Latest / Stuff Mom Never Told You / Hollywood's Toxic Treatment of Women
Transcript
- 0:05Speaker 1: Hey, this is Annie and Samantha and welcome to Stephane
- 0:07Speaker 1: Never Told your production of iHeart Radio. Yes, and welcome
- 0:19Speaker 1: to today's episode. Annie. I'm gonna go ahead and start
- 0:22Speaker 1: off with a question. Are you ready? I hope so, yeah,
- 0:25Speaker 1: I hope you are too. Here we go. So, Annie,
- 0:28Speaker 1: you are in the world of acting, your nectar, and
- 0:32Speaker 1: so that makes me ask when you were growing up,
- 0:34Speaker 1: was it something that you wanted to do a and be?
- 0:38Speaker 1: If so, who, if you had any were some of
- 0:41Speaker 1: the actresses that you looked up to? Well, good question.
- 0:45Speaker 1: I have always wanted to act, but I also suffer
- 0:49Speaker 1: from uh, pretty strong anxiety, performance anxiety, and shyness. So
- 0:54Speaker 1: I was really bad at it. I'll just be honest
- 0:56Speaker 1: with me, Like every now and then, you if I
- 1:00Speaker 1: could get past those nerves, then it would be great.
- 1:03Speaker 1: But usually I'd be up there like four years old,
- 1:06Speaker 1: like like shaking, visibly shaking. And it was so it
- 1:10Speaker 1: was a strange thing that I dreaded and loved. And
- 1:14Speaker 1: I have some performance since I look back on and
- 1:16Speaker 1: they gave me great shame. They eat my cheeks with shame. Um.
- 1:21Speaker 1: I have auditions that I'm like, please, for the love
- 1:23Speaker 1: of everything. I hope this never gets out because it's terrible,
- 1:27Speaker 1: Like I have a panic attack in the middle of one,
- 1:29Speaker 1: Like I hurt myself during a performance once because my
- 1:33Speaker 1: character like fell asleep. She was supposed to fall asleep
- 1:36Speaker 1: in the middle and I just like slammed my head
- 1:38Speaker 1: on the table and it was supposed to be funny,
- 1:39Speaker 1: and I just remember everyone in the auditor I'm going,
- 1:41Speaker 1: oh no, we got awkward, and I had a huge
- 1:46Speaker 1: bruise on my face, like it was bad. Oh no.
- 1:50Speaker 1: So I have been doing it since I was probably
- 1:52Speaker 1: four um, and I like to think I've gotten better,
- 1:55Speaker 1: but it is still a source of nerves for me.
- 1:59Speaker 1: I was very mad tive and I liked coming up
- 2:01Speaker 1: with scenarios and I like pretending, So I think that
- 2:04Speaker 1: was part of it. And it's interesting for this topic
- 2:07Speaker 1: they were talking about today and for the conversation we
- 2:09Speaker 1: had with Eves recently. In her last People First, we
- 2:12Speaker 1: did UM, I didn't really the attention was not the
- 2:16Speaker 1: thing I wanted, right, So even like that is a
- 2:18Speaker 1: huge part of performance. I just wanted to like pretend
- 2:23Speaker 1: and act the like people looking at me part? No, right, yes,
- 2:29Speaker 1: but I did UM. Also interesting for this conversation. I
- 2:33Speaker 1: did look up to you a number of actresses, and
- 2:35Speaker 1: Nalie Portman was a big one. After Phantom Menace came out,
- 2:38Speaker 1: I was big. I was like, oh, I want to
- 2:40Speaker 1: be like her, only enough Scarlett Johansson. But I saw
- 2:45Speaker 1: her in the Hole of Three, which was a movie
- 2:47Speaker 1: I loved, and I will admit it, that's amazing to
- 2:52Speaker 1: say your actophobia. I'm not gonna lie. No. I did
- 2:55Speaker 1: watch that though, because David Arkutt was in it, and
- 2:57Speaker 1: I had a crush on David ar kid No, he
- 2:59Speaker 1: was an eight like it freaks. I'm mixing it up. No, no, no, no,
- 3:03Speaker 1: no no. Kate and Ashley Olson, that was they were
- 3:07Speaker 1: big for me, as you know. I was in their
- 3:08Speaker 1: fan club and I watched all their stuff. That's right, Yeah,
- 3:12Speaker 1: I think those were, I'm sure and forgetting other people,
- 3:17Speaker 1: but those, I think Natalie Apartment was my biggest and
- 3:20Speaker 1: in terms of like an actor that I was like, right, yes, right,
- 3:24Speaker 1: I love it. Well, you know, I was thinking about
- 3:27Speaker 1: all of this and I forgot until my niece, who
- 3:30Speaker 1: I just saw recently, who is in a senior in
- 3:33Speaker 1: high school and a part of drama, reminded me that
- 3:37Speaker 1: I am a part of the International Thespian Society, and
- 3:39Speaker 1: I was like, oh, yeah, I actually did qualify for that,
- 3:43Speaker 1: didn't I Because I was also in drama and I
- 3:45Speaker 1: really loved it. And when I tell you, I have
- 3:48Speaker 1: some really horrible moments as some really horrible moments, because
- 3:51Speaker 1: as you know, my work ethic needs to push sometimes.
- 3:55Speaker 1: I like to work on the edge, and I am
- 3:58Speaker 1: one of those that has to do with last minute
- 4:00Speaker 1: or it's not gonna be good and it's going to
- 4:02Speaker 1: be all over the place, which is funny because it's
- 4:04Speaker 1: already kind of all over the place, but it would
- 4:06Speaker 1: be way worse in way in advance. Um. And I
- 4:10Speaker 1: did that way with my auditions, and that did not
- 4:12Speaker 1: turn out so well because middle prizes not lines like
- 4:15Speaker 1: ten minutes of dialogue the night before almost impossible, almost impossible.
- 4:22Speaker 1: Let you have one of those identic memories, and I
- 4:24Speaker 1: do not. I do not. So I did do this
- 4:29Speaker 1: on stage. I actually thought I was going to be
- 4:30Speaker 1: an actor too. Of course, the reality of it was
- 4:34Speaker 1: I was a chubby Asian girl. There's no way in
- 4:36Speaker 1: hell I've not seen many chubby Asian girls in general,
- 4:38Speaker 1: unless they are kind of the caricature, um, stereotypical characters,
- 4:43Speaker 1: and I would never I didn't want that necessarily, although
- 4:46Speaker 1: I do enjoy being funny, so hoping like the only
- 4:50Speaker 1: way I want attention is about making people laugh and
- 4:52Speaker 1: then I run away and hope they're not laughing at me. Um.
- 4:56Speaker 1: But yeah, actually I was thinking about that. I was like, oh, yeah,
- 4:58Speaker 1: I actually know a little it about this world a
- 5:01Speaker 1: little bit. And I say this in the high school
- 5:04Speaker 1: level of a little bit, as you know my acting
- 5:07Speaker 1: these work. But why am I talking about all of this? Um?
- 5:12Speaker 1: When it comes to celebrities, we are fascinated, and y'all
- 5:14Speaker 1: I am fascinated. I will do a deep dive about
- 5:17Speaker 1: who is connected to whom and how they all know
- 5:20Speaker 1: each other. I love playing the third degrees to Kevin Bacon,
- 5:23Speaker 1: to Givin Bacon if I can, which I never really
- 5:26Speaker 1: relate to Kevin Bacon, but third degree, three degrees? What
- 5:30Speaker 1: is it? Six degrees of Kevin? Damn it, I can't
- 5:34Speaker 1: even get it right there? You want to be accurate,
- 5:40Speaker 1: you know what? He was on the Hot Ones the
- 5:42Speaker 1: other day and I was like, I am anyway, So
- 5:46Speaker 1: whether it's the projects they're in or about their personal lives.
