Latest / The conspiracy / The Mysterious Life & Death Of Michael Jackson
Transcript
- 0:00Speaker 1: The coroner ruled it a homicide. The jury called it manslaughter,
- 0:04Speaker 1: and his family called it murder. First of all, Michael
- 0:06Speaker 1: told me that they were going to murder him. He
- 0:08Speaker 1: was the most famous person alive, and he sold more
- 0:11Speaker 1: records than anyone in history, and he owned a catalog
- 0:15Speaker 1: worth billions. And he spent his final years telling everyone
- 0:19Speaker 1: around him that someone was going to kill him for it,
- 0:22Speaker 1: but nobody listened. And then in twenty twenty four, his
- 0:25Speaker 1: name resurfaced in the Epstein files and the whole world
- 0:29Speaker 1: started asking questions again, but they were asking the wrong ones.
- 0:33Speaker 1: This is the mysterious life and death of Michael Jackson. Grime, conspiracy, cults,
- 0:39Speaker 1: serial killers, and murder, all things that I love to consume,
- 0:42Speaker 1: and I know you do too. You sick, just in beautiful,
- 0:44Speaker 1: intellectually minded. For week today we are talking about one
- 0:48Speaker 1: of the most famous human beings ever and how he
- 0:53Speaker 1: came to be that famous and what happened because of it.
- 0:57Speaker 1: And there's a lot of things in here I had
- 0:59Speaker 1: no idea about, especially with all the Epstein stuff coming out,
- 1:03Speaker 1: and everything is going to be a jam packed video.
- 1:06Speaker 1: So without further ado, let's Unbuckler seatbelts go mocked on
- 1:09Speaker 1: the highway, slamm of the breaks and busters. This went
- 1:10Speaker 1: ship into this Michael Jackson Life and Death deep dive
- 1:14Speaker 1: video together. So the story of Michael Jackson begins not
- 1:32Speaker 1: with him, but with a place and with the people
- 1:35Speaker 1: that place made. Gary, Indiana was a company town in
- 1:39Speaker 1: the most literal sense, founded in nineteen oh six by
- 1:42Speaker 1: the United States Steel Corporation and named for the chairman
- 1:45Speaker 1: of its board, Albert Henry Gary. The city existed to
- 1:48Speaker 1: feed the furnaces. Gary Works, stretching along the southern shore
- 1:52Speaker 1: of Lake Michigan, would grow into the largest steel mill
- 1:55Speaker 1: on Earth, and the jobs would draw tens of thousands
- 1:59Speaker 1: of family northward during the Great Migration, and by nineteen
- 2:03Speaker 1: sixty the population would peak at around one hundred and
- 2:06Speaker 1: seventy eight thousand people. And the air in this place
- 2:09Speaker 1: just tasted like metal, and the work was dangerous, and
- 2:12Speaker 1: the pay was steady, and the neighborhoods were segregated, and
- 2:16Speaker 1: the churches were full on Sundays. And among those who
- 2:19Speaker 1: came north was a man born into that migration's current,
- 2:23Speaker 1: Joseph Walter Jackson, who arrived in the world on July
- 2:27Speaker 1: twenty sixth, nineteen twenty eight in Fountain Hill, a small
- 2:31Speaker 1: community in Ashley County, Arkansas and deep in that flat
- 2:35Speaker 1: cotton country of the Southeastern Delta, barely a mile from
- 2:38Speaker 1: the Louisiana line. And his father, Samuel Joseph Jackson, was
- 2:42Speaker 1: a school teacher the locals would call Professor Jackson, and
- 2:46Speaker 1: his mother was Crystal Lee King, so the family carried
- 2:49Speaker 1: within it to the tangled bloodlines of the American South.
- 2:53Speaker 1: Joe's grandfather, Israel Nero Jackson, born in eighteen thirty eight,
- 2:57Speaker 1: had been enslaved, and his great grandfather, July Jack Gail,
- 3:02Speaker 1: was said to have been a US Army scout who
- 3:05Speaker 1: claimed Native American heritage, though the specifics of that claim,
- 3:08Speaker 1: sometimes identified as Choctaw, are difficult to verify through surviving records.
- 3:13Speaker 1: So Joe moved to East Chicago, Indiana at eighteen, and
- 3:17Speaker 1: he was a physically imposing man with large hands and
- 3:20Speaker 1: a hard stare, and he found work in the way
- 3:23Speaker 1: other African American men in the region found work at
- 3:26Speaker 1: the mills, and he would become an overhead crane operator
- 3:29Speaker 1: at Inland Steel Company and later worked at American Foundries
- 3:33Speaker 1: also in East Chicago and The hours working there were long,
- 3:37Speaker 1: and the labor was grinding, and somewhere in the repetition
- 3:41Speaker 1: of shifts and paychecks, Joe Jackson began to understand that
- 3:45Speaker 1: he wanted something else, something that made noise, that moved
- 3:49Speaker 1: a crowd that refused to be ordinary. And the woman
- 3:53Speaker 1: who would share that wanting and temperate with something quieter
- 3:57Speaker 1: and more enduring, had her own story of microin and survival.
- 4:01Speaker 1: Katie B. Screws was born on May fourth, nineteen thirty
- 4:05Speaker 1: in Clayton, a town in Barbara County, Alabama, the same
- 4:08Speaker 1: red clay country that produced George Wallace, and at two
- 4:12Speaker 1: years old, she would contract polio and the disease would
- 4:15Speaker 1: leave her with a permanent limp and a slight drag
- 4:18Speaker 1: in her left leg that she would carry for the
- 4:20Speaker 1: rest of her life. And when she was four, the
- 4:21Speaker 1: family would move north to East Chicago, joining the same
- 4:25Speaker 1: stream of Southern African American families chasing the promise of
- 4:28Speaker 1: the Mills. But despite the polio, Katie, who would later
- 4:31Speaker 1: go by Catherine, was deeply musical. She played piano, clarinet,
- 4:36Speaker 1: and the cello, and she sang, and she absorbed the
- 4:39Speaker 1: country gospel of her Alabama childhood, and the rhythms of Indiana,
- 4:43Speaker 1: and she would carry music inside her the way some
- 4:45Speaker 1: people carry prayer. So Joe and Catherine met in nineteen
- 4:49Speaker 1: forty seven in East Chicago, and she was seventeen at
- 4:52Speaker 1: the time, and he was already briefly married to a
- 4:55Speaker 1: woman named Isaphine Atkinson, though that marriage was very short lived.
- 5:00Speaker 1: So Joe and Catherine married on November fifth, nineteen forty nine,
- 5:03Speaker 1: and in January nineteen fifty they purchased a small house
- 5:07Speaker 1: at two three zero zero Jackson Street in Gary for
- 5:10Speaker 1: eighty five hundred dollars different times, I tell you what.
- 5:14Speaker 1: And the house was around six hundred and seventy two
- 5:16Speaker 1: square feet with two bedrooms one bathroom, and it sat
- 5:19Speaker 1: on a modest lot in a working class neighborhood on
- 5:22Speaker 1: the west side of Gary, close enough to the mill
- 5:25Speaker 1: that you could hear the machinery if the wind was right,
- 5:27Speaker 1: and into the house. Over the next sixteen years, Joe
- 5:30Speaker 1: and Katherine Jackson would bring ten children, a quantity of
- 5:34Speaker 1: human life that the square footage could barely contain, stacked
- 5:38Speaker 1: in bunk beds, sharing everything, privacy a concept that existed
- 5:42Speaker 1: only in theory. So in the early nineteen fifties, Joe
- 5:45Speaker 1: and his brother Luther formed a blues band called the Falcons,
- 5:50Speaker 1: sometimes known as Ford Falcons, and Joe played guitar and
- 5:54Speaker 1: Luther played saxophone, and they gigged around the region in
- 5:57Speaker 1: the networks of industrial cities south of Chicago that included Gary,
- 6:01Speaker 1: eat Chicago, and Haymond, playing the kind of electric blues
- 6:05Speaker 1: that poured out of every duke, joint and house party
- 6:07Speaker 1: in those neighborhoods. And they were pretty decent. But the
- 6:11Speaker 1: Falcons would never land any record deal, and after a
- 6:13Speaker 1: few years the band dissolved and Joe put his guitar
- 6:16Speaker 1: in the closet, but he did not put away the ambition,
- 6:19Speaker 1: as we know, and he folded it up and stored
- 6:22Speaker 1: it somewhere deeper, in a place where it would eventually
- 6:25Speaker 1: be redirected with ferocious, sometimes brutal precision, And that was
- 6:31Speaker 1: toward his children. Well. The children came in rapid succession,
- 6:35Speaker 1: and each one entered a household that was growing louder,
- 6:38Speaker 1: more crowded, and more volatile. A Marine Rolette or Rebby
- 6:42Speaker 1: was born first on May twenty ninth, nineteen fifty and
- 6:45Speaker 1: then Sigmund Esco or Jackie on May fourth, nineteen fifty one,
- 6:49Speaker 1: and then Torriano Adderel or Tito on October fifteenth, nineteen
- 6:53Speaker 1: fifty three, and then Jermaine on December eleventh, nineteen fifty four,
- 6:57Speaker 1: and then LaToya Yvonne on May twenty nine, ninth, nineteen
- 7:00Speaker 1: fifty six. Then Marlon David on March twelfth, nineteen fifty seven,
- 7:04Speaker 1: along with his twin brother Brandon, who drew a single
- 7:07Speaker 1: breath and died the next day. Unfortunately, on March thirteenth,
- 7:12Speaker 1: nineteen fifty seven, and the death of Brandon was not
- 7:14Speaker 1: discussed in the Jackson household. It was absorbed into the
- 7:18Speaker 1: silence that families built around their worst losses, just a
- 7:22Speaker 1: ghost twin whose absence Marlin could carry quietly for decades.
- 7:26Speaker 1: And then on August twenty ninth, nineteen fifty eight, at
- 7:29Speaker 1: Saint Mary's Mercy Hospital in Gary, Michael Joseph Jackson was born,
- 7:34Speaker 1: and he was the eighth child, the seventh living technically,
- 7:38Speaker 1: and he had arrived in a house that was already
- 7:41Speaker 1: overflowing with children, with noise, with Joe's thwarted ambitions in
- 7:45Speaker 1: Catherine's quiet faith, and the ever present economic pressure of
- 7:49Speaker 1: a steel worker's wage stretched across a family that would
- 7:52Speaker 1: eventually number eleven and two more children would follow Stephen
- 7:56Speaker 1: Randall or Randy, on October twenty ninth, nineteen sixty one,
- 8:00Speaker 1: and Janet Demta Joe on May sixteenth, nineteen sixty six.
- 8:04Speaker 1: And in nineteen sixty three, Catherine would convert to the
- 8:07Speaker 1: Jehovah's Witness faith and was baptized, And the religion would
- 8:10Speaker 1: shape the Jackson household profoundly, with its door to door
- 8:14Speaker 1: in vangelism and its prohibition on holidays and birthdays, its
- 8:18Speaker 1: apocalyptic worldview, its emphasis on spiritual discipline, and its emphasis
- 8:23Speaker 1: on spiritual discipline. And it was Catherine's faith, not Joe's,
- 8:27Speaker 1: and it would live inside Michael Jackson for the rest
- 8:30Speaker 1: of his life, even as he struggled with it, even
- 8:33Speaker 1: as he left and returned to it, and even as
- 8:36Speaker 1: it complicated everything. Now Joe Jackson was, by virtually every account,
- 8:40Speaker 1: including those of his children, a striked and sometimes physically
- 8:44Speaker 1: a bother, because he demanded obedience and he demanded excellence.
- 8:49Speaker 1: And when the guitar came back out of the closet,
- 8:51Speaker 1: this time not for Joe's own playing, but for his sons,
- 8:55Speaker 1: the discipline that governed the household became something closer to
- 8:58Speaker 1: a regime. The guitar was forbidden, and that was the rule.
- 9:03Speaker 1: Joe kept it in the bedroom closet, a cheap electric model,
- 9:07Speaker 1: nothing special, but it was his, a relic of the
- 9:10Speaker 1: Falcons and the dream that hadn't worked out, and the
- 9:14Speaker 1: children were not to touch it because Joe was at
- 9:16Speaker 1: the mill during the day and the children were not
- 9:18Speaker 1: supervised every minute, and Tito, the third born, the quiet one,
- 9:23Speaker 1: the one with the large hands like his father's, could
- 9:26Speaker 1: not stay away from it, and he would wait until
- 9:28Speaker 1: Joe left for his shift, then slide the closet door
- 9:31Speaker 1: open and take out the guitar carefully, the way you
- 9:34Speaker 1: would handle something you've been told to never handle. And
- 9:37Speaker 1: he would teach himself to play by ear, picking out
- 9:40Speaker 1: the songs he heard on the radio, the Temptations, the
- 9:44Speaker 1: Four Tops, the electric blues his father used to play
- 9:47Speaker 1: in the clubs, and he was getting pretty good. And
- 9:49Speaker 1: then one day in nineteen sixty four, he broke a
- 9:52Speaker 1: string and the discovery could have gone badly because in
- 9:56Speaker 1: the Jackson household, dis obedience was met with a belt,
- 9:59Speaker 1: a switch, a cord, whatever was in the closet, But
- 10:02Speaker 1: something shifted in Joe when he heard Tito play. The
- 10:06Speaker 1: boy had talent, real talent. And Joe Jackson, the man
- 10:10Speaker 1: whose own band had never gotten a record deal, the
- 10:13Speaker 1: crane operator, who went to work every day in a
- 10:15Speaker 1: city that was already beginning to die, recognized and his
- 10:18Speaker 1: son stolen guitar playing the second chance he had been
- 10:21Speaker 1: waiting for. So he didn't punish Tito. He bought him
- 10:24Speaker 1: a guitar, and what followed was the formation of a
- 10:27Speaker 1: family band with the discipline of a military unit and
- 10:31Speaker 1: the ambition of a fortune five hundred company. And in
- 10:34Speaker 1: nineteen sixty four Joe organized the Jackson Brothers Tito on guitar,
- 10:38Speaker 1: Jackie and Jermaine on vocals, plus two neighborhood friends Raynard
- 10:42Speaker 1: Jones and Milford Height filling out the rhythm. And they
- 10:45Speaker 1: rehearsed in the living room of two three zero zero
- 10:48Speaker 1: Jackson Street, in that six hundred and seventy two square
- 10:50Speaker 1: foot house, where the walls were thin enough to hear
- 10:52Speaker 1: everything and the neighbors could hear them too, And Joe
- 10:56Speaker 1: ran rehearsals the way he ran everything, with absolute a
- 10:59Speaker 1: tha authority. Guy was a tyrant, and mistakes were not tolerated,
- 11:03Speaker 1: and repetition was the method. Fear was the motivator, and
- 11:07Speaker 1: by August nineteen sixty five, two more Jackson brothers had
- 11:10Speaker 1: joined the group, Marlon, who was eight and Michael, who
- 11:14Speaker 1: was only six years old, and the neighborhood friends would
- 11:16Speaker 1: slowly be eased out because this was now all a
- 11:19Speaker 1: Jackson operation, And at a performance at Gary's Tino Totts Jamboree,
- 11:24Speaker 1: a woman named Evelyn Lahi suggested the group needed a
- 11:27Speaker 1: proper name, and someone accounts very on exactly who proposed
- 11:31Speaker 1: the Jackson Five, and the name stuck, and Michael, at
- 11:35Speaker 1: six years old, was not yet the lead singer, though
- 11:38Speaker 1: that role belonged to Jermaine, who had a smooth, reliable tenor,
- 11:43Speaker 1: and Michael sang backup and danced. But even in those
- 11:46Speaker 1: earliest performances talent shows at elementary schools, community centers, local
- 11:50Speaker 1: clubs where children probably shouldn't have been, something was visibly
- 11:54Speaker 1: different about the youngest performer on stage. He moved with
- 11:58Speaker 1: an intuition that couldn't be taught. He watched James Brown
- 12:02Speaker 1: on television with the focus of a graduate student, absorbing
- 12:05Speaker 1: every spin, every split, every way. Brown used his body
- 12:09Speaker 1: to make the crowd lose its utter mind, and he
- 12:12Speaker 1: studied Jackie Wilson, and he studied the Temptations choreography, and
- 12:16Speaker 1: then he did it better than any child had a
- 12:19Speaker 1: rite to And in nineteen sixty six, the Jackson Five
- 12:22Speaker 1: won their first talent show at Theodore Roosevelt High School
- 12:26Speaker 1: in Gary, and it was the beginning of a streak,
- 12:29Speaker 1: and Joe entered them into every competition he could find,
- 12:32Speaker 1: driving them across Indiana. The family packed into a Volkswagen
- 12:36Speaker 1: van that barely held them all and they won, and
- 12:39Speaker 1: they kept winning, and Joe booked them into rougher venues, bars,
- 12:43Speaker 1: strip clubs, places where a group of children performed between
- 12:46Speaker 1: adult acts, and the audience threw money if they were good,
- 12:49Speaker 1: and bottles if they weren't, just sketchy as places where
- 12:53Speaker 1: kids should not be. And Michael later described watching Striptea's
- 12:57Speaker 1: acts as a small child standing in the wings waiting
- 13:00Speaker 1: for the Jackson Five's turn, And he was now nine
- 13:04Speaker 1: years old, and by mid nineteen sixty seven a shift
- 13:07Speaker 1: had taken place within the group that everyone could hear
- 13:10Speaker 1: Michael's voice, still a child's voice, still high and clear,
- 13:15Speaker 1: had developed a quality that Germaine simply didn't possess. And
- 13:19Speaker 1: it wasn't just range or pitch, it was just emotion
- 13:23Speaker 1: and almost unsettling ability to inhabit a lyrics feeling and
- 13:27Speaker 1: project it outward with adult conviction. So Joe made a decision.
