Latest / BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show / Squarebodies & Stuntmen, 2024's Fall Guy, Reviewed. (EILFM Crossover)

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Squarebodies & Stuntmen, 2024's Fall Guy, Reviewed. (EILFM Crossover) · BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show

• 0:00
  Grand Touring Motorsports started as a social group of car enthusiasts,
• 0:04
  but we've expanded into all sorts of motorsports disciplines, and we
• 0:08
  want to share our stories with you.
• 0:10
  Years of racing, wrenching, and motorsports experience brings
• 0:13
  together a top notch collection of knowledge and information
• 0:17
  through our podcast, Brake Fix.
• 0:19
  The following episode is intended for mature audiences.
• 0:22
  Please note that listener discretion is advised.
• 0:27
  Back in the day, Film stuntman Colt Seavers moonlit as a bounty
• 0:32
  hunter when movie work was slow.
• 0:34
  He chased bad guys and returned them to Los Angeles.
• 0:37
  But today, he's a stuntman fresh off an almost career ending accident.
• 0:41
  He has to track down a missing movie star, solve a conspiracy, and try
• 0:44
  to win back the love of his life while still doing his day job.
• 0:47
  What could possibly go right?
• 0:50
  Yeah.
• 0:52
  Ladies and gentlemen, I'm Steve.
• 0:53
  And I'm Izzy.
• 0:54
  And this is Everything I Learned From Movies.
• 0:57
  And tonight.
• 0:57
  Oh, tonight.
• 0:59
  Ah, besides my sexy, sexy voice.
• 1:02
  Yeah, yeah.
• 1:03
  We are talking about 2024s.
• 1:07
  Oh, but we are not alone for this one, babe.
• 1:09
  Is it because I was made for loving you, baby?
• 1:11
  I was made for loving you, baby!
• 1:16
  So disappointed that was the one song throughout this movie.
• 1:19
  But now we have with us, from the Grand Touring Motorsports Brake Fix
• 1:22
  Podcast Network, Oh my gosh, we have Eric, Tanya, Brad and Jessica, welcome.
• 1:28
  Wow, wow, wow.
• 1:31
  Hey, thanks for having us back.
• 1:33
  Of course.
• 1:34
  Sweet.
• 1:34
  Thanks for having us back.
• 1:35
  Yeah.
• 1:36
  Wait, we're doing a collabo here.
• 1:38
  I know.
• 1:38
  And what's fun about this one is we came to you and said,
• 1:41
  had you seen the Fall guy yet?
• 1:43
  And I was pretty shocked when you said no.
• 1:45
  We were waiting for it to hit Peacock . Yeah.
• 1:46
  We were waiting for it to go on the pack.
• 1:49
  Actually, no, we, we bought it the day it hit screaming for 20 bucks.
• 1:53
  We're like sight unseen because we're like, how could we
• 1:55
  possibly not like this movie?
• 1:57
  And then we watched it and then we were like, Oh my gosh, this reminds
• 2:00
  me of a movie we talked about.
• 2:02
  Oh, it reminded us of a movie too.
• 2:05
  Oh, look who just showed up.
• 2:06
  Oh, Matt.
• 2:07
  Mike is here.
• 2:09
  That's great.
• 2:10
  Everybody have a wonderful night.
• 2:11
  This was a fantastic podcast.
• 2:13
  We'll see you all next time.
• 2:15
  It's good that mountain Mike, I mean, mountain man Dan showed up
• 2:18
  because this is really about him.
• 2:20
  This is square bodies at their finest.
• 2:23
  This is revenge for the stunt man review we did with you guys.
• 2:26
  Is doing the proper stunt guy movie with action scenes
• 2:30
  and car chases and cool shit.
• 2:32
  And doing drugs till you see unicorns.
• 2:34
  That's the fall guy.
• 2:35
  Wait.
• 2:38
  So let's get into it.
• 2:39
  Yeah, well before we get too deep into it, I don't know about
• 2:42
  you guys, I'm a little thirsty.
• 2:43
  I'm still sober, so let's continue that.
• 2:47
  Because I'm definitely not coming down with something here.
• 2:50
  Steve is definitely not sick, you guys, definitely not.
• 2:53
  Definitely not.
• 2:54
  We have from Guinness there, non alcoholic droth.
• 2:57
  Less than 0.
• 2:58
  5 percent alcohol by volume.
• 3:00
  I'm going to talk.
• 3:02
  Get it on the mic, babe.
• 3:04
  Sorry.
• 3:04
  It's a little bit of a bottle bomb.
• 3:08
  Have you guys seen the Simpsons when, uh, Bart plays the, uh, the
• 3:12
  beer and the beer and the, uh, cake shaker and gives it to Homer.
• 3:16
  That's kind of what may have just happened.
• 3:18
  Oh my God.
• 3:19
  I can tell you one thing.
• 3:20
  It's lukewarm.
• 3:23
  Can't quite get any tasting notes.
• 3:25
  So it's a proper British beer.
• 3:27
  It's Lukewarm.
• 3:28
  We're having it at room temperature.
• 3:29
  Yeah.
• 3:30
  Steve is covered in it head to toe.
• 3:31
  Yeah, it's fantastic.
• 3:33
  The dog is pretending like he's not trying to not notice.
• 3:35
  We'll just hear Steve soon.
• 3:36
  No grundling, no grundling!
• 3:38
  Uh, yeah, good and foamy.
• 3:39
  Chestnut color.
• 3:40
  Mmm, smells like a beer.
• 3:42
  Honestly, it smells like Guinness.
• 3:43
  The toasty notes, you get a little bit of coffee on the nose.
• 3:47
  Steve's got in for the sip.
• 3:48
  Mm.
• 3:48
  Yeah.
• 3:48
  Are you chasing it with some Robitussin, some Delsin?
• 3:53
  Oh, no, no.
• 3:54
  I had, uh, some vitamin C earlier.
• 3:56
  I've been drinking all sorts of Gatorade and crap all day.
• 3:59
  He's gonna go for the hard stuff.
• 4:00
  The NyQuil Double Z.
• 4:02
  Hot toddy.
• 4:04
  Anti congestant, uh, when we're done here.
• 4:06
  Yeah.
• 4:06
  Hot toddy.
• 4:07
  Little Vicks Vapor Rub.
• 4:09
  I won't lie, you guys.
• 4:10
  If this was just poured and served to me, I could be fooled.
• 4:14
  Yeah.
• 4:14
  Wow.
• 4:15
  Tastes like a Guinness.
• 4:15
  Like a Guinness.
• 4:16
  Yeah.
• 4:17
  And I'm not saying it tastes like all skunky and three years old in
• 4:20
  the can, like 90 percent of the Guinnesses you get in the U S.
• 4:23
  No, this actually tastes kind of like a fresh Guinness.
• 4:25
  Wow.
• 4:26
  Yeah.
• 4:27
  Not bad at all.
• 4:27
  Yeah.
• 4:28
  So yeah, check it out.
• 4:30
  This year, the year of our podcast, 2024.
• 4:33
  I've been told three or four times by non alcoholic beers that I
• 4:37
  couldn't have told the difference.
• 4:39
  And I'm a beer judge.
• 4:40
  They're starting to figure it out.
• 4:41
  They are.
• 4:43
  I highly recommend if you can find it, Athletic Non Alcoholic Beer.
• 4:46
  We had a friend drop like 30 bucks and then was pissed he wasn't drunk.
• 4:50
  Is that like caffeinated water?
• 4:52
  No, Athletic is a non alcoholic beer brand.
• 4:54
  Oh, I see.
• 4:55
  I've seen it, I believe.
• 4:56
  Honestly, it's worth a try.
• 4:57
  Yeah, I can get it at Wegmans.
• 4:59
  Wegmans.
• 4:59
  That's where I've seen it.
• 5:02
  Well, speaking of doing it right, 2024 is the fall guy from director
• 5:09
  David Leach, a legendary stuntman coordinator for movies like basketball
• 5:14
  blade fight club, the Mexican Troy, Mr.
• 5:17
  And Mrs.
• 5:17
  Smith, the Buffy series replicant, of course, the Jean Claude Van
• 5:21
  Damme, where there's two of them.
• 5:22
  Wait, which Jean Claude Van Damme, where there's two of them.
• 5:25
  Yeah, exactly.
• 5:26
  The one where it's the clone that's trying to hunt down the serial killer one.
• 5:30
  Which one?
• 5:32
  The score, Bangkok Dangerous Sex Men, Origins, Wolverine, Ninja Assassin, The
• 5:36
  Mechanic, and then he got the directing bug with a little movie called John Wick.
• 5:40
  Ooh.
• 5:41
  And then since then, yeah, Atomic Blonde, Deadpool 2, Hobbs
• 5:44
  and Shaw, Bullet Train, this.
• 5:46
  Keep talking about doing a Hobson Shaw too, but that's
• 5:49
  probably never going to happen.
• 5:50
  But I'm sure he's making the next action movie for next year.
• 5:53
  Maybe the redo of Running Man.
• 5:54
  Oh, that would be nice.
• 5:55
  Edgar Wright's doing that one.
• 5:57
  Oh, okay.
• 5:57
  Excited!
• 5:58
  And this course based on the Fall Guy TV series by Glenn A.
• 6:01
  Larson.
• 6:02
  Who's he?
• 6:03
  Basically, any TV show you saw in the 80s, uh, Battlestar Galactica, The Hardy
• 6:07
  Boys, Nancy Drew Mysteries, uh, Buck Rogers 25th Century, Misadventures of
• 6:11
  Sheriff Lobo, BJ and the Bear, Quincy M.
• 6:14
  E., Drama Center, Auto Man, Masquerade, Cover Up, Half Nelson,
• 6:18
  Knight Rider, this, Magnum P.
• 6:20
  I., Knight Man, and all of the reboots.
• 6:23
  Mm hmm.
• 6:24
  I guess he passed away in 2014, but, you know, the Larson Estates.
• 6:27
  Still, uh, getting residuals from like the new Magnum PI and stuff like that.
• 6:31
  So are you saving it for fun facts or do you want to talk about the origin
• 6:35
  of the Fall Guy and how it came about?
• 6:37
  Oh, go for it.
• 6:37
  As I dug into this, cause you know, I watched the Fall Guy as a kid.
• 6:41
  I never really watched the pilot episode.
• 6:44
  And so I found some really interesting sort of mockumentaries online and people
• 6:47
  doing a retrospective on the Fall Guy.
• 6:49
  And it turns out Glenn Larson got the idea for the Fall Guy when he was on
• 6:54
  the set of one of the other shows and he overheard one of the crew people
• 6:57
  singing the song that he had made up and it's the Ballad of the Lone Stuntman.
• 7:02
  Heh heh heh heh.
• 7:02
  And he asked the guy to come to his office and just sing the song to him
• 7:06
  and he's like, There's a show there!
• 7:07
  Yeah, so we got the whole show idea from a well, I may not be smart or
• 7:13
  rich, but I get plenty of poontang
• 7:19
  Obviously edited for television later, but still completely made up and he's
• 7:23
  like, oh we can build a show around that what yeah he's a stunt guy, but
• 7:27
  he's also a bounty hunter because we don't pay stuntmen and And he's got a
• 7:31
  hot chick who also wants to be in the stunt business a smarty cousin that
• 7:36
  Took a year of everything at university.
• 7:40
  Yeah.
• 7:40
  We watched the first five or six episodes now.
• 7:42
  Oh.
• 7:43
  And the worst bail bondsman in the world.
• 7:45
  Oh, big Jack.
• 7:46
  Oh my God.
• 7:47
  It follows the Glenn Larson formula, right?
• 7:50
  If you compare it to Knight Rider and Magnum and all the other shows that are
• 7:54
  of that genre and of that era, guy leaves whatever to become a private detective,
• 8:00
  bounty hunter, vigilante, has a cool car.
• 8:02
  I mean, Knight Rider, the first one.
• 8:03
  The Fall Guy truck is iconic, right?
• 8:06
  And that obviously is part of this movie, too.
• 8:08
  So, Larson didn't stray too far from his norm, creating the Fall Guy.
• 8:14
  He just based it on this weird song.
• 8:16
  And it kind of went from there.
• 8:17
  So, fun fact, my dad had that truck.
• 8:20
  Oh.
• 8:20
  Like, before I was born and when I was a baby.
• 8:22
  It's named with super truck and there are more pictures of super truck
• 8:26
  than there are baby pictures of me.
• 8:29
  Dan also has this truck.
• 8:30
  It's just in 50, 000 pieces across the side of the mountain.
• 8:33
  Am I right?
• 8:36
  Yes, I have a collection of our body the stunt did not go as planned I
• 8:40
  don't have one that looks like the fog.
• 8:42
  They're all brown because of the rust I mean, patina, not
• 8:45
  because they were painted that way, I'm just pointing that out.
• 8:49
  Well, and I also want to mention the writer of the movie, based
• 8:52
  on the TV series, but it wasn't written by Glenn Ellison.
• 8:54
  Drew Pierce.
• 8:55
  You may know him from Iron Man 3, Izzy's favorite.
• 8:57
  Uh, the one where Iron Man sits in the car and cries for two hours?
• 9:01
  That's the one.
• 9:02
  Mission Impossible Rogue Nation.
• 9:03
  All right, now we're getting better.
• 9:05
  Hotel Artemis and Hobbs and Shaw.
