Latest / I Am All In with Scott Patterson / You Weren't Babbling (S2, E17 "Dead Uncles and Vegetables")

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You Weren't Babbling (S2, E17 "Dead Uncles and Vegetables") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in Want kiss you. I am all
• 0:17
  Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hey everybody,
• 0:22
  Speaker 1: Scott Patterson, we are back for another podcast. I Am
• 0:27
  Speaker 1: all in my Heart Radio one eleven Productions and Riley
• 0:32
  Speaker 1: Take it Away, Episode seventeen, Dead Uncles and Vegetables. Give
• 0:36
  Speaker 1: us your synopsis. That's right in air date April six two.
• 0:41
  Speaker 1: Luke's uncle Louis passed away and Lorel helps out helps
• 0:44
  Speaker 1: out at the diner. Emily gets too involved in Sukie's
• 0:47
  Speaker 1: wedding planning, and Taylor gets worked up over a farmer's
• 0:50
  Speaker 1: market opening in the town square. What an episode, Good lord,
• 0:54
  Speaker 1: I am going to have to write off the bat
• 0:56
  Speaker 1: recuse myself from opining from the Luke stuff. Really? Why?
• 1:03
  Speaker 1: Because I was nauseous watching it? Because I can't watch
• 1:07
  Speaker 1: myself really, so you found this particularly hard to watch?
• 1:12
  Speaker 1: For for when I was on screen most of the time. Yes,
• 1:18
  Speaker 1: I thought it was the best part of the whole episode. Okay,
• 1:21
  Speaker 1: so that's why I'm recusing myself. You guys, do you
• 1:24
  Speaker 1: know I'm gonna I'm gonna opine on everything else. I'm
• 1:27
  Speaker 1: not gonna interject on Luke. Okay, that's fine, And I'm
• 1:32
  Speaker 1: actually I want to question you. I want to pepper
• 1:34
  Speaker 1: y'all with questions about the dynamic between Luke and Laurel
• 1:37
  Speaker 1: I because you know, I perceive it one way and
• 1:41
  Speaker 1: maybe you're perceiving in another way, and I know the
• 1:43
  Speaker 1: audience is responding in a favorable way. But to me,
• 1:46
  Speaker 1: it was just I just I just cringe when I
• 1:49
  Speaker 1: when I act, I just it's like stunned right now
• 1:53
  Speaker 1: because to me, with some of your best work, I
• 1:57
  Speaker 1: don't know, I saw them falling in love even more.
• 2:01
  Speaker 1: I just listen. For me, this was just more proof
• 2:06
  Speaker 1: of the glory of Lauren Graham. Okay, I mean, what
• 2:11
  Speaker 1: a delightful presence on screen. And let me tell you something.
• 2:14
  Speaker 1: Another thought popped into my little head when I was
• 2:16
  Speaker 1: watching this episode. You could inject Lauren Graham into just
• 2:21
  Speaker 1: about any nineteen sixties or nineteen seventies series and she
• 2:25
  Speaker 1: would have. She could have been in Bewitched. She could
• 2:27
  Speaker 1: have been the lead in Bewitched. She she rivals Elizabeth
• 2:31
  Speaker 1: Montgomery energy and and and lightness and skill and and
• 2:34
  Speaker 1: and and you know she wasn't. Her comedy in this
• 2:38
  Speaker 1: episode was more subtle than everything because she was so
• 2:41
  Speaker 1: busy doing stuff. But it was so nuanced and so great.
• 2:45
  Speaker 1: But she was being such a great friend, and she
• 2:50
  Speaker 1: was being so charming, and she was so easy to watch,
• 2:54
  Speaker 1: and it was just, oh, my goodness, I'm just very
• 2:57
  Speaker 1: surprised that you're having a hard time watching your self
• 3:00
  Speaker 1: and if you look, I don't want to talk about
• 3:01
  Speaker 1: that crap already talked about. I want to talk about
• 3:05
  Speaker 1: all right, did this episode bother you in quotes more
• 3:09
  Speaker 1: than others? Harder to watch yourself in this? Yeah? Wow? Okay, Yeah,
• 3:16
  Speaker 1: it was just too much Luke for me. It was like,
• 3:18
  Speaker 1: it's enough, what you know, the guy died and the
• 3:20
  Speaker 1: whole thing, and finally we'll talk about you like you're
• 3:22
  Speaker 1: not here, because I not like I'm not here. I'm here. Okay,
• 3:28
  Speaker 1: I will remind you of that fact. I am here.
• 3:31
  Speaker 1: I loved the Luke stuff, but it's just like I was.
• 3:34
  Speaker 1: I was so relieved to seem smile at the end.
• 3:38
  Speaker 1: It was like, finally a smile. It's just I don't know,
• 3:42
  Speaker 1: go ahead, do your thing. Look great episode, by the way,
• 3:46
  Speaker 1: A great episode, Okay, despite how I feel about watching myself. Um,
• 3:54
  Speaker 1: but I just thought the writing was snappy and funny
• 3:56
  Speaker 1: and great, and I loved all the Suki stuff and
• 3:58
  Speaker 1: the and you know, and Lauren just killed this episode.
• 4:02
  Speaker 1: She just killed this episode. Man, I want to Riley,
• 4:07
  Speaker 1: I mean, give us some Luke talk. Unpopular opinion was
• 4:11
  Speaker 1: not my favorite episode. Yeah, I'm sorry, guys, I'm sorry.
• 4:16
  Speaker 1: I texted Amy and I was like, oh, this Gilmore
• 4:19
  Speaker 1: Girls episode is in my favorite And then like five
• 4:21
  Speaker 1: minutes later, with like the last fIF two minutes of
• 4:23
  Speaker 1: the episode, I was like, Okay, it's good. It's good.
• 4:25
  Speaker 1: It's good. For the first half, I was just kind
• 4:28
  Speaker 1: of like, do do do do? I don't know, because
• 4:30
  Speaker 1: because you know, Gilmore doesn't really deal with death. You
• 4:33
  Speaker 1: don't see you next, you don't. It's maybe maybe a
• 4:36
  Speaker 1: Cinnamon's wake and it's a funny thing and all poor
• 4:38
  Speaker 1: Carrot and everybody's but it's like he's we're dealing with
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  Speaker 1: death here in a real way. That show doesn't do that.
• 4:46
  Speaker 1: It turned around for me when Emily was in the
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  Speaker 1: diner with Laurel and she was just like, this is
• 4:52
  Speaker 1: your this is your goat, your dude, you know. I
• 4:56
  Speaker 1: was like, I'm ready, I'm back. I thought it was
• 5:00
  Speaker 1: a phenomenal town meeting phenomenal, absolutely, absolutely phenomenal, short and sweet.
• 5:06
  Speaker 1: I remember we didn't have to be there all day.
• 5:09
  Speaker 1: I guess here's what I'm gonna say. First of all,
• 5:12
  Speaker 1: I agree with you completely about Lauren. I am such
• 5:15
  Speaker 1: a Laura Lae lover, like I just love everything about her,
• 5:19
  Speaker 1: and to me, Laura Lee and Lauren are the same person.
• 5:21
  Speaker 1: But I am a huge fan of Luke. I find
• 5:26
  Speaker 1: him to be so much fun to watch. And I
• 5:32
  Speaker 1: use the word fun loosely because it's like he's clever,
• 5:36
  Speaker 1: he's sexy, he's funny, he's grouchy, he's just I love
• 5:41
  Speaker 1: that guy. I love Luke Dane so to me, because
• 5:45
  Speaker 1: this was a predominantly Luke episode, maybe that's why I
• 5:50
  Speaker 1: I liked it from start to finish. I agree the
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  Speaker 1: second half was better than the first half, but the
• 5:55
  Speaker 1: first half, to me was also awesome. I don't know.
• 6:00
  Speaker 1: I just think there's um, I don't know. Let's the
• 6:05
  Speaker 1: way I want to discuss this is, let's take it,
• 6:08
  Speaker 1: you know, couples at a time. Because it's Suki Jackson,
• 6:12
  Speaker 1: it's Laura, la Luke, it's Rory jess Right, it's it's
• 6:18
  Speaker 1: it's it's it's Lauren I'm sorry. It's it's god, what
• 6:21
  Speaker 1: is her? Laura Lae and Emily, It's yeah, yeah, yeah,
• 6:25
  Speaker 1: you're all those dynamics right, And I and I thought
• 6:29
  Speaker 1: they I thought when the when they played on the
• 6:32
  Speaker 1: lightness of the comedy was lighter here, it wasn't so laden,
• 6:36
  Speaker 1: it wasn't so heavy. It wasn't so my mother is
• 6:39
  Speaker 1: getting all my nerves so much. I mean, the first
• 6:41
  Speaker 1: scene started out that way, but it was light and
• 6:43
  Speaker 1: kind of funny, and she's leaving the messages and all
• 6:46
  Speaker 1: that kind of stuff, the overbearing grading mother, sure and
• 6:48
  Speaker 1: her and her responses to it were funny and fabulous
• 6:51
  Speaker 1: and all that stuff until she went up the stairs
• 6:53
  Speaker 1: and said that comment about her ears. But throughout it
• 6:56
  Speaker 1: it was like it was Laura La kind of skipping away,
• 6:59
  Speaker 1: and you know, they were showing, the creators were showing
• 7:04
  Speaker 1: that she has this protective armor of this town. She's
• 7:08
  Speaker 1: busy with her real world life, the life that she wanted,
• 7:12
  Speaker 1: the life that she fought for. She ran away from
• 7:15
  Speaker 1: from Hartford and all of that stuffiness and all of
• 7:18
  Speaker 1: that privilege and money to come here. And this is
• 7:20
  Speaker 1: what you're seeing here, people at their best, Because Luke,
• 7:23
  Speaker 1: you know a townsperson has had a loss and they're
• 7:26
  Speaker 1: all going to rally, and why did she rally for Luke?
• 7:29
  Speaker 1: And I just I just fell so more and more
• 7:33
  Speaker 1: in love with her character. Like what an outstanding episode
• 7:36
  Speaker 1: for Laura La. I mean, I think she could murder
• 7:40
  Speaker 1: people from here on out, I'd still love her because
• 7:42
  Speaker 1: what gods, what a friend? I mean, what a friend? Friend?
• 7:48
  Speaker 1: She's a friend to you, and she's also willing to
• 7:50
  Speaker 1: stand up to her mom to help out Jackson and Suki,
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  Speaker 1: Like she's a loyal friends Like mom, you don't understand
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  Speaker 1: what real life is all about and what loving other
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  Speaker 1: people is about, and opening your heart to an entire
• 8:06
  Speaker 1: community of people is about. Where their status is not involved,
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  Speaker 1: money is not involved. It's real feelings, it's real values,
• 8:15
  Speaker 1: you know. It's like treating people well no matter what
• 8:18
  Speaker 1: stational life they're from. And you are the opposite that.
