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Breakfast Club Flashbacks Featuring Interviews From Snoop Dogg & Monica · The Breakfast Club

• 0:01
  Speaker 1: The Dangerous Morning Show, the Breakfast Club. Y'all together, y'all
• 0:09
  Speaker 1: are like a manga for us. Y'all just took over
• 0:12
  Speaker 1: your past. This Chris Brown, I've officially joined the Breakfast Club.
• 0:16
  Speaker 1: Say something, mother, I'm Dangerous Morning Shows Club is your
• 0:24
  Speaker 1: time to get it off your chest, whether you're man
• 0:26
  Speaker 1: or blast. So people to have the same Indy. We
• 0:29
  Speaker 1: want to hear from you on the Breakfast Club. Hello.
• 0:31
  Speaker 1: Who's this? This is Ashley. How are you guys this morning?
• 0:35
  Speaker 1: Good morning? I'm calling from Dayton, Ohio. How are you guys?
• 0:40
  Speaker 1: We all black and highly favored? Well, I'm black? How
• 0:44
  Speaker 1: I'm black? You are so extras. Everybody's black on the panel.
• 0:48
  Speaker 1: That is not true. I'm the panel. You're all black?
• 0:51
  Speaker 1: What's up? Ast? Okay? So my thing is okay. So
• 0:54
  Speaker 1: I've been dealing with a guy for close to eight years,
• 0:56
  Speaker 1: right and it's all good. But my thing is he
• 1:00
  Speaker 1: doesn't want to like he keeps that I'm wifey. You
• 1:03
  Speaker 1: know that term like wifey, right, Like that has that
• 1:07
  Speaker 1: has to come with something more than words. So like
• 1:09
  Speaker 1: what's too long to wait when you're when you're dealing
• 1:12
  Speaker 1: with a guy before you cut it off? If it's
• 1:14
  Speaker 1: not marriage. How older you I'm thirty two years callie,
• 1:20
  Speaker 1: it's been eight years. So what is it that you want?
• 1:22
  Speaker 1: Because it's really more about it. If you guys are
• 1:24
  Speaker 1: matching up as far as your future together, what does
• 1:27
  Speaker 1: he want and what does what do you win? Clearly
• 1:29
  Speaker 1: you want to be the wife. Share We share a son, okay,
• 1:32
  Speaker 1: so we call parents pretty good, right, and um, I
• 1:36
  Speaker 1: don't know. To me, I just think that he's pushing
• 1:39
  Speaker 1: it back like it. I feel like if you want something,
• 1:41
  Speaker 1: you're obtaining it, right, and so I think it's excuses
• 1:44
  Speaker 1: like day after day like, oh, it's not it's not this,
• 1:47
  Speaker 1: it's dead. I do want to marry you. We're gonna
• 1:49
  Speaker 1: get their film, you know. But I'm like, let me
• 1:53
  Speaker 1: give you a little hope. Me and my wife been together,
• 1:55
  Speaker 1: oh boy, since nineteen ninety eight, so whatever the math, ficks,
• 1:58
  Speaker 1: I don't know, twenty one, twenty two year, we've been
• 2:00
  Speaker 1: married five Okay. That's all I got for you. So
• 2:04
  Speaker 1: if you, if you you know, want to wait that long,
• 2:07
  Speaker 1: just stay down, y'all. Already share a son, as you said,
• 2:11
  Speaker 1: make it sound like it's an airbnb. But good luck
• 2:13
  Speaker 1: for mamma. I share a son. We share a son. Hello,
• 2:19
  Speaker 1: who's this? QUI calling from the Bull City Club? What
• 2:23
  Speaker 1: up making off the ball City? What's going on? It's
• 2:26
  Speaker 1: out here during roy? Yeah? Yeah, yeah, okay, got you? Hey?
• 2:30
  Speaker 1: Can I shut out my wife right quick? That's when
• 2:31
  Speaker 1: to shut my wife? Sheen out? He did had our
• 2:34
  Speaker 1: baby girl or your um? October twenty second? My beautiful wife,
• 2:39
  Speaker 1: strongest woman I know. Man who shout her? My two
• 2:42
  Speaker 1: boys Elijah and I might say out, y'all have a
• 2:45
  Speaker 1: blessed day? Yea, sir? Hello, who's this? Hi? My name
• 2:49
  Speaker 1: is Okay, I'm yeah. What's someme? I'm gonna get off
• 2:53
  Speaker 1: your chest? I have a question for and so, well,
• 2:58
  Speaker 1: how do you say saying that you can't wear some
• 3:03
  Speaker 1: type of dress? So, guy that's your boyfriends say he
• 3:06
  Speaker 1: can't wear some type of drass or some kind of
• 3:07
  Speaker 1: outfit because he doesn't like it in it, but he
• 3:11
  Speaker 1: likes grows on Instagram in the same outfit. Well, first
• 3:15
  Speaker 1: of all, he can't tell you what you can and
• 3:17
  Speaker 1: can't wear. That's completely up to you. So let's get
• 3:20
  Speaker 1: that straight first and foremost. And that's a silly reason. Now,
• 3:24
  Speaker 1: he could not like something that you wear and he
• 3:26
  Speaker 1: can't express himself in that way, but he can't tell
• 3:28
  Speaker 1: you you can't wear it. So now it's up to
• 3:30
  Speaker 1: you how you react to that. Do you say, Okay,
• 3:33
  Speaker 1: I'm going to do what I want to do and
• 3:35
  Speaker 1: make this stand that I'm going to take so you
• 3:37
  Speaker 1: don't try this in the future, or do you say, okay,
• 3:40
  Speaker 1: let me listen to what he's saying and see if
• 3:41
  Speaker 1: there's a valid reason that he feels that way, and
• 3:44
  Speaker 1: then we can discuss it. It's up to you. Okay, Well,
• 3:47
  Speaker 1: what is it? Like he doesn't like it because he
• 3:51
  Speaker 1: doesn't want it? Like what if you wear it while
• 3:53
  Speaker 1: you're with him? Like it's a dress with a foot
• 3:56
  Speaker 1: in it, but he doesn't like the foot. I mean,
• 3:58
  Speaker 1: with him going out, there's nothing he could really do
• 4:01
  Speaker 1: about it. It's not really on him. He should think
• 4:04
  Speaker 1: that you're his girl and here you know, you know
• 4:07
  Speaker 1: how to dress and you look cute. I don't think that. Um,
• 4:10
  Speaker 1: he can tell you what to wear and what not
• 4:12
  Speaker 1: to wear, that's all. What's he gonna do? Take you
• 4:14
  Speaker 1: home and say we're not going out anymore. Do you
• 4:17
  Speaker 1: ever tell him how to dress? No? No, really, it's
• 4:22
  Speaker 1: just like I don't know. It's really weird to me.
• 4:25
  Speaker 1: We had this discussion like the other day because I
• 4:27
  Speaker 1: wanted to wear a dress and he was like, I
• 4:29
  Speaker 1: don't want anybody else to see it. Well tell him
• 4:32
  Speaker 1: to value girls and short shorts and shy And I'm like,
• 4:37
  Speaker 1: is that because me? Were like, well, tell him to
• 4:41
  Speaker 1: value some clothes that he likes. Then have a good one. Mama. Hello,
• 4:44
  Speaker 1: who's this? Hey? This is Jay j Get off your chest? Hey,
• 4:49
  Speaker 1: how you Good morning a league, Good morning, Charlomagney. Guy's man,
• 4:55
  Speaker 1: I got a bone to pick with your man. Pick
• 4:56
  Speaker 1: my bone, man. A matter of fact, it's about your bone. Man.
• 5:00
  Speaker 1: Why you be out here telling people that you got
• 5:02
  Speaker 1: an average penis? Man, that's a whole lie. Bro. How
• 5:05
  Speaker 1: do you How do you know I don't have average penis? Sir? Well,
• 5:08
  Speaker 1: you be saying I don't. I don't know. But here's
• 5:10
  Speaker 1: my thing. If you got if you and what you
• 5:12
  Speaker 1: say is like you're talking about Joe pea size all
• 5:14
  Speaker 1: the pope. What that size that you say? Tell me
• 5:18
  Speaker 1: my measurements? No, no, no, no, no no, no, no, tell
• 5:20
  Speaker 1: me my measurement, sir. Come on, let me know that
• 5:22
  Speaker 1: you listen. Tell me, Hey, man, a little man, you've
• 5:25
  Speaker 1: been talking about a lot of know what you've been saying?
• 5:27
  Speaker 1: Seven or something? Man? A seven inches three fourth eight
• 5:30
  Speaker 1: when it is warm out, about two and a half
• 5:32
  Speaker 1: inches of girth maybe three? Anything else you need to
• 5:34
  Speaker 1: know now that No, no, no, that's true. That's a
• 5:36
  Speaker 1: lot because the world average about five point five. So
• 5:40
  Speaker 1: why you be out here to raised the women's explications?
• 5:41
  Speaker 1: Oh so you're telling me I'm above average? Hey man,
• 5:44
  Speaker 1: I'm just telling you the facts. Man, I appreciate you, ken't.
• 5:47
  Speaker 1: I needed that that boost of confidence this morning. Thank you, KNT.
• 5:50
  Speaker 1: I'm kind of kind appreciate that. No, it don't sound weird.
• 5:53
  Speaker 1: That's the problem y'all think stuff like this is weird.
• 5:55
  Speaker 1: Brothers can kind of explications. Man, that's all I'm saying.
• 5:58
  Speaker 1: You don't have a girls thinking of seven something to
• 6:01
  Speaker 1: the average when that's not true, Sir, I don't care
• 6:03
  Speaker 1: what girls girls think because black men don't cheat. I
• 6:05
  Speaker 1: have a beautiful wife at home, and to me, it's average.
• 6:08
  Speaker 1: I've been hearing about that black man don't cheat. I
• 6:11
  Speaker 1: was with my girl about the year now, man, so
• 6:13
  Speaker 1: I'm with you on that. Well, thank you for that confidence.
• 6:15
  Speaker 1: Boostlet's morning, sir. I appreciate you thinking my penis size
• 6:18
  Speaker 1: is above average. That's real. That's just odd that he
• 6:20
  Speaker 1: was thinking about it. But get it off your chest
• 6:21
  Speaker 1: eight hundred five eight five one on five one. If
• 6:23
  Speaker 1: you need to vent hit us up now. It was
• 6:25
  Speaker 1: the Breakfast Club. Good morning, the breakfast Club. Wake up,
• 6:31
  Speaker 1: wake up, wake y'all your time to get it off
• 6:34
  Speaker 1: your chest? Your man or black we want to hear
• 6:38
  Speaker 1: from you on a breakfast club. Hello. Who's this? You
• 6:46
  Speaker 1: cannot be named after one of the most legendary hip
• 6:49
  Speaker 1: hop iconic figures ever, sir, And it's Angela. Ye bro,
• 6:52
  Speaker 1: what's up? Hey y'all doing this morning? I want to
• 6:55
  Speaker 1: give a shout out to my daughter till you your
• 6:57
  Speaker 1: little jar Man. Stop. That's your real name? Your real
• 7:01
  Speaker 1: last name is Little John. Yeah, yeah, okay, I get it.
• 7:04
  Speaker 1: She's graduating college. Okay, and uh go follow on Instagram.
• 7:08
  Speaker 1: Little John four k, Hey, congratulations, congratulators to you being
• 7:12
  Speaker 1: a black man who raised the fine young daughter. Sir,
• 7:15
  Speaker 1: Thank you, brother, thank you, yes sir? All right, have
• 7:17
  Speaker 1: a going brother, chuckout. I don't know YouTube too, Little
• 7:20
  Speaker 1: John four k all right, Little John? Hello, who's this. Hey,
• 7:25
  Speaker 1: what's up? Man is David? Yo? This's envy? David? What's up?
• 7:28
  Speaker 1: Get off your chance? Bro? Oh no, envy? What up? Man?
• 7:33
  Speaker 1: With up? Charl the main Anthelae peace King? How you? Oh? Man? No,
• 7:38
  Speaker 1: I just want to get off my chest. Man. I'm
• 7:40
  Speaker 1: so excited right now. But now I got this racist manager. Man,
• 7:43
  Speaker 1: I work in a factory. May he's a foreman, you know.
• 7:46
  Speaker 1: And then he's given all the white heads, white people
• 7:50
  Speaker 1: two dollars races. He's only giving us us one dollar raisers. Man,
• 7:54
  Speaker 1: I don't know what to do. Man, driving me nuts?
• 7:57
  Speaker 1: So I don't know they it really it's literally all
• 8:02
  Speaker 1: the white people are getting two dollar raises. Yeah, like
• 8:05
  Speaker 1: you know, we like we put in the work, you know,
• 8:07
  Speaker 1: and uh they all go out fishing and all that.
• 8:09
  Speaker 1: You know what I mean? Don't go out and you
• 8:11
  Speaker 1: might have a class action lawsuit. Why don't you want?
• 8:13
  Speaker 1: Did you go to human resources? And I don't even know?
• 8:16
  Speaker 1: Can you go to human Russell's complaint? Is that where
• 8:17
  Speaker 1: he goes? I don't know. No, I don't know, but
• 8:20
  Speaker 1: y'all all I want to know. I want the stairs, yo.
• 8:22
  Speaker 1: I'm mad excited right now, like I love y'all. You
• 8:24
  Speaker 1: know what I mean, y'all keeping real, you know, I
• 8:26
  Speaker 1: listened to y'all that work, you know, YouTube and all that.
• 8:29
  Speaker 1: You know what I mean. All right, we couldn't help
• 8:31
  Speaker 1: you with um, you know, firing your foreman or getting
• 8:34
  Speaker 1: at him. I don't know. Hello, who's this? Hey? What's
• 8:37
  Speaker 1: up this? Nikki? Nikki? What's up? Getting off her chests? NIGGI.
• 8:40
  Speaker 1: I'm so sad that I didn't know that was a
• 8:43
  Speaker 1: detour on my way to work, and I had to
• 8:44
  Speaker 1: drive all the way around to get to a place
• 8:47
  Speaker 1: that was like right there. Don't you hate when that happens.
• 8:50
  Speaker 1: I absolutely hate it. And then you running a little
• 8:53
  Speaker 1: late now because the detour got you off ten minutes,
• 8:55
  Speaker 1: and that ten minutes meant everything new. Well, I leave
• 8:58
  Speaker 1: real early, so I wasn't later. That just happens to me.
• 9:02
  Speaker 1: Create a bus for that, all right? Thank you, Mama,
• 9:05
  Speaker 1: Me too? Hello, who's this market? Hey? Markey to get
• 9:09
  Speaker 1: it off your chests? Okay, Charlomagne's there, Yes, ma'am, I'm here.
• 9:13
  Speaker 1: I feel like you should be able to pre record
• 9:15
  Speaker 1: the yo yo yos in the morning. I think so too.
• 9:18
  Speaker 1: I feel like it should happen I mean if the
• 9:20
  Speaker 1: contract say six o five, than it is what it
• 9:22
  Speaker 1: is exactly. No, he can't do that. Sorry, why not?
• 9:25
  Speaker 1: Because it's feeling. It's feeling. They should have been a
• 9:28
  Speaker 1: ko yo yo yo yo yo tomorrow should have been
• 9:30
  Speaker 1: a this yo yo, like you have different feeling, different expressions.
• 9:33
  Speaker 1: We don't just want to hear the same yo yo
• 9:34
  Speaker 1: yo every day. Not really. The yo yo yo is
• 9:37
  Speaker 1: what you make it right, and then we can say
• 9:40
  Speaker 1: it with them. So I feel like he should clean report.
• 9:42
  Speaker 1: I think I'm gonna do that for you bo goodbye Hello,
• 9:45
  Speaker 1: who's ends up on marketa like that? Hello, Hello, good morning,
• 9:50
  Speaker 1: morning morning Yo. Why are you guys playing that like
• 9:56
  Speaker 1: the video song? And I prof your song like it's
• 9:59
  Speaker 1: the only Africive song in the world. You don't like that,
• 10:01
  Speaker 1: So I don't know why NV keep playing that same
• 10:03
  Speaker 1: song over and over. Other afric beat music out here,
• 10:06
  Speaker 1: no more African song like socc Yeah from Ghana, like
• 10:11
  Speaker 1: all this other African songs. But you guys to play
• 10:14
  Speaker 1: like that through Africa's like when you show up to
• 10:16
  Speaker 1: like a like a party and then they're like, oh,
• 10:19
  Speaker 1: you were play prisons, so you must like fighting chickens well, listen,
• 10:22
  Speaker 1: here's the thing. You know, radio, we treat the African
• 10:26
  Speaker 1: artists the same way we treat the American artist who
• 10:27
  Speaker 1: played the same American songs over and over. We play
• 10:29
  Speaker 1: the same African song. There's no difference. Come on, it's
• 10:32
  Speaker 1: just not you guys like jo By jo By. Yeah,
• 10:37
  Speaker 1: they come on, man, the can go song from Ghana
• 10:40
  Speaker 1: like you know, good artists from Ghana soccer they do
• 10:43
  Speaker 1: just want to be to your ward. Yeah. But you
• 10:45
  Speaker 1: know Burner Boy Yeah, burna Boy is okay. We have
• 10:49
  Speaker 1: Burner Boy up here. I'm telling about somebody else. Shut
• 10:51
  Speaker 1: the shout the wallet from Ghana. Come on, man, bro,
• 10:54
  Speaker 1: bro bro, We don't pick the records. That's all the music. Man.
