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One Piece, 905, 906 & 908 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one Piece episodes nine oh five, nine oh six, skipping,
• 0:16
  Speaker 1: nine oh seven, and nine oh eight, Taking back Otama,
• 0:21
  Speaker 1: a fierce fight against hold Him, duel the Magician and
• 0:26
  Speaker 1: the Surgeon of Death, and the coming of the Treasure Ship.
• 0:31
  Speaker 1: Lufy Taro returns the favor in these episodes. There I
• 0:41
  Speaker 1: continue to be surprised at the fact that your faular
• 0:45
  Speaker 1: law expects anything to go according to plan when he
• 0:50
  Speaker 1: is paired with Louofy. I just need somebody to slap
• 0:54
  Speaker 1: this man and remind him who the fuck Loofy is.
• 0:58
  Speaker 1: Welcome to spoil Welcome to the show everyone. I am Natasha.
• 1:21
  Speaker 1: Thank you very much to Florian for commissioning this episode
• 1:25
  Speaker 1: and for once again being flexible, as I had to
• 1:27
  Speaker 1: push it to the next day, but I am very
• 1:32
  Speaker 1: delighted to hear I was going to move it to
• 1:34
  Speaker 1: noon the next day and came to find out that
• 1:37
  Speaker 1: some of the folks who commission episodes are going to
• 1:40
  Speaker 1: be doing a little D and D game together at
• 1:42
  Speaker 1: that time, so I made it earlier. But that's fun,
• 1:45
  Speaker 1: and I really hope that you guys are all like that.
• 1:48
  Speaker 1: You have a lovely time, because that sounds really fun.
• 1:53
  Speaker 1: So these are there. I'm trying to decide exactly how
• 2:01
  Speaker 1: I want to do this, because sometimes with these episodes,
• 2:04
  Speaker 1: it's better to go with like one person's plot than
• 2:08
  Speaker 1: to just go from beginning to end, especially considering that
• 2:12
  Speaker 1: we do have our people like split up a little
• 2:15
  Speaker 1: bit here. But it really isn't necessary. I don't think
• 2:20
  Speaker 1: to do that. I think I will just start at
• 2:22
  Speaker 1: the beginning of the first of these episodes. Hold them
• 2:28
  Speaker 1: is still holding onto Otama in his lion's mouth. Now, y'all,
• 2:38
  Speaker 1: I think that I saw that his lion has a
• 2:42
  Speaker 1: separate name from him, and I don't know exactly how
• 2:48
  Speaker 1: to look that up without getting spoiled, So if somebody
• 2:50
  Speaker 1: wants to help me out, because the lion is like
• 2:54
  Speaker 1: evidently got his own whole personality as well. They evidently
• 3:00
  Speaker 1: tend to be in sync with what they want most
• 3:03
  Speaker 1: of the time, but like apparently, as we saw when
• 3:08
  Speaker 1: we first met them, not always, and that ends the
• 3:12
  Speaker 1: way that it ends. I am. I am still trying
• 3:20
  Speaker 1: to figure out exactly how this works, because chomping down
• 3:25
  Speaker 1: on Otama and swallowing her is apparently an option for
• 3:35
  Speaker 1: this lion, like he can eat separately from the main dude.
• 3:41
  Speaker 1: And I'm really curious, like do they each need to
• 3:46
  Speaker 1: eat that the amount that they would each need to
• 3:49
  Speaker 1: stay alive separately? Does the lion have its own whole
• 3:53
  Speaker 1: appetite like the is hold him when he eats. Is
• 3:57
  Speaker 1: the lion not satisfied? Do they both have to or
• 4:00
  Speaker 1: if hold them eats enough, is it plenty? Or if
• 4:04
  Speaker 1: the lion eats enough, is it Like what I keep
• 4:07
  Speaker 1: thinking about in regards to this is covering true blood.
• 4:11
  Speaker 1: And like the Suki Stackhouse novels, there is a thing
• 4:15
  Speaker 1: with shifters and people who are like wear animals where
• 4:19
  Speaker 1: they can eat while they are shifted and they go
• 4:22
  Speaker 1: hunt and they will be full once they turn back
• 4:25
  Speaker 1: to human. But that makes more sense in terms of
• 4:30
  Speaker 1: the fact that that's all their body and the set
• 4:33
  Speaker 1: up here with it being a other being. But you
• 4:37
  Speaker 1: share a body. Does they do the both like esophaguses
• 4:42
  Speaker 1: go to the same stomach. Maybe they both share a stomach.
• 4:48
  Speaker 1: Does it burn twice as many calories because there's two
• 4:51
  Speaker 1: of them to handle? I just really want to know
• 4:53
  Speaker 1: exactly how all this and like if you try to
• 4:57
  Speaker 1: smother one of them. Do you have to smother both
• 4:59
  Speaker 1: of them in order for him to be fully suffocated?
• 5:03
  Speaker 1: Can you just smother the one and the other one
• 5:07
  Speaker 1: also dies, or do you have to find a way
• 5:11
  Speaker 1: to make both of them you know what I'm saying.
• 5:16
  Speaker 1: I'm just wondering how much they each have to do
• 5:18
  Speaker 1: with each other is really what it comes down to.
• 5:24
  Speaker 1: And like, the lions always awake, so to speak. Right,
• 5:30
  Speaker 1: It's not like there are times where the lion is
• 5:33
  Speaker 1: unconscious and he has to call it up to like
• 5:38
  Speaker 1: activate I guess, so to speak, because it's not like
• 5:41
  Speaker 1: a robot. It's a living, actual lion. So it's just
• 5:48
  Speaker 1: constantly in his business. Like a guy like this, if
• 5:55
  Speaker 1: you're trying to jerk off, that lion's interfering, right, Like,
• 6:03
  Speaker 1: doesn't that seem like it would be a real obstacle.
• 6:08
  Speaker 1: Or alternatively, the lion maybe wants to jerk off, but
• 6:14
  Speaker 1: you don't because you apparently do share a ball sack,
• 6:18
  Speaker 1: so you must share dick. So what if the lion
• 6:24
  Speaker 1: feels like jerking off but you don't, and it just
• 6:26
  Speaker 1: tests you. Just everything comes to a standstill until he's finished. It.
• 6:33
  Speaker 1: Just there's a lot of there are a lot of
• 6:37
  Speaker 1: things about sharing a body that I think would be
• 6:39
  Speaker 1: a big bummer. And imagine like if he wants to
• 6:42
  Speaker 1: have sex with somebody and you're like trying to have
• 6:46
  Speaker 1: sex with him, and his lion head is just like
• 6:50
  Speaker 1: in the mix talking to you, reacting. I mean, he's
• 6:55
  Speaker 1: also a very tall man, so if you're under him,
• 7:01
  Speaker 1: the Lion's going to be more at face level with you,
• 7:04
  Speaker 1: probably then his face would be, so it would probably
• 7:08
  Speaker 1: feel a lot more like you were fucking a lion
• 7:10
  Speaker 1: than it would that you were fucking hold him if
• 7:13
  Speaker 1: you're a normal sized person, because again, he is very tall,
• 7:18
  Speaker 1: so that's also kind of a weird. He would have
• 7:23
  Speaker 1: to find either very large women or also the lion
• 7:28
  Speaker 1: may want to fuck lionessays, and Holden isn't interested in that,
• 7:33
  Speaker 1: But maybe he wouldn't. It wouldn't bother him too much
• 7:37
  Speaker 1: because he wouldn't have to see it because it could
• 7:40
  Speaker 1: all take place basically completely outside of his eyeline. Anyway,
• 7:46
  Speaker 1: I'm just you know, guys, I think about the ways
• 7:48
  Speaker 1: in which things work a lot, and I know that
• 7:52
  Speaker 1: this is not something that is helpful or probably that
• 7:58
  Speaker 1: ODA thought through, because why would he But because this
• 8:03
  Speaker 1: is how I am. I'm sorry, but also welcome to
• 8:09
  Speaker 1: the show. Sorry, Saraphim, I'm just saying earlier. I think
• 8:15
  Speaker 1: at this point he knows how well Lufian plans go together,
• 8:18
  Speaker 1: but it's still trying to cling to the hope that maybe,
• 8:20
  Speaker 1: just maybe things might work out for once. I think
• 8:24
  Speaker 1: that he just a lot this episode. He keeps saying, oh,
• 8:28
  Speaker 1: he's going to ruin everything, and I'm just like, of
• 8:31
  Speaker 1: course he is, dude, that's literally what he does. And
• 8:35
  Speaker 1: the fact that you don't seem to have like a
• 8:36
  Speaker 1: contingency plan is sort of a you problem. Bernadette Natasha
• 8:43
  Speaker 1: and the logistics of eating a trilogy, I can't help it, guys.
• 8:48
  Speaker 1: Food is important and anybody you know, I'll get there
• 8:53
  Speaker 1: for in a second. But Seraphim says, don't try to
• 8:56
  Speaker 1: think too hard about the biology going on. Oda's entire
• 8:58
  Speaker 1: thought process for the Smile was Okay, this would look awesome,
• 9:01
  Speaker 1: special areas and he had way too much fun in
• 9:03
  Speaker 1: designing them. Oda gets to do what he wants, sarafm
• 9:07
  Speaker 1: and I get to think what I want to think.
• 9:10
  Speaker 1: I I will think too much on it. That's my brand,
• 9:15
  Speaker 1: that's my health, that's my whole thing. I can't help it, Bernadette,
• 9:22
  Speaker 1: I live for this train of thought right now. And
• 9:25
  Speaker 1: Florian says, these are the things I wandered myself back then,
• 9:28
  Speaker 1: and we are only at the tip of the iceberg
• 9:31
  Speaker 1: with the smile designs, and then Bernadette Natasha and the
• 9:34
  Speaker 1: logistics of fucking the sequel. Yeah, it really is true. Huh.
