Latest / The Breakfast Club / Faith Evans and DJ Premier Interview and more

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Faith Evans and DJ Premier Interview and more · The Breakfast Club

• 0:01
  Speaker 1: This is your week up Hallaume Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the East to the West Coast,
• 0:08
  Speaker 1: dj Envy angela Ye Cholo Migne the really show on
• 0:11
  Speaker 1: the planet. This is where I respect this show because
• 0:14
  Speaker 1: this is a voice of society. Sames in the game.
• 0:16
  Speaker 1: Guys are the coveted morning show. But y'all earn impacting.
• 0:20
  Speaker 1: The coat up in the morning and the stay want
• 0:23
  Speaker 1: to hit a breakfast the world's most dangerous morning show.
• 0:40
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo yo yo yo yo yo. Good morning angela Ye,
• 0:50
  Speaker 1: good Moneymagne the God Peace to the planet. This Thursday,
• 0:55
  Speaker 1: Yes it's Thursday. Walk in the room and have a nice,
• 0:58
  Speaker 1: lively conversation with a young twenty something. You old women
• 1:01
  Speaker 1: that work up here who for whatever reason, they're comparing
• 1:03
  Speaker 1: themselves to Nia long and tonight Lathan this morning. I
• 1:06
  Speaker 1: think you actually said to look like that. She needs
• 1:09
  Speaker 1: flat tummy tak, a lot of green juice, a lot
• 1:12
  Speaker 1: of water. Can't have no stress. Listen, you're supposed to
• 1:15
  Speaker 1: be cute that twenty something, but then she told you.
• 1:17
  Speaker 1: She was like, you see my Instagram. You see my Instagram,
• 1:20
  Speaker 1: Like I ain't nobody I see that Instagram and I
• 1:23
  Speaker 1: don't see no Nia Longs and not Leathan energy on
• 1:26
  Speaker 1: that Instagram. Okay, so hard now, Taylor, I want you
• 1:30
  Speaker 1: to have that same energy that you had before the
• 1:33
  Speaker 1: show started talking about you. Was on the same level
• 1:35
  Speaker 1: of Nia Longest and not Late. Leave young Taylor alone.
• 1:37
  Speaker 1: Let her be confident in who knows a forty something?
• 1:40
  Speaker 1: You old women, by the way, dropped on the clues
• 1:42
  Speaker 1: bombs from Neia Longest and not Lathan. Damn it, she shit.
• 1:44
  Speaker 1: You see what I said? Whoa That International Woman's Day
• 1:53
  Speaker 1: made you feel good about yourself? Sure did, boy, but
• 1:55
  Speaker 1: yesterday was a day without a woman. How things up here?
• 1:59
  Speaker 1: Oh everything was cool, amazing. Actually yeah, I got a
• 2:03
  Speaker 1: lot of really positive tweets. Yeah, rumors went fantastic. I
• 2:07
  Speaker 1: heard you did a great job as a c and
• 2:10
  Speaker 1: he was great almost You know it was all right now?
• 2:14
  Speaker 1: How it was the juice Ball? You were at the
• 2:15
  Speaker 1: juice Ball all day? Yes, I was. We did a
• 2:18
  Speaker 1: very special giveaway, but we started running out of things.
• 2:20
  Speaker 1: First of all, just saying we're gonna give free juices
• 2:23
  Speaker 1: to women that come into juice bars and be promised
• 2:25
  Speaker 1: to do We learned a valuable lesson. It has to
• 2:28
  Speaker 1: be a certain time period of that because from seven am, oh,
• 2:33
  Speaker 1: y'all said all day, I'll didn't give him a window. No,
• 2:35
  Speaker 1: it was when I said it was like the club
• 2:39
  Speaker 1: I walked in. It was. It was beautiful. It was
• 2:41
  Speaker 1: so many people that came through and and from different places.
• 2:44
  Speaker 1: People drove people how they felt. Yeah, I know, people
• 2:47
  Speaker 1: drove from the wrongs. They came from all over to
• 2:50
  Speaker 1: come through it, and they showed a lot of love.
• 2:52
  Speaker 1: The ages were everywhere from eighty years old to teens
• 2:56
  Speaker 1: and little kids. It was dope. Yeah, a lot of
• 2:58
  Speaker 1: moms brought their kids and a lot of people came
• 3:00
  Speaker 1: in and still supported anyway. They said, okay. The men
• 3:03
  Speaker 1: came in there because they still had to pay right,
• 3:05
  Speaker 1: so they bought theirs and a lot of But it
• 3:08
  Speaker 1: was a great, beautiful thing. That was a great thing.
• 3:09
  Speaker 1: And the shout out to our interns that actually helped
• 3:12
  Speaker 1: us out because we needed to help yesterday. I mean,
• 3:15
  Speaker 1: I didn't think it was gonna be like that, but
• 3:17
  Speaker 1: it was like that. People like free things. I didn't
• 3:19
  Speaker 1: know that is the fact. Free let's go. Yeah, but
• 3:23
  Speaker 1: the Women's March organizers also had they had a rally
• 3:27
  Speaker 1: outside of the Trump Hotel. But we'll get all into that,
• 3:30
  Speaker 1: all right. And also today is the twentieth anniversary of
• 3:33
  Speaker 1: Notorious BIG's death. Lord have mercy twenty years. You know
• 3:36
  Speaker 1: what that means years? You know what we old? Oh
• 3:40
  Speaker 1: but that's all right, okay, right, all right here, God
• 3:42
  Speaker 1: bless him. So it is a throwback Thursday. So we
• 3:45
  Speaker 1: have Faith Evans joining us to aff to Biggie's ex wife.
• 3:48
  Speaker 1: Oh I love Faith Evans her last one too. And
• 3:52
  Speaker 1: also DJ Premier, one of the Big favorite producers, one
• 3:54
  Speaker 1: of big favorite producers, some classic big records. Yeah, I
• 3:58
  Speaker 1: mean he produced for for everybody. So we'll kick it
• 4:00
  Speaker 1: with both of them today. So it's gonna be a
• 4:02
  Speaker 1: fun show. And of course we're gonna do the Biggie mix.
• 4:04
  Speaker 1: So get your request and let me know your favorite
• 4:06
  Speaker 1: biggie joint whatever it is, and I will get some
• 4:09
  Speaker 1: of your biggie joints on nice. Let's get the show
• 4:11
  Speaker 1: cracking front page news. What we're talking about you, We
• 4:13
  Speaker 1: are going to talk about the Women's March organizers, Like
• 4:15
  Speaker 1: I said, previously. Also, we'll talk about house flipping and
• 4:19
  Speaker 1: what's going on with that. All right, all light, and
• 4:21
  Speaker 1: we'll keep it locked. This the Breakfast Local Morning. It's
• 4:23
  Speaker 1: Tory Lane Morning. Everybody is DJ Envy, Angela, Yee, Charlomagne
• 4:30
  Speaker 1: and God we are the Breakfast Club. Let's get in
• 4:32
  Speaker 1: some front page news. Now in sports, I know the
• 4:35
  Speaker 1: Jets lost Brandon Marshall and right over to the Giants.
• 4:38
  Speaker 1: I think that's a good plug for the Giants. I
• 4:40
  Speaker 1: think that's really good. That's all. That's all so far. Okay. Now, Also, um,
• 4:45
  Speaker 1: I thought Adrian Peterson was gonna come this way, but
• 4:47
  Speaker 1: it looks like he's gonna go to Patriots. That's what
• 4:48
  Speaker 1: looks like. He's leaning Seattle Orderators, Seattle Orderators rarely. And
• 4:56
  Speaker 1: Tony Romo there saying your ex quarterback Tony Romo will
• 4:58
  Speaker 1: be released today. Okay. I don't know where he's gonna go.
• 5:00
  Speaker 1: You fine, hurt. It might go to Denver. I'm absolutely
• 5:02
  Speaker 1: positively fine with that. By the way, let's refer back
• 5:05
  Speaker 1: to a tweet I tweeted out August something of two
• 5:08
  Speaker 1: thousand and sixteen. Well, I said, I'm when Romo got hurt,
• 5:11
  Speaker 1: I'm good. You know what, I'm glad because that is special.
• 5:15
  Speaker 1: Not mad. Well, I'm mad that Tony Romo getting shipped
• 5:17
  Speaker 1: out in that gonna be the starting quarterback with no distractions.
• 5:19
  Speaker 1: Let's go, baby, new future of my Cowboys. All right,
• 5:22
  Speaker 1: let's see what happens this year. Now, let's talk about
• 5:24
  Speaker 1: a recap of yesterday. We went down yesterday with a
• 5:27
  Speaker 1: day without a woman. Well yesterday, for a day without
• 5:29
  Speaker 1: a woman, there was some peaceful protests. They were loud,
• 5:32
  Speaker 1: but very orderly for a day without a woman. That
• 5:34
  Speaker 1: were outside of the Trump Hotel where Donald Trump lives.
• 5:37
  Speaker 1: They said they were disrupting traffic according to police officers.
• 5:41
  Speaker 1: So at least four of the organizers were arrested. That's
• 5:45
  Speaker 1: Tamika Merrily, Mallory, Linda Sastar, Carmen Perez, and Bob the Land.
• 5:49
  Speaker 1: They were released though, and they have to go to court.
• 5:52
  Speaker 1: In San Francisco, hundreds of women were dressed in red
• 5:54
  Speaker 1: swarming city Hall. There were thousands of people protesting here
• 5:57
  Speaker 1: in New York City as well. So this is all
• 6:00
  Speaker 1: about to fight over access to reproductive healthcare, equal pay,
• 6:04
  Speaker 1: violence against women, education for their daughters, and the deportation
• 6:07
  Speaker 1: of women immigrants. Yeah, cops were bugging a little bit yesterday.
• 6:10
  Speaker 1: I gotta ticket yesterday for not for failing to yield
• 6:13
  Speaker 1: to a pedestrian. Like what, I never had that in
• 6:16
  Speaker 1: my life. No points taken, no fine, no not Huh
• 6:20
  Speaker 1: when you left it, yeah, does that mean you almost
• 6:23
  Speaker 1: ran somebody over? No, that's what I'm trying to tell y'all.
• 6:25
  Speaker 1: Was making a regular left turn. The light was green,
• 6:28
  Speaker 1: nobody was in the walkway, and he said that it
• 6:31
  Speaker 1: was somebody in the walkway and I didn't stop. You
• 6:34
  Speaker 1: know what, that happened to me before, right outside here.
• 6:36
  Speaker 1: I was always probably the same guy. What was it?
• 6:38
  Speaker 1: And you know I said to the that's what I
• 6:42
  Speaker 1: actually have to go to court to fight that. But
• 6:43
  Speaker 1: I was like, where is there a pedestrian? I'm like,
• 6:45
  Speaker 1: huh they did that to me. That's probably the same cop.
• 6:48
  Speaker 1: That's that's the kind to put me over. The said
• 6:50
  Speaker 1: in prophecy. But I didn't have my seat I was in.
• 6:55
  Speaker 1: And you know what, yesterday when we left it, we
• 6:56
  Speaker 1: were all kind a little tip little TIPSI I was.
• 7:00
  Speaker 1: I wasn't really drinking, Yes she was. I never really
• 7:04
  Speaker 1: wasn't here. I don't know what went on I watched
• 7:06
  Speaker 1: you you put water in my brother. I can fix
• 7:08
  Speaker 1: nip colcine, all right, trust me, that's fould. You know
• 7:12
  Speaker 1: what's foul about that year. You know what's foul about
• 7:13
  Speaker 1: is you was like, no, watch charlottage because he don't
• 7:15
  Speaker 1: be really drinking. Yeah, because you don't really be really drinking.
• 7:17
  Speaker 1: That foot just up here drinking, yes, And he pours
• 7:21
  Speaker 1: me drinks right, and you gotta and you can see
• 7:24
  Speaker 1: what I'm drinking. But him, he pours himself water. And
• 7:26
  Speaker 1: you know what you lose? Don't worry about what I
• 7:28
  Speaker 1: know what nothing. What else are we talking about. We're
• 7:31
  Speaker 1: talking about a house flipping and it has hit a
• 7:33
  Speaker 1: ten year high in twenty sixteen. So last year a
• 7:36
  Speaker 1: lot of people were buying houses and flipping them. To say,
• 7:38
  Speaker 1: it's a lot of them were single family houses and
• 7:41
  Speaker 1: condos that people actually purchased and flipped. So just so
• 7:45
  Speaker 1: y'all know, all right, yesterday was an odd day though,
• 7:49
  Speaker 1: And you know Trump Care, by the way, he has
• 7:51
  Speaker 1: passed the first hurdle. I don't know if you guys
• 7:52
  Speaker 1: are paying attention to that. This morning. They had an
• 7:54
  Speaker 1: eighteen hours session overnight and it's been approved as far
• 7:59
  Speaker 1: as that. Yeah, it's a proof. It's the same damn playing.
• 8:02
  Speaker 1: I told y'all they were gonna do that. It was
• 8:03
  Speaker 1: gonna repeal Obamacare, replace it with Obamacare, just give it
• 8:06
  Speaker 1: another name and a couple more bells and whistle. That's
• 8:08
  Speaker 1: all I told yall that already, or last front page news.
• 8:11
  Speaker 1: Tell them why you're mad? Eight undred five eight five
• 8:13
  Speaker 1: one on five one. If you're upset, you need to vent,
• 8:15
  Speaker 1: you can call us right now. Maybe had a bad
• 8:18
  Speaker 1: night or bad morning. Also, maybe you feel blessed. If
• 8:21
  Speaker 1: you feel blessed, you can give us a call as well.
• 8:23
  Speaker 1: Maybe it's your birthday, maybe you just had a baby.
• 8:25
  Speaker 1: Maybe some things that are going on in your life
• 8:27
  Speaker 1: are positive. Tell them why you're blessed. You can call
• 8:29
  Speaker 1: us up right now. We'll put you both on the air.
• 8:31
  Speaker 1: It's a breakfast club. Good morning, the breakfast club. Hey y'all, y'all,
• 8:38
  Speaker 1: Hey y'all, good lord, this is mad Rap. I'na tell
• 8:40
  Speaker 1: you why, man, tell you why I back' mad because
• 8:42
  Speaker 1: I don't know the club last night, and there was
• 8:44
  Speaker 1: too many good girls in there, y'all for men. We
• 8:45
  Speaker 1: don't need none of your good girls in the club.
• 8:46
  Speaker 1: We need loose girls. Why didn't drug girlfity sloppy girls?
• 8:49
  Speaker 1: Weren't girls? Call away? We don't need ane of your
• 8:51
  Speaker 1: guys girls in the go On, go Away, talk about
• 8:53
  Speaker 1: it and tell me why you mad Breakfast club for real?
• 8:56
  Speaker 1: This is quite from Indiana, very quid. Good morning, Good
• 8:59
  Speaker 1: morning Hill, I'm good. Tell them why you mad? So
• 9:03
  Speaker 1: yesterday well, more like last night, I ended up happening. Well,
• 9:07
  Speaker 1: I feel like before last I ended up having to
• 9:09
  Speaker 1: end a for year relationship with this guy that I've
• 9:13
  Speaker 1: been with for a while. You know, he's been not
• 9:16
  Speaker 1: acting right for actually probably like the last year and
• 9:19
  Speaker 1: a half. But because of the fact that we have
• 9:21
  Speaker 1: a baby together, you know, I've been trying to make
• 9:23
  Speaker 1: it work, and I you know, I'm sacrificed a lot.
• 9:25
  Speaker 1: You should have said, baby Daddy from the start book.
• 9:28
  Speaker 1: You know, I should have picked better, to be honest.
• 9:30
  Speaker 1: I should have listened to my damn mama. He warned
• 9:33
  Speaker 1: me about all of this. You know, she won't even
• 9:35
  Speaker 1: speak what happened, you know, all of this night the
• 9:38
  Speaker 1: other night. It happened over some freaking food, you know,
• 9:40
  Speaker 1: and it was kind of fool, though, what kind of
• 9:43
  Speaker 1: fool some crap food, But it was hilarious to because
• 9:47
  Speaker 1: I'm a culinary major. I'm like, dang, I actually in
• 9:49
  Speaker 1: an argument about some food. Well, I'm losing. That can't
• 9:52
  Speaker 1: be all it was over come on? You know it literally?