- 5:50Speaker 1: We get invested, I really get invested, so much so
- 5:53Speaker 1: that it seems that their lives become public property. More
- 5:58Speaker 1: and more conversations have sparked with different controversial topics specific
- 6:02Speaker 1: to women and female celebrities, and for those whose careers
- 6:06Speaker 1: start at an early age even more so. So today
- 6:09Speaker 1: we wanted to look at what is happening with Hollywood,
- 6:12Speaker 1: especially when it comes to the young ladies. Um So
- 6:16Speaker 1: before we start, I feel like we need to do
- 6:19Speaker 1: some history right because this is what we do. And
- 6:21Speaker 1: I've talked a lot about the fact that I feel
- 6:23Speaker 1: like I'm lacking a little bit in my life when
- 6:25Speaker 1: it comes to hobbies and interests. I just kind of
- 6:27Speaker 1: gave up on a lot of things. But I realized
- 6:32Speaker 1: as we were researching this topic, there are so many realizations.
- 6:34Speaker 1: I was like, oh, yeah, but I was really into
- 6:37Speaker 1: old school Hollywood. Like I have a lot of trivia
- 6:40Speaker 1: knowledge as well as some interesting facts and and like
- 6:43Speaker 1: I've seen the most obscure old old movies which you're
- 6:46Speaker 1: gonna hear me reference and it's interesting. Um, but I'm
- 6:50Speaker 1: being like old school. I loved musicals and I know
- 6:53Speaker 1: I've talked about this with Eve's actually on here because
- 6:56Speaker 1: we both really like musicals, and we'll talk about hey
- 6:59Speaker 1: have you seen this? Which she gave me one and
- 7:01Speaker 1: in the move it's somewhere my stuff. I need to
- 7:04Speaker 1: find it. And I didn't watch it because it's supposed
- 7:05Speaker 1: to be a delight us. And yes, I mean loved
- 7:10Speaker 1: so much so that my mother would always say that
- 7:13Speaker 1: I should have been born in the forties, which I
- 7:15Speaker 1: always countered with the fact that my career self would
- 7:18Speaker 1: have never been welcomed in the US, much less in Hollywood,
- 7:21Speaker 1: So you know, there's that. But alas, I loved it,
- 7:24Speaker 1: loved it so much that I would watch documentaries about
- 7:27Speaker 1: different movie stars and movies. And also in my mind,
- 7:30Speaker 1: I just knew I could time travel to meet them,
- 7:32Speaker 1: like I had these fantasies one day, time traveling to
- 7:35Speaker 1: meet these people, which would have been in a horrible
- 7:37Speaker 1: mistake because a lot of people were awful people. But
- 7:40Speaker 1: when he came down to the reality, well it was ugly.
- 7:44Speaker 1: And the more I learned, and I think the more
- 7:46Speaker 1: we realized how awful it must have been for a
- 7:49Speaker 1: lot of them, especially the women, especially young women. And
- 7:52Speaker 1: I guess here we should go ahead and let you
- 7:54Speaker 1: know that we are going to talk a bit about
- 7:57Speaker 1: some of the trauma and traumatic experiences many of these stars,
- 8:00Speaker 1: including abuse, eating disorder, sexualization of young girls, and the such. So,
- 8:06Speaker 1: even though we're not going to go too heavily into
- 8:08Speaker 1: the deep deep, we are going to talk about why
- 8:10Speaker 1: this can be ugly. Yeah, and it is no longer
- 8:13Speaker 1: a secret that the movie industry was not all glits
- 8:17Speaker 1: and glamour, especially for young women. Um. If you read
- 8:19Speaker 1: memoirs and on biographies on past stars like Judy Garland,
- 8:22Speaker 1: Elizabeth Taylor, Shirley Temple, I would add Carrie Fisher, um,
- 8:26Speaker 1: and so many more, we saw all this abuse that
- 8:30Speaker 1: young stars went through. UM, how they were treated as property, um,
- 8:35Speaker 1: less than human. Horror stories after horror stories of abuse
- 8:40Speaker 1: and harassment haunted the old movies that so many of
- 8:43Speaker 1: us A door. Garland told the story being so medicated
- 8:46Speaker 1: that she wasn't able to come to set on time
- 8:48Speaker 1: and being hospitalized thanks to studio exects and even her
- 8:51Speaker 1: own mother who pushed her beyond her sanity and her
- 8:54Speaker 1: health to become a perfect young starlet. The overall pressure
- 8:58Speaker 1: on the young stars was detrimental and was coming from
- 9:01Speaker 1: all sides, including s Familey, and oftentimes the stars were
- 9:05Speaker 1: the breadwinners of the family, even America's sweetheart Shirley Temple,
- 9:08Speaker 1: who I also did love. Yes Um talked about the
- 9:11Speaker 1: overwhelming moments of not wanting to disappoint her mother and
- 9:14Speaker 1: even her father. Elizabeth Taylor, though she seemed to have
- 9:18Speaker 1: a better relationship with her parents, still knew she had
- 9:20Speaker 1: to keep going for them and even for her fans.
- 9:24Speaker 1: In her biography, her mother was quoted to have said,
- 9:26Speaker 1: but you're not a regular child, and thank God for that.
- 9:29Speaker 1: You have a responsibility, Elizabeth, not just to this family,
- 9:32Speaker 1: but to the country now and the whole world right
- 9:35Speaker 1: And honestly, it doesn't seem like it's changed much. I
- 9:38Speaker 1: think there's a little more awareness, and we tried little
- 9:42Speaker 1: see what's happening. But when it comes to the expectations
- 9:44Speaker 1: placed on young stars, the responsibility of building a fandom
- 9:48Speaker 1: and building a persona and helping provide for their familis
- 9:51Speaker 1: is still there. And for young girls, the fine line
- 9:53Speaker 1: between infantilizing and sexualizing causes even more emotional and physical stress,
- 9:58Speaker 1: which has been around from the beginning of time. When
- 10:01Speaker 1: it comes to Hollywood celebrities, and celebrities in general. In
- 10:04Speaker 1: the early memoirs of these classic Hollywood stars, there were
- 10:07Speaker 1: many who talked all of the ongoing stress of growing
- 10:10Speaker 1: up too fast or those who are not growing up
- 10:12Speaker 1: fast enough. Shirley Tipple's career became stagnant after her early
- 10:15Speaker 1: childhood career, as many could not see her as an
- 10:18Speaker 1: adult with an actual adult body. Um. And it may
- 10:22Speaker 1: have been due to the hard working machine of studio
- 10:24Speaker 1: publicist and media at the time, but it was odd
- 10:27Speaker 1: to know her from classics like The Little Princess to
- 10:31Speaker 1: seeing her in the movie That Hagen Girl, which I
- 10:34Speaker 1: have seen and it really threw me for a loop.
- 10:36Speaker 1: I was very young when I watched this. Of course,
- 10:38Speaker 1: Shirley Tipple was already an ambassador and has gone on
- 10:41Speaker 1: to live her own life. Um. But it's it started
- 10:45Speaker 1: her and Ronald Reagan, which at that time, I've never
- 10:48Speaker 1: seen Ronald Reagan in a movie. I knew he was
- 10:50Speaker 1: an actor at one point in time, but I've never
- 10:52Speaker 1: actually seen him in a movie. So that's kind of
- 10:55Speaker 1: like whoa there he is? Who was, by the way,
- 10:57Speaker 1: is seventeen years older than her during this time, so
- 11:01Speaker 1: she was nineteen and he was thirty six, and in
- 11:04Speaker 1: this he was her romantic lead. And yeah, the plot
- 11:08Speaker 1: of the movie was that he may have been her
- 11:10Speaker 1: father because she was orphaned and she was trying to
- 11:12Speaker 1: figure that out, but then it turned out the goodness
- 11:13Speaker 1: he wasn't because he was slowly falling in love with her,
- 11:16Speaker 1: and then they go off into the train station to
- 11:18Speaker 1: go get married. It was a very odd set up
- 11:21Speaker 1: to me, and I remember, obviously it is distinct in
- 11:24Speaker 1: my mind. I'm like, this does not compute, does not compute.
- 11:31Speaker 1: But yeah, But honestly, though, even though we talked about
- 11:34Speaker 1: Shirley Templeby and fantalized and being young and trying to
- 11:37Speaker 1: stay young like they made her younger, they lied about
- 11:40Speaker 1: her age on the contract so she could continue beyond
- 11:43Speaker 1: the time limit. Um. But her first film had her
- 11:46Speaker 1: in an exotic bar uh during a war film called
- 11:50Speaker 1: War Babies. So it's kind of like, m did she did?