• 9:38
  Speaker 1: I go right from food to sex and that's not
• 9:41
  Speaker 1: a coincidence, that's just that's the hierarchy of need. Lina says,
• 9:49
  Speaker 1: Would him having sex be a threesome? I guess, oh,
• 9:52
  Speaker 1: you know what, Lena. I really like the idea that
• 9:55
  Speaker 1: both of them have got to find whoever they're going
• 9:57
  Speaker 1: to be fucking attractive, because otherwise he can't like fully
• 10:01
  Speaker 1: get hard. So he has to find women that somehow
• 10:05
  Speaker 1: appeal to his lion as well. And I don't know
• 10:08
  Speaker 1: what the lion's tastes are. Maybe he's not even into
• 10:11
  Speaker 1: other lion ladies. Maybe he is, like maybe human women
• 10:15
  Speaker 1: can do it for him too. I'm not here to judge,
• 10:20
  Speaker 1: but it would be very funny if there were somebody
• 10:23
  Speaker 1: that like hold him work, going, oh my god, she
• 10:25
  Speaker 1: is so fine. And then the lion is just like,
• 10:29
  Speaker 1: are you serious? She has no ass at all? What
• 10:32
  Speaker 1: are you talking about? Look at her teeth and they
• 10:35
  Speaker 1: just like hold him's chances are ruined to have a
• 10:40
  Speaker 1: good time because he can't get his lion friend on
• 10:43
  Speaker 1: board with him. That would be a real bummer. Finding
• 10:47
  Speaker 1: your own type and then being willing to sleep with you.
• 10:51
  Speaker 1: Is it challenge enough having to find your type and
• 10:55
  Speaker 1: your lion's type. That's a lot of work. And I
• 11:01
  Speaker 1: just feel like that probably means you're destined to be alone,
• 11:05
  Speaker 1: or you're gonna have to be with somebody who's probably
• 11:08
  Speaker 1: into some real freaky shit. You gotta be into some
• 11:10
  Speaker 1: freaky shit to fuck somebody. Hold them anyway. There's a
• 11:14
  Speaker 1: lot of people in this universe that I mean, you
• 11:18
  Speaker 1: guys know that I remain surprised that Big Mom is
• 11:22
  Speaker 1: able to fuck as much as she does. And I
• 11:24
  Speaker 1: know that that's like a power thing. But also she
• 11:28
  Speaker 1: is a very specific type, and I mean, good for her,
• 11:34
  Speaker 1: But also how many of those men were happy about
• 11:40
  Speaker 1: the situation. We may never know. Sarah fam says, what
• 11:45
  Speaker 1: that lion tongue do? Oh man? And they're supposed to
• 11:48
  Speaker 1: be really rough, right, like a lion's tongue I think
• 11:50
  Speaker 1: is meant to be rougher than a cow's tongue, because
• 11:54
  Speaker 1: that's like they're grooming. They have these little barbs on
• 11:57
  Speaker 1: them that would be pretty rough, like I could take
• 11:58
  Speaker 1: your skin off. Maybe yikes. I mean some people might
• 12:02
  Speaker 1: be into that, but personally no, thank you. So I'm
• 12:08
  Speaker 1: so sorry everybody to derail this, but you know, it's
• 12:10
  Speaker 1: just I am really I think that if you introduce
• 12:16
  Speaker 1: somebody like hold Them into the story, who has such
• 12:20
  Speaker 1: a bonker's power, I'm trying to grab this one hair
• 12:23
  Speaker 1: can I see it? And it's like driving me crazy
• 12:25
  Speaker 1: because I can't grab it. There it is if you
• 12:28
  Speaker 1: are going to create that kind of character, and it's
• 12:33
  Speaker 1: not really I won't say that it's not dealt with
• 12:38
  Speaker 1: because when Lufy meets him, he's like, do you have
• 12:41
  Speaker 1: a lion in your belly? You know, he says it,
• 12:44
  Speaker 1: but everybody around hold Him so far has been very
• 12:49
  Speaker 1: used to the fact that he has a lion in
• 12:51
  Speaker 1: his belly. It's not remarkable really to any of them.
• 12:55
  Speaker 1: And later on, when our friends are separated from Hold Them,
• 12:59
  Speaker 1: we don't have a moment of everybody going what the
• 13:02
  Speaker 1: fuck is with that? Lion in isbelly. So I just
• 13:04
  Speaker 1: feel like nobody is quite curious enough about it, and
• 13:09
  Speaker 1: that leaves it to me to have to like think
• 13:11
  Speaker 1: it through. I there's just some and are there other
• 13:15
  Speaker 1: people who've just got other animals that they share a
• 13:20
  Speaker 1: body with, and it might not be in the same place.
• 13:23
  Speaker 1: We have the girl who is half horse, but she's
• 13:26
  Speaker 1: actually herself like half horse, so that's not really the
• 13:32
  Speaker 1: same thing that I would prefer. I don't want to
• 13:36
  Speaker 1: be sharing my body with an entity that has its
• 13:38
  Speaker 1: own brain and its own motivations. I would be much
• 13:42
  Speaker 1: more into being half of a certain animal potentially. Now
• 13:48
  Speaker 1: I want to make it clear though, that that's not
• 13:50
  Speaker 1: something I would really want either, because being half horse like,
• 13:53
  Speaker 1: she's a centaur ish, she's more horse like than the
• 13:58
  Speaker 1: human halves of centaurs tend to be. But that would
• 14:01
  Speaker 1: also be really inconvenient, so I personally wouldn't want that either.
• 14:08
  Speaker 1: I am really curious how much the smile fruits are customizable,
• 14:17
  Speaker 1: how much control do we have over them? And are
• 14:21
  Speaker 1: like with a real devil fruit, you just find a fruit,
• 14:26
  Speaker 1: it's a parent that it's a devil fruit because of
• 14:28
  Speaker 1: the way they look on the outside and then you
• 14:32
  Speaker 1: eat it and you find out then what it is
• 14:37
  Speaker 1: like you don't unless it's the fruit that is of
• 14:40
  Speaker 1: the power that somebody else who just died used to have,
• 14:46
  Speaker 1: which that's a really specific circumstance. Otherwise, like you don't
• 14:52
  Speaker 1: know what you're in for at all. And I'm really
• 14:55
  Speaker 1: curious whether or not that's the case with the smile
• 14:58
  Speaker 1: fruits as well, And if so, I think that's like
• 15:05
  Speaker 1: a little bit disappointing, because if you're going to be
• 15:08
  Speaker 1: manufacturing the fruits, I think I would want there to
• 15:13
  Speaker 1: be a little bit more control over what they do
• 15:17
  Speaker 1: and a little bit more control over knowing what I'm
• 15:21
  Speaker 1: about to get into as I eat one. So can
• 15:27
  Speaker 1: you make them to order or can you ask for
• 15:30
  Speaker 1: a specific thing? I have a really hard time imagining
• 15:35
  Speaker 1: that this guy asked for this, but it's possible. What
• 15:40
  Speaker 1: do I know? People want all kinds of things that
• 15:42
  Speaker 1: I could never ever understand. So we don't know enough
• 15:48
  Speaker 1: about this yet. I also want to mention and I
• 15:53
  Speaker 1: in the discord I posted about this, and Sarah em
• 15:59
  Speaker 1: told me in the discord that the factories on Wano
• 16:05
  Speaker 1: are not actually making smile fruits, which is what I
• 16:10
  Speaker 1: thought we were up to this whole time, and so
• 16:15
  Speaker 1: I asked, well, then, what are the factories about? But
• 16:18
  Speaker 1: I asked that and then I went to bed, and
• 16:20
  Speaker 1: I did not see whether or not. Seraphim replied, So
• 16:22
  Speaker 1: forgive me, Seraphim, if you have you're gonna have to
• 16:24
  Speaker 1: reply again here. But I I like the fact that
• 16:31
  Speaker 1: do flamingo. I knew that he had the the factory
• 16:35
  Speaker 1: going on on dress Rosa, but I didn't realize that
• 16:38
  Speaker 1: was like the only only one. I thought that there
• 16:40
  Speaker 1: were like three, So taking one out would still be
• 16:44
  Speaker 1: a huge problem and a big inconvenience, but it would
• 16:48
  Speaker 1: be it wouldn't be like you completely ruined the supply period,
• 16:55
  Speaker 1: you know. So I don't know whether or not we
• 17:01
  Speaker 1: are supposed to know what these factories even do. Yet
• 17:05
  Speaker 1: Seraphim says, there is an encyclopedia of known devil fruits.
