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MC G15 - Podpah _1087 · Luke's English Podcast

• 0:16
  Speaker 1: But what's going on with your hair?
• 0:17
  Speaker 2: It has a different movement.
• 0:18
  Speaker 3: It's more fragrant, it's beautiful, it's shiny.
• 0:20
  Speaker 1: I'm wearing an anti-dandruff OXMAN.
• 0:23
  Speaker 3: Really? Always certified against dandruff, refreshing, leaves the scalp clean,
• 0:28
  Speaker 3: you know?
• 0:28
  Speaker 4: Really?
• 0:29
  Speaker 3: I can't even say all the benefits. There are many benefits, brother.
• 0:33
  Speaker 5: There are many benefits. There are many benefits. There are
• 0:37
  Speaker 5: many benefits.
• 0:38
  Speaker 6: And high performance.
• 0:41
  Speaker 1: Delicious, right?
• 0:43
  Speaker 3: Wow, it's refreshing, huh?
• 0:44
  Speaker 5: Did you all feel the refreshment there?
• 1:13
  Speaker 1: Are you okay, brother? I'm fine, and you, man?
• 1:17
  Speaker 3: I'm great, I'm happy.
• 1:17
  Speaker 4: You're in a good vibe. I was dancing here, I
• 1:19
  Speaker 4: was swinging my whole.
• 1:20
  Speaker 1: Body, moving my shoulders, my legs, my knees. I was
• 1:22
  Speaker 1: already rolling the drums here before.
• 1:24
  Speaker 3: I'm happy, I'm happy. It's Wednesday, and you at home,
• 1:26
  Speaker 3: how are you?
• 1:26
  Speaker 1: I hope you're fine.
• 1:27
  Speaker 3: I hope you're happy. Leave your like.
• 1:33
  Speaker 4: Subscribe.
• 1:33
  Speaker 3: Now, Igor, do you know what the moment is now?
• 1:36
  Speaker 3: What is the moment now?
• 1:37
  Speaker 7: At the beginning, for everyone to share there. I'll say, people,
• 1:40
  Speaker 7: G15 can't stop now.
• 1:41
  Speaker 1: Exactly.
• 1:42
  Speaker 2: Share it in general, for your friends, for your friends,
• 1:45
  Speaker 2: for everyone.
• 1:46
  Speaker 1: Join the guys at home.
• 1:47
  Speaker 2: But also, if now, by chance, you're working, already leave
• 1:50
  Speaker 2: a video for you to watch when you're at home.
• 1:53
  Speaker 4: Exactly.
• 1:53
  Speaker 2: Before we introduce our wonderful guest, who is already here
• 1:56
  Speaker 2: with us, I need to talk about the brands that
• 1:59
  Speaker 2: sponsor this channel, Mítico Jovem. Including, talk about Airbnb. And
• 2:03
  Speaker 2: I already want Airbnb. I'm going to start hammering here.
• 2:06
  Speaker 3: We're going to take a hit on them, right? Exactly.
• 2:09
  Speaker 2: We're going to take vacations now. Last week of September, now,
• 2:14
  Speaker 2: next week, right? And we want to go to the Northeast,
• 2:17
  Speaker 2: because here in the Southeast it's cold. We want to
• 2:20
  Speaker 2: go to the Northeast, get some sun, get some heat.
• 2:23
  Speaker 2: Maybe there in Salvador, Bahia, I don't know, who knows.
• 2:26
  Speaker 2: Let's get a little house for us, right? Stay calm,
• 2:29
  Speaker 2: stay ladies and gentlemen there.
• 2:31
  Speaker 1: You know?
• 2:32
  Speaker 2: A nice house that has a good view, a good pool.
• 2:35
  Speaker 2: Because Airbnb has everything. everything that fits in your pocket,
• 2:42
  Speaker 2: everything you need, be it in the south, be it
• 2:44
  Speaker 2: in the northeast, but the focus now is on the
• 2:45
  Speaker 2: northeast because, as I said, it's cold. In São Paulo
• 2:48
  Speaker 2: it's cold, in the south it's cold. Let's go to
• 2:50
  Speaker 2: the top of the country, which is wonderful. So, look,
• 2:51
  Speaker 2: at Airbnb there's everything, guys. Three days in Maceió, Salvador, Natal,
• 2:56
  Speaker 2: Chalé no Mato, Casa com Piscina, AP de Frente pra Praia,
• 2:59
  Speaker 2: you can find everything there. Even if you go to Preferidos,
• 3:03
  Speaker 2: Prediletos dos Hóspedes, there's already a separate filter with the
• 3:05
  Speaker 2: top houses. So, access to Airbnb guarantees already We'll see
• 3:10
  Speaker 2: you next time. We'll also talk about Alicerce, which is
• 3:34
  Speaker 2: from Olhar de Bia, which focuses on teenagers and young people,
• 3:38
  Speaker 2: from 15 to 21 years old, to prepare for the future,
• 3:41
  Speaker 2: to do a free three-month training with online meetings and
• 3:44
  Speaker 2: content on financial education, emotional intelligence, technology, entrepreneurship and much more.
• 3:50
  Speaker 2: It's an opportunity for you to develop professionally and acquire
• 3:53
  Speaker 2: new skills. And if you want to participate, open subscriptions,
• 3:55
  Speaker 2: access the QR code here on the screen. And Olhar
• 3:58
  Speaker 2: de Bia, we're together, okay?
• 4:00
  Speaker 4: Really.
• 4:01
  Speaker 2: Thank you very much. This is very important. The look
• 4:03
  Speaker 2: of Podpá Social on this. Mítico Jovem.
• 4:06
  Speaker 3: Oh, this is new, huh? Mizuno, we're together too much.
• 4:09
  Speaker 2: I'll show you Pro 1, that the guys relaunched. Because
• 4:11
  Speaker 2: it's like this, there's a new program coming on the
• 4:13
  Speaker 2: Podpá grid. It's the original Podpá, Mítico Jovem. What's going
• 4:15
  Speaker 2: to happen?
• 4:19
  Speaker 3: Hmm.
• 4:36
  Speaker 2: There's a very special documentary called Relíquia. The prophecy comes
• 4:40
  Speaker 2: from the streets. Focused on Pro1, Mítico Jovem. Focused on
• 4:44
  Speaker 2: this tennis that became a relíquia, that became an article
• 4:46
  Speaker 2: of grife for us, for the Paulista funk, for the
• 4:50
  Speaker 2: funk as a whole, but it's very focused on the
• 4:52
  Speaker 2: Paulista funk.
• 4:52
  Speaker 7: I can tell you, great MCs spoke, great personalities from
• 4:56
  Speaker 7: the periphery, from the funk industry spoke.
• 4:59
  Speaker 2: A rua fez o trabalho dela, entendeu? Pra virar relíquia
• 5:04
  Speaker 2: assim desse jeito. Então, por favor, dia 22, acompanha com
• 5:07
  Speaker 2: a gente. A gente vai fazer uma pré-estreia aqui com convidados,
• 5:11
  Speaker 2: com todo mundo que participou. Vai ter show do Neguinho
• 5:13
  Speaker 2: do Cacheta, set da DJ Thaís aqui no Podpah. Mas
• 5:17
  Speaker 2: pra você que tá em casa, dia 22 do nove,
• 5:19
  Speaker 2: chega esse documentário pra você que gosta de funk, gosta
• 5:22
  Speaker 2: da Mizuno, gosta de entender um pouco mais sobre a história.
• 5:25
  Speaker 1: Está muito foda.
• 5:26
  Speaker 3: Hey, Mizuno, this is mine, okay? I'll take it home.
• 5:28
  Speaker 1: You're a bastard, man.
• 5:30
  Speaker 3: It's the second one I'm going to have.
• 5:31
  Speaker 2: Talk about our sponsor. Oh, my God, you're a mythical.
• 5:34
  Speaker 2: Talk about our sponsor, Master. I almost missed it.
• 5:39
  Speaker 4: You looked at Carol's face and she looked like this.
• 5:41
  Speaker 3: What happened? He put a remix there.
• 5:44
  Speaker 1: Oh, I'm back. Talk about Ox-Man, who's sticking with us.
• 5:47
  Speaker 2: Because the papo here is without filter, but when the
• 5:50
  Speaker 2: papo is hair, you have to have control and take
• 5:52
  Speaker 2: care of it. Because there's Ox Anticaspa, which is... It's
• 5:55
  Speaker 2: a 100% effective performance against dandruff.
• 5:58
  Speaker 1: Can you see the Mexico's hair? Can you see my hair?
• 5:59
  Speaker 3: I've been using OX for years. Exactly.
• 6:01
  Speaker 2: And there's also OX Antiquedas, Mexico, which reduces the fall
• 6:04
  Speaker 2: by up to four times. So, point, QR Code, and
• 6:07
  Speaker 2: stop washing your hair with soap.
• 6:09
  Speaker 1: Hey, I'll say something else.
• 6:10
  Speaker 4: All OX, regardless.
• 6:11
  Speaker 7: É muito cheiroso, tá? Ele faz parte do kit do
• 6:16
  Speaker 7: seu cheiro, da sua pessoa. Aproveita e segue eles nas
• 6:18
  Speaker 7: redes sociais.
• 6:19
  Speaker 1: Porque na higiene, né, a gente conquista tudo, né?
• 6:21
  Speaker 3: Um cheirinho, né, bonitinho.
• 6:22
  Speaker 4: E outra coisa, vai vir novidade, pode paiar com isso aí, ó.
• 6:25
  Speaker 3: Aguarde por aguardar, viu?
• 6:27
  Speaker 2: Recebam com muito carinho. Façam muito barulho. Como eu disse,
• 6:31
  Speaker 2: chamem elas. Todas elas. Derrubem esse estúdio.
• 6:35
  Speaker 1: Meu Deus do céu, o nosso convidado já está aqui conosco.
• 6:37
  Speaker 4: MC G15 no Pó de Pá!
• 6:38
  Speaker 1: Bate pala, né?
• 6:40
  Speaker 6: Vambora!
• 6:41
  Speaker 1: Eu tô feliz, hein, mano? Hit, hit, that's it.
• 6:44
  Speaker 4: Thank you very much, man. Thank you very much for
• 6:46
  Speaker 4: the invitation.
• 6:47
  Speaker 1: I'm very happy.
• 6:47
  Speaker 3: You're crazy, my brother.
• 6:48
  Speaker 1: How are you?
• 6:50
  Speaker 4: I'm fine, I'm very happy today. I had this desire
• 6:52
  Speaker 4: to come here and talk to you. I'm a fan
• 6:54
  Speaker 4: of your program. I'm always watching the cuts.
• 6:57
  Speaker 3: Stop lying.
• 6:57
  Speaker 4: I saw all the structure there, man.
• 6:59
  Speaker 1: Did you like it, brother?
• 7:00
  Speaker 4: Pocadinha called me to record, compose music. Really? Wow.
• 7:04
  Speaker 3: Guys, what a structure.
• 7:06
  Speaker 4: Congratulations.
• 7:07
  Speaker 1: Thank you, brother.
• 7:08
  Speaker 7: We're fighting, thank God.
• 7:10
  Speaker 3: But man, it's a pleasure to have you here. Thank you.
• 7:13
  Speaker 7: You were warming up your voice there. I said, man,
• 7:16
  Speaker 7: for me a G15 is.
• 7:17
  Speaker 1: You said it's the best live performance of funk.
• 7:20
  Speaker 3: It's the best live voice, yes, man. Thank you, man.
• 7:22
  Speaker 4: Say that to yourself.
• 7:23
  Speaker 3: Like.
• 7:24
  Speaker 4: His.
• 7:24
  Speaker 3: Voice doesn't change. It's the same thing live, it's the
• 7:27
  Speaker 3: same thing recorded music. That was always your intention. Man,
• 7:30
  Speaker 3: I don't think so. Like....
• 7:35
  Speaker 4: Until now your voice is the same. Yes, I was
• 7:38
  Speaker 4: blessed with this timbre. And when I started, we didn't record,
• 7:42
  Speaker 4: we didn't use tunes, so what came out in the
• 7:45
  Speaker 4: recording was pure. And I tried to reproduce it live,
• 7:49
  Speaker 4: the same thing I recorded in the studio. I think
• 7:51
  Speaker 4: that made my voice sound similar.
• 7:53
  Speaker 1: And you always recorded in one beat, there was no part, right?
• 7:56
  Speaker 4: Yes, there was this part thing, but it wasn't direct.
• 7:58
  Speaker 4: And when I was wrong, Kevin and Chris would get mad.
• 8:04
  Speaker 3: We have to know more. Let's start from the beginning.
• 8:08
  Speaker 1: Brother, you are from Duque de Caxias, right?
• 8:09
  Speaker 4: Duque de Caxias.
• 8:11
  Speaker 2: What I realize is that everyone who is from Duque
• 8:12
  Speaker 2: de Caxias has a different sauce. What is there in
• 8:16
  Speaker 2: Duque de Caxias? How is a childhood in Duque de Caxias?
• 8:19
  Speaker 4: So, where I grew up, it was a place a
• 8:22
  Speaker 4: little similar to the countryside. So, man, I.
• 8:24
  Speaker 1: On the street?
• 8:27
  Speaker 4: We used to go to the slaughterhouses for the pigs.
• 8:29
  Speaker 4: It was a very rural place, with people who raised pigs.
• 8:31
  Speaker 4: We liked to see the animals.
• 8:32
  Speaker 1: So you used to deal with the animals of the market.
• 8:34
  Speaker 4: Yeah, there were aunts who raised chickens. Others think, you're
• 8:37
  Speaker 4: from Rio de Janeiro, you must be from Morro. No,
• 8:39
  Speaker 4: it was from a place that at the time didn't
• 8:41
  Speaker 4: even have asphalt. The street was made of mud, so...
• 8:44
  Speaker 4: A very simple thing, very similar to the countryside.
• 8:46
  Speaker 1: Very rural.
• 8:47
  Speaker 4: Yes, very rural.
• 8:48
  Speaker 3: So your childhood was a street boy.
• 8:50
  Speaker 4: Playing ball on the street. And then when I was
• 8:54
  Speaker 4: getting a little closer to adolescence, a crime started, a
• 8:56
  Speaker 4: stronger thing in that region. But I had a wonderful childhood, man. Playing,
• 9:03
  Speaker 4: playing ball. Nowadays it's not like that anymore.
• 9:05
  Speaker 3: Right, bro?
• 9:05
  Speaker 1: The kids are on the screen, right?
• 9:06
  Speaker 4: It's worrying. It brings a lot of harm to health too. Yes. Yes, brother.
• 9:11
  Speaker 4: And I wanted to know a.
• 9:12
  Speaker 1: Lot there how you were, boy, bro. If you.
• 9:18
  Speaker 2: Did you go to school? How was your school life?
• 9:20
  Speaker 2: Let's talk about the whole story. How did the music
• 9:24
  Speaker 2: get into your life?
• 9:25
  Speaker 4: I remember that my grandmother bought a CD from the 80s.
• 9:30
  Speaker 4: With all the recordings from the 80s. And we were
• 9:33
  Speaker 4: playing in the backyard. When my grandmother drank a beer
• 9:37
  Speaker 4: from Friday to Sunday, I would talk about her review.
• 9:42
  Speaker 4: And then I was playing with the boys when she
• 9:45
  Speaker 4: released the DVD. Man, I stopped playing and I sat
• 9:49
  Speaker 4: there and watched. What were the songs?
• 9:50
  Speaker 3: Elton John.
• 9:51
  Speaker 4: And you drink TT from Elton John, beer from Elton John. Fuck,
• 9:59
  Speaker 4: Michael Jackson, there are several that I don't even know
• 10:02
  Speaker 4: the name, but these songs from the 80s, I know
• 10:04
  Speaker 4: them all.
• 10:04
  Speaker 1: But that caught your attention a lot?
• 10:06
  Speaker 4: Dude, I was standing in front of the TV like that,
• 10:08
  Speaker 4: she could steal my attention, I didn't even want to play,
• 10:11
  Speaker 4: and I was there, for hours, watching that, get a beer,
• 10:15
  Speaker 4: I would go get a beer for her. Sometimes I'd
• 10:18
  Speaker 4: go to the fridge and drink a little. I said,
• 10:19
  Speaker 4: what is this old woman drinking? To prove, right?
• 10:22
  Speaker 3: Three days drinking at the end of the week.
• 10:24
  Speaker 4: And I think that was the thing that gave me...
• 10:28
  Speaker 4: I don't know, I think that's what made me... Man,
• 10:31
  Speaker 4: I discovered that I have a business with music.
• 10:32
  Speaker 3: But she... Man, how cool. She must be very... She
• 10:35
  Speaker 3: must be very cool. She must.
• 10:38
  Speaker 7: She used to teach you, she used to say, son,
• 10:42
  Speaker 7: this is Elton John, he's this.
• 10:43
  Speaker 4: He's that, he does this. She didn't even know the melody,
• 10:45
  Speaker 4: she was just singing, she really liked those DVDs. And
• 10:48
  Speaker 4: then she would always renew them. Then out of nowhere
• 10:52
  Speaker 4: she started with the hip hop of the 2000s. Lies, man. Lies.
• 10:54
  Speaker 1: Like Fifty Cent.
• 10:55
  Speaker 4: Black Total 2005. And I was there, man, hypnotized. I
• 10:58
  Speaker 4: think I spent a whole day there, I stopped playing.
• 11:01
  Speaker 4: From the heart, man.
• 11:06
  Speaker 2: We who were born poor, if it wasn't for the
• 11:10
  Speaker 2: piracy in our lives.
• 11:11
  Speaker 4: We wouldn't have known anything. We wouldn't have known anything.
• 11:14
  Speaker 4: In real life, there are three.
• 11:17
  Speaker 1: Because I knew all this through piracy, you know?
• 11:20
  Speaker 2: These songs, clips of Michael Jackson, he's talking about We
• 11:23
  Speaker 2: Are The World and stuff. After the Black Total 2005,
• 11:26
  Speaker 2: it was all piracy, because if you just needed to
• 11:29
  Speaker 2: buy the original, you wouldn't hear anything, man.
• 11:30
  Speaker 4: He played for a while and then he started to
• 11:32
  Speaker 4: have a problem, right? He took toothpaste.
• 11:34
  Speaker 3: Wow, toothpaste.
• 11:34
  Speaker 4: I've done it, man.
• 11:35
  Speaker 3: And worse than it worked, toothpaste.
• 11:36
  Speaker 1: I used to clean it, man.
• 11:38
  Speaker 3: I used to take some scratches. Some scratches, but a
• 11:42
  Speaker 3: lot of them were bad.
• 11:43
  Speaker 1: Okay, but you grew up a lot there with your grandmother?
• 11:46
  Speaker 4: It was a family backyard, right? My aunt lived there.
• 11:50
  Speaker 4: My mother lived in the shack there. I had eight brothers.
• 11:53
  Speaker 4: It was a very difficult life. My father was a bricklayer.
• 11:57
  Speaker 4: And we were a family backyard. My grandmother lived in
• 11:59
  Speaker 4: the backyard. together with my grandfather, they were no longer married,
• 12:03
  Speaker 4: and she drank beer, my grandfather was a Christian.
• 12:06
  Speaker 2: So it was already that divided house.
• 12:07
  Speaker 3: Rhythmed.
• 12:08
  Speaker 4: One comes from the ass, the other is drunk.
• 12:10
  Speaker 6: But how was it, Manoel?
• 12:11
  Speaker 3: Eight brothers, how was this coexistence, this thing? Because eight
• 12:14
  Speaker 3: brothers is a lot of brothers. It was very difficult, really.
• 12:18
  Speaker 3: My father has already passed away, I thank him.
• 12:20
  Speaker 4: For not having.
• 12:26
  Speaker 4: Abandoned us. I saw many parents who abandoned their children.
• 12:32
  Speaker 4: I think that's crazy. He was there, working, making his beaks.
• 12:34
  Speaker 4: My mother couldn't.
• 12:36
  Speaker 1: Work because she was too young.
• 12:37
  Speaker 4: So there were two sisters and then I was born.
• 12:39
  Speaker 4: So these two, later on, they got married. Wow, so
• 12:43
  Speaker 4: you became the oldest in the house. I became the
• 12:45
  Speaker 4: oldest and the most disturbed. Are you sure, G? Man,
• 12:49
  Speaker 4: I gave work, man. I don't know what I had.
• 12:51
  Speaker 1: What age did you start giving work?
• 12:52
  Speaker 4: I wasn't diagnosed early. I didn't go, right? If I
• 12:54
  Speaker 4: had gone there, they would have given me a calming
• 12:56
  Speaker 4: little thing.
• 12:57
  Speaker 3: But what work did you give?
• 12:58
  Speaker 4: I was the messiah who went to the street and...
• 13:02
  Speaker 4: When I was little, I was pretty crazy too. And
• 13:06
  Speaker 4: at school? Dude, I was strong.
• 13:26
  Speaker 1: He jumped this stage.
• 13:28
  Speaker 4: Man, at school I gave a lot of work, bro.
• 13:32
  Speaker 4: To my mother, like that.
• 13:33
  Speaker 3: The guy changes his face.
• 13:34
  Speaker 4: Yeah, I gave a lot of work. I want to
• 13:35
  Speaker 4: send a kiss to the teachers there, guys.
• 13:37
  Speaker 3: But like that, what level? What level for us to
• 13:40
  Speaker 3: understand how it was at school?
• 13:41
  Speaker 4: At the level of being playing soccer down there, I
• 13:43
  Speaker 4: left the middle of the room like that, bro. Look
• 13:46
  Speaker 4: what a thing. To go play ball, disrespecting everyone. Damn,
• 13:49
  Speaker 4: all the laws. There is the teacher, there is the hierarchy.
• 13:51
  Speaker 3: But even then, I think it was normal too, okay?
• 13:54
  Speaker 6: Really?
• 13:55
  Speaker 3: Ah, you're crazy.
• 13:56
  Speaker 1: Let's talk about it. Our teaching method is very outdated.
• 13:59
  Speaker 1: It's the decorum of the books. When you grow up,
• 14:01
  Speaker 1: you see that they still show a part of the
• 14:03
  Speaker 1: story that is not even the full story.
• 14:05
  Speaker 2: And in the box, there's soccer, right? What's going to
• 14:07
  Speaker 2: attract more? So you killed her to play soccer. Man,
• 14:10
  Speaker 2: I killed her to play soccer. And there was something.
• 14:14
  Speaker 4: Here at that time, the school was from 7 to
• 14:15
  Speaker 4: 4 in the afternoon. Penitentiary of Anel Brizola, 088, which
• 14:28
  Speaker 4: was what I studied. And at that time, man, I
• 14:31
  Speaker 4: was so terrified. I didn't have a problem with studying,
• 14:34
  Speaker 4: and the subject I liked the most was history, man.
• 14:37
  Speaker 4: I stayed there for days, listening to her tell everything
• 14:40
  Speaker 4: to me.
• 14:41
  Speaker 3: Did you find it interesting?
• 14:42
  Speaker 4: Wow, I was floating, I already imagined her telling, I
• 14:45
  Speaker 4: imagined Pedro Alvarez Cabral, the fuck, going down, the war,
• 14:49
  Speaker 4: the mess they did with the Indians, I was going far.
• 14:51
  Speaker 4: And it was the only subject I liked, and the
• 14:53
  Speaker 4: rest I did a little bit of work.
• 14:55
  Speaker 3: Mathematics?
• 14:56
  Speaker 4: They invented the calculator, and I never learned it. But
• 15:01
  Speaker 4: it's true, I'm going to say something here that is true.
• 15:04
  Speaker 4: I even enjoyed school, at least all this time. The
• 15:07
  Speaker 4: meal was wonderful, it helped us there, several boys that
• 15:10
  Speaker 4: we saw that went through a difficulty, really.
• 15:13
  Speaker 1: Go to school to have lunch, right?
• 15:14
  Speaker 4: And then I went to school to have lunch, so
• 15:17
  Speaker 4: there was a good side to it, because, man, imagine
• 15:19
  Speaker 4: the mother, she left her son at school in the morning,
• 15:21
  Speaker 4: she already had coffee, she had lunch, and in the afternoon,
• 15:23
  Speaker 4: she had coffee in the afternoon. It was just to sleep.
• 15:25
  Speaker 2: It's like your mother there, why did she put you
• 15:27
  Speaker 2: in a school that was until 4 in the afternoon?
• 15:28
  Speaker 1: Because you were an 8. She needs to know that, damn,
• 15:30
  Speaker 1: Gabriel is very careful there, man.
• 15:34
  Speaker 2: And this guy is here, and the mythical is here,
• 15:37
  Speaker 2: and Igor is here.
• 15:38
  Speaker 1: Because if not, man, she should go crazy, right?
• 15:41
  Speaker 4: She should be grateful, right? Because she was a little child,
• 15:44
  Speaker 4: makes a noise, disturbs a lot. But there was a
• 15:47
  Speaker 4: situation that I didn't even open it to a lot
• 15:50
  Speaker 4: of people. I don't think I had the opportunity to talk.
• 15:54
  Speaker 4: I left school because... I arrived at school and I
• 15:59
  Speaker 4: didn't have, like, a nice pair of sneakers, a nice
• 16:01
  Speaker 4: pair of pants. And you know that school has bullying, right, man?
• 16:04
  Speaker 1: There's a lot.
• 16:04
  Speaker 4: And then the guys played with the shorts, the shoes
• 16:08
  Speaker 4: that were donated by someone. And then, like, I felt
• 16:12
  Speaker 4: a little bad about it, but I didn't argue, I
• 16:15
  Speaker 4: didn't fight, not at all, even because I liked the boys.
• 16:17
  Speaker 4: And they were new. I said, man, I need to
• 16:19
  Speaker 4: do my job, man. I need to work, I need
• 16:21
  Speaker 4: to see this money.
• 16:22
  Speaker 3: For how many years, brother?
• 16:23
  Speaker 4: That I had... About 12 years.
• 16:25
  Speaker 1: It messes with our heads, right, brother?
• 16:27
  Speaker 4: It did, and I didn't talk to anyone. I said, no,
• 16:30
  Speaker 4: I'm going to work. And that's when I went to work,
• 16:33
  Speaker 4: and I knocked on the door of a lady, like,
• 16:36
  Speaker 4: can I put this truck in the backyard? And the lady,
• 16:39
  Speaker 4: I was very scared, I grew up there at 17
• 16:41
  Speaker 4: years old, I was very scared. The girl said, if
• 16:43
  Speaker 4: I leave you, I'll be arrested, look at your size.
• 16:44
  Speaker 4: I said, I promise you, two days, you'll be there.
• 16:47
  Speaker 4: She said, two days? The boy came here and said
• 16:49
  Speaker 4: it was so many days. I said, two days, three days,
• 16:51
  Speaker 4: so she said, okay. Then I went there and called
• 16:53
  Speaker 4: an adult, hired him, put him with me, because I
• 16:57
  Speaker 4: really couldn't stand the car full. But you guaranteed the
• 17:00
  Speaker 4: service and then.
