Latest / Abide Meditation App / 💤RELAXING Sleepy Story💤 The Red Fortress 💤 BEDTIME STORIES for Anxiety Relief

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💤RELAXING Sleepy Story💤 The Red Fortress 💤 BEDTIME STORIES for Anxiety Relief · Abide Meditation App

• 0:01
  Speaker 1: Welcome to Get Sleepy, the podcast where we listen, we relax,
• 0:10
  Speaker 1: and we get sleepy. My name is Thomas. Tonight we
• 0:21
  Speaker 1: will visit the Alhambra, an ancient fortress seated down. surrounded
• 0:27
  Speaker 1: by gardens and orchards in what is now Spain. Its
• 0:35
  Speaker 1: heyday has passed and the people who live nearby use
• 0:40
  Speaker 1: the land to grow their own fruit and vegetables. The
• 0:45
  Speaker 1: walls which once promised to protect the city at the
• 0:49
  Speaker 1: heart of a kingdom have cracked after wars and earthquakes.
• 0:57
  Speaker 1: we will follow the history of this red fortress through
• 1:01
  Speaker 1: time and trial to see how it was made beautiful
• 1:06
  Speaker 1: once again. Our guide will be one of the main
• 1:11
  Speaker 1: people responsible for restoring it and we'll join him on
• 1:16
  Speaker 1: a quiet evening many years ago. Whilst you're listening, Thoughts
• 1:27
  Speaker 1: or images from the day may naturally go through your mind,
• 1:33
  Speaker 1: and that's okay. Don't try to control them. Instead, rest
• 1:42
  Speaker 1: your attention on the sound of my voice, and join
• 1:47
  Speaker 1: me on this adventure for as long as you'd like.
• 1:56
  Speaker 1: As you feel your body sink deeper into the bed.
• 2:02
  Speaker 1: Imagine slipping backward through the decades. Go back before the
• 2:10
  Speaker 1: first person landed on the moon. Before the first person
• 2:18
  Speaker 1: flew in an aeroplane. Or even made the first car.
• 2:27
  Speaker 1: Go back to a time of carriages and carts and
• 2:35
  Speaker 1: small cottages scattered across the countryside. From here, bring your
• 2:47
  Speaker 1: mind to a particularly warm, quiet evening in the early
• 2:53
  Speaker 1: 19th century. The sun is just going down over a shrubby,
• 3:02
  Speaker 1: arid landscape, dotted here and there with hills. We see
• 3:12
  Speaker 1: the outline of a red-walled fortress that occupies one entire hilltop.
• 3:22
  Speaker 1: This is the Alhambra, which means red fort or castle
• 3:29
  Speaker 1: in Arabic. It earned its name from the distinctive colour
• 3:36
  Speaker 1: of its architecture. A stream burbles along one side. Beyond
• 3:47
  Speaker 1: the hill is a dense warren of homes and small businesses,
• 3:53
  Speaker 1: with oil lamps twinkling and candles burning. And this is
• 4:03
  Speaker 1: where our story begins. The air is dry and welcoming
• 4:27
  Speaker 1: Orange trees are in flower, and their citrusy scent floats
• 4:33
  Speaker 1: lazily up the hill. You can fill your lungs with it.
• 4:44
  Speaker 1: A dirt track leads from the neighbourhood below, up to
• 4:48
  Speaker 1: the fortress wall. There, a stolid square tower straddles the road.
• 4:59
  Speaker 1: The outer door looks tall enough for an elephant to
• 5:03
  Speaker 1: ride through it. Just above where the elephant's head would
• 5:10
  Speaker 1: reach is a white marble keystone in a red brick arch.
• 5:20
  Speaker 1: Carved into the keystone is a figure of a forearm
• 5:26
  Speaker 1: with an upward-facing palm. It's a recognizable design. The fingers
• 5:35
  Speaker 1: of the hand represent the five religious tenets of Islam.
• 5:42
  Speaker 1: The hand also symbolizes the protection of a home. The
• 5:51
  Speaker 1: inner door is smaller, but also decorated with a horseshoe arch.
