Latest / Luke's English Podcast / XAND AVIÃO_ TARCISIO_ VITOR FERNANDES_ ÁVINE VINNY_ MANIM VAQUEIRO _ JONAS ESTICADO - Podpah _984(M4A_128K)

Transcript

XAND AVIÃO_ TARCISIO_ VITOR FERNANDES_ ÁVINE VINNY_ MANIM VAQUEIRO _ JONAS ESTICADO - Podpah _984(M4A_128K) · Luke's English Podcast

• 0:00
  Speaker 1: In FAM, you don't wait for the future, you live
• 0:02
  Speaker 1: it in practice.
• 0:03
  Speaker 2: Here, you have maximum grade courses at MEC.
• 0:06
  Speaker 3: And the employability of students is priority.
• 0:09
  Speaker 1: You have partnerships with large companies, mandatory internships and technical
• 0:14
  Speaker 1: visits that bring you closer to the job market.
• 0:16
  Speaker 2: Here, you have exclusive opportunities.
• 0:19
  Speaker 1: E falando em oportunidades, quem é aluno fã pode estagiar
• 0:22
  Speaker 1: até no maior podcast do Brasil.
• 0:24
  Speaker 2: E aí, pronto para viver o novo? Inscreva-se já.
• 0:27
  Speaker 4: Fã, seu futuro na prática.
• 0:50
  Speaker 5: Come here, my consecrated. Every day can be a super day.
• 0:53
  Speaker 6: Download the app Superbet.
• 0:54
  Speaker 4: Be super.
• 0:56
  Speaker 6: Sorry for the delay. Where are you?
• 0:58
  Speaker 4: I can't hear you.
• 1:20
  Speaker 2: Help me there.
• 1:20
  Speaker 4: Hey, how are you? How are you, Mítico Jovem? I'm fine,
• 1:23
  Speaker 4: and you, bro? You're starting the show there, how are you?
• 1:25
  Speaker 4: I'm great, and you?
• 1:26
  Speaker 2: It's just that I wasn't listening, so I didn't have the.
• 1:29
  Speaker 4: Reference, bro. Yeah?
• 1:31
  Speaker 6: No, but.
• 1:31
  Speaker 4: No problem, I'm listening to you.
• 1:33
  Speaker 3: I wanted to apologize for the delay for the guys,
• 1:34
  Speaker 3: because we were preparing here, technically, to receive everyone, and
• 1:37
  Speaker 3: this here is going to be fucking awesome.
• 1:39
  Speaker 4: Even because it's a special episode, it's different, we don't
• 1:42
  Speaker 4: do it with so many people, so it's there that
• 1:43
  Speaker 4: the thing is really crazy. How are you?
• 1:45
  Speaker 6: I'm fine, and you? I'm fine, bro. You're beautiful, bro.
• 1:48
  Speaker 4: You too, my Tarzan. Osasquense.
• 1:52
  Speaker 2: My Quindom do Pará.
• 1:52
  Speaker 4: Today the Northeast is at home, damn it.
• 1:55
  Speaker 2: Not only the Northeast, but the North.
• 1:56
  Speaker 4: For sure, damn it.
• 1:57
  Speaker 6: Let's go.
• 1:58
  Speaker 4: Really, today will be very special. Stay there, guys. Seriously.
• 2:00
  Speaker 4: Stay there, because the thing will be good.
• 2:04
  Speaker 7: Look.
• 2:05
  Speaker 3: It's coming out cute, right? Because I hear the mythical,
• 2:08
  Speaker 3: but I don't hear it.
• 2:09
  Speaker 4: Let's go.
• 2:10
  Speaker 6: Let's go.
• 2:10
  Speaker 3: Before presenting our wonderful guests, the young mythical.
• 2:13
  Speaker 2: It's coming out cute, right?
• 2:15
  Speaker 4: There, look.
• 2:16
  Speaker 2: Before our.
• 2:17
  Speaker 6: Is it nice?
• 2:18
  Speaker 4: I'm testing it.
• 2:21
  Speaker 6: Check it out. Check and pre-check.
• 2:23
  Speaker 4: It's working.
• 2:25
  Speaker 6: Alex is a monster.
• 2:27
  Speaker 4: It's live, guys. To prove it's live.
• 2:30
  Speaker 6: 7h42min.
• 2:30
  Speaker 3: Before we introduce our guests, let's talk about our sponsors.
• 2:33
  Speaker 3: Starting with RBNB. It's coming to the end of the year.
• 2:38
  Speaker 3: And with the end of the year, what's coming?
• 2:41
  Speaker 5: Carnival.
• 2:42
  Speaker 3: So let's talk about AirBnB and our group. Can you
• 2:45
  Speaker 3: go a little further back? You're intimidating me with this camera.
• 2:49
  Speaker 3: Our Carnaval group for 2026. Beach or block, in the
• 2:52
  Speaker 3: city or in the field, Rio de Janeiro, Recife or Salvador, USP.
• 2:56
  Speaker 4: You choose. Where are you going at Carnaval, Igor?
• 2:58
  Speaker 2: I'm wanting to go to Bahia, brother.
• 3:01
  Speaker 8: Really?
• 3:01
  Speaker 2: Bahia is different, right?
• 3:02
  Speaker 4: You know that the Canário already invited us. We already
• 3:06
  Speaker 4: have a.
• 3:06
  Speaker 2: Can you handle a Canário popcorn?
• 3:08
  Speaker 4: I can. I can still get a house on Airbnb there, right,
• 3:10
  Speaker 4: my partner?
• 3:11
  Speaker 3: So that's exactly it. Jacuzzi, pool with infinite board.
• 3:15
  Speaker 6: It's only on Airbnb, as.
• 3:16
  Speaker 3: The mythical young man said to you. At the hotel
• 3:18
  Speaker 3: it doesn't give you this comfort, it doesn't give you.
• 3:20
  Speaker 7: Essa liberdade.
• 3:21
  Speaker 6: Essa liberdade.
• 3:22
  Speaker 3: Aí, caralho, que delícia isso, eu me ouvi. Ó, o
• 3:26
  Speaker 3: hotel é muito mais presinho, você tem que.
• 3:27
  Speaker 2: Almoçar, comer, jantar, tudo nas horinhas certas.
• 3:31
  Speaker 3: E no Airbnb, aquela casa é sua durante o tempo
• 3:33
  Speaker 3: que você alugou, então você pode sair da piscina e
• 3:35
  Speaker 3: sentar na cadeira, entrar dentro de casa e fazer uma
• 3:38
  Speaker 3: comida e ficar todo mundo junto e.
• 3:39
  Speaker 2: Dormir naquela resenha. É o melhor caminho pra fazer. É
• 3:41
  Speaker 2: bom demais, né, Mítico Jovem?
• 3:42
  Speaker 4: É bem bem.
• 3:43
  Speaker 3: Então se não criou o seu grupo, não vacila, bora
• 3:46
  Speaker 3: ativar os links dos favoritos da galera. Aproveita que dá
• 3:49
  Speaker 3: pra pagar até seis vezes sem juros ou no Pix.
• 3:52
  Speaker 3: Então fica facinho pra você que quer dividir com os
• 3:55
  Speaker 3: amigos essa viagem, essa experiência maravilhosa.
• 3:58
  Speaker 2: Você já tem um plano pro carnaval, Mítico?
• 4:01
  Speaker 4: Northeast.
• 4:01
  Speaker 2: Life is a box of surprises.
• 4:02
  Speaker 4: It's more northeast, for sure. Beach, sun and joy.
• 4:05
  Speaker 2: And beautiful things, right?
• 4:07
  Speaker 4: Good things.
• 4:08
  Speaker 3: Persianas at home, Mítico Jovem. All our Persianas here at
• 4:11
  Speaker 3: Podpá are from Persianas at home. And I wanted to
• 4:14
  Speaker 3: tell you, if you're in the mood to change the
• 4:17
  Speaker 3: face of your house this end of the year, enjoy it.
• 4:19
  Speaker 7: My God, man.
• 4:35
  Speaker 3: There are some places where you get a service, and
• 4:38
  Speaker 3: when you get there, the guy says, no, but the
• 4:40
  Speaker 3: installation costs so much.
• 4:42
  Speaker 4: For example, the visit is free, etc.
• 4:44
  Speaker 1: We still have a discount coupon, which is, you can
• 4:47
  Speaker 1: go to 30% off, that's what I wrote.
• 4:48
  Speaker 4: On the screen, still our discount coupon. Go to your house,
• 4:55
  Speaker 4: see a tour, do a free visit for you.
• 4:57
  Speaker 3: In addition to Persianas at home, we have here the
• 5:00
  Speaker 3: sofa in the box.
• 5:02
  Speaker 2: Exactly. Our sofas are sofa in the box today.
• 5:06
  Speaker 6: Exactly.
• 5:06
  Speaker 3: You open it and it expands by itself. It comes
• 5:10
  Speaker 3: inside a box, it is super comfortable. So it's that
• 5:13
  Speaker 3: sofa that doesn't need to be hissed. to go to
• 5:15
  Speaker 3: your house, you know, if you live in a building.
• 5:17
  Speaker 3: Open the box and it's ready, dad. Exactly, it comes
• 5:19
  Speaker 3: inside a box, great for you. And there's also a
• 5:21
  Speaker 3: coupon that gives 5% discount, which is the coupon PODEPAS5, okay? Thanks,
• 5:25
  Speaker 3: Sofa na Caixa. Thank you very much. You gave another
• 5:28
  Speaker 3: face to the studio, it was good.
• 5:29
  Speaker 4: Very nice and very comfortable.
• 5:30
  Speaker 3: Soon we'll post a picture on Instagram showing our Sofa
• 5:32
  Speaker 3: na Caixa. True.
• 5:33
  Speaker 2: Mítico Jovem.
• 5:34
  Speaker 4: Ah, Yamaha, I love it a lot. Fla de Yamaha here,
• 5:37
  Speaker 4: smile on the teeth.
• 5:38
  Speaker 3: Our sponsor, Master, is Yamaha, and it's that way because
• 5:43
  Speaker 3: there's a deal with the Blue Friday parcel.
• 5:46
  Speaker 2: The English name is hard for the father.
• 5:47
  Speaker 6: Blue Friday. Exactly.
• 5:48
  Speaker 2: What's the deal?
• 5:49
  Speaker 3: You're going to buy a beautiful zero-kilometer motorcycle there at Yamaha,
• 5:53
  Speaker 3: and the first parcel.
• 5:53
  Speaker 2: Is only in 2026. If you go to the.
• 5:55
  Speaker 1: Store tomorrow, the first one is only for next year.
• 5:58
  Speaker 6: It's only for 2026.
• 5:59
  Speaker 2: Remember Silva Design?
• 5:59
  Speaker 4: It's a lot of advantage. It's a lot of advantage.
• 6:01
  Speaker 2: Silva Design, a kiss for you, wherever you are. I
• 6:04
  Speaker 2: really liked her ads.
• 6:05
  Speaker 4: She's a monster.
• 6:06
  Speaker 2: Only for November!
• 6:08
  Speaker 3: First parcel only for 2026. It's a lot of advantage.
• 6:11
  Speaker 3: And it's not just an entry-level bike, okay? TR3, TM, T07,
• 6:14
  Speaker 3: because the legendary has one in his house.
• 6:16
  Speaker 4: I love it. It's my fave.
• 6:18
  Speaker 3: This bike is awesome. But a lot of bikes with
• 6:20
  Speaker 3: free placement on the site. There are all the models
• 6:23
  Speaker 3: that are available. So let's close the year motorized, quiet
• 6:26
  Speaker 3: and stylish. Because Yamaha is what, legendary?
• 6:28
  Speaker 4: It's an advantage.
• 6:29
  Speaker 6: Let's go.
• 6:30
  Speaker 4: I love you, Yamaha.
• 6:31
  Speaker 6: A kiss.
• 6:32
  Speaker 4: A kiss for you.
• 6:32
  Speaker 1: Remember that Podpah is exclusive on Spotify and on YouTube, okay?
• 6:37
  Speaker 1: See in our description for you to participate in the
• 6:39
  Speaker 1: Brino's program, participate in Podpaquera, anyway, several things there.
• 6:43
  Speaker 4: Okay, right? Let's announce it because there's a troupe here.
• 6:46
  Speaker 2: Brother.
• 6:46
  Speaker 4: Will there be music?
• 6:48
  Speaker 6: Will there be.
• 6:49
  Speaker 3: There has never been a Podpah like this. Today will
• 6:52
  Speaker 3: be a new one, it will be awesome, I'm very happy.
• 6:54
  Speaker 6: So let's go to.
• 6:56
  Speaker 2: Let's call one by one. Let's call one by one.
• 6:58
  Speaker 3: So I want you to receive it with a lot
• 6:59
  Speaker 3: of affection, make a lot of noise. I'm going to
• 7:03
  Speaker 3: call one by one, but I want to call him first,
• 7:05
  Speaker 3: who organized all this mess, but it's a good mess.
• 7:08
  Speaker 2: I'm a big fan, my God. Xande Avião, our commander.
• 7:11
  Speaker 6: Let's go!
• 7:12
  Speaker 3: He's going to stay here by our side.
• 7:15
  Speaker 2: Sit there on the side of the mythic, take your time, bro.
• 7:17
  Speaker 4: I love you.
• 7:18
  Speaker 6: Holy shit!
• 7:18
  Speaker 2: Man, you can see it in my head.
• 7:20
  Speaker 6: Come on. Kiss, kiss.
• 7:21
  Speaker 2: You're crazy, I saw this DVD too much. I'm going
• 7:27
  Speaker 2: to call another bastard who's already come here.
• 7:30
  Speaker 4: He's different, right?
• 7:31
  Speaker 6: He's different.
• 7:32
  Speaker 2: He's got more money.
• 7:33
  Speaker 4: He's more elegant.
• 7:34
  Speaker 6: He's got a style personality now. Really?
• 7:37
  Speaker 5: So come here, Tarcísio da Cordeal.
• 7:39
  Speaker 9: What the hell?
• 7:43
  Speaker 6: Oh, look at that. Beautiful. Beautiful.
• 7:46
  Speaker 3: I'm going to call him, who has also come, Mítico Jovem.
• 7:49
  Speaker 3: And hopefully this time he ends his story. Do you
• 7:52
  Speaker 3: remember João Gomes talking to him?
• 7:53
  Speaker 6: Finish your story, Victor.
• 7:55
  Speaker 2: Finish your story, Victor. I want to hear your story.
• 7:58
  Speaker 4: Finish it.
• 7:58
  Speaker 6: Victor Fernandes, clap your hands!
• 8:01
  Speaker 5: This legendary Flamenguista, son of a bitch!
• 8:04
  Speaker 3: He's already making fun of us! I swear to God,
• 8:07
  Speaker 3: he said, is there a Flamenguista from Palmeiras? I said,
• 8:09
  Speaker 3: there's a Coritiano. He said, is there a Coritiano from Palmeiras?
• 8:11
  Speaker 3: I said, there's a Coritiano. He said, then follow the leader.
• 8:15
  Speaker 6: I said, who the fuck is this guy?
• 8:16
  Speaker 5: It's right, right?
• 8:17
  Speaker 6: It's right, right?
• 8:18
  Speaker 5: You're right.
• 8:18
  Speaker 6: You're right. You're right.
• 8:20
  Speaker 7: You're right.
• 8:21
  Speaker 6: You're right. You're right.
• 8:27
  Speaker 2: The most delicious man in Forró, Piseiro and Nordeste.
• 8:31
  Speaker 6: I hugged him.
• 8:33
  Speaker 4: If you like my man, you stay like.
• 8:34
  Speaker 6: This, bro. Calm down, bro.
• 8:35
  Speaker 2: I hugged him, it was cool.
• 8:37
  Speaker 4: Did you feel the weight? I felt it.
• 8:38
  Speaker 6: Calm down. Calm down.
• 8:40
  Speaker 2: This is going to be a zone.
• 8:43
  Speaker 4: What? This is going to.
• 8:44
  Speaker 5: Be what, Mítico Jorge?
• 8:47
  Speaker 6: A zone.
• 8:49
  Speaker 2: So I came here to complete this zone.
• 8:51
  Speaker 6: Maninho Vaqueiro!
• 8:52
  Speaker 4: Bravo!
• 8:52
  Speaker 2: What's up, buddy?
• 8:53
  Speaker 5: What's up, buddy?
• 8:57
  Speaker 6: Relax, relax.
• 8:58
  Speaker 10: What's up, boss?
• 8:58
  Speaker 2: What's up, my love?
• 9:01
  Speaker 5: What's up, boss?
• 9:02
  Speaker 6: Are you there? Yes, I'm there. Sit on my lap.
• 9:06
  Speaker 6: Go there.
• 9:07
  Speaker 7: Go there.
• 9:07
  Speaker 5: Two days ago, she was peeing, man.
• 9:09
  Speaker 6: Many applause for him. We came to São Paulo, right?
• 9:11
  Speaker 2: A lot of noise for him. Jonas Esticado!
• 9:14
  Speaker 6: Go there! The team is complete.
• 9:18
  Speaker 7: Let's go, guys.
• 9:18
  Speaker 4: Sit down.
• 9:22
  Speaker 11: I thought it was over.
• 9:23
  Speaker 4: I can't imagine how hard it is to bring these
• 9:25
  Speaker 4: guys here. Good night.
• 9:26
  Speaker 6: Give a big hand to Forró and Nordeste.
• 9:28
  Speaker 5: That's it.
• 9:32
  Speaker 2: That's it.
• 9:33
  Speaker 6: That's it. That's it. That's it. That's it. That's it.
• 9:36
  Speaker 2: That's it.
• 9:36
  Speaker 6: That's it.
• 9:37
  Speaker 4: That's it.
• 9:37
  Speaker 5: That's it.
• 9:37
  Speaker 2: That's it.
• 9:38
  Speaker 12: That's it.
• 9:38
  Speaker 4: That's it.
• 9:38
  Speaker 6: That's it.
• 9:39
  Speaker 4: That's it.
• 9:40
  Speaker 6: That's it.
• 9:40
  Speaker 4: That's it.
• 9:40
  Speaker 6: That's it. What's the mood?
• 9:50
  Speaker 4: Are you peeing?
• 9:51
  Speaker 6: Oh, the people talk a lot, you know?
• 9:52
  Speaker 4: Are you from the Northeast, bro?
• 9:55
  Speaker 5: Oh, Tarsísio, I got here in São Paulo and I'm
• 9:57
  Speaker 5: feeling really good.
• 10:08
  Speaker 1: Xani, you're the one who brought all these people together.
• 10:11
  Speaker 1: I can't imagine how hard it is to bring all
• 10:14
  Speaker 1: these people together in ESPN.
• 10:16
  Speaker 4: Thank you so much.
• 10:17
  Speaker 13: Thank you.
• 10:17
  Speaker 11: It's a pleasure to be here again with these two guys.
• 10:19
  Speaker 6: I'm a big fan. Here we are in the middle
• 10:22
  Speaker 6: of friends, right?
• 10:23
  Speaker 8: Here are my brothers, like... We meet little.
• 10:25
  Speaker 10: Due to the schedule, but when we meet, it's just affection, right?
• 10:29
  Speaker 10: And I was traveling, I was out of Brazil, and
• 10:32
  Speaker 10: they invited us to do this program, and it was
• 10:35
  Speaker 10: a date, and they changed the date so I could
• 10:36
  Speaker 10: ask everyone, I said, I'm in, you can come to Mítico.
• 10:39
  Speaker 8: But it's not very difficult to join them, no. Put
• 10:40
  Speaker 8: the cachaça and the sanfona, they sell.
• 10:41
  Speaker 5: It's easy.
• 10:42
  Speaker 4: Except for Ávila, right?
• 10:43
  Speaker 6: Because Ávila is our angel. He doesn't drink, doesn't smoke,
• 10:46
  Speaker 6: doesn't fart. I think the only one who doesn't drink
• 10:47
  Speaker 6: here is me, right?
• 10:48
  Speaker 14: Why?
• 10:48
  Speaker 6: He doesn't drink, doesn't smoke, doesn't fart. Dude, he never
• 10:50
  Speaker 6: does anything! No, nothing. I've only drunk in my life,
• 10:53
  Speaker 6: believe me. Do you exercise? No, I don't drink in
• 10:55
  Speaker 6: my life.
• 10:56
  Speaker 10: I don't give a shit about this guy drinking, because
• 10:58
  Speaker 10: he almost killed me. I don't know, I think he's crazy.
• 11:01
  Speaker 5: I asked him for glasses, I kept them.
• 11:03
  Speaker 8: And he almost killed me. He has a mania, he's
• 11:05
  Speaker 8: a faggot. He can't see anything.
• 11:07
  Speaker 5: If he sees the watch here, he'll ask to leave.
• 11:09
  Speaker 6: He's like Nathan and Gustavo Lima. He said, the same
• 11:12
  Speaker 6: thing here, take it. Oh, but I don't care about that.
• 11:17
  Speaker 6: I think you have to put it on the wall.
• 11:19
  Speaker 6: I got here and put my hand on my pocket.
• 11:21
  Speaker 8: I put my hand on my pocket and he didn't
• 11:23
  Speaker 8: even know what I was going to say.
• 11:24
  Speaker 6: He gave me one.
• 11:25
  Speaker 2: My grandmother was like that.
• 11:26
  Speaker 6: My father even played, right?
• 11:28
  Speaker 2: Because it was a joke between father-in-law and mother-in-law.
• 11:31
  Speaker 6: He said like this.
• 11:33
  Speaker 2: If you come to your grandmother's house chewing stone, she asks.
• 11:35
  Speaker 6: What did he want?
• 11:36
  Speaker 5: I bought one of these days, the one that records, right?
• 11:39
  Speaker 4: Then he knocks down oxen.
• 11:40
  Speaker 6: He knocks down oxen, he's a real cowherd. He even
• 11:42
  Speaker 6: hurts each other. He bought a farm these days. You know, Xande?
• 11:51
  Speaker 6: You know? What? He bought a farm. He bought it
• 11:54
  Speaker 6: for no one. No one for no one. A thousand
• 11:56
  Speaker 6: heads of cattle. Who was Maninho Roqueiro? He bought a
• 12:01
  Speaker 6: farm because.
• 12:02
  Speaker 3: He didn't want it for no one, you know?
• 12:03
  Speaker 6: You have a face that is good for a man too.
• 12:11
  Speaker 6: And then he stared at the floor. Then we went
• 12:13
  Speaker 6: to dinner today. I said that if we don't get
• 12:14
  Speaker 6: out of here, we'll get arrested. It started already. You
• 12:16
  Speaker 6: have to be careful, because it's live.
• 12:18
  Speaker 5: It's live, it's live. There's no cut.
• 12:19
  Speaker 6: You have to be careful.
• 12:20
  Speaker 5: We went to lunch.
• 12:21
  Speaker 8: This morning he took the glasses, he doesn't return the glasses.
• 12:24
  Speaker 8: He wants to record and everything, but when it was now,
• 12:27
  Speaker 8: he asked for a loan. Then he kept the glasses,
• 12:29
  Speaker 8: he didn't return them at all. I wanted to take
• 12:31
  Speaker 8: a picture here. You can go with the glasses, they.
• 12:34
  Speaker 6: Didn't return them at all. I gave it back, he
• 12:40
  Speaker 6: took my finger and did the same as the ox.
• 12:44
  Speaker 6: He gave you a kiss. I took him. I gave
• 12:48
  Speaker 6: him a hug. A hug, ok. A hug, and he
• 12:50
  Speaker 6: gave me back the egg.
• 12:52
  Speaker 10: Chando, my biggest dream is in 2026, to make a
• 12:55
  Speaker 10: lot of money in the company.
• 12:56
  Speaker 6: Mine too.
• 12:58
  Speaker 5: But if I put this shit in, it would kill me.
• 13:01
  Speaker 5: He ended your dream with Dichando. But he gave it back.
• 13:03
  Speaker 6: I gave it back to him. But he's a fag.
• 13:05
  Speaker 15: What?
• 13:08
  Speaker 6: It's true, it's true, it's true, it's true, it's true.
• 13:35
  Speaker 4: So you love him a lot?
• 13:36
  Speaker 6: I love him a lot, this guy.
• 13:38
  Speaker 5: This is the soul that prays, right?
• 13:40
  Speaker 6: Say it, my love.
• 13:41
  Speaker 10: This whole table here admires you, brother.
• 13:44
  Speaker 6: This whole table here admires you a lot.
• 13:45
  Speaker 4: This is true, this is true.
• 13:46
  Speaker 6: You take off the bracelet from this one, brother.
• 13:48
  Speaker 5: This is the Pidão.
• 13:50
  Speaker 6: This is the Pidão.
• 13:51
  Speaker 5: The good thing is that he wants the.
• 13:53
  Speaker 16: Fan, he wants the gift.
• 13:57
  Speaker 6: You have to give me a gift. I'll give you one.
• 14:00
  Speaker 6: Two heads of cats, it's settled. If my wife gives
• 14:02
  Speaker 6: it to me, I can't give it to you.
• 14:03
  Speaker 5: It's recording.
• 14:04
  Speaker 6: It's live, Marcos. Well, Xande, thank you, brother.
• 14:06
  Speaker 16: When it's Monday, I'll call you.
• 14:07
  Speaker 14: Okay.
• 14:07
  Speaker 10: But you said something very cool. All of us here
• 14:09
  Speaker 10: at the table are fans of Xande Avião.
• 14:11
  Speaker 4: It's true.
• 14:12
  Speaker 6: It's true.
• 14:13
  Speaker 3: Of everything he said, I think it's the only truth.
• 14:24
  Speaker 3: How is it for you, my brothers, to be able
• 14:27
  Speaker 3: to work, to be close, to call friends, to be
• 14:31
  Speaker 3: able to exchange?
• 14:33
  Speaker 2: To have business too, right? Exactly, with an icon of.
• 14:37
  Speaker 6: Our Brazilian music. But like, exchanging what? I also thought
• 14:40
  Speaker 6: exchanging what?
• 14:40
  Speaker 8: The Xande, he is a reference for us, not only
• 14:44
  Speaker 8: as a great artist, but also as a great businessman. So,
• 14:47
  Speaker 8: Aviões do Forró, for many years, he's always there, always
• 14:50
  Speaker 8: in the top 1, top 2. So, I admire Xande
• 14:52
  Speaker 8: a lot, not only because It's a professional thing, but
• 14:55
  Speaker 8: to stay in the market. We know that bands, especially
• 14:58
  Speaker 8: in forró, we float a lot. The market is like that,
• 15:02
  Speaker 8: the songs go and come back. But Xande, I clap
• 15:05
  Speaker 8: my hands a lot for Xande and all the team
• 15:07
  Speaker 8: that makes the airplanes, because Xande has been there for many.
• 15:10
  Speaker 6: Years, always being the reference. It's not just a reference
• 15:13
  Speaker 6: for artists, but... The reference for a long time, right?
• 15:15
  Speaker 8: Like, what does this guy do to reinvent himself? And
• 15:17
  Speaker 8: Xande reinvents himself every year.
• 15:21
  Speaker 6: It's crazy.
• 15:22
  Speaker 8: It's a school for us.
• 15:23
  Speaker 6: We're tired of it. Then there's Shani. There's Shani. He's
• 15:26
  Speaker 6: the best.
• 15:27
  Speaker 4: The best.
• 15:27
  Speaker 6: The best. The best. The best.
• 15:29
  Speaker 4: The best.
• 15:29
  Speaker 6: The best.
• 15:29
  Speaker 12: The best.
• 15:41
  Speaker 1: So why do you stay so long in this success?
• 15:44
  Speaker 1: Why do you renew so much? What happens to you?
• 15:47
  Speaker 4: He said something so nice that I wanted you to say.
• 15:50
  Speaker 6: Do you know the path of the stones?
• 15:51
  Speaker 10: Nobody knows the secret of success, but we know a
• 15:53
  Speaker 10: little about the secret of making mistakes. We know what
• 15:55
  Speaker 10: not to do to get there. I'm not going to
• 15:57
  Speaker 10: say that I'm the secret of success, but what renews
• 15:59
  Speaker 10: me is being able to be close to them.
• 16:01
  Speaker 11: We had an event called Vish.
• 16:03
  Speaker 10: It was me, Vitor, Tacis, Ávila participated, Júnior also participated, Natanzinho,
• 16:08
  Speaker 10: Zé Vaqueiro. And I saw this kid with the desire,
• 16:11
  Speaker 10: with the will, the way I started.
• 16:14
  Speaker 11: So, I'm not young, I'm 43 years old, but I
• 16:15
  Speaker 11: don't feel old.
• 16:16
  Speaker 10: So, I see Maninho releasing a song, Ábio doing something,
• 16:21
  Speaker 10: I want to do it too.
• 16:21
  Speaker 2: The impression is that you're younger today, bro.
• 16:23
  Speaker 6: Yeah, it's true. It's true. It's true. It's true. It's true.
• 16:26
  Speaker 7: It's true.
• 16:26
  Speaker 6: It's true. It's true. It's true. It's true. It's true.
• 16:28
  Speaker 2: It's true.
• 16:29
  Speaker 6: It's true.
• 16:30
  Speaker 7: It's true.
• 16:30
  Speaker 4: It's true.
• 16:30
  Speaker 15: It's true.
• 16:31
  Speaker 6: It's true.
• 16:31
  Speaker 12: It's true.
• 16:31
  Speaker 6: It's true.
• 16:31
  Speaker 12: It's true.
• 16:32
  Speaker 6: It's true. It's true. It's true. It's true. It's true.
• 16:34
  Speaker 7: It's true.
• 16:34
  Speaker 6: It's true. It's true. It's true.
• 16:36
  Speaker 7: It's true.
• 16:36
  Speaker 4: It's true.
• 16:36
  Speaker 5: It's true.
• 16:37
  Speaker 6: It's true. It's true. It's true.
• 16:38
  Speaker 12: It's true.
• 16:38
  Speaker 6: It's true. It's true.
• 16:39
  Speaker 12: It's true.
• 16:39
  Speaker 16: It's true.
• 16:40
  Speaker 6: It's true.
• 16:40
  Speaker 17: It's true.
• 16:41
  Speaker 6: It's true. It's true. It's true. It's true. It's true.
• 16:42
  Speaker 6: It's true. It's true. It's true.
• 16:44
  Speaker 9: It's true.
• 16:44
  Speaker 6: 21 years old, that's a lot of time.
• 16:47
  Speaker 12: You're a kid.
• 16:47
  Speaker 11: And how did you get connected?
• 16:49
  Speaker 1: So we can know who's at the table here, since
• 16:52
  Speaker 1: you've known each other, worked together, how was it?
• 16:55
  Speaker 4: If I knew him, I'd know him.
• 16:56
  Speaker 8: I'd known Ávila for a long time, before being his partner.
• 16:59
  Speaker 6: Ávila had a band called Che Pop, who played.
• 17:03
  Speaker 6: It's a pop axé.
• 17:05
  Speaker 4: Axé with pop.
• 17:06
  Speaker 6: It's very cool. And Avni is a lazy guy. I'll
• 17:08
  Speaker 6: cut him right here. Avni is an exemplary musician.
• 17:11
  Speaker 10: He plays a lot, but he's lazy to play. But
• 17:14
  Speaker 10: the good guys are like that, right?
• 17:15
  Speaker 2: He knows he's good.
• 17:16
  Speaker 6: It's a great singer.
• 17:18
  Speaker 4: He plays very well. I met him at Che Pop.
• 17:19
  Speaker 5: I wasn't his partner yet.
• 17:20
  Speaker 6: And through Avni I met his partner, Armando. He brought
• 17:22
  Speaker 6: Maninho to Vibe, our company.
• 17:33
  Speaker 10: So here at the table we have Avni, Maninho and Jonas,
• 17:35
  Speaker 10: who I've known for a long time. Before I became.
• 17:38
  Speaker 6: His friend, I already knew him.
• 17:40
  Speaker 8: He blew up in the Northeast. Jonas is the one
• 17:42
  Speaker 8: with the voice of the scumbag.
• 17:43
  Speaker 10: Today everyone has their own voice, but he blew up anyway.
• 17:46
  Speaker 10: He sings very well, he's a good guy. So I
• 17:47
  Speaker 10: never imagined that they would be part of my company.
• 17:50
  Speaker 10: Today we are all together. And here are brothers that
• 17:53
  Speaker 10: life gave me. And I, in my biggest dreams.
• 17:55
  Speaker 6: Never knew that Deu was going to be in the company.
• 17:57
  Speaker 6: Until today, people take it out on me. I knew Tassi,
• 18:00
  Speaker 6: he played the guitar.
• 18:00
  Speaker 5: It's true or.
• 18:01
  Speaker 6: It's a lie?
• 18:07
  Speaker 7: It's true.
• 18:08
  Speaker 9: Henrique and Juliano are here to prove it. Henrique asked him,
• 18:11
  Speaker 9: you talk too loud, man. What do you have in
• 18:14
  Speaker 9: your throat? He said, my throat is deep.
• 18:15
  Speaker 6: That was you.
• 18:15
  Speaker 5: Everything I have in my throat, he invented a story.
• 18:18
  Speaker 6: He invented a story. It's true. It's true. I took
• 18:21
  Speaker 6: a picture with him yesterday.
• 18:23
  Speaker 4: Henrique said it's true.
• 18:24
  Speaker 5: It's true. But he doesn't have the headphones.
• 18:26
  Speaker 6: He doesn't have the headphones.
• 18:28
  Speaker 13: Stop it, man.
• 18:28
  Speaker 2: You have to count.
• 18:29
  Speaker 6: On the suicide of Pinal.
• 18:38
  Speaker 4: Hey, Tarcísio, how are you? How long have we been here?
• 18:40
  Speaker 4: Four years. Four years. It's different.
• 18:42
  Speaker 7: How are you?
• 18:43
  Speaker 4: When João isn't here today, maybe I can be here.
• 18:45
  Speaker 6: You hired a stylist? You hired a stylist now?
• 18:47
  Speaker 4: Personal style.
• 18:47
  Speaker 1: It's because now the clothes are expensive.
• 18:49
  Speaker 6: It's worth it now, right?
• 18:50
  Speaker 9: When I was going to buy clothes for myself, I
• 18:53
  Speaker 9: had to do the same as those burjão covers.
• 18:55
  Speaker 7: I only measured the neck and the cloth.
• 19:03
  Speaker 5: I remember when I was in a phase like this,
• 19:06
  Speaker 5: I said.