• 17:01
  Speaker 1: Got someone to help you. But I delivered the trunk, man,
• 17:03
  Speaker 1: and paid the guy, man.
• 17:03
  Speaker 4: And your family, what did they say about you.
• 17:05
  Speaker 7: Being so young and already wanting to pull the trunks?
• 17:09
  Speaker 4: Well, my mom wanted me to go to school, my
• 17:12
  Speaker 4: dad too, but then I did this job of breaking
• 17:15
  Speaker 4: the school, like that, I'm not proud to say this,
• 17:19
  Speaker 4: but then look what happened, that I remember today, I
• 17:22
  Speaker 4: think it's beautiful like that, and that it was really true.
• 17:25
  Speaker 4: I took, for example, 30 reais I took from this scam,
• 17:28
  Speaker 4: I gave 25 for my crown, man, to be able
• 17:30
  Speaker 4: to buy an egg, a sausage, a thing... I'm not
• 17:33
  Speaker 4: trying to tell a sad story here.
• 17:34
  Speaker 3: No, but that's your story.
• 17:35
  Speaker 4: That's your story.
• 17:36
  Speaker 3: That's right.
• 17:36
  Speaker 4: And then I'd go there, buy a little thing that
• 17:39
  Speaker 4: I wanted to eat with those five that were left
• 17:42
  Speaker 4: over there.
• 17:42
  Speaker 3: And usually it was what?
• 17:44
  Speaker 4: A salgado? A salgado.
• 17:46
  Speaker 3: Two salgadinhos.
• 17:47
  Speaker 4: Two salgados, ketchup, that kind of thing. And then I
• 17:51
  Speaker 4: wanted to be an adult before the time to be
• 17:52
  Speaker 4: able to get money.
• 17:54
  Speaker 2: But I think it's very, Jequiz, it's very much of
• 17:56
  Speaker 2: the reality that we're inserting. Because if you were, I
• 17:59
  Speaker 2: don't know, if you were from a middle-class family, and
• 18:03
  Speaker 2: everything was fine inside your house, you didn't have to
• 18:06
  Speaker 2: look at your sneakers and people would mock you, that
• 18:08
  Speaker 2: would never come to your mind. You would be at school, studying.
• 18:12
  Speaker 2: But these things mess with us because we're on the.
• 18:14
  Speaker 3: Sidelines, right, man?
• 18:15
  Speaker 2: We don't have a nice pair of sneakers, we don't
• 18:17
  Speaker 2: have a nice meal on the table, so we think
• 18:19
  Speaker 2: about helping. So I think, like, no, school is delaying me,
• 18:23
  Speaker 2: I'm going after money.
• 18:25
  Speaker 7: Did that arouse any kind of revolt at that time,
• 18:27
  Speaker 7: that today you understand that it was or not?
• 18:29
  Speaker 4: No, no, no, it didn't give me a revolt, but
• 18:31
  Speaker 4: it gave me this thing of... Today, I started to
• 18:33
  Speaker 4: want to get a job. And I managed to get
• 18:35
  Speaker 4: a job. I've worked on many things. Now you're going
• 18:38
  Speaker 4: to have.
• 18:39
  Speaker 3: To talk about what you've worked on.
• 18:40
  Speaker 1: Imagine looking at me. What have I worked on?
• 18:42
  Speaker 4: Man, did you make a delivery? I did, I did,
• 18:48
  Speaker 4: but it was sometimes air-conditioned. I worked with refrigeration, in
• 18:52
  Speaker 4: my uncle's refrigerator, that later on. Since I was little,
• 18:54
  Speaker 4: I always cried. No, so say the Trumps, because we.
• 18:56
  Speaker 3: Will always remember the Trumps. I always asked my father
• 18:58
  Speaker 3: to take me to work, I.
• 18:59
  Speaker 4: Always liked work, he was a bricklayer. So he took
• 19:01
  Speaker 4: me there already, and then, later on, I started working, already... Please,
• 19:11
  Speaker 4: give me any change, let me help you, man. Don't
• 19:14
  Speaker 4: let me go to that school's place. Stay there all
• 19:17
  Speaker 4: day and stuff. I want to stay here. Then he
• 19:19
  Speaker 4: took me to the workshops, but he was ashamed to
• 19:20
  Speaker 4: put me to work because I was too small. Then
• 19:23
  Speaker 4: I went to work with other people, since my father
• 19:25
  Speaker 4: didn't want to give me this little space for shame,
• 19:27
  Speaker 4: he wanted me to study. I worked as a bricklayer assistant,
• 19:29
  Speaker 4: I already sold birds at the fair. It's very good,
• 19:37
  Speaker 4: I've already sold a bird on the market, man.
• 19:39
  Speaker 1: I don't need to say that you got the birds,
• 19:42
  Speaker 1: but what bird was it?
• 19:43
  Speaker 4: It was a.
• 19:44
  Speaker 1: A hummingbird?
• 19:45
  Speaker 4: No, a canary, a canary of the earth, and there's
• 19:47
  Speaker 4: a canary of the earth.
• 19:48
  Speaker 3: And there's a Belgian. selling them? What happens, friend?
• 19:51
  Speaker 4: It's hard, huh? No, friend said... You're rare, huh? Friend there,
• 19:55
  Speaker 4: they even wanted to send a kiss to him, Leozinho,
• 19:58
  Speaker 4: my friend, thank you for this little wave at that time,
• 20:00
  Speaker 4: time suffered, boy. God bless you. He took me to
• 20:05
  Speaker 4: keep looking, because, you know, selling birds at the fair,
• 20:09
  Speaker 4: there in Rio, if you go, you'll find even a gorilla.
• 20:11
  Speaker 4: There's everything. There's a gorilla. There's whatever you want.
• 20:15
  Speaker 3: There's an organ. I'll never forget. There's an organ. If
• 20:17
  Speaker 3: you want a little liver, just go straight. I'll never forget.
• 20:19
  Speaker 4: If you know how to talk, you know how to talk.
• 20:21
  Speaker 1: I've heard this story several.
• 20:21
  Speaker 3: Times, because for me, I'm not.
• 20:23
  Speaker 2: From Rio, so for me it was shocking. We enjoyed
• 20:25
  Speaker 2: a dance in Rocinha. It was almost 5 in the morning. Suddenly,
• 20:34
  Speaker 2: a guy came down. I looked at him and he
• 20:37
  Speaker 2: had a monkey on his shoulder.
• 20:39
  Speaker 4: I said, what is this?
• 20:40
  Speaker 1: He said, Mbappé. I said, is the monkey's name Mbappé?
• 20:44
  Speaker 1: He said, uh-huh.
• 20:45
  Speaker 4: Do you want one?
• 20:46
  Speaker 2: I said, no.
• 20:47
  Speaker 3: If you want it, tell me now.
• 20:49
  Speaker 1: I said, calm down, man. So Rio de Janeiro is.
• 20:52
  Speaker 7: You can buy a gorilla, as you said.
• 20:54
  Speaker 3: He's not exaggerating.
• 20:56
  Speaker 4: It's so close to São Paulo, I'll always go there.
• 20:59
  Speaker 4: But I've lived in São Paulo for 10 years now.
• 21:01
  Speaker 4: It's been 11 years. São Paulo embraced me, man.
• 21:04
  Speaker 1: And you enjoyed it, right?
• 21:05
  Speaker 4: I love it. I love São Paulo. And the people
• 21:08
  Speaker 4: are very hardworking, so I identified a lot with that, man.
• 21:11
  Speaker 4: Not that in Rio there's only vagabond.
• 21:12
  Speaker 1: I understand, I understand, but you liked the rhythm.
• 21:14
  Speaker 4: The people like to be a little vagabond. I grew
• 21:16
  Speaker 4: up in a place that.
• 21:19
  Speaker 1: And then Leozinho, coming back there, he gave me this opportunity.
• 21:22
  Speaker 1: He sold the birds.
• 21:23
  Speaker 4: And then I had to keep looking, watching for the
• 21:26
  Speaker 4: guys who take the cranes, not to catch. And he
• 21:29
  Speaker 4: was there at the fair selling.
• 21:30
  Speaker 3: Were you a good bird seller? No, I was like, Leozinho, let.
• 21:32
  Speaker 4: Me sell, brother. Because he left at 5 in the morning,
• 21:34
  Speaker 4: only came back at 11 o'clock to bring the cake.
• 21:39
  Speaker 4: Then I would come back at 2pm and say, my brother,
• 21:40
  Speaker 4: I'm going to join you in this thing selling canaries, man.
• 21:43
  Speaker 4: Don't leave me here, because I was there taking care
• 21:47
  Speaker 4: of the crates, so the guys wouldn't get them. Then
• 21:49
  Speaker 4: one day I was sleeping, I was drunk, I went
• 21:52
  Speaker 4: to the tram. I'm in front of the hospital, I'm
• 21:54
  Speaker 4: there sleeping. Then my cousin went to the hospital with
• 21:57
  Speaker 4: her daughter, Gabriel. What happened? Did you become a street dweller?
• 22:02
  Speaker 4: I said, I don't understand anything. I said, no, I'm
• 22:05
  Speaker 4: looking at the crates, I'm working.
• 22:06
  Speaker 3: But you were sleeping on the sidewalk?
• 22:08
  Speaker 4: I was sleeping in front of the hospital. I remember
• 22:11
  Speaker 4: that I was sitting, right? I remember that I was sitting.
• 22:14
  Speaker 1: Imagine his family seeing him sleeping in front of the hospital.
• 22:17
  Speaker 3: Damn, this boy is sleeping here.
• 22:18
  Speaker 4: Then they got worried about me, I remember. I said, no,
• 22:20
  Speaker 4: I'm working and all, all right. Then there was one
• 22:22
  Speaker 4: time that he said, you can sell. I'll take you
• 22:23
  Speaker 4: to sell. Man, I went. Think of a joy, bro.
• 22:28
  Speaker 4: I was sure I was going to sell everything. And
• 22:31
  Speaker 4: then I started to unroll.
• 22:33
  Speaker 3: Tell some stories.
• 22:35
  Speaker 1: I started to unroll.
• 22:36
  Speaker 4: I sold one, I sold two. I sold three. I
• 22:41
  Speaker 4: had six. I was already happy as hell. I sold,
• 22:45
  Speaker 4: I need to sell three more.
• 22:47
  Speaker 3: How much was a bird?
• 22:49
  Speaker 4: Man, I don't remember. I think it was 35 reais.
• 22:50
  Speaker 4: It's cheap. It's cheap. There's the Canary of the Earth
• 22:54
  Speaker 4: and there's the Belgian. This one was the Canary, I
• 22:57
  Speaker 4: think the Belgian, which is cute, but doesn't have much value.
• 23:01
  Speaker 4: His corner, I think, is in another language. It doesn't
• 23:05
  Speaker 4: sell here in Brazil much. And then I sold. Man,
• 23:08
  Speaker 4: I remember that the enemy comes sometimes to humiliate us, man.
• 23:12
  Speaker 4: And you don't need to be a believer, no. You
• 23:14
  Speaker 4: have faith and know that God exists and things appear
• 23:17
  Speaker 4: in front of you. A guy, I don't know where
• 23:19
  Speaker 4: he must have heard me saying that I was an MC,
• 23:22
  Speaker 4: He showed up on the day I was selling.
• 23:24
  Speaker 1: Out of the blue?
• 23:25
  Speaker 4: He showed up in front of me and said, Hey,
• 23:27
  Speaker 4: weren't you MC? Out of the blue? I said, I
• 23:32
  Speaker 4: was selling a bird. I said, bro, we sell birds,
• 23:35
  Speaker 4: we sing funk, we get in the exchange, we shoot
• 23:37
  Speaker 4: this fucker. I already gave a favor to the guy,
• 23:39
  Speaker 4: you know? And, in general, what I was selling there...
• 23:45
  Speaker 4: The guys were like, that's it, man, Manoel is mad.
• 23:47
  Speaker 1: But he went to kick you out. He saw me
• 23:49
  Speaker 1: and recognized me.
• 23:49
  Speaker 4: He must have recognized me in some place, me singing
• 23:52
  Speaker 4: or showing some little song. He said that. And it
• 23:54
  Speaker 4: served me as an incentive. Man, in short, the last
• 23:58
  Speaker 4: bird was left. But the chicken that they keep inside, Ossopãozinho,
• 24:04
  Speaker 4: I think that's the name, Ossapão, the little thing that
• 24:07
  Speaker 4: they keep inside. When the little thing turned to the side,
• 24:10
  Speaker 4: it fell down. It wasn't walking. Then I said, I'm
• 24:15
  Speaker 4: going to sell it, man. I said, today is my day, man.
• 24:17
  Speaker 1: I'm going to sell even the PSD bird here, I'm
• 24:20
  Speaker 1: not even there.
• 24:21
  Speaker 4: Look at this little bird here, it's so new. because
• 24:25
  Speaker 4: he doesn't even know how to sing. Then the lady said, seriously?
• 24:27
  Speaker 4: I said, this is good, because if you put a CD,
• 24:29
  Speaker 4: he will learn the thing. Look how new he is.
• 24:32
  Speaker 4: Put the CD!
• 24:33
  Speaker 3: I swear, brother.
• 24:34
  Speaker 4: I said, look how new he is. I turned my
• 24:36
  Speaker 4: stick to the side, he fell. I said, he doesn't
• 24:38
  Speaker 4: even know how to walk. Then I turned the stick
• 24:41
  Speaker 4: to the other, he went to the other end. Then
• 24:43
  Speaker 4: I said, take care of him, give him a little
• 24:46
  Speaker 4: food in the mouth. It's over, Tom, the woman was crazy. Fiatinho, Fiatinho.
• 24:51
  Speaker 4: I got home feeling offended at the company. I said,
• 24:56
  Speaker 4: next week I'll be there.
• 24:57
  Speaker 1: I'm good with lips, brother.
• 24:58
  Speaker 6: Let's go.
• 24:59
  Speaker 3: And it worked.
• 25:00
  Speaker 4: I don't know what happened. I think it went bad
• 25:03
  Speaker 4: in a period there. And then I stopped selling. But
• 25:07
  Speaker 4: how old were you then? I was about 14.
• 25:11
  Speaker 2: Okay, so you got interested in music before you sold Passarinho.
• 25:15
  Speaker 4: The music, in that period, I went to church. Okay.
• 25:20
  Speaker 4: Here in the community, we know that there is a
• 25:23
  Speaker 4: macumba and there is a church. People eating one next
• 25:25
  Speaker 4: to the other. I was a little afraid of the macumba,
• 25:29
  Speaker 4: because I saw dead chickens on the street. I was afraid.
• 25:33
  Speaker 4: Once we were playing football in the countryside, there were
• 25:37
  Speaker 4: some forests there, and the guys would go there to
• 25:41
  Speaker 4: make the dispatches. One day they put some coins and
• 25:47
  Speaker 4: we were hungry, throwing a ball there, the bakery in front.
• 25:52
  Speaker 4: How much was it? It was a fucking coin, it
• 25:56
  Speaker 4: was about 40 reais. The coin was three vases. Then
• 26:01
  Speaker 4: I said, I don't know, guys. The guys, let's go,
• 26:03
  Speaker 4: let's go, let's go. They took it. Everything or half?
• 26:06
  Speaker 4: We took it all. Wow. At least a little bit.
• 26:09
  Speaker 4: We took it all. And we went to buy, we said,
• 26:13
  Speaker 4: we have to buy a snack to eat right away,
• 26:17
  Speaker 4: because then it's not a sin. Yeah, you just want
• 26:19
  Speaker 4: to eat. And we bought a snack to eat. Then
• 26:22
  Speaker 4: a genius who was with us said, now we have
• 26:25
  Speaker 4: to chew on the hand, so as not to get
• 26:27
  Speaker 4: the macumba in us. Then the asshole goes the way
• 26:30
  Speaker 4: I'm there.
• 26:30
  Speaker 3: After eating before. No, we bought, ate. Then he said,
• 26:33
  Speaker 3: now we have to chew on the hand.
• 26:37
  Speaker 1: But each one was going to pee on his own hand.
• 26:39
  Speaker 4: For God's sake, right? Then I was like, fuck, what
• 26:42
  Speaker 4: is this? Before going home, man, my God, I went
• 26:43
  Speaker 4: with my hand all peed, man.
• 26:45
  Speaker 3: Man, and when you're a kid.
• 26:47
  Speaker 4: It happens to you.
• 26:49
  Speaker 1: And everyone peed, everyone peed.
• 26:50
  Speaker 3: Everyone peed on their hand, everyone.
• 26:52
  Speaker 4: Even the one who told, believed in this story, is there,
• 26:54
  Speaker 4: the guy over there. The smart one became my producer.
• 26:56
  Speaker 4: The smart one became my producer.
• 27:00
  Speaker 1: I looked at him and he was like this, look.
• 27:03
  Speaker 1: It was me.
• 27:04
  Speaker 3: Oh, it's all right, it's all right.
• 27:05
  Speaker 1: Okay, and then you went to church, right? I went
• 27:08
  Speaker 1: to church.
• 27:08
  Speaker 4: Did they introduce you to the music there? Then I
• 27:10
  Speaker 4: saw the drums, I saw the guitar, I saw the piano.
• 27:14
  Speaker 4: Then I said, man, how do I play the drums?
• 27:17
  Speaker 4: Then they said, man, come to class one day. I
• 27:20
  Speaker 4: went to class, man, I did two classes and then...
• 27:22
  Speaker 4: Got it. I got some people who were with me,
• 27:26
  Speaker 4: and I got a little more, bro. And then there
• 27:30
  Speaker 4: was a day when people were late in the show.
• 27:33
  Speaker 4: Look at that, bro. People were late because they played drums,
• 27:36
  Speaker 4: and then I went. I was taken by the drummers,
• 27:38
  Speaker 4: I went up there on the stage, I didn't play
• 27:40
  Speaker 4: a lot, but I had the courage to keep it, bro.
• 27:42
  Speaker 1: To follow the song there.
• 27:43
  Speaker 4: And then I arrived... I kept watching the pastor singing,
• 27:46
  Speaker 4: including myself.
• 27:47
  Speaker 1: You were too expensive, man.
• 27:49
  Speaker 4: Man, I keep looking at it today and I say,
• 27:51
  Speaker 4: fuck it.
• 27:51
  Speaker 3: But there were people in the church watching.
• 27:53
  Speaker 4: Yes, that is a community church. Congregational of Pastor Antônio.
• 27:57
  Speaker 3: But at that moment, your mother and your family.
• 27:59
  Speaker 4: Said, my son is going to church. My mother is
• 28:00
  Speaker 4: not going to church, man. No? The thing was crazy,
• 28:03
  Speaker 4: my mother is not going to church. Then I went, played,
• 28:05
  Speaker 4: the boy came there and said, man, he's playing. And
• 28:08
  Speaker 4: then I started playing the drums in the church. At first,
• 28:12
  Speaker 4: because of the drums, because I loved that, I loved
• 28:14
  Speaker 4: the musicality. And then, after that, I went, I got baptized,
• 28:18
  Speaker 4: I was a Christian, man. I spent a period in
• 28:20
  Speaker 4: the church, I got baptized, my sister too. And it
• 28:23
  Speaker 4: was really cool, like that. Then, what happened? I... I
• 28:28
  Speaker 4: already liked funk, because I listened to funk in the 2000s,
• 28:32
  Speaker 4: Furacão 2000, the pirated DVDs that saved us. Wow, that's amazing.
• 28:34
  Speaker 4: So I also liked funk. And then when I got
• 28:37
  Speaker 4: to know funk, it was a little later than the church,
• 28:39
  Speaker 4: when I played the drums, I stayed a while, and
• 28:41
  Speaker 4: then I left, I was very young, I didn't know anything.
• 28:44
  Speaker 3: But you didn't sing before, did you?
• 28:45
  Speaker 4: I never imagined I was going to sing. What do
• 28:48
  Speaker 4: you mean?
• 28:48
  Speaker 3: I swear, I never imagined. But didn't the guys talk
• 28:50
  Speaker 3: about the church? Man, you have a difficult voice.
• 28:52
  Speaker 1: No, I was a kid with.
• 28:54
  Speaker 4: A strong voice, man.
• 28:54
  Speaker 1: So it was very crazy.
• 28:57
  Speaker 4: And I didn't sing. It's crazy, man. It didn't even
• 29:00
  Speaker 4: cross my mind. My sister sang with a very beautiful voice.
• 29:03
  Speaker 4: I said, this one is going to be a singer.
• 29:05
  Speaker 4: But the plans of God are very crazy.
• 29:06
  Speaker 1: It's not explained, right?
• 29:07
  Speaker 4: It's not explained because, man, it was a plan of God, man.
• 29:10
  Speaker 4: A lot of miracles that happened in the day to day.
• 29:13
  Speaker 4: Imagine us traveling the world, traveling by jet. I got
• 29:16
  Speaker 4: to do four stages in a day, five stages in
• 29:19
  Speaker 4: a day, man. You're crazy. If I pay to go
• 29:22
  Speaker 4: there and do a jet show, I won't, man.
• 29:25
  Speaker 1: Gabriel Diniz, yes.
• 29:30
  Speaker 4: Man, I don't know. I'm scared. Me too.
• 29:51
  Speaker 1: I'm scared of planes. But still going back. But tell
• 29:54
  Speaker 1: me what's.
• 29:55
  Speaker 3: Interesting about this story.
• 29:57
  Speaker 2: G15, when did you have the opportunity to sing? And
• 29:59
  Speaker 2: why did you get interested in making funk?
• 30:02
  Speaker 4: Look how crazy this story is. There was a ballet,
• 30:06
  Speaker 4: the name of the ballet at the time was Barro
• 30:08
  Speaker 4: Vermelho Ballet. And I lived next door. I had never
• 30:12
  Speaker 4: been to a favela ballet. Brother, I went to a
• 30:14
  Speaker 4: favela ballet. A little stage of Andami. Duas Taubas.
• 30:21
  Speaker 3: MC G3.
• 30:22
  Speaker 4: Lies.
• 30:22
  Speaker 1: And MC Rael.
• 30:23
  Speaker 4: Fuck. It's over. Fuck, with that face in front of
• 30:28
  Speaker 4: my eyes. Brother, I was in front of my... In
• 30:30
  Speaker 4: front of G3. I don't know, man. Of my future.
• 30:33
  Speaker 4: Of your future, exactly. I was standing there, man. And
• 30:37
  Speaker 4: I was there.
• 30:39
  Speaker 4: Seeing the guys, one singing to the other, as if
• 30:41
  Speaker 4: it were a duet. Wow, just a tambor, my friend.
• 30:44
  Speaker 4: Microphone giving a shock to hell. And the dancing enjoying.
• 30:48
  Speaker 1: Dancing enjoying.
• 30:48
  Speaker 4: I didn't drink, none of that. Because I went, I
• 30:50
  Speaker 4: don't know how I went there. I went, I saw this.
• 30:55
  Speaker 4: When I left there, I already left composing a song, man. Oh, crazy.
• 30:58
  Speaker 4: I already left writing a song, man.
• 31:00
  Speaker 3: What did you write? Do you remember?
• 31:02
  Speaker 4: I remember perfectly. I even released it. But I sprained
• 31:04
  Speaker 4: all my macaqueiro friends in the song. And at the time,
• 31:07
  Speaker 4: there was a little more than today. The discrimination of
• 31:10
  Speaker 4: the thing. And then I made a song. I tore
• 31:13
  Speaker 4: a little bomb that left me... Liar!
• 31:16
  Speaker 1: This is your first song?
• 31:17
  Speaker 3: Yeah.
• 31:17
  Speaker 4: And I already did it with your melody. I tore
• 31:19
  Speaker 4: a little bomb with the new one next to me...
• 31:24
  Speaker 4: This song is mine. I made the first scratch of her.
• 31:27
  Speaker 4: Of her lyrics. But instead of I tore a little bomb...
• 31:31
  Speaker 4: As I still didn't believe it was real, I made
• 31:32
  Speaker 4: a little bomb for them. I made a little bomb
• 31:37
  Speaker 4: that made me sick. And today I'm drunk. I smoked
• 31:40
  Speaker 4: with Manoel Lucas, I smoked with Manoel. I smoked with Manoel. Like,
• 31:46
  Speaker 4: I made a joke, you know? And I made this song, man.
• 31:49
  Speaker 4: And then I got so excited that I, in the
• 31:51
  Speaker 4: middle of the work, I took the money and went
• 31:55
  Speaker 4: to record. Luquinhas, who is my producer today, put me
• 31:59
  Speaker 4: on his bike. He said, what are you going to record, man? Like,
• 32:04
  Speaker 4: it was a lot of money, man.
• 32:05
  Speaker 3: How much was it, more or less?
• 32:06
  Speaker 4: It was 250 something.
• 32:07
  Speaker 3: Just to record a thing, it's a lot of money, man.
• 32:10
  Speaker 2: Imagine, a guy who never did this, will get 250
• 32:12
  Speaker 2: something to burn, let's say.
• 32:14
  Speaker 3: To drive me crazy.
• 32:15
  Speaker 4: I was in a review.
• 32:16
  Speaker 3: But when you showed this song to your friends, what
• 32:19
  Speaker 3: did they say?
• 32:19
  Speaker 4: Do you believe that the guys turned to me and said,
• 32:22
  Speaker 4: put this guy here. I said, wow, the guy is
• 32:24
  Speaker 4: going to rock. He said, man, your voice is cool.
• 32:28
  Speaker 4: I had never let go of the voice, really. I said, man,
• 32:31
  Speaker 4: this guy is lying to me, right? Because I'm paying him,
• 32:33
  Speaker 4: he does the job right. It was already from Rio,
• 32:35
  Speaker 4: he already sold this little cat, it was already bad.
• 32:38
  Speaker 4: But I didn't put faith, man. Then it became a
• 32:42
  Speaker 4: situation where the others say, damn, his voice, his voice.
• 32:43
  Speaker 4: Then one day... I went to a shop and several MCs.
• 32:48
  Speaker 4: Shopping is that we paid like 30 reais. There's a
• 32:49
  Speaker 4: lot in Rio, right? And beer at will. Yeah, but
• 32:52
  Speaker 4: beer I even fucked myself. God damn it. Ludmilla, when
• 32:56
  Speaker 4: she came here, she.
• 32:56
  Speaker 2: Said that her childhood, not childhood, her teenage years, During
• 33:02
  Speaker 2: that period, Viviana Dutra was very much in Chopada, organizing Chopada.
• 33:06
  Speaker 4: My first PT. Really? Fuck, man.
• 33:08
  Speaker 1: And was it always at someone's house? How was Chopada?
• 33:10
  Speaker 4: Chopada was, for example, a block of a school there,
• 33:13
  Speaker 4: which was deactivated, and then they took this block and
• 33:17
  Speaker 4: started doing this Chopada thing. Man, the sound teams were
• 33:22
  Speaker 4: an immense wall, it was an exaggeration of sound. It
• 33:25
  Speaker 4: was good to go crazy.
• 33:26
  Speaker 3: But how was this session?
