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Gilmore Girls Gazette: Parenthood: You Have a Nice Family (Season 3 E5 “Nora”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in again. Oh, I Am all in
• 0:18
  Speaker 1: again with Scott Patterson, an iHeartRadio podcast, Season three, episode
• 0:24
  Speaker 1: five of Parenthood. This episode is called Norprah and the
• 0:30
  Speaker 1: Baby Nora. The synopsis is Christina's rushed to the hospital
• 0:33
  Speaker 1: by an unlikely accomplice, while Julia and Joel received positive
• 0:37
  Speaker 1: news on a possible addition to their family. Jasmine's choice
• 0:40
  Speaker 1: of suitors begins to affect Crosby, while Sarah's excess threats
• 0:44
  Speaker 1: to disrupt her relationship with Mark. Meanwhile, Amber begins to
• 0:48
  Speaker 1: understand Max's mind and helps him mend his friendship with Jabar.
• 0:51
  Speaker 1: This episode was so so, so so good. I will say,
• 0:55
  Speaker 1: did not let me, did not make me cry, though
• 0:57
  Speaker 1: I like.
• 0:57
  Speaker 2: Got a little like. I love this. But let me
• 1:01
  Speaker 2: tell you the part that made me laugh the most?
• 1:04
  Speaker 2: What part made you laugh the most? As you drink
• 1:05
  Speaker 2: out of your Luke's mug.
• 1:08
  Speaker 1: A my favorite? The whole birth scene was hilarious, hilario. Agree,
• 1:13
  Speaker 1: loved it, loved it. I laughed harder at one other part,
• 1:17
  Speaker 1: Captain Morgan, Yes, but.
• 1:23
  Speaker 2: I still laughed harder another part. First of all, Jason Ridder,
• 1:29
  Speaker 2: You're amazing Jason Ridder, because that line could be so lame, right,
• 1:34
  Speaker 2: And it's the way he's like, look like like.
• 1:38
  Speaker 1: The way he delivers it. It's when he said it too.
• 1:40
  Speaker 1: But what okay, we'll get to that. You tell me
• 1:42
  Speaker 1: what was the funniest part.
• 1:43
  Speaker 2: Adam Braverman's out. Oh my god, when he came out,
• 1:49
  Speaker 2: I was like, I literally out loud, said oh no,
• 1:52
  Speaker 2: I don't know.
• 1:53
  Speaker 1: I was, well, you to take off the hat, take
• 1:55
  Speaker 1: off the bulldog.
• 1:57
  Speaker 2: What was the rap artist's name, mister Ray or something,
• 2:01
  Speaker 2: mister Ray. I love the whole thing.
• 2:04
  Speaker 1: It was. It was great. Well, let's start with Crosby
• 2:08
  Speaker 1: and Adam and the whole breathing thing or but first
• 2:11
  Speaker 1: the meeting. So the meeting, obviously they're they're trying to
• 2:16
  Speaker 1: secure the first artists at the recording studio. It's this
• 2:20
  Speaker 1: R and B rap artist.
• 2:22
  Speaker 2: I have to be team Crosby because, like in the
• 2:24
  Speaker 2: entertainment business a lot and I don't mean to be
• 2:27
  Speaker 2: like und the entertainment business, but like in the entertainment business,
• 2:30
  Speaker 2: a lot of times I'm like, the deal is closed,
• 2:33
  Speaker 2: but like we need to go have the meeting. And
• 2:35
  Speaker 2: Christina was so bent about it, and so is Adam,
• 2:38
  Speaker 2: and it's like, guys, this is how it works, but
• 2:40
  Speaker 2: they don't.
• 2:41
  Speaker 1: They don't know that, right, Like half of our world
• 2:43
  Speaker 1: is like this, like for example, or if you want to,
• 2:45
  Speaker 1: we know it's going to happen, but it's just not done. Ye,
• 2:48
  Speaker 1: it's not science sounds, but it's going to happen totally.