• 17:08
  Speaker 1: You can try to look it up and smiles. What
• 17:12
  Speaker 1: part of Caesar Clown makes you think he cares enough
• 17:16
  Speaker 1: to make that? Smiles? Oh? You mean, like, why would
• 17:22
  Speaker 1: Caesar Clown make a encyclopedia? Right? Yeah, I know that
• 17:32
  Speaker 1: the encyclopedia exists, but that's not the same that's like
• 17:37
  Speaker 1: something that people have filled out as they have found
• 17:40
  Speaker 1: out themselves what the fruits are. It's not the same
• 17:44
  Speaker 1: as seeing a fruit and being able to tell what
• 17:47
  Speaker 1: it is from the outside. And that's sort of what
• 17:50
  Speaker 1: I'm curious about with the smile fruits as well. It's like,
• 17:54
  Speaker 1: if I were going to manufacture them, I would want
• 17:58
  Speaker 1: to make it clear what it is, because I feel
• 18:01
  Speaker 1: like that's the biggest risk when you eat one, is
• 18:04
  Speaker 1: you don't know what you're in for, and there's times
• 18:07
  Speaker 1: where it can be kind of not great like the
• 18:10
  Speaker 1: powers that we have seen. I've been kind of sometimes
• 18:12
  Speaker 1: like that's you can't swim ever again. But this is
• 18:16
  Speaker 1: what you wind up with. And as we know, there's
• 18:19
  Speaker 1: the human fruit, the fucking chopper eight that a human
• 18:25
  Speaker 1: could have eaten and nothing happens at all, and then
• 18:27
  Speaker 1: he just can't swim anymore, which you just get absolutely
• 18:30
  Speaker 1: fucking nothing for that trade off. So I'm just wondering
• 18:36
  Speaker 1: if somebody is like, hey, I'd like a smile fruit
• 18:39
  Speaker 1: that makes me really strong, Maybe you can't like and
• 18:43
  Speaker 1: I mean strong, like lift things and muscular that kind
• 18:46
  Speaker 1: of thing. Maybe you can't exactly specifically make it to
• 18:50
  Speaker 1: order in that case, but perhaps you can get it
• 18:56
  Speaker 1: to a point where I know that's the main thing
• 18:59
  Speaker 1: this does and how that manifests is a little bit
• 19:02
  Speaker 1: less certain, And that's the thing, you know. I don't know.
• 19:08
  Speaker 1: I'm just I feel like making the smile fruits in
• 19:12
  Speaker 1: the first place is crazy that they can even do that.
• 19:17
  Speaker 1: I keep waiting to find out whether there's a weird
• 19:20
  Speaker 1: side effect from them as well. Serfum says, we've seen
• 19:25
  Speaker 1: smiles and they all look mostly identical. Okay, I knew
• 19:28
  Speaker 1: that we had seen them, but I honestly couldn't remember
• 19:31
  Speaker 1: what they looked like. Oh and earlier when I was
• 19:35
  Speaker 1: talking about the eating, I just want to mention guyes
• 19:37
  Speaker 1: that I made the sem la, so if you are
• 19:40
  Speaker 1: interested in seeing that, I put a little video on
• 19:42
  Speaker 1: my socials of me making it. And these things are
• 19:46
  Speaker 1: fucking delicious. I used a different recipe than what's totally traditional.
• 19:53
  Speaker 1: There's a like the method that I used. They have
• 20:00
  Speaker 1: tangsong in it, which is like when you cook some
• 20:03
  Speaker 1: of the flour with milk. I think it's a Japanese
• 20:07
  Speaker 1: method trying to find out, but it essentially makes it
• 20:12
  Speaker 1: so that things don't go stale as quickly and remain
• 20:17
  Speaker 1: moist for longer, And so that person had adapted that
• 20:21
  Speaker 1: into their similar recipe, which I always think is a
• 20:24
  Speaker 1: good idea. And then also the almond paste you can
• 20:27
  Speaker 1: either buy made or you can make it. And a
• 20:31
  Speaker 1: lot of the recipes I found the almonds were simply
• 20:34
  Speaker 1: raw almonds, but I found a recipe where you get
• 20:38
  Speaker 1: raw peel on almonds, not shell peel, and you toast
• 20:45
  Speaker 1: those and take some of them out of the batch,
• 20:49
  Speaker 1: put the rest through a food processor, and then roughly
• 20:52
  Speaker 1: chop the rest of that batch and mix it in
• 20:55
  Speaker 1: so that you've got a nice mixture of textures, and
• 20:59
  Speaker 1: it was perfect. It was so that the having toasted
• 21:03
  Speaker 1: them really added a completely different flavored dimension. Having the
• 21:07
  Speaker 1: extra texture from the roughly chopped ones in there. A
• 21:11
  Speaker 1: little bit of cardamom but not a lot in the
• 21:13
  Speaker 1: dough just gives it something and it's not like it's
• 21:17
  Speaker 1: just a whisper, and it's so lovely and really like
• 21:21
  Speaker 1: subtle and understated. And the recipes all called for way
• 21:26
  Speaker 1: less sugar in the whipped cream that goes inside than
• 21:29
  Speaker 1: what you would normally see in like an American recipe,
• 21:32
  Speaker 1: and I prefer that so much Americans over sweet and
• 21:35
  Speaker 1: fucking everything and having that very sweet almond paste inside,
• 21:41
  Speaker 1: but then the somewhat sweet whipped cream is the perfect combo.
• 21:46
  Speaker 1: And when I tell y'all, it has been a battle
• 21:49
  Speaker 1: for me to eat just two per day because I'm
• 21:52
  Speaker 1: like being careful about my calorie and take these days
• 21:55
  Speaker 1: and I can just about manage to have to per
• 21:58
  Speaker 1: day and still stay within my account. But it has
• 22:02
  Speaker 1: been tricky, and I I'm not saying that I would
• 22:06
  Speaker 1: necessarily understand eating your friends over them, but I can
• 22:12
  Speaker 1: understand there's nothing that comes close that I've ever had
• 22:16
  Speaker 1: that has this type of flavor profile. So it's the
• 22:20
  Speaker 1: sort of thing that if you're going to be craving that,
• 22:23
  Speaker 1: nothing else is going to do it. That's like a
• 22:27
  Speaker 1: really specific you know, I have times where I start
• 22:31
  Speaker 1: craving ice cream. I'll specifically crave like chocolate chip cookie
• 22:35
  Speaker 1: dough ice cream. What I can do is I can
• 22:39
  Speaker 1: have like Greek yogurt with some vanilla and granola and
• 22:47
  Speaker 1: melt some chocolate chips and drizzle that over with strawberries,
• 22:51
  Speaker 1: and it will satisfy my desire for that ice cream.
• 22:55
  Speaker 1: I will be like, I will be good I'll have that,
• 22:58
  Speaker 1: and I'll be like, no, you know what, I just
• 22:59
  Speaker 1: had a little bit of a sweet craving and that
• 23:01
  Speaker 1: did it something like this. I don't see how you
• 23:06
  Speaker 1: could ever manage it. It's just that specific. So I
• 23:11
  Speaker 1: really do have sympathy as somebody who often has cravings.
• 23:15
  Speaker 1: When you want something that nothing else will do, it's
• 23:18
  Speaker 1: a terrible feeling, and I sympathize. I remain unmoved about
• 23:24
  Speaker 1: eating your friends. So you know, hopefully I never eat
• 23:28
  Speaker 1: something that is so good that I understand becoming a
• 23:30
  Speaker 1: cannibal by accident. But it remains to be seen. It
• 23:34
  Speaker 1: remains to be seen. Perhaps I just haven't found the
• 23:37
  Speaker 1: food that will drive me mad, all right. So it's
• 23:42
  Speaker 1: crazy how much I have talked and I've barely really
• 23:45
  Speaker 1: talked about this episode, well, these three. But honestly, the
• 23:48
  Speaker 1: fight against hold them isn't It's like not that eventful,
• 23:56
  Speaker 1: if we're being honest. The thing that is funny is
• 24:01
  Speaker 1: Loofy gets o Tama. He actually starts to like get
• 24:06
  Speaker 1: away with her in hand, and then when he sees
• 24:11
  Speaker 1: that she's got the marks on her cheek, he's like,
• 24:14
  Speaker 1: what happened here? And she says, oh, it's nothing. They
• 24:19
  Speaker 1: just yanked on my cheek with pliers. And he's like,
• 24:23
  Speaker 1: they what now, and understandably is very distracted by this
• 24:31
  Speaker 1: revelation and decides I'm going to go and deal with
• 24:35
  Speaker 1: this motherfucker now. I have to say, as much as
• 24:41
  Speaker 1: I understand and respect even the impulse to be like, oh,
• 24:47
  Speaker 1: all right, hold on, let me deal with this guy.
• 24:50
  Speaker 1: Finding out that he tortured a little girl changes the
• 24:54
  Speaker 1: game for him. I really get it, and I'm mad
• 24:57
  Speaker 1: at it. But well, lufy does is he basically just
• 25:03
  Speaker 1: like chucks her and says give me a minute so
• 25:08
  Speaker 1: that she is free falling through the air without any support,
• 25:17
  Speaker 1: like and just she's just screaming that he doesn't have
• 25:22
  Speaker 1: to keep fighting, that it's fine while she's falling, free falling,
• 25:28
  Speaker 1: and it's just I found it very distressing. I understand
• 25:33
  Speaker 1: his thought, I really, like I said, even respect it,
• 25:37
  Speaker 1: but holy shit, dude, can you please just like put
• 25:42
  Speaker 1: her somewhere safe for a second and not just literally
• 25:45
  Speaker 1: drop her as you're like in mid air? What are
• 25:50
  Speaker 1: you doing. I'm not going to say that like dropping
• 25:54
  Speaker 1: her in mid air is as bad as torturing her, obviously,
• 25:57
  Speaker 1: but I am going to say best just as terrifying
• 26:01
  Speaker 1: in its own way that you thought you were safe.