• 33:27
  Speaker 4: It was like this, I went to the party, I
• 33:30
  Speaker 4: got there, I took one, I took two, I was
• 33:33
  Speaker 4: very happy, man. And then I looked at the stage,
• 33:36
  Speaker 4: there were some guys singing, some MCs, I remember the
• 33:40
  Speaker 4: name of all of them. And there was a guy
• 33:43
  Speaker 4: there with a cell phone, all fucked up, broken, making
• 33:46
  Speaker 4: a fucking noise. Kevin O'Krean. Lies. Then he would become
• 33:48
  Speaker 4: Kevin O'Krean. And I was crazy. I went straight to
• 33:51
  Speaker 4: the owner of the party. Who is the owner? Who
• 33:53
  Speaker 4: is the owner? It's not you. I hugged him, talked
• 33:55
  Speaker 4: for three minutes. Fuck, cousin.
• 33:57
  Speaker 1: Was Kevin the owner of the party?
• 33:58
  Speaker 4: No, it was the guy there. I hugged him. Fuck, cousin.
• 34:00
  Speaker 4: Several MCs, man. Give me some strength there. He put
• 34:03
  Speaker 4: me on stage, man. On that day? On that day
• 34:05
  Speaker 4: that Kevin was on stage playing.
• 34:06
  Speaker 3: That was a lot of conversation, brother.
• 34:07
  Speaker 4: And then Kevin started to laugh like hell because I
• 34:09
  Speaker 4: was tired. I started to send, brother. I don't know
• 34:12
  Speaker 4: what I sent. I know what I sent. Torreão Baseado.
• 34:15
  Speaker 2: And then.
• 34:16
  Speaker 4: There was a guy there on that day... That he
• 34:19
  Speaker 4: was a dancer of MCK9, Dioguin. And he saw me
• 34:23
  Speaker 4: singing next to Kev, but I already had a name, G15,
• 34:26
  Speaker 4: and I wasn't known anywhere. It was the first time
• 34:28
  Speaker 4: I asked for an opportunity to sing.
• 34:31
  Speaker 1: G15 is 15 years old?
• 34:32
  Speaker 4: What happens? The day I went to pay for this production,
• 34:35
  Speaker 4: the guy needs an artistic name. I said, fuck, I
• 34:38
  Speaker 4: didn't think about that, boss. I said, fuck. Put Bielzinho
• 34:43
  Speaker 4: da Sacanagem there.
• 34:47
  Speaker 1: Bielzinho da Sacanagem, damn it!
• 34:50
  Speaker 3: I swear, man.
• 34:51
  Speaker 4: It was that. But what did he say?
• 34:53
  Speaker 3: Is it really?
• 34:54
  Speaker 4: I said, yeah, man, put Bielzinho da Sacanagem there. But
• 34:58
  Speaker 4: he wrote, man, Bielzinho da Sacanagem. Then the guys, man,
• 35:04
  Speaker 4: but who are you a fan of? I said, man,
• 35:06
  Speaker 4: of the funk, I had seen G3 sing. His voice,
• 35:09
  Speaker 4: I said, man, G3. Then I was talking. Yeah, then, man,
• 35:14
  Speaker 4: GG is your name, from Gabriel. The guys said, yeah, GG. G15, then.
• 35:18
  Speaker 4: I said, but what if I make 16? Will it
• 35:21
  Speaker 4: be G16, then G17, this shit will go up until
• 35:23
  Speaker 4: I die? Then the guys said, no, leave 15. I said,
• 35:26
  Speaker 4: then put this shit there. Then I was going to
• 35:30
  Speaker 4: launch as Bielzinho da Sacanagem, man. Then, in the week
• 35:35
  Speaker 4: that was launched, I changed to G15.
• 35:36
  Speaker 3: You had to make an album of Bielzinho da Sacanagem, man.
• 35:39
  Speaker 1: You had to do it, man. A whorehouse.
• 35:43
  Speaker 3: Damn, I like that shit.
• 35:44
  Speaker 1: So you sang at Chopada, met Kevin.
• 35:45
  Speaker 3: Criss there, and when... Before I.
• 35:47
  Speaker 2: Met Kevin Criss, I met a boy who said he
• 35:49
  Speaker 2: was at a party trying to get some girls, I
• 35:52
  Speaker 2: was already a little drunk, then he started to say
• 35:55
  Speaker 2: he was a DJ, and it was gaining an advantage
• 35:57
  Speaker 2: in the conversation, it was getting big, I said, yeah, even.
• 35:59
  Speaker 4: DJs are MCs, so... And I wasn't a shit, man.
• 36:11
  Speaker 4: But I already had that attitude, I already called that.
• 36:14
  Speaker 3: That response, man.
• 36:15
  Speaker 4: I was already the Béuzinho da Sacanagem. And then this
• 36:18
  Speaker 4: situation happened. I went to record with this boy that
• 36:22
  Speaker 4: I said, he said he was a DJ. I said,
• 36:24
  Speaker 4: so I'm MC? He didn't know how to produce. He
• 36:26
  Speaker 4: took me to this studio of the guys there in Caxias.
• 36:29
  Speaker 4: Then I paid for the guys in the biggest transparency.
• 36:31
  Speaker 4: It was a tattoo studio and a music studio. You
• 36:35
  Speaker 4: recorded music here and the others tattooed there. Márcio Tatu,
• 36:38
  Speaker 4: a big hug for you. What's up, man?
• 36:40
  Speaker 1: The beginning is important.
• 36:41
  Speaker 3: You did well at the beginning, did people like it?
• 36:44
  Speaker 4: Man, I think people liked it because they started to
• 36:46
  Speaker 4: call me to all the events they had. Soon, in
• 36:49
  Speaker 4: my region, I was very famous. But it affected me
• 36:54
  Speaker 4: because I was very famous and very poor. But I said, man,
• 36:58
  Speaker 4: if I have to go back to work, I'm firm, man.
• 37:01
  Speaker 4: I'm going to work, I'm going to set up a job,
• 37:03
  Speaker 4: I'm going to be a mechanic. And how was that
• 37:05
  Speaker 4: beginning there?
• 37:06
  Speaker 3: Your family, your friends, your brothers. Man, you were from
• 37:08
  Speaker 3: the church, now you're... He became a G15.
• 37:13
  Speaker 4: I think it's an emotion of a teenager. Go to
• 37:16
  Speaker 4: the MC. No. Hey, DJ. Look, the son of Zé
• 37:21
  Speaker 4: Paulo became a DJ. I was like, son of a bitch.
• 37:23
  Speaker 4: Not even to say that I became a MC. I
• 37:25
  Speaker 4: became a DJ.
• 37:25
  Speaker 1: Not even to accept the right profession.
• 37:28
  Speaker 4: And I started to sing in places. Like, you'll have
• 37:32
  Speaker 4: choked there. Then I sang. I won two bottles of beer, brother.
• 37:35
  Speaker 4: The third time I already sang. The fourth time I
• 37:38
  Speaker 4: was already on Fly. On Banner. And then I remember
• 37:42
  Speaker 4: that one day the guy said, man, let's sing at
• 37:44
  Speaker 4: my party. And the guy's party was the best in
• 37:46
  Speaker 4: the region. Then I got really mad. I said, then
• 37:52
  Speaker 4: I sing. But only if it's just me from MC
• 37:56
  Speaker 4: that no one knows. Because he always took a main attraction.
• 37:59
  Speaker 4: On the side of the main attraction. The guy didn't
• 38:03
  Speaker 4: put me, man.
• 38:04
  Speaker 1: But it was very light, because you must have raised
• 38:06
  Speaker 1: your voucher.
• 38:06
  Speaker 4: I said, I'm a friend of all the guys. But
• 38:09
  Speaker 4: to be honest, if I put one of them, I'm out.
• 38:13
  Speaker 4: Because this party was very top, and none of us
• 38:16
  Speaker 4: sang at this party. They brought an MC that was
• 38:18
  Speaker 4: already blown up, an MC from outside. He put me, bro,
• 38:21
  Speaker 4: I was getting a taste of it, man. And I
• 38:23
  Speaker 4: was singing, I drank one or two, I was singing
• 38:25
  Speaker 4: like hell. But I remember that even coming from the work...
• 38:29
  Speaker 4: I used to drink a beer and I used to
• 38:32
  Speaker 4: sing Raça Negra, Sertanejo, I always had this involvement with music.
• 38:36
  Speaker 2: But when you start to take things seriously, to have
• 38:41
  Speaker 2: a DJ, to say like, man, this is going to
• 38:43
  Speaker 2: be my profession, so I'm MC.
• 38:45
  Speaker 1: When was that?
• 38:47
  Speaker 4: It took a while, because... Look how crazy this happened.
• 38:52
  Speaker 4: The first song I record, Eu Tô Reumbaseado, when it
• 38:55
  Speaker 4: became the version Eu Tô Reumbaseado, the song exploded in
• 38:58
  Speaker 4: the south. There in the South.
• 39:00
  Speaker 1: Rio Grande do Sul, Santa Catarina. Yeah, there in Porto Alegre.
• 39:03
  Speaker 4: And then, man, the guys said, hey, we want you
• 39:06
  Speaker 4: here to do a tour. It was me and Kevin.
• 39:09
  Speaker 4: DJ Kevin.
• 39:10
  Speaker 1: Kevin.
• 39:11
  Speaker 3: Oh, and also tell us how was this connection between
• 39:13
  Speaker 3: you two.
• 39:14
  Speaker 4: Look, so I don't lose the reasoning, I'm going to
• 39:16
  Speaker 4: try to conclude this. We went there in the South.
• 39:18
  Speaker 4: I got there in the South, brother. Six shows.
• 39:22
  Speaker 3: Loaded.
• 39:23
  Speaker 1: My God, your legs are shaking. The girl.
• 39:27
  Speaker 4: I said to the producer, I'm not going. back to Rio, man.
• 39:32
  Speaker 4: I don't go back, fuck it, man. Get a little
• 39:35
  Speaker 4: break for me, man. Leave me here, man. What is this, man?
• 39:38
  Speaker 4: What's going on? I went up on stage, a thousand
• 39:40
  Speaker 4: people in the interior singing. The girls were screaming. Check
• 39:43
  Speaker 4: it out. They were grabbing me. You had no idea
• 39:45
  Speaker 4: what was going on. I was a kid.
• 39:46
  Speaker 1: I was in Caxias. I said, I don't want to
• 39:47
  Speaker 1: come back.
• 39:48
  Speaker 3: I'm fucked.
• 39:48
  Speaker 4: Here I am a prince. Here I am a prince.
• 39:50
  Speaker 4: Here I am a prince. Here I am a prince.
• 39:52
  Speaker 4: Here I am a prince. Here I am a prince.
• 39:53
  Speaker 1: Here I am a prince. Here I am a prince.
• 39:54
  Speaker 1: Here I am a prince.
• 39:55
  Speaker 4: Here I am a prince.
• 39:55
  Speaker 3: Here I am a prince. Here I am a prince.
• 39:58
  Speaker 4: Here I am a prince.
• 39:59
  Speaker 3: Here I am a prince.
• 39:59
  Speaker 6: Here I am a prince.
• 40:00
  Speaker 4: Here I am a prince. Here I am a prince.
• 40:02
  Speaker 3: Here I am a prince.
• 40:03
  Speaker 4: Here I am a prince.
• 40:04
  Speaker 3: Here I am a prince. Here I am a prince.
• 40:05
  Speaker 4: Here I am a prince. Here I am a prince.
• 40:06
  Speaker 4: Here I am a prince. Here I am a prince.
• 40:08
  Speaker 4: Here I am a prince. Here I am a prince.
• 40:09
  Speaker 4: Here I am a prince. Here I am a prince.
• 40:11
  Speaker 4: Then he took me to another tour, many more shows,
• 40:14
  Speaker 4: and I had no success. I had released this song
• 40:16
  Speaker 4: and I was very busy.
• 40:17
  Speaker 3: And your show started.
• 40:19
  Speaker 4: With her, you sang with the others... I sang with
• 40:21
  Speaker 4: the others, picked up the guys from the south, there
• 40:24
  Speaker 4: was a time with the South's MCs, we were from
• 40:25
  Speaker 4: the old ones already.
• 40:26
  Speaker 1: Pô, Chesco.
• 40:27
  Speaker 4: Yes, Chesco, Filipinho, Lois, some cool MCs. And then I
• 40:30
  Speaker 4: sang their songs, I did about 20 minutes.
• 40:33
  Speaker 2: But wait a minute, Mítico, it's nice to highlight something
• 40:35
  Speaker 2: that people always say and I think we never pointed out.
• 40:40
  Speaker 2: Su is a big fan of funk, man. When the
• 40:43
  Speaker 2: guys are starting, they do a lot of shows in
• 40:46
  Speaker 2: the South. Felps already said that. When it started, it
• 40:49
  Speaker 2: exploded in the South. He went to the South and
• 40:51
  Speaker 2: did a lot of tours. He still does a lot
• 40:52
  Speaker 2: of tours in the South. So, man, the South likes
• 40:55
  Speaker 2: a lot of funk, you know?
• 40:56
  Speaker 1: It's crazy.
• 40:57
  Speaker 3: It was the first state to.
• 40:59
  Speaker 4: Hug you, right? Man, I'm in love with the South
• 41:01
  Speaker 4: of Brazil. I have a gratitude. I'm a barbecue lover too.
• 41:05
  Speaker 4: I roll in the whole cup. I like to eat meat.
• 41:09
  Speaker 4: And I like the people there, I'm always there doing shows.
• 41:12
  Speaker 4: Then imagine, later on, when I actually started to play
• 41:15
  Speaker 4: the songs, there they always welcomed me like that, whenever
• 41:19
  Speaker 4: I go to sold out.
• 41:20
  Speaker 3: In the houses.
• 41:21
  Speaker 7: But what I want to know is how was this involvement,
• 41:24
  Speaker 7: how was the first time with Kevin O'Kris, bro? Because
• 41:26
  Speaker 7: he already came here and talked about you, but I
• 41:28
  Speaker 7: wanted to know about your side too.
• 41:30
  Speaker 4: It was very crazy that I, look, I was listening
• 41:32
  Speaker 4: to a little song playing in the community, I don't
• 41:37
  Speaker 4: know if you've heard it.
• 41:43
  Speaker 1: I have, man.
• 41:45
  Speaker 4: Man, Kev got his friends, this is the story, right?
• 41:49
  Speaker 4: His friends, he with a computer and a microphone, recorded
• 41:53
  Speaker 4: Novinho da Praça, he made this song.
• 41:56
  Speaker 1: Liar, is it produced by Kev and Chris?
• 41:57
  Speaker 4: Yeah, he made this song, he composed this song. And
• 42:02
  Speaker 4: then he took his friends and texted them in the
• 42:04
  Speaker 4: voice of his friends, the voice.
• 42:07
  Speaker 1: Of Novin, it was so cool. So the song was
• 42:09
  Speaker 1: his composition?
• 42:09
  Speaker 3: Kev's. Holy shit, man.
• 42:10
  Speaker 4: Then the song, my brother, was in a beautiful production,
• 42:13
  Speaker 4: there was an assovio. Man, so my community started to
• 42:22
  Speaker 4: play in the region there, I said, I went there
• 42:24
  Speaker 4: at the door, who is Kev? I hit him. Here
• 42:29
  Speaker 4: lives Kev.
• 42:30
  Speaker 1: Man, you're expensive.
• 42:31
  Speaker 4: It wasn't Kev or Cris.
• 42:32
  Speaker 8: It was Kev.
• 42:32
  Speaker 4: Here lives Kev. Then his mom said, yes, Kev is
• 42:34
  Speaker 4: my son. I said, tell him that G15 is here
• 42:36
  Speaker 4: to talk to him. I want to record a song
• 42:38
  Speaker 4: with him. The guy is angry. I don't know if
• 42:40
  Speaker 4: she told him. I don't know what it is.
• 42:41
  Speaker 3: But I did it.
• 42:42
  Speaker 4: I remember it perfectly. I was a little boy. And
• 42:45
  Speaker 4: then I met him in that stage review, man. That
• 42:47
  Speaker 4: he was playing, that I told you on the cell phone.
• 42:50
  Speaker 4: On the cell phone. Yeah. And we... He went to
• 43:00
  Speaker 4: the South Tournament, and the guy there said, I'll give
• 43:04
  Speaker 4: you a studio structure so you can make music here
• 43:07
  Speaker 4: in the South, so you can work here in the Rádios.
• 43:10
  Speaker 4: He sent two boxes, a little thing, and left it
• 43:12
  Speaker 4: there in Kev's response for us to make music for
• 43:14
  Speaker 4: the South. But we only made music for the favela, man.
• 43:18
  Speaker 4: Kev G, we have to play in the favela. And
• 43:20
  Speaker 4: how would the.
• 43:21
  Speaker 1: Music be played in the South? That you guys avoided doing,
• 43:24
  Speaker 1: in quotes.
• 43:25
  Speaker 4: Man, for you to see that the song Torreão Baseado,
• 43:27
  Speaker 4: even though it's my first song, I had never written anything,
• 43:31
  Speaker 4: it has a nice melody.
• 43:31
  Speaker 1: You always sang with melody.
• 43:33
  Speaker 4: And there in the south, the guys, they wanted us
• 43:36
  Speaker 4: to do this style of music.
• 43:37
  Speaker 1: Melodic.
• 43:37
  Speaker 4: Melodic, with the beat more from there.
• 43:40
  Speaker 3: Kev.
• 43:41
  Speaker 4: Fessurado no baile de favela, nós tem que fazer pra favela, papapá.
• 43:45
  Speaker 4: E deu bom, porque eu comecei a gravar incansavelmente, fazendo
• 43:49
  Speaker 4: letra o dia inteiro, e aí a gente pegou o
• 43:51
  Speaker 4: dinheiro lá do sul, montamos um estúdiozinho da casa do Kevin,
• 43:55
  Speaker 4: coisa assim bem simples, a mãe dele disponibilizou um lugar
• 43:58
  Speaker 4: lá na laje e tal, porra, ela servia comida pra gente.
• 44:02
  Speaker 3: Que da hora, mano. Por isso que eu tenho um carinho.
• 44:04
  Speaker 7: E qual que era os papos de vocês nessa época?
• 44:06
  Speaker 7: Vocês se imaginavam que vocês iam ser grandes, vocês iam
• 44:09
  Speaker 7: fazer sucesso, como que era, mano?
• 44:11
  Speaker 4: Kevin was already scary to me, because he had this thing,
• 44:16
  Speaker 4: for example, one time I saw him doing it, what's
• 44:19
  Speaker 4: the name of this thing, plate?
• 44:23
  Speaker 3: SS2?
• 44:23
  Speaker 4: So, one time I saw him buying a fuse and
• 44:26
  Speaker 4: a wooden plate, I said, what is this guy doing?
• 44:29
  Speaker 4: He was making one of the studio equipment, the plate,
• 44:32
  Speaker 4: for the sound to be awesome. with a wooden thing,
• 44:36
  Speaker 4: he was buying the fuses, he was sending the guys
• 44:39
  Speaker 4: to glue, then I would get there, he would take
• 44:41
  Speaker 4: a fuse out of here, the thing, boom, it worked,
• 44:43
  Speaker 4: and the sound was cool. So, Kev... Damn, very interested.
• 44:46
  Speaker 4: For you to see that his first song was in
• 44:48
  Speaker 4: an assovio. that he did for Novinho da Praça. Well,
• 44:53
  Speaker 4: we got to know each other, and we went to
• 44:55
  Speaker 4: do these tours in the South, we made little money,
• 44:57
  Speaker 4: but I already did a bathroom at home, it was
• 44:59
  Speaker 4: like survival. And we, bro, I swear, we shared the
• 45:02
  Speaker 4: bread in the studio. Sometimes there were more MCs, we
• 45:05
  Speaker 4: were hungry there, recording, smoking a prensado, the crazy stuff.
• 45:14
  Speaker 4: Asked for a snack and shared it.
• 45:16
  Speaker 1: He looked like he was shy. Very shy. In the
• 45:18
  Speaker 1: funk circle, when you.
• 45:19
  Speaker 2: Damn, that's so cool that you did that. Because that
• 45:21
  Speaker 2: was for eternity. To say, this is DJ Kevin, he's
• 45:25
  Speaker 2: going to be very big. So much so that when
• 45:27
  Speaker 2: the camera goes on him, he's almost like this. Almost
• 45:29
  Speaker 2: apologizing for appearing there.
• 45:30
  Speaker 1: It's true. Was he very shy?
• 45:32
  Speaker 4: I never imagined that Kev would sing. Very shy, very, very.
• 45:37
  Speaker 4: We had moments like that. For example, we went to
• 45:41
  Speaker 4: a funk tour once and I got chapped. And then
• 45:45
  Speaker 4: I was with Rael, Pé de Pano, MC Magrinho.
• 45:49
  Speaker 1: My God, only this.
• 45:50
  Speaker 4: The agenda of Pé de Mim. My God, I chomped.
• 45:53
  Speaker 4: Then the guys went to put me to sing, I
• 45:55
  Speaker 4: was very bad, I was a child. I don't understand,
• 45:58
  Speaker 4: the guys didn't put me to sing today and Kev
• 46:00
  Speaker 4: cried like hell. And the guys were like, hey, Chorão!
• 46:04
  Speaker 4: And the next time we came back, we already had
• 46:07
  Speaker 4: this studio structure, we were already recording for the favelas,
• 46:10
  Speaker 4: which is where that video happened. There, in that video,
• 46:12
  Speaker 4: I know that many people from Brazil still didn't know me.
• 46:15
  Speaker 4: Deu Onda, G15, nice guy, just you. But there, in
• 46:19
  Speaker 4: Rio de Janeiro, I was already exploded with several voices,
• 46:23
  Speaker 4: several different DJs were producing and I was recording a lot.
• 46:26
  Speaker 1: A lot of carimbo, a lot of voice. A lot
• 46:27
  Speaker 1: of carimbo.
• 46:28
  Speaker 4: I remembered those times when we went to the funk
• 46:30
  Speaker 4: wheel to get an opportunity, and this time we actually
• 46:33
  Speaker 4: went with an attraction, with all the affection. And then
• 46:36
  Speaker 4: I looked at Kevin and just said what I really felt,
• 46:40
  Speaker 4: that he was really a genius guy, because we had
• 46:44
  Speaker 4: no resources.
• 46:45
  Speaker 2: But it's really cool that you already recognized that in
• 46:48
  Speaker 2: him at that time, because today to say that Kevin,
• 46:50
  Speaker 2: the G15, is a monster, is a work of art, right?
• 46:55
  Speaker 1: What year was that?
• 46:55
  Speaker 3: I think it must have been 2015?
• 46:57
  Speaker 1: No, it was 2015 or 2016.
• 46:58
  Speaker 4: I actually burst out in 2016 with the song Sentada Nervosa.
• 47:03
  Speaker 4: It's on Playlist. I was Kev's partner at that time,
• 47:05
  Speaker 4: we were young and we were always together. I used
• 47:09
  Speaker 4: to tell him that the song I wrote, which was
• 47:12
  Speaker 4: my own lyrics, I wouldn't even sign it. You can
• 47:15
  Speaker 4: sign it because I don't have the money to give
• 47:17
  Speaker 4: it to you. And if this shit explodes, you'll make money.
• 47:28
  Speaker 1: So many works.
• 47:28
  Speaker 4: So how was this first one you wrote?
• 47:31
  Speaker 3: This melody. This first one came from Kevin. We already
• 47:34
  Speaker 3: had many.
• 47:34
  Speaker 4: Voices exploded in the community. And then one day we
• 47:37
  Speaker 4: went to the studio, me, Kevin and Kajá, MC Kajá,
• 47:40
  Speaker 4: who is our friend from there too, who also exploded.
• 47:49
  Speaker 4: And he pulled this idea of... And we helped him
• 47:54
  Speaker 4: to compose. Of course, he composed most of it. I
• 47:56
  Speaker 4: remember we even said, go home and finish this, because
• 47:58
  Speaker 4: this thing is with you. And we did... And I came,
• 48:00
  Speaker 4: it's been a while since you've been, today you're back.
• 48:04
  Speaker 4: At the time, I remembered a girl who would be
• 48:07
  Speaker 4: my girlfriend in the future. She had changed. And we
• 48:19
  Speaker 4: put a little bit of lyrics, we helped him, in fact,
• 48:21
  Speaker 4: but the composition is just like his.
• 48:23
  Speaker 7: When he came ready, did you say, this is success
• 48:25
  Speaker 7: or what was the feeling?
• 48:26
  Speaker 4: No, no, no. Man, for example, once I called my family,
• 48:30
  Speaker 4: I said, oh, you're going to play G15 on FMU Dia,
• 48:32
  Speaker 4: I still didn't have this success of Sentada Nervosa.
• 48:33
  Speaker 1: FMU Dia is a very important radio for.
• 48:36
  Speaker 3: The funk, right?
• 48:36
  Speaker 4: Fuck, when I played the song, I put everyone together,
• 48:39
  Speaker 4: I said, oh, you're going to play my song on
• 48:41
  Speaker 4: FMU Dia... They just heard it and everyone came back
• 48:44
  Speaker 4: to talk. I was like, ah, fuck it.
• 48:46
  Speaker 6: What song was it?
• 48:47
  Speaker 1: I think you know it.
• 48:48
  Speaker 3: It's a song.
• 48:52
  Speaker 4: O nosso bonde é brabo, mete só no lado. Quando
• 48:56
  Speaker 4: tá afim de pegar uma novinha, ele fala que ama
• 48:59
  Speaker 4: os caralho.
• 49:00
  Speaker 6: O mitico é brabo.
• 49:01
  Speaker 4: Eu falo mitico por causa do Lula.
• 49:05
  Speaker 3: Então quando acabou, você mó empolgado aí, todo mundo.
• 49:08
  Speaker 4: Aí voltaram, mano, ao normal.
• 49:10
  Speaker 1: Tem um copo de café ali embaixo.
• 49:13
  Speaker 4: E aí, vamos comer, não?
• 49:15
  Speaker 3: E aí eu fiquei.
• 49:16
  Speaker 6: E.
• 49:17
  Speaker 4: O que aconteceu? Estourou tanto nas comunidades, de tanto eu gravar,
• 49:10
  Speaker 4: And then.
• 49:10
  Speaker 1: I was like, what happened?
• 49:13
  Speaker 3: It blew up so much.
• 49:15
  Speaker 4: In the communities, so much that I recorded carimbo. You're
• 49:20
  Speaker 4: the DJ Igão, I sent. This is the DJ Igão,
• 49:25
  Speaker 4: who sent, had vision. Then I put it together. He
• 49:29
  Speaker 4: will push you, push you. Man, I used to do this.
• 49:34
  Speaker 4: This is the mythical one who sent me.
• 49:38
  Speaker 3: The higão?
• 49:40
  Speaker 6: Yeah, bravo.
• 49:41
  Speaker 4: I used to do this, because I said, man, the
• 49:43
  Speaker 4: day I die, I won't do this shit anymore. This
• 49:45
  Speaker 4: one is terrible.
