Latest / I Am All In with Scott Patterson / Anywhere Where There’s Not People (S2, E18 "Back in the Saddle Again")

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Anywhere Where There’s Not People (S2, E18 "Back in the Saddle Again") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh, let's just more. I am
• 0:17
  Speaker 1: all in with Scott Patterson and I Heart Radio podcast.
• 0:21
  Speaker 1: Hey everybody, it's Scott Patterson. I'm all in podcast, Heart Radio,
• 0:24
  Speaker 1: one of them productions. We are here, back again, and
• 0:28
  Speaker 1: I'm just gonna say hello, how are you. We're having
• 0:30
  Speaker 1: a blast and we're in great spirits because we've got
• 0:33
  Speaker 1: Amy Sugarman, We've got Danielle Romo, and we've got Riley Pulluses.
• 0:37
  Speaker 1: She's going to kick us off. Announced the episode. She's
• 0:39
  Speaker 1: gonna do her her awesome, awesome job. On the synopsis,
• 0:42
  Speaker 1: here we go, Riley Pellosis. This is episode eighteen. Back
• 0:46
  Speaker 1: in the Saddle ere day two, Rory asked Richard to
• 0:50
  Speaker 1: be a business advisor for a school project, which leads
• 0:53
  Speaker 1: to him to make a big decision about his retirement.
• 0:55
  Speaker 1: Dean is becoming too overbearing for Rory, and he realized
• 0:59
  Speaker 1: that things aren't the same in their relationship. Plus, Michelle's mother, Jess,
• 1:03
  Speaker 1: comes to visit at the inn. Yeah, what a what
• 1:06
  Speaker 1: an episode? Right? I just wanted you think I wanted
• 1:09
  Speaker 1: to hug everybody I felt bad for the people that
• 1:11
  Speaker 1: felt bad I felt I wanted to hug the people
• 1:13
  Speaker 1: that felt great. I even wanted to hug Paris. I
• 1:16
  Speaker 1: was like, so happy for Paris. She found a daddy,
• 1:19
  Speaker 1: She got her daddy, she got a granddaddy who thought
• 1:23
  Speaker 1: she had a great idea, was very happy for her.
• 1:25
  Speaker 1: She just lit up, right, she was so proud. And
• 1:30
  Speaker 1: I'm sure we just can we just rewind for one
• 1:33
  Speaker 1: second and just acknowledge the fact that Scott just said
• 1:37
  Speaker 1: Paris found her daddy. What a daddy she did. She
• 1:45
  Speaker 1: found her daddy. She's like, Daddy's not in Bangkok or
• 1:48
  Speaker 1: Hong Kong or Thailand or wherever. You know, having an
• 1:50
  Speaker 1: affair with somebody you know who sort of underrated that
• 1:53
  Speaker 1: we never talked about is Brad. I always feel like
• 1:56
  Speaker 1: he kneels so the kid at school, Brad. You know,
• 2:00
  Speaker 1: he was at school then he left. He's played by
• 2:02
  Speaker 1: Adam Wiley, who people might picket fences. I always feel
• 2:06
  Speaker 1: like he nails his moments. Yeah, but he's he's such
• 2:10
  Speaker 1: a minor character. You know, nobody's gonna put us up
• 2:14
  Speaker 1: against the wall for not mentioning him every episode. You know,
• 2:17
  Speaker 1: I just give him. But he had, you know, he
• 2:19
  Speaker 1: had some great moments. He had He had a laugh
• 2:22
  Speaker 1: out loud moment in this one too. Yeah, I agree.
• 2:25
  Speaker 1: When somebody you know one of the uh, the twins,
• 2:29
  Speaker 1: or not the twins, but the two dope girls, you know,
• 2:32
  Speaker 1: Louise Louise and yeah, right asked him, who asked as
• 2:38
  Speaker 1: he'd ever build? He said, you've built tried to build
• 2:40
  Speaker 1: a robot before, haven't you? And he paused and he goes, yes,
• 2:43
  Speaker 1: I have. It's very funny. You weren't wanting to produce
• 2:48
  Speaker 1: lipstick low Jack. That didn't seem like the That was good.
• 2:54
  Speaker 1: That was so good. So you know, let's take this
• 2:56
  Speaker 1: Richard stuff because you know Brad, he's going to get
• 2:59
  Speaker 1: his own segment. We're gonna do a whole show on Brad. Right,
• 3:02
  Speaker 1: We're gonna do it right, let's just do it. Uh
• 3:05
  Speaker 1: deserves his accolades. But for God's sake, what a great
• 3:08
  Speaker 1: episode for Richard. I know. Although I have to say
• 3:12
  Speaker 1: watched the episode twice because I watched it the first
• 3:15
  Speaker 1: time I forgot to look for the fashion. So I
• 3:16
  Speaker 1: went back to watch it again and I couldn't rewatch
• 3:19
  Speaker 1: the scene where Richard loses it at the school. It
• 3:24
  Speaker 1: just made me too uncomfortable that to see Richard not
• 3:28
  Speaker 1: being like perfect and cool and the grandpa that's that
• 3:33
  Speaker 1: we all look up to to see him sort of
• 3:35
  Speaker 1: embarrassingly lose it. I couldn't watch it, right could? You guys?
• 3:40
  Speaker 1: Did Stringe? I agreed with him. I did too. I
• 3:46
  Speaker 1: agreed with him. It doesn't function at the event, so
• 3:51
  Speaker 1: it's automatically disqualified. It cannot be considered for awards consideration.
• 3:57
  Speaker 1: You know, it doesn't work eight. So you guys were
• 4:01
  Speaker 1: cool with him losing it in the auditorium and then go, well, no,
• 4:08
  Speaker 1: no, no no, I mean no, I mean it was inappropriate.
• 4:10
  Speaker 1: It was I mean it was obviously you know, he
• 4:13
  Speaker 1: was on edge and he was acting out and he
• 4:16
  Speaker 1: didn't know why, and he was you know, he became unhinged.
• 4:18
  Speaker 1: It was not appropriate. But I I enjoy I enjoy
• 4:22
  Speaker 1: seeing like Michelle became unhinged in this episode as well,
• 4:27
  Speaker 1: And it was one of his best moments um in
• 4:30
  Speaker 1: the from what I've seen so far, it was hysterically funny.
• 4:33
  Speaker 1: See now that that's what I'm talking about. That is
• 4:35
  Speaker 1: what I'm talking about. That's how you lose it, okay,
• 4:39
  Speaker 1: And that's why I criticized my own work last week
• 4:42
  Speaker 1: right in the in the in the with the cast
• 4:44
  Speaker 1: getting spas it out like that. I will say, You've
• 4:47
  Speaker 1: got a lot of comments where people really like that scene.
• 4:49
  Speaker 1: I know, I know, I know they love that scene.
