Latest / Pink Shade: Reality TV with Mary Payne / 970 - 90 Day Fiance (s11e14) "All's Fair in Love and War" with Kimberly

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970 - 90 Day Fiance (s11e14) "All's Fair in Love and War" with Kimberly · Pink Shade: Reality TV with Mary Payne

• 0:13
  Speaker 1: Hey, everybody, welcome too, pink shade.
• 0:15
  Speaker 2: It's Tuesday.
• 0:16
  Speaker 3: It's TLC Tuesday.
• 0:18
  Speaker 1: I am here with the beautiful Kimberly, who has some
• 0:22
  Speaker 1: new word art behind her that says talk dateline too.
• 0:26
  Speaker 2: Let me try attention to it. It's mall. It doesn't
• 0:29
  Speaker 2: look good. Don't try attention to it. Pretend it's not there.
• 0:32
  Speaker 2: Thank you.
• 0:33
  Speaker 3: It's cute.
• 0:34
  Speaker 2: You know what you can do easy here.
• 0:36
  Speaker 1: It's really really cute. But you're right, it's tiny. It's
• 0:38
  Speaker 1: hard to see on camera. Yeah, but did you stitch
• 0:42
  Speaker 1: that yourself?
• 0:44
  Speaker 2: Yeah? I don't want to talk about it. Okay, all right, geez,
• 0:50
  Speaker 2: let's change the subject. Wow, okay. My sea shop is Stitches,
• 0:57
  Speaker 2: be crazy crazy with a K. I don't think I
• 0:59
  Speaker 2: have much left in stock. But you sold a bunch
• 1:03
  Speaker 2: of stuff before because you were trying to get Taylor
• 1:06
  Speaker 2: Swift Canadian tickets. Yeah, exactly. Yeah. I closed the shop
• 1:12
  Speaker 2: several years ago and then brought it back briefly, and
• 1:15
  Speaker 2: now it's still open. So stitches whatever. Fay guy's there.
• 1:20
  Speaker 1: Yeah, all right, all right, hey support small business owners guys.
• 1:24
  Speaker 2: I might restart it. I haven't decided yet. I don't
• 1:27
  Speaker 2: really enjoy stitching. That much anymore. I really just want
• 1:31
  Speaker 2: a diamond paint all the time, or knit like for fun?
• 1:37
  Speaker 2: Can you do stitches?
• 1:38
  Speaker 1: Be crazy, but change the description to have the word
• 1:41
  Speaker 1: diamond painting in it, and that way people search it
• 1:44
  Speaker 1: they'll find it.
• 1:45
  Speaker 2: Well I do, I'm not selling my diamond paintings. Therefore,
• 1:49
  Speaker 2: well then I can't myself or for friends.
• 1:52
  Speaker 1: Yeah, well then what are you going to do?
• 1:54
  Speaker 2: I don't know. I don't know what to tell you.
• 1:56
  Speaker 3: I don't know.
• 1:56
  Speaker 2: Just not not make money, she motivated. Not make money
• 2:01
  Speaker 2: from my craft. Just craft.
• 2:04
  Speaker 1: Your craft is your your voice and your humor.
• 2:07
  Speaker 2: That's your craft. Oh stop, I.
• 2:13
  Speaker 3: Know your terrible lisp.
• 2:16
  Speaker 1: We have heard, we have heard from many people that
• 2:20
  Speaker 1: agree that Kimberly does not have a list, never has
• 2:23
  Speaker 1: had a lisp, and didn't develop one in her forties.
• 2:26
  Speaker 2: She does not have a lisp, everybody.
• 2:27
  Speaker 1: So whoever wrote that on the review, we haven't forgot it,
• 2:31
  Speaker 1: and we also know it's not true.
• 2:33
  Speaker 2: So f off, No, that's terrible. I hope you're still
• 2:40
  Speaker 2: enjoying the other hosts.
• 2:42
  Speaker 1: That well, no no list, no non list be voices. Well,
• 2:46
  Speaker 1: you and Amy sound just alike, so that's.
• 2:48
  Speaker 3: I know, Amy's out too.
• 2:50
  Speaker 2: She enjoys He's just the.
• 2:52
  Speaker 1: Only one hang in there, Kisha. So speaking of that,
• 2:55
  Speaker 1: when when this hits your ears, everybody, I will have
• 3:00
  Speaker 1: been in New York with Keisha. We're going to New
• 3:03
  Speaker 1: York on Monday morning for the CLC party celebrating the
• 3:08
  Speaker 1: launch of ninety Day for Love.
• 3:12
  Speaker 2: And I, yeah, what did you guys call the Hunt
• 3:14
  Speaker 2: for Red October?
• 3:15
  Speaker 1: The Hunt for Red October? We've got lots of names
• 3:18
  Speaker 1: for it, but I was calling it Mexico House. I
• 3:21
  Speaker 1: was calling it the real World of ninety day. Anyway,
• 3:26
  Speaker 1: they settled on the Hunt for Love. I don't know
• 3:29
  Speaker 1: why it's called that. I don't know if there's gonna
• 3:31
  Speaker 1: be hunting games involved. It's going to be set in
• 3:35
  Speaker 1: a Safari setting in Mexico, Like, I don't know. Maybe
• 3:41
  Speaker 1: i'll find out at the party. Maybe i'll find out. Yeah,
• 3:44
  Speaker 1: Keisha's coming to meet me there.
• 3:45
  Speaker 2: Okay, So if you don't pair off with someone each week,
• 3:51
  Speaker 2: they just let a lion loose and then the lion
• 3:54
  Speaker 2: just takes out whoever's like not paired up.
• 3:59
  Speaker 1: Or I love that idea, Yeah, I love that idea.
• 4:04
  Speaker 1: I don't think that's going to happen. I don't even
• 4:06
  Speaker 1: think TLC would go that far.
• 4:08
  Speaker 3: Not yet, not yet.
• 4:10
  Speaker 2: We've been a couple of years.
• 4:11
  Speaker 3: We did see Joe Exotic on our Netflix. Okay.
• 4:16
  Speaker 1: I was talking to my son about that a couple
• 4:18
  Speaker 1: of days ago. He was here at the beach and
• 4:19
  Speaker 1: we were talking about Joe Exotic and we were talking
• 4:23
  Speaker 1: about Chump Crazy, and I was highly recommending that he
• 4:26
  Speaker 1: watched Chump Crazy because we were talking about little you know,
• 4:30
  Speaker 1: apes and chimps and how they're so much like people.
• 4:32
  Speaker 1: And he goes, they're so cute and everything. I go,
• 4:33
  Speaker 1: they are cute until they rip your face off.
• 4:36
  Speaker 2: Yeah. And then he.
• 4:37
  Speaker 1: Argued with me about Mike Tyson owning tigers and how
• 4:41
  Speaker 1: it was sleeping the bed with him, and I go, John,
• 4:43
  Speaker 1: I don't think any of that is true. I don't.
• 4:45
  Speaker 2: I don't.
• 4:46
  Speaker 1: I don't think even sick Forreen or Roy would have
• 4:47
  Speaker 1: a tiger sleep in the bed with them.
• 4:49
  Speaker 2: No, I don't think that's true.
• 4:51
  Speaker 1: And also one of them died by mauling. So yeah,
• 4:55
  Speaker 1: there are wild animals we have.
• 4:58
  Speaker 2: Yes, Yes, I thought I didn't think they died. I
• 5:00
  Speaker 2: thought they just got attacked. Did they actually die.
• 5:03
  Speaker 1: One of secreta and Roy died due to tiger attack.
• 5:10
  Speaker 1: I'm ninety nine percent sure, but she's going to get
• 5:12
  Speaker 1: out her phone too, fou.
• 5:14
  Speaker 3: Oh, I'm actually Mike Tyson tiger.
• 5:19
  Speaker 1: Okay, speaking of things that we googled this week, I
• 5:24
  Speaker 1: was very interested in this castle.
• 5:26
  Speaker 2: He did own pet tigers.
• 5:29
  Speaker 1: Mike Tyson had three. According to John Gilbert.
• 5:33
  Speaker 2: A tiger attempted to eat a neighbor's dog whoops. And
• 5:36
  Speaker 2: then the ASPCA got involved and they took the tigers away,
• 5:41
  Speaker 2: as they should, because Mike Tyson didn't need to have
• 5:43
  Speaker 2: tigers in his home.
• 5:46
  Speaker 3: Yeah.
• 5:47
  Speaker 2: Oh. A woman jumped his fence and tried to play
• 5:49
  Speaker 2: with the tigers, play with the tigers, and the tiger
• 5:54
  Speaker 2: attacked her.
• 5:55
  Speaker 1: Yeah, and I did because they're wild animals.
• 5:57
  Speaker 3: See she sued him.
• 6:01
  Speaker 1: Oh you know what, it sounds to me like he
• 6:04
  Speaker 1: had a lot of problems with the tigers in his house,
• 6:05
  Speaker 1: and so maybe you shouldn't have tigers in your house.
• 6:08
  Speaker 2: Maybe we shouldn't stop doing things that Mike Tyson did.
• 6:14
  Speaker 2: And it's not like the greatest person that we should
• 6:16
  Speaker 2: all be idealizing anyway.
• 6:18
  Speaker 1: Oh okay, and did you find out about Sickfreed and Roy.
• 6:21
  Speaker 1: Which of them was killed by God?
• 6:23
  Speaker 3: I can only look up one thing at a time.
• 6:26
  Speaker 2: Sick.
• 6:27
  Speaker 1: It seems like Google would have suggested that suggested that
• 6:32
  Speaker 1: story to you. Sick freed and Roy? Sickfreed or Roy
• 6:38
  Speaker 1: died by tiger mauling?
• 6:41
  Speaker 3: It is true.
• 6:42
  Speaker 2: No, one of them died from pancreatic cancer, okay?
• 6:47
  Speaker 1: Fine?
• 6:47
  Speaker 2: And one of them died from.
• 6:52
  Speaker 1: Bed while being malled by a tiger. No, he got COVID,
• 7:00
  Speaker 1: he got weak, he fell asleep.
• 7:02
  Speaker 2: Oh, I'm sorry, I'm sorry. One of them died from
• 7:06
  Speaker 2: Oh yeah, it says yeah, yeah, yeah, one guide from
• 7:10
  Speaker 2: COVID and one died from cancer, so neither died from Well.
• 7:16
  Speaker 1: That's not true. That's not true. That's not true. I'm
• 7:20
  Speaker 1: looking it up right now. Sig free fun for people?
• 7:25
  Speaker 3: Are they enjoying this?
• 7:26
  Speaker 2: Or Jean Roy tiger mauling? Okay.
• 7:32
  Speaker 1: In a well known incident during a two thousand and
• 7:35
  Speaker 1: three Las Vegas show, Roy was attacked by a white tiger,
• 7:40
  Speaker 1: leaving him leaving him paralyzed. Occurred during the show, and
• 7:44
  Speaker 1: Roy claimed the tiger mantlecor was trying to help him
• 7:48
  Speaker 1: after he had a possible stroke, and others have stated
• 7:52
  Speaker 1: the tiger bit into his neck and dragged him off
• 7:54
  Speaker 1: the stage. So anyway, the tiger left at Roy knocked
• 8:01
  Speaker 1: him down, bit into his neck and dragged him off
• 8:03
  Speaker 1: the stage, so they had to use a fire extinguisher
• 8:06
  Speaker 1: to deter the tiger. He was treated for his injuries
• 8:10
  Speaker 1: and uh that was the closure of their show and
• 8:14
  Speaker 1: raised questions about the safety of using wild animals. Zero performances.
• 8:17
  Speaker 1: So he didn't die, but he was in fact mauled
• 8:20
  Speaker 1: and uh deformed for life so well, and later died
• 8:26
  Speaker 1: of covid or pancreatic cancer.
• 8:28
  Speaker 2: One died of one thing and one kind of the
• 8:31
  Speaker 2: other thing.
• 8:32
  Speaker 1: Okay, well, guys, listen, this has been stimulating.
• 8:35
  Speaker 3: Let's I was going to.
• 8:36
  Speaker 2: Say, Tuesday Tiger Talk with Mary Payne and Kimberly. It's
• 8:42
  Speaker 2: a new segment we're trying out where we're talking about tigers. Yeah,
• 8:48
  Speaker 2: we're not going to ever touch on the show, now,
• 8:51
  Speaker 2: you know what.
• 8:51
  Speaker 1: Okay, speaking of that, like, so I did look up
• 8:54
  Speaker 1: and I sent to you. I don't know if you
• 8:56
  Speaker 1: had a chance to look at it, but I sent
• 8:58
  Speaker 1: to you the castle that Yeah, Don is trying to
• 9:02
  Speaker 1: pretend that he owns Yeah, I believe it's a twenty
• 9:05
  Speaker 1: million dollar property and it is a venue for weddings
• 9:08
  Speaker 1: and such, and Don does not own it. I saw
• 9:11
  Speaker 1: the two people that do own it. I don't know
• 9:13
  Speaker 1: if Don is the Airbnb host, but he doesn't own it.
• 9:19
  Speaker 2: No, I feel like he definitely rented it for the show.
• 9:22
  Speaker 3: And it's two hundred dollars an hour.
• 9:26
  Speaker 2: I look that up too. Yeah, yeah, I thought it
• 9:30
  Speaker 2: looked like a place where they do like renfares or
• 9:36
  Speaker 2: put putt golf. Yeah, medieval times.
• 9:40
  Speaker 3: It has an Instagram.
• 9:41
  Speaker 1: It has an Instagram page, the Mouleholland Castle Instagram page.
• 9:44
  Speaker 2: You can look it up.
• 9:44
  Speaker 1: You can find out there how to rent it.
• 9:46
  Speaker 2: Yeah. Yeah, it's too castley for me. It's that's tacky.
• 9:53
  Speaker 2: It's kitchy. I get why people would have events there,
• 9:57
  Speaker 2: yet I do not get why someone would actally want
• 10:00
  Speaker 2: to own it unless they have a very tiny penis.
• 10:04
  Speaker 2: But well, it's like the equivalent of word art. It
• 10:10
  Speaker 2: is just not for me.
• 10:12
  Speaker 1: When we get to I have when we get to them,
• 10:15
  Speaker 1: I have some fun facts about the castle.
• 10:17
  Speaker 2: Great. So this is just a basically, Dan is a
• 10:21
  Speaker 2: liar and a small small man, and I'm team Sarper
• 10:25
  Speaker 2: and I never thought I would say that, but that's
• 10:27
  Speaker 2: where we are twenty twenty five Team Sarper.
• 10:30
  Speaker 1: And when you say small, you don't mean short, because
• 10:32
  Speaker 1: I recently got some criticism for calling somebody a short
• 10:35
  Speaker 1: king and saying somebody was short.
• 10:37
  Speaker 2: So no, I mean he's the smallest man who ever lived.
• 10:41
  Speaker 2: That sort of small.
• 10:44
  Speaker 1: He's small minded, he's small in his ego.
• 10:48
  Speaker 2: He's small, he's insignificant. He is a petty he is.
• 10:54
  Speaker 1: You're not talking about his physical height.
• 10:56
  Speaker 3: No, who would I be to talk about if someone's fit?
• 11:00
  Speaker 1: Not you? You are Amy Archer. May not talk about anyone's
• 11:03
  Speaker 1: physical height because you are too short. Queens, Yeah, yes
• 11:07
  Speaker 1: you are. And I love a short king too, that's right.
• 11:10
  Speaker 1: But is that to call somebody a short king?
• 11:13
  Speaker 2: I think it is. Well, it's a positive spin on
• 11:18
  Speaker 2: something that used to have a negative connotation. So I
• 11:22
  Speaker 2: like it. Okay, Well, I have some listeners that didn't
• 11:25
  Speaker 2: like it. So I don't want to talk about aybody's height. Okay,
• 11:30
  Speaker 2: let's go. Let's let's let's.
• 11:31
  Speaker 1: Get away from that subject.
• 11:33
  Speaker 2: You're okay with you're talking about people's teeth.
• 11:36
  Speaker 1: But no, no, they're not okay with that either. But
• 11:39
  Speaker 1: they've come to accept it. They've come to accept that
• 11:44
  Speaker 1: I am obsessed with teeth.
• 11:47
  Speaker 2: Right, But we're a line on talking about someone's height.
• 11:51
  Speaker 1: Okay, Yeah, you're drawing the line and talking about a
• 11:54
  Speaker 1: man's height because it seems that I am belittling them
• 11:57
  Speaker 1: as a man. But I'm just saying, if you're an asshole,
• 12:02
  Speaker 1: I can make fun of whatever I want about you.
• 12:05
  Speaker 2: Yeah, if you're a bad person. I'm kind of big
• 12:08
  Speaker 2: I might make fun of Big Ed's neck once in
• 12:11
  Speaker 2: a while, and normally I wouldn't do that, but he
• 12:13
  Speaker 2: has brought it upon himself.
• 12:15
  Speaker 1: I agree his behavior. Agree, I agree. That's how I
• 12:19
  Speaker 1: feel about these shows. I won't make fun of you
• 12:21
  Speaker 1: till you give me reason to, and then when I do,
• 12:22
  Speaker 1: it's going to be bad, and I'm sorry.
• 12:24
  Speaker 3: Yeah.
• 12:24
  Speaker 2: Now, Katie thinks that I am not allowed to body
• 12:27
  Speaker 2: shame murderers on our show, So she's wrong with that.
• 12:32
  Speaker 2: I think she's wrong, but she will edit it out
• 12:34
  Speaker 2: if I ever knew.
• 12:36
  Speaker 1: So that's the problem with Katie is that she has
• 12:38
  Speaker 1: a heavy editing hand, and she will edit the shit
• 12:42
  Speaker 1: out of something to make it to make.
• 12:44
  Speaker 3: It look like nothing.
• 12:47
  Speaker 1: Was that God something you guys said on this latest
• 12:49
  Speaker 1: episode a week ago or so about the the Idaho
• 12:54
  Speaker 1: four something that you said, and it was not nothing
• 12:58
  Speaker 1: about it is funny at all, obviously, and I am going,
• 13:02
  Speaker 1: you know, I'm I'm an expert on this that case,
• 13:04
  Speaker 1: not quite as much as hear and read, but but Coburger,
• 13:07
  Speaker 1: I'm getting close. Something you guys said on that episode
• 13:11
  Speaker 1: was so funny that I screamed out loud laughing, and I.
• 13:14
  Speaker 3: Wish I could remember what.
• 13:15
  Speaker 1: I'm like, Oh, that's great. It was so fucking funny.
• 13:19
  Speaker 2: Did Katie Leavin me talking about the one lady who
• 13:22
  Speaker 2: was barefoot when she was being interviewed by Keith Morrison?
• 13:26
  Speaker 2: I think she edited that part out And no, they
• 13:31
  Speaker 2: were both sitting on opposite sides of like a counter,
• 13:35
  Speaker 2: like a kitchen counter type.
• 13:36
  Speaker 1: Yeah.
• 13:36
  Speaker 2: Yeah, she was an extremely well dressed woman, yes, but barefoot.
• 13:41
  Speaker 2: And I noticed she was barefoot, Yes, I didn't. I
• 13:44
  Speaker 2: don't think she thought there was going to be a
• 13:46
  Speaker 2: wide shot that was ever used, but they used. She
• 13:50
  Speaker 2: wasn't wearing shoes, and I thought, I don't know if
• 13:56
  Speaker 2: I can talk normally in any other episode, I would
• 13:59
  Speaker 2: talk about that, And I tried to talk about it,
• 14:01
  Speaker 2: and Katie She's like, no, we can't talk about that.