• 26:04
  Speaker 1: She has her eyes closed and is feeling very much
• 26:08
  Speaker 1: like she's alone, and then opens her eyes sees Lufy
• 26:12
  Speaker 1: is here, is so relieved she finally is safe, and
• 26:16
  Speaker 1: she's like, big bro, you came. And then like a
• 26:19
  Speaker 1: split second later, he literally just drops her and goes
• 26:25
  Speaker 1: back into the fight. I'm sorry, but that would trigger
• 26:28
  Speaker 1: a little bit of an abandonment complex in me. I
• 26:30
  Speaker 1: would feel a bit of a way about it. I
• 26:32
  Speaker 1: can't help that Kammie Jiro is the name of the
• 26:39
  Speaker 1: lion for anybody interested. I don't know if I will
• 26:44
  Speaker 1: be able to remember that, but the lion does indeed
• 26:46
  Speaker 1: have a separate name, and it is Commie Giro. So eventually,
• 26:54
  Speaker 1: like when Commie Giro has her in her mouth, like
• 26:56
  Speaker 1: I said, there is the moment where Holdham is just like, oh,
• 27:00
  Speaker 1: all right, well go ahead and chomp down on her,
• 27:03
  Speaker 1: you know, and we have the the slow mo of
• 27:08
  Speaker 1: her being about to get eaten before she is rescued,
• 27:14
  Speaker 1: and it the fight that Lufy participates in withhold him.
• 27:21
  Speaker 1: It's funny because I know that I've said this before,
• 27:29
  Speaker 1: but the fact that people still just don't realize that
• 27:32
  Speaker 1: they can't fuck with Lufy like they can fuck with
• 27:34
  Speaker 1: just anybody. Is Like, I don't even know if hold
• 27:44
  Speaker 1: Him recognizes Loofy. We know that Hawkins does. I'm not
• 27:50
  Speaker 1: sure if Holdham knows who he is or not. I
• 27:53
  Speaker 1: can't remember if there was an expression of recognition in him.
• 27:57
  Speaker 1: But after everything that Lufy has been through, if he
• 28:01
  Speaker 1: did recognize him and doesn't think that this guy is
• 28:07
  Speaker 1: going to potentially be a match for him, that's a
• 28:12
  Speaker 1: wild underestimation after everything. I mean, come on. So there's
• 28:20
  Speaker 1: like an embarrassing moment as well where Holden has all
• 28:24
  Speaker 1: these guys and he tells them to attack, and to
• 28:31
  Speaker 1: say that Zoro makes quick work of them, I don't
• 28:37
  Speaker 1: feel is an adequate description of just how that goes.
• 28:42
  Speaker 1: Like it is, it barely slows him down. It's fucking nothing.
• 28:48
  Speaker 1: I thought that these guys not that I ever really expected,
• 28:54
  Speaker 1: because they're just goons, right, They're just nobody's. So I
• 28:59
  Speaker 1: know what Zoro is and I'm not really expecting them
• 29:02
  Speaker 1: to be a match for him in that sense, But
• 29:08
  Speaker 1: I was sort of, I guess thinking that like there
• 29:12
  Speaker 1: would be one or two that might be able to
• 29:15
  Speaker 1: sneak up that there might be a moment of like,
• 29:18
  Speaker 1: oh he's really breaking a sweat. No, not even a
• 29:22
  Speaker 1: little bit of a sweat. It's nothing, And I would
• 29:26
  Speaker 1: if I were hold him, I would be very embarrassed
• 29:29
  Speaker 1: about it. I feel like I would probably reprimand my
• 29:33
  Speaker 1: men and be like, you, guys, I'm gonna send you
• 29:36
  Speaker 1: off to like some sort of summer camp for sword
• 29:39
  Speaker 1: masters so that you can figure your shit out, because
• 29:41
  Speaker 1: you are not good at this. So he also hold him,
• 29:49
  Speaker 1: has this like odd whip sort of sword. It's got
• 29:56
  Speaker 1: like links and it it so it's a lot more,
• 30:00
  Speaker 1: it's longer, it moves more freely. It is a really
• 30:07
  Speaker 1: interesting sort of weapon. I've kind of liked this, actually,
• 30:12
  Speaker 1: wondering exactly where you find something like this? How do
• 30:16
  Speaker 1: you does he make it? What? But it looks initially
• 30:19
  Speaker 1: like a regular sword, and once he pulls it out,
• 30:23
  Speaker 1: it's obvious that like when he gets out the lights
• 30:30
  Speaker 1: on fire first, I think, and then it splits up
• 30:33
  Speaker 1: into pieces. So he when he pulls it out and
• 30:37
  Speaker 1: he starts whipping this thing around. This to him, this
• 30:43
  Speaker 1: is so adorable. To him, this is a wrap for
• 30:47
  Speaker 1: his enemy every time he has gone to this level,
• 30:51
  Speaker 1: that's been the end of the conversation, and so there's
• 30:58
  Speaker 1: just a sort of complacence here in how he just
• 31:05
  Speaker 1: thinks that he really has this lockdown. I sir, again,
• 31:13
  Speaker 1: this kid is just not who you think, and I'm
• 31:16
  Speaker 1: going to need you to tune in a little bit.
• 31:19
  Speaker 1: I do admire this weapon though. I think it's kind
• 31:23
  Speaker 1: of cool. We've seen a lot of different weapons that
• 31:27
  Speaker 1: oftentimes come from the actual devil fruit. Like people are
• 31:32
  Speaker 1: able to make a cool weapon out of whatever it
• 31:38
  Speaker 1: is their body is made out of, and so that's
• 31:41
  Speaker 1: kind of a different thing. This sword, I feel, is
• 31:44
  Speaker 1: maybe something that anybody could use. If he were to
• 31:46
  Speaker 1: drop this and somebody else picks it up, assuming that
• 31:49
  Speaker 1: they are like the right size to actually be able
• 31:51
  Speaker 1: to wield it, could make it work potentially. I don't
• 31:54
  Speaker 1: think this has anything to do with his devil fruit,
• 31:56
  Speaker 1: and that's I think what's sort of interesting about it
• 31:59
  Speaker 1: is that you don't need any special powers for this,
• 32:02
  Speaker 1: whereas a lot of the other stuff that I have seen,
• 32:05
  Speaker 1: you aren't going to be able to, Like, nobody's gonna
• 32:10
  Speaker 1: steal this from you and pawn it and some other
• 32:13
  Speaker 1: nobody buy it. You have it until you die and
• 32:17
  Speaker 1: they get your devil fruit away from you. But this,
• 32:21
  Speaker 1: I would be interested in knowing who made this, does
• 32:25
  Speaker 1: he do other work, what else is he up to,
• 32:27
  Speaker 1: just out of curiosity. That's something I think could potentially
• 32:31
  Speaker 1: be useful, even for somebody like Oosop who is the gadgetskuy.
• 32:38
  Speaker 1: You could also say Frankie, but Frankie is just so
• 32:41
  Speaker 1: much more intensely like robot stuff, and I feel like
• 32:46
  Speaker 1: maybe you Stup and Frankie together could do something cool.
• 32:49
  Speaker 1: But anyway, I just I don't often get impressed by
• 32:54
  Speaker 1: I'll be impressed by like a devil fruit power and
• 32:56
  Speaker 1: I'll be like, oh, that's a really freaky one. I
• 32:58
  Speaker 1: had that just recently with Hawkins. But this is just
• 33:01
  Speaker 1: such a separate thing, and I don't feel like weapons
• 33:03
  Speaker 1: really get my attention very often. It'll usually just be
• 33:08
  Speaker 1: it's just a sword, but it's a real big one.
• 33:11
  Speaker 1: It's just a trident, but it's a really huge trident.
• 33:14
  Speaker 1: You know. It'll just be something that's like oversized, or
• 33:18
  Speaker 1: it's electrical or something about it is like a little different.
• 33:21
  Speaker 1: But this is a specific the way that it separates
• 33:26
  Speaker 1: into pieces and how long it gets it's not like
• 33:28
  Speaker 1: a oh it's a sword with like some lynks, and
• 33:31
  Speaker 1: it becomes like instead of a three foot long sword,
• 33:34
  Speaker 1: it becomes four or five feet, it becomes like twelve feet.
• 33:39
  Speaker 1: So anyway, suffice to say, he is starting this shit
• 33:46
  Speaker 1: thinking that he really is gonna do something. And Loofy
• 33:51
  Speaker 1: meanwhile has Tama at this point, and he is taking
• 33:54
  Speaker 1: off and this is when he stops and he wheels
• 33:58
  Speaker 1: around and is just like, I need to deal with
• 34:01
  Speaker 1: this guy, and he is able to knock hold him out.
• 34:09
  Speaker 1: Like it's basically the vibe is I am I was
• 34:16
  Speaker 1: about to just leave, and I was about to count
• 34:21
  Speaker 1: the fact that I had Otama as a win. But
• 34:24
  Speaker 1: you had to go and hurt her in this very
• 34:26
  Speaker 1: specific way, and so now I must actually deal with you,
• 34:32
  Speaker 1: and I could have just left it. And when he
• 34:35
  Speaker 1: punches hold him this, this dude's whole face caves in
• 34:39
  Speaker 1: on one side and he goes flying. He goes flying,
• 34:44
  Speaker 1: and it really does create a like crater as he
• 34:51
  Speaker 1: plows through part of the town. And it's impressive. I
• 34:58
  Speaker 1: don't think that like there have been many times there,
• 35:04
  Speaker 1: not that there haven't been any, but there it's been
• 35:07
  Speaker 1: like a lot less usual that the place we are
• 35:10
  Speaker 1: fighting with whatever pirate group were fighting is where that
• 35:16
  Speaker 1: pirate group also lives, like dress Rosa was. You know,
• 35:20
  Speaker 1: we've had it happen, but it usually tends to be
• 35:24
  Speaker 1: we're encountering pirates who have taken over a place that
• 35:28
  Speaker 1: other people live, or we're just in a place at
• 35:32
  Speaker 1: the same time that's been like already ransacked and abandoned,
• 35:38
  Speaker 1: and a lot of his own pirate people are just like,
• 35:41
  Speaker 1: well damn because they fully expect, of course Lufy to
• 35:45
  Speaker 1: get taken out. Now in the midst of all of this,
• 35:50
  Speaker 1: Ukiku gets uh gets gripped up as well, and guys,
• 35:58
  Speaker 1: this is so funny to me because she is being
• 36:01
  Speaker 1: held by this dude who's got purplish purplish like blue hair.