• 6:00
  Speaker 1: And behind that door, a passage makes a sharp turn
• 6:04
  Speaker 1: to the right and leads guests into the fortress. If
• 6:13
  Speaker 1: you're invited within the walls, you'll find no trouble entering.
• 6:20
  Speaker 1: Unwelcome attackers, on the other hand, would face a number
• 6:25
  Speaker 1: of challenges. they would have had a hard time getting
• 6:32
  Speaker 1: their siege weapons or cavalry through the smaller door or
• 6:37
  Speaker 1: around the sharp bend. That's why the fortress, through changing times,
• 6:46
  Speaker 1: was able to protect its inhabitants for centuries. But then,
• 6:55
  Speaker 1: as often happens through history, The tides of power and
• 7:00
  Speaker 1: understanding shifted. The fortress took on a different meaning, and
• 7:08
  Speaker 1: the royal family of the land stopped living there. The
• 7:15
  Speaker 1: last time infantry marched through this tower, it was after
• 7:20
  Speaker 1: pillaging the ancient fortress. Less than a decade later, an
• 7:27
  Speaker 1: earthquake damaged the remaining structures. By then, the site had
• 7:34
  Speaker 1: lost much of its military value, and the locals didn't
• 7:40
  Speaker 1: bother rebuilding. Instead, people who lived nearby began taking over
• 7:48
  Speaker 1: the surrounding gardens. The space was plentiful and the fortress
• 7:56
  Speaker 1: was of more use for growing food than fending off enemies.
• 8:03
  Speaker 1: Bright colours and the scents of wild blooms brought life
• 8:08
  Speaker 1: into this once forbidding space. The fortress was already the
• 8:15
  Speaker 1: size of a small town by then. Surrounding it An
• 8:21
  Speaker 1: even bigger garden sprawled across the neighboring hill, and the
• 8:26
  Speaker 1: people who lived below knew how to make the most
• 8:30
  Speaker 1: of the fruit trees that grew there. The passage of
• 8:35
  Speaker 1: time was marked by harvests of sweet oranges and figs,
• 8:42
  Speaker 1: delicacies of this Mediterranean region. Fertile fields surrounding the city
• 8:50
  Speaker 1: attested to that then, and still do today. The garden
• 8:58
  Speaker 1: is framed by elm trees, which provide much-needed shade during
• 9:04
  Speaker 1: the hottest days. Trellises cover walkways with climbing vines. When
• 9:12
  Speaker 1: they were tended by gardeners, the vines bloomed with roses.
• 9:18
  Speaker 1: Some are still there. Myrtle shrubs have overtaken the old
• 9:24
  Speaker 1: paths through the garden. In warmer years, they bloom small
• 9:30
  Speaker 1: white flowers with five petals that grow in the shape
• 9:35
  Speaker 1: of a star. Some have yellow amber berries. Their smell
• 9:42
  Speaker 1: is reminiscent of eucalyptus as it wafts through the air.
• 9:50
  Speaker 1: Standing next to the fortress wall, you can hear water
• 9:55
  Speaker 1: bubbling through the garden. When it was intact, canals dating
• 10:01
  Speaker 1: back to Roman times brought water from a distant mountain
• 10:06
  Speaker 1: to the fortress. They once supplied a small Roman settlement
• 10:13
  Speaker 1: and fort in the area. Now, Among the remnants of
• 10:20
  Speaker 1: the royal garden, local people cultivate oranges, lemons and citron
• 10:28
  Speaker 1: that once belonged to royalty. One of those orange trees
• 10:36
  Speaker 1: calls for attention. Its branches are filled with dark green leaves,
• 10:43
  Speaker 1: shiny and slippery to the touch. Its shape is almost spherical,
• 10:51
  Speaker 1: but at the top, its branches splay out a little more,
• 10:56
  Speaker 1: just beyond the reach of the people who try to
• 10:59
  Speaker 1: keep it looking nice. Brown fruits cluster throughout the tree.