• 8:21
  Speaker 1: I mean, she walks in the diner with her you know,
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  Speaker 1: her designer clothes on and her attitude, and she's always
• 8:29
  Speaker 1: I think we're wanting to help. Suki did come from
• 8:32
  Speaker 1: a good place, although she was living vicariously through Suki
• 8:35
  Speaker 1: of what she wanted for Lorelai she just is like
• 8:39
  Speaker 1: doesn't get reality and how rich she is and how
• 8:45
  Speaker 1: regular these guys are. Right, that was the big disconnect,
• 8:49
  Speaker 1: and it was kind of shocking that Laura La had
• 8:51
  Speaker 1: to explain that to her. It was really shocking. It's like,
• 8:53
  Speaker 1: do you understand the money that I mean, what do
• 8:55
  Speaker 1: you think that wedding would have cost? By the way easily?
• 9:00
  Speaker 1: M h easily and the wedding they probably can afford,
• 9:07
  Speaker 1: and that's a lot of money. Like I was watching
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  Speaker 1: h G TV last night and it was this show
• 9:13
  Speaker 1: where they planned their wedding and buy a house at
• 9:15
  Speaker 1: the same time, and the wedding for ten dollars maybe fifteen,
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  Speaker 1: you can have a really beautiful wedding. I mean not
• 9:24
  Speaker 1: a lot of alcohol, but yet not a lot of bows,
• 9:29
  Speaker 1: but you know byl me um. But yeah, anyway, I
• 9:35
  Speaker 1: just that was very That really stuck out for me
• 9:39
  Speaker 1: is how out of touch she is with the real world.
• 9:42
  Speaker 1: Her take on why she was getting so invested in
• 9:46
  Speaker 1: Suki's wedding, well, I think I think Lorela explained it
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  Speaker 1: best at the end. You weren't planning her wedding, you
• 9:53
  Speaker 1: were planning my wedding, and which just shows you how
• 9:56
  Speaker 1: unconscious Emily is or how deeply ingrained her her trauma
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  Speaker 1: is as the breakup with her her own daughter and
• 10:06
  Speaker 1: losing her own daughter, and she's still in in in
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  Speaker 1: deep down. She's trying to win her back somehow, and
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  Speaker 1: this is how she's doing it. She wants to do,
• 10:14
  Speaker 1: but she's it's also for selfish reason. She's doing it
• 10:16
  Speaker 1: for herself as well. She needs to do this thing.
• 10:19
  Speaker 1: Emily is just she's so I don't know, she's just
• 10:24
  Speaker 1: so chained down with all of her issues and all
• 10:27
  Speaker 1: of her traditions and all of her money and all.
• 10:30
  Speaker 1: I mean, it's just waging. You could really feel the
• 10:32
  Speaker 1: weight of all that in this episode where it was like, man,
• 10:36
  Speaker 1: how do you get through to this woman? What do
• 10:39
  Speaker 1: you don't mind? When you said that, I had a
• 10:40
  Speaker 1: total aha moment. She's not a board and writing his
• 10:44
  Speaker 1: board and just jonesing for something to do with her
• 10:50
  Speaker 1: skill set, which is like she's got skilled in this
• 10:56
  Speaker 1: extravagant wedding, but she's bored, so she just glombs onto
• 10:59
  Speaker 1: it in me imdiately right. And this is the first
• 11:02
  Speaker 1: time I and there have been other times, but this
• 11:05
  Speaker 1: it was really glaring. In this episode She's jealous of
• 11:08
  Speaker 1: Laurelized life. She's jealous of the freedom she has. She's
• 11:11
  Speaker 1: jealous of her friends. She's jealous of the variety of
• 11:15
  Speaker 1: friends she has. She's jealous of all of that life.
• 11:18
  Speaker 1: And I think she's questions. You know, maybe Emily. I
• 11:20
  Speaker 1: don't think Emily would ever question you know, her own
• 11:22
  Speaker 1: life and her choices, and you know, she's the Queen
• 11:24
  Speaker 1: of Hartford and all that. But you know, she when
• 11:27
  Speaker 1: she comes to her stars Hollow, she's triggered because of
• 11:29
  Speaker 1: what she's missing in her life. She sees Laurela having
• 11:32
  Speaker 1: in her life. That's such a good point. She's jealous
• 11:37
  Speaker 1: of how busy Lorela is and how her laurea La
• 11:40
  Speaker 1: has a lot going on, not just like physically she's
• 11:44
  Speaker 1: gotta do this, she gotta go here, she's got all
• 11:46
  Speaker 1: these friends, but she stimulated. Lore La is planning this
• 11:49
  Speaker 1: or taking care of that. Like she's got things she's
• 11:52
  Speaker 1: thinking about and doing and ranting a business and all
• 11:55
  Speaker 1: these things. But I don't think Emily, you know, let me,
• 11:58
  Speaker 1: let me, let me go, let me walk this back
• 12:00
  Speaker 1: a little bit. I don't think for a minute that
• 12:03
  Speaker 1: Emily looks at Laurela because I just said, oh, maybe
• 12:07
  Speaker 1: she's a little jealous. But I don't think for a minute,
• 12:09
  Speaker 1: let me correct this. I don't think for a minute
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  Speaker 1: that Emily looks at Laurela and and let me put
• 12:16
  Speaker 1: her down other way. I'm having trouble expressing this. I
• 12:20
  Speaker 1: think she's still pities Laureli. I think that she looks
• 12:26
  Speaker 1: at Laurel I and says, you have no idea what
• 12:29
  Speaker 1: you walked away from because I would never walk away
• 12:32
  Speaker 1: from that, and no woman in their right mind would
• 12:34
  Speaker 1: walk away from something like this, because this is how
• 12:36
  Speaker 1: life is supposed to be lived at this level. And
• 12:40
  Speaker 1: I think every little success that Laurela has, she minimizes.
• 12:43
  Speaker 1: She puts it down. Um. She she's very condescending about
• 12:47
  Speaker 1: it because it's in this little town and these little
• 12:49
  Speaker 1: goals and little little stuff, and it's like, what happened
• 12:53
  Speaker 1: to my daughter? I don't recognize my daughter. But if
• 12:57
  Speaker 1: you're Emily and you're looking at Laurela, your d her,
• 13:00
  Speaker 1: what are you seeing? You're seeing a tall, beautiful, intelligent,
• 13:06
  Speaker 1: motivated woman who's doing a great job at her end.
• 13:10
  Speaker 1: She's doing a great job obviously raising her kid, but
• 13:13
  Speaker 1: you still feel sorry for because she's in that town,
• 13:17
  Speaker 1: and she's not living the high life at the Squiss
• 13:20
  Speaker 1: Swiss chalet in the winter and then starts in the summer. Right,
• 13:25
  Speaker 1: she's still looking down her nose at her She'll always
• 13:28
  Speaker 1: look down her No, she'll never she'll never understand her
• 13:31
  Speaker 1: own daughter, who would want a CD player and the
• 13:34
  Speaker 1: risk that the person in charge of the CD player
• 13:36
  Speaker 1: doesn't know when to turn it off or on when
• 13:39
  Speaker 1: you could have a string quartet. So it's like you
• 13:42
  Speaker 1: make it, You're saying, it's so accurately that she why
• 13:47
  Speaker 1: would you want this when you can have this? And
• 13:50
  Speaker 1: she's just so befuddled by the fact that lor like
• 13:52
  Speaker 1: chooses stars hollow and she can't, you know, she can't
• 13:58
  Speaker 1: reconcile with the fact that she had anything to do
• 14:00
  Speaker 1: with that. So she's got to say, my crazy daughter,
• 14:04
  Speaker 1: My daughter is a little nuts. So there's something wrong
• 14:06
  Speaker 1: with her because it can't be me. It can't be
• 14:08
  Speaker 1: my fault. You know, it's not Richard and I, it's
• 14:11
  Speaker 1: not how we raised her. She's an only child. We
• 14:14
  Speaker 1: gave her everything, and she just can't let off the
• 14:19
  Speaker 1: gas pedal that you know well so well said, Yeah,
• 14:23
  Speaker 1: I don't think it's gonna happen. That's the tension. That's
• 14:26
  Speaker 1: the tension between the two characters. It's wonderful. It's wonderful conceived, yes,
• 14:31
  Speaker 1: because I understand. I mean, if I was told you
• 14:35
  Speaker 1: can live here at the Gilmore's right by Chiltern, or
• 14:40
  Speaker 1: you can live in stars Hollow, there is something so
• 14:44
  Speaker 1: appealing to me about stars Hollow. But to Emily, she's
• 14:49
  Speaker 1: like totally shocked by that. Why would you ever live
• 14:53
  Speaker 1: in stars Hollow when you can live here. Laurla has
• 14:58
  Speaker 1: a soul, she's got real feelings, and she's like, you know,
• 15:03
  Speaker 1: she could probably couldn't believe. And again we didn't see
• 15:07
  Speaker 1: those scenes. Gilmore Girls is not you know, it's not
• 15:11
  Speaker 1: a prequel. If maybe there should be a prequel and
• 15:15
  Speaker 1: love it right, but I mean, can you imagine how
• 15:18
  Speaker 1: she viewed her parents, and especially her mother back in
• 15:22
  Speaker 1: the day when she was getting when she told her mother,
• 15:24
  Speaker 1: I imagine those scenes, Mom, I'm pregnant. How Emily found
• 15:28
  Speaker 1: out my god? Can you imagine that? And um, I
• 15:32
  Speaker 1: think she saw a side of her mother that made
• 15:36
  Speaker 1: her just I want to be a different person, maybe
• 15:40
  Speaker 1: even change your name and dropped the Gilmore and like
• 15:42
  Speaker 1: you you're a monster. How what kind of human being
• 15:45
  Speaker 1: are you to react this way? And what had nothing
• 15:49
  Speaker 1: to do with it? Just Emily tough. And I don't
• 15:51
  Speaker 1: mean that in the complimentary way that I did when
• 15:53
  Speaker 1: I say it about lor lia I. It was glaring
• 15:56
  Speaker 1: in the episode the week before when Emily law Ster
• 16:00
  Speaker 1: Noodle at the end and turned it all on lower Lie.
• 16:03
  Speaker 1: So you can only imagine that growing up that happened
• 16:07
  Speaker 1: all the time. And I think Laurel I learned how
• 16:11
  Speaker 1: to be iconoclastic and rebellious because her mother was so rigid,
• 16:14
  Speaker 1: and she's really good at being a cool iconoclastic check.
• 16:18
  Speaker 1: I mean, she's really a hip, cool girl, right. I
• 16:22
  Speaker 1: mean she's got all those comebacks, she's got all that
• 16:25
  Speaker 1: quick pattern, she's got all that stuff. I mean, she's
• 16:28
  Speaker 1: just such a great character. Now, what do you think
• 16:31
  Speaker 1: about that? This is the second time that Emily fully
• 16:36
  Speaker 1: knows that Luke and Lorelei are in love, second time
• 16:40
  Speaker 1: and she said it again. What do you think of that?
• 16:45
  Speaker 1: I don't know. I think it was the weakest part
• 16:47
  Speaker 1: of the script. I think it was the weakest part
• 16:50
  Speaker 1: because it was just so I mean, you could either
• 16:54
  Speaker 1: see it coming a mile away, or it wasn't even necessary.