• 14:04
  Speaker 1: Oh well, she wasn't like.
• 14:07
  Speaker 2: A victim's family or anything. She knew one of the victims,
• 14:10
  Speaker 2: but like, yeah, she's being interviewed by Keith Morrison. Push
• 14:14
  Speaker 2: some shoes on a girl. But I don't blame her
• 14:17
  Speaker 2: because I really think she didn't think they were going
• 14:20
  Speaker 2: to use her that ankle.
• 14:22
  Speaker 3: I agree, I agree.
• 14:23
  Speaker 1: She has to assume they're not going to shoot to
• 14:25
  Speaker 1: the side because we're both Yeah, yes, but she also
• 14:29
  Speaker 1: maybe had some other shoes on to do some of
• 14:30
  Speaker 1: that be roll where they look out the window and stuff,
• 14:33
  Speaker 1: and maybe maybe her feet retire, which I get. We
• 14:35
  Speaker 1: all get to get them there.
• 14:37
  Speaker 2: Yeah, yeah, like on ninety day at the tell all,
• 14:39
  Speaker 2: they're always walking around in slippers in their downs.
• 14:43
  Speaker 1: Very concerned about my shoes for h New York because
• 14:46
  Speaker 1: I've never worn them before, and I just, oh, God,
• 14:48
  Speaker 1: threw them in my bag to bring to the beach.
• 14:50
  Speaker 3: That'd be great.
• 14:51
  Speaker 1: And then now as the days of gone by, I'm like,
• 14:53
  Speaker 1: why did I do that? Can I buy some new shoes?
• 14:55
  Speaker 1: Is there a Northstern rack close to my hotel? Can
• 14:58
  Speaker 1: I go buy some gentle souls.
• 15:01
  Speaker 2: I'm very nervous for you might give some insuls, like
• 15:06
  Speaker 2: some Gellin insults or something at CVS.
• 15:09
  Speaker 1: I might have to. I might have to.
• 15:11
  Speaker 2: By the way, Amy can, I'm so sorry, Amy said.
• 15:14
  Speaker 2: I was listening to an older episode about I think
• 15:17
  Speaker 2: it was Last Resort to Tell All with Amy, and
• 15:20
  Speaker 2: she said the funniest thing that I had never thought about,
• 15:23
  Speaker 2: and you did not seem to appreciate it. She's talking
• 15:26
  Speaker 2: about how Sean is always like, thanks for joining us,
• 15:30
  Speaker 2: you know, we'll be right back. And then we see
• 15:32
  Speaker 2: the break where they're just walking around eating their food
• 15:35
  Speaker 2: in between filming the show. But she's like, who is
• 15:40
  Speaker 2: the show for then, because we're all seeing this. So
• 15:43
  Speaker 2: she's like, it's implying there we're seeing like the special
• 15:47
  Speaker 2: in between footage when they're just like just talking. But
• 15:52
  Speaker 2: there's another show like that just has the tell all part, Right,
• 15:57
  Speaker 2: that's not the case, So so why do they do this?
• 16:01
  Speaker 2: Ruth of Okay, let's get started rolling filming, like why.
• 16:06
  Speaker 1: Do No, it's a great point, but what am I
• 16:09
  Speaker 1: gonna do about it? It's it's it's too meta for
• 16:11
  Speaker 1: me to to solve this. It's too it's too big
• 16:15
  Speaker 1: for me to solve. They do it on Housewives Reunions too.
• 16:17
  Speaker 1: They'll show them we're going to break, and then ninety
• 16:20
  Speaker 1: percent of the time they go to break and they
• 16:21
  Speaker 1: come back, but ten percent at the time they'll show
• 16:25
  Speaker 1: and he's like looking at his phone and going like
• 16:26
  Speaker 1: what or or some girls talking to their makeup urts
• 16:29
  Speaker 1: like can you believe she said that? You know? And
• 16:32
  Speaker 1: they will show that, and and I'd never thought about before,
• 16:34
  Speaker 1: but it is too big for me to think of, Like,
• 16:38
  Speaker 1: you're right, but I don't know the answer.
• 16:40
  Speaker 2: Yeah, because you just seemed like you didn't want to
• 16:43
  Speaker 2: continue the conversation with Amy, and I was like, no, wow,
• 16:46
  Speaker 2: I she's right. I never thought she's right.
• 16:50
  Speaker 1: She's totally right. But in the words of Sean Robinson,
• 16:52
  Speaker 1: we're not going to solve this today. We have to
• 16:56
  Speaker 1: keep it going.
• 16:57
  Speaker 2: I wish you the best of it, and I wish
• 16:59
  Speaker 2: you must have luck.
• 17:00
  Speaker 1: Amy and Kimberly trying to figure out this larger problem
• 17:04
  Speaker 1: of tell All's on television. I don't know.
• 17:06
  Speaker 2: Oh my god, Okay, let's do this. Okay, let's do
• 17:09
  Speaker 2: let's do it.
• 17:09
  Speaker 1: I'm gonna, I'm gonna, I'm gonna write down the time
• 17:11
  Speaker 1: that we're starting. I'm gonna do it right now.
• 17:13
  Speaker 2: Okay.
• 17:14
  Speaker 1: Season eleven, episode fourteen, All's fair in love and war.
• 17:19
  Speaker 1: So what guess what we're starting with?
• 17:21
  Speaker 3: Your person?
• 17:22
  Speaker 1: I should have warned you. It's Greg and Joan and
• 17:24
  Speaker 1: and oh my Lucille her her white twin. Joan and
• 17:29
  Speaker 1: Lucille look alike. And I'm never where I got to look.
• 17:33
  Speaker 1: I'm never gonna get I took a lot of screenshots
• 17:35
  Speaker 1: in my computer. I was like, I'm gonna do this
• 17:36
  Speaker 1: to prove my point.
• 17:38
  Speaker 2: Okay, thank you? Can you post them please? Or say
• 17:40
  Speaker 2: that to me? Yeah? Well, so, yeah, we always know
• 17:43
  Speaker 2: it's Greg scene when we get that hip hop music,
• 17:45
  Speaker 2: Like that's when I pull out my computer, my computers
• 17:48
  Speaker 2: to the side of me, and then I hear hip
• 17:50
  Speaker 2: hop music and I'm like, okay, I'm ready. So Joan
• 17:53
  Speaker 2: is cooking, and Joan and Lucille are going like Greg
• 17:57
  Speaker 2: is going to be late, like b BA, but.
• 17:59
  Speaker 3: He's gonna it's his first day of work. He's gonna
• 18:01
  Speaker 3: you know. So then Lucille is like.
• 18:04
  Speaker 2: Gregory, are you going to work today? You're gonna be late.
• 18:08
  Speaker 2: And then I was like, Joan, this is your future.
• 18:12
  Speaker 2: Pay attention. This will be you mothering both Greg and
• 18:18
  Speaker 2: your future children. Like you'll be yelling at Greg to
• 18:21
  Speaker 2: hurry up for work and the kids for school. This
• 18:24
  Speaker 2: is your life. Look in the mirror. Maybe they do
• 18:27
  Speaker 2: look alike, and that will be you.
• 18:31
  Speaker 1: These two women fretting over this grown, rown, live man
• 18:38
  Speaker 1: about getting ready for work on his first day of
• 18:41
  Speaker 1: work and packing his lunchbox as if he was five.
• 18:44
  Speaker 1: It was his first day of kindergarten. And the mom
• 18:46
  Speaker 1: and the grandma were.
• 18:47
  Speaker 2: Like, he was so cute and little. Please get your clothes,
• 18:49
  Speaker 2: here's your lunchbox. I got you an extra ge stick.
• 18:51
  Speaker 1: It was a thirty five year old man.
• 18:54
  Speaker 3: It's crazy.
• 18:55
  Speaker 2: So Greg comes down the stairs and he goes, I
• 18:58
  Speaker 2: should be fasting. I've been fast because I've been gaining weight.
• 19:02
  Speaker 2: And I don't think he's been fast. Has he really
• 19:05
  Speaker 2: been fast?
• 19:06
  Speaker 1: Haven't?
• 19:07
  Speaker 2: We don't know. So the two women in his life
• 19:10
  Speaker 2: are packing his lunch and Joan they go to the door.
• 19:14
  Speaker 2: Joan carries his lunch box, his lunch bag for him
• 19:18
  Speaker 2: and walks him to the door, and Lucille is killing
• 19:21
  Speaker 2: bugs with one of those electric bug Those are fun
• 19:26
  Speaker 2: water thing, and so Greg and Joan are at the door.
• 19:29
  Speaker 2: They're kissing, and Lucille like, pops, I'm gonna sneeze. She's
• 19:35
  Speaker 2: gonna see he's at you. Here she goes and she's
• 19:38
  Speaker 2: getting it out.
• 19:38
  Speaker 1: There goes Okay, whoo, that was a good one.
• 19:42
  Speaker 3: Who So the plate Sneeze show.
• 19:48
  Speaker 2: So they're at the door kissing and Lucille no joke,
• 19:52
  Speaker 2: like pops her head around the corner like here's Lucille
• 19:57
  Speaker 2: like fully the shining, like, stop kissing, you're gonna be late, Gregory,
• 20:02
  Speaker 2: you're still here, get it, stop smooching.
• 20:04
  Speaker 3: So they do you feel.
• 20:06
  Speaker 1: That she says his name an unusual amount of times
• 20:09
  Speaker 1: that people say the name after saying something.
• 20:11
  Speaker 2: Like yes, Mary Payne, I do think that, and it's
• 20:14
  Speaker 2: it's weird.
• 20:15
  Speaker 1: Kimberly, Yeah, I don't like it.
• 20:18
  Speaker 2: I've thought about it on dateline too, like because sometimes
• 20:21
  Speaker 2: the people will call the hosts their names and it
• 20:23
  Speaker 2: really bothers me may be like, well Keith, like Lori
• 20:27
  Speaker 2: Vello did or well Josh, and I'm like no, no, no,
• 20:30
  Speaker 2: you're not friends with them. Don't do that. Laurie Valade
• 20:34
  Speaker 2: barely do that. She was the worst, She was the
• 20:37
  Speaker 2: biggest offender. Yeah, she was. She was trying so hard
• 20:41
  Speaker 2: to be like, do you have you heard of love
• 20:42
  Speaker 2: after lock up?
• 20:43
  Speaker 1: Do you want a prison girlfriend? She was trying too hard. Yes, yeah.
• 20:47
  Speaker 2: So Greg is nervous, he's gonna go, So he leaves,
• 20:51
  Speaker 2: and they're all like, make good choices, Gregory, I hope
• 20:55
  Speaker 2: you make some friends today, you know, like the two moms.
• 20:58
  Speaker 2: It's like he is like too late. Lesbian moms like
• 21:01
  Speaker 2: wishing him off to school, like he's safe on the playground.
• 21:05
  Speaker 3: So Greg is very nervous.
• 21:07
  Speaker 2: He doesn't know how to talk to a boss because
• 21:09
  Speaker 2: he hasn't had a boss since before COVID. I think
• 21:12
  Speaker 2: what happened was COVID like he did have like a
• 21:15
  Speaker 2: big boy job for a second, but then COVID stopped
• 21:18
  Speaker 2: and he's like, I have to stay home and take
• 21:21
  Speaker 2: care of my mother, you know.
• 21:23
  Speaker 1: And so they were driver, So what does he have
• 21:25
  Speaker 1: to take she has a job.
• 21:27
  Speaker 2: I think it's what he tricked himself so that he
• 21:29
  Speaker 2: could just hang out at home and sweat into pastries
• 21:33
  Speaker 2: and like pretend that he's starting his bakery business. So
• 21:39
  Speaker 2: I think he used COVID as an excuse. So he
• 21:42
  Speaker 2: is said, I've had nine to five's but never a career.
• 21:45
  Speaker 2: I'm nervous, like, will I be awkward with my coworkers?
• 21:49
  Speaker 2: Like what will we talk about? Are they do they
• 21:51
  Speaker 2: live with their mothers?
• 21:53
  Speaker 1: Do so?
• 21:55
  Speaker 2: And then he flips a lucky coin, which we've never
• 21:57
  Speaker 2: seen him do before.
• 21:58
  Speaker 1: Okay, and there was no explanation of it either.
• 22:02
  Speaker 2: It didn't like he seemed to be satisfied with what
• 22:05
  Speaker 2: it landed on. Is it like a two Maybe it's
• 22:09
  Speaker 2: a two headed coin? So like, either way, good luck?
• 22:12
  Speaker 1: Or I've just never seen somebody say, like in the car,
• 22:15
  Speaker 1: like I'm gonna flip the coin, So that means I'm starting,
• 22:17
  Speaker 1: you know what I mean, like every time?
• 22:18
  Speaker 3: But like what happens?
• 22:19
  Speaker 2: Yeah? Like, but what happens if it lands on one
• 22:22
  Speaker 2: side versus the other?
• 22:23
  Speaker 3: Like, what are the rules of this game? Gregory?
• 22:27
  Speaker 1: We didn't find her, Gregg.
• 22:29
  Speaker 2: Yeah. So then at home, Joan asked Miss Lucille that's
• 22:35
  Speaker 2: what she calls her now, Miss Lucille, to take her
• 22:37
  Speaker 2: to get her dress altered. She wants a dress to
• 22:40
  Speaker 2: show her curves when she twerks she's love it. Yes,
• 22:45
  Speaker 2: So Lucille tells us, Okay, I'm gonna take her to
• 22:48
  Speaker 2: get her dress altered today is a stepping stone in
• 22:52
  Speaker 2: Joan and I becoming closer. They're like really doing a
• 22:54
  Speaker 2: build up. This is a bonding moment for a daughter
• 22:57
  Speaker 2: in law and a mother. This is gonna be the
• 22:59
  Speaker 2: best day of our relationship so far. And then in
• 23:02
  Speaker 2: the car, Lucille goes, so you want me to come
• 23:06
  Speaker 2: in and help you, and Jone says, well, I'd love to,
• 23:09
  Speaker 2: but my family will be on video and I just
• 23:12
  Speaker 2: really want them to be the first ones to see
• 23:14
  Speaker 2: the dress, like it's a special moment. And then she
• 23:17
  Speaker 2: tells us, you know, I really miss my family. I'm
• 23:19
  Speaker 2: planning a wedding without them, so I want this moment
• 23:22
  Speaker 2: with my family, which does make sense, yes, but also
• 23:26
  Speaker 2: it's kind of a dick move to have Lucille drive
• 23:29
  Speaker 2: you and then to make her leave and not even
• 23:31
  Speaker 2: come in the shop.
• 23:33
  Speaker 1: I think it would have been fine for her just
• 23:34
  Speaker 1: to sit there. It doesn't mean that somebody's seeing the
• 23:38
  Speaker 1: dress first or whatever. She could have just sat there
• 23:40
  Speaker 1: and just been quiet while they're doing the FaceTime or whatever.
• 23:43
  Speaker 2: You know, right, except what, Lucille's not going to be quiet?
• 23:46
  Speaker 2: Well that's true, but could she have done like first
• 23:50
  Speaker 2: looks with the screen and then walks out, and then
• 23:53
  Speaker 2: Lucille can see it, so Lucille gets to see it second,
• 23:57
  Speaker 2: but Lucille still gets to see it. I never thought
• 24:00
  Speaker 2: I'd be on Lucille's side either, but twenty twenty five,
• 24:04
  Speaker 2: so she Lucille's pissed. She says, I'm very hurt. I
• 24:08
  Speaker 2: must say it's hurtful. I feel hurt. I feel rejected
• 24:12
  Speaker 2: and disrespected and worthless. But there's always payback. And then
• 24:19
  Speaker 2: she laughs, Oh my god, it's so funny. She canna
• 24:24
  Speaker 2: murder Joan. What's gonna happen?
• 24:26
  Speaker 1: No, I think next week when they go to the
• 24:29
  Speaker 1: bachelorette party, I think she's gonna get photos of her
• 24:32
  Speaker 1: in a compromising position. That's what I think she's planning.
• 24:35
  Speaker 1: When I saw the previous for next week, I was like, Oh,
• 24:37
  Speaker 1: that's what she's gonna do.
• 24:39
  Speaker 2: Greg won't care if Joan they were hanging out with
• 24:42
  Speaker 2: female dancers, right, so.
• 24:46
  Speaker 1: Greg won't care. Well, she's gonna do something he's not.
• 24:49
  Speaker 3: He's not what's his name, Maddie, He's not gonna care.
• 24:53
  Speaker 1: Maybe you know what she's gonna do. Maybe she's gonna
• 24:55
  Speaker 1: put a a a regular on the shower so that
• 25:01
  Speaker 1: it cuts off after it cuts off, Each shower can
• 25:05
  Speaker 1: only be three minutes. You could take as many as
• 25:07
  Speaker 1: you want, but they're only three minutes.
• 25:08
  Speaker 2: You know. It's funny. I did notice that, Joan, I mean,
• 25:12
  Speaker 2: Lucille has giant solar panels on her roof. If that
• 25:16
  Speaker 2: is indeed the establishing shot of her house, So why
• 25:20
  Speaker 2: is she so worried about her energy bill all the time.
• 25:24
  Speaker 1: She's got to pay for those solar panels. It's very
• 25:26
  Speaker 1: expensive to install.
• 25:27
  Speaker 2: Those, yes, but you start to make up for it
• 25:30
  Speaker 2: by saving in your electricity bill.
• 25:33
  Speaker 1: Maybe not right away, I don't know. Maybe she had
• 25:35
  Speaker 1: Greg put them on. I don't know.
• 25:37
  Speaker 2: They're not even hooked up. He's not a licensed contractor everybody.
• 25:43
  Speaker 1: All I know is Amy Archer's husband not only built
• 25:46
  Speaker 1: the home they live in, he also puts solar panels
• 25:50
  Speaker 1: on their roof by himself.
• 25:52
  Speaker 3: That's hot.
• 25:53
  Speaker 2: Well, I don't tell.
• 25:55
  Speaker 1: I won't telling Amy. Use that that continue.
• 25:59
  Speaker 2: So she calls her family, she gets the dress on,
• 26:03
  Speaker 2: she's gonna video call. So we do learn that they
• 26:06
  Speaker 2: officially are not going to come to the wedding because
• 26:09
  Speaker 2: there are no visa appointments at the embassy. So that's
• 26:14
  Speaker 2: really sad, it really is, because there was hope before
• 26:17
  Speaker 2: that they might be able to make it.
• 26:18
  Speaker 3: So she comes out, she looks beautiful.
• 26:20
  Speaker 2: The dress is very Joan, It's like exactly what I
• 26:23
  Speaker 2: would picture her wearing. And she's dancing and showing off
• 26:26
  Speaker 2: her butt and she says, you gone in ass and I
• 26:29
  Speaker 2: was like, that is a small butt. I don't know why,
• 26:32
  Speaker 2: like not in a bad way. It's just like she's
• 26:34
  Speaker 2: acting like she's like Nicki Minaj or something.
• 26:38
  Speaker 1: But she said, you gone in sauce.
• 26:41
  Speaker 3: Sauce is what she said. Pattier, but.
• 26:47
  Speaker 1: Killed to have a butt like that. My butt is
• 26:49
  Speaker 1: flat like a pancake. I would love to have just
• 26:52
  Speaker 1: some kind of curry butt like that.
• 26:55
  Speaker 2: She's just a gorgeous person, yes, overall, she really is.
• 27:00
  Speaker 2: So they talk about how sad they are that they
• 27:03
  Speaker 2: can't be at the wedding, and her niece on the
• 27:05
  Speaker 2: video chat starts crying because she wanted to be the
• 27:08
  Speaker 2: flower girl. I thought that. Then I got the idea.