• 49:46
  Speaker 2: The one who sent you to warn you, you created
• 49:49
  Speaker 2: it because those Arabic beats were too high, right?
• 49:52
  Speaker 4: Man, because of the funk music that had, passing by.
• 49:54
  Speaker 4: I used to play.
• 49:58
  Speaker 4: I said, let's translate this shit. Let's translate this here,
• 50:05
  Speaker 4: it's like this. And then it went flowing. This community
• 50:10
  Speaker 4: dance was where the thing really turned. Because we started
• 50:15
  Speaker 4: recording for this community, Barro Vermelho.
• 50:18
  Speaker 3: One day.
• 50:23
  Speaker 4: Exploded. This is the red bar that sent you to
• 50:27
  Speaker 4: warn you that your friends in the mouth will push you.
• 50:34
  Speaker 4: The community was very simple. Ground floor, like this. Everyone hugged.
• 50:40
  Speaker 4: Buses from other favelas went to the Barro's Ball.
• 50:42
  Speaker 1: Because of the music?
• 50:43
  Speaker 4: Because of this music and other songs that we were
• 50:46
  Speaker 4: doing for the Barro's Ball with the name... from the community,
• 50:51
  Speaker 4: with the names of the people, so that was an
• 50:52
  Speaker 4: opportunity for us.
• 50:53
  Speaker 2: No, but it's really cool, G, because these things happen
• 50:56
  Speaker 2: a lot, and it's to show the strength of funk, right?
• 51:01
  Speaker 2: Because I'm absolutely sure, Kevin, Chris talked about this here,
• 51:04
  Speaker 2: after he recorded Baile da Gaiola, Baile da Penha, What
• 51:07
  Speaker 2: must have been crowded, of course, but what must have
• 51:09
  Speaker 2: been crowded, because I remember asking like this, Santa Amaro,
• 51:11
  Speaker 2: the guys, bro, it's not possible to go, it's not
• 51:14
  Speaker 2: possible to go, it's a lot of people, it's very crazy,
• 51:17
  Speaker 2: Põe da Gaiola, my God, so, like, you popularize a lot, bro,
• 51:20
  Speaker 2: there's no way, it's the voices of the street, bro, so,
• 51:22
  Speaker 2: I'm sure this happened a lot, it came a lot,
• 51:24
  Speaker 2: you popularized a lot the Barro Vermelho dance.
• 51:26
  Speaker 1: And the dance.
• 51:32
  Speaker 4: The other DJs started listening to the other versions of
• 51:34
  Speaker 4: the dance and said, I want this version for my dance.
• 51:36
  Speaker 4: Then I stayed there in the studio. This is DJ Senora,
• 51:41
  Speaker 4: this is DJ Macaxeira, this is DJ Serrote.
• 51:45
  Speaker 6: The whole day.
• 51:47
  Speaker 3: Even at dawn.
• 51:48
  Speaker 1: But you have to appreciate the guys from the carimbo,
• 51:51
  Speaker 1: because how many times I went to a GR6 in Condizila,
• 51:54
  Speaker 1: I got there the DJ Hamburger, doing just carimbo for
• 51:56
  Speaker 1: the others, but you look at the guy, the guy
• 51:58
  Speaker 1: is like this.
• 51:59
  Speaker 4: Do you want to know who made my carimbos for
• 52:02
  Speaker 4: R $ 1? DJ Zulu. Ah, that's a lie. I know Zulu.
• 52:06
  Speaker 4: I remember. Damn, everyone has a very crazy story. Zulu
• 52:10
  Speaker 4: made carimbos for us. In a period when we were
• 52:12
  Speaker 4: in a producer there, like... The guy said he wanted
• 52:18
  Speaker 4: to help us. He really wanted to. But I had
• 52:21
  Speaker 4: a deal with the other businessmen in São Paulo. I
• 52:23
  Speaker 4: was afraid. I already had a deal.
• 52:26
  Speaker 1: There was no paper.
• 52:27
  Speaker 4: If I had a deal with you, I thought I
• 52:28
  Speaker 4: couldn't give it back. And at that time, Zulu set
• 52:31
  Speaker 4: up some carimbos.
• 52:33
  Speaker 1: What madness.
• 52:33
  Speaker 4: But how did you end up at that time?
• 52:34
  Speaker 3: You started to make success in the Barro community. I
• 52:36
  Speaker 3: became a celebrity.
• 52:41
  Speaker 4: I didn't see any famous guy there, man. There was
• 52:45
  Speaker 4: a stolen BA motorcycle that I was riding. You took
• 52:49
  Speaker 4: the wave there, right? I started doing things that I'm
• 52:52
  Speaker 4: not proud of. I got involved. I was never.
• 52:56
  Speaker 3: A drug dealer, but.
• 52:58
  Speaker 4: Like, I was surrounded by people, and then I also
• 53:00
  Speaker 4: met more influences, people who almost.
• 53:02
  Speaker 1: But we are inserted in this place.
• 53:05
  Speaker 4: And it survived.
• 53:06
  Speaker 2: You don't have to do it. We are inserted in
• 53:09
  Speaker 2: this parallel market. Ah, I can't buy a motorcycle, but
• 53:11
  Speaker 2: there's a guy selling a motorcycle here, fuck.
• 53:13
  Speaker 4: Cheap there, bro.
• 53:14
  Speaker 1: It's hard, bro.
• 53:15
  Speaker 4: Oh, the police took you and sold it on the
• 53:17
  Speaker 4: other corner to the other guy.
• 53:19
  Speaker 3: Then you saw your motorcycle.
• 53:21
  Speaker 4: There, passing by. I didn't want to release the 100 batteries, man.
• 53:24
  Speaker 3: The police were... So how long did you stay with Kevin?
• 53:28
  Speaker 3: He wasn't my DJ.
• 53:29
  Speaker 4: We used to make music together. We had an affinity.
• 53:33
  Speaker 4: You were more of a composing partner. We were partners
• 53:37
  Speaker 4: and I was his fan.
• 53:38
  Speaker 3: I was his fan.
• 53:39
  Speaker 4: I told you about Novinho's music. I used to say, fuck,
• 53:43
  Speaker 4: what a table he produced. On a computer, in a cabinet,
• 53:47
  Speaker 4: he did those tracks. So I wanted to work with him.
• 53:48
  Speaker 4: Then he was my DJ when we.
• 53:53
  Speaker 4: He went to the South, he was my DJ. But
• 53:55
  Speaker 4: he played, he was in charge of the ball. He
• 54:00
  Speaker 4: was in charge of Barro's Ballet, so he played all
• 54:03
  Speaker 4: the songs we did during the week. So you were
• 54:05
  Speaker 4: getting stronger there. Then he went to another Ballet.
• 54:08
  Speaker 1: One was very important in the career of the other, bro.
• 54:10
  Speaker 1: Very cool that.
• 54:11
  Speaker 4: Cool.
• 54:11
  Speaker 3: Cool.
• 54:11
  Speaker 2: But I want to know, when you realized that your
• 54:14
  Speaker 2: sound was starting to explode in São Paulo, because your
• 54:16
  Speaker 2: sound hit a lot in São Paulo, I think before
• 54:17
  Speaker 2: you came to São Paulo, your sound was already playing
• 54:19
  Speaker 2: in São Paulo.
• 54:20
  Speaker 4: No, even before all this happened in Rio, I came
• 54:24
  Speaker 4: to São Paulo. Through a guy who heard my voice.
• 54:27
  Speaker 4: His name was Fabinho, because he was the owner of
• 54:29
  Speaker 4: the Cyclone team. Then, Fabinho Anão, I love you. Caputo,
• 54:35
  Speaker 4: who calls him Adão, but he's Adão, man. I'm going
• 54:37
  Speaker 4: to call you big.
• 54:38
  Speaker 3: Then.
• 54:38
  Speaker 4: But when I got here, I met this guy. Crazy,
• 54:41
  Speaker 4: this guy is enough for me. A little animal of
• 54:45
  Speaker 4: this size. Me chega num HR-V, um carro gigante, com
• 54:51
  Speaker 4: seis mulher dentro, meu irmão.
• 54:53
  Speaker 3: Uma pochona desse tamanho. Que alegria.
• 54:56
  Speaker 4: Violent. I said, fuck, who is this crazy?
• 54:59
  Speaker 1: This is Fabinho.
• 55:02
  Speaker 4: Fabinho.
• 55:02
  Speaker 3: Fabinho made me.
• 55:04
  Speaker 4: Stay the whole night drinking marula with a woman on
• 55:07
  Speaker 4: my lap, bro. I had never seen that. A model
• 55:09
  Speaker 4: woman there. I said, fuck, this guy is angry. The
• 55:13
  Speaker 4: other day, where's Fabinho? Fabinho was working hard. Then I
• 55:17
  Speaker 4: had a meeting with him and another business man. Then
• 55:19
  Speaker 4: came another business man. through Fabinho, they had a debt
• 55:26
  Speaker 4: thing there and they said, ok, so all the artists
• 55:29
  Speaker 4: that are yours now are mine. I arrived and didn't
• 55:32
  Speaker 4: know anything, I was already exchanged for a debt. And
• 55:36
  Speaker 4: then the guy said, man, these MCs there from Rio,
• 55:38
  Speaker 4: I don't want to know about these crazy people, because
• 55:41
  Speaker 4: these crazy people, if they come here to São Paulo,
• 55:43
  Speaker 4: they have to do the show and they have to
• 55:44
  Speaker 4: give me the money. Now this little one here, I
• 55:48
  Speaker 4: thought it was funny, this guy here.
• 55:50
  Speaker 1: And it was you.
• 55:51
  Speaker 4: I was thinking, this son of a bitch wants to
• 55:52
  Speaker 4: fuck me up. I'm alone here in São Paulo. Have
• 55:56
  Speaker 4: you ever thought about that? God bless me. God bless me.
• 55:59
  Speaker 4: I was already thinking about it. I liked this guy.
• 56:02
  Speaker 4: This guy is great. I had several needs. I even
• 56:06
  Speaker 4: want to send a kiss, a hug to Topete. He
• 56:09
  Speaker 4: gave me a hat, a cap.
• 56:12
  Speaker 1: He structured you.
• 56:14
  Speaker 4: He structured me. And sometimes I came to São Paulo.
• 56:16
  Speaker 4: And then he took me to studios, he was from
• 56:19
  Speaker 4: another branch, but then he started to get interested in
• 56:22
  Speaker 4: taking me to studios, to meet DJs. And then we
• 56:24
  Speaker 4: started doing a little job here in São Paulo, in
• 56:26
  Speaker 4: this period of El Torreão based and such. When I
• 56:29
  Speaker 4: go back to Rio, that I have this affinity with Kev,
• 56:31
  Speaker 4: that I'm already commanding the communities, flying, I didn't forget
• 56:34
  Speaker 4: the work he had done here in São Paulo. So,
• 56:37
  Speaker 4: when there in Rio, an MC who wanted to business
• 56:39
  Speaker 4: us too, He even started wanting to do some things,
• 56:48
  Speaker 4: even though I didn't close because of this deal I
• 56:52
  Speaker 4: had in São.
• 56:52
  Speaker 3: Paulo, you know?
• 56:53
  Speaker 4: And then, well, I already knew him before, I already
• 56:57
  Speaker 4: did these tramps, and sometimes I was with Kev, and
• 56:58
  Speaker 4: there was a time when Kev came with me to
• 57:00
  Speaker 4: São Paulo too.
• 57:01
  Speaker 1: Then we stayed here.
• 57:02
  Speaker 4: We were passing the most poison, because we went to
• 57:05
  Speaker 4: live in a house that was a producer, that only
• 57:09
  Speaker 4: had a glass inside the house, several rooms. I was
• 57:14
  Speaker 4: there in shock, man. And the guys would pass by
• 57:17
  Speaker 4: during the day, just one glass, to give a look
• 57:20
  Speaker 4: that she turned here and went back to the room above.
• 57:24
  Speaker 4: And then, there they came in the afternoon, we recorded
• 57:26
  Speaker 4: a song, because they had their own running, they were
• 57:28
  Speaker 4: not from the music. And finally, these guys later became
• 57:32
  Speaker 4: my businessmen, when we made the song Sentada Nervosa, the
• 57:36
  Speaker 4: guys said, they called me. I made the song, I
• 57:40
  Speaker 4: remember that I made a simple video, with two girls dancing, man.
• 57:45
  Speaker 1: I saw this video.
• 57:46
  Speaker 4: Two girls dancing, me, a boy, in a house. And
• 57:50
  Speaker 4: then I played the song sitting nervous, the girls were
• 57:52
  Speaker 4: rolling around here. They posted the video, I went to sleep,
• 57:56
  Speaker 4: I woke up famous, man. The video was running and
• 57:59
  Speaker 4: people wanting this song. I had no idea of the success,
• 58:02
  Speaker 4: in fact, because I said, well, the others say that
• 58:05
  Speaker 4: I'm successful, but, damn, I'm tough. I said to the guys,
• 58:08
  Speaker 4: one more year and I'll stop and I'll work and
• 58:10
  Speaker 4: the other part of my time I'll It's ok for
• 58:14
  Speaker 4: the funk, but I'll have to cheat. And when I
• 58:16
  Speaker 4: thought about it, the thing turned out. When I determined that,
• 58:19
  Speaker 4: I said, I'm getting old too. When I determined that,
• 58:22
  Speaker 4: the thing flowed, the music sat nervous, I came to
• 58:24
  Speaker 4: São Paulo with these businessmen.
• 58:27
  Speaker 1: You released the clip here.
• 58:28
  Speaker 4: And these businessmen took me to GR6. And I really
• 58:30
  Speaker 4: wanted to close with GR6, because we, who are from
• 58:33
  Speaker 4: Rio de Janeiro, we never grew up watching a cool
• 58:35
  Speaker 4: clip like this. GR6 was already making some clips later,
• 58:39
  Speaker 4: with Dizila. And I said, man, I want to do this, man,
• 58:42
  Speaker 4: look at the MCs. Kevin, Davi, all these people. And
• 58:46
  Speaker 4: when I came with the song Sentado a Nervosa, I
• 58:49
  Speaker 4: thought I was going to come to promote the work,
• 58:51
  Speaker 4: like we always do. You have to go recording. Fuck,
• 58:52
  Speaker 4: I arrived, they put me in an event. Success. Exploded.
• 58:56
  Speaker 4: The guys singing my song. I said, fuck, Kevin. The
• 58:59
  Speaker 4: guys singing my song. And then the thing.
• 59:01
  Speaker 1: It was at this time that I met you.
• 59:03
  Speaker 4: Really, at GR6.
• 59:04
  Speaker 2: Because I remember that when I went to make the
• 59:06
  Speaker 2: GR6 playlist, I think you had weeks of GR6. You
• 59:08
  Speaker 2: had just arrived.
• 59:11
  Speaker 4: Man, what a good mess.
• 59:12
  Speaker 1: Man, it was good, huh, man? New, everyone was very new, man.
• 59:15
  Speaker 7: That time there was lit, everyone was happy, everyone was
• 59:18
  Speaker 7: running after it, and fuck it, there.
• 59:19
  Speaker 1: Was a lot of ego. No, a lot of crazyness. So,
• 59:22
  Speaker 1: meeting you at that moment there was very crazy.
• 59:23
  Speaker 2: It's that I remember, I was following a lot what GR6,
• 59:26
  Speaker 2: the tramps they did, and I remember your clip being
• 59:29
  Speaker 2: released there. I think you're with a white regatta with
• 59:32
  Speaker 2: the black stripes, right?
• 59:33
  Speaker 4: Yes, the guys did it at Delury, which was Lobão' s club,
• 59:37
  Speaker 4: Rodrigo's partner to this day.
• 59:39
  Speaker 3: Go to Delury, Lobão, the.
• 59:40
  Speaker 4: Club owner, even appeared in the clip making drinks, and
• 59:44
  Speaker 4: in the clip there was Missy Kev, Dinho Alves, what
• 59:45
  Speaker 4: was that? This was the GR6' s strength, right?
• 59:47
  Speaker 1: Wow, man, incredible this work, because then I met the
• 59:49
  Speaker 1: coolest of all, Kevin, bro. Did you get along well?
• 59:54
  Speaker 4: Yeah, because I arrived, I'm from Rio, I have a style, here,
• 59:57
  Speaker 4: the guys... I got a little caught up, in the
• 59:59
  Speaker 4: middle of all that people, he comes with blue hair,
• 1:00:02
  Speaker 4: forget it!
• 1:00:03
  Speaker 3: You were with blue hair.
• 1:00:04
  Speaker 4: On the bike, you're like your father!
• 1:00:07
  Speaker 3: Come here!
• 1:00:07
  Speaker 4: He took me here, he took me there, in a
• 1:00:09
  Speaker 4: little while I was at his house, having lunch, having dinner,
• 1:00:11
  Speaker 4: in his.
• 1:00:11
  Speaker 1: Car, going to places... He used to do that, right?
• 1:00:13
  Speaker 1: He used to pick up people who were... Let's go
• 1:00:14
  Speaker 1: to my brother's house. Intimidated?
• 1:00:16
  Speaker 4: Go, come with us. Let's go to my brother's house.
• 1:00:18
  Speaker 4: The guy wasn't his brother, fuck no. I'm there thinking, bro,
• 1:00:20
  Speaker 4: today I'm going to take you to my father's house.
• 1:00:22
  Speaker 4: I said... He was another guy, and after a while,
• 1:00:24
  Speaker 4: he was like, dude, he wasn't your dad. No, dude,
• 1:00:26
  Speaker 4: he's my dad. My dad. A guy like that, who
• 1:00:28
  Speaker 4: was wonderful.
• 1:00:29
  Speaker 1: So he was one of.
• 1:00:30
  Speaker 4: The first to open his hands.
• 1:00:31
  Speaker 3: To you here in São Paulo?
• 1:00:32
  Speaker 7: Man, yes, because I wasn't actually married to the girl that.
• 1:00:38
  Speaker 4: Until then I liked, that would become my wife, mother
• 1:00:41
  Speaker 4: of my wife. So, mother of my wife, mother of
• 1:00:43
  Speaker 4: my children. And then I used to go out a
• 1:00:45
  Speaker 4: lot with him, like... I would be there alone and
• 1:00:52
  Speaker 4: during the week I didn't know anyone. He called me.
• 1:00:54
  Speaker 3: And at that time, how was it with Kevin? What
• 1:00:57
  Speaker 3: did you think? He was very advanced. At that time
• 1:00:59
  Speaker 3: he was already advanced here, bro.
• 1:01:01
  Speaker 4: Man, very crazy. We stopped everything like that. I don't
• 1:01:05
  Speaker 4: know if you remember a time when I had blonde
• 1:01:07
  Speaker 4: hair and a blonde beard. Do I remember? Just a
• 1:01:09
  Speaker 4: blonde beard. Kevin said, do this, dad. Do this that
• 1:01:12
  Speaker 4: you're going to explode. I said, damn, seriously. Then I,
• 1:01:14
  Speaker 4: at the time, already well known. And Kevin also with
• 1:01:16
  Speaker 4: that blue hair, stopping everything. It was crazy. Look at
• 1:01:20
  Speaker 4: his vision, man.
• 1:01:21
  Speaker 3: Like, you get marked, guys. You have to remember you.
• 1:01:22
  Speaker 3: My blue hair marked me, dad. You will also mark, dad.
• 1:01:24
  Speaker 4: You're the G15, man. He said that. Why did he
• 1:01:27
  Speaker 4: say that, man? Ah, man, I think he.
• 1:01:29
  Speaker 1: He gave a lot of self-esteem to people.
• 1:01:30
  Speaker 4: Because everyone who had any.
• 1:01:32
  Speaker 2: Moment with Kevin... Because he said that to me too.
• 1:01:35
  Speaker 2: I choked and you said.
• 1:01:42
  Speaker 1: You're a big guy, man. He put you way up there.
• 1:01:44
  Speaker 3: So he's a guy.
• 1:01:45
  Speaker 1: A lot more than that.
• 1:01:46
  Speaker 2: He didn't... People were blown away, he didn't even stick
• 1:01:49
  Speaker 2: to it. He liked what he liked, you know?
• 1:01:50
  Speaker 1: And I... It was the guy that I became.
• 1:01:53
  Speaker 4: A brother.
• 1:01:54
  Speaker 3: And then, I.
• 1:01:55
  Speaker 4: I already had a story with a girl... Who was
• 1:02:01
  Speaker 4: going to be the mother of my children, my wife.
• 1:02:04
  Speaker 4: And then, in that period... We were... much more tuned
• 1:02:10
  Speaker 4: than before, and then I'm liking her, I'm going to
• 1:02:13
  Speaker 4: bring her to São Paulo, but I lived this, I
• 1:02:16
  Speaker 4: rolled with Kev, I was going to do the shows
• 1:02:19
  Speaker 4: and the fuck, and then I started to run away
• 1:02:22
  Speaker 4: from Kev.
• 1:02:23
  Speaker 3: I started to run away, it's very crazy.
• 1:02:24
  Speaker 4: The barbecue starts at 10 in the morning.
• 1:02:26
  Speaker 1: What time does it end? It never ends, fuck.
• 1:02:28
  Speaker 4: And then, as she came, I remember until today, man.
• 1:02:34
  Speaker 4: I said, look, Kev is coming over to see his girlfriend.
• 1:02:37
  Speaker 4: Kev is coming over. I had rented a house, I
• 1:02:39
  Speaker 4: was living with her. All grown up, wanting to live,
• 1:02:41
  Speaker 4: wanting to be a dad. And then I said, look,
• 1:02:44
  Speaker 4: Kev is coming over, we're going to have a barbecue.
• 1:02:46
  Speaker 4: He's coming, dad, cousin. Friends! Everyone, the whole troupe. And
• 1:02:51
  Speaker 4: then I said, but when he arrives, he's going to
• 1:02:54
  Speaker 4: ring the bell, right? It's going to be smooth.
• 1:02:56
  Speaker 3: Relax, quiet. Damn, I'm with my girlfriend in the.
• 1:03:00
  Speaker 4: Room, we're having a moment. Uh-huh. Procreando. G15!
• 1:03:05
  Speaker 1: On top of the door already!
• 1:03:13
  Speaker 4: I said, fuck, he entered inside the house. I took
• 1:03:15
  Speaker 4: my girl and threw her inside the wardrobe. Boom, I
• 1:03:17
  Speaker 4: closed the door, he entered, me naked.
• 1:03:20
  Speaker 3: Then he... He entered the room. He entered the room, man,
• 1:03:22
  Speaker 3: I'm crazy.
• 1:03:23
  Speaker 6: That's what I'm saying.
• 1:03:23
  Speaker 4: I thought he was going to call down there. We
• 1:03:25
  Speaker 4: were there... The bell rang.
• 1:03:26
  Speaker 1: He arrived.
• 1:03:27
  Speaker 4: The guy is crazy. When he said G15, he was
• 1:03:30
  Speaker 4: already in the door. Entering.
• 1:03:32
  Speaker 6: I arrived, father, when he.
• 1:03:36
  Speaker 4: I was naked, he was like, it's sick, huh? It's unrolling, right?
• 1:03:40
  Speaker 4: I said, no, it's my girlfriend. He was like, it
• 1:03:43
  Speaker 4: was bad, dad, you know how we want to be, thanks.
• 1:03:47
  Speaker 4: I put my girlfriend, who at the time was my girlfriend,
• 1:03:49
  Speaker 4: inside the wardrobe.
• 1:03:50
  Speaker 3: Man, thank God he didn't see anything.
• 1:03:51
  Speaker 4: Because he was going to arrive, like, we were in
• 1:03:55
  Speaker 4: this friendship, man. Then it was decreasing this role, because
• 1:03:58
  Speaker 4: of the fact that I was dating, then it was
• 1:03:59
  Speaker 4: decreasing this role.
• 1:04:01
  Speaker 1: Brother, and.
• 1:04:02
  Speaker 2: Fuck, it's just coming to São Paulo, you already launch...
• 1:04:06
  Speaker 2: this one that exploded, but it went viral. It was
• 1:04:10
  Speaker 2: an absurd thing, absurd, absurd, absurd. I remember very well
• 1:04:13
  Speaker 2: the release of this song and everything it caused. Tell
• 1:04:17
  Speaker 2: the story of this song, because later I have more
• 1:04:19
  Speaker 2: questions to go through this, because you're saying you're what,
• 1:04:23
  Speaker 2: 18 years old?
• 1:04:24
  Speaker 1: 17.
• 1:04:24
  Speaker 2: You started a global hit at 18 years old, man,
• 1:04:27
  Speaker 2: and I want to know how your head was, you know?
• 1:04:29
  Speaker 1: Because a lot of things must have happened in your life.
• 1:04:34
  Speaker 2: But I want to know first, how does this song
• 1:04:35
  Speaker 2: come into your life, her composition, the little point, everything?
• 1:04:38
  Speaker 1: Because she's a milestone, right, bro, in funk? It's a
• 1:04:41
  Speaker 1: song that's a milestone.
• 1:04:42
  Speaker 4: In funk, bro. I, very young, I had hit a
• 1:04:45
  Speaker 4: song after I said, after Sentada Nervosa. I hit a
• 1:04:48
  Speaker 4: song that is... My cat was flying with the problems
• 1:04:51
  Speaker 4: that I told her.
• 1:04:52
  Speaker 6: Don't touch her.
• 1:04:59
  Speaker 4: And I came with these songs. The wave is already
• 1:05:02
  Speaker 4: a totally different frequency. And the true story of it
• 1:05:05
  Speaker 4: is that at the time I knew the ball. And
• 1:05:08
  Speaker 4: I didn't know that I had anxiety, that I had
• 1:05:11
  Speaker 4: predisposition to this, that my family had a history of this.
• 1:05:13
  Speaker 4: And then in one of these, full of a tour
• 1:05:17
  Speaker 4: in Espirito Santo, man, I was crazy. It went bad.
• 1:05:22
  Speaker 4: I couldn't even introduce myself. I didn't even drink a lot,
• 1:05:27
  Speaker 4: I drank a little, but I must have hit something.
• 1:05:29
  Speaker 4: It was bad, man. I remember that I stayed two
• 1:05:31
  Speaker 4: days still feeling the bad effects of the stop, of
• 1:05:35
  Speaker 4: heart attack accelerated, and having to go to the hospital. Anyway,
• 1:05:41
  Speaker 4: those shows were bad. You didn't introduce yourself. And then
• 1:05:44
  Speaker 4: my girlfriend said, you're too young, you have to stop drinking,
• 1:05:47
  Speaker 4: you have to stop smoking. That stuck in my head,
• 1:05:50
  Speaker 4: I went to sleep with it. He released the movie,
• 1:05:53
  Speaker 4: Invocation of Evil. What does it have to do, bro?
• 1:05:56
  Speaker 4: Then I was there in the Holy Spirit. I said, bro,
• 1:06:00
  Speaker 4: we're going to see this movie. It had been bad
• 1:06:01
  Speaker 4: for about two days. The first day had given bad shows.
• 1:06:04
  Speaker 4: The second had already been able to do the shows,
• 1:06:07
  Speaker 4: but I was still... The show was over, I had
• 1:06:09
  Speaker 4: to go to the hospital. I was shaking, I was strange.
