Latest / The Teamup Play Show Podcast / S1-Ep.6: Double-Boy Dad Scoop

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S1-Ep.6: Double-Boy Dad Scoop · The Teamup Play Show Podcast

• 0:00
  Speaker 1: You're listening to a lily Pad production.
• 0:04
  Speaker 2: This is the Team Up Play Show podcast.
• 0:28
  Speaker 1: Previously in the City of Bones, Lance Jason, tell me
• 0:46
  Speaker 1: where he is?
• 0:47
  Speaker 2: They took him to Genesis. They had us remove a
• 0:50
  Speaker 2: piece of his memory, and then they took him to
• 0:51
  Speaker 2: Genesis Galley's Grave. It used to be known as the
• 0:55
  Speaker 2: Discovery District. Genesis is was the first day laboratory ever found,
• 1:02
  Speaker 2: small hospital that is far north in the city. It was.
• 1:07
  Speaker 2: It was a pinpoint of discovery about day anatomy and
• 1:10
  Speaker 2: the understanding of how they operate.
• 1:12
  Speaker 1: All right, Dorothy Scarecrow, he's in there. How are we
• 1:15
  Speaker 1: going to do this?
• 1:16
  Speaker 3: I don't know if he's hostage or if he's all
• 1:20
  Speaker 3: if he's part of this.
• 1:33
  Speaker 2: The Path to find Ronnie's Dad has taken you to
• 1:37
  Speaker 2: the edge of town. The edges of New Babbel get
• 1:41
  Speaker 2: a little suburban white picket fences, lawns with grass. The
• 1:46
  Speaker 2: houses have space in between them. But you are in
• 1:51
  Speaker 2: the dilapidated District of Discovery, now known as Galileo's Grave,
• 1:58
  Speaker 2: The Dilapidated District of Discovery.
• 2:00
  Speaker 3: That's right cool, also previously as Galileo's Goodies.
• 2:05
  Speaker 2: Yes, the whole district is a four block campus of
• 2:12
  Speaker 2: lab buildings and specialized factories. This is where graduates of
• 2:18
  Speaker 2: New Babbel Tech University would give form to the whimsy
• 2:22
  Speaker 2: that lived in their creator minds. It was once a
• 2:26
  Speaker 2: glorious place. Its glory has become shameful and its goal
• 2:33
  Speaker 2: has become grave. But you're looking at a very specific
• 2:39
  Speaker 2: building on the very edge of it all, a smaller
• 2:42
  Speaker 2: lab three stories, couldn't be more than five or six
• 2:46
  Speaker 2: lab rooms per story. And Ronnie's dad is in there
• 2:50
  Speaker 2: on the first floor. Is he in trouble? Is he
• 2:55
  Speaker 2: an enabler to murder and conspiracy? Let's see if you
• 3:00
  Speaker 2: can find out. Quanta roll for a sense here on
• 3:05
  Speaker 2: the building to see what you see. Let's get a
• 3:08
  Speaker 2: sense of this place. An average check.
• 3:11
  Speaker 3: A sensy synaptic skin four four. I rolled a three
• 3:17
  Speaker 3: O close so you succeed. You start to sense the
• 3:21
  Speaker 3: building in the electricity wiring. Your dad is in a
• 3:24
  Speaker 3: room that's kind of smack dab in the middle of
• 3:27
  Speaker 3: this building, so there's not a window that goes directly in.
• 3:30
  Speaker 3: There is a front door, two swinging glass doors, and
• 3:33
  Speaker 3: there are two guards standing there with assault rifles. In
• 3:37
  Speaker 3: the room your dad is in There are two guards
• 3:39
  Speaker 3: with him.
• 3:40
  Speaker 2: There are two guards at the front door, two guards
• 3:42
  Speaker 2: at the roof entryway, two guards in the back door entryway.
• 3:47
  Speaker 2: There are also four guards in a bigger room in
• 3:50
  Speaker 2: the middle of this building, and two other people. There's
• 3:53
  Speaker 2: a lot of people in here. It's being heavily guarded.
