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Buskers · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week's roundtable is full of buskers.
• 0:12
  Speaker 2: Busking is the art of singing outside in a popular
• 0:16
  Speaker 2: public setting. It is spontaneous. It is a mixture of
• 0:20
  Speaker 2: professional and non-professional singers. All that we know for sure
• 0:24
  Speaker 2: is they are adding sound into the atmosphere.
• 0:28
  Speaker 3: People can busk in many different ways. But we have
• 0:32
  Speaker 3: decided to sit down with some people that busk in
• 0:34
  Speaker 3: a very interesting way.
• 0:36
  Speaker 2: Maybe.
• 0:37
  Speaker 3: We'll see.
• 0:38
  Speaker 4: So pull out your old-ass guitar, throw your hat down,
• 0:42
  Speaker 4: hit a penny into the guitar case, and listen in. <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>
• 0:54
  Speaker 4: Thank you.
• 0:58
  Speaker 2: Wow, wow, wow.
• 1:00
  Speaker 5: What are you playing? What do you guys want to play?
• 1:01
  Speaker 5: What are you on, G? G, I'm doing G. All right,
• 1:04
  Speaker 5: let's go. I'll be on G.
• 1:05
  Speaker 4: One, two, one, two, three, go. Wow. That works a
• 1:25
  Speaker 4: lot better than I thought it would. A lot better
• 1:28
  Speaker 4: than I thought it would.
• 1:29
  Speaker 5: Pretty good, everybody. We're actually hot as shit right now.
• 1:31
  Speaker 2: Unbelievable.
• 1:32
  Speaker 5: That is just amazing.
• 1:33
  Speaker 2: Welcome. Guys, it's so good to be indoors.
• 1:43
  Speaker 4: Can I say that? It's all about the music, man.
• 1:44
  Speaker 2: Can I say that?
• 1:45
  Speaker 4: It's all about the music.
• 1:47
  Speaker 3: You can't say it's good to be indoors, man.
• 1:50
  Speaker 5: It's not about the money.
• 1:51
  Speaker 4: And you're right.
• 1:52
  Speaker 2: It's all about the music.
• 1:53
  Speaker 3: It's not about the money.
• 1:54
  Speaker 4: It's about the music, man. It's not about the money.
• 1:56
  Speaker 5: If you make some money.
• 1:58
  Speaker 4: I don't know if this.
• 1:59
  Speaker 1: Is going up on YouTube or something, but put a
• 2:01
  Speaker 1: hat down in the link in the description below if
• 2:03
  Speaker 1: you want to put some dollars in there.
• 2:05
  Speaker 4: Yeah, come on, put it in.
• 2:07
  Speaker 2: Go ahead, walk on by, throw the dollar in the hat.
• 2:09
  Speaker 4: Hat emoji in the comments. Coin emoji in the comments.
• 2:12
  Speaker 4: But it's not about the money.
• 2:13
  Speaker 5: No, man, I'm not about this capitalist society, man. I'm
• 2:16
  Speaker 5: not here to make music for money, man.
• 2:19
  Speaker 4: I'm here to make music to live. But if you
• 2:22
  Speaker 4: do feel so inclined, please throw a penny or a
• 2:25
  Speaker 4: dollar in there. Feel free, feel free.
• 2:27
  Speaker 2: I thought about selling out. I'm sure we've all had
• 2:30
  Speaker 2: the thought. Maybe I'll make music like Dua Lipa, Britney Spears.
• 2:37
  Speaker 4: Coldplay.
• 2:38
  Speaker 3: Coldplay.
• 2:39
  Speaker 4: But no. No.
• 2:40
  Speaker 2: We're out in the streets. Streets. On the Santa Monica Pier.
• 2:45
  Speaker 2: Making music for people as they're going.
• 2:49
  Speaker 4: In the ocean. Music for people.
• 2:51
  Speaker 5: As they're going in the ocean.
• 2:52
  Speaker 2: As they're going in the ocean. Well, why don't we
• 2:56
  Speaker 2: introduce ourselves, say our name, a little bit about our song,
• 2:59
  Speaker 2: and what our whole thing is.
• 3:01
  Speaker 3: Well, why don't we introduce maybe the whole collective. I mean,
• 3:04
  Speaker 3: we are a collective of buskers. Some people lightly call
• 3:07
  Speaker 3: it a cult. A little bit, a little bit of cult.
• 3:10
  Speaker 2: We just call ourselves the Busboys.
• 3:12
  Speaker 4: We're the jesters of Ocean Avenue. That's what they call us.
• 3:16
  Speaker 6: There's a place on Ocean Avenue.
• 3:19
  Speaker 4: Love that song. That is a good one.
• 3:21
  Speaker 2: It made me think of a song.
• 3:23
  Speaker 3: I love that you're always thinking of songs. But yeah,
• 3:25
  Speaker 3: we are collective. We each drive our different RVs, kind
• 3:29
  Speaker 3: of up the coast, down the coast, the bus boys.
• 3:32
  Speaker 3: We love what we do. I wouldn't call us a
• 3:35
  Speaker 3: band because we all do our own acts at different
• 3:37
  Speaker 3: kind of corners. But we do travel together. So it's
• 3:41
  Speaker 3: this kind of beautiful, immersive community of artists where I
• 3:45
  Speaker 3: get to learn about art in such an ethereal way.
• 3:49
  Speaker 3: majestic way we're all.
• 3:51
  Speaker 6: A part of the same record label and I'd say
• 3:53
  Speaker 6: the label is God.
• 3:54
  Speaker 3: The label is God or the divine the divine I would.
• 3:57
  Speaker 4: Say it is we are a Christian God a group
• 4:01
  Speaker 4: of magnetic I would say eventually I think polyamorous artists.
• 4:06
  Speaker 1: Eventually once everybody gets okay with it you don't have
• 4:09
  Speaker 1: to say that.
• 4:10
  Speaker 4: I think we're well eventually everybody here is okay with
• 4:13
  Speaker 4: it but Destiny Destiny's a little not into it.
• 4:16
  Speaker 3: Just because you're all polyamorous doesn't mean you're all hooking
• 4:19
  Speaker 3: up That's.
• 4:19
  Speaker 4: What I'll say.
• 4:20
  Speaker 2: That's so true.
• 4:21
  Speaker 4: That's so true.
• 4:23
  Speaker 2: Guys, my name is Rosie Etheria Monmantra. And I play
• 4:33
  Speaker 2: the snare drum on Santa Monica Boulevard. Cut to the wide,
• 4:36
  Speaker 2: would you?
• 4:38
  Speaker 4: And that's a bass drum.
• 4:40
  Speaker 2: I play the bass drum on Santa Monica Boulevard. Thank
• 4:43
  Speaker 2: you for correcting me.
• 4:44
  Speaker 4: Cut to the wide, will ya?
• 4:45
  Speaker 3: And can you even see the drum in the wide?
• 4:47
  Speaker 4: Can you see the drum in the wide?
• 4:51
  Speaker 2: Well, then there asked and answered, I want.
• 4:54
  Speaker 4: To know if you can see the drum in the wine.
• 4:57
  Speaker 5: That's good.
• 4:58
  Speaker 7: I want to know, I want to know, have you
• 5:00
  Speaker 7: seen the drum in the wine?
• 5:03
  Speaker 2: Hey, listen, listen, listen, listen.
• 5:04
  Speaker 1: We're not doing this for money. We don't have a
• 5:07
  Speaker 1: hat down, so let's just give up the modernization rights now, huh?
• 5:10
  Speaker 5: Give it up. Give it up.
• 5:11
  Speaker 1: I know we don't like to do this a lot,
• 5:13
  Speaker 1: but I am wondering, should we just give that up
• 5:15
  Speaker 1: right now?
• 5:15
  Speaker 4: Absolutely.
• 5:16
  Speaker 5: Let's give it up mentally and hope that no one
• 5:19
  Speaker 5: catches on.
• 5:20
  Speaker 4: Absolutely.
• 5:21
  Speaker 2: We won't toggle the thing to the left.
• 5:22
  Speaker 3: In my head, I don't think we'll be close enough
• 5:24
  Speaker 3: for any sort of system to pick up what we're
• 5:27
  Speaker 3: singing today.
• 5:28
  Speaker 5: We'll find out, won't we?
• 5:29
  Speaker 6: No, no way.
• 5:32
  Speaker 4: Yes and you're no.
• 5:34
  Speaker 6: You're in and you're out.
• 5:36
  Speaker 4: Talking about in.
• 5:37
  Speaker 5: Down, down.
• 5:38
  Speaker 2: Wrong when it's right.
• 5:40
  Speaker 8: Right.
• 5:41
  Speaker 2: And it's white. White.
• 5:43
  Speaker 6: We break up.
• 5:44
  Speaker 4: We kiss.
• 5:45
  Speaker 2: We make up.
• 5:46
  Speaker 3: If there's anybody out there in a relationship that's going
• 5:48
  Speaker 3: through it, let us know.
• 5:49
  Speaker 4: Oh, you two. That's awesome. Congratulations. This part is for you.
• 6:12
  Speaker 4: You're in love. Unbelievable work. Unbelievable work. It's just song
• 6:19
  Speaker 4: to song to song.
• 6:20
  Speaker 2: It's song to song to song. You know, you say something,
• 6:23
  Speaker 2: the song sparks you, you take it away. That's kind of...
• 6:26
  Speaker 2: The improvisational nature of busking. Sometimes a man walks by
• 6:30
  Speaker 2: and his outfit inspires a song. I saw a man
• 6:34
  Speaker 2: the other day. He was wearing his dog tags from
• 6:38
  Speaker 2: the military, and it made me think of a little
• 6:40
  Speaker 2: song of a little something that goes like this.
• 6:42
  Speaker 4: Come on.
• 6:43
  Speaker 2: Dun, dun, dun, dun, dun, dun.
• 6:46
  Speaker 9: Why don't you tell.
• 6:54
  Speaker 1: Them what grade you're in?
• 6:59
  Speaker 4: Because that's amazing.
• 7:00
  Speaker 2: I'm in the 14th grade.
• 7:02
  Speaker 5: That's right.