- 11:54Speaker 1: She actually just get thrown into that way. And Elizabeth
- 11:57Speaker 1: Taylor was sexualized at a very early age who are
- 12:00Speaker 1: physically developing early um and even being pushed to set
- 12:03Speaker 1: up be set up on fate dates to show how
- 12:06Speaker 1: quickly she was becoming a woman. So these studio execs
- 12:09Speaker 1: were excited that she was growing up and I like
- 12:11Speaker 1: fifteen sixtaying pushed her into that genre of a quickly yeah,
- 12:16Speaker 1: And for that time, this type of push was accepted
- 12:18Speaker 1: and not well regulated. There were stories of separating child
- 12:21Speaker 1: stars from the parents so they could discipline children however
- 12:25Speaker 1: necessary for the movie, including locking children boxes, making them
- 12:29Speaker 1: sit on blocks of ice if they were not obedient,
- 12:32Speaker 1: pushing actors to work beyond the regulated times, and other
- 12:35Speaker 1: horror stories. So much so that studies were conductative child
- 12:39Speaker 1: stars and performers and how they may be affected emotionally
- 12:42Speaker 1: and physically by all of this. Many young girls talked
- 12:45Speaker 1: about how they experienced sexual harassment during their times on
- 12:48Speaker 1: studios and sets, and many talked about the overly strict
- 12:52Speaker 1: attitude of their parents pushing them into that career. And
- 12:56Speaker 1: I think there's a lot of conversation around that in
- 12:58Speaker 1: terms of reality TV show well, one article we found
- 13:02Speaker 1: talked about the impact of being a celebrity as a
- 13:04Speaker 1: child and of the impacts of the motivation of both
- 13:08Speaker 1: child and parents, and how that could determine a child's
- 13:10Speaker 1: experience as well as the amount of time they spent
- 13:13Speaker 1: in the spotlight um environment and the child's age, and
- 13:17Speaker 1: in the same article they said, these children are at
- 13:20Speaker 1: high risk of becoming emotionally unstable and of becoming drug, alcohol,
- 13:23Speaker 1: or sex abusers. Children at different ages displayed behavioral changes
- 13:27Speaker 1: that might indicate that they are risk. Yeah, and it's
- 13:30Speaker 1: just that article was talking mainly about the type of
- 13:33Speaker 1: high risk behavior that they would have UM if they
- 13:36Speaker 1: were monitored, and how this could go a ride. Of course,
- 13:39Speaker 1: they used Drew Barrymore as an example as she was
- 13:42Speaker 1: introduced to that lifestyle very young by her mother thinking
- 13:45Speaker 1: you know, her mother was thinking she can be a
- 13:47Speaker 1: cool kid UM. As well as Elizabeth Taylor being very
- 13:50Speaker 1: sexualized very early and being told this is her worth
- 13:53Speaker 1: and so her finding that as her worth UM and
- 13:57Speaker 1: trying to really capitalize on it, not only her screen
- 14:00Speaker 1: life but on her personal life. So it was very
- 14:02Speaker 1: interesting take in that conversation. It was a fairly old article,
- 14:06Speaker 1: and I wonder what they would say, because you're right,
- 14:08Speaker 1: we don't even talk about reality TV and this and
- 14:10Speaker 1: how that changes. We do talk a little bit about
- 14:12Speaker 1: social media, so kind of on that same level, but
- 14:16Speaker 1: when it comes to reality TV, what does it do?
- 14:18Speaker 1: Who does it harm and is it really healthy? Have
- 14:21Speaker 1: we seen a good example. There's a lot of questions.
- 14:38Speaker 1: The role of media has always helped to make or
- 14:40Speaker 1: break careers, and it was a bit more manageable during
- 14:43Speaker 1: the so called Golden Age of film. Um and I
- 14:45Speaker 1: say manageable, manipulated, but they held a lot of power,
- 14:50Speaker 1: but in a different way than today. We'll talk a
- 14:52Speaker 1: little more about how media affects today versus then, but
- 14:56Speaker 1: historically it was no different. And Elizabeth Taylor's biography, the
- 14:59Speaker 1: author talked about Taylor's own connections with a popular columnists
- 15:03Speaker 1: who helped make many careers as well as ended many,
- 15:06Speaker 1: and how often studios would use the media to keep
- 15:09Speaker 1: the perfect image of their stars at all expenses. Essentially,
- 15:14Speaker 1: they would pay whatever in order to keep that going
- 15:16Speaker 1: and unsurprisingly, all of the success caused a lot of
- 15:19Speaker 1: competition among stars, which is still around. Elizabeth Taylor's feud
- 15:23Speaker 1: with Debbie Reynolds painted Taylor as a villain, as the
- 15:27Speaker 1: temptress who came and stole her man, which she kind
- 15:30Speaker 1: of did. Um and then rolls were fought over, more
- 15:33Speaker 1: fuse happened, and it kept them on their toes because
- 15:36Speaker 1: essentially the studios wanted this to happen. They needed the
- 15:41Speaker 1: stars to know they're expendable, and the evils of comparing
- 15:44Speaker 1: young stars with each other was prevalent in order to
- 15:47Speaker 1: keep them in line m H. But the overall usage
- 15:51Speaker 1: of shame and guilt was a cloud leaming over all
- 15:53Speaker 1: of them. Body shaming began from the start, with young
- 15:57Speaker 1: stars brought in to be inspected, judged, and often times
- 16:00Speaker 1: physically changed, including plastic surgery and dangerous drugs being used
- 16:04Speaker 1: to keep young girls thin even if they didn't need
- 16:07Speaker 1: to be. So, the question remains, has it changed? Has
- 16:13Speaker 1: it changed? Well? Unfortunately, when it comes to sexualizing or
- 16:20Speaker 1: infantalizing young stars, nothing has really changed. Honestly, it seems
- 16:24Speaker 1: it may have gotten worse, thanks in part to things
- 16:27Speaker 1: like social media, UM and the Internet as a whole.
- 16:30Speaker 1: In one article from NBC about Natally a Portman's own
- 16:33Speaker 1: experience as a child actor, they write, quote, Hollywood bifurcase
- 16:37Speaker 1: young women's sexuality, so they usually only have two options
- 16:40Speaker 1: to be hyper sexual or to deny that they are
- 16:42Speaker 1: sexual at all and it's true, which often leads the
- 16:46Speaker 1: audience and fans to only see these actors in one
- 16:48Speaker 1: specific way. UM and then if that's if that image
- 16:52Speaker 1: is torn apart. Oftentimes this at the expense of the
- 16:56Speaker 1: actress themselves, as in fact, Portman talked about how one
- 16:59Speaker 1: of her fan letters was a rape fantasy written about
- 17:03Speaker 1: her by an adult man and they sent it to
- 17:05Speaker 1: her as a fan which, yeah, and but that's not
- 17:09Speaker 1: the worst of it. We've seen repeatedly how media will
- 17:13Speaker 1: score young actors about what they wear, how much they weigh,
- 17:16Speaker 1: and whether they fit the mold of that perfect star um.
- 17:19Speaker 1: And a prime example, of course is Britney Spears, who
- 17:22Speaker 1: has been raped over the coals for any and everything,
- 17:25Speaker 1: eventually leading her to the conservativeship against her will. And yeah,
- 17:29Speaker 1: I know we've talked about this before, but I think
- 17:31Speaker 1: it's really she is a good highlight of what has
- 17:33Speaker 1: happened recently and what we're kind of learning from but
- 17:37Speaker 1: not enough. Yeah, yeah, she she went from being the
- 17:42Speaker 1: virgin to the horror within a few years, with every
- 17:46Speaker 1: aspect of her life being ridiculed and scrutinized. Um and
- 17:49Speaker 1: later I'm being critiqued in her parenting and of course
- 17:51Speaker 1: her body as a whole. Um and the overall obsession
- 17:55Speaker 1: in her sex life was a complete double standard in
- 17:58Speaker 1: comparison to her male counterpart hurts as. In fact, while
- 18:01Speaker 1: she was ridiculed and publicly grilled and TV interviews, her
- 18:04Speaker 1: ex boyfriend was being praised as being a man for
- 18:07Speaker 1: getting quote into her pants. Many conservative parent groups were
- 18:11Speaker 1: admonishing her as a bad influence and would shame her
- 18:14Speaker 1: as well as any of her fan bees. Um proving
- 18:17Speaker 1: once again and Dan if you do, Dan if you
- 18:19Speaker 1: don't for so many of the young celebrities right um.