• 4:51
  Speaker 1: They liked that scene. They like the opposite sort of
• 4:54
  Speaker 1: dischotomy between you and more life. I'm just saying, we
• 4:57
  Speaker 1: don't have to go back to I am the chief
• 4:58
  Speaker 1: constable of the acting police as I see it, but
• 5:02
  Speaker 1: want to make you gag. I will issue I will
• 5:04
  Speaker 1: issue arrest warrants, search warrants. I will issue orders to appear.
• 5:10
  Speaker 1: And I did I gonna. I did it to myself,
• 5:12
  Speaker 1: so anyway, But Richard was, yeah, he was. He was
• 5:14
  Speaker 1: a little bit over topic. God darn, what a great episode.
• 5:18
  Speaker 1: I I loved everybody. I loved Dean, I loved I
• 5:21
  Speaker 1: felt bad for Dean, and it was like he was
• 5:24
  Speaker 1: so unlike his when we first saw him. But still
• 5:27
  Speaker 1: it was like it hit him and you know, and
• 5:31
  Speaker 1: it's and it really made you know. And again I
• 5:35
  Speaker 1: don't mean to jump around we're talking about Richard and
• 5:37
  Speaker 1: all that, but but it's like it really made it
• 5:41
  Speaker 1: very apparent to me how great Alexis is acting is
• 5:47
  Speaker 1: because she was covering so well even with her mother
• 5:51
  Speaker 1: not talking about Jess and how she feels about Jess
• 5:55
  Speaker 1: because we know this is the reason. And it's like,
• 5:58
  Speaker 1: I'll call him tomorrow. Yeah, I texted, he called fourteen times.
• 6:01
  Speaker 1: I mean that that relationship is over. I mean that
• 6:05
  Speaker 1: that's like stick a fork in it, right, I wrote,
• 6:07
  Speaker 1: Dean done, and she noticed just as handwriting at the diner.
• 6:14
  Speaker 1: You know, it's already at that level. I'm glad you
• 6:17
  Speaker 1: brought up that omelet. I'm going to bring up that
• 6:19
  Speaker 1: omelet later. But to stay on track, here's my question
• 6:22
  Speaker 1: for all of you. What did you think about Laurel
• 6:26
  Speaker 1: giving Dean that real sort of heart felt romance advice.
• 6:31
  Speaker 1: It was one of her finest moments. I thought it
• 6:34
  Speaker 1: made me just love her more. I just kept thinking, Man,
• 6:37
  Speaker 1: what a good mom, What a great mom she is,
• 6:40
  Speaker 1: What a great person, What a great character, because she's
• 6:43
  Speaker 1: just so compassionate. She really she's an EmPATH, almost, isn't she.
• 6:47
  Speaker 1: She's feeling everybody's what's everybody's feeling. She's feeling his pain,
• 6:51
  Speaker 1: and she wants to make it better and give him
• 6:53
  Speaker 1: a shot when she kind of realizes he doesn't really
• 6:55
  Speaker 1: have a shot, you know, right, And I think she
• 6:58
  Speaker 1: probably somewhere deep out is like a little bit dreading, like,
• 7:02
  Speaker 1: oh God, like you're wrecking this because you're calling a
• 7:06
  Speaker 1: hundred and twelve times and you're just going to push
• 7:10
  Speaker 1: her into the guy I don't even want her to be.
• 7:12
  Speaker 1: There's no there's no going back from that. The fourteen calls.
• 7:17
  Speaker 1: You can't unre you can't forget that. Roy will never
• 7:20
  Speaker 1: forget that you're the guy. It doesn't matter how cool
• 7:23
  Speaker 1: whatever he does, you know, saves her life, saves the town,
• 7:27
  Speaker 1: it's still he's the guy that he can wash that
• 7:29
  Speaker 1: car all night. Yeah. What do you guys think with Daniel?
• 7:36
  Speaker 1: What do you guys think of this? Um? I agree
• 7:39
  Speaker 1: with exactly what you said. I think Lorelai recognizes Dean's
• 7:43
  Speaker 1: pain and she's like, oh no, like four kids, Um,
• 7:49
  Speaker 1: I she's seeing it all happen, and she's just got
• 7:52
  Speaker 1: a soft spot for for the guy. You can tell,
• 7:56
  Speaker 1: have any of us been in that situation? You know? Can?
• 7:58
  Speaker 1: I can? I throw something out to guys though, Sure,
• 8:01
  Speaker 1: I'm cool with lor La talking to Dean. I love Lorelai,
• 8:05
  Speaker 1: which everyone knows, so I love the way she talked
• 8:07
  Speaker 1: to Dean. But if I was rory and I'm coming
• 8:11
  Speaker 1: from her perspective. I'm not sure I would love my
• 8:13
  Speaker 1: mom giving love advice to my boyfriend. But he's a kid.
• 8:18
  Speaker 1: He's just a kid. He's so needy and he's such
• 8:21
  Speaker 1: a nice kid, and he's being he deserved it because
• 8:24
  Speaker 1: he's being so great with Rory, right, I mean, she
• 8:28
  Speaker 1: respects him. He's like, hey, this this kid is pretty
• 8:30
  Speaker 1: sharp and he's got a lot on the ball, and
• 8:32
  Speaker 1: he's from a big city and he's just getting shoot
• 8:35
  Speaker 1: up by my daughter. He probably he probably she felt
• 8:37
  Speaker 1: some pity for him because my daughter, she knows her
• 8:40
  Speaker 1: daughter is tough, because it's a part of her. She
• 8:41
  Speaker 1: knows how tough she is. Right, he has fallen so
• 8:45
  Speaker 1: far because remember when he was pushing lord lyon was
• 8:48
  Speaker 1: like is it my turn now? And then now we've
• 8:50
  Speaker 1: got this puddle that's just can't that's just paging and
• 8:54
  Speaker 1: calling and washing and paging and calling and sitting on
• 8:57
  Speaker 1: the step. You know, it's kind of weird, like when
• 9:01
  Speaker 1: when we first were introduced to Dean, he was kind
• 9:03
  Speaker 1: of a bad boy. Kind of does anyone agree, like
• 9:07
  Speaker 1: kind of a bad boy and now he is flailing literally,
• 9:11
  Speaker 1: it's it's not it's not attractive. Sorry, but I do.
• 9:15
  Speaker 1: I feel bad for him. I want to give the
• 9:17
  Speaker 1: guy a hug. I want to take him on a
• 9:19
  Speaker 1: walk in the woods, and I want to talk to him,
• 9:22
  Speaker 1: and I want to give him some advice. See, whenever
• 9:25
  Speaker 1: I have a problem with somebody or there's a misunderstanding,
• 9:29
  Speaker 1: I like to take people on walks, so and really
• 9:34
  Speaker 1: take a long walk in nature and work it out.