• 19:06
  Speaker 13: To myself, Jajana will be coming to Azelo, just taking
• 19:09
  Speaker 13: the cover off.
• 19:10
  Speaker 5: I swear we were going to make this joke too.
• 19:24
  Speaker 6: You only get dressed with a cloth! Yes, that's what
• 19:25
  Speaker 6: I was saying.
• 19:26
  Speaker 1: Did you ever get to a point in your life
• 19:29
  Speaker 1: where you said, I need to get organized here?
• 19:31
  Speaker 4: Yes, I did.
• 19:32
  Speaker 9: Actually, I did some exams and I was already in
• 19:35
  Speaker 9: the fourth degree of apnea.
• 19:36
  Speaker 7: I couldn't sleep, I lived hoarse.
• 19:39
  Speaker 9: Then the doctor gave me CEPAP. I had to start
• 19:41
  Speaker 9: sleeping with CEPAP to be able to sleep at night.
• 19:43
  Speaker 9: Then he said, you have to take care of yourself, man.
• 19:46
  Speaker 9: You're young, you're old, it's in your favor. are young,
• 19:51
  Speaker 9: you have the age at your favor. In the time
• 19:53
  Speaker 9: I did it, I was 27 years old.
• 19:55
  Speaker 7: Then he did a procedure called Sleeve, a simple procedure,
• 19:58
  Speaker 7: which is almost a bariatric, but.
• 20:01
  Speaker 4: But less aggressive.
• 20:02
  Speaker 9: Yes, less aggressive. And thank God, man, I can only
• 20:04
  Speaker 9: thank you. If I could do 10 of those, I
• 20:06
  Speaker 9: would do 10. Life has changed. It has changed a lot.
• 20:08
  Speaker 6: And sometimes people think that it's aesthetic, it's vanity.
• 20:11
  Speaker 7: But it's health. But it was health. I needed to
• 20:14
  Speaker 7: see my children grow up. And thank God, I'm very happy.
• 20:16
  Speaker 9: I can only thank God for giving me this opportunity.
• 20:24
  Speaker 7: And I tell everyone to do it and go on.
• 20:26
  Speaker 2: It's so cute you talking about your brain. It's so cute.
• 20:30
  Speaker 6: I'm going to cry. You're crazy, it doesn't pay. I
• 20:33
  Speaker 6: have some facts.
• 20:34
  Speaker 8: About Tarcís here when he arrived at the office that
• 20:37
  Speaker 8: if we put one next.
• 20:38
  Speaker 6: To the other.
• 20:39
  Speaker 4: It's another person. That's crazy. Totally different.
• 20:42
  Speaker 2: Do you have those pictures of us there?
• 20:43
  Speaker 6: Man, I must have.
• 20:44
  Speaker 4: I must have. You don't need to show it. You're crazy,
• 20:46
  Speaker 4: it doesn't pay.
• 20:47
  Speaker 2: But when you look at the past, you say, wow,
• 20:48
  Speaker 2: what a.
• 20:49
  Speaker 6: Change, right, man? You're messing with the plane, right?
• 20:55
  Speaker 8: No, but the size only changed the body. The carcass
• 20:58
  Speaker 8: itself is the same.
• 20:59
  Speaker 6: The cabin is the 2000.
• 21:01
  Speaker 7: The 96 still.
• 21:01
  Speaker 5: My guard, let me take one.
• 21:03
  Speaker 7: Because I have some things to tell you.
• 21:05
  Speaker 6: It's a lie. You didn't mess much.
• 21:07
  Speaker 16: Where's the canine of our guests?
• 21:08
  Speaker 6: You have to get fat because I don't have to
• 21:11
  Speaker 6: get fat.
• 21:11
  Speaker 8: It's just getting married to a bad woman who put
• 21:14
  Speaker 8: you on the spot.
• 21:15
  Speaker 5: It's like that.
• 21:20
  Speaker 6: I eat and I don't get bored. I don't know
• 21:22
  Speaker 6: how to do that.
• 21:23
  Speaker 5: Put some salt in the food.
• 21:24
  Speaker 7: Or you're shitting in the tank.
• 21:25
  Speaker 6: Jonas Esticado, what's up? How long have you been singing?
• 21:28
  Speaker 2: I've been singing for 10 years.
• 21:30
  Speaker 3: But before that, we had that fight at Barzinho. How
• 21:33
  Speaker 3: long did you sing at Barzinho?
• 21:34
  Speaker 4: About 3 or 4 years.
• 21:34
  Speaker 18: But we did a smaller show. There were 3 or
• 21:36
  Speaker 18: 4 musicians on stage. But always with this idea of
• 21:51
  Speaker 18: a band.
• 21:51
  Speaker 6: But was it already forró?
• 21:52
  Speaker 2: It was already forró, always forró.
• 21:53
  Speaker 6: And then, thank God, God blessed me.
• 21:54
  Speaker 16: And how old were you, Jonas?
• 21:56
  Speaker 4: I was a waiter.
• 21:57
  Speaker 16: This is good, this is good.
• 21:59
  Speaker 18: .
• 22:02
  Speaker 16: .
• 22:05
  Speaker 7: .
• 22:13
  Speaker 18: It was jewelry.
• 22:15
  Speaker 4: You were a good waiter.
• 22:16
  Speaker 6: You were a good waiter. You were a good waiter.
• 22:17
  Speaker 16: You were a good waiter.
• 22:18
  Speaker 4: You were a good waiter.
• 22:19
  Speaker 6: You were a good waiter. You were a good waiter.
• 22:21
  Speaker 2: You were a good waiter.
• 22:21
  Speaker 6: You were a good waiter. You were a good waiter.
• 22:23
  Speaker 16: You were a good waiter.
• 22:40
  Speaker 18: Man, do you remember when those 4-in-1, 5-in-1, romantic horror
• 22:44
  Speaker 18: movies started to come out?
• 22:46
  Speaker 6: 10, 4-in-10.
• 22:46
  Speaker 16: Only horror movies, horror planes, naughty girls.
• 22:49
  Speaker 4: In the Pirates, you had to be a king, right?
• 22:52
  Speaker 4: In the Pirates, horror planes. I was tired of recording.
• 22:55
  Speaker 4: I was a king, man.
• 22:55
  Speaker 18: I was tired of recording only horror movies, 5-in-1, volume 1, 2, 3, 4,
• 23:00
  Speaker 18: horror planes.
• 23:01
  Speaker 3: Because I was at home listening to the stuff and
• 23:04
  Speaker 3: I was like, it's not possible. that these guys from
• 23:08
  Speaker 3: 3 and 3 months old make a DVD, man.
• 23:09
  Speaker 4: And they do.
• 23:10
  Speaker 6: Then I found out.
• 23:11
  Speaker 4: They recorded for the show.
• 23:13
  Speaker 6: Then I found out that it was a show recording.
• 23:15
  Speaker 6: That's why I knew... A shout out to you guys.
• 23:17
  Speaker 6: I said.
• 23:18
  Speaker 2: It's true, I knew it. It was the best bagpipes.
• 23:20
  Speaker 6: It was the best bagpipes.
• 23:20
  Speaker 5: But it was very expensive to make CDs.
• 23:22
  Speaker 6: To make CDs of each.
• 23:24
  Speaker 8: Show, because I remember that when the show was over, there.
• 23:26
  Speaker 4: Were already people selling there.
• 23:27
  Speaker 16: I was with my own pirater, with my own developer.
• 23:30
  Speaker 1: It's because I didn't like the sound of the CDs
• 23:32
  Speaker 1: that were recorded at the show.
• 23:33
  Speaker 4: So I hired one, which is Vadim, to.
• 23:35
  Speaker 6: Walk with me.
• 23:45
  Speaker 10: And he would record the show and when it was over,
• 23:48
  Speaker 10: I would go to him and we would equalize it
• 23:51
  Speaker 10: the way I like to hear the band playing.
• 23:53
  Speaker 4: And release it on the internet.
• 23:55
  Speaker 1: That's crazy because when I lived in Pará, the guys
• 23:58
  Speaker 1: would say, the show from Saturday.
• 24:00
  Speaker 2: Has already left.
• 24:01
  Speaker 7: The Saturday show has already left.
• 24:04
  Speaker 6: I would say, man, how come?
• 24:05
  Speaker 4: Even our businessmen, right?
• 24:06
  Speaker 16: Giovanni, Salzinho, Tututti.
• 24:07
  Speaker 7: .
• 24:11
  Speaker 13: .
• 24:13
  Speaker 8: .
• 24:34
  Speaker 6: Really?
• 24:35
  Speaker 7: Before releasing the DVD, I almost died.
• 24:37
  Speaker 5: I was already in the banks.
• 24:38
  Speaker 6: Now, from the record companies, from.
• 24:40
  Speaker 5: The people who sold it.
• 24:42
  Speaker 18: The piraters, as they call it, I hit my chest
• 24:44
  Speaker 18: in that area. Because I used to play a lot
• 24:53
  Speaker 18: with the computer, I was one of the best.
• 24:54
  Speaker 4: You know what?
• 24:55
  Speaker 1: I played a lot with the computer, I was.
• 24:57
  Speaker 6: One of the best.
• 24:58
  Speaker 19: You know what?
• 24:58
  Speaker 6: I played a lot with the computer, I was one
• 25:00
  Speaker 6: of the best.
• 25:00
  Speaker 18: You know what?
• 25:01
  Speaker 5: I played a lot with the computer, I was one
• 25:03
  Speaker 5: of the best.
• 25:04
  Speaker 6: You know what?
• 25:04
  Speaker 16: I played a lot with the computer, I was one
• 25:06
  Speaker 16: of the best.
• 25:14
  Speaker 4: For the audio and the video to fit.
• 25:16
  Speaker 6: For the video to fit. For the video to fit.
• 25:18
  Speaker 11: For the video to fit.
• 25:20
  Speaker 6: For the video to fit.
• 25:21
  Speaker 16: For the video to fit. For the video to fit.
• 25:23
  Speaker 16: For the video to fit. For the video to fit.
• 25:26
  Speaker 6: For the video to fit.
• 25:39
  Speaker 2: Piracy made me know so many things.
• 25:41
  Speaker 4: It helped so many bands.
• 25:43
  Speaker 2: I already signed it. Today, with the internet, it helped
• 25:46
  Speaker 2: a lot of.
• 25:46
  Speaker 10: People, but you won't buy a CD anymore. Cars don't
• 25:49
  Speaker 10: even come with CDs anymore.
• 25:50
  Speaker 8: But at that time, there was a lot of people
• 25:52
  Speaker 8: who said that piracy was the.
• 25:53
  Speaker 4: Way to work.
• 25:54
  Speaker 1: I think that's what gave Forró visibility in other states.
• 25:57
  Speaker 4: Forró was very northeast.
• 26:08
  Speaker 9: I don't belong to that time, I used to play
• 26:09
  Speaker 9: in bands, actually. But as an artist... Xandera is the
• 26:13
  Speaker 9: guy from the Northeast all the time.
• 26:15
  Speaker 10: São Paulo, Rio de Janeiro... How did we manage to
• 26:17
  Speaker 10: compete with piracy? Isaia CDs, who is my partner to
• 26:20
  Speaker 10: this day, he saw that piracy was growing. What did
• 26:23
  Speaker 10: we do? We started to give CDs.
• 26:26
  Speaker 6: We didn't sell. We were.
• 26:27
  Speaker 10: There's no way to lose. We were told to make
• 26:29
  Speaker 10: 300 thousand CDs per month. Not per month, 300 thousand.
• 26:32
  Speaker 10: We came and gave. Every show was 20 thousand CDs.
• 26:35
  Speaker 8: You were already counting, right?
• 26:36
  Speaker 2: I was counting.
• 26:38
  Speaker 1: But for you to get there and give these 20,000,
• 26:40
  Speaker 1: it was part of the.
• 26:42
  Speaker 4: The strategy, right?
• 26:42
  Speaker 6: You bought the tickets, we gave you the CD.
• 26:44
  Speaker 2: It's the strategy.
• 26:46
  Speaker 6: And you went home one day.
• 26:48
  Speaker 4: Delicious, delicious.
• 26:49
  Speaker 7: And the next month you bought it.
• 26:50
  Speaker 16: Today it's the promotional.
• 26:51
  Speaker 6: The promotional came from there.
• 26:53
  Speaker 2: Exactly.
• 26:53
  Speaker 6: But what Tarcísio brought.
• 26:55
  Speaker 3: Is very true, because I have a family from the north,
• 26:58
  Speaker 3: my father is from Paraíba, so this forró has always
• 27:01
  Speaker 3: played in my house. But for you to listen to,
• 27:06
  Speaker 3: at least in the past, forró in São Paulo, it
• 27:09
  Speaker 3: had to be at some Northeastern house. Exactly.
• 27:11
  Speaker 6: Or at CTN da Vida. Exactly. You know?
• 27:15
  Speaker 3: I only listened to certain songs.
• 27:17
  Speaker 2: My mother still.
• 27:19
  Speaker 3: Listened, my father listened, but if you wanted to listen
• 27:21
  Speaker 3: to the root, it was at my aunt Mariene's house.
• 27:24
  Speaker 6: Which wasn't from here. You know? It's from Paraíba.
• 27:26
  Speaker 3: So, like, this got popularized a lot, because it wasn't common.
• 27:30
  Speaker 3: I imagine a prejudice that you suffered. Chande, mainly.
• 27:33
  Speaker 6: I suffered a lot.
• 27:34
  Speaker 8: When the plane exploded, it was in 2004, right?
• 27:37
  Speaker 10: It exploded like that for the whole of Brazil.
• 27:40
  Speaker 11: That came the heart, came Chupa Cá de Uva, and.
• 27:43
  Speaker 6: We started playing with.
• 27:44
  Speaker 7: And the songs, the names were beautiful.
• 27:50
  Speaker 1: .
• 27:51
  Speaker 5: At the time my father was inaugurating the Badeira.
• 28:02
  Speaker 6: And we used to do a lot of.
• 28:04
  Speaker 10: When the plane exploded we started to do events that
• 28:07
  Speaker 10: weren't for rock. Because the band was high party and
• 28:09
  Speaker 10: the guys had to hire someone to sell tickets. Modéstia
• 28:10
  Speaker 10: Pastorando at that time. From 2005 to 2012 we sent
• 28:12
  Speaker 10: to the rock market in Brazil. So there was a
• 28:14
  Speaker 10: show that I played, Cidade Negra and Cláudia Leite.
• 28:17
  Speaker 6: Man, what a crazy person.
• 28:18
  Speaker 4: Nothing to do with anything, but everyone loved it.
• 28:21
  Speaker 6: But the people liked it.
• 28:21
  Speaker 7: The people liked it.
• 28:22
  Speaker 5: I got there and there was no dressing room.
• 28:24
  Speaker 8: I saw the contractor and said, no, the band for
• 28:26
  Speaker 8: rock doesn't need a dressing room.
• 28:29
  Speaker 6: That's it, man. We didn't have cameras.
• 28:32
  Speaker 11: Only me and Lange outside.
• 28:33
  Speaker 3: And it's not comparing to anything, but you always gave
• 28:36
  Speaker 3: a great performance to a band, dancers, a lot of people.
• 28:39
  Speaker 4: How come there's no space for that?
• 28:40
  Speaker 6: But there wasn't, there wasn't. So we had to work hard.
• 28:42
  Speaker 11: Even the big radios didn't play forró.
• 28:44
  Speaker 4: Even from the Northeast?
• 28:46
  Speaker 6: No, here, some radios from the Southeast, I remember that
• 28:48
  Speaker 6: sometimes there.
• 28:49
  Speaker 8: Was a fit, you had to take the voice of
• 28:50
  Speaker 8: the Northeastern artist, to play on the radio, because they
• 29:00
  Speaker 8: didn't play forró on the radio. I think that maturity,
• 29:03
  Speaker 8: when the first songs, we had some radios that didn't
• 29:05
  Speaker 8: play at all, And we went through a brice. I
• 29:08
  Speaker 8: think Maturidade was one of the first songs he played
• 29:10
  Speaker 8: on some radios. Because it came with that more sertanejada footprint.
• 29:15
  Speaker 6: But forró really went through that phase.
• 29:18
  Speaker 3: It changed a lot, thank God. Did you ever hear
• 29:20
  Speaker 3: a lot of things like this?
• 29:22
  Speaker 6: Try to change your sound.
• 29:22
  Speaker 4: Make it more similar. Look at this accent there, it's
• 29:24
  Speaker 4: very loaded.
• 29:25
  Speaker 10: Here in São Paulo, when I came here to visit
• 29:27
  Speaker 10: the radio, as he was saying, I heard a lot.
• 29:28
  Speaker 10: But the sound is not cool, São Paulo doesn't have...
• 29:30
  Speaker 10: I said, I'm from there, there's no way I can
• 29:32
  Speaker 10: take the T, I'm not going to say T. It's
• 29:33
  Speaker 10: because it's too much to pull my soul from there,
• 29:36
  Speaker 10: I'm not going to change to be able to get
• 29:38
  Speaker 10: in here with you, so I'm going to stay there.
• 29:40
  Speaker 10: And I entered forcefully, I entered kicking the door.
• 29:41
  Speaker 1: If you didn't have that resistance, you wouldn't have entered
• 29:44
  Speaker 1: like that, right?
• 29:45
  Speaker 4: But how are you seeing the forró today? Or forró,
• 29:47
  Speaker 4: this movement, how are you calling this movement now?
• 29:51
  Speaker 10: Man, from the pandemic to here, I think you'll agree
• 29:54
  Speaker 10: with me, it was when I met Vitor, Because these
• 29:57
  Speaker 10: guys made.
• 29:57
  Speaker 4: A noise like this.
• 29:58
  Speaker 2: Then came João.
• 29:59
  Speaker 11: Gomes, then came Tacizio, then came a thing like that.
• 30:03
  Speaker 4: They saved the pandemic too, musically.
• 30:05
  Speaker 6: Totally, totally. Who sent it was them, without a doubt.
• 30:07
  Speaker 11: You said something now that.
• 30:09
  Speaker 8: I remembered from a story here. He said, save the pandemic.
• 30:13
  Speaker 8: I remember that when we entered the pandemic, I started
• 30:16
  Speaker 8: to go to the studio and started to record and
• 30:19
  Speaker 8: some people said, you're going to record for what?
• 30:25
  Speaker 6: No one will listen to it anymore.
• 30:27
  Speaker 7: I think it was a moment.
• 30:28
  Speaker 5: That opened the way for new artists.
• 30:29
  Speaker 7: It was one of the things that happened to me.
• 30:32
  Speaker 9: Where Xande, Wesley, these guys, Jaquie was big. Jonas, the
• 30:36
  Speaker 9: big guys. They said, let's take it easy here, because
• 30:38
  Speaker 9: now is not the time to launch anything.
• 30:39
  Speaker 7: And that's where it opened the way for new.
• 30:41
  Speaker 5: Artists to appear.
• 30:42
  Speaker 2: But today I see the forró as the place it
• 30:44
  Speaker 2: has to be.
• 30:44
  Speaker 10: I never wanted the forró to pass any rhythm. I
• 30:47
  Speaker 10: just wanted the forró to be respected as samba, as axé,
• 30:49
  Speaker 10: as sertanejo. like Trap, because we have quality. We have
• 30:57
  Speaker 10: wonderful singers, we have equipment, we have everything. And we
• 31:01
  Speaker 10: are always treated as if Folha was only heard in
• 31:03
  Speaker 10: São João.
• 31:04
  Speaker 3: And I already said here, Calcinha Preta does shows that
• 31:07
  Speaker 3: Justin Bieber doesn't do, brother.
• 31:09
  Speaker 4: And I'm serious.
• 31:09
  Speaker 10: Calcinha Preta is our biggest rock band that exists.
• 31:12
  Speaker 6: I'm serious.
• 31:14
  Speaker 9: In my city, when Calcinha Preta sang a version of Scorpio,
• 31:17
  Speaker 9: When Scorpio sings an original song, the guy goes like this,
• 31:19
  Speaker 9: the song is from Calcio Freitas.
• 31:20
  Speaker 6: That's right! That's right!
• 31:21
  Speaker 5: That's right!
• 31:24
  Speaker 4: That's right!
• 31:24
  Speaker 6: That's right! That's right! That's right!
• 31:26
  Speaker 5: That's right!
• 31:26
  Speaker 16: That's right!
• 31:27
  Speaker 5: That's right!
• 31:28
  Speaker 6: That's right! That's right! That's right!
• 31:29
  Speaker 7: That's right!
• 31:30
  Speaker 6: That's right!
• 31:30
  Speaker 4: That's right!
• 31:31
  Speaker 6: That's right!
• 31:31
  Speaker 5: That's right! That's right!
• 31:32
  Speaker 6: That's right! That's right! That's right!
• 31:34
  Speaker 4: That's right!
• 31:35
  Speaker 6: That's right!
• 31:47
  Speaker 10: Forró already had a repertoire. It's because you guys are
• 31:49
  Speaker 10: street music. Your music is played on the streets, not
• 31:50
  Speaker 10: only at parties. But there was a time when.
• 31:53
  Speaker 2: Forró was kind of... There were some fights in forró, right?
• 31:55
  Speaker 4: Who brought it together now? Everyone is saying, man, forró
• 31:58
  Speaker 4: is very united now. But there were times when... I'm
• 32:00
  Speaker 4: from the north, I said, man.
• 32:07
  Speaker 4: The jokes of the folk bands.
• 32:08
  Speaker 5: I was with you all the time!
• 32:10
  Speaker 4: I know what São Paulo is like!
• 32:12
  Speaker 6: There were those things.
• 32:14
  Speaker 5: No, not me.
• 32:15
  Speaker 6: I was with you all the time.
• 32:16
  Speaker 4: But if you don't want to, you end up enjoying it.
• 32:19
  Speaker 5: I was with you all the time.
• 32:21
  Speaker 9: There was always the joke of the plane with the
• 32:23
  Speaker 9: naughty girl. I always say that I go with the
• 32:26
  Speaker 9: naughty guy.
• 32:27
  Speaker 16: He never treated me badly.
• 32:28
  Speaker 6: He was super polite. But it was like a soccer team.
• 32:37
  Speaker 10: The fans were fighting and we were on the stage,
• 32:39
  Speaker 10: just rapping, just rote and so on.
• 32:41
  Speaker 6: But that didn't help... I think that the rivalry, in.
• 32:43
  Speaker 4: Some way, healthy or not, it helps.
• 32:49
  Speaker 4: To move it.
• 32:49
  Speaker 2: To move it.
• 32:50
  Speaker 6: Will there be people on Garoto Safado?
• 32:51
  Speaker 3: Will there be people on Avianza do Folha?
• 32:52
  Speaker 2: Then one was waiting for what.
• 32:53
  Speaker 10: The other was going to say at the other show.
• 32:56
  Speaker 10: I would slap him to see what he would say
• 32:57
  Speaker 10: about me.
• 32:58
  Speaker 6: We started this joke. It was even fun.
• 32:59
  Speaker 14: Exactly.
• 33:00
  Speaker 18: Exactly.
• 33:00
  Speaker 6: I liked it when it started to go to the songs.
• 33:02
  Speaker 6: Then one sold more tickets. Then the other said, hey,
• 33:04
  Speaker 6: I sold more. At that time it was Twitter, right?
• 33:06
  Speaker 7: Go eating there, dude.
• 33:07
  Speaker 11: Then it's just confusion coming here. But it went well,
• 33:14
  Speaker 11: thank God.
• 33:14
  Speaker 9: When you used to play in the stands, the bands
• 33:16
  Speaker 9: like Rede Ouro, Aviões, Garota Safadera, they were the examples.
• 33:20
  Speaker 9: The jokes were great. We didn't have much time for jokes.
• 33:25
  Speaker 2: But.
• 33:25
  Speaker 6: A question for all of you.
• 33:27
  Speaker 4: There used to be a rivalry.
• 33:29
  Speaker 2: Do you think it's more united now because people understand?
• 33:42
  Speaker 3: The market, or understood it all as a market, and said,
• 33:45
  Speaker 3: I think we have more to gain if we are together.
• 33:49
  Speaker 3: More to gain publicity, money, I don't know. The career
• 33:53
  Speaker 3: I think it gets longer. Did you think about that?
• 33:55
  Speaker 3: Was there any decisive moment for that to happen? I'll
• 33:57
  Speaker 3: say something here, Guilherme.
• 33:58
  Speaker 9: As I think, because today Forró has more union. You
• 34:02
  Speaker 9: saw a guy like Xande, who is here, like Wesley,
• 34:04
  Speaker 9: who we've been talking about, like the oldest artists in
• 34:07
  Speaker 9: the Northeast.
• 34:07
  Speaker 7: I think the guys matured, and matured in a good way.
• 34:10
  Speaker 9: So, for this new generation that is coming, we are
• 34:13
  Speaker 9: starting now, we are getting closer to the boys.
• 34:14
  Speaker 7: The boys were able to hug us.
• 34:16
  Speaker 2: Why?
• 34:17
  Speaker 9: Because they were already mature. So, I think the great
• 34:21
  Speaker 9: union of Forró was this. The guys understood that this
• 34:24
  Speaker 9: was going to be a group for our movement. They
• 34:25
  Speaker 9: hugged us and thank God today we have a friendship
• 34:27
  Speaker 9: that every.
• 34:28
  Speaker 6: Day is more like this.
• 34:29
  Speaker 8: It's not just on stage. That's it, the relationship was
• 34:31
  Speaker 8: between businessmen.
• 34:34
  Speaker 6: I have a song with Tarcísio. I called Tarcísio.
• 34:36
  Speaker 8: So, the relationships became more direct.
• 34:39
  Speaker 6: Before, it was... You already saw each other in... No,
• 34:41
  Speaker 6: only at the moment. Sometimes you didn't even see each
• 34:42
  Speaker 6: other in the studio. Sometimes you recorded a participation, you
• 34:45
  Speaker 6: put the voice here, the guy put it there.
• 34:46
  Speaker 4: Exactly. You didn't even see each other.
• 34:47
  Speaker 6: Today, it's not.
• 34:48
  Speaker 7: It's one talking to the other and such.
• 34:49
  Speaker 6: And so, you strengthen yourself. It strengthens you a.
• 34:51
  Speaker 8: Lot and creates new ties, you know? So, today, there
• 34:54
  Speaker 8: is that interlocutor. Sometimes, the wireless phone would harm. It's
• 35:03
  Speaker 8: because today it's not an artist for an artist, you know?
• 35:06
  Speaker 8: We are creating friendships, being all together all the time.
• 35:07
  Speaker 3: I think that what Xande said, which is something that
• 35:09
  Speaker 3: he always, when he comes to Pod Pai, he says
• 35:12
  Speaker 3: and quotes that he likes to.
• 35:15
  Speaker 2: Be close to the new generation. I think that's it, bro.
• 35:18
  Speaker 3: It's the main thing of the thing, because when the
• 35:20
  Speaker 3: old guard, I don't want to say the old guard
• 35:22
  Speaker 3: of being old.
• 35:22
  Speaker 2: The first ones.
• 35:23
  Speaker 4: The first ones who were there.
• 35:24
  Speaker 2: They refuse the novelty.
• 35:28
  Speaker 3: Because the time is an avalanche for everyone, man. It
• 35:31
  Speaker 3: will change, it will change. The planes are fucking awesome,
• 35:34
  Speaker 3: but there will be someone who will arrive at the
• 35:36
  Speaker 3: place at some point.
• 35:38
  Speaker 5: And every artist, when he's starting, he can be as
• 35:40
  Speaker 5: good as he is.
• 35:40
  Speaker 6: One more example.
• 35:41
  Speaker 8: When he gets close to a Chando, a Wesleyan, people
• 35:43
  Speaker 8: start saying, damn, look, Vitor is with Chando.
• 35:46
  Speaker 5: He's on the side of Wesleyan.
• 35:47
  Speaker 6: That's impressive.
• 35:48
  Speaker 7: And it gives a greater.
• 35:49
  Speaker 6: Weight to your presence.
• 35:54
  Speaker 2: I think that's it.
• 35:56
  Speaker 6: The coffee is here. The coffee is here.
• 35:58
  Speaker 5: The coffee is here.
• 35:59
  Speaker 6: The coffee is here.
• 36:00
  Speaker 5: The coffee is here.
• 36:01
  Speaker 6: The coffee is here.
• 36:12
  Speaker 2: It's nothing, man.
• 36:13
  Speaker 6: You are coffee.
• 36:14
  Speaker 5: You think Vitor... Maninho, are.
• 36:16
  Speaker 6: You going to drink coffee?
• 36:17
  Speaker 2: I think it's coke.
• 36:18
  Speaker 5: I'm going to drink coffee too.
• 36:19
  Speaker 6: Coffee with ice.
• 36:20
  Speaker 5: Coffee with ice.
• 36:21
  Speaker 2: Coffee with ice.
• 36:22
  Speaker 4: Cold coffee, man.
• 36:23
  Speaker 6: In Europe, now, it's a trend. And we, going back
• 36:24
  Speaker 6: to the subject... I don't drink coffee.
• 36:25
  Speaker 4: Please, man.
• 36:26
  Speaker 9: Xande is a guy with such an open mind, with
• 36:29
  Speaker 9: this youth, that whoever.
• 36:30
  Speaker 6: Shows Xande's repertoire today is your boy, right? we need
• 36:39
  Speaker 6: to get to know each other and see each.
• 36:40
  Speaker 20: Other here bro I think we've seen each other quickly
• 36:44
  Speaker 20: I remember I remember quickly he talked to me there
• 36:46
  Speaker 20: but I stay the invitation for you to come here
• 36:47
  Speaker 20: bro if you're in São Paulo you don't need to
• 36:49
  Speaker 20: be when your father comes where's the camera he faints.
• 36:54
  Speaker 3: There's an invitation if you're here in São Paulo come
• 36:57
  Speaker 3: here the invitation that he likes right give a greeting
• 37:00
  Speaker 3: before come here for God's sake Why do you listen.
• 37:05
  Speaker 11: To him so much?
• 37:05
  Speaker 10: My son is a guy who listens to Luis Gonzaga
• 37:08
  Speaker 10: and Matuê.
• 37:08
  Speaker 6: He's 18 years old now in March. And I want
• 37:10
  Speaker 6: to know what his kids are listening to.
• 37:11
  Speaker 10: We have a house in Lagoa that has 20 of
• 37:14
  Speaker 10: his friends. I stay away from them. He listens to
• 37:23
  Speaker 10: Calcinha Preta, he listens to Will, he listens to Teto,
• 37:25
  Speaker 10: then he goes back to Forró das Antigas, then he
• 37:28
  Speaker 10: listens to Tatisio, and so on. So I want to
• 37:31
  Speaker 10: hear what they're listening to.
• 37:32
  Speaker 6: It's very antennaed. It's not that he doesn't like.
• 37:34
  Speaker 10: Forró, he listens to Forró in a different way. He says, dad,
• 37:37
  Speaker 10: play this song here, it's cool. So whoever is making
• 37:40
  Speaker 10: my repertoire today, 50% is him.
• 37:42
  Speaker 11: Dad, play this song here. It's been a long time
• 37:44
  Speaker 11: since he's done it.
• 37:44
  Speaker 6: How old is he?
• 37:45
  Speaker 4: He's going to be 18 now. He's a new guy,
• 37:49
  Speaker 4: he already has this vision.
• 37:50
  Speaker 11: He composes, he's singing, he already has songs on Spotify.
• 37:53
  Speaker 2: He already composes?
• 37:53
  Speaker 12: A lot.
• 37:54
  Speaker 7: He plays keyboard, right?
• 37:55
  Speaker 6: Yes, he plays. He learned it by himself. He came
• 37:57
  Speaker 6: to retire you. Yes, I'm proud of my dad.
• 37:59
  Speaker 4: He's already retired!
• 38:00
  Speaker 6: He's retired again! He's retired again!
• 38:02
  Speaker 5: He's retired again! He's retired again!
• 38:05
  Speaker 6: He's retired again! He's retired again! He's retired again! He's
• 38:10
  Speaker 6: retired again! He's retired again! He's retired again! He's retired again!
• 38:14
  Speaker 6: He's retired again! Look at the view I used to
• 38:19
  Speaker 6: have today, if God allows it. There's no lack of food,
• 38:21
  Speaker 6: thank God.
• 38:22
  Speaker 11: Amen.
• 38:22
  Speaker 6: You've already bought a farm. Thank God. Look, I don't
• 38:24
  Speaker 6: have a farm. Because I don't want to.
• 38:26
  Speaker 4: No, because I can't.
• 38:27
  Speaker 6: Because I can't. You can, yes. And Aras. Ah, stop, Chando.
• 38:38
  Speaker 6: It's with water. He doesn't want to tell anyone. It's
• 38:40
  Speaker 6: with water. He bought 1,000 cabbages at once.
• 38:43
  Speaker 2: At once?
• 38:43
  Speaker 12: At once.
• 38:44
  Speaker 6: It was his secret. He posted it on Facebook. He
• 38:46
  Speaker 6: was doing it in the morning and he sent me
• 38:48
  Speaker 6: cabbages every night. I'm not lying.
• 38:50
  Speaker 2: Man... Amen.
• 38:51
  Speaker 6: Thanks to God. That's it. But, you know.
• 38:53
  Speaker 4: Thanks to God.
• 38:54
  Speaker 5: I went to sleep.
• 38:54
  Speaker 10: I shaved my hair with flour, right? To go to
• 38:57
  Speaker 10: sleep and not... That's what I had. And today, if
• 39:01
  Speaker 10: I get to my city, But it's only at the beginning.
• 39:08
  Speaker 10: I understand what he's saying. Where we come from, we
• 39:10
  Speaker 10: come from a humble family. I know that in my head,
• 39:20
  Speaker 10: I understand what he's saying. Where we come from, we
• 39:21
  Speaker 10: come from a humble family. I know that in my
• 39:23
  Speaker 10: house I didn't have energy. I came to watch television
• 39:25
  Speaker 10: after 12 years of age. So, in my head, the wealth,
• 39:27
  Speaker 10: to be honest, is to have something to eat. It's
• 39:29
  Speaker 10: not like you live in Miami, you have a car
• 39:31
  Speaker 10: in the garage.
• 39:41
  Speaker 6: It's me waking him up and.
• 39:43
  Speaker 8: Telling him that I want to eat a pizza.
