bad choice, bad choice.
• 46:58
  Speaker 3: I kind of liked that movie about the robot a.
• 47:05
  Speaker 1: Little long, little long.
• 47:09
  Speaker 2: I think she shouldn't have done that thing on the
• 47:11
  Speaker 2: Today Show.
• 47:12
  Speaker 1: And I think he shouldn't have gone swimming on Tuesday.
• 47:17
  Speaker 3: And I think his kids have a bright future in
• 47:20
  Speaker 3: the music industry, but.
• 47:21
  Speaker 2: I think his parents fucked him from the start.
• 47:24
  Speaker 4: Oh do you think it's Jane Smith? And do you
• 47:27
  Speaker 4: think it's Will Smith? And who do you think it is?
• 47:31
  Speaker 4: A Listen, we're getting too close to the sun. I
• 47:40
  Speaker 4: don't want to be Icarus here. What's your guys favorite
• 47:42
  Speaker 4: way to secure the perimeter?
• 47:43
  Speaker 2: My great great great great great grandfather's client was Icarus.
• 47:49
  Speaker 1: Well, he sucked it.
• 47:54
  Speaker 3: All time.
• 47:56
  Speaker 1: Opposite of a very old line. If it's your great
• 47:59
  Speaker 1: great great great grandfather, come from old men, don't you.
• 48:03
  Speaker 2: I come from a long line of old men. Everyone
• 48:07
  Speaker 2: in my family had a child at seventy and I
• 48:10
  Speaker 2: will too. I'll be adopting with my boyfriend.
• 48:15
  Speaker 4: Hey, all good, broy don't care about it?
• 48:19
  Speaker 2: Is it all good?
• 48:20
  Speaker 1: Yes?
• 48:21
  Speaker 4: All good.
• 48:22
  Speaker 1: Here's a situation. Answer it fast copy. Two fans on
• 48:26
  Speaker 1: the roof. Your client is walking into a signing. Two
• 48:30
  Speaker 1: fans on the roof jump off of the roof to
• 48:32
  Speaker 1: jump onto your client to see if they'll sign something. Also,
• 48:35
  Speaker 1: they give your client a black pen to sign something.
• 48:39
  Speaker 1: What do you do?
• 48:40
  Speaker 2: I play Abrica Dabor. That causes Lady Gaga to start punching.
• 48:43
  Speaker 2: She punches him in the face.
• 48:44
  Speaker 3: I whip out my emergency burger. It is an emergency
• 48:47
  Speaker 3: smash burger that I keep on my person at all times.
• 48:50
  Speaker 3: The smell of it will send them running.
• 48:54
  Speaker 4: I tell them there's free hot dogs next door.
• 48:58
  Speaker 1: Answer Doom Doom do doom, Doom, Doom doom the daily
• 49:02
  Speaker 1: double bodyguard? You guys that right?
• 49:06
  Speaker 2: So what is that? Are we supposed to know that
• 49:09
  Speaker 2: level before the question comes?
• 49:11
  Speaker 1: That's jeopardy. This is bodyguard.
• 49:16
  Speaker 3: Okay, I want secureding the perimeter for five hundred.
• 49:21
  Speaker 1: Okay, securing the perimeter for five hundred. Do do doo?
• 49:25
  Speaker 1: Your client is walking through a stadium. But this is
• 49:29
  Speaker 1: not a full stadium. This is an empty stadium. One
• 49:32
  Speaker 1: man sits in Section XO one with a rifle. What
• 49:37
  Speaker 1: are you doing?
• 49:40
  Speaker 3: I pull the plug in the bathroom, releasing all of
• 49:42
  Speaker 3: the water. I flood the stadium so that no one
• 49:46
  Speaker 3: can move. That's it.
• 49:49
  Speaker 2: I released the presale line to go get their seats.
• 49:52
  Speaker 2: They're they're three hours early, and they're so excited they
• 49:55
  Speaker 2: fled the group. They realized that that person is sitting
• 49:57
  Speaker 2: in their seat, and rifle or not, they're going to
• 49:59
  Speaker 2: get their seats because they spend eight hundred dollars to
• 50:01
  Speaker 2: have it and they are not missing her singing Alejandro.