• 9:38
  Speaker 1: That's what I do. That's what I've always done, because
• 9:40
  Speaker 1: that's what I saw that in my family with my dad,
• 9:43
  Speaker 1: that yeah, he needed, he needed a long walk in
• 9:45
  Speaker 1: the woods and just look about stuff. What do you
• 9:48
  Speaker 1: think of that? End? Though? That's devastating. It was completely unexpected,
• 9:55
  Speaker 1: even though I should have seen it coming. But because
• 9:59
  Speaker 1: I up thinking, wait a minute, where's Rory? Oh dropped
• 10:02
  Speaker 1: her off at lanes right, And the subtle, very subtle
• 10:07
  Speaker 1: mention of like, oh, we might go to Luke's. And
• 10:09
  Speaker 1: I think, what's so interesting is they don't show us
• 10:11
  Speaker 1: that scene. We're just left to wander. But like we
• 10:14
  Speaker 1: know Jesse is there. He's either working or he's there
• 10:17
  Speaker 1: he lives there. M hmm. That's what I like about
• 10:21
  Speaker 1: this show. It's always a couple of steps ahead of
• 10:23
  Speaker 1: the audience. Yeah, not too far ahead, but enough to
• 10:27
  Speaker 1: keep you leaning in, right, You never really catch up
• 10:30
  Speaker 1: with it, that's correct. You don't. You're and it's and
• 10:33
  Speaker 1: it makes you lean forward and you sort of you know,
• 10:36
  Speaker 1: it does affect you your physicality when you're watching it.
• 10:39
  Speaker 1: I don't lean back and watch the show. I agree.
• 10:43
  Speaker 1: Isn't that the same thing with what they did with Richard.
• 10:45
  Speaker 1: We're expecting that Richard's going to be all like in
• 10:49
  Speaker 1: a Kirk fluffle because of the career fair and that
• 10:53
  Speaker 1: he's sort of embarrassed himself, and instead, suddenly he comes
• 10:56
  Speaker 1: down and he's like in a great mood and I'm
• 10:59
  Speaker 1: going back to work. So kind of threw a curveball,
• 11:01
  Speaker 1: like I thought, oh no, Emily's gonna have to pick
• 11:03
  Speaker 1: up the pieces, and it's like, nope, this dude's now inspired. Yeah.
• 11:09
  Speaker 1: Well he does have a point there about retirement, you know,
• 11:13
  Speaker 1: because I'm kind of reaching that age and uh, you know,
• 11:17
  Speaker 1: I'm sixty three. I am only we're only on season two.
• 11:21
  Speaker 1: You can it's like a long way to go. Yeah,
• 11:26
  Speaker 1: but this isn't like having a job. This is fun, right,
• 11:30
  Speaker 1: I don't know. I think of acting, you could have
• 11:32
  Speaker 1: a whole career resurgence at any time. Who needs it? Man,
• 11:38
  Speaker 1: I mean, yeah, great, fine as Hey listen, I just
• 11:43
  Speaker 1: got rejected. I just got rejected by Natalie Portman. Okay,
• 11:47
  Speaker 1: I almost had a job opposite Natalie Portman. I don't
• 11:50
  Speaker 1: think she rejected me. But you know I didn't get
• 11:52
  Speaker 1: that job. That can't do you know how that stirred
• 11:55
  Speaker 1: up all those old feelings again. You know, it's like, damn,
• 11:57
  Speaker 1: I didn't get it, almost got it. But I love it,
• 12:01
  Speaker 1: you know. I mean it's it's not like work at all.
• 12:03
  Speaker 1: It's just fun. You know, it's fun. I'll do this forever.
• 12:07
  Speaker 1: But anyway, back to the episode. Um, all right, let's
• 12:12
  Speaker 1: let's let's do Dean and Rory. Let's just keep the
• 12:14
  Speaker 1: focus here. Dean and Rory give me everything you guys got. Um.
• 12:19
  Speaker 1: I think she's been you know, she's being coy and
• 12:22
  Speaker 1: and being secretive with her own mother for a reason.
• 12:26
  Speaker 1: Maybe there's a little lack of trust there. Maybe there's
• 12:29
  Speaker 1: you know, she knows that Dean's gonna get up and
• 12:32
  Speaker 1: Laurelize Grill and Moan and wine and where's Rory and
• 12:35
  Speaker 1: and and I think Rory can tell because her mother
• 12:38
  Speaker 1: is pushed now, pushing the relationship, like why don't you
• 12:40
  Speaker 1: call him back? Now you can borrow my phone and
• 12:42
  Speaker 1: this kind of stuff. That's okay, I'll call him tomorrow.
• 12:45
  Speaker 1: She is out of this relationship. She's not feeling it,
• 12:49
  Speaker 1: and it's not like she's play acting with her mom,
• 12:51
  Speaker 1: but she's just sort of agreeing with her mom. Yeah,
• 12:55
  Speaker 1: it's nice that he hasn't called in a couple of days,
• 12:57
  Speaker 1: and may I even almost missed. You think she's not
• 12:59
  Speaker 1: totally away or how out she is? I think I
• 13:02
  Speaker 1: think Laurel is not aware what about Rory though, I
• 13:05
  Speaker 1: think Rory's out, but she's not willing to admit it
• 13:07
  Speaker 1: to herself yet. I think, Yeah, I think you're right.
• 13:09
  Speaker 1: I think she's right. She didn't want to go to
• 13:11
  Speaker 1: the softball game, but she's like, I'm just gonna do
• 13:13
  Speaker 1: my homework and he's kind of needy, like, oh, do
• 13:16
  Speaker 1: it at the game, and she's like, I'll just see
• 13:18
  Speaker 1: you tonight. Like they're just like this old married couple
• 13:22
  Speaker 1: that needs to like call it. But no, he but
• 13:24
  Speaker 1: he wants to be like an old married couple at
• 13:28
  Speaker 1: that age in high school because he sees that with
• 13:31
  Speaker 1: other guys they have that, and those are the couples
• 13:34
  Speaker 1: that get together and get married and have kids, you know,
• 13:36
  Speaker 1: by the time they're twenty. And he wants that, He
• 13:40
  Speaker 1: wants her at the at the game, doing her homework,
• 13:42
  Speaker 1: just being all about Dean, and I won't say anything,
• 13:48
  Speaker 1: but just funny you say that. Everybody make a mental
• 13:51
  Speaker 1: note right now what Scott just said that Dean wants
• 13:54
  Speaker 1: to be one of those couples. Just everybody write that
• 13:56
  Speaker 1: down and we'll talk about it again. Yeah, well we can't.