• 1:06:11
  Speaker 4: What a shit, bro. Thank God nothing worse happened. I
• 1:06:15
  Speaker 4: went to the cinema to see Invocation of Evil. I
• 1:06:17
  Speaker 4: said to the guys, oh no, this movie is too fucking,
• 1:06:19
  Speaker 4: let's see. Man, I started, I swear, watching the movie
• 1:06:22
  Speaker 4: like this... Pá, rolou um susto lá, o bicho pegou,
• 1:06:26
  Speaker 4: eu já comecei a cantar, mano. Eu não preciso mais beber,
• 1:06:31
  Speaker 4: nem fumar maconha, que a sua presença me deu onda.
• 1:06:36
  Speaker 4: Foi a primeira coisa que eu fiz.
• 1:06:38
  Speaker 3: Com essa melodia, assim, já.
• 1:06:39
  Speaker 4: Com essa melodia, tudo pronto, assim, perfeitamente.
• 1:06:41
  Speaker 1: Dentro do cinema.
• 1:06:42
  Speaker 4: Pá, caiu na nuca, eu... That's it. Brother.
• 1:06:45
  Speaker 3: Then I... I don't need.
• 1:06:47
  Speaker 4: To drink anymore. And don't smoke marijuana. With this presence.
• 1:06:49
  Speaker 4: I went to my friend's ear and said, fuck, I'm
• 1:06:53
  Speaker 4: going crazy, man.
• 1:06:55
  Speaker 6: This is cool.
• 1:06:56
  Speaker 4: Then I sang, bro. To my friend, friend. Oh, cool, man.
• 1:06:59
  Speaker 4: This is cool. I kept watching the movie.
• 1:07:01
  Speaker 3: Bro, go fuck yourself.
• 1:07:02
  Speaker 4: Then I went to the bathroom, because I liked the
• 1:07:05
  Speaker 4: melody so much. I lost a lot of songs, bro,
• 1:07:07
  Speaker 4: that come to my mind with the melody ready. I'll
• 1:07:10
  Speaker 4: save it.
• 1:07:10
  Speaker 1: And then I.
• 1:07:11
  Speaker 4: Was, then I, pum, this song came, I went to
• 1:07:14
  Speaker 4: the bathroom, I already saved an Aldinho. Monstrous. And I
• 1:07:17
  Speaker 4: kept this thing saved and wrote. There was only this verse.
• 1:07:20
  Speaker 4: There was only this. Then I wrote, I need to
• 1:07:24
  Speaker 4: have you, my closure is you, girl. I don't need
• 1:07:27
  Speaker 4: to drink anymore, and don't smoke marijuana, because your presence...
• 1:07:32
  Speaker 4: Me deu onda. Só que eu não iria lançar nem fudendo,
• 1:07:35
  Speaker 4: porque eu fiz pra minha namorada brincando. A minha ideia era, tipo,
• 1:07:38
  Speaker 4: fazer e mostrar pra ela. Só que aí os empresários ouviu.
• 1:07:43
  Speaker 4: E eu tinha essa parte da música aí pronta, os
• 1:07:45
  Speaker 4: empresários ouviu e falaram, caralho, mano, já quem sabe com
• 1:07:48
  Speaker 4: uma música diferente. Só que eu fiquei meio assim de
• 1:07:50
  Speaker 4: lançar ela, porque eu tava vindo com música mais palavrão.
• 1:07:53
  Speaker 4: Uma sentada daqui a... Eu falei.
• 1:07:56
  Speaker 1: Pra meus fãs não vai curtir.
• 1:07:57
  Speaker 4: Ela fica só de portãozinho.
• 1:07:59
  Speaker 1: Quem não quer beber e fumar maconha?
• 1:08:00
  Speaker 4: Ela já tinha... This song was already cuter. I went
• 1:08:04
  Speaker 4: on vacation to Rio de Janeiro. The end of the
• 1:08:09
  Speaker 4: year came. The businessmen. We released three in three. Every
• 1:08:12
  Speaker 4: two months we released three tracks and went to work.
• 1:08:14
  Speaker 4: They released a mythical album. With this song. They released
• 1:08:19
  Speaker 4: three tracks. Portãozinho, Só a Malvada and Deu Onda. And
• 1:08:26
  Speaker 4: I'm in Rio de Janeiro. I even said that to
• 1:08:28
  Speaker 4: a friend there that he composes. I said, man... Compose,
• 1:08:32
  Speaker 4: do it, improve yourself. Because when the hit happens, it
• 1:08:35
  Speaker 4: explains everything. We just talked about the hit here. It's
• 1:08:40
  Speaker 4: going to be in people's hearts and it's inflamed. I'm
• 1:08:43
  Speaker 4: in Rio de Janeiro, not knowing anything. I took some bricks,
• 1:08:48
  Speaker 4: went to Xerém, took the kids, the family, without a shirt.
• 1:08:51
  Speaker 1: Modelo Zé Capagodinho.
• 1:08:53
  Speaker 4: I was happy. And I lit the barbecue and the
• 1:08:56
  Speaker 4: cars were playing.
• 1:08:58
  Speaker 6: I was like, man, that's crazy.
• 1:09:01
  Speaker 3: Was it the version already?
• 1:09:02
  Speaker 4: It was the version, there was already music. The music
• 1:09:05
  Speaker 4: was produced, but I kept it.
• 1:09:06
  Speaker 1: Was it Jorginho who produced it?
• 1:09:07
  Speaker 4: Jorginho.
• 1:09:08
  Speaker 1: Man, what a good guy, son of a bitch.
• 1:09:09
  Speaker 4: He did a great job. I started to listen, I
• 1:09:12
  Speaker 4: started to listen, everything that was there, everything that was there.
• 1:09:15
  Speaker 4: The people, the people from GR6 called, everyone took vacation,
• 1:09:18
  Speaker 4: but everyone came back from vacation. Let's go to work,
• 1:09:21
  Speaker 4: I'm looking for the G15. Damn, I was soaked in cachaça,
• 1:09:26
  Speaker 4: I couldn't even speak properly. The guys brought me back
• 1:09:31
  Speaker 4: to do a show there at Easy, that show was crazy.
• 1:09:34
  Speaker 1: Monday at Easy?
• 1:09:35
  Speaker 4: I was all fucked up. Then I did this show
• 1:09:37
  Speaker 4: of this show, never again, son. Stopped. I never stopped,
• 1:09:41
  Speaker 4: I started to travel like this, a lot, a lot,
• 1:09:44
  Speaker 4: a lot, a lot, and jato. You started to get
• 1:09:51
  Speaker 4: to know this world?
• 1:09:52
  Speaker 1: Yes, I started.
• 1:09:53
  Speaker 4: I was already getting to know the world, but the ballads, right?
• 1:09:57
  Speaker 4: The ballads because of the funk, the funk guys. Yes.
• 1:10:00
  Speaker 4: This one already took me to the role of the
• 1:10:01
  Speaker 4: others who like satanism.
• 1:10:02
  Speaker 1: You want to say?
• 1:10:03
  Speaker 4: Jato.
• 1:10:04
  Speaker 3: But how was it, bro?
• 1:10:05
  Speaker 7: Seeing the numbers growing, the shows increasing.
• 1:10:09
  Speaker 3: How was your mind, your head? Because one thing is
• 1:10:12
  Speaker 3: to be successful. This song, bro, played in everything that
• 1:10:16
  Speaker 3: is there.
• 1:10:16
  Speaker 1: It was global, bro.
• 1:10:18
  Speaker 4: It was top 1, if I'm not mistaken, of the
• 1:10:19
  Speaker 4: world on Spotify, because Spotify was starting. I'm old, man.
• 1:10:22
  Speaker 4: I'm from the generation that didn't have Spotify yet. And then, man,
• 1:10:28
  Speaker 4: she turned it all around, I had other partners, it
• 1:10:31
  Speaker 4: was Rodrigo and two more partners, one of them was
• 1:10:34
  Speaker 4: the one I told you about, who believed in me there,
• 1:10:37
  Speaker 4: and there was another one who was a friend of his,
• 1:10:40
  Speaker 4: who was a partner, anyway, there was a fucking partner, so...
• 1:10:44
  Speaker 4: The guys earned a lot of money too, but it
• 1:10:48
  Speaker 4: was fair that they also lost their time, they were
• 1:10:51
  Speaker 4: there with me, and I was afraid to die, because
• 1:10:53
  Speaker 4: I said, man, I'm already seeing... World hit, I'm going
• 1:10:57
  Speaker 4: to explode this jet somewhere.
• 1:10:59
  Speaker 3: You already had that fear.
• 1:11:00
  Speaker 4: I'm going to get even more famous, but it's going
• 1:11:02
  Speaker 4: to be worth nothing. I was in panic, like that.
• 1:11:07
  Speaker 4: There was a show where I was going to look
• 1:11:09
  Speaker 4: at the jet and say, my brother, swing it with
• 1:11:14
  Speaker 4: one hand only, holding the wing like this, and say,
• 1:11:18
  Speaker 4: my brother, forgive me, I'm sorry, I'm not going.
• 1:11:20
  Speaker 3: Dude, my God, if you.
• 1:11:20
  Speaker 4: Don't go to 300,000, 300,000, let them turn, man, I'm
• 1:11:22
  Speaker 4: not going.
• 1:11:24
  Speaker 3: Has this ever happened? Yes, I've had this kind of problem.
• 1:11:28
  Speaker 7: So tell me, how was it? Imagine at that time,
• 1:11:30
  Speaker 7: this routine, because... 18 years, right?
• 1:11:31
  Speaker 3: You with 18 years, wanting to make money, it was
• 1:11:33
  Speaker 3: a fucking show, it was crazy. How was your routine
• 1:11:36
  Speaker 3: at that time, brother?
• 1:11:40
  Speaker 4: I'm still very crazy about people already arranging me sleeping
• 1:11:43
  Speaker 4: like this, me sleeping, putting on shoes, blouse. Man, you
• 1:11:47
  Speaker 4: have to get a man, you have to get a man.
• 1:11:49
  Speaker 1: And we know that you are not exaggerating a little bit.
• 1:11:50
  Speaker 4: I swear, man.
• 1:11:51
  Speaker 1: I know it's true.
• 1:11:52
  Speaker 3: I also know.
• 1:11:52
  Speaker 4: It's live proof, my wife was the one who arranged
• 1:11:54
  Speaker 4: me the most, you know?
• 1:11:55
  Speaker 6: Sleeping, like this, I.
• 1:12:03
  Speaker 4: It was a lot of shows, man. And then when
• 1:12:04
  Speaker 4: you go up on stage, you have to transmit the energy.
• 1:12:07
  Speaker 4: And I didn't have time to do a quality show
• 1:12:09
  Speaker 4: for the crowd, because the guys already sold a lot.
• 1:12:12
  Speaker 4: People said, no, man, but today G15 has 8. The
• 1:12:14
  Speaker 4: guy said, I don't want to know. Bring the G15 here.
• 1:12:17
  Speaker 4: 8 shows in a day.
• 1:12:18
  Speaker 3: 8 shows in a day.
• 1:12:19
  Speaker 4: And you tell me, how can you do 8 shows
• 1:12:21
  Speaker 4: in a day? I also don't understand, because today a
• 1:12:23
  Speaker 4: minimum presentation of mine will be 1 hour, 1 hour
• 1:12:25
  Speaker 4: and 20 minutes. You know? And I understand, man. The
• 1:12:28
  Speaker 4: person paid. I need to do this in a way
• 1:12:30
  Speaker 4: that is comfortable, cool.
• 1:12:32
  Speaker 1: Everyone was wanting to hear The Wonder, bro.
• 1:12:34
  Speaker 4: And I've played The Wonder three, four times at the
• 1:12:37
  Speaker 4: same party. I just wanted to hear The Wonder.
• 1:12:40
  Speaker 3: And like, reduce his show, put 20 minutes.
• 1:12:42
  Speaker 4: And then I passed here, sang for you, passed there,
• 1:12:45
  Speaker 4: sang at the Huygão event. And then I went on.
• 1:12:47
  Speaker 4: But these were in states, right?
• 1:12:49
  Speaker 3: Do you remember that I was going to ask one day?
• 1:12:51
  Speaker 1: You said you did five states, four states in a day.
• 1:12:53
  Speaker 4: I think the maximum was... Four or five states in
• 1:12:57
  Speaker 4: a day. Minas. Midday event. Like, São Paulo, 4pm. Porto Alegre, 8pm. Fuck,
• 1:13:04
  Speaker 4: I swore I was going to this one. Really? I said, bro...
• 1:13:06
  Speaker 4: But then I also understood that, like, it was a
• 1:13:10
  Speaker 4: lot of millions sold of shows, of agendas. I had
• 1:13:13
  Speaker 4: to fulfill. When I broke this one that I told
• 1:13:15
  Speaker 4: you about, it gave me a big headache. I hit
• 1:13:17
  Speaker 4: my hand... Look how crazy. I hit my hand so
• 1:13:19
  Speaker 4: bad that the guy didn't have a mustache. I was...
• 1:13:23
  Speaker 4: You're going to take a punch.
• 1:13:25
  Speaker 1: And if the pilot doesn't have a mustache, I don't
• 1:13:28
  Speaker 1: trust him.
• 1:13:28
  Speaker 4: I said, the pilot is coming. I said, damn, man.
• 1:13:32
  Speaker 4: But it wasn't that other one that we were already
• 1:13:35
  Speaker 4: going there, everything was fine. We were going at 6
• 1:13:37
  Speaker 4: in the morning. I'm in a room here in Micongões.
• 1:13:40
  Speaker 1: I bite this airport.
• 1:13:41
  Speaker 4: Ah, the pilot switched over the time. No, he won't
• 1:13:44
  Speaker 4: be able to, he's coming, the.
• 1:13:47
  Speaker 1: Other one is coming.
• 1:13:48
  Speaker 3: I said, that's where it starts.
• 1:13:51
  Speaker 4: The crazy one was late. About 7 hours. A delay.
• 1:13:54
  Speaker 4: And I was there since morning. I was like, what
• 1:13:57
  Speaker 4: the fuck? And when I got there, look at him,
• 1:14:00
  Speaker 4: taking off his seat belt to get there. I looked
• 1:14:05
  Speaker 4: at him, no mustache, clean face, young boy. I said, bro,
• 1:14:08
  Speaker 4: with all due respect, you studied a lot for this. Really,
• 1:14:13
  Speaker 4: the problem is not you, no. I don't feel like
• 1:14:16
  Speaker 4: saying that, man. I'm feeling a little strange. I thought
• 1:14:19
  Speaker 4: he was a guy with a crown, with a big mustache,
• 1:14:21
  Speaker 4: I'm going to lie to you, right? And then I
• 1:14:24
  Speaker 4: was in that review, anyway. And I still have a
• 1:14:28
  Speaker 4: lot of fear about the jet. Once we went to
• 1:14:33
  Speaker 4: do a show in the interior of Manaus. Wow, and
• 1:14:36
  Speaker 4: we went in a jet. It was a teco-teco, that
• 1:14:41
  Speaker 4: one from Diego Vigarista. My God. The Air Cizinha. My God.
• 1:14:44
  Speaker 4: We went up, we had to go, we walked for
• 1:14:47
  Speaker 4: a few days, we got there, we took the flight
• 1:14:50
  Speaker 4: to Manaus, we walked several hours by car, we got
• 1:14:52
  Speaker 4: to an airport there. The guy said, if you don't
• 1:14:56
  Speaker 4: go in, it's three days on a boat. I said, fuck.
• 1:14:58
  Speaker 4: Then the jet went up. How many people fit in
• 1:15:03
  Speaker 4: the jet?
• 1:15:03
  Speaker 3: Four.
• 1:15:03
  Speaker 4: There was a place for two pilots. The producer was
• 1:15:07
  Speaker 4: in the second pilot's place. And there were some peddlers there.
• 1:15:11
  Speaker 4: I said, you don't put your foot in this shit, man.
• 1:15:14
  Speaker 4: If you brake and leave, I don't know, right, man?
• 1:15:16
  Speaker 4: And then I was terrified. Then it went up in
• 1:15:19
  Speaker 4: the Amazon down here.
• 1:15:21
  Speaker 1: I will never go.
• 1:15:22
  Speaker 4: Take hours of Amazon.
• 1:15:24
  Speaker 3: Amazon was where? Here, looking here.
• 1:15:27
  Speaker 4: Amazon is here, just put your.
• 1:15:29
  Speaker 6: Hand that you take.
• 1:15:30
  Speaker 4: I said, man.
• 1:15:31
  Speaker 3: A lot of Amazon, a lot of Amazon.
• 1:15:32
  Speaker 4: A lot. And he, bam, bam, bam. Soon the pilot,
• 1:15:35
  Speaker 4: my brother, I swear by the life of my children.
• 1:15:37
  Speaker 4: The guys are witnesses. The producer, Vitão, he laid the bank.
• 1:15:42
  Speaker 4: and took a nap.
• 1:15:43
  Speaker 3: The pilot?
• 1:15:44
  Speaker 4: Yeah, I didn't know there was this automatic pilot situation.
• 1:15:47
  Speaker 4: There was no air conditioning inside the TECO TECO. There
• 1:15:52
  Speaker 4: was an open window. A lack of air. I swear, man.
• 1:15:57
  Speaker 4: I'm not well, guys. For the love of God. There
• 1:16:00
  Speaker 4: was a sound technician. And the pilot was sleeping. Look
• 1:16:03
  Speaker 4: at that. I swear to God. Then the guys... I'm
• 1:16:06
  Speaker 4: not well. I'm not well. And the pilot there... I said,
• 1:16:13
  Speaker 4: what is this? Look, the guy is sleeping there. I
• 1:16:16
  Speaker 4: was talking to my team. I was terrified. I didn't
• 1:16:18
  Speaker 4: even want to talk to him. I was nobody. I
• 1:16:21
  Speaker 4: was there with a lot of fear. Then he stuck
• 1:16:23
  Speaker 4: an airplane next to it. From the Air Force.
• 1:16:26
  Speaker 3: A jet.
• 1:16:28
  Speaker 4: A fucking jet. Came, stuck it next to it, started
• 1:16:34
  Speaker 4: to pass the coordinates to this plane. I was like,
• 1:16:38
  Speaker 4: wake up bro, look at this shit, what's going on here?
• 1:16:40
  Speaker 4: The police there, and the guy talking on the plane radio,
• 1:16:43
  Speaker 4: asking for the coordinates, I don't know, we were transferring
• 1:16:47
  Speaker 4: some cocaine, that shit there. We arrived in the city, desperate,
• 1:16:51
  Speaker 4: I did the shows, I did the event, I did
• 1:16:53
  Speaker 4: a show with the forró team. We did the show
• 1:16:57
  Speaker 4: and on the day of leaving I said, my God,
• 1:17:00
  Speaker 4: we're going to go, it's going to be all right.
• 1:17:01
  Speaker 4: Did you come back on the same flight? We got
• 1:17:04
  Speaker 4: on the bus that was going to take us to
• 1:17:07
  Speaker 4: the airport, and I saw that one, two, three, four
• 1:17:12
  Speaker 4: of the band got on. I said, these guys are
• 1:17:17
  Speaker 4: not going with us, right? They said, no, we're going
• 1:17:21
  Speaker 4: to make it work. I said, what is this, man?
• 1:17:25
  Speaker 3: More weight.
• 1:17:25
  Speaker 4: I've been talking to the guys, brother, nothing against you,
• 1:17:27
  Speaker 4: but look at the weight of the guys there. Look
• 1:17:31
  Speaker 4: at the suitcases! And the pilot himself said, the thing
• 1:17:33
  Speaker 4: is a little overloaded.
• 1:17:34
  Speaker 3: Oh my God!
• 1:17:35
  Speaker 4: Pilot, bro! And then we came back, he was like this, look.
• 1:17:38
  Speaker 4: How horrible, man! And I saw in the Amazon here,
• 1:17:44
  Speaker 4: I said, bro, I said, there was a boy who
• 1:17:46
  Speaker 4: was my sound technician, and he was a presbyter, I
• 1:17:48
  Speaker 4: found out that he was from the church, I already
• 1:17:50
  Speaker 4: grabbed him. I said, if I'm going, I'll go with you.
• 1:17:54
  Speaker 4: I swear to you, Eder. A big hug, Eder. I said,
• 1:17:55
  Speaker 4: I'm going to stay here, close to you, bro. Live there,
• 1:17:58
  Speaker 4: things are going to be bad.
• 1:17:59
  Speaker 3: And everyone from the rock band went with you, too?
• 1:18:03
  Speaker 4: With the bags? The whole fucking bag. Guitar, laughing a lot.
• 1:18:07
  Speaker 4: The guys back there, three benches there. They, ah, nothing's
• 1:18:11
  Speaker 4: going to fall, boy. And in that review of theirs,
• 1:18:13
  Speaker 4: I was desperate.
• 1:18:14
  Speaker 3: Oh my God.
• 1:18:15
  Speaker 4: I told my producer, bro.
• 1:18:16
  Speaker 1: I'm very angry too, man.
• 1:18:18
  Speaker 4: I told my producer, boy. Put me in the goal, Latam. Azul,
• 1:18:21
  Speaker 4: those fuckers who have kids, adults. I'm already happy. If
• 1:18:23
  Speaker 4: I go, it's my day. Now in Jato, it's just us.
• 1:18:26
  Speaker 3: Artists have this thing of dying of Jato.
• 1:18:28
  Speaker 4: I die of fear. I die of fear. I even say,
• 1:18:31
  Speaker 4: I keep watching the artists posting. It left. Fuck, I
• 1:18:33
  Speaker 4: see the plane behind me.
• 1:18:34
  Speaker 1: I say, this guy is crazy.
• 1:18:35
  Speaker 3: There's a million for everything that's next to him. And
• 1:18:37
  Speaker 3: he's going.
• 1:18:38
  Speaker 4: To fly in this shit.
• 1:18:40
  Speaker 3: He left.
• 1:18:40
  Speaker 4: Damn it, I see the plane behind me, I say,
• 1:18:43
  Speaker 4: this guy is crazy. There's a million for everything that's
• 1:18:48
  Speaker 4: next door and he's going to fly in this shit,
• 1:18:51
  Speaker 4: trust it, lose his life. I see the artists from Sertanejo.
• 1:18:55
  Speaker 4: I get worried.
• 1:18:56
  Speaker 1: No, once the doctor said this.
• 1:18:57
  Speaker 4: I get worried.
• 1:18:58
  Speaker 2: Man, but if our life gets too accelerated, there are
• 1:18:59
  Speaker 2: several events, we have to go to several places, will
• 1:19:02
  Speaker 2: we need a jet? I said, if one day we
• 1:19:04
  Speaker 2: need a jet, it's time to calm things down, not
• 1:19:07
  Speaker 2: to accelerate.
• 1:19:08
  Speaker 4: That's what I.
• 1:19:09
  Speaker 7: After you said that, I totally changed my mind.
• 1:19:11
  Speaker 3: I said, why would I want to stay in a
• 1:19:13
  Speaker 3: jet plane? It accelerates a lot.
• 1:19:15
  Speaker 1: It's slow, it gets there later.
• 1:19:16
  Speaker 4: It's all right. It gets there slowly.
• 1:19:18
  Speaker 1: It doesn't get there, it doesn't get there.
• 1:19:21
  Speaker 4: Look, I bought a van with a bus seat.
• 1:19:23
  Speaker 3: Look at that.
• 1:19:24
  Speaker 4: I just don't go to Manaus and to the northeast,
• 1:19:27
  Speaker 4: which is far. Now here, Curitiba, Curitiba, Rio de Janeiro.
• 1:19:33
  Speaker 3: It's good to sleep, it gets restored.
• 1:19:37
  Speaker 4: I go smoking my thing, in my slippers, at ease,
• 1:19:41
  Speaker 4: listening to my music.
• 1:19:42
  Speaker 1: Playing a game, if you want, put it there. No,
• 1:19:46
  Speaker 1: very good.
• 1:19:46
  Speaker 4: Go slowly, go slowly, get there.
• 1:19:47
  Speaker 1: But why did you get along so well with São Paulo?
• 1:19:50
  Speaker 2: Because the terror of the carioca, when it's in São Paulo,
• 1:19:54
  Speaker 2: is to be in São Paulo.
• 1:19:55
  Speaker 4: Yeah, right? The GW, he comes to do a show,
• 1:19:57
  Speaker 4: then he does the show, the show ends, he sends
• 1:20:00
  Speaker 4: the guy to take him away to the river.
• 1:20:02
  Speaker 1: For me, the GW, he was so in São Paulo,
• 1:20:04
  Speaker 1: that for me he was Paulista.
• 1:20:06
  Speaker 3: Yeah, yeah. But I know, he does that. I know
• 1:20:08
  Speaker 3: his people say that.
• 1:20:10
  Speaker 7: He finishes, he goes to Rio and fucks it up.
• 1:20:14
  Speaker 4: He has to be studied. What a crazy guy. To
• 1:20:16
  Speaker 4: record a video with him at this time.
• 1:20:18
  Speaker 1: He's a king.
• 1:20:20
  Speaker 4: He's a king.
• 1:20:20
  Speaker 3: He's a king.
• 1:20:21
  Speaker 4: He's a king.
• 1:20:22
  Speaker 1: He's a king.
• 1:20:23
  Speaker 4: He's a king. watching. Sussied, right? And the guide, thinking.
• 1:20:39
  Speaker 1: It's the cheapest.
• 1:20:43
  Speaker 4: Yeah, he's right.
• 1:21:09
  Speaker 1: Let me see, Vuk Vuk, Pedrinho, there's a voice in
• 1:21:12
  Speaker 1: all the fans, there's a voice in these guys, man.
• 1:21:14
  Speaker 4: These guys are awesome. Look, I lived in Avenida do Cursino,
• 1:21:19
  Speaker 4: do you know Zona Sul de São Paulo? Near the mall, oh,
• 1:21:22
  Speaker 4: a friend there knows. Near the mall, I forgot the
• 1:21:25
  Speaker 4: name of the mall there. Plaza Sul, near the mall
• 1:21:28
  Speaker 4: Plaza Sul. I lived in Ipiranga, near the museum. I
• 1:21:32
  Speaker 4: lived in an apartment there. I lived in São Bernardo.
• 1:21:35
  Speaker 1: You must have lived in the North Zone, for sure.
• 1:21:36
  Speaker 4: I lived in São Bernardo... I bought the apartment, it
• 1:21:40
  Speaker 4: was the first apartment I bought in São Bernardo, but
• 1:21:42
  Speaker 4: I didn't get used to it, because it was a
• 1:21:44
  Speaker 4: place that.
• 1:21:45
  Speaker 1: More interior, right?
• 1:21:45
  Speaker 4: Yeah, then I didn't get used to it, then I
• 1:21:49
  Speaker 4: lived in Tatuapé. Wow, what a wonderful little place. I
• 1:21:51
  Speaker 4: looked out the window up there, the stick breaking on
• 1:21:54
  Speaker 4: the street, the guy with the bottle, I was going
• 1:21:56
  Speaker 4: to get you, I was getting out of the window,
• 1:21:59
  Speaker 4: get it, no!