• 10:58
  Speaker 1: People believe it. They believe that about his fake stop it.
• 11:01
  Speaker 1: It's the truth. Goodbye, sir, you have a great weekend.
• 11:04
  Speaker 1: Get it off your chests. Eight hundred five A five
• 11:06
  Speaker 1: one oh five one. If you need to vent, hit
• 11:08
  Speaker 1: us up now. It's the Breakfast Club. Good morning, the
• 11:10
  Speaker 1: Breakfast Club. Morning. Everybody's DJ mvy Angela Yee, Charlomagne the guy.
• 11:18
  Speaker 1: We all the Breakfast Club. We got a special guest
• 11:20
  Speaker 1: in the building. Hi, thanks for having me. Bad. She
• 11:25
  Speaker 1: was early today. Yes, he wasn't onna rap all this time. No,
• 11:28
  Speaker 1: it was an hour and a half early, so early.
• 11:31
  Speaker 1: I was early because I'm trying to change the narrative
• 11:34
  Speaker 1: about big women being late and lazy. Don't you know
• 11:39
  Speaker 1: what it is? People say, what's your thing is? Black
• 11:42
  Speaker 1: men don't cheat? Okay, well, fat bitches don't eat. Then
• 11:46
  Speaker 1: if we tell them lies, let's tell them all who
• 11:49
  Speaker 1: don't cheat? I'm playing. You said, who don't cheat? Listen,
• 11:54
  Speaker 1: black men don't cheat. We're changing the narrative. Okay, you're
• 11:56
  Speaker 1: changing a big bitches. We don't eat. We just got
• 12:00
  Speaker 1: this way because God wants us to be flumpy and lumpy.
• 12:03
  Speaker 1: I do feel like that big y'allun stop. I am
• 12:06
  Speaker 1: very curvy and all the right places. Yes, heavy breast,
• 12:10
  Speaker 1: heavy thighs, but you know I cannot deny that I
• 12:13
  Speaker 1: have a gut. Anytime a man has to lift up
• 12:16
  Speaker 1: the hood to get in there, you know you're a
• 12:18
  Speaker 1: big girl. So I love the outfit, thank you. I
• 12:21
  Speaker 1: love the colors. Yes, taste the rainbow. Speaking of taste
• 12:25
  Speaker 1: the rainbow, how did they lift up the hood? What
• 12:26
  Speaker 1: did they do? Like? Did they actually grab your stomach
• 12:28
  Speaker 1: and don't act like you ain't been with no big
• 12:29
  Speaker 1: bitch before. You know what to do. Come on now,
• 12:33
  Speaker 1: picture I mean one time I did one time. Yeah,
• 12:37
  Speaker 1: you have to lift the hood. Nah, she laid on
• 12:39
  Speaker 1: the floor. And the women are big. Women are more
• 12:42
  Speaker 1: flexible than people think. Yes, I am very flexible. But
• 12:45
  Speaker 1: if you didn't have to lift up the hood on
• 12:47
  Speaker 1: a big woman, that's because she was doing a summersault
• 12:49
  Speaker 1: while you was trying to get around and then everything
• 12:51
  Speaker 1: just fell down kind of guys you like, No, it
• 12:56
  Speaker 1: was a quickie because we were trying to do it
• 12:58
  Speaker 1: before her father came back on its way back in
• 13:00
  Speaker 1: the day. Okay, Yeah, I had did a weekend in
• 13:02
  Speaker 1: jail and I was just horny. Her name, her name was.
• 13:05
  Speaker 1: She used to call herself big, big nasty, like you
• 13:07
  Speaker 1: know how she used to have an airbrush on the
• 13:09
  Speaker 1: front of her Honda real quick and dip off into
• 13:15
  Speaker 1: big Nastis I just spent this weekend in jail, any man? Yeah?
• 13:20
  Speaker 1: What kind of body things do you like? When it
• 13:22
  Speaker 1: comes to guys? So do you have a preference? Um? Well,
• 13:24
  Speaker 1: skinny guys normally like me. Short guys like me, um,
• 13:29
  Speaker 1: But I don't have a preference when it comes to guys,
• 13:31
  Speaker 1: I am dealing with a nice, cute, little twenty nine
• 13:35
  Speaker 1: year old right now. He's black, that's even black. Yeah,
• 13:42
  Speaker 1: he'd be putting a little you know, when he'd be
• 13:44
  Speaker 1: making stews and stuff out to make sure it's like
• 13:46
  Speaker 1: really a stew and not you know whom trying to
• 13:48
  Speaker 1: kill me. But you know I have posted him. I
• 13:52
  Speaker 1: won't tag him, but you know what the girls to
• 13:54
  Speaker 1: see who you know, I don't know, like you know,
• 13:57
  Speaker 1: just in case I don't want to be out there.
• 13:59
  Speaker 1: You know what I'm saying, Like Mary J. Blige put
• 14:01
  Speaker 1: my out there and then I got to write a
• 14:02
  Speaker 1: song about him because it didn't work out. Look up,
• 14:06
  Speaker 1: he's very cute. Should I say his No, I'm not.
• 14:09
  Speaker 1: My Lord's biss So I just she knows he's a comic.
• 14:15
  Speaker 1: I'll tell you later. Yeah, yeah, yeah, he's cute. He's cute. No,
• 14:21
  Speaker 1: I wish it was. Will would get my body right.
• 14:24
  Speaker 1: You know, Will is all about health and raw. Will
• 14:28
  Speaker 1: is great. Will is great, but Will has a speech impediment.
• 14:31
  Speaker 1: So also you don't know what the hell he's saying.
• 14:33
  Speaker 1: So it's like you want to be out or you
• 14:35
  Speaker 1: just what okay, but I love Will Charlotte Wilson. Fancy
• 14:38
  Speaker 1: is amazing you Will Friday. Right, Yes, I'm gonna be
• 14:41
  Speaker 1: at the Grammacy Theater. I'm doing a brand new hour. Hey.
• 14:46
  Speaker 1: Um well, I had a lot of content available. People
• 14:49
  Speaker 1: don't understand, like, as you know, I've been doing comedy
• 14:51
  Speaker 1: for almost twenty years, even though I'm twelve, and um,
• 14:55
  Speaker 1: you know, it's just sometimes it's hard to just get
• 14:56
  Speaker 1: the spotlight on you Tube, you know, sort of raise
• 15:00
  Speaker 1: up in the business, and then people are like, oh,
• 15:02
  Speaker 1: you some brand new comics, Like, no, I've been doing
• 15:03
  Speaker 1: this for a long time. I have a lot of
• 15:05
  Speaker 1: things to say. So when I did The Degenerates, which
• 15:08
  Speaker 1: is out on Netflix, that was all my sort of dirty,
• 15:11
  Speaker 1: raw material. And then I just had my album come out,
• 15:14
  Speaker 1: Damnzel and Distress, which was sort of like you know
• 15:16
  Speaker 1: who Yaminika is and just wanting to be vulnerable and kidnapped,
• 15:20
  Speaker 1: and you know, I want to be kidnapped because I
• 15:24
  Speaker 1: want to get kidnapped. I mean, why all the other
• 15:26
  Speaker 1: girls have fun somebody to grab? Oh don't you know
• 15:32
  Speaker 1: I do commentary on that. I know. That's why I
• 15:34
  Speaker 1: said it, because being you are both into that show.
• 15:36
  Speaker 1: I'm so into ninety Day Fiance, but I have to
• 15:39
  Speaker 1: be I have to be real, like, don't know an
• 15:41
  Speaker 1: other country, want me. You understand what I'm saying. So
• 15:43
  Speaker 1: I couldn't do it the other way because I would
• 15:45
  Speaker 1: just get their host together and they ain't got time
• 15:47
  Speaker 1: for that. Forget Um. I like as In and because
• 15:53
  Speaker 1: he doesn't like the girl, Nicole. I think it's as
• 15:55
  Speaker 1: In Nicole because she hed been trying to get her
• 15:57
  Speaker 1: to lose weight. And let me just say this, ladies,
• 15:59
  Speaker 1: if you the man and he's like, I can fix you,
• 16:02
  Speaker 1: leave that wanting. Everybody is DJ Envy, Angela yee, Charlomagne
• 16:07
  Speaker 1: the guy. We are the Breakfast Club. We're still kicking
• 16:09
  Speaker 1: it with ya. Monika Sands yee, yes, Yamnika. I remember
• 16:12
  Speaker 1: I was laughing so hard. I've seen you Um on
• 16:15
  Speaker 1: stage for Danielle Rowling show. I caaralyzed that you were
• 16:17
  Speaker 1: supposed to go on later, but you went on early
• 16:20
  Speaker 1: because you actually had to leave and go to another gig.
• 16:22
  Speaker 1: Shut up the darnel I love me, y'all be giving
• 16:24
  Speaker 1: him such a hard time. I love him, Dona Rollins,
• 16:28
  Speaker 1: And let me just say for you, so he did
• 16:31
  Speaker 1: not open up for me. Is a notorious fat shamer.
• 16:36
  Speaker 1: Notorious he's never Yes, he is envy. Has a real
• 16:40
  Speaker 1: estate partner game pull up. I saw the one story
• 16:46
  Speaker 1: he started it I deleted. It didn't look like big partners.
• 16:52
  Speaker 1: I adore you. I want to I want to get
• 16:54
  Speaker 1: a house from you whenever I can afford. I want
• 16:56
  Speaker 1: you to flip some houses. But what is you flipping
• 16:59
  Speaker 1: something that you're doing? Every time I see you doing something,
• 17:02
  Speaker 1: you're flipping the house in New Jersey. It's like that
• 17:05
  Speaker 1: that you're doing this. You're building, you're doing dress, you're
• 17:07
  Speaker 1: working at mons weekends. I buy houses, I fix them,
• 17:17
  Speaker 1: and I run them out. He can help you. He
• 17:22
  Speaker 1: can having to buy a home. He can help you
• 17:24
  Speaker 1: buy a home. I'm not a real time. I'm trying
• 17:26
  Speaker 1: to encourage people to buy homes and to create. But
• 17:30
  Speaker 1: I'm trying to figure out because then you got the home,
• 17:32
  Speaker 1: and you trying to make money off the home, and
• 17:34
  Speaker 1: you're making money off the home. Yes, so you're selling homes.
• 17:37
  Speaker 1: I'm selling rooms, your apartments. Oh oh you do. I'm
• 17:40
  Speaker 1: keeping sorrows. Yeah, I'm keeping it. So lord, I'm not
• 17:47
  Speaker 1: man apartments. Okay, apartment. Because apartments it's like four family units.
• 17:57
  Speaker 1: So I sell units one living under one. God. Anyway,
• 18:04
  Speaker 1: I home. I don't care what it is. Give me
• 18:08
  Speaker 1: a family. I don't have one family. This is so
• 18:14
  Speaker 1: you want to kid program. Also, I'm not this jen
• 18:21
  Speaker 1: go on change, so I leave that alone. But I do.
• 18:25
  Speaker 1: I am doing you. Thank you so much. Encourage people
• 18:27
  Speaker 1: to buy homes and to invest in themselves so they
• 18:30
  Speaker 1: can always have properties to continue to rent by investing
• 18:32
  Speaker 1: in you and get putting in your pockets. Like you
• 18:38
  Speaker 1: not making money. I'm just to the point is you're
• 18:40
  Speaker 1: making money. I'm trying to encourage people to insist how
• 18:44
  Speaker 1: you making money, not in me. I'm bringing you. Bring
• 18:47
  Speaker 1: repair people, okay, lenders, lenders, agents, chids, attorneys at people
• 18:52
  Speaker 1: know how to do it the right way without getting got.
• 18:55
  Speaker 1: But they got to get got by you before they
• 18:56
  Speaker 1: don't get So here you get about Handy first of all,
• 19:03
  Speaker 1: his ten train his hel So tell me right now,
• 19:06
  Speaker 1: getting money okay, missing the same I was missing when
• 19:12
  Speaker 1: I came here. I need somebody to help me. I'm
• 19:16
  Speaker 1: gonna flip home now, sir, get that I was gonna
• 19:19
  Speaker 1: get it. I need you to help me. Get a family.
• 19:21
  Speaker 1: You got the young boy, Now you can shoot your
• 19:23
  Speaker 1: club up. Well, I hope so, but you know the
• 19:25
  Speaker 1: club's getting about to close down. I want to have kids,
• 19:29
  Speaker 1: but I gotta have them because now kiss you know
• 19:31
  Speaker 1: when you're getting your forties. They's what I'm saying, Well,
• 19:33
  Speaker 1: you better hurry up and have a baby before the
• 19:34
  Speaker 1: baby handicap. And I'm like, damn, but that's what they
• 19:40
  Speaker 1: tell They still tell the women. Now I want to
• 19:43
  Speaker 1: be and I don't care if the baby's handicap because
• 19:45
  Speaker 1: people in my family are handicap. I would love that
• 19:46
  Speaker 1: handicap baby. Plus, it's gonna come with a stick of
• 19:48
  Speaker 1: we can park where we want, so that baby. I
• 19:51
  Speaker 1: need that baby because I like to park up front Costco.
• 19:54
  Speaker 1: You know they don't give you no bags. You're gonna
• 19:55
  Speaker 1: carry a box. It's Y'allmaniqua Saunders is the Breakfast Club.
• 19:59
  Speaker 1: Go Morning, it's topic time. He got the phone called
• 20:06
  Speaker 1: eight hundred five eight five one oh five. Want to
• 20:08
  Speaker 1: join it to the discussion with the Breakfast Club. Talk
• 20:11
  Speaker 1: about it morning. Everybody is DJ Envy, Angelie Charlomagne, the guy.
• 20:16
  Speaker 1: We are the Breakfast Club. Now, if you just joined us,
• 20:18
  Speaker 1: with talking about our good friend Steve. He's a camera
• 20:20
  Speaker 1: guy Revolts. Steve is the cameraman of Revolts right now. Yeah,
• 20:24
  Speaker 1: he hasn't had sex all year long. You know, he
• 20:26
  Speaker 1: hasn't had sex since December. I don't I think it's
• 20:29
  Speaker 1: been and you know, I don't want him to block
• 20:31
  Speaker 1: his blessings right now. I just want to tell y'all
• 20:32
  Speaker 1: who he is. Steve is about forty two, about forty two, right, Steve. No,
• 20:35
  Speaker 1: he's not terribly okay. Stevens thirty two years old, white male,
• 20:43
  Speaker 1: a cermudgeon, but a nice guy. Okay. He has a dog,
• 20:46
  Speaker 1: He plays the guitar. He has his own house. Yes, no,
• 20:49
  Speaker 1: it's not a house, condo. It's a condo off the beach.
• 20:52
  Speaker 1: No furniture, all right, Okay, you got furniture, Steve, Well,
• 20:57
  Speaker 1: you gotta speak for your stuff. I'most speak for you.
• 21:00
  Speaker 1: So you're going so far? All right? What kind of
• 21:02
  Speaker 1: dog is it? Dood? Okay? He's recently divorced, you know
• 21:07
  Speaker 1: what I'm saying. Um, So, I don't know if it's
• 21:09
  Speaker 1: like the after effects of that, the aftermath of that
• 21:12
  Speaker 1: that's keeping him down. But I want to restore Steven's confidence.
• 21:15
  Speaker 1: You know what I'm saying. I want Steven to know
• 21:17
  Speaker 1: that there is some vagina out there for him, but
• 21:19
  Speaker 1: he doesn't want just vagina. He wants to love. But
• 21:21
  Speaker 1: there's there's a lot of people that's going through the
• 21:23
  Speaker 1: same thing Stephen's going through. Yeah, and we have some
• 21:25
  Speaker 1: people on the line. Let's talk to these people. Let's
• 21:27
  Speaker 1: see if we can make a love connection this morning.
• 21:29
  Speaker 1: Kanika ya hey, k now, Kannika, you totally relate to
• 21:33
  Speaker 1: see even in knique, that could be an amazing cap Kanka.
• 21:39
  Speaker 1: What's up to y'all? Y'all girl? Okay, so I can
• 21:44
  Speaker 1: relate to Steed for the simple fact that it may
• 21:47
  Speaker 1: not be that s You're not like Okay, I'm not
• 21:50
  Speaker 1: in a relationship right now. I don't want mediop for
• 21:56
  Speaker 1: like something mediopa I want. I want to be back bacular.
• 22:01
  Speaker 1: So maybe you just you know what I mean? So
• 22:03
  Speaker 1: Steve isn't the same thing. You don't want medio coapenis.
• 22:05
  Speaker 1: I don't want medio copenis. No, I don't want settle
• 22:08
  Speaker 1: for that. I want. I wanted to be amazed and
• 22:10
  Speaker 1: when I you know, my if my numbers bomber up,
• 22:12
  Speaker 1: I wanted to be amazing. What's your Instagram to Nika?
• 22:15
  Speaker 1: Oh you know, Nick? You as in the letter you okay?
• 22:21
  Speaker 1: On you k n O w and e A qu
• 22:25
  Speaker 1: eat and e a okay? Are you against? Are you
• 22:29
  Speaker 1: against dating white guys? You're from New Orleans? Oh no,
• 22:32
  Speaker 1: I'm open to I'm open to Yeah, No, I don't.