• 11:08
  Speaker 1: The more exposed they are to the sun, the more
• 11:11
  Speaker 1: orange they become. Those hidden inside the tree remain a
• 11:17
  Speaker 1: little greener. You breathe in the scent of the delicate
• 11:24
  Speaker 1: white-orange blossoms, called azar. The fruit on this tree are
• 11:32
  Speaker 1: small but bright. A few overripe pieces have fallen to
• 11:38
  Speaker 1: the ground, where birds feed on them. If you picked
• 11:45
  Speaker 1: a fresh orange from the tree, it would taste a
• 11:48
  Speaker 1: little sour. Some of its juice might squirt out when
• 11:53
  Speaker 1: you break open the thick skin with your fingernail. The
• 11:59
  Speaker 1: juice would fall to the ground and, in its own
• 12:03
  Speaker 1: tiny way, help to water the tree where it grew.
• 12:10
  Speaker 1: It is one more of many repeating cycles of life.
• 12:14
  Speaker 1: in this garden. The Red Fortress on the hill has
• 12:21
  Speaker 1: stood by as generation after generation of trees have grown,
• 12:28
  Speaker 1: given fruit, and blossomed anew. It will endure through many
• 12:34
  Speaker 1: more generations beyond this one. On this particular evening, The
• 12:43
  Speaker 1: moon is already high in the sky above, and a
• 12:47
  Speaker 1: light breeze cools the ground from the heat of the day.
• 12:55
  Speaker 1: To the discerning eye, the fortress is still beautiful, but
• 13:00
  Speaker 1: it could use some work to return it to its
• 13:03
  Speaker 1: former glory. This is where we join, Jose de Sala.
• 13:12
  Speaker 1: the construction supervisor. We find him here, on the hill,
• 13:20
  Speaker 1: as he walks from the city to visit the fortress.
• 13:26
  Speaker 1: He is contemplating how to begin the restoration. He needs
• 13:32
  Speaker 1: to find out what is damaged and what can be rebuilt.
• 13:39
  Speaker 1: De Salas has worked for many years as a mason.
• 13:45
  Speaker 1: He has the muscular build of one who has moved
• 13:49
  Speaker 1: stone and crafted walls with his bare hands. Now that
• 13:56
  Speaker 1: he is a supervisor though, he can put his experience
• 13:59
  Speaker 1: to work in new ways. It is a point of
• 14:05
  Speaker 1: pride for De Salas, and he tugs at the corner
• 14:10
  Speaker 1: of his shirt as he steps confidently onto the path.
• 14:18
  Speaker 1: His feet pad across the dirt while he walks. As
• 14:23
  Speaker 1: the slope gradually rises, his footsteps slacken. His breathing grows
• 14:30
  Speaker 1: quicker until he pauses to catch his breath. De Salas
• 14:37
  Speaker 1: takes in the view of the unlit walls above There
• 14:42
  Speaker 1: are no lanterns, but the walls are awash in the
• 14:46
  Speaker 1: faint glow of moonlight reflecting off the faraway snowy mountains.
• 14:54
  Speaker 1: He knows the city can't use the fortress for defense anymore.
• 15:00
  Speaker 1: The royal family lives in another town now, many days'
• 15:05
  Speaker 1: ride away on horseback. But the people know that the
• 15:12
  Speaker 1: fortress is special, and they want to make it safe
• 15:16
  Speaker 1: to visit. They want to remember the people who built it,
• 15:22
  Speaker 1: along with those who later claimed it. They want to
• 15:27
  Speaker 1: keep their history. De Salas heads through the Gate of Justice,
• 15:37
  Speaker 1: with the horseshoe arches over the doors. He ambles right
• 15:43
  Speaker 1: through the passage, into a wide esplanade. There, he can
• 15:50
  Speaker 1: see the walls of once noble buildings aglow in the moonlight.
• 15:59
  Speaker 1: The breeze hums through the passage and rustles the plants
• 16:03
  Speaker 1: growing in the fortress complex. De Salas gazes up at
• 16:09
  Speaker 1: the walls from the inside. He sees cracks caused by
• 16:15
  Speaker 1: an earthquake and broken beams hanging high above. He makes
• 16:22
  Speaker 1: a mental note. He will have to come back with
• 16:26
  Speaker 1: some workers soon to deal with that. De Salas wanders
• 16:33
  Speaker 1: across the esplanade toward one of the other buildings and
• 16:37
  Speaker 1: a maze of connecting courtyards. A door leads through some
• 16:43
  Speaker 1: abandoned chambers. Their ceilings once featured a fine mortar work,
• 16:51
  Speaker 1: with repeating geometric patterns and poems written into the architecture. Now,
• 17:00
  Speaker 1: the paint is faded and barely visible. But nature has
• 17:06
  Speaker 1: been making its own brushstroke, Swallow's nests now dot the ceilings.