• 16:59
  Speaker 1: It could have gone said, and the fact that she
• 17:01
  Speaker 1: got into it, well, you know, don't you. It's just like, Okay,
• 17:06
  Speaker 1: you know, we know that they're hitting us over the
• 17:08
  Speaker 1: head with this gain. I know you have to do
• 17:09
  Speaker 1: it because you want to forward that narrative. And though
• 17:12
  Speaker 1: I just listen, like I said, I'm going to be
• 17:15
  Speaker 1: off on these uh analyzes of this storyline, So I'm
• 17:19
  Speaker 1: going to recuse myself. Danielle, what did you like? Yeah,
• 17:23
  Speaker 1: I said it earlier. That was my favorite scene. Really,
• 17:26
  Speaker 1: it's yeah, that was my favorite scene. That's when it
• 17:28
  Speaker 1: the episode changed for me. Yeah, I I appreciate what
• 17:35
  Speaker 1: you're saying and that it was hitting us over the head.
• 17:38
  Speaker 1: But for me, it's like, yeah, you go, girl, you
• 17:41
  Speaker 1: tell them like and just that Emily always knew, so
• 17:46
  Speaker 1: like when push comes to shove down the road and
• 17:49
  Speaker 1: you are together, it's like, yes, she knew, a mother knows.
• 17:55
  Speaker 1: It was a little I know, but it was a
• 17:56
  Speaker 1: little much for me. I mean, it was kind of
• 17:58
  Speaker 1: I just would rather have left it alone because Laurel
• 18:01
  Speaker 1: I was acting. I mean, she was so energized and
• 18:04
  Speaker 1: so happy to be in that position, and it's probably
• 18:06
  Speaker 1: because it was a change of pace and it was
• 18:08
  Speaker 1: a different kind of job she was doing, and she
• 18:09
  Speaker 1: was having a lot of fun with the language. And
• 18:12
  Speaker 1: you know, float the boat and wreck them and all
• 18:14
  Speaker 1: you know whatever it put it on a pink stick
• 18:16
  Speaker 1: and scramble them or whatever. Can you read Scott all
• 18:20
  Speaker 1: the lingo? I guess so, I sure can. So we
• 18:24
  Speaker 1: have an Adam and Eve on a raft and Wreckham's too,
• 18:26
  Speaker 1: scrambled eggs on toast, burn one. Then pass me a
• 18:29
  Speaker 1: pink stick and throw some mud on it. Hamburger with
• 18:31
  Speaker 1: strawberry ice cream with chocolate sauce, Hot blond with sand
• 18:35
  Speaker 1: is coffee with cream and sugar. Make sure it's foot
• 18:37
  Speaker 1: out the doors to go a wimpy with a rosepin
• 18:40
  Speaker 1: on it is a turkey burger with onions. I heard
• 18:43
  Speaker 1: of bulls shopping for China are customers. And then Laura
• 18:47
  Speaker 1: La goes on a piggy piggy with a green blanket
• 18:50
  Speaker 1: and then gives up because it was a baalty with
• 18:52
  Speaker 1: nobody right right, right, right right. I mean it's the
• 18:56
  Speaker 1: little details of this show that just grab you. I mean,
• 18:59
  Speaker 1: all that little office so great, it's so great, um,
• 19:04
  Speaker 1: but I've never seen laurel Ee so supportive and loving
• 19:08
  Speaker 1: and happy in that role and just so light on
• 19:12
  Speaker 1: her feet and so graceful about the whole thing. And
• 19:15
  Speaker 1: I just was wild by that performance at the funeral. Yes,
• 19:20
  Speaker 1: she's she teared up. Yeah, man, she's feeling it. I
• 19:25
  Speaker 1: mean she's like, she doesn't know your uncle? Who know you?
• 19:31
  Speaker 1: So it's all about Luke? Yeah? So why? Okay, So okay,
• 19:40
  Speaker 1: I will get into this discussion. Let's let's get into
• 19:43
  Speaker 1: this film, this this analytical discussion as to what she
• 19:46
  Speaker 1: sees in him? Why him? Why do you think she
• 19:49
  Speaker 1: likes him so much? If she does, I'm not assuming
• 19:53
  Speaker 1: that she does. I'm seeing that she kind of does.
• 19:55
  Speaker 1: And he obviously is nuts about her. But do you
• 19:59
  Speaker 1: think she feels anyway? And why why he's a loner? Malcontent,
• 20:05
  Speaker 1: he's grumpy, he's all this stuff, and and so is
• 20:09
  Speaker 1: that like you know, for somebody like Laurelize, that just
• 20:12
  Speaker 1: he just needs he just needs a little love. He
• 20:15
  Speaker 1: just needs some hugs, and he needs he needs a
• 20:18
  Speaker 1: little attention. I'm holding my tongue till after that. Alright,
• 20:20
  Speaker 1: go ahead, guys, Hey, here's my perspective. He lets her
• 20:24
  Speaker 1: be exactly who she isantastic state, nothing like loyal, Lize
• 20:30
  Speaker 1: loy ly, and Luke likes lore Ly and doesn't want
• 20:33
  Speaker 1: to change anything. I from a female perspective, like, I
• 20:38
  Speaker 1: think that's why perfect so he so he she goes
• 20:43
  Speaker 1: with the flow and is her self true self when
• 20:47
  Speaker 1: she's with him, exactly. Yeah, and that's you can't beat
• 20:53
  Speaker 1: yourself around that many people. So I think there's there's
• 20:56
  Speaker 1: something there that's my dig on it. Okay, Riley, what's
• 20:59
  Speaker 1: your still holding my tongue? And I think that he
• 21:05
  Speaker 1: is the constant and stability that she needs and wants.
• 21:08
  Speaker 1: Like with Emily, she never knows what she's gonna get.
• 21:10
  Speaker 1: She know, she's back and forth. I think with Luke
• 21:13
  Speaker 1: she's like, I know his temperament. I know he's gonna
• 21:15
  Speaker 1: be there for me. I know that he you know,
• 21:17
  Speaker 1: is my friend and that he's he's there. I think
• 21:20
  Speaker 1: that's what she loves about him. She sees beyond the personality,
• 21:23
  Speaker 1: the grumpiness that apparently the shut off, closed off person
• 21:27
  Speaker 1: emotionally disconnected. He's rolling her eyes. Yes, I agree with
• 21:31
  Speaker 1: everything you're saying. But also, and Scott, I don't know
• 21:35
  Speaker 1: if you need to plug your ears, but Luke Danes
• 21:39
  Speaker 1: is it sexy hatty dude with the dreamy blue eyes
• 21:45
  Speaker 1: and the freaking awesomeness, Like, I I'm sorry, I love Luke.
• 21:51
  Speaker 1: I love the look of Luke. Sorry because I know
• 21:55
  Speaker 1: you're Luke. But it's also like I love his vibe.
• 21:58
  Speaker 1: I love his walk, I of how he moves, I
• 22:01
  Speaker 1: love his funny quips. I love he's just that dude's
• 22:04
  Speaker 1: a stunt. Of course, the whole town has a crush
• 22:08
  Speaker 1: on Luke. What are you talking about? You don't think
• 22:09
  Speaker 1: Miss Patty also has a crush on Luke. Everybody's got
• 22:12
  Speaker 1: a crush on Luke. She's the only one who can
• 22:14
  Speaker 1: get him. So he's so he's in some sense unattainable. Yeah,
• 22:20
  Speaker 1: he's just right because he rarely dates, rarely settles down.
• 22:25
  Speaker 1: But look, Luke is a stud. Rachel was no, she
• 22:29
  Speaker 1: was a knockout, like she was beautiful, Like Luke gets chicks.
• 22:35
  Speaker 1: I don't know how to say it, like look at yes,
• 22:38
  Speaker 1: look at his his nephew, his his his genetics. Like
• 22:43
  Speaker 1: these people are sexy studs. I and like I think
• 22:51
  Speaker 1: people agree with me, Like Luke is dreaming, so he's
• 22:54
  Speaker 1: so you think he's as unattainable as she is, like
• 22:57
  Speaker 1: his standards are as comp located and high falutin as
• 23:02
  Speaker 1: hers are. Yes, like if Brad Pitt was a diner
• 23:05
  Speaker 1: owner the whole town and be like, did you see
• 23:06
  Speaker 1: the diner owner? Like it's like he's the town cutie
• 23:11
  Speaker 1: or like sexy. I remember because I'm forty eight now,
• 23:16
  Speaker 1: So when I watched it, I was like, and I
• 23:19
  Speaker 1: remember like crushing on Luke and just being like I
• 23:22
  Speaker 1: love this show because I admit it. I love Lorlie.
• 23:27
  Speaker 1: I want to be lor La everything about lor Lae.
• 23:29
  Speaker 1: But I was like, I also watched because I'm like,
• 23:31
  Speaker 1: I have a crush on Luke. He's cool. I accept that.
• 23:37
  Speaker 1: I mean, you know, I guess it's not something that
• 23:40
  Speaker 1: enters my mind, but it's interesting perspective. Um, I would
• 23:44
  Speaker 1: have been at that dinner all the time, like you know,
• 23:48
  Speaker 1: they're you know, like a little girl, like maybe you
• 23:51
  Speaker 1: would have been ordering the Piggy Piggy in a green blanket.
• 23:55
  Speaker 1: That's funny you think they go there every day. It
• 23:58
  Speaker 1: wasn't for Luke, I'd be at all pancake World. Amy
• 24:02
  Speaker 1: wanted to be the Piggy Piggy, but as a huge
• 24:09
  Speaker 1: like am. I'm a fan of this show. I love
• 24:12
  Speaker 1: the writing, I love the stories. But part of it,
• 24:15
  Speaker 1: I know, is because I had a crush on Luke's awesome.
• 24:22
  Speaker 1: All right, let's talk about let's talk about Rory and Jess.
• 24:28
  Speaker 1: Let's talk about Rory and Jesse's dynamic in this episode,
• 24:32
  Speaker 1: which I found entertaining, cute. It was thoroughly gilmourd, right,
• 24:43
  Speaker 1: but I didn't recognize him well, right, because she's being
• 24:48
  Speaker 1: very type A or uh kind of. Really she looked great.
• 24:54
  Speaker 1: She was great, She was great, she was fun, and
• 24:57
  Speaker 1: it's like, get your butt in there, and you know,
• 24:59
  Speaker 1: but it really I don't know that I you know,
• 25:02
  Speaker 1: they it was. It was humorous and entertaining and light
• 25:05
  Speaker 1: and delightful and all that, But what did it do
• 25:08
  Speaker 1: to his character? He likes that, Rory, but wow, I
• 25:15
  Speaker 1: mean he was But look, guys, I mean all the
• 25:18
  Speaker 1: stuff you just said about Luke, it has to apply
• 25:20
  Speaker 1: to Jess as well. And you know, to the tenth power, right,
• 25:25
  Speaker 1: And he was and they set him up to be
• 25:27
  Speaker 1: this cool guy and mysterious and unreachable, and you know,
• 25:31
  Speaker 1: Rory working hard to maintain her relationship with the Dean
• 25:35
  Speaker 1: and and it's that's not working, and we all know that,
• 25:38
  Speaker 1: but man to really like bring him. I thought they
• 25:41
  Speaker 1: brought his character down too many notches, too finished. In
• 25:44
  Speaker 1: one episode, parallels between Luke and Lorelei and Rory and
• 25:47
  Speaker 1: Jess that the only one who has any power in
• 25:52
  Speaker 1: quotes over Jess is worried. He doesn't care what anybody
• 25:55
  Speaker 1: else says. But he's gonna he's going downstairs when she said,
• 25:59
  Speaker 1: come downstairs, and he does sort of what she asks.