• 36:06
  Speaker 1: It's like a periwinkle, I want to say, and he
• 36:11
  Speaker 1: she doesn't like fight back at all against him. And
• 36:15
  Speaker 1: I was watching her just like, what exactly are you doing?
• 36:18
  Speaker 1: We know that you can fight, and I want you
• 36:22
  Speaker 1: to just step up here. And it was a weird
• 36:24
  Speaker 1: moment to me. And eventually Zoro is like looking at
• 36:31
  Speaker 1: her being held hostage and literally just goes, oh, yeah,
• 36:36
  Speaker 1: I'm not helping you. I could not stop laughing because
• 36:41
  Speaker 1: he's she just keeps wanting to pretend that she doesn't
• 36:47
  Speaker 1: know how to fight, and she keeps wanting to pretend
• 36:50
  Speaker 1: that she didn't totally show her hand already, that she
• 36:53
  Speaker 1: knows how to fight. We know, girl, what are you
• 36:57
  Speaker 1: fucking trying to hide it for anymore? It's over her?
• 37:01
  Speaker 1: Will you please realize that everybody can see? And later
• 37:06
  Speaker 1: it's like when they're when they're together again, and she's
• 37:10
  Speaker 1: like accompanying them back. I think Zorro is the one
• 37:16
  Speaker 1: who's just like, well, what are you doing here? And
• 37:19
  Speaker 1: she's like, oh, I won't be any trouble, and Lufy
• 37:21
  Speaker 1: says something like no, it's fine, and she's really strong,
• 37:25
  Speaker 1: and she seems very gratified that he says that. But
• 37:30
  Speaker 1: you don't want to show what you can do, but
• 37:34
  Speaker 1: you also want to be seen as really a strong girl.
• 37:36
  Speaker 1: You need to pick a struggle here, And Zorro says,
• 37:41
  Speaker 1: I think she's hiding something, and she looks so panicked.
• 37:45
  Speaker 1: I mean, Loofy and Zorro know that you're a samurai.
• 37:51
  Speaker 1: You told them that. I don't know what. Additionally, it
• 37:53
  Speaker 1: is that she's hiding if she's on the run for
• 37:55
  Speaker 1: a very specific reason, if she's just like decided that
• 37:59
  Speaker 1: it's her job to protect this village that she has
• 38:03
  Speaker 1: been living in, and there was some like personal stake
• 38:06
  Speaker 1: in that. But I just have a hard time at
• 38:10
  Speaker 1: this point with the fact that she hasn't told them
• 38:13
  Speaker 1: the whole story, because I don't see why these particular
• 38:18
  Speaker 1: dudes who are helping so much don't get the full story.
• 38:22
  Speaker 1: I think they've earned it. I think they deserve it.
• 38:24
  Speaker 1: And I don't like, if you've already told them you'r
• 38:28
  Speaker 1: samurai and kind of blown up your own spot in
• 38:31
  Speaker 1: that way, I feel like that's just most of it
• 38:38
  Speaker 1: is gone. Do the rest of it, tell them the
• 38:40
  Speaker 1: rest of it. So anyway, suffice to say that he
• 38:45
  Speaker 1: says that he won't help her and she has to
• 38:48
  Speaker 1: manage for herself, which she does indeed do, and it's
• 38:54
  Speaker 1: gratifying because it's like so easy. She helbows him in
• 39:00
  Speaker 1: the gut, and that just makes him entirely let go,
• 39:03
  Speaker 1: because I guess he just never expected her to fight
• 39:05
  Speaker 1: back at all. And then one swipe kids one swipe
• 39:11
  Speaker 1: of the sword, and that man is down, and she
• 39:16
  Speaker 1: says to Zorro, what now, and he says, take care
• 39:19
  Speaker 1: of your side. So also in the mix, I should
• 39:23
  Speaker 1: mention we have our lion dog friend who is still,
• 39:29
  Speaker 1: you know, loyally having their backs. This is when Speed
• 39:37
  Speaker 1: fires all of her arrows and has her archers around
• 39:41
  Speaker 1: as well, because she wants to defend the food supply
• 39:43
  Speaker 1: that they are coming for. Now, when Lufy and Otama
• 39:50
  Speaker 1: are escaping, they're looking for a horse, and Speed has
• 39:55
  Speaker 1: her back to them, and so Lufi is just like, oh,
• 39:58
  Speaker 1: perfect horse and jumps on her back as Zoro jumps
• 40:06
  Speaker 1: onto that weird cart. The cart that's full of food
• 40:10
  Speaker 1: looks like a ship, but it's got wheels, and honestly,
• 40:15
  Speaker 1: it's really dope. I went to see in the theater
• 40:20
  Speaker 1: this weekend. I went to see The Fifth Element. They
• 40:22
  Speaker 1: were having like a retrospective because it was like the
• 40:25
  Speaker 1: fiftieth anniversary of its coming out or something, not the fiftieth,
• 40:28
  Speaker 1: it was like the twentieth. But you know what I'm saying.
• 40:30
  Speaker 1: And there's a point in that movie where he is
• 40:34
  Speaker 1: having lunch off of what looks like I think they're
• 40:39
  Speaker 1: called junks the Japanese. Like it's like too big to
• 40:47
  Speaker 1: be a canoe or a robot, but they're small boats,
• 40:50
  Speaker 1: and they it floats in mid air because all of
• 40:54
  Speaker 1: the cars fly and everything, And it's just a really
• 40:58
  Speaker 1: cool design choice to have it be in the midst
• 41:01
  Speaker 1: of all of these hypermodern vehicles, but it still be
• 41:04
  Speaker 1: a design that it's like ancient at that point. And
• 41:09
  Speaker 1: the fact that this cart is designed similarly where it's
• 41:15
  Speaker 1: looks like an actual pirate ship itself, but it's just
• 41:19
  Speaker 1: got the giant wheels. I can't imagine this made it
• 41:23
  Speaker 1: easier to make, but I really think it's cool. I
• 41:28
  Speaker 1: feel like maybe this is just for the sake of
• 41:31
  Speaker 1: it being recognizable as like this is important, and it's
• 41:35
  Speaker 1: therefore really beautiful, piled high with all kinds of food,
• 41:40
  Speaker 1: and there is even like a sale in the middle
• 41:43
  Speaker 1: of it. From what it looks like, it might be
• 41:45
  Speaker 1: that it doesn't operate as a sale, but it doesn't.
• 41:50
  Speaker 1: I don't know if speed was the one pulling it before,
• 41:54
  Speaker 1: otherwise maybe it was just people who were pulling it.
• 41:57
  Speaker 1: Maybe the sale operates as something that helps it to move,
• 42:00
  Speaker 1: just the way a boat on water would move. Anyway,
• 42:07
  Speaker 1: Zoro and not Ukiko, is that our name? Yeah, they
• 42:15
  Speaker 1: take this and they head back to the little village
• 42:19
  Speaker 1: leftovers and bring these people all of this fresh food,
• 42:24
  Speaker 1: and the folks are actually able to eat until they're full,
• 42:28
  Speaker 1: for like for some of them the first time in memory,
• 42:31
  Speaker 1: for like the children and stuff, and it is a
• 42:35
  Speaker 1: really it's like very sweet but also very sad. You guys,
• 42:39
  Speaker 1: I just really need to reiterate that there are people
• 42:42
  Speaker 1: out there in the world, in our real world, who
• 42:46
  Speaker 1: could do this for similarly destitute areas, and they have
• 42:52
  Speaker 1: all the resources to do it, and it would really
• 42:54
  Speaker 1: not even like make a dent, and they don't. And
• 43:00
  Speaker 1: I think if that is not something that you just
• 43:03
  Speaker 1: do constantly when you have the resources, there's something wrong
• 43:08
  Speaker 1: with you. I think you are broken. Something's wrong with you.
• 43:12
  Speaker 1: All I would do if I had the kind of
• 43:16
  Speaker 1: money these people have would be given away. I would
• 43:21
  Speaker 1: just be constantly finding ways to give it away and
• 43:25
  Speaker 1: help people, which is why I'm not rich to begin with.
• 43:29
  Speaker 1: You don't amass that kind of wealth without being willing
• 43:31
  Speaker 1: to fuck over everybody but yourself. That's just how it works.
• 43:36
  Speaker 1: I just I really want to underscore it, though, because
• 43:41
  Speaker 1: I think that it can be so easy when things
• 43:44
  Speaker 1: are in a cartoon and the dialogue is so cartoonishly
• 43:49
  Speaker 1: villainous to forget that there are literally people out there
• 43:53
  Speaker 1: who have everything and they are sitting right next to
• 43:57
  Speaker 1: somebody whose child is and they do nothing, and they
• 44:03
  Speaker 1: don't feel anything about it, and they just go on
• 44:07
  Speaker 1: living their own lives with no concern at all. And
• 44:10
  Speaker 1: I feel like it can be very easy to lose
• 44:12
  Speaker 1: sight of how this feels like a heightened situation in
• 44:16
  Speaker 1: this cartoon. But this is literally exactly what it is
• 44:20
  Speaker 1: out there right now. And we have like one of
• 44:23
  Speaker 1: the biggest discrepancies in wealth between the upper and lower
• 44:28
  Speaker 1: classes in history, in history, guys, it's like worse than
• 44:36
  Speaker 1: than during like the French Revolution. They started beheading people.