• 17:15
  Speaker 1: The birds fly down from time to time and dart
• 17:19
  Speaker 1: quickly to the windows in search of insects to hunt.
• 17:25
  Speaker 1: Their short repeating call livens up the room when they do.
• 17:33
  Speaker 1: Desalas wonders about the people that built and decorated the ceilings.
• 17:39
  Speaker 1: Could any of his workers do that today? It might
• 17:44
  Speaker 1: take decades to learn that kind of skill again. The
• 17:50
  Speaker 1: arts have changed since the fortress was first constructed. The
• 17:55
  Speaker 1: artisans he knows use different techniques and traditions from those
• 18:00
  Speaker 1: who built this place. His feet crunch across plaster that
• 18:07
  Speaker 1: has crumbled from the ceilings and now covers the ground.
• 18:14
  Speaker 1: He continues into an open gallery and a courtyard. Water
• 18:20
  Speaker 1: once flowed into a shallow pool carved into the stone
• 18:24
  Speaker 1: floor here. Its sound must have echoed gently from the
• 18:29
  Speaker 1: high ceilings and thick walls. The flowing water would have
• 18:36
  Speaker 1: reminded the royal fortress dwellers that they were living in
• 18:40
  Speaker 1: a kind of earthly paradise. The streams and ponds were
• 18:47
  Speaker 1: brought inside, trees and flowers too. They had everything they
• 18:54
  Speaker 1: could desire, and never even needed to go outside the
• 18:59
  Speaker 1: castle walls. High windows let in light and cast geometric
• 19:08
  Speaker 1: shadows below. The walls around them are decorated with carved
• 19:14
  Speaker 1: words evoking divine protection for the emir or ruler who
• 19:21
  Speaker 1: built the courtyard. It is just one of some 10,000
• 19:27
  Speaker 1: inscriptions carved into the walls of the citadel, setting poetry
• 19:33
  Speaker 1: in stone. A visitor could wander here for hours reading
• 19:42
  Speaker 1: the words aloud and hearing their voices echo back, just
• 19:47
  Speaker 1: like it would have for the architects. As long as
• 19:52
  Speaker 1: the stone walls stand, they will keep the words of
• 19:56
  Speaker 1: those poets alive. This is his dream, to preserve this
• 20:02
  Speaker 1: place for years to come. Alongside the pool Rows of
• 20:10
  Speaker 1: bushes grow, wilder than in royal times, but still confined
• 20:15
  Speaker 1: to their place by paving stones. The water in the
• 20:21
  Speaker 1: pool would have taken the edge off of the heat
• 20:24
  Speaker 1: in the summer, and the building's thick walls keep out
• 20:29
  Speaker 1: the sun, holding cool air for its residents. But right now,
• 20:38
  Speaker 1: inside the building, The water only flows in de Salas's imagination.
• 20:46
  Speaker 1: The canals outside may behave like streams, irrigating the garden
• 20:52
  Speaker 1: and the orchards, but the plumbing inside the building no
• 20:56
  Speaker 1: longer works. He envisions fountains and channels inside that feed
• 21:05
  Speaker 1: the roots of winding ivy plants. It will be lots
• 21:10
  Speaker 1: of work to fix the plumbing, but it will be
• 21:14
  Speaker 1: worth it. Desalas crosses the edge of the courtyard and
• 21:21
  Speaker 1: walks through a door on the other side. His steps
• 21:26
  Speaker 1: are the only thing vibrating through the air. Then, he
• 21:32
  Speaker 1: emerges into another open space. Moonlight enters. and reflects from
• 21:39
  Speaker 1: the light-colored walls. At the center of this courtyard is
• 21:46
  Speaker 1: a 12-sided alabaster fountain that looks as if it was
• 21:51
  Speaker 1: resting on the backs of 12 stone lions. A poem
• 21:58
  Speaker 1: is carved into the side of the white marble basin.