• 7:03
  Speaker 4: The grade of life. The grade of life. I'm in
• 7:06
  Speaker 4: the 14th grade of life. And it's so crazy. I mean,
• 7:08
  Speaker 4: that's the beauty of things like that.
• 7:09
  Speaker 3: You can see dog tags and all of a sudden,
• 7:11
  Speaker 3: You're remembering the most famous song maybe in the history
• 7:14
  Speaker 3: of the world right now.
• 7:15
  Speaker 5: Yeah, absolutely.
• 7:17
  Speaker 4: You just remember out of the blue the most famous song.
• 7:19
  Speaker 4: Every stadium across the world. Out of the blue you
• 7:22
  Speaker 4: can remember a song. Where does that stuff come from?
• 7:25
  Speaker 5: The most popular songs and there's that guy.
• 7:27
  Speaker 4: Yeah, well, I should introduce myself.
• 7:29
  Speaker 3: My name is Lapis Lazuli.
• 7:31
  Speaker 4: Lapis!
• 7:32
  Speaker 2: Lapis!
• 7:32
  Speaker 4: Lapis! Lazuli. I am a busker.
• 7:36
  Speaker 3: I've done busking now for about 10 to 15 years.
• 7:40
  Speaker 3: I won't tell you which one.
• 7:41
  Speaker 2: Are you counting not consecutive years?
• 7:46
  Speaker 3: Won't tell you. Life is a journey. Life is an ocean.
• 7:52
  Speaker 3: We're on all our different sailboats just sailing along. I'm
• 7:55
  Speaker 3: so lucky and happy to have connected my sailboat via
• 7:59
  Speaker 3: rope and ladder to a couple other buskers that think alike.
• 8:04
  Speaker 6: All you need is a rope and a ladder.
• 8:05
  Speaker 5: Oh, lapis. Oh, lapis. You're mooring us down, baby. You're
• 8:09
  Speaker 5: so grounded and earthy. We love you, man.
• 8:11
  Speaker 4: Thank you, brother.
• 8:12
  Speaker 3: Thank you so much. So yeah, my main instrument is
• 8:16
  Speaker 3: this thing, I would say.
• 8:18
  Speaker 4: The pipes. The neck. Little guitar here and there.
• 8:21
  Speaker 3: The neck of the guitar and the neck of my throat.
• 8:24
  Speaker 5: You know what's funny, man?
• 8:24
  Speaker 6: Double neck.
• 8:25
  Speaker 4: I don't want to tell on you, but it's funny
• 8:27
  Speaker 4: because it's so obvious you're really, really trying to get
• 8:30
  Speaker 4: on The Voice or American Idol because Sometimes you say, man,
• 8:33
  Speaker 4: this will be great. This will be a great story
• 8:35
  Speaker 4: for American Idol. I don't know if that's completely true,
• 8:38
  Speaker 4: but I mean.
• 8:38
  Speaker 2: Yeah, you keep saying, this will be, we should get
• 8:41
  Speaker 2: some footage for my package.
• 8:43
  Speaker 3: I don't know, I don't know if that's true.
• 8:45
  Speaker 1: You do, you're always looking for a good spot with
• 8:47
  Speaker 1: good lighting, because you say it'll be a good hometown package.
• 8:50
  Speaker 4: Well, I don't know, I don't know.
• 8:51
  Speaker 2: And you're shooting it horizontal, so we know it's not
• 8:53
  Speaker 2: going on TikTok. No.
• 8:54
  Speaker 4: Oh, no, I don't know about that.
• 8:55
  Speaker 5: You always say, can we sing this song?
• 8:57
  Speaker 4: Do you think ABC would be able to get the
• 9:00
  Speaker 4: rights for this? I don't know.
• 9:01
  Speaker 2: I don't know.
• 9:01
  Speaker 4: I don't know about that.
• 9:02
  Speaker 3: But I do always try to aim for, even though
• 9:06
  Speaker 3: we're busking, I am trying to constantly be discovered.
• 9:08
  Speaker 4: Because what else is there to busking?
• 9:10
  Speaker 3: Busking!
• 9:11
  Speaker 2: Hey!
• 9:12
  Speaker 4: Busking makes me feel good!
• 9:15
  Speaker 6: Oh, I was doing a different one.
• 9:16
  Speaker 3: We all landed on busking makes me feel good. Not
• 9:19
  Speaker 3: gonna fit in.
• 9:21
  Speaker 2: No, you are.
• 9:21
  Speaker 10: You are.
• 9:22
  Speaker 4: You fit in all the time.
• 9:23
  Speaker 5: You fit in more than I do.
• 9:24
  Speaker 4: Tell me your name. I'm Lazarus.
• 9:27
  Speaker 6: I am so excited to be here. I usually busk
• 9:31
  Speaker 6: in the countryside. That's why I say I don't fit
• 9:34
  Speaker 6: in sometimes, because I'm not really... fast enough for city.
• 9:37
  Speaker 1: Folk i'm a little slow i busk usually in the
• 9:40
  Speaker 1: mountainside it's.
• 9:41
  Speaker 3: Not the best area too i mean how many people
• 9:43
  Speaker 3: you've seen in the.
• 9:44
  Speaker 2: Mountains monetarily financially.
• 9:47
  Speaker 4: Just the amount of cars driving down a road or
• 9:49
  Speaker 4: people walking on a street.
• 9:50
  Speaker 1: I mean i don't see many a peep um and
• 9:53
  Speaker 1: busking for cars is.
• 9:55
  Speaker 4: Hard you gotta be good fast.
• 9:57
  Speaker 3: Especially on those windy highway.
• 9:59
  Speaker 4: Roads Roll down your window. Roll down.
• 10:01
  Speaker 6: And bring an amp. And amps are hard.
• 10:03
  Speaker 4: To busk with. Especially in mountains. No electricity plug-ins there.
• 10:06
  Speaker 1: But ever since I met these cats, Lapis and all
• 10:09
  Speaker 1: my buds. We've been doing covers together. We've been doing
• 10:12
  Speaker 1: duets together.
• 10:13
  Speaker 6: I love all of you.
• 10:14
  Speaker 3: Some originals that we sneak it in.
• 10:15
  Speaker 6: And some of that damn good polyamory. I love it.
• 10:19
  Speaker 6: And I'm great for it.
• 10:20
  Speaker 2: I love it.
• 10:20
  Speaker 4: I'm so great for it.
• 10:21
  Speaker 6: And I'm great for it. I'm great for it.
• 10:23
  Speaker 5: I mean, eventually, some say inevitably.
• 10:25
  Speaker 2: Yeah.
• 10:25
  Speaker 6: I love pop songs.
• 10:28
  Speaker 1: I love playing the same four chords over and over again.
• 10:31
  Speaker 6: I think that's what makes me feel happy. So, yeah.
• 10:36
  Speaker 6: The four chords of love.
• 10:38
  Speaker 4: Name the chords, man.
• 10:39
  Speaker 6: The four chords of love. Communication. Melody.
• 10:43
  Speaker 2: Melody. Harmony. Harmony.
• 10:46
  Speaker 6: And good sex.
• 10:47
  Speaker 2: Wow.
• 10:48
  Speaker 3: Wow.
• 10:49
  Speaker 2: And that is how to make it work.
• 10:51
  Speaker 4: G for good sex. Go ahead. Well, it looks like
• 10:58
  Speaker 4: it's my turn to introduce myself.
• 11:00
  Speaker 2: Go on, then.
• 11:01
  Speaker 6: You want a little backing?
• 11:02
  Speaker 11: Sure.
• 11:03
  Speaker 2: You want some backing from me? Yeah.
• 11:05
  Speaker 4: Jesus.
• 11:05
  Speaker 5: Sure, sure.
• 11:10
  Speaker 2: No, I'll let Lazarus.
• 11:13
  Speaker 4: Lazarus and Lapis. Lapis and Lazarus. And Rosie. And Rosie. Hello,
• 11:21
  Speaker 4: my children, my brothers, my sisters, my siblings of all kinds.
• 11:27
  Speaker 4: This is something that fell out of tune. How did
• 11:30
  Speaker 4: it fall out of tune so fast?
• 11:31
  Speaker 2: How did it fall?
• 11:33
  Speaker 4: It fell out of tune.
• 11:33
  Speaker 6: I'll tune while you talk.
• 11:34
  Speaker 5: That's what happens in the sun, by the way.
• 11:36
  Speaker 4: D turns to a G pretty fast in the Los
• 11:39
  Speaker 4: Angeles sun.
• 11:39
  Speaker 2: When you're on Ocean Avenue, sometimes the strum you hit
• 11:44
  Speaker 2: is a different one altogether.
• 11:46
  Speaker 4: Friends call me Copper Mountain Battener.
• 11:49
  Speaker 6: Copper!
• 11:51
  Speaker 4: Ever since I was little, I was really different. I
• 11:53
  Speaker 4: was wearing suspenders in second grade. And mind you, I
• 11:56
  Speaker 4: was going to school in Connecticut.
• 11:57
  Speaker 7: No.
• 11:58
  Speaker 5: I was different.
• 11:59
  Speaker 9: No.
• 11:59
  Speaker 5: I used to go by different names. I used to
• 12:01
  Speaker 5: go by Hayseed. I used to go by Pepito.
• 12:05
  Speaker 4: Pepito was wild. I was always different and always unique.
• 12:08
  Speaker 4: And I always led with an energy that said, what's
• 12:11
  Speaker 4: that guy going to do? And it turns out it's this.
• 12:14
  Speaker 6: It's weird to be on the pier with you.
• 12:16
  Speaker 2: Why?
• 12:16
  Speaker 6: Because so many people are saying each other's names. And
• 12:18
  Speaker 6: they're going, Dylan.
• 12:19
  Speaker 4: And you go, what?
• 12:20
  Speaker 12: Yeah.
• 12:20
  Speaker 6: And it's other people talking.
• 12:21
  Speaker 5: Because I've gone by so many names.
• 12:23
  Speaker 3: Yeah.
• 12:25
  Speaker 4: You know, it's not surreptitious or shady in any way.
• 12:29
  Speaker 4: I choose different names based on who I am in
• 12:31
  Speaker 4: my life. One time I was somebody named Trash Can.
• 12:35
  Speaker 5: For a week.