• 2:52
  Speaker 2: And so my thing is Crosby keeps saying trust me,
• 2:54
  Speaker 2: and I do think that Adam could trust him a
• 2:57
  Speaker 2: little bit more.
• 2:58
  Speaker 1: Right, So Crosby tells Adams was just rough about it, right,
• 3:03
  Speaker 1: but she's super pregnant and can't worship. She's also which,
• 3:07
  Speaker 1: by the way, I do have to call a red flagpropriate.
• 3:10
  Speaker 2: To say that anal probably inappropriate.
• 3:14
  Speaker 1: It's okay, said, yeah, since that's okay, it's fine. We
• 3:22
  Speaker 1: do have to call a red flag on ourselves because
• 3:25
  Speaker 1: somebody danmned me and said, Danielle, did.
• 3:27
  Speaker 2: We get something you wrong?
• 3:28
  Speaker 1: Yes. In one of the last of the most recent episodes,
• 3:33
  Speaker 1: they said, oh, you got one more month ago the daughter,
• 3:35
  Speaker 1: so implying that she is eight months pregnant. I guess
• 3:38
  Speaker 1: they waited till they were eight months to find out
• 3:40
  Speaker 1: if it was a boy or girl.
• 3:41
  Speaker 2: The timeline is weird.
• 3:42
  Speaker 1: Right, but somebody called me out on that, so I
• 3:45
  Speaker 1: had to say thank you for calling us out. I
• 3:47
  Speaker 1: appreciate it.
• 3:48
  Speaker 2: Not and not to bop around. But how great was
• 3:53
  Speaker 2: the unexpected storyline of Christina showing up at May Whitman's house.
• 3:59
  Speaker 2: Amber right, Rose apartment.
• 4:02
  Speaker 1: There, that's you don't just show up to somebody's house
• 4:05
  Speaker 1: and they could deal with my kid.
• 4:07
  Speaker 2: Aunties do aunties sometimes she's the ant? Yeah, and like
• 4:11
  Speaker 2: and then Amber said yes, And then Amber seems to
• 4:15
  Speaker 2: be as good as Minka Kelly. Right? Is this?
• 4:19
  Speaker 1: So? I you're right? And I had the same thought,
• 4:22
  Speaker 1: and I was like, I wonder if this sparks a
• 4:25
  Speaker 1: career journey for I can't remember, but it should, it should?
• 4:29
  Speaker 2: Yeah, yeah, did we have no Michael B. Jordan in this?
• 4:33
  Speaker 1: No, we didn't know.
• 4:34
  Speaker 2: We did not. You know, this is where you realize
• 4:37
  Speaker 2: they can't fit all the storylines in.
• 4:40
  Speaker 1: And so they started, right, we barely had Hattie. We
• 4:42
  Speaker 1: had Hattie Raby.
• 4:43
  Speaker 2: He didn't really have Hattie. This is where they started
• 4:46
  Speaker 2: to go like, we're squashing too much in right, right,
• 4:49
  Speaker 2: but how about welcome back John Corbett.
• 4:52
  Speaker 1: You came in like, oh, we're jumping around too much.
• 4:55
  Speaker 1: We got to get into the.
• 4:55
  Speaker 2: Oh sorry, sorry, sorry, okay, let me let me calm
• 4:57
  Speaker 2: it down. Comm it down.
• 4:58
  Speaker 1: So back to Crosby and ad let's just fit out.
• 5:01
  Speaker 1: So sure, sure, Adam. Crosby tells Adam he has to
• 5:04
  Speaker 1: be cooler for this meeting because these are cool people
• 5:06
  Speaker 1: that were.
• 5:06
  Speaker 2: Meeting on the coursed out that you've ever seen. My
• 5:09
  Speaker 2: life got terrific.
• 5:10
  Speaker 1: It was atrocious, a trurocious.