• 3:57
  Speaker 2: How are you guys going about this?
• 3:59
  Speaker 4: There's definitely right flights to our holding Ronnie to keep
• 4:03
  Speaker 4: a low profile, and I'll be I'll be on the
• 4:05
  Speaker 4: ground because I took all of my points out of
• 4:08
  Speaker 4: my paper cloak, so I'm skateboarding in a fashionable paper
• 4:11
  Speaker 4: suit suit.
• 4:12
  Speaker 1: Still awesome.
• 4:14
  Speaker 3: There, Yeah, I mean we decided on we decided and
• 4:18
  Speaker 3: busting in loud, so let's just go in that way.
• 4:21
  Speaker 1: Well, I can I can see this. I can see
• 4:23
  Speaker 1: the path.
• 4:24
  Speaker 3: To where he is, so we can get into where
• 4:26
  Speaker 3: he is and maybe get him out and then get
• 4:27
  Speaker 3: some answers.
• 4:28
  Speaker 4: I'm kind of holding Ronnie as we're floating above these buildings.
• 4:33
  Speaker 4: We see these guards like below us, and I'm like, well,
• 4:37
  Speaker 4: we could just fly down and me and you just
• 4:39
  Speaker 4: blast him from above.
• 4:41
  Speaker 2: I think that would send Phantom the message.
• 4:43
  Speaker 1: Yeah, I could try to put him to sleep.
• 4:45
  Speaker 4: I was, I think we just blast him, right, you
• 4:48
  Speaker 4: want to hurt them, just knock him out.
• 4:51
  Speaker 2: I am. I'm going to roll up to one of
• 4:52
  Speaker 2: the guards and I'm going to start attacking them.
• 4:54
  Speaker 3: Oh gosh, okay, Jason starts attacking one of the guards
• 5:00
  Speaker 3: at the front of the building.
• 5:02
  Speaker 1: We're going in through the front door.
• 5:03
  Speaker 2: Awesome. Oh yeah, go ahead and roll a you guys.
• 5:10
  Speaker 2: Can all everybody take a turn here. I'll say you
• 5:13
  Speaker 2: get to these guards without starting the order. So Jason,
• 5:17
  Speaker 2: go ahead and roll your attack.
• 5:19
  Speaker 5: Oh all right, I'm just saying, with good old fashioned
• 5:23
  Speaker 5: paper mancy, I'm just gonna start pointing like my finger
• 5:28
  Speaker 5: guns and shooting little paper little paper airplanes was basting
• 5:33
  Speaker 5: my suit.
• 5:34
  Speaker 2: Uh and I got a five for damage. Nice. This
• 5:38
  Speaker 2: guy rolls two on his resilience, so he takes three
• 5:41
  Speaker 2: damage bing bang diddio.
• 5:44
  Speaker 4: Yeah, I'm gonna hit at least one of them with
• 5:46
  Speaker 4: a magic blast. I'll use an EP to add on
• 5:51
  Speaker 4: my goodies.
• 5:52
  Speaker 2: So one guy is just getting peppered with these flying
• 5:55
  Speaker 2: airplanes sticking into him. Magic blasts rips out of the
• 6:00
  Speaker 2: darkness and hits the guy next to him first.
• 6:02
  Speaker 4: I'm gonna roll my T six to see what it is.
• 6:05
  Speaker 4: I got a four, which is acid, which does marring
• 6:10
  Speaker 4: damage nice if I roll enough, So I need to
• 6:15
  Speaker 4: get at least three damage for my mar to take effect.
• 6:19
  Speaker 2: I got a five. I rolled a one noise, so
• 6:23
  Speaker 2: that turns into zero on this guy's resilience. So this guy,
• 6:26
  Speaker 2: uh just gets acid all over his face and passes
• 6:30
  Speaker 2: out unless you want to kill him, and up to you.