• 22:03
  Speaker 1: He runs his hand along it, enjoying the cool touch.
• 22:10
  Speaker 1: Four channels carry water across the courtyard, dividing it into quadrants.
• 22:18
  Speaker 1: Each once hosted a small, sunken garden, and workers carefully
• 22:24
  Speaker 1: trimmed the flowers to the height of the channels. A
• 22:29
  Speaker 1: visitor could have walked along the marble edge of each
• 22:33
  Speaker 1: and been surrounded by flowers and water. Around the sides
• 22:41
  Speaker 1: of the courtyard, pairs of delicate columns hold up stone arches.
• 22:48
  Speaker 1: Their elegant curves have foliage carved into them like a
• 22:52
  Speaker 1: stone forest. Through the open roof, the dark green tops
• 23:00
  Speaker 1: of cypress trees sway gently in the breeze. The courtyard
• 23:06
  Speaker 1: is a garden at every height. below your feet, at
• 23:12
  Speaker 1: eye level, and up toward the sky. Those tree-like arches
• 23:20
  Speaker 1: guard a walkway that surrounds the space. The ceiling here
• 23:25
  Speaker 1: is battered and worn. De Salas takes note. This might
• 23:33
  Speaker 1: be the first thing he will try to fix. Then
• 23:37
  Speaker 1: people will be able to visit. and appreciate this patio,
• 23:41
  Speaker 1: which brings a vision of paradise down to earth. De
• 23:49
  Speaker 1: Salas emerges into a garden. He pauses and takes in
• 23:54
  Speaker 1: the warm air. Looking ahead, he can see how the
• 23:59
  Speaker 1: slope of the hill gently drops away in front of him,
• 24:04
  Speaker 1: giving him a clear view of the greenery inside the
• 24:07
  Speaker 1: fortress walls. To the left are the remains of a
• 24:14
  Speaker 1: smaller palace attached to the main wall. He decides to
• 24:20
  Speaker 1: take a closer look. This is the oldest part of
• 24:25
  Speaker 1: the complex still standing. It is a poetic space, sitting
• 24:31
  Speaker 1: atop the thick wall dividing the fortress from its surroundings.
• 24:38
  Speaker 1: De Salas looks from across another former pool of water,
• 24:43
  Speaker 1: which would have been emerald green when full, to a
• 24:47
  Speaker 1: structure at the other end. A modest second floor peeks
• 24:55
  Speaker 1: up from the centre. Bougainvillea and other climbing plants lay
• 25:01
  Speaker 1: their claims to corners of the buildings. Like many other
• 25:08
  Speaker 1: spaces here, there is the sensation that inside and outside
• 25:14
  Speaker 1: are almost the same thing. The air, water, and light
• 25:23
  Speaker 1: can come and go as they please, and so can visitors.
• 25:29
  Speaker 1: The simplicity of the design makes this corner of the
• 25:32
  Speaker 1: fortress more welcoming. De Salas walks along the tiled edge
• 25:40
  Speaker 1: of the empty pool, which now grows reeds and other plants.
• 25:47
  Speaker 1: It would be beautiful if full, he imagines, with sunlight
• 25:52
  Speaker 1: catching the surface of the water. As he passes through
• 25:59
  Speaker 1: the first arch, he gets a better view back down
• 26:03
  Speaker 1: to the twinkling candle and lamplight of the city. A
• 26:09
  Speaker 1: moonlit hill, dense with small white buildings, fills the lower
• 26:15
  Speaker 1: half of his view. A starry sky fills the rest.
• 26:22
  Speaker 1: Even in this place, warm by time, there is beauty.
• 26:29
  Speaker 1: He is grateful for this night. Voices chatter below. and
• 26:38
  Speaker 1: echo across the hill. A pair of dogs bark to
• 26:43
  Speaker 1: one another. De Salas wonders if the old inhabitants of
• 26:49
  Speaker 1: the palace ever stopped to listen to these evening songs.