• 22:34
  Speaker 1: I don't see color. I'm open to it. Now, Steve,
• 22:36
  Speaker 1: I'm not gonna front from this little now she looks
• 22:38
  Speaker 1: a little small picture cute. Her page is private, so
• 22:41
  Speaker 1: I can't see everything, but from this profile picked nicoles
• 22:44
  Speaker 1: like she I Nick, Steve, boy Steve. If you don't
• 22:52
  Speaker 1: get but Steve, don't be Steve. Marlene all right, I'm
• 22:55
  Speaker 1: trying to get you some of that, but don't be
• 22:57
  Speaker 1: that all right? Hey, money, how old you Merlen? How
• 23:02
  Speaker 1: old you write this Instagram? That? Right? You know? Nique down?
• 23:05
  Speaker 1: You gotta write all of you down, write down drama, lady.
• 23:08
  Speaker 1: But can I first start us saying Charlotte Maine, I
• 23:12
  Speaker 1: love you. I love you too, baby, I love Oh
• 23:16
  Speaker 1: you have no idea? How old you? All you guys?
• 23:19
  Speaker 1: But Charlotte Maine, I love you. I am an invalid?
• 23:21
  Speaker 1: So what an invalid. What does that mean? Get out
• 23:25
  Speaker 1: the house. I don't get out the house. Um, I
• 23:28
  Speaker 1: can't walk. So you are my cractice. What you in
• 23:34
  Speaker 1: the morning, Charlotte Maine? You, I don't know what when
• 23:37
  Speaker 1: you're not there, I don't even know what it's about.
• 23:39
  Speaker 1: It's about Steve. I love you. I'm married. Now. You
• 23:43
  Speaker 1: sound perfect for Steve, and I'm old enough to be
• 23:46
  Speaker 1: your grandmother. And but I'm just letting you know I don't.
• 23:49
  Speaker 1: I'm not talking about sexual love. I'm talking about love. Oh,
• 23:53
  Speaker 1: I love you too. Love for a young brother that
• 23:57
  Speaker 1: just doing what he do. And I'm proud of you. Well,
• 24:00
  Speaker 1: thank you, baby. I'm here for you. I'll give you
• 24:02
  Speaker 1: all the emotional love you need. And I think my
• 24:04
  Speaker 1: wife would understand. Steve needs to love too. Now you said,
• 24:08
  Speaker 1: you said that you haven't had sex. And three years, bro,
• 24:10
  Speaker 1: no I did. My husband got sick and I love
• 24:16
  Speaker 1: my husband and I didn't care how long it took
• 24:20
  Speaker 1: for him to get better. My knees could wait until
• 24:24
  Speaker 1: he satisfied him. Did he get better? He got better
• 24:28
  Speaker 1: for two years and then he passed away. So and
• 24:32
  Speaker 1: doing it And all of this time, I still haven't
• 24:35
  Speaker 1: had sex. It's been down about six years. Do you
• 24:37
  Speaker 1: want to have sex right now? And I think I'm
• 24:40
  Speaker 1: just getting over this? Oh God, you got you. So
• 24:43
  Speaker 1: you're you're still you're still grieving, and you're getting out
• 24:46
  Speaker 1: of that grief stage. And then once you get out
• 24:47
  Speaker 1: of that grief stage, you'll be ready to get your
• 24:49
  Speaker 1: groove back. Just the old bit together for thirty years.
• 24:52
  Speaker 1: I understand, I understand, and you know it does take
• 24:56
  Speaker 1: that time, you know. But oh yeah, I'm going back
• 25:00
  Speaker 1: back in there. Okay, okay, hope hopefully you find a
• 25:04
  Speaker 1: man that's not married that's something like man I'm looking for,
• 25:08
  Speaker 1: but you and your wife, No, little No, I'm not
• 25:11
  Speaker 1: coming at you like that. I'm just coming at you
• 25:14
  Speaker 1: as a black woman, proud of a black man. I
• 25:16
  Speaker 1: appreciate you, baby very much, and I love you. I
• 25:21
  Speaker 1: love you more. Dude, I would happened to Steve. This
• 25:25
  Speaker 1: was about Steve. I know it is, but but you don't.
• 25:30
  Speaker 1: That's chain interesting to Steve. All right, all right, how
• 25:34
  Speaker 1: old you you would you say? Would you say? Well?
• 25:36
  Speaker 1: I said, like fifty five. No, I'm older than that,
• 25:39
  Speaker 1: six years old, sixty six. Okay. Charlemagne likes him that
• 25:42
  Speaker 1: age too, but I'm I'm a married man. But I do,
• 25:47
  Speaker 1: I do. I do love you, man, I respect you.
• 25:50
  Speaker 1: Do you feel sorry for Steve at all? Because he's
• 25:52
  Speaker 1: not an invalid and he can't walk and yeah, yeah,
• 25:56
  Speaker 1: nobody died in his life. At least you have reasons?
• 26:00
  Speaker 1: My good You know you you're you're very handsome man.
• 26:03
  Speaker 1: Steve is a handsome dude. You've seen Steve. You have
• 26:06
  Speaker 1: no excuse not to get laid though, right, Ma, No,
• 26:09
  Speaker 1: he don't. I don't, I don't, I don't. I don't
• 26:12
  Speaker 1: see what. No man has an excuse not to get
• 26:14
  Speaker 1: laid exactly, you know, not just Steve any man. You
• 26:18
  Speaker 1: got to be kind of a loser right when you like? Okay,
• 26:22
  Speaker 1: wrong with you something, Scott exactly? I know you not
• 26:27
  Speaker 1: help to feel you, baby? I feel thank you, Mama.
• 26:31
  Speaker 1: You know come on now, you know you're a man,
• 26:34
  Speaker 1: Steve Man. That's what a man is, Steve. This is
• 26:40
  Speaker 1: thank you. You know love you do. You have Charlomaie's books.
• 26:43
  Speaker 1: Thank all of you guys. You have charms book. I'm
• 26:47
  Speaker 1: gonna get your adress. I'm gonna tail you something. Okay,
• 26:49
  Speaker 1: thank you? Hold on one second, Steve, I don't want
• 26:52
  Speaker 1: you to know that she's an invalid who can't walk,
• 26:54
  Speaker 1: whose husband died. She has that second three years because
• 26:57
  Speaker 1: of those reasons, and she feels sorry for you. Don't
• 27:00
  Speaker 1: drid five A five one. Steve the camera guy hasn't
• 27:03
  Speaker 1: had sex in months. Remote camera guy, we're not claming this.
• 27:07
  Speaker 1: Our camera guy. Get laid right neck. The breakfast Club.
• 27:13
  Speaker 1: Good morning, the breakfast Club Morning. Everybody is DJ mvy
• 27:21
  Speaker 1: Angela yee, Charlemagne the guy. We are the breakfast Club.
• 27:24
  Speaker 1: We got a special guest in the building, a whole legend.
• 27:26
  Speaker 1: That's right, Uncle Snoop still's headening in breakfast club was happening,
• 27:31
  Speaker 1: and I'm slow motion with the postion trying to get
• 27:33
  Speaker 1: to the ocean. Who was still having fun? I did?
• 27:35
  Speaker 1: The pool party was the weekend, and I ain't seen
• 27:38
  Speaker 1: some tycoon party, fifty cents tycoon party. I ain't say.
• 27:41
  Speaker 1: He still had so much fun. He was at everybody's section.
• 27:43
  Speaker 1: He was chasing Trey songs down with water guns, hitting
• 27:46
  Speaker 1: casting over with water guns. Wife and Lucie. He even
• 27:49
  Speaker 1: made fifty cents smoke. He didn't get that's I didn't
• 27:53
  Speaker 1: had that much club, but I was able to get
• 27:57
  Speaker 1: a picture with it at the entrance to the party
• 28:00
  Speaker 1: a picture, and then left her outside the party. Who
• 28:02
  Speaker 1: was our post? Not even I was leaving. I was
• 28:08
  Speaker 1: trying to figure out there, how did Scoopers are? I
• 28:12
  Speaker 1: was the last rapper to leave. That's that's when I
• 28:14
  Speaker 1: found out, like I'm having so much fun, I'm just parting.
• 28:18
  Speaker 1: He said, you know, fifty left two hours ago. I'm like,
• 28:21
  Speaker 1: I'm supposed to get out of here cuse I was
• 28:22
  Speaker 1: driving cud cor cut was adding it and I had
• 28:25
  Speaker 1: to figure out how to get out of there? Did
• 28:26
  Speaker 1: she ask you, like, yo, can you get me in?
• 28:28
  Speaker 1: It wasn't even that conversation wasn't even like that. I
• 28:31
  Speaker 1: didn't even put one plus one together that her and
• 28:33
  Speaker 1: fifty was not like cool. I was just on somebody, Hey,
• 28:36
  Speaker 1: how are you doing? When do you go to see
• 28:38
  Speaker 1: how boo boo Bama? And I'm out? And then I
• 28:40
  Speaker 1: seen it on Instagram later like oh oh oh wow, right,
• 28:44
  Speaker 1: oh you know everything. I could have slipped my little
• 28:47
  Speaker 1: wristband had asked you gave it to gave it. You
• 28:52
  Speaker 1: know when you leave, you're gonna give it to somebody here.
• 28:53
  Speaker 1: You can have that. It's all good time Back up,
• 28:58
  Speaker 1: It feels so good to see you having so much
• 29:01
  Speaker 1: fun like that, especially in New York, because at one
• 29:03
  Speaker 1: time it was just so much it was ten tension
• 29:06
  Speaker 1: in beef just to I mean, if y'all would have
• 29:08
  Speaker 1: seen stud it just it just made me smile because
• 29:10
  Speaker 1: he's running from section and section, no security. You were
• 29:13
  Speaker 1: just having a good time. So how does it feel
• 29:14
  Speaker 1: like being able to just that's the love you were getting.
• 29:16
  Speaker 1: They're giving me that. You know when you when you
• 29:18
  Speaker 1: when you weren't getting it, you were not like that.
• 29:20
  Speaker 1: But if you're getting it and you're feeling that, you
• 29:22
  Speaker 1: gotta go give it back. And I felt like New
• 29:24
  Speaker 1: York always loved me. I just felt like it was
• 29:26
  Speaker 1: a miscommunication and a misunderstanding at a certain point. But
• 29:29
  Speaker 1: I always maintained my understanding with them because I stayed
• 29:31
  Speaker 1: in their face and I gave it to him when
• 29:33
  Speaker 1: I told him how I felt about certain situations and
• 29:35
  Speaker 1: they respected that. So now that I'm able to become
• 29:38
  Speaker 1: a grown man and really look at the rap game
• 29:40
  Speaker 1: for water is worth, I could come have phone with
• 29:42
  Speaker 1: my nephews and party like the cool uncle that shows
• 29:45
  Speaker 1: up and be like, man, my uncle is here. Man,
• 29:46
  Speaker 1: you know my uncle, want to live with my grandmama
• 29:48
  Speaker 1: in the garage. Oh, it's got the good week here,
• 29:49
  Speaker 1: got to come on, got the CDs him he here.
• 29:52
  Speaker 1: Well that's as great is that you also have no
• 29:54
  Speaker 1: issues with anybody, and you have the song let Bygones
• 29:56
  Speaker 1: be bygones if you talked about up here on the
• 29:58
  Speaker 1: Breakfast Club, and even a song like one Blood one couse,
• 30:01
  Speaker 1: just having peace around you, in serenity and having let
• 30:04
  Speaker 1: all these things when the past go. And people were
• 30:07
  Speaker 1: shocked when they heard you say me and Sugar is cool,
• 30:10
  Speaker 1: you know, they like, how could you be cool after
• 30:12
  Speaker 1: everything that y'all went through? But you explained it very well.
• 30:15
  Speaker 1: I wasn't meant to clash with him. We came out together.
• 30:18
  Speaker 1: It's just it's like brothers. Like sometimes you and your brother,
• 30:20
  Speaker 1: your sister, y'all getting to it, and you'd be mad
• 30:22
  Speaker 1: for a little bit, but it's like, man, that's my brother. Man.
• 30:25
  Speaker 1: You know, even if you was wrong where he was wrong,
• 30:27
  Speaker 1: it becomes a place in your heart where you like,
• 30:29
  Speaker 1: I need to forgive him, and I need to forgive
• 30:32
  Speaker 1: myself even if I wasn't wrong. Now did you come
• 30:34
  Speaker 1: here that conclude you about forgiving this when you was
• 30:35
  Speaker 1: working on your gospel album. I think that helped me
• 30:38
  Speaker 1: like shape my vision and shape what I'm here for,
• 30:42
  Speaker 1: because the gospel worcord was something that just came to
• 30:44
  Speaker 1: me overnight, like my grandmother had passed her when I
• 30:46
  Speaker 1: was like, she always loved gospel music and she could
• 30:49
  Speaker 1: never listen to any of my songs. So I was like, man,
• 30:50
  Speaker 1: I feel bad. Then my grandmama got a famous grandson
• 30:53
  Speaker 1: and she can't quote none of my songs and none
• 30:55
  Speaker 1: of that, and I'm like, I got to do something
• 30:57
  Speaker 1: for her. So when I didd it like it tapped
• 30:59
  Speaker 1: into my whole love thing with like this is who
• 31:01
  Speaker 1: I am. Like I've always been cool and the life
• 31:04
  Speaker 1: of the party. And Snoop Dogg's like cool with everybody.
• 31:07
  Speaker 1: He ain't like, got no issues and if it is
• 31:09
  Speaker 1: an issue, you'll call me to end the issue. So
• 31:11
  Speaker 1: now I'm taking on the roll of this is what
• 31:12
  Speaker 1: I'm supposed to do all the time. I want to
• 31:14
  Speaker 1: thank me the twentieth album. When you said that in
• 31:16
  Speaker 1: your acceptance species, you know beforehand you was gonna name
• 31:19
  Speaker 1: your album. Nah, I didn't even know I was gonna
• 31:20
  Speaker 1: say that in the speech I was I had nothing
• 31:23
  Speaker 1: prepared Doctor dre Quincy Jones. When they spoke, it was
• 31:27
  Speaker 1: touching to me because it's like, I'm still a little
• 31:28
  Speaker 1: a kid inside. I'm still a fan of hip hop
• 31:31
  Speaker 1: and a fan of what I do, and I can't
• 31:32
  Speaker 1: believe I've done so much and to see them up
• 31:35
  Speaker 1: there speaking for me, so now it's my turn to speak.
• 31:37
  Speaker 1: I'm very unprepared, but I'm a great freestyleus so it's like,
• 31:40
  Speaker 1: you know what, I'm just gonna put them together from
• 31:42
  Speaker 1: my heart. And by the time I got to the end,
• 31:44
  Speaker 1: it was like I didn't think everybody in my life
• 31:47
  Speaker 1: except me like and I feel like I deserve some
• 31:49
  Speaker 1: of this credit to not being selfish, but being self
• 31:53
  Speaker 1: perspective of myself and loving myself and appreciating what I
• 31:56
  Speaker 1: do so that way I won't have a crisis of
• 31:58
  Speaker 1: be feeling like I need somebody's confirmation in order to
• 32:01
  Speaker 1: keep moving. So it was in that moment you realize,
• 32:03
  Speaker 1: I gotta start thinking myself. I think that's probably what happened,
• 32:06
  Speaker 1: because you know, when you when you're doing what you're doing,
• 32:08
  Speaker 1: you don't really never get caught up with what you're doing.
• 32:10
  Speaker 1: I was explaining this to one of my longers, he
• 32:12
  Speaker 1: was like, man, You've don't done this and done now.
• 32:15
  Speaker 1: I'm like, man, check it out, because how could I
• 32:17
  Speaker 1: watch my highlights when I got a game to play
• 32:19
  Speaker 1: them all? I don't know what I've done because I'm
• 32:21
  Speaker 1: so busy trying to do something else when I'm on
• 32:24
  Speaker 1: stage now, just to get y'all game, I gotta tele
• 32:26
  Speaker 1: prompt up there because I don't even remember having that.
• 32:28
  Speaker 1: I said, like a long time, I need help. I
• 32:36
  Speaker 1: don't want to be up there not knowing my words it.
• 32:38
  Speaker 1: So it's like I'm looking down him. Okay, there, I
• 32:40
  Speaker 1: got that line, like I'm on the news with it.
• 32:43
  Speaker 1: You know what I'm saying. Records, old records, old records.
• 32:46
  Speaker 1: Charlottagne know that, but it may be a record that
• 32:50
  Speaker 1: the fans want to hear that. I ain't say it
• 32:51
  Speaker 1: in like twenty two years. I'd be like, man, my
• 32:54
  Speaker 1: mind be like, hun, how about that pool when I
• 32:57
  Speaker 1: see it? Like any click on? So, Snoop, did you
• 32:59
  Speaker 1: see the conversation with Glasses? Malone was up here about
• 33:01
  Speaker 1: two pockets Snoop Doggs. He said. From ninety two to
• 33:04
  Speaker 1: ninety six, Snoop was the biggest start in pocket. It
• 33:07
  Speaker 1: wasn't even close. You gotta look at it like what
• 33:09
  Speaker 1: Tupac was at. He was on interscope and they really
• 33:11
  Speaker 1: wasn't pushing him and giving him that. His record was
• 33:13
  Speaker 1: always dope. He always had the best records to hidest songs.
