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Martin Scorsese’s America
Throughout his career, Martin Scorsese has traced crime, greed, and corruption across American life. In his new film, he turns his gaze to the violence of whiteness. Set in nineteen-twenties Oklahoma, “Killers of the Flower Moon” tells the story of a series of murders targeting the people of the Osage Nation, perpetrated by white settlers in pursuit of the community’s oil wealth. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the trajectory of Scorsese’s style, from the “whirling limbs” and “short, sharp cuts” of films like…
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