• 6:33
  Speaker 2: I don't want to kill him. He is down, so
• 6:36
  Speaker 2: just one guard here left me.
• 6:37
  Speaker 3: I reach out with my hands which are completely covered
• 6:41
  Speaker 3: in my giant hoodie, the sleeves hanging down. I want
• 6:44
  Speaker 3: to control electricity and make him goole.
• 6:48
  Speaker 2: Got it? That's one one damage. Yeah, I rolled a
• 6:52
  Speaker 2: one on his resiliance. Wow, so lucky. So these two
• 6:57
  Speaker 2: guards at the front entrance go both and clump down
• 7:00
  Speaker 2: in a matter of milliseconds, and the front doors are
• 7:05
  Speaker 2: open to you.
• 7:06
  Speaker 3: Follow me a light off the flight start and start
• 7:10
  Speaker 3: uto running through the hallway.
• 7:12
  Speaker 2: Oho you enter in. There's this initial kind of entryway.
• 7:17
  Speaker 2: It is a little bit horrifying in here, old carpet stained.
• 7:22
  Speaker 1: And ripped, a little horrified.
• 7:25
  Speaker 2: Flickering lights that seem to be on their last leg.
• 7:29
  Speaker 2: Why don't they change these doors hanging crooked on their hinges? Okay,
• 7:40
  Speaker 2: hanging doors is hard. There's a hallway that Quanta starts
• 7:44
  Speaker 2: streaking down, lighting it up with a little bit of
• 7:47
  Speaker 2: electric aura. When you get to the end of the hall,
• 7:50
  Speaker 2: there's a set of swinging lab doors that have a
• 7:54
  Speaker 2: window in them. You're welcome to take a peek in
• 7:57
  Speaker 2: there before you burst in. I would, or would you?
• 8:00
  Speaker 2: My sense first to know? Yes, so is that the
• 8:02
  Speaker 2: room Dad's in? Yes, the room Dad is in plus
• 8:05
  Speaker 2: two guards, and then there's a greater room beyond you.
• 8:09
  Speaker 2: You you take a peek in there. The wall to
• 8:11
  Speaker 2: this lab where your dad is in has been blown out,
• 8:14
  Speaker 2: and it turns into kind of like a warehouse area
• 8:17
  Speaker 2: behind it.
• 8:18
  Speaker 1: What do I What do I sense in there?
• 8:19
  Speaker 2: Four guards, two other entities?
• 8:22
  Speaker 1: So those two rooms are connected? Now?
• 8:24
  Speaker 3: Yes, I shrug to the my two friends and kick
• 8:27
  Speaker 3: open the door.
• 8:29
  Speaker 2: Hell yeah, let's go ahead and roll order. What'd y'all get?
• 8:33
  Speaker 2: Four three one? Did you get a two? What? I
• 8:36
  Speaker 2: don't know? Four three two one? No? I didn't roll
• 8:38
  Speaker 2: a single two?
• 8:39
  Speaker 1: Oh well, we were higher level.
• 8:41
  Speaker 2: We could team up, Quanta. You burst into the door,
• 8:44
  Speaker 2: the swinging doors. You get the first action. What the
• 8:48
  Speaker 2: two of these guys? Uh, you're only having to deal
• 8:51
  Speaker 2: with these these guards in here first. Okay. The two
• 8:54
  Speaker 2: of them go for their guns as they start to panic.
• 8:58
  Speaker 1: Huh, like whiped the one closest to me.
• 9:01
  Speaker 2: Got it?
• 9:03
  Speaker 1: Seven?
• 9:04
  Speaker 6: Seven?
• 9:06
  Speaker 3: Whah, Yes, I rolled a six and I've got a
• 9:08
  Speaker 3: permanent bonus of one.
• 9:10
  Speaker 2: Okay, these guys are a little bit more trained. He
• 9:12
  Speaker 2: turns his back to defend against your lightning whip. He
• 9:15
  Speaker 2: rolls a one on his defense, so that turns into six.