• 9:07
  That's what we're doing this, so it just keeps getting better.
• 9:10
  From zero to hero.
• 9:12
  Yeah.
• 9:13
  Of course the cast, yeah, we have Ryan Gosling as Colt Seavers, the titular
• 9:17
  Fall Guy, Emily Blunt as Jodie Moreno, Aaron Taylor Johnson as Tom Rider, we got
• 9:22
  Theresa Palmer, Hannah Waddingham, Winston Duke, Lee Majors for a cameo, and Heather
• 9:28
  Thomas from the original series too.
• 9:29
  Like, every time we've watched this and Lee Majors pops up, I go, which stunt
• 9:32
  guy is it that I keep thinking he is?
• 9:35
  Oh, Reynolds?
• 9:36
  No, the guy who directed it.
• 9:38
  Oh, Hal Needham.
• 9:39
  I keep asking, is this Hal Needham?
• 9:40
  Yeah.
• 9:41
  He's like, I keep telling you, he's 85 years old.
• 9:43
  Oh, then dad.
• 9:44
  Did lead majors show up more than once?
• 9:46
  Did I miss it?
• 9:47
  No, no, no.
• 9:48
  Just at the end.
• 9:49
  Yeah, we've okay.
• 9:50
  We've watched it a couple of times and I'm like, is that Hal Needham?
• 9:53
  And he's like, no!
• 9:55
  No, it's lead majors, man.
• 9:57
  They all just turned into old white guy.
• 9:59
  Just, just, just, I also fall back to Scrooge in that scene
• 10:02
  when Lee Majors shows up at the beginning and Santa's like, you've
• 10:05
  been a good boy this year, Lee.
• 10:08
  I don't know why my mind goes there every time I see him.
• 10:12
  No, maybe that's the guy that sings the song.
• 10:16
  I don't know if you've heard, but I've been seen with Farrah.
• 10:21
  I was kind of expecting him to be the one singing it at the end and
• 10:25
  said, it was what's the guy's name?
• 10:26
  Blake Shelton or something.
• 10:27
  Yeah.
• 10:29
  Yeah.
• 10:29
  And I was like, Oh, all right.
• 10:31
  This is okay.
• 10:32
  I guess.
• 10:33
  Steve's voice being what it is right now.
• 10:35
  It kind of sounds like Lee Majors.
• 10:36
  Go for it, man.
• 10:38
  Well, we say it all.
• 10:40
  Did you guys watch this on Peacock?
• 10:41
  I assume they have like extended cut and all that, of course, because
• 10:44
  that's the way to watch it guys.
• 10:45
  Look, technically the movie flopped and we'll get into that a little
• 10:48
  later, but I have no idea why.
• 10:50
  Maybe just, I know I didn't see it in theaters because it came out right
• 10:53
  in the middle of show season for us, but like I said, the instant it
• 10:56
  hit streaming like two weeks later or whatever, we're like, 20 bucks.
• 11:00
  Yes.
• 11:00
  Did it have a theatrical release?
• 11:02
  Oh, absolutely.
• 11:03
  Oh yeah.
• 11:03
  Yeah.
• 11:03
  This is like major, major release.
• 11:06
  Oh, shoot.
• 11:06
  I missed that.
• 11:07
  Yeah.
• 11:07
  Yeah.
• 11:07
  Like the month of May, apparently every single movie that came out that month and
• 11:11
  nobody went and saw like this and Furiosa.
• 11:14
  Well, you know, all the previews I saw this movie made me go, this is hot trash
• 11:20
  and I don't want to see it because the way they clipped everything made it look
• 11:24
  like it was going to be Ryan Gosling acting like Ken from the Barbie movie.
• 11:29
  being a gigantic simp for Emily Blunt's character and a total, like, idiot.
• 11:34
  Also, he kind of is.
• 11:35
  Well, But not the whole time.
• 11:37
  Not as bad.
• 11:38
  I mean, it's not like he's not.
• 11:40
  We all agreed on an unrecorded portion of this podcast.
• 11:44
  The way they should have advertised this movie is just
• 11:48
  show the clips of Metal Storm.
• 11:50
  Yes, 100 percent.
• 11:51
  Advertise it as Metal Storm and let the rest of it be a surprise.
• 11:55
  Don't you mean Edge of Tomorrow?
• 11:57
  Don't you mean Borderlands?
• 11:58
  No, Metal Storm.
• 11:59
  And guys, we watched that movie.
• 12:01
  We watched the real Metal Storm, allegedly, that it
• 12:04
  was kinda sorta based on.
• 12:05
  It's really not the same.
• 12:07
  It's really bad.
• 12:10
  It's also not Space McConaughey falling in love with an alien or whatever.
• 12:14
  No, it did have that, like, showdown at the edge of the universe.
• 12:17
  I mean, it kinda did, yeah.
• 12:19
  Yeah, yeah, yeah.
• 12:20
  They did say that.
• 12:21
  I think it was the tagline that he also used on three other movies.
• 12:24
  I don't even recall how much marketing had been done to even
• 12:27
  put it out there originally.
• 12:28
  Yeah, it was pushed more for like date night, almost like rom com
• 12:31
  kind of thing, like, Oh yeah, a little action for the boys, but a
• 12:33
  love story for the ladies, you know?
• 12:36
  And that is not how it plays out.
• 12:38
  That's for sure.
• 12:39
  Did anybody see the movie Edge of Tomorrow?
• 12:43
  Another Emily Blunt film where she was with Tom Cruise?
• 12:46
  Oh yes!
• 12:47
  I feel like there were many references to that movie indirectly.
• 12:52
  In this one, Ryan Gosling talks about putting Tom Cruise's
• 12:55
  face through a deep bake.
• 12:56
  Emily Blunt is directing a sci fi movie.
• 12:59
  I know it's metal storm and it's based off the real movie or whatever, but
• 13:02
  even the tagline, like at the edge of the universe, edge of tomorrow, I
• 13:06
  couldn't help but make those connections.
• 13:08
  Guys, let's not beat around the bush.
• 13:09
  Tom Ryder is supposed to be Tom Cruise, even though they mentioned
• 13:14
  like, Oh, he thinks he's Tom Cruise or something like that.
• 13:16
  Like in the movie, I'm like, that's not going to help.
• 13:18
  That's like doing the McConaughey impression later.
• 13:20
  Oh my God.
• 13:21
  That So annoying.
• 13:24
  I just see McConaughey in the theater going, motherfuckers.
• 13:26
  I mean, Oh, that, like, as we're watching this, Steve was constantly like, so
• 13:32
  McConaughey is going to sue them, right?
• 13:35
  I was expecting McConaughey to come out and said it was Jason Momoa.
• 13:40
  Yeah.
• 13:40
  Which there was a reference to Jason Momoa on the, or foreshadowing on
• 13:44
  the fridge, is it Momoa or Momoa?
• 13:46
  Yeah, that's right.
• 13:49
  Pronounce it like Samwah.
• 13:50
  That was the memento thing with the post it notes everywhere, right?
• 13:53
  Yes.
• 13:54
  Yeah.
• 13:55
  Post it notes.
• 13:56
  But we're getting ahead of ourselves.
• 13:58
  Okay.
• 13:58
  Of course, we start off with the incredible, I believe, John Williams
• 14:02
  inspired score for this movie.
• 14:04
  The, uh, I was made for loving you, baby.
• 14:07
  You were made for loving me.
• 14:10
  Only about 15 different versions of that song.
• 14:12
  Yeah.
• 14:13
  It was epic.
• 14:14
  It was a throwback to the seventies.
• 14:16
  A hundred percent where you have your theme and that's your theme.
• 14:19
  Yeah.
• 14:20
  You'll get it 11 different ways.
• 14:21
  Even when they loved it.
• 14:22
  I loved it.
• 14:23
  I especially love the like sneaking around version of it when you are like sneaking
• 14:27
  around the apartment and it's like,
• 14:32
  I like the soundtrack of the movie.
• 14:34
  Oh, oh, me too.
• 14:35
  I mean it's no Fall Guy TV series song, but it's pretty good.
• 14:41
  Tanya's just a huge Kiss fan.
• 14:44
  . Yeah.
• 14:46
  I'm just picturing Ryan Gosling singing that song or whatever with the acoustic
• 14:49
  guitar on the beach like in Barbie.
• 14:50
  He's waiting for it to come up it's a karaoke.
• 14:53
  Yeah.
• 14:53
  By the way, I gotta say to start, Ryan Gosling was so dreamy in the beginning
• 14:58
  of this film, I just gotta say.
• 14:59
  What?
• 15:00
  And I'm a huge fan of Emily Blunt.
• 15:03
  God.
• 15:04
  Yeah, that's the spirit.
• 15:06
  There we go.
• 15:07
  Rad.
• 15:08
  What?
• 15:09
  Different strokes my friend.
• 15:11
  Yeah, whatever floats your strokes.
• 15:14
  Whatever strokes your float.
• 15:17
  Emily Blunt or Gosling in this movie?
• 15:20
  Both.
• 15:20
  Both is good.
• 15:22
  Perfect.
• 15:23
  And then the other lady was from Ted Lasso.
• 15:26
  Ted Lasso, yes.
• 15:27
  In the Waddingtons.
• 15:28
  Exactly.
• 15:29
  I recognize her from her like three minute appearance in the new Hocus Pocus.
• 15:35
  Hocus Pocus.
• 15:36
  He was the witch.
• 15:37
  Yes, she was dressed like the original kid, which I'm disappointed.
• 15:40
  She didn't sing a karaoke night because she's an amazing singer.
• 15:43
  Well, Eric always refers to her as one of the lesbian moms from sex education.
• 15:48
  Yeah.
• 15:49
  Yes, it's true.
• 15:51
  Hannah Waddingham.
• 15:52
  Every time I think about that, I'm like, that's where I saw her the first time.
• 15:54
  I'm like, all right.
• 15:56
  So yeah, movie starts off and we, uh, meet Tom Ryder and
• 16:00
  his stunt double Colt Severs.
• 16:01
  Definitely not Tom Cruise and his stunt double or whatever.
• 16:05
  They got the stunt set up where they got a rig where they're gonna drop them
• 16:08
  backwards from like, I think they say like 150 feet or something like that.
• 16:12
  And they're like, yeah, we just need one more take, Colt.
• 16:14
  If you could do it.
• 16:15
  Yeah, yeah, yeah.
• 16:15
  I'll get up there and along the way he's on the mic hitting on Emily Blunt.
• 16:19
  Jodi.
• 16:20
  Planning his vacation.
• 16:21
  Spicy margaritas.
• 16:22
  I love a spicy margarita.
• 16:24
  Margaritas.
• 16:24
  What is it?
• 16:25
  They're swim costumes?
• 16:26
  Yeah.
• 16:26
  They're swim costumes.
• 16:27
  You gotta put on your swim costumes.
• 16:29
  Is that what he called them?
• 16:31
  But, you know, they do the stunt.
• 16:32
  We see him falling.
• 16:34
  It was very minority report, right, where it's like, thought he was gonna
• 16:38
  stop like a foot from the ground.
• 16:39
  Oh, he did, but we didn't see it.
• 16:41
  Yeah, it just like cuts to black and we hear a shriek.
• 16:44
  Yeah, then we see him getting carried down on a stretcher and you know,
• 16:46
  like the bomb going off where it's like super slow and everybody's
• 16:49
  talking like, whoa, whoa, you okay?
• 16:52
  Like that stuff.
• 16:53
  You know?
• 16:53
  Mm hmm.
• 16:54
  And then we cut to dot dot dot later and he's a valet and I love
• 16:59
  that he's getting a car for a guy.
• 17:01
  He's like, Oh, dude, dude, dude, dude, dude, dude.
• 17:03
  Oh, what happened to you?
• 17:04
  That's right.
• 17:05
  You were the stunt guy and you, uh, you got fucked up, right?
• 17:08
  Yeah.
• 17:08
  Yeah.
• 17:09
  Yeah.
• 17:09
  This is the fall guy I was telling you about.
• 17:11
  Epic fall, man.
• 17:12
  Oh my God.
• 17:13
  What are you doing?
• 17:14
  He's like, I'm picking up your car as a valet.
• 17:16
  So my life is hell.
• 17:18
  He was less dreamy at this point.
• 17:19
  Yeah, that long hair.
• 17:21
  Didn't he have like the long fake hair now?
• 17:22
  Yeah, yeah.
• 17:23
  Yeah.
• 17:24
  You have to have a mullet.
• 17:25
  Cut it.
• 17:25
  Not into that hobo chic.
• 17:28
  Deer a leek.
• 17:29
  Deer a leek.
• 17:30
  Being a stunt man, he was obligated to do some car stunts.
• 17:33
  I thought the parking job was.
• 17:35
  Excellent.
• 17:35
  Yeah.
• 17:37
  It's a rental.
• 17:40
  Nothing like smoking the tires down to the cords on a Challenger.
• 17:43
  That was awesome.
• 17:44
  The Hemi sounds fantastic.
• 17:46
  It was brilliant.
• 17:46
  Yeah.
• 17:47
  At that moment, I was like, I'm in it.
• 17:48
  Where is this going?
• 17:49
  I'd have given that guy like a 20 tip.
• 17:51
  Like, Hey, here you go, my friend.
• 17:52
  That was awesome.