• 26:04
  Speaker 1: He's gonna be nice to Laura Lieu r he asked.
• 26:09
  Speaker 1: He's afraid. He's afraid of her a little bit. He
• 26:11
  Speaker 1: respects her, and she's not respects perfect word, he respects
• 26:15
  Speaker 1: her and he and she is not afraid of him.
• 26:18
  Speaker 1: She sees right through him. She she knows exactly what
• 26:22
  Speaker 1: he is. Another guy who has great potential, who is
• 26:26
  Speaker 1: not as emotionally mature as I am. He may never be,
• 26:30
  Speaker 1: but he's probably worth a shot. He's a project for
• 26:33
  Speaker 1: her now, right, And she's just trying to up the
• 26:36
  Speaker 1: timeline by just taking command and being the you know,
• 26:40
  Speaker 1: the drill sergeant, like get your butt over there and
• 26:42
  Speaker 1: guilting him and everything and move your ass and help
• 26:45
  Speaker 1: him out and what the hell's wrong with you? And
• 26:47
  Speaker 1: I think it angered her because it's like, you're not
• 26:49
  Speaker 1: the guy I'm gonna fall in love with her stay
• 26:51
  Speaker 1: in love with if this is what you are, like
• 26:52
  Speaker 1: so freaking change And might be going too deep on this,
• 26:58
  Speaker 1: but if she's got to help out at Luke Diner,
• 27:01
  Speaker 1: well she wants her crush. Whether she's gonna admit it
• 27:03
  Speaker 1: or not, she wants her crush down there to help
• 27:05
  Speaker 1: her out too. It makes it that much more fun
• 27:07
  Speaker 1: serving those plates. So, hey, you need to come down
• 27:11
  Speaker 1: and help. It's like why, right, It's almost like, why
• 27:15
  Speaker 1: don't you need me more? Why don't you show that
• 27:17
  Speaker 1: you need me more? Why are you lying? I mean
• 27:19
  Speaker 1: he's watching an episode of I Dream of Genie, which,
• 27:21
  Speaker 1: by the way, Lauren Graham would have been great role, right.
• 27:27
  Speaker 1: I mean, Barbara Eden was perfection, but Lauren Graham could
• 27:30
  Speaker 1: have played that role in the nine sixties. I mean
• 27:35
  Speaker 1: she had the look, she's got the personality, she's got
• 27:37
  Speaker 1: all that stuff right, perfect perfect actors. I can't wait
• 27:41
  Speaker 1: to talk about Dosi. Yeah, but I mean that's just
• 27:45
  Speaker 1: but I want to get into this Jess thing a
• 27:46
  Speaker 1: little more because I just I don't know it was
• 27:49
  Speaker 1: for me, it was careful, careful with Jess. I mean,
• 27:54
  Speaker 1: you don't want to make him to um, you know,
• 27:57
  Speaker 1: you don't want to beat him down too much because
• 27:59
  Speaker 1: he's to lose all of that appeal that he had,
• 28:02
  Speaker 1: all of that mystery how smart he is. But but
• 28:06
  Speaker 1: as an audience, we're watching this kid, this jest, struggle
• 28:09
  Speaker 1: with his own demons, right, He's struggling with his own
• 28:12
  Speaker 1: anger issues. He's struggling with his his abandonment issues and
• 28:15
  Speaker 1: all of that stuff, and it's very powerful. But now
• 28:19
  Speaker 1: you've got somebody like Rory who he respects and is
• 28:22
  Speaker 1: in love with. Right, the whole power, the whole dynamic
• 28:27
  Speaker 1: really shifted. It really shifted. Um, that was unexpected. I
• 28:32
  Speaker 1: was not expecting that, And I guess I'll have to see,
• 28:36
  Speaker 1: you know, how it develops. But yeah, I thought it
• 28:38
  Speaker 1: was a little much. I wouldn't want it every episode.
• 28:42
  Speaker 1: I agree with you there that I don't want him
• 28:44
  Speaker 1: to just be her b I T C. But that's
• 28:47
  Speaker 1: how he came off in the episode. It was too
• 28:49
  Speaker 1: many repetitive scenes of of her, like you know, putting
• 28:53
  Speaker 1: Alisha on him and dragging him down the street and
• 28:55
  Speaker 1: get in there. You know, it was like three or
• 28:56
  Speaker 1: four those and it was like, you maybe you need
• 28:58
  Speaker 1: one or two. Yeah, we've got your whole storyline with
• 29:04
  Speaker 1: your uncle, which is major. Then we've got Emily and Suki,
• 29:08
  Speaker 1: We've got that whole storyline. Way we've got Dosy and
• 29:12
  Speaker 1: Tribute or number two dealing with their thing. So maybe
• 29:15
  Speaker 1: the episode was just so filled that they really couldn't
• 29:20
  Speaker 1: do much more with Rory and Jess, but they wanted
• 29:23
  Speaker 1: to sort of keep that going. I don't know, I'm
• 29:25
  Speaker 1: just throwing that out there that maybe that's why they
• 29:26
  Speaker 1: just sort of hit us over the head. In this episode,
• 29:29
  Speaker 1: we see that Jess likes Rory, so he kind of
• 29:33
  Speaker 1: does what she says. But even at the end when
• 29:35
  Speaker 1: she says, you know, you helped and you he goes,
• 29:38
  Speaker 1: you know something crazy lady at to Dance Studio called me.
• 29:41
  Speaker 1: So when you come downstairs and unlocked the door, that's
• 29:43
  Speaker 1: all I did. And I want to back up, says
• 29:45
  Speaker 1: that's all I didn't. I didn't there was one my
• 29:46
  Speaker 1: idea and and Rory says, yeah, but but at least
• 29:50
  Speaker 1: that's you doing something that you're part of the community.
• 29:52
  Speaker 1: You're part of the community. I mean it was it
• 29:54
  Speaker 1: was just we liked that. I want to see him
• 29:59
  Speaker 1: having a epiphany, if even if it's a small one,
• 30:03
  Speaker 1: so that he takes a little bit of responsibility. I
• 30:06
  Speaker 1: just want to see some growth, right Sure, I feel
• 30:09
  Speaker 1: like we were getting that that he's allowing himself, whether
• 30:14
  Speaker 1: it's with this massive hesitation into her world a little bit,
• 30:19
  Speaker 1: even if it's just to answer the phone from the
• 30:21
  Speaker 1: crazy lady and open the door, He's going to let
• 30:24
  Speaker 1: himself into into her world, which is this world. Mm hmm.
• 30:31
  Speaker 1: I love that scene in the diner at the end
• 30:33
  Speaker 1: of Interesting with the quote reception. Sorry, I keep saying, quote, God,
• 30:37
  Speaker 1: people aren't so annoying, is it quote annoying? Unquote? Can
• 30:43
  Speaker 1: we just guts something about the diner that? Did anyone
• 30:47
  Speaker 1: else realize? Mysteriously no more construction and the roof was falling. Well,
• 30:51
  Speaker 1: there was a plastic thing still hanging in the doorway
• 30:55
  Speaker 1: from the diner to the apartment to the office, but
• 30:59
  Speaker 1: the actual diner dealing mis fixed. But does this episode
• 31:05
  Speaker 1: of dovetail of the next day from the last episode.
• 31:11
  Speaker 1: I mean, we don't have the timeline. But I remodeled
• 31:14
  Speaker 1: garage and it took me a month and a half,
• 31:17
  Speaker 1: so you had a lot of good Listen, man, I'm
• 31:21
  Speaker 1: still looking for you know, Maximudena. Where the hell happen
• 31:23
  Speaker 1: to him? I know where Maximudina is. Let me tell you.
• 31:27
  Speaker 1: He's on Matt Zukry show, The Resident, and he's playing
• 31:33
  Speaker 1: a complete creeper, really, Scott Cohen. He's been in two
• 31:38
  Speaker 1: episodes so far, maybe three, but I think too. And
• 31:42
  Speaker 1: he is. He's on The Resident with Logan a k a.
• 31:46
  Speaker 1: Mad Zukri, and he is playing not a good dude.
• 31:51
  Speaker 1: He's such a good actor though he can looks a
• 31:54
  Speaker 1: little older, you know, he and he played kind of
• 31:57
  Speaker 1: a creepy agent guy. He was really great at it.
• 31:59
  Speaker 1: He never over does it. He always just you know,
• 32:01
  Speaker 1: he just is the guy exactly. So you think you
• 32:06
  Speaker 1: like him and then you find out something about him
• 32:08
  Speaker 1: on The Resident of m and I know it immediately.
• 32:10
  Speaker 1: They before he came on screen, they showed a picture
• 32:13
  Speaker 1: of him or something, if I remember, And I was like,
• 32:15
  Speaker 1: was that ma Consudina? Like was that? Well? What I
• 32:18
  Speaker 1: meant not? I wasn't talking about Scott Cohen's career. I
• 32:22
  Speaker 1: was talking about where's Max macdona in the show? Thank you?
• 32:24
  Speaker 1: Very much. Let's try to stay here and Gilmore island
• 32:27
  Speaker 1: here or the planet Gilmore. I know, don't even get
• 32:30
  Speaker 1: me started about the fact that Emily Gilmore is starting
• 32:34
  Speaker 1: her episodes on Mazel, so we wanted to get into that. Okay, um, well,
• 32:40
  Speaker 1: it's nice to see somebody working, right, I mean, it's
• 32:43
  Speaker 1: like it's tough getting a job out there. I don't
• 32:45
  Speaker 1: want to say it, but I feel like you came
• 32:47
  Speaker 1: up with the most genius idea. What I was that, yeah,
• 32:53
  Speaker 1: five minutes ago, Well, the Gilmore prequel. I would so
• 32:58
  Speaker 1: watch that. And you know, Mazel's ending in a year.
• 33:01
  Speaker 1: They just announced it's renewed for fifth season and then
• 33:03
  Speaker 1: it's ending, so someone might have some time on their hands.
• 33:07
  Speaker 1: And I feel like, oh, I don't think anybody's going
• 33:09
  Speaker 1: to have time on their hands after no fil More
• 33:13
  Speaker 1: prequel would be let's let's go to Warner Brothers and
• 33:20
  Speaker 1: pitch this right. Yeah? Who technically I'm getting in the
• 33:25
  Speaker 1: weeds here, like owns the characters. Is it Warner Brothers
• 33:29
  Speaker 1: or is it the Paladine. I think it's shared. Would
• 33:34
  Speaker 1: you not want to watch that? I think I think
• 33:36
  Speaker 1: it's really Warner Brothers. But they defer to the Paladinos
• 33:40
  Speaker 1: for everything because you know, they want to keep the
• 33:43
  Speaker 1: relationship right. They don't want to like sex in the city, right,
• 33:46
  Speaker 1: They don't want to step on anybody's toes. Even though
• 33:48
  Speaker 1: they could that, they won't do it. You know what
• 33:51
  Speaker 1: I meant that herb being Warner Brothers is a very
• 33:54
  Speaker 1: classy studio, right, they really are, and they really do.