• 33:16
  Speaker 1: But if his label wasn't giving him the attention and
• 33:19
  Speaker 1: the push that death Row had, he wasn't looked at
• 33:21
  Speaker 1: as big as me. But in my eyes he was
• 33:23
  Speaker 1: always bigg as me or bigger than me. He was
• 33:25
  Speaker 1: out before me. I actually got him two death Row records.
• 33:30
  Speaker 1: Shug go get cus. He need to be with us.
• 33:33
  Speaker 1: If he noticed the Source Awards when we performed that
• 33:36
  Speaker 1: that night, when Snoop said all that, and Sug said
• 33:38
  Speaker 1: all that, it was a mannequin or a poster of
• 33:42
  Speaker 1: Tupac in a sale. Everybody had a sale. Tupac was
• 33:46
  Speaker 1: in the sale, but he wasn't even on death row.
• 33:47
  Speaker 1: He wasn't even the thought of our being on death row.
• 33:49
  Speaker 1: That was me saying, I want to cut it be
• 33:51
  Speaker 1: with us. I'm in New York to see that. We
• 33:52
  Speaker 1: got cut back because we was hearing stories about things
• 33:55
  Speaker 1: that was happening to him in jail and we was like,
• 33:58
  Speaker 1: we couldn't do nothing to help him. So I'm telling Sugar, look,
• 34:01
  Speaker 1: we need to go put Cuss on our team. So
• 34:03
  Speaker 1: when Sugar gonna make the deal happen to get him
• 34:05
  Speaker 1: wood us, I step and play the back seat. Death
• 34:08
  Speaker 1: Roll was mine. I moved out the way, told my
• 34:10
  Speaker 1: little cousin dads her cousin up, give him all the
• 34:13
  Speaker 1: beat she was gonna give me, dre give him. California Love.
• 34:16
  Speaker 1: California Love was doctor Drey song. We catered the Cus
• 34:19
  Speaker 1: because we love him. We was friends with Tupac Sugar
• 34:22
  Speaker 1: and having a relationship with Tupac before death Row. He
• 34:25
  Speaker 1: was my friend. Wow, yeaht know that. Then they became
• 34:28
  Speaker 1: friends because Sugar was the Boston That's what Sugar do.
• 34:31
  Speaker 1: He treats you like a king. And he gave him
• 34:34
  Speaker 1: everything and he deserved it. He didn't get when he
• 34:36
  Speaker 1: was on interscope and then he's watching everything that I got.
• 34:39
  Speaker 1: I got a rolls Royce, I got a penhouse, I
• 34:41
  Speaker 1: got a big house. He's in the penitentiary. You don't
• 34:43
  Speaker 1: have none of this. So when he get out, me
• 34:45
  Speaker 1: and him bind and we becoming best of friends and
• 34:47
  Speaker 1: we even nobody's bigger than nobody. I'm going to move
• 34:50
  Speaker 1: out the way and let you come in and get
• 34:52
  Speaker 1: all the yours. I'm working on a doll father, but
• 34:54
  Speaker 1: dollfather can wait. If he looked good, we look good.
• 34:58
  Speaker 1: Some people say the best and worst thing to happen,
• 35:00
  Speaker 1: and the park was death Row. Though it was it
• 35:03
  Speaker 1: was because the influence. He didn't realize how much influence
• 35:06
  Speaker 1: he had, but he was very influenced by or almost
• 35:11
  Speaker 1: you're holding your hands up a little too much, player,
• 35:13
  Speaker 1: there you go. Or you want to give me some motion, Yeah,
• 35:16
  Speaker 1: I let you. Then you gave me the hole. Give
• 35:21
  Speaker 1: about him talking about me online. When you work hard,
• 35:25
  Speaker 1: your hands and as I never knew, they had nothing
• 35:29
  Speaker 1: to do with his hands didn't look like this. We
• 35:33
  Speaker 1: got more with Snoop. When we come back, don't move.
• 35:35
  Speaker 1: It's a breakfast club. Good morning morning, everybody. It's DJ
• 35:38
  Speaker 1: Envy Angela Yee Charloman the guy. We are the breakfast club.
• 35:41
  Speaker 1: We're still kicking it with Snoop char It had to
• 35:44
  Speaker 1: be tough to write one Blood though, one cause because
• 35:46
  Speaker 1: that was kind of about Nipto, right. It took me
• 35:48
  Speaker 1: a minute because I was still trying to translate his death,
• 35:51
  Speaker 1: like the massacre like that. It really broke my heart.
• 35:54
  Speaker 1: So it was like it was kind of hard trying
• 35:55
  Speaker 1: to go in and try to write something with a
• 35:57
  Speaker 1: spirit of you know, how do I celebrate him feeling
• 36:01
  Speaker 1: like I'm feeling. How to I represent him in the
• 36:04
  Speaker 1: light that's gonna make the most sense. So it was
• 36:06
  Speaker 1: like what he's still for was stopping the gang violence.
• 36:09
  Speaker 1: So I wanted to make a record first of all
• 36:11
  Speaker 1: giving him love and then showing what his spirit was about,
• 36:13
  Speaker 1: and then translating his spirit into a song that could
• 36:16
  Speaker 1: be the reason that we should do it in his
• 36:18
  Speaker 1: vein and is to not kill and not bang and
• 36:21
  Speaker 1: not riding each other. Because if you're doing it, you're
• 36:23
  Speaker 1: doing exactly what Nipsy don't want you to do. You
• 36:25
  Speaker 1: compare Nipsey to Jesus. Yeah, look at the impact that
• 36:28
  Speaker 1: he had, you know what I'm saying, like the same
• 36:31
  Speaker 1: impact that Jesus said, Like a lot of people didn't
• 36:33
  Speaker 1: know him, but they showed one to know about y
• 36:35
  Speaker 1: once he passed away, and then once they found out
• 36:38
  Speaker 1: about him, they understood what his legacy was about. Now
• 36:41
  Speaker 1: his legacy is living even bigger with him not being here.
• 36:45
  Speaker 1: It's only been about four months. Have you found any
• 36:47
  Speaker 1: purpose in his death? I don't really understand death, and
• 36:50
  Speaker 1: I never did. You don't become numb to it, but
• 36:53
  Speaker 1: it's like it's a feeling of okay, all right, I
• 36:56
  Speaker 1: guess it's what it's supposed to be. And you know,
• 36:58
  Speaker 1: you try to look at why were they here, what
• 37:00
  Speaker 1: did they do when they was here? And why did
• 37:03
  Speaker 1: I know them? And what am I supposed to take
• 37:05
  Speaker 1: from their death and their life? And that's what I do,
• 37:08
  Speaker 1: because like, how was I close to Tupoc? How was
• 37:11
  Speaker 1: Biggie my friend? How was Nipsey my friend? And they
• 37:14
  Speaker 1: all not hearing no more? And I share special moments
• 37:17
  Speaker 1: with them that I'll never speak about, some personal things
• 37:21
  Speaker 1: with us that may have been clashing, may have been loved,
• 37:24
  Speaker 1: but you'll never know about. And I feel like God
• 37:26
  Speaker 1: put them in my life for a reason because they
• 37:29
  Speaker 1: were impactful in hip hop, just like I'm impactful. I
• 37:32
  Speaker 1: feel like what I'm doing is what Biggie and Tupac
• 37:36
  Speaker 1: and Nipsey definitely would be doing if they were alive.
• 37:38
  Speaker 1: I want to ask you one more question about death,
• 37:40
  Speaker 1: because you haven't seen a lot of people around you
• 37:42
  Speaker 1: pass away and you know Nipsey alredyferred themselves as the
• 37:45
  Speaker 1: Tupocket of his generation. You knew both of them, so
• 37:47
  Speaker 1: that accurate comparison. I think it's very accurate because the
• 37:51
  Speaker 1: spirit that Nipsey had was a spirit Tupoc had as
• 37:53
  Speaker 1: far as like being up close and personal with the
• 37:56
  Speaker 1: people and just trying to give back. I think Nipsey
• 38:00
  Speaker 1: did what Tupac couldn't do. I think he was the extension,
• 38:03
  Speaker 1: like if you're running the four or forty really and
• 38:04
  Speaker 1: you passed the baton. I think the spirit of Tupac
• 38:08
  Speaker 1: was Nipsy, like the seed that he planted. I think
• 38:10
  Speaker 1: he said something about, I mean not changing the world,
• 38:12
  Speaker 1: but I'll sparked to see I'll plant to see that.
• 38:15
  Speaker 1: Somebody who is that quote right there is Nipsey. He's
• 38:18
  Speaker 1: a spark now. I also see you're gonna be on
• 38:20
  Speaker 1: Angie Martinez. This show the Untold Stories of Hip Hop? Yeah,
• 38:23
  Speaker 1: so do you have a whole lot of untold stories
• 38:25
  Speaker 1: that one day you feel like you might hold on?
• 38:27
  Speaker 1: Because Jarro with me today, you better tell those stories,
• 38:31
  Speaker 1: us said Eavy. The show is dope but snoop stories. Wow,
• 38:35
  Speaker 1: I wouldn't imagine what what well, we don't want to
• 38:37
  Speaker 1: give it up, but yes we do, all right, what
• 38:42
  Speaker 1: scams saying yes we do. I'm not telling y'all nothing.
• 38:46
  Speaker 1: Andree's my friend, y'all my friends. Shoot, So I'm not
• 38:49
  Speaker 1: gonna get in the middle of this mess. But is
• 38:52
  Speaker 1: there is there plans for you to tell a lot
• 38:53
  Speaker 1: of those untold stories at some point? Yeah? Yeah, with
• 38:56
  Speaker 1: a Snoop dog life story. Yeah. Yeah, from Vietnam to
• 39:00
  Speaker 1: death Row that's what's gonna be called. While from Vietnam
• 39:03
  Speaker 1: to death Row because my father was in Vietnam in
• 39:06
  Speaker 1: nineteen sixty eight and the life expectancy for a black
• 39:09
  Speaker 1: male was sixteen point four seconds and he actually made
• 39:12
  Speaker 1: it out of there and he got shot three times.
• 39:14
  Speaker 1: He's a purple heart VET. And I was born in
• 39:16
  Speaker 1: nineteen seventy one. So with that being said, I wasn't
• 39:20
  Speaker 1: supposed to get past Vietnam. Is that death Row movie
• 39:23
  Speaker 1: still happening? After Stay out of Content that kept saying
• 39:25
  Speaker 1: we're doing a death row movie next. I never had
• 39:27
  Speaker 1: nothing to do with that. As far as the death
• 39:29
  Speaker 1: Row movie, they couldn't do it without you, though, I
• 39:31
  Speaker 1: would imagine I'm worried about the Snoop blow life story
• 39:34
  Speaker 1: because there's too many versions that's been out there that's
• 39:36
  Speaker 1: been like almost right close to it. Similar, it's time
• 39:41
  Speaker 1: for somebody to tell the story from the perspective of
• 39:43
  Speaker 1: the eyes of the inside. Like even with Shugar Knight
• 39:46
  Speaker 1: side of it, Like they don't tell his story to
• 39:48
  Speaker 1: write way. They always just show the bad things that
• 39:50
  Speaker 1: he doing. That ain't cool, That ain't fair, you know
• 39:52
  Speaker 1: what I'm saying, Even though he was like a monster
• 39:54
  Speaker 1: at a certain point, but that's not fair. That's not
• 39:56
  Speaker 1: all what he was about. He was the one that
• 39:58
  Speaker 1: sport that Mother's Day thing and giving back to the
• 40:00
  Speaker 1: community and you know us getting active in the community.
• 40:05
  Speaker 1: He showed us that we didn't know how to do that.
• 40:07
  Speaker 1: And like I say, what the industry fails to realize.
• 40:10
  Speaker 1: If it wasn't for him have for you, rappers wouldn't
• 40:13
  Speaker 1: even have no label or have the control of y'all
• 40:15
  Speaker 1: guy right now, because it was a pamphole industry back
• 40:18
  Speaker 1: before he came out, and usually you'd be the whole
• 40:21
  Speaker 1: because he was the rapper and it happened to some
• 40:23
  Speaker 1: of the greatest rappers ever, some of the biggest rappers
• 40:25
  Speaker 1: at him. But when he came out. He helped shape
• 40:27
  Speaker 1: a different look to what he had to look at
• 40:30
  Speaker 1: a little bit differently, like, oh, we can't treat him
• 40:32
  Speaker 1: like that, and he may be like Huge Knight, or
• 40:34
  Speaker 1: he may be like when we don't want to rub
• 40:36
  Speaker 1: him wrong? Was he friends with Suge Knight? And then
• 40:38
  Speaker 1: they started giving up better deals and they started respecting
• 40:41
  Speaker 1: the craft of we have to respect him. We can't
• 40:45
  Speaker 1: just do them like we did the black artists in
• 40:47
  Speaker 1: the fifties and the sixties and the seventies and the eighties.
• 40:50
  Speaker 1: And that's that's facts. When you and Su spoke, did
• 40:53
  Speaker 1: he have him Morris for those times when you said
• 40:56
  Speaker 1: there was a period of time when things he did
• 40:58
  Speaker 1: was like a monster? Did he show him worse for that?
• 41:00
  Speaker 1: Did you guys having works for each other, for how
• 41:02
  Speaker 1: you treated each other. I don't think he ever said
• 41:04
  Speaker 1: I'm sorry, because that ain't in his nature, but I
• 41:07
  Speaker 1: know what he meant, like our conversation, let me know
• 41:10
  Speaker 1: we Greighty, like I'll share this with you. When we
• 41:14
  Speaker 1: spoke in the room one on one for the first time,
• 41:17
  Speaker 1: that was kind of like where did ya speak in
• 41:20
  Speaker 1: a hotel in Vegas? And it was spontaneous. It wasn't
• 41:23
  Speaker 1: no plan. It was just like he's seen me. I've
• 41:25
  Speaker 1: seen him. It's like, what's that? What's up? All right?
• 41:27
  Speaker 1: When we need to holler, Yeah, we do need to holler.
• 41:29
  Speaker 1: I'm leaving my security out. Didn't mean you can go
• 41:31
  Speaker 1: in the room and chop it up. We need to
• 41:32
  Speaker 1: figure this out. We gotta understanding. We exchanged numbers, started communicating,
• 41:38
  Speaker 1: then he got locked up. Still communicated with him, and
• 41:42
  Speaker 1: we wanted to just tape the conversation just because I
• 41:45
  Speaker 1: wanted to tape it. As soon as we get on
• 41:46
  Speaker 1: the phone. It's what he's saying, Oh, you working out now.
• 41:51
  Speaker 1: I tried to get you to work out years ago.
• 41:53
  Speaker 1: You what I saw? You know, I wouldn't listen to
• 41:55
  Speaker 1: you could I don't be listening to nobody telling me
• 41:57
  Speaker 1: how to work out. Look at him, look at let
• 41:59
  Speaker 1: listen to my tone. Mum, thank you buff now? Huh,
• 42:03
  Speaker 1: I ain't buffing. I'm just trying to live better now.
• 42:05
  Speaker 1: That's good. When I'm good. From Nary, we're going there.
• 42:09
  Speaker 1: His mother passed away, so I'm like, I'm sorry about
• 42:12
  Speaker 1: your mom, and he like, man that Laddy loves you.
• 42:14
  Speaker 1: I loved her too, Man, your mom was a special woman. Man.
• 42:17
  Speaker 1: She loves you. Man, she always so That to me
• 42:20
  Speaker 1: is like saying that we passed that. You don't have
• 42:23
  Speaker 1: to tell me you saw it. We're talking now. We
• 42:25
  Speaker 1: had a point that we could never get to, and
• 42:27
  Speaker 1: once we started communicating, we're gonna have more fun conversation.
• 42:31
  Speaker 1: I remember when we was hanging out, you did that,
• 42:34
  Speaker 1: mean when Park did this? And mean when you told
• 42:36
  Speaker 1: me to go get Park? Yeah, because remember dog, you
• 42:40
  Speaker 1: told me to go get him because I wasn't listening
• 42:42
  Speaker 1: to him and you took Why see, this is humbling
• 42:45
  Speaker 1: for me to hear him say this. I knew it,
• 42:48
  Speaker 1: but I never was gonna be like, well, I'm the
• 42:50
  Speaker 1: one that told him. No, you say it. Plus was understood.
• 42:54
  Speaker 1: Don't need to be saved between. I always wanted to.
• 42:57
  Speaker 1: You think him and Drey would ever come to an
• 42:59
  Speaker 1: understand ain't happen at all. Did say anything to you like, man,
• 43:05
  Speaker 1: why do you even care about forgiveness with this guy?
• 43:09
  Speaker 1: Dre know me? This is who I am. This is
• 43:11
  Speaker 1: a snoop dog. This is the snoop dogg. He knew
• 43:13
  Speaker 1: from day one, Like I'm for the people, man, I
• 43:15
  Speaker 1: ain't for that mess. I'm trying to make love and
• 43:17
  Speaker 1: make people happy. Like to me, what I'm doing is
• 43:20
  Speaker 1: gonna get them to the point that they can talk,
• 43:24
  Speaker 1: because you gotta be somebody got to take that first
• 43:26
  Speaker 1: step to be like, it ain't that bad. Come on, club,
• 43:29
  Speaker 1: it ain't that bad. All right, we got more with
• 43:31
  Speaker 1: Snoop when we come back. Let's get to a Snoop
• 43:32
  Speaker 1: Mini mix. It's the breakfast club. Good Morning. That was
• 43:35
  Speaker 1: a Snoop Dog Mini Mix. Morning. Everybody is DJ Envy
• 43:38
  Speaker 1: Angela Yee, Charlomagne, the guy we are the breakfast club.