• 9:55
  Speaker 1: Would it? Literally? Would they sound seeming guys? It is really.
• 9:59
  Speaker 1: I have a baby by African man. He is thirty
• 10:02
  Speaker 1: years older than me. I know, thirty years old, thirty
• 10:06
  Speaker 1: years I am twenty nine. Is he rich? No? Does
• 10:14
  Speaker 1: he have his own money? Yes? Yes, he has enough money.
• 10:17
  Speaker 1: But it was never really about the money. It was
• 10:20
  Speaker 1: cool from the beginning, but everything changed after I got
• 10:23
  Speaker 1: pregnant with our son, and it seemed like it just
• 10:26
  Speaker 1: went downhill from there. And it's like, dam I didn't
• 10:29
  Speaker 1: gave four years to this relationship just for our baby's
• 10:31
  Speaker 1: birthday is literally on the eleventh. Well, by the way,
• 10:34
  Speaker 1: you couldn't even keep it together that long. By the way,
• 10:36
  Speaker 1: you got a lot more years into the Little Boys
• 10:38
  Speaker 1: E team, okay, you know. And at first I was
• 10:40
  Speaker 1: just trying to steak it out. I'm like, you know, no,
• 10:43
  Speaker 1: I mean efforts, Sorry, just speak it out. We'll make
• 10:45
  Speaker 1: it work for the baby. Because I didn't want my
• 10:48
  Speaker 1: son and doing me like I did my mom, You
• 10:50
  Speaker 1: know what I mean. I wasn't really a good daughter
• 10:51
  Speaker 1: to my mother all about the fact of my father,
• 10:54
  Speaker 1: you know what I mean? And I haven't said dad. Well, yeah,
• 10:57
  Speaker 1: you have a daddy now he's thirty years old in you? Yeah? Hello,
• 11:01
  Speaker 1: who's this? Hi? This is Channel Hey, Chanelle? Tell them
• 11:05
  Speaker 1: why you're mad. I'm mad because I still haven't got
• 11:08
  Speaker 1: my tax refund yet. You ain't get a chance to
• 11:11
  Speaker 1: baul out of that rainbow. I don't know what now,
• 11:14
  Speaker 1: you're Charlotte Roue's kind of girl. No, I'm not tell
• 11:17
  Speaker 1: if you go to Macy's, well, how did you did
• 11:20
  Speaker 1: you do like an expedited tax refund? And know what
• 11:24
  Speaker 1: happened was I gave my tax Prepare one of the
• 11:27
  Speaker 1: counter checks like that they give you as soon as
• 11:29
  Speaker 1: you open your account, and they're like, that's not my
• 11:32
  Speaker 1: real account number, And I'm like, well, why do y'all
• 11:35
  Speaker 1: give me the counter check with that number on it
• 11:37
  Speaker 1: if that's not my real account number? Well, everything happens
• 11:39
  Speaker 1: for a reason. God just want you to pump the
• 11:41
  Speaker 1: bricks and think about what you're gonna do with that
• 11:42
  Speaker 1: money before you get it, because if you'd got it,
• 11:44
  Speaker 1: already at it. If you'd got it already, you to
• 11:47
  Speaker 1: blew it that All Star as well, or maybe Super Bowl,
• 11:51
  Speaker 1: I would maybe see maybe see what I'm saying, Thank you,
• 11:58
  Speaker 1: she picked She picked the most basic of man out
• 12:00
  Speaker 1: of all of them, one the only one that Charlomagan
• 12:03
  Speaker 1: goes to at that. Yeah, because I'm a basic after yeah, yeah,
• 12:08
  Speaker 1: yeah yeah, tell him about you, mad bro round pissed
• 12:11
  Speaker 1: all man, car went all the way mind to Miam
• 12:14
  Speaker 1: and took the vote. Reason to come from man, and
• 12:17
  Speaker 1: I don't see no what's going on. Nobody get time
• 12:20
  Speaker 1: or none good money with pure like he wasn't good
• 12:26
  Speaker 1: rip all though. You know what I'm saying, Hey, man,
• 12:28
  Speaker 1: it don't feel good just to be in the same
• 12:30
  Speaker 1: place as those people. Yeah, you gotta pay the brief
• 12:33
  Speaker 1: to air that puff walk in. Well, Bryson Tiller did
• 12:36
  Speaker 1: get signed from then, so that that was one that's true.
• 12:39
  Speaker 1: I mean he had connection though you know he probably
• 12:41
  Speaker 1: had a connect connection. He went down, his manager didn't
• 12:45
  Speaker 1: know Hivy, somebody heard him and picked him up. I
• 12:47
  Speaker 1: don't believe that that's what happened. I need to I
• 12:50
  Speaker 1: ain't never heard that in break and tell Nat that
• 12:54
  Speaker 1: does something like an alternative from He did have some
• 12:56
  Speaker 1: connections because doesn't his manager, didn't he work for a
• 12:59
  Speaker 1: patient something used to be my interning possibe. I ain't
• 13:01
  Speaker 1: never heard bread and tell us that he got signed
• 13:03
  Speaker 1: because of the Revolt Music. He actually found him seeing
• 13:06
  Speaker 1: him and signed him, and nobody wanted to play his record.
• 13:08
  Speaker 1: I didn't want to play. And you keep that, You
• 13:12
  Speaker 1: keep putting that pressure on Revolt Okay, because they keep
• 13:15
  Speaker 1: throwing this conference. They gotta be some results soon. Y'all
• 13:17
  Speaker 1: gotta have some success stories from this Revolt Music conference,
• 13:19
  Speaker 1: damn it. Tell them why you man, eight hundred and
• 13:21
  Speaker 1: five eight five one oh five one. If you're upset,
• 13:23
  Speaker 1: you need to vent call us now. It's the Breakfast Club.
• 13:26
  Speaker 1: Good morning the Breakfast Club Man, It's true us changed Yeahenka,
• 13:35
  Speaker 1: are you blessing? Highly favorite? I feel blessed. Tell the
• 13:38
  Speaker 1: congregation at eight hundred and five eighty five one five one,
• 13:42
  Speaker 1: it's the Breakfast Club. Hello. Who's this? Hello this Cold Joe?
• 13:49
  Speaker 1: Cold Joe? Tell him why you blast? Bro Yo? I'm
• 13:51
  Speaker 1: blasted because Amazon just picked up my first independent ever
• 13:56
  Speaker 1: name perceived with card shit because I like YEP and
• 14:01
  Speaker 1: it's a fresh short film that Charlomagne the guard actually
• 14:04
  Speaker 1: did a drop too after Little Instiday, So I'm feeling
• 14:08
  Speaker 1: extra blessed about that. Okay, I ain't a congratulation. Did
• 14:12
  Speaker 1: Charlomagne sign the Clarence feed the Clarence Waver? Yeah, you
• 14:18
  Speaker 1: bump rushed him at this little show on MTV, and
• 14:21
  Speaker 1: and he did a drop forward. Pump did a drop forward.
• 14:24
  Speaker 1: We got Kyla doing a drop. O. Wait a minute,
• 14:26
  Speaker 1: way back. Don't say you bump rushed to me. I
• 14:29
  Speaker 1: get a drop for y'all out of the goodness of
• 14:30
  Speaker 1: my heart. Y'all asked me to do a drink. Heard
• 14:35
  Speaker 1: nervous though you always looked a little bit nervous. Hell,
• 14:37
  Speaker 1: I'm gonna look nervous at MTV when I got about
• 14:40
  Speaker 1: fifteen security guard that'll whip your ass if you even
• 14:43
  Speaker 1: breathe wrong on me. Hey, now, this man did you
• 14:45
  Speaker 1: a favor, and you up here trying to talk crazy.
• 14:47
  Speaker 1: I don't know why I can do that bump rush
• 14:49
  Speaker 1: the little show. Hello, who's this good morning to Scotty Moore.
• 14:55
  Speaker 1: Scotty Moore, tell him your blessed today. Bro Yo, I'm
• 14:58
  Speaker 1: blessed today because I woke up up with a good attitude.
• 15:01
  Speaker 1: I got my mom, she's doing my life and she's
• 15:04
  Speaker 1: doing very well. And also I got a good friend
• 15:07
  Speaker 1: who put me on YouTube and you gotta check me
• 15:10
  Speaker 1: out on scott Seymore. I'll be wrapping up. He no,
• 15:14
  Speaker 1: thank you, Okay, Well, good luck to you, bro. I'm
• 15:16
  Speaker 1: glad you blessed. Hello? Who's this? I'm blessed because I'm
• 15:19
  Speaker 1: at Target. Gotta be work at three footy five aim
• 15:22
  Speaker 1: pushing boxes and my smoke T shirts all day T shirts. Baby,
• 15:27
  Speaker 1: don't you ever disrespect them by saying and it's over here.
• 15:31
  Speaker 1: It's so now I give my tip faut. I love
• 15:34
  Speaker 1: Mustimore T shirts my ancho tek. Come them off there
• 15:39
  Speaker 1: you go? Oh wow, how much you getting back? That
• 15:46
  Speaker 1: is crazier What you're gonna do with that? I'm going
• 15:49
  Speaker 1: to juice for life, man, Okay, get you get juice.
• 15:54
  Speaker 1: You get all of a sudden, the juice prices gonna
• 15:58
  Speaker 1: spike tomorrow when you seven thousand dollars. You're all right? Well,
• 16:03
  Speaker 1: that would tell them why you bless you feel blessed?
• 16:05
  Speaker 1: You wanted to spread some positivity. You can always call us.
• 16:07
  Speaker 1: Now you've got rumors on the way Man. After six seasons.
• 16:10
  Speaker 1: We'll tell you what show you love is coming to
• 16:12
  Speaker 1: an end. Also, we'll talk about weight loss. Will tell
• 16:15
  Speaker 1: you what celebrity just recently underwent weight loss surgery. All right,
• 16:18
  Speaker 1: we'll get into all that when we come back. Keeping
• 16:19
  Speaker 1: locks at the Breakfast Club. Go Morning. The Breakfast Club
• 16:25
  Speaker 1: is DJ Envy, Angela Yee, Charlemagne and God we are
• 16:28
  Speaker 1: the Breakfast Club. Good morning, what's happening? And then Happy
• 16:31
  Speaker 1: born Day to Andrea Marie. She listens to us from
• 16:33
  Speaker 1: the West Coast every morning. Drop on the clues. Mom's
• 16:36
  Speaker 1: Andrea days are born days. Well, let's get to the rumors.
• 16:39
  Speaker 1: Let's talk Ti and Tinna. It's about this is the
• 16:48
  Speaker 1: rumor report. Angela Yee on the Breakfast Club. Well, t
• 16:53
  Speaker 1: I and Tiny the Family Hustle is gonna be over
• 16:57
  Speaker 1: after this next sixth season. That show has been on
• 17:00
  Speaker 1: since twenty eleven, so they're gonna end that run. They're
• 17:03
  Speaker 1: saying this is the final season according to vh one
• 17:06
  Speaker 1: and MTV. They said, v H one is incredibly proud
• 17:08
  Speaker 1: of this long running series. In our partnership with Tip
• 17:11
  Speaker 1: and Tamika for six years, they've opened their home into
• 17:14
  Speaker 1: your countless family moments with us one hundred episodes. They
• 17:18
  Speaker 1: good six six seasons, that's what. Yeah, it ends in
• 17:21
  Speaker 1: April with this one hundredth episode, and all the blogs
• 17:24
  Speaker 1: are staying to TI has a new woman, Bernice Burgos,
• 17:26
  Speaker 1: who is She dated Drake previously, but we all know Bernice.
• 17:31
  Speaker 1: Damn what's wrong with you? Guys? Mad? Yes? Damn it?
• 17:36
  Speaker 1: Why you drop with a clues ball? Because Bernice is amazing,
• 17:39
  Speaker 1: that's why? All right? So why are you mad? I
• 17:42
  Speaker 1: don't know. I'm just Hayden. You should be happy for
• 17:45
  Speaker 1: both of them, like I'm happy for you. She's amazing, No, Hayden,
• 17:50
  Speaker 1: this guy? All right? Bad Boys for Life that was
• 17:55
  Speaker 1: the part three for the Bad Boys series is not
• 17:58
  Speaker 1: happening yet. Will Smith and Martin Lawrence have reunited. They're
• 18:02
  Speaker 1: doing the movie, but unfortunately now the director has dropped out,
• 18:06
  Speaker 1: Joe Carnahan. He's signed up to do that and he
• 18:09
  Speaker 1: actually wrote the script as well. So I don't know
• 18:11
  Speaker 1: if they're going to keep that script, if they're going
• 18:13
  Speaker 1: to scrap it get a whole new script. What's going
• 18:15
  Speaker 1: to happen? But they've been trying to do this movie
• 18:17
  Speaker 1: for fourteen years. Wow? Why you walk away from that
• 18:19
  Speaker 1: blockbuster film. I'd love it both of them. Yeah, that's
• 18:22
  Speaker 1: what made him want to walk away from that. Well,
• 18:24
  Speaker 1: the news is that it was quote unquote scheduling conflicts,
• 18:28
  Speaker 1: but according to some insighters just saying it's just been
• 18:31
  Speaker 1: some creative differences. Yeah, I'm sure it's difficult to work
• 18:34
  Speaker 1: on that film because you got two legendary superstars like
• 18:37
  Speaker 1: Will Smith and Martin, plus it's a legendary franchise, or
• 18:40
  Speaker 1: the film company probably wants a certain thing, but it
• 18:44
  Speaker 1: has to be done right. So the movie kept getting delayed.
• 18:46
  Speaker 1: And not to mention that, Will Smith quit Disney and
• 18:48
  Speaker 1: Tim Burton's live action Dumbo movie just to focus on
• 18:51
  Speaker 1: the sequel. So he quit that to work on the
• 18:54
  Speaker 1: Bad Boys sequel, and they even had a part four. Boy,
• 18:57
  Speaker 1: why is Will Smith doing a live action Dumbo movie?
• 19:00
  Speaker 1: I don't know. Why do we need a lot they like? Why?
• 19:05
  Speaker 1: Maybe it's for the kids. I don't know, it's not
• 19:08
  Speaker 1: for you. Cool like that? No more, bro? How do
• 19:11
  Speaker 1: you know that used to be cool before social media? Well,
• 19:17
  Speaker 1: they even had a Bad Boy Part four on the schedule,
• 19:19
  Speaker 1: but now they've dropped that off the schedule entirely and
• 19:22
  Speaker 1: they're just trying to figure out how can they save
• 19:24
  Speaker 1: this movie. So we'll see who steps in next. And
• 19:25
  Speaker 1: you guys know that Michael Bay, who did Transformers, is
• 19:28
  Speaker 1: doing the final Transformers sequel. Was the one that directed
• 19:31
  Speaker 1: the first two I'm on the Google Live Action Dumbo movies.
• 19:33
  Speaker 1: I need to see what all right. Gabbaret Citaba talks
• 19:38
  Speaker 1: about losing and she has her memoir. She has her
• 19:42
  Speaker 1: first ever memoir. This is just my face trying not
• 19:45
  Speaker 1: to stand now. She said. This is what she said
• 19:49
  Speaker 1: about her decision because she actually got that weight loss surgery.
• 19:53
  Speaker 1: She said that she was diagnosed with type two diabetes.
• 19:55
  Speaker 1: She said, I truly didn't want to worry about all
• 19:57
  Speaker 1: the effects that go along with diabetes. I genuinely worry
• 19:59
  Speaker 1: all all the time about losing my toes. Now. She
• 20:02
  Speaker 1: has tried more for more than a decade to lose
• 20:06
  Speaker 1: weight naturally, and she finally decided last year in May
• 20:09
  Speaker 1: that she had to go under the knife. She did
• 20:11
  Speaker 1: that without telling anybody to lose weight. She said, my
• 20:13
  Speaker 1: surgeon said, they cut my stomach in half. This will
• 20:16
  Speaker 1: limit my hunger and capacity to eat. My brain chemistry
• 20:18
  Speaker 1: would change. I want to eat healthier. I'll take it.