• 34:00
  Speaker 1: And I know there was a little tension, you know,
• 34:02
  Speaker 1: season one, season two, all this, but you know everything
• 34:05
  Speaker 1: got ironed out and um, you know, they really really
• 34:09
  Speaker 1: respect those two. They respect those creators, and they don't
• 34:13
  Speaker 1: feel watching a young Luke because think about it, a
• 34:16
  Speaker 1: Gilmore prequel. Even though Lorala I didn't live in Stars Hollow,
• 34:21
  Speaker 1: then you could still have the young Luke, the young
• 34:26
  Speaker 1: you know, Suki, all the people that grew up in
• 34:28
  Speaker 1: that town, and we can explore that storyline where we're simultaneously.
• 34:32
  Speaker 1: I'm in. I think it's a great idea for the
• 34:35
  Speaker 1: c W. You know, I think it's it's Alix. It's
• 34:39
  Speaker 1: a completely different yeah, sure, completely different cast. Who would
• 34:43
  Speaker 1: play young Luke Brad Pitt, So if Luke was sixteen,
• 34:50
  Speaker 1: who is a sixteen year old kid right now? Because
• 34:54
  Speaker 1: I would have said Milow, but Milo is like old now,
• 34:58
  Speaker 1: so who I'm got Eastwood vibe? Too old, I know,
• 35:03
  Speaker 1: but he's a little too old. Yeah, sixteen year old Luke. Yeah,
• 35:07
  Speaker 1: because it's a prequel, so it's them at their teen years.
• 35:11
  Speaker 1: So who is a sixteen year old actor? Wait a minute,
• 35:16
  Speaker 1: how old is Luke in the show? We meet him?
• 35:18
  Speaker 1: She's thirty two. I'm like, so it's not a sixteen
• 35:23
  Speaker 1: year old Luke, it's a it's a twenty one year
• 35:27
  Speaker 1: old Luke. Oh, pardon me, correct, pardon you are correct?
• 35:29
  Speaker 1: So twenty one year old? Correct? You know you're sure
• 35:33
  Speaker 1: that he's thirty five at the beginning of the show.
• 35:35
  Speaker 1: All right, yeah, because I don't think he's quite forty. Right, Okay,
• 35:40
  Speaker 1: I'm very good at math, as everyone knows, but I
• 35:42
  Speaker 1: blew it on that one. Everybody knows you're good. Who
• 35:45
  Speaker 1: do we like as a twenty one year old that
• 35:47
  Speaker 1: would play Luke? I don't know who? Could it be
• 35:52
  Speaker 1: from Euphoria Woo pretty boys? So maybe just get the
• 35:58
  Speaker 1: whole cast of you four area and just put him
• 36:01
  Speaker 1: in this Gilmore prequel kind of clean up, clean them
• 36:05
  Speaker 1: all up a little bit. I feel like is good,
• 36:08
  Speaker 1: but more more edge than that guy. Okay, he's a
• 36:15
  Speaker 1: little bit older. You know. He looks like he looks
• 36:19
  Speaker 1: like that actor that was on that Australian actor. He
• 36:22
  Speaker 1: looks like a young version of that Australian actor. Was
• 36:25
  Speaker 1: his name, No, no no, no, no, the one that was
• 36:28
  Speaker 1: in Troy with Brad Pitt. What's his name? Really good actor?
• 36:34
  Speaker 1: Dark hair? What's his name? Eric? Eric Banna? That looks
• 36:38
  Speaker 1: like a hundred now, like he's not a d stop it.
• 36:44
  Speaker 1: That's not a hundred, it's fifty. And he looks like
• 36:47
  Speaker 1: a Greek. God, give me a break Instagram. Who would
• 36:53
  Speaker 1: who is twenty right now? Even I? Who would be
• 37:00
  Speaker 1: the young Luke if there was a prequel? Boy, that's
• 37:02
  Speaker 1: a good question. It's not that guy because he looks
• 37:06
  Speaker 1: like a young Eric Dane, I mean young Eric Eric Bana.
• 37:11
  Speaker 1: I think Eric is the whole Oh god, we're sidetrack.
• 37:14
  Speaker 1: Let's get back to break, all right. We're gonna, man,
• 37:18
  Speaker 1: we really, We're not just gonna need a towel off.
• 37:21
  Speaker 1: We're just gonna need to get buffed. Um so listen,
• 37:24
  Speaker 1: uh perfumed and alright, we're gonna take a little break
• 37:28
  Speaker 1: and taking knee here, folks, and we'll be right back
• 37:32
  Speaker 1: after these words. Ye are everybody, We're back. Everybody's feeling fresh.
• 37:43
  Speaker 1: We're talking to We're gonna, we're gonna, we're gonna aromatic wafting.
• 37:48
  Speaker 1: It's wonderful. The scent of cucumber in the air, that's wonderful. Um,
• 37:55
  Speaker 1: so what are we going to talk about? The the
• 37:58
  Speaker 1: the open air market? I thought that was hilarious fresh.
• 38:03
  Speaker 1: Josie was so freaking pissed, and Troubadour number two was
• 38:07
  Speaker 1: so rapa, Oh my god. David Gruber Alan, Well, how
• 38:13
  Speaker 1: do you say his name? He's got He's Gruber. He's
• 38:15
  Speaker 1: just known as Gruber. Well he I think in this
• 38:18
  Speaker 1: show he's credited as Dave Allen. But obviously we've tracked
• 38:22
  Speaker 1: him down and he's going to be on with you
• 38:23
  Speaker 1: next So we're gonna, we're gonna, we're gonna, We're gonna
• 38:27
  Speaker 1: talk to him because that that young man needs to
• 38:30
  Speaker 1: be you know, he needs to answer some questions for
• 38:32
  Speaker 1: good later this week. Everyone can hear that episode. But yes,
• 38:35
  Speaker 1: I think his like kind of nickname or name is Brewber. Yeah, yeah,
• 38:39
  Speaker 1: but what I mean, what a what a I mean?
• 38:41
  Speaker 1: Not that I'm getting sick of the show at all.
• 38:43
  Speaker 1: But what a great new energy to introduce into this
• 38:46
  Speaker 1: Gilmore tapestry. What what a fantastic performance. S this how
• 38:51
  Speaker 1: he flirts with and he was so great with Taylor,
• 38:58
  Speaker 1: A raging Taylor, right what I was hysterical. He hey, man,
• 39:03
  Speaker 1: you know I got all the public bravery work. You know, man,
• 39:05
  Speaker 1: it's all good. And yeah, you know my uncle was
• 39:08
  Speaker 1: shot in the button. Everything tips over when he drinks coffee.
• 39:10
  Speaker 1: But he's good. Everything's good. You know, It's like what
• 39:14
  Speaker 1: it was the funniest delivery I've ever heard. It was great. Right.
• 39:18
  Speaker 1: The town meeting was so low. Oh my god, oh
• 39:22
  Speaker 1: he was the tailors like, uh, miss Patty, you take over.
• 39:27
  Speaker 1: And he goes down and he's like she calls on him, like, bro,
• 39:32
  Speaker 1: you can just do that from up there. The car
• 39:34
  Speaker 1: Kiosk car Chios, the double Chris. It was hysterical. Don't
• 39:45
  Speaker 1: go he hands he hands with the gavel and you know,
• 39:48
  Speaker 1: Laura Lauraa comes in late with perhaps the best line
• 39:52
  Speaker 1: of the whole episode was uh, well you're late, miss Massy,
• 39:56
  Speaker 1: and she goes, God, I help him. Not pregnant, so good,
• 40:01
  Speaker 1: so good. I'm not pregnant. Stop repeating yourself and being redundant,
• 40:10
  Speaker 1: and stop repeating yourself the same thing. I mean, it
• 40:16
  Speaker 1: was just, oh, the town meeting was hilarious. It was hilarious,
• 40:22
  Speaker 1: God almighty. And I remember we just shot that and
• 40:26
  Speaker 1: that didn't take along the shoot. That was like a
• 40:28
  Speaker 1: couple of that. I mean it was it was. I
• 40:30
  Speaker 1: think it was an evening shoot, as I recall, obviously
• 40:33
  Speaker 1: because you have to go outdoors. But it really I
• 40:35
  Speaker 1: think it started late afternoon and it wasn't like an
• 40:38
  Speaker 1: all day, all night thing, you know. It was just
• 40:42
  Speaker 1: short and sweet. Um. I thought Kirk was hitting hitting
• 40:46
  Speaker 1: his stride in this one too. Yeah you go seven equals, Yeah,
• 40:49
  Speaker 1: seven equals and then his and then his line, how's
• 40:52
  Speaker 1: that taste? He goes perfect to steal the equals? Yeah,
• 40:59
  Speaker 1: take them all? And I know we'll do this in
• 41:05
  Speaker 1: best lines. But I wrote this down. I four fourth
• 41:08
  Speaker 1: don't care. But why did she say that? Was it
• 41:11
  Speaker 1: tied with the coffee? Why did she say that? Because
• 41:14
  Speaker 1: Kirk said, I like, I want three quarter caffeinated, one
• 41:18
  Speaker 1: quarter decaf and she goes out four force don't care.
• 41:25
  Speaker 1: I didn't that. Oh yeah, yeah, it's so good. What
• 41:32
  Speaker 1: is our job? We're just being paid to watch the
• 41:34
  Speaker 1: most freaking awesome show on TV. It was really a
• 41:37
  Speaker 1: good episode. It was really funny, and then the ending,
• 41:41
  Speaker 1: you know, it was so touching. The reenactors show up
• 41:45
  Speaker 1: and then of course Lorla is there with him, and
• 41:49
  Speaker 1: then they walk back and it's the whole town is
• 41:53
  Speaker 1: there and there, you know, everyone brought food and it's
• 41:57
  Speaker 1: just like wow, Now now you know why she she
• 42:02
  Speaker 1: moved there with the baby Rory that she she she
• 42:06
  Speaker 1: made a really good decision because those people are top quality.
• 42:11
  Speaker 1: You are so right. I just had another oprah aha
• 42:14
  Speaker 1: moment ahead where the Gilmore's Live is fancy and everyone
• 42:20
  Speaker 1: is rich and they have their mansions, and I think
• 42:22
  Speaker 1: she even says a line in this like bentley'ser for
• 42:26
  Speaker 1: people that can't afford rolls royces. But those people judge
• 42:30
  Speaker 1: each other all the time, and they're always trying to
• 42:33
  Speaker 1: do better in One Up and blah blah in Stars Hollow,
• 42:36
  Speaker 1: like these people are just in it for each other.
• 42:40
  Speaker 1: Oh you need something, I got you mm hmm. Yeah.
• 42:44
  Speaker 1: It's a real I would love to live there, and
• 42:47
  Speaker 1: it's a real town. You need a cup of sugar.