• 26:56
  Speaker 1: Perhaps there was too much excitement in the fortress itself
• 27:00
  Speaker 1: in those days to hear soft sounds beyond the walls.
• 27:06
  Speaker 1: Soldiers patrolling in clanking armor. Horses whinnying and clopping their hooves.
• 27:15
  Speaker 1: Serving trays piled high with food and drink, clattering as
• 27:20
  Speaker 1: they're carried through the halls. The whispers of courtesans in
• 27:26
  Speaker 1: the ears of the royals. These would have been the
• 27:30
  Speaker 1: sounds of the fortress in the days of old. Later,
• 27:38
  Speaker 1: once the royals had left, people from the city below
• 27:43
  Speaker 1: came and made the former palace their home. Children would
• 27:48
  Speaker 1: have laughed and played in the chambers of kings and queens.
• 27:54
  Speaker 1: Their parents would sing or whistle while they cooked an
• 27:58
  Speaker 1: evening meal. One famous song they might have sung, tells
• 28:05
  Speaker 1: of seven ways to prepare eggplant. The first is to
• 28:12
  Speaker 1: finely chop it. The second is to fill it with
• 28:16
  Speaker 1: herbs and spices. The third is to stuff it with rice.
• 28:23
  Speaker 1: The fourth is to season it with shrimp. The fifth
• 28:29
  Speaker 1: is to make a salad. The sixth is to put
• 28:34
  Speaker 1: it in little pastries, and the seventh and best way
• 28:41
  Speaker 1: is to roast it in the oven, or so the
• 28:45
  Speaker 1: song says. Whichever way they made the food, its fragrance
• 28:52
  Speaker 1: would have mixed with the surrounding orchards. One would have
• 28:58
  Speaker 1: been able to smell supper on the walk back up
• 29:01
  Speaker 1: the hill. Now, the Alhambra is quiet though, and the
• 29:10
  Speaker 1: only things Desalas hears come from outside. All that lives
• 29:17
  Speaker 1: inside the walls now are plants and sleeping birds. Desalas
• 29:27
  Speaker 1: crosses inside the old palace and stands in an archway
• 29:32
  Speaker 1: overlooking the city below. He runs his hand over the
• 29:38
  Speaker 1: stone pillar at his side. It is smooth and shiny
• 29:43
  Speaker 1: near the edge, where countless other hands have also paused
• 29:48
  Speaker 1: to touch it as they pass. How many others have
• 29:54
  Speaker 1: stood right here to contemplate this same view Desalas wonders.
• 30:03
  Speaker 1: He yawns. It's getting late. It's time to return home
• 30:10
  Speaker 1: to the city below, where the flickering of candlelight reflects
• 30:17
  Speaker 1: off of the now dark streets. Crisp silver moonlight illuminates
• 30:25
  Speaker 1: his path away from this fortress of history. And what
• 30:31
  Speaker 1: a grand history it has, indeed. He sees potential in
• 30:37
  Speaker 1: this place. As De Salas turns to walk away from
• 30:45
  Speaker 1: the palace, he envisions what it could look like with
• 30:50
  Speaker 1: a little work. Sturdy arches lead the way to courtyards,
• 30:57
  Speaker 1: bubbling with crystal water once again. Orange trees, trimmed and round,
• 31:05
  Speaker 1: glisten in the sunlight of a spring day. He imagines
• 31:11
  Speaker 1: a curious child reaching out to a mosaic wall, its
• 31:16
  Speaker 1: colours vibrant and clean. Perhaps a cat will perch on
• 31:23
  Speaker 1: a stone bench, watching visitors meander.
• 31:28
  Speaker 2: Through the halls.
• 31:32
  Speaker 1: The archways are strong. The roof stands solid over the
• 31:38
  Speaker 1: marble below. He imagines the fortress is restored, its majesty
• 31:48
  Speaker 1: returned to it again. This is what he dreams as
• 31:57
  Speaker 1: he leaves the Alhambra and heads into the night, knowing
• 32:06
  Speaker 1: that one day it will be so.