• 50:05
  Speaker 2: So they rip him to pieces and I eat a
• 50:09
  Speaker 2: bag of chips.
• 50:10
  Speaker 4: I release bags and bags of fabletox. The pigs eat.
• 50:18
  Speaker 1: I'm sorry, I need the answer in the form of
• 50:21
  Speaker 1: a what is at the beginning?
• 50:22
  Speaker 4: Oh, we'll start over there, we'll see.
• 50:25
  Speaker 2: The start over.
• 50:26
  Speaker 1: You both got it wrong. Thank you guys for playing
• 50:29
  Speaker 1: at least one of the games I've pitched.
• 50:36
  Speaker 2: Stop. There's a Patreon you need to get into. It's
• 50:39
  Speaker 2: the artist on Artists on Artists and artist Patreon.
• 50:41
  Speaker 3: Drop whatever you're holding, run to your computer. The patreon
• 50:46
  Speaker 3: is full. Of bonus post show activities. We've done the
• 50:50
  Speaker 3: Oscar draft where we pick our picks for best picture
• 50:54
  Speaker 3: and we go up against each other and we fight
• 50:55
  Speaker 3: like a war. So drop the thing in your hands, halt,
• 51:00
  Speaker 3: do not proceed. Proceed immediately to your laptop and sign
• 51:04
  Speaker 3: up for the artists on Artists on artists Patron on
• 51:07
  Speaker 3: Patreon on patron.
• 51:10
  Speaker 4: Should we give a live die bullet or whatever that was?
• 51:14
  Speaker 1: Let's get that.
• 51:15
  Speaker 3: Yes, let's give yes, no bullet A try, okay?
• 51:18
  Speaker 1: And then I really do want to read some am
• 51:20
  Speaker 1: I a story?
• 51:23
  Speaker 3: We should read those?
• 51:24
  Speaker 4: That is the agenda for the evening.
• 51:26
  Speaker 1: Anybody can ask a question and we all answer yes,
• 51:29
  Speaker 1: no bullet? Okay? Is is You're not forced to ask
• 51:36
  Speaker 1: a question?
• 51:38
  Speaker 2: Let her pass.
• 51:40
  Speaker 1: You've got a choice, your own mother or your client.
• 51:43
  Speaker 1: Are you saving your mother? Yes?
• 51:48
  Speaker 3: I'm sorry. I I know my mother. My mother is
• 51:54
  Speaker 3: also very famous, and I must keep her safe. Is
• 51:57
  Speaker 3: she Martha Steward? My mother is Martha Stewart?
• 52:03
  Speaker 1: How did we know that? That's crazy that we were
• 52:06
  Speaker 1: just talking about her.
• 52:07
  Speaker 3: I've been developing this in code and sending you to
• 52:12
  Speaker 3: you secretly in a code of plants.
• 52:13
  Speaker 1: You're kind I.
• 52:15
  Speaker 4: Feel as if you've been fucking with me from the beginning.
• 52:18
  Speaker 1: You're a little bit of a medalist, less of a bodyguard.
• 52:22
  Speaker 1: You should go to Vegas.
• 52:24
  Speaker 3: You have a future in that I see everything and
• 52:27
  Speaker 3: I know everything. Let's continue.
• 52:31
  Speaker 2: No, I would not save my mother. I would save
• 52:34
  Speaker 2: Lady Gaga. I think every single day we answer the
• 52:38
  Speaker 2: trolley problem in our own way. We throw our lives
• 52:41
  Speaker 2: down for one person, and I will continue to do that.
• 52:44
  Speaker 2: I signed a contract that if she dies, I die.
• 52:48
  Speaker 2: And I would want to die if she dies because
• 52:51
  Speaker 2: she is my one?
• 52:52
  Speaker 4: Or do you think you would want to die if
• 52:54
  Speaker 4: she dies because you wouldn't want to live through defeat.
• 52:58
  Speaker 2: I think we're not gonna have to worry because it's
• 53:01
  Speaker 2: gonna happen together, You and I. You and Die.