• 9:18
  Speaker 2: And now he reseals he got a three, which turns
• 9:21
  Speaker 2: into two, so that's three minus. So you do you do?
• 9:26
  Speaker 2: You knock this guy out on your first whip? Your
• 9:29
  Speaker 2: dad slowly puts his head up. He is tied to
• 9:34
  Speaker 2: a chair. His face is beaten and bruised. He's bleeding
• 9:39
  Speaker 2: in several places on his not human blood, but he
• 9:43
  Speaker 2: is neck chect bleeding nectar nectaring, nectarine, he's leaking. He's
• 9:50
  Speaker 2: nectar leaking in several places on his body.
• 9:55
  Speaker 1: I'm not gonna take nectarine.
• 9:57
  Speaker 2: He's nectaring. It's better than I'm gonna nector. Please know
• 10:03
  Speaker 2: he is clearly a situation I'm sorry, sorry, Dad clearly
• 10:09
  Speaker 2: been tortured. He's got like a bin next to him
• 10:13
  Speaker 2: for waist and mechanically, just so everybody knows, he is
• 10:18
  Speaker 2: at zero HP and he is on death points and
• 10:21
  Speaker 2: he's incapacitated. But his head lolls up, looks at you,
• 10:25
  Speaker 2: and he says, what okay, it's uh these guards turn.
• 10:30
  Speaker 2: The one falls, the other guy panics, reaches for his
• 10:34
  Speaker 2: rifle starts shooting at you. Hair it comes mey, yeah,
• 10:40
  Speaker 2: two points of damage coming at you, right, I see
• 10:43
  Speaker 2: that mess?
• 10:44
  Speaker 3: Well just rezeal or two three? I might I spin
• 10:49
  Speaker 3: my whip circle really fast, like right at the end.
• 10:52
  Speaker 3: Somethings a little around shields.
• 10:54
  Speaker 2: Awesome, very cool paper phantom your turn. You know what,
• 11:03
  Speaker 2: I'm gonna ask? How much papers in this room? Dude?
• 11:06
  Speaker 2: You start to sense there's a lot of paper in
• 11:08
  Speaker 2: this laboratory.
• 11:09
  Speaker 5: Yeah all right, hell yeah yeah, I'm just gonna use
• 11:12
  Speaker 5: I see that that quantus dad is not not looking
• 11:16
  Speaker 5: so good, and I'm gonna just grab some of the
• 11:20
  Speaker 5: surrounding paper and like fling it at him to try
• 11:23
  Speaker 5: and close his wounds.
• 11:25
  Speaker 2: Bandage this boy up.
• 11:27
  Speaker 3: Wow.
• 11:27
  Speaker 2: The paper flutters over towards Quanta's dad, and starts to
• 11:32
  Speaker 2: stop his wounds from bleeding, nectaring nectarine. Yeah, well, how
• 11:36
  Speaker 2: many points I'll give him three? Three? Wow HP. As
• 11:42
  Speaker 2: this paper closes his wounds, he starts to get a
• 11:44
  Speaker 2: little bit more life in his eyes and sits up
• 11:47
  Speaker 2: a little bit straighter. What what what's happening? What's what's
• 11:50
  Speaker 2: going on? Rigel? You're up all right.
• 11:53
  Speaker 4: I'm just gonna run up and punch the guy that
• 11:56
  Speaker 4: shot at Ronnie as hard as I can.
• 11:58
  Speaker 2: Awesome. Five. You guys are rolling great. I'm rolling heavy, baby,
• 12:05
  Speaker 2: that's awesome. This guy also is a trained mercenary. It seems.
• 12:09
  Speaker 2: He throws up his his forearms to block this punch.
• 12:14
  Speaker 2: And you hear jamir his forearm. What are these bones called?
• 12:19
  Speaker 2: No clue? You hear his forearm bones? Boyking inward. Those
• 12:25
  Speaker 2: double boys, those double boys, that's what they're calling.
• 12:28
  Speaker 3: The double boys, the double boys, the Pillsbury double boy.