• 39:45
  Speaker 6: I think the first time you participated was with us.
• 39:47
  Speaker 6: You chose to eat. I think that's what wealth is.
• 39:49
  Speaker 6: Even because our fathers worked for that.
• 39:51
  Speaker 7: My father worked here for 30 years in São Paulo.
• 39:52
  Speaker 6: Here on the side. My father worked there and I made.
• 39:54
  Speaker 11: The load for him.
• 40:04
  Speaker 7: My father's ideology was to fill the closet. Regardless of
• 40:07
  Speaker 7: other things.
• 40:07
  Speaker 6: Because there's luxury. There's food. It's a fair.
• 40:09
  Speaker 7: The luxury at home was when I didn't buy milk.
• 40:11
  Speaker 6: You ate the raw beef. You ate the raw beef.
• 40:13
  Speaker 6: In a spoon like this. Until today.
• 40:23
  Speaker 4: Until today.
• 40:23
  Speaker 12: Until today.
• 40:23
  Speaker 5: Until today.
• 40:44
  Speaker 6: This month is going to be a blast. I really
• 40:46
  Speaker 6: like to record things, you know?
• 40:47
  Speaker 10: I have a video here that I sent to Dário,
• 40:49
  Speaker 10: my boss, who is a guy I respect a lot.
• 40:51
  Speaker 10: I love him from the bottom of my heart. Dário
• 40:54
  Speaker 10: was my first contract, right?
• 40:55
  Speaker 6: I told you, it's true. At the flight's house in Araripina,
• 40:58
  Speaker 6: we did a great show.
• 40:59
  Speaker 9: I recorded a video showing him that the tank was
• 41:02
  Speaker 9: dry and I also showed.
• 41:02
  Speaker 6: The pantry, there was nothing to eat.
• 41:04
  Speaker 10: I said, brother, If you can help me, I can't
• 41:12
  Speaker 10: record anything because my clothes are dirty. I showed the
• 41:15
  Speaker 10: dry tank and I showed the food. I said, if
• 41:17
  Speaker 10: you can help me, I know we're talking right now.
• 41:19
  Speaker 10: I'm not recording your videos because my clothes are dirty.
• 41:22
  Speaker 10: And the guy helped me, you know? So, I'm very
• 41:31
  Speaker 10: grateful to him. And as Chanto said, man, my greatest
• 41:34
  Speaker 10: wealth today is to open the closet in the car
• 41:36
  Speaker 10: and have crème crème cookies.
• 41:37
  Speaker 1: Choose, right, man?
• 41:38
  Speaker 2: Choose, understand?
• 41:39
  Speaker 6: But let's ask a question about your sound. You're one
• 41:41
  Speaker 6: of the youngest.
• 41:42
  Speaker 4: You're the youngest here.
• 41:44
  Speaker 2: And your sound, I think, of all.
• 41:51
  Speaker 3: It has a peculiarity, it is more different, it seems
• 41:53
  Speaker 3: to be the most current, what I mean by current,
• 41:56
  Speaker 3: because you are younger, you are closer to this 18-year-old generation,
• 42:00
  Speaker 3: when you started your sound, did you think, like I
• 42:03
  Speaker 3: said to Xande here, I'm going to come in another outfit,
• 42:06
  Speaker 3: or I'm going in this that I believe, because your
• 42:09
  Speaker 3: forró is similar to funk there, you know? I at
• 42:12
  Speaker 3: least think, what do you think of that?
• 42:15
  Speaker 6: Boy, it was that footprint, right? We.
• 42:19
  Speaker 10: I always wanted to keep this idea, you know? Like,
• 42:21
  Speaker 10: I'm a vaqueiro, but like, to sustain.
• 42:22
  Speaker 6: This punch that I like, you know? This sound. It's
• 42:25
  Speaker 6: a vaquejada, it's a vaquejada... It's a pop vaquejada. It's
• 42:27
  Speaker 6: a pop vaquejada.
• 42:29
  Speaker 7: Exactly.
• 42:30
  Speaker 11: It's exactly that.
• 42:31
  Speaker 6: Exactly that.
• 42:32
  Speaker 10: And my partner too, you know? I, with a guy
• 42:34
  Speaker 10: like this here, that I need him, I.
• 42:37
  Speaker 6: We recorded it together. And what he said is what
• 42:38
  Speaker 6: he said.
• 42:38
  Speaker 10: Maninho, you can follow this idea here because... He broke
• 42:41
  Speaker 10: the rock, that's it.
• 42:42
  Speaker 2: If Chano said like this, Maninho, please, you.
• 42:44
  Speaker 10: Need to jump in this hole here, I have to
• 42:46
  Speaker 10: jump because... Give the clock to the boy.
• 42:52
  Speaker 5: I'm a new guy, you know?
• 42:53
  Speaker 6: So I have to listen to them, listen to Tassi, Jonas,
• 42:55
  Speaker 6: the guys want more, right?
• 42:56
  Speaker 21: And your sound is very authentic, so I wanted to say,
• 42:58
  Speaker 21: for you to appear so young, in such a new sound,
• 43:00
  Speaker 21: especially talking about vaquejada, which is a cultural thing, that
• 43:02
  Speaker 21: will have the conservators, there will be people who will
• 43:05
  Speaker 21: look and say.
• 43:22
  Speaker 6: That's it, right?
• 43:23
  Speaker 2: And you kept going.
• 43:24
  Speaker 3: So, where does this strength and inspiration come from? To
• 43:28
  Speaker 3: believe so much in your sound, in your kind of sound?
• 43:31
  Speaker 3: Because it's the sound that I judged as.
• 43:33
  Speaker 6: The most different, you know? Man, I believe it was
• 43:36
  Speaker 6: God who put me to follow this line there. Because,
• 43:38
  Speaker 6: like this, right?
• 43:40
  Speaker 7: We.
• 43:40
  Speaker 8: I took a.
• 43:40
  Speaker 6: Beating, right? I didn't tell the story.
• 43:42
  Speaker 2: Normal.
• 43:42
  Speaker 6: Because, I don't even know, you judged.
• 43:44
  Speaker 7: It, right?
• 43:45
  Speaker 6: Everyone takes it. There is no victory without a battle.
• 43:47
  Speaker 4: So.
• 43:48
  Speaker 10: I've always liked this style, and I believe in God
• 43:52
  Speaker 10: a lot, you know? Because if God put this idea
• 43:54
  Speaker 10: in my head, then that's what I had to follow. So,
• 43:59
  Speaker 10: it was God who put this sound in... That's it, man,
• 44:02
  Speaker 10: you go here and... But since when do you sing?
• 44:05
  Speaker 6: Since you were a kid?
• 44:05
  Speaker 4: I sang when I didn't have anyone, right? I used
• 44:08
  Speaker 4: to catch oxen in the woods, and I used to
• 44:09
  Speaker 4: herd them.
• 44:09
  Speaker 6: Did you always sing well?
• 44:11
  Speaker 4: No. What is a boiá? What is a boiá?
• 44:19
  Speaker 6: Yeah, a boiá. Say it for us. Do a boiá.
• 44:23
  Speaker 5: Lá no bairro onde eu.
• 44:25
  Speaker 10: Moro Tenho a mulher morando Me.
• 44:31
  Speaker 14: Apaixonei por ela O ano está completando Fiquei louco, apaixonado
• 44:40
  Speaker 14: Mulher do chote apertado It's like a poem sung.
• 44:48
  Speaker 5: In fact, aboio was.
• 44:49
  Speaker 6: A way that we deal with cattle in the Northeast.
• 44:52
  Speaker 6: How beautiful. The cattle, after a while, get used to
• 44:54
  Speaker 6: who takes care of them. It's true.
• 45:02
  Speaker 7: .
• 45:09
  Speaker 9: .
• 45:13
  Speaker 7: .
• 45:16
  Speaker 6: .
• 45:21
  Speaker 9: .
• 45:26
  Speaker 3: .
• 45:32
  Speaker 10: You scream when you fight Gadi, right?
• 45:33
  Speaker 6: So, Gadi already... You know?
• 45:36
  Speaker 7: Gadi already understood.
• 45:38
  Speaker 6: It's time for me to go to the gym, you know?
• 45:40
  Speaker 6: And he goes.
• 45:41
  Speaker 10: But I tell him something like this. You have to
• 45:50
  Speaker 10: be the guy who deals with him every day. Because
• 45:52
  Speaker 10: if you go there and say, man, this Paulista is there,
• 45:54
  Speaker 10: I don't.
• 45:54
  Speaker 5: Understand the guy.
• 45:55
  Speaker 6: You're crazy, you're crazy.
• 45:58
  Speaker 22: This is so true that there is a song that
• 46:00
  Speaker 22: she says.
• 46:01
  Speaker 5: I'm going to tell a sad story of a famous hacker.
• 46:08
  Speaker 10: He worked 60 years in a cattle farm And after
• 46:11
  Speaker 10: he gets old, the boss.
• 46:12
  Speaker 5: This song says that... You guys are very talented.
• 46:14
  Speaker 6: The boss.
• 46:15
  Speaker 5: The guy worked 60 years in the farm.
• 46:17
  Speaker 2: And the boss, out of nowhere, fired him.
• 46:19
  Speaker 5: When you look at.
• 46:25
  Speaker 6: The whole place was dying.
• 46:27
  Speaker 4: I had to call the boss again.
• 46:28
  Speaker 5: I called the cowherd again. Actually, I called the cowherd again.
• 46:30
  Speaker 5: The cows were sick, they were missing.
• 46:32
  Speaker 8: Yes.
• 46:32
  Speaker 4: First hand here, for the people who don't know, I
• 46:34
  Speaker 4: was very judged.
• 46:35
  Speaker 12: Why, man?
• 46:35
  Speaker 10: It's because, like, the people see me new like this
• 46:38
  Speaker 10: and say, bro, I'm a cowherd.
• 46:39
  Speaker 6: The people think I'm not a cowherd, you know?
• 46:41
  Speaker 10: But I'm the root cowherd. I ran, I took a
• 46:43
  Speaker 10: shower in the woods. And I have some proof here
• 46:46
  Speaker 10: that I ran....
• 46:50
  Speaker 8: So prove it right away, so no one can say anything.
• 46:54
  Speaker 6: Then he arrived, he asked me, I said, what are you?
• 46:55
  Speaker 5: No, there's nothing here, my son. No, the one that was.
• 47:00
  Speaker 6: A fucking strategy was this one. You came right away isolated.
• 47:02
  Speaker 6: But I went a lot, and then I want... Look, even...
• 47:05
  Speaker 6: Look at the size I have here.
• 47:06
  Speaker 5: Ah, that's fucking awesome.
• 47:08
  Speaker 2: You were more handsome.
• 47:09
  Speaker 5: How old were you, brother?
• 47:10
  Speaker 22: 10, 7 years old?
• 47:10
  Speaker 6: I had more meat, I was more meaty.
• 47:12
  Speaker 2: I was more meaty at that time.
• 47:14
  Speaker 5: You lived with your grandmother, right, brother?
• 47:17
  Speaker 6: Did you sing at church? Didn't you sing, brother?
• 47:25
  Speaker 10: I don't know if it's to be seen all the time,
• 47:27
  Speaker 10: but I've already... You've already sung in church.
• 47:29
  Speaker 6: I sang in church. You sang in church? I was
• 47:30
  Speaker 6: born in church.
• 47:31
  Speaker 2: I remember you said that to Milano.
• 47:32
  Speaker 6: That's why he's an angel.
• 47:33
  Speaker 7: That's why he doesn't drink.
• 47:34
  Speaker 6: I sang in the church until I was 18. Evangelical.
• 47:36
  Speaker 4: I was a minister of praise.
• 47:37
  Speaker 6: I was a leader of praise.
• 47:38
  Speaker 8: I started singing in church in about 10 minutes. The
• 47:47
  Speaker 8: church is a school of singing.
• 47:48
  Speaker 2: The church is the best school of singing.
• 47:50
  Speaker 8: If the drummer is missing, you have to play the drums.
• 47:52
  Speaker 6: That's true. I used to play in the church too.
• 47:54
  Speaker 6: You used to play the drums. If the guitarist is missing,
• 47:55
  Speaker 6: you have to play. If the singer is missing, the
• 47:58
  Speaker 6: pastor comes and says, you have to sing today. So
• 48:00
  Speaker 6: you go to the church. You go there with the
• 48:02
  Speaker 6: audience and everything. The church is a school too. Sticado,
• 48:04
  Speaker 6: did you start singing since you were a child too?
• 48:07
  Speaker 6: Since you were a child singing, you said, I will
• 48:08
  Speaker 6: be a singer.
• 48:10
  Speaker 4: How was that? Man, there's no.
• 48:17
  Speaker 16: No one in the family is a musician. No one sings,
• 48:20
  Speaker 16: no one plays anything.
• 48:21
  Speaker 6: But since you were a kid, your family... This kid
• 48:24
  Speaker 6: has a.
• 48:24
  Speaker 4: He's very refined. No, in the bathroom.
• 48:26
  Speaker 8: Jonas' family is totally different from mine.
• 48:30
  Speaker 5: While Jonas' family doesn't have anyone, I think my family
• 48:33
  Speaker 5: has everyone.
• 48:33
  Speaker 7: Show it, show it.
• 48:34
  Speaker 2: There, look.
• 48:45
  Speaker 1: Legitimo Vaqueiro Raiz, damn it!
• 48:47
  Speaker 16: He's trying to dismiss me.
• 48:49
  Speaker 2: Keep going, Jonas.
• 48:50
  Speaker 5: Damn, it's been a long time.
• 48:51
  Speaker 16: I was in school. I was really in school. What
• 48:54
  Speaker 16: did you sing at that time?
• 48:56
  Speaker 6: Forró.
• 48:57
  Speaker 14: Forró.
• 48:57
  Speaker 4: What were the.
• 48:58
  Speaker 18: I think that since I dealt a lot with DVDs, recordings...
• 49:01
  Speaker 18: And the Cearenas, right, Jonas?
• 49:03
  Speaker 7: There's no way. The Northeast, right?
• 49:04
  Speaker 6: I was always very involved.
• 49:05
  Speaker 16: And the shows I went to with my friends there.
• 49:09
  Speaker 16: But I was more focused on the show.
• 49:15
  Speaker 4: Itself.
• 49:15
  Speaker 17: So I already had a passion, I already had a
• 49:18
  Speaker 17: vision for that. But when you sang, people would say, man,
• 49:20
  Speaker 17: you're very good, invest. That's when I started singing there at...
• 49:24
  Speaker 17: At school, in the breaks, even in the living.
• 49:27
  Speaker 6: Room, making the teacher angry. That's why he.
• 49:30
  Speaker 5: Sang that song. Invest in me.
• 49:33
  Speaker 12: He sang it, but he didn't have a negative condition.
• 49:36
  Speaker 2: Invest in me.
• 49:37
  Speaker 5: This story of singing at school is very cool.
• 49:40
  Speaker 16: And then I started.
• 49:42
  Speaker 6: I worked during the.
• 49:43
  Speaker 16: Day, I studied at night.
• 49:44
  Speaker 10: I was already 17 years old, 18. I was close
• 49:46
  Speaker 10: to finishing my studies.
• 49:48
  Speaker 4: Juazeiro.
• 49:49
  Speaker 10: Then I started to miss classes. And your family, no
• 49:51
  Speaker 10: one is a musician. And how did it happen?
• 49:53
  Speaker 6: No one supported you. Yeah, for you to have the incentive.
• 49:56
  Speaker 16: Man, no one supported me.
• 49:58
  Speaker 6: Was your mother your father?
• 50:00
  Speaker 18: No, like, when I decided, I was already finished with
• 50:03
  Speaker 18: my studies, I was going to start a course there
• 50:05
  Speaker 18: to try college. And at home, my mother was like,
• 50:07
  Speaker 18: are you going to be a doctor or.
• 50:09
  Speaker 6: You have to be a doctor!
• 50:11
  Speaker 4: A priest?
• 50:11
  Speaker 5: That's the thing!
• 50:12
  Speaker 6: My mother is very catholic! From one extreme to the other!
• 50:16
  Speaker 6: A doctor and a priest!
• 50:17
  Speaker 8: My mother is the dream of my life! My son
• 50:19
  Speaker 8: is a doctor and a priest!
• 50:22
  Speaker 16: That's right!
• 50:22
  Speaker 4: And then I.
• 50:22
  Speaker 16: Unfortunately I won't give him this.
• 50:24
  Speaker 4: The doctor is complicated, the priest too!
• 50:26
  Speaker 2: This dream will come true!
• 50:26
  Speaker 4: And then.
• 50:27
  Speaker 18: It was kind of a shock when I got there
• 50:29
  Speaker 18: to say that... I was going to close the course
• 50:33
  Speaker 18: there and start... To run after the dream that was music!
• 50:36
  Speaker 16: And it was a challenge, right?
• 50:39
  Speaker 18: I worked as a salesman with my stepfather during the
• 50:41
  Speaker 18: day at the Central Market in Juazeiro. How long did
• 50:45
  Speaker 18: it take from the moment you.
• 50:47
  Speaker 1: Said you became a singer to the moment you said
• 50:50
  Speaker 1: you were earning money?
• 50:51
  Speaker 4: When I decided, I already did shows for 500, 600 reais,
• 50:53
  Speaker 4: I took some money from there.
• 51:03
  Speaker 16: It was more like going back to the band than
• 51:05
  Speaker 16: to my pocket.
• 51:06
  Speaker 18: I always had a battery pack to buy, a stick,
• 51:08
  Speaker 18: I don't know what, a broken plate.
• 51:09
  Speaker 11: You had to pay the musicians.
• 51:11
  Speaker 16: Yeah, you had to pay the musicians. The guys didn't
• 51:13
  Speaker 16: play for free.
• 51:14
  Speaker 6: I sang for free. The guys didn't sing. It was
• 51:16
  Speaker 6: a dream, right?
• 51:16
  Speaker 8: So, until the opportunity appeared, which was when I recorded
• 51:19
  Speaker 8: a political jingle, and then things started to happen from there.
• 51:24
  Speaker 7: Really?
• 51:24
  Speaker 4: Why did this jingle become famous?
• 51:26
  Speaker 18: Because it was a jingle for the candidate for governor
• 51:30
  Speaker 18: of the state of Ceará at the time. And I
• 51:33
  Speaker 18: think Safadão came out in support of the other candidate.
• 51:36
  Speaker 16: He posted and everything. He did support. Then the people
• 51:39
  Speaker 16: kind of.
• 51:39
  Speaker 11: He started to compare the voices. He started to compare
• 51:42
  Speaker 11: the voices.
• 51:43
  Speaker 10: The people started, man, how does Safadão support one candidate
• 51:45
  Speaker 10: and record the song for the other?
• 51:46
  Speaker 6: You heard, right? I remember, I remember. I don't remember anymore.
• 51:50
  Speaker 6: I don't know how to differentiate.
• 51:52
  Speaker 16: If you were smart, you surfed on that.
• 51:53
  Speaker 10: And then my partner, who is my partner to this day, Yuri,
• 52:01
  Speaker 10: He was in a Whatsapp group and bet with a guy,
• 52:03
  Speaker 10: a thousand.
• 52:04
  Speaker 8: Reais, saying he was the crook. And this guy was
• 52:08
  Speaker 8: a friend of mine, the guy said, look, you have
• 52:10
  Speaker 8: a video there, singing the song.
• 52:12
  Speaker 6: I said, boy, I have.
• 52:13
  Speaker 16: You can send it to me and stuff. I sent it.
• 52:16
  Speaker 18: Then Yuri lost the thousand reais in this bet, but
• 52:18
  Speaker 18: at the.
• 52:19
  Speaker 7: Same time, Yuri already called me.
• 52:20
  Speaker 5: Dude, he gave less than a hundred to you.
• 52:23
  Speaker 6: He didn't give anything. He didn't give anything.
• 52:25
  Speaker 18: The only thing I earned in time was the two
• 52:27
  Speaker 18: hundred reais I spent to record the song, put the voice, right?
• 52:30
  Speaker 6: So, Yuri lost a thousand.
• 52:31
  Speaker 10: At the same time, Yuri already called me to have
• 52:34
  Speaker 10: lunch at a restaurant.
• 52:36
  Speaker 16: There in Juazeiro.
• 52:37
  Speaker 8: And then he asked me to record another jingle, if
• 52:40
  Speaker 8: I'm not mistaken, at the time. And then our relationship was.
• 52:43
  Speaker 18: He was already doing events there, he had already done
• 52:46
  Speaker 18: the show of Chani.
• 52:47
  Speaker 8: But now you have already clarified this, so there is
• 52:50
  Speaker 8: no more fight, right?
• 52:51
  Speaker 16: What fight?
• 52:52
  Speaker 6: No, there is no more.
• 52:54
  Speaker 5: I'm saying to enter the rounds. Oh yes, there is
• 52:55
  Speaker 5: no more.
• 52:56
  Speaker 10: I just didn't like how the guy won a thousand.
• 52:58
  Speaker 6: He asked for the video.
• 52:58
  Speaker 7: He proved it.
• 53:00
  Speaker 6: He won the money. He got out of here for
• 53:03
  Speaker 6: a hundred. I was even knowing from the bet when
• 53:05
  Speaker 6: he lost.
• 53:05
  Speaker 16: Then he would have spent the money. So I sent
• 53:12
  Speaker 16: the video.
• 53:13
  Speaker 4: So it was Dingo who started the thing. That's crazy, man.
• 53:15
  Speaker 16: When I started, I was doing bigger shows.
• 53:18
  Speaker 6: So at the.
• 53:18
  Speaker 1: Beginning of your career, there was a lot of comparison,
• 53:21
  Speaker 1: this thing.
• 53:22
  Speaker 4: At.
• 53:22
  Speaker 8: The beginning, there was. There was a lot. But then,
• 53:25
  Speaker 8: that thing, I always said that... Safadão got in touch
• 53:28
  Speaker 8: with you at the time? No, I remember that Safadão,
• 53:31
  Speaker 8: in time, he didn't know me, he answered a comment
• 53:34
  Speaker 8: on Instagram that the guys posted, just talking about it,
• 53:38
  Speaker 8: how he supports a candidate.
• 53:40
  Speaker 18: and record the song for someone else. He answered just
• 53:42
  Speaker 18: saying that it wasn't him, he didn't know me at
• 53:44
  Speaker 18: the time.
• 53:44
  Speaker 4: And then.
• 53:45
  Speaker 18: That's it. I recorded, after that, another jingle. I made
• 53:51
  Speaker 18: a partnership with Yuri and we're together until today.
• 53:54
  Speaker 4: I think it's cool, man. But from then on, you go.
• 53:56
  Speaker 8: I was recording songs more my style, I like to
• 53:59
  Speaker 8: sing more romantic songs. Safadão was always for a more
• 54:02
  Speaker 8: lively footprint and such. And then the guys got to know.
• 54:04
  Speaker 10: Each other and started separating more things, you know?
• 54:07
  Speaker 16: It's like... I don't know, when.
• 54:10
  Speaker 18: Henrique Juliano and Jorge, the guys compared a lot at
• 54:13
  Speaker 18: the beginning.
• 54:14
  Speaker 16: Henrique Juliano and Jorge Matheus.
• 54:15
  Speaker 8: There are singers who fake to look like the voice,
• 54:18
  Speaker 8: but João is not faked, he is because he is
• 54:20
  Speaker 8: really similar.
• 54:20
  Speaker 11: He didn't fake to.
• 54:21
  Speaker 6: Look like Safadão.
• 54:22
  Speaker 16: It was the team, it was the accent.
• 54:24
  Speaker 9: As well, at the beginning he reminded me a lot
• 54:27
  Speaker 9: of Xande.
• 54:28
  Speaker 5: But you were bald?
• 54:28
  Speaker 4: No, no, no.
• 54:29
  Speaker 5: He was my favorite artist.
• 54:31
  Speaker 6: You listen to him a lot.
• 54:33
  Speaker 2: I just miss this, Mítico.
• 54:34
  Speaker 5: What?
• 54:35
  Speaker 4: Forrozeiro was hairy.
• 54:36
  Speaker 2: They were hairy.
• 54:36
  Speaker 6: He had a horse tail, brother.
• 54:38
  Speaker 2: Or he had his hair smooth and slippery.
• 54:40
  Speaker 6: Was it very.
• 54:41
  Speaker 4: Difficult for you to cut yours at the time?
• 54:43
  Speaker 6: It was nothing, it was a relief.
• 54:45
  Speaker 7: But the audience was all.
• 54:47
  Speaker 5: The audience didn't say, don't cut! Imagine the idea of
• 54:50
  Speaker 5: a show like that, with a hairy guy of that size.
• 54:52
  Speaker 6: My partners.
• 54:52
  Speaker 11: And it wasn't mine, it was Mega Ré, man.
• 54:56
  Speaker 4: Are you kidding me?
• 54:57
  Speaker 6: It's a curiosity. Stop it, man. Stop it. Stop it.
• 55:02
  Speaker 5: Stop it.
• 55:03
  Speaker 2: Stop it.
• 55:03
  Speaker 5: Stop it.
• 55:04
  Speaker 4: Stop it.
• 55:05
  Speaker 6: Stop it.
• 55:05
  Speaker 5: Stop it.
• 55:06
  Speaker 6: Stop it.
• 55:06
  Speaker 4: Stop it. Stop it.
• 55:07
  Speaker 6: Stop it. Stop it.
• 55:08
  Speaker 9: Stop it.
• 55:08
  Speaker 6: Stop it. Stop it.
• 55:19
  Speaker 8: Gaviões do Forró, and Vicente Neves, full of girls, I'm
• 55:21
  Speaker 8: a big fan of him.
• 55:22
  Speaker 6: He's here!
• 55:22
  Speaker 4: He's here!
• 55:23
  Speaker 10: Big hair, and then Isaia said, you're going to have
• 55:25
  Speaker 10: to put on big hair.
• 55:26
  Speaker 6: I said, let's go, at the time, I thought it
• 55:27
  Speaker 6: was going to stop growing, right?
• 55:29
  Speaker 5: At that time, there was hair, wasn't there?
• 55:30
  Speaker 6: Total, I thought it was going to stop growing. I
• 55:32
  Speaker 6: thought it was going to stop growing.
• 55:34
  Speaker 10: Isaia calls me, I'm here from the salon, I come here,
• 55:36
  Speaker 10: what do you do? Put on the hair, I said,
• 55:37
  Speaker 10: what hair, man? I came from Apudim, I didn't even
• 55:39
  Speaker 10: know that you could put on the hair. And your
• 55:41
  Speaker 10: hair wasn't short like that? No, it was a little
• 55:42
  Speaker 10: big like yours, I was trying to let it grow,
• 55:45
  Speaker 10: but it was horrible. I know I spent from 8
• 55:46
  Speaker 10: in the morning to midnight to put on this hair,
• 55:48
  Speaker 10: my brother. The woman who tied the thing with her hands.
• 55:50
  Speaker 6: I didn't know that.
• 55:52
  Speaker 5: When I looked in the mirror, I said, what a disgrace.
• 55:54
  Speaker 6: Then I wanted to make money, I stayed, right? I
• 55:56
  Speaker 6: knew that he told me on his birthday.
• 55:59
  Speaker 7: He gave me a job to wash my hair, to sleep.
• 56:01
  Speaker 6: I know that in 2007... Horrible. Horrible.
• 56:02
  Speaker 4: Horrible.
• 56:11
  Speaker 5: It's like Saquen cleaning when he spends 10 days.
• 56:13
  Speaker 6: I know that in.
• 56:14
  Speaker 10: The first Fortaleza concert I went to play on top
• 56:16
  Speaker 10: of the trio, Isa looked at me and my wife
• 56:18
  Speaker 10: said like this, let's take.
• 56:19
  Speaker 6: This hair off?
• 56:21
  Speaker 5: I said now.
• 56:22
  Speaker 10: She took it off, but when I got on top
• 56:23
  Speaker 10: of the trio, Isaia saw, you took the hair off,
• 56:24
  Speaker 10: you're going to lose the success.
• 56:27
  Speaker 6: I said, I'm not Sansão, son of a bitch.
• 56:31
  Speaker 5: No, it's ok.
• 56:31
  Speaker 6: Your image is over.
• 56:32
  Speaker 7: Let's go.
• 56:32
  Speaker 5: You're crazy, man.
• 56:33
  Speaker 6: And the worst thing was the woman who took your
• 56:36
  Speaker 6: hair off. It was Lisa.
• 56:37
  Speaker 5: She took it off.
• 56:37
  Speaker 6: If she had turned it off, I would have been
• 56:39
  Speaker 6: hunting for a video. He's still hunting for a video.
• 56:41
  Speaker 6: My brother, they lent it to Moninho.
• 56:43
  Speaker 5: It can't be. He took it off. Where are you?
• 56:44
  Speaker 2: He took a pill.
• 56:45
  Speaker 5: He took a pill. Look at the expensive one he gave.
• 56:58
  Speaker 6: We know he's a vaqueiro.
• 57:00
  Speaker 4: He wants to.
• 57:01
  Speaker 6: Take the ball to the game.
• 57:02
  Speaker 10: I want to take the ball to the game.
• 57:04
  Speaker 6: It's a thing that people have to know.
• 57:06
  Speaker 7: It's true.
• 57:06
  Speaker 6: It's a thing that few people know.
• 57:13
  Speaker 7: Like my boys, Dinho and Lulinha.
• 57:14
  Speaker 4: They're good.
• 57:15
  Speaker 6: They're really good. Send them a kiss. They're recording a
• 57:17
  Speaker 6: DVD today.
• 57:18
  Speaker 11: They're recording a DVD in São Paulo.
• 57:19
  Speaker 6: Dinho and Lulinha. Sit down and explain to us. What happened?
• 57:21
  Speaker 6: A ox came out and you went after it. It's
• 57:22
  Speaker 6: like this, the ox catch is.
• 57:24
  Speaker 2: Different from the cow dung, you know?
• 57:26
  Speaker 6: The ox catch, you have to let the ox out
• 57:28
  Speaker 6: in the woods.
• 57:28
  Speaker 10: You have to catch it in the woods in less time,
• 57:31
  Speaker 10: because it's the foot of the sheep.
• 57:39
  Speaker 6: On this day here, I even entered in a vacancy.
• 57:41
  Speaker 11: Pedre Mourão is a tree, right? It's eight.
• 57:45
  Speaker 6: And damn, it's really cool. So, like this, it's in
• 57:47
  Speaker 6: less than a minute in the woods.
• 57:48
  Speaker 10: So you run in the woods there, the cattle behind
• 57:52
  Speaker 10: the ox, the boar, where the ox makes the cross,
• 57:54
  Speaker 10: the cattle, right?
• 57:56
  Speaker 6: In the woods.
• 57:56
  Speaker 5: So if you have a very.
• 57:58
  Speaker 6: Good cart, The horse didn't hurt the raccoon too much,
• 58:02
  Speaker 6: you know? And that's what bullfrog is. There are few
• 58:03
  Speaker 6: people who don't know bullfrog, right? It's like going into
• 58:05
  Speaker 6: a closed forest.
• 58:05
  Speaker 5: It's like going into a forest, a closed forest.
• 58:06
  Speaker 6: It's like going into a forest, a closed forest. It's
• 58:08
  Speaker 6: like going into a forest, a closed forest. It's like
• 58:09
  Speaker 6: going into a forest, a closed forest.
• 58:10
  Speaker 5: It's like going into a forest, a closed forest.
• 58:11
  Speaker 6: It's like going into a forest, a closed forest. It's
• 58:12
  Speaker 6: like going into a forest, a closed forest. It's like
• 58:13
  Speaker 6: going into a forest, a closed forest.
• 58:14
  Speaker 5: It's like going into a forest, a closed forest.
• 58:15
  Speaker 4: It's like going into a forest, a closed forest.
• 58:16
  Speaker 6: It's like going into a forest, a closed forest.
• 58:17
  Speaker 10: It's like going into a forest, a closed forest. It's
• 58:19
  Speaker 10: like going into a forest, a closed forest. It's like
• 58:20
  Speaker 10: going into a forest, a closed forest. It's like going
• 58:21
  Speaker 10: into a forest, a closed It's because of the.
• 58:23
  Speaker 6: Fights I've had in the woods, you know? And Gui Lulinha,
• 58:25
  Speaker 6: Ramon Madin.
• 58:26
  Speaker 5: The guys are real cowboys.
• 58:27
  Speaker 6: They run in the woods. The bullfighting in the woods
• 58:29
  Speaker 6: started like this.
• 58:30
  Speaker 9: In the past, When the people would take the cattle
• 58:35
  Speaker 9: from one place to another, sometimes one or two oxen
• 58:38
  Speaker 9: would disappear.
• 58:39
  Speaker 7: They would explode, right?
• 58:40
  Speaker 9: They would explode. They would stay in the woods. After
• 58:43
  Speaker 9: they stayed in.
• 58:44
  Speaker 6: The woods, they would turn into... From the woods.
• 58:46
  Speaker 4: Yeah.
• 58:46
  Speaker 6: They would go crazy. They would go crazy. They wouldn't
• 58:49
  Speaker 6: play with anyone else.
• 58:50
  Speaker 7: So, the farmer.
• 58:51
  Speaker 9: The farmer, who was the boss, would pay. He would
• 58:54
  Speaker 9: gather 20, 30 cows.
• 58:55
  Speaker 6: He would pay a price.
• 58:55
  Speaker 9: If you take this ox, I will pay so much
• 58:57
  Speaker 9: for you, you know? That's where the ox catch in
• 58:59
  Speaker 9: the woods came from.
• 59:00
  Speaker 10: Like this, the only farmers are those who run in
• 59:03
  Speaker 10: the woods.
• 59:03
  Speaker 6: I even want to send a.
• 59:04
  Speaker 8: Hug to all the people who run in the woods.
• 59:05
  Speaker 6: Congratulations for the courage courage. You are.
• 59:11
  Speaker 7: Run in the woods catching oxen, right?
• 59:13
  Speaker 6: Because there are some guys who run in the woods
• 59:17
  Speaker 6: and hide. Hiding from the police, right?
• 59:19
  Speaker 5: They have a good story.
• 59:21
  Speaker 6: So tell the ones who run in the woods. It's
• 59:24
  Speaker 6: the reality of Brazil.
• 59:25
  Speaker 10: On this same day, in this video that I showed you,
• 59:29
  Speaker 10: I was running.
• 59:30
  Speaker 5: A cow there, and my horse missed the cow, right?