• 43:41
  Speaker 1: Snoop Dogg is here. You're smoking every city, right, no
• 43:45
  Speaker 1: matter where you're at, no matter what town it is,
• 43:47
  Speaker 1: the continent, the studio. I ain't smoked up here yet,
• 43:52
  Speaker 1: so I can smoke right now. Look, she's trying to
• 43:54
  Speaker 1: stop me right now. We all got in trouble for
• 43:57
  Speaker 1: that means don't don't and we don't want to get
• 44:00
  Speaker 1: in trouble again. But before you came in here, they said,
• 44:03
  Speaker 1: who's gonna tell Snoop no if he decides he wants
• 44:05
  Speaker 1: to smoke. I don't know. We got into trouble to
• 44:07
  Speaker 1: just now and it was different. Now, y'all. I'm groom.
• 44:10
  Speaker 1: I'm not the little kid that you should come up
• 44:12
  Speaker 1: and being. I'm breaking the rules because I can't last
• 44:16
  Speaker 1: I think I was like, last, ye, I don't do that. Pin.
• 44:18
  Speaker 1: They don't do nothing for me, you know, they tease me.
• 44:22
  Speaker 1: So where do you get your smoke from? When you
• 44:23
  Speaker 1: go to you carry with you. You just have people,
• 44:25
  Speaker 1: And I can't tell you that I'm get in trouble
• 44:27
  Speaker 1: man the police. But I got my license and it
• 44:31
  Speaker 1: means that I could move anywhere and all the time
• 44:33
  Speaker 1: because I'm medical. You know, I'm sick. Man. I need
• 44:35
  Speaker 1: that new booty. What's that song about? Came in this
• 44:44
  Speaker 1: morning to life. He about men getting right. I say,
• 44:50
  Speaker 1: I didn't know who you was talking about, But I
• 44:52
  Speaker 1: was like, why did you want to write that? He
• 44:55
  Speaker 1: let me. Let me tell you that because it's a
• 44:57
  Speaker 1: real story that it is. But the terminology new booty
• 45:02
  Speaker 1: is a new square in jail, like somebody that's going
• 45:07
  Speaker 1: to jail for the first time and they've never been
• 45:10
  Speaker 1: in that environment and it's a new experience for them.
• 45:13
  Speaker 1: So it's like you're a new booty. Wasn't about me
• 45:15
  Speaker 1: taking the booty, but that is a part of the process.
• 45:18
  Speaker 1: If you coming there too hard, too tough, not knowing
• 45:21
  Speaker 1: the circumstances. There are men in there that are designed
• 45:24
  Speaker 1: to do that that ain't coming home. That they're looking
• 45:26
  Speaker 1: at you as their girlfriend. Please Johnson, Oh boy, boy
• 45:31
  Speaker 1: was more important than a drink of water. I like booty.
• 45:43
  Speaker 1: So that song is about somebody in particular. It's about
• 45:45
  Speaker 1: a lot of people in particular. It's about entertainers, it's
• 45:48
  Speaker 1: about athletes, it's about people who get successful and join
• 45:53
  Speaker 1: the game. So you heard stories about dudes getting tossed
• 45:55
  Speaker 1: up in jail like entertainer. But at the end, because
• 45:57
  Speaker 1: it's a guy screaming at the end of the record,
• 46:00
  Speaker 1: the homies gonna think about that. It can happen, man,
• 46:05
  Speaker 1: because they didn't it say sugar Booty Warriors, say sugar
• 46:09
  Speaker 1: dudes on deck that J said, yeah, I may man,
• 46:12
  Speaker 1: Look here, I'm talking about the great things he did.
• 46:14
  Speaker 1: I don't know about that, I told y'all, but I'm
• 46:17
  Speaker 1: not a part of the bad things. I stopped saying.
• 46:20
  Speaker 1: I used the word booty warriors. Boy. Ray J was
• 46:26
  Speaker 1: there for at the time when when I had left,
• 46:30
  Speaker 1: so I don't know what the hell was going on
• 46:33
  Speaker 1: when I was there. Was just shooting. Were just shooting
• 46:35
  Speaker 1: and slapping and kicking it. Time is up. Yeah, I
• 46:40
  Speaker 1: got your mom over head. Now we were talking to
• 46:47
  Speaker 1: man like what don't do it? It wasn't that bad.
• 46:53
  Speaker 1: What does coach Snoop think about the NFL and Jay
• 46:56
  Speaker 1: Z and Rack Nation? Well, coach Snoop don't know the
• 46:59
  Speaker 1: entry because see that. He don't know the dynamics to that.
• 47:02
  Speaker 1: But what I would have loved to have seen was
• 47:05
  Speaker 1: somebody really asking Roger Godell a question of why did
• 47:09
  Speaker 1: y'all black ball Colin Kaepernck. I didn't hear it. I
• 47:13
  Speaker 1: didn't hear it. That ain't good. What was his answer?
• 47:17
  Speaker 1: He said, were not blackballing Kaepernick. Any owner can sign
• 47:19
  Speaker 1: Kaepernick whenever they want to, and they ain't to ask.
• 47:21
  Speaker 1: I was looking forward use blackballing period. Ain't know in
• 47:25
  Speaker 1: betweens to that. They shut him down. That's why they settled.
• 47:27
  Speaker 1: Would him to me, I wouldn't have settled. I would
• 47:30
  Speaker 1: have won all the way to the wheels fall off
• 47:32
  Speaker 1: to what they would have had to get me a
• 47:34
  Speaker 1: billion dollars, then I would have settled. But other than that,
• 47:37
  Speaker 1: it wouldn't have been about the money. He'd been about
• 47:38
  Speaker 1: the calls in the stand for everything, and instead of
• 47:41
  Speaker 1: jay Z, he should have been there, like, let me
• 47:44
  Speaker 1: be the once someone want to pushing the calls, let
• 47:47
  Speaker 1: me actually be in the room with y'all to put
• 47:49
  Speaker 1: it in my input because I'm gonna want to start
• 47:51
  Speaker 1: it this awareness thing, not to try to get credit,
• 47:53
  Speaker 1: but just to give you my input on something that
• 47:55
  Speaker 1: I created. And I created the awareness. Did Stephen A.
• 47:58
  Speaker 1: Smith say some teams reached out to him try to
• 48:00
  Speaker 1: sign him. Yeah, he said he had a few offers
• 48:02
  Speaker 1: from like the Seahawks profit. Yeah, and then they said,
• 48:06
  Speaker 1: I know they did ask him to be on that council,
• 48:08
  Speaker 1: not the one, the same council that jay Z had.
• 48:10
  Speaker 1: Malcolm Jenklin started a couple of years ago. The impact
• 48:13
  Speaker 1: change and and now they clashing. You got you got
• 48:15
  Speaker 1: hurt the NFL players, that's clashing, but they don't like
• 48:17
  Speaker 1: what's going on because it's see, what people don't understand
• 48:21
  Speaker 1: is coming from hip hop, we don't have no commissioner,
• 48:24
  Speaker 1: we don't have no rules and regulations and structure. So
• 48:27
  Speaker 1: now you're bringing in somebody who's from hip hop and
• 48:30
  Speaker 1: the drug world into y'all structure, it's gonna be a
• 48:35
  Speaker 1: problem if he don't get control, because if he don't
• 48:39
  Speaker 1: get control, everybody's gonna store throwing rocks at jay Z
• 48:41
  Speaker 1: like I ain't do nothing, like they try to doing
• 48:43
  Speaker 1: them again, and like why y'all going at it? Me
• 48:45
  Speaker 1: trying to help. But if he do get control and
• 48:48
  Speaker 1: the NFL is over, because it's gonna be some real
• 48:50
  Speaker 1: black owners, that's right, because we're getting smart now. I
• 48:53
  Speaker 1: don't want to hear that minority ownership can own a
• 48:56
  Speaker 1: whole team. Because Floyd had the money, Oprah had the money.
• 49:00
  Speaker 1: They tried to buy the Clippers, they froze them. Who
• 49:02
  Speaker 1: talk about the Clippers, Floyd or Praul. There's a bunch
• 49:04
  Speaker 1: of started about the Clippers when that when the owner
• 49:07
  Speaker 1: went bad, Blacks got their money together, like we want
• 49:10
  Speaker 1: to buy this. I don't know, you don't, okay, how
• 49:13
  Speaker 1: much money y'all got, y'all not owning nothing. Even Michael Jordan,
• 49:16
  Speaker 1: he don't own that team. Only mean I think he
• 49:18
  Speaker 1: got that because it was a black owner previously, Bob Johnson,
• 49:21
  Speaker 1: what do he own it? He majority? What does that mean?
• 49:27
  Speaker 1: I don't like that majority minority? Checking yourself, these clothes
• 49:32
  Speaker 1: I got on, these mother's mind. You know what I'm saying,
• 49:36
  Speaker 1: you know, minority majority? What did that mean? Jordan? He
• 49:39
  Speaker 1: definitely on the on the podcast, him and who else?
• 49:41
  Speaker 1: I don't know because I've seen nearly with the Rings
• 49:44
  Speaker 1: and he was part of the owner I've seen. I
• 49:48
  Speaker 1: want the Lakers. They still ain't gave me a goddamn
• 49:50
  Speaker 1: ring and I've done way more. But I was understand
• 49:57
  Speaker 1: why people choose the side. We should want jay Z
• 49:59
  Speaker 1: to work, we should want Captain be on the team. Like,
• 50:01
  Speaker 1: I don't see why people choose sides. But that's the
• 50:04
  Speaker 1: mentality of williaem Lynch. He broke us mentally. With that
• 50:07
  Speaker 1: mentality where you have to pick and choose, you can't
• 50:09
  Speaker 1: be together. That's why we have to do things to
• 50:12
  Speaker 1: break that mentality to be like, you know what, we're
• 50:15
  Speaker 1: embracing jay Z and were embracing the NFL. Now what
• 50:18
  Speaker 1: because it was someone that chased me around all day yesterday,
• 50:21
  Speaker 1: little white dude with a little camera, Snoop, what do
• 50:25
  Speaker 1: you feel about j Z and the NFL thing? I'm
• 50:29
  Speaker 1: not asking and he I showed up somewhere else he
• 50:31
  Speaker 1: could come again here, Snoop's going on? What you feel
• 50:34
  Speaker 1: about Z? In the NFL them. You asked me that
• 50:37
  Speaker 1: one more time. I'n we get your the head with
• 50:39
  Speaker 1: a football from my face. That's why you need booty.
• 50:46
  Speaker 1: We appreciate you for coming and join it on sixty
• 50:48
  Speaker 1: seven percent at somebody hit you with that sixty That
• 50:53
  Speaker 1: ain't enough. If that was you be hid them up.
• 50:57
  Speaker 1: You gotta be at least eighty snoop. We appreciate you
• 51:01
  Speaker 1: for joining us. And Charlotte Man gotta hit man. You
• 51:04
  Speaker 1: got that black man, don't cheat man, you gotta hit
• 51:06
  Speaker 1: the ball. Record what I'm saying, you own it to
• 51:08
  Speaker 1: you make it go, You make it go. I appreciate
• 51:11
  Speaker 1: Charlot mane what his rap name was when he first
• 51:12
  Speaker 1: started rapping? What was your rap name when you first started?
• 51:15
  Speaker 1: Dizzy Van Winkle and Win. That sounds like Rob van
• 51:21
  Speaker 1: winker little Brother and Rob van Winkles Vanilla Ice. You
• 51:25
  Speaker 1: feel about that concept, black men don't cheat? It's cool. No,
• 51:30
  Speaker 1: I love it. I really embrace it. I love it.
• 51:33
  Speaker 1: I love it. I love that concept because it's like
• 51:35
  Speaker 1: somebody had to put it out there. You know what
• 51:37
  Speaker 1: I'm saying. Tell the truth. Stop lying on us exactly,
• 51:41
  Speaker 1: especially us married men. Yeah, stop lying on us put
• 51:44
  Speaker 1: it out there, A little black boy's cheap, they do,
• 51:46
  Speaker 1: but black men don't cheat. There you go. Now, when
• 51:48
  Speaker 1: I was a boy, put snoop dog. It's the breakfast club.
• 51:57
  Speaker 1: Good morning. Who's gonna be a dust right now? You Also,
• 52:03
  Speaker 1: it's time for Donkey of the day. So if we
• 52:05
  Speaker 1: ever threw, I need to be a donk man with
• 52:07
  Speaker 1: the heat. Did she get the lease? I had become
• 52:12
  Speaker 1: donkey bitch? Oh donkey to Dave goes to. The man
• 52:19
  Speaker 1: known throughout the world is Wendy William's husband soon to
• 52:23
  Speaker 1: be Wendy William's ex wife, Kelvin Hunter. His government name
• 52:26
  Speaker 1: is Kelvin. They call him Kevin personally. I just thank
• 52:28
  Speaker 1: god that I haven't had to call him in ten
• 52:30
  Speaker 1: plus years. And I let the record show I love
• 52:32
  Speaker 1: value and appreciate all black men out there. In fact,
• 52:35
  Speaker 1: I love people, period. But it's only two people on
• 52:37
  Speaker 1: this planet I don't give a damn about, and Kelvin
• 52:40
  Speaker 1: Hunter is one of them. I don't have time to
• 52:41
  Speaker 1: tell you all the backstory between me and that guy.
• 52:43
  Speaker 1: You can go buy my New York Times bestselling book
• 52:46
  Speaker 1: Black Privilege to get the origin story. In a nutshell,
• 52:49
  Speaker 1: I worked with and sometimes lived with Kelvin Hunter and
• 52:52
  Speaker 1: Wendy Williams. That period was about four years of my life,
• 52:54
  Speaker 1: so I am very well versed on the subject of
• 52:56
  Speaker 1: Kelvin Hunter. Now, if you want to know why I
• 52:58
  Speaker 1: don't rock with Kelvin Hunting anymore, I have told you
• 53:01
  Speaker 1: all that we stopped communicating in February of two thousand
• 53:04
  Speaker 1: ten because he got upset that his mistress now baby
• 53:06
  Speaker 1: Mama Sharina Hudson aka Nikki from Columbia, South Carolina drop
• 53:11
  Speaker 1: on a clues bomb for the eight oh three. He
• 53:13
  Speaker 1: got upset because he thought I was trying to hook
• 53:15
  Speaker 1: his mistress up with my homeboy. Wax. Think about that big,
• 53:18
  Speaker 1: grown ass married negro from Brownsville, Brooklyn. Supposed to be
• 53:22
  Speaker 1: some thorough ass hood dude. Upset because he thinks I'm
• 53:24
  Speaker 1: trying to hook his side check up with my homeboy.
• 53:27
  Speaker 1: Does that not make him a grade a sucker, a
• 53:29
  Speaker 1: clown of legendary proportions. Not. The reason I have never
• 53:32
  Speaker 1: had no smoke for Wendy is number one. I feel
• 53:35
  Speaker 1: sorry for her because she was an abused woman on
• 53:37
  Speaker 1: various levels. And two, I know Kelvin didn't go to
• 53:40
  Speaker 1: Wendy and said, yeah, we don't robrom Charlomagne anymore because
• 53:43
  Speaker 1: he tried to hook his shot chick up with my homeboys.
• 53:45
  Speaker 1: So he just chalked that up to the game keep
• 53:47
  Speaker 1: it moving. So after February of two thousen I stopped
• 53:50
  Speaker 1: communicating with him and continue to live my life like
• 53:53
  Speaker 1: it was Golden. Never paid this dude any mind. But
• 53:56
  Speaker 1: from the time I started doing the Breakfast Club, in
• 53:58
  Speaker 1: various times over the past nine years, any chance he's
• 54:00
  Speaker 1: gotten to take a shot at me or kick my back,
• 54:03
  Speaker 1: you know, block a bag on an opportunity, Oh, he's
• 54:05
  Speaker 1: took it, Envy. Do you remember when we first started
• 54:07
  Speaker 1: the Breakfast Club nine years ago? Yes? Did Kevin Hunter
• 54:10
  Speaker 1: not reach out to you? Yes? He did. What do
• 54:12
  Speaker 1: you say? He said, you a fake, maxstabber, disloyal, a sucker,
• 54:18
  Speaker 1: short and gay. Shut up. Why I knew you gonna
• 54:24
  Speaker 1: add something. I just knew it. I told you what
• 54:25
  Speaker 1: he said to me, right what he said. I ran
• 54:27
  Speaker 1: into him in Wendy in an event and it was
• 54:29
  Speaker 1: before I even knew we were doing a breakfast club. Okay,
• 54:31
  Speaker 1: I never told you this story. I don't remember. And
• 54:33
  Speaker 1: I ran into them and this was before we even
• 54:35
  Speaker 1: had the breakfast club. This is when I had an
• 54:36
  Speaker 1: offer to do a morning show in Philly and he said,
• 54:39
  Speaker 1: I heard you got it an offer in Philly. They said,
• 54:41
  Speaker 1: don't take that off away for New York. And then
• 54:43
  Speaker 1: he said watch out for Charlemagne though, because he can't
• 54:47
  Speaker 1: be trusted, and he is. What did they say? They
• 54:51
  Speaker 1: said that you're all you care about is yourself and
• 54:53
  Speaker 1: then he'll stab you in the back. Okay, okay, and
• 54:56
  Speaker 1: that you're short and game shut up waited. I knew
• 55:02
  Speaker 1: what was coming anyway. All that is true except for
• 55:07
  Speaker 1: the gay part. And it was a producer who wanted
• 55:10
  Speaker 1: to do a TV show with me once. He wanted
• 55:12
  Speaker 1: to do it through Deathbo Mercury, which is the production
• 55:14
  Speaker 1: company one of these daytime talk show and syndicated through
• 55:17
  Speaker 1: keV blocked that, but I knew that was gonna happen.