- 18:24Speaker 1: And we also have seen the disturbing conversations about young
- 18:27Speaker 1: teens who we as fans have been able to see
- 18:31Speaker 1: grow up but quickly become an object of obsession and sexualization.
- 18:35Speaker 1: Examples include the different reddit and blogs that have countdown
- 18:39Speaker 1: clocks to when young girls were turning eighteen years old. Example, um,
- 18:43Speaker 1: Emma Watson, I think she she had a whole post
- 18:47Speaker 1: of her turning sixteen. A radio show did that. I
- 18:49Speaker 1: believe a rapper did it for Kendall General when she
- 18:52Speaker 1: was turning eighteen. Um to the fact that I think
- 18:56Speaker 1: someone actually propositioned her to do a sex tape when
- 18:59Speaker 1: she turned immediately eighteen, or even worse, put in situations
- 19:03Speaker 1: such as Marra Wilson who was a child star of
- 19:06Speaker 1: movies such as Matilda and Mrs Doubtfire, were images of
- 19:10Speaker 1: her on foot fetge sides, and she was photoshopped into
- 19:13Speaker 1: child pornography. Um all before the age of twelve, and
- 19:17Speaker 1: today it's still happening. As the new season of Stranger
- 19:20Speaker 1: Things has been released, which I binged Yes I did
- 19:24Speaker 1: um and start Milly Bobby Brown's or recent eighteenth birthday,
- 19:27Speaker 1: her image and style has been sexualized and criticized by
- 19:30Speaker 1: so many. Of course, it didn't just start when she
- 19:32Speaker 1: turned eighteen, but has been a topic of conversation since
- 19:35Speaker 1: she's hit the spotlight. Uh. And on top of that,
- 19:38Speaker 1: she's having to defend herself from strangers who seem to
- 19:41Speaker 1: think they know her enough to judge her, including people
- 19:43Speaker 1: calling her a bit off the fact that they can
- 19:45Speaker 1: just tell yeah, yeah, And I was talking to you.
- 19:49Speaker 1: One of my friends, Rissa has been on here hold
- 19:51Speaker 1: on Rissa, and she's like my other TikTok person. It's
- 19:54Speaker 1: you and her send me the TikTok said I need um.
- 19:58Speaker 1: And I was asking her about this because this was
- 20:00Speaker 1: sort of the impetus you told me about this on TikTok,
- 20:02Speaker 1: sort of the impetus for this episode, and she she's
- 20:05Speaker 1: a huge Stranger Things fan, and she was telling me
- 20:08Speaker 1: like she remembered when million Bobby Brown was younger, like
- 20:11Speaker 1: really young, and people would pull her apart, to her
- 20:14Speaker 1: apart because she talked too much. She wasn't like pr trained.
- 20:18Speaker 1: She was a child who was excited, so they tore
- 20:20Speaker 1: her apart. And now they're mad, according to Marissa, and
- 20:23Speaker 1: I believe Marissa. Now they're mad because she seems more
- 20:27Speaker 1: cold and like closed off. But she's doing the thing
- 20:30Speaker 1: that they were telling her she should have done as
- 20:32Speaker 1: a child. Basically, she got pr trating. It sounds like essentially,
- 20:38Speaker 1: I know there was one post where she they were
- 20:41Speaker 1: doing publicity for Stranger Things. It was the whole cast
- 20:46Speaker 1: and she came out I think of the crowd and
- 20:50Speaker 1: came to the front because of another photographer. You know,
- 20:54Speaker 1: someone had requested it, or she had been pushed up
- 20:56Speaker 1: or something, and it wasn't just because she did it,
- 20:59Speaker 1: and one of the photograph like, she's so annoying, why
- 21:01Speaker 1: didn't get out of the way, And it was like, wait,
- 21:04Speaker 1: she's just doing what she's been instructed to do. Why
- 21:07Speaker 1: are you doing this? And then another post which she criticized,
- 21:11Speaker 1: and I could put this in quote marks, but she
- 21:13Speaker 1: was saying if she could change something that she wished
- 21:16Speaker 1: more death said she wanted like a Game of Thrones
- 21:18Speaker 1: level of deaths in the show because it didn't feel realistic.
- 21:21Speaker 1: And then she was teasing the Duffer brothers are saying,
- 21:25Speaker 1: you know, they're being pansies. They needed then you just
- 21:28Speaker 1: go ahead kill people off. And of course they responded,
- 21:31Speaker 1: they like, all right, we got you. But the way
- 21:33Speaker 1: they presented it was Millie Bobby Brown criticizes directors, and
- 21:40Speaker 1: it was obviously a push of a dig as if
- 21:43Speaker 1: she was truly saying this, And even still it seemed
- 21:46Speaker 1: in the interview, if you actually read the interview, it
- 21:48Speaker 1: was obvious that she had said this to them before
- 21:51Speaker 1: making fun of them and or teasing them, and said
- 21:53Speaker 1: it out loud, and then the bid misconstrued as her
- 21:55Speaker 1: being a bit complaining about the show. So it was
- 21:59Speaker 1: very interesting to see how they are really framing what
- 22:02Speaker 1: she is doing, how she is being being professional, her
- 22:06Speaker 1: being I mean, she is now a pro with this.
- 22:08Speaker 1: She has done this since a child, probably more understanding
- 22:14Speaker 1: of this limelight that a lot of people. So she
- 22:17Speaker 1: is an old hat in this. But because of that,
- 22:19Speaker 1: she's too confident, she's too sure what is she doing?
- 22:23Speaker 1: Which does make you think, right, it does? It does?
- 22:27Speaker 1: Um something else that makes you think there are these
- 22:31Speaker 1: old school ideas that can still lead to a loss
- 22:34Speaker 1: of opportunity for these young stars, such as Vanessa Hudgens,
- 22:38Speaker 1: who was fired from Disney after nude pictures of her
- 22:40Speaker 1: were leaked. Um. Which actually leads to a whole other
- 22:44Speaker 1: topic which we want to revisit, concerning how the media
- 22:46Speaker 1: and people in general exploit celebrities by releasing private data
- 22:50Speaker 1: or information for the sake of gossip. I also want
- 22:53Speaker 1: to add in here, and this all reminds me of
- 22:55Speaker 1: when it was a big deal when Order the Phoenix
- 22:58Speaker 1: came out and ms UM and the company or somebody
- 23:04Speaker 1: who worked with the company photos shopped her boobs to
- 23:06Speaker 1: be bigger, and people were like, Hi, that's it, that's it,
- 23:10Speaker 1: like necessary, why you why are you doing this? And
- 23:16Speaker 1: I remember being like, it just sends a message. A
- 23:19Speaker 1: lot of this sends a message to young girls who
- 23:21Speaker 1: are consuming it. Right. Um. But yeah, speaking of media, right,
- 23:26Speaker 1: let's jump into it. So we did talk about earlier
- 23:29Speaker 1: how media does impact and it's changed a little bit
- 23:31Speaker 1: since that time, and it's not so controlled by studios anymore.
- 23:35Speaker 1: Um So, after the release of Framing Britney Spears, there
- 23:38Speaker 1: was a new flurry of conversation about how we as
- 23:41Speaker 1: a society treat young women in Hollywood. Of course, if
- 23:44Speaker 1: you're my age range. One of the biggest conversations the
- 23:46Speaker 1: impact of media celebrities was due to the tragic death
- 23:49Speaker 1: of Princess Diana, which we could talk about how Megan
- 23:53Speaker 1: Markle is being scrutinized in a similar way today, um
- 23:56Speaker 1: of course with the added plus of racist media, so
- 23:59Speaker 1: that's a different conversation. But we did highlight how so
- 24:02Speaker 1: many of the celebrities during that time or often dragged
- 24:05Speaker 1: through the mud for click baity articles and selling just tabloids.
- 24:09Speaker 1: And that was the kind of the beginning of TMC
- 24:12Speaker 1: Entertainment tonight, all that which was just all about celebrity gossip.