• 27:11
  Speaker 2: Could they set up like a secondary a satellite wedding
• 27:18
  Speaker 2: in Uganda and have everyone dress up there and have
• 27:23
  Speaker 2: a camera and then they could watch it live and
• 27:27
  Speaker 2: like Kylie, the little girl can walk down and do
• 27:30
  Speaker 2: the flower like girl the whole thing. Would that be cheesy?
• 27:33
  Speaker 2: Would that make everyone more sad that they're not actually
• 27:35
  Speaker 2: there or would they feel like they were there?
• 27:38
  Speaker 1: Well, I don't know what the time difference is, but
• 27:39
  Speaker 1: you're gonna get everybody up, like in the middle of
• 27:41
  Speaker 1: the night or four in the morning, like you don't know,
• 27:43
  Speaker 1: you know, or is it ten o'clock at night when
• 27:46
  Speaker 1: they the wedding would be you know what I mean?
• 27:48
  Speaker 1: It might just be better for them to observe it
• 27:51
  Speaker 1: and then have a second wedding where everybody can could
• 27:53
  Speaker 1: participate in Uganda once they they're established. Yeah, like a
• 27:57
  Speaker 1: year a year or later, like remember.
• 28:00
  Speaker 3: Has sold enough buns to get them back to you? Right,
• 28:03
  Speaker 3: Andre and Libby did that.
• 28:05
  Speaker 1: They had like a second wedding in Moldova, but it
• 28:07
  Speaker 1: was like two years later, but it was him, Yeah.
• 28:10
  Speaker 2: Also paid for right and Charlie started a fistfight.
• 28:16
  Speaker 1: At well, Charlie is a drug addict, drunk, he'th a
• 28:20
  Speaker 1: only fans, allegedly.
• 28:21
  Speaker 2: So Joan is crying and she says, I'll be with
• 28:24
  Speaker 2: strangers on my wedding day. That's kind of sad, and
• 28:27
  Speaker 2: I was like, oh, does she have no friends there?
• 28:29
  Speaker 2: We haven't seen her with friends. We've seen her with
• 28:31
  Speaker 2: John and John and other John and John, but we
• 28:35
  Speaker 2: haven't seen her with any girlfriends. But then in next
• 28:38
  Speaker 2: weeks it looks like they are girls at her bachelorette party.
• 28:41
  Speaker 2: So I hope she has some friends.
• 28:43
  Speaker 1: At least maybe the four John's have girlfriends that she
• 28:46
  Speaker 1: can be friends with. Yeah.
• 28:49
  Speaker 2: Maybe, I bet there's a Ugandan community in New York.
• 28:54
  Speaker 1: Yeah, they're in a big area, Long Long Island. I
• 28:57
  Speaker 1: just can't help, but I have to stop with the accents.
• 28:59
  Speaker 2: Terrible it. I know. I'm sorry, as I've already done.
• 29:03
  Speaker 2: Lucy fifty.
• 29:05
  Speaker 3: I love your New.
• 29:06
  Speaker 1: York accents so much. That's why I wanted you to
• 29:08
  Speaker 1: do them, because it's so much better than mine. Okay,
• 29:12
  Speaker 1: we can move on to a Chicina.
• 29:15
  Speaker 3: That's our done.
• 29:18
  Speaker 1: I'm done. And his fake castle. So they're they're walking around.
• 29:22
  Speaker 1: He's like, oh, la, weather, make me so happy. So
• 29:26
  Speaker 1: they go get some food. It didn't seem to be
• 29:27
  Speaker 1: butter laden steak. It seemed to be real food.
• 29:30
  Speaker 2: I was expecting them to go to the counter and say,
• 29:33
  Speaker 2: can I get a latte and a stick of butter please.
• 29:37
  Speaker 2: But that didn't happen. So they're like eating real food.
• 29:41
  Speaker 1: Yeah, so maybe she's like, my hair is falling on.
• 29:43
  Speaker 1: We got to get some real food.
• 29:45
  Speaker 3: God.
• 29:45
  Speaker 1: Yeah. So I'm on, babe, come on, babe, I need
• 29:49
  Speaker 1: some new food. So they get some food and they're
• 29:53
  Speaker 1: chatting about his comedy debut and over and over, she's like, babe,
• 29:56
  Speaker 1: it was so great, Like baby, were so brave, like
• 29:59
  Speaker 1: people there doing it for years and you just went
• 30:01
  Speaker 1: up there and you just killed it, like it was great.
• 30:04
  Speaker 1: And he's saying that he in the school they pounded
• 30:08
  Speaker 1: in correct English so much, and the tenses of the
• 30:11
  Speaker 1: verbs and everything has been so hard to learn.
• 30:12
  Speaker 2: She was like, you did great.
• 30:14
  Speaker 1: Your English was perfect, and his english just to be
• 30:16
  Speaker 1: pretty perfect.
• 30:17
  Speaker 2: His English is incredible. The comedy was not no, but but,
• 30:23
  Speaker 2: and it wasn't. It wasn't a language barrier. It was
• 30:27
  Speaker 2: more like a cultural barrier, like or if.
• 30:32
  Speaker 1: They don't know you as a comedian and you get
• 30:34
  Speaker 1: up there and immediately start talking to your dick as
• 30:36
  Speaker 1: if it's another person, Yeah, that's uncomfortable for the audience. No, no,
• 30:42
  Speaker 1: little man, stay down, don't call you should call, don't call.
• 30:46
  Speaker 2: It's like a vine. Willigis like with his dick.
• 30:48
  Speaker 1: I mean, all right, all right. So she goes, but, Babe,
• 30:54
  Speaker 1: I have to tell you the only thing that wasn't
• 30:56
  Speaker 1: cool was what happened with Dan. You know, my friends,
• 30:59
  Speaker 1: like I don't get along with my family, and my
• 31:02
  Speaker 1: friends are my chosen family. And he goes, she'll kind of,
• 31:05
  Speaker 1: I understand that your friends are very important to you,
• 31:07
  Speaker 1: and this friend group is very important to you, but
• 31:09
  Speaker 1: I'm excluding Dan. And he says, yesterday, Oh my god,
• 31:14
  Speaker 1: She kinda he's showing himself. Oh he's such a victim.
• 31:17
  Speaker 1: And she goes, he didn't play the victim. He was
• 31:20
  Speaker 1: the victim and you were the villain. You did that.
• 31:22
  Speaker 1: You made him the victim by making fun of him,
• 31:25
  Speaker 1: and she goes, so, Babe, the production told me I
• 31:27
  Speaker 1: should say this, So I think you should just talk
• 31:29
  Speaker 1: to Dan. And he goes, no, I will not. She goes, no,
• 31:33
  Speaker 1: I think what you're gonna do is.
• 31:34
  Speaker 2: You're gonna they're telling me to tell you that you're
• 31:36
  Speaker 2: going to talk to Dan.
• 31:37
  Speaker 1: You're gonna talk to Dan.
• 31:39
  Speaker 2: He rented a castle just for the shoot, so you
• 31:42
  Speaker 2: have over there.
• 31:44
  Speaker 1: Minimum thirty five hundred. So and he goes, uh, she
• 31:49
  Speaker 1: kind of, I will decide what to do. I will
• 31:52
  Speaker 1: go back to Geisha. Remember, I decide, I decide what to.
• 31:56
  Speaker 2: Do the babe. They're not happy, babe, babe. These two
• 32:00
  Speaker 2: babes are just not happy. And they're they need more
• 32:04
  Speaker 2: butter or something. They're just not happy.
• 32:06
  Speaker 3: Or if you're Josh, hey baby, what's going on?
• 32:08
  Speaker 1: Baby?
• 32:09
  Speaker 2: Give me kiss baby? Hey baby. We get to see
• 32:12
  Speaker 2: his face next week.
• 32:13
  Speaker 1: So and he goes, I will decide what to do.
• 32:17
  Speaker 1: I want to be the only guy for you.
• 32:19
  Speaker 2: Just babe.
• 32:20
  Speaker 1: Of course you're my only guy for me. You're the
• 32:22
  Speaker 1: only guy I care about, babe. And he goes, you know, done.
• 32:26
  Speaker 1: He is not my competitor. By the way, he is not.
• 32:30
  Speaker 1: I think she has a competition. But whatever, and he goes,
• 32:32
  Speaker 1: I trust you.
• 32:32
  Speaker 2: I trust you.
• 32:33
  Speaker 1: She says, I know, babe, and the talking head Sarper goes, look,
• 32:36
  Speaker 1: I'm happy, Uh to talk to him in a nice
• 32:39
  Speaker 1: modern way.
• 32:41
  Speaker 3: Or we can do it by force.
• 32:42
  Speaker 1: That's also fine.
• 32:43
  Speaker 3: Wow, by force. So Sarper goes to Dan's house.
• 32:48
  Speaker 2: I looked it up.
• 32:48
  Speaker 1: It's available for rentals. It was listed at one point
• 32:50
  Speaker 1: on swimp ly which is a website where you can
• 32:53
  Speaker 1: rent a pool for the weekend or for a couple
• 32:55
  Speaker 1: of hours. It's called the mall And Castle. Yeah, I've
• 32:58
  Speaker 1: heard of that. Yeah, Swimpley. It's no longer on Swimplea,
• 33:02
  Speaker 1: but it was. Now. I gotta tell you the Mulholland
• 33:08
  Speaker 1: Castle and then the castle that is being described here.
• 33:13
  Speaker 1: I just am not sure if they are the same castle. Okay,
• 33:19
  Speaker 1: this place is called the Mulhalland Castle. Yeah, I don't
• 33:21
  Speaker 1: know if we just saw a section of it that
• 33:23
  Speaker 1: looked really ugly. Because the pictures of the Castilla Dulago,
• 33:29
  Speaker 1: which is the other castle they're talking about, I think
• 33:32
  Speaker 1: maybe AI got its castles mixed, because the Castilla du
• 33:38
  Speaker 1: Lago is a historic mansion designed by this famous architect
• 33:42
  Speaker 1: that was lived in by Bugsy Siegel as well as Madonna.
• 33:48
  Speaker 1: Okay currently, but anyway, if you look it up Mulholland Castle,
• 33:55
  Speaker 1: if you look up the Instagram or whatever, or if
• 33:56
  Speaker 1: you just look it up, it's also known as Castilla Ilago.
• 34:00
  Speaker 1: Historic mansion located on mun Holland in the Hollywood Hills,
• 34:04
  Speaker 1: has a view of the Hollywood Sign and all this
• 34:06
  Speaker 1: designed by this architect nineteen twenty six, it was rumored
• 34:09
  Speaker 1: to be a hideout for the INFUS gangster Bugsy Siegull.
• 34:13
  Speaker 1: It was owned by Madonna in ninety three to ninety six.
• 34:17
  Speaker 1: Current owners are John mcilway and Bill demash Clee. But
• 34:20
  Speaker 1: they were trying to sell it. It's probably why it's
• 34:23
  Speaker 1: on a venue rental place and is situated on three
• 34:28
  Speaker 1: acres with panoramic views of the Hollywood Sign, downtown LA
• 34:31
  Speaker 1: and Catalina Island.
• 34:32
  Speaker 2: So, I mean it did. This description does fit this place.
• 34:36
  Speaker 1: But if you look at the pictures of it, of
• 34:39
  Speaker 1: what is Castilla di Lago doesn't look like the pictures
• 34:41
  Speaker 1: of the Mulholland Castle. Are there two mu Holland castles?
• 34:45
  Speaker 1: I'm going to need an LA person that's you to
• 34:48
  Speaker 1: figure it out for me.
• 34:50
  Speaker 2: Okay, okay, I mean, look, the inside looks really pretty.
• 34:55
  Speaker 2: This does look kind of like No, that doesn't really
• 34:57
  Speaker 2: look like the driveway Sarper was walking.
• 34:59
  Speaker 1: Up, right, But if you look at the pictures where
• 35:01
  Speaker 1: Sarper and done we're talking by the pool table, it
• 35:04
  Speaker 1: is the Mulholland Castle. Yeah, but is that the same
• 35:08
  Speaker 1: as the Castilla de Lago. Did somebody go in and
• 35:11
  Speaker 1: modernize it on the modernize it on the inside where
• 35:13
  Speaker 1: it looked a lot yeah, like sleek and not so
• 35:16
  Speaker 1: much like wallpaper and gold and stuff like that. Did
• 35:19
  Speaker 1: somebody go in and make it more plain?
• 35:21
  Speaker 2: Yeah?
• 35:22
  Speaker 3: Or is this two different castles?
• 35:25
  Speaker 2: I just don't get why you just want a house
• 35:27
  Speaker 2: that looks like a castle on the outside.
• 35:29
  Speaker 1: Again, we're not unless you're five. Yeah, okay, So if
• 35:34
  Speaker 1: it's a Spanish architecture, saw a house that's very famous, sure,
• 35:37
  Speaker 1: but this particular one looks like medieval times. Yeah, so
• 35:42
  Speaker 1: that's why. I don't know if we just got a
• 35:43
  Speaker 1: bad angle or what. But literally I took a picture
• 35:46
  Speaker 1: of my computer with the castle up, put it all
• 35:49
  Speaker 1: in the old Google, and it popped right up mulhalland Castle.
• 35:53
  Speaker 2: You could use this sort of research brain that you
• 35:57
  Speaker 2: have to solve a crime. Loved her.
• 36:00
  Speaker 1: I'm currently trying to solve one and I've got another
• 36:02
  Speaker 1: one coming up.
• 36:03
  Speaker 2: Great.
• 36:04
  Speaker 1: By the way, this is a total sidebar as we
• 36:08
  Speaker 1: do here. My friend Anne that you met at crime Con.
• 36:13
  Speaker 1: My friend Anne went to crime con okay, because she's
• 36:16
  Speaker 1: just like a huge, you know, fan. She lifts the
• 36:18
  Speaker 1: soft cases. She loves her Some of Nancy Grace. She's
• 36:21
  Speaker 1: a little bit like Nancy Grace herself over the top, right,
• 36:24
  Speaker 1: and it's not nice. No, no, no, wait, I didn't
• 36:27
  Speaker 1: mean that to me. I mean she's just like over
• 36:28
  Speaker 1: the top with her personality. But she's not she's not crazy.
• 36:32
  Speaker 1: And she doesn't say the tweens. She doesn't say okay, no,
• 36:36
  Speaker 1: she's she's fun. She's very fun, very fun, and she
• 36:41
  Speaker 1: has a lot of opinions and I love her. So
• 36:43
  Speaker 1: I was writing her about Okay, I watched Southern Fried
• 36:51
  Speaker 1: Lies on.
• 36:52
  Speaker 3: Oh yes, I heard.
• 36:54
  Speaker 2: Okay, she really is so good. Don't look up anything
• 36:58
  Speaker 2: about it.
• 36:58
  Speaker 1: Just watch it, okay, Okay, it's just one episode Suburrise,
• 37:04
  Speaker 1: so it's like an hour and a half long.
• 37:07
  Speaker 2: Oh it is so good.
• 37:09
  Speaker 1: You're going to just die how good it is. So
• 37:12
  Speaker 1: I didn't know anything about it, which was good going
• 37:14
  Speaker 1: in because I didn't know, Like, oh I could, like
• 37:16
  Speaker 1: I think I know what happened in this case, you know,
• 37:18
  Speaker 1: but I don't. Okay, So I texted her and said,
• 37:23
  Speaker 1: and I can see you putting on a wig and
• 37:25
  Speaker 1: some prosthetics and playing this lady. That's Donna, that's the
• 37:30
  Speaker 1: perpetrator of alleged crimes okay, okay, And I said I
• 37:33
  Speaker 1: could really see it, and she was like, oh my gosh,
• 37:35
  Speaker 1: I've got to watch it.
• 37:36
  Speaker 2: That's such high praise.
• 37:37
  Speaker 1: I'm currently very, very busy with the Idaho four, so
• 37:42
  Speaker 1: when I'm done with that, I'll be able to watch this.
• 37:43
  Speaker 1: And I said, oh, she is going to Boise, Idaho
• 37:46
  Speaker 1: to the trial. She lives in Memphis, Tennessee. She's going
• 37:53
  Speaker 1: so she is going to be my boots on the
• 37:55
  Speaker 1: ground and every afternoon after trial, do a call with
• 37:58
  Speaker 1: me and tell me what happened to the courtroom that day.
• 38:01
  Speaker 2: I mean, can you believe this?
• 38:03
  Speaker 1: Can you? I mean, Kimberly's got her mouth up, yeah,
• 38:08
  Speaker 1: can you believe it?
• 38:09
  Speaker 2: I can't believe it.
• 38:10
  Speaker 1: I'm so excited. I'm not excited because people died. I'm
• 38:13
  Speaker 1: not excited. I'm excited that she's doing that. She's like,
• 38:16
  Speaker 1: you know, she's like, I'm an empty nester. What else
• 38:18
  Speaker 1: am I doing? I mean, she does have a job,
• 38:19
  Speaker 1: but she's like, what else am I doing? So, yeah,
• 38:22
  Speaker 1: she's going taking off work.
• 38:24
  Speaker 2: I guess, So I guess, But I think that doesn't
• 38:28
  Speaker 2: mean she'll get in. She said, it's a lottery every day.
• 38:32
  Speaker 1: It's a lottery every day to get in, so she
• 38:34
  Speaker 1: doesn't know how often she will get in, but she
• 38:36
  Speaker 1: will be on the scene, on the scene. And then
• 38:39
  Speaker 1: she goes, but I have to figure out when it's
• 38:41
  Speaker 1: going to be because I don't want it to interfere
• 38:43
  Speaker 1: with crime thine, because.
• 38:43
  Speaker 2: She's already got her tickets for that. Oh my god.
• 38:47
  Speaker 1: And then I said, well, you know, remember it'll be.
• 38:50
  Speaker 3: Done by then. Oh no, it might not be done,
• 38:52
  Speaker 3: but it.
• 38:52
  Speaker 1: Might not be. So she's trying to figure out how
• 38:55
  Speaker 1: to work all her crime in. But she is hilarious
• 38:58
  Speaker 1: and so anyway, that's good. I'm going to have a
• 39:01
  Speaker 1: and on the ground reporter.
• 39:03
  Speaker 2: I love it.
• 39:04
  Speaker 1: Okay, all right, So back to Dan in his fake castle.
• 39:10
  Speaker 1: So Dan gives him a tour. He's like, I'm gonna
• 39:12
  Speaker 1: give you a tour. And I also wonder if he
• 39:13
  Speaker 1: got it for free, because he was showing off the
• 39:15
  Speaker 1: property because Barbera goes, I don't want to see it.
• 39:17
  Speaker 2: He goes, oh, no, you will see it. So he
• 39:20
  Speaker 2: shows up the beds. When Sarper walks up, he's outside
• 39:24
  Speaker 2: and I was like, he doesn't own this house, does he?
• 39:26
  Speaker 2: He's just hanging out outside this house and they're just
• 39:30
  Speaker 2: gonna film outside because he's fully trespassing.
• 39:35
  Speaker 1: So he gives him a tour and he goes, here's
• 39:36
  Speaker 1: the bedroom. Do you want to know who was in here?
• 39:39
  Speaker 1: As Barbara goes no.
• 39:41
  Speaker 3: Okay, see that is what I'm talking about.
• 39:44
  Speaker 2: Dan. Dan is poking Sarper should not keep falling for it,
• 39:49
  Speaker 2: and he does. He's letting himself get bothered. But Dan
• 39:53
  Speaker 2: is a shit star so, but Shakuaina never seems to notice.