- 13:32Speaker 1: Michael replaced Jermaine as lead singer Urchardmaine damn. So the
- 13:37Speaker 1: group's center of gravity moved permanently to the youngest brother
- 13:41Speaker 1: on stage, and on August thirteenth, nineteen sixty seven, they
- 13:44Speaker 1: won Amateur Night at the Apollo Theater in Harlem, the
- 13:47Speaker 1: most famous proving ground of African American entertainment, on the
- 13:51Speaker 1: stage where Ella Fitzgerald and James Brown and Stevie Wonder
- 13:55Speaker 1: had been discovered, where the audience was legendarily unforgiving and
- 13:59Speaker 1: the hook was not a metaphor. And at this point
- 14:02Speaker 1: Michael was eight years old, and the Apollo audience gave
- 14:06Speaker 1: them a standing ovation. So the question of who discovered
- 14:09Speaker 1: the Jackson five is one of the foundational myths of
- 14:13Speaker 1: the Motown era, and like most myths, it obscures a
- 14:16Speaker 1: messier truth. The official story is the one that Barry
- 14:19Speaker 1: Gordy wanted told the one printed on the debut album cover,
- 14:23Speaker 1: which was that Diana Ross discovered the Jackson Five. But
- 14:26Speaker 1: it was just a marketing masterstroke, the biggest female star
- 14:30Speaker 1: in black music presenting the next generation, a laying on
- 14:34Speaker 1: of hands from Motown Royalty to Motown Future, and the
- 14:37Speaker 1: first Jackson five album was titled Diana Ross Presents the
- 14:40Speaker 1: Jackson Five, and Ross appeared at their early precedents, and
- 14:44Speaker 1: the implication was clear and very deliberate, and it was
- 14:47Speaker 1: also largely fiction, which at this point, I mean it
- 14:51Speaker 1: started back then. You know, all this stuff like I
- 14:53Speaker 1: went over Taylor Swift and how her whole life was manufactured.
- 14:57Speaker 1: It's interesting looking at the parallels and just I've only
- 15:00Speaker 1: gone into two major artists now, but the parallels are crazy,
- 15:05Speaker 1: how much they're manufactured and how much smoke and mirrors
- 15:07Speaker 1: there are in the entertainment industry. But the true discoverer
- 15:11Speaker 1: was Bobby Taylor, a singer and bandleader from Motown's second
- 15:14Speaker 1: tier who fronted Bobby Taylor and the Vancouvers. Because Taylor
- 15:18Speaker 1: saw the Jackson five perform at the Regal Theater in Chicago,
- 15:21Speaker 1: the South Side equivalent of the Apollo and was stunted,
- 15:25Speaker 1: and he brought them to Motown's attention, arranged their audition,
- 15:29Speaker 1: and produced their early recordings. And Gladys Knight also deserves
- 15:32Speaker 1: a footnote in the Discovery narrative because she saw the
- 15:35Speaker 1: Jackson Five at the Regal in nineteen sixty seven as well,
- 15:39Speaker 1: and was so impressed that she sent a demo tape
- 15:41Speaker 1: to Motown on their behalf, but the tape was rejected,
- 15:45Speaker 1: and the irony is almost too good because one of
- 15:48Speaker 1: Motown's biggest stars recommending a group that would become Motown's
- 15:52Speaker 1: biggest act was being ignored. But the formal audition took
- 15:55Speaker 1: place on July twenty third, nineteen sixty eight, at Hitsville, USA,
- 16:00Speaker 1: Motown's legendary headquarters on West Grand Boulevard in Detroit, the
- 16:04Speaker 1: converted house with a hand painted sign that had produced
- 16:06Speaker 1: more number one hits than any address in America, and
- 16:10Speaker 1: the Jackson Brothers performed in the studio, and Barry Gordy,
- 16:13Speaker 1: contrary to what some accounts have suggested, was not present
- 16:17Speaker 1: for the audition, and he saw a tape of it later.
- 16:20Speaker 1: For the Motown staff who were in the room that
- 16:23Speaker 1: day knew immediately what they were looking at Michael, now
- 16:27Speaker 1: nine years old, performed with a precision and emotional range
- 16:30Speaker 1: that was difficult to reconcile with his age, and he
- 16:33Speaker 1: sang like a man who had been heartbroken. And he
- 16:36Speaker 1: had never been on a date at this point, obviously
- 16:39Speaker 1: because he's nine. And Motown signed the Jackson five and
- 16:43Speaker 1: the machine began to turn so in mid August nineteen
- 16:46Speaker 1: sixty nine, Joe moved the boys to California, and Catherine
- 16:49Speaker 1: and the rest of the children didn't join until November.
- 16:52Speaker 1: And for the Jackson brothers from Gary, Indiana, from the
- 16:55Speaker 1: six hundred and seventy two square foot house on Jackson Street,
- 16:58Speaker 1: from the steel smoke air in the winters and the
- 17:01Speaker 1: talent shows at Theodore Roosevelt High, Los Angeles was another planet.
- 17:06Speaker 1: The light was different, the air smelled like jasmine instead
- 17:09Speaker 1: of sulfur, and the houses had swimming pools. And on
- 17:12Speaker 1: October first, nineteen sixty nine, Michael, now eleven years old,
- 17:17Speaker 1: moved temporarily into the Hollywood Hills home of Diana Ross,
- 17:21Speaker 1: and he lived with her for about a month while
- 17:23Speaker 1: the family's permanent arrangements were being finalized, and Ross became
- 17:27Speaker 1: a kind of surgate older sister and glamorous mentor to Michael,
- 17:31Speaker 1: and Michael absorbed her elegance, her poise, her understanding of
- 17:36Speaker 1: how a star just occupied space, and he watched her
- 17:40Speaker 1: the way he watched everything, just silently, totally storing it
- 17:44Speaker 1: all for later use. And then Motown released the single,
- 17:48Speaker 1: and the velocity of what happened next has no real
- 17:50Speaker 1: parallel in the history of popular music, because on October seventh,
- 17:55Speaker 1: nineteen sixty nine, less than two months after the family
- 17:58Speaker 1: arrived in California, Gotown released I Want You Back, the
- 18:02Speaker 1: Jackson Five's debut single. The song was a masterpiece of
- 18:07Speaker 1: pure pop construction, a balancing bassline, a staccato piano chords,
- 18:13Speaker 1: a horn section that punched like a fist, and riding
- 18:16Speaker 1: above all of it was the voice of an eleven
- 18:18Speaker 1: year old boy singing about romantic heartbreak with conviction that
- 18:22Speaker 1: made you forget he was eleven. Because the vocal performance
- 18:25Speaker 1: was technically extraordinary, with the phrasing, the breath control, the
- 18:30Speaker 1: way Michael bent notes and slid between registers. But what
- 18:34Speaker 1: made it transcendent was something harder to name. There was
- 18:38Speaker 1: joy in it, there was urgency, There was a child's voice,
- 18:42Speaker 1: carrying an adults emotion within it, without any question, and
- 18:48Speaker 1: the effect was just electrifying. And I Want You Back
- 18:51Speaker 1: reached number one on the Billboard Hot one hundred on
- 18:54Speaker 1: January thirty first, nineteen seventy, and Michael Jackson was eleven
- 18:58Speaker 1: years old, making him the unguest artists to ever top
- 19:01Speaker 1: the chart, and the record sold over two million copies
- 19:04Speaker 1: in its first six weeks. And what followed was just unprecedented,
- 19:09Speaker 1: when the Jackson Five became the first recording act in
- 19:11Speaker 1: history to debut with four consecutive number one singles, not
- 19:16Speaker 1: the first group, not the first family act, but the
- 19:19Speaker 1: first act of any kind. And the streak unfolded with
- 19:22Speaker 1: the mechanical precision of a motown hit factory operating at
- 19:26Speaker 1: peak efficiency. And I Want You Back number one January
- 19:30Speaker 1: thirty first, nineteen seventy, ABC number one, April twenty fifth,
- 19:34Speaker 1: nineteen seventy. The song knocked the Beatles let it be
- 19:38Speaker 1: out of the top spot, which is crazy. It was
- 19:41Speaker 1: just a symbolic passing of the generational torch that the
- 19:45Speaker 1: music press seized upon with just utter glee. And then
- 19:49Speaker 1: the Love You Save number one June twenty seventh, nineteen
- 19:53Speaker 1: seventy and I'll Be There, which was number one October seventeenth,
- 19:57Speaker 1: nineteen seventy, And this one was a ballad, so the
- 20:00Speaker 1: one that proved the Jackson Five were not merely a
- 20:02Speaker 1: novelty act built on energy and choreography. I'll Be There
- 20:07Speaker 1: was tender and restrained and just very sincere, and Michael
- 20:12Speaker 1: sang it as though comforting someone through a crisis, and
- 20:16Speaker 1: the performance was so emotionally mature that it unsettled people,
- 20:19Speaker 1: even because where the hell did a child learned to
- 20:23Speaker 1: just feel like that? How did a boy from a
- 20:25Speaker 1: two bedroom house in Gary, Indiana develop the capacity to
- 20:29Speaker 1: communicate grief and reassurance with the authority of someone who
- 20:33Speaker 1: had already lived in a full life. And nobody had
- 20:36Speaker 1: an answer, And the song became the Jackson Five's biggest
- 20:39Speaker 1: selling single, moving over four million copies, four singles, four
- 20:44Speaker 1: number ones. Nine months the group had arrived in California
- 20:47Speaker 1: as unknowns and became by the end of nineteen seventy
- 20:51Speaker 1: the biggest act in popular music. So the fame was crazy,
- 20:56Speaker 1: and by nineteen seventy one, the Jackson Five had their
- 20:58Speaker 1: own Saturday Mornington Jackson five with the five instead of
- 21:03Speaker 1: the f which aired on ABC from nineteen seventy one
- 21:06Speaker 1: to nineteen seventy two, rendering the brothers as animated characters
- 21:09Speaker 1: and weekly adventures. And they were on lunchboxes and bedroom
- 21:13Speaker 1: posters and magazine covers, and teenage girls screamed at their
- 21:18Speaker 1: concerts that drew comparisons to Beatlemania, and the Jackson Five
- 21:23Speaker 1: were selling arenas across the country, and at the center
- 21:26Speaker 1: of every performance, drawing every eye, generating every gasp, was Michael.
- 21:32Speaker 1: And that very year, the family purchased the Havenhurst Estate,
- 21:35Speaker 1: a sprawling compound on a tree lined street in Encino
- 21:38Speaker 1: in the San Fernando Valley, for approximately two hundred and
- 21:41Speaker 1: fifty thousand dollars. And the Jackson Five had crossed this
- 21:44Speaker 1: line in less than five years, and Michael at this
- 21:48Speaker 1: point was twelve years old, and he was the most
- 21:51Speaker 1: famous child in America by far, and the machine was
- 21:55Speaker 1: just getting started, as Michael Jackson's solo recording career began
- 22:00Speaker 1: while he was still a child inside of this machine.
- 22:03Speaker 1: And in June nineteen seventy one, at twelve years old,
- 22:05Speaker 1: he entered Motown Studio without his brothers for the first time,
- 22:09Speaker 1: and his debut solo single, Got to Be There was
- 22:12Speaker 1: released that October, a gentle yearning love song that proved
- 22:16Speaker 1: his voice could carry a record on its own, and
- 22:19Speaker 1: the following year, Ben, a ballad sung to a rat
- 22:22Speaker 1: from the horror film of the same name, became his
- 22:25Speaker 1: first number one pop solo single. And he was thirteen
- 22:29Speaker 1: at that point, and he had a number one hit
- 22:31Speaker 1: and a Saturday Morning cartoon at a family act that
- 22:34Speaker 1: was still selling out arenas, and none of it was enough,
- 22:38Speaker 1: not for Joe and not for Michael either, and increasingly
- 22:42Speaker 1: not for the brothers who were growing restless under Motown's
- 22:46Speaker 1: ironclad creative control. And the break came in nineteen seventy five, though,
- 22:51Speaker 1: and the Jackson signed a contract with CBS Records Epic
- 22:54Speaker 1: label in June, leaving Motown behind. And the reasons were
- 22:58Speaker 1: partly financial, because Motown had been paying a royalty rate
- 23:02Speaker 1: of two point seven percent, a figure that bordered on
- 23:05Speaker 1: exploitative even by the standards of the era, while Epic
- 23:09Speaker 1: offered dramatically more. But the daeper issue was creative freedom,
- 23:12Speaker 1: and at Motown the Jackson Five recorded songs chosen for them,
- 23:16Speaker 1: produced by staff producers with virtually no input into their
- 23:20Speaker 1: own material, and Epic would promise them the right to
- 23:23Speaker 1: write and produce, but there was a cost. Motown retained
- 23:27Speaker 1: ownership of the name Jackson Five, forcing the group to
- 23:31Speaker 1: rebrand as the Jacksons, and Jermaine, married to Barry Gordy's
- 23:35Speaker 1: daughter Hazel, stayed behind at Motown, a choice that fractured
- 23:40Speaker 1: something in the family they never fully healed from. So
- 23:43Speaker 1: the moment Michael Jackson stopped being a former child star
- 23:46Speaker 1: and became something unprecedented arrived through a movie musical nobody
- 23:50Speaker 1: expected to matter, and in nineteen seventy seven, Jackson was
- 23:54Speaker 1: cast as the Scarecrow in The Wiz, an all African
- 23:57Speaker 1: American reimagining of The Wizard of Oz starring Diana Ross,
- 24:02Speaker 1: and the film itself was a commercial disappointment actually, but
- 24:06Speaker 1: on set, Jackson met Quincy Jones, legendary producer and arranger
- 24:10Speaker 1: who was serving as the film's musical supervisor and producer. Now,
- 24:14Speaker 1: Jones was fifty four, a veteran of Count Basie's orchestra
- 24:18Speaker 1: and Frank Sinatra's recording sessions, a man who had worked
- 24:21Speaker 1: at the highest levels of jazz, pop, film scoring, and
- 24:25Speaker 1: R and B for three decades. A big deal, all right,
- 24:28Speaker 1: and he heard something in the now nineteen year old
- 24:30Speaker 1: Michael Jackson that went beyond talent, a perfectionism and obsessive
- 24:35Speaker 1: work ethic, a willingness to be pushed, probably from his father,
- 24:41Speaker 1: and Jackson asked Jones to produce his next solo album,
- 24:44Speaker 1: and Jones agreed, so they recorded from December nineteen seventy
- 24:48Speaker 1: eight through June nineteen seventy nine, and Off the Wall
- 24:51Speaker 1: was released on August tenth, nineteen seventy nine, and it
- 24:55Speaker 1: was a revelation. If you know anything about Michael Jackson.
- 24:58Speaker 1: The future album just fused disco, funk, pop, and R
- 25:02Speaker 1: and B into something seamlessly sophisticated, just adult music made
- 25:07Speaker 1: by a twenty year old who sang with the authority
- 25:10Speaker 1: of someone twice his age, just like when he was
- 25:12Speaker 1: a kid. He just had this maturity about himself and
- 25:16Speaker 1: his voice that was just unprecedented. And Don't Stop Till
- 25:19Speaker 1: You Get Enough and rock It's hard not to sing
- 25:22Speaker 1: these titles, So don't Stop Till You Get Enough and
- 25:25Speaker 1: Rock with You both reached number one and the album
- 25:28Speaker 1: sold over twenty million copies worldwide, and it won the
- 25:31Speaker 1: Grammy for Best R and b vocal performance for males,
- 25:34Speaker 1: but it did not win Album of the Year somehow,
- 25:37Speaker 1: and that loss stung Michael Jackson in a way that
- 25:40Speaker 1: people around him recognized as something more than disappointment. It
- 25:44Speaker 1: was just fuel for him because he had made one
- 25:46Speaker 1: of the best selling albums in history, and the Recording
- 25:49Speaker 1: Academy had just looked past it. And he told people
- 25:52Speaker 1: close to him that the next album would be so
- 25:55Speaker 1: big they couldn't ignore it, and he meant it, and
- 25:58Speaker 1: what he made next was the best selling album in
- 26:02Speaker 1: the history of recorded music. Thriller was recorded between April
- 26:07Speaker 1: fourteenth and November eighth of nineteen eighty two at Westlake
- 26:11Speaker 1: Recording Studios in Los Angeles, with Wendsey Jones again producing,
- 26:15Speaker 1: and the budget was seven hundred and fifty thousand dollars,
- 26:18Speaker 1: expensive for the era, but modest for what it became,
- 26:21Speaker 1: and Jackson wrote four of the nine tracks, want to
- 26:24Speaker 1: Be Starting Something, the Girl is Mine, Beat It, and
- 26:27Speaker 1: Billy Gene just masterpieces, Just masterpieces of music. Oh my
- 26:32Speaker 1: god Now. The album was released on November twenty ninth,
- 26:36Speaker 1: nineteen eighty two, and the numbers that followed defied any
- 26:39Speaker 1: simple comprehension because Thriller spent thirty seven non consecutive weeks
- 26:45Speaker 1: at number one on the Billboard two hundred. It was
- 26:48Speaker 1: the best selling album of nineteen eighty three. It was
- 26:51Speaker 1: the best selling album of nineteen eighty four. In all,
- 26:55Speaker 1: seven of its singles reached the top ten. Billy Jean
- 26:58Speaker 1: held the number one spot for seven weeks, and beat It,
- 27:01Speaker 1: which featured a guitar solo by Eddie Van Halen, who's
- 27:04Speaker 1: one of my favorite guitarists ever, held it for three
- 27:07Speaker 1: and estimated total sales have reached seventy million copies worldwide,
- 27:12Speaker 1: a figure no other album has even approached. And I'm
- 27:15Speaker 1: talking about one album specifically. Don't come in my comments
- 27:18Speaker 1: and be like, oh, what about the Beatles or Taylor Swift. Now, okay,
- 27:22Speaker 1: this is the top selling album of all time, all right,
- 27:25Speaker 1: But the cultural machinery around Thriller was as a revolutionary
- 27:28Speaker 1: as the music itself. And when MTV, still in its
- 27:32Speaker 1: infancy and programming almost exclusively white rock, acts initially declined
- 27:36Speaker 1: to air the Billy Jean video, and Cebee Records president
- 27:40Speaker 1: Walter Yetnikoff reportedly threatened to pull all CBS content from
- 27:45Speaker 1: the network. An MTV relented In the video, Jackson, in
- 27:49Speaker 1: a pink shirt and white sequence socks, dancing under street
- 27:52Speaker 1: lights on a sidewalk whose tiles illuminated beneath his feet
- 27:56Speaker 1: became the network's most requested clip and effectively integrat MTV
- 28:01Speaker 1: and The thirteen minute Thriller short film, directed by John
- 28:04Speaker 1: Landis and budgeted between five hundred thousand, nine hundred thousand dollars,
- 28:08Speaker 1: functioned less as a music video than a miniature horror movie.