- 24:16Speaker 1: And yeah, as we look in hindsight, we see that
- 24:19Speaker 1: there's something fundamentally wrong when someone's trauma is used to
- 24:22Speaker 1: get a bit of cash or notoriety. As writer as
- 24:25Speaker 1: Shandon mcgigan, So sorry if I said that wrong. Rice
- 24:28Speaker 1: in her article on the media's treatment of female public figures. Quote.
- 24:31Speaker 1: The intensity of the media's hounding of Brittany highlighted a
- 24:34Speaker 1: real lack of empathy shown towards the star h and
- 24:37Speaker 1: this was a statement from Hannah Davies in that article,
- 24:42Speaker 1: which was the Guardians deputy TV editor at the time.
- 24:45Speaker 1: She further declared that Brittany was dehumanized in the eyes
- 24:48Speaker 1: of the media and the public, with society expressing an
- 24:50Speaker 1: intense amounts of judgment and criticism that was regarded as
- 24:54Speaker 1: socially acceptable, demonstrated through March plastered with jokes of Brittany
- 24:58Speaker 1: surviving two thousand and eight being produced or profit. And
- 25:01Speaker 1: we know how all of that went down, all of
- 25:03Speaker 1: the clips and if you've got a photo in her distress,
- 25:07Speaker 1: it was paid for by thousands and thousands of dollars.
- 25:12Speaker 1: And the messier the better for the media. Headlines insinuating
- 25:17Speaker 1: mental health breakdowns, drug usage, messy breakups pushed young celebrities
- 25:22Speaker 1: to the edge, and the team boys were talked about.
- 25:24Speaker 1: It was never to the same degree that the young
- 25:26Speaker 1: team girls received. They pitted women against women for bigger
- 25:30Speaker 1: headlines like we had the whole Team Gin or Team Angelina,
- 25:34Speaker 1: Brad Pitt there was T shirts. Yeah, yeah, I mean
- 25:39Speaker 1: it was a huge thing. I just remember like going down,
- 25:41Speaker 1: like checking out the grocery store, like every magazine cover
- 25:45Speaker 1: was like I know, I know. Wow. Um. Then we
- 25:52Speaker 1: also saw blaming women for sexual aggression, like Janet Jackson
- 25:56Speaker 1: the whole Super Bowl thing, accusing women of being divas
- 26:00Speaker 1: or bitches like Mariah Carey and Megan Fox. Um. And
- 26:05Speaker 1: we've talked a bit about the villainizing of these women
- 26:08Speaker 1: in part due to men purposely ruining careers for not
- 26:11Speaker 1: playing the submissive ladies that Hollywood once dominated like Weinstein,
- 26:16Speaker 1: uh and Michael Bay Right, if you try to get
- 26:18Speaker 1: out of that box then, I mean, there was plenty
- 26:22Speaker 1: of women who have since come out said I have
- 26:25Speaker 1: been ostracized and blacklisted because I would not be victimized
- 26:30Speaker 1: by these men. And it's quite interesting because it does
- 26:33Speaker 1: it's reminiscent of old Hollywood. Yeah, and there are some
- 26:37Speaker 1: people who are finally getting their do like Britney Spears,
- 26:40Speaker 1: who has been freed from the controversial Conservatives ship and
- 26:44Speaker 1: is starting to get some apologies from the many who
- 26:46Speaker 1: exploited her lowest points in her life. Megan Fox being
- 26:49Speaker 1: vindicated from her ruined reputation, and there are those who
- 26:54Speaker 1: are able to take a step back and take control
- 26:57Speaker 1: of those traumatic narratives, such as mar Wilson, who I
- 27:00Speaker 1: also loved as a kid. Uh, and some who have
- 27:03Speaker 1: been able to continue in their career on their own terms,
- 27:07Speaker 1: like Nally Portman and Natasha Leone. You know, I guess
- 27:10Speaker 1: we should mention stepping back would be Mary Kayton Ashley,
- 27:15Speaker 1: whom you love so dearly. I loved them so much.
- 27:18Speaker 1: I could tell them apart they're not identical twins, their
- 27:21Speaker 1: firsternal twins would like it was the most annoying habit.
- 27:26Speaker 1: I'd be like, oh, that's actually oh Sarah Kate, and
- 27:28Speaker 1: everyone's like, please stop if we're watching it. That's an
- 27:35Speaker 1: important talent, And of course some credit movements like the
- 27:37Speaker 1: Me Too movement and holding the media accountable for the
- 27:41Speaker 1: instensitive and often traumatic content in relation to young actresses
- 27:44Speaker 1: and female celebrities, But others say has a lot to
- 27:47Speaker 1: do with social media as well and how individuals are
- 27:50Speaker 1: able to de write the conversation. Again, Uh, the whole
- 27:55Speaker 1: like accountability stuff is pretty pretty significant. Whether that is
- 27:59Speaker 1: good or bad, some can't tell. In this era of accountability,
- 28:02Speaker 1: call outs, call ins, and canceling. Social media can be
- 28:06Speaker 1: a slippery slope. We all know this. Many celebrities have
- 28:09Speaker 1: already remained largely offline due to being harassed or targeted,
- 28:13Speaker 1: and several have vowed to never be online due to
- 28:15Speaker 1: the overall privacy issue. That's fair, and there are celebrities
- 28:19Speaker 1: who use their social media as a way to connect
- 28:21Speaker 1: with fans and the tools keep their fans updated in
- 28:23Speaker 1: their lives, which can be good, but some have talked
- 28:26Speaker 1: about the overall pressures and anxiety social media causes and
- 28:30Speaker 1: how they can no longer participate or have to take
- 28:32Speaker 1: extended breaks from it. Um stars like Selena Gomez and
- 28:36Speaker 1: Millie Bobby Brown have either taken breaks from social media
- 28:39Speaker 1: for their mental health or overall for the safety of others.
- 28:42Speaker 1: I know at one point Millie Bobby Brown had one
- 28:46Speaker 1: of her pictures taken to become a meme and it
- 28:49Speaker 1: was really homophobic. It was very hurtful and she was like,
- 28:52Speaker 1: I had nothing to do with this, and it came
- 28:54Speaker 1: out it wasn't her, but it was being accredited to
- 28:56Speaker 1: her and people were attacking her UM and she had
- 28:59Speaker 1: to come off. Of course, you know, we've talked about constantly.
- 29:02Speaker 1: How Yeah, we have to be very careful and we're
- 29:06Speaker 1: not celebrities, so I couldn't imagine having millions and millions
- 29:10Speaker 1: of followers who may turn on you at any moment.
- 29:15Speaker 1: Yeah yeah, and that's why we're big proponents here. I
- 29:18Speaker 1: think it's just a good Internet practice, like do your
- 29:21Speaker 1: research before you just like tweet something or just find
- 29:24Speaker 1: out where it's from, what's going on, uh, because it
- 29:28Speaker 1: might not be what you think, and then you might
- 29:30Speaker 1: attack someone who really had nothing to do with it nothing. Yeah. Yeah.
- 29:34Speaker 1: And also Mersa was telling me about this documentary she
- 29:38Speaker 1: watched with Taylor Swift and she was like Taylor as
- 29:40Speaker 1: which as a whole like team that's like here we go,
- 29:44Speaker 1: we're gonna tweet this out. How we're gonna word it
- 29:46Speaker 1: was the best way. And oh, I know, I know
- 29:51Speaker 1: a lot of pop stars are having to like they
- 29:54Speaker 1: are told they have to in order to release their
- 29:56Speaker 1: albums and that things are being held hostage in order
- 30:00Speaker 1: to get it done. So there's such a whole layer
- 30:02Speaker 1: that it would suck to be on that level celebrity
- 30:05Speaker 1: with no power. Yes it would, yes, it would something
- 30:08Speaker 1: else that also, sex is being under constant scrutiny by
- 30:11Speaker 1: the masses, and it has pushed many celebrities to go dark.
- 30:15Speaker 1: Um and we have talked about this a lot when
- 30:16Speaker 1: it comes to things like Star Wars and Marvel, like
- 30:20Speaker 1: the big branchises where they get, especially women and other
- 30:24Speaker 1: marginalized folks, get all of this hate and not really
- 30:28Speaker 1: anybody coming to their defense, right in terms of like
- 30:32Speaker 1: their co stars, like the studio, and so they leave.