• 55:19
  Speaker 1: I remember once he called my cousin Dana's who's my
• 55:21
  Speaker 1: cousin Dana to threaten me physically for no damn reason
• 55:23
  Speaker 1: at all. What I'm trying to tell you is this
• 55:25
  Speaker 1: man has actively tried to take my head off every
• 55:28
  Speaker 1: chance he gets. But last year it got really bad.
• 55:31
  Speaker 1: See if anyone wants to know why I really don't
• 55:33
  Speaker 1: rock with Calvin Hunter, look no further than an interview
• 55:36
  Speaker 1: his former artist who lived with him all last year
• 55:39
  Speaker 1: named Avion Foster did with Tasha Kay. Now, if you
• 55:42
  Speaker 1: don't know who Avion is, he's a singer who used
• 55:44
  Speaker 1: to be signed to Kelvin and he claims he was
• 55:46
  Speaker 1: sexually abused by Kelvin Hunter. His words, not mine. Let's listen.
• 55:52
  Speaker 1: He came over and practically raped me. He came over
• 55:54
  Speaker 1: three o'clock in the morning. I knew he was high,
• 55:57
  Speaker 1: come over, like, pull back the covers. I sleep naked,
• 56:01
  Speaker 1: and I just used to stay in the condo in Futley,
• 56:02
  Speaker 1: New Jersey. Now, mind you, I just did the number two.
• 56:06
  Speaker 1: I just didn't. But he didn't care about that. He
• 56:07
  Speaker 1: ate me in me and didn't put his excuse me,
• 56:12
  Speaker 1: excuse excuse me in less than thirty seconds, and while
• 56:16
  Speaker 1: he was stroking, he was like, yeah, this is Brownsville. Yeah, now,
• 56:21
  Speaker 1: I don't bring Brooklyn into this. Now. I don't know.
• 56:25
  Speaker 1: I don't know if those allegations are true or not.
• 56:27
  Speaker 1: But if they are, just no, Kelvin is really putting
• 56:29
  Speaker 1: the brown in Brownsville. If it is and he doesn't
• 56:32
  Speaker 1: last long at all. That's terrible. Listen, man, nothing puts
• 56:35
  Speaker 1: the brown in Brownsville like a dudoo. Stay Danis, Now
• 56:43
  Speaker 1: that's the foster. Remember remember last year, last summer, when
• 56:47
  Speaker 1: the narrative was being created that I was a rapist,
• 56:49
  Speaker 1: a sexual predator, all based off an old charge that
• 56:52
  Speaker 1: I had in two thousand and one of criminal sexual conduct,
• 56:54
  Speaker 1: which I've always spoken about, wrote about it in my book.
• 56:57
  Speaker 1: You know, uh, you know, never hit it from any body,
• 57:00
  Speaker 1: talked about this charge like I talked about all my
• 57:02
  Speaker 1: other charges. Now, this charge was dismissed and expunge from
• 57:05
  Speaker 1: my record simply because I took a DNA test and
• 57:08
  Speaker 1: because the young woman didn't want to cooperate. If you
• 57:10
  Speaker 1: take a DNA test and your DNA is not found
• 57:12
  Speaker 1: in a woman's rape kid, then that's usually what happened.
• 57:14
  Speaker 1: Your charges get dismissed. That was my case, But that
• 57:17
  Speaker 1: didn't stop a narrative from being painted, especially when you
• 57:19
  Speaker 1: couple that with old inappropriate jokes that I made when
• 57:22
  Speaker 1: I was younger on the Breakfast Club and take conversations
• 57:25
  Speaker 1: about rape culture that I had on my podcast out
• 57:27
  Speaker 1: of contact. You put out of context. You put that
• 57:29
  Speaker 1: with this young lady's side of the story, easy to
• 57:32
  Speaker 1: paint the narrative that Charlomagne is a rapist, especially in
• 57:34
  Speaker 1: this era and this times up Me Too movement. You
• 57:37
  Speaker 1: can vandalize someone's perception, you can do some damage to
• 57:40
  Speaker 1: their business. And that's exactly allegedly what Kelvin Hunt tried
• 57:44
  Speaker 1: to do to me. I knew this, but Avion Foster,
• 57:46
  Speaker 1: who lived with Kelvin last year, confirmed it with Tasha
• 57:49
  Speaker 1: k Let's listen to that Kelly behind the whole thing
• 57:52
  Speaker 1: because of some beast Nikky got with Charlomagne. Charlomagne. Don't
• 57:55
  Speaker 1: even know what Nicky mad about. But when I was
• 57:57
  Speaker 1: at Kevin's office sitting between sitting back and forth between them,
• 58:00
  Speaker 1: just like this, Okay, I was like, why are you
• 58:02
  Speaker 1: doing this? May he said, sometimes you're just going to
• 58:04
  Speaker 1: do so for the family. Man. Now you're talking about
• 58:06
  Speaker 1: the allegations involving Charlomagne reappeared yeah, via media okay of
• 58:13
  Speaker 1: him supposedly raping. Okay, they didn't know that I was
• 58:17
  Speaker 1: there when Phil was called. Bill is Kevi's assistant, somebody
• 58:20
  Speaker 1: who works with kid. But I was. I was there
• 58:22
  Speaker 1: when I was on tour, go on the windy tour.
• 58:24
  Speaker 1: Kevin was right on the phone this girl and her
• 58:26
  Speaker 1: people organizing the story. Now, my lawyer served Calvin Hunter
• 58:30
  Speaker 1: last summer and his publicist Danny a story because I
• 58:32
  Speaker 1: was getting calls from blogs and other radio stations telling
• 58:34
  Speaker 1: me Danny a story. Who is their publicist was calling
• 58:37
  Speaker 1: around on behalf of Calvin Hunter trying to set up
• 58:39
  Speaker 1: interviews for the young woman accusing me a rape. Let
• 58:42
  Speaker 1: me tell you how dumb Kelvin is. I served Danny
• 58:44
  Speaker 1: a story at first, and the lawyer responded saying she
• 58:46
  Speaker 1: represents Danny a story and Kelvin Hunter a hit dog
• 58:50
  Speaker 1: will hallowey. Then Calvin's lawyer sent me a season desist
• 58:52
  Speaker 1: telling me to stop talking about Kevin. I hadn't even
• 58:54
  Speaker 1: started talking about him yet, but I am talking now.
• 58:57
  Speaker 1: And salute to Philip Jordan as well aka phil Gates.
• 59:00
  Speaker 1: Feel you allegedly with helping keV with this feelers like
• 59:02
  Speaker 1: four hundred pounds. I think keV promised some gasper bypassed
• 59:05
  Speaker 1: a light bulb or something, but in typical Kelvin fashion,
• 59:07
  Speaker 1: he didn't keep his word on that. He'd rather spend
• 59:09
  Speaker 1: that money on his side chick barter or Ferrari is
• 59:12
  Speaker 1: a push president. But that car, according to The Daily Mail,
• 59:15
  Speaker 1: got repossessed the day after Wendy announced the divorce. You
• 59:17
  Speaker 1: know you can't afford those type of toys, keV all right,
• 59:19
  Speaker 1: you could have gave that money to fail to have
• 59:21
  Speaker 1: his surgery. Instead of the repot man taking the Ferrari away,
• 59:24
  Speaker 1: the doctors could have taken phil stomach away. But that
• 59:28
  Speaker 1: is why we are here today. We are here to
• 59:29
  Speaker 1: talk about this restaurant called the Common Cafe, were there
• 59:32
  Speaker 1: are no menus. You get served what you deserve, and
• 59:34
  Speaker 1: kef you deserve everything that's happening to you right now
• 59:37
  Speaker 1: because you do understand everything that you attempt to do
• 59:39
  Speaker 1: to someone has already been done to you. Let me repeat,
• 59:42
  Speaker 1: whatever negative you are trying to do to someone has
• 59:45
  Speaker 1: already been done to you. You was so busy trying
• 59:48
  Speaker 1: to get me fired, and look, according to People magazine,
• 59:51
  Speaker 1: Wendy William's husband soon to be ex wife, Kelvin Hunt,
• 59:55
  Speaker 1: is being fired as her manager and executive producer of
• 59:58
  Speaker 1: the TV show Amid Just Divorce. Kelvin, You're so busy
• 1:00:01
  Speaker 1: trying to cress others that you ended up cressing yourself.
• 1:00:03
  Speaker 1: Did you really think you could go around treating people
• 1:00:05
  Speaker 1: the way you treat them and not suffing any consequences
• 1:00:07
  Speaker 1: from the universe all these years. The sad part is
• 1:00:10
  Speaker 1: you treat everybody like Doodoo. But the one person you
• 1:00:14
  Speaker 1: treat like Doodoo that you should never treat like Doodoo
• 1:00:16
  Speaker 1: is your soon to be ex wife. Bro, you are
• 1:00:19
  Speaker 1: nothing without her. I know it hurts from people walk
• 1:00:21
  Speaker 1: up to y'all and say we love you Wendy Williams
• 1:00:23
  Speaker 1: and you don't hear him say Wendy Williams hunters, but
• 1:00:25
  Speaker 1: nobody cares about no damn hunters. Hunting season is over all, right,
• 1:00:28
  Speaker 1: do you think people give a damn? If Wendy's last
• 1:00:30
  Speaker 1: name is Hunter, you should have took the last name Williams.
• 1:00:34
  Speaker 1: All right. If you think people didn't respect you when
• 1:00:36
  Speaker 1: you was with Wendy, how do you think they're gonna
• 1:00:39
  Speaker 1: feel about you now? Okay? All the more reason you
• 1:00:42
  Speaker 1: should have been kissing Wendy's feet and not Sharena Hudson's ass. Okay.
• 1:00:46
  Speaker 1: This is why from now on, Calvin Hunter from Brownsville
• 1:00:49
  Speaker 1: will be known as Doodoo brown Listen, not because of
• 1:00:56
  Speaker 1: the gay allegations. From Avion Foster. I don't weaponize gayness
• 1:00:59
  Speaker 1: because gayness is not to be weaponized. If he's allegedly bisexual,
• 1:01:02
  Speaker 1: that's his business. I don't give a damn. We call
• 1:01:04
  Speaker 1: him Dudu Brown because he's always doing way too much.
• 1:01:07
  Speaker 1: All right, I introduce you to Sharna Hutson back in
• 1:01:09
  Speaker 1: the day. I don't remember the year, and in typical
• 1:01:11
  Speaker 1: Kelvin Hunter fashion, he started doing too much, made Sharna
• 1:01:14
  Speaker 1: twelve years of side chick, using his allowance that he
• 1:01:16
  Speaker 1: gets from Wendy to help her live the lavish life,
• 1:01:19
  Speaker 1: had a baby with her, and that ultimately cost you
• 1:01:21
  Speaker 1: your marriage and every valuable, genuine relationship that you add
• 1:01:24
  Speaker 1: in your life. He threw it all the way for
• 1:01:26
  Speaker 1: a woman that wasn't your wife. If you are not
• 1:01:28
  Speaker 1: the epitome of doing too much, I don't know what is.
• 1:01:30
  Speaker 1: And it's only a matter of time before Sharena leaves you. Oh,
• 1:01:33
  Speaker 1: don't think she's staying around Wendy, not taking care of
• 1:01:35
  Speaker 1: y'all no more. Okay, whatever you get from Wendy, Sharena
• 1:01:38
  Speaker 1: gonna get a bunch of that in child support. Oh
• 1:01:40
  Speaker 1: wait for it, it's coming, all right, same thing you
• 1:01:42
  Speaker 1: did to Wendy Sharina gonna do to you with another man, guaranteed.
• 1:01:45
  Speaker 1: But I just want to say, Kelvin, I wish you
• 1:01:48
  Speaker 1: the best. I really do. He's a hurt person, and
• 1:01:50
  Speaker 1: hurt people hurt people. Kelvin needs healing, and we all
• 1:01:53
  Speaker 1: know if you don't heal would hurt you. You'll bleed
• 1:01:55
  Speaker 1: on people who didn't cut you. All you do is
• 1:01:58
  Speaker 1: bleed on people who have never cut you. Wendy didn't
• 1:02:00
  Speaker 1: cut you, You bled on her. Charlemagne didn't cut you,
• 1:02:03
  Speaker 1: You bled on me. Avion. Well, if what he says,
• 1:02:08
  Speaker 1: it's true, y'all cut each other and there probably was blood,
• 1:02:10
  Speaker 1: but that's neither hitting nor there. I pray that you
• 1:02:12
  Speaker 1: find some healing, and this is not the legacy you
• 1:02:15
  Speaker 1: leave for your son or your daughter. Sir, get on
• 1:02:18
  Speaker 1: your knees and repent for your sins. Get your soul right,
• 1:02:21
  Speaker 1: nor to therapy. I saw your lame ass apology yesterday
• 1:02:24
  Speaker 1: that you didn't write, but understand that the best apology
• 1:02:26
  Speaker 1: will always be changed behavior, and I just don't see
• 1:02:29
  Speaker 1: you changing. But I hope for the sake of your
• 1:02:31
  Speaker 1: kids you do. My brothers out there, do right by
• 1:02:35
  Speaker 1: your wives, especially when your wife is the primary bread winner. Guys,
• 1:02:39
  Speaker 1: this is yet another example of no good coming to
• 1:02:41
  Speaker 1: a man because he didn't do right by his wife.
• 1:02:44
  Speaker 1: Black men don't cheat. And it's very important to note
• 1:02:47
  Speaker 1: that Kelvin Hunter aka Doodo Brown was raised in Brownsville,
• 1:02:51
  Speaker 1: but he was born in Canada. Okay. The moral of
• 1:02:54
  Speaker 1: the story is, Kelvin never bite the hand that feeds
• 1:02:59
  Speaker 1: your side. Chick. Please let rimmy give Calvin hunt to
• 1:03:01
  Speaker 1: the biggest he haw he haw he Uh, you're stupid? Mother?
• 1:03:06
  Speaker 1: Are you dumb? Breaking news too? But just justin wasn't
• 1:03:10
  Speaker 1: extended dunk when it rangs it? Purse? What what what? Allegedly? Okay,
• 1:03:15
  Speaker 1: the man accusing Calvin Huntter of sexual assault, Avion Foster,
• 1:03:19
  Speaker 1: is pregnant. I don't know if you shut up, man,
• 1:03:23
  Speaker 1: shut up. I don't know if just the truth. It
• 1:03:25
  Speaker 1: just came across the water. You're stupid. He just came
• 1:03:28
  Speaker 1: across the water. Originally, he's really born in Toronto, Black Canada. Okay,
• 1:03:33
  Speaker 1: Canadian black men don't count. You're borning. I don't know
• 1:03:36
  Speaker 1: if you want to try to just made that. I didn't.
• 1:03:38
  Speaker 1: I saw that on somewhere the same source I got
• 1:03:40
  Speaker 1: from Amon Foster to being pregnant stupid man by Calvin.
• 1:03:44
  Speaker 1: He pulled out definitely one time for dude Brown. When
• 1:03:48
  Speaker 1: you see him in the streets, say what's up, dud
• 1:03:50
  Speaker 1: Brown from Brownsville. All right, keep it like. We have
• 1:03:58
  Speaker 1: more coming up next. It's to breakfast Breakfast Club. Wanted.
• 1:04:03
  Speaker 1: Everybody's DJ Envy and July Yee, Charlomagne the guy. We
• 1:04:07
  Speaker 1: are to Breakfast Club. We got a special guests in
• 1:04:09
  Speaker 1: the building. Monica. Why you got your ankle still hurt? Actually,
• 1:04:14
  Speaker 1: my feet hurt a lot today. Okay, it's no joke,
• 1:04:17
  Speaker 1: though I got three screws in one foot. Damn. I'm
• 1:04:20
  Speaker 1: just coming out of the boot. Real good. I was in.
• 1:04:22
  Speaker 1: I was in the hospital. Were eight days wow angle surgery. No,
• 1:04:26
  Speaker 1: I had a double bunyon ectomy where they removed the
• 1:04:29
  Speaker 1: bone out of both feet. Oh and it's hereditary, it's
• 1:04:33
  Speaker 1: not elective. So you didn't fall, you didn't hurt it
• 1:04:36
  Speaker 1: that I've been I've been trying to ignore that thing
• 1:04:39
  Speaker 1: for the longest because it takes you out of work.
• 1:04:41
  Speaker 1: You know, I'm not really with being taken out of work.
• 1:04:44
  Speaker 1: That means no check and you're spending money because you're
• 1:04:47
  Speaker 1: in the hospital. So, Nah, this wasn't something I could
• 1:04:50
  Speaker 1: put off any longer. It was to the point where
• 1:04:52
  Speaker 1: when I come off stage sometime they have to like
• 1:04:54
  Speaker 1: have a seat there and bring me other shoes. And
• 1:04:57
  Speaker 1: it was just getting to be ridiculous. I was gonna
• 1:04:59
  Speaker 1: have my my corn surgically removed. But that didn't hurt.