• 12:32
  Speaker 2: The big double bully.
• 12:35
  Speaker 5: We're just giving you so many super villain ideas, Johnny
• 12:38
  Speaker 5: for this campaign. He rolls a one on his defense,
• 12:42
  Speaker 5: rolling as so you do fully just break his double boy,
• 12:48
  Speaker 5: uh forearm bones, and then you know, a zeals a three,
• 12:52
  Speaker 5: which turns into two which means he's blocked three damage,
• 12:57
  Speaker 5: so you only do two damage. But you still punch
• 13:00
  Speaker 5: through this guy's forearm.
• 13:01
  Speaker 2: You've used up his reactions, and you still hit his
• 13:04
  Speaker 2: face with his crunching bones out. Nice good bone crunch. Yeah,
• 13:11
  Speaker 2: here's a little weird that by that not used to that.
• 13:14
  Speaker 2: We are back up to the top quantity. Your turn.
• 13:17
  Speaker 1: The second guard is still up.
• 13:18
  Speaker 3: Yes, okay, I'll first say we're here to help you,
• 13:21
  Speaker 3: lance pointedly at my dad.
• 13:24
  Speaker 2: Oh, what's going on?
• 13:26
  Speaker 3: And I will spend the energy to lightning whip this
• 13:31
  Speaker 3: second guard, so attack again.
• 13:33
  Speaker 2: The lighting whip comes out, strikes him. He's already used
• 13:36
  Speaker 2: his reaction six. Oh, I don't think this guy can survive.
• 13:41
  Speaker 2: He rolls a three, which turns into two, so that's
• 13:43
  Speaker 2: four damage. You knock this guy out with your whip
• 13:47
  Speaker 2: as well. The whip connects and shuts down his his
• 13:51
  Speaker 2: bodily functions and he collapses.
• 13:53
  Speaker 3: These two guards connects right in the chest, so it
• 13:55
  Speaker 3: doesn't just like whoosh, like connects for a second skeleton. Yes, yeah,
• 14:00
  Speaker 3: see his broken double boys.
• 14:04
  Speaker 2: Yeah, it shocks him right in the chest and stays
• 14:06
  Speaker 2: there for a minute, and you see his whole skeleton,
• 14:08
  Speaker 2: including his flappy double boys. Wow, okay, it's the guards turned.
• 14:14
  Speaker 2: They are incapacitated. Paper phantom, your turn. We know I
• 14:19
  Speaker 2: look at Quantitas. There's more guards in the warehouse.
• 14:22
  Speaker 1: Yes, I point.
• 14:23
  Speaker 2: How far away is the you said there's a big
• 14:25
  Speaker 2: hole connecting in the warehouse this room, the back wall
• 14:27
  Speaker 2: is basically blown out. You're only one l away from
• 14:31
  Speaker 2: like the gap here.
• 14:33
  Speaker 5: I think what I'm gonna do. I think you should
• 14:35
  Speaker 5: handle your dad here, and I'm gonna just try, and
• 14:39
  Speaker 5: I'll spend an energy to make a like a wall
• 14:43
  Speaker 5: of paper to kind of cover the hole.
• 14:46
  Speaker 2: Definds interesting. Okay, do a utility check, do a street
• 14:51
  Speaker 2: smarts plus your papermancy. This is a challenging check. And
• 14:56
  Speaker 2: based on how much you succeed, that's how much co
• 15:00
  Speaker 2: for that this will give you. What'd you get? Nine? Oh?
• 15:04
  Speaker 2: I got six, So you succeed by three, So that
• 15:07
  Speaker 2: gives you. That gives you a weak cover. It's paper,
• 15:12
  Speaker 2: but that's a plus plus one. So if they shoot
• 15:15
  Speaker 2: in here, you all get plus one two resilience. Some
• 15:18
  Speaker 2: good paper paper goes up covering this whole rigel your turn.