• 5:15
  Speaker 2: I will say. I thought there was some green screen
• 5:17
  Speaker 2: action happening when they walking on the street. Yeah, like
• 5:20
  Speaker 2: when they were going was rough because you know, they
• 5:23
  Speaker 2: wanted to show the hate sign right that we're supposed
• 5:26
  Speaker 2: to assume the luncheon nets in San Francisco, And I.
• 5:28
  Speaker 1: Was like, I was I agree. I was like, that
• 5:31
  Speaker 1: is a faky fake background I've ever seen, don't.
• 5:35
  Speaker 2: Yeah, they we didn't need to sign that much, So
• 5:38
  Speaker 2: that was weird.
• 5:39
  Speaker 1: What did you Okay? So Crosby Adam leaves the story
• 5:44
  Speaker 1: where you got all these clues and realizes he looks
• 5:46
  Speaker 1: like a damn fool, calls Crosby and was like, you
• 5:50
  Speaker 1: got to pick up clothes for me. I you just gotta.
• 5:53
  Speaker 1: Crosby comes barreling in get a Fightingsina, which we'll get
• 5:58
  Speaker 1: into liver.
• 5:58
  Speaker 2: And Christina is a bit of a pills sometimes.
• 6:00
  Speaker 1: I get it, fine, fine, of all of them, she's
• 6:03
  Speaker 1: kind of a pill and we gotta we gotta talk
• 6:06
  Speaker 1: about who's wrong in that fight with the of the pediatrician.
• 6:09
  Speaker 1: I guess I.
• 6:11
  Speaker 2: I'm sort of team Crosby again.
• 6:12
  Speaker 1: I'm team Crosby.
• 6:14
  Speaker 2: Yeah, I'm team Crosby a lot lately. Absolutely dating the pediatrician,
• 6:19
  Speaker 2: which we knew was gonna happen. I mean, I get it,
• 6:22
  Speaker 2: he's a hunk with a sweet Mercedes, But I mean,
• 6:26
  Speaker 2: how about them? Of all the gin joints, there's a
• 6:28
  Speaker 2: million restaurants in the Bay Area, and they both ended
• 6:30
  Speaker 2: up at the same one. I know, I Crosby's like,
• 6:33
  Speaker 2: I don't like to valet cheaping it out. And then
• 6:36
  Speaker 2: there's hot doc in his Mercedes.
• 6:39
  Speaker 1: Fancy opening the door. Wow, I know. And Jasmone looked great.
• 6:43
  Speaker 2: She looked gorgeous, totally, But dating the doctors a little weird.
• 6:48
  Speaker 1: It's so weird. I mean, has been so.
• 6:53
  Speaker 2: Ben out of shape about Monica Potter, Christina also wanting
• 6:56
  Speaker 2: the doctor. But I think he's right about like.
• 6:59
  Speaker 1: I think he right if that weren't life. No chance
• 7:03
  Speaker 1: my sisters kids would be digging a pediatrician that my
• 7:08
  Speaker 1: ex husband is dating.
• 7:10
  Speaker 2: What menopause? Minute, real quick, If anybody has tips for
• 7:13
  Speaker 2: frozen shoulder, let me know. Continue.
• 7:15
  Speaker 1: But anyway, so this leads to Crosby for Christina her
• 7:19
  Speaker 1: water breaking. While he's fighting with Crosby, Crosby has to
• 7:23
  Speaker 1: say Christina to the hospital. They're trying to get ahold
• 7:26
  Speaker 1: of Adam Adams driving service at the at the meeting.
• 7:31
  Speaker 2: You know.
• 7:33
  Speaker 1: Ever, that was a.
• 7:34
  Speaker 2: Little bit of a Three's Company episode. But fine, I
• 7:36
  Speaker 2: was okay, right.
• 7:37
  Speaker 1: Right, right, right right. So Crosby is like being with
• 7:40
  Speaker 1: Christina during the delivery.
• 7:42
  Speaker 2: That was a great It was a bit of a trope,
• 7:44
  Speaker 2: but a good trope.