• 42:49
  Speaker 1: There's forty five neighbors that have sugar knock on a
• 42:53
  Speaker 1: door high you don't come on in we're baking blueberry
• 42:58
  Speaker 1: play of them not come on, you know, and it's
• 43:04
  Speaker 1: in the middle of the night. No, I'm just going,
• 43:07
  Speaker 1: I know, I know. I mean, that's that's an aspirational town.
• 43:11
  Speaker 1: That's a fantasy town. That's uh. But there are places,
• 43:14
  Speaker 1: there's a lot of places like that that exist there.
• 43:16
  Speaker 1: There are only only there's two other notes. I have
• 43:20
  Speaker 1: Michelle when Luke needs the nine rooms and he's a
• 43:24
  Speaker 1: French frore convention so to pop. Sure, it just didn't
• 43:29
  Speaker 1: miss a beat, did it this episode. Every everybody's talents
• 43:35
  Speaker 1: were showcased. I mean, it was just it was just
• 43:39
  Speaker 1: remarkable episode. And I just think, you know, I don't
• 43:43
  Speaker 1: know how Lauren Graham didn't become a movie star. I
• 43:46
  Speaker 1: don't get it. You know, she is bringing to bear,
• 43:50
  Speaker 1: you know, looks, charms, skills up the wazoo. I mean, Jesus,
• 43:55
  Speaker 1: I mean, I know she did a couple of films
• 43:57
  Speaker 1: and she I think she did Evan Almighty in a
• 43:58
  Speaker 1: big film and it didn't make a lot that Santa
• 44:01
  Speaker 1: and like, look, she did Parenthood. She had another series
• 44:04
  Speaker 1: that was massive Parenthood was brilliant, and she's she was
• 44:08
  Speaker 1: much more dramatic, but she still brings the funny. But
• 44:11
  Speaker 1: I don't know why something. I mean they you know,
• 44:13
  Speaker 1: if you've got those kind of comedy skills and those
• 44:16
  Speaker 1: kind of dramatic skills, why why didn't the studio make
• 44:20
  Speaker 1: her a star? Right? Like? Why does that mean? Do
• 44:23
  Speaker 1: it with other girls? Right? That don't have as much
• 44:26
  Speaker 1: to offer? So why didn't Why didn't that happen for Lauren?
• 44:29
  Speaker 1: Did you think that she would at least be like
• 44:32
  Speaker 1: Sandra Bullock or sure Melissa McCarthy like sure, which she
• 44:36
  Speaker 1: works all the time. I mean, you know she's not.
• 44:39
  Speaker 1: It's not the same as Melissa. No, It's like, how
• 44:43
  Speaker 1: does that woman not have a comedy film career? A
• 44:49
  Speaker 1: big one? Right? I mean you could see her all
• 44:52
  Speaker 1: these great films. Have you seen the proposal with Sandra Bullock?
• 44:56
  Speaker 1: To me, that could have been Laura? I mean, I
• 44:57
  Speaker 1: love Sandra Bullocks, she's like McQueen, but could have been
• 45:00
  Speaker 1: that could have been more easily easily you could have
• 45:03
  Speaker 1: You just stick her into any of those roles and
• 45:05
  Speaker 1: she's gonna kill it. And I'm not. It's not taking
• 45:08
  Speaker 1: anything away from anybody, you know, especially somebody has gifted
• 45:12
  Speaker 1: a Sandra Bullock. But you know the vibe with Sandra
• 45:14
  Speaker 1: Bullock is when she was up and coming, the town
• 45:18
  Speaker 1: knew it. You knew that Sandra Bullock was going to
• 45:22
  Speaker 1: be a star because everybody was behind her. And that's
• 45:26
  Speaker 1: all you heard was Sandra Bullocks, Sandy Bullocks, Sandy Bullock.
• 45:29
  Speaker 1: She's the next big thing. Um. I just I don't know.
• 45:34
  Speaker 1: I just I don't get it. I don't get it.
• 45:36
  Speaker 1: I mean, why why didn't some studio sign her to
• 45:39
  Speaker 1: a multi picture deal and say rock and roll with
• 45:42
  Speaker 1: these comedy scripts with these great writers, and I mean,
• 45:45
  Speaker 1: she could have made those studios a bundle. I just
• 45:47
  Speaker 1: don't understand it. Maybe I don't understand the business as
• 45:50
  Speaker 1: much as I think I do, But I don't know.
• 45:52
  Speaker 1: I mean, maybe she's I don't know. It's so interesting
• 45:54
  Speaker 1: because Gilmar Girls is such an interesting case study like
• 45:57
  Speaker 1: college classes. We'll talk about it because it has been
• 46:01
  Speaker 1: so big on television for twenty years, because it has
• 46:06
  Speaker 1: its second life and its third life have been bigger
• 46:09
  Speaker 1: than its first life. And that doesn't happen that often.
• 46:14
  Speaker 1: Because you've got people like Lauren Graham at the center
• 46:17
  Speaker 1: of it. And it's like, Okay, I don't want to
• 46:21
  Speaker 1: get people to take this wrong because I don't want
• 46:22
  Speaker 1: to get the emails. Melissa McCarthy completely deserved everything she's
• 46:27
  Speaker 1: she's getting because of her skill set, because of her
• 46:29
  Speaker 1: dedication to her craft. I mean, she she's she writes
• 46:32
  Speaker 1: her own characters, she writes her own screenplays. She's she's
• 46:35
  Speaker 1: brilliant at crafting characters and creating original characters. I mean,
• 46:39
  Speaker 1: that's a skill that she probably always had. But she
• 46:41
  Speaker 1: you know, she was in the Grownlings for years and
• 46:44
  Speaker 1: it was intensified training, and it was just brilliant, brilliant,
• 46:49
  Speaker 1: brilliant and everybody but you know, why not, Lauren Graham,
• 46:54
  Speaker 1: I don't get it. It's really interesting explain this to me.
• 46:58
  Speaker 1: As you're maybe she loves doing TV because she's I
• 47:01
  Speaker 1: don't know, as you're talking, everybody wants a film career.
• 47:04
  Speaker 1: She's been in a lot of movies, but everybody wants
• 47:08
  Speaker 1: three other standouts. And Matt Zukri has an amazing career too.
• 47:12
  Speaker 1: Milo is a huge, huge star, right, but not in film? Correct,
• 47:18
  Speaker 1: Jarrett had a lucky but not in film. I know.
• 47:22
  Speaker 1: This is like my point and Alexis is in Handmade
• 47:28
  Speaker 1: Stale and she is freaking brilliant in handmaid Stale. Like her,
• 47:32
  Speaker 1: it is not rory at all, and it is these
• 47:38
  Speaker 1: people have huge careers, but they all did stay in television.
• 47:41
  Speaker 1: Sisterhood of the Trailing Fans, sorry, gotta gotta slide that.
• 47:47
  Speaker 1: And she she had, she was in some good films.
• 47:49
  Speaker 1: She was in Sin City, she was in Sisterhood the
• 47:51
  Speaker 1: Trailing Pants, she was in she was in some good,
• 47:53
  Speaker 1: good films some good people too. But in Lauren Graham's case,
• 47:58
  Speaker 1: I mean, why didn't Judd Apatow throw her in with
• 48:01
  Speaker 1: with his uh clan of of talented comedic actors. I mean,
• 48:05
  Speaker 1: she's brilliant, She's absolutely brilliant. I don't know, and I
• 48:09
  Speaker 1: don't get I just don't get it. I mean, how
• 48:12
  Speaker 1: do you watch an episode? You're just right, I understand,
• 48:15
  Speaker 1: I understand. I mean, I'm I'm laying too much down
• 48:17
  Speaker 1: on your plan to tall. She's like five s eight
• 48:22
  Speaker 1: maybe five ten? No, I no, not five ten, but
• 48:28
  Speaker 1: she's yeah, she's tall. She's five eight five nine maybe yeah, yeah,
• 48:32
  Speaker 1: that's but so what I know, I don't mean Blanchet
• 48:38
  Speaker 1: like six ft tall. And I just cannot imagine. Look,
• 48:42
  Speaker 1: if I'm a director and I've got a deal with
• 48:45
  Speaker 1: the studio and I've you know, I've got hits under
• 48:47
  Speaker 1: my belt, and I'm and my wife says, you've got
• 48:50
  Speaker 1: to see this show, this Gilmore Girls, And I'm watching
• 48:52
  Speaker 1: Gilmore Girl show like I saw this episode. I want
• 48:55
  Speaker 1: that girl in my film. I'm saying, I'm bringing her in.
• 49:00
  Speaker 1: I guess I don't understand. I love I'm still I
• 49:06
  Speaker 1: love Laura Lie, so of course I love Lauren. And
• 49:09
  Speaker 1: I have seen Lauren Graham do some interviews with like
• 49:13
  Speaker 1: talk show host and she's a funny person. I don't know.
• 49:18
  Speaker 1: I don't know either. Well, someday we may have to
• 49:23
  Speaker 1: ask her that question. Oh I'm seeing if I missed
• 49:28
  Speaker 1: anything else. The only other thing that kind of disturbed
• 49:30
  Speaker 1: me it was when Luke was obviously dealing with the
• 49:34
  Speaker 1: funeral and Laura Lize running the diner. I have concerns,
• 49:38
  Speaker 1: and everybody could kind of tell me about this. I
• 49:40
  Speaker 1: felt that there was an unrefrigerated bottle of ranch sitting
• 49:44
  Speaker 1: out behind her. Yeah, maybe both look at the register.
• 49:50
  Speaker 1: That can ranch be left out all day as long
• 49:55
  Speaker 1: as it's not opened at the grocery store. It's not
• 49:58
  Speaker 1: we're talking about it obviously, it's talking about the diner, right, Yeah, Okay,
• 50:02
  Speaker 1: that's a fair that. That's a fair answer. So it
• 50:04
  Speaker 1: was there. She opens it when people want ranch, and
• 50:07
  Speaker 1: then it goes into the fridge. Everybody take a close look.
• 50:11
  Speaker 1: It's when she's at the register, probably when she was
• 50:13
  Speaker 1: ordering the b LT and I saw this, I was like,
• 50:16
  Speaker 1: all Ranch. It's the details. It's the details that keep
• 50:20
  Speaker 1: us up at night. We don't sleep people. I don't
• 50:24
  Speaker 1: want any food poisoning coming from Luke's Diner. Canceled the
• 50:29
  Speaker 1: day Spot. We're gonna watch it again. We gotta watch
• 50:31
  Speaker 1: it again on Earth more details. I just talked about
• 50:34
  Speaker 1: the fashion. Do we need to take a break. I
• 50:36
  Speaker 1: think we'd better take a break, because, man, I'll tell
• 50:39
  Speaker 1: you something. I need to eat another pound of chocolate
• 50:43
  Speaker 1: to get my energy out. My god. First of all,
• 50:46
  Speaker 1: I shoved a sugar cookie in my mouth before this episode,
• 50:50
  Speaker 1: which is probably super obvious because I think I'm very spazzy.
• 50:58
  Speaker 1: I ate some Valentine's chalk, but my wife got me
• 51:01
  Speaker 1: this this wonderful. Oh it's just so good. It's like,
• 51:04
  Speaker 1: what is it? What it's like walnuts and chocolate. Yeah
• 51:11
  Speaker 1: or no, No, it's more, you know, but it's so good.