• 59:33
  Speaker 4: Crazy horse, huh?
• 59:34
  Speaker 6: He missed the cow. I'm my horse. Sorry, I made
• 59:36
  Speaker 6: a mistake.
• 59:37
  Speaker 4: No, no, no.
• 59:37
  Speaker 10: It's because he speaks in the language of the R.
• 59:40
  Speaker 6: Brother, this is very good.
• 59:41
  Speaker 5: Have you seen those.
• 59:42
  Speaker 6: Videos on TikTok that are like this? Brazilian.
• 59:45
  Speaker 5: Good morning, how are you?
• 59:46
  Speaker 4: I don't know.
• 59:47
  Speaker 6: It's going to rain there.
• 59:58
  Speaker 2: In English, it's like rain. In Northeastern, it's like.
• 1:00:01
  Speaker 1: This is very good, man!
• 1:00:05
  Speaker 22: I wanted to say the same thing!
• 1:00:08
  Speaker 6: This is very good, man! This R in the throat
• 1:00:11
  Speaker 6: is very good.
• 1:00:12
  Speaker 2: It's like the one in the throat.
• 1:00:13
  Speaker 10: And I don't want to change it, because that's what
• 1:00:14
  Speaker 10: differentiates us.
• 1:00:15
  Speaker 22: Chant knows that there are partners in the world of music,
• 1:00:17
  Speaker 22: and people correct me a lot.
• 1:00:19
  Speaker 6: You're an artist, you can't say that. You know how
• 1:00:29
  Speaker 6: it is, right, Chando?
• 1:00:30
  Speaker 10: Everybody knows Tarcísio. But people keep correcting me.
• 1:00:33
  Speaker 6: I say, man, I have to get into the world.
• 1:00:36
  Speaker 9: Of others now to... And when people keep correcting me,
• 1:00:38
  Speaker 9: I say, if I'm wrong, correct me.
• 1:00:39
  Speaker 6: And if you don't do what people want, you're going
• 1:00:41
  Speaker 6: to turn into a mounted artist, right?
• 1:00:42
  Speaker 5: Yeah, it's boring, right, bro? It's going to be common.
• 1:00:49
  Speaker 9: As Victor Fernandes used to say, right, my friend?
• 1:00:53
  Speaker 6: It's a lie, you can prepare that it's a lie.
• 1:00:55
  Speaker 7: We didn't win or lose, at least we participated.
• 1:00:59
  Speaker 10: But that's it, the bullfight. And my horse, the cow, right?
• 1:01:02
  Speaker 10: The cow got in the corner and the horse couldn't
• 1:01:05
  Speaker 10: correct where the cow got in. And someone passed over,
• 1:01:08
  Speaker 10: passed over me.
• 1:01:09
  Speaker 6: My partner who came after, passed over and I... There
• 1:01:11
  Speaker 6: he is, right?
• 1:01:12
  Speaker 16: Son of a bitch.
• 1:01:19
  Speaker 6: You can't say anything else. That's right. You can't say
• 1:01:20
  Speaker 6: anything else. He's angry.
• 1:01:21
  Speaker 17: He's angry.
• 1:01:22
  Speaker 6: But Maninho is the root.
• 1:01:23
  Speaker 5: I remember the first concert you participated in was with us.
• 1:01:24
  Speaker 6: Wasn't it in Fortaleza?
• 1:01:26
  Speaker 5: Yes.
• 1:01:26
  Speaker 8: He went up and we played with the band. He
• 1:01:28
  Speaker 8: went up and he couldn't... He got nervous because he
• 1:01:30
  Speaker 8: heard the drums on stage. I remember that you couldn't
• 1:01:40
  Speaker 8: get anything because it was just the keyboard. I even
• 1:01:43
  Speaker 8: told Armando, who is the entrepreneur, that it would work
• 1:01:46
  Speaker 8: because he is very authentic.
• 1:01:48
  Speaker 6: When Maninho started, Armando was already an entrepreneur, my god.
• 1:02:20
  Speaker 2: He is, to this day.
• 1:02:22
  Speaker 5: He didn't lose his roots.
• 1:02:23
  Speaker 6: He won the Grammy, right, brother? With the forró. Just that.
• 1:02:26
  Speaker 5: Just that.
• 1:02:27
  Speaker 6: How many years has this legend? Twenty years? How old
• 1:02:30
  Speaker 6: is João? If I'm not mistaken, he's 23, right?
• 1:02:32
  Speaker 2: 22.
• 1:02:32
  Speaker 6: 22, 23 years and won the Grammy. You know?
• 1:02:34
  Speaker 7: I think what João Gomes is going to do... I
• 1:02:35
  Speaker 7: think we have no idea yet.
• 1:02:36
  Speaker 4: He's going to beat Roberto Carlos.
• 1:02:38
  Speaker 7: That's right.
• 1:02:48
  Speaker 11: I was on a podcast one week ago.
• 1:02:49
  Speaker 6: Marisa Monte, right?
• 1:02:50
  Speaker 19: Yes.
• 1:02:52
  Speaker 6: No, your Jorge went to talk to the guy. The
• 1:02:55
  Speaker 6: guy is flying.
• 1:02:55
  Speaker 5: Xande gave an interview here.
• 1:02:57
  Speaker 10: I was on the podcast, one week before winning the Grammy,
• 1:02:59
  Speaker 10: I said, Xande, who is the guy you think is
• 1:03:01
  Speaker 10: the best in forró? I said, man, for me it's
• 1:03:02
  Speaker 10: João Gomes. For me João Gomes is the new Luiz Gonzaga.
• 1:03:05
  Speaker 10: I said it without fear of making mistakes. The third
• 1:03:07
  Speaker 10: stick in me on the internet. It's getting crazy. João
• 1:03:09
  Speaker 10: Gomes will never be Luiz Gonzaga. I didn't understand what
• 1:03:12
  Speaker 10: he was going to say. No one is going to
• 1:03:13
  Speaker 10: take over Luiz Gonzaga. But today in the Northeast, talking
• 1:03:16
  Speaker 10: about forró, no one is bigger than João Gomes, in
• 1:03:18
  Speaker 10: my opinion.
• 1:03:19
  Speaker 23: He's in every corner.
• 1:03:19
  Speaker 6: The guy is awesome. He has friends all over the place.
• 1:03:22
  Speaker 6: He's very Nordeste.
• 1:03:23
  Speaker 7: He's very Nordeste.
• 1:03:24
  Speaker 5: He's very Nordeste.
• 1:03:25
  Speaker 6: He's very Nordeste. He's very Nordeste.
• 1:03:27
  Speaker 4: He's very Nordeste.
• 1:03:27
  Speaker 6: He's very Nordeste.
• 1:03:29
  Speaker 7: He's very Nordeste.
• 1:03:30
  Speaker 6: He's very Nordeste. He's very Nordeste. He's very Nordeste. He's
• 1:03:33
  Speaker 6: very Nordeste. He's very Nordeste.
• 1:03:34
  Speaker 4: He's very Nordeste. He's very Nordeste.
• 1:03:35
  Speaker 6: He's very Nordeste. He's very Nordeste.
• 1:03:46
  Speaker 8: I told everyone that it would be a huge success,
• 1:03:49
  Speaker 8: that no one would believe.
• 1:03:50
  Speaker 5: That the people would be left without understanding.
• 1:03:53
  Speaker 4: And why did you say that?
• 1:03:54
  Speaker 6: That first live, man.
• 1:03:55
  Speaker 4: Why did you say that?
• 1:03:56
  Speaker 11: You invited me, remember? It was the first time he sang,
• 1:03:58
  Speaker 11: in Fortaleza, from your song.
• 1:03:59
  Speaker 10: At the time he saw me, he grabbed me and said,
• 1:04:01
  Speaker 10: chão de avião, he knelt in front of me.
• 1:04:03
  Speaker 6: I said, get up, man. He's serious.
• 1:04:06
  Speaker 1: But why did you say he was going to be
• 1:04:09
  Speaker 1: successful even before you?
• 1:04:11
  Speaker 6: It was something I felt.
• 1:04:12
  Speaker 5: I felt it.
• 1:04:12
  Speaker 6: I knew him.
• 1:04:13
  Speaker 8: Giovanni is one of my partners. We went to take
• 1:04:16
  Speaker 8: one at my grandmother's house. My grandmother was completing her year.
• 1:04:19
  Speaker 8: Giovanni came to me and said, I have an artist
• 1:04:21
  Speaker 8: here to release. Everything I'm saying is true. And I said,
• 1:04:27
  Speaker 8: show it, play it for us to see. Then Giovanni
• 1:04:29
  Speaker 8: played it. And no one, some people from Petrolina, he's
• 1:04:34
  Speaker 8: not from Petrolina.
• 1:04:35
  Speaker 6: He's from Serrita. Serrita, Serrita. The land of the cowherd.
• 1:04:38
  Speaker 8: The land of the cowherd, yes. It's even my mother's land,
• 1:04:40
  Speaker 8: but give a special kiss to Serrita. Giovanni showed me,
• 1:04:44
  Speaker 8: and when Giovanni showed me, I saw that it was different.
• 1:04:47
  Speaker 8: We know when it's different, right? When Giovanni showed me
• 1:04:49
  Speaker 8: his voice, I was like, dude, that voice is like
• 1:04:52
  Speaker 8: the voice of an old man. And you see him
• 1:04:55
  Speaker 8: like this, a boy.
• 1:04:55
  Speaker 4: And when he did this, I was like, fuck.
• 1:04:58
  Speaker 5: And then it went down.
• 1:04:58
  Speaker 8: And Giovanni called me to be a partner, even.
• 1:05:01
  Speaker 5: Partner of João.
• 1:05:09
  Speaker 6: That's crazy, man.
• 1:05:10
  Speaker 5: And I had one with my friends, and I got
• 1:05:12
  Speaker 5: crazy and said, João, you're going to be a dickhead.
• 1:05:14
  Speaker 2: He doesn't force that humility.
• 1:05:15
  Speaker 6: He's that way, bro. He comes with.
• 1:05:17
  Speaker 3: His leather hat, almost asking for permission to exist, that boy.
• 1:05:25
  Speaker 2: But he's an angel, man. And congratulations for everything you're conquering.
• 1:05:28
  Speaker 9: It's going to happen a lot more.
• 1:05:30
  Speaker 6: And the good thing.
• 1:05:31
  Speaker 3: About that is that he has 20... Man, you won't
• 1:05:34
  Speaker 3: see this kid.
• 1:05:35
  Speaker 2: Sing until he's 80.
• 1:05:36
  Speaker 6: So there's... You know, there's 60 years of João Gomes there, bro.
• 1:05:40
  Speaker 6: Just singing, you know?
• 1:05:41
  Speaker 5: And he deserves it.
• 1:05:42
  Speaker 6: He deserves it a lot.
• 1:05:43
  Speaker 19: Graham, bro.
• 1:05:44
  Speaker 8: When he launched the Dominguinhos project, I was starting with
• 1:05:47
  Speaker 8: my band, and I said, João is going to win
• 1:05:49
  Speaker 8: this year.
• 1:05:50
  Speaker 5: Dominguinhos is the face of Grêmio. It's what people like.
• 1:05:53
  Speaker 8: It represents Marro Nordeste. It's the language. It's going to
• 1:05:56
  Speaker 8: be him. Because I've always watched it. Last year, who
• 1:05:58
  Speaker 8: won was Gabi... Amarantes?
• 1:06:01
  Speaker 6: No, wait, sorry. Grêmio? The girl from Belém? Gabi Amarantes.
• 1:06:05
  Speaker 5: Gabi Amarantes, that's right.
• 1:06:06
  Speaker 8: I saw that João Sola always took Piseiro, Piseiro, Piseiro.
• 1:06:10
  Speaker 8: But when he launched Dominguinhos, I said, now he won.
• 1:06:13
  Speaker 8: Because he released something that is the face.
• 1:06:16
  Speaker 6: Of the government.
• 1:06:17
  Speaker 5: For me, right?
• 1:06:18
  Speaker 8: That's what I noticed. I talked to our band, we communicate,
• 1:06:21
  Speaker 8: we play around.
• 1:06:22
  Speaker 1: But it's very crazy, this kind of conversation, saying that Forró, Piseiro,
• 1:06:26
  Speaker 1: are competing for the Grammy.
• 1:06:27
  Speaker 4: And this is the beginning. And imagine, every year there
• 1:06:31
  Speaker 4: are more.
• 1:06:31
  Speaker 12: And more artists.
• 1:06:31
  Speaker 5: Every day it can be me, it can.
• 1:06:33
  Speaker 6: Be Thiago Tassi. It will be. It will be.
• 1:06:35
  Speaker 4: It's going to be, man. How cool is that? And
• 1:06:37
  Speaker 4: João Gomes, wow, how should he be?
• 1:06:39
  Speaker 2: Brother, this kid doesn't.
• 1:06:41
  Speaker 3: I think he doesn't sleep anymore, he must be sleeping
• 1:06:43
  Speaker 3: at the airport, the kid is working.
• 1:06:45
  Speaker 4: For you who are musicians, what does Grammy represent? I
• 1:06:48
  Speaker 4: wanted to hear from you.
• 1:06:50
  Speaker 6: Man, for me, legitimacy, recognition.
• 1:06:54
  Speaker 10: As you said, Piseiro and Forró are there, because Dominguinho
• 1:06:59
  Speaker 10: is Forró.
• 1:06:59
  Speaker 2: J.P.
• 1:06:59
  Speaker 11: Is there, who is not from Forró. Leo Foguete was
• 1:07:01
  Speaker 11: also nominated.
• 1:07:02
  Speaker 6: The boy is also 21 years old. Another angel. He's
• 1:07:04
  Speaker 6: from Minha Terra. He's a monster. He's from Petrolina too.
• 1:07:07
  Speaker 11: He's from Pernambuco too.
• 1:07:08
  Speaker 4: Good one, man.
• 1:07:08
  Speaker 6: I think the goal is to.
• 1:07:09
  Speaker 5: Know that you got it right.
• 1:07:10
  Speaker 8: That the song wasn't just for you, it wasn't just
• 1:07:12
  Speaker 8: a fashion song.
• 1:07:13
  Speaker 4: He's showing that....
• 1:07:22
  Speaker 6: That's it, Grêmio.
• 1:07:22
  Speaker 5: He's showing that you did something huge.
• 1:07:25
  Speaker 6: You're building something timeless, right?
• 1:07:27
  Speaker 2: That's it. That's what it's going to be.
• 1:07:30
  Speaker 10: Not only winning, because Grêmio is important, but what I
• 1:07:32
  Speaker 10: like to see the most is seeing people from other
• 1:07:35
  Speaker 10: states that are not from the Northeast sing the music
• 1:07:38
  Speaker 10: of Caravel, who is a singer that we are fans of.
• 1:07:41
  Speaker 8: You entered my life. The people of Globo singing, the actors,
• 1:07:44
  Speaker 8: the actresses, they don't even know.
• 1:07:46
  Speaker 5: Who they are.
• 1:07:46
  Speaker 6: We saw them on the bus, the guys singing.
• 1:07:48
  Speaker 10: And the people thinking it's an MPB song, but it's not.
• 1:07:52
  Speaker 6: Forró Raiz. I think that for me is a victory.
• 1:07:53
  Speaker 6: It's a name that will never give up in our midst.
• 1:07:56
  Speaker 6: And João brought it to the people of South-East.
• 1:07:58
  Speaker 1: And Grêmio, is it something you wish for your career?
• 1:08:02
  Speaker 6: I wish. I wish.
• 1:08:03
  Speaker 2: I wish.
• 1:08:03
  Speaker 5: I wish.
• 1:08:04
  Speaker 4: I wish.
• 1:08:04
  Speaker 6: I wish. I wish. I wish. I don't need to win.
• 1:08:13
  Speaker 5: I just want to go there.
• 1:08:14
  Speaker 6: I just want to be in the middle. Just see.
• 1:08:19
  Speaker 6: Just feel the smell. I just want to go there.
• 1:08:21
  Speaker 7: If Victor doesn't win, he loses.
• 1:08:25
  Speaker 5: Give me that thing.
• 1:08:26
  Speaker 6: If I don't win, I lose.
• 1:08:27
  Speaker 17: Manipulate.
• 1:08:28
  Speaker 5: He didn't take a glass of water. You see Maninho
• 1:08:30
  Speaker 5: like this, but you.
• 1:08:31
  Speaker 7: Don't know Vitor.
• 1:08:32
  Speaker 5: Vitor is a bad guy.
• 1:08:32
  Speaker 7: You see him with a piece of bag like this
• 1:08:34
  Speaker 7: in his hand.
• 1:08:35
  Speaker 5: Just making noise. Not even a piece of bag, not
• 1:08:38
  Speaker 5: even a piece.
• 1:08:38
  Speaker 7: He wants an empty box here on this table. You
• 1:08:40
  Speaker 7: just talk about me. Let's talk about Grêmio. Let's talk
• 1:08:42
  Speaker 7: about Grêmio.
• 1:08:43
  Speaker 6: The most liar on this table here.
• 1:08:52
  Speaker 4: Calm down, it's a lie, it's a lie, it's a
• 1:08:54
  Speaker 4: fake talk.
• 1:08:54
  Speaker 7: It's a fake talk.
• 1:08:56
  Speaker 1: Vitor looks like a liar.
• 1:08:58
  Speaker 15: Me?
• 1:08:58
  Speaker 6: He looks like a fake talk too. I don't think
• 1:09:01
  Speaker 6: Tarcís is a liar. I don't lie. Tarcís doesn't lie.
• 1:09:03
  Speaker 6: He invents things.
• 1:09:04
  Speaker 14: He's a liar.
• 1:09:11
  Speaker 6: I like to tell lies.
• 1:09:12
  Speaker 5: I'll even tell you a joke.
• 1:09:13
  Speaker 6: My lie is very little.
• 1:09:14
  Speaker 5: It's just to make others laugh.
• 1:09:15
  Speaker 6: That's not a lie. That's creativity. You can give an example.
• 1:09:17
  Speaker 7: All his lies are just for me.
• 1:09:18
  Speaker 4: It happened to me.
• 1:09:20
  Speaker 6: It was you who said it.
• 1:09:21
  Speaker 5: It was me who said it.
• 1:09:22
  Speaker 8: Deep throat.
• 1:09:22
  Speaker 6: Don't you invent someone.
• 1:09:23
  Speaker 4: With a contract?
• 1:09:24
  Speaker 5: In my case, I only lie when I'm meeting a girl.
• 1:09:39
  Speaker 10: But you're going to show her that she's a bull?
• 1:09:43
  Speaker 2: No.
• 1:09:43
  Speaker 13: Oh, okay.
• 1:09:44
  Speaker 6: It's because, like, she's like, man, I want you to
• 1:09:45
  Speaker 6: have a.
• 1:09:46
  Speaker 10: No, today, thank God, I bought a farm there, you understand?
• 1:09:48
  Speaker 6: You understand nothing. And they still fall? Man, it's the
• 1:09:53
  Speaker 6: best thing, Xandu. I managed to do it. Maninha is
• 1:09:55
  Speaker 6: good with cheese. He said he was.
• 1:09:57
  Speaker 9: Talking to a girl and said, did you see a bear?
• 1:09:58
  Speaker 9: She said, I never saw a bear. He said, if
• 1:10:00
  Speaker 9: you saw it, you'd shit all day.
• 1:10:01
  Speaker 7: What did he say? These are the talks.
• 1:10:03
  Speaker 4: It's like this, I say, my father is one of
• 1:10:05
  Speaker 4: the greatest farmers.
• 1:10:06
  Speaker 6: I'm still the same.
• 1:10:07
  Speaker 5: If you want, you can go for a walk later.
• 1:10:09
  Speaker 6: Then she says, damn, I'm screaming on a stage that
• 1:10:11
  Speaker 6: has shadows.
• 1:10:22
  Speaker 5: When you get to reality, you're like.
• 1:10:23
  Speaker 10: You're going to fuck yourself.
• 1:10:27
  Speaker 4: You're going to fuck yourself, man.
• 1:10:29
  Speaker 6: When she gets to reality, she's like, where's the robot?
• 1:10:32
  Speaker 6: Where's the farm?
• 1:10:33
  Speaker 5: Where's the shadow?
• 1:10:34
  Speaker 4: My dad sold it.
• 1:10:34
  Speaker 6: My dad didn't sell it. I said, I didn't tell you,
• 1:10:36
  Speaker 6: my dad broke it.
• 1:10:37
  Speaker 21: But it was from yesterday to today, he broke it.
• 1:10:40
  Speaker 21: I said, fuck it, I'm going to take his shit.
• 1:10:46
  Speaker 21: That happens from one day to the next.
• 1:10:47
  Speaker 4: So everything is about you?
• 1:10:49
  Speaker 6: Yes.
• 1:10:50
  Speaker 4: Cachaçeiro, Mentiroso.
• 1:10:51
  Speaker 5: Cachaçeiro, Mentiroso.
• 1:10:53
  Speaker 7: You demoralized me, man. Since the first.
• 1:10:55
  Speaker 5: Time I saw you. Does anyone say bad things about Ávila?
• 1:11:01
  Speaker 3: .
• 1:11:05
  Speaker 10: .
• 1:11:08
  Speaker 24: .
• 1:11:13
  Speaker 6: Every night he sleeps at 8.30 am. Am I lying?
• 1:11:15
  Speaker 4: He's an angel.
• 1:11:15
  Speaker 13: If he passes the 9th program, he's already lying there.
• 1:11:17
  Speaker 13: He doesn't drink, he doesn't smoke, he exercises.
• 1:11:19
  Speaker 6: I wake up every day at 4, 5, 6 in
• 1:11:21
  Speaker 6: the morning. He's an angel. What do you do?
• 1:11:23
  Speaker 7: I told him.
• 1:11:23
  Speaker 6: The worst thing is that I'm a heavy dreamer, you know?
• 1:11:39
  Speaker 4: I'm very sleepy.
• 1:11:40
  Speaker 6: But it's my watch. I can't wake up after that.
• 1:11:42
  Speaker 6: You can sleep one o'clock in the morning, but at
• 1:11:44
  Speaker 6: four o'clock you're awake. I wake up at four o'clock
• 1:11:47
  Speaker 6: in the morning. It's horrible. And I have a treatment
• 1:11:49
  Speaker 6: for insomnia. I've tried everything. I'm now with a little treatment.
• 1:11:53
  Speaker 6: with Cannabidiol, Dalt. Cannabidiol and stuff. I have some friends who...
• 1:11:58
  Speaker 6: The wings are already gone. It's the best treatment I've
• 1:12:01
  Speaker 6: ever had. What are you using, Abis? What are you using?
• 1:12:04
  Speaker 6: Abis and Bastardling.
• 1:12:05
  Speaker 19: The oil.
• 1:12:05
  Speaker 6: It's the medicine of the future.
• 1:12:06
  Speaker 11: It's the medicine of the future.
• 1:12:07
  Speaker 6: It's much better than taking Stardust. I'm doing a little treatment.
• 1:12:10
  Speaker 6: And then I wake up.
• 1:12:12
  Speaker 4: Every 5 a.m.
• 1:12:22
  Speaker 6: You have a farm, right? No.
• 1:12:23
  Speaker 5: Because 5 o'clock in the morning is a farm.
• 1:12:25
  Speaker 4: I'll run.
• 1:12:26
  Speaker 6: I'll run.
• 1:12:26
  Speaker 2: I'll do my thing.
• 1:12:27
  Speaker 7: I'll cut the eggs from the chickens so the rabbits
• 1:12:29
  Speaker 7: don't eat them, right?
• 1:12:30
  Speaker 6: But at what time do you sleep? I'll sleep at 8,
• 1:12:31
  Speaker 6: 9 o'clock.
• 1:12:31
  Speaker 2: What is this?
• 1:12:32
  Speaker 6: What is this, brother? You're worse than my grandfather.
• 1:12:35
  Speaker 5: I don't know how this guy lives.
• 1:12:36
  Speaker 2: I'll sleep at this time.
• 1:12:37
  Speaker 5: 5 o'clock in the morning.
• 1:12:38
  Speaker 2: 5 o'clock in the morning.
• 1:12:42
  Speaker 6: I don't watch a show, I don't know. I've never
• 1:12:44
  Speaker 6: seen Silvio Santos' show. He doesn't say bad things about anyone.
• 1:12:47
  Speaker 4: This is the dream of any musician. Avni, the last
• 1:12:48
  Speaker 4: time we recorded, he was telling me that.
• 1:12:50
  Speaker 9: He went to the doctor and told the doctor, I
• 1:12:52
  Speaker 9: don't smoke, I don't drink. I don't go out, I
• 1:12:58
  Speaker 9: don't miss the night. Do you think I'll live until
• 1:13:01
  Speaker 9: I'm 100 years old?
• 1:13:02
  Speaker 6: My son, do you want to live until you're 100
• 1:13:04
  Speaker 6: years old? What the hell?
• 1:13:05
  Speaker 10: You're not even here, man!
• 1:13:06
  Speaker 2: You're fine!
• 1:13:06
  Speaker 19: Go away!
• 1:13:07
  Speaker 13: But that's it, man.
• 1:13:08
  Speaker 6: And my show is very... It's very up-to-date, folks.
• 1:13:11
  Speaker 4: I think I.
• 1:13:11
  Speaker 6: Man, you're drunk there, my friend. It's just.
• 1:13:13
  Speaker 7: I.
• 1:13:13
  Speaker 6: Thought you stopped drinking. No, I never drank, never. But
• 1:13:26
  Speaker 6: it's cultural, because there's nothing.
• 1:13:27
  Speaker 8: In my house, I stayed with my mother.
• 1:13:29
  Speaker 6: My mother is from the church, so I didn't see
• 1:13:32
  Speaker 6: anyone drinking. So, culturally speaking, I didn't see... So, because
• 1:13:34
  Speaker 6: I didn't see... You deserve a round of applause. You
• 1:13:36
  Speaker 6: deserve it. You don't have bad examples.
• 1:13:39
  Speaker 5: When I was 18, I started to sing.
• 1:13:41
  Speaker 6: I went to the streets to sing, and I was like.
• 1:13:43
  Speaker 13: But this is very relevant, because my father never.
• 1:13:47
  Speaker 7: Drank in his life, but he always smoked. So, I mean,
• 1:13:53
  Speaker 7: I've never smoked, but.
• 1:13:54
  Speaker 6: So, give him a round of applause, he's never smoked.
• 1:13:58
  Speaker 13: That's why I wanted to hear a round of applause.
• 1:14:02
  Speaker 5: Did you see how he told the truth?
• 1:14:04
  Speaker 6: Hey, Tarcísio, you brought your alcohol?
• 1:14:07
  Speaker 5: Damn, he didn't bring it.
• 1:14:08
  Speaker 6: No, he didn't. I think this is absurd. The guy
• 1:14:11
  Speaker 6: whose name is Tarcísio?
• 1:14:12
  Speaker 5: The guy from the accordion. I thought he brought his guitar.
• 1:14:15
  Speaker 5: I brought my instrument here.
• 1:14:16
  Speaker 9: Now I'm thinking of walking with the accordion in my
• 1:14:18
  Speaker 9: chest all over the place.
• 1:14:19
  Speaker 7: You have to walk like this. Where's the accordion?
• 1:14:21
  Speaker 6: Now it's ready.
• 1:14:22
  Speaker 7: I'm at the airport.
• 1:14:23
  Speaker 6: I'm walking with mine here.
• 1:14:24
  Speaker 12: Take it.
• 1:14:33
  Speaker 6: Yeah, right?
• 1:14:35
  Speaker 7: That's right.
• 1:14:36
  Speaker 9: It's like the guy who used to play, but I
• 1:14:38
  Speaker 9: used to play the accordion too. Then he said, man,
• 1:14:39
  Speaker 9: there's no way to carry my accordion. It's very heavy,
• 1:14:41
  Speaker 9: I say, you can play with a triangle.
• 1:14:43
  Speaker 6: How heavy is the accordion, Tarsilho? It depends on the accordion.
• 1:14:46
  Speaker 12: 14, right?
• 1:14:47
  Speaker 2: 14.
• 1:14:47
  Speaker 6: Today I'm playing with an accordion of 13 kilos, but
• 1:14:49
  Speaker 6: there are.
• 1:14:50
  Speaker 5: Accordions that reach 18.
• 1:14:50
  Speaker 7: How long do you stay there? The show is an
• 1:14:52
  Speaker 7: hour there, you.
• 1:14:53
  Speaker 1: Stay with the accordion on your lap. 60, or there he,
• 1:14:56
  Speaker 1: look there, the guys. We play a little more, right?
• 1:14:58
  Speaker 1: There are shows of 1.
• 1:14:59
  Speaker 9: Hour and 40, up to 2 hours. We can get excited,
• 1:15:01
  Speaker 9: 2 hours and a half, 3. At the end of
• 1:15:02
  Speaker 9: the day, depending.
• 1:15:03
  Speaker 6: On the atmosphere of the crowd.
• 1:15:05
  Speaker 22: Including São João, we do, there are.
• 1:15:10
  Speaker 7: There are days when we do four shows, five shows.
• 1:15:12
  Speaker 6: And I got to do five shows a day in Bahia.
• 1:15:16
  Speaker 6: I think you did that too, right? I did six
• 1:15:17
  Speaker 6: shows once. I didn't do five. I didn't even want
• 1:15:20
  Speaker 6: to remember. I did five. I called Neto.
• 1:15:22
  Speaker 5: Neto is our host. I called him and said... I
• 1:15:25
  Speaker 5: want to.
• 1:15:25
  Speaker 11: Be your guy.
• 1:15:25
  Speaker 6: I'm not Molly. I'm not Molly.
• 1:15:27
  Speaker 5: But do you prefer to lose one day or lose
• 1:15:29
  Speaker 5: the whole schedule? Did you manage to speak? Did you
• 1:15:37
  Speaker 5: manage to speak?
• 1:15:38
  Speaker 4: I did, but.
• 1:15:39
  Speaker 8: Thank God, I was never an artist who lost a
• 1:15:42
  Speaker 8: show because of a lack of voice.
• 1:15:44
  Speaker 17: Never, never.
• 1:15:45
  Speaker 8: It never happened to me. And I'm a very bad
• 1:15:47
  Speaker 8: guy at warming up my voice. Now, in this period,
• 1:15:51
  Speaker 8: I'm drinking little, because I recently interned.
• 1:15:54
  Speaker 6: I had pneumonia.
• 1:15:55
  Speaker 5: I had a fever, I was sneezing red.
• 1:15:58
  Speaker 6: I was scared.
• 1:15:58
  Speaker 5: What were you sneezing, bro?
• 1:15:59
  Speaker 6: Red.
• 1:15:59
  Speaker 7: Red, the color of this shirt.
• 1:16:01
  Speaker 4: I swear to God.
• 1:16:02
  Speaker 6: And then I got scared. And when we're scared, it's good, right?
• 1:16:11
  Speaker 4: It's bad when you don't have it.
• 1:16:12
  Speaker 6: That's true. I spent a day without drinking. I'm even
• 1:16:13
  Speaker 6: drinking here today because.
• 1:16:15
  Speaker 2: I'm with people I like.
• 1:16:16
  Speaker 6: It's coffee. It's coffee.
• 1:16:16
  Speaker 4: It's coffee. It's coffee. It's coffee.
• 1:16:18
  Speaker 6: It's coffee.
• 1:16:19
  Speaker 5: It's coffee.
• 1:16:19
  Speaker 12: It's coffee.
• 1:16:20
  Speaker 6: It's coffee.
• 1:16:20
  Speaker 2: It's coffee.
• 1:16:21
  Speaker 5: It's coffee.
• 1:16:21
  Speaker 7: It's coffee.
• 1:16:31
  Speaker 4: I did three.
• 1:16:31
  Speaker 6: There's an event in Bahia called Ticumia that starts at.
• 1:16:34
  Speaker 9: 9 a.m., right?
• 1:16:34
  Speaker 6: Yeah, I've been there. Now no one can break Jeremuá' s alvorada.
• 1:16:43
  Speaker 6: I've done it too.
• 1:16:44
  Speaker 5: It's only Forró who does it.
• 1:16:45
  Speaker 2: What?
• 1:16:46
  Speaker 6: It's only Forró who does it.
• 1:16:47
  Speaker 5: This thing makes six shows a day.
• 1:16:48
  Speaker 6: Six shows? Four already warned. It's not a show. It's
• 1:16:51
  Speaker 6: not a show.
• 1:16:52
  Speaker 4: It's a show of 1h40.
• 1:16:53
  Speaker 16: And detail, I was talking about this disc for a second.
• 1:17:01
  Speaker 3: Tarcísio must have heard the intro of Proteção de Tela,
• 1:17:05
  Speaker 3: he wants to cry.
• 1:17:08
  Speaker 8: We arrive, set up the LED, set up the band,
• 1:17:11
  Speaker 8: pass the sound and sing it in 10, 15 minutes.
• 1:17:14
  Speaker 6: It's crazy.
• 1:17:14
  Speaker 7: It's crazy.
• 1:17:15
  Speaker 6: You have to put it on the service, right?
• 1:17:16
  Speaker 5: Exactly.
• 1:17:17
  Speaker 6: We have gratitude for the people who do it.
• 1:17:19
  Speaker 7: There's no way.
• 1:17:19
  Speaker 6: Forró is a different thing. Forró is differentiated even in
• 1:17:21
  Speaker 6: the service. How do we travel? With LED and band.
• 1:17:23
  Speaker 6: We set it up in 10 minutes, attend and do
• 1:17:25
  Speaker 6: the show. It's crazy. Really, man.
• 1:17:31
  Speaker 3: Of all the shows I've been to, of all the bands,
• 1:17:35
  Speaker 3: of all the genres, Forró has a different charisma.
• 1:17:39
  Speaker 2: He talks to the audience, it's that hot show, it's close.
• 1:17:43
  Speaker 4: You know?
• 1:17:43
  Speaker 2: It's that thing that... There's delivery.
• 1:17:45
  Speaker 6: You know?
• 1:17:45
  Speaker 2: You've been to a lot of shows, Mítico too.
• 1:17:49
  Speaker 3: You know that show where you say, he's doing this
• 1:17:51
  Speaker 3: show just like he did that one, just like this one.
• 1:17:54
  Speaker 2: Forró is like that live thing, that thing that.
• 1:17:56
  Speaker 3: Look at this one!