- 28:12Speaker 1: I remember the first time I watched it. My mind
- 28:15Speaker 1: was blown, to say the least. But it was so
- 28:17Speaker 1: elaborate that Michael Jackson, a practicing Jehovah's witness, troubled by
- 28:21Speaker 1: the occult imagery, ordered the negatives destroyed before his attorney,
- 28:26Speaker 1: John Bronca, convinced him to simply add a disclaimer, and
- 28:30Speaker 1: in two thousand and nine it became the first music
- 28:32Speaker 1: video inducted into the National Film Registry, and on February
- 28:35Speaker 1: twenty eighth, nineteen eighty four, Thriller won eight Grammy Awards,
- 28:39Speaker 1: a record at the time. But the image that sealed
- 28:42Speaker 1: Thriller's mythology in the public consciousness had come ten months
- 28:47Speaker 1: earlier on a television stage. Because on May sixteenth, nineteen
- 28:50Speaker 1: eighty three, NBC broadcast Motown twenty five, Yesterday, Today, and Forever,
- 28:55Speaker 1: a reunion special celebrating Motown Records twenty fifth anniversary and approxim
- 29:00Speaker 1: forty seven million people watch, which is a lot and
- 29:03Speaker 1: Jackson performed Billy Jean and during the performance, in a
- 29:07Speaker 1: moment that he had rehearsed privately for weeks after learning
- 29:10Speaker 1: the move from a dancer named garn katspurg candidate in
- 29:14Speaker 1: June nineteen eighty one, he executed the moonwalk for the
- 29:17Speaker 1: first time on live television. Iconic and the other performers
- 29:22Speaker 1: backstage watched the monitors in silence, and Fred Astaire called
- 29:26Speaker 1: Jackson the next morning, and in a single fluid backward
- 29:30Speaker 1: glide six seconds maybe seven, Michael Jackson passed from stardom
- 29:35Speaker 1: into something that had no adequate name, and less than
- 29:39Speaker 1: a year after the Motown twenty five performance, on January
- 29:42Speaker 1: twenty seventh, to nineteen eighty four, Michael Jackson was filming
- 29:45Speaker 1: a Pepsi commercial at the Shrine Auditorium in Los Angeles,
- 29:48Speaker 1: and on the sixth take, pyrotechnics ignited too close to
- 29:52Speaker 1: his head and his hair caught fire and he suffered
- 29:56Speaker 1: second degree burns to his scalp and crew members rushed
- 29:59Speaker 1: to extinguish the and Jackson was taken to hospital, where
- 30:02Speaker 1: he was treated and released, and Pepsi settled the resulting claim,
- 30:06Speaker 1: and Jackson donated one point five million dollars of the
- 30:09Speaker 1: settlement to the Broughtman Medical Center, which renamed its Burn
- 30:12Speaker 1: Center in his honor. Just Like So Sweet, and in
- 30:17Speaker 1: his autopsy decades later would reveal that Jackson was almost
- 30:21Speaker 1: completely bald beneath the wigs he wore for the rest
- 30:24Speaker 1: of his life from that but the deeper wound was pharmaceutical.
- 30:29Speaker 1: To manage the pain from the burn and subsequent reconstructive procedures,
- 30:33Speaker 1: Jackson was prescribed opioid painkillers, and nearly every person close
- 30:38Speaker 1: to him would later identify the Pepsi burn as the
- 30:40Speaker 1: starting point of the prescription drug dependency that shadowed the
- 30:44Speaker 1: rest of his life and ultimately contributed to his untimely death.
- 30:49Speaker 1: But the third and final collaboration between Jackson and Quincy
- 30:52Speaker 1: Jones was bad recorded from nineteen eighty five to nineteen
- 30:56Speaker 1: eighty seven and released on August thirty first, nineteen eighty seven,
- 30:59Speaker 1: and Michael Jackson wrote nine of the album's eleven tracks,
- 31:02Speaker 1: a dramatic increase in creative control from Thriller, and the
- 31:06Speaker 1: album sold two point two five million copies in its
- 31:09Speaker 1: first week and generated a record five consecutive number one
- 31:12Speaker 1: singles from a single album. And the title tracks music
- 31:15Speaker 1: video was directed by Martin Scorsese and featured a young
- 31:19Speaker 1: Wesley Snipes, and total sales exceeded thirty five million copies worldwide,
- 31:24Speaker 1: and the Bad World Tour September twelfth, nineteen eighty seven
- 31:27Speaker 1: through January twenty seventh, nineteen eighty nine, was one hundred
- 31:30Speaker 1: and twenty three concerts across fifteen countries, grossing one hundred
- 31:33Speaker 1: and twenty five million dollars, and Diana, Princess of Wales
- 31:38Speaker 1: attended the July sixteenth, nineteen eighty eight show at the
- 31:41Speaker 1: Wembley Stadium. And Bad was, by an objective measure, one
- 31:45Speaker 1: of the most successful albums ever released, and it was
- 31:48Speaker 1: also the first time Jackson encountered the peculiar burden of
- 31:52Speaker 1: his own success because Bad was treated in certain critical
- 31:56Speaker 1: quarters as a disappointment, not because it failed by any measure,
- 32:00Speaker 1: but because it was not Thriller, Because nothing could be
- 32:04Speaker 1: the standard he had set was inhuman and it would
- 32:07Speaker 1: follow him like a shadow for the rest of his career.
- 32:10Speaker 1: So in nineteen eighty five, between the triumph of Thriller
- 32:13Speaker 1: and the recording of Bad, Michael Jackson made the business
- 32:16Speaker 1: decision that would define his financial life and some believe
- 32:20Speaker 1: his death. Paul McCartney, during their collaborations on The Girl
- 32:24Speaker 1: as Mine and Say Say Say, had explained to Jackson
- 32:27Speaker 1: how music publishing worked, that owning the rights to songs
- 32:31Speaker 1: was where the real money lived, not performing or recording them,
- 32:34Speaker 1: and Michael listened carefully, and when the ATV Music Publishing
- 32:38Speaker 1: catalog came up for sale, a portfolio of roughly four
- 32:42Speaker 1: thousand songs, including two hundred and fifty one compositions by
- 32:45Speaker 1: John Lennon and Paul McCartney, Jackson pursued it aggressively, and
- 32:49Speaker 1: the purchase closed on approximately August tenth, nineteen eighty five,
- 32:53Speaker 1: for forty seven point five million dollars, and Michael Jackson
- 32:57Speaker 1: now owned Yesterday, Hey Jude, and Let It Be and
- 33:01Speaker 1: dozens of other songs that formed the bedrock of twentieth
- 33:05Speaker 1: century popular music. And McCartney, who wanted the catalog himself,
- 33:09Speaker 1: was reportedly furious and the friendship never recovered, and the
- 33:14Speaker 1: catalog would appreciate enormously over the following decades, and in
- 33:18Speaker 1: nineteen ninety five, Michael Jackson merged his holdings with Sony
- 33:22Speaker 1: Music's publishing division to create Sony ATV Music Publishing, a
- 33:26Speaker 1: joint venture in which he retained a fifty percent stake,
- 33:29Speaker 1: So by the time of his death that the catalog
- 33:32Speaker 1: was valued at approximately one billion dollars, and by twenty sixteen,
- 33:37Speaker 1: when Sony purchased the estate's share for seven hundred and
- 33:40Speaker 1: fifty million dollars, estimates had climbed to four billion. So
- 33:44Speaker 1: the catalog made Michael Jackson extraordinarily wealthy on paper. So
- 33:49Speaker 1: it also made him a target, and he would spend
- 33:52Speaker 1: the last years of his life telling people that someone
- 33:55Speaker 1: was going to kill him for it. So after Bad
- 33:58Speaker 1: Michael Jackson and Quincy Jones parted professionally and for Dangerous,
- 34:02Speaker 1: released in nineteen ninety one, Jackson turned to Teddy Riley,
- 34:05Speaker 1: the pioneer of New jack Swim, and the album's sound
- 34:08Speaker 1: reflected the shift harder, more rhythmically aggressive, and more experimental,
- 34:14Speaker 1: and it was Jackson's first album without Jones since Forever.
- 34:17Speaker 1: Michael in nineteen seventy five, and it sold thirty two
- 34:20Speaker 1: million copies worldwide. And on January thirty first, nineteen ninety three,
- 34:25Speaker 1: Jackson headlined the halftime show at the super Bowl in Pasadena,
- 34:29Speaker 1: and it was the first major music superstar to do so.
- 34:32Speaker 1: And it's iconic. I mean, he's just like standing on
- 34:35Speaker 1: stage and just the crowds screaming, and he's just sitting
- 34:37Speaker 1: there just soaking it in. It's ah, It's the best
- 34:40Speaker 1: super Bowl in my opinion, right next to Prince. And
- 34:42Speaker 1: the performance was a spectacle of unprecedented scale, Like I said,
- 34:47Speaker 1: when Jackson stood motionless on stage for ninety seconds while
- 34:51Speaker 1: the crowd roared, then launched into a medley that included jam,
- 34:56Speaker 1: Billy Jean and Heal the World. It was the first
- 34:58Speaker 1: Super Bowl halftime where ratings increased between halves, a phenomenon
- 35:03Speaker 1: that transformed the halftime show from a bathroom break afterthought
- 35:06Speaker 1: into the premiere live performance slot in American entertainment and
- 35:11Speaker 1: every halftime spectacle since Prince, Beyonce, Shakira, which are also
- 35:15Speaker 1: amazing shows, exists in the template Jackson created that afternoon,
- 35:20Speaker 1: and History, Past, Present, and Future Book one released in
- 35:24Speaker 1: nineteen ninety five was a double album, one disc of
- 35:27Speaker 1: greatest hits, one of new material, and it contained you
- 35:31Speaker 1: Are Not Alone, which became the first song in Billboard
- 35:34Speaker 1: history to debut at number one on the Hot one hundred.
- 35:38Speaker 1: And the History World tour that followed him from nineteen
- 35:40Speaker 1: ninety six to nineteen ninety seven covered eighty two concerts
- 35:44Speaker 1: across thirty five countries and grossed one hundred and sixty
- 35:46Speaker 1: five million dollars, the highest grossing solo tour of the nineties.
- 35:51Speaker 1: And by the mid nineties, Michael Jackson had sold more
- 35:53Speaker 1: records than any solo artist in history, and he had
- 35:56Speaker 1: invented the modern music video, and he had integrated empty,
- 36:00Speaker 1: and he had transformed the Super Bowl halftime show. He
- 36:03Speaker 1: owned the most valuable music publishing catalog on Earth, and
- 36:07Speaker 1: he was, by virtually any metric, the most famous human
- 36:11Speaker 1: being alive. And then everything began to fall apart because
- 36:16Speaker 1: behind the stage lights and the record sales and the
- 36:19Speaker 1: increasingly surreal scale of the fame, there was a person
- 36:24Speaker 1: and that person was unwell in ways the public was
- 36:27Speaker 1: only beginning to understand, and lonely in ways the public
- 36:32Speaker 1: could not have imagined. And the health problems came first,
- 36:35Speaker 1: and they came early. So in nineteen eighty three, going
- 36:39Speaker 1: back a little bit in time, doctor Arnold Klein, a
- 36:42Speaker 1: Beverly Hills dermatologist who would become one of the most
- 36:45Speaker 1: consequential and controversial figures in Jackson's life, diagnosed him with
- 36:49Speaker 1: discoid lupis arihythmatosis, an autoimmune condition affecting the skin, and
- 36:55Speaker 1: three years later, in nineteen eighty six, Climb delivered a
- 36:58Speaker 1: second diagnosis, vitlago, a condition in which the immune system
- 37:03Speaker 1: attacks the melanocytes that produce skin pigment, creating irregular patches
- 37:08Speaker 1: of depigmentation across the body. And for any person, vitelago
- 37:12Speaker 1: is a difficult diagnosis, but for a black man who
- 37:16Speaker 1: was the most photographed human being on the planet, a
- 37:20Speaker 1: man whose changing appearance was already the subject of relentless
- 37:23Speaker 1: tabloid speculation, it was catastrophic. And Jackson would not publicly
- 37:29Speaker 1: disclose the videlago until February tenth, nineteen ninety three, in
- 37:33Speaker 1: a live interview with Oprah Winfrey watched by ninety million people,
- 37:38Speaker 1: and by then, years of tabloid cruelty had calcified a
- 37:42Speaker 1: narrative that Jackson was bleaching his skin out of self
- 37:45Speaker 1: hatred or racial confusion, but the truth was a medical
- 37:49Speaker 1: condition he had not chosen and could not control, and
- 37:52Speaker 1: his autopsy sixteen years later would confirm the diagnosis definitively,
- 37:57Speaker 1: documenting focal depigmentation across five areas of his body. And
- 38:02Speaker 1: then came the pepsi burn in January nineteen eighty four,
- 38:05Speaker 1: which we talked about previously, and with it the opioid
- 38:08Speaker 1: prescriptions that introduced Jackson to a pharmaceutical world he would
- 38:12Speaker 1: never fully leave, and in nineteen ninety three, after the
- 38:15Speaker 1: crisis that would engulf him that year, Elizabeth Taylor personally
- 38:19Speaker 1: led an intervention and Jackson entered rehab at a facility
- 38:23Speaker 1: in London and completed a twelve step program, and the
- 38:26Speaker 1: dependency retreated, but did not disappear. It would return in
- 38:30Speaker 1: different forms with different substances across different doctors for the
- 38:34Speaker 1: rest of his life, and the most dangerous of those
- 38:36Speaker 1: substances was propofol, a powerful intravenous anesthetic used in hospitals
- 38:42Speaker 1: to induce unconsciousness for surgery, and Jackson began using propofol
- 38:46Speaker 1: during the History World tour in nineteen ninety six to
- 38:49Speaker 1: nineteen ninety seven, administered by anasthesiologists he hired to travel
- 38:55Speaker 1: with him, and he used it to sleep for a
- 38:57Speaker 1: man suffering from chronic and deability insomnia, a condition that
- 39:01Speaker 1: worsened with every passing year. Propofal offered the only reliable
- 39:06Speaker 1: path to unconsciousness, but it was not sleep in any
- 39:09Speaker 1: medical sense. It suppressed rem cycles entirely, offering oblivion without rest,
- 39:16Speaker 1: and an expert who testified in twenty thirteen estimated that
- 39:19Speaker 1: Jackson may have gone sixty days without remsleep before his death,
- 39:24Speaker 1: which is catastrophic. So his brain, by the end, was
- 39:29Speaker 1: being deprived of the very thing sleep is supposed to provide.
- 39:33Speaker 1: And if Jackson's health was quietly deteriorating through the nineteen
- 39:36Speaker 1: eighties and nineteen nineties, his personal world was also taking
- 39:40Speaker 1: shape in ways the public found endlessly fascinating and largely incomprehensible,
- 39:45Speaker 1: because the friendships came first, and the most important of
- 39:48Speaker 1: them was Elizabeth Taylor. They met in the mid nineteen eighties,
- 39:52Speaker 1: likely at a Victoria Tour concert at Dodger Stadium in
- 39:55Speaker 1: late nineteen eighty four, and the connection was immediate and deep.
- 39:59Speaker 1: Two people who had been child stars who had grown
- 40:02Speaker 1: up inside fame's distortion fields, who understood what it cost
- 40:06Speaker 1: to be watched by millions before you understood who you
- 40:08Speaker 1: even were. And Taylor became Jackson's fiercest defender and closest confidant,
- 40:13Speaker 1: and on April twelfth, nineteen eighty nine, at the Sole
- 40:16Speaker 1: Train Awards, she introduced him with the title that would
- 40:18Speaker 1: follow him permanently, the King of Pop. And on October sixth,
- 40:22Speaker 1: nineteen ninety one, Michael Jackson hosted her eighth wedding to
- 40:26Speaker 1: Larry Fortenski at Neverland Ranch, and their friendship lasted over
- 40:31Speaker 1: twenty five years until Taylor's death in twenty eleven, and
- 40:35Speaker 1: she was, by many accounts, one of the very few
- 40:38Speaker 1: people on earth who could speak to Michael Jackson honestly
- 40:41Speaker 1: and be heard. And his meeting with Princess Diana was
- 40:44Speaker 1: briefer but no less meaningful to him because on July sixteenth,
- 40:48Speaker 1: nineteen eighty eight, like we said before, Diana attended his
- 40:51Speaker 1: Bad World Tour show at Wembley Stadium, and Jackson had
- 40:55Speaker 1: removed Dirty Diana from the set list out of concern
- 40:58Speaker 1: that the title might embarrass her, and Diana learning of
- 41:02Speaker 1: this reportedly requested that he perform it, and he did,
- 41:06Speaker 1: and they met only that once in person backstage at Wembley.