• 32:36
  Speaker 3: Thank you.
• 33:03
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• 33:54
  Speaker 5: Thank you.
• 34:11
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• 35:11
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  Speaker 3: You Thank you.
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• 50:12
  Speaker 4: you for watching.
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  Speaker 3: Thank you.
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  Speaker 4: Thank you for watching. Thank you. Thank you for watching.
• 54:56
  Speaker 3: Thank you.
• 55:29
  Speaker 2: You you you.
• 56:07
  Speaker 4: Thank you. Thank you for watching.
• 57:47
  Speaker 5: Thank you.
• 58:17
  Speaker 4: Thank you.
• 58:47
  Speaker 7: Thank you for watching. Thank you for watching. Thank you
• 59:29
  Speaker 7: for watching. Thank you.
• 1:00:20
  Speaker 2: Thank you.
• 1:00:59
  Speaker 3: Thank you.
• 1:01:21
  Speaker 4: Thank you.
• 1:01:48
  Speaker 2: Thank you.
• 1:02:04
  Speaker 4: Thank you.
• 1:02:34
  Speaker 3: Thank you.
• 1:02:59
  Speaker 2: Thank you.
• 1:03:26
  Speaker 4: Thank you. Thank you. Thank you for watching.
• 1:05:48
  Speaker 2: Thank you for watching. Thank you.
• 1:06:29
  Speaker 5: Thank you.
• 1:06:55
  Speaker 2: Thank you.
• 1:07:38
  Speaker 4: You Thank you.
• 1:08:55
  Speaker 3: Thank you.
• 1:09:09
  Speaker 8: Thank you for watching. Thank you for watching.
• 1:10:12
  Speaker 4: Thank you. Thank you for watching. Thank you. Thank you.
• 1:11:56
  Speaker 2: Thank you.
• 1:12:12
  Speaker 4: Thank you. Thank you.
• 1:13:07
  Speaker 5: Thank you.
• 1:13:34
  Speaker 3: Thank you. Thank you.
• 1:14:25
  Speaker 4: Thank you.
• 1:14:42
  Speaker 5: Thank you.
• 1:15:12
  Speaker 4: Thank you for watching.
• 1:15:44
  Speaker 2: Thank you.
• 1:16:23
  Speaker 4: Thank you. This is the first time I've seen this.
• 1:16:50
  Speaker 2: This is the first time I've seen this. This is
• 1:16:52
  Speaker 2: the first time I've seen this. This is the first
• 1:16:54
  Speaker 2: time I've seen this. Thank you.
• 1:18:32
  Speaker 4: Thank you.
• 1:18:40
  Speaker 2: Thank you for watching. Thank you for watching.
• 1:19:44
  Speaker 4: Thank you for watching. Thank you. Thank you.
• 1:21:14
  Speaker 2: Thank you. Thank you.
• 1:22:03
  Speaker 3: Thank you.
• 1:22:19
  Speaker 5: Thank you.
• 1:22:49
  Speaker 2: Thank you.
• 1:23:14
  Speaker 3: Thank you.
• 1:23:41
  Speaker 4: Thank you. Thank you. Thank you for watching.
• 1:26:03
  Speaker 6: Thank you for watching.
• 1:26:13
  Speaker 2: Thank you.
• 1:26:44
  Speaker 3: You you you you Thank you.
• 1:28:47
  Speaker 9: Thank you for watching. Thank you for watching.
• 1:29:52
  Speaker 4: Thank you. Thank you. Thank you for watching.
• 1:31:22
  Speaker 3: Thank you.
• 1:31:45
  Speaker 4: Thank you.
• 1:32:11
  Speaker 3: Thank you.
• 1:32:27
  Speaker 4: Thank you. Thank you.
• 1:33:22
  Speaker 3: Thank you.
• 1:33:49
  Speaker 4: Thank you. Thank you. Thank you. Thank you for watching.
• 1:36:00
  Speaker 2: You you you Thank you.
• 1:36:38
  Speaker 5: Thank you for watching.
• 1:37:05
  Speaker 3: You you you.
• 1:37:41
  Speaker 4: Thank you for watching.