• 14:01
  Speaker 1: We can we continue to talk about because I don't
• 14:03
  Speaker 1: want to ruin for you what's coming. But I think
• 14:06
  Speaker 1: it's extremely poignant that you just said that you're not
• 14:09
  Speaker 1: totally aware of what's coming. And it's quite intuitive that
• 14:15
  Speaker 1: you're saying, all right, yeah, but she's just it's again
• 14:21
  Speaker 1: more evidence they're just one completely different paths. They have
• 14:23
  Speaker 1: completely different needs and different wants. And he's ready, it's
• 14:28
  Speaker 1: almost like he's ready to settle down and she's still searching.
• 14:31
  Speaker 1: And this is just you know, this is just a
• 14:33
  Speaker 1: youthful romantic relationship that isn't going to work out. It's
• 14:36
  Speaker 1: going to be maybe she'll have a friend for life.
• 14:39
  Speaker 1: I don't know. Don't you think this how prominent Jess
• 14:42
  Speaker 1: is in an episode he's not in. I wrote down
• 14:47
  Speaker 1: that exact note. This episode has so much Jess in
• 14:49
  Speaker 1: it and he's not even there. The power of Jess right,
• 14:53
  Speaker 1: so cool. That's very clever writing, isn't it. Yes, they've
• 14:57
  Speaker 1: been so smart with Jess all along because and I
• 15:00
  Speaker 1: know I'm a broken record, but they just don't shove
• 15:02
  Speaker 1: him down our throats. We just started, we just started
• 15:04
  Speaker 1: left wanting more. He's got beautiful handwriting. Oh how do
• 15:08
  Speaker 1: you know his handwriting? Well, he writes in the margins,
• 15:11
  Speaker 1: you know, it's just the whole. And I kept leaning forward,
• 15:16
  Speaker 1: like what is he writing the margins? And I'm like, yeah,
• 15:18
  Speaker 1: come on, tell me what he writes? Smarts stuff, He
• 15:20
  Speaker 1: writes smarty pants. Yeah, but they didn't say. She didn't
• 15:23
  Speaker 1: give us any nuggets. She didn't get one little detail
• 15:26
  Speaker 1: from that. I just feel like he I mean, I
• 15:28
  Speaker 1: think I write smarty stuff that I'm not going to
• 15:30
  Speaker 1: even understand, well of literature. Smarts. You know, a girl
• 15:35
  Speaker 1: likes the guy if she says his handwriting is nice,
• 15:37
  Speaker 1: because guy's handwriting. It was a beautiful new sign you
• 15:42
  Speaker 1: had there in the dinner yeah, but I didn't do that,
• 15:45
  Speaker 1: did I? That was his hand. Also, that omelet sounded gross?
• 15:52
  Speaker 1: What was it? Bacon bits, tomatoes, bacon bits? And then
• 16:00
  Speaker 1: that whole omelet sounded gross, which I did maybe text
• 16:05
  Speaker 1: Riley late last night was like, can you make this
• 16:07
  Speaker 1: omelet and tell us how it is? Riley? You never
• 16:10
  Speaker 1: could you respond? I did? You said, yes, you'll make it.
• 16:14
  Speaker 1: I'll make it. Yeah. I'm not the greatest chef that
• 16:18
  Speaker 1: will say what happens? So did you? Guys? All? We
• 16:21
  Speaker 1: all agreed the omelet special is not good. I only
• 16:25
  Speaker 1: been okay with it minus Swiss cheese. Yeah. I don't
• 16:29
  Speaker 1: think the Swiss cheese is you gotta have cheddar in
• 16:31
  Speaker 1: an omelet you don't want to? Yeah, but the Reagano didn't.
• 16:37
  Speaker 1: I don't know about oregano either. Yeah. And it was
• 16:40
  Speaker 1: so cheap. It was four dollars and seventy five cents. Now.
• 16:42
  Speaker 1: I don't know if that was because it was twenty
• 16:44
  Speaker 1: years ago or if Luke's prices are like extraordinarily cheap.
• 16:47
  Speaker 1: But if you got that omelet like now, even at Denny's,
• 16:50
  Speaker 1: I think you're looking at eleven bucks nine. I don't
• 16:52
  Speaker 1: know Denny's bucks well, first of all, Luke's Diner is
• 16:58
  Speaker 1: no Denny's. It's totally a step up. You went to
• 17:01
  Speaker 1: farm Shop in Los Angeles that things oh for Good's. Yeah,
• 17:11
  Speaker 1: it was the best constructed and acted and written kids
• 17:17
  Speaker 1: stuff in terms of Roy Dean and just not even
• 17:21
  Speaker 1: being there, but as you rightfully point out, being a
• 17:24
  Speaker 1: very prominent member of each scene. Um, and it's just
• 17:29
  Speaker 1: getting us ready for the inevitable sort of you know, heartbreak. Yeah,
• 17:36
  Speaker 1: it's it's it's hard to watch, but they make it
• 17:39
  Speaker 1: very appetizing, you know what I mean. Very well said, Yes,
• 17:44
  Speaker 1: it's really compelling to watch because you just you like
• 17:48
  Speaker 1: that kid so much and you and you're rooting for him, um,
• 17:52
  Speaker 1: and his and his inner goodness is coming through, right
• 17:56
  Speaker 1: Jared Deine goodness coming through, and you just you want
• 18:00
  Speaker 1: him to like I just you know, and I was
• 18:02
  Speaker 1: watching it too because I I've been in that situation.
• 18:05
  Speaker 1: I think a lot of guys have been in that
• 18:07
  Speaker 1: situation in their youth. It's just it's just raining too hard, man, Yeah,
• 18:14
  Speaker 1: trying too hard. We call it hashtag trying too hard
• 18:17
  Speaker 1: and so true. I will let you know that an
• 18:20
  Speaker 1: omelet at farm Shop is going to run you somewhere
• 18:23
  Speaker 1: between nineteen and twenty three dollars? Do you have many
• 18:27
  Speaker 1: dozen eggs you can buy? Yeah? But yeah, I think
• 18:33
  Speaker 1: your prices are low. But it was twenty years ago.
• 18:36
  Speaker 1: So look, I'm the I'm the place to go. I
• 18:39
  Speaker 1: treat my customers. Right. Um. Anyway, how else do we
• 18:45
  Speaker 1: feel about Rory and Dean and Jess. I'm not mad
• 18:50
  Speaker 1: that she likes Jess. That's my problem. It's like, Okay,
• 18:53
  Speaker 1: Dean like sorry, but it's over. You know what it is.
• 18:59
  Speaker 1: You can not getting mad at Rory. Try even getting
• 19:04
  Speaker 1: perturbed Rory. It's not possible. She's too appealing. I mean
• 19:10
  Speaker 1: that face and those eyeballs. She's so cute. She asked
• 19:15
  Speaker 1: her grandpa to help with the project, right set, I mean,
• 19:19
  Speaker 1: how do you say no to her? Emily? You right?