• 20:21
  Speaker 1: My lifelong relationship with food had to change. So she's
• 20:23
  Speaker 1: been working out with a trainer, she's been swimming, she's
• 20:26
  Speaker 1: been Now this is weird. I don't want to say,
• 20:30
  Speaker 1: riding a tricycle around the Empire set. I must be
• 20:36
  Speaker 1: the most steel reinforced tried to go. You'll see it
• 20:38
  Speaker 1: in the world, all right, But she's been having issues
• 20:40
  Speaker 1: with food since she was six years old. Battle depression,
• 20:44
  Speaker 1: she battled anxiety, she battled blimia, all of those things.
• 20:47
  Speaker 1: She finally overcame that through therapy, and now she has
• 20:50
  Speaker 1: a goal. She's trying to get her goal. I'm glad
• 20:53
  Speaker 1: she decided to change her life by changing her lifestyle
• 20:55
  Speaker 1: because once again, even though people think I'm always being
• 20:57
  Speaker 1: hard on fat people, this is exactly what the conto
• 21:00
  Speaker 1: quintance to being fat are. Okay, the two main causes
• 21:02
  Speaker 1: of type two diabetes is genetics and lifestyle. You're not
• 21:05
  Speaker 1: eating right, you're not working out, you're fat. You are
• 21:07
  Speaker 1: greater risk for type two diabetes. Stop listening to people
• 21:10
  Speaker 1: trying to sugarcoat the reality this situation. You want to
• 21:12
  Speaker 1: live or you want to die. The choice is yours, right, Well,
• 21:16
  Speaker 1: she said hopefully things will get better for her, and
• 21:18
  Speaker 1: she talks about all of this in her memoir that
• 21:20
  Speaker 1: is out, but she did say she was battling depression, anxiety,
• 21:23
  Speaker 1: and bolimia, so goodness she had to deal. She got
• 21:27
  Speaker 1: through all of that with therapy. Okay, all right, I'm
• 21:29
  Speaker 1: Angela Yee and that is your rumor reports. All right,
• 21:32
  Speaker 1: thank you, miss Ye. Now today is the twentieth anniversary
• 21:36
  Speaker 1: of Bigg's death. We're gonna do a Biggie mix a
• 21:39
  Speaker 1: little bit later and coming up next Faith Evans will
• 21:41
  Speaker 1: be joining us. That was Big Sewan with Bounce Back. Morning.
• 21:44
  Speaker 1: Everybody is cj Envy, Angela Yee, charlomagnea God. We all
• 21:48
  Speaker 1: the breakfast club. We have a special guest today, Faith
• 21:51
  Speaker 1: Hill is here. Lady, good morning. We know the only
• 21:58
  Speaker 1: faith we acknowledge is faith in God. There you go, morning, welcome,
• 22:02
  Speaker 1: Thank you, thanks for happening. You saw CNN get it
• 22:04
  Speaker 1: so wrong. They said Biggie and Faith Hill had a
• 22:07
  Speaker 1: duet album. They sure did. I was looking for that album.
• 22:09
  Speaker 1: So the funny thing people, when I used to live
• 22:11
  Speaker 1: in Georgia, people used to come to my house to
• 22:13
  Speaker 1: fix things, and they were like Miss Hill. Miss Hill,
• 22:15
  Speaker 1: I'm like, really, did you have to say address or something?
• 22:17
  Speaker 1: She doesn't even live in Georgia. Yeah, maybe because I'm
• 22:20
  Speaker 1: so fair skinned. I don't know. I mean it makes
• 22:24
  Speaker 1: no sense, but it did bring a few more eyes
• 22:26
  Speaker 1: to the projects, ain't Matt? Twenty years from the passing
• 22:30
  Speaker 1: a big now? I know you possibly can't still let
• 22:33
  Speaker 1: it go, But how does it feel we still don't
• 22:35
  Speaker 1: know necessarily what happened. Nobody has been convicted, nobody, you know,
• 22:39
  Speaker 1: we don't know what's going on still after twenty years.
• 22:41
  Speaker 1: Very true, Miss Wallis, and I sort of feel like
• 22:44
  Speaker 1: we know what happened. It's just a matter of LAPD
• 22:47
  Speaker 1: saying that they know what happened, which they probably will
• 22:50
  Speaker 1: never do. So do you get closure? And can time
• 22:54
  Speaker 1: truly here? All on? If it's really not closure the
• 22:56
  Speaker 1: criminal case itself, I don't think that so much is
• 22:59
  Speaker 1: something to heal from it. I mean, he's not here,
• 23:03
  Speaker 1: so that's never gonna change. You know, the criminal case
• 23:06
  Speaker 1: is something separate. I wouldn't say we have closure. We
• 23:08
  Speaker 1: just decided not to continue paying money to make them
• 23:12
  Speaker 1: admit that they know what happened basically, So um no,
• 23:15
  Speaker 1: I mean, there's no closure in that sense. But um,
• 23:18
  Speaker 1: you know, we just have to move on and live
• 23:21
  Speaker 1: with the great memories a Big that we have. I mean,
• 23:23
  Speaker 1: that's really all we've been able to do twenty anniversary,
• 23:27
  Speaker 1: besides it being reminded that we're all old as hell. Um.
• 23:33
  Speaker 1: To be honest, it doesn't mean anything different twenty years
• 23:36
  Speaker 1: later than it did, you know, five years ago, seven
• 23:39
  Speaker 1: years ago. I mean, I have this project coming out,
• 23:42
  Speaker 1: which I think ironically because I didn't plan on it
• 23:45
  Speaker 1: coming out this year. I thought it would be out
• 23:47
  Speaker 1: last year. But I think, um, you know, maybe every
• 23:49
  Speaker 1: the fact that everything happens for a reason in the time,
• 23:52
  Speaker 1: and that God says it should, maybe it might be
• 23:54
  Speaker 1: a great thing that I am doing this project to
• 23:57
  Speaker 1: honor our love, you know, around this time. So, um,
• 24:00
  Speaker 1: I wouldn't say it feels different, though I still feel like,
• 24:03
  Speaker 1: you know, there's a huge part of my life that's gone.
• 24:06
  Speaker 1: But the great thing about the person Big was it
• 24:09
  Speaker 1: is twenty years later me season you know, we all
• 24:12
  Speaker 1: still laugh at the very same stuff and it's still
• 24:15
  Speaker 1: just as funny. And I don't know, it's just with
• 24:17
  Speaker 1: something about Big that everybody that got his chance to
• 24:19
  Speaker 1: know him, you know, just still feels the same way.
• 24:22
  Speaker 1: You know, he's gonna always it's gonna always feel like
• 24:24
  Speaker 1: he's still here, even though he's not a car that
• 24:28
  Speaker 1: that big was killed in. Just so for one point
• 24:30
  Speaker 1: five million dollars it did sell. I heard yesterday someone
• 24:33
  Speaker 1: told me it was being auction, but I didn't even
• 24:36
  Speaker 1: know that. I think they said it was sold or
• 24:37
  Speaker 1: somebody bought it. I believe, how does that work? Is
• 24:39
  Speaker 1: that like from a toe yard? Or it seems strange
• 24:42
  Speaker 1: for having it for that long twenty years that I
• 24:45
  Speaker 1: don't understand the point. It's a little weird. But whatever.
• 24:50
  Speaker 1: As your son grows older, does he discovered new things
• 24:52
  Speaker 1: about his father? Um? Well, c J, I think, But
• 24:57
  Speaker 1: when he did Notorious, when he's played his dad in
• 25:00
  Speaker 1: the movie, I think that was probably a crash course
• 25:02
  Speaker 1: and everything big for him, you know. But every time
• 25:04
  Speaker 1: we're here, you know, he stays with Season Brooklyn, so
• 25:08
  Speaker 1: he kind of gets to to experience some of that.
• 25:13
  Speaker 1: But I think between that and the fact that he's
• 25:15
  Speaker 1: always been real close with Miss Wallace, you know, it's
• 25:17
  Speaker 1: not really many questions at least that I know of
• 25:19
  Speaker 1: that he has or has had. He's kind of been
• 25:22
  Speaker 1: just very Oh wow, He's just been really realizing things
• 25:26
  Speaker 1: over time that I'm like, oh wow, I'm like, yeah,
• 25:28
  Speaker 1: your dad was really you know, I just do that
• 25:32
  Speaker 1: album come about? Like, like, what made you want to
• 25:34
  Speaker 1: do that? Now? Well, I told miss Wallace actually back
• 25:37
  Speaker 1: when um Natalie Cole put out that Unforgettable project, I
• 25:40
  Speaker 1: was like, one day, that would be really dope if
• 25:42
  Speaker 1: I could do something like that. But it was really
• 25:43
  Speaker 1: just the thought, to be quite honest, I never moved
• 25:46
  Speaker 1: on it. And then a few years ago my attorney
• 25:48
  Speaker 1: actually was like, remember you said you want to do
• 25:50
  Speaker 1: that project with Big Let's go meet with the people
• 25:52
  Speaker 1: who got the Masters and do some business. Then where's
• 25:54
  Speaker 1: the Merasters? Well, Atlantic Warner acquired them. So I did
• 25:59
  Speaker 1: my with Rhino, which is a subsidiary of One Atlantic.
• 26:03
  Speaker 1: That was a hard being in the studio listening to
• 26:05
  Speaker 1: his voice. It really wasn't, you know, because I think
• 26:08
  Speaker 1: because we hear his music still, I mean, the only
• 26:12
  Speaker 1: difference in it. I think I did realize a few
• 26:14
  Speaker 1: lines that I thought I had right that I'm like, oh,
• 26:16
  Speaker 1: I always thought he was saying this, you know, but
• 26:18
  Speaker 1: it wasn't. I didn't even It was so much fun,
• 26:20
  Speaker 1: just to be able to be creative with Biggie vocals
• 26:23
  Speaker 1: and do whatever I want to as a creative person myself.
• 26:26
  Speaker 1: It was it just came together in a way I
• 26:28
  Speaker 1: never imagined it because I ain't even gonna lie. So
• 26:30
  Speaker 1: like his spirit was definitely there every session, Like I
• 26:33
  Speaker 1: actually towards the end of record and I was like,
• 26:36
  Speaker 1: I felt like he just tapped me. I just broke
• 26:38
  Speaker 1: down crying in the corner about myself, like I think
• 26:40
  Speaker 1: he just told me he's proud. You find yourself getting
• 26:44
  Speaker 1: into arguments with like you know, you knew him, so
• 26:46
  Speaker 1: imagine if you were singing a certain way to get
• 26:48
  Speaker 1: him say yo, do it this way. Face No, But
• 26:55
  Speaker 1: I do joke with him sometimes. I didn't even gonna
• 26:58
  Speaker 1: lie when things happened, or if I experience things, I'd
• 27:00
  Speaker 1: be like, I know you're clowning me right now. I'm like, okay,
• 27:03
  Speaker 1: I got you. But it wasn't emotional until that particular
• 27:06
  Speaker 1: time when I just felt like I think he's telling
• 27:09
  Speaker 1: me he's proud. I just was playing the music back
• 27:11
  Speaker 1: for some people in the studio and everybody was just
• 27:13
  Speaker 1: enjoying it, and I just felt a tap on my
• 27:16
  Speaker 1: shoulder and I was like, I think that was Big
• 27:21
  Speaker 1: all new songs, well, even even the verses that you're
• 27:25
  Speaker 1: familiar with. I you know, I split them up. I
• 27:27
  Speaker 1: rearranged them in some songs, I'm rapping back and forth
• 27:30
  Speaker 1: with them. Some songs I'm singing around him. I mean,
• 27:32
  Speaker 1: so I used them in ways that it's completely different records.
• 27:35
  Speaker 1: But there are a few of her big vocals. I
• 27:38
  Speaker 1: have a couple of songs that I used his reference
• 27:41
  Speaker 1: from the demos when he wrote for Junior Mafia and
• 27:43
  Speaker 1: one that he wrote for Cam's album. So I did
• 27:45
  Speaker 1: use those on a couple of songs. Did it make
• 27:47
  Speaker 1: you mad that he don't have more material? Because it
• 27:51
  Speaker 1: was a meme yesterday. In the meme said if you
• 27:52
  Speaker 1: could bring one person back to do one more album,
• 27:55
  Speaker 1: and I picked Big with no question. The funny thing
• 27:59
  Speaker 1: is when I first met Big, I used to be
• 28:01
  Speaker 1: driving him all around the place two different little studios
• 28:04
  Speaker 1: to do verses for people. So I'm pretty sure because
• 28:07
  Speaker 1: I don't recall hearing all of them. I remember like
• 28:10
  Speaker 1: mad little studios in Brooklyn and Queens. I used to
• 28:12
  Speaker 1: take him to and wait for him to come out
• 28:14
  Speaker 1: because he just had to do a verse. They said
• 28:15
  Speaker 1: he was big, they said more than it was just
• 28:17
  Speaker 1: always said about big. He was about that bag. If
• 28:19
  Speaker 1: somebody said I got this much money in a brown
• 28:22
  Speaker 1: paper bag, he was gonna do it yep, which is
• 28:25
  Speaker 1: probably why I was waiting outside in the cardio. I
• 28:30
  Speaker 1: wasn't that type. You know, he wasn't gonna be in
• 28:32
  Speaker 1: there that long anyway, being the car Roll in the
• 28:35
  Speaker 1: l particularly you remember him recording with that You're like, man,
• 28:39
  Speaker 1: whatever that record. I remember he did something that special
• 28:41
  Speaker 1: ass spot before. I don't know if that ever came out,
• 28:43
  Speaker 1: y'all might. No. This dude and Queen's actually contacted me
• 28:48
  Speaker 1: when I first was talking about doing this album when
• 28:51
  Speaker 1: I was announcing that I was gonna work on it,
• 28:53
  Speaker 1: saying he had these vocals are biggie and they were
• 28:56
  Speaker 1: never released and turns out, but turns out they were
• 28:59
  Speaker 1: actually released on I believe the Notorious soundtrack, just with
• 29:04
  Speaker 1: a different track underneath. So it wasn't something that you know,
• 29:07
  Speaker 1: nobody ever heard or was acquired. So I was a tour.
• 29:10
  Speaker 1: Did that bring back a lot of memories when you
• 29:12
  Speaker 1: when you guys went on tour, It was really fun
• 29:14
  Speaker 1: because you know, I never m I never went on
• 29:16
  Speaker 1: the road with like the whole family. Back in the day.
• 29:18
  Speaker 1: I was always kind of just I'm gonna do my
• 29:19
  Speaker 1: shows on the weekend, and y'all couldn't have It would
• 29:23
  Speaker 1: have been like when thank you you got well. I
• 29:26
  Speaker 1: never had no term more with Mary but that I
• 29:28
  Speaker 1: knew of. But um, back then when they did that
• 29:31
  Speaker 1: first big tour with all of them on it big
• 29:33
  Speaker 1: and I had we were separated. He was messing with him,
• 29:36
  Speaker 1: He was messing with Charlie, and I think they were
• 29:38
  Speaker 1: both kind of on the road at one time or another.
• 29:41
  Speaker 1: And I'm like, I'm doing my little shows, kept getting
• 29:43
  Speaker 1: my money, singing two singles on the weekend by myself,
• 29:46
  Speaker 1: and they telling me to do it as a promo tour.
• 29:48
  Speaker 1: So where does that make sense? You know what I mean?
• 29:52
  Speaker 1: Like I was like, I'm good. So for me, it
• 29:55
  Speaker 1: was really the first time. I mean, I had a
• 29:57
  Speaker 1: great time because I've never done a production on that
• 30:00
  Speaker 1: level and it was just really good to be back
• 30:01
  Speaker 1: there watching the screen and seeing the fans respond to
• 30:04
  Speaker 1: them like that. I was really feeling like, oh, total
• 30:07
  Speaker 1: look at your fit. Like I was really getting emotion
• 30:09
  Speaker 1: of them, like wow, they loved them, just for all
• 30:12
  Speaker 1: the other artists too. It was just it was great
• 30:14
  Speaker 1: to see how our particular contribution to some music really
• 30:20
  Speaker 1: touch people because every show was lit. All Right, we
• 30:22
  Speaker 1: got more with Faith Evans when we come back. We'll
• 30:24
  Speaker 1: talk about her relationship with Little Kim, also her relationship
• 30:27
  Speaker 1: with Stevie J. It's the Breakfast Club. Good morning, the
• 30:31
  Speaker 1: Breakfast Club. Everybody is DJ, Envy, Angela Yee, Charlomagne the guy.