• 15:26
  Speaker 4: For my second phase, I'm gonna use my utility action
• 15:31
  Speaker 4: to steal up. I'm I'm expecting that we're gonna get
• 15:36
  Speaker 4: some blowback for what we did, so I just kind
• 15:39
  Speaker 4: of braced myself.
• 15:40
  Speaker 2: What does stealing up look like for Jamir? How do
• 15:43
  Speaker 2: you brace yourself? Yeah? I think I just kind of
• 15:46
  Speaker 2: clench up.
• 15:47
  Speaker 4: It's kind of kind of do a light flex and
• 15:49
  Speaker 4: maybe some uh, some magical energy kind of pulses from
• 15:55
  Speaker 4: my fists up my arms and kind boys right up.
• 15:59
  Speaker 2: Yeah, you can kind.
• 15:59
  Speaker 4: Of see the double boys briefly as the kind of
• 16:04
  Speaker 4: as the magical energy kind of courses through me.
• 16:07
  Speaker 2: Got it? You have a plus one to your next
• 16:10
  Speaker 2: resilience roll whenever that happens. Nice sounds good. All right?
• 16:15
  Speaker 2: You here on the other side, what's going on over there?
• 16:18
  Speaker 2: Check it out? And you start to hear movement on
• 16:21
  Speaker 2: the other side of this paper wall?
• 16:24
  Speaker 1: Makes sense?
• 16:25
  Speaker 2: Phase three, Quanta, you're up right?
• 16:27
  Speaker 1: How many l's away is Dad?
• 16:29
  Speaker 2: He's in the same l as you are.
• 16:31
  Speaker 3: I will go to him and start untying him.
• 16:37
  Speaker 2: Who are you just.
• 16:38
  Speaker 1: Just here to help?
• 16:40
  Speaker 2: Here to help? Just tell me who you are. What's happening?
• 16:43
  Speaker 6: Shut up?
• 16:44
  Speaker 2: Do we have shut up? I've been I've been here
• 16:47
  Speaker 2: tied up a little tortured.
• 16:49
  Speaker 1: Here, do we have like a family safe word?
• 16:54
  Speaker 2: Roll a ready check.
• 16:57
  Speaker 3: Detaim two two. I rolled a three. You do not
• 17:01
  Speaker 3: have a family safe for it. Just say really quietly, Dad,
• 17:04
  Speaker 3: it's me no, no, no, I'm quanta what.
• 17:09
  Speaker 2: They said you were dead, I'm not.
• 17:11
  Speaker 1: I'm not and I'm quanta were dead.
• 17:16
  Speaker 3: I'm gonna I'm gonna knock him out.
• 17:22
  Speaker 1: I'm just gonna just make him go to sleep, just
• 17:24
  Speaker 1: have a nice rest.
• 17:26
  Speaker 2: Got it? Roll a utility check? Wait, did you or
• 17:29
  Speaker 2: do you do an action?
• 17:30
  Speaker 3: I assumed free action to start untying him. But unless
• 17:33
  Speaker 3: that's totally franceast, that's all good. Yeah, we'll do utility
• 17:37
  Speaker 3: action to give him a peaceful rest for a moment.
• 17:41
  Speaker 2: Got to do knowledge check.
• 17:43
  Speaker 1: And control electricity.
• 17:45
  Speaker 2: Ten eight. You knock your dad out, Okay.
• 17:52
  Speaker 3: I gotta catch him on my shoulder. I'm gonna need
• 17:54
  Speaker 3: your help with this, Rachel.
• 17:55
  Speaker 2: Got it paper phantom. You could say, feel free to
• 17:58
  Speaker 2: say no to this, um, but I'll hate you forever.
• 18:03
  Speaker 2: Sounds good, sounds good? Interesting?
• 18:05
  Speaker 1: Oh who friendship to be broken or made?
• 18:09
  Speaker 2: I want to steal up the wall I made? Oh yes,
• 18:14
  Speaker 2: I love that.