• 19:22
  Speaker 1: Emily was like, oh my god, you're disappointing your granddaughter.
• 19:27
  Speaker 1: And Emily was right, It's like, oh my god, how
• 19:30
  Speaker 1: do you say no? But I mean, the casting of
• 19:34
  Speaker 1: these two is just a master stroke. Right was so
• 19:38
  Speaker 1: good together. It's so funny you say that. I thought
• 19:40
  Speaker 1: about this in particular in this episode, which this episode
• 19:43
  Speaker 1: is not my ultimate favorite. It's always good and I
• 19:46
  Speaker 1: actually liked it on my second rewatch just last night.
• 19:49
  Speaker 1: I watched it two times last night. M. But you're right,
• 19:54
  Speaker 1: she's awesome. Yeah, like she she's the heart and soul
• 19:59
  Speaker 1: of that show. Yeah, because or over the top, very
• 20:05
  Speaker 1: so subtle, and you're like everything she does, you believe everything.
• 20:10
  Speaker 1: It's so underplayed. And that face, that sweet face. I
• 20:14
  Speaker 1: mean you just so what do you think of? Okay,
• 20:18
  Speaker 1: so let's break down. Next we'll go to Rory and
• 20:21
  Speaker 1: Richard and Richard and the kids and just kind of
• 20:24
  Speaker 1: all that. M. What do you think, Well, Richard comes
• 20:30
  Speaker 1: to life. You know, it's uh, it's funny because you
• 20:35
  Speaker 1: know that's what guys do. They don't know what to
• 20:36
  Speaker 1: do with themselves. So they do all these things that
• 20:38
  Speaker 1: they never did before. They think thought they were interested in.
• 20:41
  Speaker 1: They realized, God, what a bore this is. You know,
• 20:43
  Speaker 1: like golf, golf I do and I joined a club
• 20:50
  Speaker 1: after you know, I thought I was done like ten
• 20:52
  Speaker 1: years ago, and I was just it was like, no,
• 20:55
  Speaker 1: I don't want to do this. I liked it. I
• 20:57
  Speaker 1: love golf. It's all great, but I just you know,
• 20:59
  Speaker 1: I sold him membership and I was like, once in
• 21:01
  Speaker 1: a while, it's fun. But do you work on cars?
• 21:05
  Speaker 1: I don't. First of all, you got a little kid though, too,
• 21:09
  Speaker 1: Like I'm raising my boy. Man, I'm busy. I have
• 21:13
  Speaker 1: a question for you guys. Do you think Emily is
• 21:17
  Speaker 1: excited or is kind of like w t F now
• 21:20
  Speaker 1: that he wants to go back to work happy? Is
• 21:23
  Speaker 1: a girl can be? She doesn't you think? So? Yeah,
• 21:26
  Speaker 1: he's driving her cuckoo. But I saw at the end
• 21:29
  Speaker 1: kind of she was like what, I think she's concerned
• 21:32
  Speaker 1: about what he's going to do, you know what I mean?
• 21:37
  Speaker 1: I think that's that was her primary source of concern,
• 21:41
  Speaker 1: like teacher and you know, Loura, like they were giving
• 21:44
  Speaker 1: him a hard time about it. So, I mean, I
• 21:47
  Speaker 1: don't know. I think she's happy because he's been so
• 21:50
  Speaker 1: she just wants him to be happy, which actually I admire,
• 21:53
  Speaker 1: Like she's a great partner to him and she wants
• 21:56
  Speaker 1: him to be happy. That's why she leans in during
• 21:58
  Speaker 1: the board meeting at their house and said he's smiling.
• 22:01
  Speaker 1: She just wants him to be happy. She's just like cookies.
• 22:04
  Speaker 1: What can I get you guys? Ice cream? He's happy?
• 22:07
  Speaker 1: Rory like she won't. I think she's cool with it.
• 22:11
  Speaker 1: Mm hmm, yeah, yeah, I thought I saw him getting
• 22:16
  Speaker 1: engaged with with Rory in the class and and being
• 22:21
  Speaker 1: the advisor. Was it was I don't know, I mean
• 22:25
  Speaker 1: it was very entertaining. It was um, you know. Paris
• 22:29
  Speaker 1: was her usual troubling self and then she came to
• 22:32
  Speaker 1: life Scott. Obviously Luke wasn't as prominent in this episode
• 22:38
  Speaker 1: as he was in the week before. Were you more
• 22:41
  Speaker 1: comfortable with your you know moments? Oh yeah, yeah, yeah
• 22:46
  Speaker 1: it was fine. It was great. Yeah I thought so too. Yeah,
• 22:50
  Speaker 1: I had no complaints. You know, timing was there, it
• 22:54
  Speaker 1: was funny, it was all good. Yeah, that one a lot,
• 22:59
  Speaker 1: you know, and that's get me out of the diner.
• 23:02
  Speaker 1: It gets a little more complicated, you know. I like
• 23:04
  Speaker 1: myself in the diner. So it was interesting. Really well,
• 23:10
  Speaker 1: without the hat, you lose your superpower, right, so I
• 23:15
  Speaker 1: had to hair act. I had to full on hair act,
• 23:18
  Speaker 1: and I don't like hair acting. I was used to
• 23:21
  Speaker 1: a hat act. Different, freaking hilarious. But it's true true
• 23:29
  Speaker 1: with with without the hat band going around my noggin,
• 23:32
  Speaker 1: it felt a little strange. It's like experiencing too much freedom.
• 23:36
  Speaker 1: It's like this is this is unfamiliar territory, uh Suki
• 23:42
  Speaker 1: and her poor wedding invitations. And I need to talk
• 23:45
  Speaker 1: about the meringue flying everywhere. You know, that was just great.
• 23:49
  Speaker 1: That was one of the funniest moments in the whole thing.
• 23:53
  Speaker 1: But I landed on her back, a big, big dukie
• 23:57
  Speaker 1: right on her back man the whole scene. I'm assuming
• 24:02
  Speaker 1: that means they practically shot that in one take, because
• 24:05
  Speaker 1: I'm not sure how long that morangue could have like
• 24:06
  Speaker 1: stuck on there. Yeah, I think they did one. Yeah. Yeah,
• 24:11
  Speaker 1: it felt like that to me too, Like, oh my god, wow,
• 24:14
  Speaker 1: because because I think the director probably thought, O, look
• 24:18
  Speaker 1: at the large dukie chunk on her back and let's
• 24:22
  Speaker 1: cut cut it. But then like, no, no, let's just
• 24:24
  Speaker 1: let it play out. It's brilliant. It's pretty good. It was.
• 24:29
  Speaker 1: It was pretty good. Yeah, like a small like because
• 24:32
  Speaker 1: it's such a c D storyline, but it was so good.