• 30:38
  Speaker 1: We are the Breakfast Club. We have Faith Evans in
• 30:40
  Speaker 1: the building. Now, how did you a Little Kim become
• 30:43
  Speaker 1: so cool? Are your friends? Now? I don't know if
• 30:45
  Speaker 1: we're friends because we don't really talk or communicate, you know,
• 30:48
  Speaker 1: that much outside of when we see each other for work.
• 30:51
  Speaker 1: But it was certainly a big deal for me for
• 30:54
  Speaker 1: her to be receptive to my well wishes. I mean,
• 30:57
  Speaker 1: because I was in that place a long time ago
• 31:00
  Speaker 1: of you know, hey, Ken was congratulations. But I think
• 31:03
  Speaker 1: she said um recently that she just wasn't ready to
• 31:06
  Speaker 1: receive it. So I understand, you know, but she's in
• 31:09
  Speaker 1: a different place. She's a mom, and obviously she's you know,
• 31:13
  Speaker 1: grown past the holding a grudge for whatever reason, you know.
• 31:16
  Speaker 1: But when Big died, for me all of that when
• 31:17
  Speaker 1: I you know, you always feel like I don't know
• 31:20
  Speaker 1: why I thought you and Mary had an issue. I
• 31:21
  Speaker 1: think I saw that in a documentary or she felt
• 31:23
  Speaker 1: the way when Puff bought you along, because I always
• 31:26
  Speaker 1: heard those things. But to be quite honest, that was
• 31:28
  Speaker 1: never confirmed. I mean, they did tell me I had
• 31:30
  Speaker 1: to take her voice off my album because it's some
• 31:32
  Speaker 1: issue that I never knew about. But I thought that
• 31:34
  Speaker 1: was something between her and him. But I'm kind of
• 31:36
  Speaker 1: glad I don't know what it was about, because I
• 31:38
  Speaker 1: can honestly say I really don't know what that was about. Yeah,
• 31:42
  Speaker 1: my first album, we could a song together Carl Love
• 31:45
  Speaker 1: Don't Live You Anymore. And then at the time the
• 31:47
  Speaker 1: general manage a bad boy called me like five about
• 31:50
  Speaker 1: six months after my album came out, like Mary wants
• 31:53
  Speaker 1: a voice off your album. You need to call I
• 31:55
  Speaker 1: was like, no, I don't. I mean, I didn't do
• 31:57
  Speaker 1: nothing to her, So when am I gonna call a
• 31:59
  Speaker 1: He I don't know what what happened. They didn't tell
• 32:01
  Speaker 1: me what happened, So why are you telling me to
• 32:03
  Speaker 1: call her? But I just re recorded the record, which
• 32:06
  Speaker 1: I hated without her on it. But you know back
• 32:08
  Speaker 1: then y'all used to record together. Rick we did. We
• 32:10
  Speaker 1: used to hang out, go to the time. You know,
• 32:11
  Speaker 1: she gave me a few garments, big cut up one
• 32:16
  Speaker 1: of my favorite things that Mary gave me one time.
• 32:18
  Speaker 1: But I mean we it was fun. It was a
• 32:20
  Speaker 1: cougie um, two pieces of dress and it was like
• 32:23
  Speaker 1: a big a line jacket with a skirt. It was real.
• 32:27
  Speaker 1: We got into an argument because I put his bag
• 32:29
  Speaker 1: outside because I didn't want him to make his flight,
• 32:31
  Speaker 1: and then he cut up all my clothes. Binky. Cutting
• 32:34
  Speaker 1: up a coogie is like Patriot bringing an American flag. Now,
• 32:40
  Speaker 1: you and Stevie Jake, he was up here. I know,
• 32:42
  Speaker 1: I didn'tknew that was your bowl. He's not anymore already.
• 32:49
  Speaker 1: I don't know that was well. When he was here,
• 32:52
  Speaker 1: we weren't together either, do what he said, and but
• 32:55
  Speaker 1: then the day before that he said something else somewhere else,
• 32:57
  Speaker 1: So who knows what was going on in his mind
• 32:59
  Speaker 1: at that time, and then the TV show came out.
• 33:01
  Speaker 1: I guess that was done. Probably, I'll probably take that
• 33:03
  Speaker 1: way back. Yeah, we filmed during the summer. Actually, yeah,
• 33:07
  Speaker 1: but let's listen to what Stevie j had to see.
• 33:09
  Speaker 1: When he was on the Breakfast Club back in December.
• 33:11
  Speaker 1: You know what I'm saying. I know the for almost
• 33:12
  Speaker 1: twenty five years, and you know, did you like her
• 33:15
  Speaker 1: back in the day, Like back in the day when
• 33:16
  Speaker 1: she was with Big just like weird our family, and
• 33:19
  Speaker 1: then you know, as she just progressed, we just begin
• 33:22
  Speaker 1: to hang out more talk more. So do you see
• 33:25
  Speaker 1: a real future like this could be the person I
• 33:28
  Speaker 1: settled down with. I shouldn't have crossed that line, because
• 33:30
  Speaker 1: once you crossed that line, emotions really overwhelmed you know
• 33:34
  Speaker 1: what I'm saying, overwhelmed me and herd So what do
• 33:36
  Speaker 1: you mean, crossed the line like half sex? Yeah, start
• 33:39
  Speaker 1: dating your best friends to look different. Wow, you know
• 33:41
  Speaker 1: CTVJ had a crush you like you did ye when
• 33:44
  Speaker 1: he was a producing serious actually, but I think probably
• 33:47
  Speaker 1: in the last ten years, I would say, like, is
• 33:50
  Speaker 1: he trying to flirt? Let's go like But I never
• 33:53
  Speaker 1: saw him like that, not because we've been real. I
• 33:55
  Speaker 1: have always had twenty of male friends, never dated any
• 33:59
  Speaker 1: of them. I was just really cool like that. I
• 34:01
  Speaker 1: think I really should have been a boy or something,
• 34:02
  Speaker 1: but I'm just cool with dudes. And when I kind
• 34:05
  Speaker 1: of felt like he was trying to come at me,
• 34:07
  Speaker 1: probably the first time, but he never came at me.
• 34:09
  Speaker 1: But I'm like, it's just staring at me, like, oh,
• 34:12
  Speaker 1: let's go, like, oh, he's acting weird. I just kind
• 34:14
  Speaker 1: of took it as my friend. You like, girl, I
• 34:17
  Speaker 1: used to run away from him when you thought he
• 34:19
  Speaker 1: was like because I'm like, I don't want to feel
• 34:21
  Speaker 1: like that. I don't want to think that way about
• 34:22
  Speaker 1: him because I know he know better than that. But
• 34:25
  Speaker 1: I mean, you know, I don't know what made me
• 34:27
  Speaker 1: even finally say okay. He convinced me I ain't even
• 34:31
  Speaker 1: gonna lick even though I was brushing him off, like no,
• 34:33
  Speaker 1: for real, I really want to be with you, like
• 34:34
  Speaker 1: I love you, and I'm like, I love you too,
• 34:37
  Speaker 1: but I don't know if I want to be with you,
• 34:39
  Speaker 1: you know what I'm saying. But I still him. I
• 34:43
  Speaker 1: love him as a friend. I love him, but I mean,
• 34:45
  Speaker 1: it's not like I'm in love with him. How does
• 34:47
  Speaker 1: Stevie J convinced faith because you've been watching the TV,
• 34:54
  Speaker 1: I don't know. He just really convinced me that he
• 34:56
  Speaker 1: really wanted to be in a relationship and convinced me
• 34:59
  Speaker 1: that there was no one else in his life, and
• 35:03
  Speaker 1: I never was completely didn't feel like that. No, no, no, no,
• 35:07
  Speaker 1: not not even not even no. I just felt like,
• 35:11
  Speaker 1: I'm not sure that you're really ready. And I'm I'm
• 35:14
  Speaker 1: mature enough. I mean, I was mature enough going into it, Like,
• 35:16
  Speaker 1: I know there's a fifty fifty chance it may not
• 35:18
  Speaker 1: work out, but I know that I have to be
• 35:20
  Speaker 1: mature enough to be able to maintain our friendship because
• 35:22
  Speaker 1: that just wouldn't make sense, you know. So I'm also
• 35:25
  Speaker 1: smart enough to see when it's time for me to
• 35:29
  Speaker 1: you know. And I did think, well, I did. I
• 35:34
  Speaker 1: did a few times. He ain't complaining either. I ain't
• 35:38
  Speaker 1: heard no complaints, But I mean, I just don't like
• 35:40
  Speaker 1: the drama. Yeah, and I think he might be a
• 35:42
  Speaker 1: little bit addicted to the drama. The Tupac Bio pickI
• 35:46
  Speaker 1: is coming. Are you worried about how you may be portrayed? No,
• 35:52
  Speaker 1: I mean you can't. I can't what other people think
• 35:54
  Speaker 1: about me. It's none of my business. But um, the
• 35:56
  Speaker 1: Tupac movie isn't my story, so I mean, and actually
• 36:00
  Speaker 1: somebody had to near the hit my manager yesterday about
• 36:02
  Speaker 1: being on the sound chat for the movie. But I
• 36:07
  Speaker 1: just I just don't feel like that makes sense because
• 36:09
  Speaker 1: they already got the picture floating around, which is the
• 36:11
  Speaker 1: infamous remake of the picture of you in pop. I
• 36:14
  Speaker 1: guess you're throwing up the w or whatever you mean
• 36:17
  Speaker 1: the picture when I had on the red outfit. Yeah,
• 36:22
  Speaker 1: that was So that wasn't a studio session or something. No.
• 36:24
  Speaker 1: I was actually out of the club and Tretch was
• 36:27
  Speaker 1: with him and he said, too, going to meet me,
• 36:30
  Speaker 1: So you didn't have no reservations. Don't know in the situation.
• 36:33
  Speaker 1: I didn't know what situation it was. Also, the po
• 36:36
  Speaker 1: big thing wasn't at the height when that picture was taking.
• 36:39
  Speaker 1: I don't think it was at the height. Actually it
• 36:41
  Speaker 1: was around the time when that was around the time
• 36:43
  Speaker 1: when I was in LA, when they was on the
• 36:44
  Speaker 1: Big Bad Boy to it, because that's why I was
• 36:45
  Speaker 1: in La writing and for this group. And I think
• 36:49
  Speaker 1: there had been little talks of him saying that he
• 36:52
  Speaker 1: thought they set him up with that whole quad, that's
• 36:55
  Speaker 1: what it was. But Big really didn't. Big didn't want
• 36:58
  Speaker 1: to believe he thought that. That's what I do know.
• 37:01
  Speaker 1: Big didn't really want to believe that Pope thought that
• 37:03
  Speaker 1: because he was like what I mean, he knows better
• 37:05
  Speaker 1: than that. So I mean, I don't think there was
• 37:08
  Speaker 1: any hesitation because when I told Big I met him
• 37:11
  Speaker 1: and that he wanted to do a song with me,
• 37:12
  Speaker 1: he said, are you gonna do? And I said yeah,
• 37:14
  Speaker 1: if they got the money. He didn't tell me not
• 37:16
  Speaker 1: to do it. If he said don't do it, then
• 37:17
  Speaker 1: I wouldn't have do. But I mean again, he was
• 37:20
  Speaker 1: on the road doing his thing. I'm over here trying
• 37:23
  Speaker 1: to be separate and do my own thing. So I'm
• 37:25
  Speaker 1: just looking at him like I'm I'm out here trying
• 37:27
  Speaker 1: to make money anyway, so why not? But um, I
• 37:30
  Speaker 1: could kind of tell very quickly that it felt a
• 37:33
  Speaker 1: little weird because what I went in the studio was
• 37:34
  Speaker 1: all death Row people. I didn't know he was signed
• 37:36
  Speaker 1: to death Row. So then what did you think about Remy?
• 37:38
  Speaker 1: Ma and Sheiza? Did you hear it? Huh? What did
• 37:41
  Speaker 1: you think about that? Because everybody minded me a two
• 37:44
  Speaker 1: parts hit him up. It was just so raw, just
• 37:46
  Speaker 1: so because everybody saying Remy's lying, and I'm like, well,
• 37:49
  Speaker 1: did people say pop with lying? Who cares? It's rat beef?
• 37:52
  Speaker 1: You know? I think she spit on it. That's what
• 37:54
  Speaker 1: I do know, how did it even start? Do y'all
• 37:56
  Speaker 1: know she definitely liminal? Okay, Now, no, Big necessarily didn't
• 38:05
  Speaker 1: do a disrecord back at pop and Nicki Minaj hasn't
• 38:08
  Speaker 1: done a disrecord to Remy mar Do you think that
• 38:11
  Speaker 1: Nicky should do a record? And how come Big never
• 38:12
  Speaker 1: did a disrecord directly the pop? We know we heard
• 38:15
  Speaker 1: the little jabs hearing there when he did him, but
• 38:17
  Speaker 1: it was never completely always that who shot You? Oh no,
• 38:20
  Speaker 1: who Shot You? Was? Actually I remember when Who Shot
• 38:22
  Speaker 1: You was recorded, and that was before that quad thing happened. Actually,
• 38:25
  Speaker 1: I don't know if people really know that, but it
• 38:27
  Speaker 1: was a recorded way before that. It probably was released afterwards, so,
• 38:31
  Speaker 1: you know, just like to Get Money video. I was
• 38:33
  Speaker 1: there when they recorded the song, but when it came
• 38:35
  Speaker 1: out in the video, people thought it was about me.
• 38:37
  Speaker 1: But you know, I always got the impression that Big
• 38:41
  Speaker 1: was really hurt, that he would be manipulated to feel
• 38:44
  Speaker 1: that way about him, you know, And I think it
• 38:47
  Speaker 1: was manipulation only based on what Big always told me
• 38:50
  Speaker 1: about him and Pox's friendships. So what about Brooklyn's finals?
• 38:53
  Speaker 1: Already I always thought he said if Faith had twins,
• 38:56
  Speaker 1: she probably had two pots so that was a shot
• 38:59
  Speaker 1: at you. Yes, okay, And I never I was so
• 39:07
  Speaker 1: because I drove. Okay, here's the team. I remember one day,
• 39:12
  Speaker 1: this is when I was praying to a c J
• 39:14
  Speaker 1: and I had to take Big to the doctor for something.
• 39:17
  Speaker 1: Him and C's were in the car with me and
• 39:19
  Speaker 1: I'm driving and Big played me this jay Z. So
• 39:21
  Speaker 1: I don't remember Big verse was not on it because
• 39:25
  Speaker 1: I know for a fact that line wasn't on it,
• 39:27
  Speaker 1: you know, but he was playing me the thing. He
• 39:28
  Speaker 1: may have been writ into it, I don't know. But
• 39:30
  Speaker 1: when I heard the actual song a couple of months later, actually,
• 39:33
  Speaker 1: my manager she called me, like, you heard this song, girl,
• 39:37
  Speaker 1: I'm gonna kill She said, you ain't got too because
• 39:38
  Speaker 1: I'm gonna get big and so she told me enough,
• 39:42
  Speaker 1: like what but because you know, it was just really
• 39:44
  Speaker 1: number one, I was pissed. But I'm like, why would
• 39:46
  Speaker 1: he do this? Not like he ever questioned like who
• 39:49
  Speaker 1: I was? Right? He never questioned that, So I'm like,
• 39:51
  Speaker 1: why would he even do that? But I never I
• 39:54
  Speaker 1: never said nothing to Big about it until after CJ
• 39:56
  Speaker 1: was born, and I just I was looking at him
• 39:59
  Speaker 1: and he was hold the CJ and I just was
• 40:02
  Speaker 1: looking at him like with that look of disgust, like
• 40:06
  Speaker 1: what are you going to tell your child? Like that's
• 40:08
  Speaker 1: on record, and he just started crying. I'm sorry. I
• 40:12
  Speaker 1: mean I just said I was under pressure. People was
• 40:15
  Speaker 1: just talking and I'm like, I mean it was. But
• 40:20
  Speaker 1: the funny thing is I was plaging it with twins
• 40:21
  Speaker 1: at first. CJ was a twin and the second one
• 40:24
  Speaker 1: didn't develop. Really didn't know that stuff like that all
• 40:29
  Speaker 1: the time, though even then, a lot of other rhymes.