• 39:58
  Speaker 2: She kind of thinks like it's all innocent, like, oh,
• 40:01
  Speaker 2: he came to the comedy night to support you. No
• 40:04
  Speaker 2: he didn't. He came to be a dick or because
• 40:07
  Speaker 2: production told him to come right because he was getting
• 40:10
  Speaker 2: paid right.
• 40:11
  Speaker 1: So he says, here's the pool table, do you play?
• 40:15
  Speaker 1: And Starper goes no, and Dan goes, I'm not surprised,
• 40:19
  Speaker 1: and then good. But I mean, you know, look at
• 40:22
  Speaker 1: Starboro was wearing that. Come on now, he literally bought
• 40:25
  Speaker 1: that at the airport in the duty freeze section. I mean,
• 40:29
  Speaker 1: that's Starber brings it on himself with his look in general,
• 40:33
  Speaker 1: I think he's really embracing.
• 40:35
  Speaker 2: It's like Ed Hardy meets Americana meets white trash. Yes,
• 40:44
  Speaker 2: and I say that trailer trash. It's it's this look
• 40:49
  Speaker 2: that he's going for. But it seems a bit like
• 40:52
  Speaker 2: the sisters that were dressing the way they were dressing
• 40:55
  Speaker 2: in Montana. It was like goth but with American flags
• 40:58
  Speaker 2: on it, but with like mare tattoos, but with turquoise jewelry.
• 41:04
  Speaker 3: So we're honoring the indigenous people, but.
• 41:07
  Speaker 1: Like also but also we were Amish, so right, it's
• 41:13
  Speaker 1: very weird. So so anyway, Starper goes, listen, what I
• 41:19
  Speaker 1: did to you at the comedy show was revenge. You know,
• 41:23
  Speaker 1: she kind of not have problems because of you, and
• 41:25
  Speaker 1: I have told she kind of not to talk to
• 41:27
  Speaker 1: you anymore. And Dan goes, this is ridiculous. You think
• 41:30
  Speaker 1: she's going to stop being friends with me for a
• 41:31
  Speaker 1: guy she's on for one year and Starper goes two years,
• 41:35
  Speaker 1: and Did goes and goes you think you're are the
• 41:39
  Speaker 1: only bad boy here, because I am a bad boy. Also,
• 41:42
  Speaker 1: I was like, this is so vander Pump rules, who's
• 41:46
  Speaker 1: the number one guy in the group, which you don't
• 41:48
  Speaker 1: understand because you don't watch it, But no, I do.
• 41:50
  Speaker 3: I've heard that reference before.
• 41:52
  Speaker 1: You think you're the number one guy in the group.
• 41:54
  Speaker 1: I'm the number one guy in the group. And it's
• 41:56
  Speaker 1: Jack's like snort and coke and like eyes like this
• 41:59
  Speaker 1: and then selling also boobs.
• 42:01
  Speaker 2: She has to get. Yeah, No one that is a
• 42:03
  Speaker 2: true bad boy claims to be a bad boy, like
• 42:07
  Speaker 2: I'm a bad boy in my French little accent like no,
• 42:11
  Speaker 2: he was like cue bad bully and bad Bulley. We
• 42:13
  Speaker 2: we bag it. Yeah.
• 42:15
  Speaker 1: So and then he says he says, I've dated all
• 42:19
  Speaker 1: the women in our friend group, and Sarper goes a
• 42:23
  Speaker 1: talking head. Sarber goes, he is not a bad boy
• 42:26
  Speaker 1: drinking wines and talking about your castles and your businesses.
• 42:30
  Speaker 3: A bad boy doesn't do that. Bad boy doesn't have
• 42:34
  Speaker 3: a job.
• 42:36
  Speaker 1: Bad boy only wears fifty percent cotton T shirt from
• 42:39
  Speaker 1: the airport.
• 42:41
  Speaker 2: So it's stupid. So Dan does not sound like a
• 42:46
  Speaker 2: bad boy like Dan sounds like he'sper neither both of them.
• 42:50
  Speaker 2: I feel like one of them is going to pull
• 42:52
  Speaker 2: out a glove and go slap it across the face
• 42:56
  Speaker 2: like an old time duel. And then I'm just gonna
• 42:59
  Speaker 2: start like calcinating each other.
• 43:02
  Speaker 1: I like what I'm gonna be liket a mirror and
• 43:05
  Speaker 1: be like hold on.
• 43:06
  Speaker 3: Yeah, no, not.
• 43:09
  Speaker 2: Neither one of them wants to get into a fight
• 43:11
  Speaker 2: because they both are very vain about their faces and
• 43:15
  Speaker 2: their looks.
• 43:15
  Speaker 3: So I just don't see them actually.
• 43:17
  Speaker 1: Getting Imagine if their friend Josh came up, he'd be like, thanks,
• 43:20
  Speaker 1: run off the other direction.
• 43:22
  Speaker 3: I mean, got it done.
• 43:26
  Speaker 2: I just got it done, all right. So Super says,
• 43:29
  Speaker 2: she kind of told me you dated like three times
• 43:31
  Speaker 2: and you show a kiss, and he says maybe more,
• 43:35
  Speaker 2: and what she's been saying the whole time, by the way, and.
• 43:38
  Speaker 3: Has I kind of believe him?
• 43:40
  Speaker 2: Kind of kids, I think she probably did sleep with
• 43:43
  Speaker 2: him and she's too embarrassed to say it.
• 43:46
  Speaker 1: Are just like a little blow job in the car.
• 43:48
  Speaker 1: So Super goes, Sarper goes, this is the vibra. You're
• 43:52
  Speaker 1: making me crazy. You're pushing the limit. And Dan goes,
• 43:55
  Speaker 1: this is dating in America. This is America. Don't come
• 43:58
  Speaker 1: to America if you don't like dating in America. I
• 44:00
  Speaker 1: was like, what does America have to do with anything?
• 44:04
  Speaker 1: That shirt is all it has to do with it.
• 44:06
  Speaker 1: So yeah, talking head, Tarper goes, Dan is just triggered
• 44:10
  Speaker 1: because there's another masculine guy in the group. Again, it's
• 44:12
  Speaker 1: like I'm the number one guy in the group. I'm
• 44:14
  Speaker 1: the number one guy in the group, and he goes.
• 44:16
  Speaker 1: I don't care what the front group says. If he
• 44:18
  Speaker 1: comes at me, I will go twice. He is playing
• 44:21
  Speaker 1: with me, and he.
• 44:22
  Speaker 3: Is brave and turkey.
• 44:23
  Speaker 1: We would solve it like a real man, roll up
• 44:26
  Speaker 1: our sleeves.
• 44:27
  Speaker 2: When he does roll up our sleeves, his shirt is
• 44:29
  Speaker 2: so tight on his bicep that there's no way he
• 44:32
  Speaker 2: could have pushed that up if you wanted to. And
• 44:35
  Speaker 2: he goes.
• 44:36
  Speaker 1: I cannot give him what he deserves. I have to
• 44:38
  Speaker 1: think of Shakina. I don't want to get deported.
• 44:41
  Speaker 3: So that's what that.
• 44:42
  Speaker 2: I honestly thought Dan is provoking him so that he
• 44:46
  Speaker 2: will punch him, and then Dan will report it and
• 44:49
  Speaker 2: all the boys yeah, deported like he is snaky.
• 44:54
  Speaker 3: I think I agree. Unless all this is for the show.
• 44:57
  Speaker 1: Well there's not, so, Dan says, I don't think your
• 45:00
  Speaker 1: relationship with last and Sarper goes. You are so brave, Bro,
• 45:03
  Speaker 1: you are so brave talking to me, Bro, Dan Bro.
• 45:08
  Speaker 1: I wrote all these down verbatim. Dan Bro, we cannot
• 45:11
  Speaker 1: reach a conclusion with you. We are obligated to see
• 45:14
  Speaker 1: each other because of your mighty friend group. I am
• 45:18
  Speaker 1: not jealous of you, Dan, You are the last person
• 45:21
  Speaker 1: in LA to be jealous about.
• 45:24
  Speaker 3: Just be normal.
• 45:26
  Speaker 2: And goes.
• 45:29
  Speaker 1: And Dan goes. I upset you, and you upset me.
• 45:33
  Speaker 1: So we are one and one. We are even, and
• 45:36
  Speaker 1: Starper goes, okay, we are even. Okay, and Dan goes.
• 45:40
  Speaker 1: But I'm still going to be watching you, and Starper goes, okay, great,
• 45:43
  Speaker 1: so little brother watching.
• 45:44
  Speaker 2: Okay.
• 45:45
  Speaker 1: We respect each other, bro, and we are good.
• 45:48
  Speaker 3: We are good.
• 45:49
  Speaker 2: And in the talking.
• 45:50
  Speaker 1: Header says, this is modern day Sarper, and we can
• 45:54
  Speaker 1: agree on this. And next time I will not be
• 45:56
  Speaker 1: so calm because I am the real bad boy. I've
• 46:01
  Speaker 1: lost it against Castle down.
• 46:03
  Speaker 2: Bad boys don't have as many skincare products as he has,
• 46:07
  Speaker 2: or maybe they do. Maybe this is like a new
• 46:09
  Speaker 2: era of masculinity where you can be like what they
• 46:13
  Speaker 2: used to call metrosexual and be also a bad boy.
• 46:18
  Speaker 3: Do we not say metrosexual anymore?
• 46:19
  Speaker 2: Is that bad? I don't know, That's what I don't know.
• 46:22
  Speaker 2: I haven't heard it in a long time. I don't
• 46:24
  Speaker 2: know if it's offensive. But here's the bigger question, why
• 46:31
  Speaker 2: just you kind of hang out with Dan?
• 46:34
  Speaker 1: I don't know.
• 46:35
  Speaker 2: He's not like fun or nice or funny or anything.
• 46:40
  Speaker 2: Why is he even in this friend group because he
• 46:42
  Speaker 2: buys them things or like takes them on trips or
• 46:46
  Speaker 2: is it like.
• 46:48
  Speaker 3: Because he's the host of the airbnb that has a castle?
• 46:50
  Speaker 2: I don't know, right, Like her other friends are very
• 46:54
  Speaker 2: nice despite our weird a lot of work they've had
• 46:58
  Speaker 2: and stuff like that. It's fine, your choice, But Dan
• 47:02
  Speaker 2: is just a jerk. And why would she want to
• 47:06
  Speaker 2: be friends with him? After he's trying to actively break
• 47:09
  Speaker 2: them up and he keeps bragging that they slept together
• 47:13
  Speaker 2: and she keeps saying he didn't.
• 47:15
  Speaker 3: Why would she be friends with this verson?
• 47:17
  Speaker 1: I don't know. I mean he came on, he came on,
• 47:19
  Speaker 1: He's coming on. Tell all, I'm in a jerk and
• 47:21
  Speaker 1: right yeah yeah.
• 47:22
  Speaker 2: So like why is he still hanging around because they
• 47:25
  Speaker 2: need a storyline or the viewers love him, The viewers
• 47:28
  Speaker 2: love Dan, the viewers do not. The viewers want more
• 47:32
  Speaker 2: of Josh. I forgot that that was his name until
• 47:34
  Speaker 2: when you said Josh earlier. I was like, I thought
• 47:37
  Speaker 2: you meant Josh and Natalie. First of all, I did
• 47:41
  Speaker 2: not remember that that was his name. Just say cheek bones,
• 47:44
  Speaker 2: and then I'll know who you're talking to.
• 47:45
  Speaker 3: Josh with the face.
• 47:47
  Speaker 2: Yeah, Kendall aging, Kendall, love him, want to see more
• 47:53
  Speaker 2: of him, and let the ladies talk in the group.
• 47:56
  Speaker 2: They barely got to say anything last time.
• 47:58
  Speaker 1: We even know those ladies' names because the way it's
• 48:01
  Speaker 1: always about done. Yeah, and we can't forget Josh because
• 48:04
  Speaker 1: of the cheekbones. All right, we're not going to solve
• 48:08
  Speaker 1: it today. Let's move on to Let's move on to
• 48:13
  Speaker 1: Maddie and Stevie. So here we go. All right, they're
• 48:17
  Speaker 1: doing this joint bachelor bachelorette party and it's the first
• 48:20
  Speaker 1: time seeing Claire since he found out that CBA painters
• 48:23
  Speaker 1: are nude in person during the nudy neck and booby pictures.
• 48:27
  Speaker 2: So and it changed everything, changed everything.
• 48:30
  Speaker 1: She looked at other of these boobs, so said, walks
• 48:33
  Speaker 1: up because they're like, we're gonna go in this burlesque place.
• 48:36
  Speaker 3: We have to wait for said. He walks up and like, oh,
• 48:38
  Speaker 3: all my.
• 48:39
  Speaker 1: Friends, hello, this is Saye and say he goes, oh great,
• 48:41
  Speaker 1: so and so so and so so you're Claire and
• 48:44
  Speaker 1: they're like She's like okay, yeah. So Claire goes okay,
• 48:49
  Speaker 1: let's talk about what burlesque is. It's adult theme dancers.
• 48:52
  Speaker 1: It's really fun, like, let's go. So okay, and so
• 48:55
  Speaker 1: Steve has.
• 48:56
  Speaker 2: Been more clear and been like, you will see boobs.
• 48:58
  Speaker 2: Are you gonna be okay with that?
• 49:00
  Speaker 1: There are gonna be lays in thongs rubbing their vagina
• 49:03
  Speaker 1: on you. Are you fine with it?
• 49:05
  Speaker 2: And so she says are you okay?
• 49:07
  Speaker 1: So she checks in he says yes, But then we
• 49:09
  Speaker 1: see a talking head and he says, I'm very nervous
• 49:13
  Speaker 1: about this, and she goes, just remember if you're uncomfortable,
• 49:16
  Speaker 1: it's important that you tell me so we can go.
• 49:19
  Speaker 1: We will go if you're uncomfortable. But he doesn't follow
• 49:21
  Speaker 1: that instruction. No, so SAYI did Claire talk at the
• 49:25
  Speaker 1: table And he's like, so, how do you know?
• 49:28
  Speaker 2: Uh, how do you know, Stevie?
• 49:29
  Speaker 1: You just like honk honking those boobs all day along
• 49:31
  Speaker 1: exact you guys playing the lickety splits. You're doing the
• 49:35
  Speaker 1: things that the girls do. You're doing that thing they
• 49:36
  Speaker 1: call scissoring.
• 49:37
  Speaker 2: What's up with you? And Stevie so bad? Sorry, but
• 49:43
  Speaker 2: that's why he's asking. No, he totally is are you
• 49:47
  Speaker 2: are you one of those lesbians.
• 49:49
  Speaker 3: I don't know why I made him southern.
• 49:50
  Speaker 2: Are you of those lessians? I heard him it?
• 49:53
  Speaker 1: Oh my god, we yawning wasn't a yawning thing.
• 49:57
  Speaker 2: It's just hitting me, so Aid says.
• 50:02
  Speaker 1: He reminds us and it's talking heady because being a
• 50:04
  Speaker 1: bisexual goes against everything we grew up knowing in our culture.
• 50:07
  Speaker 1: So if she is bisexual, that's it. Meanwhile, he doesn't
• 50:12
  Speaker 1: mind throwing back drinks, going to strip clubs. He's got
• 50:17
  Speaker 1: a fine line about what he's upset about. That's what
• 50:19
  Speaker 1: I'm saying.
• 50:19
  Speaker 3: Yeah, you gave gay in your culture. You also can't drink. Yeah,
• 50:23
  Speaker 3: you're also been having pre marital sex.
• 50:25
  Speaker 1: With premarital sex, and you're around a bunch of women
• 50:27
  Speaker 1: with their hair not covered. So there's a lot of
• 50:30
  Speaker 1: rules that you are skirting past, but this one you're
• 50:34
  Speaker 1: really focusing on. And okay, and that's their whatever. So
• 50:37
  Speaker 1: the dancers come out and said, like covers his eyes
• 50:40
  Speaker 1: and looks down. Now, this is the girl that we
• 50:43
  Speaker 1: saw that was has the magical boobs that twirl in
• 50:45
  Speaker 1: a circle and bool acrobatics, boob acrobatics. She was on
• 50:53
  Speaker 1: her back doing them, she was all around them, doing
• 50:56
  Speaker 1: it all over now. She had tassels, and I think
• 50:58
  Speaker 1: that's the point, Like you can see the tassels.
• 51:01
  Speaker 2: Hill, I thought the boobs were gonna like come up.
• 51:04
  Speaker 2: Mine would just smack me in the face, knock me out.
• 51:06
  Speaker 2: Can you knock yourself out with your own boobs?
• 51:09
  Speaker 1: I think if you had that skill to swing them
• 51:12
  Speaker 1: in a circle, all in one direction and a certain speed, yes,
• 51:16
  Speaker 1: then you could also just knock yourself compully out, knock your.
• 51:18
  Speaker 2: Tooth out of your mouth.
• 51:21
  Speaker 3: What happened to Kimberly? I heard she had to go
• 51:23
  Speaker 3: to the er.
• 51:23
  Speaker 2: She got a concussion from one of her boobs. It
• 51:28
  Speaker 2: was very impressive. I'm gonna choke. I tried it when
• 51:36
  Speaker 2: I was watching. I'm not even gonna lie, but I
• 51:38
  Speaker 2: was wearing a bra and I just like just.
• 51:41
  Speaker 3: Like trying to do it.
• 51:43
  Speaker 2: But even in the bra it was uncomfortable. So I
• 51:46
  Speaker 2: don't know if.
• 51:47
  Speaker 3: She does it.
• 51:48
  Speaker 2: Oh my god. Now, if you're like a larger chested
• 51:54
  Speaker 2: lady that can like hide things under your boobs, yes,
• 51:57
  Speaker 2: you know what I'm talking about. Then, Like, if you're
• 51:59
  Speaker 2: listening right now, just imagine that sort of like circular emotion.
• 52:05
  Speaker 3: Well, I don't know how to get about you.
• 52:06
  Speaker 1: You have to thinking about how high they could go,
• 52:08
  Speaker 1: and yeah, knock.
• 52:09
  Speaker 2: She had a smaller chest, and I feel like it
• 52:12
  Speaker 2: would be much more comfortable.
• 52:14
  Speaker 3: For her manageable. This is of core work, by the way.
• 52:17
  Speaker 2: Yeah, absolutely real talent.
• 52:22
  Speaker 3: I wonder at what age you learn you can do that.
• 52:25
  Speaker 1: I like whistling, so all right, So Maddie's looking down,
• 52:32
  Speaker 1: going like, oh my god, because the girl's doing the
• 52:34
  Speaker 1: boob acrobats and the talking head. He says, this is
• 52:37
  Speaker 1: so against my upbringing. And you know, I just got
• 52:40
  Speaker 1: here and you know, and he goes, I have no
• 52:42
  Speaker 1: idea why Stevie would put me in this situation. I'm done. No,
• 52:46
  Speaker 1: he's not really done, but he means he's done at
• 52:49
  Speaker 1: the table. So he goes, excuse me, excuse me, pardon me.
• 52:52
  Speaker 1: I'll be right back, and he gets off and walks off,
• 52:55
  Speaker 1: and then they're like, where do you go? She's like,
• 52:57
  Speaker 1: I don't know, and she goes, I'm kind of worried
• 53:00
  Speaker 1: he's not coming back. And I've told him many times
• 53:02
  Speaker 1: to communicate with me if he's upset or uncomfortable, but
• 53:05
  Speaker 1: he didn't. He just got up and left the table.
• 53:08
  Speaker 1: In the talking head, he.
• 53:09
  Speaker 3: Still go after him one thousand percent.