- 41:10Speaker 1: And when Diana was killed in a car crash on
- 41:12Speaker 1: August thirty first, nineteen ninety seven, Jackson was so shaken
- 41:16Speaker 1: that he postponed his scheduled performance in Austin, Belgium, moving
- 41:20Speaker 1: it from August thirty first to September third. And if
- 41:24Speaker 1: you want to know more about Diana's death, I will
- 41:27Speaker 1: link that video that I covered her whole life and
- 41:30Speaker 1: mysterious death down below. And in nineteen eighty eight, Jackson
- 41:33Speaker 1: purchased the property that would become the physical manifestation of
- 41:37Speaker 1: his inner world. Neverland Valley Ranch sat on approximately twenty
- 41:42Speaker 1: seven hundred acres in the Santa Nas Valley near Los Olivos, California,
- 41:47Speaker 1: with rolling golden hills studded with oak trees, an hour
- 41:51Speaker 1: and a half northeast of Los Angeles, and the purchase
- 41:55Speaker 1: price was somewhere between seventeen and nineteen and a half
- 41:59Speaker 1: million dollars depending on the source. The main residence was
- 42:03Speaker 1: roughly twelve thousand, six hundred square feet, but the house
- 42:06Speaker 1: was almost beside the point because what Jackson built around
- 42:09Speaker 1: it was something between a private theme park and a
- 42:12Speaker 1: living fairy tale. A ferris wheel, a carousel, a miniature railroad,
- 42:17Speaker 1: a zoo with giraffes and elephants and chimpanzees, a movie theater, gardens,
- 42:22Speaker 1: just anything and everything you name it that you would
- 42:24Speaker 1: have wanted to see as a kid. It was there.
- 42:26Speaker 1: And he named it after the island in Peter Pan
- 42:29Speaker 1: where children never grow up, and the symbolism was not subtle,
- 42:33Speaker 1: as Jackson identified with Peter Pan openly and repeatedly throughout
- 42:37Speaker 1: his life's he said to me that he's Peter Pan,
- 42:40Speaker 1: you know. And I feel that way too, and I
- 42:42Speaker 1: guess we have the same feel about life. Because he
- 42:45Speaker 1: saw childhood as something sacred and something that had been
- 42:49Speaker 1: stolen from him. The Neverland became Jackson's refuge, his creative workspace,
- 42:55Speaker 1: and eventually the setting of the accusations that nearly destroyed him,
- 43:00Speaker 1: because he would live there on and off for nearly
- 43:02Speaker 1: two decades before the property became too painful to inhabit,
- 43:07Speaker 1: and it would be sold in December of twenty twenty,
- 43:09Speaker 1: more than eleven years after his death, for twenty two
- 43:13Speaker 1: million dollars. Now the Romantic relationships were few, intense and brief,
- 43:19Speaker 1: and Jackson and Lisa Marie Presley first cross paths as
- 43:23Speaker 1: children backstage at a Las Vegas concert in approximately nineteen
- 43:27Speaker 1: seventy four or nineteen seventy five, when she was about
- 43:30Speaker 1: seven and he was about seventeen, and her father was
- 43:33Speaker 1: Elvis Presley as we know, and his father was Joe Jackson.
- 43:38Speaker 1: So they were, in a sense the only two people
- 43:40Speaker 1: on earth who could fully understand each other's childhoods, and
- 43:43Speaker 1: they would reconnect as adults in November nineteen ninety two,
- 43:46Speaker 1: when Jackson was in the earliest stages of his personal
- 43:49Speaker 1: crisis that would soon become public, and their conversations grew
- 43:53Speaker 1: frequent and intimate, and on May twenty six, nineteen ninety four,
- 43:57Speaker 1: twenty days after her divorce from musician Danny u Ugh
- 44:00Speaker 1: was finalized, they married in a private ceremony in the
- 44:03Speaker 1: Dominican Republic, and the world reacted with almost uniform disbelief.
- 44:08Speaker 1: The tabloids treated the marriage as a publicity stunt, a
- 44:11Speaker 1: strategic alliance between two famous names designed to rehabilitate Jackson's
- 44:16Speaker 1: image during the fallout from the nineteen ninety three allegations,
- 44:19Speaker 1: and on September eighth, nineteen ninety four, at the MTV
- 44:22Speaker 1: Video Music Awards, Jackson and Pressley appeared on stage together
- 44:26Speaker 1: and he leaned over and kissed her, and the audience
- 44:29Speaker 1: didn't know whether to cheer or cringe, and it remains
- 44:32Speaker 1: one of the most analyzed public kisses in entertainment history.
- 44:36Speaker 1: But whatever the marriage was, and Presley would later insist
- 44:39Speaker 1: incredibly and emotionally that it was real, it did not last.
- 44:44Speaker 1: And they separated on December tenth, nineteen ninety five, and
- 44:47Speaker 1: Pressley filed for divorce on January eighteenth, nineteen ninety six,
- 44:50Speaker 1: and it was finalized on August twentieth, nineteen ninety six.
- 44:54Speaker 1: And in all her later accounts of the relationship, Presley
- 44:57Speaker 1: described Jackson as deeply loving but also deeply troubled, consumed
- 45:01Speaker 1: by prescription drugs and surrounded by enablers she couldn't penetrate,
- 45:06Speaker 1: and she told Oprah Winfrey in twenty ten that in
- 45:09Speaker 1: one of their final conversations in two thousand and five,
- 45:12Speaker 1: Jackson had told her that someone was going to kill
- 45:14Speaker 1: him for his music catalog, and she confirmed he gave
- 45:18Speaker 1: her specific names, and she declined to share them for
- 45:21Speaker 1: whatever reason, and the second marriage was different in almost
- 45:25Speaker 1: every way, as Debbie Rowe was a nurse in doctor
- 45:28Speaker 1: Arnold Klein's dermatology office and she and Jackson had known
- 45:32Speaker 1: each other for years through Klein's practice, and on November fourteenth,
- 45:36Speaker 1: nineteen ninety six, lesson three months after the prosly divorce
- 45:39Speaker 1: was finalized, Jackson and Roe married in Sydney, Australia, and
- 45:43Speaker 1: she was six months pregnant, and their first child, Michael
- 45:46Speaker 1: Joseph Jackson Junior, called Prince, was born on February thirteenth,
- 45:51Speaker 1: nineteen ninety seven, and their second, Paris Michael Catherine Jackson,
- 45:55Speaker 1: was born on April third, nineteen ninety eight, and the
- 45:58Speaker 1: marriage appeared from outside and arguably from the inside, to
- 46:02Speaker 1: be primarily an arrangement for producing children, and Roe would
- 46:06Speaker 1: later describe the relationship in transactional terms, saying she had
- 46:10Speaker 1: agreed to bear Jackson's children because she saw how much
- 46:13Speaker 1: he wanted to be a father. But they would divorce
- 46:16Speaker 1: in approximately April of two thousand, with Roe receiving an
- 46:19Speaker 1: eight million dollar settlement and initially relinquishing custody and Jackson's
- 46:24Speaker 1: third child, Prince Michael Jackson, the second originally called the
- 46:27Speaker 1: Blanket later Biggie was born on February twenty first, two
- 46:31Speaker 1: thousand and two, via surrogate, and the identity of the
- 46:35Speaker 1: surrogate and the biological mother has never been publicly confirmed.
- 46:39Speaker 1: And on November nineteenth, two thousand and two, Jackson committed
- 46:42Speaker 1: the single most damaging public relations act of his career
- 46:47Speaker 1: that didn't involve a courtroom. Standing on the balcony of
- 46:51Speaker 1: his suite at the Hotel Adlon in Berlin, he dangled
- 46:55Speaker 1: the infant blanket over the railing four stories above the
- 46:59Speaker 1: st while a crowd below screamed and cameras flashed, and
- 47:04Speaker 1: the image circled the globe within hours, and Jackson later
- 47:08Speaker 1: called it a terrible mistake, and obviously it was, but
- 47:13Speaker 1: it was also a window into something the public was
- 47:16Speaker 1: only beginning to reckon with that the most famous man
- 47:19Speaker 1: in the world was not functioning normally, that his judgment
- 47:23Speaker 1: was eroding, and that whatever private reality he inhibited was
- 47:27Speaker 1: drifting further and further from the one the rest of
- 47:29Speaker 1: the world shared. So by the early two thousands, Michael
- 47:33Speaker 1: Jackson was a father of three, a two time divorcee,
- 47:36Speaker 1: the owner of the most valuable music catalog in the world,
- 47:39Speaker 1: and a man whose body was quietly failing, ravaged by vitelago,
- 47:44Speaker 1: lupis surgical procedures, chronic insomnia, and a pharmaceutical dependency that
- 47:49Speaker 1: no intervention had permanently resolved. And he was forty four
- 47:53Speaker 1: years old, and he was still, by any measure, the
- 47:56Speaker 1: most famous person alive, and the worst was yet to so.
- 48:00Speaker 1: In May of nineteen ninety two, a woman named June
- 48:03Speaker 1: Chandler and her thirteen year old son Jordan, were stranded
- 48:06Speaker 1: on the side of the road in Los Angeles. Their
- 48:09Speaker 1: car had broken down and they'd called rent a wreck
- 48:12Speaker 1: for a replacement, and when had arrived, the employee who
- 48:15Speaker 1: helped them recognize the name on the paperwork. One of
- 48:18Speaker 1: their contacts was someone who worked with Michael Jackson, and
- 48:21Speaker 1: throughout that thin thread of connection, June Chandler mentioned the
- 48:25Speaker 1: encounter to the right person, who mentioned it to someone else,
- 48:29Speaker 1: and within weeks the Chandler family had entered Michael Jackson's orbit.
- 48:33Speaker 1: Jackson took to Jordan or Jordie as the family called him,
- 48:37Speaker 1: with an intensity that was by then recognizable to people
- 48:42Speaker 1: around him, and he had a pattern of forming deeply
- 48:45Speaker 1: close relationships with children particularly boys around the age of
- 48:49Speaker 1: twelve or thirteen, and he would call them constantly, invite
- 48:54Speaker 1: them to Neverland, shower them and their families with gifts
- 48:58Speaker 1: and access to his world. And he was generous to
- 49:01Speaker 1: a degree that seemed almost compulsive. And to Jackson, these
- 49:05Speaker 1: relationships were innocent, an attempt to experience the childhood he
- 49:10Speaker 1: believed had been stolen from him, to live inside the
- 49:13Speaker 1: uncomplicated joy of a child's companionship. But to observers they
- 49:17Speaker 1: were at best unusual and at worst alarming, and the
- 49:22Speaker 1: distance between those two interpretations would define the rest of
- 49:25Speaker 1: Jackson's life. Jordan Chandler's father was Evan Chandler, a Beverly
- 49:30Speaker 1: Hills dentist who also worked as a screenwriter, with a
- 49:33Speaker 1: co writing credit on mel Brooks Robin Hood Men in Tights,
- 49:37Speaker 1: and Evan was not part of the initial connection because
- 49:41Speaker 1: June had primary custody and it was through her that
- 49:44Speaker 1: Jackson and Jordan spent increasing amounts of time together. But
- 49:47Speaker 1: Evan Chandler grew suspicious of the relationship, then angry, then
- 49:52Speaker 1: something harder to categorize. So on July eighth, nineteen ninety three,
- 49:56Speaker 1: Evan Chandler was recorded in a phone conversation, saying quote,
- 50:00Speaker 1: if I go through with this, I win fake time.
- 50:02Speaker 1: I will get everything I want and they will be
- 50:04Speaker 1: told they will be the enjoyed forever. And the statement
- 50:06Speaker 1: would become one of the most debated pieces of evidence
- 50:10Speaker 1: in the case because to jackson defenders it was proof
- 50:13Speaker 1: that the allegations were financially motivated from the start, a
- 50:17Speaker 1: shakedown dressed as child protection, and to those who believed
- 50:22Speaker 1: the accusations, it was a father's anguished calculation about the
- 50:25Speaker 1: legal system's leverage, not evidence that the underlying claims were false.
- 50:30Speaker 1: Both readings are sustainable, but neither are definitive, and on
- 50:35Speaker 1: August seventeenth, nineteen ninety three, the allegations were formally reported
- 50:39Speaker 1: to authorities and Jordan Chandler described acts of a s
- 50:43Speaker 1: by Jackson, and the Los Angeles Police Department and the
- 50:46Speaker 1: Department of Children and Family Services opened investigations, and the
- 50:50Speaker 1: story detonated across the global media with a force that
- 50:53Speaker 1: made every previous Jackson tabloid saga look point, and on
- 50:57Speaker 1: December twentieth, nineteen ninety three, Jackson submitted a strip search,
- 51:01Speaker 1: a body examination conducted by investigators seeking to determine whether
- 51:05Speaker 1: Jordan Chandler's description of Jackson's anatomy matched reality, and Jackson
- 51:11Speaker 1: described the experience as the most humiliating event of his life,
- 51:15Speaker 1: and the results of the examination have been the subject
- 51:18Speaker 1: of conflicting interpretations ever since, because Jackson's camp maintained the
- 51:23Speaker 1: descriptions did not match and the prosecution's position was more ambiguous,
- 51:28Speaker 1: and two grand juries were convened, and one in Los
- 51:31Speaker 1: Angeles one in Santa Barbara. Over thirteen months, more than
- 51:35Speaker 1: four hundred witnesses were interviewed, and neither grand jury returned
- 51:39Speaker 1: an indictment, so without an indictment there could be no
- 51:42Speaker 1: criminal trial, and on January twenty fifth, nineteen ninety four,
- 51:46Speaker 1: a civil settlement was reached and the amount was approximately
- 51:49Speaker 1: twenty three million dollars and Jackson's insurance carrier paid the
- 51:53Speaker 1: claim and Jackson's legal team maintained, and Jackson himself would
- 51:58Speaker 1: insist for the rest of his life that the settlement
- 52:00Speaker 1: was not an admission of guilt, but a strategic decision
- 52:03Speaker 1: to end a situation that was destroying him personally and professionally,
- 52:08Speaker 1: at the recommendation of his attorneys and over his own
- 52:11Speaker 1: objections and His critics argued that innocent men don't pay
- 52:16Speaker 1: twenty three million dollars, and his defenders countered that innocent
- 52:20Speaker 1: men who are the most famous person on earth and
- 52:23Speaker 1: hamorrhaging millions of dollars per week in canceled deals and
- 52:25Speaker 1: destroyed partnerships sometimes due and the settlement did not include
- 52:30Speaker 1: a confidentiality clause preventing the Chandlers from cooperating with criminal authorities,
- 52:35Speaker 1: and Jordan Chandler and his family chose not to pursue
- 52:38Speaker 1: criminal charges, so the investigation was closed and Evan Chandler
- 52:43Speaker 1: died by on November fifth, two thousand and nine, less
- 52:49Speaker 1: than five months after Michael Jackson's death. That is a
- 52:55Speaker 1: bit suspicious, a bit why would you do that? Seems
- 53:00Speaker 1: he's like get out of guilt, But what do I know?
- 53:02Speaker 1: And at that point he had been estranged from his
- 53:05Speaker 1: son Jordan for years, and his death was reported quietly,
- 53:10Speaker 1: a footnote in a larger story that had already moved on.
- 53:14Speaker 1: So for nearly a decade after the settlement, Jackson lived
- 53:18Speaker 1: under a cloud that never fully dissipated, and the allegations
- 53:21Speaker 1: had not been proven. They had not been disproven either,
- 53:25Speaker 1: and they existed in a permanent state of suspicion, following
- 53:29Speaker 1: him into every room, coloring every interaction, inflecting every headline,
- 53:35Speaker 1: and his record sales would decline, and his public image curdled,
- 53:39Speaker 1: and the jokes became cruel and ubiquitous, and he retreated
- 53:44Speaker 1: further into Neverland, further into isolation, and further into the
- 53:48Speaker 1: company of children and the animals and amusement park rides
- 53:52Speaker 1: that constituted his version of a normal life. And then
- 53:55Speaker 1: in February of two thousand and three, a British journalist
- 53:58Speaker 1: named Martin Basher aired a documentary called Living with Michael Jackson,
- 54:03Speaker 1: and Basher had spent eight months with Jackson, gaining extraordinary
- 54:08Speaker 1: access to his daily life at Neverland, and the documentary
- 54:11Speaker 1: included a scene in which Jackson held hands with a
- 54:14Speaker 1: thirteen year old boy named Gavin ur Viso, a child
- 54:17Speaker 1: cancer patient Jackson had befriended in two thousand and said
- 54:21Speaker 1: on camera, but is it really appropriate for a forty
- 54:24Speaker 1: four year old man to share a bedroom with a
- 54:27Speaker 1: child who is not related to him at all. That's
- 54:29Speaker 1: a beautiful thing. That's not a worrying thing. Why shut
- 54:31Speaker 1: it be worrying? And he meant it innocently, but unfortunately
- 54:36Speaker 1: it did not land innocently, and the documentary was watched
- 54:40Speaker 1: by an estimated fourteen point six million viewers in the
- 54:43Speaker 1: UK in twenty two million in the US, and the
- 54:47Speaker 1: reaction was immediate and devastating, and Gavin Arvizo's family subsequently
- 54:52Speaker 1: alleged that Jackson had minted the boy. So on November eighteenth,
- 54:57Speaker 1: two thousand and three, approximately seventy the Sheriff's deputies raided
- 55:02Speaker 1: Neverland Ranch, and two days later, on November twentieth, Jackson
- 55:06Speaker 1: turned himself into Santa Barbara County authorities and he was arrested, handcuffed, photographed,
- 55:12Speaker 1: and released on three million dollars bail and the booking
- 55:15Speaker 1: photo his expression, somewhere between defiance and association, was broadcast
- 55:20Speaker 1: on every television screen in the world, and he later
- 55:24Speaker 1: said the arrest was deliberately humiliating, that he was handcuffed
- 55:28Speaker 1: so tightly his wrists bled, that he was locked in
- 55:31Speaker 1: a restroom smeared with feces, and that the officers laughed,
- 55:35Speaker 1: and Santa Barbara authorities denied the claims fully. The truth
- 55:39Speaker 1: of what happened in those hours between surrender and release
- 55:42Speaker 1: has never been independently established, but the charges were severe,
- 55:46Speaker 1: and in December of two thousand and three, the initial
- 55:49Speaker 1: indictment included seven counts of childhood, two counts of administering
- 55:54Speaker 1: a intoxicating agent to a minor, and one count of conspiracy,
- 55:59Speaker 1: but by April two thousand and four, the indictment had
- 56:01Speaker 1: been restructured four counts of minor, four counts of intoxicating
- 56:05Speaker 1: a miner with alcohol, and one count of attemptedtion, and
- 56:10Speaker 1: one count of conspiracy and ten charges that would expand
- 56:13Speaker 1: to fourteen at verdict when lesser included offenses were added,
- 56:17Speaker 1: so if convicted on all counts, Jackson faced decades in prison.