• 40:31
  Speaker 1: He would take stuff we talk about, the personal jokes
• 40:33
  Speaker 1: and put it in a rhyme and make it seem
• 40:35
  Speaker 1: like something real. Although that wasn't a joke, but I mean,
• 40:37
  Speaker 1: you know, he would always take something real and put
• 40:40
  Speaker 1: it in a rhym and kind of exaggerated or you know,
• 40:43
  Speaker 1: a kind of it kind of I wouldn't give my
• 40:46
  Speaker 1: enemy that. I'm not saying that they were real enemies,
• 40:48
  Speaker 1: but if he if Tupacs said that's why fql B,
• 40:50
  Speaker 1: you're kind of confirming it by saying that, right. I
• 40:53
  Speaker 1: think it was more of a joke through that round.
• 40:54
  Speaker 1: I don't think I mean I took it serious because
• 40:58
  Speaker 1: I'm like, what in why would you ever say that?
• 41:01
  Speaker 1: Ain't like you ever said it to me, you know
• 41:03
  Speaker 1: what I mean, like step to me like that then,
• 41:05
  Speaker 1: like he never believed you when you told him you
• 41:07
  Speaker 1: didn't sleep apart. I guess he never made me think
• 41:10
  Speaker 1: he didn't believe me. Really, yeah, the hoel room that
• 41:15
  Speaker 1: actually happened. Okay, that actually happened, but he never made
• 41:18
  Speaker 1: me feel that was him, Like what happened? What's going on?
• 41:20
  Speaker 1: But unfortunately, um, you know, I just had to take
• 41:24
  Speaker 1: a jab on the left chin I guess, you know,
• 41:26
  Speaker 1: jab on the chin in the name of hip hop,
• 41:28
  Speaker 1: like I call it. Because in my wedding ring he
• 41:33
  Speaker 1: took them shopping them a whole bunch of stuff. I'm like,
• 41:36
  Speaker 1: I did all right, well, I mean I wanted to sue.
• 41:41
  Speaker 1: My attorney was like, you know, do you really want
• 41:43
  Speaker 1: to go through that? Is it really worth it? You
• 41:45
  Speaker 1: know what I mean? Like, so I just kind of
• 41:47
  Speaker 1: had to suck it up because I definitely didn't want
• 41:49
  Speaker 1: to spend money. My lawyer's telling me, like, you know,
• 41:51
  Speaker 1: you could be really spending money forever trying to fight
• 41:54
  Speaker 1: because of somebody saying something, you know what I mean.
• 41:56
  Speaker 1: But I was just like, I don't want that to
• 41:57
  Speaker 1: cause no issue like that's it's not cool for him
• 42:00
  Speaker 1: to say that that was my thing, but not really
• 42:03
  Speaker 1: knowing that there was such a bigger issue than you know,
• 42:07
  Speaker 1: him saying that about Big or me, you know what
• 42:09
  Speaker 1: I mean? Did you lose respect from Pod after that? Yeah,
• 42:13
  Speaker 1: he seems really cool at first. You know, he was
• 42:15
  Speaker 1: very cool, but I didn't totally understand, you know, the
• 42:18
  Speaker 1: bigger picture, and I didn't know that I was obviously
• 42:22
  Speaker 1: being kind of a situation that you know, was way
• 42:25
  Speaker 1: bigger than me. I differ. Do you think the rap
• 42:27
  Speaker 1: game would be if Big was still alive, Like, would
• 42:29
  Speaker 1: Big b a mogul on a jay Z level? Would
• 42:32
  Speaker 1: he have I don't know, falling off? Maybe, Like what
• 42:35
  Speaker 1: do you think? I doubt if he would have fallen off,
• 42:38
  Speaker 1: he may may have ended up doing a label thing again,
• 42:42
  Speaker 1: like signing some more artists. Um. I do believe that
• 42:46
  Speaker 1: if Big was alive, we would have done a project
• 42:49
  Speaker 1: like this, or you know, have been trying to do
• 42:51
  Speaker 1: one just knowing the way my mind works, you know,
• 42:54
  Speaker 1: I'm always trying to think of the next thing to do. Um,
• 42:57
  Speaker 1: we probably would have tried to get together and work
• 42:59
  Speaker 1: it out a few more times. If we didn't end
• 43:01
  Speaker 1: up together, but we would definitely be best friends. I'm actually, oh,
• 43:05
  Speaker 1: we're working on a documentary with any Films on Big
• 43:07
  Speaker 1: that's gonna come out April eleven. It's like more of
• 43:10
  Speaker 1: a personal account of who he was, just a little
• 43:12
  Speaker 1: funny stories and stuff from people that were close to him.
• 43:17
  Speaker 1: I'm actually doing a biopic on my memoir too, so
• 43:20
  Speaker 1: that'll be out hopefully the end of this year. And
• 43:22
  Speaker 1: are you gonna feel the need to I don't know.
• 43:24
  Speaker 1: I guess defend yourself in a sense I've never done that. Yeah, yeah,
• 43:28
  Speaker 1: but you can't let them tell the story everybody like.
• 43:30
  Speaker 1: I like the fact that everybody that's getting these biopics,
• 43:32
  Speaker 1: a lot of people are still alive. The executive producer
• 43:36
  Speaker 1: on it, and I'm working closely with the screenwriter. It's
• 43:38
  Speaker 1: definitely not gonna be something other than what I would
• 43:42
  Speaker 1: want to see on the screen. And I like to
• 43:44
  Speaker 1: be really tactful but honest, you know what I mean.
• 43:47
  Speaker 1: I know there's a lot of things even in my
• 43:48
  Speaker 1: book that I was very um honest about, and if
• 43:52
  Speaker 1: I do decide to show something that was in my book,
• 43:55
  Speaker 1: that's for example, like the situation with me and Kim.
• 43:59
  Speaker 1: Even in my book, I was you know, I was
• 44:00
  Speaker 1: very clear about, well, this is how I felt then
• 44:03
  Speaker 1: because obvious of obvious reasons. But you know, I don't
• 44:06
  Speaker 1: feel that way anymore. So. Actually a couple of times
• 44:10
  Speaker 1: before Charlie too. No, but the second time, if Kim
• 44:13
  Speaker 1: I thought it was hurt, I was in the bed.
• 44:15
  Speaker 1: Come on, I didn't. It was kind of like in
• 44:19
  Speaker 1: the movie when you knocked on the hotel door. And
• 44:21
  Speaker 1: that was the first time. But that wasn't Kim. That
• 44:23
  Speaker 1: was somebody else. But I ain't stay beating nobody. I
• 44:29
  Speaker 1: just was very you know, so you thought to do
• 44:32
  Speaker 1: what I had to do. Well, because that was his
• 44:35
  Speaker 1: girlfriend at the time. Yeah, him was like under the covers,
• 44:38
  Speaker 1: hiding the sleep. It was Kim, okay, I know, so
• 44:42
  Speaker 1: you started hitting on him. It was dark. I had
• 44:45
  Speaker 1: on a scully and a goose down. But we didn't
• 44:52
  Speaker 1: really I wouldn't even say we quite got to scrap,
• 44:54
  Speaker 1: you know what I mean, because it happened so quickly.
• 44:56
  Speaker 1: Who you by myself? First of all, how did you
• 44:59
  Speaker 1: see me on them like that? They didn't hear you.
• 45:01
  Speaker 1: The garage was broken and the elevator was in the
• 45:04
  Speaker 1: garage that led right us. See, I'm a real you know,
• 45:06
  Speaker 1: I'm real like you know, I'll be mapping it out
• 45:09
  Speaker 1: like that. I had all my factors in place already,
• 45:11
  Speaker 1: and it was in Tea, the big water to the house. Yeah,
• 45:17
  Speaker 1: I'm sure that you beat it all the time. It
• 45:19
  Speaker 1: wasn't my house, big wrote the tin Cracker Maners In
• 45:21
  Speaker 1: the Tin Cracker Man, he said, never sell crack where
• 45:23
  Speaker 1: you rest. That you shouldn't have sex with your other
• 45:25
  Speaker 1: woman where you rest. That either, Well, that wasn't our
• 45:27
  Speaker 1: home together. I have I had a house in South Jersey.
• 45:30
  Speaker 1: We had we have been separated. So who breaks he broke, youlla? Well, no,
• 45:35
  Speaker 1: he could barely get up. He had a rod in
• 45:37
  Speaker 1: his leg. But everybody heard the ruckets or all of
• 45:39
  Speaker 1: the dudes came in the room like he was like so,
• 45:48
  Speaker 1: But I stayed there for the rest of the day.
• 45:50
  Speaker 1: It was Christmas morning, and I cook breakfast absolutely and dinner. Yes,
• 45:58
  Speaker 1: at some point it wasn't uber back then. I have
• 46:02
  Speaker 1: no idea, but my land Cruiser was scratched up from
• 46:04
  Speaker 1: the root to the honey when I went outside. Bad
• 46:12
  Speaker 1: what you're doing on what lifetime or something? I'm no
• 46:16
  Speaker 1: a bigger network than that. But I think they're gonna
• 46:19
  Speaker 1: make their press release announcement like, oh so it's coming
• 46:22
  Speaker 1: coming this year. I would love to interview the random
• 46:25
  Speaker 1: woman who Faith beat up because she was sleeping with
• 46:27
  Speaker 1: a couple one in that hotel. Yeah. Oh she was
• 46:29
  Speaker 1: a black girl too, by the way, the movie have
• 46:31
  Speaker 1: a white girl. Yeah, she's in Virginia, Norfolk area somewhere.
• 46:36
  Speaker 1: I don't know her, but I know where. That's That's
• 46:40
  Speaker 1: where it was at because I called my friends that
• 46:41
  Speaker 1: come keep shotting, and I jumped on an early flight
• 46:44
  Speaker 1: to Hampton, went to the hotel, got on the next
• 46:46
  Speaker 1: flight back to prison. My goodness, Well, we appreciate you
• 46:49
  Speaker 1: for joining us. But so, I mean, this is all
• 46:51
  Speaker 1: laughing about the bad. I'm not that I'm forty three.
• 46:55
  Speaker 1: I don't like to fight. But if somebody once stepped
• 46:58
  Speaker 1: to me the they might have a problem. But I don't.
• 47:00
  Speaker 1: That's not my thing. I'm really cool and funny. I
• 47:02
  Speaker 1: like to make jokes, you know. I like to make
• 47:04
  Speaker 1: good music. And that album comes out May nineteen. Oh yeah,
• 47:08
  Speaker 1: the album is about for pre order now. Pre ordered
• 47:10
  Speaker 1: the album right now. Some bloom pre order the album.
• 47:12
  Speaker 1: The King and I is available May nineteenth, and it's
• 47:15
  Speaker 1: the Breakfast Club's Faith Evans Bliss. Oh goshu report guys
• 47:23
  Speaker 1: with Angel's report the Breakfast Club. Well, if you guys recalled,
• 47:30
  Speaker 1: we were at CIBAA and Charlotte, North Carolina, and young
• 47:34
  Speaker 1: Daff while we were out there, his vehicle got shot up.
• 47:36
  Speaker 1: Fortunately his vehicle was a bulletproof and he was not harmed. Well,
• 47:40
  Speaker 1: he is speaking out. He was on TMZ and here's
• 47:43
  Speaker 1: what he had to say about what happened and who
• 47:45
  Speaker 1: would possibly be targeting him, whatever was going on, they
• 47:49
  Speaker 1: couldn't do it. When they couldn't The thing called people
• 47:54
  Speaker 1: trigging people out the streets, get people unfocused on what
• 47:57
  Speaker 1: they're doing. That's all it is. You know what I'm saying,
• 47:59
  Speaker 1: Like Dolf built itself up, and Billy and said when
• 48:02
  Speaker 1: he'm becoming a superstar and all, let us thow Dolf
• 48:05
  Speaker 1: off right quick. He's doing too much. Come on now,
• 48:07
  Speaker 1: man to see the kine They mentioned Memphis. They say,
• 48:10
  Speaker 1: dolfy kine on, now, he doing too much. Don't get
• 48:13
  Speaker 1: mad at me when I'm doing my thing, all right.
• 48:16
  Speaker 1: So he's saying that he wasn't even anywhere near the
• 48:18
  Speaker 1: crime scene. He said, that wasn't my car, that wasn't me,
• 48:21
  Speaker 1: that was my brother. I'm Dolf Cabana, that's Dolf Obama. Oh,
• 48:24
  Speaker 1: I mean, if the bullets were intended for you, I mean,
• 48:26
  Speaker 1: I'm happy you weren't nowhere near the scene, but the
• 48:27
  Speaker 1: bullets was still intended for you. That's really the issue.
• 48:30
  Speaker 1: Thank god. He had a bulletpoof bihiggle right, So I
• 48:34
  Speaker 1: don't know what's going on with that, but he did
• 48:35
  Speaker 1: say his bulletpoof chock costs three hundred thousand dollars and
• 48:37
  Speaker 1: it took about four months to build it, and he
• 48:39
  Speaker 1: has two of them. He clearly he knows what's up. Yeah,
• 48:44
  Speaker 1: clearly you know that people got an issue with you,
• 48:46
  Speaker 1: my brother. Police are still investigating. Okay, Nicky Young his
• 48:50
  Speaker 1: house got robbed again in la Oho. This is crazy
• 48:54
  Speaker 1: and la is crazy, all these people's houses getting robbed
• 48:57
  Speaker 1: as a lake we told you about. Oh, we didn't
• 48:58
  Speaker 1: even talk about y'all. Celpewig, who's his house got robbed
• 49:01
  Speaker 1: just last week. He's a place with the Dodgers. Oh yeah, yeah, yeah,
• 49:05
  Speaker 1: we mentioned that. I think we mentioned it. We talked
• 49:07
  Speaker 1: about it in the room. But I don't know if
• 49:09
  Speaker 1: we reported it in the in the room and report,
• 49:11
  Speaker 1: Alanis Maria said, Derek Fisher Um big Seawn's house got robbed.
• 49:15
  Speaker 1: Nicki Minaj's house got robbed. Why does everybody know everybody
• 49:18
  Speaker 1: lives at in La. They had that star maps thing,
• 49:21
  Speaker 1: you know, the star mass where they know where all
• 49:23
  Speaker 1: the homes of the famous people are. They sell those
• 49:26
  Speaker 1: all right. Well, anyway, according to authorities, his house was
• 49:30
  Speaker 1: robbed in February and then again and these people made
• 49:33
  Speaker 1: it through his house through an unlocked door. They took
• 49:35
  Speaker 1: about thirty thousand and cast three goal chains, a custom ring,
• 49:38
  Speaker 1: and then they stole a whole entire safe. They probably
• 49:41
  Speaker 1: took that safe because they can't get that stuff out.
• 49:43
  Speaker 1: Let's take the safe and get it out later. I
• 49:45
  Speaker 1: stoldlet safe about somebody house before back in by what
• 49:48
  Speaker 1: criminal days? What's was it safe? Big safe? Now? I
• 49:51
  Speaker 1: was one of these small joints. You managed to pop
• 49:54
  Speaker 1: it open, yes we did, And guess what was in there?
• 49:56
  Speaker 1: One rubber band? Really one rubber band, you was sick,
• 50:01
  Speaker 1: not a rubber band full of money on rubber band.
• 50:05
  Speaker 1: But if it was a note, they said, yeah, one
• 50:08
  Speaker 1: rubber band. That's all I wasn't there was it? Worth? No?