• 1:22:00
  Speaker 3: Tatuapé is like that, man.
• 1:22:01
  Speaker 4: I lived in the building next to what is now
• 1:22:05
  Speaker 4: the Bololô Restaurant, is that building?
• 1:22:07
  Speaker 3: I lived in the front of Bololô Record.
• 1:22:09
  Speaker 4: So you lived there and I lived on that street.
• 1:22:11
  Speaker 4: I lived on.
• 1:22:11
  Speaker 3: The street of... Rua Ameação?
• 1:22:14
  Speaker 4: Rua Ameação. Who lived on the roof? Rodriguinho, in my apartment,
• 1:22:18
  Speaker 4: in my building. Then he called me, hey Negro, come here.
• 1:22:21
  Speaker 4: Then I went up.
• 1:22:22
  Speaker 1: Who lived on the roof of Domitico was the president
• 1:22:25
  Speaker 1: of Corinthians.
• 1:22:25
  Speaker 3: Yeah, I was the neighbor of the president of Corinthians and.
• 1:22:28
  Speaker 4: Andres?
• 1:22:29
  Speaker 1: Yeah, the one from Ilho.
• 1:22:30
  Speaker 3: It was the one in front of Rodriguinho, so I knew.
• 1:22:32
  Speaker 4: It was the same one, man. And Gabi lived in
• 1:22:35
  Speaker 4: the front. Then Gabi moved out of this building, I
• 1:22:38
  Speaker 4: was leaving a building, I said, man, I'm going to
• 1:22:40
  Speaker 4: live in this building, Gabi. I lived there, but what?
• 1:22:42
  Speaker 4: I had to leave with the car to take the
• 1:22:44
  Speaker 4: children to school, man. Just for me to leave with
• 1:22:48
  Speaker 4: the car from the garage, it was already difficult, there
• 1:22:50
  Speaker 4: was a lot of traffic there, man. Then I took
• 1:22:52
  Speaker 4: the children on foot, like, I went to a bakery,
• 1:22:54
  Speaker 4: there was a lot of traffic, and I didn't get
• 1:22:55
  Speaker 4: used to the traffic thing, no. This there, for me,
• 1:22:58
  Speaker 4: is a little pulled. Then I met a blessed place, Arujá.
• 1:23:05
  Speaker 3: After many years living in Ipiranga.
• 1:23:07
  Speaker 4: You lived in Ipiranga too, right?
• 1:23:09
  Speaker 1: I lived in Ipiranga.
• 1:23:10
  Speaker 4: In Ipiranga it's cool, but there was a lot of traffic.
• 1:23:13
  Speaker 4: Everything was a lot of traffic. It was a big city,
• 1:23:15
  Speaker 4: with a lot of cars. It was crazy. And then
• 1:23:18
  Speaker 4: I went to Jaffa and thought, damn, now... Fuck it, man.
• 1:23:21
  Speaker 4: I'm going to another place.
• 1:23:23
  Speaker 1: Will I be hidden there?
• 1:23:24
  Speaker 4: And I was already going through a period of discovering
• 1:23:28
  Speaker 4: that I was with depression... Panic crisis, anxiety crisis. I
• 1:23:32
  Speaker 4: was already at a level... It was serious. I was like, damn,
• 1:23:37
  Speaker 4: I'm going to stay in that place. It's going to
• 1:23:38
  Speaker 4: be a fucking loneliness. And nothing. God prepared. It was
• 1:23:41
  Speaker 4: a place of peace for me. He took me to
• 1:23:43
  Speaker 4: a place. I lived in a condominium. I liked it.
• 1:23:47
  Speaker 4: And I said, man, I'm sure I'm going to buy
• 1:23:49
  Speaker 4: a house here to live here with my family. Then
• 1:23:52
  Speaker 4: I bought a house. I'm there until today. Like... Man,
• 1:23:56
  Speaker 4: there I met people through football. Like, I sit with
• 1:24:01
  Speaker 4: my hair yellow... Not everyone knows me. So I used
• 1:24:05
  Speaker 4: to go there to play soccer, fat. A more normal life.
• 1:24:08
  Speaker 4: Big beard, big hair. And I used to ask, let
• 1:24:12
  Speaker 4: me play a little ball with you. They found out
• 1:24:14
  Speaker 4: that I was 15 years old. Then I made a
• 1:24:16
  Speaker 4: nice friendship. And today I live there. Man, I'm going
• 1:24:21
  Speaker 4: to stay there. I even bought a jazigo there.
• 1:24:24
  Speaker 1: That's cool, bro.
• 1:24:25
  Speaker 4: I bought a jazigo there. The day I die, I'll
• 1:24:27
  Speaker 4: be there too.
• 1:24:27
  Speaker 1: But it's... That's cool, no? Why.
• 1:24:32
  Speaker 2: I understand, but you're already worrying about things, but what
• 1:24:37
  Speaker 2: I want to say is that it's time for you
• 1:24:40
  Speaker 2: to be structuring, to be in a calm place, because
• 1:24:43
  Speaker 2: I think that when we have a very big ascent,
• 1:24:44
  Speaker 2: yours doesn't even compare, which is a worldwide ascent, it
• 1:24:47
  Speaker 2: moves a lot with our heads, we are very young,
• 1:24:50
  Speaker 2: so we want to run a little for this anonymity,
• 1:24:51
  Speaker 2: to be calmer, quieter. Keep working, because we were born
• 1:24:58
  Speaker 2: to work, but at a different pace, right?
• 1:25:00
  Speaker 1: Today, how are you doing, bro? How are the shows going?
• 1:25:04
  Speaker 1: To hire you, for you to travel and do shows.
• 1:25:07
  Speaker 4: In the States. At that time, something very crazy happened
• 1:25:10
  Speaker 4: when I was from GR6. We had a show value
• 1:25:13
  Speaker 4: that we did, and sometimes I would hit, for example,
• 1:25:16
  Speaker 4: a song in the top 1 in Brazil, and the
• 1:25:18
  Speaker 4: value was still the same to sell the amount, instead
• 1:25:22
  Speaker 4: of selling the quality. Sell more expensive. And it's hard
• 1:25:27
  Speaker 4: to get to the top one. And sometimes I got there.
• 1:25:30
  Speaker 1: At that time, then?
• 1:25:31
  Speaker 4: No, and sometimes I got there because of the audience.
• 1:25:34
  Speaker 4: It wasn't put a penny in music.
• 1:25:36
  Speaker 1: That's what I'm talking about.
• 1:25:37
  Speaker 4: Today I'm an artist alone, independent. I know I have
• 1:25:39
  Speaker 4: to invest. It's a different era. I have to do
• 1:25:41
  Speaker 4: some things.
• 1:25:42
  Speaker 2: And today, if you want a top one, the guys say, okay,
• 1:25:44
  Speaker 2: give it so much. Invest so much that.
• 1:25:47
  Speaker 3: You put it. Put some robots in there.
• 1:25:49
  Speaker 1: It used to be pure race.
• 1:25:50
  Speaker 4: We gave CDs. I'm getting old. We gave CDs at shows.
• 1:25:55
  Speaker 1: I have a CD at home from GR6, man.
• 1:25:56
  Speaker 4: A lot of GR6, right? I had a lot of
• 1:25:58
  Speaker 4: cars from GR6. I have a lot of GR6 CDs.
• 1:26:01
  Speaker 1: I want to send a hug to everyone.
• 1:26:03
  Speaker 4: I'm not from GR6 anymore. It's been a while since
• 1:26:06
  Speaker 4: I announced it. But I want to send a hug
• 1:26:07
  Speaker 4: to Rodrigo, to the people there. It was a period
• 1:26:09
  Speaker 4: there that I stayed 10 years, man.
• 1:26:11
  Speaker 1: Foda.
• 1:26:12
  Speaker 4: 10 years. I got a contract. I was a kid
• 1:26:14
  Speaker 4: and left. Adult. From Bengala.
• 1:26:16
  Speaker 3: So today it's you who plays your career.
• 1:26:18
  Speaker 4: It's been a while since I played my career, but
• 1:26:21
  Speaker 4: there was the GR6 society. Now I'm playing my career,
• 1:26:27
  Speaker 4: and about seven years ago I was already worried about shows,
• 1:26:32
  Speaker 4: the amount of shows, because I couldn't deliver a quality
• 1:26:36
  Speaker 4: to the public, the person has a dream of seeing
• 1:26:38
  Speaker 4: you and seeing you so fast, I kept this thing
• 1:26:41
  Speaker 4: in my head. And then we, with that, also managed
• 1:26:43
  Speaker 4: to value, it's been about seven years that I have
• 1:26:46
  Speaker 4: 15-year anniversaries throughout Brazil, bro. And every week you will
• 1:26:51
  Speaker 4: see my Instagram, A girl who is 15 years old
• 1:26:55
  Speaker 4: and who really likes the G15.
• 1:26:56
  Speaker 1: That's awesome that you're renewing the.
• 1:26:58
  Speaker 4: Generation, right, bro? And then I went to Disney with
• 1:27:02
  Speaker 4: Gabi in January. And we there, in the queue, in
• 1:27:06
  Speaker 4: the situation there... A family that I sang at my
• 1:27:09
  Speaker 4: daughter's birthday went and gave me a hug. Here, the
• 1:27:11
  Speaker 4: girl was there. So, man, I always had this thing, man,
• 1:27:14
  Speaker 4: the person hired me, she goes. And for a very
• 1:27:16
  Speaker 4: special day, right?
• 1:27:17
  Speaker 1: For a very special.
• 1:27:19
  Speaker 4: Day, which is the 15th year. So, thank God, she
• 1:27:22
  Speaker 4: saw me, wow, she got excited, hugged me, saw me
• 1:27:25
  Speaker 4: for about three days at Disney. She saw me, wow, wow.
• 1:27:28
  Speaker 4: Got it? And I said, man, he's seeing, man, if
• 1:27:31
  Speaker 4: the guy is a cuss guy, go there and do
• 1:27:33
  Speaker 4: an event, all crazy, I don't know, at the moment,
• 1:27:35
  Speaker 4: thinking that he... It's really sinister. And now people would
• 1:27:40
  Speaker 4: look at him and think, damn, what a garbage guy.
• 1:27:43
  Speaker 4: So thank God it was that. Today I reduced the
• 1:27:46
  Speaker 4: amount of shows, I play with a band. But, for example,
• 1:27:52
  Speaker 4: I didn't want to take the essence of funk. So
• 1:27:56
  Speaker 4: the work with the band was what? Batera. You'll earn
• 1:28:00
  Speaker 4: some money to do a few things. I have a guitar,
• 1:28:07
  Speaker 4: bass and a drummer. To give a better quality at
• 1:28:09
  Speaker 4: the show. But you'll listen to the funk, you'll dance
• 1:28:11
  Speaker 4: the funk. The drummer just comes to confirm. The drummer
• 1:28:14
  Speaker 4: doesn't take care of the show. It's not an acoustic, right? No,
• 1:28:18
  Speaker 4: it's an acoustic. And then I'm traveling all over Brazil.
• 1:28:21
  Speaker 4: I do medicine, formatturas.
• 1:28:24
  Speaker 1: What a fuck, brother.
• 1:28:25
  Speaker 4: What a fuck.
• 1:28:25
  Speaker 3: Your formattura must be fucking great.
• 1:28:27
  Speaker 4: Formatura, galera, é louco. É o melhor baile.
• 1:28:31
  Speaker 3: É o melhor baile informatório.
• 1:28:32
  Speaker 4: Não, de verdade, é o melhor, tá?
• 1:28:34
  Speaker 1: Tá todo mundo pros caralho.
• 1:28:35
  Speaker 4: Medicina, faço direto. Não vai ter ninguém de costas pro palco.
• 1:28:38
  Speaker 3: Viado, eu quando era de dia... It's the best ball!
• 1:28:31
  Speaker 1: No, really, it's the best, ok?
• 1:28:32
  Speaker 4: It's everyone for fuck's sake!
• 1:28:34
  Speaker 1: Medicina, do it right!
• 1:28:35
  Speaker 4: There won't be anyone from the.
• 1:28:37
  Speaker 1: Back to the stage!
• 1:28:38
  Speaker 7: When I was a DJ, when I saw the graduation...
• 1:28:41
  Speaker 7: When I saw the graduation, or the 15th birthday, at
• 1:28:45
  Speaker 7: my time, it was like this, it was the double,
• 1:28:48
  Speaker 7: the triple of the cachet.
• 1:28:50
  Speaker 3: And it was one of the best parties. What about Camarinho? Camarinho!
• 1:28:55
  Speaker 4: Escarola de Escarola. Oh, you're crazy. It was really good.
• 1:29:00
  Speaker 4: I don't exchange that for anything.
• 1:29:01
  Speaker 3: Man, the best party was for you. Oh, you said it.
• 1:29:03
  Speaker 4: I don't exchange it. Man, we're from the time of Copão, Mítico.
• 1:29:06
  Speaker 3: You were a DJ.
• 1:29:07
  Speaker 4: Yes, man. Take a cup and a portion of sausage
• 1:29:11
  Speaker 4: with onion, boss. It's wonderful, the cup, I'd finish it
• 1:29:14
  Speaker 4: and sing. I already played with R $ 400, R $ 350.
• 1:29:15
  Speaker 3: What can't be missing in the G15' s dressing room? Can't
• 1:29:18
  Speaker 3: be missing? It's curious.
• 1:29:18
  Speaker 1: Man, I'm... I ask for a meat, a rice, because
• 1:29:21
  Speaker 1: then I can eat well and not.
• 1:29:24
  Speaker 4: Ah, but I don't know, if it depends, the guy
• 1:29:31
  Speaker 4: calls and says, ah, man, it went bad here, we
• 1:29:34
  Speaker 4: have a nice dressing room today. But if they say
• 1:29:40
  Speaker 4: it was bad here, let's have a barbecue. I won't
• 1:29:43
  Speaker 4: stop singing because of a waiter. I've seen a lot
• 1:29:47
  Speaker 4: of crazy people. They are crazy to do that. But
• 1:29:50
  Speaker 4: thank God the people serve the waiter right. Then you
• 1:29:52
  Speaker 4: can't miss a little rice, a little meat.
• 1:29:54
  Speaker 1: I think you have to be a son of a
• 1:29:56
  Speaker 1: bitch with a guy who is a son of a bitch.
• 1:29:57
  Speaker 1: There must be some guys who promise the world to
• 1:29:59
  Speaker 1: get there. There's no waiter, fuck it. If you're a fan,
• 1:30:02
  Speaker 1: go there. Go up on the stage. I think we're
• 1:30:04
  Speaker 1: in another moment, but.
• 1:30:06
  Speaker 2: I agree that you can't stop going up on stage
• 1:30:08
  Speaker 2: because of a, I don't know, just a box.
• 1:30:10
  Speaker 4: No, no, no. There are contractors who really want to
• 1:30:13
  Speaker 4: fuck it up. And then the thing stops. And I've
• 1:30:15
  Speaker 4: seen that. But I went there and sang. I'm bad.
• 1:30:18
  Speaker 1: Your audience is there.
• 1:30:19
  Speaker 4: I'm bad, man. It won't destabilize me. I'll go up,
• 1:30:22
  Speaker 4: sing and still send a kiss to him. And in
• 1:30:24
  Speaker 4: the end he, man, what a son of a bitch, gave.
• 1:30:26
  Speaker 3: Me a kiss.
• 1:30:27
  Speaker 7: This point that you said you had a crisis, etc.
• 1:30:30
  Speaker 7: Was it because of your success? Was it because of
• 1:30:32
  Speaker 7: this crazy life you had too?
• 1:30:34
  Speaker 4: Man, I was even experienced in that because I did
• 1:30:38
  Speaker 4: 8 years of therapy. And for me to do therapy
• 1:30:42
  Speaker 4: was something that I was terrified, I didn't want to
• 1:30:46
  Speaker 4: accept it. And what happened? In this period that I
• 1:30:50
  Speaker 4: started the success, the first thing I did, I saw
• 1:30:52
  Speaker 4: that the people were listening to my music, that in
• 1:30:56
  Speaker 4: fact the music was blown up, I demolished my mother's house.
• 1:31:00
  Speaker 4: I ordered to demolish my mother's house, but I didn't
• 1:31:02
  Speaker 4: do accounting or anything. I demolished the house and put
• 1:31:06
  Speaker 4: my mom to live in a house on top of
• 1:31:07
  Speaker 4: it and built the house of dreams for her. There
• 1:31:10
  Speaker 4: was a problem that it was the family that did it. Fuck,
• 1:31:13
  Speaker 4: get out of here, buy a bird there.
• 1:31:16
  Speaker 3: Imagine, man, imagine the bullshit.
• 1:31:19
  Speaker 4: Buy a cage there. And then, what I'm trying to
• 1:31:23
  Speaker 4: say is that I assumed the responsibility of wanting to
• 1:31:25
  Speaker 4: be the father of all my brothers and sisters. At
• 1:31:28
  Speaker 4: the same time that my success came, I wanted to
• 1:31:31
  Speaker 4: do it. Then I gave a car to my father.
• 1:31:35
  Speaker 4: I finished fucking the old man, I gave him money,
• 1:31:37
  Speaker 4: he drank cachaça for a few hours, my brother, ate rapariga,
• 1:31:41
  Speaker 4: put my mother to suffer for fuck's sake.
• 1:31:44
  Speaker 1: We think you're going to save yourself, right?
• 1:31:45
  Speaker 4: I thought I was going to save myself, I was
• 1:31:47
  Speaker 4: fucking everything and the Paraíba raparigueiro crazy. I gave him
• 1:31:52
  Speaker 4: a beautiful car, I said, from today you get X. Fuck,
• 1:31:55
  Speaker 4: the others just sent his video drunk on the network,
• 1:31:58
  Speaker 4: on the women's lap. The story is true. And.
• 1:32:02
  Speaker 4: I wanted to hug everyone, bro. And that overwhelmed me
• 1:32:06
  Speaker 4: a lot. And I couldn't see, I couldn't see. I
• 1:32:09
  Speaker 4: thought I had to do it. I'm the pillar of
• 1:32:12
  Speaker 4: the house and such. And then I brought my brothers
• 1:32:15
  Speaker 4: to São Paulo. I lived in an apartment here, my
• 1:32:18
  Speaker 4: mother next door. But each one has a rhythm. I
• 1:32:20
  Speaker 4: was accumulating these responsibilities. But then, nowadays, I don't have
• 1:32:24
  Speaker 4: all these responsibilities anymore. All the brothers are already grown up.
• 1:32:27
  Speaker 4: Everyone has their life, their... And then, in that of
• 1:32:30
  Speaker 4: wanting to assume the responsibility, that's where it weighed. And
• 1:32:33
  Speaker 4: then I... Look what a breeze, I'm going to say
• 1:32:35
  Speaker 4: this so I can help people who are going through
• 1:32:39
  Speaker 4: a difficulty or a similar moment. When I felt... I
• 1:32:42
  Speaker 4: was at home and I started to feel my hand sleeping,
• 1:32:46
  Speaker 4: my tongue sleeping. Damn, I already said, fuck, bro, I'm
• 1:32:52
  Speaker 4: having a heart attack, I'm going to this, take me
• 1:32:54
  Speaker 4: to the hospital. Then the people took me to the hospital.
• 1:32:58
  Speaker 4: I said, you can call the businessmen there too, because
• 1:33:01
  Speaker 4: it's goodbye. My crisis was so big that I already
• 1:33:04
  Speaker 4: thought I was going to this one, but I was
• 1:33:05
  Speaker 4: telling the others that I was going to this one.
• 1:33:07
  Speaker 4: Look what a breeze. I got to the hospital, shivering. Doctor,
• 1:33:11
  Speaker 4: do all the exams. Doctor, I'm not well. The guy
• 1:33:13
  Speaker 4: did everything. You have nothing. You had a panic attack.
• 1:33:15
  Speaker 4: I said, what is this, doctor? What kind of crisis
• 1:33:19
  Speaker 4: is this? What kind of panic attack? Doctor, I'm happy
• 1:33:21
  Speaker 4: as fuck. I was fucked, doctor. I'm better than that.
• 1:33:24
  Speaker 4: What kind of panic is that? Then I had the
• 1:33:27
  Speaker 4: second crisis. I asked them to do the exams. He said,
• 1:33:30
  Speaker 4: I'll do it, but... Then I... A period passed, I was... Good,
• 1:33:35
  Speaker 4: this one... I had another one, bro. And the doctor
• 1:33:38
  Speaker 4: said to me, man, you have to go... Go to
• 1:33:40
  Speaker 4: a psychiatrist or a psychologist.
• 1:33:42
  Speaker 1: Take care of your head.
• 1:33:43
  Speaker 4: Take care of your head.
• 1:33:44
  Speaker 1: And I.
• 1:33:45
  Speaker 4: I didn't put faith, bro. I didn't put faith in it.
• 1:33:48
  Speaker 4: And then I drank... Energetic, right? Which worsens the situation.
• 1:33:51
  Speaker 4: Which worsens the situation. And... Very crazy. Man... This second time...
• 1:33:57
  Speaker 4: Because he talked to me, it was a period, and
• 1:34:00
  Speaker 4: I'm a father of a girl. And then I went
• 1:34:02
  Speaker 4: to Rio de Janeiro to do a job there, and
• 1:34:05
  Speaker 4: there was me and a producer of mine. I'll even
• 1:34:07
  Speaker 4: send a hug to Minhoca, who was my producer, a
• 1:34:09
  Speaker 4: very thin person. And then, inside the clothing store there,
• 1:34:12
  Speaker 4: there was a guy watching a video of a man
• 1:34:15
  Speaker 4: abusing a boy. Like, a video leaked, I think it
• 1:34:18
  Speaker 4: was in Angola, in Africa, I don't know. A guy
• 1:34:21
  Speaker 4: abusing a boy. Brother, the guy showed inside the store with...
• 1:34:24
  Speaker 4: indignant with the situation, he just showed a piece of
• 1:34:26
  Speaker 4: the video to the producer and I saw it as
• 1:34:29
  Speaker 4: a relance. That lowered me.
• 1:34:31
  Speaker 1: Another crisis.
• 1:34:31
  Speaker 4: A hatred, a fear, a panic. I started to feel
• 1:34:36
  Speaker 4: bad about it. Because I'm a father, right? I said, fuck,
• 1:34:39
  Speaker 4: I don't know, my head went crazy. And then I
• 1:34:42
  Speaker 4: was in a very bad state. Because I couldn't eat.
• 1:34:46
  Speaker 4: And then I went to the psychologist. I got to
• 1:34:49
  Speaker 4: the psychologist feeling the worst garbage in the world. Because
• 1:34:53
  Speaker 4: I was having thoughts that had nothing to do with it.
• 1:34:55
  Speaker 4: I was afraid of thoughts. The more I was afraid,
• 1:34:57
  Speaker 4: the more I was... More thoughts. Because it's like thinking
• 1:34:59
  Speaker 4: about the blue whale. Don't think about the blue whale.
• 1:35:04
  Speaker 4: You've already thought about it. So, man, it was a
• 1:35:07
  Speaker 4: period of pure suffering. No one knows what I went through.
• 1:35:10
  Speaker 4: I was in the pit. When I reached the peak
• 1:35:12
  Speaker 4: of my career, when I was at the peak, I
• 1:35:13
  Speaker 4: was in the pit. And then why? Then it came,
• 1:35:17
  Speaker 4: with these years of therapy, I understood. It was not
• 1:35:19
  Speaker 4: because of the video. The video, it blew the bomb.
• 1:35:22
  Speaker 1: It was the trigger, right?
• 1:35:23
  Speaker 4: It was the trigger. I thought the cause was that.
• 1:35:25
  Speaker 4: When I started to treat, my childhood, man. I went
• 1:35:28
  Speaker 4: back to my childhood. Aggression inside the house. My father
• 1:35:32
  Speaker 4: attacking my mother. We were children. You know? My father drank.
• 1:35:36
  Speaker 4: He had an alcoholism problem.
• 1:35:38
  Speaker 1: We think it comes from this place, right? Like, if not,
• 1:35:39
  Speaker 1: there's no sequel.
• 1:35:41
  Speaker 4: There is, man. Total.
• 1:35:42
  Speaker 1: We overcome this. But in the future, this story.
• 1:35:44
  Speaker 4: Will come, man. Because it will give you obstacles. I
• 1:35:50
  Speaker 4: was a guy full of obstacles.
• 1:35:51
  Speaker 1: I didn't change that idea.
• 1:35:52
  Speaker 4: And you don't even know where it is, right? And
• 1:35:54
  Speaker 4: people full of neurosis, full of things. Because there in
• 1:35:56
  Speaker 4: Rio they say neurosis, right? Full of shell. That just
• 1:35:58
  Speaker 4: prevents me from being happy. And then I was suffering.
• 1:36:02
  Speaker 4: The first years of therapy were suffering. Because I was
• 1:36:05
  Speaker 4: in such a bad crisis. I didn't want to take medicine, right?
• 1:36:07
  Speaker 4: And then I spent six months doing the therapy. And
• 1:36:10
  Speaker 4: the thing didn't fix it, bro. I just cried, I
• 1:36:12
  Speaker 4: was afraid. I looked at the sidewalk, I was afraid.
• 1:36:15
  Speaker 4: I looked... I saw the knife, I was scared. I
• 1:36:19
  Speaker 4: saw the thing that spitted, I was scared. I was
• 1:36:21
  Speaker 4: a bad guy. And then I started taking medication. And
• 1:36:25
  Speaker 4: then I was diagnosed. In my case, it wasn't depression,
• 1:36:28
  Speaker 4: wanting to kill myself, none of that. It's TOC. Obsessive
• 1:36:31
  Speaker 4: Compulsive Disorder. And I had it since I was a child.
• 1:36:36
  Speaker 4: But I didn't have... I had never been to a psychologist.
• 1:36:39
  Speaker 4: Nobody knew. I already had crises. And then, imagine, with success.
• 1:36:45
  Speaker 1: The hyper-focus, the crazy one.
• 1:36:46
  Speaker 4: The hyper-focus, the crazy one. And I go to Dr. Sônia.
• 1:36:50
  Speaker 4: I had stopped smoking cigarettes. I went to the psychologist.
• 1:36:55
  Speaker 4: I'm there crying like hell. A sadness, a suffering. I
• 1:36:58
  Speaker 4: look at her table. A mass of caltrop. I said,
• 1:37:02
  Speaker 4: wait a minute. Do you smoke? She smokes. Why don't
• 1:37:08
  Speaker 4: you do a therapy for you to stop smoking? She said,
• 1:37:10
  Speaker 4: I don't, I love to smoke my cigarette and drink
• 1:37:12
  Speaker 4: my beer. Then I said, really? Then give me one.