• 12:35
  Speaker 4: Trash Can was wild.
• 12:37
  Speaker 5: Trash Can was a tough time in my life.
• 12:38
  Speaker 3: You were going through it. I mean, you just went
• 12:40
  Speaker 3: through that awful breakup where you broke up with 15
• 12:43
  Speaker 3: people consecutively.
• 12:44
  Speaker 5: It was kind of a.
• 12:46
  Speaker 4: Polydivorce.
• 12:47
  Speaker 5: It was a polydivorce. It was 15 people at the
• 12:49
  Speaker 5: same time. A polycatastrophe. They kicked me out of the polycule.
• 12:53
  Speaker 4: No.
• 12:53
  Speaker 5: And so it was a 15-person breakup.
• 12:55
  Speaker 3: Oh, well, you hate to hear that. Did each of
• 12:57
  Speaker 3: them sit... separately with you or was it one just kind.
• 12:59
  Speaker 4: Of group yeah well so we did four or five
• 13:03
  Speaker 4: and then i said all right if we're all gonna
• 13:05
  Speaker 4: do this can everyone just come in because i didn't
• 13:07
  Speaker 4: want to do one by one if i knew it
• 13:08
  Speaker 4: was all good the writing was it's hard that out
• 13:11
  Speaker 4: of 15 not one of them wanted to stay with
• 13:13
  Speaker 4: you that's hard it's tough but i wish them all
• 13:16
  Speaker 4: well and i heard they're into making jam now and
• 13:19
  Speaker 4: i'm jealous.
• 13:20
  Speaker 5: How'd you hear it I heard it through, well.
• 13:23
  Speaker 6: The grapevine.
• 13:25
  Speaker 1: And I know you'll be mine.
• 13:29
  Speaker 4: Baby, baby, I heard it. So something that does keep
• 13:32
  Speaker 4: accidentally happening is I keep blowing into the microphone. Because
• 13:35
  Speaker 4: I keep losing this.
• 13:37
  Speaker 5: So you do hear that.
• 13:39
  Speaker 3: That's somebody who doesn't use a mic.
• 13:40
  Speaker 2: I'm sorry to the misophobes out there.
• 13:42
  Speaker 10: I keep doing this.
• 13:43
  Speaker 3: I keep going.
• 13:43
  Speaker 5: You are not going to hear what you.
• 13:44
  Speaker 4: Want to hear.
• 13:45
  Speaker 1: And maybe the editor can go back and show that.
• 13:48
  Speaker 1: Maybe in like a nice little.
• 13:49
  Speaker 6: I can't wait to.
• 13:53
  Speaker 5: I'm not used to talking, man. I speak with my melodica. No,
• 13:56
  Speaker 5: it's tough.
• 13:57
  Speaker 4: It's tough.
• 13:58
  Speaker 5: Would you believe it? I'm completely untrained.
• 14:01
  Speaker 4: I just listened to it. Would you believe that?
• 14:02
  Speaker 2: Would you believe untrained on the melodica?
• 14:05
  Speaker 8: Yeah.
• 14:05
  Speaker 4: Watch me. Play us something. That's not possible.
• 14:07
  Speaker 5: Don't believe me. Just watch.
• 14:18
  Speaker 4: Yeah, I can see how you're untrained. I love it.
• 14:21
  Speaker 6: It sounds like weird music when you're walking.
• 14:23
  Speaker 3: It kind of sounds like a toy that you give
• 14:27
  Speaker 3: to a three-year-old.
• 14:28
  Speaker 4: It does sound like it.
• 14:29
  Speaker 6: But I'll tell you this.
• 14:30
  Speaker 1: That's the best part about busking is you don't need
• 14:32
  Speaker 1: to sustain anything for too long.
• 14:33
  Speaker 6: It's people walking by.
• 14:35
  Speaker 2: Just can I say the great gift of busking that
• 14:38
  Speaker 2: Mother Earth and Mother Gaia gave to us is that
• 14:41
  Speaker 2: people's expectations are rock low. They are rock bottom.
• 14:47
  Speaker 3: If you can bring them anything entertaining, even slightly, they
• 14:50
  Speaker 3: will be overjoyed and overwhelmed.
• 14:52
  Speaker 2: Exactly. If you supersede their expectations, then they want to...
• 14:57
  Speaker 2: It's also the music is a moment to... It's an
• 15:00
  Speaker 2: invitation to start a conversation with a stranger. I mean,
• 15:03
  Speaker 2: I can't tell you how many... long conversations I've had
• 15:07
  Speaker 2: with strangers who've just stopped by to go, hey, I
• 15:11
  Speaker 2: like the rhythm of that song. What is that song?
• 15:14
  Speaker 2: And then I tell them, and then, I don't know,
• 15:16
  Speaker 2: maybe we go out for a drink or something.
• 15:18
  Speaker 4: Does that happen a lot to you, Rosie?
• 15:20
  Speaker 2: It happens a lot to me.
• 15:21
  Speaker 4: Wowee, Rosie.
• 15:22
  Speaker 2: It happens a lot to me.
• 15:24
  Speaker 3: Well, because you're doing a lot of spoken song, which
• 15:26
  Speaker 3: I like. You're taking people that walk by and kind
• 15:28
  Speaker 3: of telling a story, kind of like Jewel used to.
• 15:30
  Speaker 4: Do when she used to busk.
• 15:32
  Speaker 3: See somebody and come up with a whole story about
• 15:35
  Speaker 3: their life in just a couple seconds.
• 15:36
  Speaker 2: Yeah, with just me and my bass drum. Like, if
• 15:39
  Speaker 2: I'm walking, like, take that man over there. That PA
• 15:43
  Speaker 2: walking down there. He's dressed in stage blacks. Stage blacks.
• 15:49
  Speaker 3: This is good.
• 15:49
  Speaker 4: Hey there, man.
• 15:50
  Speaker 2: Looking at your stage blacks. Hey there, man. Hey there, man.
• 15:54
  Speaker 2: Looking at your stage blacks. Hey there. You've got so.
• 16:00
  Speaker 3: Many.
• 16:00
  Speaker 5: A beautiful full story.
• 16:12
  Speaker 4: Hey there, man. Hey there, man. Look at your stage blacks.
• 16:16
  Speaker 4: Hey there, man. Hey there.
• 16:18
  Speaker 5: Now, easy now. It was not that rhythmic.
• 16:20
  Speaker 4: Come on. Do somebody else, Rosie. Do somebody else. Easy now.
• 16:25
  Speaker 5: It was rougher.
• 16:26
  Speaker 3: What about the photographer right there wearing that chicken board?
• 16:28
  Speaker 4: Oh, the photographer.
• 16:30
  Speaker 2: Hey there, man. The photographer holding that camera. What's he
• 16:34
  Speaker 2: looking for? What you looking for in your photographer? When
• 16:38
  Speaker 2: you're a photographer, it's almost like the glasses. But your glasses,
• 16:41
  Speaker 2: they're a camera. Your glasses, they're a memory. A memory
• 16:45
  Speaker 2: that lasts forever. You could put it in a picture
• 16:47
  Speaker 2: book or an aura frame or an iPhone camera roll.
• 16:50
  Speaker 2: That's a photographer.
• 16:51
  Speaker 4: Wow, I love how the drum got louder and I
• 16:53
  Speaker 4: almost had a panic attack. So important, the glasses are
• 16:57
  Speaker 4: a memory.
• 16:59
  Speaker 1: If I'm that photographer and I'm walking by, I feel seen.
• 17:02
  Speaker 5: Heard, and loved. And I'm speeding up my walk.
• 17:05
  Speaker 12: Yeah.
• 17:06
  Speaker 2: I will say, I think I love my bass girl.
• 17:09
  Speaker 2: I love my bass. My bass, I call her Jerry Seinfeld,
• 17:13
  Speaker 2: my bass.
• 17:14
  Speaker 4: Your bass girl?
• 17:15
  Speaker 5: Your bass girl.
• 17:16
  Speaker 6: You call her Jerry Seinfeld?
• 17:18
  Speaker 2: I call her Jerry Seinfeld. I bring her with me
• 17:20
  Speaker 2: everywhere in my busking career. But I will say she
• 17:23
  Speaker 2: intimidates some people, you know? The resonance is... It's tough
• 17:27
  Speaker 2: for some people to hear, especially when people are, you know,
• 17:31
  Speaker 2: maybe they take a little bit of mushroom, a little
• 17:34
  Speaker 2: bit of marijuana on the beach. They're walking around and
• 17:38
  Speaker 2: they hear this sort of booming heartbeat.
• 17:41
  Speaker 4: It's tribal.
• 17:42
  Speaker 3: It's tribal.
• 17:45
  Speaker 2: Some people aren't ready to address what's in their heart,
• 17:47
  Speaker 2: but the bass gets to the brute of what's in
• 17:50
  Speaker 2: your heart.
• 17:51
  Speaker 4: Get to the broody. What's in your heart?
• 17:52
  Speaker 2: That's what I said.
• 17:53
  Speaker 4: I mean, what's crazy, too, is we all come from
• 17:56
  Speaker 4: such different schools of love and music. I'm the classic
• 17:59
  Speaker 4: Bob Dylan guy. I'm also kind of a Bell and
• 18:01
  Speaker 4: Sebastian guy because I have a lot of guys.
• 18:04
  Speaker 3: Well, that's what I was going to ask. I mean,
• 18:06
  Speaker 3: who's everybody's biggest icon? And why is it Mumford & Sons?
• 18:11
  Speaker 4: Why is it the Lumineers? Why is it Jason Mraz?
• 18:15
  Speaker 5: They were buskers first, man. They came from the culture.
• 18:18
  Speaker 3: They came from the culture. Simon Cowell was a busker.
• 18:21
  Speaker 3: Simon Cowell, was he busking notes?
• 18:23
  Speaker 6: Busk judging.
• 18:24
  Speaker 5: He was busk judging.
• 18:25
  Speaker 4: He was busk judging. I think I found an old
• 18:28
  Speaker 4: clip of him on YouTube we could play. Okay.
• 18:31
  Speaker 5: Busk judging in London.
• 18:32
  Speaker 10: Wow.
• 18:33
  Speaker 12: Yeah.