- 56:22Speaker 1: So the trial People Versus Jackson began with jury selection
- 56:26Speaker 1: on January thirty first, two thousand and five, in Santa Maria, California,
- 56:31Speaker 1: before Judge Rodney Melville, and opening arguments commenced on February
- 56:35Speaker 1: twenty eighth, and the prosecution led by District Attorney Tom Snedden,
- 56:39Speaker 1: who had investigated Jackson during the nineteen ninety three case
- 56:43Speaker 1: as well, and whose pursuit of Jackson struck many observers
- 56:47Speaker 1: as personal, and he presented its case over several months
- 56:51Speaker 1: and approximately one hundred and forty witnesses were called and
- 56:55Speaker 1: the defense dismantled the prosecution's case methodically with Gavin Arviso.
- 57:00Speaker 1: Mother Janet was shown to have a history of making
- 57:03Speaker 1: false claims, including welfare fraud and a prior false accusation
- 57:09Speaker 1: of against a J. C. Penny security guard, and the
- 57:13Speaker 1: timeline of the alleged this was problematic, and the prosecution
- 57:17Speaker 1: claimed this use occurred after the Basher documentary aired, meaning
- 57:22Speaker 1: Jackson had supposedly chosen to at the child immediately after
- 57:26Speaker 1: the entire world had been put on alert about his
- 57:29Speaker 1: relationships with children, and the family had continued to voluntarily
- 57:34Speaker 1: visit Neverland and accept Jackson's hospitality throughout the period in question,
- 57:39Speaker 1: which was odd and Macaulay Culkin, the former child star
- 57:43Speaker 1: of Home Alone, who had been one of Jackson's closest
- 57:46Speaker 1: childhood companions and who the prosecution hoped to establish as
- 57:50Speaker 1: a prior victim, took the stand and testified unequivocally that
- 57:55Speaker 1: he had never been by Jackson, and Wade Robson, in
- 57:59Speaker 1: Australian choreographer who had known Jackson since childhood, also testified
- 58:04Speaker 1: that he had never been used, but Robson would reverse
- 58:08Speaker 1: his position in twenty thirteen, filing a civil claim alleging years,
- 58:13Speaker 1: but on the witness stand in two thousand and five,
- 58:15Speaker 1: under oath, he said it never happened. And on June thirteenth,
- 58:19Speaker 1: two thousand and five, the jury returned its verdict not
- 58:22Speaker 1: guilty on all fourteen counts, and it was unanimous. And
- 58:27Speaker 1: Jackson was in the courtroom when the verdicts were read,
- 58:30Speaker 1: and he showed little visible emotion, and outside the courthouse
- 58:34Speaker 1: thousands of fans who had maintained a visual throughout the trial, erupted,
- 58:39Speaker 1: and inside, according to people who were with him, Jackson
- 58:42Speaker 1: was hollowed out and the acquittal was total. The vidication
- 58:46Speaker 1: was complete, but it didn't matter. The trial had consumed
- 58:50Speaker 1: nearly two years of his life, cost tens of millions
- 58:53Speaker 1: of dollars, and left him physically and psychologically destroyed. And
- 58:57Speaker 1: he had entered the courtroom weighing, by some account's less
- 59:00Speaker 1: than one hundred and twenty pounds because he had been
- 59:03Speaker 1: unable to eat, and he had been unable to sleep,
- 59:06Speaker 1: or rather he had been unable to sleep without propofal,
- 59:09Speaker 1: and the demands of daily court appearances had disrupted even
- 59:12Speaker 1: that pharmaceutical oblivion. So after the verdict, Michael Jackson left
- 59:16Speaker 1: the courthouse, left Santa Maria, and effectively left the United States,
- 59:21Speaker 1: and he would spend most of the next two and
- 59:23Speaker 1: a half years abroad in Bayron, in Ireland, in various
- 59:27Speaker 1: rented properties scattered across the world, a man acquitted of
- 59:31Speaker 1: everything and unable to return to normal life and neverland.
- 59:34Speaker 1: The place he had built as a sanctuary had been
- 59:38Speaker 1: raided and violated and publicized in every tabloid on earth,
- 59:42Speaker 1: so he felt like he couldn't go back and he
- 59:44Speaker 1: would never live there again. And the allegations from nineteen
- 59:47Speaker 1: ninety three In two thousand and five, the settlement and
- 59:50Speaker 1: the acquittal became the defining lens through which Michael Jackson
- 59:53Speaker 1: would be viewed for the rest of his life and beyond.
- 59:56Speaker 1: Not the music, not the dancing, not the record sales,
- 1:00:00Speaker 1: the moonwalk, or the transformation of pop culture. The question,
- 1:00:04Speaker 1: the unresolvable, unanswerable, permanent question that followed him out of
- 1:00:10Speaker 1: the courtroom across the ocean into exile, and it was
- 1:00:13Speaker 1: still following him three and a half years later, in
- 1:00:17Speaker 1: the summer of two thousand and nine, when he agreed
- 1:00:19Speaker 1: to perform fifty concerts in London and began rehearsing for
- 1:00:23Speaker 1: a comeback. He would not survive, so after the acquittal,
- 1:00:27Speaker 1: Michael Jackson did what any person might do if they
- 1:00:30Speaker 1: had been publicly accused of the worst crimes imaginable, dragged
- 1:00:34Speaker 1: through a five month trial broadcast to the world, and
- 1:00:37Speaker 1: found not guilty on every count. He ran, and in
- 1:00:40Speaker 1: June two thousand and five, Jackson left the United States
- 1:00:43Speaker 1: for bay Rain, a small island kingdom in the Persian Gulf,
- 1:00:47Speaker 1: the personal guest of Sheikh Abdullah bin Hamad bin Aya
- 1:00:52Speaker 1: al Khalifa, a son of the king that was a mouthful,
- 1:00:55Speaker 1: and the Sikh provided Jackson with a residence, staff, security,
- 1:01:00Speaker 1: and a loan of two point two million dollars to
- 1:01:02Speaker 1: cover outstanding legal fees from the trial, and the arrangement
- 1:01:06Speaker 1: was for a time a genuine refuge, and he stayed
- 1:01:09Speaker 1: nearly a year from June two thousand and five to
- 1:01:12Speaker 1: May two thousand and six, before the relationship with the
- 1:01:14Speaker 1: Sheikh kind of soured, and Abdullah later sued Jackson for
- 1:01:18Speaker 1: approximately four point seven million dollars, claiming Jackson had failed
- 1:01:22Speaker 1: to honor commitments related to a planned album and autobiography,
- 1:01:27Speaker 1: and after Bay Rain, Jackson drifted to Ireland for several months,
- 1:01:31Speaker 1: then to various rented properties in the United States and Europe.
- 1:01:34Speaker 1: But he was a man without a fixed address, without
- 1:01:36Speaker 1: a clear plan, and without financial stability, and by this
- 1:01:40Speaker 1: point Jackson's debt had reached approximately five hundred million dollars.
- 1:01:46Speaker 1: That number is almost incomprehensible until you understand its architecture
- 1:01:52Speaker 1: as decades of lavish spending on Neverland's upkeep, the zoo,
- 1:01:57Speaker 1: the staff, the constant travel, the legal defense from two
- 1:02:01Speaker 1: sets of allegations, the entourage, the mansions, the shopping all
- 1:02:05Speaker 1: layered on top of hundreds of millions borrowed against his
- 1:02:08Speaker 1: share of the Sony ATV catalog at punishing interest rates.
- 1:02:13Speaker 1: He was one of the wealthiest people alive on paper
- 1:02:16Speaker 1: and functionally insolvent in practice, and the catalog, worth billions
- 1:02:22Speaker 1: was also his only lifeline, the collateral that kept the
- 1:02:26Speaker 1: creditors at bay, and if the loans defaulted, he could
- 1:02:29Speaker 1: lose everything. So it was into this desperation that the
- 1:02:32Speaker 1: concert deal arrived, and in late two thousand and eight,
- 1:02:35Speaker 1: a mysterious figure entered Jackson's life, or rather re entered it.
- 1:02:41Speaker 1: And that was Tomey. Now Tomy, a man with a
- 1:02:44Speaker 1: deliberately obscured background who represented himself variously as a doctor
- 1:02:50Speaker 1: and orthopedic surgeon, a PhD in economics, and an ambassador
- 1:02:56Speaker 1: at large for Senegal, none of which was true, had
- 1:03:00Speaker 1: been introduced to Jackson through Germaine. Now Tomay, working as
- 1:03:04Speaker 1: a consultant for Colony Capital, connected Jackson to Colonies chairman
- 1:03:09Speaker 1: and Tom Barrick, who connected him to Philip and Schutz,
- 1:03:12Speaker 1: the billionaire owner of AEG Live, the world's second largest
- 1:03:16Speaker 1: concert promoter. A deal began to take shape, and on
- 1:03:20Speaker 1: March fifth, two thousand and nine, and Jackson appeared at
- 1:03:23Speaker 1: the O two Arena in London to make the announcement,
- 1:03:26Speaker 1: and between three and seven thousand fans were waiting, and
- 1:03:29Speaker 1: accounts vary, with AEG's own CEO, Randy Phillips testifying under
- 1:03:34Speaker 1: oath to the lower number, and three hundred and fifty
- 1:03:37Speaker 1: journalists had been credentialed and Jackson arrived nineteen minutes late.
- 1:03:42Speaker 1: And when he finally took stage, he looked thin, he
- 1:03:46Speaker 1: looked fragile, and he told the crowd this would be it,
- 1:03:49Speaker 1: the final curtain call, This is it, and he said,
- 1:03:54Speaker 1: this is really recording call and the name stuck and
- 1:04:02Speaker 1: the concerts would be held at the O two Arena
- 1:04:05Speaker 1: starting that July, and Jackson had agreed to ten shows.
- 1:04:10Speaker 1: Within days, AEG expanded the commitment to fifty. Roughly seven
- 1:04:14Speaker 1: hundred and fifty thousand tickets were sold, generating approximately eighty
- 1:04:18Speaker 1: five million dollars in revenue before a single note was performed,
- 1:04:22Speaker 1: and AEG had advanced Jackson close to thirty million dollars
- 1:04:26Speaker 1: in production costs, loans and living expenses, including one hundred
- 1:04:30Speaker 1: thousand dollars per month for a mansion in Holmby Hills,
- 1:04:34Speaker 1: and a fifteen million dollar line of credit. The financial
- 1:04:38Speaker 1: exposure was enormous for both sides. For AEG, a successful
- 1:04:42Speaker 1: run could generate hundreds of millions, and a global tour
- 1:04:46Speaker 1: beyond London was projected at four hundred and fifty million
- 1:04:48Speaker 1: dollars or more. And for Jackson, the concerts represented a
- 1:04:52Speaker 1: path out of debt or if he couldn't perform total
- 1:04:56Speaker 1: financial annihilation. Behind the scenes were going badly from the start.
- 1:05:02Speaker 1: Randy Phillips, AEG CEO, sent an email before the March
- 1:05:06Speaker 1: fifth announcement, describing Jackson as locked in his room drunk
- 1:05:11Speaker 1: and despondent, and Phillips later testified that he had screamed
- 1:05:15Speaker 1: at Jackson to get him out of the room and
- 1:05:17Speaker 1: had slapped him on the butt to motivate him, and
- 1:05:20Speaker 1: Phillips and Jackson's manager Frank and Delio, had to physically
- 1:05:24Speaker 1: help dress him, and the man who walked on stage
- 1:05:27Speaker 1: and told the world he was ready for his comeback
- 1:05:30Speaker 1: had to be coerced into putting on his clothes, and
- 1:05:33Speaker 1: the rehearsals began on the spring of two thousand and
- 1:05:35Speaker 1: nine at the Staples Center and the Forum in Inglewood.
- 1:05:39Speaker 1: And on good days, Jackson was brilliant. Dancers and musicians
- 1:05:43Speaker 1: who worked with him during this period described flashes of
- 1:05:46Speaker 1: the old magic moments where his movement and vocal power
- 1:05:50Speaker 1: were fully intact, where you could see the greatest performer
- 1:05:53Speaker 1: of his generations still living inside the increasingly fragile body.
- 1:05:58Speaker 1: And on bad days he was incoherent, he was cold
- 1:06:02Speaker 1: when the room was warm, he trembled, he couldn't remember
- 1:06:05Speaker 1: choreography he had performed thousands of times, and he was
- 1:06:09Speaker 1: losing weight constantly, and he was not sleeping. And on
- 1:06:13Speaker 1: June nineteenth, two thousand and nine, six days before his death,
- 1:06:17Speaker 1: the show's director, Kenny Ortega, sent an email to Randy
- 1:06:21Speaker 1: Phillips with a subject line Trouble at the Front, and
- 1:06:24Speaker 1: Ortega described finding Jackson quote unquote, lost and incoherent at rehearsal,
- 1:06:30Speaker 1: cold to touch, trembling, unable to perform, and he had
- 1:06:34Speaker 1: wrapped Jackson in blankets and tried to feed him. Quote
- 1:06:38Speaker 1: there are strong signs of paranoia, anxiety, and obsessive like
- 1:06:41Speaker 1: behavior unquote, Ortega would write, and quote, I think the
- 1:06:46Speaker 1: very best thing we can do is get a top
- 1:06:48Speaker 1: psychiatrist in to evaluate him asap unquote. So Alif Sank
- 1:06:53Speaker 1: and associate producer on the show, was more blunt, saying,
- 1:06:57Speaker 1: quote unquote, Michael is dying, she told colleagues, and quote unquote,
- 1:07:03Speaker 1: he needs to be put in a hospital. And Phillips's response,
- 1:07:06Speaker 1: shut or take it down, saying, quote, it is critical
- 1:07:10Speaker 1: that neither you, me, or anyone become amateur psychiatrists or
- 1:07:14Speaker 1: physicians unquote, he would write. And Phillips described Jackson's personal physician,
- 1:07:20Speaker 1: a cardiologist named Conrad Murray, as quote unquote extremely successful
- 1:07:26Speaker 1: and totally unbiased and ethical, and he instructed Ortega to
- 1:07:29Speaker 1: defer to Murray's medical judgment so doctor Conrad Murray born
- 1:07:34Speaker 1: February nineteenth, nineteen fifty three in Grenada, bored eligible but
- 1:07:38Speaker 1: not board certified in cardiology, internal medicine certification lapsed and
- 1:07:44Speaker 1: no training in anesthesiology, sleep medicine or pain management. Over
- 1:07:51Speaker 1: four thousand dollars in court judgments. A two thousand and
- 1:07:54Speaker 1: two bankruptcy defaulted on his one point sixty six million
- 1:07:59Speaker 1: dollars more mortgage, child support aarreers for children by multiple women.