• 44:40
  Speaker 1: We should we should be doing that. We should be
• 44:42
  Speaker 1: beheading people. I don't know, we'll figure it out way
• 44:44
  Speaker 1: gotta but anyway, I just I think that there's just
• 44:50
  Speaker 1: a fundamental responsibility if you are a human being to
• 44:55
  Speaker 1: care about other human beings, if you have the resources
• 44:58
  Speaker 1: to share. I just that's fucking you know. People can
• 45:02
  Speaker 1: say all they want they earned that, No they didn't.
• 45:04
  Speaker 1: They did not earn that. They stole that from other
• 45:07
  Speaker 1: people who should have been earning that. And the fact
• 45:12
  Speaker 1: that they steal this big supply of food and feed
• 45:15
  Speaker 1: all these people is great, don't get me wrong, But
• 45:18
  Speaker 1: all I could think was, and now what that's the one?
• 45:24
  Speaker 1: Like they were able to take this batch of food?
• 45:27
  Speaker 1: But what about tomorrow? What about next week? We need
• 45:34
  Speaker 1: to find a long term solution. One big donation doesn't
• 45:39
  Speaker 1: change their everyday living situation. And this is not me
• 45:46
  Speaker 1: faulting Lufying company, to be clear. This is me just
• 45:49
  Speaker 1: being like, obviously, we've got to get a bigger plan underway.
• 45:58
  Speaker 1: So anyway, I'm jumping around a little bit here, but
• 46:01
  Speaker 1: I think it's fine. So this is the point where
• 46:05
  Speaker 1: Lufy is escaping and he has Otama with him and
• 46:12
  Speaker 1: jumps on the back of speed and you guys, remember
• 46:17
  Speaker 1: that I was really kind of like, what exactly is
• 46:21
  Speaker 1: the deal with Otama's power? That it seems like we've
• 46:26
  Speaker 1: got to keep it secret or they are going to
• 46:29
  Speaker 1: want to take it away from her because it appears
• 46:33
  Speaker 1: that all she can do is just like pull a
• 46:36
  Speaker 1: sort of dumpling out of her cheek, And I mean,
• 46:41
  Speaker 1: it doesn't feel like it's that useful. But then, oh
• 46:48
  Speaker 1: you know what, I just realized. She calls it a
• 46:50
  Speaker 1: kibi dongo. Hold on, I'm going to look and see
• 46:55
  Speaker 1: a millet dumpling, a Japanese dumpling made from the meal
• 47:01
  Speaker 1: or flower of the keeby grain millet grain, uh okay.
• 47:10
  Speaker 1: And in the picture that I'm looking at, these are
• 47:14
  Speaker 1: like very similar looking to a mochi ball. They're also
• 47:24
  Speaker 1: look to be like coated in starch to keep them
• 47:27
  Speaker 1: from sticking together. God, there's so much food that I
• 47:31
  Speaker 1: want to try, and I just need to go somewhere.
• 47:36
  Speaker 1: I had that cool thing where I was able to
• 47:38
  Speaker 1: actually try mochi for the first time, that one piece
• 47:42
  Speaker 1: event that I went to, which was super cool. But
• 47:44
  Speaker 1: there's obviously a whole lot of other food that I
• 47:47
  Speaker 1: have not yet gotten a chance. And I need to
• 47:51
  Speaker 1: figure this out because this is like, it looks really plain,
• 47:55
  Speaker 1: and I'm sure that they've got flavorings and whatnot, but
• 47:58
  Speaker 1: it doesn't seem like flavoring is usually added. It seems
• 48:03
  Speaker 1: like it's pretty plain most of the time, and it's
• 48:09
  Speaker 1: let's see uh oh. But they're calling it a dessert,
• 48:14
  Speaker 1: so perhaps this is sort of occupying the same place
• 48:18
  Speaker 1: as a mochi somehow, but it's definitely being treated like
• 48:26
  Speaker 1: it's a confection is the word that I'm seeing interesting anyway,
• 48:37
  Speaker 1: she feeds this to Speed like the Speed at first
• 48:41
  Speaker 1: doesn't want it, but there's something about it that eventually
• 48:43
  Speaker 1: seems to get under her skin, and she eats it
• 48:46
  Speaker 1: after all, And after she eats it, it's like she
• 48:50
  Speaker 1: will do anything that Otama says. So it seems like, oh, Toma.
• 48:58
  Speaker 1: I thought it was just like I make friends with
• 49:00
  Speaker 1: animals by feeding them this thing, and then they like
• 49:02
  Speaker 1: me because I gave them a treat. But it seems
• 49:05
  Speaker 1: like the treats make it so that people will just
• 49:10
  Speaker 1: do what I want them to do. Maybe not people.
• 49:13
  Speaker 1: Maybe it really does tend to work more on animals,
• 49:16
  Speaker 1: but because Speed is half animal, I can see that
• 49:19
  Speaker 1: it might work on her in that case too, But
• 49:23
  Speaker 1: she is a person like so I don't know what
• 49:27
  Speaker 1: the threshold is for who this works on versus who
• 49:30
  Speaker 1: it doesn't. But obviously her power is not just producing
• 49:36
  Speaker 1: these things. Her power is what these things do to
• 49:39
  Speaker 1: whomever eats them. And considering the what's the word I
• 49:47
  Speaker 1: want here, hijacking people's free will is a really questionable
• 49:52
  Speaker 1: thing to be doing in the first place. I'm barely
• 49:57
  Speaker 1: cool with Otama having this power like she has only
• 50:01
  Speaker 1: used it on animals. I think that I hope that's
• 50:05
  Speaker 1: how it would remain, were circumstances not what they are.
• 50:12
  Speaker 1: I don't want to know if this works on people,
• 50:15
  Speaker 1: and I certainly don't want the kind of folks we
• 50:18
  Speaker 1: have here finding out about it, because as we know,
• 50:23
  Speaker 1: you can just like kill somebody and then a devil
• 50:26
  Speaker 1: fruit will manifest and you will be able to take
• 50:29
  Speaker 1: that power away. I don't remember exactly how the devil
• 50:31
  Speaker 1: fruit shows up, because somehow we had what's his face
• 50:38
  Speaker 1: get a hold of the flame flame fruit right after
• 50:41
  Speaker 1: Ace died, and I don't know exactly how he came
• 50:45
  Speaker 1: across it or figured out where it was. Sorry, Bernard
• 50:53
  Speaker 1: Hit says yes to things in the US being oversweet.
• 50:55
  Speaker 1: Saraphim says, yeah, you misunderstood what she said. It was
• 50:58
  Speaker 1: feeding it the dumpling the made the baboon obey her
• 51:02
  Speaker 1: due to it's part. Sorry, there's a made the baboon
• 51:07
  Speaker 1: obey her, not just feeding it, and Saraphim says, yes,
• 51:10
  Speaker 1: it's only supposed to work on animals. Working on smiles
• 51:13
  Speaker 1: is an oddity, okay. I this winds up being at
• 51:21
  Speaker 1: the very least for now, extremely convenient because we need
• 51:27
  Speaker 1: speed to help us out. And every time Lufy tries
• 51:31
  Speaker 1: to tell her to do anything, she does not want
• 51:34
  Speaker 1: to play along. But then Otama will chime in and
• 51:39
  Speaker 1: repeat what he says, and she's like, oh, of course,
• 51:42
  Speaker 1: whatever you say. And I wonder how long it lasts,
• 51:48
  Speaker 1: if it ever wears off, or how all the specifics
• 51:53
  Speaker 1: of this work. So meanwhile in town we have the
• 52:02
  Speaker 1: confrontation between Hawkins and Law. It's very funny because Law
• 52:09
  Speaker 1: has this basket over his head, which there's something about
• 52:12
  Speaker 1: this that is ringing a bell. I feel like there
• 52:14
  Speaker 1: is maybe a I don't know, there's something about this
• 52:20
  Speaker 1: imagery that looks familiar to me. And he's evidently like
• 52:27
  Speaker 1: trying to protect his identity, but he still is immediately
• 52:33
  Speaker 1: detected by Hawkins. It's it just doesn't seem like it
• 52:40
  Speaker 1: was really worth it. He figured out who you were
• 52:42
  Speaker 1: almost immediately anyway, like he could see. But then Law
• 52:47
  Speaker 1: uses the room power and I couldn't help but laugh
• 52:51
  Speaker 1: because like, that's such a specific thing. I have to
• 52:55
  Speaker 1: assume a lot of the time people have to say
• 53:00
  Speaker 1: the power out loud in order to use it. Right,
• 53:04
  Speaker 1: this is not something that just like I I'm thinking about,
• 53:10
  Speaker 1: I'm comparing this to like mentally, the way in Harry
• 53:17
  Speaker 1: Potter that you can learn how to use spells by
• 53:19
  Speaker 1: saying the words and waving the wand but there is
• 53:23
  Speaker 1: a much more difficult means by which you don't say
• 53:28
  Speaker 1: the words out loud, and you think them hard enough
• 53:31
  Speaker 1: and clearly enough that the thing happens anyway as if
• 53:35
  Speaker 1: you said it out loud. And so I'm just wondering
• 53:38
  Speaker 1: if that's even an option, because I think that would
• 53:41
  Speaker 1: be very handy if he figured out how to cast
• 53:46
  Speaker 1: that way, maybe you wouldn't get detected immediately by Hawkins,
• 53:53
  Speaker 1: and that probably could be useful in a number of
• 53:56
  Speaker 1: situations if you are trying to protect your identity. But
• 54:01
  Speaker 1: you know that's none of my business. So the a
• 54:06
  Speaker 1: clash between the two of them is evidently Law did
• 54:14
  Speaker 1: not realize that Hawkins has the power that he does,
• 54:19
  Speaker 1: which surprises me. I guess I expected that the head
• 54:24
  Speaker 1: Haunchos in the mix would have been sized up by
• 54:29
  Speaker 1: Law at this point, you've been on this island for
• 54:33
  Speaker 1: quite a while. I guess he's just been in hiding
• 54:36
  Speaker 1: so completely. But even so, you've had your guys out
• 54:39
  Speaker 1: here like canvassing the place. I was a little disappointed
• 54:43
  Speaker 1: in him at the fact that it seemed like he
• 54:45
  Speaker 1: just wasn't prepared at all, Like, I don't know, it
• 54:51
  Speaker 1: just seemed like you really should have been more on this.