• 18:34
  Speaker 4: Cape walking. Bad walk.
• 18:37
  Speaker 2: Excuse me?
• 18:37
  Speaker 4: Bad walk.
• 18:39
  Speaker 2: I'm just walking to work.
• 18:40
  Speaker 4: It's a bad walk.
• 18:41
  Speaker 2: Well, fuck you, man.
• 18:42
  Speaker 6: Hey, you're going to Hollywood.
• 18:44
  Speaker 5: 25 cents in your hat.
• 18:46
  Speaker 3: Wow, that was an interesting clip.
• 18:53
  Speaker 4: Really interesting clip.
• 18:55
  Speaker 5: Really old. Blackberry Pearl.
• 18:58
  Speaker 3: Give me more Gordon Ramsay if I'm being honest.
• 19:02
  Speaker 1: Everyone has busked. I've seen people busk and do all
• 19:07
  Speaker 1: kinds of towns.
• 19:08
  Speaker 3: It's not about the music always. It's about the busk,
• 19:10
  Speaker 3: the art of entertainment.
• 19:12
  Speaker 4: The purest art of entertainment.
• 19:14
  Speaker 3: How are you going to get eyes long enough to
• 19:16
  Speaker 3: get a scent? It's not about the money. It's about
• 19:19
  Speaker 3: the interaction.
• 19:20
  Speaker 6: Have you seen the bus podcasters?
• 19:22
  Speaker 5: Oh, the bus podcasters.
• 19:24
  Speaker 2: Oh, those guys who are sitting there offering hot takes
• 19:27
  Speaker 2: about the difference between New York and L.A.
• 19:29
  Speaker 1: And it's hard to know the difference because you go,
• 19:30
  Speaker 1: are those two just sitting on a bench?
• 19:32
  Speaker 4: Yeah, are they podcasting? Or are they busking? Well, they're
• 19:35
  Speaker 4: talking into ice cream cones, so you just know it's
• 19:37
  Speaker 4: not a real podcast. There might be a mic on that.
• 19:41
  Speaker 6: I don't know.
• 19:43
  Speaker 5: I don't think. I don't think you can put a
• 19:44
  Speaker 5: mic in ice cream. In L.A.
• 19:46
  Speaker 1: These days, you can't just walk by a bench and
• 19:48
  Speaker 1: think it's just two people on a bench at Cooper.
• 19:50
  Speaker 4: A podcast. It could be a musical.
• 19:51
  Speaker 6: It could be a short film.
• 19:52
  Speaker 3: Well, that's what we have to talk about. I mean,
• 19:53
  Speaker 3: the TikTokification of busking. Busking has moved into the online space,
• 20:00
  Speaker 3: and it's become more about the modern-day busk is the
• 20:06
  Speaker 3: NPC role-playing online.
• 20:09
  Speaker 4: Have you seen this?
• 20:10
  Speaker 5: Yeah, I have.
• 20:11
  Speaker 2: The modern day bus?
• 20:12
  Speaker 4: Can you explain that to me?
• 20:13
  Speaker 5: Like a weird French girl? Think about it.
• 20:16
  Speaker 6: Explain it to me.
• 20:17
  Speaker 3: Because on TikTok, they have this option where you can donate.
• 20:20
  Speaker 3: You can donate, and people play NPCs for donations.
• 20:23
  Speaker 6: Live, when they're live.
• 20:25
  Speaker 3: Oh, yes.
• 20:25
  Speaker 4: You're talking about that girl, like Pussycat Doll or whatever.
• 20:28
  Speaker 3: Yeah, and the guy who pretends to be Spider-Man. I mean,
• 20:30
  Speaker 3: there's a whole culture. of these people online. And that's
• 20:34
  Speaker 3: the modern day buzz.
• 20:35
  Speaker 4: I've never thought about that. And I just thought about
• 20:37
  Speaker 4: it right now.
• 20:38
  Speaker 6: I'm genuinely moved by that.
• 20:40
  Speaker 3: Have you seen those, when the people are under a
• 20:42
  Speaker 3: giant water balloon, they're like, no, no, no, no, don't donate.
• 20:46
  Speaker 3: Don't donate, it'll pop. That's a modern day buzz.
• 20:49
  Speaker 1: Or I love seeing like a man in the middle
• 20:52
  Speaker 1: of the night just singing people who put their name
• 20:54
  Speaker 1: in the comments.
• 20:56
  Speaker 4: With a, yeah, with a thing.
• 20:57
  Speaker 6: With a thing. We could do it these days.
• 20:59
  Speaker 1: Like it's, it's, It's a beautiful way that busking is
• 21:03
  Speaker 1: going to transfer to the algorithm.
• 21:05
  Speaker 7: Yeah.
• 21:05
  Speaker 4: It's nice to know it's not going away because busking
• 21:08
  Speaker 4: at its heart is a very human thing, man. I mean,
• 21:11
  Speaker 4: does anyone have any moments that they've realized that they're
• 21:13
  Speaker 4: changing the world by their busking?
• 21:16
  Speaker 8: Oh, man.
• 21:18
  Speaker 4: None come to mind.
• 21:19
  Speaker 5: All right, all good. We can move on.
• 21:21
  Speaker 1: I think it's less about feeling like you're changing the world,
• 21:24
  Speaker 1: but you're more just.
• 21:26
  Speaker 6: Adding a smile to someone's face for a second.
• 21:29
  Speaker 4: That feels like.
• 21:29
  Speaker 5: Changing the world.
• 21:30
  Speaker 4: That's what I meant.
• 21:31
  Speaker 5: You know what? Play me in.
• 21:35
  Speaker 6: What do you want?
• 21:35
  Speaker 3: Because there was this one lady one time. And I
• 21:40
  Speaker 3: was busking on the side of the highway.
• 21:43
  Speaker 6: I gotta tune this thing.
• 21:47
  Speaker 4: That's the one that's wrong, yeah?
• 21:50
  Speaker 3: Lady walking on the side of the highway Lost her shoes, lost.
• 21:55
  Speaker 4: Her place in life So it doesn't work.
• 22:00
  Speaker 3: It doesn't really work if we're disconnected like that.
• 22:03
  Speaker 4: What just happened? What just happened?
• 22:05
  Speaker 2: Why we don't play together?
• 22:07
  Speaker 6: No, I'd say what just happened was distance too close.
• 22:09
  Speaker 10: Yeah.
• 22:10
  Speaker 6: We busk all the time together, but far away.
• 22:12
  Speaker 3: That was when you accidentally, a little too close and
• 22:15
  Speaker 3: you hear two buskers doing two different things.
• 22:17
  Speaker 6: And if it's a little too close... I got to
• 22:19
  Speaker 6: tune that.
• 22:20
  Speaker 2: We are very specifically not a band. And there's a
• 22:23
  Speaker 2: reason for that.
• 22:24
  Speaker 5: We're not a band.
• 22:24
  Speaker 2: Because, you know, we play our best when we are
• 22:28
  Speaker 2: exchanging glances as coworkers from down on 3rd Street Promenade,
• 22:32
  Speaker 2: different ends. We're at different ends talking to each other.
• 22:36
  Speaker 3: Truly.
• 22:36
  Speaker 1: And I think sometimes we'll go, just like how there's a,
• 22:39
  Speaker 1: I saw on The Pit recently, I watch The Pit sometimes.
• 22:42
  Speaker 4: You can't watch The Pit.
• 22:43
  Speaker 5: Too capitalist for me.
• 22:44
  Speaker 4: Oh, no.
• 22:44
  Speaker 6: Well, I'll say that sometimes there's bleed.
• 22:47
  Speaker 4: Right?
• 22:47
  Speaker 6: There's a bleed. There's a clot.
• 22:49
  Speaker 1: And I'd say sometimes we walk in between our buskin
• 22:52
  Speaker 1: stations and we go, there's bleed here.
• 22:54
  Speaker 10: Yeah.
• 22:54
  Speaker 1: Like just now there was a bleed there and the
• 22:56
  Speaker 1: sound went into that and it wasn't a collab. You
• 22:58
  Speaker 1: don't want on accident collabs. You only want purposeful collabs.
• 23:02
  Speaker 5: We're like a, you.
• 23:03
  Speaker 4: Know, changing the channels, city block version. You walk past
• 23:09
  Speaker 4: one person, he's playing Mumford and Sons. You walk past
• 23:12
  Speaker 4: another person, he's playing Kings of Leon. You walk past
• 23:14
  Speaker 4: another person, they're playing.
• 23:19
  Speaker 5: Sonder. All these people, they're very, very different.
• 23:23
  Speaker 2: It's a beautiful tapestry. Can I ask you guys, what's
• 23:27
  Speaker 2: your technique for asking people respectfully to tip? When people
• 23:32
  Speaker 2: stand around for a long time and they've clearly listened
• 23:36
  Speaker 2: and enjoyed to a song.
• 23:37
  Speaker 3: The funny tip. Play the funny tip. And if you
• 23:40
  Speaker 3: want to, my hat is empty. I have some phrases.
• 23:44
  Speaker 3: Wasn't trying to wear this one on my head. I say,
• 23:47
  Speaker 3: if your pockets feel heavy, I'll take care of that.
• 23:50
  Speaker 2: That's good.
• 23:53
  Speaker 4: Do one that you did on there.
• 23:54
  Speaker 3: What?
• 23:55
  Speaker 6: Put your fingers on there.
• 23:56
  Speaker 4: Oh, that's beautiful. Yeah, let's do a little bit of this.
• 24:01
  Speaker 6: Hat empty.
• 24:02
  Speaker 8: Hat empty.
• 24:03
  Speaker 6: Hat empty.
• 24:09
  Speaker 5: Let me get in on this.
• 24:12
  Speaker 4: A minor E.
• 24:17
  Speaker 3: Hat is empty on the ground. Fill it up, make
• 24:23
  Speaker 3: your old man proud. Hat is empty on the ground.
• 24:30
  Speaker 3: Fill it up, make your old man proud.
• 24:52
  Speaker 2: If your hat feels empty, put something in it.
• 24:56
  Speaker 4: Your hat feels empty, put something in it.
• 25:00
  Speaker 13: If your hat feels empty, put something in it.