• 17:54
  Thanks for not rolling it.
• 17:55
  They ain't my tires.
• 17:57
  But then the other valet guys were all applauding him when he came in.
• 18:00
  I'm not gonna lie.
• 18:01
  I love that there was a Challenger for this because everybody I
• 18:04
  know who like Owns one of those challengers is a piece of shit.
• 18:08
  I was gonna say is a douche I'm, sorry guys, and i'm sorry if i've offended
• 18:12
  everybody anybody here, but no viewers went down Guys gals folks out there
• 18:17
  listening if you have a challenger Maybe just like think really deeply
• 18:21
  about why I might have that opinion and it's simply based on the people I've
• 18:25
  known if you drive a challenger is he has a challenge for you prove to me.
• 18:29
  You're not a huge fan Or just remove the pre purchase
• 18:33
  inspection tape from your spoiler.
• 18:35
  I mean, that's all I'm gonna say But that keeps it safe But then we see
• 18:40
  him, you know driving off in his truck.
• 18:42
  Yeah, it's the truck And he gets a call from producer gail definitely not big
• 18:48
  jack in this one she's like oh I'm not even gonna try to do the bad accent.
• 18:53
  Wait, are you saying that she had a bad accent?
• 18:55
  Or you're gonna do a bad accent?
• 18:57
  My bad accent.
• 18:58
  No, no, no.
• 18:59
  Her's is spot on pottity or whatever.
• 19:03
  Like, cause her accent is just her voice.
• 19:05
  Since she is British.
• 19:07
  Steve, in fact, I dare say she thinks What?
• 19:10
  Oh.
• 19:11
  Oh, ooh!
• 19:14
  Hello, Kotes, how have you been?
• 19:16
  Hey!
• 19:16
  Umm, so, yeah, we're filming this movie called Metal Storm.
• 19:20
  You remember Tom, your favorite actor, who you double four?
• 19:23
  She's like, but the director of this movie asked specifically for you.
• 19:27
  It's Jodie.
• 19:28
  Ooooh, Jodie!
• 19:29
  Dun dun dun Cue The Simp.
• 19:32
  Ha, ha, ha, ha, ha.
• 19:33
  Love was made for loving you, baby.
• 19:37
  Oh Let's see, my next note just says, Earth, Minerals, Stone.
• 19:42
  Remind me what that was?
• 19:43
  It's been a couple weeks since I've actually seen the movie.
• 19:45
  Earth, Minerals, Stone.
• 19:47
  Oh, shit, no, I remember what it is.
• 19:49
  He's like considering it, but then he like glances over and he sees Oh yeah, the
• 19:52
  Perky commercial that Tom Ryder's doing.
• 19:56
  Yeah.
• 19:56
  And he's like, Earth, minerals, stone, cologne for men.
• 20:01
  That's right.
• 20:01
  I was gonna say, I love when they try to do these Dior commercials and they
• 20:06
  end up like Zoolander where it's like, moisture is the essence of water.
• 20:16
  Obviously somebody doesn't remember the Johnny Depp perfume commercials.
• 20:20
  Oh, I do.
• 20:21
  From like a decade and a half ago.
• 20:24
  They're still showing up.
• 20:24
  Yeah, yeah.
• 20:25
  Yeah, right, right next to the Natalie Portman ones in the Charlize Theron one.
• 20:29
  Isn't it Sauvage?
• 20:30
  I think it's Sauvage.
• 20:30
  Yeah, Sauvage.
• 20:32
  I see it, I'm like, so this is making fun of the Zoolander thing, right?
• 20:36
  This can't be real.
• 20:37
  What's this?
• 20:37
  The Dior one?
• 20:39
  The Natalie Portman?
• 20:39
  The Natalie Portman one where she's like driving a car full of flowers and
• 20:43
  then like sitting on top of a whale.
• 20:45
  We had to like explain that one to a fellow podcaster recently.
• 20:50
  Why does Natalie Portman look like she's 18?
• 20:52
  Because that's what she was when they filmed that.
• 20:54
  It was right after the professional, short hair.
• 20:58
  I think it might've been right after a B for Vendetta and the,
• 21:01
  uh, someone that Charlize Theron coming out of the pool of gold.
• 21:07
  Like, I mean, that had to be like straight off of devil's advocate.
• 21:12
  Yeah, right after Astronaut's Wife, Johnny Depp was like,
• 21:14
  Hey, I've got an idea for you.
• 21:16
  Wow.
• 21:16
  Guys, have you seen Astronaut's Wife?
• 21:18
  No.
• 21:19
  It's a dumb movie, but it has the greatest Okay, this movie wins
• 21:24
  the ratio of stupidest movie to greatest single line in cinema.
• 21:28
  So, so the story is Johnny Depp is an astronaut, and
• 21:30
  Shirley Staronis is his wife.
• 21:32
  Johnny Depp goes up into space and like, basically a symbiote, like venom
• 21:35
  or whatever, organism gets into him, an alien takes him over basically, and
• 21:40
  tries to impregnate Charlize and blah blah blah, and it goes from there.
• 21:43
  In the third act, Charlize is onto it, and she's like, You killed my husband!
• 21:47
  Yeah, and then I fucked his wife.
• 21:49
  Oh, that's brilliant.
• 21:54
  That's writing genius right there.
• 21:59
  That was a feature film.
• 22:01
  Not like a Charles Band movie or Like Polanski or somebody directed
• 22:05
  that thing, you know, that was ours.
• 22:07
  I would explain some things.
• 22:10
  So anyway, where were we?
• 22:10
  Earth, wind, and fire.
• 22:12
  Oh yeah, so yeah, so we're going to Australia for Metal Storm, right?
• 22:15
  Because Jody wants him on for a stunt.
• 22:16
  We're introduced to the deep fake technology going on where they scan
• 22:20
  Colt and show that like, oh yeah, we can just pop the actor's face
• 22:23
  on there and then blah, blah, blah.
• 22:25
  And I'm like, guys, it's like three years away.
• 22:27
  They're already doing it to a little bit right now, but like, Soon
• 22:30
  they're not going to have actors.
• 22:31
  They're just going to scan them and it's going to go great.
• 22:33
  They're going to have like eight fingers on each hand.
• 22:35
  It's going to be fantastic.
• 22:36
  That's how William Shatner is going to live to be 150 years old.
• 22:39
  I mean, let's face it.
• 22:41
  Rides again, young William Shatner popping up in a Dior commercial.
• 22:48
  What would you do for love?
• 22:54
  Earth.
• 22:55
  Minerals.
• 22:55
  Stone.
• 22:58
  The whole cat and mouse of this stunt, he's hiding behind the car.
• 23:02
  Not trying to, is Jody there?
• 23:03
  She's not there.
• 23:04
  I don't want to see her.
• 23:05
  She doesn't want to see me.
• 23:06
  If we skip over that BS and get to the stunt itself, the
• 23:10
  first big stunt of the movie.
• 23:12
  Oh, you mean the car roll?
• 23:13
  Yeah.
• 23:14
  Take it away, Eric.
• 23:15
  I mean, I looked at it and went death race, the new death race stuff.
• 23:18
  And I was like, okay, the cars are, you know, sort of post apocalyptic a
• 23:21
  little bit, Mad Max, this and that.
• 23:23
  But I appreciated it.
• 23:25
  They were using vehicles, they were doing the old school ramps,
• 23:28
  like all this kind of stuff.
• 23:29
  It wasn't CGI, but the idea was that they were doing it old school.
• 23:32
  School and I appreciate that needed a stunt guy that needed
• 23:35
  somebody to drive the truck.
• 23:36
  So when it all went down with the explosions and the multiple angles
• 23:40
  and rolling the car and the hit that it took real or otherwise,
• 23:43
  I was like, Ooh, it was real.
• 23:45
  Cause if you stayed to the end and we're watching kind of like the prequel.
• 23:48
  Reddits, they were showing real footage and they were showing,
• 23:51
  they actually did flip it.
• 23:52
  The real stunt guy.
• 23:53
  Yeah.
• 23:54
  They really did break the world record on it.
• 23:56
  Yeah.
• 23:56
  Eight and a half rolls.
• 23:58
  Yeah.
• 23:58
  That's pretty cool.
• 23:59
  You don't see that too much anymore.
• 24:01
  I really appreciated that.
• 24:02
  And I liked that.
• 24:03
  I was again, I'm like, I was in it back at the valet scene, but now
• 24:07
  I'm, I'm like, okay, this is cool.
• 24:09
  This is different.
• 24:09
  Where are we going with this?
• 24:11
  And the movie is.
• 24:12
  Again, a little bit tongue in cheek even up to this point, right?
• 24:14
  The margarita thing, the ballet thing with the mullet and
• 24:17
  the Dior commercials and all.
• 24:18
  And you're kind of like, why is this a bad movie again?
• 24:21
  Like, why did nobody watch this?
• 24:22
  Like, it's entertaining and it's, you're not dragging through it.
• 24:25
  It's pulling you along very quickly because everything happens in very kind
• 24:28
  of rapid succession over a two and a half hour period, which is pretty incredible.
• 24:32
  Yeah.
• 24:33
  Although I will say this scene has one of my irts.
• 24:36
  If you're going to do something like break the Fucking world record doing roles.
• 24:41
  Stop cutting away from it, making it look fake.
• 24:43
  That's true.
• 24:44
  Just show it once.
• 24:46
  At least they couldn't show it, which makes me then doubt them.
• 24:50
  And then I have to Google it.
• 24:52
  You know, you're a huge fan of when they start quoting Rocky and Fast and Furious.
• 24:56
  Last of the Mohicans and stuff later.
• 24:58
  Like that's a nice little running gag between stunt
• 25:00
  coordinator, Dan and Colt, right?
• 25:02
  Everybody loves that.
• 25:02
  Yeah.
• 25:03
  Referencing potentially better movies.
• 25:06
  I'll say on par movies.
• 25:07
  I love those.
• 25:07
  But then yeah, after breaking the world record, you know, on his first
• 25:10
  stunt back in, what was like 18 months or whatever, since he broke his back,
• 25:14
  he gets to see the director and it's Jody and she had no idea he was there.
• 25:18
  You know, the music starts swelling and she's like, whose fucking idea was this?
• 25:23
  Who's getting fired?
• 25:24
  I don't understand why she was so bitter.
• 25:26
  I mean, I get it.
• 25:27
  She made a big deal about him abandoning her and I'm like, he was in
• 25:31
  traction, like in the hospital and you didn't even bother to come see him.
• 25:34
  Like I don't get it.
• 25:35
  No.
• 25:36
  So she tried to come around and everything.
• 25:38
  Yeah.
• 25:38
  He basically just ignored her.
• 25:40
  And then when he's, once he got out, he just abandoned everything,
• 25:43
  just disappeared off the map.
• 25:45
  And she didn't get any closure or anything.
• 25:48
  Apparently during her little monologue explaining to him about what the
• 25:51
  movie was about that she was making, she talked about all the experiences.
• 25:55
  that she had after him.
• 25:57
  You and he kept lighting him on fire.
• 25:59
  Did you miss that part?
• 26:00
  That was so good.
• 26:01
  Yeah.
• 26:01
  Yeah.
• 26:02
  Light, light him on fire and slammed him into a rock.
• 26:04
  Let's do that again.
• 26:05
  Yeah.
• 26:05
  Let's do it again.
• 26:06
  We need to do it again.
• 26:07
  Do the rock thing was painful, but then it just got stupid cartoon funny.
• 26:12
  Like the more they did it, the funnier it was.
• 26:14
  My note for this whole next 10 minutes is just say you're sorry.
• 26:18
  God damn it.
• 26:19
  Wrong com.
• 26:19
  Yes.
• 26:20
  Yes.
• 26:21
  I didn't know what to say, so I said nothing at all.
• 26:23
  Oh, and how'd that work out for ya?
• 26:25
  See, how about you start with, I'm sorry.
• 26:26
  Yeah, but it was hilarious at least.
• 26:28
  Yeah, you got set on fire several times.
• 26:30
  Then you start singing the, uh, Fall Guy song, and all is forgiven.
• 26:33
  Yep.
• 26:35
  Yeah, so yeah, after, uh, being slammed into a rock while set on fire, like,
• 26:39
  18 times, you know, it eventually comes out, He'd love another chance.
• 26:44
  And so then he talks with producer Gale.
• 26:46
  She's basically like, oh that's great, that's great, that's great,
• 26:48
  you guys are, uh, talking again.
• 26:50
  So Ryder is missing.
• 26:51
  What?
• 26:52
  Yeah, Tom Ryder, yeah, he's missing.
• 26:54
  We can't call the cops, and if we don't find him soon, we're gonna
• 26:56
  have to pull the plug on the movie.
• 26:57
  It was at this moment, the first time watching this, I'm like, Gale is in on it.
• 27:02
  There will be no surprise at the end because a real producer is like worst
• 27:06
  case if Tom Ryder doesn't show guess what you get all of his money in
• 27:10
  restoration to pay for lost time and movies you can't release and it becomes
• 27:16
  a tax write off roll credits guys what do we think about corporate guy?
• 27:19
  You say bye bye Tom.
• 27:22
  But no basically she's like look you're the invisible stunt man
• 27:25
  you could just sneak around and find Tom Ryder nobody gives a shit
• 27:29
  about you and he's Yeah, thanks.