• 24:37
  Speaker 1: And the wedding is coming soon. We also learned that
• 24:39
  Speaker 1: like we're moments away. Yeah, it's it's I don't know,
• 24:47
  Speaker 1: you know, the anticipation. It's killing me for the wedding.
• 24:50
  Speaker 1: Not you don't care. It'll be nice, right, but it's
• 24:56
  Speaker 1: not it's not so let me ask you that, Okay,
• 24:58
  Speaker 1: keeping me up at night. So you of Melissa McCarthy,
• 25:01
  Speaker 1: and I know you love the character of Suki s
• 25:04
  Speaker 1: is it you just are in the moment with her,
• 25:06
  Speaker 1: like you just love her sort of comedic and like
• 25:08
  Speaker 1: physical stuff, but you're not like totally invested in her
• 25:11
  Speaker 1: and Jackson in their future. I think it's a very yes. No, absolutely,
• 25:17
  Speaker 1: Melissa McCarthy is amazing watching her as a treat and
• 25:22
  Speaker 1: it's a masterclass in acting, whether it's a comedy or
• 25:25
  Speaker 1: drama because she, you know, put on the drama too.
• 25:27
  Speaker 1: She really yelled at the the card people, you know,
• 25:31
  Speaker 1: so when she changes gears, it's it's just awesome to
• 25:34
  Speaker 1: watch um. But yeah, I mean she's a sweet, a
• 25:39
  Speaker 1: very sweet character. It's a but these are these are
• 25:42
  Speaker 1: kind of they don't use they don't utilize these characters
• 25:46
  Speaker 1: in such a way where you're anticipating every single storyline
• 25:49
  Speaker 1: that I'm in for the Melissa's in or what you know.
• 25:53
  Speaker 1: It's like, really it's it's all about you know, it's
• 25:57
  Speaker 1: all about uh Rory and Laurela and the kid love
• 26:02
  Speaker 1: and their drama with their parents. I mean that's really
• 26:05
  Speaker 1: kind of the focus of the show is what I'm
• 26:06
  Speaker 1: getting out of this, and that we're all just sort
• 26:08
  Speaker 1: of sprinkled in when you know, just I wouldn't loop
• 26:12
  Speaker 1: you in with that. I would not look I would
• 26:14
  Speaker 1: not loop you in with that. But am I incorrect
• 26:17
  Speaker 1: if I sort of say this, you guys weigh in
• 26:20
  Speaker 1: those characters. We love them, the amcillary characters, but they
• 26:24
  Speaker 1: really are mostly comedy, even in their drama, Like even
• 26:29
  Speaker 1: in Michelle's drama, it's still comedy. Right, It's not like
• 26:35
  Speaker 1: we're so we're not I'm not worried about Michelle, right,
• 26:40
  Speaker 1: But I mean that was some of those are some
• 26:41
  Speaker 1: of the funniest scenes that he's done with his mother.
• 26:45
  Speaker 1: She was great. She it was great stuff, and it
• 26:49
  Speaker 1: was really funny, and it was just you know, and
• 26:52
  Speaker 1: that's you know, if you if you can add a
• 26:55
  Speaker 1: little spice here and there to the to the to
• 26:57
  Speaker 1: the forty minutes, great do it and they do it
• 26:59
  Speaker 1: tot late and they sprinkle it in. Yeah. But yeah,
• 27:07
  Speaker 1: So it's not like we're you know, what we're involved
• 27:11
  Speaker 1: in is Rory, or we're involved with Laurela, or we're
• 27:16
  Speaker 1: involved a little you know, maybe a little less so,
• 27:19
  Speaker 1: but in a major way with with uh, Emily and
• 27:24
  Speaker 1: rich Now Richard, right, I mean it really when when
• 27:27
  Speaker 1: they're those episodes are heavy, heavy, heavy with them, you know,
• 27:30
  Speaker 1: they're very prominent and that's yeah. And there are really powerful,
• 27:34
  Speaker 1: sort of dramatic moments with that. Yeah, and that's why.
• 27:42
  Speaker 1: And at the beginning they wanted to call it to
• 27:44
  Speaker 1: gilmore Way and uh, I think the creators wanted to
• 27:48
  Speaker 1: call it uh No, I think I think the studio
• 27:51
  Speaker 1: wanted to call it to gilmore Way, and the creators
• 27:55
  Speaker 1: wanted to call it gilmore Girls. I'm glad they went
• 27:58
  Speaker 1: with girls. This studio thought it was a bigger show
• 28:01
  Speaker 1: than that that included more people to gilmore Way, which
• 28:04
  Speaker 1: would be Emily and Richard. Right. So, and that's kind
• 28:07
  Speaker 1: of how it feels. That's how that's how it feels,
• 28:11
  Speaker 1: and I think everybody else is just and that's kind
• 28:14
  Speaker 1: of how it was for the reboot too. You should
• 28:18
  Speaker 1: see the TikTok slutes that are convinced there's a new
• 28:23
  Speaker 1: reboot coming because oh yeah, so did I send you
• 28:26
  Speaker 1: guys this TikTok? Or the one girl has is certain
• 28:29
  Speaker 1: of it because the official gilmore Instagram has posted twice
• 28:34
  Speaker 1: like in a day. I never sent you guys this
• 28:37
  Speaker 1: like detective on TikTok. I don't know. They've got all
• 28:41
  Speaker 1: kinds of theories in there, So what's one there that
• 28:44
  Speaker 1: you're all coming back again? I mean, she doesn't really
• 28:46
  Speaker 1: have a lot of knowledge there because her theory is
• 28:49
  Speaker 1: just based on the fact that the Instagram's back a lot.
• 28:52
  Speaker 1: But I mean, do you know something look us in
• 28:57
  Speaker 1: the eye? I don't know. I don't know if that
• 29:00
  Speaker 1: look us? And oh what do you guys I'm looking?
• 29:04
  Speaker 1: Do you guys believe them I'm looking. I saw a
• 29:07
  Speaker 1: little hurt. He's not looking at He's not looking at
• 29:13
  Speaker 1: us anything to any fair, we were told not to
• 29:19
  Speaker 1: look Scott and so should we do a little fashion
• 29:24
  Speaker 1: before we have to go? Listen, Tom and I discussed it.
• 29:29
  Speaker 1: He said, you're big enough to demand the people don't
• 29:32
  Speaker 1: look you in the eye. I said, I don't know
• 29:35
  Speaker 1: how it's gonna fly. Here's a couple of notes I have.