• 25:04
  Speaker 4: If your hat feels empty, put something in it. Hat
• 25:11
  Speaker 4: empty on the ground. Make your old man proud.
• 25:19
  Speaker 7: Head empty on the ground.
• 25:27
  Speaker 4: Head still empty.
• 25:29
  Speaker 3: Wow, that would be so good, guys. We got to
• 25:31
  Speaker 3: film that.
• 25:31
  Speaker 4: That's good. We got to film that. That would be great.
• 25:34
  Speaker 4: What were you going to say.
• 25:35
  Speaker 6: At the end of that? Were you inspired by something?
• 25:37
  Speaker 4: I don't remember.
• 25:38
  Speaker 2: I'm just happy to be here.
• 25:39
  Speaker 4: Oh, my God. Rosie.
• 25:41
  Speaker 2: This is what life is all about, right? Would you
• 25:44
  Speaker 2: say so?
• 25:45
  Speaker 1: Y'all ever have a toddler come in and kick your
• 25:49
  Speaker 1: hat off?
• 25:49
  Speaker 3: Toddlers are Satan's little minions.
• 25:52
  Speaker 4: Parents think that kids are cute all the time. They're
• 25:54
  Speaker 4: not cute to us, man.
• 25:55
  Speaker 3: Three to five is the worst age to bust for
• 25:58
  Speaker 3: unless they know a song that they want to sing.
• 26:01
  Speaker 10: Yeah.
• 26:02
  Speaker 3: And if you can sing with that kid.
• 26:04
  Speaker 8: Oh.
• 26:05
  Speaker 3: Millions of dollars.
• 26:06
  Speaker 6: This is what I do if I see a kid coming.
• 26:08
  Speaker 6: Either I take a deep breath or.
• 26:14
  Speaker 4: Baby shark, doo-doo-doo-doo-doo-doo. Baby shark, doo-doo-doo-doo-doo-doo.
• 26:18
  Speaker 6: Baby shark, doo-doo-doo-doo-doo-doo.
• 26:20
  Speaker 4: Baby shark. Baby shark, doo-doo-doo-doo-doo-doo.
• 26:25
  Speaker 6: Baby shark, doo-doo-doo-doo-doo-doo.
• 26:27
  Speaker 4: Okay, can I say.
• 26:30
  Speaker 4: The first note is.
• 26:33
  Speaker 4: Always you guessing. It takes a minute.
• 26:37
  Speaker 5: You find it. But God, do I love the coming
• 26:40
  Speaker 5: on your songs. Of course, man.
• 26:42
  Speaker 4: It's beautiful. Look, I wanted to remind you guys I'm
• 26:45
  Speaker 4: completely untrained.
• 26:47
  Speaker 5: Yeah.
• 26:48
  Speaker 3: Sometimes you make... Beautiful contact, and sometimes you swing and miss.
• 26:53
  Speaker 5: Well, look, man.
• 26:54
  Speaker 4: What is life if not trying things and then never
• 26:57
  Speaker 4: doing them again?
• 26:58
  Speaker 5: Amen to that.
• 26:59
  Speaker 4: Do you ever.
• 27:00
  Speaker 1: Play anything different if it's kids? That's what I play
• 27:02
  Speaker 1: for kids. Do you ever do anything different for old people?
• 27:05
  Speaker 4: Do you see a school go by?
• 27:07
  Speaker 6: Any trips, tricks, and tips?
• 27:09
  Speaker 5: Yeah, schools go by. I try to do that 50
• 27:12
  Speaker 5: state song.
• 27:12
  Speaker 2: Alabama.
• 27:12
  Speaker 5: Play it, play it.
• 27:17
  Speaker 4: All right, here we go.
• 27:18
  Speaker 5: I'll do both.
• 27:22
  Speaker 6: No, it's not the mic problem. He just needs two mouths.
• 27:26
  Speaker 4: All right.
• 27:43
  Speaker 6: I'm a school kid walking by.
• 27:44
  Speaker 5: What would you do?
• 27:48
  Speaker 4: I'm stopping. I'm going, I'm staying in school.
• 27:52
  Speaker 5: I need to film this.
• 27:53
  Speaker 2: I need to know what's going on.
• 27:55
  Speaker 5: Is this man medically in danger?
• 27:57
  Speaker 4: You know what's funny is I frequently get, instead of tips,
• 28:01
  Speaker 4: business cards of doctors.
• 28:04
  Speaker 5: It's so fun.
• 28:04
  Speaker 2: You know, that's never the group you want to be
• 28:06
  Speaker 2: networking with.
• 28:07
  Speaker 5: No, I don't love it.
• 28:07
  Speaker 2: It's tough.
• 28:08
  Speaker 4: But they go, hey, I saw you from across the
• 28:10
  Speaker 4: room and I think you could use my help.
• 28:11
  Speaker 2: You know, when old people walk by, I typically go
• 28:15
  Speaker 2: for some Sinatra.
• 28:18
  Speaker 6: On Jerry Seinfeld.
• 28:19
  Speaker 4: Some bass drum Sinatra.
• 28:21
  Speaker 6: You went about Jerry Seinfeld.
• 28:23
  Speaker 5: You went about Mrs.
• 28:25
  Speaker 4: Jerry Seinfeld and you go for some Sinatra.
• 28:27
  Speaker 11: I went about Mrs.
• 28:28
  Speaker 1: Jerry Seinfeld and I play some Sinatra.
• 28:31
  Speaker 4: I can't wait for this. That's life.
• 28:34
  Speaker 9: Oh.
• 28:36
  Speaker 6: This won't get flagged at all.
• 28:37
  Speaker 1: That's not it.
• 28:37
  Speaker 2: That's not it.
• 28:38
  Speaker 4: That's not it.
• 28:39
  Speaker 2: Somewhere.
• 28:41
  Speaker 3: No, that's not it.
• 28:41
  Speaker 6: Bobby Darin.
• 28:42
  Speaker 3: That's Bobby Darin.
• 28:43
  Speaker 2: That's amore.
• 28:45
  Speaker 4: When the moon. Okay, no, that's not it.
• 28:46
  Speaker 2: I think that's Dean Mark.
• 28:47
  Speaker 4: That's not him.
• 28:47
  Speaker 2: That's not him.
• 28:48
  Speaker 4: Maybe The Way You Look Tonight.
• 28:50
  Speaker 5: Fly me to the moon.
• 28:51
  Speaker 2: Nowhere to hold me. And the way you look tonight.
• 28:59
  Speaker 4: Jerry Seinfeld is excited. That's a rapid beat for that song.
• 29:04
  Speaker 4: Every quarter note. I felt like I was on a train.
• 29:08
  Speaker 4: Every quarter note.
• 29:10
  Speaker 3: I love that.
• 29:12
  Speaker 4: You never hit the bass notes. You're just hitting every
• 29:14
  Speaker 4: note with the bass.
• 29:14
  Speaker 2: I'm hitting every note.
• 29:27
  Speaker 3: Every note.
• 29:27
  Speaker 2: You know, people think a bass can't do a lot
• 29:30
  Speaker 2: of things, but it can do more than you think
• 29:32
  Speaker 2: it can.
• 29:32
  Speaker 4: Like what?
• 29:34
  Speaker 2: Well.
• 29:34
  Speaker 3: Some of your poetry is my favorite. is some of
• 29:37
  Speaker 3: your poetry.
• 29:37
  Speaker 5: Whip this thing out show us the real.
• 29:39
  Speaker 3: We all have like our own we should stop doing
• 29:41
  Speaker 3: covers and maybe do some of our original music I
• 29:44
  Speaker 3: mean we've all tried to release EPs.
• 29:46
  Speaker 1: It's harder to grab people I'll say it of course
• 29:48
  Speaker 1: I'll be first to say it I do feel like
• 29:49
  Speaker 1: sometimes to sell out because if I got If I'm
• 29:54
  Speaker 1: trying to make music and make people turn, it's hard
• 29:57
  Speaker 1: to do it with an original track.
• 29:58
  Speaker 3: But I think your track is the most beautiful gift
• 30:01
  Speaker 3: Gaya can give us.
• 30:02
  Speaker 2: I think all of our original tracks.
• 30:05
  Speaker 4: I love our music, man.
• 30:06
  Speaker 5: I want to share it with the world.
• 30:07
  Speaker 4: I want to hear it all. I want to hear
• 30:09
  Speaker 4: all of them.
• 30:09
  Speaker 5: I want to hear every single one of our original tracks.
• 30:12
  Speaker 4: Let's do it.
• 30:13
  Speaker 3: Let's start from the number one on each of our EPs.
• 30:15
  Speaker 3: Name what your EP is and then talk about it.
• 30:18
  Speaker 2: All right, so this is an EP I called Ryan.
• 30:21
  Speaker 2: This was my ex-boyfriend, Ryan. We consciously uncoupled not six
• 30:26
  Speaker 2: months ago, and this was a poem I wrote about
• 30:28
  Speaker 2: the night he left me. No note on the door.
• 30:36
  Speaker 2: Will you please leave the house? Note on the door.
• 30:42
  Speaker 6: You can hear her crying.
• 30:45
  Speaker 2: To the wood on the door.
• 30:47
  Speaker 4: It says, I'm leaving.
• 30:50
  Speaker 2: It says I'm leaving tonight because you don't have any
• 30:54
  Speaker 2: money and you don't pay the rent for the house
• 30:58
  Speaker 2: that we split because you are always at the beach.
• 31:02
  Speaker 4: The beach. The beach. The beach. I'm gone.
• 31:07
  Speaker 2: Wow.
• 31:08
  Speaker 5: That was gothic. That was amazing.
• 31:12
  Speaker 4: Can I say something? It did sound like you unconsciously decoupled.
• 31:16
  Speaker 5: It doesn't sound conscious.
• 31:18
  Speaker 6: I think it was pretty conscious.
• 31:19
  Speaker 2: So we had a lot of conversations, so many conversations.
• 31:22
  Speaker 4: It sounds like you.
• 31:23
  Speaker 5: Were unconscious when he left.
• 31:25
  Speaker 1: Can I say, I think you need to put that
• 31:28
  Speaker 1: song on TikTok.
• 31:29
  Speaker 4: I think it'll do numbers. That's going to do numbers.