• 50:15
  Speaker 1: All right? Robin Thick and Paula Patton more issues with
• 50:18
  Speaker 1: custody over their son Julian. Now, Paula Patton's nanny actually
• 50:22
  Speaker 1: had to call nine one one, and what she's saying
• 50:25
  Speaker 1: is that young Julian who's six years old, every time
• 50:27
  Speaker 1: he's supposed to go with his dad, he is a wreck.
• 50:29
  Speaker 1: Now we told you before that Julian had went to
• 50:31
  Speaker 1: school and says that his dad, Robin Thick, uses excessive
• 50:35
  Speaker 1: physical punishment on him and he's being investigated for that already. Well,
• 50:38
  Speaker 1: here's what the nanny said on this nine one one call.
• 50:41
  Speaker 1: We have we have a court order document that you know,
• 50:43
  Speaker 1: child does not want to go in this FOLI, he
• 50:45
  Speaker 1: doesn't have to go, and now we feel like we're
• 50:46
  Speaker 1: being in force. We need you to come in force
• 50:48
  Speaker 1: the order. We have a restrating order. The person is
• 50:51
  Speaker 1: within distance of the restraining order, he's in violation of
• 50:55
  Speaker 1: it currently and this child is literally begging for me
• 50:58
  Speaker 1: and everyone to call nine one one. That's how much
• 51:00
  Speaker 1: he does not want to go. He's six years old
• 51:03
  Speaker 1: and literally every time we have these visits the night
• 51:06
  Speaker 1: before the day before, like the day of he's crying,
• 51:09
  Speaker 1: trying to avoid this, like the plague, like it needs
• 51:11
  Speaker 1: to end. They build that kid up to that. They
• 51:14
  Speaker 1: build that kid up to that, there's no way a
• 51:15
  Speaker 1: five six year old knows to call nine one one
• 51:17
  Speaker 1: and all that they build that kid, They give that
• 51:19
  Speaker 1: kid dad as an ount. Well, we don't really know
• 51:21
  Speaker 1: what's going on though, because if this child is really
• 51:23
  Speaker 1: freaking out and saying that the dad is that's putting
• 51:27
  Speaker 1: his head like that, no kid's going to know to
• 51:29
  Speaker 1: call five o'clock because his dad had unusual punishment. Because
• 51:32
  Speaker 1: I don't know if the kid said it like that,
• 51:34
  Speaker 1: but we don't know he said, oh, my dad is
• 51:36
  Speaker 1: using excessive punishment. But if he's going to school and
• 51:39
  Speaker 1: he saying that his dad is being you have to investigate.
• 51:42
  Speaker 1: There's nothing you can do about that. If your child
• 51:44
  Speaker 1: there's something wrong and you get popped and you allow
• 51:46
  Speaker 1: him to be able to use that as an ount,
• 51:47
  Speaker 1: he's going to use that every single time he gets
• 51:49
  Speaker 1: in trouble. All I'm saying is we don't know what's
• 51:51
  Speaker 1: going on at all period. It could be something, it
• 51:54
  Speaker 1: could be nothing. We just don't know. But I think
• 51:56
  Speaker 1: the right thing to do is to see what it is.
• 51:59
  Speaker 1: All Right, Little Wayne is debuting Young Money Radio at
• 52:01
  Speaker 1: south By Southwest. He's gonna be hit in the air
• 52:04
  Speaker 1: and he's gonna be on for on the radio. He's
• 52:07
  Speaker 1: doing internet radio, so he's starting that at his headlining
• 52:11
  Speaker 1: showcase at south By Southwest. Now, I don't know how
• 52:14
  Speaker 1: much longer this is gonna last. He's gonna have his
• 52:16
  Speaker 1: own You don't think you think it's just this one
• 52:18
  Speaker 1: time thing. It's not gonna last because he has to
• 52:20
  Speaker 1: be consistent on the radio and that's not gonna last last.
• 52:23
  Speaker 1: You'll see us putting out albums some people do. Dan,
• 52:27
  Speaker 1: you're Lane Wayne. I ain't want to hit you over
• 52:29
  Speaker 1: here in this radio world. Well, he's going to be
• 52:31
  Speaker 1: doing exclusive interviews for the launch of the station, so
• 52:34
  Speaker 1: I don't know if he's interviewing people, he's letting people
• 52:36
  Speaker 1: interview him. That could be interesting, Little Wayne interviewing people,
• 52:40
  Speaker 1: I got I mean, you know, if it was things
• 52:42
  Speaker 1: that he was actually interested in, like skateboard and sports,
• 52:44
  Speaker 1: you don't even know. You don't even know the rappers
• 52:46
  Speaker 1: that are here, he claimed. He claimed not to know
• 52:48
  Speaker 1: who Kodec Black is. Little YADDI all these new rappers.
• 52:50
  Speaker 1: Are you going to interview some of the people that
• 52:52
  Speaker 1: he does know you? No, it would be dope loring
• 52:54
  Speaker 1: Wayne talking to himself, Little Wayne giving himself a deposition
• 52:57
  Speaker 1: would be amazing. I tune into that. All right, Well
• 53:01
  Speaker 1: I'm angela ye and that is your rumor report. Thank you,
• 53:03
  Speaker 1: miss yeh, yes, So you're giving it down. Two man,
• 53:06
  Speaker 1: this is a moment straight out of a Dave Chappelle
• 53:10
  Speaker 1: TV show. This is a Boondocks you know n word moment.
• 53:14
  Speaker 1: You need two dead people to come to the front
• 53:16
  Speaker 1: of the congregation. The name is a Kenyon Molitor and
• 53:19
  Speaker 1: el Roy Ashley. Probably tell you how they died. They're
• 53:21
  Speaker 1: probably already we syndicated in limbo. They listening to us
• 53:25
  Speaker 1: right now, Okay, we are. We'll get into it when
• 53:27
  Speaker 1: we come back. Keep the locking. It's time for Donkey
• 53:32
  Speaker 1: of the Day, Democrat, so being Dunky of the day
• 53:38
  Speaker 1: a little bit of a mix, so like a dope
• 53:41
  Speaker 1: the day. Now, I've been called a lot in my
• 53:47
  Speaker 1: twenty three years, but Dunkey of the Day is a
• 53:49
  Speaker 1: new one. Donk you today for thirsday. March and Knife
• 53:54
  Speaker 1: goes to Kenyon, Charles Molitor and el Roy Ishmael Ashley.
• 53:58
  Speaker 1: I think I pronounced their names right there from saying Augustine, Florida. Now,
• 54:01
  Speaker 1: I've told you over and over the craziest people in
• 54:03
  Speaker 1: America absolutely or from Florida. I don't even think it's close. Okay,
• 54:07
  Speaker 1: the Bronx is a close second, but all of Florida
• 54:10
  Speaker 1: is nuts, all right. Nine out of ten, damn that
• 54:13
  Speaker 1: really happened. Stories come out of Florida, and this story
• 54:16
  Speaker 1: between Kenyon Molitor and Elroy Ashley is one of those stories.
• 54:19
  Speaker 1: Now Kenyon is twenty five and Elroy is thirty, respectively. Well,
• 54:23
  Speaker 1: they were twenty five and thirty. That's how it ended.
• 54:27
  Speaker 1: They got into an argument with each other online and
• 54:28
  Speaker 1: decided to meet up and handle their issues in person.
• 54:31
  Speaker 1: I'm sitting here shaking my head because I'm wondering why
• 54:33
  Speaker 1: either one of them have that kind of time. Okay,
• 54:36
  Speaker 1: I get into it with people on social media often.
• 54:38
  Speaker 1: I'm not proud of that fact, and I try my
• 54:40
  Speaker 1: hardest not to get into it with the thumb thugs,
• 54:42
  Speaker 1: the broadband blood, the cyber cripts of the world. I
• 54:45
  Speaker 1: pray to God to give me strength, take no the
• 54:48
  Speaker 1: digital death threats to have thrown my way, but Kenyon
• 54:50
  Speaker 1: and Elroy didn't have that scrimp because they said fall
• 54:53
  Speaker 1: of that snap cappin Okay, all in Instagram intimidation tactics.
• 54:58
  Speaker 1: They decided to pull up on e each other at
• 55:00
  Speaker 1: this convenience store and this happened. Let's go to WJXTTV
• 55:04
  Speaker 1: news Channel full for the report Police Scott. It was
• 55:06
  Speaker 1: according to investigators, and they say that online dispute had
• 55:10
  Speaker 1: been ongoing for some time. It led to them meeting
• 55:13
  Speaker 1: up at this convenience store and then the shooting taking
• 55:17
  Speaker 1: place while many people were going into and coming out
• 55:20
  Speaker 1: of that store. It wasn't until hours after the shooting
• 55:23
  Speaker 1: the detectives learned thirty year old Elroy Ashley and twenty
• 55:26
  Speaker 1: five year old Canyon Monitor agreed to meet here to
• 55:29
  Speaker 1: settle a previous dispute, but it was a dispute that
• 55:32
  Speaker 1: turned bloody when police say both men started shooting at
• 55:35
  Speaker 1: each other. The exchange of gunfire left both men wounded.
• 55:38
  Speaker 1: Monitor died at the scene. Hours after arriving at the hospital,
• 55:41
  Speaker 1: Ashley died from his injuries as doctors tried to save
• 55:44
  Speaker 1: his life. I love Twitter, okay, I love Instagram, I
• 55:49
  Speaker 1: like Snapchat. I love social media. As a whole were
• 55:53
  Speaker 1: not enough to die for it. Okay, I understand social
• 55:55
  Speaker 1: media is the new way to communicate, but I refused
• 55:57
  Speaker 1: to take anything I see on social media this serious?
• 56:01
  Speaker 1: All right? I want to pull up on someone with
• 56:04
  Speaker 1: my pistol. No, Okay, I refuse because we have to
• 56:07
  Speaker 1: understand these people on social media don't know us. And
• 56:10
  Speaker 1: if I do find myself in a dispute with someone
• 56:11
  Speaker 1: I know on social media, I'm gonna stop that before
• 56:14
  Speaker 1: it even starts. Okay, and I might call that person,
• 56:16
  Speaker 1: but what I'm not gonna do is take a penitentiary
• 56:19
  Speaker 1: chance or risk my life over social freaking media. Okay,
• 56:22
  Speaker 1: we don't know what the afterlife is, but if it
• 56:24
  Speaker 1: is like a waiting room and you're sitting around waiting
• 56:26
  Speaker 1: to see your creator, to see where you're going to
• 56:28
  Speaker 1: spend the rest of your afterlife and someone asks you
• 56:31
  Speaker 1: what you're in for and your dumb asset has gotten
• 56:34
  Speaker 1: into it with this f boy on Facebook, had to
• 56:37
  Speaker 1: pull up on them real quick, na, bro, Look, tomorrow
• 56:42
  Speaker 1: of the story is this. When somebody pisses you off
• 56:44
  Speaker 1: on social media, says something you don't like, you don't
• 56:48
  Speaker 1: have to reply. It's plot buttons. It's mute buttons you
• 56:51
  Speaker 1: can unfollow. It's all kind of ways to avoid pulling
• 56:54
  Speaker 1: up on someone and shooting and killing them at a
• 56:56
  Speaker 1: convenience store. Okay, learn from the mistakes of other kids.
• 57:00
  Speaker 1: Please give Kenyon, Charles Malton and elroy Ishmael actually the
• 57:03
  Speaker 1: biggest he Hall. What were these tweets? I don't know that. Yeah,
• 57:09
  Speaker 1: what was the argument? That's what I want. I want
• 57:11
  Speaker 1: to know what was in these tweets? You know what
• 57:14
  Speaker 1: it is, man, It's just when when you when you
• 57:16
  Speaker 1: say something in front of like like if you're arguing
• 57:18
  Speaker 1: with somebody and it's just you and them, it's just
• 57:21
  Speaker 1: you and that other person, right, it's not bad, it can't.
• 57:23
  Speaker 1: It probably won't get out of hand, or when other
• 57:25
  Speaker 1: people are around you start thinking about what other people
• 57:29
  Speaker 1: and your ego you feel like your pride hurt will
• 57:32
  Speaker 1: meet me at the seven eleven then, right now, such
• 57:35
  Speaker 1: a such an address. If you bout it, bout it full,
• 57:39
  Speaker 1: ain't no way in hell I'm gonna be honest. If
• 57:43
  Speaker 1: you they deserve to have nobody come to their funeral,
• 57:46
  Speaker 1: that's one of these funerals I wouldn't even show up to.
• 57:48
  Speaker 1: Like now, I'm ashamed how you died, sir, Oh my goodness.
• 57:50
  Speaker 1: All right, if they were shamed of how a person died,
• 57:52
  Speaker 1: you don't have to go to the that's a rule.
• 57:54
  Speaker 1: Yes you do, Yes you do. All right, Well, thank
• 57:57
  Speaker 1: you for that. Dog of the day. When we come back,
• 58:00
  Speaker 1: Premiere will be joining us DJ Premiere, DJ Primo, So
• 58:03
  Speaker 1: we're gonna kick for so many people in the industry.
• 58:07
  Speaker 1: Of course, he was with Gang Star. He produced the
• 58:08
  Speaker 1: notorious Big jay Z, Christina ag Lara, just the name
• 58:12
  Speaker 1: of you. So we'll get into that when we come back.
• 58:14
  Speaker 1: Keeping locked this to Breakfast Club comring when everybody is
• 58:17
  Speaker 1: DJ n D Angela, Ye, Charlotte and the guy. We
• 58:20
  Speaker 1: are the Breakfast Club. We got a special guest in
• 58:22
  Speaker 1: the building, a legend DJ Premio. What's going on everybody? Now?
• 58:26
  Speaker 1: You're doing? Man, what's happening to my brother? I'm good,
• 58:28
  Speaker 1: I'm good. Good to be here. He's been when we
• 58:32
  Speaker 1: did the thing, he was like, yeah, we gotta get
• 58:34
  Speaker 1: you on Breakfast Club man. First when I saw him
• 58:38
  Speaker 1: at at the Montreal in La way back waiting for
• 58:43
  Speaker 1: my card, and you said, I gotta get you on
• 58:45
  Speaker 1: the absolute. We've been almost three years Premier years ago.
• 58:49
  Speaker 1: Premiere is a legend, man, I mean is crafted some
• 58:52
  Speaker 1: of the greatest hip hop records of all time, were
• 58:54
  Speaker 1: through some of the greatest hip hop artists and still
• 58:57
  Speaker 1: making hits. Oh yeah, I'm talking the beginning, sopping to beginning. Now,
• 59:00
  Speaker 1: how didn't Premier getting into DJ? How did it start? Well,
• 59:04
  Speaker 1: I'm originally I was born in fifth Ward. He t
• 59:07
  Speaker 1: to ghett boys, you know, Houston, and I moved to
• 59:09
  Speaker 1: a town called Prairie of View, real small country town.
• 59:12
  Speaker 1: My mother really really had music popping since since I
• 59:17
  Speaker 1: can remember. So from that point, I was always fascinated
• 59:21
  Speaker 1: with the way a record looks. It look like a
• 59:23
  Speaker 1: toy because you know, the little colors and you know
• 59:26
  Speaker 1: Motown seeing the map and it's spinning around and Tamela records,
• 59:31
  Speaker 1: and that's what I remember. And my mother's always say it,
• 59:34
  Speaker 1: don't you ever touch the top of that record. You
• 59:36
  Speaker 1: hold it from the side that record. And I've gotten
• 59:40
  Speaker 1: a lot of beatings, you know, you know, that's when
• 59:42
  Speaker 1: you could beat your kids and you don't have a
• 59:44
  Speaker 1: you know, acs picking you know, picking me up for
• 59:47
  Speaker 1: a beauty child abuse. We got our weapons. So that's
• 59:50
  Speaker 1: really where it comes from and then you know, once
• 59:52
  Speaker 1: it got to the point my grandfather lived in Brooklyn,
• 59:55
  Speaker 1: which is my mom's pop, I started to get fascinated
• 59:57
  Speaker 1: with the whole New York scene because we always go
• 59:59
  Speaker 1: every summer. I'm to stay with him. Right once we
• 1:00:01
  Speaker 1: started staying with him and I started seeing the B
• 1:00:04
  Speaker 1: Boys and things like that. I was there for the
• 1:00:06
  Speaker 1: for the Black Out of seventy seven. I was there. Wow.