• 1:05:04
  Speaker 1: Yes it does, because they got to cut you open
• 1:05:05
  Speaker 1: and shave the bone. What I'm saying, the coins they're
• 1:05:08
  Speaker 1: just ugly. They don't they hurt because they rub against
• 1:05:11
  Speaker 1: your shoe. Maybe get a bigger shoes side, man, even
• 1:05:13
  Speaker 1: when you do that. I had a terrible cornback. Friction
• 1:05:16
  Speaker 1: is never good, man. That that sounds like a fire.
• 1:05:18
  Speaker 1: So I had them shaved off, so I was good. Okay, Yeah,
• 1:05:21
  Speaker 1: see this is totally different. They take a piece out. Yeah,
• 1:05:24
  Speaker 1: they take a piece out, and it's not something you
• 1:05:27
  Speaker 1: can see from looking at the foot And you almost
• 1:05:29
  Speaker 1: had a scroll during the surgery. No, that happened because
• 1:05:32
  Speaker 1: I have hoigh blood pressure and so I haven't been
• 1:05:35
  Speaker 1: maintaining it the way I was supposed to, and so
• 1:05:38
  Speaker 1: when they put me under, that's when all of that
• 1:05:41
  Speaker 1: started happened. Do you know your body responds differently once
• 1:05:43
  Speaker 1: you sleep. So when they cut into the first foot,
• 1:05:46
  Speaker 1: that's when my top numbers started rising. And that's what
• 1:05:49
  Speaker 1: creates a stroke. You got blood pressure. Who getting one
• 1:05:52
  Speaker 1: on the nerves? Moth where you want me to start,
• 1:05:58
  Speaker 1: where you want me to start. But that's hereditary too.
• 1:06:01
  Speaker 1: Everyone all four of my grandparents, both of my parents,
• 1:06:04
  Speaker 1: Mama and Daddy. It's hereditary. People think if you're not
• 1:06:07
  Speaker 1: three hundred pounds, it's not possible. They look at me
• 1:06:09
  Speaker 1: and like, how you get that? Well, how you eat?
• 1:06:12
  Speaker 1: In addition to the fact that it's hereditary. And then
• 1:06:16
  Speaker 1: I still live in Georgia. In Georgia have to do
• 1:06:19
  Speaker 1: it everything like dealing with like racism kind of to
• 1:06:22
  Speaker 1: give you hop blood pressure. Oh the food, yes, oh
• 1:06:25
  Speaker 1: yeah yeah. I was in Hawkinsville yesterday. It's that racism.
• 1:06:30
  Speaker 1: I'm just like now, I just said outside you were smart. God,
• 1:06:38
  Speaker 1: I'm tired. I just got back from Georgia yesterday. You know.
• 1:06:40
  Speaker 1: They gave me for lunch fried chicken yes, macaronia, some
• 1:06:44
  Speaker 1: dressing yes, and some thin bread toades. I was like,
• 1:06:49
  Speaker 1: goddamn because it was somebody auntie. No, you wanted to
• 1:06:53
  Speaker 1: eat it because it looked period I had to kind
• 1:06:56
  Speaker 1: of like acclimate myself to just control. And then two
• 1:07:02
  Speaker 1: I had to learn to I just started, um like
• 1:07:05
  Speaker 1: having massages, facials, go somewhere by myself. This all just
• 1:07:09
  Speaker 1: started over the last year. I never did that before ever. Really, No,
• 1:07:14
  Speaker 1: he can't even believe I don't have a nanny. She
• 1:07:18
  Speaker 1: got a bunch of kids. She traveled everywhere and go
• 1:07:20
  Speaker 1: to the game. Take I'm like, you do boy yourself
• 1:07:22
  Speaker 1: to take him to score. Though my kids are a
• 1:07:25
  Speaker 1: little five is little. My daughter's five, and she's like
• 1:07:30
  Speaker 1: it's Shannon's face, but she acts just like me. It's scary.
• 1:07:35
  Speaker 1: I have a gun lightnse about twelve. Don't start turning
• 1:07:41
  Speaker 1: in the morning, now you know. Now you know, you
• 1:07:44
  Speaker 1: don't hike it down. What Monique Saint called you? Body
• 1:07:47
  Speaker 1: first Leonard Leonard Leonard, not this morning, okay. But and
• 1:07:57
  Speaker 1: then I have my fourteen year old Rocco is fourteen, um,
• 1:08:01
  Speaker 1: and then my wild child he's eleven, starting tackle football
• 1:08:06
  Speaker 1: and all this other stuff. He's the one that you
• 1:08:08
  Speaker 1: have to keep both eyes on. Literally. Romello is the
• 1:08:12
  Speaker 1: busiest he's but he is the one that enjoys trying
• 1:08:16
  Speaker 1: all things new. You know what I'm saying, so I
• 1:08:18
  Speaker 1: gotta you know, I just gotta do it. I gotta
• 1:08:20
  Speaker 1: do My mom is a help. And when you grow
• 1:08:22
  Speaker 1: up in the South, you see women do what I'm doing.
• 1:08:24
  Speaker 1: That's a that's another learned behavior. Like my grandmother did
• 1:08:28
  Speaker 1: everything for all of us. I don't think we have
• 1:08:30
  Speaker 1: fast food until she was older, like sickly, you know,
• 1:08:34
  Speaker 1: like we really grew up seeing it that way. So
• 1:08:37
  Speaker 1: that's all I knew. You do too much that not
• 1:08:39
  Speaker 1: only that, you got your own label now, so you
• 1:08:41
  Speaker 1: gotta run your own label. Stress, yeah, because every day
• 1:08:45
  Speaker 1: I'm getting these alerts where the funds are depleting as
• 1:08:49
  Speaker 1: I pay for things, as we move around. You know what,
• 1:08:53
  Speaker 1: I was on that one contract the whole time. Wow. Yeah,
• 1:08:56
  Speaker 1: people thought it was like, you know, the labels were changing.
• 1:08:59
  Speaker 1: So when you see it says Rowdy, then it says Arista,
• 1:09:02
  Speaker 1: Dennis says Jay. People don't realize that still was all
• 1:09:05
  Speaker 1: the transitions of the company, not me. You know, I
• 1:09:08
  Speaker 1: wasn't leaving. I was there the whole time. So when
• 1:09:11
  Speaker 1: it ran out, I just pretty much said, let's try
• 1:09:13
  Speaker 1: something different. You know who gave me a lot of
• 1:09:15
  Speaker 1: insight on what it would be like, and she lives
• 1:09:18
  Speaker 1: an incredible life because of it. Is Anita Baker. Wow,
• 1:09:21
  Speaker 1: she broke it down, numbers to the I'm talking about
• 1:09:24
  Speaker 1: every bit of the science of being independent. And she's like,
• 1:09:28
  Speaker 1: you know, they said what they want about me. I
• 1:09:30
  Speaker 1: cleared these millions and go home. But there is a
• 1:09:34
  Speaker 1: part of the stages of starting it that's completely different.
• 1:09:37
  Speaker 1: You know, putting the record out. I was just like,
• 1:09:40
  Speaker 1: what we pay for that? I thought that just was
• 1:09:42
  Speaker 1: gonna do that because I've been around forever. No, you
• 1:09:45
  Speaker 1: pay for every step of it, every stage of it,
• 1:09:47
  Speaker 1: for videos, ads, radio, everything. People think it just happens.
• 1:09:52
  Speaker 1: It does not just happen. And don't let's not get
• 1:09:55
  Speaker 1: into features. But a lot of people people for free.
• 1:10:00
  Speaker 1: You still gotta clear, okay, and if they're signing to
• 1:10:02
  Speaker 1: somebody else, they have nothing to do with that. So
• 1:10:05
  Speaker 1: you know, it's not fees. Nobody's like charging me fees
• 1:10:08
  Speaker 1: or anything. But it's like when it's time to clear
• 1:10:10
  Speaker 1: it and put it out, then when you shoot your video,
• 1:10:11
  Speaker 1: you gotta take good care of them, you know the
• 1:10:14
  Speaker 1: same thing I will require and makeup your clothes, your flights,
• 1:10:18
  Speaker 1: your crew, your food, your rider, all that one single.
• 1:10:23
  Speaker 1: Congratulations commitment, second week in a row. Wow, Yeah, how
• 1:10:27
  Speaker 1: did you feel when you got that number one? As
• 1:10:28
  Speaker 1: an independent artist? It was way different. It was. It
• 1:10:33
  Speaker 1: was as huge to me as being thirteen years old
• 1:10:37
  Speaker 1: and a record go number one, and you're coming from
• 1:10:39
  Speaker 1: somewhere where they're telling you like, oh, that's impossible. You
• 1:10:42
  Speaker 1: should do something else. You're not gonna make it doing that.
• 1:10:44
  Speaker 1: You know, this feels like that. This feels like that
• 1:10:47
  Speaker 1: all over again. All right, we get them more with
• 1:10:49
  Speaker 1: Monica when we come back, don't move. It's to Breakfast
• 1:10:51
  Speaker 1: Club morning. Everybody is DJ MV and July Yee, Charlemagne
• 1:10:56
  Speaker 1: the guy. We are the Breakfast Club. We're still kicking
• 1:10:57
  Speaker 1: it with Monica, and let's talk about commitment. Commitment is
• 1:11:00
  Speaker 1: one of those records. Is a lot of feeling in commitment. Yes, yes, absolutely,
• 1:11:06
  Speaker 1: I'm a girl that likes being committed. I enjoyed being
• 1:11:09
  Speaker 1: with one person. You know what I'm saying. That's how
• 1:11:11
  Speaker 1: I'm able to you know how some people are like,
• 1:11:13
  Speaker 1: oh god, you again, that's not That's not me. I
• 1:11:17
  Speaker 1: really enjoyed being with one person. I really don't have
• 1:11:20
  Speaker 1: the patience for multiple people. That's what I was just
• 1:11:22
  Speaker 1: telling this girl earlier, like, I don't know what Dayton
• 1:11:25
  Speaker 1: even is because for real, for real, if I like somebody,
• 1:11:29
  Speaker 1: they're really the only person that I want to interact with.
• 1:11:32
  Speaker 1: I don't know how to, you know how some people
• 1:11:34
  Speaker 1: say it's important that you get out and you mix
• 1:11:37
  Speaker 1: with you know, several people see what you like. Listen.
• 1:11:40
  Speaker 1: I already know what the hell I like, and I
• 1:11:42
  Speaker 1: know when I don't like it, you know. So it's like,
• 1:11:44
  Speaker 1: if it's somebody that I meet, I enjoy being committed
• 1:11:48
  Speaker 1: to one person. And that's all the song was about.
• 1:11:50
  Speaker 1: Because we were talking about in the studio, how now
• 1:11:53
  Speaker 1: it's so casual, you know what I'm saying. How did
• 1:11:56
  Speaker 1: Shannon Brown stop sat in the room a couple of times?
• 1:12:01
  Speaker 1: I said, I don't know what he doing. He needed
• 1:12:02
  Speaker 1: to be on his knees, began Monica to get back
• 1:12:04
  Speaker 1: to him. Only because we look at you in that
• 1:12:06
  Speaker 1: light like you're fly woman, Like well, I appreciate that.
• 1:12:11
  Speaker 1: I mean, I feel like we were married were almost
• 1:12:15
  Speaker 1: nine years, and I think life changes really got the
• 1:12:18
  Speaker 1: best of both of us at times. You know, I
• 1:12:20
  Speaker 1: take accountability for what my party is. I'm a very
• 1:12:24
  Speaker 1: outspoken woman. You know, and I'm learning how to be
• 1:12:29
  Speaker 1: more of a listener, you know, than just speaking what
• 1:12:32
  Speaker 1: I feel. Because he also went through a lot of
• 1:12:35
  Speaker 1: different life changes. You know, he survived a major car accident,
• 1:12:38
  Speaker 1: but that also changed the course of you know, what's
• 1:12:41
  Speaker 1: happening career wise, So he planned Big three doing other stuff.
• 1:12:44
  Speaker 1: And I think that it took a toll because I
• 1:12:48
  Speaker 1: probably didn't have enough around us to help us just
• 1:12:52
  Speaker 1: facilitate what needed to happen. But you know, it is
• 1:12:55
  Speaker 1: what it is. The voice is not being easy. But
• 1:12:58
  Speaker 1: one thing about me, I'm gonna respect to the death.
• 1:13:00
  Speaker 1: Though I don't hate him. I think there's a difference
• 1:13:03
  Speaker 1: when you walk away from something and you're real mad,
• 1:13:07
  Speaker 1: you know what I'm saying. I was, I mean, I
• 1:13:08
  Speaker 1: know it wasn't knowing for delay because black men don't cheat,
• 1:13:10
  Speaker 1: So I figured that. Damn, I don't even know why
• 1:13:12
  Speaker 1: y'all keep this going. That's just foolish. What not the
• 1:13:16
  Speaker 1: Shannon part, the black men don't cheat part, it's just foolish?
• 1:13:20
  Speaker 1: What is him? Listen? Him and douvall both out of
• 1:13:25
  Speaker 1: control of this old black men don't cheat thing we do.
• 1:13:28
  Speaker 1: Because I've never dated no other race. So you really
• 1:13:30
  Speaker 1: don't want me to get in on this black man
• 1:13:32
  Speaker 1: little black boys. Oh so you're saying men don't. Oh
• 1:13:37
  Speaker 1: that's a quick flip. You should, you should, You should
• 1:13:42
  Speaker 1: definitely write song. You fixed that quick before my auntie
• 1:13:48
  Speaker 1: neck and sht coming out. You fixed that real fast.
• 1:13:54
  Speaker 1: Leaving the league? Did that affect when he got injured?
• 1:13:56
  Speaker 1: Because if you do something since you were five years old,
• 1:13:59
  Speaker 1: play basketball, Yeah, and now all of a sudden you can't.
• 1:14:01
  Speaker 1: That had to have an effect on a relationship too.
• 1:14:03
  Speaker 1: Oh absolutely, yeah. Any I mean you you got a
• 1:14:06
  Speaker 1: factor all of that in you know what I'm saying.
• 1:14:08
  Speaker 1: And then when you got children, we're not just working
• 1:14:12
  Speaker 1: for ourselves, you know, he and I both are working
• 1:14:15
  Speaker 1: to make sure that they have everything that they need,
• 1:14:18
  Speaker 1: and you establish a lifestyle for them. You don't want
• 1:14:20
  Speaker 1: that to ever have to change. So of course, how
• 1:14:23
  Speaker 1: do you know when it's old? Because I'm thinking about
• 1:14:24
  Speaker 1: it from the perspective I'm a married man, Like I
• 1:14:26
  Speaker 1: didn't know when it's over, like you know what, Like
• 1:14:28
  Speaker 1: we can't even just go into other room and then
• 1:14:30
  Speaker 1: talk about this later like it's done done. I don't
• 1:14:33
  Speaker 1: think you ever get to a point where you understand
• 1:14:36
  Speaker 1: that that is the case. I think actions start to
• 1:14:40
  Speaker 1: show that that has come to an end more than
• 1:14:43
  Speaker 1: anything to me. But I do remember feeling like, why
• 1:14:48
  Speaker 1: can't we get along, Why can't we figure this one
• 1:14:52
  Speaker 1: situation in particular out? Why is that repetitively happening? That
• 1:14:57
  Speaker 1: is what's stood out more to me than anything else,
• 1:15:00
  Speaker 1: because I definitely feel like that will always be somebody
• 1:15:04
  Speaker 1: that I love and see. To me, it's weird when
• 1:15:07
  Speaker 1: I see people they spend all these years together and
• 1:15:11
  Speaker 1: then when they're apart, everything that comes out of your
• 1:15:13
  Speaker 1: mouth is negative. Yeah, I just don't feel like that
• 1:15:16
  Speaker 1: about Shannon. I think people are waiting for this moment
• 1:15:19
  Speaker 1: where what she gonna say, What's gonna happen? It was
• 1:15:22
  Speaker 1: the same thing being on TV at the same time.
• 1:15:24
  Speaker 1: I'm like, I honestly don't feel like that, you know,
• 1:15:27
  Speaker 1: and I feel like we do our kids and injustice
• 1:15:31
  Speaker 1: when you're running around talking about the person that is
• 1:15:34
  Speaker 1: a part of them even walking the earth, Like that's
• 1:15:36
  Speaker 1: crazy to me. So my whole way of looking at
• 1:15:38
  Speaker 1: stuff is so different than most people. But I think
• 1:15:40
  Speaker 1: what happens is when you realize you're not finding a
• 1:15:43
  Speaker 1: way to work through things. That's more what happened than
• 1:15:47
  Speaker 1: anything else. The hard of all I gotta be the
• 1:15:49
  Speaker 1: five year old, your daughter, the co parenting, right, No,
• 1:15:52
  Speaker 1: the hard part is with all three of them, he'd
• 1:15:55
  Speaker 1: been in their lives since they were what three and five,
• 1:15:58
  Speaker 1: if not younger than that, you know, so it's hard
• 1:16:01
  Speaker 1: with every single one of them. There's no difference because
• 1:16:04
  Speaker 1: biologically they aren't related to him. You've been in a
• 1:16:07
  Speaker 1: home with this man nine years when they started picking
• 1:16:10
  Speaker 1: up footballs and basketballs. He was teaching them that stuff.