• 31:33
  Speaker 4: He's at the beach. I'm gone.
• 31:38
  Speaker 5: Really good.
• 31:40
  Speaker 4: I mean, that's amazing the way you do that.
• 31:41
  Speaker 3: Thank you so much.
• 31:43
  Speaker 6: Lapis, I'm dying to hear it.
• 31:44
  Speaker 4: Pick it up. One of my originals?
• 31:46
  Speaker 11: Come on, Lapis.
• 31:46
  Speaker 4: One of your originals, please.
• 31:48
  Speaker 2: Okay.
• 31:51
  Speaker 12: Yeah.
• 31:51
  Speaker 5: Do you need my help on this one?
• 31:53
  Speaker 4: Yeah, jump in.
• 31:54
  Speaker 5: Oh, you want me to? Okay.
• 31:55
  Speaker 3: Yeah, great. You know there's a river somewhere.
• 32:01
  Speaker 5: Of course, yeah. I'll come in at the right time.
• 32:05
  Speaker 3: Wow. There's a river somewhere Covered in gold And all
• 32:20
  Speaker 3: I tried to do.
• 32:24
  Speaker 4: Is get to the river.
• 32:27
  Speaker 3: Swim in her shoes Covered in gold That's what I'll
• 32:33
  Speaker 3: do But I wonder if I'll find it.
• 32:44
  Speaker 7: Wonder if it's there River, river.
• 32:51
  Speaker 4: Runs through it.
• 32:56
  Speaker 3: I hope I find it sometime soon.
• 33:03
  Speaker 10: The river runs River of gold, where are you now? River,
• 33:18
  Speaker 10: river of gold, where are you now?
• 33:37
  Speaker 8: Laughter laughter laughter laughter.
• 33:47
  Speaker 4: Yeah, perfect, man. Perfect. Thank you, man. Perfect.
• 33:52
  Speaker 5: So fun to jam with you, man.
• 33:53
  Speaker 4: It's so fun to jam. It's so fun to jam
• 33:57
  Speaker 4: with you. It's so fun to jam, man. So fun
• 34:00
  Speaker 4: to jam. You nailed it, man. You nailed it.
• 34:03
  Speaker 2: It's so fun to jam. It's really magic the way.
• 34:06
  Speaker 4: You all work together. I mean, I love a backup vocalist.
• 34:08
  Speaker 4: I'd love to.
• 34:09
  Speaker 2: Play with you.
• 34:10
  Speaker 4: I'd love to jam with you. I'm open. I'm open
• 34:12
  Speaker 4: to jam. Can I jam with you? Yeah, jam with you.
• 34:14
  Speaker 5: You want to jam right now?
• 34:15
  Speaker 4: It's awesome. It's awesome.
• 34:16
  Speaker 2: You've got to jam with him. He's such an inventive collaborator.
• 34:21
  Speaker 4: You've got to jam with him.
• 34:22
  Speaker 2: You've got to jam with him.
• 34:23
  Speaker 5: Oh, let me know, man. You want to jam right now?
• 34:26
  Speaker 4: Yeah. Just jump in when you want.
• 34:28
  Speaker 2: And this is one of your originals?
• 34:30
  Speaker 4: Yeah, you can just... I love your originals, Lazarith.
• 34:34
  Speaker 5: You're so soulful.
• 34:35
  Speaker 2: Lazarith.
• 34:45
  Speaker 6: Hurry up on top of the mountain. Hurry up on
• 34:49
  Speaker 6: top of the wall. Hurry up on top of the
• 34:51
  Speaker 6: school bus. Hurry up on top of the mountain. Hurry
• 34:56
  Speaker 6: up on top of the wall.
• 34:58
  Speaker 4: Hurry up on top of.
• 34:59
  Speaker 6: The school bus. I want a bad boo. I want
• 35:08
  Speaker 6: a bad boo.
• 35:12
  Speaker 4: I want a bad boo.
• 35:16
  Speaker 6: I want to eat good.
• 35:17
  Speaker 9: Food Hurry up on top of the mountain Hurry up
• 35:25
  Speaker 9: on top of the school bus Hurry up on top
• 35:29
  Speaker 9: of the mountain Hurry up on top of the school bus.
• 35:38
  Speaker 2: Come on!
• 35:53
  Speaker 1: I see it in your future.
• 35:55
  Speaker 6: I see it in your eyes.
• 35:57
  Speaker 1: I see it in the way you tantalize.
• 36:01
  Speaker 6: I see it in my fort.
• 36:03
  Speaker 4: I see it in.
• 36:04
  Speaker 1: The way you play it all, play it all, play
• 36:08
  Speaker 1: it all day.
• 36:09
  Speaker 4: I see it in the.
• 36:11
  Speaker 6: Okay, that's... That's great.
• 36:13
  Speaker 5: Wow. That's so good.
• 36:15
  Speaker 9: Wow.
• 36:15
  Speaker 4: That's good to jam. Amazing. That's good to jam. That
• 36:19
  Speaker 4: was such.
• 36:19
  Speaker 2: A beautiful jam to see.
• 36:21
  Speaker 4: It's such a beautiful jam.
• 36:23
  Speaker 3: God, it's so good to jam.
• 36:24
  Speaker 4: It's so good to jam.
• 36:26
  Speaker 6: It's just gorgeous.
• 36:27
  Speaker 4: It's so good to jam.
• 36:29
  Speaker 3: And your confidence coming in is sky high.
• 36:31
  Speaker 5: It's so good to jam, man.
• 36:33
  Speaker 2: It's just good to see people at the top of
• 36:35
  Speaker 2: their game.
• 36:36
  Speaker 4: Absolutely.
• 36:37
  Speaker 5: For everyone equally coming in, batting 100.
• 36:40
  Speaker 3: Wow.
• 36:40
  Speaker 8: Wow.
• 36:41
  Speaker 2: Absolutely.
• 36:44
  Speaker 4: That's so beautiful. That's so good to jam.
• 36:47
  Speaker 2: That's so good to jam.
• 36:49
  Speaker 4: Can I ask you guys something?
• 36:50
  Speaker 13: Yeah.
• 36:51
  Speaker 3: Look, I know we're all wandering spirits, wayward souls.
• 36:55
  Speaker 4: Oh, I'm going to.
• 36:56
  Speaker 3: Gaia protectors and followers but um yeah do you guys
• 37:00
  Speaker 3: have dreams i mean when you wake up at night
• 37:04
  Speaker 3: when look up at the stars what do you think
• 37:07
  Speaker 3: in your life gonna be like where do you want.
• 37:09
  Speaker 4: To end up you know i met a man in
• 37:11
  Speaker 4: reno who said that dreams are simply memories that somebody
• 37:15
  Speaker 4: else had wait so you didn't dream of.
• 37:21
  Speaker 6: It So who do they belong to?
• 37:24
  Speaker 4: What do they belong to?
• 37:25
  Speaker 5: Wait, what?
• 37:26
  Speaker 4: What are you talking about?
• 37:28
  Speaker 1: I just memories somebody else's hat.
• 37:32
  Speaker 4: So what do you mean dreams?
• 37:34
  Speaker 3: I just memories somebody else's hat.
• 37:38
  Speaker 4: Sorry to stop telling, but what?
• 37:41
  Speaker 5: I've never heard something like that.
• 37:43
  Speaker 10: Before in my life.
• 37:44
  Speaker 2: Dreams are just Somebody else had.
• 37:48
  Speaker 5: Don't push it, man.
• 37:49
  Speaker 4: I mean, it makes sense.
• 37:51
  Speaker 5: And don't question it. I got it tattooed.
• 37:55
  Speaker 13: I don't want to think about it.
• 38:00
  Speaker 2: Keep going. What did this man make you think about.
• 38:02
  Speaker 6: Your own dreams?
• 38:03
  Speaker 4: Well, he made me think that they were the dreams
• 38:07
  Speaker 4: of a coal miner in the old 40s.
• 38:11
  Speaker 5: Dreams of a man who.
• 38:14
  Speaker 2: I think so.
• 38:15
  Speaker 5: Wait, sorry. There were memories.
• 38:16
  Speaker 13: That made me realize that when I was dreaming about
• 38:21
  Speaker 13: being a coal miner in the 40s, I was actually
• 38:24
  Speaker 13: having the memory of a man who lived in the 40s.
• 38:27
  Speaker 3: So you were just talking about some weird premonitions you had.
• 38:30
  Speaker 2: So you are dreaming about the past, and you think
• 38:33
  Speaker 2: that's actually a memory of someone in the past?
• 38:36
  Speaker 5: Dreams are just memories somebody else had.
• 38:38
  Speaker 6: Explain it again. Do you have another version of it?
• 38:41
  Speaker 5: I think you're having some sort of... Past life regression.
• 38:44
  Speaker 4: I had a dream that my teeth were falling out,
• 38:46
  Speaker 4: and I left home in my underwear. Oh, my God.
• 38:49
  Speaker 2: And that's somebody's memory.
• 38:50
  Speaker 4: Turns out that's the memory of somebody whose teeth fell out,
• 38:53
  Speaker 4: and they left home in their underwear.
• 38:55
  Speaker 5: I was just in their shoes, man. The man.
• 38:58
  Speaker 4: Man, that's beautiful.
• 39:00
  Speaker 5: Don't hold me down.
• 39:00
  Speaker 4: That's so beautiful.
• 39:01
  Speaker 5: Man, that's beautiful. So that's how I see dreams and
• 39:04
  Speaker 5: where I'm about to be.
• 39:05
  Speaker 4: Absolutely.
• 39:06
  Speaker 3: Rosie, what about you?
• 39:07
  Speaker 2: What do I dream about?
• 39:09
  Speaker 10: Well.
• 39:10
  Speaker 2: I dream that one day, after I'm done with this
• 39:14
  Speaker 2: crazy life, after I'm done with this crazy lifestyle, I
• 39:21
  Speaker 2: post up on a farm in Big Sur, on the
• 39:25
  Speaker 2: coastal part. I sit down with my three kids. two chickens,
• 39:31
  Speaker 2: two cows, one pig and one nasty goat. And I
• 39:36
  Speaker 2: bake the eggs the chickens laid for me, not that
• 39:39
  Speaker 2: early morning.