• 27:30
  That's exactly what I'm going for.
• 27:32
  So he becomes a superhero at this point.
• 27:35
  He becomes a detective.
• 27:36
  He becomes the bounty hunter equivalent.
• 27:38
  Yeah, the bounty hunter.
• 27:39
  Yeah.
• 27:40
  He's got to save the movie because it's Jodie's directorial debut.
• 27:43
  And if it gets shelved, who knows if she'll ever get a chance again.
• 27:46
  And you know, do it for love.
• 27:47
  For Jodie.
• 27:48
  Right.
• 27:48
  Cue the song.
• 27:49
  Yeah.
• 27:51
  And they also showed the new truck and I'm like, boo, you movie.
• 27:56
  You should have shipped it to Australia.
• 27:58
  The new truck was terrible.
• 27:59
  So big.
• 28:00
  I thought the new truck was awesome.
• 28:02
  What?
• 28:02
  No, the new truck sucks balls.
• 28:04
  Yeah, the new truck was awesome.
• 28:06
  Big old bloated piece of junk.
• 28:08
  Ugh.
• 28:09
  95 percent plastic.
• 28:10
  Well, you're not wrong about the new Chevy Silverado that they used for this film
• 28:15
  to replace the original Fall Guy truck.
• 28:17
  Although they used the old K 1500 plenty.
• 28:20
  In the movie is our C10 or whatever.
• 28:22
  Dan will correct me at some point.
• 28:23
  I'm going to throw some information out regarding vehicles since,
• 28:26
  uh, that's what we'll do.
• 28:29
  For the original Fall Guys show, the original square body was a 1980 K 25 or
• 28:35
  2, 500, which is the three quarter ton.
• 28:37
  And then in later episodes, they switched to an 82.
• 28:40
  And then for this movie, the square body they had in the background was an 85.
• 28:45
  Those are just, uh, things to there.
• 28:47
  You hear that?
• 28:48
  That was my head hitting my desk.
• 28:52
  But either way, the old square body classic will run till eternity.
• 28:56
  It'll be around forever as long as you take care of it.
• 28:58
  The new one, I don't think I could say the same thing.
• 29:01
  Although the new one's got all sorts of whiz bang gizmos and all wheel this
• 29:05
  and this and that and the other thing.
• 29:07
  So I can cry listening to Taylor Swift.
• 29:09
  Yeah, 100%.
• 29:10
  Yes, that was.
• 29:11
  Oh, God damn it.
• 29:15
  It's sad, but we know we don't have shortages of, though.
• 29:18
  Donuts.
• 29:18
  Donuts!
• 29:19
  Yes!
• 29:20
  Yeah!
• 29:22
  Donuts in that new Chevy Silverado.
• 29:24
  But they didn't do any.
• 29:25
  Didn't do donuts.
• 29:26
  I don't know.
• 29:26
  They just built her car.
• 29:27
  You want to do some donuts?
• 29:28
  They did donuts with the old truck, though, because it's capable of doing it.
• 29:32
  I know.
• 29:33
  This one probably, like, the tire gauge would go off, and
• 29:35
  then it would stall itself out.
• 29:37
  It would call on stop.
• 29:38
  Must have update.
• 29:39
  I think you were in a wreck.
• 29:41
  I won't lie, the uh, I'll have to drive you to your car scene.
• 29:44
  It got me.
• 29:45
  I'm just crawling up the 20 feet.
• 29:47
  It was good.
• 29:48
  That was some shit I would do.
• 29:51
  Now Detective Colt is on the case and he goes to check out Tom's place.
• 29:55
  And this is where we're introduced to all the post its that he has everywhere,
• 29:58
  like, Why is Chinese chicken orange?
• 30:00
  You know, shit like that.
• 30:01
  Those were so funny.
• 30:02
  Very memento, though.
• 30:03
  I enjoyed all of that.
• 30:05
  But then, out of nowhere, Kitana assassin!
• 30:07
  Hyah!
• 30:07
  Hyah!
• 30:08
  Hyah!
• 30:08
  This was the Pink Panther scene, right?
• 30:10
  Where, like, Totally was!
• 30:12
  Kato flies out of the window, and then they're flying back!
• 30:14
  Fighting for the next 10 minutes.
• 30:15
  Like what the hell is this?
• 30:17
  It was a good fight scene.
• 30:18
  It was enjoyable.
• 30:19
  It was reminiscent also of the total recall fight scene with Kate Beckinsale.
• 30:23
  Thank you.
• 30:23
  The fight scene with Kate Beckinsale.
• 30:25
  Oh, the new total recall.
• 30:27
  Great job.
• 30:28
  Totally recalling that, Eric.
• 30:29
  Yes.
• 30:29
  You know where, and then where she lands on it with her legs
• 30:32
  between his head, the whole thing.
• 30:33
  Yeah.
• 30:34
  It's like the same scene.
• 30:35
  It was great.
• 30:35
  That's like saying, Oh, you know, like in point break, what's his name?
• 30:38
  Luke Bracey or whoever the fuck is.
• 30:40
  I had like, Nobody knows that 20 Break exists.
• 30:42
  Doesn't exist.
• 30:43
  Nobody cares.
• 30:44
  Nope.
• 30:45
  If you're not talking about Johnny Utah, we're not listening.
• 30:47
  It was a fun fight scene.
• 30:49
  It was a good fight scene.
• 30:50
  I enjoyed it.
• 30:50
  Now, correct me if I'm wrong.
• 30:51
  Was that the same movie that had the, uh, subway train through
• 30:55
  the core of the earth to China?
• 30:57
  Yes.
• 30:57
  Okay.
• 30:58
  I thought so.
• 30:58
  No, Steve.
• 30:59
  That's the core.
• 31:01
  No, that's the total recall 2012.
• 31:04
  Maybe coming soon on the podcast.
• 31:06
  Call me, I'm there.
• 31:07
  Steve is always looking for movies for our Fuck You Science Award.
• 31:10
  Say, we got you guys, was it The Last Drive or whatever that was?
• 31:13
  The Last Chase.
• 31:14
  Last Chase, that's the one.
• 31:15
  We got you scheduled and everything, don't worry about it.
• 31:17
  Nice.
• 31:18
  So yeah, he's looking around, yeah, and eventually he subdues the assassin, we
• 31:21
  find out, Oh, it's the lead actress of the movie slash Tom Rider's girlfriend,
• 31:25
  and she was attacking him with a prop sword, and it's like, oh, okay, cool.
• 31:28
  Yeah, I'm trying to find Tom, you know where he might be?
• 31:30
  I don't know, check out the club.
• 31:31
  That, uh, guy with the leopard tattoos on his head probably knows where
• 31:35
  he is, and I'm like, alright, cool.
• 31:37
  He's like, how am I gonna get into the club?
• 31:38
  Oh, you just dress like Tom Rider and act like him, I
• 31:40
  mean, you are his stunt double.
• 31:42
  Duh.
• 31:43
  Yeah.
• 31:44
  Dude, that Dayglo suit.
• 31:46
  I love the way that scene looked like if that had happened in a john wick
• 31:50
  movie, it wouldn't have been that different, you know, like there's all
• 31:52
  kinds of like scenes in those movies where it's like, who designed this
• 31:56
  coloring of this dark space, like all this weird neon and stuff going on.
• 32:01
  You also have to appreciate the GoPro to his chest and he's doing
• 32:04
  the wobble around kind of thing.
• 32:06
  And then, you know, he does enough cocaine to see unicorns and stuff.
• 32:09
  And I mean, it's beautiful.
• 32:09
  It's brilliant, right?
• 32:10
  I mean, it's absolutely fantastic.
• 32:12
  Yeah.
• 32:12
  You know, he does the special drug to make him see unicorns.
• 32:16
  Liquid cocaine.
• 32:17
  Okay.
• 32:17
  Yeah.
• 32:17
  Because somebody, somebody dirtied his Shirley.
• 32:21
  Oh, I hate it when my Shirley gets dirtied.
• 32:23
  That scene, when you step back and then look at the movie as a whole, that
• 32:27
  whole kind of scene feels out of place.
• 32:29
  That's the director's cut.
• 32:30
  Is that the difference?
• 32:31
  I don't know.
• 32:32
  Because I only watched the extended.
• 32:33
  What I saw it as is, uh, okay, we're running a low on budget, but we need
• 32:37
  the, we need Luckily, we have CGI unicorns we can throw all over the place.
• 32:42
  Dude, it was so funny, though.
• 32:44
  I remember Jess and I were laughing.
• 32:47
  It was so ridiculous.
• 32:49
  Stumbling through the club, beating up on people, falling through,
• 32:52
  like, glass panes, and the bus stop.
• 32:56
  For me, it felt like I had elements of, like, The Matrix and
• 33:00
  John Wick, but, like, made fun.
• 33:04
  Watching that scene.
• 33:05
  I thought for sure he was hallucinating the whole thing and they were talking
• 33:09
  to him, like dancing around, pretending like he was beating up people.
• 33:12
  Yeah.
• 33:13
  Oh, like the wolf of wall street sitting there, punching the air and shit.
• 33:16
  Yeah.
• 33:17
  You should have seen me.
• 33:17
  I drove home and it was amazing.
• 33:19
  And you see the car and it's completely trashed.
• 33:22
  It cuts back to him just on the couch.
• 33:23
  Just like filling himself up.
• 33:24
  Like he's on next day.
• 33:25
  Oh, kick her ass.
• 33:29
  Red unicorn in a battle.
• 33:31
  I do my own.
• 33:33
  This does lead to one of my favorite things in this movie
• 33:36
  that would be ultimately totally infuriating in real life.
• 33:40
  His like, terrible breakdowns of events that are happening.
• 33:43
  Yeah.
• 33:43
  Oh yeah, his recaps for people.
• 33:46
  He is the most unreliable narrator.
• 33:49
  But that might be part of the point?
• 33:51
  Totally.
• 33:51
  Oh 100 percent that's how he gets himself into all of these situations.
• 33:55
  Geneticans!
• 33:56
  But eventually he does catch up with leperhead guy and is like, Hey, I
• 33:59
  need to know where Tom Ryder is.
• 34:00
  And he's like, okay, okay.
• 34:01
  I'm sorry, man.
• 34:02
  Security told me to drug you.
• 34:04
  You need to go to the hotel.
• 34:05
  Ask for Kevin.
• 34:06
  Ask for a fruit plate.
• 34:07
  And he's like, that's not gonna be any more drugs.
• 34:08
  Is it like, no, no, no.
• 34:09
  It's a, it's a thing.
• 34:13
  Waiting for it to be gay code for something.
• 34:14
  Yeah, right, like, going with the unicorn thing.
• 34:17
  Yeah, he goes to the hotel, and he runs into Jody, who's there,
• 34:21
  like, I guess, staying at the same hotel, and he's like, Oh, hey, hey,
• 34:23
  I'm totally not high, what's up?
• 34:26
  Are you gonna come to, uh, karaoke?
• 34:28
  No, the karaoke's later.
• 34:30
  Yeah, he's supposed to meet her for something I'm gonna see you later.
• 34:34
  Yeah.
• 34:34
  Yeah, totally.
• 34:35
  Yeah.
• 34:35
  Yeah.
• 34:35
  Yeah, I'm just gonna get some sleep They were gonna discuss
• 34:38
  some aspects of the film.
• 34:40
  That's right.
• 34:40
  They're gonna talk about the problem with the third act trope That's what
• 34:43
  it was because they're referencing.
• 34:45
  Are they gonna get back together?
• 34:47
  That's right.
• 34:47
  They have the conversation about that shit later.
• 34:49
  She did a split screen.
• 34:51
  That's right.
• 34:51
  We got the split screen Yeah with him and Jodi.
• 34:53
  They're talking about like look I just don't know if these guys wouldn't
• 34:56
  get together cuz you know I'm sorry I thought the splits were really cool.
• 35:01
  You can't do the tropes and call out the tropes.
• 35:03
  No, but I kind of like that they're doing the tropes while
• 35:05
  they're calling out the tropes.
• 35:06
  Like, I dig it.
• 35:07
  It was very cool.
• 35:07
  I agree with you.
• 35:08
  Yeah, that's what Jess was saying too.
• 35:10
  She's like, when was the last time you saw a good split screen?
• 35:12
  And I'm like, Ocean's 11?
• 35:13
  No.
• 35:13
  Here it is!
• 35:15
  500 Days of Summer.
• 35:16
  That's what I remember.
• 35:18
  Good movie, Steve.
• 35:18
  It was good.
• 35:19
  Really?
• 35:19
  Yeah, have you not seen 500 Days of Summer?
• 35:22
  I love it.
• 35:23
  Yeah, it's not the greatest.
• 35:24
  Again, because it's one of those movies where if they just had a
• 35:25
  goddamn conversation, the movie would be four minutes long.
• 35:28
  But they did have the conversation, but they were thinking different things.
• 35:31
  That's the whole thing.
• 35:32
  But, uh, so yeah, he gets the fruit plate, which is a key card to, to work upstairs.
• 35:37
  Oh my God, there's a dead guy in the bathtub covered in ice.
• 35:41
  Oh, thank God this rom com has ended.
• 35:43
  That was another, like, Brad, where I wasn't sure if he was sober yet.
• 35:47
  And it didn't really happen, because it was very, you know,
• 35:49
  murder mystery at that point.