• 1:16:13
  Speaker 1: You know. They also have a father who plays a
• 1:16:16
  Speaker 1: major part. But it's like, at the end of the day,
• 1:16:18
  Speaker 1: every day they woke up, they woke up with this person.
• 1:16:21
  Speaker 1: So it's difficult with all of them. There's no difference
• 1:16:24
  Speaker 1: just because she's biologically his. And how how was that
• 1:16:27
  Speaker 1: for you? You got a couple of young men that
• 1:16:29
  Speaker 1: you're raising that I'm sure into girls now going out now,
• 1:16:34
  Speaker 1: young black men who don't cheat. You know, they're bringing
• 1:16:38
  Speaker 1: them young girls around the house and all that. As
• 1:16:40
  Speaker 1: Monica pol Charlomne's Mica away from him. Now, how is that?
• 1:16:45
  Speaker 1: It's been amazing? You know, it's been cool. I'll tell
• 1:16:52
  Speaker 1: you what did. There have been a lot of positives
• 1:16:55
  Speaker 1: in the negative. One thing it forced everybody to do
• 1:16:58
  Speaker 1: is to talk. And what's dope is that my son's
• 1:17:00
  Speaker 1: straight up been asking questions. They want to know about everything. Okay,
• 1:17:05
  Speaker 1: so much sex. Well, I don't hide real life, streets, music, sex,
• 1:17:11
  Speaker 1: nothing from my kids. I don't hide my kids from
• 1:17:14
  Speaker 1: it in any way. I teach them. I tell them
• 1:17:16
  Speaker 1: the truth. I use it as teachable moments. It's hard
• 1:17:19
  Speaker 1: for fathers to have, Like I got three girls, it's
• 1:17:21
  Speaker 1: hard for me to have them. Yeah, it's hard for
• 1:17:22
  Speaker 1: me to have those conversations with Well, that's when I
• 1:17:24
  Speaker 1: was a whole in the past life, when I was
• 1:17:28
  Speaker 1: a black boy. God bless your wife, but black man
• 1:17:32
  Speaker 1: that doesn't cheat. You know, those three girls, it's hard
• 1:17:34
  Speaker 1: to have those conversations with them about like sex and
• 1:17:37
  Speaker 1: stuff like my girls is eleven and three. You gotta
• 1:17:39
  Speaker 1: teach about guys like you who who don't think guys
• 1:17:42
  Speaker 1: like me as if you've been missed to clean your
• 1:17:44
  Speaker 1: whole life, change you want to go. I've changed, Oh,
• 1:17:47
  Speaker 1: please not Google. But because I know there creeps out there,
• 1:17:53
  Speaker 1: I know I know what they do, So I try
• 1:17:55
  Speaker 1: to show them who the bad guys are and what
• 1:17:57
  Speaker 1: to look for. I try to do. I wasn't a
• 1:17:59
  Speaker 1: bad guy just a moment. You all just meant we
• 1:18:01
  Speaker 1: were dogs the crackhead bro I was selling Craig. That's
• 1:18:07
  Speaker 1: nah nama nah because because because nah because nah nah
• 1:18:17
  Speaker 1: because you know my history for real, for real and
• 1:18:20
  Speaker 1: nah nah. I was a bartering and Onna was once
• 1:18:25
  Speaker 1: maybe twice it was a bartering. Nah nah because yeah
• 1:18:30
  Speaker 1: because nah nah No. All right, when we come back,
• 1:18:35
  Speaker 1: we got more with Monica. But let's get into a
• 1:18:37
  Speaker 1: Monica minie mix. It's the Breakfast Club the Morning, the
• 1:18:39
  Speaker 1: Breakfast Club. You're kicking out the world's most Dangerous morning show.
• 1:18:46
  Speaker 1: That was a Monica mini mix Morning. Everybody's DJ Envy
• 1:18:51
  Speaker 1: angela Ye Shalomagne to God, and we're still kicking it
• 1:18:54
  Speaker 1: with Monica Shalomagne. Do you think Monica uh gets the
• 1:18:57
  Speaker 1: respect she deserves in the game. You know what I
• 1:19:01
  Speaker 1: can appreciate when I'm present, I do, and that means
• 1:19:05
  Speaker 1: more to me. People still treat me with a certain
• 1:19:08
  Speaker 1: amount of respect that I can appreciate. When it comes
• 1:19:11
  Speaker 1: to the music, absolutely not. I've always been an underdog
• 1:19:15
  Speaker 1: in that sense. It is very easy for people to
• 1:19:20
  Speaker 1: dismiss things that I did at twelve, thirteen, fourteen, fifteen.
• 1:19:24
  Speaker 1: If you listen to why I Love You So Much?
• 1:19:26
  Speaker 1: I sang that at twelve. What at twelve? If you
• 1:19:30
  Speaker 1: can't respect that, I don't get it. You were twelve twelve,
• 1:19:34
  Speaker 1: Damn well. I turned thirteen when just one of them
• 1:19:38
  Speaker 1: days dropped, And by the time the album dropped, they
• 1:19:41
  Speaker 1: had to pull just one of them days off the shelves.
• 1:19:43
  Speaker 1: We were almost the three million singles, so you remember
• 1:19:45
  Speaker 1: them days, but people had a cassette was the actual
• 1:19:48
  Speaker 1: buy it, and so they had to pull it off
• 1:19:51
  Speaker 1: the shelves because the concern with a rowdy and aristat
• 1:19:55
  Speaker 1: at the time. You know, Dallas is the one that
• 1:19:57
  Speaker 1: signed me, and it could have been anybody better to
• 1:20:01
  Speaker 1: have signed me at that age because he treated me
• 1:20:04
  Speaker 1: as his daughter. It was just he never made me
• 1:20:08
  Speaker 1: feel like if she's not selling records, she not important.
• 1:20:12
  Speaker 1: It was always about listening. Are you okay? Is this
• 1:20:16
  Speaker 1: too much? You don't have to do this. Everything about
• 1:20:19
  Speaker 1: who you are is great. Don't let them tell you different.
• 1:20:21
  Speaker 1: If I'm not present to say it for you, you
• 1:20:22
  Speaker 1: say it yourself. And so that outspokenness is actually why
• 1:20:26
  Speaker 1: they titled the first album Miss Thing. So when he
• 1:20:29
  Speaker 1: pulled a single off the shelves, it was because they
• 1:20:31
  Speaker 1: were getting ready to release Miss Thing, and they didn't
• 1:20:33
  Speaker 1: want people to just keep buying the single and not
• 1:20:35
  Speaker 1: buy the album. So what happened was I turned fourteen
• 1:20:40
  Speaker 1: right after the album dropped, but those songs were recorded
• 1:20:43
  Speaker 1: when I was twelve thirteen years old. I gave up
• 1:20:46
  Speaker 1: my whole childhood and never even complained about it. You've
• 1:20:49
  Speaker 1: never heard me sit somewhere like if I could have
• 1:20:51
  Speaker 1: just done this after a better person. No, I'm who
• 1:20:54
  Speaker 1: I'm supposed to be because I did what I was
• 1:20:56
  Speaker 1: supposed to do. And you ain't going crazy either. Thought
• 1:20:59
  Speaker 1: that went crazy? Yeah, I didn't go crazy, and my
• 1:21:02
  Speaker 1: personal life was crazy enough for me to have been great.
• 1:21:05
  Speaker 1: But because of the people that were around me and
• 1:21:07
  Speaker 1: the fact that I never saw the need to step
• 1:21:10
  Speaker 1: outside of who I was to try and sell records.
• 1:21:13
  Speaker 1: And I've just comfortably been in this position for ever,
• 1:21:17
  Speaker 1: like because I know what I've done. But when they
• 1:21:21
  Speaker 1: when I when I found out I was pregnant with
• 1:21:22
  Speaker 1: my second son, they like, it's over now, you you
• 1:21:26
  Speaker 1: you've done a great job. Y'all love you. Yeah, They're
• 1:21:30
  Speaker 1: like yeah, And so I was just like quietly rocking
• 1:21:34
  Speaker 1: my baby, thinking of what I wanted to do because
• 1:21:36
  Speaker 1: I've always been told what I couldn't do and defied
• 1:21:39
  Speaker 1: those odds. So it didn't break me. You know, I'm
• 1:21:41
  Speaker 1: sure most people would have been in depression, but I
• 1:21:44
  Speaker 1: was at home chilling, prepping still Standing, which ended up
• 1:21:46
  Speaker 1: being a huge record for me. People gotta respect the
• 1:21:48
  Speaker 1: music when they come to your shows, though, because it's
• 1:21:51
  Speaker 1: like you gotta be at least twenty songs deep on
• 1:21:54
  Speaker 1: the show. Easily, Yeah, easy, I do six. I love
• 1:21:59
  Speaker 1: you so much and love mine. Don't take it, so gone,
• 1:22:03
  Speaker 1: still standing, so gone everything to me for you. I
• 1:22:06
  Speaker 1: will for you. I will. I've been doing for you.
• 1:22:10
  Speaker 1: I will lately. For a while I was doing it
• 1:22:13
  Speaker 1: for Nipsey and Lauren and we would just take a
• 1:22:15
  Speaker 1: minute and just take like a quiet prayer break, put
• 1:22:17
  Speaker 1: the lights up for a second. You know it just
• 1:22:21
  Speaker 1: songs have marked times in my life, but now the
• 1:22:24
  Speaker 1: lyrics all mean something different. Monica gotta go. Yeah, and
• 1:22:27
  Speaker 1: we need to do a Monica mix this morning. We
• 1:22:28
  Speaker 1: got and you and Zooval need to drop this black
• 1:22:31
  Speaker 1: men don't cheat foolishness unless you're gonna hold seminars. We
• 1:22:35
  Speaker 1: figure out who the men are, separate them for these
• 1:22:37
  Speaker 1: women so that they know where to date, who to date,
• 1:22:41
  Speaker 1: who to meet. Because right now, you guys are just
• 1:22:43
  Speaker 1: aimlessly moving in your movement. You need some counsels, you
• 1:22:47
  Speaker 1: need some boards set up. You know what I'm saying.
• 1:22:50
  Speaker 1: We got the Faithful Black Men Association. It's just about
• 1:22:52
  Speaker 1: changing the narrative. Look looking at you, we do. We
• 1:22:55
  Speaker 1: have a Faithful Black Man Association. Want see my card?
• 1:22:57
  Speaker 1: Let me show you my card. That car label was
• 1:23:00
  Speaker 1: open on Sundays. It is with that card. Is Faithful
• 1:23:03
  Speaker 1: Black Men Association Exclusive members card. Yes, Yes, this car
• 1:23:10
  Speaker 1: represents current membership in the Congregation of Faithful Black Men. Yes,
• 1:23:15
  Speaker 1: man servant, protecting and honoring Hu though all women. Why
• 1:23:19
  Speaker 1: I don't say that. That's something that we know that's
• 1:23:21
  Speaker 1: written in all not hell. No have to be on
• 1:23:24
  Speaker 1: this car because the rest of this ain't even me
• 1:23:26
  Speaker 1: in English. Well that's his ball cold No, this say,
• 1:23:30
  Speaker 1: fittest katies, what is that that means faithful? And um
• 1:23:35
  Speaker 1: whatever language that is, don't really do it do mean
• 1:23:38
  Speaker 1: faith But you see that left too much room for
• 1:23:41
  Speaker 1: your own interpretation. This is I'm gonna tell you and
• 1:23:44
  Speaker 1: do viole this one time and one time organize. Yes,
• 1:23:49
  Speaker 1: your administration. Yes, okay, I agree. First things first, get
• 1:23:54
  Speaker 1: all the men men together. Yes, that that needs to happen.
• 1:23:58
  Speaker 1: We meet up on Sundays where church church where it's
• 1:24:03
  Speaker 1: the secret church. I can't I'm saying too much church
• 1:24:06
  Speaker 1: like Cheetah Church. No, it ain't like Magic City Church.
• 1:24:09
  Speaker 1: I ain't cheated in four years. Is that supposed to
• 1:24:12
  Speaker 1: be a celebration. Yes, listen if I was, If I was,
• 1:24:16
  Speaker 1: so wait how long have you been married? Though? Um? Listen,
• 1:24:20
  Speaker 1: we're talking about particulars. Yeah, we're talking particularly but you
• 1:24:24
  Speaker 1: see what happened. You see what happened. They want to
• 1:24:26
  Speaker 1: talk particulars with me, but they don't want me to
• 1:24:28
  Speaker 1: talk particulars with them. This is the problem right here.
• 1:24:31
  Speaker 1: You take this damn part and you put it when
• 1:24:33
  Speaker 1: the sun don't shine because you ain't figured out what's happening.
• 1:24:35
  Speaker 1: It is administration. I've built my girl for twenty two years.
• 1:24:39
  Speaker 1: We've been married. We've been married. I just died, been kids. Listen,
• 1:24:47
  Speaker 1: I'm gonna say this to missus Charlotte man for you. Okay,
• 1:24:53
  Speaker 1: I will take him out back right now for you.
• 1:24:56
  Speaker 1: But she did her dirt too. Were grown together, you know,
• 1:24:58
  Speaker 1: I just grew up a little lady. You know, men
• 1:25:00
  Speaker 1: mature later than women. But now pay for black man.
• 1:25:03
  Speaker 1: You wouldn't hear a story, wouldn't even think? Please? No,
• 1:25:05
  Speaker 1: do you want to hear a story? Please tell? Please
• 1:25:08
  Speaker 1: tell you ain't got no story? Please please tell me
• 1:25:11
  Speaker 1: Here acting like he just bester cleaning, but I'm just
• 1:25:15
  Speaker 1: don't cheat. Look, he said, he knows I want to
• 1:25:17
  Speaker 1: be quiet. I don't want to be quiet. That's but
• 1:25:20
  Speaker 1: you know what, that's that's key in a successful marriage.
• 1:25:22
  Speaker 1: That is true sometimes yeah, sometimes being quiet? Wait, is
• 1:25:27
  Speaker 1: there a winner and loser in an argument? Goddamn right. No,
• 1:25:30
  Speaker 1: if you're trying to win a lose and you know
• 1:25:34
  Speaker 1: you're yeah, if you're trying to win a lose conversation conversation.
• 1:25:38
  Speaker 1: Conversations are good. And I'm gonna say this flat out, period,
• 1:25:42
  Speaker 1: point blank. And no, we didn't go. Oh, I thought,
• 1:25:45
  Speaker 1: my bad. I'm sorry, trying to keep my hands on myself.
• 1:25:48
  Speaker 1: They listen. Counseling is good, Yes, go to counseling. Please.
• 1:25:55
  Speaker 1: I went as a kid, and it was probably one
• 1:25:57
  Speaker 1: of the best things that my mom could have ever
• 1:25:59
  Speaker 1: done for us when when she divorced my dad, we
• 1:26:02
  Speaker 1: went to counseling and it was it was the best
• 1:26:05
  Speaker 1: thing that could have happened. I go to therapy once
• 1:26:07
  Speaker 1: a week. You need to. But the gentleman Monica, we
• 1:26:12
  Speaker 1: appreciate you joining us. You remember I had to call you.
• 1:26:15
  Speaker 1: It's so inappropriate. His wife is a It wasn't no,
• 1:26:20
  Speaker 1: damn teen years it was like six or seven. I
• 1:26:24
  Speaker 1: called Lion, was like, hey, what CHARLOTMA ain't no, what
• 1:26:27
  Speaker 1: did you say? I don't remember? Yeah, you do? He
• 1:26:29
  Speaker 1: a liar? I am, yes, I don't want to relive
• 1:26:33
  Speaker 1: that old me, like not gonna bring me back? There
• 1:26:39
  Speaker 1: makes me? You know what? But what's scary is I
• 1:26:42
  Speaker 1: actually love Charlemagne. It's so weird. Have I not grown?
• 1:26:46
  Speaker 1: Come on now, no, Lord, No, I listened to you
• 1:26:49
  Speaker 1: all the time. No, you have not tell you you've
• 1:26:52
  Speaker 1: just grown more. What you've done is you've learned how
• 1:26:55
  Speaker 1: to do it so swiftly that most people sitting in
• 1:27:00
  Speaker 1: this chair, I don't know what happens to them. I
• 1:27:02
  Speaker 1: just don't let you get past me. I came in
• 1:27:04
  Speaker 1: here with my work boot song like yeah, yeah, I'm
• 1:27:07
  Speaker 1: waiting on Charlotte b. Let me tell you one time
• 1:27:09
  Speaker 1: I used to have a mattress. Shut up man, and
• 1:27:11
  Speaker 1: it was my I was ten years ago. Okay, I'm
• 1:27:14
  Speaker 1: about to tell my envy story. Then let's go. I
• 1:27:16
  Speaker 1: got it, forget it. Tell you okay, and you ain't
• 1:27:20
  Speaker 1: got a story back? Yes I do, all right? You right?
• 1:27:22
  Speaker 1: Hear me out the Breakfast Club the morning Morning. Everybody
• 1:27:30
  Speaker 1: is DJ Envy Angela Yee, Charlomagne, the guy. We are
• 1:27:34
  Speaker 1: the Breakfast Club. Believe it's on the positive note. Listen
• 1:27:37
  Speaker 1: to positive. Notice this man, If you find a path
• 1:27:39
  Speaker 1: with no obstacles, it probably doesn't lead anywhere. Breakfast Club finishing, y'all.
• 1:27:44
  Speaker 1: Dune