• 53:12
  Speaker 1: He didn't say where he was going to. In my mind,
• 53:14
  Speaker 1: she's like, maybe he had to poop, you know, maybe
• 53:16
  Speaker 1: he's in the bathroom.
• 53:17
  Speaker 3: I still think she could have gone and checked on him.
• 53:20
  Speaker 1: Yeah, And so he's not.
• 53:21
  Speaker 2: Very vocal, like no something in for especially in front
• 53:25
  Speaker 2: of people.
• 53:25
  Speaker 3: He doesn't know that well, like, yeah.
• 53:27
  Speaker 1: He's not going to be like this is disgusting. Can
• 53:29
  Speaker 1: we leave? So yeah, in the talking head, he says,
• 53:32
  Speaker 1: this is the biggest culture shock of all the things
• 53:34
  Speaker 1: that have happened. This is the biggest one he's had.
• 53:36
  Speaker 1: And they go out and go outside and she's like
• 53:40
  Speaker 1: throwing the boa around himself. He said, no, no, no, no.
• 53:43
  Speaker 2: Not he's don't be cute right now. Yeah no, and
• 53:46
  Speaker 2: he goes, this is too much and she has too
• 53:48
  Speaker 2: many feathers. He goes like, no, just this was this
• 53:51
  Speaker 2: was too much for me. So in the talking head
• 53:53
  Speaker 2: sayid say he's a fucking shit stir Sa he says,
• 53:57
  Speaker 2: he says, I don't know whose idea it was to
• 53:59
  Speaker 2: go to this kind of a club, especially with all
• 54:02
  Speaker 2: the talk about her being bisexual. Okay, he enjoyed it too.
• 54:07
  Speaker 2: He was smiling. He did not leave. He was like Claire, So, Claire,
• 54:12
  Speaker 2: are you single? Yeah? He was fine with it.
• 54:15
  Speaker 1: Yeah, so said says to Maddie, look, I don't think.
• 54:20
  Speaker 1: I don't think anything could get worse. And Maddie's like, gosh,
• 54:23
  Speaker 1: I hope not. I hope it couldn't get worse, and
• 54:24
  Speaker 1: the you know, they kind of laugh. Now, Adam is
• 54:26
  Speaker 1: that super nice friend that we met before. And he
• 54:28
  Speaker 1: comes up and he goes very nice, and he goes,
• 54:31
  Speaker 1: it's different, right, it's like an art form like I
• 54:33
  Speaker 1: get as, you know, whatever, it's boobs whatever. And he goes,
• 54:36
  Speaker 1: but why don't we do this? Let's just go to
• 54:38
  Speaker 1: some bars that'll be fun. We'll go do something like
• 54:40
  Speaker 1: low key and they say all right. So talking to him,
• 54:43
  Speaker 1: Maddy goes, I'm just gonna go with the flow to
• 54:45
  Speaker 1: not cause drama. But I'm very upset. So they go
• 54:48
  Speaker 1: to a bar they're sitting out by like a fire pit,
• 54:50
  Speaker 1: and said says, so I have a question for you too.
• 54:53
  Speaker 1: Now you have ninety days, So why are you getting
• 54:57
  Speaker 1: married after only one month?
• 54:58
  Speaker 3: After thirty days? Because you have sixty more to go?
• 55:01
  Speaker 1: Don't you think you should wait the sixty more and
• 55:04
  Speaker 1: you can tell Steevie's a little drunk because she's just
• 55:06
  Speaker 1: sort of leaning and she's like, well, let me tell you.
• 55:09
  Speaker 1: So she just kind of looks back over her shoulder,
• 55:10
  Speaker 1: you know, and she goes, well, I already know him,
• 55:14
  Speaker 1: and there's some details in his paperwork that unfortunately cause.
• 55:19
  Speaker 2: Us to move it up. What does that mean?
• 55:22
  Speaker 3: What does that mean?
• 55:23
  Speaker 2: I thought it was that the cost of money he's
• 55:25
  Speaker 2: gonna go up.
• 55:26
  Speaker 1: Yeah, the money I thought was the money because they
• 55:28
  Speaker 1: got a certain date, the price was going up.
• 55:31
  Speaker 2: Hmm.
• 55:32
  Speaker 1: So she says there are some details in his paperwork
• 55:35
  Speaker 1: that unfortunately caused us to move it up. And I
• 55:38
  Speaker 1: don't know. When you marry someone, you make a commitment
• 55:41
  Speaker 1: and people may change or do weird things, but you
• 55:43
  Speaker 1: learn to live with each other because you made the commitment.
• 55:47
  Speaker 1: And now I mean too, now I just think she's
• 55:49
  Speaker 1: poking at him.
• 55:50
  Speaker 2: That's what I think. Yeah, so I might become a lesbian,
• 55:53
  Speaker 2: but we'll just have to deal with it because we'll
• 55:55
  Speaker 2: have made a commitment. I'll see this side.
• 55:58
  Speaker 1: I'm a polygamist and want to bring in two more men.
• 56:00
  Speaker 1: And he looked to have to live with that.
• 56:02
  Speaker 2: He also she has been married twice before, so right,
• 56:10
  Speaker 2: I mean, I know there's no shame whatsoever in that,
• 56:14
  Speaker 2: but she's acting like this will be forever, which I
• 56:18
  Speaker 2: hope it is.
• 56:19
  Speaker 3: I like them together, but like.
• 56:23
  Speaker 1: I wonder, and I don't know, and I didn't ask
• 56:25
  Speaker 1: her this that, and I could just DM her and
• 56:27
  Speaker 1: ask her. I wonder if her first two marriages like
• 56:31
  Speaker 1: literally like she got pregnant and felt because of her
• 56:33
  Speaker 1: Southern culture she had to get married kind of a thing.
• 56:35
  Speaker 2: Right, Yeah, and she didn't really love them. It was, Yeah,
• 56:39
  Speaker 2: it was.
• 56:39
  Speaker 1: Just like, we have to get married because I'm pregnant.
• 56:41
  Speaker 1: And I have no idea she could have been married
• 56:43
  Speaker 1: for ten years and had two kids. I have no idea.
• 56:45
  Speaker 2: Yeah, or were they just horrible? And she absolutely should
• 56:48
  Speaker 2: have left them, and I hope she did. If they
• 56:51
  Speaker 2: were horrible, you know, it.
• 56:52
  Speaker 1: Could have been a we don't know anything about these other.
• 56:55
  Speaker 2: No, we don't know the situations.
• 56:57
  Speaker 1: So in the talking head, see if he goes, you know,
• 57:01
  Speaker 1: said has these false narratives about me, and I don't
• 57:05
  Speaker 1: know where it's coming from. You know, they show a
• 57:07
  Speaker 1: picture of Maddie on the screen and it makes me mad.
• 57:12
  Speaker 1: The whole situation is upsetting, and then she just kind
• 57:14
  Speaker 1: of looks around.
• 57:15
  Speaker 2: The producer says, are you okay?
• 57:16
  Speaker 1: And she goes, no, she you know, it's morphing me
• 57:19
  Speaker 1: into something I'm not, and it's putting my friends in
• 57:22
  Speaker 1: an uncomfortable situation and putting my husband in an uncomfortable situation.
• 57:25
  Speaker 1: Was that your husband yet? But maybe that was a
• 57:27
  Speaker 1: filmed afterwards, Then Maddie out of the blue says, hey, Claire,
• 57:32
  Speaker 1: I want to say something to you. You know, I
• 57:34
  Speaker 1: think that the day that we met at the venue,
• 57:38
  Speaker 1: I left rudely and I feel like I should apologize.
• 57:40
  Speaker 1: I didn't say goodbye. I was just sort of rude
• 57:42
  Speaker 1: to you that day. And Side she goes, well, thanks,
• 57:45
  Speaker 1: that's nice, and Side goes, why why are excuse me?
• 57:49
  Speaker 1: Why are you apologizing? Why are you apologizing? And he
• 57:52
  Speaker 1: goes yeah, and then Saya goes, so it's now solved.
• 57:55
  Speaker 1: Now it's solved. Now it's alved with the boobs and
• 57:57
  Speaker 1: the boobs and the bisexuality. O's as solved. And Maddie goes, yeah,
• 58:02
  Speaker 1: it's solved. And he says and also, you know, this
• 58:05
  Speaker 1: was a callback that I'd forgotten about. He says, I'm
• 58:07
  Speaker 1: promost your dad. I would not impose on her the
• 58:11
  Speaker 1: mindset I grew up with and Iran and I don't
• 58:14
  Speaker 1: want to change her.
• 58:16
  Speaker 2: I thought. I was like, I forgot about that, and
• 58:19
  Speaker 2: he's that's right, he doesn't. For him when he apologized
• 58:23
  Speaker 2: to Claire, I was shocked because it was such a
• 58:27
  Speaker 2: twist from literally five minutes earlier in the episode. But
• 58:32
  Speaker 2: good for him. That was super classy. And I hope
• 58:35
  Speaker 2: he sticks with it and stop think he's let go
• 58:38
  Speaker 2: of this bisexual thing.
• 58:40
  Speaker 1: But he's respecting the dad, you know, which I think
• 58:43
  Speaker 1: really interesting. And he's he thanks all of them. He goes,
• 58:46
  Speaker 1: this was really a fun night. I appreciate you celebrating us.
• 58:49
  Speaker 1: It's really nice. Yeah, so you're talking to head and
• 58:52
  Speaker 1: say the head's about to blow off, He goes, I
• 58:55
  Speaker 1: just couldn't believe it. He's I just I just think
• 58:58
  Speaker 1: Maddie is so culturally overwhelmed. But I'm gonna talk to
• 59:02
  Speaker 1: him because he needs to know the truth. Maybe she
• 59:06
  Speaker 1: is bisexual. Well he already knows that the truth that
• 59:10
  Speaker 1: maybe maybe, I mean he already knows.
• 59:12
  Speaker 2: Are you gonna do like a sting and like hire
• 59:15
  Speaker 2: a lady to like seduce her and then film it
• 59:18
  Speaker 2: and then like show it to him to prove it.
• 59:21
  Speaker 2: What are you doing? Gonna go find a Reddit thread
• 59:24
  Speaker 2: about it? Like what do you get to do?
• 59:27
  Speaker 1: Calm down, buttch and said.
• 59:29
  Speaker 3: All right, it's.
• 59:32
  Speaker 1: Not as butch, it's the little beard inside the body.
• 59:36
  Speaker 2: It's so I paused and like tried to zoom in
• 59:41
  Speaker 2: because I couldn't tell if it was hair or a shadow.
• 59:45
  Speaker 1: But it's so dark in that hole, I think.
• 59:48
  Speaker 2: It's could it be a shadow or it has to
• 59:50
  Speaker 2: be hair? Yeah, you're right, Why would you do that?
• 59:54
  Speaker 2: I don't know.
• 59:54
  Speaker 3: If you have a butchet, you gonna like stretch it
• 59:56
  Speaker 3: out to shave it. And how do you shave in there?
• 59:59
  Speaker 2: Or do you just like trim it?
• 1:00:01
  Speaker 1: I don't know how they get like a little tiny
• 1:00:02
  Speaker 1: tinkle razor that like we use for our eyebrows, and
• 1:00:04
  Speaker 1: just maybe you do what you could use because you
• 1:00:09
  Speaker 1: know those nose, her nose, her trimmers are like in
• 1:00:11
  Speaker 1: a circle.
• 1:00:12
  Speaker 2: Maybe you could sam that hole. Great, Yeah, this is gross.
• 1:00:20
  Speaker 1: Let's move on to Mark and Mina. Please, ma'am, please,
• 1:00:22
  Speaker 1: and thank you?
• 1:00:23
  Speaker 2: Yeah. Uh so. Mina's sister Alex is visiting. They're getting
• 1:00:27
  Speaker 2: married in ten days. She's extremely close to her sister.
• 1:00:31
  Speaker 2: If she killed someone, Alex would help her dispose of
• 1:00:34
  Speaker 2: the body. Oh, we haven't killed anyone, though. We are
• 1:00:38
  Speaker 2: planning to kill Jordan in the next ten days though
• 1:00:42
  Speaker 2: before the wedding. Then that's really why she came early.
• 1:00:46
  Speaker 1: Not who they're planning to kill.
• 1:00:48
  Speaker 2: So Mark after the wedding for the money. So Alex
• 1:00:54
  Speaker 2: comes and she's all smiles, hugging Mina and the baby
• 1:00:57
  Speaker 2: in an awkward like side hug to Mark, and she
• 1:01:00
  Speaker 2: seems very nice, and they're gonna go try on the
• 1:01:02
  Speaker 2: wedding dress that Mina bought two years earlier when she
• 1:01:06
  Speaker 2: first got pregnant.
• 1:01:10
  Speaker 1: Maybe she thought they were gonna get married right away.
• 1:01:12
  Speaker 3: I don't know right like had he he hadn't proposed.
• 1:01:16
  Speaker 2: Did he proposed and then she got pregnant or did
• 1:01:19
  Speaker 2: she get pregnant and then we don't know. So Mina
• 1:01:22
  Speaker 2: tells Alex, you know, Mark's town is very calm. I'm
• 1:01:26
  Speaker 2: really excited to be in Boston in the city. There
• 1:01:28
  Speaker 2: are no sidewalks where he lives. And we see her
• 1:01:31
  Speaker 2: like pushing this stroller across the street and almost getting
• 1:01:35
  Speaker 2: hit by cars because for some reason there are no sidewalks.
• 1:01:41
  Speaker 1: She also roller on her runway looking for somebody's house. So,
• 1:01:44
  Speaker 1: I mean, you know what's worse, get my car or
• 1:01:46
  Speaker 1: a plane. I don't know a plane.
• 1:01:49
  Speaker 2: So Alex says, I'm picturing you like churning butter. It's
• 1:01:53
  Speaker 2: not quite like that, Martini. Pat is not churning butter
• 1:01:57
  Speaker 2: in that town that they live in. Uh so the
• 1:02:00
  Speaker 2: dress shop owner. They go to the dress shop. Her
• 1:02:04
  Speaker 2: name is wan with two ends, and I was like,
• 1:02:07
  Speaker 2: is she regretting all her for her life decisions and
• 1:02:10
  Speaker 2: missing life on the cruise ship. Also her name was
• 1:02:15
  Speaker 2: one with two ends, like maybe short for Juanita.
• 1:02:20
  Speaker 1: Maybe short for Janita, because I was like, Wan is
• 1:02:23
  Speaker 1: John but I guess it could be Juanita. Okay, all right,
• 1:02:28
  Speaker 1: allow it. I'll allow it continue.
• 1:02:30
  Speaker 2: She got out of Pooptown unlike the other one. So
• 1:02:34
  Speaker 2: Mina is worried that the dress won't fit because she's
• 1:02:37
  Speaker 2: gained weight in America. But total matt sharp fake out.
• 1:02:41
  Speaker 2: She fits into it perfectly. They had cut in her
• 1:02:44
  Speaker 2: crying in the previews, like the dress didn't fit. It
• 1:02:47
  Speaker 2: was such a fake out.
• 1:02:49
  Speaker 3: She lovely.
• 1:02:52
  Speaker 1: Never thing never no.
• 1:02:54
  Speaker 2: So Mina thinks she goes, I think I look very
• 1:02:58
  Speaker 2: magnificent talk of humility. She's funny. So she's very excited
• 1:03:04
  Speaker 2: to finally be getting married. She says, finally, I wonder
• 1:03:07
  Speaker 2: what happened with Clayton's dad. We don't really know, like
• 1:03:11
  Speaker 2: it did she want to marry him and she didn't.
• 1:03:14
  Speaker 1: Or it's not a dad at all of any kind
• 1:03:16
  Speaker 1: because he's.
• 1:03:17
  Speaker 2: Just not Yeah as was good. Yeah, yeah. So Alex
• 1:03:21
  Speaker 2: has surprised her with a necklace and earrings.
• 1:03:25
  Speaker 3: Very sweet.
• 1:03:26
  Speaker 2: And then she surprises her with this charm bracelet type
• 1:03:30
  Speaker 2: thing with a photo of their parents who have both
• 1:03:33
  Speaker 2: passed away on it, and of course everyone's crying and
• 1:03:38
  Speaker 2: she's and on it it says, today's the day I
• 1:03:42
  Speaker 2: say I do, and I carry this.
• 1:03:44
  Speaker 3: In memory of you.
• 1:03:45
  Speaker 2: Very sweet, very sweat, and Mina starts crying. I guess
• 1:03:49
  Speaker 2: their mom passed away a couple of years ago, and
• 1:03:52
  Speaker 2: the mom and Mina would always talk about her wedding day.
• 1:03:55
  Speaker 2: And she's like, this is so special. I just need
• 1:03:58
  Speaker 2: Clayton to get here. So then they go back and
• 1:04:02
  Speaker 2: the whole family is driving what not, Jordan, This whole
• 1:04:05
  Speaker 2: close knit family is driving back to their house in
• 1:04:08
  Speaker 2: New Hampshire. I felt like even though it's incredibly close.
• 1:04:12
  Speaker 2: They should have flown because I feel like that would
• 1:04:14
  Speaker 2: have impressed Alex a lot and too.
• 1:04:17
  Speaker 3: And I'm wondered with me.
• 1:04:18
  Speaker 1: It is like no more with the plane, Mark, right,
• 1:04:20
  Speaker 1: So we go on American Airlines.
• 1:04:23
  Speaker 3: Yeah.
• 1:04:24
  Speaker 2: So they drive up and Mina is like, Mark, I
• 1:04:28
  Speaker 2: love Boston. They have more than the tree there. All
• 1:04:33
  Speaker 2: you have in New Hampshire is the tree. And they
• 1:04:36
  Speaker 2: say New Hampshire And I thought it was so cute
• 1:04:39
  Speaker 2: and I think it like a Shire, like.
• 1:04:41
  Speaker 3: Lord of the Rings. I loved it. So Alex is like,
• 1:04:47
  Speaker 3: why don't you move to Boston?
• 1:04:48
  Speaker 2: Mark, Like she's sitting in the back seat and shit
• 1:04:51
  Speaker 2: stirring from the backseats.
• 1:04:53
  Speaker 3: She's being a backseat shitster. Why don't you.
• 1:04:56
  Speaker 1: Show if Mark speaks fluent French because we've heard him
• 1:04:59
  Speaker 1: say some French things.
• 1:05:01
  Speaker 2: I think it's not perfect, but I think he speaks
• 1:05:06
  Speaker 2: more than some other people on this show that we've seen.
• 1:05:09
  Speaker 3: Kenny wondering.
• 1:05:10
  Speaker 1: I'm just wondering if we're still looking at you, Kenny,
• 1:05:14
  Speaker 1: seven years later. But I wondered if because I wonder
• 1:05:18
  Speaker 1: if Mina and Alex could speak in front of him,
• 1:05:21
  Speaker 1: I'd be like, make sure you talk about how amazing
• 1:05:24
  Speaker 1: Boston was, right exactly.
• 1:05:26
  Speaker 2: Yeah, So they're are like they're talking pig Latin or something,
• 1:05:30
  Speaker 2: and He's like, what's going on?
• 1:05:32
  Speaker 3: The sisters are talking about me?
• 1:05:34
  Speaker 2: So they are you just really rubbing it in that
• 1:05:39
  Speaker 2: you know they want to move to Newham or Boston.
• 1:05:43
  Speaker 2: And Mark says it's always been my dream to live
• 1:05:46
  Speaker 2: at an airport. Well that he doesn't want that. Crying
• 1:05:52
  Speaker 2: babies and you know, screaming passengers and a mile long
• 1:05:56
  Speaker 2: line at Starbucks and TSA making you take your shoes off? Like,
• 1:06:00
  Speaker 2: who doesn't want to? Airports are the greatest?