• 35:50
  Mm hmm.
• 35:51
  The body disappears, right?
• 35:52
  It goes back and poof, it's gone.
• 35:54
  So, what do we know?
• 35:55
  Even as the viewer, we're like, well, was it really there or not?
• 35:57
  Maybe he's just still really high.
• 35:59
  Maybe he should have told the cops about the unicorn, too.
• 36:01
  He tried to.
• 36:02
  Yeah.
• 36:02
  Nobody believes him.
• 36:04
  Now it's on to the next stunt.
• 36:05
  Because they have to get a truck set up to do a 250 foot jump in a one shot.
• 36:10
  Yeah.
• 36:12
  Joey says something like, look, I just need you to do this movie.
• 36:17
  Just say it, guys.
• 36:18
  And then, yeah, we get the nice little, uh, I believe in a thing
• 36:20
  called love at the opera house.
• 36:23
  Big ol Hadn't heard that song in a hot minute.
• 36:28
  Yeah.
• 36:30
  You need to come hang out at our house.
• 36:31
  He doesn't sing it to me, which would be great.
• 36:34
  No, he just sings it while like in the shower or like occasionally to the cats.
• 36:40
  Occasionally I'll just belt out Touching you
• 36:44
  Touching me But after shooting that scene scene for the whole
• 36:47
  day and you know, haha, laughing and stuff and a little montage.
• 36:51
  Hey, you should come with the crew out for karaoke.
• 36:53
  It's going to be fun.
• 36:54
  Oh yeah.
• 36:54
  Yeah.
• 36:54
  Yeah.
• 36:54
  Totally.
• 36:55
  Uh, let me just change and blah, blah, blah.
• 36:57
  Who's that waiting in his trailer?
• 36:58
  Oh shit.
• 36:58
  It's Gail.
• 36:59
  And she's like, all right, here's your tickets.
• 37:01
  You need to get the fuck out of Dodge and never look back.
• 37:04
  And he's like, wait, what are you talking about?
• 37:06
  Like look, you found a dead guy.
• 37:07
  Okay.
• 37:07
  I remember that from the phone call last night.
• 37:09
  Some stuff about unicorns, but the cops are going to be looking for you.
• 37:12
  No need to worry.
• 37:13
  Why?
• 37:13
  Just get the hell out of the country before it's too late.
• 37:16
  Uh, what?
• 37:16
  What?
• 37:16
  What?
• 37:16
  He gets like the idea, like he's got to go talk to Tom's assistant Alma
• 37:20
  and like pick up his dog, Jean Claude.
• 37:22
  Yeah, he has like five dogs, but specifically they need
• 37:26
  to go talk to Jean Claude.
• 37:27
  Him and Colt have a history because he only understands French commands.
• 37:31
  Yeah, they filmed on a movie together.
• 37:33
  It was like Top Dog or something.
• 37:35
  Over the Top Dog or something, yeah.
• 37:37
  Another reference to Tom Cruise, Top Gun, Top Dog.
• 37:39
  Yeah.
• 37:41
  Jean Claude has one specific trick he does.
• 37:43
  Attaque!
• 37:44
  Attaque!
• 37:45
  Yeah, yeah.
• 37:45
  We know the trick.
• 37:46
  We know the trick.
• 37:47
  Also, if anybody's a fan of dogs, this particular dog is a Kelpie,
• 37:50
  which is an Australian breed.
• 37:52
  If you thought Australian cattle dogs and border collies
• 37:54
  were crazy, meet the Kelpie.
• 37:56
  They make those breeds look tame.
• 37:58
  There you go.
• 37:58
  But Alma, you know, he's like asking, like, Hey, you have
• 38:00
  any idea where Tom might be?
• 38:02
  No, I really have no idea, but maybe the phone here that I have of his has the
• 38:06
  information, but you gotta be able to hack it and I don't know how to do it.
• 38:08
  So I'll give it to you in exchange for a producer credit.
• 38:11
  And then he says, you know, I'm a stunt guy.
• 38:13
  Yeah, yeah.
• 38:14
  Stunt guy who used to fuck the director.
• 38:16
  Get me the producer credit.
• 38:17
  Well, I mean, okay, well, I'll see what I can do.
• 38:20
  And then zap, they're both tased off screen by some big guys.
• 38:25
  And then, uh, that's right.
• 38:26
  The guy's like kidnap Alma and like, where's the phone Lebowski?
• 38:29
  And, uh, The money Lebowski.
• 38:31
  Well, Colton Jean Clatter in Hot Pursuit, he's chasing him
• 38:34
  in the new Chevy Silverado and he is like, engage your core.
• 38:38
  Jean Claude makes him put Jean Claude's seatbelt on.
• 38:40
  That was funny.
• 38:41
  Oh yes, of course, of course.
• 38:43
  Yes.
• 38:43
  This whole scene is a lot of fun because it brings us into the next big
• 38:47
  stunt, which I walked away from this going, I've never seen this before.
• 38:53
  It was sort of like ballroom dancing with a dumpster, like I never.
• 38:57
  I don't know how else to describe it, but it was like super cool, right?
• 39:00
  I mean, it was the typical Indiana Jones jump from one truck to the other
• 39:04
  big bulky Brutus guy, got to take them down, you know, all this kind of thing.
• 39:07
  But when they got to the dumpster hanging off the back of the truck and it's just
• 39:11
  swinging around, Oh, that was so cool.
• 39:14
  Very well done.
• 39:15
  Hey guys, you may remember when we talked about the movie The Stuntman,
• 39:18
  which has kind of the same plot.
• 39:20
  Hey, we need you to fill in for this actor so the production doesn't
• 39:23
  get shot down while hijinx ensues.
• 39:25
  Blah, blah, blah.
• 39:26
  But then something else happened in this movie that was like, Holy
• 39:29
  shit, we need to talk about this with Grand Touring Motorsports.
• 39:32
  Because at karaoke, someone is singing Against All Odds.
• 39:36
  Oh, yeah, I thought that was awesome.
• 39:41
  And I'm like, if Shatner shows up for a cameo, like, this is too much.
• 39:44
  This movie has instantly become the greatest movie in the world.
• 39:48
  Yeah, I did notice that too.
• 39:49
  I was like, look at that.
• 39:50
  That's like a double cross.
• 39:51
  Yeah, big, beautiful chase fight scene, the whole back of jump
• 39:55
  from truck to truck going through town with not a cop to be found.
• 39:58
  Afterwards he gets the phone, he's like, Alright, I need the video on this,
• 40:01
  but, Oh shit, I need to get to karaoke!
• 40:03
  And he gets there just in time to be like 45 minutes late.
• 40:06
  Everybody's late.
• 40:07
  It must be a square body owner's thing, cause Dan does the same
• 40:11
  thing, I'm just calling it out.
• 40:12
  What?!
• 40:14
  Bah, bah, bah!
• 40:15
  But who is there?
• 40:16
  Oh, it's stunt coordinator, Dan, you know Winston Duke, and he is basically like,
• 40:19
  Hey, I need your help with something.
• 40:21
  I need you to help me check Tom's apartment because he's got these
• 40:24
  post-its all over the place.
• 40:25
  And I'm sure one of 'em has to be the password for this phone of his,
• 40:28
  because they asked the tech gal who's drunk and she's like, oh no, you're
• 40:31
  not getting in that fucking phone.
• 40:32
  Yeah.
• 40:33
  Yeah.
• 40:33
  I think she's the one who's like, you know, knowing that guy, he probably has a.
• 40:36
  Post a note of it somewhere.
• 40:37
  Oh, yeah.
• 40:39
  Oh, we got to go break into his apartment.
• 40:41
  Which is sort of like against all odds in the sense that we're
• 40:44
  going back to the building.
• 40:45
  Remember that Jeff Bridges went back a couple of times.
• 40:47
  So I'm like, okay, so we're doing this again, back to Nakatomi tower.
• 40:51
  So wait, did they cut out the scene where Colton Jody banged on a national monument?
• 40:56
  Ancient ruins, just raw dog in on ancient ruins.
• 41:01
  And then the dad from Webster shows up just on top of the Sydney
• 41:04
  Opera House just plowing one out.
• 41:06
  Yeah, I think that got left on the cutting room floor.
• 41:08
  Yeah.
• 41:09
  Damn PG 13.
• 41:10
  They eventually find the password, open it up, and they're like
• 41:12
  looking through his videos.
• 41:13
  Basically see one of him like drop kicking his stunt double Henry and killing him.
• 41:17
  Maybe like hits his head on table or something.
• 41:19
  For me, this was so funny because it was the dodgeball moment.
• 41:23
  Got another Ben Stiller reference where he's like, nobody makes
• 41:25
  me bleed my own blood, right?
• 41:27
  That kind of thing.
• 41:28
  Yeah.
• 41:29
  Marty McFly, you know, don't call me chicken.
• 41:31
  Don't call me chicken.
• 41:32
  Yeah, it's the same thing.
• 41:33
  And I'm like, oh my God, we're just pulling all the threads, aren't we?
• 41:36
  Yeah, like the instant they see that video.
• 41:39
  Oh, well, the news is on for some reason.
• 41:41
  And Cold Steve is a suspect in the death of Henry Vuh vuh vuh or whatever.
• 41:46
  The baddies are closing in on the apartment.
• 41:48
  And now, guys, we get stunts!
• 41:51
  Yeah!
• 41:51
  Stunts, stunts, stunts, stunts, stunts, stunts.
• 41:55
  Yeah, just a whole bunch of fighting all over the apartment.
• 41:59
  Guns blasting.
• 42:00
  Stuntman Dan does one of those, what we call the Bobby Sixkiller, the clothesline.
• 42:05
  Yeah, got a renegade references.
• 42:08
  I think Cultiverse even does like the Reno Raines dive from upstairs onto somebody.
• 42:13
  By the way, for those who don't know what we're talking about, Steve and I
• 42:15
  have watched every single episode of the Lorenzo Llamas Vehicle Renegade.
• 42:20
  In the last six months.
• 42:21
  Yeah, my dad used to watch that.
• 42:24
  It was bad then.
• 42:25
  You know what?
• 42:26
  It has some really bad episodes, but it's also not that bad.
• 42:30
  So here's the thing.
• 42:31
  There's so many things were like, you watched it back in the day and
• 42:34
  you're like, Oh, this was great.
• 42:35
  And it sort of aged like milk.
• 42:36
  This was not that great.
• 42:38
  And therefore has aged exactly as it still is.
• 42:44
  Aged like milk.
• 42:46
  Oh, I might not pull that right.
• 42:47
  That went out on you.
• 42:49
  Use it wisely.
• 42:53
  So you basically, yeah, fight, fight, fight, fight, fight,
• 42:55
  and it ends up onto a boat.
• 42:57
  And holy shit, Tom Ryder's on this boat.
• 42:59
  So Colt gets knocked out and he wakes up all, you know, tied up and they're
• 43:03
  like, where's the phone Lebowski?
• 43:04
  Oh, we did forget to mention a few scenes before this.
• 43:07
  Somebody did ask Gosling why he always wears his Miami Vice jacket.
• 43:11
  Oh, that was way back with the fight with the lady back in sail.
• 43:14
  Yeah.
• 43:15
  It's because he used to work on the Miami Vice.
• 43:18
  Stunts at Lake Orlando.
• 43:20
  Yeah, the stunt show or whatever.
• 43:21
  And he can do boat stunts with his hands tied behind his back.
• 43:25
  Yeah, that's important.
• 43:26
  That's a key point to the plot.
• 43:28
  This was planted like an hour earlier in the movie.
• 43:31
  Yeah, so he's tied up.
• 43:32
  Where's the phone Lebowski?
• 43:33
  And he's like, why would I tell you my only insurance of still being alive?
• 43:36
  And like, All right, good point.
• 43:37
  And then Gail, she ends up calling Jody and is like, Oh my God, uh,
• 43:41
  Colt's a suspect in a murder.
• 43:43
  I know it's the craziest thing.
• 43:44
  And I'm like, okay, further confirming.
• 43:46
  Gail is obviously the bad guy.
• 43:48
  Tied up into a blah, blah, blah.
• 43:49
  It's not going to be a big reveal.
• 43:51
  Like, why are they dragging this along?
• 43:53
  Tom Ryder, he's like monologuing.
• 43:55
  We're like, Oh man, look, I just try and do this.
• 43:57
  And you were trying to hog the spotlight as the cool stunt guy.
• 44:00
  And so I had to fuck up your stunt or whatever.
• 44:03
  Like, wait, what are you talking about?
• 44:04
  Oh yeah, the accident where you broke your back.
• 44:05
  Like.
• 44:06
  That's because of me.
• 44:07
  It was me, Austin.
• 44:08
  It was me all along, Austin.
• 44:11
  Awesome bitch.
• 44:12
  And then he's like, yeah, that's why I had to kill Henry too, because Henry
• 44:15
  humiliated me in front of everybody.
• 44:17
  And so I had to kill him.
• 44:18
  Okay, cool.
• 44:19
  And Gale took care of it for me.
• 44:21
  What?
• 44:23
  Anyway.
• 44:23
  Well, the boat scene.
• 44:24
  Yeah, yeah, yeah.
• 44:25
  And the boat scene, like all the other people that know Colt's been
• 44:28
  like looking for Tom or whatever.