• 51:15
  Speaker 1: It's so good. I mean, I mean it's so I
• 51:19
  Speaker 1: mean we have that stuff, of course we do. But man, yeah, no,
• 51:24
  Speaker 1: let's take a break and when we come back, Amy
• 51:26
  Speaker 1: wants to get into some fashion. I'm gonna sort of
• 51:29
  Speaker 1: set that out, of course, and have another couple of
• 51:32
  Speaker 1: five or six chocolate squares. Thanks very much, We'll see
• 51:34
  Speaker 1: you soon. Yeah, all right, everybody, we're back. I am reinvigorated.
• 51:43
  Speaker 1: I have just eaten a boatload of chocolate squares. I'm
• 51:47
  Speaker 1: very happy. Riley, Danielle, do you guys love the fashion
• 51:50
  Speaker 1: as much as I do on this show? For am
• 51:54
  Speaker 1: I the realm? That really like? Because I I think
• 51:56
  Speaker 1: I just the way lower Lie dresses for me is
• 52:00
  Speaker 1: just amazing. Yeah, she looked great in this episode. The
• 52:05
  Speaker 1: go ahead. Sorry, I'm I'm going to sit out. Sorry
• 52:08
  Speaker 1: you were going to say the floral coat at the funeral.
• 52:12
  Speaker 1: She looked great. She looked great in every scene. I agree. Wait, Danielle, Riley,
• 52:17
  Speaker 1: do you guys you know it's not what stands out
• 52:19
  Speaker 1: to you? No, not really. I think I like lines better.
• 52:26
  Speaker 1: Oh my god, lines I'm like a magnet to lines,
• 52:29
  Speaker 1: lines and clown pillow. I I become obsessed with the fashion.
• 52:34
  Speaker 1: And I remember when it was on the first run
• 52:38
  Speaker 1: of Really shopping and trying to dress the way Laura
• 52:42
  Speaker 1: I dressed. And I noticed it in this episode because
• 52:45
  Speaker 1: she wears low low waste jeans, really low rise which
• 52:49
  Speaker 1: are coming back, and she had those low waist jeans
• 52:51
  Speaker 1: and I think there was a belt. She just the fashion.
• 52:54
  Speaker 1: To me, it's one, It's super It's one of my
• 52:58
  Speaker 1: favorite parts. I love coat, the floral coat at the funeral.
• 53:02
  Speaker 1: I did like seeing Luke in a tux It wasn't
• 53:06
  Speaker 1: it wasn't a tux whatever. It wasn't going to tuxedo
• 53:13
  Speaker 1: shot up a funeral, the tuxedo on top getting out
• 53:17
  Speaker 1: of a carriage with a cane. Oh my god. And
• 53:21
  Speaker 1: then there was another she wore. I think it was
• 53:24
  Speaker 1: a tound meeting. I could be wrong, but she was
• 53:26
  Speaker 1: wearing bright red pants and then she had sort of
• 53:28
  Speaker 1: what I would call like a button down denim. Sure,
• 53:31
  Speaker 1: but it was red, white and blue. I mean, I
• 53:33
  Speaker 1: don't really notice the fashion of the other people, but
• 53:36
  Speaker 1: for me, it's like what she is wearing is it's like,
• 53:41
  Speaker 1: it's like sex in the city to me, I want
• 53:43
  Speaker 1: to pay attention to what Lorala is wearing in every
• 53:46
  Speaker 1: episode you're supposed to Yeah, I mean apparently not with
• 53:52
  Speaker 1: these people. I do appreciate a good Laura Lee out it.
• 53:56
  Speaker 1: I will say that she I love her. Usually her
• 53:59
  Speaker 1: shirts are always something funny, like she had like a
• 54:03
  Speaker 1: cat on one Like, it's always like fun and different. Right,
• 54:06
  Speaker 1: I have googled If anybody listening knows, I am so
• 54:11
  Speaker 1: desperately searching for the pink turtlenext weater with the Dog.
• 54:14
  Speaker 1: I mean I probably spent two hours on the Internet
• 54:16
  Speaker 1: to see if I could find it on eBay or
• 54:19
  Speaker 1: posh mark or like anywhere that it was a bright
• 54:22
  Speaker 1: pink turtle next water with the dog. Find the picture.
• 54:26
  Speaker 1: But but why do you what did you consider the
• 54:28
  Speaker 1: wardrobe on her this episode different from other episodes? I
• 54:33
  Speaker 1: love her. She looked very chic throughout this entire episode,
• 54:38
  Speaker 1: no matter what she was wearing. Perfect words. She cheek. Yes,
• 54:41
  Speaker 1: you are correct, less kind of young because sometimes she
• 54:45
  Speaker 1: wears the right yoga sucks or the cat it was
• 54:48
  Speaker 1: more age appropriate, but it was sleek. Yeah, it was
• 54:50
  Speaker 1: very nice. That's very correct, very chic. Yeah, but pink
• 54:55
  Speaker 1: turtle next weater. We're gonna get that information to you
• 55:05
  Speaker 1: straight away. Um, all right, you want to get into
• 55:09
  Speaker 1: uh favorite lines? Yeah, before we do that, do you
• 55:12
  Speaker 1: feel any better about your performance? No? Oh no, no,
• 55:16
  Speaker 1: I don't want to talk about no. No, see I listen.
• 55:24
  Speaker 1: I just did not like the casket scene very much
• 55:29
  Speaker 1: when you were trying to squish the stuff in. Yeah,
• 55:31
  Speaker 1: I didn't like that at all. I didn't like what
• 55:33
  Speaker 1: I did in that scene at all. You know, I'm
• 55:36
  Speaker 1: I'm just too critical and and now I you know,
• 55:38
  Speaker 1: I can look back and I can be objective about
• 55:41
  Speaker 1: it at me. And I just really wish I could
• 55:44
  Speaker 1: go back in the time machine and redo that eppisode,
• 55:47
  Speaker 1: redo that scene. You know, I don't know that I
• 55:52
  Speaker 1: wasn't my best, so it made me sad. But you know,
• 55:56
  Speaker 1: this is okay. Here's another testament to to Lauren Graham.
• 56:00
  Speaker 1: It's like, it's really difficult for your best work to
• 56:04
  Speaker 1: end up in the final cut. There's because I don't
• 56:08
  Speaker 1: know that I have that many takes in me anyway,
• 56:12
  Speaker 1: because I'm always really prepared right off the bat and
• 56:15
  Speaker 1: out of the gate, you know, I'll get it into
• 56:18
  Speaker 1: or I'm not going to get it, or I'll get
• 56:20
  Speaker 1: it into and I always get it in the first two.
• 56:22
  Speaker 1: But it doesn't get better for me after that. And
• 56:25
  Speaker 1: that's just how I am as an act or some
• 56:27
  Speaker 1: people their first five or a rehearsal, right, and then
• 56:31
  Speaker 1: they just keep getting better and better and better and better. No,
• 56:35
  Speaker 1: I'm ready to go out of the gate. As soon
• 56:37
  Speaker 1: as that gate opens. I'm like, that's gonna be my
• 56:39
  Speaker 1: your best performance. Um, so I would just like to
• 56:44
  Speaker 1: go back and do it. But the thing is my
• 56:46
  Speaker 1: point is do you think they used a later take? Oh,
• 56:50
  Speaker 1: I'm not going to get into that. I mean they
• 56:52
  Speaker 1: you know, there's so many there's so many different parts
• 56:56
  Speaker 1: of a scene that have to work together that it's
• 56:58
  Speaker 1: not you know, they probably do consider your best work
• 57:01
  Speaker 1: and we can't use it for this reason and that
• 57:03
  Speaker 1: reason because it doesn't match this or something. You can
• 57:05
  Speaker 1: see a mic or whatever that happens. But it just
• 57:08
  Speaker 1: seems like her work is always top notch because it's
• 57:14
  Speaker 1: so consistent throughout every episode that I've seen so far,
• 57:17
  Speaker 1: and I've seen almost forty of them now right, I
• 57:20
  Speaker 1: mean so, and and it's like I'm not seeing any flaws.
• 57:23
  Speaker 1: I'm not seeing any you know, glaring mistakes or timing
• 57:26
  Speaker 1: issues or anything like that. I mean, everything is just
• 57:28
  Speaker 1: so easy and spot on and nuanced and the whole thing.
• 57:31
  Speaker 1: Especially in this episode, the humor was just so underplayed.
• 57:35
  Speaker 1: It was just fantastic. Um. But to get it to
• 57:39
  Speaker 1: that level, imagine what didn't make the cut because of
• 57:44
  Speaker 1: you know, screw ups or whatever. You or somebody dropped
• 57:48
  Speaker 1: something in the background, all we gotta sorry cut, But
• 57:51
  Speaker 1: you know that was a great Taylor Lauren. You know,
• 57:53
  Speaker 1: somebody dropped to Coke Caine in the back. We gotta go.
• 57:55
  Speaker 1: You know, it's you know, but it's like even her
• 57:58
  Speaker 1: mediocre stuff is fantastic because that's usually what ends up
• 58:03
  Speaker 1: in the episode to be done right right, And that's
• 58:09
  Speaker 1: the that's the amazing part about it. Really quick note
• 58:12
  Speaker 1: that I want to let you know because I read
• 58:16
  Speaker 1: every Instagram comment we get, and people, the people listening
• 58:22
  Speaker 1: want to hear you talk about acting. They yeah, So
• 58:27
  Speaker 1: I want you to know because you know, the majority
• 58:30
  Speaker 1: of people want to hear exactly what you just told.
• 58:34
  Speaker 1: And as a human myself, that was to I find
• 58:37
  Speaker 1: that so interesting. So yeah, keep them coming as you
• 58:40
  Speaker 1: remember stuff like that we like it. But it's just
• 58:43
  Speaker 1: I mean, I just want to compliment her some more
• 58:45
  Speaker 1: because you know, she didn't get the accolades she deserves.
• 58:48
  Speaker 1: She didn't get a film career out of it, really,
• 58:51
  Speaker 1: and her work should be recognized. Great work should be recognized,
• 58:55
  Speaker 1: because it's really hard with that kind of a schedule,
• 58:58
  Speaker 1: with eighty pages do with all that time, like to
• 59:00
  Speaker 1: be great in every moment of every scene. And she
• 59:03
  Speaker 1: is and it's a remarkable achievement. And I want people
• 59:06
  Speaker 1: to understand how hard that is to do well. And
• 59:09
  Speaker 1: it's interesting to me, and it made me feel a
• 59:12
  Speaker 1: little bad, But I am interested to hear that that
• 59:15
  Speaker 1: wasn't your favorite scene and you didn't love your performance
• 59:18
  Speaker 1: as much as it makes you sort of cringe to
• 59:19
  Speaker 1: talk about it. It's like, that's interesting. It was bad.
• 59:22
  Speaker 1: It was just it was just bad. It was bad acting.
• 59:25
  Speaker 1: It was just really good. It was not connected. It
• 59:28
  Speaker 1: was over the top. You know, I'm flapping my hands around,
• 59:32
  Speaker 1: in my arms around like some kind of spas. I
• 59:34
  Speaker 1: I just I did not like that scene with the
• 59:37
  Speaker 1: casket in that, you know, and if other people noticed,
• 59:41
  Speaker 1: maybe they awful appreciate you saying it or someone like me.