• 39:40
  Speaker 4: Bake them in the oven.
• 39:42
  Speaker 2: I bake them in the oven.
• 39:44
  Speaker 12: You bake the eggs.
• 39:45
  Speaker 6: You bake the eggs.
• 39:47
  Speaker 4: You bake the eggs. Rosie's baking eggs.
• 39:50
  Speaker 2: So is that like a frittata? No, so it's just
• 39:55
  Speaker 2: the eggs. It's not a quiche. It's not a frittata.
• 39:58
  Speaker 2: It's not scrambled. It's not over easy. It's not over hard.
• 40:00
  Speaker 2: It's not over medium.
• 40:01
  Speaker 4: It's not poached.
• 40:02
  Speaker 2: Then what is it? It's its own thing, dude.
• 40:04
  Speaker 5: You're kind of boiling them weird.
• 40:07
  Speaker 4: There are no rules.
• 40:09
  Speaker 2: You crack them in a baking sheet. You stick them
• 40:11
  Speaker 2: in a pan. It's like one layer of lasagna except
• 40:15
  Speaker 2: just the pasta part.
• 40:18
  Speaker 4: It's been playing the mic again.
• 40:20
  Speaker 5: I'm sorry.
• 40:21
  Speaker 4: I'm sorry.
• 40:21
  Speaker 2: Keep going. The future could be so beautiful.
• 40:23
  Speaker 3: And who do you see married to, Rosie, with your
• 40:25
  Speaker 3: two kids? Three kids, two chickens, one nasty goat.
• 40:29
  Speaker 2: I see myself married to the man of my dreams.
• 40:34
  Speaker 2: He's a man who works at the Sweetgreen across the
• 40:36
  Speaker 2: street on 3rd Street Promenade in Santa Monica. Every day
• 40:41
  Speaker 2: when he's walking into his shift, I try and sing
• 40:43
  Speaker 2: a song about him. But he won't look my way.
• 40:46
  Speaker 3: How's that song go, Rosie?
• 40:49
  Speaker 2: Song goes, a little something like this. I'll play it
• 40:52
  Speaker 2: on old Jerry Seinfeld. Solid boy!
• 40:56
  Speaker 4: Solid boy!
• 40:58
  Speaker 2: Come get your wife! Solid boy!
• 41:03
  Speaker 5: Oh, so beautiful, Rosie.
• 41:05
  Speaker 4: Where does that music come from within you? Rosie, Rosie, Rosie. Rosie,
• 41:11
  Speaker 4: it's so beautiful. Rosie, it's so beautiful.
• 41:18
  Speaker 5: So beautiful, Rosie. We know that's just the intro, Rosie.
• 41:21
  Speaker 2: We know that's just the intro, no problem.
• 41:23
  Speaker 4: We'll go to the bridge.
• 41:25
  Speaker 2: Leaves on your hands, in your apron, but no woman,
• 41:32
  Speaker 2: no woman nearby.
• 41:34
  Speaker 3: Get your woman.
• 41:36
  Speaker 4: It's me. I'm her.
• 41:37
  Speaker 8: It's me.
• 41:38
  Speaker 2: Take me home, salad boy, salad man.
• 41:43
  Speaker 6: You've got to make theater, Rosie.
• 41:45
  Speaker 4: Rosie, that's coming straight from the gut.
• 41:47
  Speaker 5: Definitely Bob Marley influence.
• 41:49
  Speaker 4: It's coming from your gut.
• 41:51
  Speaker 2: I always say I don't sing from the heart. I
• 41:53
  Speaker 2: sing from the lower stomach.
• 41:55
  Speaker 6: Because it is one tempo and one tempo only.
• 41:58
  Speaker 4: It's one note. Bob Marley sang No Woman, No Cry.
• 42:02
  Speaker 3: But Rosie sang No Woman, Come Get Her.
• 42:08
  Speaker 4: That's beautiful. What about you?
• 42:10
  Speaker 2: What are your dreams? What do you dream about?
• 42:14
  Speaker 4: Lazarus.
• 42:15
  Speaker 2: Lazarus, you have to have a dream. Or at the
• 42:18
  Speaker 2: very least, somebody else's memory.
• 42:23
  Speaker 11: I dream of one day when all the buskers could
• 42:28
  Speaker 11: play a festival.
• 42:30
  Speaker 7: Wow.
• 42:32
  Speaker 11: We stand around.
• 42:33
  Speaker 3: What?
• 42:38
  Speaker 11: We stand around together like a burning man.
• 42:42
  Speaker 6: But all along the streets.
• 42:45
  Speaker 11: And people drive down the road. And there will be
• 42:49
  Speaker 11: an orchestra of some sorts. A busker's, no bleed, just harmony.
• 43:00
  Speaker 7: Sweet, sweet polyamory.
• 43:05
  Speaker 4: Oh.
• 43:08
  Speaker 7: Sweet, sweet, sweet polyamory.
• 43:16
  Speaker 6: It's got the melody, the harmony, the punchiness. And good sex.
• 43:23
  Speaker 11: Cause it's sweet, sweet, sweet polyamory.
• 43:32
  Speaker 6: Now play.
• 43:32
  Speaker 4: Come on. God, it's good jamming. It's good jamming. What
• 43:43
  Speaker 4: a beautiful jam. I love to jam with you. I
• 43:47
  Speaker 4: love to jam with you. It's just so beautiful. It
• 43:49
  Speaker 4: feels good to jam with you guys.
• 43:51
  Speaker 2: It's so good to jam.
• 43:53
  Speaker 5: It just feels good to jam.
• 43:54
  Speaker 2: It just feels good to jam.
• 43:56
  Speaker 5: It just feels so good to jam with you guys.
• 43:58
  Speaker 2: It just feels so good.
• 43:59
  Speaker 4: It feels so good to jam with you guys.
• 44:01
  Speaker 5: It's so good to jam.
• 44:07
  Speaker 1: Hey, hey, hey, hold, pause for the episode for one
• 44:10
  Speaker 1: quick second so we can tell you about something special
• 44:11
  Speaker 1: that helps us and helps you.
• 44:13
  Speaker 2: Angela, did you know there's a place where you can
• 44:15
  Speaker 2: get bonus content and extra episodes and never before seen stuff?
• 44:19
  Speaker 2: And it's for the low, low price of three, five
• 44:22
  Speaker 2: or $ 10 a month.
• 44:23
  Speaker 10: Oh my God.
• 44:23
  Speaker 1: And I could see these people that are putting on
• 44:25
  Speaker 1: crazy voices, be themselves and have a funny conversation.
• 44:27
  Speaker 2: And you can find out why Angela got us this gift.
• 44:30
  Speaker 6: For Christmas.
• 44:31
  Speaker 2: For Christmas.
• 44:32
  Speaker 1: Link in bio.
• 44:32
  Speaker 6: Join our Patreon right now.
• 44:35
  Speaker 2: Go there right now.
• 44:40
  Speaker 4: It feels so good to jam.
• 44:42
  Speaker 5: It just feels so good to jam. It feels so.
• 44:44
  Speaker 4: Good to jam.
• 44:45
  Speaker 5: Oh, good to jam.
• 44:47
  Speaker 2: Guys, it's the best thing in the world to jam.
• 44:50
  Speaker 4: It's just the best thing in the world to jam.
• 44:52
  Speaker 5: I feel so.
• 44:53
  Speaker 2: Bad for regular people who have to clock in, clock out.
• 44:57
  Speaker 9: Mr.
• 44:57
  Speaker 3: Business ain't never jamming like this.
• 44:59
  Speaker 5: The salary man.
• 45:00
  Speaker 4: The salary man goes in. Which is different from the
• 45:03
  Speaker 4: salad man. The salary man.
• 45:04
  Speaker 5: The salary man. He goes in and out in his suit.
• 45:08
  Speaker 4: Come on.
• 45:10
  Speaker 1: The salary man is friends with the record label man.
• 45:13
  Speaker 3: And he goes in with his suit.
• 45:17
  Speaker 2: The salary man is friends with the politician man.
• 45:21
  Speaker 4: He goes in with his suit. The salary man is
• 45:25
  Speaker 4: friends with the accounting man.
• 45:27
  Speaker 5: They're punching the money.
• 45:30
  Speaker 4: They're taking the tab. They're walking on in with their suits. Quick,
• 45:35
  Speaker 4: the tempo's changing. The salaryman don't know what's happening in
• 45:38
  Speaker 4: the streets. The salaryman must never go to the streets.
• 45:42
  Speaker 3: No, it's illegal for the salaryman to be on the streets.
• 45:47
  Speaker 2: The salaryman don't breathe fresh air. The salaryman breathe only AC.
• 45:50
  Speaker 2: The salaryman is only him, only him, never alone.
• 45:53
  Speaker 8: Salaryman.
• 45:56
  Speaker 4: Salaryman.
• 45:57
  Speaker 6: Salaryman!
• 45:59
  Speaker 4: Salaryman!
• 46:01
  Speaker 2: Salaryman!
• 46:02
  Speaker 8: Salaryman!
• 46:03
  Speaker 2: Salaryman!
• 46:04
  Speaker 3: Salaryman!
• 46:06
  Speaker 4: Salaryman!
• 46:08
  Speaker 2: Salaryman only cares about the money.
• 46:13
  Speaker 4: Good, it's jam. God, it feels good to jam. We've
• 46:18
  Speaker 4: never jammed before, Rosie. You guys have never jammed.
• 46:21
  Speaker 8: You know what?
• 46:22
  Speaker 4: I don't know how you guys have never jammed. They
• 46:25
  Speaker 4: said you could. How on earth have we never jammed before?
• 46:27
  Speaker 5: They said we medically couldn't.
• 46:28
  Speaker 4: They said you never could.
• 46:30
  Speaker 5: They said if we did, we'd die.
• 46:32
  Speaker 4: We wouldn't even hurt.
• 46:33
  Speaker 2: You did.
• 46:33
  Speaker 1: I want to know, if anyone gave you the opportunity
• 46:37
  Speaker 1: to get off the street and sing and sing inside,
• 46:40
  Speaker 1: what would you sing?
• 46:42
  Speaker 4: I would be so confused.
• 46:43
  Speaker 6: I wouldn't know what to do.