• 1:06:04
  Speaker 3: Living an airport?
• 1:06:05
  Speaker 2: In a movie, he did the Terminal Okay? Could I
• 1:06:09
  Speaker 2: didn't see it? I didn't either, but I feel like
• 1:06:12
  Speaker 2: maybe was he terminally ill? Is that where the title
• 1:06:15
  Speaker 2: comes from? Also, like, was it a play on the
• 1:06:17
  Speaker 2: word terminal?
• 1:06:19
  Speaker 1: No? I think it was a true story about a
• 1:06:21
  Speaker 1: guy who lived in an airport. Okay, so're we're both wrong.
• 1:06:26
  Speaker 1: So continue this is Sick Freedom broy all over again.
• 1:06:31
  Speaker 1: That's a call back to the first ten minutes of
• 1:06:33
  Speaker 1: the show.
• 1:06:33
  Speaker 2: Guys. Yeah, so that's what you're missing if you skip
• 1:06:37
  Speaker 2: ahead to when we start talking about the show, a
• 1:06:40
  Speaker 2: long conversation about tigers, about.
• 1:06:42
  Speaker 1: Show, anything about that's right.
• 1:06:45
  Speaker 2: Yeah. So Mark is like, it's always been my dream
• 1:06:47
  Speaker 2: to live at an airport.
• 1:06:49
  Speaker 3: I think he obviously meant like I don't think he
• 1:06:52
  Speaker 3: meant that. He meant like at an a.
• 1:06:55
  Speaker 1: Plane, have his own community.
• 1:06:58
  Speaker 2: Has my own plane, but like not actually at an airport,
• 1:07:01
  Speaker 2: because that sounds horrible to me. So Alex says, well,
• 1:07:05
  Speaker 2: Mina doesn't seem to be too happy in New Hampshire,
• 1:07:08
  Speaker 2: and Mark goes, yeah, I picked up on that, Alex. Thanks,
• 1:07:17
  Speaker 2: I left so educating in Paris to let me know that,
• 1:07:21
  Speaker 2: Alex to translate, So she took down my picture of Kamala.
• 1:07:27
  Speaker 2: I know, I know she's not happy in that house.
• 1:07:30
  Speaker 1: Sheas I'm having an affair with the vice bread.
• 1:07:32
  Speaker 2: Also, we never got a follow up on that where
• 1:07:34
  Speaker 2: he got to explain to her that that was Kamala Harris.
• 1:07:38
  Speaker 1: I can't wait to see that at the reunion. They
• 1:07:40
  Speaker 1: have to bring that up at the reunion. That is
• 1:07:42
  Speaker 1: so funny, so funny. Who is this woman with Mark Maria?
• 1:07:46
  Speaker 1: Who is this who is this with your daddy in
• 1:07:49
  Speaker 1: this photo?
• 1:07:53
  Speaker 2: So she was wearing a mask too. It's not totally again,
• 1:07:58
  Speaker 2: not her fault, and I would not be able to
• 1:08:00
  Speaker 2: recognize most French people.
• 1:08:02
  Speaker 3: So okay.
• 1:08:04
  Speaker 2: So Mark is like, yeah, I picked up that she
• 1:08:06
  Speaker 2: wasn't happy on this, but I asked her many times
• 1:08:08
  Speaker 2: if she was okay with it, and she's like, well,
• 1:08:12
  Speaker 2: she maybe said that when you were still in Paris
• 1:08:14
  Speaker 2: and she thought it sounded fine, but then she got
• 1:08:16
  Speaker 2: there and it wasn't fine. And Mark's like, look, we're
• 1:08:19
  Speaker 2: not moving right now. We have enough going on. We
• 1:08:22
  Speaker 2: have like so much going on, and you agreed six months,
• 1:08:27
  Speaker 2: you'd give it six months in that house. And so
• 1:08:30
  Speaker 2: they drive up and Mina is like, welcome to my life.
• 1:08:34
  Speaker 2: Like she's just so.
• 1:08:35
  Speaker 3: Down on it. She's like, shit, hole, yeah, yeah, this
• 1:08:39
  Speaker 3: is for the plane. This is tree, There is tree,
• 1:08:45
  Speaker 3: another tree.
• 1:08:46
  Speaker 2: And she's a real tree hater. She's a tree hater.
• 1:08:49
  Speaker 2: And Alex says it's charming. You're very connected to the nature.
• 1:08:55
  Speaker 2: And Mina says too much nature, and Alex says, so
• 1:09:00
  Speaker 2: many trees. They just they don't like nature. So Alex says,
• 1:09:07
  Speaker 2: you know, it's not everywhere where you can wake up
• 1:09:10
  Speaker 2: to the sound of a plane, but like that's a positive.
• 1:09:15
  Speaker 1: It's not a positive mark.
• 1:09:16
  Speaker 3: It's horrible.
• 1:09:17
  Speaker 2: She goes, I would never live here though. It's I'm
• 1:09:20
  Speaker 2: scared of all the flies. Where are there a lot
• 1:09:23
  Speaker 2: of flies there? It's probably very buggy when you imagine
• 1:09:26
  Speaker 2: there's so much woods.
• 1:09:27
  Speaker 3: Yeah, it's very buggy. It probably, Yeah, that's true. We were,
• 1:09:30
  Speaker 3: we were.
• 1:09:31
  Speaker 1: I was just in Paris, like I don't know, I
• 1:09:34
  Speaker 1: don't know how I've been. I don't know when it was,
• 1:09:36
  Speaker 1: but it was recently. I was in Paris and I said, today,
• 1:09:40
  Speaker 1: there are no bugs here because the you know, the
• 1:09:43
  Speaker 1: hotel doors opened outside to the little porch and they
• 1:09:46
  Speaker 1: don't have any kind of sliding or screen or anything.
• 1:09:49
  Speaker 1: And he's like, yeah, you could just leave it and
• 1:09:50
  Speaker 1: sleep with it open. I go, what bugs? So just
• 1:09:53
  Speaker 1: eat us alive? And then I started thinking, you never
• 1:09:56
  Speaker 1: really see any bugs there? I wonder there not very
• 1:10:00
  Speaker 1: buggy in France. Somebody is going to send me a
• 1:10:03
  Speaker 1: video of like a horrible swarm of something that happened
• 1:10:06
  Speaker 1: in France.
• 1:10:07
  Speaker 2: You didn't hear about that bug attack. It was all
• 1:10:10
  Speaker 2: over the news eight years ago.
• 1:10:13
  Speaker 1: I wonder if they're if they're yeah, there's they're probably
• 1:10:16
  Speaker 1: being eaten. A lot about mosquitos in those woods. Yes,
• 1:10:19
  Speaker 1: oh yeah, that's true. Mosquitos.
• 1:10:21
  Speaker 2: Yes, I didn't think about mosquitoes, but flies, I didn't.
• 1:10:25
  Speaker 2: I don't know how.
• 1:10:26
  Speaker 3: Accurate that is.
• 1:10:26
  Speaker 1: It's all the same to them.
• 1:10:28
  Speaker 2: It's all, yeah, just flying things. So but then she
• 1:10:31
  Speaker 2: sees the private plane in the garage, and then that
• 1:10:34
  Speaker 2: kind of wins her over. She's like, this is cool.
• 1:10:37
  Speaker 2: I had this is super cool. So they go to
• 1:10:40
  Speaker 2: the house, into the house, and Mina's like, this is
• 1:10:43
  Speaker 2: my couch, my beautiful couch.
• 1:10:45
  Speaker 3: I think she bought that couch.
• 1:10:46
  Speaker 2: And so it's like much, it doesn't fit with the
• 1:10:48
  Speaker 2: rest of the style in the house at all. Oh okay,
• 1:10:52
  Speaker 2: I think it's a Mina couch and like that's that
• 1:10:55
  Speaker 2: was hers And she Alex is like, you know, I
• 1:10:59
  Speaker 2: like you, but I have to rest see you tomorrow.
• 1:11:02
  Speaker 1: That was so strange. She goes, you know that I
• 1:11:04
  Speaker 1: like you very much. She goes, yes, but I have
• 1:11:07
  Speaker 1: to I think it was It would have flowed better
• 1:11:09
  Speaker 1: if you'd be like, look, girl, you know I love you,
• 1:11:11
  Speaker 1: but I gotta go to bed.
• 1:11:13
  Speaker 2: Yeah. I think it was their way. I'm saying it.
• 1:11:17
  Speaker 2: I have to be in a different I saw a
• 1:11:19
  Speaker 2: meme that was like my dad just left an argument
• 1:11:22
  Speaker 2: by saying I need to go sit in another room now,
• 1:11:25
  Speaker 2: and it's like, that's perfect. I'm going to start saying that.
• 1:11:29
  Speaker 2: So just blunt, blunt. So if you if you watch
• 1:11:34
  Speaker 2: Love on the Spectrum, they're very blunt and it's admirable.
• 1:11:39
  Speaker 3: So then so then she goes to bed.
• 1:11:42
  Speaker 2: Mark comes in and says, do you want to put
• 1:11:45
  Speaker 2: the adoption in the prenup?
• 1:11:46
  Speaker 3: Like right now? I thought they were going to call a.
• 1:11:48
  Speaker 2: Lawyer or something over but he's like, we can just
• 1:11:50
  Speaker 2: write it in right now.
• 1:11:53
  Speaker 3: You said it right away legal?
• 1:11:55
  Speaker 2: Yeah?
• 1:11:56
  Speaker 1: He was he crafting an email or were they on
• 1:11:58
  Speaker 1: a website? No?
• 1:12:00
  Speaker 2: Oh, well he has it printed and then they just
• 1:12:03
  Speaker 2: they He literally has the printed out prenup and Mina goes,
• 1:12:08
  Speaker 2: are you sure you don't need to talk to Jordan first?
• 1:12:11
  Speaker 2: And Mark goes, oh, yeah, I better call her real quick,
• 1:12:14
  Speaker 2: and you think he's serious, and then he goes, I'm kidding.
• 1:12:16
  Speaker 2: I'm kidding, Mark, You're very funny in this episode. Maybe
• 1:12:20
  Speaker 2: laugh a couple he made. He's made two jokes. Yeah,
• 1:12:23
  Speaker 2: I can hear you. So he's like, I don't need
• 1:12:26
  Speaker 2: to talk to her. I wanted to do this, we
• 1:12:29
  Speaker 2: agreed on it. We're gonna be one happy family. I'm
• 1:12:31
  Speaker 2: so excited. So he just writes in where it says
• 1:12:36
  Speaker 2: additional terms in that there's like a little space for it.
• 1:12:39
  Speaker 2: He says he'll adopt Clayton, and then they both sign it,
• 1:12:43
  Speaker 2: and Mina is so happy. She says, I know Mark
• 1:12:45
  Speaker 2: will be a great dad, even though he'll be seventy
• 1:12:48
  Speaker 2: seven when Maria graduates, it's fine and any future children.
• 1:12:52
  Speaker 2: So the three of them kiss, like with Maria there
• 1:12:57
  Speaker 2: and it's very cute. But she's still missing Clayton. So
• 1:13:01
  Speaker 2: it was very cute. It was very they're like Maria
• 1:13:05
  Speaker 2: her little voice. But I have to tell you something.
• 1:13:09
  Speaker 2: If two people saw on a legal document there's not
• 1:13:11
  Speaker 2: a witness or a notary, Yeah, is it mind? Maybe
• 1:13:15
  Speaker 2: I don't know, maybe one of the camera men can
• 1:13:17
  Speaker 2: be the witness.
• 1:13:19
  Speaker 3: No, they had a notary.
• 1:13:20
  Speaker 2: I would think. I think maybe this is what they're
• 1:13:24
  Speaker 2: going to send to the lawyer and he will write
• 1:13:27
  Speaker 2: it in more or legal terms, like it can't just
• 1:13:31
  Speaker 2: say like Mark will adopt Clayton, Like it has to
• 1:13:35
  Speaker 2: be in legal terms that people can't normal people can't understand.
• 1:13:40
  Speaker 1: Did you think he was like, don't look at those
• 1:13:42
  Speaker 1: first three pages that doesn't just notice this third page
• 1:13:46
  Speaker 1: that I'm going to write this on.
• 1:13:47
  Speaker 2: Yeah, and meanwhile, Jordan has slipped in like a whole
• 1:13:50
  Speaker 2: page that says everything goes to her and she gets
• 1:13:54
  Speaker 2: to control Mina's reproductive right.
• 1:14:00
  Speaker 3: Oh my gosh.
• 1:14:00
  Speaker 1: Okay, let's move on to Matt and Amani and Annie.
• 1:14:06
  Speaker 2: So, uh, what.
• 1:14:09
  Speaker 1: Brenda? You mean?
• 1:14:10
  Speaker 2: Brenda?
• 1:14:13
  Speaker 1: So, by the way, people really enjoyed our Instagram reel
• 1:14:16
  Speaker 1: last night that we did about Ray being the troll
• 1:14:17
  Speaker 1: under the bridge pretty funny. So we opened with the
• 1:14:24
  Speaker 1: troll under the bridge. Ray and Ammany and Matt are smiling,
• 1:14:29
  Speaker 1: you know, as they do, Hi, Brenda, you know this
• 1:14:32
  Speaker 1: fake bullshit. And so Annie, this whole scene is pretending
• 1:14:38
  Speaker 1: like she's greg with this lunch box going off to
• 1:14:40
  Speaker 1: school like she's five years old. She's got this giant
• 1:14:43
  Speaker 1: pink bow in her hair, and she's whiny all the time.
• 1:14:47
  Speaker 1: And Annie is asking Ray why he's there, and he's like,
• 1:14:51
  Speaker 1: why did you tell them anything? You told them my name?
• 1:14:53
  Speaker 1: Why don't you tell them anything? And Annie Annie says
• 1:14:57
  Speaker 1: she thinks I'm hiding something. Now do you notice in
• 1:14:59
  Speaker 1: this higher scene she is only concerned about what Amani thinks.
• 1:15:03
  Speaker 1: She never mentions Matt. Matt may as well be another
• 1:15:06
  Speaker 1: troll under the bridge. She is completely ignoring him.
• 1:15:09
  Speaker 2: He's like literally wearing an Harry Potter invisibility cloak in
• 1:15:13
  Speaker 2: their relationship and they are it's fully communicating. Never he
• 1:15:19
  Speaker 2: doesn't speak, he doesn't No, well, he's terrified he knows
• 1:15:23
  Speaker 2: his place.
• 1:15:25
  Speaker 1: She goes, she said, and I wanted to tell them
• 1:15:28
  Speaker 1: my real full name myself. And Ray goes, okay, and she.
• 1:15:31
  Speaker 2: Goes, are you going to do that like on the
• 1:15:34
  Speaker 2: wedding day.
• 1:15:35
  Speaker 1: Yeah, when you had to sign the wedding certificate. She says,
• 1:15:38
  Speaker 1: my real full name is Brenda Anahi, and I could
• 1:15:41
  Speaker 1: choose the Anahi. I chose to Annie, and I just
• 1:15:44
  Speaker 1: wanted to tell them myself. And Amani looks at Ray
• 1:15:47
  Speaker 1: and goes, what is she protecting? Like she in the
• 1:15:49
  Speaker 1: Witness Protection program? No, didn't land, Okay, next show, So but.
• 1:15:55
  Speaker 2: It got me thinking, like jash if she does, like
• 1:16:00
  Speaker 2: does she have some mob dealings or like was she
• 1:16:04
  Speaker 2: works at this club and maybe some gangsters were doing
• 1:16:08
  Speaker 2: mafia deals or something? And then I'm mixing up groups
• 1:16:11
  Speaker 2: here and then she overheard something she wasn't supposed to,
• 1:16:15
  Speaker 2: or she was the girlfriend of some drug dealer. Drug
• 1:16:17
  Speaker 2: dealers in Mexico are very scary. If she's doing this
• 1:16:22
  Speaker 2: to get away, she should not be doing it on
• 1:16:25
  Speaker 2: a TV show, though.
• 1:16:26
  Speaker 1: With the giant pink bow in her hair. Yeah, and
• 1:16:29
  Speaker 1: in her talking head of Moni goes, you know, I
• 1:16:31
  Speaker 1: was just thinking, I never booked an airline ticket for her.
• 1:16:34
  Speaker 1: I never saw any paperwork with her name. Way to go, Amani.
• 1:16:39
  Speaker 1: You're brilliant.
• 1:16:40
  Speaker 2: So you've learned it after the fact. Yeah, So you
• 1:16:44
  Speaker 2: would have been more impressive if you had realized that
• 1:16:46
  Speaker 2: before you knew she had a fake name.
• 1:16:48
  Speaker 1: Annie says after in Sonata, I was going to tell
• 1:16:51
  Speaker 1: you my real name, but she Amani. She is angry
• 1:16:55
  Speaker 1: all the time, and okay, it's just the whining the
• 1:17:01
  Speaker 1: fake water works. So Amani goes and so like, are
• 1:17:06
  Speaker 1: you still married? And Annie goes, why did you tell
• 1:17:08
  Speaker 1: them about my marriage?
• 1:17:11
  Speaker 3: To tell them everything?
• 1:17:13
  Speaker 2: And Ray goes, you know, uh, maybe I misunderstood, Like
• 1:17:16
  Speaker 2: maybe I'm like I'm old, and oh, I'm just like
• 1:17:19
  Speaker 2: troll under the ridge, so ugly, so ugly. I'm normally
• 1:17:23
  Speaker 2: not around society because I'm not allowed out in public
• 1:17:26
  Speaker 2: without my paper bag over my face. So I miss
• 1:17:30
  Speaker 2: a lot of things because the paper bag it covers
• 1:17:33
  Speaker 2: my ears.
• 1:17:34
  Speaker 3: So I miss I'm.
• 1:17:35
  Speaker 1: Just old and stupid, and maybe I just misunderstood stupid
• 1:17:39
  Speaker 1: way stupid ray ray And Amani goes, so, why are
• 1:17:44
  Speaker 1: you switching your story now? Yeah, goes, So, I don't know.
• 1:17:48
  Speaker 1: She says she's not married, so I don't know. Maybe
• 1:17:50
  Speaker 1: she's not.
• 1:17:52
  Speaker 2: Matt goes, it's talking head.
• 1:17:53
  Speaker 1: Matt, who's allowed to speak now, says, yeah, any woman
• 1:17:57
  Speaker 1: that could snap her fingers like that and change a
• 1:17:59
  Speaker 1: man's men is trained. What are you talking about? Matt
• 1:18:03
  Speaker 1: speak English?
• 1:18:05
  Speaker 3: Well, I think he's.
• 1:18:06
  Speaker 2: Saying that Annie just gave patrol of I mean, what's
• 1:18:12
  Speaker 2: his face? Ray a look and he was like, oh,
• 1:18:15
  Speaker 2: I mean she's not married. So he thinks she's like
• 1:18:19
  Speaker 2: very good at manipulating men, which I do think is true.
• 1:18:22
  Speaker 2: I think she's very good at manipulating everyone. And I
• 1:18:25
  Speaker 2: think this whole scene, she's now playing the victim and
• 1:18:28
  Speaker 2: crying like she's scared. What are you scared? Like, She's
• 1:18:31
  Speaker 2: just like, I'm so scared, so she won't be in trouble, Like.
• 1:18:34
  Speaker 1: Yeah, she wore them. She's bowed her hair.
• 1:18:37
  Speaker 3: I just can't care.