• 1:00:08
  Speaker 1: I always wondered, how did a brother born in Houston
• 1:00:10
  Speaker 1: end up being one of the producers that shaped the
• 1:00:12
  Speaker 1: sound in New York? Because you got his own unique
• 1:00:14
  Speaker 1: sound as well. How did you meet Gangstar? Get us
• 1:00:19
  Speaker 1: funny because most people would whenever people would see us
• 1:00:21
  Speaker 1: together from Boston, whenever people would see me, either by myself,
• 1:00:27
  Speaker 1: they'd be like, your Premier, what's up? Man? We was
• 1:00:29
  Speaker 1: Gangstar When they said your gangs, I was up? Was
• 1:00:31
  Speaker 1: up Premier, So it was always you know, and he
• 1:00:33
  Speaker 1: is gang started you know to technically before I joined
• 1:00:36
  Speaker 1: the group, but a gangster already existed back with the
• 1:00:40
  Speaker 1: original that the originators was Big Sug, Shug's brother swab
• 1:00:44
  Speaker 1: D and Gurgle. They were in the Moore House at
• 1:00:47
  Speaker 1: the time, and when they got together in more House. Uh,
• 1:00:51
  Speaker 1: they were called the Gangsters. That should name that. Then
• 1:00:54
  Speaker 1: they switched it and said, you know what, that's a
• 1:00:56
  Speaker 1: little too tough back then, you know, we're talking about
• 1:00:59
  Speaker 1: early eighties. And then they changed the gang Star and
• 1:01:02
  Speaker 1: that that stuck, so really should swab d and Grew
• 1:01:05
  Speaker 1: are the originators of that name. I heard Gangstar on
• 1:01:08
  Speaker 1: on Kiss we read Alert one day a song called
• 1:01:11
  Speaker 1: Buster Move Boy, and I thought they were called game
• 1:01:14
  Speaker 1: Stop because the action, because you know, he's saying gang stole.
• 1:01:19
  Speaker 1: I thought it was game Stop, you know, I mean
• 1:01:21
  Speaker 1: the accent was heavy back. Yeah. Yeah. I didn't join
• 1:01:25
  Speaker 1: them to the third the third single, but so there
• 1:01:28
  Speaker 1: were no albums yet, just twelve minutes, y'all know. The
• 1:01:30
  Speaker 1: era of the eighties was mainly albums were still rare.
• 1:01:33
  Speaker 1: Did you have any reservations about working with Gangstar because
• 1:01:36
  Speaker 1: they were from Boston and you were so New York
• 1:01:38
  Speaker 1: and nah, because I mean we were both, you know,
• 1:01:40
  Speaker 1: from another place. We wanted to just get The main
• 1:01:43
  Speaker 1: thing at that time wasn't even the money. We just
• 1:01:45
  Speaker 1: wanted New York to say, Yo, y'all are dope, And
• 1:01:47
  Speaker 1: at that time everybody wanted that from from the Nways
• 1:01:51
  Speaker 1: to to everybody else, even though they repped where they
• 1:01:53
  Speaker 1: were from from the West Coast, you still wanted the
• 1:01:56
  Speaker 1: New York except do you think New York shaped? Y'allie
• 1:02:00
  Speaker 1: all shaped New York, especially being that you from Houston
• 1:02:02
  Speaker 1: from US. Yeah, yeah, then they shaped us because they
• 1:02:05
  Speaker 1: showed us how to do it. And then after seeing
• 1:02:07
  Speaker 1: how to do it, you want to make sure that
• 1:02:09
  Speaker 1: that all the people. I just wanted mel email to
• 1:02:11
  Speaker 1: say you were dobe and flash and I want to
• 1:02:14
  Speaker 1: epm D to say you're dope and and then they're like, yo,
• 1:02:17
  Speaker 1: come on tour with us. And that was our first
• 1:02:18
  Speaker 1: major tour with epm D, with DJ Quick, all the
• 1:02:21
  Speaker 1: MC and Gangstar and Chubb Rock. Yeah we did something
• 1:02:26
  Speaker 1: with check remember and uh still making it was a
• 1:02:34
  Speaker 1: something a national merit scholar. Wow. Yeah, I just remember
• 1:02:40
  Speaker 1: as a DJ growing up, we should try to idolize
• 1:02:43
  Speaker 1: and follow your cuts, your scratches because it were easy
• 1:02:46
  Speaker 1: to see on the records because like a duck, you
• 1:02:48
  Speaker 1: would try to do it and try to figure it
• 1:02:50
  Speaker 1: out all the time. So you taught a lot of people.
• 1:02:52
  Speaker 1: So now how did you hook up with Biggie? Were big?
• 1:02:55
  Speaker 1: We're big. Now you did the gang star stuff and
• 1:02:58
  Speaker 1: you did the Wick, and now how was the big
• 1:03:00
  Speaker 1: because you and big chemistry was like we used always
• 1:03:04
  Speaker 1: go by forties and you know we are oldies. Yeah,
• 1:03:07
  Speaker 1: we were all ahead, you know, and uh, you know
• 1:03:10
  Speaker 1: everybody knows ain't no secret group can drink. So we'd
• 1:03:13
  Speaker 1: go on the block one day, you know, and this
• 1:03:16
  Speaker 1: is now going into ninety two and just gonna taking
• 1:03:19
  Speaker 1: personals out, dwinkers out. We're popping big times. And we
• 1:03:23
  Speaker 1: always go to the corner on Fort in Washington, to
• 1:03:25
  Speaker 1: the corner store, and Biggie would be out there on
• 1:03:26
  Speaker 1: the corner and he already knew who we were. Shout
• 1:03:29
  Speaker 1: the Nino Cheeko, the whole junior mafia. We used just
• 1:03:31
  Speaker 1: hang de Rock, Yeah, de Rock, Yes, yes, shout the
• 1:03:34
  Speaker 1: de Rock gutter everybody. So we used to go on
• 1:03:36
  Speaker 1: the block, Coup be forty, go to the go to
• 1:03:38
  Speaker 1: the spot on the corner to light up standing there
• 1:03:41
  Speaker 1: and just rapp with him because he already knew who
• 1:03:43
  Speaker 1: we were, and he was like, yo, man, I want
• 1:03:45
  Speaker 1: to get on. I want to get on. And we
• 1:03:47
  Speaker 1: had already knew that Puff was was already you know,
• 1:03:50
  Speaker 1: looking into working with him because he already had the
• 1:03:52
  Speaker 1: you know, he's working at Uptown with MCA deal prior
• 1:03:55
  Speaker 1: to bad Boy. And then as things started to trickle
• 1:03:58
  Speaker 1: down and Puff started coming to do on the way
• 1:04:00
  Speaker 1: to get Biggie, Biggie was like, Yo, I'm gonna to
• 1:04:02
  Speaker 1: a demo and they sing. You knew he was on
• 1:04:04
  Speaker 1: the Who's the Man soundtrack? It was Biggie nice things.
• 1:04:06
  Speaker 1: You knew he was gonna be, especially he turned on
• 1:04:08
  Speaker 1: me yet, because honestly, I gotta give mister C the credit.
• 1:04:11
  Speaker 1: Man and mister C lived down the block from us,
• 1:04:14
  Speaker 1: and he used to always really annoy me about Biggie
• 1:04:19
  Speaker 1: Small's Biggie Smalls. I'm like, I'm gonna listen to it.
• 1:04:21
  Speaker 1: I'm gonna listen to it. Used to give me these cassettes.
• 1:04:23
  Speaker 1: I just would never listen to it. I was we
• 1:04:25
  Speaker 1: were kind of acting where I was kind of all right,
• 1:04:27
  Speaker 1: all right, right, and uh, he's seen me again, and
• 1:04:30
  Speaker 1: see it would be like, Yo, Biggie Small's Biggie Smalls.
• 1:04:32
  Speaker 1: That's why you know, he does deserve a lot of
• 1:04:35
  Speaker 1: credit for big And he kept pushing it and pushing it.
• 1:04:37
  Speaker 1: One day I finally heard the demo and then we
• 1:04:40
  Speaker 1: met Big. So once we met him, you know, that's
• 1:04:42
  Speaker 1: when he did one laid back. Then he was the
• 1:04:44
  Speaker 1: hyper voice before this, before all Right. We got more
• 1:04:49
  Speaker 1: with Premote when we come back, don't Move. It's the
• 1:04:52
  Speaker 1: Breakfast Club Good Morning Party is DJ Envy Angela Yee,
• 1:04:57
  Speaker 1: Charlomagne the guy we all the Breakfast Club DJ prom
• 1:05:00
  Speaker 1: It is in the building, Charles the twentieth anniversary A
• 1:05:03
  Speaker 1: Big Death. This is an interesting conversation. It's two stories
• 1:05:05
  Speaker 1: that always wanted to ask you about. Jerry the Damage.
• 1:05:08
  Speaker 1: Used to do a lot of work with him, but
• 1:05:10
  Speaker 1: he used to come at like big sod that did
• 1:05:12
  Speaker 1: that affect you? And Big it affected us. Basically, what
• 1:05:16
  Speaker 1: happened was we did a record call one day on
• 1:05:19
  Speaker 1: the Wrath of the Math album, that's the second album,
• 1:05:21
  Speaker 1: because him and Big, all of us just hang on
• 1:05:23
  Speaker 1: a regular When we did Rath of the Math, we
• 1:05:27
  Speaker 1: were recording the album and we did a song. I
• 1:05:28
  Speaker 1: did a beat and he was like, Yo, I want
• 1:05:31
  Speaker 1: to talk about how I see a pop right now,
• 1:05:34
  Speaker 1: my vision of it, and it's gonna be almost like
• 1:05:36
  Speaker 1: something that happened just in a day. So he wrote
• 1:05:39
  Speaker 1: it in that way and I remember when he did
• 1:05:41
  Speaker 1: it one of the homies and our crew was like,
• 1:05:45
  Speaker 1: you ain't putting that out right? You know, he maybe
• 1:05:48
  Speaker 1: just doing this a bug out, just like our own
• 1:05:50
  Speaker 1: little little thing. That was like, nah, man, I ain't,
• 1:05:52
  Speaker 1: I ain't afraid to put this else put it out
• 1:05:55
  Speaker 1: all the big Willie talking no no, no no. Playing
• 1:05:57
  Speaker 1: yourself playing yourself was misconstrued. Uh. We had the same
• 1:06:03
  Speaker 1: sample as the players anthem clogging them beating, and Junior
• 1:06:07
  Speaker 1: Mafia beat us to it. I'm a beat maker, We're competing.
• 1:06:11
  Speaker 1: I'm like, you know what, I'm gonna flip it backwards.
• 1:06:13
  Speaker 1: Because one Day came out first, the drama with all
• 1:06:15
  Speaker 1: the stuff with with with the Big Big and Jay
• 1:06:18
  Speaker 1: Ruth thing, one day came first, Playing yourself came afterwards,
• 1:06:22
  Speaker 1: so it made it look like y'all really going at
• 1:06:24
  Speaker 1: these dudes, But it had nothing to do with them.
• 1:06:27
  Speaker 1: It's just I said, I'm gonna flipping backwards and played
• 1:06:29
  Speaker 1: played the funky away and and and then boom, there's
• 1:06:32
  Speaker 1: a record. Did y'all have fallout? You big? Because of that,
• 1:06:36
  Speaker 1: we had a a heat. We had a heated discussion.
• 1:06:41
  Speaker 1: The main discussion really was with Puff and Jay Ruth
• 1:06:44
  Speaker 1: and they had the discussion on the phone. This is
• 1:06:46
  Speaker 1: the illest part of is the Puff called the label
• 1:06:50
  Speaker 1: and because we won't pay that and that was my
• 1:06:52
  Speaker 1: managers label, he called the label. And this is a
• 1:06:54
  Speaker 1: big deal back then in ninety five ninety six, he said,
• 1:06:59
  Speaker 1: here's my phone, here's my call phone, here's my boat phone.
• 1:07:04
  Speaker 1: And we like, damn, he got a boat, you know
• 1:07:08
  Speaker 1: what I'm saying. Like so he was the willingness, was
• 1:07:11
  Speaker 1: wavy on what anybody else is doing. That's why I
• 1:07:14
  Speaker 1: always say yo, but you gotta give Puff his He
• 1:07:16
  Speaker 1: was beyond everybody when it came to the newest stuff,
• 1:07:19
  Speaker 1: the style, everything you got, we two got, tip tip
• 1:07:21
  Speaker 1: you had, and they hate him, a love him. They
• 1:07:23
  Speaker 1: eventually squashed it. It squashed. How would you say, we've
• 1:07:27
  Speaker 1: grown out of it. I don't think they've seen each
• 1:07:29
  Speaker 1: other since me and Puff have. I've seen Gutta and
• 1:07:31
  Speaker 1: all of them and the rock, but everything was all loved.
• 1:07:34
  Speaker 1: I pretty much was the middle guy that could diffuse
• 1:07:37
  Speaker 1: anything because I've been a frontline man from day one,
• 1:07:41
  Speaker 1: still am. If when any drama grew on down, if
• 1:07:44
  Speaker 1: there was something going on that that had to be handled,
• 1:07:47
  Speaker 1: I was always front line and anybody that knows me
• 1:07:49
  Speaker 1: will tell you the same thing. So when it came
• 1:07:51
  Speaker 1: to that, jabs were thrown lyrically, but it never got
• 1:07:55
  Speaker 1: to a violence situation because if it did, I'm sure
• 1:07:57
  Speaker 1: the hip hop the whole hip hop community was known
• 1:07:59
  Speaker 1: about that, but it didn't happen. The other big story
• 1:08:01
  Speaker 1: I wanted to ask you about. I read it and
• 1:08:02
  Speaker 1: Angie Martine is the book you did. Ten Crack Commandments
• 1:08:05
  Speaker 1: is a promo for Angie instrumental Yep, and Big heard it. Yeah, no,
• 1:08:10
  Speaker 1: Puff heard it. Actually, what happened was back at that time,
• 1:08:13
  Speaker 1: Angie was like the person I mean the person, Yeah,
• 1:08:18
  Speaker 1: and everybody was doing dope promost fright away. It's like, damn,
• 1:08:21
  Speaker 1: this would be a record, you know how, so we did.
• 1:08:25
  Speaker 1: We did one because Jay Ruse was popping at the time.
• 1:08:27
  Speaker 1: So clean, come clean, can't start the profit, you know
• 1:08:31
  Speaker 1: the bitches, you know all that stuff. So when we
• 1:08:34
  Speaker 1: did that, Puff came up there and heard the the
• 1:08:37
  Speaker 1: you know, she just happened to play the promo. She
• 1:08:39
  Speaker 1: had played it many other times, but she happened to
• 1:08:41
  Speaker 1: play to play the promo that particular day that Puff
• 1:08:43
  Speaker 1: came up there, all of a sudden, he goes PREMO
• 1:08:46
  Speaker 1: could go out there, please call me, you know, call
• 1:08:50
  Speaker 1: the warm line pufflicts on the phone. He's like, yo,
• 1:08:52
  Speaker 1: I need that beat and you know, and I'm like,
• 1:08:54
  Speaker 1: you know, that's me and Jay rule and you know,
• 1:08:57
  Speaker 1: y'all y'all ain't cool. And he's like, well listen, see
• 1:09:01
  Speaker 1: if he's down and down and let let that go.
• 1:09:03
  Speaker 1: He's I'll throw the money over x y Z. I
• 1:09:05
  Speaker 1: call Rue and we're just what I like about Jay Rue.
• 1:09:08
  Speaker 1: Jay was like, yo, man, that's hip problem. Let it go.
• 1:09:12
  Speaker 1: That was the first one that you produce a big unbelievable, unbelievable.