• 1:17:57
  Speaker 7: Wow!
• 1:17:57
  Speaker 6: The repertoire changes.
• 1:17:58
  Speaker 16: Forró has a lot of improvisation, right?
• 1:18:01
  Speaker 6: And it's very impressive, right?
• 1:18:02
  Speaker 5: There's a rule, right?
• 1:18:03
  Speaker 7: There's no rule. He adapts to the culture of the place.
• 1:18:06
  Speaker 6: You go to the.
• 1:18:07
  Speaker 16: Commander's concert and today he's playing.
• 1:18:09
  Speaker 4: But.
• 1:18:09
  Speaker 9: Tomorrow you go to another thing, it's too cool. I.
• 1:18:18
  Speaker 5: I've been to a lot of places.
• 1:18:21
  Speaker 10: You're always talking about Gaga.
• 1:18:23
  Speaker 6: No.
• 1:18:23
  Speaker 5: I think it's the coffee.
• 1:18:24
  Speaker 7: It's true.
• 1:18:24
  Speaker 6: I've been to a lot of places. Vitor says, give.
• 1:18:27
  Speaker 2: Me three seconds of space, Tarcísio.
• 1:18:29
  Speaker 6: But that's it.
• 1:18:29
  Speaker 5: It just hits my foot. I've been to a lot
• 1:18:31
  Speaker 5: of cool places. And I've noticed that there's a difference
• 1:18:33
  Speaker 5: in places.
• 1:18:33
  Speaker 6: For example, the Northeast.
• 1:18:35
  Speaker 5: The people ask for the music.
• 1:18:36
  Speaker 6: They ask for it.
• 1:18:46
  Speaker 5: You're going to play in a.
• 1:18:47
  Speaker 2: Let me see.
• 1:18:40
  Speaker 8: For example, in the Northeast, people ask for the music.
• 1:18:45
  Speaker 8: If you play in Minas Gerais or Goiás, people don't
• 1:18:52
  Speaker 8: ask for it anymore. You see the difference from one
• 1:18:55
  Speaker 8: place to another. Then you make that repertoire the way
• 1:18:57
  Speaker 8: you organized it. In the Northeast, people are like, hey,
• 1:19:00
  Speaker 8: play this song, it's like that. Then the people start
• 1:19:02
  Speaker 8: to cheer the fans up. Very interesting and the repertoire.
• 1:19:08
  Speaker 6: Starts to change. We have to make the people lose.
• 1:19:10
  Speaker 6: But there are places where the people don't even lose.
• 1:19:13
  Speaker 6: It's true. It's interesting.
• 1:19:14
  Speaker 2: Speaking of music.
• 1:19:15
  Speaker 20: I want.
• 1:19:18
  Speaker 2: You to sing.
• 1:19:18
  Speaker 6: Let's go. Can we? Let's go. How are you going
• 1:19:20
  Speaker 6: to do it? Do you have instruments?
• 1:19:22
  Speaker 2: How are you going to do this? I'm not a musician.
• 1:19:24
  Speaker 2: At this time I'm not a musician.
• 1:19:25
  Speaker 6: Give us a guitar.
• 1:19:31
  Speaker 2: Is it tuned, for God's sake?
• 1:19:33
  Speaker 6: You tuned it already. I was tuning it with a knife.
• 1:19:35
  Speaker 6: You were tuning it.
• 1:19:35
  Speaker 7: I gave it a try. You gave it a try.
• 1:19:37
  Speaker 6: I think it's tuned.
• 1:19:39
  Speaker 5: He plays too, right?
• 1:19:40
  Speaker 7: He plays a little.
• 1:19:42
  Speaker 6: It's not serious, man. I play too. Greed. Greed. Greed.
• 1:19:46
  Speaker 6: I don't even know what note that is. It's a joke.
• 1:19:50
  Speaker 6: What kills is the joke, you know? It's a joke.
• 1:19:54
  Speaker 6: That note of... Seventh with I don't know what. This
• 1:20:01
  Speaker 6: guitar is from Pão de Pai?
• 1:20:03
  Speaker 3: Yes.
• 1:20:03
  Speaker 6: In a little while, Mani will ask for it. I
• 1:20:08
  Speaker 6: left it at your place, I'm going to ask for
• 1:20:09
  Speaker 6: a cat. I was there, I don't know, out of nowhere, singing, playing.
• 1:20:12
  Speaker 2: Wow, this one is awesome. It's the air conditioner, brother,
• 1:20:16
  Speaker 2: that challenges.
• 1:20:17
  Speaker 5: I remembered a story here.
• 1:20:19
  Speaker 6: You say that and you know, right, brother?
• 1:20:22
  Speaker 2: I saw Paula Fernandes talking to Faustão.
• 1:20:23
  Speaker 5: Faustão, this is the air conditioner.
• 1:20:26
  Speaker 6: Yes, but it's true. I know. What do you want
• 1:20:29
  Speaker 6: to listen to?
• 1:20:30
  Speaker 2: I want to listen to whatever you want.
• 1:20:32
  Speaker 6: To listen to.
• 1:20:32
  Speaker 5: The Budovsky's Badaladas. Galo Segueiro.
• 1:20:35
  Speaker 6: Galo Segueiro.
• 1:20:36
  Speaker 2: And then I want you to enter the concert and
• 1:20:38
  Speaker 2: ask for a song for Xande.
• 1:20:39
  Speaker 4: You know that we also have a special presence there, right?
• 1:20:42
  Speaker 2: Yeah. Please, mate, feel free.
• 1:20:44
  Speaker 6: There's a surprise over there.
• 1:20:45
  Speaker 4: There's a surprise on the keyboard over there.
• 1:20:47
  Speaker 6: Let's go to the protection of Teto Fricante. Let's go, man.
• 1:20:51
  Speaker 6: You're crazy.
• 1:20:51
  Speaker 7: You're crazy. You're crazy.
• 1:20:53
  Speaker 4: You're crazy.
• 1:20:54
  Speaker 12: You're crazy.
• 1:20:59
  Speaker 9: I've tried everything to get you out.
• 1:21:02
  Speaker 25: Of my life, but I can't And every time I
• 1:21:05
  Speaker 25: remember you, another sip in the drink, without noticing Embriagado, desiludido,
• 1:21:27
  Speaker 25: o sono talo, ouvidos assisos. Quando bate a saudade, vejo
• 1:21:35
  Speaker 25: as mensagens e a foto dela.
• 1:21:38
  Speaker 6: A minha produção dela, tome.
• 1:21:41
  Speaker 7: Cano na minha goela.
• 1:21:45
  Speaker 9: You were inspired by this song, right? Actually, this song
• 1:21:49
  Speaker 9: is by some composers from the Northeast.
• 1:21:54
  Speaker 1: Who are they?
• 1:21:59
  Speaker 9: This song has Rodrigo Reis, Nondas, Jujuba's boys also participated.
• 1:22:14
  Speaker 9: There's a lot of people who made this song and,
• 1:22:16
  Speaker 9: thank God, it was a gift from God.
• 1:22:18
  Speaker 6: I think it was one of the... Do you think
• 1:22:20
  Speaker 6: it was a success?
• 1:22:21
  Speaker 9: No, right?
• 1:22:22
  Speaker 5: No, I think it.
• 1:22:23
  Speaker 9: Was one of the songs that left me... It put
• 1:22:26
  Speaker 9: you on the radar. This song is awesome, man.
• 1:22:29
  Speaker 4: Which song do you think is the most sexy?
• 1:22:32
  Speaker 7: Mine is this one, which is.
• 1:22:47
  Speaker 12: This is so deep And my future Is to be
• 1:22:54
  Speaker 12: you Until the end of time Please don't kill.
• 1:22:59
  Speaker 9: Me This is the first song I recorded with Victor.
• 1:23:03
  Speaker 6: Fernandes, actually.
• 1:23:04
  Speaker 9: This song was one of the greatest emotions of my life.
• 1:23:07
  Speaker 6: It was during the live shows, right?
• 1:23:10
  Speaker 9: Xande and Wesley sang side by side this song and
• 1:23:13
  Speaker 9: for me.
• 1:23:14
  Speaker 6: That wasn't happening to me. You're crazy.
• 1:23:17
  Speaker 9: And when I heard the hello, I was like, are
• 1:23:18
  Speaker 9: you awake, my fatso?
• 1:23:20
  Speaker 6: Did you say my name? Come back!
• 1:23:24
  Speaker 5: Come back!
• 1:23:25
  Speaker 19: How do you come back? I want to get a
• 1:23:26
  Speaker 19: hello too. Man, this song was very successful. This song
• 1:23:32
  Speaker 19: already made me sad. I went to the bathroom quickly,
• 1:23:34
  Speaker 19: but this song already made me sad. And I wasn't
• 1:23:36
  Speaker 19: suffering from love, I wasn't doing anything.
• 1:23:39
  Speaker 6: I was like, damn, man.
• 1:23:40
  Speaker 4: She takes, I don't know what it is.
• 1:23:41
  Speaker 6: It's a lot of sadness, right, man?
• 1:23:43
  Speaker 9: This song I did on the road when we were
• 1:23:46
  Speaker 9: going from São Paulo to Petrolina.
• 1:23:48
  Speaker 2: Are you suffering, brother?
• 1:23:50
  Speaker 5: I received her on the guitar, on the guitar.
• 1:23:53
  Speaker 9: In fact, this song here is... My songs, I speak
• 1:23:54
  Speaker 9: a lot from the heart, you know? And this song
• 1:24:01
  Speaker 9: was a song that I made for my wife. I
• 1:24:04
  Speaker 9: was traveling with her and that thing that comes to
• 1:24:06
  Speaker 9: my heart, you hear a chorus in your head and
• 1:24:09
  Speaker 9: it's physical, so much so.
• 1:24:10
  Speaker 6: That she says, nigga, I love you. And my wife
• 1:24:14
  Speaker 6: is really black, right?
• 1:24:15
  Speaker 7: So we have this nickname, I call her nigga.
• 1:24:18
  Speaker 6: I also call you nigga.
• 1:24:18
  Speaker 7: Yeah, that's where the nigga song came from.
• 1:24:21
  Speaker 4: How cute, how cute. How cute.
• 1:24:23
  Speaker 7: Hey, life, that's why I call you that, you know?
• 1:24:28
  Speaker 6: Vibinho! It's a little bang, boss. I have to contact
• 1:24:33
  Speaker 6: him to stay here. This guy is good. He has
• 1:24:35
  Speaker 6: a little charisma. Thank you, boss.
• 1:24:37
  Speaker 4: Feel free to sing whatever you want. Pull your own music.
• 1:24:40
  Speaker 6: Sing whatever you want.
• 1:24:42
  Speaker 2: It's at home.
• 1:24:43
  Speaker 6: Exactly.
• 1:24:43
  Speaker 3: Ask for music for Xande. In the beginning I said
• 1:24:46
  Speaker 3: that the vibe here is wonderful. You guys are so
• 1:24:58
  Speaker 3: humble to treat us like this.
• 1:24:59
  Speaker 6: That's us, man. You're crazy.
• 1:25:00
  Speaker 5: Thank you. I recorded this one with Tarcísio.
• 1:25:02
  Speaker 7: Do you want this shirt? You're asking for it again.
• 1:25:05
  Speaker 9: No, wait.
• 1:25:06
  Speaker 5: It's not possible.
• 1:25:11
  Speaker 6: Do you really want it? I want it! Hey, when
• 1:25:14
  Speaker 6: you sell it, give it to us, God!
• 1:25:16
  Speaker 12: .
• 1:25:25
  Speaker 9: .
• 1:25:27
  Speaker 4: .
• 1:25:40
  Speaker 6: In a painting. In a farm. So I'll give you
• 1:25:43
  Speaker 6: a better one. No, this one is cool.
• 1:25:45
  Speaker 10: Because I'm going to leave here and I don't know
• 1:25:47
  Speaker 10: if I'll see you again.
• 1:25:48
  Speaker 6: I think you'll see.
• 1:25:49
  Speaker 3: Me, bro.
• 1:25:49
  Speaker 6: Tomorrow.
• 1:25:50
  Speaker 2: I'm going to travel today.
• 1:25:52
  Speaker 6: But there's life ahead. It's already closing, man.
• 1:25:54
  Speaker 14: He took me.
• 1:25:55
  Speaker 5: It's over.
• 1:25:55
  Speaker 4: He took it for real.
• 1:25:56
  Speaker 6: He took it, he took it. Leave it.
• 1:25:57
  Speaker 4: But who sang it was me.
• 1:25:59
  Speaker 2: I saw if it was going to sell.
• 1:26:05
  Speaker 6: It's not like Jonas' video.
• 1:26:06
  Speaker 1: But before, I'd like to ask for a round of
• 1:26:09
  Speaker 1: applause for Alaessa, our keyboardist.
• 1:26:11
  Speaker 4: She's here too!
• 1:26:12
  Speaker 1: Do you think we're here for fun?
• 1:26:16
  Speaker 6: There's a whistle. Damn, I'm a fan.
• 1:26:18
  Speaker 4: Is the keyboard already working?
• 1:26:19
  Speaker 6: Yes! Now it's our turn.
• 1:26:20
  Speaker 2: Now it's our turn.
• 1:26:20
  Speaker 6: Now it's our turn. Now it's our turn.
• 1:26:23
  Speaker 4: Now it's our turn.
• 1:26:27
  Speaker 5: Now it's our turn.
• 1:26:28
  Speaker 6: Now it's our turn. Now it's our turn.
• 1:26:36
  Speaker 5: I love you.
• 1:27:03
  Speaker 4: Oh, man.
• 1:27:04
  Speaker 19: Oh, man.
• 1:27:33
  Speaker 22: I'm just completing it today.
• 1:28:03
  Speaker 5: I can't believe I'm going to the world.
• 1:28:30
  Speaker 6: I don't know when he's lying.
• 1:28:33
  Speaker 2: When he's saying the truth.
• 1:28:36
  Speaker 6: It's Macau, man! I smell the same thing.
• 1:28:38
  Speaker 5: Is it Macau?
• 1:28:38
  Speaker 6: No, this is Calfeggio. I saw an oldie eight out there.
• 1:28:41
  Speaker 6: Oldie eight. A little bit of free stuff. Applause for
• 1:28:46
  Speaker 6: our keyboardist, for God's sake. Wonderful. Wonderful. I don't know
• 1:28:50
  Speaker 6: if this shirt is original, right? I think you're... You're
• 1:28:59
  Speaker 6: talking badly.
• 1:29:00
  Speaker 14: It's hot, right?
• 1:29:01
  Speaker 6: It's already hot. It doesn't exist.
• 1:29:03
  Speaker 5: It's the first time.
• 1:29:04
  Speaker 6: Want a present?
• 1:29:04
  Speaker 4: Want to choose?
• 1:29:05
  Speaker 6: No, calm down.
• 1:29:06
  Speaker 11: Eat our cake.
• 1:29:20
  Speaker 6: And he left speaking badly.
• 1:29:21
  Speaker 4: Oh my God.
• 1:29:21
  Speaker 6: No, no, no.
• 1:29:23
  Speaker 12: No, no, no.
• 1:29:24
  Speaker 6: Original.
• 1:29:24
  Speaker 5: It's original, it's original.
• 1:29:26
  Speaker 13: But I was thinking, when you go to a party
• 1:29:28
  Speaker 13: and you're invited, you're not invited, right?
• 1:29:30
  Speaker 6: Yeah. You don't even ask. No, but it's okay. It's okay?
• 1:29:42
  Speaker 4: Sing, man!
• 1:29:43
  Speaker 7: Sing!
• 1:29:43
  Speaker 5: You're getting me wrong. I even said it wrong. You're
• 1:29:46
  Speaker 5: getting me wrong. You're not getting what I'm trying to say.
• 1:29:49
  Speaker 5: You're not going to wear... A watch like this is original.
• 1:29:52
  Speaker 4: You know?
• 1:29:53
  Speaker 6: This shirt is original, so the price is high. The
• 1:29:55
  Speaker 6: price is high?
• 1:29:55
  Speaker 5: Are you going to sell it?
• 1:29:56
  Speaker 12: No.
• 1:30:05
  Speaker 10: I'll send you a picture at the farm, I'll put
• 1:30:07
  Speaker 10: it there. I doubt anyone will pull a song there. Maninho,
• 1:30:09
  Speaker 10: but nowadays you.
• 1:30:09
  Speaker 6: Don't have anything.
• 1:30:10
  Speaker 4: There's no more Paraguay, first line.
• 1:30:12
  Speaker 7: You're dressed today, my brother, everything is original.
• 1:30:15
  Speaker 16: It's in Maninho's body, original.
• 1:30:21
  Speaker 6: I'm going to sing a song here today. I'm going
• 1:30:23
  Speaker 6: to sing a song.
• 1:30:42
  Speaker 2: Man, and please, at the end, if you make a
• 1:30:43
  Speaker 2: guitar solo, break it on the floor.
• 1:30:45
  Speaker 6: Really? It doesn't pay, I'll take it home.
• 1:30:48
  Speaker 2: Maninha won an Ambruso, even a guitar.
• 1:30:50
  Speaker 6: You have to enjoy it, Alex.
• 1:30:51
  Speaker 19: Imagine, man, the guitar stretched, breaking everything.
• 1:30:54
  Speaker 10: On the 4th too, Chando, I'm releasing my DVD, Maninha's review.
• 1:30:56
  Speaker 10: On the 4th of December? On the 4th of December,
• 1:30:58
  Speaker 10: I already.
• 1:31:02
  Speaker 10: I released it on your music, and on December 4th,
• 1:31:06
  Speaker 10: if God wills, God will allow, it will be a success.
• 1:31:09
  Speaker 10: It was recorded in Cascavel, in Fortaleza, at PH Rancho,
• 1:31:13
  Speaker 10: and it will be a success.
• 1:31:14
  Speaker 5: I went there in the front, these days.
• 1:31:16
  Speaker 4: It was very good, I lived there.
• 1:31:18
  Speaker 10: Three days, I won the X1 running there, and the
• 1:31:21
  Speaker 10: stick fell there.
• 1:31:22
  Speaker 4: On December 4th.
• 1:31:24
  Speaker 5: I will also launch a project on December 4th. So
• 1:31:26
  Speaker 5: it will be a success.
• 1:31:27
  Speaker 6: Both projects.
• 1:31:28
  Speaker 12: Amen!
• 1:31:28
  Speaker 6: A public year, another public year!
• 1:31:31
  Speaker 16: I've already released mine.
• 1:31:34
  Speaker 6: What was it?
• 1:31:34
  Speaker 18: Jonas Intense, recorded in Recife. It's available on YouTube. Everything
• 1:31:38
  Speaker 18: on the digital platform is available. There's a song of
• 1:31:40
  Speaker 18: mine that is very popular. We're going to release it now,
• 1:31:43
  Speaker 18: at the end.
• 1:31:43
  Speaker 4: Of the month. If you want, you can give us a... No,
• 1:31:45
  Speaker 4: you can't. Give us a stick like this.
• 1:31:47
  Speaker 6: You can. You can. It's good.
• 1:31:50
  Speaker 4: It's already in the mouth of the people there.
• 1:31:52
  Speaker 6: It's totally good.
• 1:31:53
  Speaker 1: Pull one of you that is between the Spotify 50.
• 1:31:56
  Speaker 4: I want to see this one.
• 1:31:57
  Speaker 6: We're almost here. Pull it, Jonas.
• 1:31:58
  Speaker 12: Go.
• 1:32:00
  Speaker 5: Jonas, listen to this one.
• 1:32:15
  Speaker 7: That my partner Avni is going to sing? That's what
• 1:32:17
  Speaker 7: you wanted to say.
• 1:32:17
  Speaker 2: That's why people keep making fun of my ears.
• 1:32:19
  Speaker 7: It doesn't make sense.
• 1:32:20
  Speaker 6: Who knows? Avni is going to sing with us too.
• 1:32:22
  Speaker 6: I don't want his shirt.
• 1:32:23
  Speaker 16: It's a beautiful shirt.
• 1:32:24
  Speaker 5: It's a water box.
• 1:32:25
  Speaker 6: A glass water box. It's changing kisses like changing clothes.
• 1:32:41
  Speaker 8: Tá caindo na rotina sua fase louca Cê tem uma
• 1:32:49
  Speaker 8: vizinha chama da saudade Que toda hora tá batendo na
• 1:32:53
  Speaker 8: sua porta Cê não consegue mais fugir da sua realidade
• 1:32:57
  Speaker 8: That's why you cry all night.
• 1:33:01
  Speaker 24: Accept right away that you love me Because I'm love
• 1:33:06
  Speaker 24: in your life When will you understand That my mouth
• 1:33:10
  Speaker 24: is your favorite mouth Accept right.
• 1:33:14
  Speaker 9: Away that you love me You're just wasting time You're
• 1:33:19
  Speaker 9: going to.
• 1:33:20
  Speaker 5: Roll, roll, roll But you're going to stop.
• 1:33:23
  Speaker 9: Here Where there is feeling Accept the.
• 1:33:32
  Speaker 6: Love that I have Fuck! Accept the love, right?
• 1:33:34
  Speaker 5: What is this beautiful song?
• 1:33:39
  Speaker 6: You don't like me now, do you? My new song
• 1:33:40
  Speaker 6: is also from Julio Gomes, which is with Henrique Juliano.
• 1:33:42
  Speaker 6: One of the most recent songs I've heard.
• 1:33:44
  Speaker 1: I recorded a song with Henrique Juliano.
• 1:33:46
  Speaker 6: I waited nine years to record with this duo. I
• 1:33:47
  Speaker 6: saw you talking about it. The guys are criterious.
• 1:33:49
  Speaker 8: I showed them eight songs for him and they didn't
• 1:33:51
  Speaker 8: like it.
• 1:33:51
  Speaker 6: Then I got them now in São João. It's going
• 1:33:53
  Speaker 6: to be my.
• 1:33:53
  Speaker 10: Last chance now with Henrique Juliano. We have friends, but
• 1:33:55
  Speaker 10: Henrique Juliano has... I say quality, because they.
• 1:33:57
  Speaker 5: Are very sincere.
• 1:34:07
  Speaker 2: But that's good, right?
• 1:34:09
  Speaker 6: Their career is about music.
• 1:34:10
  Speaker 10: They are very good, very rich, but what they really
• 1:34:13
  Speaker 10: like is music.
• 1:34:15
  Speaker 6: They are very musical.
• 1:34:15
  Speaker 4: They are perfectionists, they are boring.
• 1:34:17
  Speaker 10: And they don't record everything. They don't record anything just
• 1:34:20
  Speaker 10: to record. When I went to São João, the show
• 1:34:23
  Speaker 10: was over, he called me and we went to drink
• 1:34:25
  Speaker 10: until noon.
• 1:34:26
  Speaker 6: But what time did it start?
• 1:34:27
  Speaker 2: We started at five in the morning.
• 1:34:29
  Speaker 6: Until noon.
• 1:34:30
  Speaker 10: But I came from two shows and he came from one.
• 1:34:34
  Speaker 10: Show him the song, it's from Junior Gomes too, from
• 1:34:36
  Speaker 10: Thales Lessa. The name of the song is not the place,
• 1:34:38
  Speaker 10: it's the person. You can be in Paris with the
• 1:34:40
  Speaker 10: right person, it's better to be in the corner. You
• 1:34:49
  Speaker 10: went to the bars that we agreed to go You
• 1:34:52
  Speaker 10: traveled with him all over Europe But because of the
• 1:34:57
  Speaker 10: votes you left your smile here Because it's not the place,
• 1:35:01
  Speaker 10: it's the person Coração, para que se apaixonou Por alguém
• 1:35:20
  Speaker 10: que nunca te amou Alguém.
• 1:35:22
  Speaker 6: Que nunca vai te amar.
• 1:35:39
  Speaker 13: I'll make a promise to never love again Someone who
• 1:35:44
  Speaker 13: only wanted to see me suffer Someone who only wanted
• 1:35:47
  Speaker 13: to see.
• 1:35:48
  Speaker 26: Me cry But I need to get out of this,
• 1:35:51
  Speaker 26: out of falling in love For someone who only wants
• 1:35:55
  Speaker 26: to make me suffer For someone.
• 1:35:59
  Speaker 27: Who only wants to make me cry É tão ruim
• 1:36:04
  Speaker 27: Quando alguém machuca a gente O coração fica doente Sem
• 1:36:10
  Speaker 27: jeito até pra conversar Olha que dói demais Só quem
• 1:36:17
  Speaker 27: ama sabe e sente O que se passa em nossa
• 1:36:20
  Speaker 27: mente Na hora de deixar pra.
• 1:36:24
  Speaker 13: Trás Olha que nunca mais Eu vou provar do seu
• 1:36:29
  Speaker 13: carinho Nunca mais eu vou poder te abraçar Ou será
• 1:36:37
  Speaker 13: se eu vou viver melhor sozinho E se for mais
• 1:36:45
  Speaker 13: fácil pra me perdoar O amor.
• 1:36:48
  Speaker 22: Às vezes só confunde a gente, não sei.
• 1:36:57
  Speaker 6: I don't know.
• 1:36:58
  Speaker 5: I don't know.
• 1:37:08
  Speaker 22: If I'm with you, I'll be different, my heart.
• 1:37:14
  Speaker 7: Look at that!
• 1:37:15
  Speaker 6: It's live!
• 1:37:16
  Speaker 2: It's a song from Novela.
• 1:37:18
  Speaker 5: This song is so well composed that the guys in
• 1:37:20
  Speaker 5: Cuba made a version.
• 1:37:20
  Speaker 6: Really?
• 1:37:21
  Speaker 8: My heart is close to the fly.
• 1:37:24
  Speaker 5: The lobster is in the belly, waiting for a piece
• 1:37:27
  Speaker 5: of bread. That was viral in the schools. It's viral
• 1:37:30
  Speaker 5: in the schools. Who is the composer?
• 1:37:36
  Speaker 2: Man, this version there... I don't either.
• 1:37:38
  Speaker 6: Really?
• 1:37:39
  Speaker 4: You're not even in this era, man.
• 1:37:41
  Speaker 2: You're not even in this era.
• 1:37:42
  Speaker 6: You guys were going to school, man.
• 1:37:44
  Speaker 5: You're not even in this era.
• 1:37:46
  Speaker 6: Man, we were going to see another one. The viral front-runner.
• 1:37:48
  Speaker 6: Don't do it. I don't know, man. I don't know anything.
• 1:37:53
  Speaker 6: I don't know how to play anything. I don't know
• 1:37:56
  Speaker 6: how to sing. I don't know how to sing.
• 1:37:58
  Speaker 7: I don't know how to sing.
• 1:38:15
  Speaker 2: Caxê do Tarcísio vai ter que comentar.
• 1:38:17
  Speaker 4: Vê esses caras cantando ao vivo assim, de perto é doido, hein?
• 1:38:19
  Speaker 2: É outro time, rapaziada.
• 1:38:21
  Speaker 4: Não, é legal demais.
• 1:38:23
  Speaker 8: Vê vocês.
• 1:38:20
  Speaker 4: It's really cool, guys. No, it's really cool to see
• 1:38:23
  Speaker 4: you guys.
• 1:38:47
  Speaker 6: Invest in me. You see, when the thing is too.
• 1:38:50
  Speaker 2: The guy just sends the chorus, it's good, right, guys?
• 1:38:52
  Speaker 2: You already know, right?
• 1:38:55
  Speaker 6: That the father sent it well.
• 1:38:56
  Speaker 2: Give me a minor sharp.
• 1:38:57
  Speaker 6: Hey!
• 1:38:58
  Speaker 12: Hey! Hey!
• 1:38:58
  Speaker 4: Hey!
• 1:38:58
  Speaker 17: Hey!
• 1:38:58
  Speaker 6: Hey! Let me hear it.
• 1:39:37
  Speaker 8: I surpassed you, my heart is better alone.
• 1:39:43
  Speaker 15: Our skin doesn't shiver, the longing I feel is worse.
• 1:39:47
  Speaker 5: There's no more love.
• 1:39:49
  Speaker 6: There's no more love.
• 1:39:52
  Speaker 7: That's it.
• 1:39:53
  Speaker 5: My God!
• 1:39:56
  Speaker 6: Wow, you sing so well!
• 1:39:57
  Speaker 5: The moment the guy got it, you stopped. Now I
• 1:40:01
  Speaker 5: thought you were going to turn me around, but you didn't.
• 1:40:04
  Speaker 5: It's unprecedented! You saw that I was a little scared.
• 1:40:06
  Speaker 15: Nossa, a pele no arrepia, a saudade que eu senti
• 1:40:10
  Speaker 15: esfio Não tem mais amor.
• 1:40:14
  Speaker 5: You asked for Lácio Espirito, didn't you?
• 1:40:16
  Speaker 6: No, because I changed it.
• 1:40:19
  Speaker 5: But it's Lácio Espirito.
• 1:40:20
  Speaker 6: Brother, what a voice!
• 1:40:21
  Speaker 2: Did he ask you to play an unprecedented song?
• 1:40:24
  Speaker 6: It's an unprecedented song. I even have it in my
• 1:40:26
  Speaker 6: project that I'm going.
• 1:40:27
  Speaker 5: To release on December 4th.
• 1:40:30
  Speaker 4: It's a project that you're going to launch.
• 1:40:31
  Speaker 6: It's a complete project.
• 1:40:32
  Speaker 4: DVD.
• 1:40:53
  Speaker 10: One time your heart was so cowardly Give me reasons
• 1:40:58
  Speaker 10: to stay.
• 1:40:58
  Speaker 6: Before it's too.
• 1:41:00
  Speaker 5: Late He felt something different there. He never was like that,
• 1:41:12
  Speaker 5: you see?
• 1:41:12
  Speaker 6: He felt something different there. What did I see, man? Sentiment.
• 1:41:14
  Speaker 7: He's in love.
• 1:41:15
  Speaker 6: I'm liking Alguém, man, for real.
• 1:41:16
  Speaker 5: I'm liking Alguém, man. You're crazy.
• 1:41:18
  Speaker 6: Send me a kiss, then.
• 1:41:19
  Speaker 5: Alguém, I want to send you a kiss and I
• 1:41:20
  Speaker 5: want to say that you're wonderful.
• 1:41:21
  Speaker 6: You know that I'm fucking liking you, right? Thanks, Alguém.
• 1:41:35
  Speaker 4: Thanks, someone!
• 1:41:36
  Speaker 6: Fucking asshole. Thanks, someone!
• 1:41:38
  Speaker 2: You'll cut it and send it to eight girls.
• 1:41:40
  Speaker 6: No, I'll cut it and send it to her. I'm
• 1:41:42
  Speaker 6: focused on her. Just on her? I swear! Amen!
• 1:41:48
  Speaker 4: He is saving us!
• 1:41:50
  Speaker 5: He is saving us! He is saving us!
• 1:41:52
  Speaker 6: If it wasn't for you... If it wasn't for you.
• 1:41:54
  Speaker 28: If it wasn't for you, we would be in trouble here!
• 1:41:58
  Speaker 6: Show your face, Victor! Go, pull Roxinha!
• 1:42:10
  Speaker 8: I drank one during the pandemic, I drank one in Samosa.
• 1:42:14
  Speaker 12: What?
• 1:42:14
  Speaker 6: He's seen this little rose on your neck.
• 1:42:16
  Speaker 13: And every night you disappear like the sun He's seen
• 1:42:19
  Speaker 13: what you do, love.
• 1:42:21
  Speaker 29: Without taste That another fish is biting your anvil.
• 1:42:39
  Speaker 27: E ele fecha os olhos quando te.
• 1:42:44
  Speaker 5: Ama Até gosta dele, mas você.
• 1:42:47
  Speaker 7: Não ama.
• 1:42:51
  Speaker 9: .
• 1:42:59
  Speaker 28: .
• 1:43:20
  Speaker 6: That's why she comes every night.
• 1:43:35
  Speaker 4: Um salve, Johnny.
• 1:43:36
  Speaker 6: Valeu, Johnny.
• 1:43:36
  Speaker 11: Mandou pra mim também.
• 1:43:38
  Speaker 27: Quando a saudade bater Cê vai chorar, vai beber Vai.
• 1:43:44
  Speaker 15: Ligar Querendo voltar Eu vou falar que não quero Beijando
• 1:43:51
  Speaker 15: sua boca Falar que te odeio Tirando sua roupa Em
• 1:43:55
  Speaker 15: quatro paredes.
• 1:43:57
  Speaker 5: Num quarto escuro Cê vai ouvir.
• 1:43:59
  Speaker 15: O eu Te amo por segundo Por segundo.
• 1:44:06
  Speaker 2: Thank you, John.
• 1:44:07
  Speaker 6: This one is for a barbecue, right? This song is
• 1:44:09
  Speaker 6: the face of the barbecue.
• 1:44:10
  Speaker 5: This song took me to places I've never been.
• 1:44:12
  Speaker 2: Amen, brother.
• 1:44:14
  Speaker 4: Thank God.
• 1:44:14
  Speaker 6: I went far in reading this sentence.
• 1:44:16
  Speaker 8: My first success was in 2019. But it was a
• 1:44:19
  Speaker 8: shared success, right? It was Bebe Vem Procurar. I know
• 1:44:23
  Speaker 8: you say that you don't. The gold that is made
• 1:44:27
  Speaker 8: of stone is your heart.
• 1:44:30
  Speaker 6: At dawn, come look for me.
• 1:44:33
  Speaker 8: And then I managed to have a schedule, that's where
• 1:44:36
  Speaker 8: the office found Victor Fernandes. But the song that took
• 1:44:40
  Speaker 8: me to places that I never imagined was Vou Falar
• 1:44:43
  Speaker 8: Com Que Era Acaso. And I have a lot of
• 1:44:46
  Speaker 8: affection for these songs, because they were songs that really
• 1:44:49
  Speaker 8: changed my life, right?
• 1:44:50
  Speaker 2: Man, and you singing, brother, you up there and then.
• 1:44:52
  Speaker 6: This is....
• 1:44:55
  Speaker 3: I don't know what it is technically speaking, but this
• 1:44:57
  Speaker 3: is something bizarre.
• 1:44:59
  Speaker 7: It's what I don't know how to do.
• 1:45:01
  Speaker 5: It's what I don't know. Which one?
• 1:45:03
  Speaker 2: But how can I.
• 1:45:03
  Speaker 6: Not remember Your way of loving Your affectionate touch I've.
• 1:45:06
  Speaker 9: Tried and it doesn't work But how can I not.