- 1:08:04Speaker 1: A Las Vegas clinic facing eviction was about to treat
- 1:08:08Speaker 1: Michael Jackson now. He had first met Michael Jackson in
- 1:08:11Speaker 1: December of two thousand and six through Jackson's children, and
- 1:08:15Speaker 1: by two thousand and nine, Jackson had requested that Murray
- 1:08:18Speaker 1: serve as his personal physician for the London concerts, and
- 1:08:22Speaker 1: AEG agreed to pay Murray one hundred and fifty thousand
- 1:08:25Speaker 1: dollars per month, a salary Murray had negotiated down from
- 1:08:29Speaker 1: his initial ask of five million dollars per year. He's
- 1:08:33Speaker 1: not even qualified, and the contract contained a provision that
- 1:08:37Speaker 1: gave AEG the power to terminate the agreement if concerts
- 1:08:40Speaker 1: were postponed or canceled creating what experts would later describe
- 1:08:45Speaker 1: as an egregious conflict of interest. The doctor's income depended
- 1:08:50Speaker 1: on the patient performing very bad and already a unqualified,
- 1:08:56Speaker 1: greedy bastard is now treating Michael Jackson. Is just a
- 1:09:01Speaker 1: nightmare that is about two unfold but no background check
- 1:09:06Speaker 1: was conducted. An unemployment expert later testified that a ten
- 1:09:10Speaker 1: dollars search would have revealed Murray's financial desperation. And Murray
- 1:09:16Speaker 1: was administering propofal to Jackson nightly in a bedroom, not
- 1:09:20Speaker 1: a hospital, and he had no pulse exometer monitoring Jackson's
- 1:09:24Speaker 1: oxygen levels, and he had no capnography equipment to measure
- 1:09:28Speaker 1: excelled carbon dioxide either, and the oxygen tank in the
- 1:09:32Speaker 1: room was empty, and the pulse exometer was still in
- 1:09:35Speaker 1: its box, unopened. But he was putting a man under
- 1:09:39Speaker 1: general anaesthesia every night, with no monitoring equipment and no
- 1:09:43Speaker 1: emergency protocols in a rented mansion in Holmby Hills, so
- 1:09:47Speaker 1: that the most famous entertainer in history could approximate something
- 1:09:51Speaker 1: that resembled sleep, absolutely abhorrent. So on the evening of
- 1:09:57Speaker 1: June twenty fourth, two thousand and nine, Michael Jacks arrived
- 1:10:00Speaker 1: at the Staples Center for what would be his final rehearsal,
- 1:10:04Speaker 1: and he got there around six thirty pm and worked
- 1:10:08Speaker 1: until approximately twelve thirty a m. On June twenty fifth,
- 1:10:11Speaker 1: and footage from that night later released as part of
- 1:10:14Speaker 1: the This Is It documentary shows Jackson performing earth Song
- 1:10:19Speaker 1: with full commitment, hitting his marks, directing the band. It
- 1:10:23Speaker 1: was one of the good nights and those who saw
- 1:10:25Speaker 1: him said he looked like Michael Jackson again. And his
- 1:10:29Speaker 1: personal chef ky Chase prepared his dinner and Jackson eight
- 1:10:33Speaker 1: then retired to his bedroom on the second floor of
- 1:10:36Speaker 1: Homely Hills Mansion at one hundred North carol Wood Drive,
- 1:10:40Speaker 1: and doctor Conrad Murphy was with him, and what happened
- 1:10:44Speaker 1: in that bedroom over the next fourteen hours is known
- 1:10:47Speaker 1: primarily through Murray's own account given to police, contested by prosecutors,
- 1:10:52Speaker 1: and never subjected to cross examination because Murray chose not
- 1:10:56Speaker 1: to testify at either his criminal trial or the AEG
- 1:11:00Speaker 1: Wrongful death trial. And according to Murray, Jackson was agitated
- 1:11:05Speaker 1: and unable to sleep, so Murray began administering a sequence
- 1:11:09Speaker 1: of sedatives, escalating through the night as each one failed
- 1:11:13Speaker 1: to produce unconsciousness, so at one thirty am, ten milligrams
- 1:11:17Speaker 1: of diazepam or valium intravenously, and at two am two
- 1:11:21Speaker 1: milligrams of laarazapam or adavan administered intravenously, and at three
- 1:11:27Speaker 1: am two milligrams of medazlam or verst administered intravenously, and
- 1:11:33Speaker 1: at five am two milligrams of laarazapam again, and at
- 1:11:37Speaker 1: seven thirty am two miligrams of medazlam again, but none
- 1:11:42Speaker 1: of it worked, and for six hours Murray pumped Jackson
- 1:11:47Speaker 1: full of benzo diazepines and Jackson remained awake, his body
- 1:11:52Speaker 1: so conditioned to sedation, so profoundly broken in its ability
- 1:11:57Speaker 1: to achieve natural sleep that clinical doses of multiple tranquilizers
- 1:12:01Speaker 1: could not bring him down. And according to Murray, Jackson
- 1:12:05Speaker 1: begged for propofal throughout the night, and Murray claimed he resisted,
- 1:12:10Speaker 1: and he claimed he was trying to wean Jackson off
- 1:12:13Speaker 1: the drug, and at approximately ten forty am, Murray administered
- 1:12:18Speaker 1: twenty five milligrams of propofol, a dose he described as small,
- 1:12:24Speaker 1: diluted in a lighto kane drip, and by about ten
- 1:12:27Speaker 1: fifty am, Jackson was unconscious and Murray said he then
- 1:12:31Speaker 1: monitored Jackson for approximately ten minutes, and around eleven am
- 1:12:35Speaker 1: he left the room for about two minutes, he claimed,
- 1:12:39Speaker 1: and when he returned, Michael Jackson was not breathing. But
- 1:12:43Speaker 1: the phone records tell a different story about those minutes,
- 1:12:46Speaker 1: because beginning at eleven eighteen am, Murray made three phone calls,
- 1:12:51Speaker 1: a thirty two minute call to his Las Vegas office,
- 1:12:55Speaker 1: a three minute call to a patient, and an eleven
- 1:12:58Speaker 1: minute call to a Houston college, so forty seven minutes
- 1:13:01Speaker 1: on the phone during this time. By his account, his
- 1:13:05Speaker 1: patient was unconscious under propofol with no monitoring equipment. And
- 1:13:09Speaker 1: what happened between approximately eleven am and twelve seventeen pm,
- 1:13:13Speaker 1: when bodyguard Alberto Alverez arrived at the bedroom and found
- 1:13:17Speaker 1: Murray performing what appeared to be CPR on the bed,
- 1:13:20Speaker 1: is a gap that has never been fully explained, and
- 1:13:24Speaker 1: Alveraz later testified that when he entered the room, Murray
- 1:13:27Speaker 1: was frantic, and according to Alvarez, Murray grabbed vials from
- 1:13:32Speaker 1: a nightstand and ordered Alverez to put them in a bag,
- 1:13:35Speaker 1: and Murray then had Alvera's remove in iv bay containing
- 1:13:38Speaker 1: a milky white substance the color of propofol, and only
- 1:13:43Speaker 1: after these items were concealed, Alveraz testified, did Murray direct
- 1:13:47Speaker 1: him to call nine one one, And it should be
- 1:13:49Speaker 1: noted that Alveras made no mention of the vile concealing
- 1:13:53Speaker 1: in his first police interview on June twenty fifth. The
- 1:13:56Speaker 1: account emerged on August thirty first, after Jackson's cause of
- 1:13:59Speaker 1: death had been made public, and the nine one one
- 1:14:02Speaker 1: call was placed at twelve twenty one pm, and Alveraz
- 1:14:05Speaker 1: told the dispatcher that a fifty year old man he
- 1:14:08Speaker 1: said fifty Jackson was in fact fifty, had stopped breathing.
- 1:14:13Speaker 1: We have a government good that needs health and he's
- 1:14:16Speaker 1: not breathing yet he's not breathing and we need to
- 1:14:18Speaker 1: We're trying to pump him, but he's not. And the
- 1:14:22Speaker 1: dispatcher asked if the patient was on a bed, and
- 1:14:24Speaker 1: he was, and the dispatcher told them to move him
- 1:14:27Speaker 1: to the floor for CPR, and this had not been done,
- 1:14:30Speaker 1: and Murray had been performing chest compressions on a mattress,
- 1:14:35Speaker 1: which he should know if he's a doctor, absorbs the
- 1:14:38Speaker 1: force and renders CPR largely ineffective. Paramedics arrived at twelve
- 1:14:44Speaker 1: twenty six pm, and they found Jackson on the bed
- 1:14:47Speaker 1: and he had been moved to the floor briefly, then
- 1:14:50Speaker 1: returned with an IV in his left leg, his body
- 1:14:54Speaker 1: cool to the touch, and his pupils fixed and dilated
- 1:14:57Speaker 1: in Paramedic Richard Senneff estimated based on Jackson's condition that
- 1:15:01Speaker 1: at least twenty minutes had elapsed since cardiac arrest because
- 1:15:05Speaker 1: Michael Jackson's extremities were beginning to turn blue, and Murray
- 1:15:08Speaker 1: did not tell the paramedics that he had administered propofaal
- 1:15:12Speaker 1: and he did not tell the emergency room doctors at
- 1:15:14Speaker 1: UCLA Medical Center either, and he would never voluntarily disclose
- 1:15:19Speaker 1: the probofall and the paramedics worked on Jackson at the
- 1:15:22Speaker 1: house and then during transport, and the ambulance left the
- 1:15:26Speaker 1: Carrollwood Mansion at one oh seven pm and arrived at
- 1:15:29Speaker 1: UCLA Ronald Reagan Medical Center at approximately one fourteen pm.
- 1:15:33Speaker 1: An emergency physician's continued resuscitation efforts for over an hour,
- 1:15:38Speaker 1: and at two twenty six pm Pacific daylight time on
- 1:15:41Speaker 1: June twenty fifth, two thousand and nine, Michael Joseph Jackson
- 1:15:46Speaker 1: was pronounced dead. He was fifty years old, and at
- 1:15:49Speaker 1: two forty four pm, eighteen minutes after the pronouncement, TMZ
- 1:15:53Speaker 1: published the news, and the story broke not through a
- 1:15:57Speaker 1: hospital statement or family announcement or a press conference, but
- 1:16:02Speaker 1: through a celebrity gossip website, because that was the world
- 1:16:07Speaker 1: Michael Jackson had lived and died in. And within minutes,
- 1:16:11Speaker 1: the Internet buckled and Google servers registered such a massive
- 1:16:14Speaker 1: spike in search traffic that the company's automated systems interpreted
- 1:16:18Speaker 1: it as a distributed denial of service attack, and Twitter
- 1:16:22Speaker 1: crashed and Wikipedia crashed, and fifteen percent of all Twitter
- 1:16:26Speaker 1: posts in the hour that followed mention Michael Jackson, the
- 1:16:29Speaker 1: servers couldn't hold the grief, and I like, I'm sure
- 1:16:34Speaker 1: many remember this day and it is cemented in my brain.
- 1:16:38Speaker 1: It is a what a horribly, horribly tragic day. So
- 1:16:43Speaker 1: the Los Angeles County Coroner's autopsy, performed the following day,
- 1:16:47Speaker 1: established the cause of death as acute propofol intoxication with
- 1:16:52Speaker 1: a contributory benzo diazepine effect, meaning the propofol killed him,
- 1:16:57Speaker 1: and the cascade of sedatives murray Head administered throughout the
- 1:17:00Speaker 1: night made the lethal dose more lethal and the manner
- 1:17:03Speaker 1: of death was ruled a homicide. The autopsy revealed a
- 1:17:07Speaker 1: body that told the story of its occupant's life. Jackson
- 1:17:11Speaker 1: stood five feet nine inches tall and weighed one hundred
- 1:17:14Speaker 1: and thirty six pounds. His skin showed the depigmentation pattern
- 1:17:17Speaker 1: of vitalago, confirming the diagnosis he had disclosed sixteen years
- 1:17:22Speaker 1: earlier on Obrah's couch. The condition the tabloids had spent
- 1:17:25Speaker 1: decades insisting was voluntary skin bleaching. His heart was healthy,
- 1:17:31Speaker 1: his major organs were functional. There was no cancer, no
- 1:17:34Speaker 1: terminal illness, no underlying condition that would have killed him.
- 1:17:38Speaker 1: Without the propofol, Michael Jackson's body could have continued living.
- 1:17:43Speaker 1: It was not the body that failed, It was the
- 1:17:46Speaker 1: people around his body. So Conrad Murray was charged with
- 1:17:50Speaker 1: involuntary manslaughter on February eighth, twenty ten, eight months after
- 1:17:55Speaker 1: Jackson's death. Not murder, not even second to Graemer, which
- 1:18:00Speaker 1: the LAPD detectives who investigated the case believed the evidence warranted.
- 1:18:05Speaker 1: Led detectives Orlando Martinez, Dan Myers, and Scott Smith would
- 1:18:09Speaker 1: later state in a twenty nineteen documentary called Killing Michael
- 1:18:13Speaker 1: Jackson that they had pushed for a second degree murder charge,
- 1:18:16Speaker 1: but the District Attorney's office opted for manslaughter when the
- 1:18:20Speaker 1: trial lasted six weeks from September twenty seventh to November seventh,
- 1:18:24Speaker 1: twenty eleven, and the prosecution's case was straightforward. Murray had
- 1:18:29Speaker 1: administered a powerful surgical anesthetic in a home setting without
- 1:18:33Speaker 1: appropriate monitoring equipment, had failed to call nine one one promptly,
- 1:18:36Speaker 1: had attempted to conceal evidence, and had never disclosed the
- 1:18:40Speaker 1: propofile to emergency medical personnel. And the defense argued that
- 1:18:44Speaker 1: Jackson had self administered additional propofle when Murray left the room.
- 1:18:48Speaker 1: A accidental overdose by a desperate addict, not criminal negligence
- 1:18:52Speaker 1: by a doctor. Doctor, not a doctor at all, and
- 1:18:57Speaker 1: Murray did not take the stand no November seven, twenty eleven,
- 1:19:01Speaker 1: the jury found Conrad Murray guilty of involuntary manslaughter and
- 1:19:05Speaker 1: he was sentenced on November twenty ninth to four years
- 1:19:09Speaker 1: in county jail. Four years that was the maximum for
- 1:19:14Speaker 1: the charge, and due to California's overcrowding provisions, he served
- 1:19:18Speaker 1: approximately two years before being released on October twenty eighth,
- 1:19:22Speaker 1: twenty thirteen, and he later published a memoir titled this
- 1:19:26Speaker 1: is It, positioning himself as a scapegoat, and he never
- 1:19:30Speaker 1: expressed remorse for Jackson's death, even though it was completely
- 1:19:34Speaker 1: his fault. And then the second trial was civil. Catherine Jackson,
- 1:19:39Speaker 1: Michael's mother, filed a wrongful death lawsuit against AEG Live,
- 1:19:44Speaker 1: seeking between one point five and two billion dollars in damages,
- 1:19:49Speaker 1: and the case Catherine Jackson versus AEG Live was the
- 1:19:52Speaker 1: longer and in many ways more revealing proceeding, lasting five
- 1:19:56Speaker 1: months with fifty eight witnesses, and the central question was
- 1:20:00Speaker 1: whether AEG had hired, controlled, or supervised Murray and whether
- 1:20:05Speaker 1: they bore responsibility for placing a financially desperate, unqualified doctor
- 1:20:10Speaker 1: in charge of Jackson's care. And the evidence that emerged
- 1:20:13Speaker 1: was damning in texture, if not in legal outcome, and
- 1:20:16Speaker 1: AEG's own emails showed executives who knew Jackson was deteriorating
- 1:20:21Speaker 1: and pushed forward anyway. And Paul Gongware, AEG's co CEO,
- 1:20:26Speaker 1: had written of Murray, quote, we want to remind him
- 1:20:29Speaker 1: that it is AEG, not Michael Jackson, who was paying
- 1:20:33Speaker 1: his salary. We want him to understand what is expected
- 1:20:36Speaker 1: of him. Unquote no background check had been conducted. The
- 1:20:40Speaker 1: contract gave AEG termination power over Murray's compensation if shows
- 1:20:45Speaker 1: were postponed, meaning the doctor's paycheck depended on his patient performing.
- 1:20:49Speaker 1: As we said before in Kenny Ortega's Trouble at the Front,
- 1:20:53Speaker 1: email describing Jackson as lost in incoherent six days before
- 1:20:57Speaker 1: his death had been answered with Phillip's instructions to stop
- 1:21:00Speaker 1: playing amateur doctor and defer to Murray and Prince Jackson.
- 1:21:04Speaker 1: Michael's eldest son, fifteen years old at the time, testified
- 1:21:08Speaker 1: that his father had told him in tears after phone
- 1:21:11Speaker 1: calls with AEG executives, quote unquote, they're going to kill me.
- 1:21:15Speaker 1: They're going to kill me, and he named Randy Phillips
- 1:21:18Speaker 1: and Tomy and Tomy specifically. And on October TEWOD twenty thirteen,
- 1:21:23Speaker 1: the jury delivered its verdict, and they found unanimously that
- 1:21:27Speaker 1: AEG Live had indeed hired Conrad Murray. But they also
- 1:21:32Speaker 1: found that Murray was not unfit or incompetent for the job,
- 1:21:36Speaker 1: a conclusion that struck many observers as difficult to reconcile
- 1:21:41Speaker 1: with the facts. Because the jury answered no to the
- 1:21:45Speaker 1: competence question, AEG was found not liable, the case was over,
- 1:21:51Speaker 1: and the jury foreman later told reporters, quote, had the
- 1:21:54Speaker 1: question been was Murray ethical, it could have been a
- 1:21:57Speaker 1: different outcome unquote, Just unbelievable in my opinion. And Catherine
- 1:22:04Speaker 1: Jackson's appeal was rejected by the California Court of Appeals
- 1:22:07Speaker 1: in twenty fifteen, and after Jackson's death, Randy Phillips wrote
- 1:22:11Speaker 1: in an email, quote, AEG will make a fortune for merchshales,
- 1:22:16Speaker 1: ticket retention, the touring exhibition, and the film Slash DVD unquote,
- 1:22:22Speaker 1: And unfortunately he was right. AEG recouped its losses and
- 1:22:26Speaker 1: then some through merchandise through the forty to fifty percent
- 1:22:31Speaker 1: of ticket holders who kept their tickets as souvenirs rather
- 1:22:34Speaker 1: than requesting refunds, and through a ten percent stake in
- 1:22:38Speaker 1: This Is It, the concert rehearsal documentary assembled from footage
- 1:22:42Speaker 1: of Jackson's final rehearsals, and the film grossed two hundred
- 1:22:45Speaker 1: and sixty seven million dollars worldwide, and it showed Michael
- 1:22:50Speaker 1: Jackson dancing, singing, directing a live electric unmistakably brilliant, the
- 1:22:56Speaker 1: last footage of the greatest performer whoever lived, packaged and
- 1:22:59Speaker 1: so to the world by the company his son said
- 1:23:03Speaker 1: was going to kill him. So the Los Angeles County
- 1:23:06Speaker 1: Coroner ruled the manner of Michael Jackson's death as a
- 1:23:09Speaker 1: homicide as we know, and Conrad Murray was convicted of
- 1:23:12Speaker 1: involuntary manslaughter, a charge that led the LAPD detectives on
- 1:23:16Speaker 1: the case believed should have been second degree murder. And
- 1:23:20Speaker 1: the official cause was a cute propofile intoxication administered by
- 1:23:23Speaker 1: a doctor who should have never been in that bedroom.