• 1:09:16
  Speaker 1: The first believable was the first, and then Um, then
• 1:09:18
  Speaker 1: Kicking the Door, and then Tim cracking Mans and then
• 1:09:21
  Speaker 1: after he passed on the Barn Again album, I did
• 1:09:23
  Speaker 1: uh uh rap phenomenal Red and how did you could behold? Um?
• 1:09:30
  Speaker 1: I knew Jay way back because I j with Kane.
• 1:09:34
  Speaker 1: I used to see him with with with a jazz
• 1:09:36
  Speaker 1: Oh and we well and that at that time. I'm
• 1:09:38
  Speaker 1: in the same neighborhood, but it was it was just
• 1:09:40
  Speaker 1: a mutual what's up all the time? Did you and
• 1:09:42
  Speaker 1: Jay's relationship ever go bad? Because when Jay dropped an album,
• 1:09:45
  Speaker 1: he always had a primo record, and then all of
• 1:09:48
  Speaker 1: a sudden it just disappeared. So I thought maybe, I said, well,
• 1:09:50
  Speaker 1: maybe they had a bad relationship or falling out or something.
• 1:09:53
  Speaker 1: We had a couple of fallouts that were minor, but
• 1:09:56
  Speaker 1: I'm a guy that if I feel like I gotta
• 1:09:58
  Speaker 1: distance myself for certain reasons, I do it. The other
• 1:10:02
  Speaker 1: times was just you know, Jay wants it done now.
• 1:10:05
  Speaker 1: If it's not ready, he's moving on without you, which
• 1:10:07
  Speaker 1: I gotta respect that he's moving on. But there were
• 1:10:10
  Speaker 1: two or three for beating. He was like, I'm not
• 1:10:13
  Speaker 1: I'm on tour, and no, it wasn't. It wasn't any response.
• 1:10:17
  Speaker 1: It was just see whenever we see each other for
• 1:10:20
  Speaker 1: some reason, man, we would just always be like, yo,
• 1:10:22
  Speaker 1: it was hollow, and it'd be good, it'd be cool.
• 1:10:24
  Speaker 1: Every album was one of my favorite. Hey I give you,
• 1:10:30
  Speaker 1: I give you a good one. The Black Album was
• 1:10:32
  Speaker 1: supposed to just be me and him. Really yeah. Yeah.
• 1:10:36
  Speaker 1: He called me one day and say, Yo, I'm doing
• 1:10:38
  Speaker 1: the Black album. This thing in the Black Album, and
• 1:10:40
  Speaker 1: I want you to do whatever you can to just
• 1:10:43
  Speaker 1: not do anything for like two weeks and we just
• 1:10:46
  Speaker 1: lock in and do it. I was like, I'm down
• 1:10:48
  Speaker 1: and it just never surface. You went on to do
• 1:10:51
  Speaker 1: the Dynasty album, then he did another album, and then
• 1:10:54
  Speaker 1: he went to the Black album. But I was on
• 1:10:56
  Speaker 1: tour at the time, so I couldn't get in to
• 1:10:58
  Speaker 1: do the track because I was overseas. But also that
• 1:11:01
  Speaker 1: that was going to be our project, so you don't
• 1:11:03
  Speaker 1: get no working on the Black album at all. Nah.
• 1:11:05
  Speaker 1: That's when Ninth Wonder started to come in and he
• 1:11:08
  Speaker 1: did the Threats record, which is you know, it's kind
• 1:11:11
  Speaker 1: of has a preme bounce, you know, Yeah, that's that's
• 1:11:15
  Speaker 1: the only right there, Being that you worked with all three,
• 1:11:18
  Speaker 1: who's the best? MC, Biggie, j V and nash Man
• 1:11:24
  Speaker 1: most you said, yeah, just the best. It's just like
• 1:11:29
  Speaker 1: the comparison to Pocketing Big. You can't put them in
• 1:11:31
  Speaker 1: the same boat, even though they're both great. You know
• 1:11:33
  Speaker 1: what I'm saying. I just like all three of them,
• 1:11:35
  Speaker 1: you know, And that's not even to say I don't
• 1:11:37
  Speaker 1: want to pick who's better. It's just you like them
• 1:11:39
  Speaker 1: all three for different reasons. Right, nas is the project
• 1:11:44
  Speaker 1: just hood hood Kid with the lyrics Jay made all
• 1:11:47
  Speaker 1: the hustlers. Everybody that's just really on a super ground
• 1:11:50
  Speaker 1: on on on another level. He just spoke to them,
• 1:11:53
  Speaker 1: you know that. That's what I love about Jay, still
• 1:11:55
  Speaker 1: love about him. He knows how to talk, hustle them lyrics.
• 1:11:58
  Speaker 1: He's just great at it. And Big is just a
• 1:12:01
  Speaker 1: combination of everything. You know. Again, and he didn't write that,
• 1:12:04
  Speaker 1: you know. I know I saw some recent somebody said
• 1:12:06
  Speaker 1: they saw Biggie right, I don't know who. It was
• 1:12:08
  Speaker 1: just a couple of days ago saying they saw Biggie
• 1:12:10
  Speaker 1: write lyrics. He had a pad when we did unbelievable.
• 1:12:14
  Speaker 1: He's just doing this, making a little funny little biggers.
• 1:12:17
  Speaker 1: And then we're there almost eight hours. I'm like, yo, dude,
• 1:12:20
  Speaker 1: I'm ready to go on. You wanted to come back tomorrow?
• 1:12:22
  Speaker 1: And he's like, oh no, I'm ready ready. Yeah. Really,
• 1:12:29
  Speaker 1: And sometimes it's hard because you can't even figure out
• 1:12:31
  Speaker 1: what Biggie could have evolved into as an artist him.
• 1:12:33
  Speaker 1: Big would have been a problem. Big would have still
• 1:12:38
  Speaker 1: been a problem, Pockets still been a problem. It would
• 1:12:40
  Speaker 1: I think it would be harder for the artists that
• 1:12:43
  Speaker 1: I'm not too lyrical to even get into the door
• 1:12:46
  Speaker 1: if they were still around. Though I didn't see Jay
• 1:12:50
  Speaker 1: right either No, never witnessed it. So Premu, what projects
• 1:12:53
  Speaker 1: are you working on now? Yeah, this is gonna be
• 1:12:55
  Speaker 1: a very busy year for me, you know, as I said,
• 1:12:58
  Speaker 1: year round records, Uh is gonna be I have I
• 1:13:01
  Speaker 1: have four projects that are coming out soon. We're doing
• 1:13:04
  Speaker 1: another prime too with Ross five nine, almost done with
• 1:13:07
  Speaker 1: Dashout the Russ's another dope album. And I have a
• 1:13:11
  Speaker 1: band called the Batter Band. Yeah that we we're about
• 1:13:14
  Speaker 1: to do a tour and uh we we're gonna drop
• 1:13:18
  Speaker 1: an EP where pretty much I come up with the
• 1:13:21
  Speaker 1: Beach and everything and they will just replay them and
• 1:13:24
  Speaker 1: and then we play all of my classics live. We
• 1:13:27
  Speaker 1: have a really tight set. Our show is amazing. So
• 1:13:31
  Speaker 1: it's a lot going on. I always felt like hip
• 1:13:32
  Speaker 1: hop needed more band because it's like it's the roots
• 1:13:34
  Speaker 1: and then nobody else like and then's out there a
• 1:13:37
  Speaker 1: little bit. Yeah, we appreciate you for joining us. Yeah, man, anytime.
• 1:13:48
  Speaker 1: J It's the breakfast Club. Good morning, so Lott the
• 1:13:53
  Speaker 1: Breakfast Club. Look like, Hey, everybody is DJ Enjy, Angela Ye,
• 1:14:02
  Speaker 1: Charlemagne and Guy re other breakfast Club. That was good morning,
• 1:14:05
  Speaker 1: fake club. What's happening what's wrong with you? Why? Why? Why?
• 1:14:09
  Speaker 1: Something gotta be wrong with me? What are you doing
• 1:14:10
  Speaker 1: over it? I can't be happy. I'm blessed in highly favorite.
• 1:14:13
  Speaker 1: I always got a reason to smile. All right, Well,
• 1:14:16
  Speaker 1: let's get to the room. Let's talk remy Ma. This
• 1:14:19
  Speaker 1: is the Rumle Report with Angela. Well, remy Ma recently
• 1:14:29
  Speaker 1: did a Facebook live session with Bud's Feed with Buzzfeeds
• 1:14:32
  Speaker 1: another Round podcast, and she talks about No More beefoot
• 1:14:36
  Speaker 1: Nicki Minaj as far as No More disc Records, here's
• 1:14:39
  Speaker 1: what you had to say about Sheather, it won't go away.
• 1:14:43
  Speaker 1: I didn't realize. I realized recently that I really mastered
• 1:14:46
  Speaker 1: the art of arguing after I put out this record,
• 1:14:49
  Speaker 1: and I'm like, maybe I should have took it a
• 1:14:52
  Speaker 1: little easy. You think so, No, I don't think. I
• 1:14:55
  Speaker 1: didn't think it. But you know, it's it's over now.
• 1:15:03
  Speaker 1: I mean, if she wants to say something and cool,
• 1:15:05
  Speaker 1: but I've said what I had to say and that's
• 1:15:07
  Speaker 1: really it, all right. She also talked about the fact
• 1:15:10
  Speaker 1: that it could have been powerful for her and Nikki
• 1:15:12
  Speaker 1: to do something together, but people feel things go a
• 1:15:15
  Speaker 1: lot more viral when it's beef right, here's what Mama
• 1:15:18
  Speaker 1: had to say about that. I don't regret it, but
• 1:15:21
  Speaker 1: I'm not particularly proud of it, Like I don't feel
• 1:15:24
  Speaker 1: like I just think it's crazy the way people celebrate,
• 1:15:28
  Speaker 1: you know, women attacking each other as opposed to working together.
• 1:15:33
  Speaker 1: I didn't look at it as her attacking Nikki though.
• 1:15:36
  Speaker 1: It's just rapped like you know what I mean. It's
• 1:15:38
  Speaker 1: like like when a man does a record of a guy,
• 1:15:40
  Speaker 1: I don't say, oh, he's attacking another man. It's competitive.
• 1:15:43
  Speaker 1: It happens sometimes people clash at the top, right, And
• 1:15:46
  Speaker 1: she feels like, I mean, the reason why it went
• 1:15:48
  Speaker 1: so viral is it is her against Nicki Minaj and
• 1:15:52
  Speaker 1: that for some reason, people care more about that than
• 1:15:54
  Speaker 1: if they would have came together and did a record
• 1:15:56
  Speaker 1: again like that historically would any of gender. Though. Now
• 1:15:58
  Speaker 1: here's what you had to say about beef records And
• 1:16:01
  Speaker 1: if you feel like anything should be awful limits. Did
• 1:16:05
  Speaker 1: you feel like there's anything in particular that's like awfu
• 1:16:07
  Speaker 1: limits when it comes to about no, nothing about family,
• 1:16:11
  Speaker 1: nothing personal, nothing you would said about you. That's like
• 1:16:17
  Speaker 1: saying like, oh, you have a fight with somebody, but
• 1:16:19
  Speaker 1: don't pull my hair. I'm said to had it. I
• 1:16:21
  Speaker 1: don't care. I agree. You can never tell somebody how
• 1:16:25
  Speaker 1: to react. If you push somebody, they might pull out
• 1:16:27
  Speaker 1: a gun and clap you. Yeah, it's not up to
• 1:16:29
  Speaker 1: you to say any went too far. All right? Well,
• 1:16:31
  Speaker 1: remy mine Peppoose, by the way, are working on a
• 1:16:33
  Speaker 1: relationship book right now as well. So it's about them
• 1:16:37
  Speaker 1: remaining strong while she was in prison and he was
• 1:16:39
  Speaker 1: at home and him managing her and all of that.
• 1:16:43
  Speaker 1: How they managed to operate as a unit. And I'm
• 1:16:44
  Speaker 1: sure the name of it is black love, as it
• 1:16:46
  Speaker 1: should be. All right, speaking of love, guess what new
• 1:16:50
  Speaker 1: couple alert is out there now? Jennifer Lopez and Alex
• 1:16:55
  Speaker 1: Rodriguez from the New York Yankees, former Yankees player, They're
• 1:16:59
  Speaker 1: gonna have a bronze baby, right. Well, they've been seeing
• 1:17:01
  Speaker 1: each other about four months now. It's not well, okay,
• 1:17:07
  Speaker 1: they both love New York less Rodrigue played in the Yankees.
• 1:17:10
  Speaker 1: Wells is living the Bronx. Stop it. Oh my goodness.
• 1:17:17
  Speaker 1: We don't give them a round of a plus. That's
• 1:17:18
  Speaker 1: the truth. Now. According to sources, both of them are
• 1:17:22
  Speaker 1: not trying to have anything serious, so they have that
• 1:17:24
  Speaker 1: in common. They're just having a good time with each other.
• 1:17:26
  Speaker 1: They're not trying to settle down. So that's the new relationship.
• 1:17:30
  Speaker 1: Jennifer Lopez. That's a handsome couple, pretty looking couple, all right,
• 1:17:35
  Speaker 1: and the name together though Daily News has j Rod
• 1:17:37
  Speaker 1: on the front l or j Rod all right, all right,
• 1:17:51
  Speaker 1: And there's a brand new documentary that Can't Stop, Won't Stop,
• 1:17:54
  Speaker 1: the Bad Boys Story that's gonna be debuted at the
• 1:17:57
  Speaker 1: Tribeca Film Festival in New York. Now did. He has
• 1:18:00
  Speaker 1: put out a statement and bill Board he said, I'm
• 1:18:02
  Speaker 1: blessed to be introducing our film at the Tribeca Film Festival.
• 1:18:04
  Speaker 1: Tribeca brings the biggest names in entertainment and culture together
• 1:18:08
  Speaker 1: with visionaries from a cross industry. So it's gonna look
• 1:18:10
  Speaker 1: at behind the scenes of bad Boy and in death.
• 1:18:13
  Speaker 1: Look at the two night anniversary event that they had
• 1:18:17
  Speaker 1: at the Barclay Center. I went there for that, and
• 1:18:19
  Speaker 1: also Bad Boys beginnings in Harlem and in Brooklyn, the
• 1:18:23
  Speaker 1: influence of bad Boy on pop culture, fashion, music, and
• 1:18:26
  Speaker 1: of course the tragic murder of Biggie. I think we're
• 1:18:29
  Speaker 1: in there too, by the way, Really yeah, we are,
• 1:18:32
  Speaker 1: I think so. Oh he did film. He was being
• 1:18:34
  Speaker 1: interviewed up here something. It was something I don't know,
• 1:18:36
  Speaker 1: I signed something. Oh you are not signed a bad boy,
• 1:18:41
  Speaker 1: I shoul I'm signing right, Wow, learned from people's mistakes.
• 1:18:46
  Speaker 1: Do you always say, Charlotte, I signed something. You're just
• 1:18:50
  Speaker 1: signing something. You have to do it puff all right?
• 1:18:54
  Speaker 1: Well I'm angela yea, and that is your rumor report.
• 1:18:56
  Speaker 1: You are forever signed to Revolt TV. We just found out.
• 1:19:00
  Speaker 1: Never cursed me like that, all right, God would never
• 1:19:02
  Speaker 1: punish me in that way. All right, I don't think
• 1:19:04
  Speaker 1: I'm signing him now. Actually I'm not sign you have
• 1:19:09
  Speaker 1: a partnership, yes, all right, but shout out to revote.
• 1:19:12
  Speaker 1: We'll see you guys tomorrow. Everybody else, let's do this
• 1:19:15
  Speaker 1: biggie mix. Of course, today is the twentieth anniversary of
• 1:19:17
  Speaker 1: his passing Celeste. Whatever you want to hear, whatever biggie
• 1:19:20
  Speaker 1: joints you want to hear. It could be treat Gunna joint,
• 1:19:24
  Speaker 1: or it could be a pop joint. Whatever you want
• 1:19:25
  Speaker 1: to hear. Commercial join us should say eight hundred and
• 1:19:27
  Speaker 1: five eighty five one O five. One your favorite biggie joint,
• 1:19:30
  Speaker 1: it's the Breakfast Club Gamona