• 1:45:11
  Speaker 29: Remember Do lençol bagunçado Do beijo sem roupa Papa, let's
• 1:45:30
  Speaker 29: go to the car!
• 1:45:54
  Speaker 5: But you're going to get a raise, right? Applause, applause!
• 1:45:59
  Speaker 6: What is this?
• 1:46:00
  Speaker 4: This is a song by Metal Johnny.
• 1:46:02
  Speaker 9: Johnny gave me a lot of success.
• 1:46:06
  Speaker 10: I'm not going to say I don't want to, he
• 1:46:09
  Speaker 10: started traveling with me.
• 1:46:10
  Speaker 8: And then I already had the house and I was
• 1:46:14
  Speaker 8: going to release another song.
• 1:46:15
  Speaker 6: Every artist when he.
• 1:46:23
  Speaker 5: He wants another song, right?
• 1:46:25
  Speaker 6: And then he said, I.
• 1:46:27
  Speaker 5: Have a song for you. I said, bring it.
• 1:46:30
  Speaker 8: I'm just going to show it to you personally.
• 1:46:36
  Speaker 16: I said, bring it!
• 1:46:37
  Speaker 8: He showed me this song, I'm going to say what
• 1:46:39
  Speaker 8: I want, I knelt down and thanked God, because the artist.
• 1:46:42
  Speaker 6: Already knows the song.
• 1:46:43
  Speaker 4: At the time you heard.
• 1:46:44
  Speaker 6: It, you felt it was a hit. I knelt down,
• 1:46:46
  Speaker 6: thanked God, thanked God. Thank God I'm in the States.
• 1:46:51
  Speaker 11: The song has interest.
• 1:46:52
  Speaker 10: The song that brought our great, unique, unparalleled Gabriel Diniz
• 1:46:57
  Speaker 10: to the world was Jennifer.
• 1:46:59
  Speaker 11: She passed it to me and I didn't like it.
• 1:47:00
  Speaker 6: Really? She passed it to Gustavo Lima too.
• 1:47:02
  Speaker 1: I wanted to know why you didn't accept this song.
• 1:47:05
  Speaker 4: Because I didn't like it and.
• 1:47:07
  Speaker 6: I know it's a success.
• 1:47:07
  Speaker 10: I listen to it, but I don't like the song.
• 1:47:09
  Speaker 10: She passed it to us too. I usually say that
• 1:47:12
  Speaker 10: the artist.
• 1:47:12
  Speaker 2: Doesn't choose the song.
• 1:47:13
  Speaker 6: The song chooses the artist.
• 1:47:14
  Speaker 4: Exactly.
• 1:47:14
  Speaker 6: There's no other.
• 1:47:15
  Speaker 7: She passed it to the fourth artist.
• 1:47:16
  Speaker 6: Four artists. And maybe for him, he said, this one
• 1:47:26
  Speaker 6: is perfect.
• 1:47:26
  Speaker 4: And it was. And it was. So, another one.
• 1:47:28
  Speaker 6: Xande, live, live, look. Which one did you fill your mouth.
• 1:47:32
  Speaker 4: To say like this?
• 1:47:33
  Speaker 2: Which one did you do like this? This one fits perfectly.
• 1:47:36
  Speaker 2: You know?
• 1:47:36
  Speaker 5: Because you sent it to me.
• 1:47:38
  Speaker 6: This one is already created. I liked it when I
• 1:47:41
  Speaker 6: saw it with the nickname.
• 1:47:42
  Speaker 5: It's interesting. It's because this is a complete burugudu, right?
• 1:47:46
  Speaker 6: It's a complete burugudu.
• 1:47:55
  Speaker 2: I'm a frustrated drummer.
• 1:47:56
  Speaker 10: I play percussion, and when I started singing, I sang
• 1:47:59
  Speaker 10: by accident.
• 1:48:00
  Speaker 6: The singer was missing. By accident?
• 1:48:02
  Speaker 8: By accident is f * * *.
• 1:48:03
  Speaker 6: It wasn't God.
• 1:48:05
  Speaker 10: I was the band's hold, I wasn't the singer. I
• 1:48:07
  Speaker 10: turned on the band's sound.
• 1:48:09
  Speaker 6: Passed the instruments, turned it on, and the people came
• 1:48:11
  Speaker 6: to play.
• 1:48:11
  Speaker 5: And the singer didn't see me.
• 1:48:21
  Speaker 6: And I knew that I knew the repertoire. But that
• 1:48:22
  Speaker 6: was not... But you were tuned, man. No, I think
• 1:48:24
  Speaker 6: I was tuned.
• 1:48:24
  Speaker 4: Even I can't sing much more tuned.
• 1:48:26
  Speaker 10: Probably you have to be, right? It's like I'm telling you,
• 1:48:28
  Speaker 10: we're ugly. And it's f * * * ing cool
• 1:48:30
  Speaker 10: to be stoned, right?
• 1:48:30
  Speaker 6: Tuned and the lyrics you already knew.
• 1:48:32
  Speaker 1: But the show I'm talking about was for 50 people.
• 1:48:35
  Speaker 4: It was a barbecue.
• 1:48:36
  Speaker 6: But the guy was missing.
• 1:48:41
  Speaker 10: The guy told me that Vinicius knew the whole repertoire,
• 1:48:44
  Speaker 10: you know?
• 1:48:44
  Speaker 11: It was a four-hour show.
• 1:48:45
  Speaker 6: He had everything. From Hassan Dey to Legião Urbana.
• 1:48:47
  Speaker 4: Because it's a dance, right?
• 1:48:48
  Speaker 6: To play in a bar, you have to play everything.
• 1:48:50
  Speaker 6: And I'm not even going to sing. I never had
• 1:48:51
  Speaker 6: a microphone in my hand.
• 1:48:52
  Speaker 10: Are you going to sing? I said, I'm not going,
• 1:48:55
  Speaker 10: you're going. I don't know what I sang.
• 1:48:56
  Speaker 6: I sang about four hours there. That's good.
• 1:48:59
  Speaker 11: And then everything happened.
• 1:49:00
  Speaker 6: And I wanted to play drums. My dream is to
• 1:49:01
  Speaker 6: play drums. Because I love percussive stuff.
• 1:49:08
  Speaker 10: And when I was called for a forró, the band
• 1:49:10
  Speaker 10: was very balanced because it was Riquelme on the drums, right?
• 1:49:11
  Speaker 11: Riquelme was a lot of people playing.
• 1:49:14
  Speaker 4: And I wanted to do.
• 1:49:15
  Speaker 10: Wherever I wanted to have a turn that he didn't do,
• 1:49:18
  Speaker 10: I did... He kept turning.
• 1:49:19
  Speaker 6: And doing it up there. So what I do is
• 1:49:20
  Speaker 6: the turn of the drums. Got it? It's all the tones.
• 1:49:22
  Speaker 6: This is very good. I didn't know that was me
• 1:49:23
  Speaker 6: who was going to ask.
• 1:49:24
  Speaker 8: Even when we put a song in the repertoire that
• 1:49:26
  Speaker 8: is balanced.
• 1:49:27
  Speaker 2: I always say, in that Shandy sin, which is.
• 1:49:39
  Speaker 2: Thank you.
• 1:49:41
  Speaker 3: Bro, there's a DVD that starts with that.
• 1:49:45
  Speaker 6: It starts to go up here. It's different, it's different.
• 1:49:49
  Speaker 6: Put another one for me. Today what I want is
• 1:49:52
  Speaker 6: to enjoy.
• 1:49:53
  Speaker 5: Hit another one for me.
• 1:49:54
  Speaker 6: This one is awesome. Whisky Red Bull.
• 1:49:57
  Speaker 1: Chanty, can you think about what was the biggest success
• 1:50:00
  Speaker 1: in Flamengo today?
• 1:50:01
  Speaker 2: I want the BB, today I'm going to turn the table.
• 1:50:04
  Speaker 6: Chanty, Chanty, Chanty. Chanty Red Bull.
• 1:50:06
  Speaker 5: Chanty Red Bull.
• 1:50:07
  Speaker 14: Chanty Red Bull.
• 1:50:09
  Speaker 6: That's what I like, man!
• 1:50:11
  Speaker 5: That's what I like, man! That's what I like, man!
• 1:50:13
  Speaker 6: That's what I like, man! That's what I like, man!
• 1:50:16
  Speaker 6: That's what I like, man! That's what I like, man!
• 1:50:17
  Speaker 6: That's what I like, man! That's what I like, man!
• 1:50:20
  Speaker 6: That's what I like, man!
• 1:50:21
  Speaker 4: That's what I like, man!
• 1:50:22
  Speaker 6: That's what I like, man!
• 1:50:23
  Speaker 11: That's what I like, man!
• 1:50:34
  Speaker 10: Cavalho de Pau, I don't know how to say it here,
• 1:50:39
  Speaker 10: but it's what I grew up listening to. Noro de Caju,
• 1:50:42
  Speaker 10: there are great bands. But from 2000, as I said,
• 1:50:45
  Speaker 10: the band was born.
• 1:50:46
  Speaker 4: In 2002, September 2002.
• 1:50:46
  Speaker 6: From 2004 to 2012 we... So, Aviões de Forró has medals.
• 1:50:49
  Speaker 6: It has. Chupacá de Uva, Coração.
• 1:50:52
  Speaker 13: Dibaremba, Dimezimbeza, Bebê Numba, I'm coming! You can cry, but
• 1:50:56
  Speaker 13: I won't die for you. You can cry, but you
• 1:50:59
  Speaker 13: won't tell.
• 1:50:59
  Speaker 6: Me that it's over.
• 1:51:00
  Speaker 2: I know it's over, so we have.
• 1:51:04
  Speaker 8: I can do a one-hour show only with hits.
• 1:51:07
  Speaker 10: Exactly. I went to your show in Petrolina.
• 1:51:09
  Speaker 6: Enjoying in the middle of the town. Did you? Yes,
• 1:51:13
  Speaker 6: I did. That's very good.
• 1:51:14
  Speaker 5: I used to work at Hipocrates. I went to shows.
• 1:51:16
  Speaker 6: I went too. But did you see his show on
• 1:51:18
  Speaker 6: the stage and say, one day I'll be there too?
• 1:51:28
  Speaker 16: No, there was no such thing.
• 1:51:28
  Speaker 4: You know why? I was already a singer, and then.
• 1:51:30
  Speaker 8: The people there already had a lot of affection for
• 1:51:36
  Speaker 8: me in my place, where I was born and raised
• 1:51:38
  Speaker 8: in the Project 106.
• 1:51:39
  Speaker 5: It's a little.
• 1:51:41
  Speaker 6: Place there in Petrolina, which has about 3,000 inhabitants.
• 1:51:44
  Speaker 8: And then my aunt, Leuda, was a teacher, and she
• 1:51:48
  Speaker 8: lived next door to where the San João de Petrolina happened.
• 1:51:52
  Speaker 6: And then... That's it, I remember it so well.
• 1:51:54
  Speaker 8: And then I have an uncle too, they were great.
• 1:51:57
  Speaker 5: That's it, they were great and.
• 1:51:58
  Speaker 6: Yeah, that's it.
• 1:51:59
  Speaker 5: And then.
• 1:51:59
  Speaker 6: And then.
• 1:52:08
  Speaker 8: He's a big fan of Xande, and I always went
• 1:52:11
  Speaker 8: with him to Xande or to Dojival.
• 1:52:13
  Speaker 5: We always went to pick the dates.
• 1:52:15
  Speaker 6: And then I went.
• 1:52:16
  Speaker 8: And it's really cool to tell the story, because I
• 1:52:20
  Speaker 8: liked it there with the guys, but I always said,
• 1:52:23
  Speaker 8: one day I'll be there too, in the name of Jesus.
• 1:52:25
  Speaker 8: And today I'm also part of all of São João
• 1:52:27
  Speaker 8: do Petrópolis.
• 1:52:28
  Speaker 10: But it's very good to hear this from this girl.
• 1:52:31
  Speaker 10: I've been on the road for 24 years. And I
• 1:52:33
  Speaker 10: also heard that Jorge Matheus opened a show for me.
• 1:52:36
  Speaker 10: Jorge Matheus was born a little after the Forró plane.
• 1:52:38
  Speaker 10: When he came to the Northeast, he opened a show
• 1:52:39
  Speaker 10: for us. Henrique Juliano was waiting to open the door
• 1:52:42
  Speaker 10: in Palmas to be able to enter the show. And
• 1:52:44
  Speaker 10: the view of this girl, for me, is a pride.
• 1:52:46
  Speaker 10: To say, you were my reference. It's not that I'm old,
• 1:52:49
  Speaker 10: but the guys listened to me.
• 1:52:50
  Speaker 6: This guy, every week, he puts me in the dressing
• 1:52:52
  Speaker 6: room listening.
• 1:52:52
  Speaker 5: You're better than before.
• 1:52:53
  Speaker 6: I think so too.
• 1:52:54
  Speaker 12: I think so too.
• 1:52:54
  Speaker 4: By the way, taking advantage of the fact that you're here, Chani, please.
• 1:53:00
  Speaker 9: I talk to Jorge Matheus' members, because it's my dream
• 1:53:03
  Speaker 9: to record with them.
• 1:53:04
  Speaker 4: Say hi to them!
• 1:53:05
  Speaker 12: Hey, Jorge!
• 1:53:05
  Speaker 17: Hey, Jorge!
• 1:53:05
  Speaker 6: Jorge is my godfather. Jorge, let's go! Talk to your buddy!
• 1:53:09
  Speaker 6: But Jorge is an odd guy, out of the ordinary.
• 1:53:10
  Speaker 11: He's like João Gomes.
• 1:53:24
  Speaker 9: If someone says something bad about him, he will be suspicious.
• 1:53:28
  Speaker 5: That's it.
• 1:53:29
  Speaker 14: It's impossible.
• 1:53:29
  Speaker 6: You can really trust him.
• 1:53:30
  Speaker 10: But everyone compares Jorge to Matheus because Matheus is a
• 1:53:33
  Speaker 10: great guy to talk to. Matheus always says, it's not
• 1:53:36
  Speaker 10: that I'm boring, it's because Jorge is too nice.
• 1:53:39
  Speaker 6: Too nice. He goes beyond the limit, but it's a
• 1:53:42
  Speaker 6: wonderful duo. The guy goes beyond the limit to be
• 1:53:44
  Speaker 6: too nice. Imagine that.
• 1:53:46
  Speaker 10: So they are guys that I am in love with.
• 1:53:47
  Speaker 10: They helped me a lot too. They are my personal friends.
• 1:53:50
  Speaker 10: But to see these guys talking about me is an honor.
• 1:53:53
  Speaker 10: And to be friends with them, not only because of
• 1:53:56
  Speaker 10: the music, but to be able to call.
• 1:53:57
  Speaker 6: Them, make a phone call.
• 1:53:58
  Speaker 2: I think this is very important, Xande. Normally here in
• 1:54:01
  Speaker 2: our country we are used to.
• 1:54:04
  Speaker 3: To talk about people, or make a tribute, or talk well,
• 1:54:07
  Speaker 3: only after the person, unfortunately.
• 1:54:08
  Speaker 2: Has already left.
• 1:54:09
  Speaker 6: I always say that.
• 1:54:10
  Speaker 2: So I think you're alive, young, and.
• 1:54:13
  Speaker 3: Really, it's a reference for all of them. I'm a
• 1:54:16
  Speaker 3: big fan for a long time, a mythic too. So
• 1:54:18
  Speaker 3: there's no one in Brazil, hardly in our city, who
• 1:54:20
  Speaker 3: doesn't know the Forró planes.
• 1:54:22
  Speaker 2: So I think this is very beautiful.
• 1:54:23
  Speaker 3: Because it's better than waiting for.
• 1:54:28
  Speaker 8: Something to happen. We did the Fantasy now in Fortaleza.
• 1:54:30
  Speaker 10: The biggest Fantasy party in the world. And I took
• 1:54:34
  Speaker 10: Safadão to sing with me. He was going to sing
• 1:54:36
  Speaker 10: 5 songs and he sang 1 hour. When his participation
• 1:54:39
  Speaker 10: was over, he said something I didn't expect. He took
• 1:54:41
  Speaker 10: the microphone and said, we are here because of you.
• 1:54:44
  Speaker 4: You are our teacher.
• 1:54:45
  Speaker 6: He cried because I'm the guy.
• 1:54:47
  Speaker 8: Send a kiss to Safadão too.
• 1:54:48
  Speaker 6: But this is very beautiful, brother.
• 1:54:49
  Speaker 2: Because you two are two very strong pillars of the horror.
• 1:54:52
  Speaker 11: Safadão is out of the curve.
• 1:54:54
  Speaker 8: Safadão was the first artist that I recorded at the
• 1:54:56
  Speaker 8: beginning of my career in 2019.
• 1:54:58
  Speaker 6: That was Bebem Procurar. He was there at.
• 1:54:59
  Speaker 7: The beginning of Piseira.
• 1:55:01
  Speaker 6: He was one of the first people to.
• 1:55:03
  Speaker 5: to give us the opportunity, right?
• 1:55:05
  Speaker 4: But it seems that the biggest ones are.
• 1:55:07
  Speaker 5: The most humble.
• 1:55:08
  Speaker 6: That's right.
• 1:55:09
  Speaker 8: And the most centered in this world. Let's send a
• 1:55:11
  Speaker 8: special hug to Safadão, because he's a guy out of
• 1:55:12
  Speaker 8: the corner.
• 1:55:13
  Speaker 6: He's out of the corner. Applause for Safadão.
• 1:55:15
  Speaker 2: I'm crazy to talk to him.
• 1:55:15
  Speaker 7: Marlena too.
• 1:55:17
  Speaker 4: Has he come to the podcast?
• 1:55:18
  Speaker 6: No, not yet.
• 1:55:19
  Speaker 4: He has to come.
• 1:55:19
  Speaker 6: Safadão, you have to come here. Natanzinho Lima is coming.
• 1:55:23
  Speaker 20: He's crazy.
• 1:55:25
  Speaker 2: I like to go crazy, bro.
• 1:55:26
  Speaker 4: I like to go crazy too.
• 1:55:27
  Speaker 1: As well as Nathan, when he showed up, he went
• 1:55:30
  Speaker 1: to Podpá too.
• 1:55:31
  Speaker 4: It was wonderful. Nathan, my God.
• 1:55:33
  Speaker 6: I was at his house now.
• 1:55:34
  Speaker 11: Today is the baby tea of his daughter.
• 1:55:35
  Speaker 6: His daughter, right?
• 1:55:36
  Speaker 4: I was there now.
• 1:55:37
  Speaker 9: Come here.
• 1:55:38
  Speaker 6: Send a kiss.
• 1:55:38
  Speaker 11: He's very happy.
• 1:55:39
  Speaker 6: Happy for you, man.
• 1:55:39
  Speaker 4: Wonderful your family. Let's talk about Nathan.
• 1:55:42
  Speaker 6: Really, Nathan Lima.
• 1:55:43
  Speaker 2: You're rejuvenating.
• 1:55:48
  Speaker 3: Some very important songs.
• 1:55:50
  Speaker 6: Exactly.
• 1:55:51
  Speaker 2: He re-recorded Zezé de Camargo and Luciano. It was awesome!
• 1:55:54
  Speaker 6: Dream of love.
• 1:55:55
  Speaker 2: Wow!
• 1:55:55
  Speaker 3: I'm... I'm addicted to Zezé de Camargo because my mom
• 1:55:59
  Speaker 3: used to say.
• 1:56:00
  Speaker 8: That I only slept listening to it.
• 1:56:02
  Speaker 3: And then he re-recorded it now and I said, man,
• 1:56:05
  Speaker 3: the youth will know this song, which is a hymn,
• 1:56:07
  Speaker 3: you can't.
• 1:56:08
  Speaker 6: Let these hymns die.
• 1:56:09
  Speaker 5: But Zezé' s songs are hymns.
• 1:56:10
  Speaker 4: All of them.
• 1:56:10
  Speaker 6: All of them.
• 1:56:11
  Speaker 5: My father is a patient, he's in love with Zezé
• 1:56:14
  Speaker 5: de Camargo Luciano.
• 1:56:16
  Speaker 8: There's a very interesting story about my father. He liked
• 1:56:20
  Speaker 8: to play ball, and then he went out to play
• 1:56:23
  Speaker 8: with his friends, it was the end of the tournament,
• 1:56:25
  Speaker 8: and he always made a collection of Zezé de Camargo Luciano.
• 1:56:28
  Speaker 5: And then he arrived, all excited, champion, with the trophy.
• 1:56:30
  Speaker 8: My mother, mad at him, took the trophy, bang, broke
• 1:56:34
  Speaker 8: his head and set fire to his collection.
• 1:56:36
  Speaker 6: No, it's a lie. What's that?
• 1:56:37
  Speaker 7: It's true.
• 1:56:39
  Speaker 5: My father is in love with Zé da Filho Marcosiano.
• 1:56:41
  Speaker 6: Poor thing. What's your mother's name?
• 1:56:42
  Speaker 4: Maria Eliana.
• 1:56:43
  Speaker 6: Eliana.
• 1:56:44
  Speaker 2: Oh, Dona Eliana.
• 1:56:45
  Speaker 6: She's mad, huh? My mother is mad.
• 1:56:47
  Speaker 4: First, you can say it.
• 1:56:48
  Speaker 2: You can say it. I'm not even kidding.
• 1:56:51
  Speaker 3: The first time I saw my dad crying, he came
• 1:56:53
  Speaker 3: home and I was scratching his CD of Raça Negra
• 1:56:55
  Speaker 3: on the floor.
• 1:56:56
  Speaker 2: But he was a kid, right?
• 1:56:57
  Speaker 4: Then he stopped and looked. Don't do that. Raça Negra, no.
• 1:57:01
  Speaker 10: Interesting to say that the first time I saw my
• 1:57:03
  Speaker 10: dad crying was the day that Luiz Gonzaga died.
• 1:57:05
  Speaker 6: The first time.
• 1:57:06
  Speaker 10: I had never seen my dad crying in my life.
• 1:57:08
  Speaker 10: The day that Luiz Gonzaga died, I saw my dad.
• 1:57:10
  Speaker 6: Crying for the first time. And we are surprised, right?
• 1:57:13
  Speaker 11: Because when I was little, dad was our strength, right?
• 1:57:15
  Speaker 6: That's right. My dad cries. And what happened?
• 1:57:18
  Speaker 11: My father said, no, Luiz Gonzaga died.
• 1:57:19
  Speaker 6: Our father is like a hero, right?
• 1:57:20
  Speaker 2: When we were kids, you look and say, this guy
• 1:57:22
  Speaker 2: doesn't cry, this guy is strong.
• 1:57:23
  Speaker 6: I only saw it this time. I only saw it once.
• 1:57:26
  Speaker 4: I can imagine how big it meant to him. Didn't it?
• 1:57:28
  Speaker 2: Did your father see some of your success, Xande?
• 1:57:31
  Speaker 11: My father is alive, man.
• 1:57:32
  Speaker 12: Oh, really?
• 1:57:33
  Speaker 6: My father is a boy. That's awesome!
• 1:57:35
  Speaker 20: So, okay.
• 1:57:36
  Speaker 4: Sorry.
• 1:57:36
  Speaker 2: I almost killed your father.
• 1:57:38
  Speaker 6: My father is my brother. But what was.
• 1:57:40
  Speaker 3: It like when you started to make a success in forró?
• 1:57:42
  Speaker 3: How does he look like? How is your father today
• 1:57:44
  Speaker 3: in relation to your career?
• 1:57:46
  Speaker 6: He's good. He didn't want me to sing.
• 1:57:47
  Speaker 10: He wanted me to get educated. I say it shamelessly.
• 1:57:50
  Speaker 10: My mother and my father studied. They are illiterate, but.
• 1:57:55
  Speaker 11: They were the ones who taught me the most in
• 1:57:57
  Speaker 11: my life. My mother worked in a circus.
• 1:57:58
  Speaker 10: My mother worked in a circus.
• 1:58:00
  Speaker 11: She sang in a circus.
• 1:58:01
  Speaker 10: I think my artistic view comes from her.
• 1:58:03
  Speaker 6: And my father never.
• 1:58:04
  Speaker 8: He's very musical, but he doesn't play anything.
• 1:58:06
  Speaker 6: My father.
• 1:58:06
  Speaker 8: My musical encyclopedia, that I know musically of everything, I
• 1:58:08
  Speaker 8: used to listen to my father. He used to listen to.
• 1:58:10
  Speaker 6: Good listening.
• 1:58:11
  Speaker 2: He used to listen to Trio.
• 1:58:12
  Speaker 10: Parada Dura, Raça Negra, Aspa Mamonteira, and I used to
• 1:58:15
  Speaker 10: listen to that.
• 1:58:15
  Speaker 11: And he used to say, my son has to graduate.
• 1:58:19
  Speaker 6: Then I started to join the band.
• 1:58:20
  Speaker 8: I said, mom, I'm working in a band. She said, go, go, go,
• 1:58:23
  Speaker 8: you can go. But just don't tell your father. Dad,
• 1:58:25
  Speaker 8: when he found out, he didn't let me sleep at home.
• 1:58:28
  Speaker 6: I slept at my grandmother's house. If you don't work
• 1:58:32
  Speaker 6: in a band, you'll get sick.
• 1:58:33
  Speaker 17: Why?
• 1:58:33
  Speaker 6: Was it because he was a vagabond? A vagabond.
• 1:58:35
  Speaker 4: A vagabond.
• 1:58:36
  Speaker 6: Whoever worked in a band... And his father's head? Difficult, right, brother?
• 1:58:38
  Speaker 6: What do you work in?
• 1:58:39
  Speaker 2: I'm a singer.
• 1:58:40
  Speaker 10: But what do you do? But it's your profession, right?
• 1:58:44
  Speaker 4: The work itself.
• 1:58:45
  Speaker 6: But what do you do? It's your profession, right?
• 1:58:47
  Speaker 5: What are you a singer?
• 1:58:48
  Speaker 6: This week I was even watching a documentary about Djavan.
• 1:58:51
  Speaker 6: I'm a big fan of Djavan.
• 1:58:52
  Speaker 5: Wow, you and the world, right, dad?
• 1:58:54
  Speaker 12: Yeah.
• 1:58:54
  Speaker 6: Oh my God.
• 1:58:55
  Speaker 7: I consume, like... I love Djavan in a way that.
• 1:58:58
  Speaker 9: I was watching his documentary and he was saying that
• 1:59:00
  Speaker 9: in the 80's, he was a big hit. Here in
• 1:59:02
  Speaker 9: São Paulo, he went to Praça da Sede, if I'm
• 1:59:04
  Speaker 9: not mistaken, to see a Rhodes piano, that electronic piano,
• 1:59:06
  Speaker 9: he and his producer to buy it. And then, I
• 1:59:09
  Speaker 9: think in that time, in the dictatorship, more or less,
• 1:59:12
  Speaker 9: from the 70's to the 80's, Brazil.
• 1:59:27
  Speaker 6: Was on fire. Because of the guy's clothes.
• 1:59:31
  Speaker 7: He was an artist.
• 1:59:32
  Speaker 6: He was a bit prejudiced about his color.
• 1:59:36
  Speaker 9: When he asked for the price of the piano, he
• 1:59:40
  Speaker 9: called the police. The police came and took him and
• 1:59:43
  Speaker 9: his producer.
• 1:59:44
  Speaker 7: He said, what do you work for?
• 1:59:46
  Speaker 6: He said, I'm a musician. He showed his wallet.
• 1:59:48
  Speaker 9: At that time, there was a musician's wallet, right? They
• 1:59:50
  Speaker 9: thought that a musician was nothing.
• 1:59:52
  Speaker 6: It was a vagabond profession.
• 1:59:53
  Speaker 2: He said that....
• 1:59:56
  Speaker 6: He was arrested, he spent 5 hours in prison, so.
• 1:59:57
  Speaker 9: I mean, Xande is talking about his father's prejudice, because
• 1:59:59
  Speaker 9: in the past, the artist wasn't considered a job.
• 2:00:01
  Speaker 7: I think our parents, when they see us, dreamers, they
• 2:00:02
  Speaker 7: say like this... Calm down, son, life is harder.
• 2:00:04
  Speaker 6: It won't work.
• 2:00:05
  Speaker 3: Not that they don't trust that Xande won't be successful,
• 2:00:07
  Speaker 3: they know it's very hard.
• 2:00:08
  Speaker 4: This world too.
• 2:00:08
  Speaker 6: My father was different from Xande.
• 2:00:09
  Speaker 4: Really?
• 2:00:09
  Speaker 7: The great dream of being an.
• 2:00:10
  Speaker 2: Artist wasn't mine, it was my father's.
• 2:00:12
  Speaker 6: Really? Yes. Does that help? Then you can also go
• 2:00:27
  Speaker 6: after your dreams. Like Mr. Francisco do Zezé.
• 2:00:29
  Speaker 5: Yes, my father and my mother were always crazy. They
• 2:00:32
  Speaker 5: were great in my life.
• 2:00:34
  Speaker 2: I watched these days again.
• 2:00:36
  Speaker 7: My father was a bass player.
• 2:00:37
  Speaker 6: What did that man do?
• 2:00:38
  Speaker 7: My father was a bass player.
• 2:00:40
  Speaker 2: The first time I watched it, I was a kid
• 2:00:42
  Speaker 2: and I didn't cry.
• 2:00:43
  Speaker 3: I thought it was a very beautiful movie.
• 2:00:44
  Speaker 2: I went to watch it now. About two or three
• 2:00:47
  Speaker 2: months ago. I cried like a child.
• 2:00:49
  Speaker 6: Two years of Francisco.
• 2:00:50
  Speaker 4: When he's singing.
• 2:00:50
  Speaker 2: When he's singing on stage and Mr.
• 2:00:53
  Speaker 6: Francisco comes in.
• 2:00:56
  Speaker 5: I know that.
• 2:00:57
  Speaker 6: And you saw that it.
• 2:00:57
  Speaker 5: Was a father's dream too. For me, my crazy mother
• 2:01:00
  Speaker 5: is Mr. Francisco.
• 2:01:01
  Speaker 6: How much he fought was crazy. My mother used to
• 2:01:04
  Speaker 6: do the same thing.
• 2:01:05
  Speaker 5: She used to go on the radio.
• 2:01:06
  Speaker 6: With a tape singing.
• 2:01:07
  Speaker 8: My mother used to do the same thing. She used
• 2:01:10
  Speaker 8: to go on the radio with a tape singing. My
• 2:01:12
  Speaker 8: father and mother had a bar. And everything they earned,
• 2:01:14
  Speaker 8: they invested in me.
• 2:01:21
  Speaker 5: I owe Mauricelio some money.
• 2:01:22
  Speaker 6: I owe Mauricelio some money.
• 2:01:23
  Speaker 7: Tassis even worked with my cousin.
• 2:01:26
  Speaker 6: I owe Mauricelio some money. I'll pay you later.
• 2:01:27
  Speaker 5: Tassis ate some skewers there.
• 2:01:28
  Speaker 6: He never paid. I owe him some money. You see
• 2:01:31
  Speaker 6: how the song is.
• 2:01:32
  Speaker 5: I met Tassis before he blew up.
• 2:01:34
  Speaker 4: He ate skewers in my parents' house.
• 2:01:35
  Speaker 6: He played the guitar there.
• 2:01:47
  Speaker 7: I played the keyboard on my brother's head.
• 2:01:48
  Speaker 8: And then, after a few years, Taciz came back. I
• 2:01:52
  Speaker 8: was a boy, right? Taciz was a more lively guy
• 2:01:54
  Speaker 8: than me. Do you have a lot of age difference?
• 2:01:56
  Speaker 5: Do you have a lot of age difference?
• 2:01:58
  Speaker 6: No, but I was always a homeboy.
• 2:01:59
  Speaker 2: I came out of the car when I was 18
• 2:02:01
  Speaker 2: years old.
• 2:02:02
  Speaker 5: My first girlfriend is my wife until today.
• 2:02:04
  Speaker 6: How old are you, brother? I'm 28.
• 2:02:05
  Speaker 17: I'm 32.
• 2:02:05
  Speaker 6: It's the same generation. You're very lively. Pull one, man.
• 2:02:07
  Speaker 6: Pull it.
• 2:02:16
  Speaker 4: Do you know what.
• 2:02:18
  Speaker 6: I thought was really cool?
• 2:02:19
  Speaker 1: One was singing a verse and then it came to
• 2:02:22
  Speaker 1: the other.
• 2:02:23
  Speaker 6: I thought this was really cool too.
• 2:02:24
  Speaker 4: I like to see it. I don't know who invented the.
• 2:02:27
  Speaker 7: Bell on the guitar.
• 2:02:28
  Speaker 6: I don't know either. I don't understand anything. Just to
• 2:02:34
  Speaker 6: un-tune it. It's just me tuning.
• 2:02:40
  Speaker 26: It.
• 2:02:40
  Speaker 6: Tuning it live.
• 2:02:41
  Speaker 4: Tuning it live.
• 2:02:41
  Speaker 5: Just missing the knife, right?
• 2:02:47
  Speaker 7: He's a multi-instrumentalist, bro.
• 2:02:48
  Speaker 6: Let's go. What are you going to sing?
• 2:02:50
  Speaker 4: You guys are the ones who are in charge.
• 2:02:51
  Speaker 2: The singers are you guys.
• 2:02:52
  Speaker 6: From no one. From all over Brazil. From all over Brazil?
• 2:02:56
  Speaker 2: Can I?
• 2:02:58
  Speaker 6: This one is good.
• 2:02:58
  Speaker 7: Give it a bigger G.
• 2:03:00
  Speaker 6: A bigger G. I'm going to close it so it
• 2:03:01
  Speaker 6: stays sharp. Look, it's closed.
• 2:03:02
  Speaker 5: If you open it like this, it stays sharp. Thank you, son.
• 2:03:08
  Speaker 6: You have to have the hands, right?
• 2:03:11
  Speaker 4: You have to have the hands.
• 2:03:13
  Speaker 6: Who doesn't play with 100 strings? Say it.
• 2:03:14
  Speaker 5: 100 strings. My son. I just said, man, you broke
• 2:03:16
  Speaker 5: a string here.
• 2:03:17
  Speaker 9: I said, there are six. Can you play with five?
• 2:03:19
  Speaker 9: There are five more for you to play.