- 1:23:26Speaker 1: So for the legal system, the story ends there. But
- 1:23:29Speaker 1: for Jackson's family and for a substantial number of people
- 1:23:32Speaker 1: who have examined the documented evidence, including myself, it does not.
- 1:23:38Speaker 1: And Michael Jackson spent the last years of his life
- 1:23:40Speaker 1: telling the people closest to him that he was going
- 1:23:43Speaker 1: to be killed. And his son Prince, who testified under
- 1:23:46Speaker 1: oath at the AEG trial in twenty thirteen, quote, after
- 1:23:50Speaker 1: he got off the phone, he would cry, he would say,
- 1:23:52Speaker 1: they're going to kill me. They're going to kill me, unquote,
- 1:23:55Speaker 1: and he named specific people AG's Randy Phillips and his
- 1:23:58Speaker 1: former manager Tomay Tom and he told Lisa Marie Presley
- 1:24:02Speaker 1: during one of their final conversations in two thousand and
- 1:24:05Speaker 1: five that someone was going to kill him for his
- 1:24:07Speaker 1: music catalog, and she confirmed on Oprah in twenty ten
- 1:24:11Speaker 1: that he gave her names, but as we said before,
- 1:24:14Speaker 1: she declined to share them. And he told his sister LaToya, quote,
- 1:24:18Speaker 1: I'm going to be murdered for my music publishing catalog
- 1:24:21Speaker 1: and my estate. Unquote. You've been quoted as saying you
- 1:24:24Speaker 1: believe it may have been murdered. You still think that, absolutely.
- 1:24:28Speaker 1: You can never ever think differently. And he told his
- 1:24:31Speaker 1: daughter Paris, who recalled in a twenty seventeen Rolling Stones
- 1:24:34Speaker 1: interview quote he would drop hints about people out to
- 1:24:37Speaker 1: get him, and at some point he was like, they're
- 1:24:40Speaker 1: going to kill me one dayquote and handwritten notes attributed
- 1:24:44Speaker 1: to Jackson, shared by a friend and published in twenty
- 1:24:47Speaker 1: seventeen read quote, they are trying to murder me and
- 1:24:50Speaker 1: the system wants to kill me for my catalog unquote.
- 1:24:54Speaker 1: And his bodyguards, Bill Whitfield and Havan Beard wrote in
- 1:24:58Speaker 1: their twenty fourteen memoir that Jackson's his primary security concern
- 1:25:01Speaker 1: was not fans or strangers, but quote the people who
- 1:25:05Speaker 1: were already in his life. He wanted us there so
- 1:25:08Speaker 1: he could hide his movements from his own lawyers and
- 1:25:11Speaker 1: managers unquote, and the identity of they shifted over time,
- 1:25:17Speaker 1: and AEG executives Sony Tommy Mottola unnamed catalog seekers, the
- 1:25:22Speaker 1: system and the warnings were consistent. And the question is
- 1:25:26Speaker 1: what they mean, prophetic awareness of a genuine conspiracy or
- 1:25:31Speaker 1: the escalating paranoia of a man whose brain was being
- 1:25:34Speaker 1: ravaged by nightly propofol and regular demorole injections, substances known
- 1:25:40Speaker 1: to exacerbate anxiety and disorder thinking. And the honest answer
- 1:25:44Speaker 1: is that both could be true simultaneously. And what follows
- 1:25:48Speaker 1: are the major theories presented, with the evidence that supports
- 1:25:51Speaker 1: them and the evidence that complicates them. And I want
- 1:25:55Speaker 1: to put a disclaimer that none of these have been proven,
- 1:25:57Speaker 1: but also that none can be entirely dismissed. And the
- 1:26:01Speaker 1: broadest and most legally tested theory holds that AEG Live
- 1:26:06Speaker 1: knowingly pushed a deteriorating Jackson beyond his limits to protect
- 1:26:09Speaker 1: a roughly thirty million dollar investment while hiring a financially
- 1:26:14Speaker 1: desperate doctor they could control. The evidence is substantial because
- 1:26:18Speaker 1: AEG expanded Jackson's commitment from ten shows to fifty within
- 1:26:23Speaker 1: days of the announcement, despite handwritten notes attributed to Jackson
- 1:26:27Speaker 1: reading quote only agreed to ten shows unquote, and their
- 1:26:30Speaker 1: own CEO described Jackson as quote locked in his room,
- 1:26:34Speaker 1: drunk and despondent quote before the press conference, and their
- 1:26:38Speaker 1: co CEO wrote of Murray, quote, we want to remind
- 1:26:41Speaker 1: him that it is AEG, not Michael Jackson, who is
- 1:26:44Speaker 1: paying his salary unquote. And when Kenny Ortega warned six
- 1:26:47Speaker 1: days before Jackson's death that the former was lost in
- 1:26:50Speaker 1: incoherent and needed a psychiatrist, Randy Phillips told him to
- 1:26:53Speaker 1: stop playing amateur doctor. No background check was conducted on Murray.
- 1:26:58Speaker 1: The contract tied Murray's compensation to the concerts proceedings, and
- 1:27:02Speaker 1: so on. We know this, We know all the information
- 1:27:04Speaker 1: regarding the AEG theory. But after the trial, the jury,
- 1:27:09Speaker 1: while unanimously finding that AEG had hired Murray, concluded he
- 1:27:13Speaker 1: was not unfit or incompetent, and therefore AEG bore no liability.
- 1:27:18Speaker 1: But the counter argument is real. A living Jackson, touring
- 1:27:22Speaker 1: globally over three years, was projected to generate four hundred
- 1:27:25Speaker 1: and fifty million dollars or more an AEG also dropped
- 1:27:29Speaker 1: its own seventeen point five million dollars of insurance claim
- 1:27:33Speaker 1: with Lloyd's of London in twenty twelve. Not exactly the
- 1:27:37Speaker 1: behavior of a company that planned a death for profit.
- 1:27:41Speaker 1: I personally think, and you guys can sound off all
- 1:27:44Speaker 1: of what you think in the comments, but I feel
- 1:27:46Speaker 1: like it was in their interest to have Michael actually
- 1:27:49Speaker 1: do those concerts. Did they use him horrifically and did
- 1:27:53Speaker 1: that lead to his death? Absolutely, but I don't think
- 1:27:56Speaker 1: that was planned. But they were absolutely a giant part
- 1:28:00Speaker 1: of him passing away. And next there is the catalog theory.
- 1:28:05Speaker 1: And this is the theory Jackson himself most explicitly articulated
- 1:28:09Speaker 1: because his fifty percent stake in the Sony ATV catalog,
- 1:28:13Speaker 1: purchased in nineteen eighty five for forty seven point five
- 1:28:16Speaker 1: million dollars worth approximately one billion dollars by two thousand
- 1:28:20Speaker 1: and nine and four billion dollars by twenty sixteen, made
- 1:28:23Speaker 1: him one of the most valuable targets in the entertainment industry,
- 1:28:27Speaker 1: and he had publicly declared war on Sony in July
- 1:28:30Speaker 1: two thousand and two, calling CEO Tommy Mattula a racist
- 1:28:34Speaker 1: and very very Devilish at L. Sharpton's National Action Network
- 1:28:39Speaker 1: in Harlem, and he accused Sony of sabotaging his album
- 1:28:42Speaker 1: Invincible to force a catalog sale. And by two thousand
- 1:28:46Speaker 1: and nine, Jackson had borrowed between two hundred and seventy
- 1:28:49Speaker 1: and three hundred and eighty million dollars against his catalog
- 1:28:52Speaker 1: share held by Fortress Investment Group at sixteen point eight
- 1:28:56Speaker 1: percent annual interest, because a default could trigger a forced sale,
- 1:29:00Speaker 1: and Sony held a first right of refusal, so what
- 1:29:03Speaker 1: happened after his death is the theory's most powerful exhibit.
- 1:29:08Speaker 1: So in twenty sixteen, Sony bought the estates fifty percent
- 1:29:11Speaker 1: of Sony ATV for seven hundred and fifty million dollars,
- 1:29:16Speaker 1: and in twenty eighteen, Sony paid two hundred and eighty
- 1:29:19Speaker 1: seven point five million for the estate's share of EMI
- 1:29:25Speaker 1: Music Publishing, And in twenty twenty four, Sony purchased fifty
- 1:29:28Speaker 1: percent of Jackson's Nijacques Music catalog for over six hundred
- 1:29:33Speaker 1: million dollars. Total payments from Sony to the estate now
- 1:29:37Speaker 1: exceed two billion dollars, So Sony owns the catalog. Jackson
- 1:29:43Speaker 1: swore he would never sell that's the basis of all
- 1:29:46Speaker 1: of this, So that doesn't look good. Looks like they
- 1:29:51Speaker 1: were constantly waiting to prey upon this sale. But the
- 1:29:55Speaker 1: counter argument would be that Sony could have acquired the
- 1:29:59Speaker 1: CA catalog through legal financial pressure, and Jackson's mounting dead
- 1:30:04Speaker 1: had a forced sale plausible without violence, and no law
- 1:30:08Speaker 1: enforcement investigation found evidence of a catalog motivated conspiracy, and
- 1:30:13Speaker 1: Murray's conviction established propofil negligence, not corporate assassination. Now, a
- 1:30:19Speaker 1: narrower version of the conspiracy asks not whether Jackson was
- 1:30:23Speaker 1: murdered by a corporation or a cabal, but whether Murray
- 1:30:27Speaker 1: was specifically selected or allowed to remain because his financial
- 1:30:32Speaker 1: desperation made him controllable and his lack of qualifications made
- 1:30:36Speaker 1: Jackson's death inevitable. Now, to go over Murray again, he
- 1:30:41Speaker 1: owed over one million dollars. He had defaulted on a
- 1:30:44Speaker 1: one point sixty six million dollar mortgage, and he had
- 1:30:47Speaker 1: six hundred thousand dollars in court judgments, and he had
- 1:30:50Speaker 1: seventy one thousand dollars in student loans, child support for
- 1:30:53Speaker 1: children by six or seven women, and a two thousand
- 1:30:56Speaker 1: and two bankruptcy, and his Las Vegas clinic was being evicted,
- 1:31:01Speaker 1: and he initially asked, as we know, AEG for five
- 1:31:04Speaker 1: million dollars per year before accepting one hundred and fifty
- 1:31:07Speaker 1: thousand dollars per month. An LAPD detective Orlando Martinez testified
- 1:31:12Speaker 1: that Murray's financial situation was a major incentive to break
- 1:31:16Speaker 1: the rules and his qualifications were grossly inadequate for what
- 1:31:20Speaker 1: he was doing. Not board certified in cardiology, internal medicine certification,
- 1:31:25Speaker 1: lapsed to no training in anesthesiology or sleep medicine, suspended
- 1:31:29Speaker 1: from the hospitals three times, and he administered propofol nightly
- 1:31:33Speaker 1: in a bedroom with no pulse oxometer, no capnography, and
- 1:31:36Speaker 1: an empty oxygen tank. And the timeline on June twenty
- 1:31:39Speaker 1: fifth raises its own questions forty seven minutes of phone
- 1:31:43Speaker 1: calls while his patient lay unconscious, a gap of over
- 1:31:47Speaker 1: an hour before nine to one one was called, and
- 1:31:49Speaker 1: bodyguard testimony about concealing vials before summoning help. Murray never
- 1:31:54Speaker 1: told paramedics or emergency physicians that he had administered propofile,
- 1:31:58Speaker 1: and Paris Jackson was to saying quote absolutely because it's
- 1:32:03Speaker 1: obvious all arrows point to that unquote and to use
- 1:32:07Speaker 1: air quotes around the word doctor when discussing Murray, which yeah,
- 1:32:13Speaker 1: and the LAPD detectives who built the case believed the
- 1:32:15Speaker 1: evidence warranted a second degree murder charge, but as murdering
- 1:32:19Speaker 1: for all the other theories, there's the counter argument, and
- 1:32:22Speaker 1: that is that Murray, the idiot that he is panicked,
- 1:32:27Speaker 1: had a chaotic response that looked more like incompetence than execution,
- 1:32:31Speaker 1: and if he had been hired to kill, the execution
- 1:32:34Speaker 1: would presumably have been more professional. And Jackson actively sought
- 1:32:39Speaker 1: probofal multiple doctors before Murray had refused his requests. So
- 1:32:46Speaker 1: I don't know. I would love to know what you
- 1:32:48Speaker 1: guys think down below. And the next one is that
- 1:32:50Speaker 1: Jackson was approximately five hundred million dollars in debt at
- 1:32:54Speaker 1: the time of his death, and his estate has since
- 1:32:57Speaker 1: generated roughly three point five billion dollars. And Joe Jackson
- 1:33:02Speaker 1: said it publicly, saying quote, he's worth more dead than
- 1:33:05Speaker 1: he was alive, unquote, and the IRS argued the same
- 1:33:10Speaker 1: point during tax proceedings, and Forbes named Jackson the top
- 1:33:14Speaker 1: earning dead celebrity in nearly every year since two thousand
- 1:33:17Speaker 1: and nine, peaking at eight hundred and twenty five million
- 1:33:20Speaker 1: dollars in twenty sixteen, and This Is It documentary grows
- 1:33:24Speaker 1: two hundred and sixty seven million dollars, and the curt
- 1:33:27Speaker 1: To Sleat residency generated over one hundred and sixty million,
- 1:33:30Speaker 1: and the Broadway musical grows approximately three hundred million dollars,
- 1:33:34Speaker 1: and the estate cleared all five hundred million dollars in
- 1:33:38Speaker 1: debt and is currently valued at two to two point
- 1:33:41Speaker 1: five billion dollars. And the counter argument is just timing,
- 1:33:45Speaker 1: because this success was not foreseeable in two thousand and nine,
- 1:33:50Speaker 1: and a living Jackson completing a three year global tour
- 1:33:53Speaker 1: was the most immediately profitable scenario for everyone involved. And
- 1:33:57Speaker 1: the worth more dead than alive observation is retrospective, powerful
- 1:34:03Speaker 1: as rhetoric, but weak as evidence of any premeditation. And
- 1:34:07Speaker 1: then there's doctor Arnold Klein now doctor Arnold Klein, Jackson's
- 1:34:11Speaker 1: longtime Beverly Hills dermatologists administered over two hundred demoral injections
- 1:34:16Speaker 1: across decades, with records kept under the alias Omar Arnold,
- 1:34:21Speaker 1: and in the four months before Jackson's death, the doses
- 1:34:24Speaker 1: escalated dramatically three hundred and seventy five milligrams in three
- 1:34:27Speaker 1: hours on April twenty second, two thousand and nine, and
- 1:34:30Speaker 1: nine hundred milligrams over three days in May, and his
- 1:34:34Speaker 1: last appointment was June twenty second, three days before death,
- 1:34:38Speaker 1: and when he received one hundred milligrams. A typical anxiety
- 1:34:41Speaker 1: dose is fifty milligrams. Just so you know, Murray's defense
- 1:34:45Speaker 1: argued the chain explicitly that Klein's demarol created dependency, withdrawal
- 1:34:51Speaker 1: caused insomnia, Insomnia drove propofol use, and propofal killed him,
- 1:34:57Speaker 1: and Demarol's short half life meant none appeared in the autopsy,
- 1:35:02Speaker 1: but withdrawal symptoms from the June twenty second injection would
- 1:35:06Speaker 1: have been active on June twenty fifth. So Klein was
- 1:35:09Speaker 1: investigated by the DEA and the California Medical Board but
- 1:35:12Speaker 1: never charged, and he filed for bankruptcy in twenty eleven
- 1:35:16Speaker 1: and died in twenty fifteen at the age of seventy.