• 54:54
  Speaker 1: And I the the way that he is like discovering
• 55:03
  Speaker 1: how this all works in the midst of it. I
• 55:05
  Speaker 1: think what just sort of slowed it all down for
• 55:08
  Speaker 1: me is the fact that he's just catching up to
• 55:11
  Speaker 1: something that we've already seen, and so it's a little
• 55:16
  Speaker 1: bit less interesting by that metric as well, that like
• 55:19
  Speaker 1: you know, and eventually he uses his weird straw power
• 55:23
  Speaker 1: to just shove the basket off of Law's head. And
• 55:28
  Speaker 1: I couldn't help but cackle because I was sort of
• 55:31
  Speaker 1: expecting Law to just be like bare headed under there,
• 55:33
  Speaker 1: but he's wearing that giant fucking hat under that straw hat.
• 55:37
  Speaker 1: The basket and the idea of like both of those,
• 55:43
  Speaker 1: I mean, it's just a lot so the the like
• 55:51
  Speaker 1: Hawkins has all of his men coming up on Law
• 55:55
  Speaker 1: and sneaking up on him from behind, leaping through the air,
• 56:00
  Speaker 1: and Laud turns around and says amputation and slices them
• 56:06
  Speaker 1: all in half and then just gestures and the like
• 56:12
  Speaker 1: halves of these guys just get flung all over the place.
• 56:18
  Speaker 1: There's a video that Bernadette shared in the discord, and
• 56:23
  Speaker 1: it's like, what if one of the pirates who fought
• 56:26
  Speaker 1: Law had to like talk to the cops afterwards and
• 56:29
  Speaker 1: try to explain what happened. And one of the things
• 56:32
  Speaker 1: he says is like, the top half of me was
• 56:37
  Speaker 1: still fighting, but the bottom third of me was back
• 56:40
  Speaker 1: on the ship. And if he like swings his sword
• 56:45
  Speaker 1: and he missed you, no he didn't. And that's these
• 56:49
  Speaker 1: guys are just not prepared to be fighting with somebody
• 56:51
  Speaker 1: of his caliber. Hawkins also looks startled at what Law
• 56:56
  Speaker 1: can do, which again very much surprised me. He's familiar
• 57:00
  Speaker 1: enough to know when he says Room what that does,
• 57:04
  Speaker 1: but doesn't seem to get really what it is that
• 57:10
  Speaker 1: he is capable of doing. And like what Hawkins says,
• 57:15
  Speaker 1: which I found kind of interesting. He says to Law,
• 57:20
  Speaker 1: you destroyed my proxies. But these guys aren't dead. They
• 57:27
  Speaker 1: are actually like on the ground kind of twitching and groaning.
• 57:31
  Speaker 1: They're clearly still alive, but they're not dead. And I
• 57:37
  Speaker 1: just think it's surprising. The proxies don't work if they're
• 57:42
  Speaker 1: in pieces, but they don't have to be dead in
• 57:45
  Speaker 1: order for them to not work anymore. Really unless no, no,
• 57:55
  Speaker 1: I don't think so, because like law even, I was
• 57:57
  Speaker 1: about to say, unless they're going to die, but Low
• 57:59
  Speaker 1: specific says I'm a doctor, not a killer, so they're
• 58:03
  Speaker 1: not going to die. I think that basically, he's just
• 58:08
  Speaker 1: made it so that, yeah, you know, I just can
• 58:10
  Speaker 1: like put yourselves back together. It's going to be a
• 58:13
  Speaker 1: massive pain in the ass. The top halves of you
• 58:15
  Speaker 1: I threw off the side of a cliff, so it
• 58:18
  Speaker 1: will really be a piece of work for you to
• 58:21
  Speaker 1: put yourselves back together again. But it's possible. I haven't
• 58:25
  Speaker 1: killed you. I've just really really disabled you. But yeah,
• 58:32
  Speaker 1: this is like I thought that once he says my
• 58:37
  Speaker 1: proxies have been destroyed, that we were about to, you know,
• 58:41
  Speaker 1: really have more of a showdown. Instead we have the
• 58:46
  Speaker 1: transponder snail that I think is in laws right, it's
• 58:54
  Speaker 1: in his jacket, not in Hawkins. But they get news
• 58:57
  Speaker 1: about hold them get defeated. And this is when he says,
• 59:03
  Speaker 1: and Jack knows he's really screwing things up, and it
• 59:09
  Speaker 1: turns out that the guy who's actually in charge on
• 59:12
  Speaker 1: this island is Jack the Drought, who we encountered way
• 59:18
  Speaker 1: back and got his ass whooped by the elephant that
• 59:25
  Speaker 1: all of the minks live on its back. I had
• 59:31
  Speaker 1: forgotten that his name is Jack the Drought. It is
• 59:34
  Speaker 1: such an odd name. I'm like, I don't even dislike it.
• 59:40
  Speaker 1: It is just it's just a little strange, you know.
• 59:45
  Speaker 1: And I remember this guy being really irritating. So now
• 59:50
  Speaker 1: I'm just sort of like, oh boy, do I want
• 59:52
  Speaker 1: to see this guy again? What is this about to be? Like,
• 59:56
  Speaker 1: I feel like it was not just I wanted him
• 59:59
  Speaker 1: defeated because because I wanted him defeated, I remember that
• 1:00:02
  Speaker 1: he was attacking the elephant, and that itself is going
• 1:00:06
  Speaker 1: to be something that I am not going to hold
• 1:00:08
  Speaker 1: with so obviously, but I think there was also the
• 1:00:12
  Speaker 1: aspect of like something about his personality or maybe the
• 1:00:17
  Speaker 1: voice that they gave him or something that I was
• 1:00:21
  Speaker 1: very relieved to see the back of this guy once
• 1:00:24
  Speaker 1: he was finally defeated, And so I don't remember exactly
• 1:00:28
  Speaker 1: what it is, but I once I realized that he
• 1:00:30
  Speaker 1: was in the mix again, I was just like, oh no,
• 1:00:35
  Speaker 1: So I'm trying to make sure that I've like hit
• 1:00:41
  Speaker 1: everything with the two of them, and yeah, because then
• 1:00:46
  Speaker 1: Zoro passes and Law is able to jump onto that
• 1:00:51
  Speaker 1: food cart and accompany them back to that village and
• 1:00:55
  Speaker 1: just basically like yells at them on the way back
• 1:00:59
  Speaker 1: for not keeping things on the DL like they were
• 1:01:03
  Speaker 1: supposed to, which I can't help but laugh at the
• 1:01:06
  Speaker 1: way that Zoro just is so unapologetic like he does
• 1:01:10
  Speaker 1: he technically apologizes, He's like, yeah, sorry about that, but
• 1:01:13
  Speaker 1: it's he doesn't care. It's not obviously, it just does
• 1:01:18
  Speaker 1: not really bother him. And I found that shit very
• 1:01:22
  Speaker 1: funny because Zoro, I'm not gonna pretend that Zorro. Look,
• 1:01:29
  Speaker 1: I think that we all have, including myself, a tendency
• 1:01:33
  Speaker 1: to really be like the one that doesn't care about
• 1:01:35
  Speaker 1: plans is loofy, And that's true. And Zoro can follow
• 1:01:42
  Speaker 1: a plan if we have really established things. I'm not
• 1:01:46
  Speaker 1: saying he's not capable of it, but I am saying
• 1:01:50
  Speaker 1: Zoro only really cares about plans like a little bit
• 1:01:55
  Speaker 1: more than Lufy cares. It's he is often very willing
• 1:02:04
  Speaker 1: to throw shit to the wayside if he is about
• 1:02:06
  Speaker 1: to get into a fight and feels like it's justified,
• 1:02:10
  Speaker 1: or alternatively, he also just gets lost a lot faster
• 1:02:15
  Speaker 1: and easier, and thus everything goes to shit anyway because
• 1:02:20
  Speaker 1: he isn't where he is supposed to be, which is
• 1:02:22
  Speaker 1: not necessarily him not caring, but I could make an
• 1:02:27
  Speaker 1: argument for him being almost as unreliable as Loofy when
• 1:02:30
  Speaker 1: it comes to a plan. If he is left to
• 1:02:32
  Speaker 1: his own devices and meant to get somewhere on his
• 1:02:35
  Speaker 1: own recognizance, he's not always able to actually do that,
• 1:02:40
  Speaker 1: you know, Like I love you, Zoro, but you can
• 1:02:48
  Speaker 1: be difficult to work with. That's all I'm saying. So
• 1:02:54
  Speaker 1: let's see. I'm just making sure that I haven't missed
• 1:02:57
  Speaker 1: anything else. All of these different we have, like the
• 1:03:00
  Speaker 1: the fucking dudes showing up to confront them. I forgot
• 1:03:04
  Speaker 1: about this. We've got Batman and now we've got rabbit
• 1:03:08
  Speaker 1: Man and snake Man, which I don't know if we
• 1:03:12
  Speaker 1: knew about these guys before. Uh, the rabbit Man and
• 1:03:18
  Speaker 1: the Snake Man. I feel like these are new, right,
• 1:03:22
  Speaker 1: but they essentially are just like, just because you took
• 1:03:27
  Speaker 1: it doesn't mean that you get to keep it, which
• 1:03:30
  Speaker 1: of course it does, because we're gonna eat it, and
• 1:03:33
  Speaker 1: now what are you gonna do to get it back?