• 1:18:38
  Speaker 2: I'm so rare innocent. I thought it was cute, but
• 1:18:42
  Speaker 2: it's it's very like childlike, like oh, I just say innocent,
• 1:18:47
  Speaker 2: Like I'm not manipulative at all, like Mattie and Poodle
• 1:18:51
  Speaker 2: thinks she's just like full on scamming them and they're
• 1:18:56
  Speaker 2: fine with it because they're like they're for them. Yes
• 1:19:00
  Speaker 2: she can the stupid Americans that come and want to
• 1:19:02
  Speaker 2: use you as like a sex slave in the United States,
• 1:19:06
  Speaker 2: Like yeah, fine.
• 1:19:08
  Speaker 1: So the talking to head Ray goes, I don't know,
• 1:19:11
  Speaker 1: I don't know, Like she's really private and I don't
• 1:19:13
  Speaker 1: think she's lying, but uh, well she is hiding something,
• 1:19:17
  Speaker 1: but I'm not sure what it is because I just
• 1:19:18
  Speaker 1: Ray and I just forgot.
• 1:19:19
  Speaker 2: But you know, she needs to put her cars out
• 1:19:21
  Speaker 2: on the table before this big decision.
• 1:19:23
  Speaker 3: And also why marry me?
• 1:19:25
  Speaker 2: Yeah yeah, but like he was, he was going to
• 1:19:28
  Speaker 2: propose to her, like but then he messed it up,
• 1:19:30
  Speaker 2: like they were gonna get married. But he was like
• 1:19:32
  Speaker 2: trusted her enough to open up this bank account for her,
• 1:19:36
  Speaker 2: which and manage her money. But like he says, she's
• 1:19:40
  Speaker 2: private and like lies. Basically, Ray is taking a cut
• 1:19:45
  Speaker 2: of whatever. So she's getting American money. She's in Tijuana
• 1:19:48
  Speaker 2: at this strip club where everybody goes, apparently, and she
• 1:19:51
  Speaker 2: makes a shit ton of money and probably a lot
• 1:19:53
  Speaker 2: of his American dollars. She gives it to Ray, who deposited,
• 1:19:56
  Speaker 2: I'm sure, and he takes ten percent or whatever. It's like,
• 1:20:00
  Speaker 2: you can't get an American bank account, so let me
• 1:20:02
  Speaker 2: harvest your American dollar, right, He's the real harvester that
• 1:20:06
  Speaker 2: cares worried about. Right.
• 1:20:08
  Speaker 1: So Amani goes, We're gonna have to sit down and
• 1:20:11
  Speaker 1: have a talk because my head is just oh, my
• 1:20:12
  Speaker 1: head is spinning. So I'm going to get a translator
• 1:20:16
  Speaker 1: for the next time we talk to make sure nothing
• 1:20:18
  Speaker 1: is misunderstood.
• 1:20:20
  Speaker 2: Ray is sitting right there, and he speaks but languages.
• 1:20:23
  Speaker 1: But oh, but he just always lost his mind. He's
• 1:20:25
  Speaker 1: Ray so stupid.
• 1:20:26
  Speaker 2: I can't even look at him though anyway, for one
• 1:20:29
  Speaker 2: second longer. My dinner is about to come out the
• 1:20:33
  Speaker 2: other way, so I will vomit all over this table.
• 1:20:36
  Speaker 2: So we got to hire a translator that is good looking.
• 1:20:39
  Speaker 3: I need a.
• 1:20:40
  Speaker 1: Hot translator or I will not be able to feast
• 1:20:43
  Speaker 1: my eyes on them.
• 1:20:44
  Speaker 3: So Annie inter talking head.
• 1:20:46
  Speaker 2: Annie with her big bushes like I feel sad and
• 1:20:49
  Speaker 2: I feel bad and I just want to be honest,
• 1:20:52
  Speaker 2: but I need time.
• 1:20:54
  Speaker 1: I am no liar anymore, only with my name.
• 1:20:59
  Speaker 3: But she doesn't believe me. It's true.
• 1:21:02
  Speaker 1: I want to stay with them and marry them, but
• 1:21:04
  Speaker 1: maybe she don't want to stay with me anymore. Fuck Matt,
• 1:21:07
  Speaker 1: who's that? Speaking of trolls, she never mentions that. She
• 1:21:11
  Speaker 1: says she doesn't want to be with me, She doesn't
• 1:21:13
  Speaker 1: want to stay me, she doesn't believe me.
• 1:21:16
  Speaker 3: Yeah, I'm not allied or said too.
• 1:21:19
  Speaker 2: She was upset about the lying too, but no one
• 1:21:22
  Speaker 2: would know that because he was never speaking. He's not
• 1:21:25
  Speaker 2: a love.
• 1:21:27
  Speaker 3: But was she like scammed by people?
• 1:21:30
  Speaker 2: The only thing I can think of this is real,
• 1:21:32
  Speaker 2: is like she was about to I don't I have
• 1:21:34
  Speaker 2: no I don't know her backstory to make her like
• 1:21:39
  Speaker 2: this secretive to people that are getting divorced for her,
• 1:21:44
  Speaker 2: this is just how she has to It has to
• 1:21:46
  Speaker 2: all be fake.
• 1:21:49
  Speaker 1: In true telenovelle style, she walks up down the beach
• 1:21:52
  Speaker 1: going poor.
• 1:21:53
  Speaker 4: Okay, can't you just see it? Tell Novelle's like, oh poor, yeah,
• 1:22:00
  Speaker 4: just like yes, And then the screen they.
• 1:22:03
  Speaker 1: Put on they put what I was like, we know
• 1:22:05
  Speaker 1: what means?
• 1:22:07
  Speaker 2: Okay, go on. I wish someone had gotten slapped at
• 1:22:10
  Speaker 2: the dinner table. I wish someone had reached the grass
• 1:22:13
  Speaker 2: the table. It just slapped somebody. He's like for like
• 1:22:16
  Speaker 2: Amani would just slap like Ray just for being ugly,
• 1:22:19
  Speaker 2: just like I gotta slap that ugly face, Poor K.
• 1:22:23
  Speaker 2: Why is your face so ugly? We have to stop
• 1:22:26
  Speaker 2: about Ray. Poor Ray is a normal guy, and he
• 1:22:29
  Speaker 2: is in me to fare like nothing wrong with Ray.
• 1:22:33
  Speaker 3: I think he is probably a catch.
• 1:22:35
  Speaker 2: If like he he has money, and like he seems
• 1:22:39
  Speaker 2: very pleasant, like he's even tempered, like logical, and and
• 1:22:46
  Speaker 2: he's a catch.
• 1:22:46
  Speaker 1: You might be losing his memory. You might be dying soon.
• 1:22:49
  Speaker 1: Except so, by the way, I do know, poor K
• 1:22:52
  Speaker 1: means why I got excited about telenovella moment and said what,
• 1:22:55
  Speaker 1: but I know it means why?
• 1:22:56
  Speaker 2: Why?
• 1:22:57
  Speaker 1: Why?
• 1:22:58
  Speaker 4: Why? Poor k?
• 1:23:01
  Speaker 1: Okay, let's finish up with Sean and Alia. Not such
• 1:23:04
  Speaker 1: a fun funny story. But Sean and.
• 1:23:08
  Speaker 3: Yeah, oh my god, and I did their notes, so
• 1:23:12
  Speaker 3: thank you.
• 1:23:13
  Speaker 2: Sorry everybody. But if there's someone who only listens to
• 1:23:16
  Speaker 2: their storyline, if that's hard, the whole rest of the thing. No,
• 1:23:21
  Speaker 2: I'm only invested in Sean and Alia and.
• 1:23:23
  Speaker 1: Only if Mary Payne tells it. No, I think your
• 1:23:26
  Speaker 1: notes will be just fine. Thank you for helping me out.
• 1:23:29
  Speaker 2: So Aliah calls her mom and tells her that all
• 1:23:32
  Speaker 2: of Sean's family and friends were nice at their engagement thing.
• 1:23:35
  Speaker 2: And Mama's like, good because if they mess with you,
• 1:23:37
  Speaker 2: they mess with me. And she does, like a look
• 1:23:40
  Speaker 2: at my muscles, so very cute, and so she says,
• 1:23:44
  Speaker 2: you know, we went to talk to a doctor about
• 1:23:46
  Speaker 2: some procedures and Sean seemed like tense about it, and
• 1:23:50
  Speaker 2: Mama says, you know, you have to be in this together.
• 1:23:53
  Speaker 3: This is going to be hard for him.
• 1:23:54
  Speaker 2: You guys have to keep talking and all of this.
• 1:23:57
  Speaker 2: And Aliah says, I think my mom's worried about me
• 1:24:00
  Speaker 2: being alone, and she's worried that Sean will leave me
• 1:24:03
  Speaker 2: because of my transition.
• 1:24:05
  Speaker 3: So all we're all worried about that.
• 1:24:09
  Speaker 2: So meanwhile, Sean goes to do hair for his friend Stacy,
• 1:24:16
  Speaker 2: wearing a be dazzled King King of Hearts card shirt.
• 1:24:22
  Speaker 1: I thought, you know what, I thought. I was thinking
• 1:24:23
  Speaker 1: Starbar would like that shirt.
• 1:24:26
  Speaker 2: But if it was an American flag, it's like to
• 1:24:29
  Speaker 2: be king of heart with an angel. He can show
• 1:24:33
  Speaker 2: I am the king.
• 1:24:33
  Speaker 1: There's only one bad.
• 1:24:34
  Speaker 3: Boy exactly, den Is the joker.
• 1:24:38
  Speaker 2: I am the King of hearts and Chakaina is my queen. Yeah.
• 1:24:45
  Speaker 2: So Stacy has known him before. He was even married
• 1:24:50
  Speaker 2: to a woman and had kids. So they've known each
• 1:24:52
  Speaker 2: other for decades. They have been through like, uh, they
• 1:24:56
  Speaker 2: had a salon together and then he says like change
• 1:24:59
  Speaker 2: of salon, earthquakes, a new salon, And I was like, oh,
• 1:25:02
  Speaker 2: did he lose his salon in an earthquake?
• 1:25:04
  Speaker 1: What happened there? Or see he's saying earthquakes. He's sixty two.
• 1:25:11
  Speaker 1: I mean he could have lost the salon in a
• 1:25:13
  Speaker 1: big earthquake.
• 1:25:15
  Speaker 3: Yeah.
• 1:25:16
  Speaker 1: There's been some Biggins there in La you know. Oh yeah,
• 1:25:18
  Speaker 1: I love there.
• 1:25:19
  Speaker 3: Yeah no, you should still live there.
• 1:25:22
  Speaker 2: No, I don't think that. So I've we just had
• 1:25:28
  Speaker 2: one that I felt down here because I was like
• 1:25:31
  Speaker 2: even south of Orange County anyway, so Stacy, you get
• 1:25:36
  Speaker 2: used to them. So Stacy has known him before forever,
• 1:25:41
  Speaker 2: so they feel very comfortable instantly talking about his sex
• 1:25:45
  Speaker 2: life with Aliyah. So he's just like as he's doing
• 1:25:48
  Speaker 2: the hair, he's like Aliah doesn't feel comfortable with her
• 1:25:52
  Speaker 2: body where she is in her transition, and so we
• 1:25:55
  Speaker 2: haven't really been intimate. And she's like, oh, you can't
• 1:25:58
  Speaker 2: let the sex die. You know, that's what happened with
• 1:26:01
  Speaker 2: your first wife. So or I don't know what happened
• 1:26:04
  Speaker 2: with the first wife. Well, he decided he liked men,
• 1:26:06
  Speaker 2: so he liked men. I don't know if that's what happened,
• 1:26:09
  Speaker 2: or if they got divorced and then he did I
• 1:26:11
  Speaker 2: don't even know what happened with that. Nobody does. I
• 1:26:14
  Speaker 2: wonder if we're ever gonna meet the X. He'd be
• 1:26:17
  Speaker 2: great if she came on the TELLEL. Yeah. So he
• 1:26:22
  Speaker 2: is like, let let's let your hair cook for a
• 1:26:25
  Speaker 2: while so I can sit down. I'm old And he
• 1:26:27
  Speaker 2: makes that groaning sound when he sits down. It's same
• 1:26:30
  Speaker 2: sound that I make.
• 1:26:33
  Speaker 1: Make. That sound after you whip your boob and knock
• 1:26:35
  Speaker 1: yourself out with your We cannot get that vision out
• 1:26:39
  Speaker 1: of my mind. You told me that you tried that
• 1:26:41
  Speaker 1: in your home. I'm never gonna never gonna get over it.
• 1:26:46
  Speaker 2: But it didn't go well. I mean, nothing happened. I
• 1:26:49
  Speaker 2: was trying a bra I'm not gonna try it without
• 1:26:51
  Speaker 2: a bra I don't want to kill myself, So to be.
• 1:26:54
  Speaker 3: Your second career is what you're telling.
• 1:26:56
  Speaker 2: So he tells her, well, well, we did go see
• 1:27:01
  Speaker 2: a doctor about some surgeries and we got to play
• 1:27:03
  Speaker 2: with breast implants and that was really fun. Sarcastically, he
• 1:27:07
  Speaker 2: just hates this whole thing, and she's like, okay, does
• 1:27:11
  Speaker 2: she want the whole? I don't know the right word
• 1:27:14
  Speaker 2: for it. And he says, gender reassignment surgery. That's not
• 1:27:18
  Speaker 2: what we call it anymore. It's called gender affirmation surgery.
• 1:27:21
  Speaker 2: And I felt like he should know that, but see
• 1:27:23
  Speaker 2: I didn't know that. Yeah, so that makes more sense.
• 1:27:27
  Speaker 2: Gender affirmation. Is that a reassignment? That makes more sense? Okay,
• 1:27:30
  Speaker 2: thank you. Yeah, it's like people used to say, like
• 1:27:32
  Speaker 2: sex change or like all that. You just say gender affirmation.
• 1:27:36
  Speaker 2: That's where we're at now. It's a much more positive
• 1:27:39
  Speaker 2: spin on it. So they Stacy's like, okay, so would
• 1:27:44
  Speaker 2: you be okay if she did the whole shebang, like
• 1:27:48
  Speaker 2: the whole, the whole up downstairs, the whole thing. We
• 1:27:52
  Speaker 2: know what you're talking about, Stacy, genital surgery. So Sean says,
• 1:27:56
  Speaker 2: you know, I don't know, and I don't know if
• 1:27:58
  Speaker 2: she wants to do that. I don't know when she
• 1:28:01
  Speaker 2: would want to do that. I don't know if i'd
• 1:28:03
  Speaker 2: be okay with that. There's just a lot of things
• 1:28:05
  Speaker 2: I don't know. And Stacy is like, Aliyah is very
• 1:28:09
  Speaker 2: young and has time to live with these unknowns because
• 1:28:12
  Speaker 2: she has her whole life ahead of her. Sean is
• 1:28:14
  Speaker 2: super old, so he can't live with these unknowns in
• 1:28:18
  Speaker 2: the little time that he has left. Essentially we're talking
• 1:28:21
  Speaker 2: like he's only sixty, Like calm everybody, calmed down. He
• 1:28:25
  Speaker 2: still has time left on this earth. But she's surprised.
• 1:28:29
  Speaker 2: I think she's like, he's very set in his ways
• 1:28:31
  Speaker 2: and now there's a lot of up in the air
• 1:28:34
  Speaker 2: stuff and maybe he's not good with that. And it's
• 1:28:36
  Speaker 2: a lot of big changes. So she says, you're not
• 1:28:40
  Speaker 2: married yet, so like you could maybe not get married
• 1:28:44
  Speaker 2: if you knew for sure that she was having all
• 1:28:47
  Speaker 2: the surgeries? Would you marry her? And he's which is
• 1:28:51
  Speaker 2: the that's the five hundred dollar question? We all know? Yeah,
• 1:28:56
  Speaker 2: And he says, I would maybe pull then ninety days
• 1:29:01
  Speaker 2: the visa and then we could go back to like
• 1:29:04
  Speaker 2: dating and spend more time together as Aliyah and Sean
• 1:29:09
  Speaker 2: and then maybe reapply for the visa. And that's what
• 1:29:13
  Speaker 2: we've been saying, and that's what he should have said
• 1:29:16
  Speaker 2: a long time ago. But maybe before she came, or
• 1:29:20
  Speaker 2: if she really wants to come to America and you
• 1:29:22
  Speaker 2: really want her here, get married and then like get
• 1:29:25
  Speaker 2: divorced and then start dating.
• 1:29:28
  Speaker 1: Each other, and then I just think then or let
• 1:29:31
  Speaker 1: her explore.
• 1:29:32
  Speaker 2: Her options, let her go. I feel like I'm advocating
• 1:29:35
  Speaker 2: for immigration fraud, but whatever, I just want.
• 1:29:38
  Speaker 3: A Leah to be happy.
• 1:29:40
  Speaker 2: And like, if this is how he feels, they maybe
• 1:29:44
  Speaker 2: should not get married.
• 1:29:46
  Speaker 3: So they are.
• 1:29:48
  Speaker 2: So he and Aliah are driving to the beach and
• 1:29:51
  Speaker 2: she says she loves Beverly Hills and he's like, oh,
• 1:29:53
  Speaker 2: you have to suffer with West Hollywood Heights and like
• 1:29:56
  Speaker 2: mocking her. He always mocks her, but she just ignores him. Now.
• 1:30:01
  Speaker 1: I thought she doesn't know that because she thinks she
• 1:30:04
  Speaker 1: thinks La is one thing. And he's like, well, we
• 1:30:06
  Speaker 1: live in a really nice neighborhood, but she doesn't know
• 1:30:09
  Speaker 1: the neighborhood yet, you know.
• 1:30:10
  Speaker 2: Yeah. Yeah. So also West Hollywood super gay friendly, so
• 1:30:16
  Speaker 2: like right, that's great to be in. That's and He's
• 1:30:19
  Speaker 2: been only hooking up with dudes and like dating around
• 1:30:23
  Speaker 2: for a very long time.
• 1:30:25
  Speaker 3: So I'm sure he loves that area.
• 1:30:27
  Speaker 1: He wants to continue to hook up with dudes. He's
• 1:30:28
  Speaker 1: going to need to be in Weiho for that open marriage.
• 1:30:30
  Speaker 2: Okay, exactly, so he I'm sure there's a lot going
• 1:30:35
  Speaker 2: on in Beverly Hills too, though. I'm sure there's this
• 1:30:37
  Speaker 2: gay scene there too. So he is going to teach
• 1:30:40
  Speaker 2: her to rollerblade at Venice Beach and she's like, I know,
• 1:30:45
  Speaker 2: he goes, it's very so cal of us. It's like,
• 1:30:48
  Speaker 2: no one calls it so cal Sean, that's not no
• 1:30:50
  Speaker 2: one calls it.
• 1:30:51
  Speaker 3: Do people still rollerblades? Unclear? I mean we see a
• 1:30:55
  Speaker 3: guy rollerblading.
• 1:30:59
  Speaker 2: At that beach. They do like at my beach and
• 1:31:02
  Speaker 2: have never once seen a person rollerblading. Everyone is on
• 1:31:06
  Speaker 2: like a one wheel or an electric bike of some sort.
• 1:31:09
  Speaker 1: That's just those one wheel does They're like skateboards but
• 1:31:14
  Speaker 1: with the one wheel. Yeah, it's so expensive, are they really?
• 1:31:18
  Speaker 1: They're really expensive? Because I've seen people around here on
• 1:31:21
  Speaker 1: bald Head that are on them. I'm like, well, that's
• 1:31:23
  Speaker 1: a quick way to get to work, is it of
• 1:31:24
  Speaker 1: a golf guart out them up and they're expensive. They're
• 1:31:27
  Speaker 1: like several thousand dollars. What yeah, they're yeah, oh that's
• 1:31:32
  Speaker 1: you're just crazy. You get on them and you get
• 1:31:34
  Speaker 1: them on and they're like electric, but you're it's like a.