• 18:15
  Speaker 5: Yeah, because I have because the way that I've reallocated
• 18:18
  Speaker 5: my points here, I now have a defensive.
• 18:20
  Speaker 2: Power that I think would be useful here.
• 18:23
  Speaker 5: So I'd like to try and use my paper sense
• 18:25
  Speaker 5: to sense any incoming stuff and like hard in the
• 18:29
  Speaker 5: wall in the places where anything would come through.
• 18:32
  Speaker 2: Fun. Yeah, you pick the most the most likely point,
• 18:35
  Speaker 2: like that eye level where the guns are gonna start shooting.
• 18:38
  Speaker 2: You pick that spot. It's the same check Street Smarts
• 18:41
  Speaker 2: plus or paper Nancy. And I'm rolling because you've already
• 18:46
  Speaker 2: done it once. I'm gonna roll a lower check, an
• 18:48
  Speaker 2: average check. I love this idea Friendship intact six two.
• 18:54
  Speaker 2: So the difference is four. So you add another point,
• 18:59
  Speaker 2: another point of resilience here, which is great.
• 19:07
  Speaker 4: I see Ronnie holding her dad. If I could, I
• 19:14
  Speaker 4: would just kind of scoop him with my free action
• 19:18
  Speaker 4: and then move using my flight star to and I'll say, like,
• 19:24
  Speaker 4: I'll be right back and I'll try to scoop and
• 19:28
  Speaker 4: fly away with the dad.
• 19:31
  Speaker 2: Yeah. Awesome, Out back out the way you came in.
• 19:33
  Speaker 2: Due all move three l's old fashioned dad scoop. You
• 19:38
  Speaker 2: do do double boy dad. You do a double boy
• 19:41
  Speaker 2: dad scoop, the classic Rigel move yep, and zip down
• 19:45
  Speaker 2: the hallway on your flight star and you get to
• 19:47
  Speaker 2: the You get to the front door with the double boy.
• 19:50
  Speaker 4: Dad, it's okay, sir, I'm here. Is he unconscious? Okay,
• 19:56
  Speaker 4: I'm still gonna say that loud.
• 20:00
  Speaker 2: His tongue lolls out. Oh good, Oh Dad. You hear
• 20:08
  Speaker 2: from inside the room past the paper light them up.
• 20:14
  Speaker 2: Machine guns start going off. The other guards and the
• 20:17
  Speaker 2: other two people in this room join the order. After
• 20:21
  Speaker 2: you hear lighted up, he says, disappear and kill them.
• 20:26
  Speaker 2: And you don't see what's going on. Oh no, that
• 20:29
  Speaker 2: was his turn. Quant It's your turn.
• 20:31
  Speaker 3: I'm gonna make eye contact with paper Phantom kind of
• 20:34
  Speaker 3: like gesture towards the door, like getting out of here.
• 20:37
  Speaker 2: Oh yeah, yeah, yeah, we can. You don't want to.
• 20:39
  Speaker 2: We should leave these guys.
• 20:41
  Speaker 3: I mean, I want to know what's going on, But
• 20:42
  Speaker 3: I think I think I think Lance can tell.
• 20:44
  Speaker 1: Us come strike four. El's out.
• 20:49
  Speaker 2: So you get out the front door. Also, Paper Phantom,
• 20:51
  Speaker 2: you're right. We're in the top round too, is there right?
• 20:54
  Speaker 6: Yes?
• 20:55
  Speaker 2: Then yeah, I'll I'll follow Quantus lead. I'll move.
• 20:58
  Speaker 5: I'll just skate away how far I guess I can
• 21:01
  Speaker 5: only really go.
• 21:04
  Speaker 2: Two ls. Don't have my cloak, got it. You get
• 21:08
  Speaker 2: at the very entry of this hallway, rigel, you're up.
• 21:11
  Speaker 4: My plan is to fly up to the top of
• 21:14
  Speaker 4: the roof quickly assessive. That looks like a safe place
• 21:17
  Speaker 4: to drop off Dad before trying to get back to
• 21:20
  Speaker 4: the fight.