• 1:03:35
  Speaker 1: What are you gonna what are you gonna do? Who
• 1:03:37
  Speaker 1: gonna check me? Boo? Is the question these guys and
• 1:03:42
  Speaker 1: their abilities. I mean, these are all smile fruits as well, right,
• 1:03:47
  Speaker 1: Are all the smile fruits like animal based? Is that
• 1:03:52
  Speaker 1: how all of them work? Because we've got a lot
• 1:03:55
  Speaker 1: of stuff in the real devil fruits that are material spaced.
• 1:04:01
  Speaker 1: You know a guy who can like suck water out
• 1:04:04
  Speaker 1: of things and is made of sand. We've got a
• 1:04:05
  Speaker 1: guy who's made out of mochi. We've got a guy
• 1:04:07
  Speaker 1: who's made out of rubber. Are they all purely all animals?
• 1:04:12
  Speaker 1: Seraph Him says yes, Okay. Bernadette says the entire straw
• 1:04:16
  Speaker 1: hats are difficult to work with, as if Sonji or
• 1:04:18
  Speaker 1: Usop are one bit more reliable to not get into
• 1:04:21
  Speaker 1: Shenanigan's You make a compelling point, Bernardette, that's true. I
• 1:04:26
  Speaker 1: think with Usop, I am I set that to the
• 1:04:30
  Speaker 1: side because Usup is not often a pure fighter the
• 1:04:34
  Speaker 1: way that Zorro is. So I think Zoro gets thought
• 1:04:37
  Speaker 1: of as more reliable because of what a badass he is.
• 1:04:41
  Speaker 1: But when people think of Sonjy. He is a good fighter,
• 1:04:44
  Speaker 1: but none of us think of that first, Dewey, that's
• 1:04:46
  Speaker 1: not our first thought. Our first thought is the heart, eyes,
• 1:04:49
  Speaker 1: bloody nose, Sanji, that's our first thought. So I think
• 1:04:53
  Speaker 1: that our first thought about Zoro is that he is
• 1:04:57
  Speaker 1: a swordsman. But really our first thought about Zoro should
• 1:05:01
  Speaker 1: be he's a crank. That should be the first thought,
• 1:05:07
  Speaker 1: and a crank gonna do what he feels like, Bernadette says,
• 1:05:14
  Speaker 1: as far as we know, and that's why the Kaito's
• 1:05:16
  Speaker 1: pirate crew is called the Beast Pirates. Oh that's right, yeah, yeah, right, right,
• 1:05:20
  Speaker 1: right right. I forgot about that. So anyway, they are
• 1:05:27
  Speaker 1: able to all eat the food because Loufy steals this
• 1:05:32
  Speaker 1: huge tub of fresh water that is supposed to be
• 1:05:35
  Speaker 1: part of like the the what do you call it?
• 1:05:40
  Speaker 1: I'm trying. I keep wanting to say sacrifice, but that's not.
• 1:05:43
  Speaker 1: But it's part of the what the people who live
• 1:05:46
  Speaker 1: in the nicer part of town are going to be
• 1:05:49
  Speaker 1: giving the showgun. And I love that he just takes
• 1:05:52
  Speaker 1: this entire thing of water and just leaves and everybody's
• 1:05:56
  Speaker 1: just like, what are you doing? And he uses this
• 1:05:59
  Speaker 1: to crush those bad guys, and these people actually have
• 1:06:04
  Speaker 1: some good fresh water to drink, which is nice. And
• 1:06:10
  Speaker 1: this is the first time that Loufy sees Law, who
• 1:06:13
  Speaker 1: is of course going, you fucked everything up, you know
• 1:06:17
  Speaker 1: that right by doing this, and Louviy essentially, I think
• 1:06:21
  Speaker 1: he just says I had to, and you know what,
• 1:06:24
  Speaker 1: He's right, and Law, I understand that you had a
• 1:06:29
  Speaker 1: whole plan. And I think because we do hear about
• 1:06:34
  Speaker 1: like some places being robbed of food, I think that
• 1:06:36
  Speaker 1: that was Law's people. But I don't know if they
• 1:06:39
  Speaker 1: were giving it to any villagers or if they were
• 1:06:40
  Speaker 1: just taking it for themselves. If he wasn't trying to
• 1:06:44
  Speaker 1: help these people at all, I'm going to be judging
• 1:06:46
  Speaker 1: him for that, and I just want that known. We
• 1:06:48
  Speaker 1: don't have a lot of answers on this yet, but
• 1:06:50
  Speaker 1: I feel like he wasn't doing much and I find
• 1:06:55
  Speaker 1: that to be a little bit shitty. I don't love Law,
• 1:06:59
  Speaker 1: we know this, right. I don't dislike him, but he
• 1:07:02
  Speaker 1: is really I have my goal and that's all that
• 1:07:06
  Speaker 1: really matters. And I have a hard time with that because, like,
• 1:07:10
  Speaker 1: grow up, you're not the only person in the world.
• 1:07:13
  Speaker 1: You're not the main character Luviy's the main character stop it.
• 1:07:18
  Speaker 1: So anyway, they take the cart apart as well for
• 1:07:22
  Speaker 1: all of the building material, because they only get bullshit
• 1:07:26
  Speaker 1: that's been rotten or thrown away. And I forgot to
• 1:07:33
  Speaker 1: really mention that Otama like throughout these three episodes, keeps
• 1:07:36
  Speaker 1: looking at Lufy and thinking of Ace and how Lufy
• 1:07:39
  Speaker 1: is really embodying what Ace had said he would do,
• 1:07:42
  Speaker 1: and she is just feeling super affectionate toward him. And
• 1:07:47
  Speaker 1: there comes a point where she says something like you're
• 1:07:49
  Speaker 1: just like Ace, and he doesn't hear her and goes,
• 1:07:52
  Speaker 1: what did you say, and she's just like nothing, never mind.
• 1:07:55
  Speaker 1: But I really appreciate the fact that she's just comforted
• 1:08:02
  Speaker 1: by it, because I was worried that it would hurt
• 1:08:05
  Speaker 1: a little, and I'm sure it does also, but I
• 1:08:08
  Speaker 1: was almost worried that, like, you remind me of Ace,
• 1:08:11
  Speaker 1: and maybe you aren't going to do what you said
• 1:08:14
  Speaker 1: because he never came back. And instead it's you remind
• 1:08:19
  Speaker 1: me of Ace because he made sure we were fed
• 1:08:21
  Speaker 1: and cared about us. You know, I really appreciate that
• 1:08:25
  Speaker 1: that's how she's feeling about it. So this is when
• 1:08:32
  Speaker 1: they come up with their plan, like we have got
• 1:08:34
  Speaker 1: to go to Oden's Castle the name of the castle,
• 1:08:40
  Speaker 1: which is at the top of this mountain, and Lufy
• 1:08:43
  Speaker 1: is going to leave Zoro, and this is when Okiku
• 1:08:47
  Speaker 1: comes with them and Law says that up there is
• 1:08:51
  Speaker 1: going to be something that basically turns their worlds upside down.
• 1:08:55
  Speaker 1: And we get three I think it's three. We get
• 1:08:59
  Speaker 1: like an image of three stones that look like ponoglyphs
• 1:09:02
  Speaker 1: in a way, but they're not. There's not nearly as
• 1:09:04
  Speaker 1: much writing on them, and we just get to see
• 1:09:07
  Speaker 1: those as like a preview of what it is, but
• 1:09:09
  Speaker 1: we aren't told what they are, so no idea, no
• 1:09:15
  Speaker 1: idea what that is. Ooh, Seraphim says, those are gravestones. Huh.
• 1:09:22
  Speaker 1: Florian says a quick question before we end. We see
• 1:09:25
  Speaker 1: Ace a little in these episodes via Toama. You were
• 1:09:28
  Speaker 1: surprised that we get a little bit more of Ace.
• 1:09:30
  Speaker 1: I was definitely, and honestly, it makes me even sadder
• 1:09:38
  Speaker 1: that Ace died, Like, of course I was bummed that
• 1:09:40
  Speaker 1: he died anyway, but he was out here trying to
• 1:09:43
  Speaker 1: do the good things that Lufi is trying to do,
• 1:09:45
  Speaker 1: and one less person in the world that's doing that
• 1:09:47
  Speaker 1: stuff is a real loss. And yeah, and like I said,
• 1:09:52
  Speaker 1: I really was glad that she was pleased by it
• 1:09:55
  Speaker 1: versus being like mistrustful because of it. In there's a
• 1:10:00
  Speaker 1: couple of ways that you could play somebody who's been
• 1:10:03
  Speaker 1: kind of abandoned after thinking they're going to see somebody again.
• 1:10:07
  Speaker 1: And obviously it's not his fault that he didn't come back,
• 1:10:10
  Speaker 1: but that doesn't always matter when somebody is writing this
• 1:10:13
  Speaker 1: sort of story beat. So all right, well I'm going
• 1:10:18
  Speaker 1: to wrap things up. I have no idea if they
• 1:10:21
  Speaker 1: are gravestones what that means either, so I have to
• 1:10:25
  Speaker 1: wait and see, but appreciate you all, and I believe
• 1:10:29
  Speaker 1: I have another episode tomorrow, so I will be following
• 1:10:32
  Speaker 1: this up quite shortly, and I'm excited until next time
• 1:10:40
  Speaker 1: to the lou motherfuckers. That was an Unspoiled Network podcast.