• 53:06
  Speaker 3: Whoa whoa, whoa, whoa, whoa, whoa, whoa whoa.
• 53:10
  Speaker 1: So you've listened to Asher Roth's songs, which one You
• 53:14
  Speaker 1: and Die?
• 53:16
  Speaker 2: Yeah?
• 53:16
  Speaker 1: I guess you guys haven't heard that song you and Die,
• 53:20
  Speaker 1: You and Die?
• 53:22
  Speaker 3: This one says, would I be the bodyguard asshole if
• 53:28
  Speaker 3: I got a Christmas present for my client's husband and
• 53:33
  Speaker 3: not my client?
• 53:35
  Speaker 2: Yeah, you're the asshole. I think you're the bodyguard, as.
• 53:38
  Speaker 3: I think you're the guard asshole. Man, I do kind
• 53:43
  Speaker 3: of think everybody sucks here a little bit.
• 53:46
  Speaker 2: Okay, would you am I the bodyguard? Asshole? This is
• 53:50
  Speaker 2: one of my favorites. Am I the bodyguard? Asshole?
• 53:54
  Speaker 5: Uh?
• 53:54
  Speaker 2: The kids want to wish her good night, but I
• 53:58
  Speaker 2: have been told that no one's allowed except for the kids.
• 54:01
  Speaker 2: I act like I ignored her say except for the kids?
• 54:06
  Speaker 1: Man, Man, you don't know if the kids are a threat.
• 54:10
  Speaker 3: Maybe the kids are annoying.
• 54:13
  Speaker 1: And maybe the kids are loaded and trying to take
• 54:15
  Speaker 1: out your client. You need to be safe. Yes, Oh,
• 54:18
  Speaker 1: I like this one.
• 54:22
  Speaker 4: I'll look for someone mind too.
• 54:23
  Speaker 1: I really like this one. Okay. This is actually from
• 54:27
  Speaker 1: a different subreddit called rate my Bodyguard. I'm going to
• 54:29
  Speaker 1: show you the body and you bodyguard, and you rate
• 54:32
  Speaker 1: it one.
• 54:32
  Speaker 3: Out of ten for how much I want to guard it.
• 54:36
  Speaker 1: No, for how much it's a good bodyguard. Yes, sure whatever, Oh,
• 54:39
  Speaker 1: I understand.
• 54:41
  Speaker 4: I can't see.
• 54:42
  Speaker 1: Which means anytime in a game, it's like a brick
• 54:44
  Speaker 1: is hitting each and every one of you, had ad.
• 54:47
  Speaker 1: I don't know what it is about my voice, but
• 54:50
  Speaker 1: it every time I talk, a brick is hit each
• 54:54
  Speaker 1: of every one of your heads and you quickly move on.
• 54:59
  Speaker 1: I'm trying my best here.
• 55:00
  Speaker 3: I'm listening and I'm learning. That's one of my favorite
• 55:03
  Speaker 3: things to do as a buddy guard.
• 55:04
  Speaker 2: I hold I feel like every time you know, every
• 55:07
  Speaker 2: time you speak, I hold on.
• 55:09
  Speaker 3: For I'll say this.
• 55:10
  Speaker 4: I'll sell you this. It was a trap. You wanted
• 55:13
  Speaker 4: us to rate someone's body, so we all appropriately paused,
• 55:16
  Speaker 4: how's that?
• 55:17
  Speaker 2: I was just waiting to see the picture.
• 55:19
  Speaker 1: Okay, let's try this again.
• 55:23
  Speaker 3: Seven eight bullet.
• 55:30
  Speaker 1: It means a lot that you said that. It feels
• 55:32
  Speaker 1: it feels like you kind of understood the last game.
• 55:35
  Speaker 4: It's starting to second.
• 55:38
  Speaker 1: What is it about me? It makes you all go
• 55:42
  Speaker 1: concussion mode? What is it?
• 55:46
  Speaker 3: I don't think it's about you. I think I think
• 55:48
  Speaker 3: it's because, to be honest, I am wearing sunglasses.
• 55:51
  Speaker 4: I was gonna say, I don't something's happening brain.