• 1:38:18
  Speaker 2: Thank you.
• 1:38:48
  Speaker 4: Thank you. Thank you.
• 1:39:50
  Speaker 5: Thank you. Thank you.
• 1:40:35
  Speaker 4: Thank you. Thank you for watching.
• 1:41:30
  Speaker 3: Thank you.
• 1:41:52
  Speaker 4: Thank you. Thank you. Thank you.
• 1:43:06
  Speaker 2: Thank you.
• 1:43:30
  Speaker 3: Thank you. Thank you.
• 1:44:14
  Speaker 4: Thank you for watching. Thank you. Thank you for watching.
• 1:46:29
  Speaker 4: Thank you.
• 1:47:00
  Speaker 2: You you you Thank you.
• 1:48:09
  Speaker 4: You you.
• 1:48:26
  Speaker 5: Thank you.
• 1:48:56
  Speaker 4: Thank you.
• 1:50:26
  Speaker 2: Thank you.
• 1:50:43
  Speaker 4: Thank you. Thank you for watching. Thank you. Thank you.
• 1:52:27
  Speaker 3: Thank you. Thank you.
• 1:53:13
  Speaker 2: Thank you.
• 1:53:38
  Speaker 3: Thank you.
• 1:54:05
  Speaker 4: Thank you.
• 1:54:22
  Speaker 2: Thank you for watching.
• 1:54:56
  Speaker 3: Thank you. Thank you.
• 1:56:24
  Speaker 6: Thank you for watching.
• 1:56:36
  Speaker 4: Thank you.
• 1:57:08
  Speaker 9: Thank you. Thank you.
• 1:58:00
  Speaker 4: Thank you. Thank you.
• 2:00:05
  Speaker 5: Thank you.
• 2:00:33
  Speaker 2: Thank you.
• 2:00:51
  Speaker 4: Thank you. Thank you for watching.
• 2:01:45
  Speaker 3: Thank you.
• 2:02:07
  Speaker 4: Thank you. Thank you. Thank you.
• 2:03:21
  Speaker 2: Thank you.
• 2:03:45
  Speaker 4: Thank you.
• 2:04:12
  Speaker 3: Thank you. Thank you.
• 2:05:20
  Speaker 4: Thank you for watching.
• 2:06:32
  Speaker 6: Thank you for watching.
• 2:06:44
  Speaker 2: Thank you.
• 2:07:14
  Speaker 5: Thank you.
• 2:07:41
  Speaker 2: Thank you.
• 2:07:53
  Speaker 4: Thank you. you Thank you.
• 2:10:42
  Speaker 2: Thank you. Thank you. Thank you for watching.
• 2:11:53
  Speaker 3: Thank you. Thank you. Thank you. Thank you.
• 2:13:28
  Speaker 2: Thank you.
• 2:13:53
  Speaker 4: Thank you. Thank you. Thank you for watching. Thank you.
• 2:15:28
  Speaker 4: Thank you for watching.
• 2:16:42
  Speaker 2: Thank you for watching.
• 2:16:52
  Speaker 5: Thank you. Thank you for watching.
• 2:17:41
  Speaker 8: Thank you for watching.
• 2:18:11
  Speaker 4: Thank you for watching.
• 2:18:49
  Speaker 5: Let's pray.
• 2:19:19
  Speaker 4: Thank you. Thank you for watching.
• 2:20:21
  Speaker 5: Thank you. you Thank you.
• 2:21:22
  Speaker 4: Thank you for watching.
• 2:22:01
  Speaker 3: Thank you.
• 2:22:23
  Speaker 4: Thank you.
• 2:22:50
  Speaker 3: Thank you. Thank you.
• 2:23:36
  Speaker 4: Thank you.
• 2:24:01
  Speaker 2: Thank you.
• 2:24:28
  Speaker 4: Thank you. Thank you for watching. Thank you. Thank you
• 2:25:36
  Speaker 4: for watching.
• 2:26:37
  Speaker 3: Thank you. Thank you.
• 2:27:17
  Speaker 4: Thank you.
• 2:27:36
  Speaker 2: Thank you.
• 2:27:57
  Speaker 4: Thank you. you