- 30:37Speaker 1: UM And yeah, the as we've also discussed, there is
- 30:42Speaker 1: a bigger conversation of blots because a lot of it
- 30:46Speaker 1: is blots and also just protection from harassment for these
- 30:50Speaker 1: marginalized folks. Um, the impact that can have, what we
- 30:54Speaker 1: could possibly do because it is a huge problem right Again,
- 30:58Speaker 1: of course, what we talked about the fandom toxic fandom
- 31:00Speaker 1: and in the gate keeping there's a lot of conversation
- 31:03Speaker 1: and that we know that's not always the case, but yeah,
- 31:06Speaker 1: we've seen a lot of marginalized women specifically getting targeted
- 31:11Speaker 1: just because they just don't like it period and they
- 31:14Speaker 1: have nothing to do with creating the character other than acting.
- 31:17Speaker 1: And typically they're acting it, actining the hell out of it,
- 31:20Speaker 1: and we love it and it hadn't been a standalone,
- 31:22Speaker 1: people probably would not never had a second thought. But
- 31:26Speaker 1: of course, yeah, we can't have nice things. Yeah. Well,
- 31:31Speaker 1: speaking of speaking on social media, uh, the age of
- 31:35Speaker 1: social media has led to this idea of anonymity, which
- 31:39Speaker 1: allows for individuals who in person maybe they may seem okay,
- 31:44Speaker 1: but online feel very embold in Tuesday whatever whenever without recourse. Um.
- 31:50Speaker 1: As we have learned through many criticisms of this podcast,
- 31:53Speaker 1: this very podcast, and then I used to have to
- 31:57Speaker 1: answer these things on YouTube and I'd be like, Hi,
- 32:00Speaker 1: have a have a nice day or whatever, and they'd
- 32:01Speaker 1: be like wow, someone responded, I'm like yeah, yes, And
- 32:09Speaker 1: all of this begs the question is this okay? And
- 32:14Speaker 1: what is our responsibility as a fan of something or
- 32:17Speaker 1: of someone. Uh. As young actresses and celebrities grow up,
- 32:22Speaker 1: the world watches their every move and oftentimes makes these judgments,
- 32:26Speaker 1: and they feel the need to do so through their keyboard,
- 32:29Speaker 1: thinking they won't be noticed. Um or yeah, even like
- 32:35Speaker 1: on a podcast, start through other mediums like this, feel
- 32:37Speaker 1: like they can make these criticisms. It's okay. When fans
- 32:41Speaker 1: and critics become too familiar with the celebrity, we often
- 32:44Speaker 1: forget that they are yes, human there is somebody there
- 32:48Speaker 1: and they deserve to be treated as such. Two women
- 32:50Speaker 1: podcasters felt the need to call Mellly Bobby Brown a
- 32:53Speaker 1: bit because they felt she just seemed that way and again,
- 32:56Speaker 1: that's sort of what got this idea, this this whole well,
- 33:00Speaker 1: and honestly, there's so much more to that, because we
- 33:02Speaker 1: know there's this whole criticue like she just seems like
- 33:04Speaker 1: people someone I wouldn't like. She just seems like, that's fine,
- 33:07Speaker 1: you don't have to like everybody, But what does this
- 33:10Speaker 1: need to call them in such a derogatory manner without
- 33:13Speaker 1: knowing them and instead of like just having a moment
- 33:15Speaker 1: of like, I wonder, I wonder what kind of pressures
- 33:18Speaker 1: there are. I just keep him out of your mouth,
- 33:20Speaker 1: don't speak about him. That's all it takes. And speaking
- 33:23Speaker 1: of criticism, that kind of just doesn't make sense other
- 33:26Speaker 1: than she's a woman that you don't want to see
- 33:29Speaker 1: in this I don't know. One of those critics felt
- 33:32Speaker 1: carry mulligan was not a good pick to carry out
- 33:35Speaker 1: the role of a film fatal character, even though her
- 33:37Speaker 1: performance in the movie Promising Young Women was well received
- 33:41Speaker 1: and her hitting back at the criticism as a sexist
- 33:43Speaker 1: and even agist remark. It was actually encountered with another
- 33:50Speaker 1: criticism as uh, saying that there's a right to be
- 33:54Speaker 1: able to criticize and critique celebrities appearance and actors appearance
- 33:58Speaker 1: if it seems like they are is cast. So I
- 34:01Speaker 1: went through, we went through when we were looking at
- 34:03Speaker 1: this and speaking about this article, because it was a
- 34:06Speaker 1: pretty big deal. K mulgan came out pretty strong. We're like, Okay,
- 34:09Speaker 1: we get it. You don't like me as this cast,
- 34:11Speaker 1: you don't believe me as being the fatal that's on you.
- 34:14Speaker 1: But why do we need to go about this appearance thing? Um?
- 34:17Speaker 1: And I even mentioned, like the article that was written
- 34:20Speaker 1: and even mentioned well, Margot Robbie was a producer. I'm
- 34:25Speaker 1: sure it wasn't intended for her, so obviously like a
- 34:27Speaker 1: backhanded criticism about her appearance. Um. And then someone came
- 34:32Speaker 1: in defense of that, not saying necessarily that her looks
- 34:36Speaker 1: should have been critiqued, but more so that we as
- 34:39Speaker 1: the audience, should be able to say this probably wasn't
- 34:41Speaker 1: cast right based on appearance, based on looks, which seemed
- 34:46Speaker 1: one and the same to me. I kind of understood
- 34:48Speaker 1: what they were going with this, but at the same time,
- 34:50Speaker 1: but this is this is a little bit ages. Obviously
- 34:53Speaker 1: what they wanted was the hot, blonde, tall, young fatal
- 34:57Speaker 1: that we have so seen so often. Um and K
- 35:00Speaker 1: Mulligan's not that old. You talk about that, he's not
- 35:04Speaker 1: that old. So none of that makes sense in itself.
- 35:09Speaker 1: But of course they talked about, you know, women wouldn't
- 35:11Speaker 1: want to see, which was really odd Chris Hemsworth playing
- 35:16Speaker 1: a dowdy poet and I was like, why not happened before?
- 35:22Speaker 1: What are you what are you talking about? We've seen
- 35:24Speaker 1: Nkumen playing serious roles. We've seen ridiculous comedians being the
- 35:29Speaker 1: serious uh filling guy like I mean Jim Carrey won
- 35:35Speaker 1: awards for his serious roles, which you would never thought
- 35:38Speaker 1: this slapstick comedian could do and even seen as like
- 35:42Speaker 1: a leading man. So it kind of like, no, we
- 35:46Speaker 1: don't have that. Of course, she talked about the fact
- 35:48Speaker 1: that we should be able to say how this critique,
- 35:51Speaker 1: so we could open up for more different variations of
- 35:55Speaker 1: looks to take leading roles. But I don't feel like
- 35:58Speaker 1: that was where they were going with this, especially in
- 36:00Speaker 1: critaking that specifically. Yeah, yeah, I think that's Um, we
- 36:06Speaker 1: are much more forgiving in general of men, whether it's
- 36:10Speaker 1: perceiving them to be a bitch or not. Like women
- 36:13Speaker 1: have to be nice and grateful they got this role,
- 36:16Speaker 1: and you have to be because we have limited rules
- 36:20Speaker 1: for women, like we have historically in Hollywood. And then
- 36:23Speaker 1: like I believe the average age for a woman winning
- 36:26Speaker 1: an oscar like ten years ago so this might have changed,
- 36:28Speaker 1: was twenty six and for a man it was fifty three.
- 36:31Speaker 1: So I think we have like and by we, I
- 36:35Speaker 1: mean audiences have this idea of for women it is this,
- 36:40Speaker 1: and it looks like this, and I can critique her
- 36:42Speaker 1: appearance because that's what women is about. For men, it
- 36:44Speaker 1: could be they could do anything, but women. And I
- 37:00Speaker 1: know I've told the story before. I had a I
- 37:03Speaker 1: had a for me, a pretty big break, pretty big
- 37:05Speaker 1: role um And the night I was supposed to shoot it,
- 37:09Speaker 1: the guy told me that one of the oh, I
- 37:12Speaker 1: don't know, one of the crew, he was like, it
- 37:14Speaker 1: secks to be in an industry where it's all about
- 37:16Speaker 1: your looks, right, And I looked at it and I
- 37:18Speaker 1: was like what, And then they gave it to a
- 37:22Speaker 1: man because he was like, I think I think it'd
- 37:24Speaker 1: be better. I think it'd be more believable for a
- 37:25Speaker 1: man at this. I was like, what what? Yeah? And
- 37:31Speaker 1: this most like that that you realize, Yeah, this is
- 37:33Speaker 1: not an easy industry in itself. Um that it's not
- 37:37Speaker 1: set up for just anyone, which is a whole different conversation. Yeah.