• 55:55
  Speaker 3: It is a security threat that I am not perceiving
• 55:58
  Speaker 3: information in quite the same way.
• 55:59
  Speaker 4: I couldn't read more.
• 56:01
  Speaker 2: I will say after this, I will be throwing these away.
• 56:06
  Speaker 4: After this, I will be taking a break for twenty
• 56:09
  Speaker 4: four hours from sunglasses.
• 56:11
  Speaker 3: I will be going on a sunglass cleanse where I
• 56:14
  Speaker 3: will not have shades in front of my eyes or blink.
• 56:17
  Speaker 4: I would give a safety precaution to anyone who else
• 56:20
  Speaker 4: comes on this podcast. Wait, never do this in sunglasses.
• 56:24
  Speaker 1: Wait, are you guys feeling that? I feel like there's
• 56:27
  Speaker 1: an arm quick?
• 56:30
  Speaker 3: Whoa, whoa.
• 56:33
  Speaker 2: I'm just gonna start shooting in case.
• 56:34
  Speaker 1: Someone comes.
• 56:37
  Speaker 3: Housefu house.
• 56:38
  Speaker 2: Hee, you is not here here, get down.
• 56:45
  Speaker 1: Also, queer, Oh my gosh, you revealed your actual client.
• 56:49
  Speaker 1: It's mister monopoly man. Oh oh there his brain It
• 57:02
  Speaker 1: blew up, It blew up his brain.
• 57:04
  Speaker 2: Oh my god.
• 57:04
  Speaker 6: For an hour we talked to her about about him
• 57:08
  Speaker 6: defending gy and we found out in the last second
• 57:12
  Speaker 6: has been mister monopoly and then he's been killed.
• 57:16
  Speaker 3: We never get to hear about this.
• 57:17
  Speaker 1: Oh my god, mister monopoly man.
• 57:19
  Speaker 6: No, no, the bomb went up in his brain.
• 57:24
  Speaker 3: Oh my gosh, no, mister monopoly man, this is a
• 57:27
  Speaker 3: Tofu house. Would you like to know some niochi what
• 57:34
  Speaker 3: mister mooly man pronounced?
• 57:38
  Speaker 6: Wait, no way, in the last thirty second, mister monopoly
• 57:42
  Speaker 6: Man is gonna kill all of us?
• 57:44
  Speaker 3: Is that really what we're gonna do?
• 57:46
  Speaker 1: It was actually a test for you oh, and that was.
• 57:52
  Speaker 3: A test for me. We were homophobic the whole time.
• 57:57
  Speaker 4: It's the question, that's why show.
• 58:06
  Speaker 3: Good Night Hollywood, Love you guys.
• 58:16
  Speaker 2: Talk again.
• 58:17
  Speaker 3: Go to our Patreon.
• 58:17
  Speaker 4: We're gonna talk when this episode comes out the same day.
• 58:20
  Speaker 4: We're also going to talk about this episode from our
• 58:22
  Speaker 4: perspective and kind of breakdown what happened.
• 58:24
  Speaker 1: We do it every week.
• 58:25
  Speaker 4: We'll see you there.
• 58:26
  Speaker 2: Bye bye.
• 58:28
  Speaker 1: Artists on Artists on Artists on Artists.
• 58:30
  Speaker 7: This is an improvised Hollywood roundtable podcast created, performed, and
• 58:33
  Speaker 7: produced by Kylie Brakman, Jeremy coleean Angela Giiritana, and Patrick McDonald.
• 58:38
  Speaker 1: Music is by Gabriel Pontan.
• 58:40
  Speaker 7: Opinions expressing this podcast do not reflect the opinions of
• 58:43
  Speaker 7: anyone who works on not even the performers, because this
• 58:46
  Speaker 7: is an improvised podcast and we're stupid.
• 58:48
  Speaker 1: Full video versions of ao ao ao A are available on.
• 58:51
  Speaker 7: YouTube, so please like and subscribe and leave us a
• 58:54
  Speaker 7: five star review wherever you get your podcasts.
• 58:56
  Speaker 1: Good Night, Hollywood,