• 29:38
  Speaker 1: One is I thought it was fascinating that she was
• 29:40
  Speaker 1: totally First of all, I loved her. She wore a
• 29:43
  Speaker 1: lot of blue in this episode, which another fan told
• 29:46
  Speaker 1: me they do always dress her a lot of blue,
• 29:48
  Speaker 1: which makes sense because she's got the blue eyes. She's
• 29:50
  Speaker 1: reading that Motley Crue book. And you, guys, that Motley
• 29:53
  Speaker 1: Crue book is real and I already went on Amazon
• 29:55
  Speaker 1: to order it. That was pretty funny moment snorting ants. Yeah,
• 30:01
  Speaker 1: that was pretty good. And then she had Lorla had
• 30:03
  Speaker 1: two awesome blue button downs. She always like rocks the
• 30:06
  Speaker 1: button downs a lot, one with the white cuffs and
• 30:09
  Speaker 1: then the other one with more like the sort of
• 30:11
  Speaker 1: tuxedo e type cuffs. But I will say Michelle's mom
• 30:15
  Speaker 1: stole the fashion in this episode. Her fashion, it was
• 30:19
  Speaker 1: so yeah, no quite. Where do you think she was from?
• 30:22
  Speaker 1: Where was she supposed to be from? What was that accent?
• 30:25
  Speaker 1: It's all French. They're from Paris, right, that was a
• 30:30
  Speaker 1: that was a Parisian accent. I'm gonna have to I
• 30:34
  Speaker 1: think we're gonna we're going to talk to her later
• 30:37
  Speaker 1: this week. Guys already talked to her, because that's the
• 30:40
  Speaker 1: mom from Fresh Pins of bel Air. She's the right,
• 30:45
  Speaker 1: and she has since made up with Will Smith. For
• 30:47
  Speaker 1: anyone wondering they're good, huh so I don't. I don't
• 30:54
  Speaker 1: even know what happened. I'm gonna have to can I
• 30:56
  Speaker 1: ask her about what happens, she is she gonna like
• 30:59
  Speaker 1: not want to about that. You what? But it's Will Smith.
• 31:05
  Speaker 1: He's a major moiel. I'm much more interested in her
• 31:10
  Speaker 1: playing Michelle's mom um. I'm trying to think if we forgot,
• 31:14
  Speaker 1: but I'm conducting the interview. I mean, do you do
• 31:17
  Speaker 1: you shine in? I love Richard and his coveralls. I'm
• 31:25
  Speaker 1: not gonna lie. I love that. I can't wait to
• 31:28
  Speaker 1: have Riley mcgonmelet and I'm ready for my favorite line
• 31:30
  Speaker 1: when you tell me alright, go ahead, start start us off. Brad,
• 31:36
  Speaker 1: your festive interjections are a real kick in the pants.
• 31:39
  Speaker 1: But we're low on time, so can it. So she
• 31:43
  Speaker 1: took up you know the time to do that, So
• 31:46
  Speaker 1: her interjections are wasting time, was my retort as I
• 31:51
  Speaker 1: was leaning forward to watch it. I'll follow up to
• 31:54
  Speaker 1: Amy's favorite line, Mine's from Brad to Paris and he goes,
• 32:00
  Speaker 1: she doesn't have a baseball pot in her hands, does she?
• 32:05
  Speaker 1: I'm telling you, Brad, Brad is Brad pulls through. There
• 32:12
  Speaker 1: was also a new student that was very cute, I
• 32:14
  Speaker 1: don't know in the group, yah yep. I was like,
• 32:17
  Speaker 1: who's that? Look? Ship at Chiltern. What's Up? It was
• 32:23
  Speaker 1: a favorite. What's going on in that casting office? My
• 32:29
  Speaker 1: favorite line was from Laura line when she's talking to
• 32:31
  Speaker 1: Michelle about carbs and she says, calm down, have have
• 32:34
  Speaker 1: some toast. Ye favorite a lot of favorite lines. Uh.
• 32:42
  Speaker 1: One I can remember is Michelle losing it on Laura La.
• 32:48
  Speaker 1: He said, I hate you. I hate you very much.
• 32:51
  Speaker 1: That's just the way he did it. Yeah, what did
• 32:53
  Speaker 1: he say? You turned my friend into my mother, You
• 32:56
  Speaker 1: turned my Gizelle into a mother, And I hate you
• 32:58
  Speaker 1: for that, right and I hate your very much and
• 33:01
  Speaker 1: he storms out. But this is the reason it was
• 33:03
  Speaker 1: so funny is because he understands, you know, Yanique as
• 33:07
  Speaker 1: an actor understands the difference between going too far with
• 33:12
  Speaker 1: anger and losing the humor and and the balance was
• 33:16
  Speaker 1: just perfect because he had all that intensity and energy
• 33:19
  Speaker 1: and that yet it's still stayed comedic and that's hard
• 33:21
  Speaker 1: to do. So I really thought that was nails it before.
• 33:26
  Speaker 1: We have a question for you. Do your when you
• 33:28
  Speaker 1: have like a what do you call like a monologue,
• 33:31
  Speaker 1: when you have like a longer thing, does it come
• 33:32
  Speaker 1: back to you at all? Like? Is it in there somewhere?
• 33:36
  Speaker 1: Or do you have to sort of is it more
• 33:37
  Speaker 1: like you gil More model, so like you had a
• 33:41
  Speaker 1: purge in to get the next moment, Na, It's not
• 33:47
  Speaker 1: like scoring seven years ago our fathers brought for the continent.
• 33:51
  Speaker 1: Like when someone starts to Gettysburg address, it comes right
• 33:54
  Speaker 1: back to me. It's in there when I used to
• 34:00
  Speaker 1: when I used to study Shakespeare, and it's all memorization, right,
• 34:04
  Speaker 1: So you you really, I mean you know I would
• 34:08
  Speaker 1: do that. I would. I would work on a play
• 34:10
  Speaker 1: for six months or three months or six months or
• 34:13
  Speaker 1: whatever it was, and that and you remember, and then
• 34:16
  Speaker 1: performance and perform and performance. Um, so that stays with
• 34:20
  Speaker 1: you for years and years and years, And yes it does.
• 34:26
  Speaker 1: And it took I mean, I don't know, it took
• 34:29
  Speaker 1: I don't know, fifteen twenty years for me to really
• 34:33
  Speaker 1: struggle to remember some of those you know, long speeches.
• 34:37
  Speaker 1: Knew them no Shakespeare. So Gilmore was more I think
• 34:43
  Speaker 1: you've said it before, like you swished it in. You
• 34:45
  Speaker 1: had to get it out swish and the next one
• 34:47
  Speaker 1: to get it out short term memory. Yeah, yeah, but
• 34:51
  Speaker 1: I mean that was you know, the Shakespeare stuff is
• 34:53
  Speaker 1: like locked into the brain gel for a couple of decades,
• 34:57
  Speaker 1: but then it fades. You know, it eventually fades because
• 34:59
  Speaker 1: if you don't want go on it. But it's like
• 35:01
  Speaker 1: you know when I when I did that bit on
• 35:03
  Speaker 1: the on the on the podcast right on the advice
• 35:06
  Speaker 1: of the players, I didn't I didn't have it memorized.