- 37:42Speaker 1: And then there's this debate of crossing boundaries, which that
- 37:45Speaker 1: dude cross the boundary, I would say, but I'm in
- 37:50Speaker 1: referencing to celebrities. Is it okay to interrupt a celebrity
- 37:53Speaker 1: during a dinner for a photo? Is it okay to
- 37:56Speaker 1: film or take pics without their knowledge or permansition? Can
- 37:59Speaker 1: we go going to somebody's own without permission for souvenirs?
- 38:03Speaker 1: Of course these are more rhetorical questions, but it has
- 38:06Speaker 1: become less and less acceptable to cross these boundaries, which
- 38:09Speaker 1: is great, But at the same time, we've seen a
- 38:11Speaker 1: lot of backlash for those who are private and seek
- 38:14Speaker 1: to keep it that way. So people who get upset
- 38:17Speaker 1: if you've been waiting at their hotel room and they
- 38:20Speaker 1: don't want to stop to talk to you, we get it,
- 38:23Speaker 1: like you you are you love them, and you feel
- 38:26Speaker 1: like you have this ideal of them. But if they're tired,
- 38:28Speaker 1: they're tired and they should have the right to say that. Um.
- 38:32Speaker 1: We saw recently Tom Hanks America Sweetheart get very angry
- 38:37Speaker 1: when his wife and I don't know exactly what happened
- 38:40Speaker 1: when uh Rita Wilson, who was the celebrity as well
- 38:43Speaker 1: also his wife, Um, but either tripped got pushed. There
- 38:48Speaker 1: was a lot of conversation about what happened, and he
- 38:50Speaker 1: lost it in course that people to be like, calm down,
- 38:52Speaker 1: back off, and that's his right, that makes sense. But
- 38:56Speaker 1: he got a lot of backlash for it too, Like
- 38:57Speaker 1: it got both love and hate for that reaction. And
- 39:02Speaker 1: it kind of has that point of like, okay, so
- 39:05Speaker 1: what is this line how do we make sure we
- 39:07Speaker 1: don't cross boundaries? But what is this line of like
- 39:09Speaker 1: your celebrity and this is kind of what happens, and
- 39:12Speaker 1: I know the kind of maybe this is just making
- 39:15Speaker 1: making it up seeing too many movies of like they
- 39:17Speaker 1: love it at first and then they hate it, so
- 39:20Speaker 1: kind of those two things. Um. And it seems like
- 39:24Speaker 1: it sometimes takes drastic and extreme measures for people to
- 39:27Speaker 1: realize this, whether it's a tearful request to be given privacy,
- 39:32Speaker 1: so being like please leave me alone, You'll have done
- 39:34Speaker 1: so much, I like, really harassed us, Please stop to
- 39:38Speaker 1: almost to endangering their lives, um and being put in
- 39:42Speaker 1: these situations that are so extreme that that's the final
- 39:46Speaker 1: point of like, hey, you almost killed us tonight, Please
- 39:50Speaker 1: don't do that. Yeah. Yeah, it's that level of fan
- 39:52Speaker 1: entitlement we've talked about before, where it's some it's kind
- 39:56Speaker 1: of bizarre to me, but it's like this idea that
- 40:00Speaker 1: they owe us something, right, we put you here, right,
- 40:05Speaker 1: and then it's sort of the price of your fame almost.
- 40:08Speaker 1: It's like you won't You're rich and famous, so I
- 40:10Speaker 1: get to do whatever and I'll never forget. I saw
- 40:12Speaker 1: his interview with Jennifer Lawrence a couple of years ago,
- 40:14Speaker 1: and she was talking about visiting her family and she's like, well,
- 40:16Speaker 1: we had to put up all the you know, trash
- 40:18Speaker 1: bags out of the windows. And I was like, wait,
- 40:19Speaker 1: what's like, Oh, yeah, so we had to put up
- 40:21Speaker 1: every time I visit them, we put up trash bags
- 40:23Speaker 1: with the windows so they can't take pictures. She was
- 40:25Speaker 1: talking about like trying to explain that to the young
- 40:28Speaker 1: people in her family, UM, and just howppens are Like
- 40:34Speaker 1: that sounds terrible to me. That sounds awful. Um. We've
- 40:38Speaker 1: also talked about Paris social relationships a little bit before,
- 40:41Speaker 1: and here we can easily see how this can be good,
- 40:44Speaker 1: can be really great, or it can be really really awful. UM.
- 40:48Speaker 1: And as we said before, fans are powerful and deserve respect. Um.
- 40:52Speaker 1: Because yes, the power of fandom is no joke. You know,
- 40:55Speaker 1: we love some healthy fan girls over here. UM. And
- 41:00Speaker 1: it can really really make things happen that is war. Sure,
- 41:03Speaker 1: the Brittany Stands are a force and we're able to
- 41:07Speaker 1: keep the conversation alive when so many people had written
- 41:09Speaker 1: it off around around Britney Spears and conservatorship. Um. But
- 41:13Speaker 1: it can also be a negative. Incidents where fans feel
- 41:16Speaker 1: but traded by celebrity can be a real storm. UM.
- 41:20Speaker 1: Think of Hailey Bieber. After she and Justin got together,
- 41:24Speaker 1: those who were teams Selena have nonstopped her, asked her
- 41:28Speaker 1: for just being with him. We've talked about that before, UM,
- 41:30Speaker 1: to the point both she and Justin have repeatedly asked
- 41:33Speaker 1: her fans to stop and how it's been affecting them both. Right,
- 41:38Speaker 1: And we've seen that in different celebrities, like if they
- 41:40Speaker 1: don't like the person you're with, they may go after you.
- 41:43Speaker 1: Of course, there's some conversations of like, yeah, but the
- 41:47Speaker 1: son that's like this is dangerous. This isn't unusual circumstance.
- 41:51Speaker 1: We have questions kind of all of that, but that
- 41:55Speaker 1: I digress. I won't give any examples of that, but um,
- 41:59Speaker 1: but yeah, there's a lot when it comes to all
- 42:03Speaker 1: of these responsibilities and how we see celebrities in itself,
- 42:08Speaker 1: and especially when it comes to women, the expectations that
- 42:11Speaker 1: we hold, and it kind of makes you think, what
- 42:13Speaker 1: does the future hold? Is? Is the future going to
- 42:16Speaker 1: be better for the next generation of stars and celebrities?
- 42:19Speaker 1: And yeah, with the new mediums come new levels of stardom,
- 42:23Speaker 1: from YouTube stars to TikTok stars to whatever the next
- 42:27Speaker 1: level maybe Twitch. I guess Twitch is already there. We
- 42:31Speaker 1: are seeing a whole different level of celebrity and some
- 42:34Speaker 1: experts have already begun their studies in these types of celebrity.
- 42:38Speaker 1: And an Insider Or article written by Rachel E. Green's band,
- 42:40Speaker 1: she talks with psychologists and about the up and coming
- 42:43Speaker 1: stars of TikTok and the expectations and in the article,
- 42:46Speaker 1: Greenspan rights experts have warned that these young influencers will
- 42:51Speaker 1: face the typical hurdles of child fame, but with the
- 42:53Speaker 1: additional complication of real time social media surveillance by millions
- 42:58Speaker 1: and algorithmically programmed addiction to the instant gratification of a
- 43:02Speaker 1: never ending barrage of notifications, which is my nightmare. I
- 43:06Speaker 1: know those notifications to go way. I think we can't
- 43:10Speaker 1: figure this out for you, snap. So we've already talked
- 43:14Speaker 1: about the damages how early, about early childhood stardom and
- 43:18Speaker 1: what that can cause, but added that the immediateness of
- 43:21Speaker 1: social media, the total access provided by the stars and
- 43:25Speaker 1: by the fans, like they ere to tell you immediately
- 43:28Speaker 1: if they like or don't like something yep, and it's
- 43:31Speaker 1: the Internet, so it doesn't go away, right, And this
- 43:34Speaker 1: new level of stardom has brought out a new generation
- 43:36Speaker 1: of hopefuls who are waiting for their time to go viral.