• 7:45
  Speaker 1: Right. The baby was very good.
• 7:48
  Speaker 2: The baby was that was a very real birth.
• 7:52
  Speaker 1: Right, that was very good. I was like very I.
• 7:55
  Speaker 2: Don't want to be gross. I don't want to be gross.
• 7:58
  Speaker 1: The baby was like all the red stuff, like the yeah,
• 8:01
  Speaker 1: oh like.
• 8:02
  Speaker 2: Literally actually cut the umbilical cord.
• 8:05
  Speaker 1: And the size of the baby too, like it looked
• 8:07
  Speaker 1: like literally somebody gave birth and they like.
• 8:10
  Speaker 2: Just handed the gooey baby over.
• 8:12
  Speaker 1: Yeah. Yeah, because usually like we'll do things like that.
• 8:15
  Speaker 1: The baby is clearly smuntled, and you're like.
• 8:18
  Speaker 2: That cab was not just born, and that did not
• 8:20
  Speaker 2: seem like a rubber baby.
• 8:22
  Speaker 1: No, that was not a rubber baby that was.
• 8:24
  Speaker 2: Covered and goo. I bet it was a rubber baby,
• 8:26
  Speaker 2: because I don't think you can have it. That was
• 8:28
  Speaker 2: a real baby, Danielle. You think you could have an
• 8:30
  Speaker 2: actor baby covered in goo? No way, no way, You're
• 8:35
  Speaker 2: hiring a baby and you're gonna baby that was a babby.
• 8:38
  Speaker 1: That was one percent of real baby.
• 8:40
  Speaker 2: They allow babies to be covered in goo.
• 8:43
  Speaker 1: Did you see it wasn't anywhere near the face face
• 8:46
  Speaker 1: is completely They just put the completely.
• 8:49
  Speaker 2: Your mother, would you. Somebody's like, hey, Danielle, baby milo
• 8:56
  Speaker 2: mm hm uh, we're gonna pay you this much money
• 9:00
  Speaker 2: depends on a newborn baby, and we're gonna cover him
• 9:03
  Speaker 2: in jelly.
• 9:06
  Speaker 1: Here's the thing that's going straight into a college. You're
• 9:08
  Speaker 1: gonna say yes, I depending on the paycheck. I'm not
• 9:11
  Speaker 1: opposed to it.
• 9:12
  Speaker 2: Okay, the paycheck is like a lot, five thousand.
• 9:15
  Speaker 1: Dollars, I'm in I'll do it.
• 9:17
  Speaker 2: And they're like, we're gonna rub vasoline and strawberry jam.
• 9:20
  Speaker 1: On your kid, don't get it anywhere near his in
• 9:23
  Speaker 1: his mouth and take it off right after. And that
• 9:25
  Speaker 1: just goes straight into his college tuition.
• 9:37
  Speaker 2: Sidebar. I saw something on Instagram that said, you can
• 9:39
  Speaker 2: use vasaline on your eyelashes.
• 9:43
  Speaker 1: You can use slain it on any part of your body.
• 9:46
  Speaker 2: I know, but I won't want vacalin in my eyes.
• 9:50
  Speaker 2: You can use vascline part of your jack.
• 9:51
  Speaker 1: He says, you can take off your makeup of basoline.
• 9:54
  Speaker 2: Oh so gooey. It looked like that baby was covered
• 9:57
  Speaker 2: in vasiline, guys, and mixed with strawberry jam.
• 10:00
  Speaker 1: Scene. Yeah, but it would look good. It was great. Bravo.
• 10:03
  Speaker 1: Looks at the people that were doing that.
• 10:05
  Speaker 2: Was it the umbilical cord they cut her? Am I blurring?
• 10:08
  Speaker 2: That showed doc on facts? Okay, because sometimes that happens
• 10:11
  Speaker 2: where I'm like, whoa.
• 10:14
  Speaker 1: They did?
• 10:14
  Speaker 2: All right?