• 1:31:36
  Speaker 2: Yeah, you charge it yeah uh huh. But you still
• 1:31:39
  Speaker 2: have to balance and like have the skill of a skateboard,
• 1:31:43
  Speaker 2: which I don't have.
• 1:31:44
  Speaker 1: And you should be wearing eye what most people are.
• 1:31:47
  Speaker 2: Yeah.
• 1:31:47
  Speaker 3: Yeah, so she there, she's excited.
• 1:31:51
  Speaker 2: She's like, I'll try rollerblading because it's like Barbie like
• 1:31:54
  Speaker 2: in the movie. They're roll up relating, but I'd rather
• 1:31:57
  Speaker 2: tan and she does the rotisserie chicken like the flipping
• 1:32:00
  Speaker 2: every hour thing, and so they're all geared up. They
• 1:32:04
  Speaker 2: have helmets, wrist pads, knee pads, and he goes and
• 1:32:07
  Speaker 2: you have a huge ass pad. She laughs, and then
• 1:32:11
  Speaker 2: she's struggling and he's like, look that lady's rollerblading with
• 1:32:14
  Speaker 2: a baby. But she was pushing a stroller with skates.
• 1:32:18
  Speaker 2: It's much easier with a stroller. That's why they teach
• 1:32:21
  Speaker 2: kids at the like skating to with those like walkers
• 1:32:25
  Speaker 2: that they push.
• 1:32:27
  Speaker 3: Dangerous to be rolled.
• 1:32:29
  Speaker 2: Pushing a stroller, because what if you hit a bump
• 1:32:31
  Speaker 2: and you could push the handle down and flip.
• 1:32:33
  Speaker 3: The baby out.
• 1:32:34
  Speaker 2: That's a good point. Well, fully the baby is seatbelted in.
• 1:32:39
  Speaker 2: I see your point. Yeah, yeah, yeah, I see your point.
• 1:32:42
  Speaker 2: So they she's struggling, she's not doing that. She's like,
• 1:32:48
  Speaker 2: this was fun for two seconds. Now we're done. And
• 1:32:51
  Speaker 2: so they walk on the beach and he brings up
• 1:32:53
  Speaker 2: the doctor's appointment and she says, my immediate goals are
• 1:32:57
  Speaker 2: hormone therapy and the browbones surgery, and he's immediately trying
• 1:33:01
  Speaker 2: to talk her out of it, and he's like, I've
• 1:33:03
  Speaker 2: seen my clients have had really big scars, and sometimes
• 1:33:07
  Speaker 2: it's like they mess up and there's they cut into
• 1:33:12
  Speaker 2: your bone and there's like a divot and an indent
• 1:33:15
  Speaker 2: in your face and you look freakish, like Ray from Mexico,
• 1:33:19
  Speaker 2: and like, do you I don't want you to look
• 1:33:21
  Speaker 2: like that, And he's totally trying to talk her out
• 1:33:23
  Speaker 2: of it, and she's like, I think that was a
• 1:33:25
  Speaker 2: long time ago, Like was that in the eighties, Sean.
• 1:33:28
  Speaker 2: I think they know what they're doing now with that surgery,
• 1:33:31
  Speaker 2: and so but Sheet is like, he's just gonna push
• 1:33:34
  Speaker 2: on everything, and so she's He's like, when do you
• 1:33:38
  Speaker 2: want to do this? She says, I want to start
• 1:33:40
  Speaker 2: hormones right away, the face surgery, I want to get
• 1:33:42
  Speaker 2: some more doctor's opinions on. There's just so many possibilities,
• 1:33:46
  Speaker 2: and he says, well, I just really want to be
• 1:33:47
  Speaker 2: considered in them. And when we were at the doctor,
• 1:33:50
  Speaker 2: you brought up the genital surgery and I didn't even
• 1:33:53
  Speaker 2: know that you were thinking about that, and she says, well,
• 1:33:56
  Speaker 2: I'm not thinking about now, but I can't guarantee that
• 1:33:59
  Speaker 2: I will never think about it. And Sean's like, okay, well,
• 1:34:04
  Speaker 2: I can't guarantee you that our marriage would survive if
• 1:34:08
  Speaker 2: you got the full gender affirming genital surgery.
• 1:34:13
  Speaker 1: And they're honest, but they're having an honest conversation.
• 1:34:17
  Speaker 2: Finally, yeah, finally, I feel like he should have said
• 1:34:20
  Speaker 2: this a long time ago, but I'm glad he's saying
• 1:34:23
  Speaker 2: it now before the wedding. And she says, I wish
• 1:34:27
  Speaker 2: I had answers for you, Like we're trying to live
• 1:34:29
  Speaker 2: in the present. I don't know what the future will be.
• 1:34:32
  Speaker 2: That really hurts to hear that Sean is already thinking
• 1:34:35
  Speaker 2: about our end at the end of our marriage and
• 1:34:39
  Speaker 2: we haven't even gotten married yet.
• 1:34:41
  Speaker 3: And then they walk home and the music is just
• 1:34:43
  Speaker 3: so sad.
• 1:34:45
  Speaker 1: But I'm glad they're discussing this, and you know, maybe
• 1:34:48
  Speaker 1: they can have an agreement that, like, we're gonna stick
• 1:34:51
  Speaker 1: out this marriage for five years, and in five years,
• 1:34:54
  Speaker 1: if you have decided you really are going to go
• 1:34:57
  Speaker 1: through with the full transition, and I can't live with that,
• 1:35:00
  Speaker 1: and you want to live your life. By then, she'll
• 1:35:02
  Speaker 1: only be thirty, and you know, and by then you'll
• 1:35:06
  Speaker 1: have citizenship and I'm responsible for you within years, So
• 1:35:09
  Speaker 1: please don't know anything crazy in those next five.
• 1:35:13
  Speaker 2: You know, they can and I can go off with
• 1:35:16
  Speaker 2: one of the boys that I've been sleeping with because
• 1:35:20
  Speaker 2: we have had this open marriage this whole time, right
• 1:35:22
  Speaker 2: and I've been sleeping with nineteen.
• 1:35:24
  Speaker 3: Year old young men.
• 1:35:26
  Speaker 1: Let's hope not let's help one.
• 1:35:28
  Speaker 2: I mean, I don't know what their agreement would be,
• 1:35:30
  Speaker 2: but yeah, I totally think that that would be something
• 1:35:34
  Speaker 2: that is possibility.
• 1:35:35
  Speaker 1: They could say, in five years, we will decide what
• 1:35:39
  Speaker 1: to do, but in five years a lot could change.
• 1:35:41
  Speaker 3: She could decide in two.
• 1:35:42
  Speaker 1: Years, I do want to have all this real ginger
• 1:35:44
  Speaker 1: reaffirming surgery, and that, of course is her choice. Now
• 1:35:49
  Speaker 1: you got to get into now is he paying for
• 1:35:51
  Speaker 1: all this and that he's going to feel used.
• 1:35:53
  Speaker 3: Or is that part of their agreement?
• 1:35:55
  Speaker 1: You know what I mean.
• 1:35:56
  Speaker 2: It's a lot.
• 1:35:57
  Speaker 1: It's a lot, and it's rough because they fell in
• 1:36:01
  Speaker 1: love and she was a different person and so he's, yeah, right,
• 1:36:05
  Speaker 1: he's definitely justified in his feelings. But she also was
• 1:36:09
  Speaker 1: just sort of really becoming her true self. So it's
• 1:36:12
  Speaker 1: it's rough, man.
• 1:36:13
  Speaker 2: It's rough. Yeah, there's no real villain.
• 1:36:16
  Speaker 1: Yeah, And I don't dislike him at all. I just
• 1:36:18
  Speaker 1: love her so much. I just love her, I know,
• 1:36:20
  Speaker 1: I know, I just like to just look at her.
• 1:36:22
  Speaker 1: She's so pretty and she's so fine, gorgeous. Yeah, but
• 1:36:26
  Speaker 1: I do think that also sort of explains why we
• 1:36:28
  Speaker 1: see her in real time on social media, and so
• 1:36:30
  Speaker 1: you could tell she hasn't changed her face. And I
• 1:36:32
  Speaker 1: think it's interesting now that she's saying like, that's really
• 1:36:35
  Speaker 1: not first on my list. First on my list is
• 1:36:38
  Speaker 1: the hormones. And I think that's good. I think it's
• 1:36:41
  Speaker 1: good to be one step at a time, like we
• 1:36:43
  Speaker 1: don't have to look six years ahead. Let's just and
• 1:36:45
  Speaker 1: I think her point is very valid, like why we
• 1:36:47
  Speaker 1: don't have to talk about the future, Why can't we
• 1:36:48
  Speaker 1: just love for today? So and of course he's like,
• 1:36:50
  Speaker 1: I'm old. I know I'm going to be dead next
• 1:36:52
  Speaker 1: week anyway, you know.
• 1:36:53
  Speaker 2: Yeah, yeah, but what is he saying?
• 1:36:59
  Speaker 3: I couldn't.
• 1:36:59
  Speaker 2: I don't think our marriage would survive if you got
• 1:37:03
  Speaker 2: all of the surgeries and I wasn't still allowed to
• 1:37:07
  Speaker 2: date other guys. Because where does the open marriage fit
• 1:37:10
  Speaker 2: into this? Because I kind of thought the open marriage
• 1:37:13
  Speaker 2: was because he didn't want to do long distance, but
• 1:37:16
  Speaker 2: maybe he was considering it also if she was going
• 1:37:19
  Speaker 2: to really pursue like all the surgeries, maybe like sexually, and.
• 1:37:25
  Speaker 1: I would like to be allowed to be with men
• 1:37:27
  Speaker 1: exactly exactly and if they can come to agreement on that,
• 1:37:30
  Speaker 1: but I don't know. I think I feel like that
• 1:37:31
  Speaker 1: going to really hurts Leah's feelings, so.
• 1:37:34
  Speaker 2: Absolutely it would definitely be a big consideration, like they're
• 1:37:39
  Speaker 2: both not on board.
• 1:37:40
  Speaker 1: Yeah, wow, well that's it. Let me tell you what
• 1:37:44
  Speaker 1: happens next week. Next week we have jones bachelorette party,
• 1:37:47
  Speaker 1: which her mother in law, Lucille, takes her to a
• 1:37:49
  Speaker 1: strip club where ladies rub their boobs and swing them
• 1:37:52
  Speaker 1: in circles right on.
• 1:37:54
  Speaker 3: Maybe they'll just knock out Lucille. Ladies, my ladies. Boob
• 1:38:01
  Speaker 3: just gave me a concussion, Gregory, I gotta go to
• 1:38:03
  Speaker 3: the hospital.
• 1:38:07
  Speaker 4: Uh.
• 1:38:08
  Speaker 1: There's some more bullshit about Annie's legal name and if
• 1:38:10
  Speaker 1: she's still married, and I don't care. Sean shows Aliah
• 1:38:14
  Speaker 1: the pre nup and she looks at him and says,
• 1:38:18
  Speaker 1: you think I want to steal all your money? And
• 1:38:20
  Speaker 1: I don't like that. That made me sad. But she's
• 1:38:23
  Speaker 1: reading it and she's only reading the monetary part. I
• 1:38:25
  Speaker 1: don't know what the rest of us does. That's how
• 1:38:28
  Speaker 1: she felt. Jessica says, look, here's the deal. The cruise
• 1:38:32
  Speaker 1: is calling. I don't want to be a cruise wife.
• 1:38:35
  Speaker 1: Cruse wife. And he goes, so you're saying it's you
• 1:38:38
  Speaker 1: are the cruise and she says, yeah, it's your wife
• 1:38:40
  Speaker 1: or the cruise.
• 1:38:41
  Speaker 2: You have to choose.
• 1:38:41
  Speaker 1: Yeah, said continues to stir the pot, and then we
• 1:38:46
  Speaker 1: see Maddie and Stevie are both crying and it's in
• 1:38:49
  Speaker 1: the bed. They're talking and he cries in his talking Kady.
• 1:38:52
  Speaker 1: He says, coming here, maybe I made a mistake. I
• 1:38:55
  Speaker 1: think they're fine, but I think this is rough.
• 1:38:58
  Speaker 2: I think this is ye.
• 1:39:00
  Speaker 1: Sarpar and Chkina talk about the wedding and they're with
• 1:39:03
  Speaker 1: the friend group. They're with Cheekbones and two girls we
• 1:39:06
  Speaker 1: don't know their name and don and Uh. They're talking
• 1:39:09
  Speaker 1: about the wedding and he goes, I don't know, maybe
• 1:39:11
  Speaker 1: there won't be a wedding, and I think he means
• 1:39:13
  Speaker 1: maybe they're not going to do an actual wedding ceremony,
• 1:39:16
  Speaker 1: because Shakai is not upset. He's not saying we're not
• 1:39:18
  Speaker 1: getting married. I think he's saying, maybe we won't do
• 1:39:20
  Speaker 1: a wedding, is what it says. But again it's Matt Sharp,
• 1:39:23
  Speaker 1: so we we've been true.
• 1:39:25
  Speaker 2: The friends are shocked, and then friends are all like,
• 1:39:28
  Speaker 2: what what, Yeah, she needs to wear a dress. She's
• 1:39:31
  Speaker 2: been we alllive what you know?
• 1:39:33
  Speaker 1: And they all and she's wearing the wig and I
• 1:39:34
  Speaker 1: don't know, So I don't know. I'm sure next.
• 1:39:37
  Speaker 2: Week you'll beak.
• 1:39:38
  Speaker 3: And then he walks out.
• 1:39:39
  Speaker 2: He has the skills.
• 1:39:40
  Speaker 1: I'll been walking out. I who's the bad boy?
• 1:39:42
  Speaker 3: Bad boy?
• 1:39:43
  Speaker 1: I gotta who's the number one guy in the group.
• 1:39:46
  Speaker 2: It's me.
• 1:39:48
  Speaker 1: And that's it. Everybody and this is a very long episode,
• 1:39:51
  Speaker 1: and I wonder if I'll split it into two that
• 1:39:53
  Speaker 1: don't make Ingrid mad at me?
• 1:39:54
  Speaker 2: But whatever, Sorry Ingrid, Sorry Ingrid.
• 1:39:58
  Speaker 1: We were on a roll with our Hilaire and are
• 1:40:00
  Speaker 1: discussing on things we don't know anything about, like tigers.
• 1:40:04
  Speaker 3: Yeah, that's it.
• 1:40:06
  Speaker 1: Kimberly date with Dayline. You said this week, you guys
• 1:40:09
  Speaker 1: are going to be covering a oldie, but a goodie.
• 1:40:12
  Speaker 2: Yeah, I'm very recent oldie called the pin at Apartment
• 1:40:17
  Speaker 2: two ten pen pe in or pen p i in. Well,
• 1:40:24
  Speaker 2: Katie and I had quite a conversation. Katie says everything
• 1:40:27
  Speaker 2: like pin. She'll say, can you grab me a pin
• 1:40:30
  Speaker 2: to write this down? And that's how you say it. No,
• 1:40:34
  Speaker 2: that's wrong. That's very complicated. They are pronounced differently, okay.
• 1:40:38
  Speaker 3: But they're not.
• 1:40:39
  Speaker 1: And so I'm here to say Katie is right and
• 1:40:42
  Speaker 1: you are wrong. Pen and pen are the same thing.
• 1:40:44
  Speaker 1: Get me a pen to write a note about the
• 1:40:47
  Speaker 1: pen that needs to go in my hat. These are
• 1:40:49
  Speaker 1: all the same word.
• 1:40:51
  Speaker 2: That's ridiculous. They're spelled differently.
• 1:40:53
  Speaker 1: They understand it, but they are pronounced the same.
• 1:40:56
  Speaker 4: Um, So.
• 1:40:58
  Speaker 2: Well with your pen to write down that this is
• 1:41:02
  Speaker 2: pin like the kind you put in your hair or
• 1:41:05
  Speaker 2: a safety pin pen.
• 1:41:08
  Speaker 1: An apartment two ten pm. Okay, that's that's not the
• 1:41:12
  Speaker 1: way to say it. Just Ingrid and I have had
• 1:41:14
  Speaker 1: this fight so many times. We've had it publicly and
• 1:41:17
  Speaker 1: we've had it privately. And I think it's because she's
• 1:41:19
  Speaker 1: from Minnesota and I'm from Mississippi that I've said to
• 1:41:22
  Speaker 1: her many times like, well, I've got to put in
• 1:41:24
  Speaker 1: the pin number and then I'll later say something I
• 1:41:28
  Speaker 1: gotta i gotta write that down with my pen, and
• 1:41:30
  Speaker 1: she's like, they don't have the same words we have
• 1:41:32
  Speaker 1: had we have. We've known each other twenty years and
• 1:41:38
  Speaker 1: we've had this fight so many times.
• 1:41:39
  Speaker 3: So yeah, same with Katie and I.
• 1:41:42
  Speaker 2: I feel you.
• 1:41:43
  Speaker 1: But Katie is not from the South originally, but she
• 1:41:47
  Speaker 1: lives in the South now.
• 1:41:49
  Speaker 2: No, she's always talked like this. She's from California. It's
• 1:41:55
  Speaker 2: just one of those weird things.
• 1:41:56
  Speaker 1: But she understands that. She understands the pin and pin
• 1:41:59
  Speaker 1: are the same thing.
• 1:42:00
  Speaker 2: No, she thinks they should be pronounced differently and that
• 1:42:03
  Speaker 2: it is a fault of hers that she doesn't pronounce
• 1:42:07
  Speaker 2: them differently.
• 1:42:07
  Speaker 1: I'd say it's a superpower and I'm going to let
• 1:42:12
  Speaker 1: her know. So the pen p I n the pen
• 1:42:16
  Speaker 1: and apartment to ten.
• 1:42:19
  Speaker 2: Yeah.
• 1:42:19
  Speaker 1: Okay, well I'm gonna look that up on my TV
• 1:42:22
  Speaker 1: tonight because I don't have anything to watch. Great, Okay,
• 1:42:26
  Speaker 1: everybody follow Kimberly and Katie. They have a wonderful podcast
• 1:42:31
  Speaker 1: called A Date with Dateline. They are Creators of the
• 1:42:33
  Speaker 1: Year at Crime Con.
• 1:42:36
  Speaker 2: Thank you.
• 1:42:37
  Speaker 1: If you don't think that's high praise, I don't know
• 1:42:39
  Speaker 1: what you're thinking. What you're thinking, and they won the award.
• 1:42:44
  Speaker 1: So they're very popular podcasters. They're the greatest of all time.
• 1:42:49
  Speaker 1: Now it sound like Trump. Yeah, just s never seen
• 1:42:53
  Speaker 1: any podcasters more beautiful than these two ladies. One can
• 1:42:56
  Speaker 1: swing your boom in a full circle the other way
• 1:42:59
  Speaker 1: the other one pronounces can have been the same way.
• 1:43:04
  Speaker 2: Okay, guys, we have to go.
• 1:43:06
  Speaker 1: This is getting off the rails. Follow Kimberly and Katie
• 1:43:09
  Speaker 1: at Date Dateline on Instagram and also listen to their
• 1:43:12
  Speaker 1: podcast wherever you get podcasts. Please follow me at Pink
• 1:43:15
  Speaker 1: Shade pod and I'm sure there'll be a hilarious reel from.
• 1:43:17
  Speaker 2: This episode because it is gone way off the rails.
• 1:43:20
  Speaker 3: Goodbye, by everybody.