• 1:37:15
  Speaker 4: Then she came back, I was smoking a cigarette lying
• 1:37:19
  Speaker 4: on the sofa. I was doing therapy with her lying
• 1:37:22
  Speaker 4: on the sofa, man, smoking a cigarette. And like this,
• 1:37:27
  Speaker 4: until I... Then, every time I went accessing the therapy,
• 1:37:29
  Speaker 4: things from the past were coming back.
• 1:37:32
  Speaker 1: Things you didn't even remember, right?
• 1:37:34
  Speaker 4: My father... Have you seen the film of Mário? The
• 1:37:37
  Speaker 4: new one?
• 1:37:37
  Speaker 3: No.
• 1:37:38
  Speaker 4: That has Balzinho. There's Balzinho, who is the evil one.
• 1:37:42
  Speaker 4: Then Balzinho, his son, wants to be his mirror. But
• 1:37:45
  Speaker 4: Balzinho is cured now. Balzinho is in his hand. He's calm.
• 1:37:49
  Speaker 4: And his son is like, Dad, now we're going to
• 1:37:51
  Speaker 4: have to take Mario and steal the princess. So my
• 1:37:53
  Speaker 4: father was a guy who took me to the bar.
• 1:37:55
  Speaker 4: Little kid. Just hearing that you can't. Then he told
• 1:37:58
  Speaker 4: me to do this here.
• 1:37:59
  Speaker 3: Look, guys, what is this?
• 1:38:00
  Speaker 4: Then the key to open the door.
• 1:38:01
  Speaker 3: Look, guys.
• 1:38:06
  Speaker 4: He's just a daughter-in-law, then I was his first son-in-law. Paraíba, machista,
• 1:38:11
  Speaker 4: passed me all the neuras in his head, the locks,
• 1:38:15
  Speaker 4: the machismo.
• 1:38:16
  Speaker 1: Everything in you.
• 1:38:17
  Speaker 6: In me.
• 1:38:18
  Speaker 4: And then when you start treating yourself, you start seeing that, fuck,
• 1:38:20
  Speaker 4: I have this in me. But how.
• 1:38:24
  Speaker 1: Fucking you're talking about this, Jequim. That was passed by this,
• 1:38:27
  Speaker 1: by him.
• 1:38:28
  Speaker 4: And thanks to God and the treatment that God enables
• 1:38:32
  Speaker 4: the professionals, you know? I'm managing today to free myself
• 1:38:37
  Speaker 4: more and more of the machismo. It's because you know
• 1:38:40
  Speaker 4: the problem, right? Exaggerated from the feeling of possession. My jealousy,
• 1:38:43
  Speaker 4: I even sing in the music, I'm problematic.
• 1:38:46
  Speaker 6: And I'm healing, man.
• 1:38:48
  Speaker 4: And every time that... And then Jesus... When I got
• 1:38:50
  Speaker 4: to Jesus, my life was really happy. It's very crazy
• 1:38:53
  Speaker 4: that he's saying this, because G15, in some.
• 1:38:55
  Speaker 7: Way, he managed to speak in a very simple and
• 1:38:57
  Speaker 7: clear way to the people. therapy, man, because many things
• 1:39:07
  Speaker 7: that are happening to us today that we don't understand,
• 1:39:10
  Speaker 7: therapy makes us understand, right?
• 1:39:12
  Speaker 3: And it makes us evolve, improve.
• 1:39:14
  Speaker 1: And many children who are in school and are judged
• 1:39:17
  Speaker 1: as fools, this one doesn't learn, this one doesn't know what. Man,
• 1:39:22
  Speaker 1: take your son to a psychologist.
• 1:39:24
  Speaker 2: In a psychiatrist, because sometimes it's a touch, sometimes it's anxiety,
• 1:39:29
  Speaker 2: sometimes it's trauma. And we tend not to listen to children,
• 1:39:32
  Speaker 2: not to give importance to children's opinions. And the child
• 1:39:35
  Speaker 2: will literally say what she is feeling, because it's pure, man.
• 1:39:39
  Speaker 1: So, like, pay attention, man. Pay attention to that.
• 1:39:41
  Speaker 3: And there's no age for that.
• 1:39:43
  Speaker 1: And there's no way we can leave such a violent,
• 1:39:46
  Speaker 1: crazy place.
• 1:39:48
  Speaker 2: E dá tudo bem. E também passar por uma ascensão
• 1:39:50
  Speaker 2: tão grande, mano. Isso deve mexer muito com a cabeça.
• 1:39:53
  Speaker 2: O cara não tinha o que vestir. E agora ele
• 1:39:55
  Speaker 2: é o hit do mundo.
• 1:39:57
  Speaker 4: É dele.
• 1:39:57
  Speaker 3: Todo mundo querendo ele. Toda hora, mano.
• 1:39:59
  Speaker 1: Ah, não tem como não ficar maluco, mano.
• 1:40:00
  Speaker 4: Ah, foi uma coisa assim de louco, né? E aí foi...
• 1:40:04
  Speaker 4: As terapias... Porra, mano. I want to send a hug.
• 1:40:07
  Speaker 4: She became my great friend, Dr. Sônia. Today she stopped smoking.
• 1:40:10
  Speaker 1: She didn't smoke.
• 1:40:10
  Speaker 4: She did a treatment.
• 1:40:11
  Speaker 3: She stopped.
• 1:40:12
  Speaker 4: You must have been sure that what you said must.
• 1:40:14
  Speaker 3: Have been behind her ear. I don't smoke either.
• 1:40:16
  Speaker 1: I lost my father last year because of this addiction.
• 1:40:17
  Speaker 1: He was alerted, but he ate cigarettes. His thing was cigarettes.
• 1:40:20
  Speaker 4: Cigarette, coffee and cachaça. It was new, right? It was
• 1:40:23
  Speaker 4: with 50 and a few years. New, man. And nowadays
• 1:40:34
  Speaker 4: I don't drink anymore, I don't have this drinking routine
• 1:40:36
  Speaker 4: anymore because I grew up in an environment where if
• 1:40:40
  Speaker 4: I'm drunk I have to drink. I have to drink
• 1:40:43
  Speaker 4: for nothing.
• 1:40:43
  Speaker 3: You have to drink because you're happy.
• 1:40:45
  Speaker 4: I'm sad, I'm going to drink, I'm happy, I'm going.
• 1:40:48
  Speaker 2: To drink, I'm going to have fun, I'm going to drink.
• 1:40:52
  Speaker 2: And we don't care how much the cachaça, the drink
• 1:40:55
  Speaker 2: is harmful, bro. Because it's released, right? But a glass
• 1:40:59
  Speaker 2: of cachaça is 50 cents, brother. How many glasses of cachaça?
• 1:41:02
  Speaker 3: But this is crazy, it comes from family, right, brother?
• 1:41:05
  Speaker 3: It comes from a culture, right, brother?
• 1:41:07
  Speaker 7: If you were born and lived with your family doing this,
• 1:41:09
  Speaker 7: you do this, you continue this.
• 1:41:11
  Speaker 4: My father left me with six years of age in
• 1:41:13
  Speaker 4: the bar with his friends there, this bar that I
• 1:41:16
  Speaker 4: told you. And here you go, dude!
• 1:41:20
  Speaker 3: Boom!
• 1:41:21
  Speaker 4: I got a little drunk, bro. I got home drunk.
• 1:41:23
  Speaker 4: My mom gave me a bath drunk. Like, man. It's
• 1:41:26
  Speaker 4: a man thing. He's a man, man. You have to
• 1:41:27
  Speaker 4: drink a little, man.
• 1:41:28
  Speaker 3: Holy crap.
• 1:41:29
  Speaker 4: It's crazy, man. It was the way he was raised.
• 1:41:31
  Speaker 2: He wasn't doing it for good. He thought he was
• 1:41:33
  Speaker 2: doing you good. It's really crazy, man. I became a fucking.
• 1:41:38
  Speaker 4: Problematic. He was a guy like that.
• 1:41:41
  Speaker 1: Chucreza, right?
• 1:41:42
  Speaker 4: Chucrão, problematic, full of emotional traps there, that today I'm free, man.
• 1:41:48
  Speaker 1: And you can see, brother, you're talking with a tranquility
• 1:41:50
  Speaker 1: of that.
• 1:41:50
  Speaker 4: You can see, brother.
• 1:41:51
  Speaker 2: Like, talking with an adult, you know, about the thing.
• 1:41:54
  Speaker 2: It's been many years, too.
• 1:41:55
  Speaker 4: Eight years, brother.
• 1:41:56
  Speaker 1: I went to research, it was eight years.
• 1:41:58
  Speaker 4: I'm two years and a little.
• 1:41:59
  Speaker 1: Bit of therapy, I already feel very well. Imagine when
• 1:42:01
  Speaker 1: I'm eight. I'm a year and a half.
• 1:42:02
  Speaker 3: Yesterday I said that, I said, man, if I.
• 1:42:04
  Speaker 7: 10 years doing this, I'll be flying.
• 1:42:08
  Speaker 3: For sure.
• 1:42:08
  Speaker 4: I don't even argue anymore. Okay.
• 1:42:11
  Speaker 1: Okay, okay.
• 1:42:12
  Speaker 3: Hi.
• 1:42:13
  Speaker 1: Hi.
• 1:42:13
  Speaker 4: Hey. My mythical young man.
• 1:42:15
  Speaker 1: What's up, Igão?
• 1:42:16
  Speaker 3: Underground, the maximum coconut.
• 1:42:18
  Speaker 1: It's me. There's a whole structure prepared there. It's true, right?
• 1:42:23
  Speaker 2: The man even put the headphones on. I want to
• 1:42:28
  Speaker 2: hear it.
• 1:42:29
  Speaker 1: The chat is good.
• 1:42:30
  Speaker 3: But how about listening to a little G15 music?
• 1:42:32
  Speaker 4: Let's go, you guys.
• 1:42:33
  Speaker 6: I'm here.
• 1:42:33
  Speaker 4: Please, please.
• 1:42:34
  Speaker 3: Felicidade.
• 1:42:35
  Speaker 1: Que papo maravilhoso. Tem que ter uma musiquinha antes da
• 1:42:39
  Speaker 1: gente encerrar isso aqui, né?
• 1:42:40
  Speaker 3: Com certeza.
• 1:42:41
  Speaker 1: Irmão, pode cantar pra ficar botado.
• 1:42:42
  Speaker 3: É mesmo?
• 1:42:43
  Speaker 4: Oxi! Então vamos começar de.
• 1:42:45
  Speaker 1: Com qual?
• 1:42:47
  Speaker 4: Deu onda, vamos começar de novo.
• 1:42:48
  Speaker 3: Deu onda?
• 1:42:49
  Speaker 1: Ah não, pô, deu onda pra encerrar? Ah, deu onda
• 1:42:51
  Speaker 1: pra encerrar. Óbvio, né? É óbvio, né? Deixa o melhor
• 1:42:55
  Speaker 1: pro final, porra.
• 1:42:56
  Speaker 4: Então começa por Sentada Nervosa. Nossa. Solta o Chama Elas, vai. Nossa.
• 1:43:03
  Speaker 3: Put it in the box. Do you have a way to.
• 1:43:04
  Speaker 4: Increase here a little bit? Take it. Oh, it's coming. Whoa!
• 1:43:09
  Speaker 4: Has it arrived? Increase the DJ a little bit here.
• 1:43:12
  Speaker 3: Good.
• 1:43:12
  Speaker 4: And there's a microphone on the floor, okay? With Tune,
• 1:43:14
  Speaker 4: if I'm not mistaken.
• 1:43:15
  Speaker 3: This one?
• 1:43:16
  Speaker 4: Yeah, these microphones on the floor there.
• 1:43:30
  Speaker 2: It's structured, right, brother? What I wanted, this guy here,
• 1:43:33
  Speaker 2: to exchange a chat and I heard a little song. Impressive.
• 1:43:36
  Speaker 1: Alvivinho.
• 1:43:37
  Speaker 4: With you, MCG15.
• 1:43:42
  Speaker 6: What do you call them?
• 1:43:44
  Speaker 4: Give a sit to that nervous one It's been a
• 1:43:48
  Speaker 4: while since you've been and you're back I know you
• 1:43:52
  Speaker 4: like me, I know you like me Your love is delicious,
• 1:43:59
  Speaker 4: this is the time Of all the ones I've caught,
• 1:44:01
  Speaker 4: you were different I don't know what happened between us
• 1:44:04
  Speaker 4: You gave a fucking sensational Uma sentada daquela nervosa Faz
• 1:44:15
  Speaker 4: um tempo que tu foi e hoje tu tá de
• 1:44:18
  Speaker 4: volta Eu sei que tu gosta, eu sei que tu
• 1:44:22
  Speaker 4: gosta Essa é a hora, essa é a hora Todas
• 1:44:27
  Speaker 4: que eu peguei a bandida foi diferente Eu sei o
• 1:44:31
  Speaker 4: que aconteceu entre a gente Você deu uma foda sensacional
• 1:44:40
  Speaker 4: I told them. Send it, send it. This was 2016, huh?
• 1:45:02
  Speaker 4: Look at him cutting his hair.
• 1:45:03
  Speaker 3: This animated my balls when I was a kid.
• 1:45:05
  Speaker 4: I'm with you.
• 1:45:06
  Speaker 3: This animated my balls.
• 1:45:08
  Speaker 4: Any ball is this animated, fuck.
• 1:45:10
  Speaker 3: Fuck, I'm already a mythic. Wow.
• 1:45:11
  Speaker 4: My heart was crazy with.
• 1:45:14
  Speaker 1: The problems of my mother-in-law.
• 1:45:16
  Speaker 4: I don't like to see you sad. And even when
• 1:45:20
  Speaker 4: I cry, I see the people of the future to
• 1:45:23
  Speaker 4: be able to traumatize. Uh-huh.
• 1:45:28
  Speaker 3: Uh-huh. Uh-huh.
• 1:45:30
  Speaker 6: Uh-huh.
• 1:45:31
  Speaker 4: Uh-huh.
• 1:45:33
  Speaker 3: Uh-huh.
• 1:45:58
  Speaker 4: I think it's not coming out on the microphone for him. Ah,
• 1:46:24
  Speaker 4: no fone não tá saindo. Agora eu tô ouvindo.
• 1:46:25
  Speaker 3: Obrigado.
• 1:46:27
  Speaker 1: E aquela lá? Ela fica só de portãozinho. Ah, óbvio
• 1:46:31
  Speaker 1: que eu ia pedir. Óbvio que eu ia pedir.
• 1:46:47
  Speaker 4: Can I send it?
• 1:47:05
  Speaker 9: Nessa eu vou dar maravilha a dia, eu vou dar
• 1:47:09
  Speaker 9: a luz em dia, eu vou te sentir bem, eu
• 1:47:11
  Speaker 9: vou dar a luz em dia, eu vou te sentir bem,
• 1:47:15
  Speaker 9: eu vou te sentir bem.
• 1:47:21
  Speaker 4: Can you turn up the volume for me?
• 1:47:27
  Speaker 10: Turn up the volume for me?
• 1:47:52
  Speaker 4: If you want to sing in.
• 1:47:53
  Speaker 1: The middle here, mine is coming out cute, but it's.
• 1:47:57
  Speaker 4: On the sound. You don't need a tuner, do you?
• 1:48:04
  Speaker 8: This one?
• 1:48:05
  Speaker 3: Here. To keep.
• 1:48:08
  Speaker 1: It in hand, right? DJ Vitinho, only you.
• 1:48:10
  Speaker 7: Fuck.
• 1:48:11
  Speaker 4: Let's go?
• 1:48:12
  Speaker 1: Let's go.
• 1:48:13
  Speaker 4: Hey, Danny GJ, MC G15. E para pra pensar se
• 1:48:22
  Speaker 4: a gente é acidente Se foi por acaso que o
• 1:48:25
  Speaker 4: beijo rolou Deve ser coisa de Deus, com certeza é
• 1:48:31
  Speaker 4: Porque de tantas regras a nossa encaixou E você nem
• 1:48:35
  Speaker 4: precisa preocupar Amores eu vivi, mas todos me levaram a
• 1:48:42
  Speaker 4: você E esse tal amor... Hoje ele chegou voando aqui
• 1:48:46
  Speaker 4: no Pod Pá!
• 1:48:47
  Speaker 6: Chegou!
• 1:48:49
  Speaker 4: Só preciso de você Só você e não daquela sentada
• 1:48:56
  Speaker 4: Seu bumbum me faz querer Sem querer, querendo te ver
• 1:49:03
  Speaker 4: pelada E só preciso de você Só você e não
• 1:49:08
  Speaker 4: daquela sentada Seu bumbum me faz querer, sem querer, querendo
• 1:49:16
  Speaker 4: te ver pelada.
• 1:49:18
  Speaker 6: Solta de.
• 1:49:21
  Speaker 3: Rã!
• 1:49:22
  Speaker 1: Solta de rã!
• 1:49:23
  Speaker 4: Solta de rã! You don't even need to ask. Lovers,
• 1:49:35
  Speaker 4: I lived well. But everyone took me to you. And
• 1:49:39
  Speaker 4: this love. What a beautiful night, I can't stop. I
• 1:49:45
  Speaker 4: just need you.
• 1:49:45
  Speaker 1: Just you.
• 1:49:46
  Speaker 6: And giving that sit.
• 1:49:48
  Speaker 4: Your butt makes me want.
• 1:49:50
  Speaker 6: Without wanting.
• 1:49:52
  Speaker 4: Wanting to see you naked. I just need you, just you,
• 1:50:05
  Speaker 4: and not that sitting down, and if the world makes
• 1:50:09
  Speaker 4: me want, without wanting, wanting to have you by my side,
• 1:50:14
  Speaker 4: then come, come. Batendo bumbum no chão, vai mozão, vai
• 1:50:23
  Speaker 4: mozão Com bumbum, bumbum no chão, vai mozão, vai mozão
• 1:50:28
  Speaker 4: Pode pá! Sou teu fã, só preciso de você, só
• 1:50:32
  Speaker 4: você E dando aquela sentada, seu bumbum me faz querer
• 1:50:43
  Speaker 4: Puta que pariu. Puta que pariu.
• 1:50:46
  Speaker 1: Calma aí que é ao vivo, hein, rapa.
• 1:50:49
  Speaker 8: Ao vivo.
• 1:51:11
  Speaker 1: Roda de funk no pode parar.
• 1:51:13
  Speaker 4: Chama elas.
• 1:51:14
  Speaker 6: Vai, sim, caralho.
• 1:51:17
  Speaker 4: Vai, tudo bom. De todas que eu peguei você foi
• 1:51:32
  Speaker 4: diferente Não sei o que aconteceu entre a gente Você
• 1:51:38
  Speaker 4: deu uma foda sensacional Dá uma sentada naquela nervosa Faz
• 1:51:47
  Speaker 4: um tempo que tu foi e tu tá de volta
• 1:51:49
  Speaker 4: Eu sei.
• 1:51:50
  Speaker 6: Que tu gosta, eu sei que tu gosta.
• 1:51:54
  Speaker 4: This is the time, this is the time. Come on then.
• 1:51:58
  Speaker 4: Of all the ones I've caught, you were different.
• 1:52:01
  Speaker 6: I don't know what happened.
• 1:52:02
  Speaker 4: You gave me a fucking sensational. Give me a.
• 1:52:06
  Speaker 6: Sit on that thing.
• 1:52:07
  Speaker 4: I don't know what you did to me. I know
• 1:52:13
  Speaker 4: you don't like it. I don't know what you did
• 1:52:17
  Speaker 4: to me. Ha! Ha! Ha!
• 1:52:23
  Speaker 1: Ha!
• 1:52:24
  Speaker 4: Ha!
• 1:52:25
  Speaker 1: Ha!
• 1:52:25
  Speaker 3: Ha!
• 1:52:25
  Speaker 4: Ha!
• 1:52:25
  Speaker 3: Ha!
• 1:52:26
  Speaker 4: Ha! Minha gata tava rolando com os problemas com minha
• 1:52:47
  Speaker 4: sogra Eu não gosto de te ver triste e nem
• 1:52:50
  Speaker 4: quando tu chora Eu fico espalpado no futuro pra poder
• 1:52:54
  Speaker 4: tranquilizar Eu falei pra ela, hoje a sereca vai viver
• 1:53:04
  Speaker 4: Eu falei pra ela, hoje a sereca vai viver This
• 1:53:16
  Speaker 4: is sensational.
• 1:53:43
  Speaker 1: Man, if I came here, I wouldn't give peace to
• 1:53:44
  Speaker 1: these guys. You know.
• 1:53:48
  Speaker 4: Why?
• 1:53:48
  Speaker 3: Very good, man.
• 1:53:49
  Speaker 1: Today we're full of women. The shit started.
• 1:53:50
  Speaker 4: Some even say it's luck, but I say... I can't
• 1:53:56
  Speaker 4: do anything. If the shit is today, she.
• 1:53:58
  Speaker 3: Sits, sits.
• 1:54:08
  Speaker 4: Seta sem caô, vem cá onde dá meu amor, hoje
• 1:54:12
  Speaker 4: ela senta sem caô, a minha fica meu amor, hoje
• 1:54:17
  Speaker 4: nós tá cheio de mulher, a putaria começou, os libertados
• 1:54:20
  Speaker 4: falam que é sorte, mas eu digo caô porque eu
• 1:54:23
  Speaker 4: não posso fazer nada, e meu bagulho é meu, hoje
• 1:54:26
  Speaker 4: a She sits, come here, oh In my life, my
• 1:54:40
  Speaker 4: love She sits, come here, oh Come here, bandit, my
• 1:54:42
  Speaker 4: love Your evil, what a nice kiss Your evil, I
• 1:54:45
  Speaker 4: remembered the night passing Your evil Que foda gostosa sua
• 1:55:03
  Speaker 4: safada Que tanta puigão vai sua safada É, é, foi
• 1:55:09
  Speaker 4: bagulho doido sua malvada.
• 1:55:12
  Speaker 10: Você sentando gostoso sua malvada Que foda gostosa Ela fica
• 1:55:19
  Speaker 10: só de portãozinho Não liga pra sair, ela só fica
• 1:55:23
  Speaker 10: no WhatsApp Tá raro.
• 1:55:25
  Speaker 4: De encontrar uma mina assim Acho que eu consegui, eu
• 1:55:29
  Speaker 4: encontrei Today here In this one I will treat like
• 1:55:34
  Speaker 4: a queen Introduce my family I will surprise you And
• 1:55:37
  Speaker 4: when I wake up the next day You will call
• 1:55:41
  Speaker 4: me life Because I am to strengthen And in this
• 1:55:46
  Speaker 4: one I will play the tongue Put on the music
• 1:55:49
  Speaker 4: I will surprise you And when I wake up the
• 1:55:51
  Speaker 4: next day You will explain to your friends Otherwise they
• 1:55:56
  Speaker 4: will want Esse é o G15 das antigas.
• 1:56:04
  Speaker 1: Eu vou voltar com o.
• 1:56:04
  Speaker 4: G15 das antigas, irmão.
• 1:56:06
  Speaker 3: Quer ver?
• 1:56:06
  Speaker 1: Oi, tu vai ver que.
• 1:56:09
  Speaker 4: Eu sou o menor delinquente, tu vai ver que eu
• 1:56:13
  Speaker 4: sou um grande delinquente que te pega de lado, que
• 1:56:16
  Speaker 4: te pega de frente, aquele que tu rende na frente
• 1:56:20
  Speaker 4: dos parentes, tu vai ver que eu.
• 1:56:24
  Speaker 6: I don't even remember how that one starts, that one
• 1:56:26
  Speaker 6: with Livinha.
• 1:56:52
  Speaker 4: I knew she would come.
• 1:56:53
  Speaker 6: From afar she signaled to me.
• 1:56:56
  Speaker 4: It's full of delicious vinaigrette. But you I call on
• 1:57:00
  Speaker 4: the finger.
• 1:57:02
  Speaker 6: Because I'm chapped.
• 1:57:03
  Speaker 4: Full of the desire to send you my talk.
• 1:57:08
  Speaker 6: It's on the baile.
• 1:57:09
  Speaker 4: But the 999... O piloto vai ver cê na nossa
• 1:57:14
  Speaker 4: esquente no carro E ela vem sacolejando a raba na
• 1:57:20
  Speaker 4: frente do seu neném Quer botar a dona pra baixo,
• 1:57:24
  Speaker 4: eu vou te dar também Pra botar a dona, meu bem,
• 1:57:27
  Speaker 4: pra botar a dona, meu bem Solta a base original
• 1:57:31
  Speaker 4: dela pra gente se sentir no show do G15 agora.
• 1:57:32
  Speaker 3: Nossa!
• 1:57:33
  Speaker 4: Vem! Um forte abraço pro meu parceiro MC Livim.
• 1:57:39
  Speaker 3: E a catuaba já vem aqui, ó. Whisky já tá aqui.
• 1:57:42
  Speaker 1: Whisky com calcão, assim, ó. Quero fumar um pote.
• 1:57:45
  Speaker 4: Sota de sota de rã.
• 1:57:46
  Speaker 1: E eu sabia que ela viria.
• 1:58:06
  Speaker 4: It's full of hot girls But you Sabia que ela
• 1:58:01
  Speaker 4: viria Tá lotado de mina gostosa Mas você eu chamo
• 1:58:10
  Speaker 4: no dedinho Que eu tô chapado Cheio da vontade de
• 1:58:15
  Speaker 4: te mudar Tá rolando papo Mas o nove nove eu
• 1:58:19
  Speaker 4: pago O piloto vai ver Cê na nossa esquente no
• 1:58:22
  Speaker 4: carro E ela vem Só colejão na raba Na frente
• 1:58:28
  Speaker 4: do seu neném Quer botar dona brava Isso eu vou
• 1:58:31
  Speaker 4: te dar também Só botar dona meu bem Só.
• 1:58:35
  Speaker 6: This is why a woman is called.
• 1:58:50
  Speaker 11: Bota, bota, bota, bota aqui Bota, bota, bota tudo em
• 1:58:56
  Speaker 11: mim Bota, bota, bota, bota aqui Bota, bota, bota tudo
• 1:59:02
  Speaker 11: em mim.
• 1:59:14
  Speaker 4: I knew she would come, from afar she signaled to me,
• 1:59:21
  Speaker 4: it's full of hot girls, but you.
• 1:59:24
  Speaker 6: I call Kedim.
• 1:59:26
  Speaker 4: I'm chapped, full of the desire to send you my talk,
• 1:59:31
  Speaker 4: it's rolling in the valley, but the pop is not.
• 1:59:36
  Speaker 4: E o piloto vai vencer nas nossas quentes no carro
• 1:59:42
  Speaker 4: E ela vem, sacoleja na raba na frente do seu
• 1:59:45
  Speaker 4: neném Quer botar a dona brava no seu cantinho da
• 1:59:50
  Speaker 4: cama Só botar a dona, meu bem, só botar a
• 1:59:52
  Speaker 4: dona Todo mundo aqui no estúdio, vem, vem, vem E
• 1:59:55
  Speaker 4: ela vem, sacoleja na raba na frente do seu There
• 1:59:59
  Speaker 4: are several that I like, man.
• 2:00:26
  Speaker 1: Vai tomar no cu. G6.