• 10:15
  Speaker 1: What's next? Friend, Seth? Oh god, oh.
• 10:21
  Speaker 2: My god, that was a scene. First of all, John
• 10:25
  Speaker 2: Corbett got a haircut.
• 10:26
  Speaker 1: Right he I guess dropped out of the band or
• 10:29
  Speaker 1: got fired right obviously.
• 10:31
  Speaker 2: So allegedly we're supposed to under believe that John Corbett.
• 10:34
  Speaker 2: Seth is drinking again, shows up at Sarah Braverman's drunk,
• 10:38
  Speaker 2: John Corbett looks better now, so I'm like, hmm, you
• 10:41
  Speaker 2: should have flipped the looks.
• 10:43
  Speaker 1: But except for the end.
• 10:45
  Speaker 2: Oh that was gnarly. I forgot about that. Oh my god. Okay, So,
• 10:49
  Speaker 2: first of all, John Corbett so so, Sarah Braveman's on
• 10:52
  Speaker 2: a cute date with Jason Ritter, and then there's Seth
• 10:55
  Speaker 2: drunk and Zeke comes out and just like, I mean,
• 10:58
  Speaker 2: I kind of get it. Zeke's sort of right. And
• 11:01
  Speaker 2: I also have to say Jason Ridder did the right
• 11:03
  Speaker 2: thing by not like inserting himself, by just sort of
• 11:06
  Speaker 2: hanging back making the joke about Captain Morgan. It broke
• 11:12
  Speaker 2: the ten chip. And then when she goes to see
• 11:14
  Speaker 2: him at school and sort of says like, do you
• 11:17
  Speaker 2: want to run away?
• 11:17
  Speaker 1: And he's like no, again, kissing at school.
• 11:20
  Speaker 2: I know too much. Kissing at school very very very
• 11:23
  Speaker 2: risky behavior. But yet I am so liking Jason Ritter
• 11:27
  Speaker 2: for her, even though I can't remember his name, Mark,
• 11:31
  Speaker 2: No Mark, thank you? But the end? Oh boy.
• 11:35
  Speaker 1: Yeah, So so we saw Seth.
• 11:38
  Speaker 2: But good good screen work, good directing director. I don't
• 11:43
  Speaker 2: know what you call it. You sort of subtly see
• 11:45
  Speaker 2: the Seth on her phone, right, and then you're like, oh, no,
• 11:50
  Speaker 2: she sound asleep. Answers gets up and I mean.
• 11:54
  Speaker 1: Oh boy, yeah, he's.
• 11:56
  Speaker 2: Like behind a dumb stir. I thought you would tell.
• 12:00
  Speaker 1: I was like, oh my god, thank god he's alive.
• 12:02
  Speaker 1: I thought I thought it was going dark. I was
• 12:05
  Speaker 1: ready for it to go dark dark.
• 12:07
  Speaker 2: Well, we knew he's alive because he called.
• 12:09
  Speaker 1: Right, but by the time she got there, Oh.
• 12:12
  Speaker 2: It was dark. I mean that was like a dark
• 12:14
  Speaker 2: turn for Parenthood.
• 12:15
  Speaker 1: Yeah, it was dark.
• 12:17
  Speaker 2: It was.
• 12:18
  Speaker 1: I mean, what do you make of it?
• 12:19
  Speaker 2: I mean, I think it tracks in that they wouldn't
• 12:23
  Speaker 2: be doing the storyline justice if we're too believed that
• 12:26
  Speaker 2: Seth was this really bad addict, right, drink or drugs,
• 12:30
  Speaker 2: the whole thing, so much so that she has to
• 12:33
  Speaker 2: like literally flee go home. And then suddenly he's sober
• 12:36
  Speaker 2: and she never again. So I say, bravo to the storyline. Right,
• 12:41
  Speaker 2: And it was rough.