• 44:29
  They all get like bagged and killed immediately.
• 44:32
  Yeah.
• 44:32
  Like bags over the head.
• 44:33
  What was his name, Kevin, or whatever, from the hotel Dune.
• 44:36
  The guy with the leper tattoos.
• 44:37
  They're all just fucking killed.
• 44:39
  I like how, uh, Colt's like, Tom, listen to me.
• 44:41
  You need carbs.
• 44:43
  Get a grilled cheese.
• 44:44
  You'll feel better.
• 44:46
  You'll make better decisions.
• 44:47
  Again, a bunch of one liners throughout the movie that just, not
• 44:51
  that the movie needed it, but it was nice because it just kept you
• 44:54
  revved up through the whole thing.
• 44:55
  You're like, got these action scenes.
• 44:56
  We've got some comedy, got some bad rom com in there.
• 44:59
  Oh, so much fun.
• 45:00
  But then eventually Colt's like, look, you guys have been beating
• 45:02
  me up for the last 10 minutes.
• 45:03
  Man bun over here shot the phone.
• 45:05
  So there's no more phone.
• 45:06
  Oh, cool.
• 45:07
  So then they start dumping gas on them You know eventually colt just spit some
• 45:12
  on them and you know guys we got the lighter he spits the gas on him Oh shit,
• 45:16
  so we got the stunts of like guys on fire And then he drives off to the miami
• 45:20
  vice music in reverse because he did the stunt show remember from like an hour
• 45:24
  earlier While he's driving, Jody calls, answers his phone, and tells her the
• 45:30
  reason that stunt guys do the thumbs up.
• 45:33
  Yeah, it hurts, but not as much as, not as much as without you, or
• 45:37
  whatever, you know, rom com bullshit.
• 45:39
  I was made for loving you, baby, you were made for loving me, BOOM!
• 45:43
  Boat explodes.
• 45:45
  Awesome, that was awesome.
• 45:47
  And, like, that's a wrap on Colt.
• 45:48
  Roll credits, guys.
• 45:49
  What do we think about the Fall Guy?
• 45:51
  Nope, not even close.
• 45:53
  What?
• 45:54
  There's still 45 minutes in this fucking movie?
• 45:56
  What?
• 45:57
  Exactly!
• 45:58
  The news is like, oh yeah, it's a suicide, and oh yeah, here's a deepfake
• 46:02
  video they made of Colt killing Henry, you know, the video from the phone or
• 46:06
  whatever, but they superimposed his face.
• 46:08
  The next morning, the baddies, they're looking for Stuntman Dan on set.
• 46:11
  Cause they know he was in the apartment and stuff.
• 46:13
  No loose ends, right?
• 46:15
  But then one of the aliens from the show starts sneaking around in Jody's trailer
• 46:20
  or whatever, and then a fight breaks out, but the aliens got the voice modulator.
• 46:24
  No, don't hurt me.
• 46:28
  Cause you know, he's getting his ass whooped.
• 46:29
  That scene was so funny too.
• 46:31
  What I don't understand is why didn't he take the fucking mask off?
• 46:36
  He had.
• 46:36
  30, 45 seconds from the time he walked into the trailer.
• 46:40
  It's not velcro.
• 46:41
  Probably got some snaps or zippers.
• 46:43
  No, he took it off easily afterward.
• 46:45
  It's like the scene with the rock where he's getting beat
• 46:48
  up against it two dozen times.
• 46:50
  All these things that were just overly exaggerated.
• 46:52
  Just say you're sorry.
• 46:53
  Exactly.
• 46:53
  And this just adds to it.
• 46:55
  You're just like, this is so stupid.
• 46:57
  But it's hilarious at the same time.
• 46:59
  So, you know, he gives the thumbs up and Jody helps him get the thing off.
• 47:02
  And he tells Jody everything like, I got fucking gales in on it, and
• 47:07
  unicorns, and yeah, all that shit.
• 47:08
  Goes back to his terrible description of what's happening.
• 47:11
  And she's like, We need to go to the police and clear your name.
• 47:14
  And he's like, No, no, no, no, no, no.
• 47:15
  See, if they think I'm dead, then they'll finish your movie.
• 47:17
  You need to finish the movie, meanwhile, I'm gonna sneak around
• 47:19
  and do some cool shit, right?
• 47:21
  Inspire all the little Jodies of the world to do their thing, and they kiss, and, oh!
• 47:25
  Yeah, it was like, besides, I have a plan.
• 47:27
  We're gonna lure them back, and then I'm gonna kick their ass.
• 47:29
  Or we could give them over to the cops!
• 47:30
  Or I can kick their ass.
• 47:31
  Yeah, yeah.
• 47:32
  I like this through line keeps going.
• 47:36
  I think Gail shows up and she's like, Hey, so we're not going to do the car jump.
• 47:40
  We're just going to do visual effects and we got to shoot Tom's monologue.
• 47:44
  He has like eight more pages for it or something like that.
• 47:47
  Is Matthew McConaughey log?
• 47:49
  Yeah.
• 47:49
  We get the McConaughey monologue.
• 47:51
  The McConaughey log.
• 47:53
  It's high noon on the edge of tomorrow.
• 47:57
  Giggity, giggity.
• 47:59
  Alright, alright.
• 47:59
  All right.
• 48:00
  All right.
• 48:00
  All right.
• 48:00
  Um, uh, I was shooting aliens long before I was banging them or whatever.
• 48:06
  It was awesome.
• 48:10
  There's one thing that will help us love.
• 48:17
  Yeah, yeah, so the whole plan is, uh, you know, Don McConaughey, Tom
• 48:20
  Ryder, he's, uh, he's mic'd up, but he always forgets that he's mic'd
• 48:24
  up, and so they're gonna try to trick him to force a confession out of him.
• 48:27
  Ron Burgundy!
• 48:28
  Yeah, exactly.
• 48:29
  Don't put it on the prompter, then.
• 48:30
  I'm Ron Burgundy.
• 48:32
  I'm Ted Baxter.
• 48:33
  Go fuck yourself, Metal Storm.
• 48:36
  But yeah, so then, Jody, she's putting up a front, like, Oh, I'm so sorry to hear
• 48:39
  about Colt, and she's like, Oh yeah, Colt was dead to me anyway, fuck that guy.
• 48:42
  Anyway, we just need one more take of your monologue here.
• 48:45
  Then we're gonna rig this canyon up with all the charges and stuff.
• 48:49
  They have like the green screen or whatever backed up around the
• 48:52
  car, like, Alright, we just need a couple establishing shots of
• 48:54
  you shooting some aliens, and then we'll have the stunt guys go in.
• 48:57
  We just need some time to rig up the canyon for them, blah blah blah.
• 49:00
  But then, wouldn't you know it, somebody comes in and handcuffs Tom
• 49:03
  right to the inside of the, uh, car.
• 49:05
  And it's like, what, what the hell's going on?
• 49:07
  Oh, you boys been to Mexico?
• 49:09
  No, and they go driving through that cannon.
• 49:11
  Boom, boom, boom, boom, boom, boom.
• 49:13
  And he's like, Colt, you were dead.
• 49:14
  What the hell, man?
• 49:15
  That's right, bitch.
• 49:16
  Boom, boom, boom, boom.
• 49:17
  And then, you, you tried to kill me and it didn't work.
• 49:20
  And he's like, you know, just trying to get a confession out of
• 49:22
  them as all the stuff's going on.
• 49:23
  And all the security guys, Manbun and all those guys are chasing
• 49:26
  after him and they're drugs.
• 49:27
  And I like the, uh, like, I, Cole Seifers, was set You ready for this 250 foot jump?
• 49:39
  We're gonna go film in Louise.
• 49:41
  They died at the end.
• 49:42
  Whatever.
• 49:43
  Yeah.
• 49:44
  Being chased by the BMWs that the man bun had.
• 49:47
  Yeah.
• 49:47
  But it was awesome to see those get destroyed too.
• 49:50
  I was like, excellent.
• 49:51
  Yeah.
• 49:52
  Yeah.
• 49:52
  Take out the bad guys.
• 49:54
  It's all like 10 minute cool ass stunt scene, but eventually, Tom
• 49:57
  confesses or whatever And he's all like Alright, here's the jump.
• 50:03
  They jump like it's the end of Hooper.
• 50:05
  BOOM!
• 50:05
  Roll a couple times.
• 50:07
  And Tom's alive.
• 50:08
  What?!
• 50:09
  Gail shows up.
• 50:09
  It's all the, Gotta get the tape.
• 50:11
  Gotta get the tape.
• 50:12
  Right, that's right she's gotta get the tape cause that's the
• 50:14
  evidence they're gonna use.
• 50:15
  And that was being recorded in one of the vans.
• 50:17
  So she went after that guy first.
• 50:19
  Where I drew a parallel to this whole scene with her and the white suit,
• 50:22
  and the helicopter, and the prop wash.
• 50:24
  Do you guys remember?
• 50:26
  Wayne Newton was in License to Kill.
• 50:28
  Remember the whole scene at the end, and he's, the shit's all over him, and he's on
• 50:31
  the side of that wherever the hell he was?
• 50:32
  Yeah.
• 50:33
  To me, it was like the same scene.
• 50:34
  Bond takes care of business at the end of the day, but I saw
• 50:37
  Gale and Wayne Newton kind of in
• 50:40
  As a cult leader?
• 50:41
  Yes, that too.
• 50:43
  And also you got other security guys, you know, just going after cult.
• 50:47
  But then, you know, Stuntman Dan, he's like, Stunt set!
• 50:49
  Assemble and attack!
• 50:51
  And, you know, a whole bunch of fighting and stuff there.
• 50:54
  Very Game of Thrones at that point.
• 50:56
  Oh, yeah, yeah, yeah.
• 50:56
  There's a group of people you don't want to fuck with.
• 50:58
  It's stunt people.
• 50:59
  They will fuck your shit up.
• 51:01
  They're like fucking carnies.
• 51:02
  Yeah, dude.
• 51:03
  Yeah, eventually Tom and Gail, they get to the choppa.
• 51:06
  Colt's chasing after them.
• 51:08
  Jody's like in the truck with the camera thing on it.
• 51:11
  Colt jumps on that and he's hanging out.
• 51:12
  You know, straight out of, uh, The Stuntman, where it's got the guy in
• 51:16
  the little chair or whatever, and extending the arm out, you know, so he
• 51:20
  can jump on that under part of the car.
• 51:22
  Chopper, hang off that, and meanwhile the pyros are blowing
• 51:25
  to slow down the chopper.
• 51:26
  Buh, buh, oh shit, we're about to get tailspin or whatever.
• 51:30
  And, I don't know, he says quippy lines to the girl because,
• 51:33
  you know, he's the fall guy.
• 51:34
  Yeah, he gets to the chopper and they just start beating the shit
• 51:36
  out of everybody, and then he jumps.
• 51:38
  I say onto the pillow.
• 51:40
  Oh, that's right.
• 51:41
  He jumps out and lands on the giant airbag.
• 51:43
  That's right Survive that yeah, that's right the chopper like tail spins
• 51:48
  It's struggling and then the cops show up and everybody gets arrested.
• 51:52
  Basically.
• 51:52
  Yeah, pretty much.
• 51:53
  Yeah, like the song comes on Well, it sort of ended like remember Monty Python
• 51:58
  and the quest for the Holy Grail all of a sudden the cops show up It's for me.
• 52:01
  It was the same thing.
• 52:02
  It was like somebody called them But Stuntman was the same thing though
• 52:05
  at the end all of a sudden the cops are there and the helicopter as well
• 52:09
  and all those other parallels you could make to the Stuntman movie.
• 52:12
  Absolutely every scene and then the second half of Stuntman it's like it
• 52:16
  represented this movie it's great.
• 52:18
  Minus Barbara Hershey.
• 52:19
  I mean you know Emily Blunt I'll take Emily.
• 52:21
  But uh yeah so Colton, Jodie Kiss and as the pyros go off boom we
• 52:27
  get the trailer for Metal Storm.
• 52:29
  Oh my god.
• 52:31
  And who's starring in Metal Storm?
• 52:32
  Now the Tom Ryder's rotting away in ass back in prison.
• 52:35
  All the pectorals.
• 52:36
  Jason Samosa.
• 52:39
  Jason.
• 52:42
  Mama.
• 52:45
  So good.
• 52:46
  And we see that all the gets her producer credit.
• 52:48
  Yay.
• 52:49
  Was it H hall or whatever at Comic Con baby.
• 52:52
  Woo.
• 52:53
  And we see, uh, Colton, he's got his new jacket that says fall guy stunts.
• 52:57
  What?
• 52:58
  Oh, he's the fall guy.
• 52:59
  Get it guys.
• 53:00
  It's an origin story!
• 53:01
  Anyway.
• 53:02
  And then the real song by Blake Shelton comes on and we start getting
• 53:05
  outtakes just like the great stunt movies of late 70s and early 80s.
• 53:09
  And a cameo by Lee Majors himself.
• 53:11
  Yeah!
• 53:14
  Lee Majors shows up and Tom's trying to like run away or whatever and he uh
• 53:17
  stumbles onto you know the pyro field but basically like landmines or whatever.
• 53:22
  What was that, Fizana cell phone?
• 53:25
  Yeaaaaaah.
• 53:25
  Wasn't there a cartoon that was like that, where they ran
• 53:27
  off into the desert and Wile E.