• 46:44
  Speaker 3: Because what do you do inside? What is there to
• 46:46
  Speaker 3: sing about?
• 46:47
  Speaker 5: I mean, what's it even sound like in there?
• 46:48
  Speaker 1: I'm not saying that buskers don't know what to do
• 46:51
  Speaker 1: when they go inside a record label.
• 46:53
  Speaker 4: It's just us. It's just that we don't know. I
• 46:55
  Speaker 4: guess I'd be scared to play inside because I'd have
• 46:57
  Speaker 4: to hear myself.
• 46:58
  Speaker 5: I think that's what makes me nervous. What am I
• 47:01
  Speaker 5: sounding like? Don't tell me.
• 47:02
  Speaker 3: You sound good to us. Thank you.
• 47:05
  Speaker 11: I want you.
• 47:05
  Speaker 4: It feels good. It feels good.
• 47:06
  Speaker 1: I'm going to play a little bit, and I just
• 47:08
  Speaker 1: want you to make a mess on your melodica.
• 47:10
  Speaker 6: I just want you to play.
• 47:11
  Speaker 12: Okay.
• 47:12
  Speaker 6: I want you to play the sounds of your heart.
• 47:14
  Speaker 5: Okay, I'm going to kind of let loose a little bit.
• 47:16
  Speaker 4: I'm going to be a little more buttoned down than
• 47:18
  Speaker 4: I've been playing so far.
• 47:19
  Speaker 5: Buttoned down, brother.
• 47:19
  Speaker 2: You're going to be a little more buttoned down.
• 47:21
  Speaker 4: I'm going to be a little more informal. That was
• 47:22
  Speaker 4: my formal plan.
• 47:23
  Speaker 2: And you know what? If this is good enough, maybe
• 47:25
  Speaker 2: we'll take this inside.
• 47:26
  Speaker 4: Rosie, and I want to see what you got.
• 47:28
  Speaker 5: Jerry has to sing.
• 47:29
  Speaker 6: I think Lapis is going to sing a little.
• 47:30
  Speaker 4: Okay, if you guys insist.
• 47:32
  Speaker 8: Well.
• 47:38
  Speaker 4: Here we go.
• 47:42
  Speaker 7: Ooh, doggie.
• 47:49
  Speaker 3: I guess I'm forced to sing inside.
• 47:58
  Speaker 4: I really hope it is all right.
• 48:06
  Speaker 7: When you sing inside, there is an echo.
• 48:14
  Speaker 12: So I guess I'll just have to let go.
• 48:39
  Speaker 8: Here we go.
• 48:53
  Speaker 4: Yeah. Cause it's music. The power of a note. It's music.
• 49:07
  Speaker 4: Like every good quote. It's music.
• 49:14
  Speaker 6: It's good to jam.
• 49:16
  Speaker 4: It's so good to jam.
• 49:17
  Speaker 2: God, it's so good to jam.
• 49:19
  Speaker 4: Oh, that feels good to jam.
• 49:20
  Speaker 2: God, I wish we could bottle up the feeling of
• 49:23
  Speaker 2: the jam and drink it all night long.
• 49:26
  Speaker 4: God, when you, I can't wait for.
• 49:27
  Speaker 6: You to look back at your face when you do it,
• 49:29
  Speaker 6: because I know we don't bust in front of cameras often,
• 49:32
  Speaker 6: but you are, you are always so.
• 49:36
  Speaker 6: You are blowing so hard, and it looks like you're
• 49:40
  Speaker 6: in pain.
• 49:40
  Speaker 5: I don't care how I look, man. I only care
• 49:43
  Speaker 5: how it sounds.
• 49:43
  Speaker 4: And it sounds damn good. It sounds damn good.
• 49:46
  Speaker 5: You may look weird.
• 49:48
  Speaker 4: But you look good. It sounds damn good. It sounds
• 49:51
  Speaker 4: damn good.
• 49:52
  Speaker 2: Hey, can I gas you all a favor at home?
• 49:54
  Speaker 4: Go ahead, gas them.
• 49:57
  Speaker 6: Gas them.
• 49:58
  Speaker 4: Gas them, Rosie. Rosie, gas them. Rosie, gas them.
• 50:05
  Speaker 2: If you like what you saw tonight, why don't you
• 50:07
  Speaker 2: leave a dollar on the tip jar? And a dollar
• 50:10
  Speaker 2: on YouTube is a like for us. Why don't you
• 50:13
  Speaker 2: leave us a little like.
• 50:15
  Speaker 5: Or a dollar in the comments? Yeah, just comment the
• 50:17
  Speaker 5: phrase one dollar.
• 50:18
  Speaker 4: And remember, man, next time you're out there seeing someone
• 50:21
  Speaker 4: and you choose to walk on by, maybe stop, double back.
• 50:25
  Speaker 5: And listen to that guy's story. Because we all got stories.
• 50:28
  Speaker 2: We all got stories.
• 50:30
  Speaker 3: And this is the last story we'll leave you with.
• 50:32
  Speaker 4: It's a story of.
• 50:37
  Speaker 3: When you're buskin', buskin' feels good.
• 50:42
  Speaker 2: Yeah.
• 50:43
  Speaker 7: When you're buskin', buskin' feels good. When you're buskin', buskin'
• 50:53
  Speaker 7: feels good. When you're buskin', buskin' feels good.
• 51:01
  Speaker 3: Come on.
• 51:03
  Speaker 2: Now busk a move.
• 51:06
  Speaker 4: Now busk a move. Now busk a move.
• 51:12
  Speaker 2: Now busk a move.
• 51:14
  Speaker 4: I got Lazarus and Rosie. And I think your name
• 51:18
  Speaker 4: was Terry. It's copper.
• 51:21
  Speaker 5: Copper.
• 51:22
  Speaker 2: So close.
• 51:26
  Speaker 4: And there ain't no way to busk correct. There ain't
• 51:30
  Speaker 4: no way to busk proper. Proper.
• 51:33
  Speaker 5: Proper.
• 51:36
  Speaker 3: Because a buskin comes from the soul The place where
• 51:42
  Speaker 3: music comes to Buskin.
• 51:45
  Speaker 12: Comes from the soul The place where music comes to
• 51:50
  Speaker 12: Buskin comes from the soul The place where music comes
• 51:54
  Speaker 12: to Buskin comes from the soul The place where music
• 52:00
  Speaker 12: comes to Jerry Seinfeld solo!
• 52:08
  Speaker 2: Woo!
• 52:09
  Speaker 4: She's losing it!
• 52:10
  Speaker 5: She's losing it!
• 52:12
  Speaker 6: She's going crazy!
• 52:13
  Speaker 12: Cause if buskin comes from the soul, the place in.
• 52:17
  Speaker 4: Music comes too.
• 52:18
  Speaker 12: Buskin comes from the soul, if the music comes too.
• 52:25
  Speaker 3: Buskin!
• 52:35
  Speaker 2: Two, two, one.
• 52:36
  Speaker 4: The buskin comes from the soul. The place where music
• 52:41
  Speaker 4: comes to.
• 52:42
  Speaker 8: The buskin comes from the soul.
• 52:45
  Speaker 4: The place where music comes to.
• 52:48
  Speaker 6: Do you guys have a license to play out here?
• 52:49
  Speaker 5: Do you guys have a license to play out here?
• 52:52
  Speaker 2: It's in my car.
• 52:54
  Speaker 6: Show your busking license or else you have to get up.
• 52:56
  Speaker 4: No, we're cool, we're cool, man. We're clear out, we're
• 52:59
  Speaker 4: clear out. My dad is Eric Garcetti.
• 53:01
  Speaker 2: What?
• 53:02
  Speaker 4: Your dad is Eric Garcetti?
• 53:04
  Speaker 3: Then you guys play as much.
• 53:05
  Speaker 4: As you fucking want.
• 53:06
  Speaker 3: Thank you, man.
• 53:07
  Speaker 2: Wow, thank you so much.
• 53:08
  Speaker 3: I had no idea your dad is Eric Garcetti.
• 53:10
  Speaker 5: Yeah, don't lead with it. You lead with your dad?
• 53:13
  Speaker 4: Pluskin comes from the soul.
• 53:16
  Speaker 12: The way that music comes through.
• 53:21
  Speaker 4: That's what I call show business. Good night. Live from
• 53:26
  Speaker 4: the beautiful Dynasty Typewriters.
• 53:31
  Speaker 5: Check us out on the Patreon.
• 53:33
  Speaker 4: See you guys.
• 53:34
  Speaker 6: Give it up for Dynasty for.
• 53:36
  Speaker 4: Giving us this draw.
• 53:37
  Speaker 3: Yeah.
• 53:38
  Speaker 8: Bye.
• 53:39
  Speaker 3: Bye.
• 53:43
  Speaker 2: Artists on Artists on Artists on Artists is an improvised
• 53:46
  Speaker 2: Hollywood roundtable podcast created and hosted by Kylie Brakeman, Jeremy Colhane,
• 53:51
  Speaker 2: Angela Giratana, and Patrick McDonald. It is a production of
• 53:55
  Speaker 2: Will Ferrell's Big Money Players and iHeartMedia Podcasts. Executive produced
• 53:59
  Speaker 2: by Matt Apodaca and produced by Alexandra Dennis and Laser
• 54:02
  Speaker 2: Vision Productions. Music by Gabriel Ponton and edited by Connor McCain.
• 54:07
  Speaker 2: Thumbnail art is by Josh Fleury and logo design is
• 54:10
  Speaker 2: by Lucy Tomkiewicz. Special thanks to Samuel Curtis and the
• 54:13
  Speaker 2: beautiful Dynasty Typewriter Theater. The opinions expressed on this podcast
• 54:18
  Speaker 2: do not reflect the opinions of anyone who works on it,
• 54:20
  Speaker 2: not even the performers, because this is an improvised podcast
• 54:23
  Speaker 2: and we don't know what the heck we're talking about.
• 54:26
  Speaker 2: Full video versions of AOAOAOA are available on YouTube, so
• 54:29
  Speaker 2: please like and subscribe and leave us a five-star review
• 54:32
  Speaker 2: wherever you get your podcasts. That's all for now. Good night, Hollywood!