• 2:03:20
  Speaker 6: You can do it. Let him play a closed one.
• 2:03:28
  Speaker 10: Sometimes in the silence of the night I keep imagining
• 2:03:32
  Speaker 10: the two of us I.
• 2:03:33
  Speaker 6: Stay here dreaming awake Gathering.
• 2:03:36
  Speaker 29: The before, the now and the after Go, Vitor!
• 2:03:53
  Speaker 10: Why do you forget me and disappear?
• 2:03:56
  Speaker 7: Now I'm in.
• 2:03:57
  Speaker 6: I'm back to the game now.
• 2:03:58
  Speaker 13: Why don't you stick to me?
• 2:04:05
  Speaker 6: I'm feeling very lonely.
• 2:04:06
  Speaker 5: Now he got it.
• 2:04:07
  Speaker 8: I don't even want to be your owner.
• 2:04:12
  Speaker 2: Oops.
• 2:04:13
  Speaker 6: Don't forget. Wait here, I'll get it.
• 2:04:17
  Speaker 5: Sky, come on.
• 2:04:23
  Speaker 10: I have my secrets and plans.
• 2:04:27
  Speaker 6: Secrets. I just open them for you, but no one else.
• 2:04:34
  Speaker 6: Because you forget me and disappear.
• 2:04:36
  Speaker 7: This guy is kidding me.
• 2:04:39
  Speaker 6: And if I'm interested in someone.
• 2:04:41
  Speaker 5: You're crazy, Cachoeira!
• 2:04:42
  Speaker 7: And if she suddenly wins me.
• 2:04:45
  Speaker 14: Everyone, go!
• 2:04:52
  Speaker 28: And when we like it, of course we take care
• 2:04:56
  Speaker 28: of it. Tell me you love me, but you want
• 2:05:00
  Speaker 28: to put your mouth out. Or you're lying to me,
• 2:05:06
  Speaker 28: or you're not mature.
• 2:05:08
  Speaker 6: Yeah, yeah, yeah, yeah, yeah. Where are you now?
• 2:05:13
  Speaker 4: Good! This podcast will go down in history.
• 2:05:19
  Speaker 6: You see? It will go down in history.
• 2:05:21
  Speaker 9: If you're crazy, it pays.
• 2:05:23
  Speaker 6: If you're crazy, Churreira.
• 2:05:25
  Speaker 5: It pays.
• 2:05:25
  Speaker 6: This one pays. It pays.
• 2:05:28
  Speaker 5: Hey, are we going to raise the cup today?
• 2:05:30
  Speaker 6: Why are you so calm?
• 2:05:31
  Speaker 2: Are you mad at Flamengo? Is Flamengo playing?
• 2:05:34
  Speaker 5: We're going to raise the cup soon.
• 2:05:36
  Speaker 4: Calm down. Calm down.
• 2:05:37
  Speaker 2: You're a big Flamengo.
• 2:05:38
  Speaker 6: Fan, aren't you, brother?
• 2:05:40
  Speaker 8: People are mad. They say I'm from Pernambuco. I shouldn't
• 2:05:43
  Speaker 8: be cheering for Flamengo.
• 2:05:44
  Speaker 2: You're cheering for who?
• 2:05:45
  Speaker 6: What do you want? I was born and raised here.
• 2:05:47
  Speaker 5: If my dad wears Flamengo's shirt, who am I supposed
• 2:05:50
  Speaker 5: to root for? What I think is that there can't
• 2:05:52
  Speaker 5: be two teams.
• 2:05:53
  Speaker 6: Only Flamengo has two teams, man. It's like my situation.
• 2:05:57
  Speaker 6: I only root for Flamengo.
• 2:05:58
  Speaker 30: I'm Galo.
• 2:05:58
  Speaker 14: Why?
• 2:05:58
  Speaker 5: Since I was a kid.
• 2:05:59
  Speaker 6: He told me a story.
• 2:06:01
  Speaker 5: I'm Flamengo's athlete.
• 2:06:03
  Speaker 6: Galo and Flamengo?
• 2:06:03
  Speaker 7: Why?
• 2:06:04
  Speaker 4: Don't you pay your friends?
• 2:06:04
  Speaker 7: Hey, Hulk.
• 2:06:05
  Speaker 6: Send him the shirt, Hulk.
• 2:06:15
  Speaker 9: No, well, Hulk is my friend. He asked me why
• 2:06:18
  Speaker 9: I play for Flamengo. That's why.
• 2:06:19
  Speaker 6: No, no, no. I want to go to Flamengo.
• 2:06:22
  Speaker 12: Sorry, Hulk.
• 2:06:22
  Speaker 2: Sorry, Hulk.
• 2:06:24
  Speaker 9: The guy from Jonas, now.
• 2:06:26
  Speaker 8: Calling Flamengo Athletic.
• 2:06:27
  Speaker 6: Calm down, man.
• 2:06:27
  Speaker 2: The video keeps shooting.
• 2:06:28
  Speaker 6: You didn't see the video?
• 2:06:29
  Speaker 5: You didn't see the video. The Athletic wants to be Flamengo.
• 2:06:33
  Speaker 5: Let me concentrate here. Let me go back to the game.
• 2:06:36
  Speaker 5: Explain the story, go.
• 2:06:38
  Speaker 6: Tell your lie, go.
• 2:06:43
  Speaker 7: No, man, it's like that.
• 2:06:44
  Speaker 6: Why did I choose Galo?
• 2:06:45
  Speaker 9: Seriously, in my city, there was a team called Atlético Mineiro,
• 2:06:48
  Speaker 9: which my father... It was a small Vazia team. My
• 2:06:52
  Speaker 9: father scored goals for this team, right? He was a
• 2:06:54
  Speaker 9: goalkeeper for this team. And the first shirt I won
• 2:06:56
  Speaker 9: was Atlético Mineiro. So it was the team that I
• 2:06:59
  Speaker 9: learned to like, the first shirt I won. And until today,
• 2:07:02
  Speaker 9: I'm Atlético Mineiro because of that.
• 2:07:04
  Speaker 2: When Atlético Mineiro.
• 2:07:04
  Speaker 6: Appeared, you were like... Galo!
• 2:07:07
  Speaker 5: Yeah, today I'm... Say the name of the player from Galo,
• 2:07:08
  Speaker 5: apart from Hulk.
• 2:07:10
  Speaker 6: Hulk... And Hulk. Hulk, man of iron.
• 2:07:14
  Speaker 5: Captain America.
• 2:07:15
  Speaker 9: No, but today I don't follow soccer that much. Even
• 2:07:19
  Speaker 9: because I'm... For those who know me, my job is
• 2:07:22
  Speaker 9: to be an accordion player.
• 2:07:23
  Speaker 7: I live in the middle of the world.
• 2:07:24
  Speaker 6: Today I invest a lot in Vaca e Rada.
• 2:07:26
  Speaker 9: I'm... I like sports a lot. Today I'm more... I'm
• 2:07:30
  Speaker 9: more focused on boxing. We want to know which horse
• 2:07:33
  Speaker 9: is winning. We want to know which genetics is working.
• 2:07:37
  Speaker 6: We want to know.
• 2:07:38
  Speaker 12: True.
• 2:07:38
  Speaker 7: Can you spend money on that?
• 2:07:39
  Speaker 6: No, bro. I'm not saying that.
• 2:07:40
  Speaker 7: I'm not sleeping.
• 2:07:41
  Speaker 6: Look who's not sleeping. Didn't you have a party these days?
• 2:07:44
  Speaker 6: I did. I don't understand.
• 2:07:46
  Speaker 2: What's the sound loss?
• 2:07:47
  Speaker 6: The conversations.
• 2:07:48
  Speaker 5: The conversations.
• 2:07:50
  Speaker 3: I don't understand, what is the sound loss?
• 2:07:52
  Speaker 5: The conversations, the conversations.
• 2:07:53
  Speaker 6: Chando has the biggest horse, right Chando? You, thank God,
• 2:07:57
  Speaker 6: your horse.
• 2:07:58
  Speaker 2: You're the one talking.
• 2:07:59
  Speaker 5: No, I'm talking.
• 2:08:07
  Speaker 6: Don Toro. Don Toro. He's one of the greatest horses
• 2:08:11
  Speaker 6: in Brazil. But why is he a race? What is
• 2:08:13
  Speaker 6: the race of Don Toro? Don Toro is Quart de Milha.
• 2:08:15
  Speaker 6: Quart de Milha. Quart de Milha. And he is known...
• 2:08:31
  Speaker 6: I don't understand much about the 4 million.
• 2:08:33
  Speaker 5: I don't understand much about the 4 million.
• 2:08:35
  Speaker 10: I don't understand much about the 4 million. I don't
• 2:08:38
  Speaker 10: understand much about the 4 million.
• 2:08:39
  Speaker 2: I don't understand much about the 4 million. I don't
• 2:08:40
  Speaker 2: understand much about the 4 million. I don't understand much
• 2:08:42
  Speaker 2: about the 4 million.
• 2:08:58
  Speaker 8: It was valued in millions, it was an impressive thing.
• 2:09:01
  Speaker 6: And this has.
• 2:09:01
  Speaker 8: I think about 10 years ago, imagine today how it is.
• 2:09:05
  Speaker 9: In fact, the genetics of the quarter of a mile
• 2:09:07
  Speaker 9: came from the United States, a genetics that is.
• 2:09:09
  Speaker 7: The doctor is talking, but it is.
• 2:09:11
  Speaker 5: No, at least he's saying the truth.
• 2:09:13
  Speaker 9: It came from the genetics of the mustangs, which were
• 2:09:15
  Speaker 9: the wild horses. And for those who don't know why
• 2:09:17
  Speaker 9: I named the quarter of a mile... Because they came
• 2:09:20
  Speaker 9: from the horse race. The horse race runs 400 meters.
• 2:09:23
  Speaker 9: So it's a quarter of a meter.
• 2:09:26
  Speaker 5: That's why.
• 2:09:29
  Speaker 4: It's a quarter of a meter.
• 2:09:31
  Speaker 6: Now I got it. I got it.
• 2:09:33
  Speaker 5: The horse racer.
• 2:09:33
  Speaker 6: Now tell me who created the Sanfona, see if you know.
• 2:09:36
  Speaker 7: The Sanfona came from China, actually. The Sanfona is Chinese.
• 2:09:39
  Speaker 6: Now if he says the truth or not, I'm with him.
• 2:09:42
  Speaker 6: You can search there.
• 2:09:43
  Speaker 5: What about you, Chang? If you say it, I'll tell you.
• 2:09:46
  Speaker 7: I don't understand the Sanfona. In fact, the accordion is Chinese.
• 2:09:49
  Speaker 7: In fact, it's the same accordion. In this case, it
• 2:09:53
  Speaker 7: was a folly with four frets.
• 2:09:54
  Speaker 11: Four frets.
• 2:09:55
  Speaker 8: He hit three frets now.
• 2:09:57
  Speaker 9: After a while, when he arrived in Italy, the guys created...
• 2:10:01
  Speaker 9: They created a pioneering accordion, right?
• 2:10:03
  Speaker 7: The guy knows.
• 2:10:04
  Speaker 4: The guy knows.
• 2:10:05
  Speaker 9: It ends every day in Jardim. If you don't take
• 2:10:08
  Speaker 9: a little time to read.
• 2:10:09
  Speaker 3: Look, Marcelinho Johnson came here with Nathan, Nathan Queiroz, who
• 2:10:11
  Speaker 3: is also a vaqueiro.
• 2:10:12
  Speaker 9: He's our big brother, a big friend.
• 2:10:16
  Speaker 3: Crazy to find out a little more about vaquejada. I
• 2:10:19
  Speaker 3: really wanted to broadcast a x1 of vaquejada on Podpá.
• 2:10:22
  Speaker 13: Who spoke here about vaquejada was Cristian Bell.
• 2:10:25
  Speaker 6: But here there is no space for the vaquers to run.
• 2:10:27
  Speaker 6: Do you want to do an x1 here? I broadcast it.
• 2:10:29
  Speaker 7: By Podpá. By the Podpá channel.
• 2:10:30
  Speaker 6: You said something cool, Igão. Just interrupting you.
• 2:10:32
  Speaker 4: Interrupting, then.
• 2:10:32
  Speaker 6: Yeah, already interrupting. I won't talk anymore. This is the
• 2:10:35
  Speaker 6: last one.
• 2:10:44
  Speaker 5: I just said it because you said I would interrupt you.
• 2:10:46
  Speaker 5: You were talking.
• 2:10:47
  Speaker 6: No, no, it's serious, man.
• 2:10:49
  Speaker 4: Let's talk about something else.
• 2:10:50
  Speaker 6: Let's talk about something else.
• 2:10:51
  Speaker 4: Let's talk about something else. Let's talk about something else.
• 2:10:53
  Speaker 6: Let's talk about something else.
• 2:10:54
  Speaker 7: Let's talk about something else.
• 2:10:55
  Speaker 6: Let's talk about something else.
• 2:10:56
  Speaker 7: Let's talk about something else. Let's talk about something else.
• 2:10:58
  Speaker 6: Let's talk about something else.
• 2:10:59
  Speaker 2: Let's talk about something else. Let's talk about something else.
• 2:11:01
  Speaker 2: Let's talk about something else.
• 2:11:02
  Speaker 6: Let's talk about something else.
• 2:11:03
  Speaker 3: I see that there are millions of people who watch it.
• 2:11:07
  Speaker 3: Thousands of people go to the venue to see the show.
• 2:11:10
  Speaker 3: This is a very big economy that moves. So why not?
• 2:11:14
  Speaker 3: It's the culture of our country.
• 2:11:16
  Speaker 10: It would be an honor for you guys to be
• 2:11:18
  Speaker 10: able to promote it.
• 2:11:19
  Speaker 2: I want to know a little more.
• 2:11:20
  Speaker 10: Every Sunday, when it's the final, Vitor knows about it,
• 2:11:22
  Speaker 10: Tati knows about it, there are 90 thousand people online, live.
• 2:11:25
  Speaker 7: Yeah, live. Man, stop the modesty.
• 2:11:28
  Speaker 6: Impressive.
• 2:11:28
  Speaker 8: So if we can get your team together, we can
• 2:11:31
  Speaker 8: do the final at Pixbet, or in some big games.
• 2:11:33
  Speaker 10: I think it's for Brazil, because the game is very high.
• 2:11:37
  Speaker 10: It has always been, but now Brazil opened its eyes
• 2:11:39
  Speaker 10: to it. It's to popularize, to play for Brazil.
• 2:11:41
  Speaker 2: And it's a culture for us, like forró, right?
• 2:11:43
  Speaker 9: Everything that comes from us, and today the world, Brazil
• 2:11:46
  Speaker 9: seeing the world, seeing, we feel rewarded. Realize that we
• 2:11:55
  Speaker 9: are not forgotten, that our culture, everything we gave our blood,
• 2:11:59
  Speaker 9: that we fought, really was to make it worth it,
• 2:12:01
  Speaker 9: because it was for real.
• 2:12:03
  Speaker 6: No doubt.
• 2:12:03
  Speaker 3: And it seemed that there was a thing of, an
• 2:12:06
  Speaker 3: impression of, like, to work, you had to adapt to
• 2:12:08
  Speaker 3: something kind of Paulist, or something kind of Carioca, and
• 2:12:11
  Speaker 3: you insisted, insisted, insisted, and today your culture has always
• 2:12:14
  Speaker 3: turned a lot of money, but I'm saying like this,
• 2:12:16
  Speaker 3: today it's a reality, there's nothing to say.
• 2:12:18
  Speaker 2: There's no way to contest.
• 2:12:19
  Speaker 9: Today there are organizations, right, Vaca Jara has BQM, there's BVAC, today,
• 2:12:22
  Speaker 9: take into account BVAC, today it's... We have rules, how
• 2:12:25
  Speaker 9: to roll, how to take care.
• 2:12:26
  Speaker 6: Of the animals.
• 2:12:27
  Speaker 7: We will adapt and grow more and more.
• 2:12:29
  Speaker 6: I think it's a sport.
• 2:12:30
  Speaker 7: That, without a doubt, I swear to God, soon it
• 2:12:41
  Speaker 7: will be one of the biggest sports. It already is.
• 2:12:44
  Speaker 7: For me, it's the biggest in Brazil.
• 2:12:46
  Speaker 5: But to the eyes of the people, after football.
• 2:12:48
  Speaker 11: For me, excuse the others, but it's the Vakejada.
• 2:12:50
  Speaker 4: I agree.
• 2:12:51
  Speaker 6: If Potiphar is involved in this.
• 2:12:52
  Speaker 4: I agree.
• 2:12:53
  Speaker 8: It's because football reunites everyone.
• 2:12:55
  Speaker 6: Practically the entire population.
• 2:12:58
  Speaker 1: And the Vakejada is because there are people who don't
• 2:13:01
  Speaker 1: know it.
• 2:13:01
  Speaker 4: Exactly.
• 2:13:01
  Speaker 6: They don't know it.
• 2:13:02
  Speaker 4: They just don't know it.
• 2:13:04
  Speaker 6: But from the moment you know it, you fall in love.
• 2:13:06
  Speaker 7: You fall in love, it's true.
• 2:13:08
  Speaker 2: Is there any Vakeiro who is the Vakeiro a ser batida?
• 2:13:11
  Speaker 7: What do you mean?
• 2:13:12
  Speaker 2: I don't get it, sorry.
• 2:13:13
  Speaker 3: It's like that team that's winning everything, and you say, well,
• 2:13:16
  Speaker 3: this team won.
• 2:13:17
  Speaker 10: One thing that I see in the vape, that is
• 2:13:19
  Speaker 10: not shown, the vaqueiros and the Cavalos have fans. The
• 2:13:24
  Speaker 10: Cavalos do Safadão won the championship together with Del Vani,
• 2:13:27
  Speaker 10: who is a great vaqueiro. When he enters the pitch,
• 2:13:30
  Speaker 10: people go crazy. It's like a singer entering. The guy
• 2:13:32
  Speaker 10: is becoming a soccer player. There's a great guy, Renan TT.
• 2:13:36
  Speaker 10: Renan is running my horse, Nilo.
• 2:13:37
  Speaker 6: He was second.
• 2:13:38
  Speaker 8: I'm a fan of his.
• 2:13:39
  Speaker 10: I have an idea of the game. There are people
• 2:13:41
  Speaker 10: with horses and there are athletes.
• 2:13:43
  Speaker 6: Exactly.
• 2:13:43
  Speaker 2: It's like if we were a football team and we
• 2:13:45
  Speaker 2: were the president. There are scores. Each horse has a score.
• 2:13:49
  Speaker 6: The Vakeira has a score. It's like a Brazilian championship,
• 2:13:58
  Speaker 6: it's all organized.
• 2:13:59
  Speaker 9: Today there is a championship called Portal Championship, which is
• 2:14:02
  Speaker 9: like a Brazilian. You have to be there scoring, because
• 2:14:04
  Speaker 9: in addition to scoring your horse, what happens?
• 2:14:07
  Speaker 6: I'll tell you here.
• 2:14:08
  Speaker 7: In addition to scoring the cowboy, he scored the horse.
• 2:14:10
  Speaker 9: For you to make a auction of a horse of
• 2:14:12
  Speaker 9: a great genetics, it's no use the horse having only
• 2:14:15
  Speaker 9: one name. The horse has to be well scored in
• 2:14:17
  Speaker 9: this championship, which is the Portal.
• 2:14:19
  Speaker 3: So, for the horse to be sold well, to be valued,
• 2:14:22
  Speaker 3: it has to be.
• 2:14:22
  Speaker 2: In a great championship.
• 2:14:23
  Speaker 6: Or to have already run and to have won.
• 2:14:25
  Speaker 8: Or to have already run and to have won a lot.
• 2:14:27
  Speaker 7: And the kids are running well. They are running for it. So,
• 2:14:30
  Speaker 7: it's all genetic. And there is a portal championship, and
• 2:14:33
  Speaker 7: we did one.
• 2:14:34
  Speaker 11: And Safadão did it with the others. Now it's the
• 2:14:36
  Speaker 11: national B.I.D.
• 2:14:36
  Speaker 4: Championship.
• 2:14:37
  Speaker 6: We brought B.I.D.
• 2:14:37
  Speaker 11: I don't know if I can say it here.
• 2:14:39
  Speaker 6: No, you can say it.
• 2:14:40
  Speaker 11: We got this sponsorship.
• 2:14:41
  Speaker 6: So, there will be two championships.
• 2:14:46
  Speaker 10: So you can see how much I was here already.
• 2:14:49
  Speaker 4: That's awesome, BRD, looking at this movement. Congratulations.
• 2:14:52
  Speaker 3: Not for nothing. Man, I want to be close. To
• 2:14:55
  Speaker 3: at least make it more popular, show it to the
• 2:14:57
  Speaker 3: whole Brazil.
• 2:14:58
  Speaker 2: And you guys are that, man.
• 2:14:59
  Speaker 6: You show Brazil. No, that's the idea.
• 2:15:01
  Speaker 4: That's the idea. We make decisions, man. More and more,
• 2:15:03
  Speaker 4: Porto de Pá is moving towards this, towards Brazil. And
• 2:15:05
  Speaker 4: congratulations for.
• 2:15:06
  Speaker 6: The space here. The first one I went to was
• 2:15:08
  Speaker 6: that place over there. I was scared when I saw it.
• 2:15:11
  Speaker 6: These guys are great.
• 2:15:11
  Speaker 12: Congratulations.
• 2:15:12
  Speaker 4: Congratulations.
• 2:15:13
  Speaker 6: Congratulations. Congratulations. Congratulations. Congratulations.
• 2:15:15
  Speaker 5: Congratulations.
• 2:15:16
  Speaker 6: Congratulations.
• 2:15:17
  Speaker 4: Congratulations.
• 2:15:17
  Speaker 6: Congratulations. Congratulations. Congratulations. Congratulations. Congratulations.
• 2:15:22
  Speaker 4: Congratulations.
• 2:15:22
  Speaker 5: Congratulations.
• 2:15:23
  Speaker 6: Congratulations. Congratulations.
• 2:15:24
  Speaker 11: Congratulations.
• 2:15:34
  Speaker 6: Now I know. Now I know. And it's on peak transmission.
• 2:15:38
  Speaker 16: It's there.
• 2:15:38
  Speaker 6: It's there.
• 2:15:38
  Speaker 26: It's there.
• 2:15:39
  Speaker 6: It's there. It's there.
• 2:15:40
  Speaker 7: It's there.
• 2:15:40
  Speaker 6: It's there. It's there.
• 2:16:01
  Speaker 4: Alô, garçom!
• 2:16:02
  Speaker 6: Tem cerveja? Tem pitú? Traz!
• 2:16:05
  Speaker 30: É uma cerveja e uma dose, uma cerveja e uma
• 2:16:10
  Speaker 30: dose É uma cerveja e uma dose, uma cerveja e
• 2:16:15
  Speaker 30: uma dose.
• 2:16:18
  Speaker 23: E não tem dia, não tem hora pra farra começar
• 2:16:21
  Speaker 23: A balada da mulherada Cerveja gelado e se correr de
• 2:16:25
  Speaker 23: bumbum E não falta aquela cachaça Vai ter farra.
• 2:16:29
  Speaker 31: Pap, animação A mulherada não é brinquedo não Não existe
• 2:16:34
  Speaker 31: tristeza Eu sinto até no chão Só não pode faltar
• 2:16:38
  Speaker 31: um litrão Por quê?
• 2:16:53
  Speaker 30: Uma cerveja e uma dose,
• 2:16:58
  Speaker 30: uma cerveja e uma dose.
• 2:17:00
  Speaker 3: Show!
• 2:17:03
  Speaker 5: Baccarat!
• 2:17:08
  Speaker 6: Mais uma, mais uma, mais uma.
• 2:17:12
  Speaker 23: E não tem dia, não tem hora A balada da
• 2:17:16
  Speaker 23: mulherada Cerveja gelado e se correr de bultrais E não
• 2:17:20
  Speaker 23: falta aquela cachaça Vai ter parra, papo, animação A mulherada
• 2:17:26
  Speaker 23: não é brinquedo não Não existe tristeza, eu sei até
• 2:17:29
  Speaker 23: no chão E só não pode faltar um litrão Por quê?
• 2:17:32
  Speaker 8: Por quê?
• 2:17:35
  Speaker 30: It's a beer and a dose, a beer and a dose.
• 2:17:37
  Speaker 14: Bring it!
• 2:17:40
  Speaker 5: It's a beer and a dose, a beer and a dose.
• 2:17:42
  Speaker 4: Bring it, guys!
• 2:17:43
  Speaker 30: It's a beer and a dose, a beer and a dose.
• 2:17:40
  Speaker 5: Uma cerveja e uma dose, cerveja e uma dose.
• 2:17:43
  Speaker 6: Traz garçom!
• 2:17:45
  Speaker 30: Uma cerveja e uma dose, cerveja e uma dose. Uma
• 2:17:50
  Speaker 30: cerveja e uma dose.
• 2:17:52
  Speaker 6: Cerveja e uma dose.
• 2:17:55
  Speaker 23: E eu quero convidar o Xan de Avião pra gravar
• 2:17:57
  Speaker 23: ela comigo.
• 2:18:02
  Speaker 5: É uma cerveja e uma dose.
• 2:18:03
  Speaker 17: Peguei.
• 2:18:03
  Speaker 10: Eu acabei de falar pro Mítico aqui. Eu vou dormir
• 2:18:05
  Speaker 10: falando isso. É uma cerveja e uma dose.
• 2:18:07
  Speaker 6: É uma cerveja e uma dose.
• 2:18:08
  Speaker 7: Já foi demais.
• 2:18:10
  Speaker 6: Já aceitei. Já aceitei.
• 2:18:14
  Speaker 5: It's a beer and a dose.
• 2:18:16
  Speaker 4: It's a beer and a dose.
• 2:18:17
  Speaker 2: It's a beer and a dose.
• 2:18:18
  Speaker 5: It's a beer and a dose.
• 2:18:18
  Speaker 6: One day I was in a beer and a dose
• 2:18:20
  Speaker 6: and I stopped somewhere. So, this thing of being a
• 2:18:22
  Speaker 6: beer and a dose goes far.
• 2:18:24
  Speaker 4: It's a beer and more of a dose.
• 2:18:26
  Speaker 17: More.
• 2:18:27
  Speaker 4: It was like this.
• 2:18:29
  Speaker 3: You're going to take a white one, a cachaça and
• 2:18:32
  Speaker 3: open the beer.
• 2:18:33
  Speaker 6: My God.
• 2:18:34
  Speaker 4: Congratulations, Les.
• 2:18:35
  Speaker 5: Congratulations.
• 2:18:36
  Speaker 6: Congratulations.
• 2:18:39
  Speaker 5: Let's make a song to end today with a.
• 2:18:40
  Speaker 6: Golden key, right?
• 2:18:41
  Speaker 4: Let's do it.
• 2:18:41
  Speaker 6: Like that?
• 2:18:42
  Speaker 3: I would ask for a glass of grape juice, just
• 2:18:44
  Speaker 3: to amuse myself.
• 2:18:45
  Speaker 6: Just to amuse myself? Just to amuse myself, like that.
• 2:18:48
  Speaker 4: But I don't know if you guys agree.
• 2:18:49
  Speaker 3: No.
• 2:19:07
  Speaker 7: Bring it!
• 2:19:08
  Speaker 24: Bring it!
• 2:19:09
  Speaker 7: Bring it! Bring it!
• 2:19:10
  Speaker 12: Bring it!
• 2:19:10
  Speaker 7: Bring it!
• 2:19:10
  Speaker 6: Bring it! Bring it! Bring it! Bring it! Bring it!
• 2:19:12
  Speaker 2: Bring it!
• 2:19:26
  Speaker 6: Really?
• 2:19:26
  Speaker 5: Then go there and play the keyboard.
• 2:19:28
  Speaker 7: It was bad, Tarcísio.
• 2:19:30
  Speaker 6: He's working, the.
• 2:19:31
  Speaker 9: Man came to give an interview and he's working too hard.
• 2:19:35
  Speaker 2: He's from Osasquence, bro.
• 2:19:37
  Speaker 1: He's used to working this early. He's paying you two bills, right?
• 2:19:45
  Speaker 1: And the Spetinho there too.
• 2:19:48
  Speaker 8: Flamengo and Galo in the final of the Brazil Cup.
• 2:19:51
  Speaker 6: We were champions.
• 2:19:51
  Speaker 5: And he didn't pay.
• 2:19:52
  Speaker 8: I called him and said, calm down, I'll send it today.
• 2:19:56
  Speaker 3: Let me see here, what's the Flamengo's game?
• 2:20:00
  Speaker 6: 0x0.
• 2:20:00
  Speaker 4: He's with Flamengo.
• 2:20:02
  Speaker 6: Flamengo and Galo.
• 2:20:02
  Speaker 5: Flamengo and Galo.
• 2:20:04
  Speaker 8: If Flamengo wins today and Palmeiras loses, we're Brazilian champions.
• 2:20:08
  Speaker 5: Is there a flag there, Tassiço?
• 2:20:15
  Speaker 9: It should have everything in it.
• 2:20:20
  Speaker 7: Bring it!
• 2:20:21
  Speaker 6: Bring it! Bring a beer! A beer!
• 2:20:23
  Speaker 7: Just the beer!
• 2:20:23
  Speaker 6: You're forgetting, right? You have to freeze.
• 2:20:26
  Speaker 4: It, my love.
• 2:20:27
  Speaker 6: It stops.
• 2:20:36
  Speaker 4: Hey, guys, this is really good, huh? Live, you just
• 2:20:38
  Speaker 4: can't stop, huh, bro?
• 2:20:39
  Speaker 6: What a crazy thing.
• 2:20:40
  Speaker 4: Good mess. Cerveja Geral.
• 2:20:48
  Speaker 22: I turn into fruit, suck like a grape, suck, suck, suck.
• 2:20:55
  Speaker 6: Like a grape.
• 2:20:56
  Speaker 8: Your mouth I turn into fruit, suck like a grape.
• 2:21:13
  Speaker 7: Chupa, chupa, chupa.
• 2:21:16
  Speaker 6: Do comecinho assim, ó. Sim, sim. Vem meu caiozinho, te.
• 2:21:21
  Speaker 22: Dou muito carinho, me dá seu coração.
• 2:21:26
  Speaker 6: Desculpa, desculpa.
• 2:21:28
  Speaker 5: Caiozinho, te dou muito.
• 2:21:30
  Speaker 22: Carinho, me encheu de tesão, me encheu de tesão.
• 2:21:35
  Speaker 6: Vem meu moranguinho, te encheu.
• 2:21:38
  Speaker 22: De beijinho, me matou de tesão.
• 2:21:42
  Speaker 6: Chupa!
• 2:21:43
  Speaker 4: Chupa!
• 2:22:09
  Speaker 6: In your mouth I turn.
• 2:22:10
  Speaker 7: Everything, suck it up.
• 2:22:12
  Speaker 6: Suck it up, suck it up, suck it up What
• 2:22:22
  Speaker 6: do you think? I heard it! I heard.
• 2:22:28
  Speaker 4: It!
• 2:22:29
  Speaker 6: You called him old again, right? You called him old again!
• 2:22:32
  Speaker 19: Stop!
• 2:22:33
  Speaker 7: Stop!
• 2:22:33
  Speaker 6: Stop!
• 2:22:33
  Speaker 7: Stop!
• 2:22:34
  Speaker 6: Stop!
• 2:22:34
  Speaker 9: Stop!
• 2:22:45
  Speaker 22: And month by month.
• 2:22:48
  Speaker 5: Drinking cachaça, drinking beer.
• 2:22:50
  Speaker 22: That's how I met you. Look at what happened in Riscataca.
• 2:22:59
  Speaker 5: I met you.
• 2:23:00
  Speaker 6: And full of face.
• 2:23:08
  Speaker 22: I don't even.
• 2:23:11
  Speaker 6: Know what to do.
• 2:23:39
  Speaker 1: He remembered, he remembered now, he got it right.
• 2:23:57
  Speaker 22: And month by month, drinking cachaça, drinking beer. That's how
• 2:24:05
  Speaker 22: I met you. I met you dancing, filling your face,
• 2:24:13
  Speaker 22: making a mess.
• 2:24:14
  Speaker 5: I'm not even there.
• 2:24:26
  Speaker 22: Look at the way you go, I knew you!
• 2:24:27
  Speaker 7: Go fuck yourself!
• 2:24:29
  Speaker 22: Dancing, fricking your face, making a mess, I'm not even there!
• 2:24:33
  Speaker 22: This is a song for the live, my boss! Take it,
• 2:24:35
  Speaker 22: take it, take it! But if I knew how to
• 2:24:38
  Speaker 22: sing well, bro, you know?
• 2:24:40
  Speaker 4: Me too, bro!
• 2:24:42
  Speaker 2: But I sing a lot, bro!
• 2:24:44
  Speaker 7: Yeah, man! Of course!
• 2:24:46
  Speaker 5: Yeah, man!
• 2:24:52
  Speaker 28: Respect me!
• 2:24:53
  Speaker 6: Respect me!
• 2:24:55
  Speaker 4: I don't want.
• 2:24:56
  Speaker 6: To tie myself up! I'm kidding.
• 2:24:58
  Speaker 2: I thought you were.
• 2:24:59
  Speaker 7: Going to play the ca-ca.
• 2:25:00
  Speaker 6: I'm going to play the ca-ca.
• 2:25:01
  Speaker 2: I'm going to play the ca-ca.
• 2:25:03
  Speaker 5: I'm going to play the ca-ca.
• 2:25:04
  Speaker 19: I'm going to play the ca-ca.
• 2:25:07
  Speaker 5: I'm going to play the ca-ca. I'm going to play
• 2:25:11
  Speaker 5: the ca-ca.
• 2:25:11
  Speaker 6: I'm going to play the ca-ca. I'm going to play
• 2:25:13
  Speaker 6: the ca-ca.
• 2:25:13
  Speaker 5: I'm going to play the ca-ca.
• 2:25:14
  Speaker 6: I'm going to play the ca-ca.
• 2:25:15
  Speaker 2: I'm going to play the ca-ca.
• 2:25:16
  Speaker 6: I'm going to play the ca-ca.
• 2:25:17
  Speaker 4: I'm going to play the ca-ca.