• 53:29
  Coyote, probably?
• 53:30
  That sounds about right.
• 53:31
  Yeah, one of those, right?
• 53:31
  Very cartoonish.
• 53:32
  But that doesn't take away from the movie in any way,
• 53:35
  that just adds to it, actually.
• 53:36
  I know, and guys, that's the extended cut.
• 53:38
  Of the fall guy.
• 53:39
  Now going around the room, would we recommend it ladies first?
• 53:44
  Yes, I would.
• 53:45
  And I normally have been, I know to a lot of the movies we watch.
• 53:53
  I watched this one twice.
• 53:55
  Wow.
• 53:56
  All right.
• 53:56
  How about you, Jessica?
• 53:57
  Yes.
• 53:58
  I would recommend it.
• 53:59
  I like having a movie that doesn't challenge me in any way, shape, or form.
• 54:04
  Fully aware that it is only there for entertainment, and it really
• 54:08
  commits to being very entertaining, sometimes in a very creative way.
• 54:12
  Yeah, it's unchallenging, and it's stupid, and it's nice to look at.
• 54:15
  What's not to like?
• 54:16
  There you go.
• 54:16
  Eric, how about you?
• 54:17
  I like the fact that it didn't take itself too seriously.
• 54:21
  It is an homage to the original Fall Guy.
• 54:23
  If you watched the pilot episode of Fall Guy, that's basically
• 54:27
  the premise of this movie.
• 54:29
  I mean, I enjoyed the Fall Guy as a kid, so I go back to those memories as well.
• 54:33
  I think it was a great reboot.
• 54:35
  I don't know that they could do a sequel, but to Tanya's point,
• 54:38
  this might be one of the only two.
• 54:40
  We are all going to maybe come to the same consensus here that this
• 54:43
  movie was awesome, highly underrated, and if you haven't seen it, you
• 54:47
  should watch it because it's a great pass a Saturday afternoon when
• 54:51
  it's snowing outside kind of movie.
• 54:52
  How about you, Brad?
• 54:53
  Yes, thousand percent.
• 54:54
  I totally recommend this.
• 54:55
  I'm really easily entertained.
• 54:58
  All right, Mountain Man Dan.
• 55:00
  So, I'm on the fence.
• 55:01
  What?
• 55:01
  What?
• 55:03
  Because here's the thing, I disagree with you, Eric, on the fact, I don't see being
• 55:07
  similar to the show with the exception of names and him being a stunt guy.
• 55:12
  There's a lot that's completely different than the show, in my opinion.
• 55:14
  Well, it's the origin story and in further sequels, that's
• 55:18
  when he gets the bounty gigs.
• 55:19
  But even so, if you're going to go with that logic of it being the
• 55:22
  origin story, he was a mentor to Jody.
• 55:24
  It wasn't a love interest of his.
• 55:26
  Still can be.
• 55:26
  They had to modernize it a little bit.
• 55:29
  To be fair, Jody was also maybe 19 years old or whatever in the series.
• 55:35
  Valid point.
• 55:35
  A little creepy these days.
• 55:36
  The majors didn't look a day under 60.
• 55:39
  I go into anything like this open minded, not trying to compare it to the origin.
• 55:43
  Therefore, it did have some good action scenes and everything.
• 55:46
  Storyline was good.
• 55:47
  Kind of cheesy, but to be expected it's based off the 1980s cheesy
• 55:51
  storyline for a show in a sense, but A show that's based on a made up song
• 55:58
  But the sad thing is that song it's more about him not getting
• 56:01
  laid and not getting the women than actually no No, he gets laid.
• 56:04
  He just doesn't get paid If you listen to the song the lyrics of the
• 56:09
  song He's seen with him on screen.
• 56:11
  Oh, yeah.
• 56:11
  And then all the girls run off with Bert.
• 56:13
  Yeah.
• 56:13
  Yeah.
• 56:14
  Okay.
• 56:14
  Yeah So it's like he's there with it, but he's friend zoned all the time
• 56:17
  for everything all in all It's not a bad movie, but it's not a favorite I'd
• 56:21
  put it that way which you're saying if it was called the stuntman instead
• 56:25
  of the fall guy You'd probably 10 plus 10 I don't know about 10 but it
• 56:29
  would definitely be a better stuntman than the movie called stuntman.
• 56:32
  Yes There you go Oh, this movie is amazing.
• 56:37
  This should be mandatory viewing.
• 56:38
  Everybody go watch this.
• 56:39
  Yeah, guys, spoilers.
• 56:40
  This will be mentioned in the Stevie awards at the end of 2024 as I'll say top
• 56:46
  10, but you can guess somewhere in the top 10 where this movie is going to be.
• 56:50
  This was a good year for movies though.
• 56:52
  This was the year of Steve for movie.
• 56:54
  There was a stunt movie.
• 56:55
  There was an eight movie.
• 56:57
  There was an eight versus Godzilla movie.
• 56:59
  There was a dune movie.
• 57:00
  There's, uh, Deadpool and Wolverine movie.
• 57:04
  All you're missing is a Star Trek movie.
• 57:07
  Maybe next year.
• 57:08
  There you go.
• 57:09
  There's like eight Star Trek series going on.
• 57:11
  Like they don't need to put another movie.
• 57:13
  JJ Abrams is probably ruining some other franchise.
• 57:17
  Well, he didn't ruin this one.
• 57:19
  This is good stuff.
• 57:20
  All right.
• 57:20
  Well, then we'll take a quick commercial break.
• 57:21
  Oh, but when we come back.
• 57:23
  We have more beer, fun facts, and what we learned from the Fall Guy.
• 57:33
  There's so many podcasts out there.
• 57:35
  How do I find the one for me?
• 57:40
  For so long, I've searched for podcasts all over, but none
• 57:43
  of them seem to fit my needs.
• 57:45
  Where's my Nick Cage pissing fire podcast?
• 57:48
  Where's my monkey tickling?
• 57:49
  I couldn't find it anywhere.
• 57:51
  Until I found the Everything I Learned From Movies podcast with Steve and Izzy.
• 57:55
  And now I get to hear about all the monkey tickling I want, baby.
• 58:00
  So many podcasts out there are all talk and no congo.
• 58:04
  That's why I listen to Everything I Learned From Movies.
• 58:07
  Greatest Living Actor?
• 58:08
  Nicolas Cage, of course.
• 58:10
  That's why I listen to Everything I Learned From Movies.
• 58:14
  One liners, plot holes, gratuitous boobies.
• 58:18
  That's why I listen to Everything I Learned From Movies.
• 58:21
  See if Everything I Learned From Movies is right for you at E I L F Movies.
• 58:25
  That's Everything I Learned From Movies on Twitter, Facebook, or Patreon.
• 58:31
  Free on all the major podcatchers.
• 58:34
  Oh my god, Steve, those are the greatest ads that have ever
• 58:36
  added in the history of adding!
• 58:38
  She said it!
• 58:39
  They get better every week!
• 58:40
  I don't know, but I've been told.
• 58:44
  I've been made for loving you, baby.
• 58:47
  Steve, you were made for loving me.
• 58:50
  Can you take a knife for me?
• 58:52
  So, I'm a little under weather, so we're gonna skip the beer part.
• 58:55
  Would any of you be interested in any fun facts about this movie?
• 58:57
  Absolutely.
• 58:58
  Yes.
• 58:59
  I don't know, Steve.
• 59:00
  Are they super fun facts?
• 59:02
  Cause fun, fun facts.
• 59:04
  I was made for giving you fun.
• 59:07
  I was made for receiving.
• 59:10
  Yeah, I sense a theme here.
• 59:14
  Somebody's about to get backed anyway.
• 59:17
  All right, guys.
• 59:21
  What do you think the critics thought of the fog A Oh, they hated it.
• 59:25
  Oh, yeah.
• 59:25
  But what percentage did you think, what percentage gave it a positive review?
• 59:29
  Ah, yeah.
• 59:30
  Zero to 100%.
• 59:31
  40% gave it positive.
• 59:33
  40.
• 59:34
  I'm going middle 50, 65.
• 59:36
  Everybody likes stupid things.
• 59:37
  65 . No, the critics, critics don't like stupid things.
• 59:41
  They're mean.
• 59:42
  Are we talking Rotten Tomatoes or are we talking like actual critics?
• 59:44
  Rotten Tomato Critics.
• 59:45
  Rotten Tomato Critics.
• 59:46
  Critics usually think that they're smarter than they really are.
• 59:49
  And they try to be more sophisticated.
• 59:51
  Well, everyone who's slammed Idiocracy, look now.
• 59:54
  Yeah, look at him living it now.
• 59:57
  I think the critics are idiots, and I'm really sad to say this,
• 59:59
  but I think they gave it 17%.
• 1:00:03
  Ladies and gentlemen, this movie is certified fresh 81 percent with the
• 1:00:07
  critics and 85 percent with the audience.
• 1:00:10
  Nice, that deserves a round of applause.
• 1:00:11
  Everybody who has actually seen this movie loves it.
• 1:00:14
  We're what, 8 for 8 on this episode here?
• 1:00:16
  So Yeah, that's 100 percent of us critics.
• 1:00:19
  That's right.
• 1:00:19
  The IMDB popularity score is 97 Yeah!
• 1:00:24
  It's really high.
• 1:00:25
  Did you see what the IMDB score is out of 10?
• 1:00:28
  Not so great, 69.
• 1:00:29
  69.
• 1:00:30
  6.
• 1:00:30
  9.
• 1:00:33
  All right, 125 million dollar budget.
• 1:00:36
  Actually not that bad nowadays, right?
• 1:00:37
  Usually you hear like 200, 250.
• 1:00:40
  What do you think the worldwide gross was?
• 1:00:43
  Ooh, that's gonna be low.
• 1:00:45
  125 million.
• 1:00:46
  Considering Tanya didn't even know it was theatrically released.
• 1:00:49
  Yeah, was that in theaters for like two weeks or whatever?
• 1:00:52
  Yeah.
• 1:00:53
  Did you better internationally?
• 1:00:54
  It feels like one of those movies though that like did really well.
• 1:00:57
  Where?
• 1:00:57
  In Slovenia?
• 1:00:59
  Other countries who are like, yes, America style.
• 1:01:01
  Stuntistan.
• 1:01:02
  Yeah.
• 1:01:03
  Turns out, Germany.
• 1:01:04
  Well, yeah.
• 1:01:05
  Eastern Europe where all the stunts usually happened.
• 1:01:08
  I'm going to go with like a 75 percent number and just say it did like 80.
• 1:01:13
  It did 93 million in the US, 181 worldwide.
• 1:01:17
  But the studio claims that lost like 200 million or whatever, because
• 1:01:21
  of all the advertising or whatever.
• 1:01:22
  And I'm like, that's just bullshit tax write off stuff.
• 1:01:25
  Yeah.
• 1:01:25
  Yeah.
• 1:01:26
  And I know they got 20, 25 bucks from us.
• 1:01:28
  The The ation.
• 1:01:30
  Woo.
• 1:01:31
  This movie has been in development since 2010.
• 1:01:34
  Holy crap.
• 1:01:35
  Really?
• 1:01:35
  Yep.
• 1:01:36
  Tom Cruise, Keanu Reeves, Nicholas Cage, Jason Statham,
• 1:01:40
  and Dwayne The Rock Johnson.
• 1:01:41
  Were all eye to play.
• 1:01:42
  Colt Seavers over the years.
• 1:01:44
  Guys, what if Nicolas Cage was Colt Zevers?
• 1:01:46
  Oh no!
• 1:01:48
  Oh man!
• 1:01:49
  Movie would be trash.
• 1:01:51
  Oh yeah!
• 1:01:52
  Movie would be a dumpster fire.
• 1:01:54
  Let's give him the benefit of a doubt.
• 1:01:55
  Let's say 2010 Nicolas Cage when it was first conceived.
• 1:01:58
  So like National Treasure time period?
• 1:02:01
  Yeah, yeah, yeah.
• 1:02:02
  National Treasure, Sorcerer's Apprentice era Nicolas Cage.
• 1:02:06
  I'm in.
• 1:02:06
  I'm here for it.
• 1:02:07
  Would still be a dumpster fire.
• 1:02:09
  Give it to me.
• 1:02:10
  It has to be Con Air, Nicolas Cage.
• 1:02:11
  Yeah, yeah, yeah.
• 1:02:13
  If it were the 90s, I could totally see it.
• 1:02:15
  No, it has to be Moonstruck, Nicolas Cage.
• 1:02:17
  That's the one we'll share, right?
• 1:02:18
  Yeah, Vampire's Kiss and Era, Nicolas Cage.
• 1:02:21
  Yay!
• 1:02:22
  I can't see Nicolas Cage pulling this off just because of his
• 1:02:26
  mannerisms, you know what I mean?
• 1:02:27
  I think Ryan Gosling was a good choice.
• 1:02:29
  The other ones you listed, only because they're all action heroes,
• 1:02:33
  in a sense, it'd be like, all right, we're going to do Sylvester Stallone.
• 1:02:35
  alone 20 years ago as a fall guy.
• 1:02:37
  It doesn't make sense.
• 1:02:38
  You know what I mean?
• 1:02:38
  No, none of those people.
• 1:02:40
  Only person off that list that could have maybe done it.