- 1:35:19Speaker 1: And the mainstream interpretation is that Klein was an enabler
- 1:35:23Speaker 1: in a system of medical exploitation, not a conspirator, but
- 1:35:27Speaker 1: a link in the chain that killed Michael Jackson. Nonetheless,
- 1:35:31Speaker 1: and now the most enigmatic figure in Jackson's final years,
- 1:35:34Speaker 1: was his manager, Tom a man who represented himself as
- 1:35:38Speaker 1: a Lebanese doctor, orthopedic surgeon, PhD in economics and ambassador
- 1:35:43Speaker 1: at large for Senegal, but under cross examination at an
- 1:35:47Speaker 1: IRS tax trial, he admitted he had never attended medical
- 1:35:51Speaker 1: school and did not fold a PhD. And the Senegalese
- 1:35:54Speaker 1: embassy confirmed he was not their ambassador. So Tomy entered
- 1:35:58Speaker 1: Jackson's life in late two thousand and six seven through
- 1:36:00Speaker 1: Jermaine Jackson, working as a consultant for Colony Capital at
- 1:36:04Speaker 1: twenty thousand dollars per month, and he connected Jackson to
- 1:36:07Speaker 1: colonies Tom Barrick, who connected him to AEG's Philip and Schutz,
- 1:36:12Speaker 1: and Tomay negotiated that this is it deal and his
- 1:36:15Speaker 1: financial arrangements were extraordinarily favorable. A thirty five thousand dollars
- 1:36:20Speaker 1: monthly management fee, fifteen percent commission on all Jackson's earnings,
- 1:36:24Speaker 1: which is crazy, and one hundred thousand dollars per month
- 1:36:28Speaker 1: as a concert producer, and a two point three million
- 1:36:32Speaker 1: dollars finder's fee for a Neverland loan and ten percent
- 1:36:36Speaker 1: of any future Neverland sale. But Jackson fired Tomy on
- 1:36:40Speaker 1: May fifth, two thousand and nine, seven weeks before his death,
- 1:36:44Speaker 1: and Tomy reportedly responded with rage, threatening to bring death
- 1:36:49Speaker 1: and destruction on Michael Jackson. But despite being fired, Tomy
- 1:36:53Speaker 1: denied his termination, continued identifying himself as Jackson's manager, and
- 1:36:59Speaker 1: on the day of Jackson's death, spoke as his representative
- 1:37:03Speaker 1: at UCLA Medical Center. Just a scum of the earth,
- 1:37:07Speaker 1: piece of shit, and a taped conversation from September two
- 1:37:10Speaker 1: thousand and eight captures Jackson's own unease, saying, quote, this
- 1:37:14Speaker 1: guy has ways about him. There's a divide between me
- 1:37:18Speaker 1: and my representatives, and I don't talk to my lawyer,
- 1:37:21Speaker 1: my accountant unquote. And Prince Jackson named Tomy by name
- 1:37:26Speaker 1: in his sworn testimony and in the estate later sued
- 1:37:29Speaker 1: tome for financial exploitation, and the case settled in twenty
- 1:37:33Speaker 1: nineteen for three million dollars. And the counter argument is
- 1:37:37Speaker 1: basically that Tomey was not at that mansion on June
- 1:37:40Speaker 1: twenty fifth, and there is no actual tangible evidence that
- 1:37:44Speaker 1: connects him to the propofile administration, and a lawsuit alleged
- 1:37:48Speaker 1: financial exploitation not necessarily murder. And beyond the major theories
- 1:37:54Speaker 1: lie smaller, less substantiated claims. Five of the Jackson siblings
- 1:37:58Speaker 1: alleged in twenty two twelve that his July seventh, two
- 1:38:01Speaker 1: thousand and two will was forged, claiming he was in
- 1:38:05Speaker 1: New York City at an L. Sharpton event on the
- 1:38:08Speaker 1: date it was supposedly signed in Los Angeles, and the
- 1:38:11Speaker 1: legal challenges were rejected by every court that heard them
- 1:38:15Speaker 1: and from LA Supreme Court through the California Supreme Court.
- 1:38:18Speaker 1: Jackson's entertainment attorney, Peter Lopez, was found dead from a
- 1:38:22Speaker 1: gunshot wound on April thirtieth, twenty ten, less than a
- 1:38:26Speaker 1: year after Jackson's death ruled and apparent you know What
- 1:38:31Speaker 1: and conspiracy theorists noted a cluster of connected deaths in
- 1:38:34Speaker 1: the months after Jackson's Evan Chandler had died by you
- 1:38:39Speaker 1: know What in November of two thousand and nine, and
- 1:38:42Speaker 1: Bruce Ayers, a former Klein employee, in December of two
- 1:38:45Speaker 1: thousand and nine, and Lopez and Canadian journalist Ian Halperin
- 1:38:50Speaker 1: predicted in December of two thousand and eight, six months
- 1:38:53Speaker 1: before the death, that Jackson had six months to live,
- 1:38:57Speaker 1: and his conclusion was quote greed killed Michael Jackson unquote,
- 1:39:01Speaker 1: but no court and no law enforcement investigation and no
- 1:39:05Speaker 1: credible journalistic inquiry has established that Michael Jackson was deliberately
- 1:39:10Speaker 1: murdered as part of the conspiracy, and the official cause
- 1:39:13Speaker 1: of death is acute propofile intoxication due to criminally negligent
- 1:39:18Speaker 1: care by a doctor who was convicted and served two years,
- 1:39:21Speaker 1: which is garbage in my opinion, and a five months
- 1:39:24Speaker 1: civil trial found aeg not liable. Yet the documented record
- 1:39:28Speaker 1: provides substantial material for those who believe the story is incomplete.
- 1:39:33Speaker 1: And Jackson repeatedly warned he would be killed, naming specific
- 1:39:37Speaker 1: individuals in his son's sworn testimony, but the coroner ruled
- 1:39:40Speaker 1: the manner of death a homicide, and Catherine Jackson would
- 1:39:44Speaker 1: say in twenty eleven quote, if such evidence ever comes
- 1:39:47Speaker 1: to my attention, I will be the first to bring
- 1:39:49Speaker 1: those facts to light. But the evidence still has not arrived.
- 1:39:54Speaker 1: But the questions have not gone away. And on July
- 1:39:56Speaker 1: seven of twenty nine, twelve days after his death, Michael
- 1:40:00Speaker 1: Jackson was memorialized at the Staple Center in Los Angeles,
- 1:40:03Speaker 1: and seventeen thousand, five hundred tickets were distributed by lottery
- 1:40:07Speaker 1: from a pool of over a million applicants and an
- 1:40:10Speaker 1: estimated two point five billion people watch globally, though that
- 1:40:14Speaker 1: figure is essentially unverifiable, and Stevie Wonder performed, and Mariah
- 1:40:19Speaker 1: Carey performed. An usher approached the open casket and broke down,
- 1:40:23Speaker 1: and Jennifer Hudson saying will you be there? And Smokey
- 1:40:26Speaker 1: Robinson read from the Bible, and Brooke Shields, one of
- 1:40:29Speaker 1: Jackson's closest friends, described the boy she had known since
- 1:40:33Speaker 1: they were both teenagers. Two of the most famous children
- 1:40:36Speaker 1: in the world finding refuge in each other's company. And
- 1:40:40Speaker 1: Barry Gordy, the man who had signed the Jackson five
- 1:40:42Speaker 1: four decades earlier, called him the greatest entertainer that ever lived.
- 1:40:46Speaker 1: And Reverend Al Sharpton addressed Jackson's three children directly, what
- 1:40:51Speaker 1: nothing strange about your daddy. It was strange what your
- 1:40:55Speaker 1: daddy had to deal with In the moment that silence,
- 1:40:57Speaker 1: the arena came at the end with Paris Jackson, eleven
- 1:41:01Speaker 1: years old, stepped to the microphone. Ever since I was born,
- 1:41:05Speaker 1: daddy has been the best father you could ever imagine.
- 1:41:09Speaker 1: And I just wanted to say I love him so much,
- 1:41:13Speaker 1: and she could not finish, so Janet Jackson held her
- 1:41:16Speaker 1: and Michael Jackson would then be buried on September third,
- 1:41:18Speaker 1: two thousand and nine, at Forest Lawn Memorial Park in Glendale, California,
- 1:41:23Speaker 1: interred in the hay Terrace section of the Great Mausoleum,
- 1:41:27Speaker 1: so he would forever be remembered as the greatest performer
- 1:41:32Speaker 1: whoever lived. But those questions are still being asked to
- 1:41:35Speaker 1: this day, mostly in why did he actually die? Because
- 1:41:39Speaker 1: it's hard to even accept what came to be. And
- 1:41:43Speaker 1: for a while it seemed like the story might end there,
- 1:41:46Speaker 1: with the gold casket, the tearful daughter, the billion dollar
- 1:41:50Speaker 1: estates slowly paying off a dead man's debts. The world
- 1:41:54Speaker 1: moved on the way it always does. Jokes faded, and
- 1:41:57Speaker 1: the music came back on the radio, and the conspiracy
- 1:42:00Speaker 1: theories settled into the corners of the Internet, where conspiracy
- 1:42:03Speaker 1: theories live. So it seemed Michael Jackson finally was being
- 1:42:07Speaker 1: allowed to rest until a decade later, So a decade
- 1:42:12Speaker 1: after Jackson's death, the allegations would return. On January twenty fifth,
- 1:42:17Speaker 1: twenty nineteen, the documentary Leaving Neverland premiered at a Sundance
- 1:42:22Speaker 1: Film Festival. Directed by Dan Reid, and the four hour
- 1:42:25Speaker 1: film featured two men Wade Robson and James Safechuck describing
- 1:42:31Speaker 1: in graphic detail what they said were years of us
- 1:42:34Speaker 1: by Jackson during their childhoods. And Robson was the same
- 1:42:38Speaker 1: choreographer who had testified under oath at Jackson's two thousand
- 1:42:42Speaker 1: and five criminal trial that he had never been aged,
- 1:42:46Speaker 1: and he reversed his position in twenty thirteen, filing a
- 1:42:50Speaker 1: civil claim against the estate, and safe Chuck filed a
- 1:42:54Speaker 1: similar claim, And the documentary was devastating in its impact,
- 1:42:58Speaker 1: and it won a Primetime Emmy Award, and radio stations
- 1:43:02Speaker 1: pulled Jackson's music from rotation and The Simpsons removed an
- 1:43:06Speaker 1: episode featuring his voice, and statues were taken down, and
- 1:43:09Speaker 1: a cultural reassessment was swift and severe, and the Jackson
- 1:43:13Speaker 1: estate responded with one hundred million dollar lawsuit against HBO,
- 1:43:18Speaker 1: bledging the network had violated a non disparagement clause from
- 1:43:21Speaker 1: a nineteen ninety two concert film agreement, and the legal
- 1:43:24Speaker 1: battle over the Robson and safe Chuck claims continues, and
- 1:43:28Speaker 1: a trial is actually scheduled for November twenty twenty six.
- 1:43:32Speaker 1: In the estate has denied all allegations and has pointed
- 1:43:35Speaker 1: to Robson's prior sworn testimony, inconsistencies in the accuser's timelines,
- 1:43:40Speaker 1: and the two thousand and five juries, unanimous acquittal, and
- 1:43:43Speaker 1: the documentary did not settle the question that has followed
- 1:43:47Speaker 1: Michael Jackson since nineteen ninety three. It just deepened it.
- 1:43:51Speaker 1: And then, just as the world thought it had heard
- 1:43:53Speaker 1: everything there was to hear about Michael Jackson, just as
- 1:43:57Speaker 1: the debate between defenders and accusers had cal's into two
- 1:44:01Speaker 1: immovable camps, a dead man's filing cabinet blew the conversation
- 1:44:05Speaker 1: wide open again. And in January twenty twenty four, and
- 1:44:09Speaker 1: again in December of twenty twenty five, and again in
- 1:44:12Speaker 1: January of twenty twenty six, the US Department of Justice
- 1:44:16Speaker 1: released millions of pages of documents, images, and videos related
- 1:44:20Speaker 1: to Jeffrey Epstein, whom I have spoken about at length
- 1:44:24Speaker 1: on this channel, and Michael Jackson's name appeared in the files.
- 1:44:29Speaker 1: And for a man who had spent the last sixteen
- 1:44:32Speaker 1: years of his life under suspicion involving children, and who
- 1:44:35Speaker 1: had been fully acquitted, the mere appearance of his name
- 1:44:39Speaker 1: in Epstein records detonated across social media with predictable ferocity
- 1:44:43Speaker 1: and minimal context, and the actual content of the files
- 1:44:47Speaker 1: tells a narrow story, and the key testimony comes from
- 1:44:52Speaker 1: Joanna Joeberg and Epstein victim, who stated in a twenty
- 1:44:56Speaker 1: sixteen deposition that she met Michael Jackson at Epstein's house
- 1:45:00Speaker 1: in Palm Beach, and when lawyers asked whether she had
- 1:45:03Speaker 1: given Michael Jackson a massage, standard questioning since massages were
- 1:45:08Speaker 1: a known euphemism in Epstein's operation, joe Berg's answer was unequivocal.
- 1:45:14Speaker 1: I did not, and no allegation of inappropriate conduct by
- 1:45:18Speaker 1: Jackson appears anywhere in the files. No victim has accused
- 1:45:22Speaker 1: him of anything, and on December nineteenth, twenty twenty five,
- 1:45:26Speaker 1: the DOJ released over three hundred thousand pages of documents,
- 1:45:30Speaker 1: including previously unseen photographs, and two images involved Jackson. The
- 1:45:36Speaker 1: first showed him posing with Epstein at the Palm Beach
- 1:45:39Speaker 1: house and Jackson in a suit and dark sunglasses and
- 1:45:42Speaker 1: Epstein casually dressed standing in front of a painting, and
- 1:45:45Speaker 1: the second showed Jackson with Bill Clinton and Diana Ross
- 1:45:49Speaker 1: with children's faces redacted, and that photo was taken at
- 1:45:52Speaker 1: a Democratic National Committee fundraiser at the Apollo Theater in
- 1:45:56Speaker 1: Harlem on April twenty fourth, two thousand and two. There
- 1:46:00Speaker 1: was no record that Epstein was present at that event,
- 1:46:03Speaker 1: and the image was simply found among Epstein's possessions, and
- 1:46:07Speaker 1: White House Deputy Press Secretary Abigail Jackson was subsequently called
- 1:46:11Speaker 1: out for inserving the Apollo photo into social media posts,
- 1:46:14Speaker 1: implying it depicted the trio with Epstein's victims, the children
- 1:46:19Speaker 1: in the photo or Michael Jackson and Diana Ross's own children.
- 1:46:23Speaker 1: And Matt Fides, Jackson's bodyguard for approximately a decade, provided
- 1:46:27Speaker 1: immediate contexts for the Epstein photo, and he stated it
- 1:46:31Speaker 1: was taken in two thousand and three during a week
- 1:46:33Speaker 1: of house hunting in Palm Beach and Jackson was considering
- 1:46:36Speaker 1: a move to be closer to his friend Barry Gibb,
- 1:46:38Speaker 1: with whom he was recording daily and Epstein's residence was
- 1:46:42Speaker 1: one of roughly thirty properties they toured with a real
- 1:46:45Speaker 1: estate agent, and the encounter lasted no more than half
- 1:46:48Speaker 1: a minute. A polite greeting at a photograph. Quote we
- 1:46:52Speaker 1: never even knew who Epstein was unquote fights rides end
- 1:46:55Speaker 1: quote he was not famous then unquote connection to James Meski,
- 1:47:00Speaker 1: a real estate figure arranging property viewings for Jackson, whose
- 1:47:03Speaker 1: attorney had a link to Epstein's circle, and CBS News
- 1:47:07Speaker 1: and other outlets noted that Epstein routinely collected photographs with
- 1:47:10Speaker 1: celebrities to project social legitimacy, because we know he was
- 1:47:14Speaker 1: a monster piece of shit who just needed to look
- 1:47:18Speaker 1: famous all the time. But Michael Jackson's name does not
- 1:47:22Speaker 1: appear in Epstein's contact book at all, and it does
- 1:47:25Speaker 1: not appear in the flight logs of Epstein's private planes either,
- 1:47:29Speaker 1: And there are no emails, letters, phone records, financial transactions,
- 1:47:32Speaker 1: or any evidence of further contact between the two beyond
- 1:47:35Speaker 1: that single house viewing encounter for half a minute. And
- 1:47:39Speaker 1: as of February twenty twenty six, apart from Epstein himself,
- 1:47:42Speaker 1: Glane Maxwell, and Jean lu Burnell, no individual has been
- 1:47:46Speaker 1: charged with a crime connected to the Epstein files, as
- 1:47:49Speaker 1: we know if you have watched this channel, and hundreds
- 1:47:51Speaker 1: of public figures appear in the documents without any allegation
- 1:47:54Speaker 1: of wrongdoing, but for Michael Jackson, the Epstein files are
- 1:47:58Speaker 1: ultimately notable for or what they do not contain. But
- 1:48:02Speaker 1: the damage was already done, not by the files themselves,
- 1:48:06Speaker 1: but by the headlines that outran them, So another cycle
- 1:48:10Speaker 1: of suspicion and another wave of context, arriving too late
- 1:48:13Speaker 1: to catch the accusation. And it's the story of Michael
- 1:48:16Speaker 1: Jackson's entire afterlife. The truth never moves as fast as
- 1:48:21Speaker 1: the rumor, and yet somehow neither does the music. Because
- 1:48:25Speaker 1: underneath all of it, the trials, the conspiracies, the files,
- 1:48:29Speaker 1: the documentaries, the arguments that will outlive everyone reading this,
- 1:48:33Speaker 1: there is still the work, and the work refuses to disappear.
- 1:48:37Speaker 1: Michael Joseph Jackson was born on August twenty ninth, nineteen
- 1:48:41Speaker 1: fifty eight, in a six hundred and seventy two square
- 1:48:44Speaker 1: foot house in Gary, Indiana. He died on June twenty fifth,
- 1:48:47Speaker 1: two thousand and nine, in a rented mansion in Los Angeles,
- 1:48:50Speaker 1: at the age of fifty and between those two points
- 1:48:54Speaker 1: he became the most famous person on the planet and
- 1:48:56Speaker 1: one of the most complicated figures the American century ever produced.
- 1:49:00Speaker 1: And the arguments about what he was it was done
- 1:49:03Speaker 1: to him show no signs of ending. But the music,
- 1:49:06Speaker 1: at least is settled, and it is as close to
- 1:49:10Speaker 1: permanent as anything human beings have made. And that is
- 1:49:14Speaker 1: that for Michael Jackson. This was a long one. You
- 1:49:18Speaker 1: guys have asked me to deep dive into multiple figures
- 1:49:22Speaker 1: like Marilyn Monroe and Princess Diana and Michael Jackson. If
- 1:49:25Speaker 1: you have anybody else you want me to deep dive into,
- 1:49:28Speaker 1: let me know down below. I always read the comments,
- 1:49:32Speaker 1: and until then I will see your beautiful face all right. Bye,