• 12:42
  Speaker 1: You know, there was a lot too with the when
• 12:46
  Speaker 1: you know you Sarah overhears Zeke and Camille talking in
• 12:49
  Speaker 1: the kitchen and he's like, she can never stand up
• 12:54
  Speaker 1: to this guy, basically.
• 12:55
  Speaker 2: You know, like she's I also I thought It also
• 12:59
  Speaker 2: was like when they're like, you're gonna wake up Drew,
• 13:01
  Speaker 2: Drew's gonna know about this, and that is what a
• 13:03
  Speaker 2: mom would do, right, Please don't go to blows here
• 13:07
  Speaker 2: because I'm trying to protect my kid. Totally very realistic,
• 13:11
  Speaker 2: entire lots of realistic things in this episode. Not the
• 13:14
  Speaker 2: shots of San Francis, No, those are not good, and
• 13:18
  Speaker 2: not Adam Braerman's horrific and also.
• 13:20
  Speaker 1: Not Julia and Joel's storyline.
• 13:24
  Speaker 2: Thank you for bringing it up. I need somebody to
• 13:26
  Speaker 2: tell me, is that even illegal, you can't just like
• 13:30
  Speaker 2: give your baby to who you pick.
• 13:32
  Speaker 1: That's right. And then they're just like the way that
• 13:34
  Speaker 1: it all happened, like okay. So in this episode, Zoe
• 13:39
  Speaker 1: the latte girl, she basically confides in Julia for having
• 13:45
  Speaker 1: like she's ny Brox and Hicks, yeah, and you know,
• 13:48
  Speaker 1: Julia's like, we're taking you to the hospital, you know,
• 13:51
  Speaker 1: and and so they like have this like they bond.
• 13:54
  Speaker 2: They're watching Cupcake.
• 13:55
  Speaker 1: Julia brings her home because I think Julia realizes that
• 13:58
  Speaker 1: she doesn't have a safe place. Sent home to go
• 14:00
  Speaker 1: to her boyfriend kind of sucks, and she also like
• 14:03
  Speaker 1: keep her safe for a night or whatever.
• 14:05
  Speaker 2: It's all kind of dice, right.
• 14:08
  Speaker 1: So she does that, and Zoe sees that Joel is
• 14:13
  Speaker 1: freaking awesome. That is awesome, and that Julia is awesome, right,
• 14:19
  Speaker 1: which they are, right, and you know, she's she leaves,
• 14:24
  Speaker 1: she comes back and she just like knocks on the
• 14:26
  Speaker 1: door and she's like, you guys can have my baby.
• 14:30
  Speaker 2: And I mean, it's totally insane.
• 14:31
  Speaker 1: It's insane. But then like what happened after, Like they
• 14:35
  Speaker 1: just Zoe leaves and then Joel and they like hug
• 14:40
  Speaker 1: and embrace, and I'm like, like, if that happened to me,
• 14:42
  Speaker 1: I'd be like, what the hell just happened?
• 14:45
  Speaker 2: Honestly, I cannot remember how the storyline plays out and
• 14:48
  Speaker 2: nobody be mad, but I have this weird feeling of
• 14:51
  Speaker 2: what happens.
• 14:52
  Speaker 1: Does it not work out?
• 14:53
  Speaker 2: I think she keeps the baby.
• 14:55
  Speaker 1: Yeah, I'm getting that feeling right now, me too, as
• 14:58
  Speaker 1: somebody who hasn't watched it. I have a feeling that
• 15:01
  Speaker 1: he's going to promise the baby to Julia and then
• 15:04
  Speaker 1: when it comes time, Zo he actually keeps the baby.
• 15:08
  Speaker 2: That's what I remember, but I might be making that up.
• 15:10
  Speaker 1: Yeah, no, that I'm feeling that that's what I'm feeling.
• 15:13
  Speaker 2: This episode was chock full of a ton of stuff.
• 15:17
  Speaker 2: It was good, I mean it was it was good.
• 15:20
  Speaker 1: It was really good.