• 1:02:44
  I hate to say it.
• 1:02:45
  Statham, I think.
• 1:02:46
  Joyce and Statham.
• 1:02:47
  No, Tom Cruise.
• 1:02:49
  Oh yeah, Tom Cruise flipping roles.
• 1:02:51
  And it's this stunt double that's the star.
• 1:02:52
  You can't forget this isn't just an action movie.
• 1:02:55
  This is an action movie with romance.
• 1:02:56
  None of those people you listed are romantic leads other than Tom Cruise.
• 1:03:01
  Like none of them.
• 1:03:01
  No, no, no.
• 1:03:02
  So somebody mentioned Edge of Tomorrow earlier and Tom Cruise and Emily Blunt.
• 1:03:08
  Here I am going to argue with that one.
• 1:03:10
  It is a romantic movie, but I think it's really more of a charisma thing.
• 1:03:13
  Yeah.
• 1:03:14
  And that's where I say, I think the reason The Rock doesn't work is because
• 1:03:17
  who's he fucking stunt doubling for?
• 1:03:20
  He doesn't look like anybody.
• 1:03:21
  But yeah, I think Jason Statham could pull it off because I think
• 1:03:25
  he has enough charisma to be able to pull off the like, I'm sort of
• 1:03:27
  an asshole and I'm kind of likable.
• 1:03:29
  I just want to see Statham putting on wigs.
• 1:03:31
  There's that too.
• 1:03:32
  If we're going to use that as a criteria, then my number one choice.
• 1:03:35
  Of a recast would have been Chris Evans, because if you watch the
• 1:03:39
  losers, it's very similar to this.
• 1:03:41
  He plays a similar character to Colt Seavers.
• 1:03:44
  He could have pulled this off if Ryan Gosling couldn't done it.
• 1:03:46
  I can see it.
• 1:03:47
  Yeah.
• 1:03:47
  Captain America.
• 1:03:48
  Ryan Reynolds could have done it.
• 1:03:49
  No.
• 1:03:50
  No.
• 1:03:51
  Talk about people who are one speed actors.
• 1:03:53
  Oh, he only has one character.
• 1:03:55
  I like Ryan Reynolds.
• 1:03:57
  That's why I love Blade Trinity.
• 1:03:58
  He's still the, he's just Ryan Reynolds in the middle of Blade movie.
• 1:04:03
  Except for Just Friends.
• 1:04:05
  Never watched it.
• 1:04:06
  What?!
• 1:04:07
  Wow, it's so cute!
• 1:04:09
  It's so I don't watch cute movies!
• 1:04:12
  I watch good movies!
• 1:04:12
  It's funny, it is funny.
• 1:04:13
  This movie was almost too cute.
• 1:04:15
  A little gross.
• 1:04:16
  But yeah, no, it's good.
• 1:04:17
  You gotta watch Just Friends.
• 1:04:18
  No, you gotta watch The Proposal.
• 1:04:20
  Ha ha ha!
• 1:04:20
  Ha ha ha!
• 1:04:21
  Ha ha ha!
• 1:04:22
  Or Well, Buying the Cow was really your favorite.
• 1:04:25
  Oh, Buying the Cow is excellent.
• 1:04:26
  Or the one where he's buried alive.
• 1:04:28
  Because that's why you watch Ryan Reynolds, to watch him slowly suffocate.
• 1:04:31
  I mean, isn't it?
• 1:04:33
  No.
• 1:04:33
  Ha ha ha!
• 1:04:34
  Shh!
• 1:04:34
  Chris Evans, that's my vote.
• 1:04:35
  That's a good one.
• 1:04:36
  Yeah, I buy it.
• 1:04:37
  Ryan Gosling has a fear of heights, but still did the 150 foot fall
• 1:04:41
  at the beginning of the movie.
• 1:04:42
  Wow.
• 1:04:44
  Yeah, yeah.
• 1:04:44
  That like, the pseudo one take where he goes all the way up the stairs
• 1:04:47
  and everything and then drops or whatever, like, I never would have
• 1:04:49
  guessed he was afraid of heights.
• 1:04:51
  No.
• 1:04:52
  Also, Rangostling has eight stunt doubles.
• 1:04:56
  You get to see a couple of them.
• 1:04:57
  I liked that at the end.
• 1:04:58
  Yeah, they showed a bunch of the stunt doubles at the end.
• 1:05:00
  One of them was Jackie Chan, did you see?
• 1:05:05
  One of them was John Cena.
• 1:05:06
  No, I didn't see him.
• 1:05:08
  John Cena, that'd be good too.
• 1:05:10
  Alright, and the film within a film, Metal Storm, was heavily inspired
• 1:05:13
  by the real film Metal Storm colon The Destruction of Jared Sin 1983.
• 1:05:18
  The entire concept, costumes, and desert setting and car based stunts are right
• 1:05:23
  from the Charles Band film which has been described as Star Wars meets Mad Max.
• 1:05:26
  Guys, we watched that movie.
• 1:05:28
  It is not that.
• 1:05:29
  It's definitely Star Wars meets Mad Max, but it's not cowboys and
• 1:05:33
  aliens falling in love bullshit.
• 1:05:35
  The tagline, It's High Noon at the Edge of the Universe, is used in that movie, and
• 1:05:38
  is also the tagline for several other Full Moon Entertainment productions, including
• 1:05:42
  Oblivion and Oblivion 2 Colon Backlash.
• 1:05:45
  Ooh, you do not want backlash in your colon.
• 1:05:48
  So let's pull on that thread, not the colon one.
• 1:05:50
  Don't pull on your colon's thread.
• 1:05:52
  We talked about this off air a little bit, but for the benefit of our
• 1:05:58
  audience, I want to see this Metal Storm, Jason Momoa movie be made.
• 1:06:03
  Like that should be the sequel to Fall Guy.
• 1:06:05
  Hell, I'll even watch Aaron Taylor Johnson in it.
• 1:06:07
  I don't care.
• 1:06:07
  Or McConaughey.
• 1:06:08
  I want them to make that movie.
• 1:06:11
  And then use clips from this movie as the outtakes and the
• 1:06:14
  credits, like in the credits.
• 1:06:16
  Oh, it's like the chasing with the helicopter and stuff at the end.
• 1:06:20
  And they're like, what the hell is this movie?
• 1:06:21
  We should check this out.
• 1:06:23
  Couldn't be any worse than black Adam at the end of the day.
• 1:06:25
  So just leave it at that.
• 1:06:26
  Right.
• 1:06:26
  Oh, Well, ladies and gentlemen, we've reached the most important part.
• 1:06:31
  Yes.
• 1:06:32
  What did we learn from the Fall Guy?
• 1:06:34
  Jessica, would you like to go first?
• 1:06:36
  What did I learn?
• 1:06:37
  That really one of the best fight scenes I've seen in a long
• 1:06:40
  time happened in a dumpster.
• 1:06:41
  Yeah Tonya?
• 1:06:44
  That Ryan Gosling can speak some French.
• 1:06:47
  Attache!
• 1:06:47
  Or whatever.
• 1:06:47
  Attaque!
• 1:06:48
  Attaque!
• 1:06:49
  I was waiting for, Ryan Gosling can get it.
• 1:06:53
  J'accuse!
• 1:06:54
  How about you, babe?
• 1:06:55
  I learned that I was made for loving you, baby.
• 1:06:59
  You were made for loving me.
• 1:07:01
  Mwah!
• 1:07:03
  All right, mountain man, Dan, how about you?
• 1:07:05
  I'll say the one thing I learned was the fact that Brian Gosselin
• 1:07:07
  being afraid of heights.
• 1:07:08
  That's an interesting tidbit of information.
• 1:07:10
  All right, Brad, how about you?
• 1:07:11
  What'd you learn?
• 1:07:12
  I am such an idiot.
• 1:07:14
  I learned Nothing.
• 1:07:16
  No, I learned from watching the movie that Fall Guy was a double reference.
• 1:07:20
  Not just for the stunt man, but also for the fact that he was
• 1:07:24
  the fall guy for the murder.
• 1:07:28
  So many levels!
• 1:07:30
  All right, Eric, how about you?
• 1:07:31
  I learned that movies can still be made the old school way
• 1:07:36
  and they can be a lot of fun.
• 1:07:37
  And not all of this movie is old school, but going back to the world
• 1:07:41
  record setting rollover, the dumpster scene and all the other stunts that
• 1:07:45
  they did, it's far Fun to see movies can still be put together this way.
• 1:07:48
  All hope is not lost.
• 1:07:50
  Points for practical facts.
• 1:07:51
  Exactly.
• 1:07:52
  Exactly.
• 1:07:53
  They say, they mention in the movie, uh, like, hey, you get an Oscar for stunts?
• 1:07:56
  No, no, we don't.
• 1:07:57
  Like, guys, why don't we give Oscars for stunts?
• 1:08:00
  We get it for sound editing or whatever the hell, gaffing.
• 1:08:03
  Yeah, for sure.
• 1:08:04
  What I learned, nihilism is a viable worldview.
• 1:08:09
  It's true though.
• 1:08:10
  Gail said that or something early on in the movie and I'm like, that's my girl.
• 1:08:13
  We believe in nothing!
• 1:08:15
  Babe, wait, what is it that we learn from all the Gales movies?
• 1:08:17
  Other than nihilism is a valid worldview?
• 1:08:19
  But that's really just a vehicle?
• 1:08:21
  What?
• 1:08:21
  They said it a couple of times.
• 1:08:22
  Never give up, which you're supposed to learn from Gales movies.
• 1:08:25
  Oh yeah, never give up, never give up hope or whatever, yeah.
• 1:08:29
  But guys, yeah, thank you for joining us here on Everything I Learned From Movies.
• 1:08:33
  I understand you also have a podcast, just the eight of you or whatever.
• 1:08:37
  We have several podcasts now on the Motoring Podcast Network.
• 1:08:41
  You can follow us on social media under our new handle at Motoring
• 1:08:44
  Podcast Network, but you can always find our headliner breakfast.
• 1:08:48
  at Grand Touring Motorsports and our digital magazine at gtmotorsports.
• 1:08:52
  org.
• 1:08:53
  So anywhere you find good quality podcasts, like everything I learned
• 1:08:56
  from movies and rubbish ones like ours were available everywhere.
• 1:09:00
  So just search brake fix or the motoring podcast network.
• 1:09:03
  So anything else you guys want to promote any, uh, Side
• 1:09:05
  hustles, looking around the room.
• 1:09:07
  Louie's got something going on.
• 1:09:08
  Eric has OnlyFans.
• 1:09:10
  Oh yeah, Patreon!
• 1:09:11
  OnlyFans, same difference.
• 1:09:14
  Babe, how about you?
• 1:09:14
  You, uh, got anything to promote?
• 1:09:16
  You find me everywhere at, uh, Untidy Venus, like a goddess
• 1:09:19
  who's bad at housekeeping.
• 1:09:20
  I'm on all the social medias at Untidy Venus.
• 1:09:23
  Eve!
• 1:09:24
  Yes?
• 1:09:24
  Where can we find you?
• 1:09:26
  Oh, you can find me everywhere on all the major podcatchers and
• 1:09:28
  everything I learn from movies.
• 1:09:29
  Or hit us up directly on Twitter, Facebook, Patreon,
• 1:09:32
  and Blueski at E I L F movies.
• 1:09:35
  That's E Everything I learned from movies.
• 1:09:38
  And guys, we're going balls deep into 2025, the year of the apocalypse.
• 1:09:42
  Yes.
• 1:09:42
  All apocalypse all the time next year.
• 1:09:45
  Y'all nihilism is a viable worldview in 2025.
• 1:09:49
  We believe in nothing and we're going to have grand touring motorsports joining us
• 1:09:53
  again, sometime later for the last chase.
• 1:09:56
  Another Lee Majors film.
• 1:09:57
  It's gonna be awesome.
• 1:09:58
  Yeah, Lee Majors in the post apocalyptic wasteland.
• 1:10:01
  It's gonna be great.
• 1:10:02
  And I think there's a Burgess Meredith on a jet, right?
• 1:10:04
  Mm hmm.
• 1:10:05
  Look, I'm not gonna lie, y'all.
• 1:10:06
  There are so many good cars in post apocalyptic movies.
• 1:10:09
  There's custom builds.
• 1:10:11
  They pull out vintage.
• 1:10:12
  It's gonna be a good year for cars.
• 1:10:13
  Yeah.
• 1:10:14
  And a good year for morale.
• 1:10:16
  Yeah, just like, it could be slightly worse, guys.
• 1:10:19
  I mean, uh, see, because until next time, I'm Steve.
• 1:10:23
  And I believe in nothing.
• 1:10:24
  And I'm Eric, and I'm Tanya, and I'm out in my ink, and I'm Brian, and I'm Jessica.
• 1:10:30
  Oh, was that our cue?
• 1:10:31
  And this is everything you'll learn from movies.
• 1:10:35
  Cause I was made for loving you, baby.
• 1:10:39
  We
• 1:10:47
  hope you enjoyed another awesome episode of BreakFix Podcast brought
• 1:10:51
  to you by Grand Touring Motorsports.
• 1:10:54
  If you'd like to be a guest on the show or get involved, be sure
• 1:10:56
  to follow us on all social media platforms at GrandTouringMotorsports.
• 1:11:01
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• 1:11:04
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