• 2:25:18
  Speaker 6: I'm going to play the ca-ca. I'm going to play
• 2:25:20
  Speaker 6: the ca-ca. I'm going to play the ca-ca. I'm going
• 2:25:21
  Speaker 6: to play the ca-ca. I'm going to play the ca-ca.
• 2:25:23
  Speaker 6: I'm going to play the ca-ca. I'm going to play
• 2:25:24
  Speaker 6: the ca-ca The pants with the horn, mega rap. Very good. Go, go, go!
• 2:25:27
  Speaker 6: This one, this one, this one! This one, bro.
• 2:25:28
  Speaker 5: Bring me another beer.
• 2:25:30
  Speaker 6: Hey, sir, I'm Demone, please.
• 2:25:32
  Speaker 7: I want to drink.
• 2:25:33
  Speaker 2: I'm the most clean on the table. I even clapped
• 2:25:35
  Speaker 2: out of time, right, Michel?
• 2:25:36
  Speaker 1: That's it.
• 2:25:37
  Speaker 6: Congratulations. He went to play the... And he didn't know it.
• 2:25:40
  Speaker 5: And I said, I don't know, I.
• 2:25:41
  Speaker 6: Got it wrong.
• 2:25:42
  Speaker 5: It's awesome, bro.
• 2:25:43
  Speaker 24: It's awesome.
• 2:25:43
  Speaker 5: That's why no one can confuse Jonas.
• 2:25:46
  Speaker 4: And Avni anymore.
• 2:25:53
  Speaker 9: And neither Flamengo nor Atlético, because everyone already plays, you see?
• 2:25:58
  Speaker 2: It's all good, Kiko.
• 2:25:59
  Speaker 1: No, Takakawa can't be wrong. It was just a joke.
• 2:26:02
  Speaker 1: Takakawa is not wrong.
• 2:26:04
  Speaker 4: He didn't understand the joke.
• 2:26:07
  Speaker 2: I don't understand the joke.
• 2:26:08
  Speaker 6: I want to explain the joke. It was bad. You
• 2:26:10
  Speaker 6: came here on my show. I didn't want to create
• 2:26:13
  Speaker 6: a climate. Take our shirt. Take our t-shirt.
• 2:26:16
  Speaker 5: Hey, but I'm happy.
• 2:26:16
  Speaker 4: I'm seeing it.
• 2:26:16
  Speaker 6: I'm happy, man. You're crazy.
• 2:26:17
  Speaker 5: Is it because of the t-shirt? It's because he's younger too.
• 2:26:20
  Speaker 5: It's coffee with milk.
• 2:26:26
  Speaker 6: He was quiet.
• 2:26:27
  Speaker 8: He was the guy who controlled the video game.
• 2:26:29
  Speaker 6: He was playing.
• 2:26:29
  Speaker 5: He was playing.
• 2:26:30
  Speaker 7: He was playing.
• 2:26:31
  Speaker 4: He was playing.
• 2:26:32
  Speaker 6: He was playing. He was playing.
• 2:26:33
  Speaker 5: He was playing.
• 2:26:34
  Speaker 7: He was playing.
• 2:26:47
  Speaker 10: I'm sorry, I demoralized you, brother.
• 2:26:49
  Speaker 5: Then I said to Gui, I said, no, my son,
• 2:26:50
  Speaker 5: you are coffee with milk, look.
• 2:26:53
  Speaker 6: It's a trap, it's a trap.
• 2:26:54
  Speaker 8: I said, no, the coffee with milk is here, it
• 2:26:56
  Speaker 8: kills your thirst.
• 2:26:56
  Speaker 6: Your hunger in the same way. It kills, it kills.
• 2:26:59
  Speaker 6: It's that joke of... But it's the coffee with milk,
• 2:27:03
  Speaker 6: it works. You played the forró on the street many times, right?
• 2:27:04
  Speaker 6: It's not possible, no. I played, I played on the
• 2:27:06
  Speaker 6: night of.
• 2:27:07
  Speaker 7: São Paulo for many years, right?
• 2:27:08
  Speaker 17: Who.
• 2:27:16
  Speaker 9: I know the work of Tarsís do Acordeão, you know,
• 2:27:18
  Speaker 9: I've played in several bands. You haven't played in Tropical,
• 2:27:20
  Speaker 9: have you?
• 2:27:21
  Speaker 11: Ave Maria, too much.
• 2:27:22
  Speaker 6: Fonteira dos Pampas. Tropical.
• 2:27:23
  Speaker 7: Bixiga.
• 2:27:24
  Speaker 6: What Bixiga, man. There in Bela Vista. Bixiga too.
• 2:27:27
  Speaker 26: I played in Forró Saboreado.
• 2:27:29
  Speaker 7: Forró Saboreado.
• 2:27:29
  Speaker 6: Call Patricinha to dance. Call, call. It was him. Call Patricinha.
• 2:27:32
  Speaker 13: I'm a fan.
• 2:27:35
  Speaker 6: Of Forró Saboreado.
• 2:27:36
  Speaker 4: I'm a fan of Forró Saboreado. I'm a fan of
• 2:27:38
  Speaker 4: Forró Saboreado.
• 2:27:39
  Speaker 6: I'm a fan of Forró Saboreado. I'm a fan of
• 2:27:40
  Speaker 6: Forró Saboreado. Stop, stop, stop.
• 2:28:08
  Speaker 2: I went far away, I didn't even imagine it. When
• 2:28:10
  Speaker 2: she gets there, the crowd... Wigan is a faggot.
• 2:28:12
  Speaker 4: He's just a trap guy.
• 2:28:14
  Speaker 7: I grew up listening to Calcinha Preta.
• 2:28:16
  Speaker 6: He looks like Matuê, but he's a faggot.
• 2:28:18
  Speaker 2: Matuê must be a faggot too, if I'm not mistaken.
• 2:28:21
  Speaker 6: The good song is... Matuê, please release this album right now.
• 2:28:23
  Speaker 2: He's making a charmer. You have to see the song
• 2:28:25
  Speaker 2: I put up today.
• 2:28:37
  Speaker 6: You came to use the autotune now, brother. The autotune
• 2:28:39
  Speaker 6: the guy used a long time ago.
• 2:28:41
  Speaker 2: It's true, Forró used the first autotune.
• 2:28:43
  Speaker 6: I don't know the names, but the music you know.
• 2:28:45
  Speaker 4: Guys, but before anything, I wanted each one to talk
• 2:28:47
  Speaker 4: about releases, news.
• 2:28:47
  Speaker 11: As I said, we launched now Jonas Intense, the first part,
• 2:28:49
  Speaker 11: we're going to launch the second, but.
• 2:29:06
  Speaker 18: Yeah, there's a song that's getting a lot of attention now,
• 2:29:09
  Speaker 18: it's in the viral, the name of the song is
• 2:29:12
  Speaker 18: O Que Você Esconde, which is a song that has
• 2:29:17
  Speaker 18: a very good lyrics, it's that kind of song that.
• 2:29:20
  Speaker 6: As you said at the beginning, even.
• 2:29:23
  Speaker 18: If you're suffering, you feel the song, it's a song
• 2:29:26
  Speaker 18: that fits with a lot of situations that people have
• 2:29:28
  Speaker 18: lived there, so it's worth checking O Que Você Esconde,
• 2:29:30
  Speaker 18: the chorus is a punch like that, If you allow me,
• 2:29:34
  Speaker 18: a short.
• 2:29:35
  Speaker 4: Part of the chorus.
• 2:29:36
  Speaker 16: The chorus is just.
• 2:29:37
  Speaker 4: Here, pay attention.
• 2:29:38
  Speaker 6: Imagine you're with a person here, between four walls.
• 2:29:40
  Speaker 8: The person is no longer feeling you in the same way.
• 2:29:41
  Speaker 16: And the person looks at your face. Imagine the person
• 2:29:52
  Speaker 16: saying this.
• 2:29:52
  Speaker 8: He's remembering the song and he's crying.
• 2:29:55
  Speaker 4: He was feeling the song, right?
• 2:29:57
  Speaker 5: He put his whole hand on the song.
• 2:29:58
  Speaker 6: Pay attention.
• 2:29:59
  Speaker 1: Pay attention because you'll suffer with this one too.
• 2:30:03
  Speaker 5: Where's your hunger? Where's the sweat on your forehead?
• 2:30:17
  Speaker 32: You didn't say my name You made such a quiet
• 2:30:20
  Speaker 32: love What are you hiding? You're doing shit Your mouth
• 2:30:26
  Speaker 32: doesn't answer But your sex delivers The sex delivers everything.
• 2:30:31
  Speaker 5: The sex delivers, right?
• 2:30:36
  Speaker 6: Forbidden for minors under 18. If you want to know
• 2:30:38
  Speaker 6: if your relationship is.
• 2:30:38
  Speaker 2: Still like that, have sex. To see how it is.
• 2:30:40
  Speaker 2: To see how it is. To see how it is.
• 2:30:41
  Speaker 2: To see how it is.
• 2:30:42
  Speaker 6: To see how it is.
• 2:30:43
  Speaker 4: To see how it is.
• 2:30:44
  Speaker 6: To see how it is. To see how it is.
• 2:30:49
  Speaker 6: I just want to know what's going on. I can count.
• 2:30:51
  Speaker 4: I can count.
• 2:30:52
  Speaker 5: I can count.
• 2:30:52
  Speaker 6: I can count. I can count.
• 2:30:53
  Speaker 7: I can count.
• 2:30:54
  Speaker 4: I can count.
• 2:31:06
  Speaker 6: Hey, Carlos!
• 2:31:06
  Speaker 5: It's not going to change anything.
• 2:31:08
  Speaker 8: We're fighting for the title and you.
• 2:31:11
  Speaker 7: Guys were vice in the South American.
• 2:31:13
  Speaker 5: But we're fighting for ego, you and me. Since we're
• 2:31:15
  Speaker 5: fighting for ego, pay my 2,000 that you lost. You
• 2:31:17
  Speaker 5: didn't pay me 50 in that final.
• 2:31:18
  Speaker 6: 50 is real.
• 2:31:19
  Speaker 4: Do the following then, send 1950.
• 2:31:29
  Speaker 6: Mani, your news, brother. My news is this.
• 2:31:32
  Speaker 10: I released a DVD, Mani's review, that I recorded in Cascavel,
• 2:31:38
  Speaker 10: in Fortaleza.
• 2:31:39
  Speaker 6: I love Fortaleza, Alexandre. It's too good.
• 2:31:41
  Speaker 8: The people there are wonderful.
• 2:31:42
  Speaker 6: It's crazy.
• 2:31:42
  Speaker 7: Energy up there.
• 2:31:44
  Speaker 10: And I already released it in your song.
• 2:31:47
  Speaker 6: And on December 4th.
• 2:31:48
  Speaker 8: In the name of Jesus, I'm going to release it.
• 2:31:51
  Speaker 6: How many songs are there?
• 2:31:53
  Speaker 4: There are 15 and 6.
• 2:31:53
  Speaker 2: Receive.
• 2:31:53
  Speaker 5: It's the same date, the same number of tracks. That's
• 2:31:55
  Speaker 5: my boy.
• 2:31:59
  Speaker 6: In the name of Jesus, we'll have success.
• 2:32:00
  Speaker 12: There's a lot of people singing together.
• 2:32:02
  Speaker 6: There's a lot.
• 2:32:03
  Speaker 10: There's Thalita Mel, there's Zé Vaqueiro, who I'm a fan of.
• 2:32:06
  Speaker 6: Zé, thank you for participating. All the artists.
• 2:32:10
  Speaker 10: Osfero do Piseiro, Cananda do Forró, and Maninho Vaqueiro.
• 2:32:13
  Speaker 4: On the 4th of December.
• 2:32:14
  Speaker 6: Let's go, guys. To be honest, it's not a farofa,
• 2:32:16
  Speaker 6: but if you like forró, baquejada, you're suffering, go to
• 2:32:17
  Speaker 6: your music, it's already released there.
• 2:32:18
  Speaker 10: And on the 4th, if you want to watch the
• 2:32:20
  Speaker 10: clips to see my energy, because my energy is very.
• 2:32:22
  Speaker 6: Cool, you don't understand. On the 4th, I'll play for you.
• 2:32:25
  Speaker 6: Let's go up, let's go up.
• 2:32:26
  Speaker 5: And it's from Coelho.
• 2:32:27
  Speaker 6: Receive it.
• 2:32:39
  Speaker 2: Vitor, on the 4th of december you will release too, right?
• 2:32:41
  Speaker 5: On the 4th of december I'm releasing our full project.
• 2:32:44
  Speaker 5: 16 tracks.
• 2:32:45
  Speaker 6: 16 tracks too, like Maninho.
• 2:32:46
  Speaker 8: There will be a lot of people too. Ours is different,
• 2:32:50
  Speaker 8: his is an audiovisual, mine is just the tracks. But
• 2:32:54
  Speaker 8: I released the music video of a song recently, Tipo Noronha,
• 2:32:57
  Speaker 8: which is available on all music platforms, including on YouTube,
• 2:33:00
  Speaker 8: where I recorded the music video.
• 2:33:02
  Speaker 5: And it's a song that.
• 2:33:04
  Speaker 8: I have a lot of affection for her, I've been
• 2:33:06
  Speaker 8: working on her recently. And then on the 4th we
• 2:33:08
  Speaker 8: will be releasing the full project with 16 tracks. And
• 2:33:10
  Speaker 8: like Noronha, the song I just released that she says more.
• 2:33:13
  Speaker 6: Or less like this. You can imagine your.
• 2:33:15
  Speaker 5: Body with little clothes. The half light, good music.
• 2:33:18
  Speaker 8: A glass of wine to beat the wave.
• 2:33:22
  Speaker 5: Perfect climate, like Noronha.
• 2:33:24
  Speaker 10: The skin on the skin is so good and ours matches.
• 2:33:28
  Speaker 5: In that perfect weather you rhyme.
• 2:33:34
  Speaker 8: Let me hold your hand and call you mine All mine, come.
• 2:33:40
  Speaker 15: Be mine Among the most beautiful things in the world
• 2:33:45
  Speaker 15: It's on the.
• 2:33:46
  Speaker 5: Edge, above the second You.
• 2:33:48
  Speaker 8: Know, the best perfume on earth You're losing, it's ugly
• 2:33:53
  Speaker 8: for that little smell of hers Wow!
• 2:33:56
  Speaker 6: Wow!
• 2:33:57
  Speaker 19: Wow!
• 2:33:57
  Speaker 12: Wow!
• 2:33:57
  Speaker 4: Wow!
• 2:33:57
  Speaker 2: Wow!
• 2:34:02
  Speaker 6: On the 4th, watch it too.
• 2:34:03
  Speaker 2: On the 4th, get ready to listen to 32 tracks, bro.
• 2:34:06
  Speaker 2: That's right, man.
• 2:34:07
  Speaker 4: The 4th is special. It's going, man.
• 2:34:08
  Speaker 2: I've already listened to one, it's going to the other.
• 2:34:11
  Speaker 6: The 4th is special, blessed.
• 2:34:13
  Speaker 2: National Day of Piseiro.
• 2:34:14
  Speaker 6: That's right. It's your birthday, isn't it, Victor? It's close
• 2:34:17
  Speaker 6: to the 4th. It's the 7th. It's the 7th. You're
• 2:34:18
  Speaker 6: seeing friendship. It's going to be a good week. It's
• 2:34:20
  Speaker 6: going to be a good week. It's going to be
• 2:34:22
  Speaker 6: a blessed week. In fact, the blessed month. Amen.
• 2:34:25
  Speaker 5: That's it.
• 2:34:25
  Speaker 6: December, amen.
• 2:34:26
  Speaker 26: Amen.
• 2:34:26
  Speaker 2: The month of Jesus Christ.
• 2:34:27
  Speaker 12: Amen.
• 2:34:28
  Speaker 2: What's up?
• 2:34:29
  Speaker 6: What's up, man?
• 2:34:30
  Speaker 8: We're working on Fogo Gasolina, right? We recorded a project
• 2:34:34
  Speaker 8: on a gas station. We set up a stage in
• 2:34:36
  Speaker 8: the middle of a station, out of nowhere. It was organic,
• 2:34:40
  Speaker 8: we were waiting for, I don't know... We didn't imagine that, right?
• 2:34:43
  Speaker 6: I don't know. About 100 people. We got 2,000 people
• 2:34:45
  Speaker 6: on the station.
• 2:34:45
  Speaker 2: My God.
• 2:34:46
  Speaker 6: We recorded a project called Fogo Gasolina.
• 2:34:48
  Speaker 7: And then I called Tacito to record with us.
• 2:34:50
  Speaker 6: One of the participants. We're working now on Aceita Que
• 2:34:51
  Speaker 6: Me Ama. It's on the platforms too. It's hitting.
• 2:34:57
  Speaker 6: It's a big hit on the internet.
• 2:34:58
  Speaker 7: It's a great song.
• 2:34:58
  Speaker 6: It's a great song.
• 2:34:59
  Speaker 8: I'm working on this project. On the third day, I
• 2:35:01
  Speaker 8: came up with another song for this project. But at
• 2:35:03
  Speaker 8: the moment, I'm working on Fogo Gasolina. This is a
• 2:35:05
  Speaker 8: project that we're going to run all over Brazil. In
• 2:35:07
  Speaker 8: the stands, doing a forró. And now, listen to Muita
• 2:35:09
  Speaker 8: Certa Que Me Ama.
• 2:35:10
  Speaker 6: Wait, wait.
• 2:35:11
  Speaker 4: You're going to do a show in the stands in Brazil?
• 2:35:13
  Speaker 6: Exactly. We created a label that we... You're going up.
• 2:35:16
  Speaker 7: On this label?
• 2:35:17
  Speaker 6: Seriously?
• 2:35:17
  Speaker 7: Yes.
• 2:35:17
  Speaker 6: We're going to run all over Brazil with this show.
• 2:35:20
  Speaker 6: And it's crazy. Even so, we decided to record this
• 2:35:22
  Speaker 6: a week before.
• 2:35:26
  Speaker 8: Nobody wanted to record it, so we decided to do it.
• 2:35:30
  Speaker 8: We put the band in a place, set up a stage,
• 2:35:34
  Speaker 8: told the bands that there was going to be a review.
• 2:35:37
  Speaker 8: I called several artists and recorded a song with Tarcísio
• 2:35:41
  Speaker 8: that day, to play the song with this project Fogo Gasolina.
• 2:35:44
  Speaker 4: What the fuck.
• 2:35:45
  Speaker 6: So it can be in your next city. Prepare a
• 2:35:46
  Speaker 6: gas station, there will be a Ford Rosa.
• 2:35:48
  Speaker 4: And as the.
• 2:35:48
  Speaker 7: Chorus of the song, pull a little bit there.
• 2:36:06
  Speaker 8: You're just wasting your time You're going to roll, roll,
• 2:36:10
  Speaker 8: roll But you're going to stop here Where there's feeling
• 2:36:14
  Speaker 8: Accept that you love me That's it!
• 2:36:20
  Speaker 6: That's it!
• 2:36:22
  Speaker 2: Taicizinho, what are the news, my brother?
• 2:36:26
  Speaker 7: Boy, news now... We just released a new work, right?
• 2:36:29
  Speaker 9: Which was the EP ABC da Vaquejada It was a
• 2:36:33
  Speaker 9: CD that we released, actually, not an EP, sorry, a
• 2:36:35
  Speaker 9: CD And ABC da Vaquejada is a song that I
• 2:36:39
  Speaker 9: recorded with João Gomes, Zé Vaqueiro and MC Dom Juan
• 2:36:43
  Speaker 9: from São Paulo.
• 2:36:43
  Speaker 7: A little weak team.
• 2:36:45
  Speaker 6: No, it was awesome. Only. Yeah.
• 2:36:48
  Speaker 9: And this song has been hitting a lot, thank God.
• 2:36:49
  Speaker 9: It's playing a lot in the Northeast. When I was
• 2:36:51
  Speaker 9: ten I drove, I already heard Zezé. When I was
• 2:36:54
  Speaker 9: eighteen I met.
• 2:36:55
  Speaker 6: Vaquejada and Mulher.
• 2:36:57
  Speaker 7: With my dad I learned to run, Boito Madré.
• 2:36:59
  Speaker 5: Today it doesn't come out of the mouth, the boot
• 2:37:02
  Speaker 5: doesn't come out of the foot.
• 2:37:03
  Speaker 9: Adi Alô, B de Bolão, C de Cachaça, P de Paredão.
• 2:37:09
  Speaker 9: Esse foi o beaba que papai me ensinou. Pra beber, vaquejar,
• 2:37:13
  Speaker 9: me chamar que eu vou.
• 2:37:15
  Speaker 7: This one makes sense.
• 2:37:15
  Speaker 5: This one is the pipoco, bro.
• 2:37:18
  Speaker 6: The song is hitting hard. Adi Amor, B de.
• 2:37:21
  Speaker 7: Baixinho, C de Moração. It's because each one has their
• 2:37:25
  Speaker 7: own ABC.
• 2:37:26
  Speaker 9: I imagine that this one was the ABC of that.
• 2:37:28
  Speaker 4: I learned it.
• 2:37:29
  Speaker 6: I learned it from this one too.
• 2:37:31
  Speaker 2: From Havaianos?
• 2:37:32
  Speaker 7: Which one is that?
• 2:37:34
  Speaker 6: I swear to God.
• 2:37:36
  Speaker 2: I don't believe it.
• 2:37:38
  Speaker 6: The father can't sing something like that.
• 2:37:43
  Speaker 4: Wow, really?
• 2:37:44
  Speaker 2: You heard what I know, bro. Look at the face
• 2:37:46
  Speaker 2: of those who heard the crazy Havaianas.
• 2:37:48
  Speaker 6: You're crazy, Havaianas.
• 2:37:49
  Speaker 9: And then, going back to the subject, talking about my
• 2:37:51
  Speaker 9: project too, right? I have to sell my fish because
• 2:37:54
  Speaker 9: I need to go work and pay the rent at home,
• 2:37:55
  Speaker 9: my son.
• 2:37:56
  Speaker 7: Including this Avni's project there now.
• 2:38:00
  Speaker 9: I thought it was really good to invite the Ipiranga fans.
• 2:38:03
  Speaker 5: If you want to.
• 2:38:04
  Speaker 6: If you want.
• 2:38:05
  Speaker 7: To have fun with Ipiranga.
• 2:38:07
  Speaker 9: And another thing, if you want to sponsor us. I
• 2:38:09
  Speaker 9: bought a truck now, gasoline, and gasoline is very expensive.
• 2:38:12
  Speaker 7: So if you want.
• 2:38:14
  Speaker 6: To sponsor us, go ahead.
• 2:38:15
  Speaker 3: I thought you already had a sponsored line, don't you?
• 2:38:18
  Speaker 2: And Ipiranga is our partner.
• 2:38:20
  Speaker 6: Ipiranga is our partner.
• 2:38:21
  Speaker 4: Really?
• 2:38:21
  Speaker 2: Really?
• 2:38:23
  Speaker 1: Last week, I was late for an episode at the
• 2:38:26
  Speaker 1: post office.
• 2:38:26
  Speaker 4: Hey, Nicole, pay attention.
• 2:38:28
  Speaker 9: Pay attention to the project here, Fogo e Gasolina.
• 2:38:33
  Speaker 7: Francisco do Acordeon and Avni Vini too. We're together. It's
• 2:38:36
  Speaker 7: a good thing.
• 2:38:37
  Speaker 6: And that's it.
• 2:38:37
  Speaker 9: We're with this new EP. So, I asked the guys
• 2:38:40
  Speaker 9: who haven't heard it yet. ABC da Vaca e Rara,
• 2:38:42
  Speaker 9: Francisco do Acordeon. The new CD that we released. Go
• 2:38:43
  Speaker 9: to all the digital and musical platforms in Brazil.
• 2:38:46
  Speaker 2: Thank God, they're there.
• 2:38:50
  Speaker 4: Very cool, very cool.
• 2:38:51
  Speaker 1: No, before Xande talk, I wanted you to... Lars, do
• 2:38:54
  Speaker 1: you have any message to give.
• 2:38:55
  Speaker 6: To the guys? Please, any news?
• 2:38:57
  Speaker 4: Talk to us there.
• 2:38:58
  Speaker 1: Thank you for participating here.
• 2:39:00
  Speaker 2: I thank you, it was a pleasure.
• 2:39:02
  Speaker 9: It's us, Lars.
• 2:39:04
  Speaker 23: And the news is that everything is happening, everything is new, right?
• 2:39:07
  Speaker 23: But first we are going to participate in the ranch
• 2:39:10
  Speaker 23: on December 4th.
• 2:39:10
  Speaker 6: Tomorrow you will be there.
• 2:39:12
  Speaker 4: Tell us your schedule there.
• 2:39:14
  Speaker 23: Then we'll release some songs, we've already recorded with Roberta Miranda.
• 2:39:19
  Speaker 23: And in January we'll be in Africa, recording there too.
• 2:39:23
  Speaker 23: And then we'll be in Brazil, doing shows, with God's faith.
• 2:39:26
  Speaker 23: Applause for Laércia!
• 2:39:39
  Speaker 1: Just follow her on her social media and follow her
• 2:39:42
  Speaker 1: wonderful work.
• 2:39:42
  Speaker 6: Laércia Dantas. That's it, Laércia.
• 2:39:45
  Speaker 25: Laércia Dantas.
• 2:39:49
  Speaker 2: Chande, our captain of this plane.
• 2:39:51
  Speaker 6: Thank you very much.
• 2:39:52
  Speaker 11: It's a good thing to be here.
• 2:39:53
  Speaker 2: We are your fans, brother. Let it be recorded.
• 2:39:55
  Speaker 10: Thank you very much for the way you treat us,
• 2:39:57
  Speaker 10: the way you treat the Northeast.
• 2:39:59
  Speaker 8: The myth here is that the Northeast is with us.
• 2:40:01
  Speaker 6: But you are.
• 2:40:02
  Speaker 4: He is, man.
• 2:40:02
  Speaker 6: You are a Northeasterner. Thank you.
• 2:40:04
  Speaker 8: Thank you very much for the moral you give.
• 2:40:07
  Speaker 10: To our forró, to our piseiro, to my friends here,
• 2:40:09
  Speaker 10: my brothers, regardless of whether you're from Vibe or not,
• 2:40:11
  Speaker 10: we have an unequal partnership. And since I already sang
• 2:40:14
  Speaker 10: Henrique Julián' s song, because I'm working on it, I have
• 2:40:17
  Speaker 10: to talk here about my son Enzo's song, which is playing, right?
• 2:40:20
  Speaker 10: It's in Alta, in Fortaleza. X1 is the name of
• 2:40:23
  Speaker 10: the song. It's the song that Fale Mato. I even
• 2:40:25
  Speaker 10: got the lyrics here to sing it right, son.
• 2:40:27
  Speaker 13: Look, look.
• 2:40:27
  Speaker 6: Look, son, isn't that what I was talking about?
• 2:40:39
  Speaker 11: Listen to X1 on F1.
• 2:40:40
  Speaker 12: Awesome!
• 2:40:40
  Speaker 7: Awesome!
• 2:40:42
  Speaker 6: Listen, close this.
• 2:40:42
  Speaker 2: X1, from Enzo Timotti.
• 2:40:43
  Speaker 6: Enzo, what is this F1 you said?
• 2:40:45
  Speaker 2: I didn't understand.
• 2:40:47
  Speaker 6: It's F1, man.
• 2:40:48
  Speaker 11: His mother asked.
• 2:40:49
  Speaker 4: The same thing. When his mother found out.
• 2:40:57
  Speaker 10: It was the same thing he said to his mother
• 2:41:00
  Speaker 10: about the cannabis thing.
• 2:41:01
  Speaker 6: Samu, forget it. It's a race. It's a race. It's
• 2:41:04
  Speaker 6: Formula 1, Lewis Hamilton. You're crazy.
• 2:41:05
  Speaker 5: I love you, son.
• 2:41:06
  Speaker 2: Kisses.
• 2:41:06
  Speaker 6: Enzo, all the best in our career.
• 2:41:08
  Speaker 4: When you're in.
• 2:41:08
  Speaker 11: São Paulo, please bring the man here.
• 2:41:10
  Speaker 6: He's crazy for you. Please, brother. Here you go. And
• 2:41:12
  Speaker 6: for Matueta too.
• 2:41:12
  Speaker 5: He likes Matueta more than me.
• 2:41:23
  Speaker 6: Apparently you took him on his birthday.
• 2:41:25
  Speaker 7: Matuê!
• 2:41:25
  Speaker 20: Matuê!
• 2:41:26
  Speaker 4: Matuê!
• 2:41:26
  Speaker 6: You didn't take him on his birthday, you took Matuê.
• 2:41:28
  Speaker 10: Man, I wanted to take Teto, because I thought Matuê
• 2:41:32
  Speaker 10: was something out of the ordinary, right?
• 2:41:34
  Speaker 11: And Teto was doing the show.
• 2:41:35
  Speaker 10: Of the day, and I talked to the people from Matuê,
• 2:41:38
  Speaker 10: I said, Matuê is on fire, do you want him
• 2:41:40
  Speaker 10: to go?
• 2:41:41
  Speaker 6: Then I said, when is it? My son is going
• 2:41:42
  Speaker 6: to cry. No, when is it? When is it?
• 2:41:45
  Speaker 12: It's true.
• 2:41:45
  Speaker 6: Then I talked to Matuê, and that's when I got
• 2:41:47
  Speaker 6: friends with them, so I'm not going to charge anything, no.
• 2:41:49
  Speaker 6: I don't know if I could say that, but I'm
• 2:41:51
  Speaker 6: saying that he killed that... No, because it was for you, right?
• 2:41:53
  Speaker 11: No, but remember, when.
• 2:41:54
  Speaker 4: You give something to your son, man, it's a thing.
• 2:41:56
  Speaker 11: It's better than doing it for us.
• 2:41:57
  Speaker 6: He did 2h20 de show.
• 2:42:02
  Speaker 10: This kid was screaming, bro.
• 2:42:03
  Speaker 6: Think about it.
• 2:42:05
  Speaker 11: It was Enzo's birthday and Matuê.
• 2:42:06
  Speaker 4: Was singing there.
• 2:42:06
  Speaker 6: Then Enzo, you zeroed in. Then Teto made a video,
• 2:42:09
  Speaker 6: then Will made a video. He's almost 30 years old now.
• 2:42:11
  Speaker 4: No, it went viral on the internet. Those videos went viral.
• 2:42:13
  Speaker 4: It was cool.
• 2:42:13
  Speaker 10: He fell on the floor and started crying, so Matuê
• 2:42:15
  Speaker 10: is a guy that I admire not only because of
• 2:42:17
  Speaker 10: the artist, but also because of the person.
• 2:42:19
  Speaker 4: A very intelligent guy. He's awesome.
• 2:42:20
  Speaker 6: A very focused guy.
• 2:42:21
  Speaker 10: And drop that CD right now.
• 2:42:23
  Speaker 6: The plane's floor asked for Strangio. I don't know if
• 2:42:25
  Speaker 6: I'm living or waiting for Matue.
• 2:42:26
  Speaker 4: And he's taking care of us.
• 2:42:27
  Speaker 6: He's making fun of us. He's making fun of us. Matheus,
• 2:42:29
  Speaker 6: stop with this fun.
• 2:42:30
  Speaker 2: Matheus, you're an asshole.
• 2:42:31
  Speaker 6: I hope you all liked it. If you liked it,
• 2:42:32
  Speaker 6: leave a like, subscribe to the channel.
• 2:42:34
  Speaker 4: Go to the show.
• 2:42:44
  Speaker 3: Go to the concert, listen to many songs, like the video.
• 2:42:49
  Speaker 2: And buy tickets. Encourage your favorite artist.
• 2:42:53
  Speaker 6: That's it.
• 2:42:54
  Speaker 2: Follow Avni.
• 2:42:56
  Speaker 3: Follow Vitor Fernandes. Follow Manin. Follow Jonas Esticado. Follow Tarcísio
• 2:43:01
  Speaker 3: do Arcondeal. And also follow our... Commander, our king, Chande Avião,
• 2:43:07
  Speaker 3: right guys? They are all there in the description, I
• 2:43:09
  Speaker 3: hope you liked it, leave your like, subscribe, follow me,
• 2:43:11
  Speaker 3: follow the mythical, follow Podpah, get 10 million, mythical young man,
• 2:43:14
  Speaker 3: do the honors.
• 2:43:15
  Speaker 2: Of the house.
• 2:43:16
  Speaker 1: Look, look at the agenda of the thing, look at
• 2:43:18
  Speaker 1: the agenda of the thing, leave your like, subscribe there,
• 2:43:21
  Speaker 1: and if you liked episodes like this, Mais musicais com
• 2:43:25
  Speaker 1: a galera.
• 2:43:25
  Speaker 4: Deixa o like, comenta aí. Pô, chama tal galera. Chama isso,
• 2:43:28
  Speaker 4: faz isso que o pote faz isso, tá bom?
• 2:43:30
  Speaker 3: E ó, hoje tem quebrada F100. É, é verdade, hein?
• 2:43:33
  Speaker 4: Flamengo vai perder.
• 2:43:34
  Speaker 6: Dignidade, dignidade.
• 2:43:47
  Speaker 1: Fan, you don't wait for the future, you live it
• 2:43:50
  Speaker 1: in practice.
• 2:43:51
  Speaker 3: Here you have maximum grade courses on Mac. And the
• 2:43:54
  Speaker 3: employability of students is priority.
• 2:43:57
  Speaker 1: You have partnerships with large companies, mandatory internships and technical
• 2:44:01
  Speaker 1: visits that bring you closer.
• 2:44:02
  Speaker 4: To the job market.
• 2:44:03
  Speaker 2: Here you have exclusive opportunities.
• 2:44:06
  Speaker 1: And speaking of opportunities, who is a fan student can
• 2:44:10
  Speaker 1: intern even in the biggest podcast in Brazil.
• 2:44:12
  Speaker 2: And then, ready to live in the new? Sign up now.
• 2:44:15
  Speaker 4: Fan, your future in practice.
• 2:44:22
  Speaker 5: Don't be afraid to join us.
• 2:44:24
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• 2:44:25
  Speaker 31: Don't be afraid to join us.
• 2:44:30
  Speaker 9: Don't be afraid.
• 2:44:31
  Speaker 30: To join us.
• 2:44:35
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• 2:44:38
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• 2:44:41
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• 2:44:45
  Speaker 6: afraid to join us.