• 15:21
  Speaker 2: Did we end with Seth or did we end with
• 15:24
  Speaker 2: the we.
• 15:24
  Speaker 1: Had a baby end with We ended with Seth at
• 15:27
  Speaker 1: a dumpster, so we don't know what happened, like he's alive,
• 15:32
  Speaker 1: dark ending, but we don't know what happens after, just
• 15:34
  Speaker 1: that she found him by the dumpster.
• 15:38
  Speaker 2: Have you watched every sex in the city or no? No,
• 15:41
  Speaker 2: so me saying do you Big versus Aiden means nothing
• 15:43
  Speaker 2: to you.
• 15:44
  Speaker 1: I know it, I know it enough.
• 15:45
  Speaker 2: Do you have a choice?
• 15:47
  Speaker 1: Not really.
• 15:50
  Speaker 2: Interesting?
• 15:52
  Speaker 1: I know it. John Corbett plates Aiden.
• 15:54
  Speaker 2: Yeah, I used to be just so pro Big, and
• 15:56
  Speaker 2: now I'm sort of like it's.
• 15:58
  Speaker 1: The sweet one and Big as like the one that
• 16:00
  Speaker 1: everyone thinks she should be with. But he's a big tool.
• 16:03
  Speaker 2: Well I think a lot of people also don't think
• 16:04
  Speaker 2: she should be with Big, right. I see ongoing debate
• 16:07
  Speaker 2: for the for life bigger Aiden. Right, we all can relate.
• 16:11
  Speaker 2: We're all like Big or Aidan.
• 16:14
  Speaker 1: Right. Big is chemistry wise, the one that makes the
• 16:17
  Speaker 1: most more.
• 16:18
  Speaker 2: Little, more edgy, a little more riskier, hurts her more.
• 16:22
  Speaker 2: She hurts aiden. It's very complicated. This is a different
• 16:25
  Speaker 2: this is this listen if you want to right now?
• 16:29
  Speaker 1: All right, guys, what.
• 16:30
  Speaker 2: Am I giving it? Though? What am I giving it?
• 16:31
  Speaker 2: I'm gonna I'm gonna give it a nine point.
• 16:33
  Speaker 1: Eight Yeah, nine point seven. C g I took him down, Yeah,
• 16:37
  Speaker 1: a couple of notches. Baby took him on the jewel
• 16:40
  Speaker 1: and Julia thing, I I love everything till the hug.
• 16:44
  Speaker 1: Oh my god, I got a baby.
• 16:46
  Speaker 2: I love Joel when he's like, m maybe call first,
• 16:49
  Speaker 2: like Joel is so great.
• 16:50
  Speaker 1: Jeels asked me a question in the beginning, if you
• 16:55
  Speaker 1: can had to pick any of the guys, who would
• 16:57
  Speaker 1: be and I said, Crosby, I am eating my words
• 17:01
  Speaker 1: so hard. It is Joel, Joel, Joel, Joel, Joel.
• 17:06
  Speaker 2: Do yourself a favorite watch Handmaid's Tale. It's Joel again.
• 17:08
  Speaker 1: I have and I know he's great.
• 17:10
  Speaker 2: He's just I was like, he loves that woman deep
• 17:14
  Speaker 2: down in his soul, and I think she loves him,
• 17:16
  Speaker 2: but I can't think of her name. You know, the
• 17:18
  Speaker 2: main nemes Handmaid's Tale. I want to call it a Serena.
• 17:23
  Speaker 1: Is that name Serena?
• 17:25
  Speaker 2: Yep? All that makes me think of is Serena Vanderban Like, sorry, guys,
• 17:32
  Speaker 2: too much to talk about there, Wow, Braverman's out, y'all.
• 18:04
  Speaker 1: Hey, everybody, don't forget Follow us on Instagram at I
• 18:08
  Speaker 1: Am All In Podcast, and email us at Gilmore at
• 18:12
  Speaker 1: iHeartRadio dot com