• 59:45
  Speaker 1: It was like I enjoyed that scene and didn't even notice. No. Look,
• 59:50
  Speaker 1: I'm a tough critic, you know. I know what good
• 59:52
  Speaker 1: acting isn't bad acting is. And that was not good.
• 59:55
  Speaker 1: That was not good. Um So I threw a flag.
• 59:59
  Speaker 1: I picked myself out of the game. Sorry, go to
• 1:00:01
  Speaker 1: the locker room, you know. Sorry, I just I just
• 1:00:05
  Speaker 1: was really I was kind of die. I got up
• 1:00:08
  Speaker 1: and walked away after that scene. I had to go
• 1:00:11
  Speaker 1: get a chocolate square after that. It takes you out.
• 1:00:13
  Speaker 1: But as an actor, like a regular viewer, I was
• 1:00:18
  Speaker 1: just like, sorry, man, I mean it's like, it's like
• 1:00:21
  Speaker 1: that scene. My acting in that scene was was the
• 1:00:26
  Speaker 1: opposite of Shakespeare's advice to his players. Okay, if you
• 1:00:29
  Speaker 1: want to go back and if you want to go
• 1:00:31
  Speaker 1: into Hamlet and and and read What Shakes what Hamlet
• 1:00:35
  Speaker 1: is saying to the players about acting, And that's really
• 1:00:39
  Speaker 1: Shakespeare telling people what great acting is and what not
• 1:00:43
  Speaker 1: to do. Yeah. I did all that. I did all
• 1:00:47
  Speaker 1: the things you're not supposed to do, unless is Walter
• 1:00:55
  Speaker 1: crun Kind with a special report. Word comes from across
• 1:00:59
  Speaker 1: the The American actor Scott Patterson has broken in the
• 1:01:04
  Speaker 1: basement of the Royal Shakespeare Company, three bottles of wine incoherence, salivating.
• 1:01:13
  Speaker 1: We'll take you there now to London, England. Speak to
• 1:01:18
  Speaker 1: the speech. I pray you as I pronounced it to you,
• 1:01:20
  Speaker 1: trippingly on the tongue. But if you malvet, as many
• 1:01:22
  Speaker 1: of your players do, I had to leave the town
• 1:01:25
  Speaker 1: criss boke my lines. Nor do not solve the air
• 1:01:27
  Speaker 1: too much with your hand. Thus, but use all gently.
• 1:01:30
  Speaker 1: But in the very torrent tempest, and as I may say,
• 1:01:33
  Speaker 1: the whirlwind of passion, you must acquire and beget a
• 1:01:36
  Speaker 1: temperance that may give it smoothness. Oh, it offends me
• 1:01:39
  Speaker 1: to the soul to hear a robustious periwink paged fellow tear,
• 1:01:42
  Speaker 1: a passion to tatters, to very rags, to split the
• 1:01:45
  Speaker 1: years of the groundlings were the most party, capable of
• 1:01:47
  Speaker 1: nothing but inexplicable dumb shows a noise. I have suff
• 1:01:51
  Speaker 1: a fellow whip frow, and doing termat it out hurts
• 1:01:53
  Speaker 1: her it. Pray you avoid it. Be not too tame, neither,
• 1:01:56
  Speaker 1: but let your own discretion be your too, to suit
• 1:01:58
  Speaker 1: the action of the word. The word to the action,
• 1:02:00
  Speaker 1: with this special observance that your step not the modesty
• 1:02:04
  Speaker 1: of nature. For anything so overdone is from the purpose
• 1:02:07
  Speaker 1: of playing, whose end, both at first and now wasn't
• 1:02:10
  Speaker 1: is to hold us twit a mirror up to nature,
• 1:02:12
  Speaker 1: to show virtue her own feature, scorn, her own image,
• 1:02:15
  Speaker 1: and the very agent body of the time, his form
• 1:02:17
  Speaker 1: and pressure. Neither overdone or comptari off. Though it makes
• 1:02:21
  Speaker 1: the unskillful laugh, cannot but make the judicious greet the
• 1:02:24
  Speaker 1: centure of which one must, and your allowance over way
• 1:02:27
  Speaker 1: a whole theater of others. Are there be players that
• 1:02:30
  Speaker 1: I have seen player and heard others praise, and that
• 1:02:32
  Speaker 1: highly not to speak it profanely, but neither having the
• 1:02:35
  Speaker 1: accent of Christians, nor the gate of Christian pagan nor
• 1:02:37
  Speaker 1: man have so strutted and bellowed that I have thought
• 1:02:39
  Speaker 1: some of nature's journeymen had made. Men have not made
• 1:02:42
  Speaker 1: them well. They imitated humanity so abominably we have reformed
• 1:02:47
  Speaker 1: that indifferently with us, sir, Oh, reform it altogether. And
• 1:02:51
  Speaker 1: that those that play your clowns speak no more than
• 1:02:53
  Speaker 1: is set down for them, For there be of them
• 1:02:55
  Speaker 1: that will themselves laugh, to set on some quantity of
• 1:02:58
  Speaker 1: barren spectators to laugh too, That when the meantime, some
• 1:03:01
  Speaker 1: necessary question of the play began to be considered. That's
• 1:03:03
  Speaker 1: Fallainius and shows the most pitiful ambition in the fool
• 1:03:06
  Speaker 1: that uses it. Make you ready. British authorities caught up
• 1:03:11
  Speaker 1: to Patterson as he was roasting marshmallows on the main
• 1:03:15
  Speaker 1: stage at RSC. He'd built a bonfire, was naked, playing
• 1:03:21
  Speaker 1: a stolen ray Finds guitar and singing songs. Chief Constable
• 1:03:28
  Speaker 1: Smithereen from the First District is quoted as saying he's
• 1:03:33
  Speaker 1: not a bad bloke at all. In fact, he had
• 1:03:37
  Speaker 1: extra marshmallows for me and my mates. I could have
• 1:03:43
  Speaker 1: done without the singing. It was rubbish. Patterson was booked
• 1:03:49
  Speaker 1: into Scotland Yard on charges of using a bad British accent,
• 1:03:55
  Speaker 1: well being American and doing Shakespeare. And that's the way
• 1:04:01
  Speaker 1: it is. This is Walter Cronkite from New York good Night.
• 1:04:11
  Speaker 1: I started thinking about Taylor Dossey, saying, is that the
• 1:04:14
  Speaker 1: long haired break that wanted to beat the down trouptal
• 1:04:19
  Speaker 1: By the way, didn't you love Taylor sitting at the
• 1:04:22
  Speaker 1: table playing with his hair like Luke, like he's lost
• 1:04:26
  Speaker 1: because he was so stressed that I called a farmer's market.
• 1:04:30
  Speaker 1: You all call it a market. I'm like, I just
• 1:04:33
  Speaker 1: love when he's like beautiful sprouts for the beautiful lady. Anyway,
• 1:04:43
  Speaker 1: what's your favorite lines? Uh, Riley, what's your favorite line? Um?
• 1:04:49
  Speaker 1: I love when they're in the town meeting and this
• 1:04:52
  Speaker 1: Paddy goes the squash is beautiful, but that sexy. It's
• 1:04:55
  Speaker 1: sexy squash. That was a good invitation. That was really good.
• 1:05:03
  Speaker 1: Nail don't one, Danielle. So mine was when Emily and
• 1:05:08
  Speaker 1: Laurel I were going back and forth about you and Laura.
• 1:05:13
  Speaker 1: I goes he feeds me, and it was so relatable,
• 1:05:17
  Speaker 1: like he is he fleeds you. Amy. I mean, I
• 1:05:22
  Speaker 1: think I've given all mine fifty different times. But every
• 1:05:26
  Speaker 1: line she said about the food, which Riley already caves.
• 1:05:29
  Speaker 1: But I'd say my top was fourth force don't care.
• 1:05:32
  Speaker 1: I a four force don't care right right to Kirk,
• 1:05:35
  Speaker 1: I four fourths don't care. Um. My favorite line I
• 1:05:38
  Speaker 1: think I've stated at it. It's when Laura la comes
• 1:05:40
  Speaker 1: in late to the town meeting and says, gosh, I
• 1:05:43
  Speaker 1: hope I'm not pregnant. I just hope I'm not pregnant.
• 1:05:47
  Speaker 1: What did you say that? I mean that was good.
• 1:05:50
  Speaker 1: I spit, I spit a chocolate square out of my
• 1:05:52
  Speaker 1: mouth when she's on it. I know we say it
• 1:05:55
  Speaker 1: every time, repeating ourselves and being redundant, repeating our skills
• 1:05:58
  Speaker 1: and being redundant. But that's why you can watch the
• 1:06:00
  Speaker 1: shows seven times, these episodes seven times, because you catch
• 1:06:03
  Speaker 1: a new line every But I'll stop repeating myself and
• 1:06:06
  Speaker 1: being redundant and saying the same thing over and over
• 1:06:08
  Speaker 1: again and then repeating myself. God Almighty, I can talk
• 1:06:16
  Speaker 1: about this episode forever, but I think let's wrap it up. Kids,
• 1:06:20
  Speaker 1: anything else? Huh? Next week? Back in the saddle again? Oh?
• 1:06:25
  Speaker 1: So that's twenty? Is that episode? What a number? Episode
• 1:06:27
  Speaker 1: is that is that? I don't know what episode is. Gosh,
• 1:06:32
  Speaker 1: we're flying through this season. We're almost through it. We
• 1:06:36
  Speaker 1: might have to start looking for jobs soon. Jesus. We
• 1:06:38
  Speaker 1: just started this podcast. We just started this and we're
• 1:06:41
  Speaker 1: already like blowing through season two. Wow, it flies, doesn't it? Man?
• 1:06:47
  Speaker 1: Oh man? Alright, everybody that's gonna wrap up? What is
• 1:06:51
  Speaker 1: this episode? Let me hang out, let me do this again?
• 1:06:54
  Speaker 1: Al Right, everybody that's gonna wrap up Episode seventeen. Dead
• 1:06:57
  Speaker 1: Uncles and Vegetables what's a richly aired April two thousand
• 1:07:02
  Speaker 1: and two, twenty almost twenty years ago. Um wow, thanks
• 1:07:09
  Speaker 1: for downloading. Best fans on the planet. Can't believe we're
• 1:07:13
  Speaker 1: talking about this show. It's two thousand and twenty two
• 1:07:16
  Speaker 1: and the show is bigger than ever. Unbelievable. That's a
• 1:07:19
  Speaker 1: testament to fans. Love you guys, Stay safe everyone, Hey, everybody,
• 1:07:54
  Speaker 1: and don't forget Follow us on Instagram at I Am
• 1:07:57
  Speaker 1: all In podcast and email us at Gilmore at I
• 1:08:01
  Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're
• 1:08:05
  Speaker 1: looking for the best cup of coffee in the world,
• 1:08:07
  Speaker 1: go to my website for my company scott EP dot
• 1:08:10
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• 1:08:12
  Speaker 1: scott ep dot com Grade one Specialty Coffee. Yeah.