• 35:09
  Speaker 1: I had to read it most of it. But it's
• 35:11
  Speaker 1: when you know, the flow of it, the beats of
• 35:13
  Speaker 1: it came back a little bit, you know, Yeah, it's there. Yeah,
• 35:17
  Speaker 1: it is interesting how you how you remember things, you know,
• 35:22
  Speaker 1: clown pillow. For all those following along, you know, I
• 35:27
  Speaker 1: do have some interesting details I want to talk about.
• 35:31
  Speaker 1: At the thirteen forty mark of the episode, let's get
• 35:36
  Speaker 1: let's get precise here. Okay, let's time code this thing. Um,
• 35:43
  Speaker 1: so there's a guy shopping behind Dean at four. Oh
• 35:47
  Speaker 1: my gosh, was this when they were on the sidewalk
• 35:49
  Speaker 1: having the conversation where about the softball game? Yes, and
• 35:55
  Speaker 1: there's a live at four right, you know, there's a
• 35:58
  Speaker 1: live chicken in the sky's bag. I did not catch that,
• 36:06
  Speaker 1: and I'm sure it wasn't actual and actual live chicken,
• 36:09
  Speaker 1: but that's what it looked like. Um, you're going to
• 36:12
  Speaker 1: need the screenshot that I also thought Lane's side faces
• 36:17
  Speaker 1: in that scene were excellent, Like we didn't because uncomfortable, uncomfortable, uncomfortable, right,
• 36:24
  Speaker 1: But here's okay, but here's the thing from from fourteen
• 36:27
  Speaker 1: thirty three to fifteen oh five. Lane makes faces throughout
• 36:32
  Speaker 1: that and I'm assuming that it probably wasn't visible when
• 36:35
  Speaker 1: it was aired on its original aspect ratio, you know
• 36:38
  Speaker 1: what I mean. So saying I thought her side faces
• 36:42
  Speaker 1: because I thought she's in this moment that's so uncomfortable
• 36:46
  Speaker 1: and awkward, so she would be started making faces, and
• 36:50
  Speaker 1: then I thought again, I sort of was happy that
• 36:52
  Speaker 1: we didn't have to discuss it afterwards. I was like,
• 36:55
  Speaker 1: she just moved and I was kind of glad about it, right, right,
• 36:58
  Speaker 1: right right. Another thing was there's an extra in a
• 37:03
  Speaker 1: blue jacket and a black backpack, and she repeatedly appears
• 37:07
  Speaker 1: behind Dean and crosses the street behind Rory and is
• 37:12
  Speaker 1: sometimes in both places at the same time. Riley, It's
• 37:18
  Speaker 1: gonna be all you on the Instagram discovering this, alright.
• 37:23
  Speaker 1: So so then there's another one. Okay, I hope Riley
• 37:29
  Speaker 1: has one of those pens that she knows the circle
• 37:31
  Speaker 1: things on the Instagram. No all forward you. Well, you're
• 37:38
  Speaker 1: a lot of homework this week, don't, sir. I do
• 37:42
  Speaker 1: a lot of homework every every week. It's just it's crueling. Uh,
• 37:49
  Speaker 1: it's still Dean whining. Uh. You can't glance up between
• 37:53
  Speaker 1: nihilistic theories and Rory shoots back. I can, But what's
• 37:56
  Speaker 1: the point? By the way, that's one of my favorite lines.
• 38:01
  Speaker 1: Um um yellow umbrellas. Also, that's interesting this scene stood
• 38:07
  Speaker 1: out to you because I too thought which store has
• 38:11
  Speaker 1: those yellow umbrellas? In that same scene, you'll see it
• 38:15
  Speaker 1: in the background and I'm like, is that dosis market? Like?
• 38:17
  Speaker 1: Who has this young umbrella? H So, uh, Riley, you
• 38:22
  Speaker 1: want me to email that to you? Yes? Please? Who's
• 38:25
  Speaker 1: took us to school? Scott? No, no, no, no, no, no, no,
• 38:28
  Speaker 1: I'm taking to school. I'm just a student. I also
• 38:30
  Speaker 1: loved how they talked about how great uh Emily's roles
• 38:33
  Speaker 1: are and that Lorela had foreigner purse, because that's that's
• 38:37
  Speaker 1: that's my girl. I just shove bread in my bag too.
• 38:40
  Speaker 1: Mm hmm. She called her own dad go. I texted
• 38:45
  Speaker 1: Riley about that. I said, do not miss this for
• 38:48
  Speaker 1: pop culture. But that's that's that's right, we'll get into that. Yeah,
• 38:53
  Speaker 1: what's next week, guys, Riley, what's next week? We have
• 38:57
  Speaker 1: next episode as number nineteen. Teach me tonight at just
• 39:01
  Speaker 1: feels like justin rory me, teach me tonight. I won't tell,
• 39:07
  Speaker 1: but yell you everybody. So we're gonna wrap this up.
• 39:16
  Speaker 1: Great episode. Yeah, this is a good episode, really really good,
• 39:22
  Speaker 1: very fine episode. I'm enjoying being in kid world. Good.
• 39:26
  Speaker 1: I really I like to see Paris, you know, happy
• 39:31
  Speaker 1: to grow on you. I just wanted, I just I
• 39:34
  Speaker 1: wanted her face to change. Just change somebody change her face,
• 39:37
  Speaker 1: you know, have it have blood going through her face.
• 39:41
  Speaker 1: I'm tired of her bloodless cold attacks on people. Let's
• 39:45
  Speaker 1: just get some blood in her face and get her
• 39:48
  Speaker 1: sunny and smiling. And Brad, Brad, I do al ever, buddy,
• 40:00
  Speaker 1: that's gonna wrap it up. I'm Scott Patterson and I
• 40:02
  Speaker 1: am with my prestigious team Amy Sugarman, Danielle rom O'Riley Pelusis,
• 40:08
  Speaker 1: and we'll be back for more episodes. Best fans on
• 40:11
  Speaker 1: the planet, Thanks for downloading. Stay safe everybody, Hey everybody,
• 40:44
  Speaker 1: and don't forget follow us on Instagram at I am
• 40:47
  Speaker 1: All In Podcast and email us at Gilmore at I
• 40:52
  Speaker 1: Heart radio dot com. Oh you Gilmore fans. If you're
• 40:55
  Speaker 1: looking for the best cup of coffee in the world,
• 40:57
  Speaker 1: go to my website for my company, scott ep dot com,
• 41:01
  Speaker 1: s C O T. T y P dot com, Scott
• 41:03
  Speaker 1: e P dot com Grade one Specialty Coffee. Yeah.