• 2:00:28
  Speaker 5: Mas ela não vou borrar o risquinho dela.
• 2:00:32
  Speaker 4: É o G16.
• 2:00:33
  Speaker 1: Neguinho na caixeta. Vai se morrer.
• 2:00:42
  Speaker 4: Lembra daquela mina.
• 2:00:47
  Speaker 12: Bandida Foi nela Lembra daquela mina bandida Foi nela Dizia.
• 2:00:53
  Speaker 4: Que era Respeta Falava o tempo todo Que era melhor
• 2:00:55
  Speaker 4: que você.
• 2:00:55
  Speaker 3: E eu.
• 2:01:10
  Speaker 4: I remember several, man. Man, this one is really relic.
• 2:01:14
  Speaker 4: Is there another one? It's good.
• 2:01:36
  Speaker 12: Hoje a noite tá mó lua pra tirar um lazer
• 2:01:40
  Speaker 12: Essa nova e o DVN vai mostrando você E vai, vai, vai, vai.
• 2:01:47
  Speaker 1: And you have to go back to your memory. When
• 2:01:48
  Speaker 1: you enter, go back.
• 2:01:49
  Speaker 2: When you go down, what do you find?
• 2:01:53
  Speaker 1: Down deliciously, it makes me go crazy.
• 2:02:08
  Speaker 6: What were you doing with your.
• 2:02:10
  Speaker 4: Life at that time, besides YouTube?
• 2:02:12
  Speaker 1: A lot of copão?
• 2:02:14
  Speaker 4: At that time? I was doing shit. You were just
• 2:02:17
  Speaker 4: sent away from McDonald's.
• 2:02:34
  Speaker 1: Ah, any Big Ape would turn into a lot of party.
• 2:02:37
  Speaker 1: I can't even smell it.
• 2:02:38
  Speaker 4: Me neither, I've seen it.
• 2:02:39
  Speaker 1: And Catuaba? Man, what's this for?
• 2:02:41
  Speaker 4: I can't even see it anymore. The first Catuaba shit.
• 2:02:44
  Speaker 3: You say, I never want this shit again. Then came
• 2:02:47
  Speaker 3: the Açaí.
• 2:02:47
  Speaker 4: Catuaba and wine.
• 2:02:48
  Speaker 3: It's shit and bad to hold on to, huh?
• 2:02:49
  Speaker 4: Wow, you get crazy with your head.
• 2:02:52
  Speaker 3: Wow, but these songs rescue that, right? This feeling, this
• 2:02:56
  Speaker 3: good vibe. I'm at ease. You're at ease? You're at ease?
• 2:02:58
  Speaker 4: Yeah.
• 2:03:03
  Speaker 1: Damn it.
• 2:03:04
  Speaker 3: Here you are at home, man.
• 2:03:05
  Speaker 1: Wow, man. When he sang the first song, he got
• 2:03:08
  Speaker 1: up and I said, my God, that's what I needed.
• 2:03:09
  Speaker 1: Do you want to ask? Just ask, I'll send it.
• 2:03:12
  Speaker 8: Send? Send.
• 2:03:12
  Speaker 3: The DJ here also sends.
• 2:03:15
  Speaker 1: And then to finish, it was a wave, right? To
• 2:03:18
  Speaker 1: finish that way. There's a nice guy too.
• 2:03:20
  Speaker 4: Wow.
• 2:03:20
  Speaker 3: So calm down. Thank you.
• 2:03:21
  Speaker 1: Let's go with a nice guy.
• 2:03:21
  Speaker 3: Let's go with a nice guy, son. This song is
• 2:03:23
  Speaker 3: fucking great. Let's go with a nice guy.
• 2:03:25
  Speaker 4: This thing is already crazy. Wow.
• 2:03:36
  Speaker 6: I'm your fan. It was hard for you to believe
• 2:03:42
  Speaker 6: that I'm a nice guy.
• 2:03:43
  Speaker 4: And when we fight, you have to see who loves
• 2:03:46
  Speaker 4: you the most. So forget about it and come with
• 2:03:50
  Speaker 4: everything here to bed. Foi difícil pra você acreditar que
• 2:04:02
  Speaker 4: eu sou um cara bacana E quando a gente briga
• 2:04:06
  Speaker 4: é que vê que mais se ama Então esquece logo
• 2:04:09
  Speaker 4: isso e vem com tudo aqui pra cama Por.
• 2:04:13
  Speaker 6: Isso que me ama, amor.
• 2:04:15
  Speaker 4: Sou esse cara que você está vendo Sou problemático, um
• 2:04:21
  Speaker 4: pouco ciumento Mas.
• 2:04:23
  Speaker 6: Você sabe que eu sou foda na cama.
• 2:04:30
  Speaker 4: I'm the guy you're looking at I'm a little problematic
• 2:04:35
  Speaker 4: But you know that I'm a badass in bed That's
• 2:04:39
  Speaker 4: why you love me Vanderilson CDs.
• 2:04:48
  Speaker 6: Contatos para shows.
• 2:04:49
  Speaker 4: 023349 Sota de Sota de Rampa.
• 2:04:59
  Speaker 6: It was hard.
• 2:05:01
  Speaker 1: For you to believe.
• 2:05:10
  Speaker 4: That I'm a nice guy And when we fight, you
• 2:05:15
  Speaker 4: have to see who loves you the most So forget
• 2:05:17
  Speaker 4: about it and come with everything here to bed Foi
• 2:05:27
  Speaker 4: difícil pra você acreditar que eu sou um cara bacana.
• 2:05:31
  Speaker 4: E quando a gente briga, é que vê.
• 2:05:33
  Speaker 6: É normal.
• 2:05:35
  Speaker 4: Então esquece logo isso e vem com tudo aqui pra cama.
• 2:05:39
  Speaker 6: Por isso que... E amor... Vem, estúdio, vem! Sou problemático.
• 2:05:50
  Speaker 6: But you know I'm f * * * ed in bed.
• 2:05:51
  Speaker 6: That's why my love is.
• 2:05:52
  Speaker 4: This guy you're seeing.
• 2:05:55
  Speaker 6: I'm problematic. A little bit, sir.
• 2:06:04
  Speaker 4: But you know I'm a nice guy.
• 2:06:06
  Speaker 6: That's why.
• 2:06:07
  Speaker 4: Come on, you guys. Love, I'm this guy you know.
• 2:06:13
  Speaker 3: You can do more.
• 2:06:14
  Speaker 6: I'm problematic, a little jealous.
• 2:06:16
  Speaker 4: But you know I'm out of bed.
• 2:06:23
  Speaker 6: O mítico te ama.
• 2:06:39
  Speaker 3: Wow, it's so cold!
• 2:06:40
  Speaker 1: There's even a facial.
• 2:06:41
  Speaker 4: Harmonization to come today!
• 2:06:42
  Speaker 6: No one said!
• 2:06:44
  Speaker 3: It's so beautiful!
• 2:06:45
  Speaker 1: You're fucked!
• 2:06:46
  Speaker 6: I'm like Lola Molusco!
• 2:06:47
  Speaker 4: No, it's not! It's not! It was fucked!
• 2:06:49
  Speaker 1: Because when you play a lot like that, it's bad, right?
• 2:06:51
  Speaker 4: Your guy is fine!
• 2:06:51
  Speaker 3: Your guy is fine!
• 2:06:52
  Speaker 1: He's a nice guy! He's a nice guy!
• 2:06:54
  Speaker 4: He's literally a nice guy! He's a nice guy!
• 2:06:56
  Speaker 6: Mythic!
• 2:06:56
  Speaker 1: Speak! Let's end with this song that was a milestone
• 2:06:58
  Speaker 1: in the history of funk! Let's end with this song
• 2:07:08
  Speaker 1: that was a global and worldwide hit.
• 2:07:10
  Speaker 3: I wanted it.
• 2:07:11
  Speaker 1: The way I'm excited here. I'm excited too.
• 2:07:12
  Speaker 3: I swear to God.
• 2:07:13
  Speaker 1: He's raising his hand.
• 2:07:14
  Speaker 3: I brought a guy here.
• 2:07:15
  Speaker 1: I knew it. He was a kid when he.
• 2:07:17
  Speaker 3: Recorded with me.
• 2:07:17
  Speaker 4: We played in the middle of the kids at home.
• 2:07:21
  Speaker 1: This song broke just a little bit.
• 2:07:23
  Speaker 4: Now he's an adult. An old man. Coming here, Bruno.
• 2:07:33
  Speaker 6: Brunão?
• 2:07:34
  Speaker 4: Bruninho, guys! Give it up for Bruninho!
• 2:07:37
  Speaker 2: This is the legend!
• 2:07:40
  Speaker 1: Take this one, I think it's working better.
• 2:07:41
  Speaker 3: Yeah?
• 2:07:42
  Speaker 6: So go.
• 2:07:42
  Speaker 1: Hey, Bruninho.
• 2:07:44
  Speaker 4: Hey, how are you? I met him as a kid.
• 2:07:46
  Speaker 1: I don't even remember how he started.
• 2:07:48
  Speaker 4: Hey, family.
• 2:07:49
  Speaker 3: A little, just a little.
• 2:07:49
  Speaker 4: This song of yours was a success, right?
• 2:07:53
  Speaker 3: Just a little. And the most cool thing is.
• 2:08:00
  Speaker 4: Kid, going home, playing with the car. I hit here... And.
• 2:08:08
  Speaker 3: Then I became a friend of his father.
• 2:08:11
  Speaker 4: And now he's a father too, right?
• 2:08:14
  Speaker 1: Yeah, I'm his father for 5 months.
• 2:08:16
  Speaker 4: Congratulations!
• 2:08:17
  Speaker 3: Thank you, thank you.
• 2:08:18
  Speaker 1: A lot of health for this girl. Thank you, thank you.
• 2:08:20
  Speaker 4: And this song was a success. And this song I
• 2:08:24
  Speaker 4: made a tribute to my father, who came from the
• 2:08:27
  Speaker 4: Northeast and made us all in Rio de Janeiro, met
• 2:08:31
  Speaker 4: my mother. And then in this clip he... He's like... I'm...
• 2:08:34
  Speaker 4: I make his son in the video. He makes my
• 2:08:36
  Speaker 4: son in the video, you know, right? And then I
• 2:08:39
  Speaker 4: received several compliments from the pedreiros, because I don't know
• 2:08:42
  Speaker 4: if you saw me embossing the wall, I unroll it,
• 2:08:44
  Speaker 4: I'm embossing it for real, telling a true story. And
• 2:08:47
  Speaker 4: then there were people who already cried, bro.
• 2:08:50
  Speaker 1: This song is very emotional.
• 2:08:51
  Speaker 4: This song is because of the theme, right? The person
• 2:08:54
  Speaker 4: worked in one state and lived in the other, and
• 2:08:57
  Speaker 4: then the son missed it, so this song goes on
• 2:08:58
  Speaker 4: until today. Natanzinho Lima recorded it too. He recorded. It
• 2:09:01
  Speaker 4: was recorded on his DVD, I think, wasn't it?
• 2:09:03
  Speaker 3: This song?
• 2:09:03
  Speaker 4: It was recorded on his DVD.
• 2:09:05
  Speaker 1: I'm curious to know how your voice is, man.
• 2:09:07
  Speaker 4: Let's go. Let's go?
• 2:09:09
  Speaker 3: Let's go?
• 2:09:09
  Speaker 4: Bruno, no.
• 2:09:10
  Speaker 3: Bruno, no.
• 2:09:11
  Speaker 4: I start?
• 2:09:11
  Speaker 3: And you go? Go, go, go. I'm your fan.
• 2:09:21
  Speaker 6: Como é que tá aí?
• 2:09:24
  Speaker 4: Já se acostumou com a cidade nova? Quando é que
• 2:09:28
  Speaker 4: vem aqui? Eu tô contando as horas pra te ter
• 2:09:33
  Speaker 4: de volta A distância tá maltratando I know it strengthens
• 2:09:37
  Speaker 4: our relationship, but I can't take it anymore. If it's
• 2:09:42
  Speaker 4: expensive to fly, I'll go with a bus. It's all different.
• 2:09:49
  Speaker 4: You in the north, I in the south. One sky
• 2:09:53
  Speaker 4: is blue, the other is blue.
• 2:09:55
  Speaker 1: But the longing is exactly the same.
• 2:09:57
  Speaker 6: It hurts in São Paulo, it hurts in Natal.
• 2:10:02
  Speaker 4: You're in the north and I'm in the south. The
• 2:10:05
  Speaker 4: sky is blue, the other is blue. But the longing
• 2:10:09
  Speaker 4: is exactly the same. We're in São Paulo, come to Natal.
• 2:10:23
  Speaker 6: Dói em São Paulo, dói em Natal.
• 2:10:27
  Speaker 4: Ai, ai, ai, ai.
• 2:10:30
  Speaker 6: Ai, ai, ai, ai.
• 2:10:33
  Speaker 4: E quem gostou faz barulho, por favor.
• 2:10:37
  Speaker 1: Não, manda mais uma.
• 2:10:38
  Speaker 6: Então vem, vem, vem.
• 2:10:40
  Speaker 4: Já se acostumou com a cidade nova Quando é que
• 2:10:44
  Speaker 4: vem aqui? Eu tô contando as horas, meu filho A
• 2:10:50
  Speaker 4: distância tá maltratando Eu sei que fortalece a nossa emoção
• 2:10:56
  Speaker 4: Mas eu não tô mais aguentando In any place.
• 2:11:01
  Speaker 8: In the world.
• 2:11:17
  Speaker 4: Você no norte, eu no sul. Um céu é cinza,
• 2:11:22
  Speaker 4: o outro azul. Mas a saudade é exatamente igual. Joga
• 2:11:26
  Speaker 4: a mão forte e vamos fumar nessa tarde maravilhosa. Ai, ai, ai, ai. Ai, ai, ai, ai.
• 2:11:34
  Speaker 1: Ai, ai, ai, ai.
• 2:11:39
  Speaker 4: I'm in São Paulo, I'm in Natal.
• 2:11:43
  Speaker 12: I'm in São Paulo, I'm in Natal.
• 2:12:05
  Speaker 2: If you like it, leave a like and share it
• 2:12:08
  Speaker 2: with everyone.
• 2:12:11
  Speaker 7: Is there any song you'd like to sing? We're talking
• 2:12:14
  Speaker 7: about The Onda, but there are several.
• 2:12:17
  Speaker 4: There's Mãe Solteira. There's Mãe Solteira, which was the last one.
• 2:12:21
  Speaker 3: Last year we accepted this song. This song also.
• 2:12:24
  Speaker 4: Hit a lot. When it's like that, the thing happens.
• 2:12:27
  Speaker 4: The hit is born. With Bruninho it was like that.
• 2:12:30
  Speaker 4: With Davi and Jota Skinner it was like that. I
• 2:12:32
  Speaker 4: got there. They come! When I entered the studio, I
• 2:12:35
  Speaker 4: already had a letter.
• 2:12:37
  Speaker 3: Fiuk too, right?
• 2:12:39
  Speaker 4: No, the worst thing is that I like... Fiuk is
• 2:12:43
  Speaker 4: a good guy, man.
• 2:12:43
  Speaker 3: Fiuk is so cool.
• 2:12:44
  Speaker 4: When he got there, I was so happy, because I
• 2:12:47
  Speaker 4: voted for him at Big Brother.
• 2:12:48
  Speaker 1: Mítico is going to pay.
• 2:12:49
  Speaker 4: Your debt, Fiuk!
• 2:12:50
  Speaker 3: I'll pay, bro. I'll pay.
• 2:12:53
  Speaker 4: To be honest, what happens is that I already had
• 2:12:56
  Speaker 4: a letter ready.
• 2:12:57
  Speaker 6: She's single, she can be Pac-Man.
• 2:13:00
  Speaker 4: I already told you and it's ready. What a cool body,
• 2:13:04
  Speaker 4: from nothing. Piscina, the tip of the chest, beautiful Larissa,
• 2:13:08
  Speaker 4: from Pepeca Rosa, the make-up from Boca Rosa. I sang
• 2:13:13
  Speaker 4: this for them and they went crazy. There were 50
• 2:13:16
  Speaker 4: people in the studio and there was a guy hugging
• 2:13:18
  Speaker 4: another guy. I said, this is cool. But I don't
• 2:13:27
  Speaker 4: know which one of them did the... No, no.
• 2:13:28
  Speaker 6: Both of them say it was them.
• 2:13:29
  Speaker 4: In the same second. So both of them are in
• 2:13:32
  Speaker 4: the song.
• 2:13:33
  Speaker 3: Both of them are as composers.
• 2:13:34
  Speaker 4: Man, I have no doubt that if it was Fiuk,
• 2:13:36
  Speaker 4: it was Fiuk.
• 2:13:37
  Speaker 3: It was in the middle of the.
• 2:13:39
  Speaker 4: But it was both of them, they hugged. They took
• 2:13:43
  Speaker 4: Ed Sheeran.
• 2:13:45
  Speaker 3: They said.
• 2:13:45
  Speaker 4: Then I took this piece. I was so happy that
• 2:13:49
  Speaker 4: Fiuk was in the show. It was another marketing right there,
• 2:13:52
  Speaker 4: of us joking and stuff. And he's there as a
• 2:13:54
  Speaker 4: composer all the time.
• 2:13:55
  Speaker 1: Mystic will pay your debt, Fiuk. You can talk to him, bro.
• 2:13:59
  Speaker 3: Talk to me. Send a zap. He said it's about.
• 2:14:01
  Speaker 2: 60 thousand reais and solve it. He's selling the guitars, Mystic.
• 2:14:06
  Speaker 3: I'll buy you a car.
• 2:14:07
  Speaker 8: Send it!
• 2:14:07
  Speaker 3: Send this one?
• 2:14:08
  Speaker 4: Send.
• 2:14:08
  Speaker 3: Send whoever you want, bro.
• 2:14:09
  Speaker 4: I'll send The Onda. I want to send a kiss
• 2:14:13
  Speaker 4: to my wife too. Because I made this song for
• 2:14:15
  Speaker 4: her when she was still my girlfriend. And then she
• 2:14:17
  Speaker 4: became my wife. I want to send a kiss to
• 2:14:23
  Speaker 4: my daughters too. I have two daughters, One and Liz.
• 2:14:25
  Speaker 4: And I'm very happy to be here today. I'm very
• 2:14:27
  Speaker 4: happy with my new phase of my career.
• 2:14:30
  Speaker 1: I'm taking care of myself.
• 2:14:31
  Speaker 4: I want to tell you that Jesus is very good.
• 2:14:33
  Speaker 4: The path, the truth and the life. And he has
• 2:14:35
  Speaker 4: helped me a lot. A lot, a lot. I'm very, very,
• 2:14:38
  Speaker 4: very happy.
• 2:14:38
  Speaker 3: Thank God.
• 2:14:39
  Speaker 4: And that's it. Let's go.
• 2:14:41
  Speaker 2: So, before The Wonder, I want to do the honors
• 2:14:44
  Speaker 2: of the house. I asked you to leave the like.
• 2:14:45
  Speaker 2: Follow G15 on social media.
• 2:14:47
  Speaker 4: Contract.
• 2:14:49
  Speaker 2: Contract the shows of the G15, contract it at your
• 2:14:52
  Speaker 2: 15-year-old party, contract it for your graduation.
• 2:14:55
  Speaker 4: G6!
• 2:14:56
  Speaker 6: We were going.
• 2:14:58
  Speaker 1: To do the robot's show.
• 2:14:59
  Speaker 4: Raul is an MC for sure. Then I arrived, I said,
• 2:15:04
  Speaker 4: see you at the G15. He's going to announce it.
• 2:15:07
  Speaker 4: Come on!
• 2:15:11
  Speaker 6: G5!
• 2:15:11
  Speaker 3: Let's go!
• 2:15:15
  Speaker 4: It's a lot of MSI to decorate!
• 2:15:19
  Speaker 3: Dad, it's 15.
• 2:15:20
  Speaker 4: But 15 is too expensive, I'll leave it at 5.
• 2:15:24
  Speaker 6: Neguinho da Caixeta!
• 2:15:26
  Speaker 3: Do you remember this time?
• 2:15:27
  Speaker 1: I remember Lele JP. What's on the beach with Essri?
• 2:15:30
  Speaker 4: Beer!
• 2:15:33
  Speaker 1: And do you remember this picture of Banquinho?
• 2:15:36
  Speaker 3: Of course!
• 2:15:36
  Speaker 4: This picture gave us an opportunity on television.
• 2:15:41
  Speaker 1: Raul Gil was Zica.
• 2:15:42
  Speaker 6: Man, Raul Gil was Zica.
• 2:15:43
  Speaker 4: He opened the doors of the show once for me
• 2:15:45
  Speaker 4: to do a presentation there for an hour. I was
• 2:15:49
  Speaker 4: on stage, like that, for the Funkero at that time.
• 2:15:53
  Speaker 4: Foi muito bacana isso aí que eles fizeram. Então vamos
• 2:15:56
  Speaker 4: de onda.
• 2:15:56
  Speaker 3: Vamos.
• 2:15:57
  Speaker 1: Não, não, não.
• 2:15:58
  Speaker 4: Desculpa, desculpa. Os caras falaram a música aqui. Mãe Solteira.
• 2:16:01
  Speaker 4: Abração MC Davi. Jato Skinny. DG Batidão.
• 2:16:05
  Speaker 1: Nossa.
• 2:16:08
  Speaker 6: Chama, meu Deus.
• 2:16:09
  Speaker 3: Essa música é cara de final de ano, sabe? Cara
• 2:16:11
  Speaker 3: de praia.
• 2:16:13
  Speaker 6: Contatos para shows.
• 2:16:15
  Speaker 4: Vanderilson. CDs. Vem. Já vi o preço do leite, não
• 2:16:22
  Speaker 4: Tá mó caro, tá quase pra comprar um van Aqui
• 2:16:28
  Speaker 4: tu foi meter um filho com aquele otário Tigre já
• 2:16:31
  Speaker 4: não dá prejuízo Deixa esse otário, cê sabe que eu
• 2:16:35
  Speaker 4: pago tudo no card Minha conta gorda, suave, que eu
• 2:16:38
  Speaker 4: tô vivendo, meu O pai te leva de nave, bebê
• 2:16:42
  Speaker 4: conforto no ande Ande, chama o Igão e o Mitico
• 2:16:48
  Speaker 4: Let's rock baby! Here comes the MC G15! And she's
• 2:17:16
  Speaker 4: more single. She swallows, swallows like a mother. She's more single.
• 2:17:25
  Speaker 6: She swallows, swallows. And she's more single. She asks to.
• 2:17:32
  Speaker 4: Think, she asks to think, she asks to think, she
• 2:17:36
  Speaker 4: asks to think, she asks to think, Todas querem ter
• 2:17:41
  Speaker 4: a sua base Ela pede mensa, mensa Ela pede mensa
• 2:17:44
  Speaker 4: por papai I love you mãe solteira Ela pede mensa,
• 2:17:48
  Speaker 4: mensa Ela pede mensa por papai Ela pede bença, bença,
• 2:18:04
  Speaker 4: ela pede bença pro papai Aqui não pode pá, tá foda.
• 2:18:09
  Speaker 8: Demais God bless you.
• 2:18:27
  Speaker 3: Wow, wow, wow.
• 2:18:51
  Speaker 6: Let's go, let's go.
• 2:18:51
  Speaker 1: When it's time to play, just open the bottle by yourself, brother.
• 2:18:54
  Speaker 3: Oh, fuck.
• 2:18:55
  Speaker 6: Go, go.
• 2:18:56
  Speaker 4: I need you.
• 2:18:57
  Speaker 6: My penchant is you, brother.
• 2:18:59
  Speaker 4: I don't need to drink anymore. And don't smoke marijuana.
• 2:19:06
  Speaker 4: That's just presence. Me deu onda, o seu sorriso Me
• 2:19:15
  Speaker 4: dá onda, você sentando mozão Me deu onda, que vontade
• 2:19:21
  Speaker 4: de fuder Garota, eu.
• 2:19:24
  Speaker 6: Gosto de você fazer o que?
• 2:19:26
  Speaker 4: Meu pau te ama, que vontade de fuder Garota.
• 2:19:31
  Speaker 6: Eu gosto de você fazer o que?
• 2:19:34
  Speaker 1: Meu pau te ama, meu pai te.
• 2:19:36
  Speaker 4: Ama The G15 loves you This song has a cut
• 2:19:45
  Speaker 4: of Faustão singing. Panico put a cut of him, he's
• 2:19:47
  Speaker 4: loving it. Your presence Makes you want to take a
• 2:19:50
  Speaker 4: cigarette on the.
• 2:19:54
  Speaker 6: Beach. Que eu preciso te.
• 2:20:06
  Speaker 4: Ter É, meu fechamento é você, mozão Eu não.
• 2:20:12
  Speaker 6: Preciso mais beber E nem.
• 2:20:14
  Speaker 4: Fumar maconha Que essa presença me deu onda O seu
• 2:20:20
  Speaker 4: sorriso me dá onda Você sentando, mozão, me deu onda
• 2:20:27
  Speaker 4: Que vontade de te ter, garota Eu gosto de.
• 2:20:31
  Speaker 6: Você fazer o quê? Que vontade de.
• 2:20:35
  Speaker 4: Te ter Garota, eu gosto de você fazer o quê?
• 2:20:40
  Speaker 4: O pai te ama, é, o pai te ama O
• 2:20:44
  Speaker 4: pai te ama, o mítico te ama.
• 2:20:49
  Speaker 6: Ah, sensacional!
• 2:20:51
  Speaker 4: Ultimamente eu tô cantando só a versão light, o pai
• 2:20:54
  Speaker 4: te ama Tô até soltinho aqui cantando a versão original, né?
• 2:20:57
  Speaker 1: Eu que pedi, eu que pedi, desculpa!
• 2:21:00
  Speaker 4: Muito bom, mas só presença Thank you, thank you!
• 2:21:29
  Speaker 1: But what's going on with your hair?
• 2:21:30
  Speaker 3: Is it moving differently?
• 2:21:32
  Speaker 4: Is it more fragrant?
• 2:21:33
  Speaker 1: Is it beautiful?
• 2:21:33
  Speaker 3: Is it shiny?
• 2:21:34
  Speaker 1: What is it?
• 2:21:34
  Speaker 3: I'm using an anti-dandruff wax.
• 2:21:36
  Speaker 1: Really?
• 2:21:37
  Speaker 3: It's always effective against dandruff. Refreshing. It leaves the scalp clean,
• 2:21:40
  Speaker 3: you know? Really? I can't even talk about all the benefits.
• 2:21:44
  Speaker 3: There are many benefits, brother.
• 2:21:46
  Speaker 5: There are many benefits. There are many benefits. There are
• 2:21:50
  Speaker 5: many benefits.
• 2:21:51
  Speaker 4: And high performance. Delicious, huh?
• 2:21:55
  Speaker 3: Wow, it's refreshing, huh? Have you been watching Refrescância?
• 2:22:18
  Speaker 4: Thank you.