- 43:39Speaker 1: Greenspan continues the algorithms that underlie practically every social media
- 43:43Speaker 1: service today forced us to compete for visibility. These teenagers
- 43:47Speaker 1: may now feel themselves an extraordinary bind, competing against each
- 43:51Speaker 1: other and the news feed algorithms in order to maintain visibility,
- 43:54Speaker 1: a competition in which only the social media services succeed.
- 43:58Speaker 1: The concept of viral social media fame has become so
- 44:01Speaker 1: ingrained in our society that it's almost natural for people
- 44:04Speaker 1: to hope their next post will take off, and some
- 44:08Speaker 1: of the newly made celebrities have already learned about the
- 44:12Speaker 1: backlash of fame. Many under the cancel culture a narrative
- 44:16Speaker 1: due to the extreme or impulsive natures of their post
- 44:19Speaker 1: have learned this lesson and have seen it and have
- 44:21Speaker 1: experienced it um but they are also learning how to
- 44:24Speaker 1: handle it. Greenspan continues. Many influencers have already, perhaps unintentionally
- 44:29Speaker 1: discovered what experts say is the best way to protect
- 44:31Speaker 1: oneself against the dangers of fame. By using influence to
- 44:34Speaker 1: help the world and raise awareness about causes you're passionate about,
- 44:37Speaker 1: you're actually establishing a deeper sense of who you are
- 44:40Speaker 1: as a person, right and I am interested to see
- 44:43Speaker 1: what the statistics will look like. We again did not
- 44:46Speaker 1: talk about reality stars and young stars, because there has
- 44:50Speaker 1: been this conversation about uh the sexualization of young young
- 44:55Speaker 1: girls in these videos, as well as infantilizing some of
- 44:59Speaker 1: the girls who were no longer younger. Jojo Sawa was
- 45:03Speaker 1: one of those who got criticisms on both ends when
- 45:06Speaker 1: she was growing up and but yet still kept the
- 45:09Speaker 1: ponytail to finally coming out and finding relationships and growing
- 45:14Speaker 1: in ourselves and being criticized for that. Like that, it's
- 45:17Speaker 1: just a whole new level of stardom that we've never
- 45:20Speaker 1: seen that is produced again by the pressures of oftentimes
- 45:24Speaker 1: family and society. That part has seemingly not gone away. Yeah,
- 45:30Speaker 1: and I think that the Internet. I mean, we talked
- 45:34Speaker 1: about it all the time on here, and Bridget does
- 45:35Speaker 1: such a great job of breaking it down. There's many,
- 45:38Speaker 1: many beautiful things about the Internet, but in a lot
- 45:41Speaker 1: of ways, like those comment sections can be just like
- 45:44Speaker 1: every toxic thing in our society amplified. So we're already
- 45:49Speaker 1: getting as young girls all of these really harmful messages
- 45:54Speaker 1: about our body and how he should look and how
- 45:56Speaker 1: we should behave And then if you multiply that by
- 46:00Speaker 1: a social media I can only imagine being young and
- 46:05Speaker 1: absorbing that and seeing that, right. You know. The double
- 46:09Speaker 1: edged sword to this is we have more body positive influencers,
- 46:14Speaker 1: and that's beautiful and I love to see it. Half
- 46:16Speaker 1: the time they're defending their body and their videos because
- 46:19Speaker 1: there's so many that still continue to attack them and
- 46:22Speaker 1: continue to really harass them. So it feels kind of like, yes,
- 46:26Speaker 1: this is great, but at the same time, oh my god,
- 46:28Speaker 1: they still have to keep going through all of this
- 46:30Speaker 1: and still have to be uh in this position to
- 46:32Speaker 1: take this kind of abuse. Um, it's interesting. I'm interested
- 46:36Speaker 1: in seeing how this goes. I think what we really
- 46:40Speaker 1: wanted to do about this and I didn't get to it,
- 46:42Speaker 1: Like the honest title was going to be the villainization
- 46:46Speaker 1: of young teenage stars, but we couldn't even find enough
- 46:49Speaker 1: articles because there are so many other things that seemed
- 46:52Speaker 1: to be traumatizing and triggering for a lot of these celebrities, um,
- 46:56Speaker 1: that we haven't considered. Of course, you know this goes
- 46:59Speaker 1: into that, like, well, at least they have all of
- 47:01Speaker 1: these basic necessities and all these things, and most of
- 47:03Speaker 1: the people were talking about our young white girls. Yeah,
- 47:08Speaker 1: and that's unfortunate because we don't even we have to
- 47:11Speaker 1: go climb a whole new level of toxicity when it
- 47:15Speaker 1: comes to the black young black girls who are going
- 47:18Speaker 1: through so much that they don't even get the chance
- 47:21Speaker 1: to become that half the time because of the racism
- 47:24Speaker 1: that is so staunch and so heavy here. So we
- 47:27Speaker 1: know this is that level of conversation. But there's a
- 47:30Speaker 1: lot to consider when we see what is happening, especially
- 47:34Speaker 1: for myself as a social worker who worked with young kids,
- 47:37Speaker 1: seeing this is such a problem in such a big way.
- 47:41Speaker 1: But at the same time, you hope it changes, but
- 47:44Speaker 1: historically it doesn't seem to me. Yeah. Yeah, And I
- 47:47Speaker 1: think a part of this it goes back to something
- 47:51Speaker 1: you said earlier, Samantha's it's very clear that we again
- 47:55Speaker 1: as a society, view women as expendable, and we kind
- 47:59Speaker 1: of their misery is our entertainment and that's fine, and
- 48:04Speaker 1: we feel very entitled as a society. Again, I'm not
- 48:08Speaker 1: speaking about Smith the Night, but you know, we as
- 48:10Speaker 1: a society, I feel very entitled to cause harm, to
- 48:14Speaker 1: like really judge everything they do and then throw them
- 48:17Speaker 1: away when they experience any sort of trauma or anything
- 48:20Speaker 1: that doesn't fit and how we think they should behave
- 48:23Speaker 1: and how they should look. Right. Yeah, and I mean
- 48:25Speaker 1: that's that's up to like even Harvey Weinstein, like the
- 48:28Speaker 1: fact that went on so long, that's pretty telling. Yeah. Yeah,
- 48:33Speaker 1: so there is a lot too, There's a lot to
- 48:35Speaker 1: um back here, Yes, Yes, there is um well listeners,
- 48:41Speaker 1: as always, if there's anything you want us to follow
- 48:44Speaker 1: up on and here um if there is resources, we
- 48:48Speaker 1: haven't shut it out. If you have a favorite Mary
- 48:51Speaker 1: Kate and Ashley movie, like, you can't let us know
- 48:55Speaker 1: if you wanna talk to me about musicals, I don't
- 48:57Speaker 1: think anyone. I don't think anyone to reach out about
- 49:01Speaker 1: Mary Kate actually, but you could prove us a wrong
- 49:03Speaker 1: wrong listeners. Our email is Stuff Video mom Stuff at
- 49:07Speaker 1: I hurt mea dot com. You can find us on
- 49:09Speaker 1: Twitter at mom Stuff podcast or on Instagram at stuff
- 49:11Speaker 1: Whenever sold you. Thanks it's always to our super producer
- 49:14Speaker 1: Christina with bonus thanks this week to researcher Joey and
- 49:18Speaker 1: our executive producer Maya. It's really badass group of y'all
- 49:22Speaker 1: are the heroes helped us with this so much. Shout out, Yes,
- 49:26Speaker 1: all the shoutouts and thanks to you for listening. Softener
- 49:30Speaker 1: till you protection by Hurt Radio. For more podcasts from
- 49:32Speaker 1: our radio, you can visit her radio app, Apple podcast,
- 49:35Speaker 1: or if you listen to your favorite shows