• 21:21
  Speaker 1: There are two guards up there.
• 21:22
  Speaker 2: Yeah, you would know that from Quanta. There are two
• 21:24
  Speaker 2: guards up on the roof entryway. Okay the roof of
• 21:27
  Speaker 2: the entryway. Is it all one big roof? Yeah, it's
• 21:31
  Speaker 2: one big roof. And then there's like, you know, one
• 21:33
  Speaker 2: of those doors, one of those like outhouse looking things
• 21:36
  Speaker 2: where there's a door down into a stairwell.
• 21:39
  Speaker 4: Cool, I'll drop him off on top of the outhouse,
• 21:43
  Speaker 4: got it. If I don't know if I can get
• 21:45
  Speaker 4: there with this movement, but I would like to try.
• 21:49
  Speaker 2: Yes, So, and then the two guards are standing right
• 21:52
  Speaker 2: in front of that door, so it's a very small space,
• 21:55
  Speaker 2: so you would have to roll a sneak check for
• 21:57
  Speaker 2: them not to see you flying Dad up there.
• 22:00
  Speaker 4: Yeah, I'll I mean, I'll roll the check, but I'm
• 22:03
  Speaker 4: I'm just trying to get him out of the way
• 22:06
  Speaker 4: and then I'll deal with these two knuckleheads.
• 22:08
  Speaker 2: Got it? Oh, so you're not trying to be sneaky,
• 22:10
  Speaker 2: I mean would.
• 22:11
  Speaker 4: I would maybe try, as I'm streaking past on my
• 22:14
  Speaker 4: star holding a day man. But I yeah, my sneak's
• 22:19
  Speaker 4: not that great. But I'll kind of hunch down as
• 22:22
  Speaker 4: I'm flying.
• 22:22
  Speaker 2: Great, I got a seven. You sneakily lay dad on
• 22:29
  Speaker 2: top of this stairwell door. Wow, all right, Misterie's dad
• 22:34
  Speaker 2: just hang out right here. I'm gonna kill these I mean,
• 22:38
  Speaker 2: knock these guys out. We'll get you safe. We're back
• 22:42
  Speaker 2: up to the top. This leaves paper phantom within range
• 22:46
  Speaker 2: of the firing team. They start shooting all site assault
• 22:52
  Speaker 2: rifle blasting into this paper wall at eye level. All
• 23:00
  Speaker 2: according to plan eleven damage coming out of your paper phantom.
• 23:05
  Speaker 2: I'm gonna defend, and you have two from the wall.
• 23:07
  Speaker 2: Yes for your resilience roll.
• 23:09
  Speaker 5: Oh got it perfect, that's even better and it's gonna
• 23:11
  Speaker 5: go great. Guys, all right, so that is three on
• 23:15
  Speaker 5: my defense roll to have first? Then plus two yes?
• 23:19
  Speaker 5: So three more so six? I resist six of that alone?
• 23:24
  Speaker 5: You take five damage?
• 23:25
  Speaker 2: Okay, all according to plan from bullets hitting you through
• 23:29
  Speaker 2: your papers. You see guns like nuzzling into your paper
• 23:34
  Speaker 2: and through the holes that they've made. I can feel it.
• 23:37
  Speaker 2: Stop it.
• 23:39
  Speaker 3: Don't nuzzle nuzzling with their nozzleszling with your muzzles.
• 23:44
  Speaker 2: Your turn. You just got out the front door, and
• 23:46
  Speaker 2: you and you saw Jamir fly your dad up to
• 23:49
  Speaker 2: the roof.
• 23:51
  Speaker 3: I'm gonna move again, back towards the wall. Towards the wall, yeah,
• 23:55
  Speaker 3: the paper wall. Oh, back in Yeah, because they just
• 23:59
  Speaker 3: lit up Jason and pretty bad. But I'm going to
• 24:01
  Speaker 3: be on the like right on the wall, I mean
• 24:05
  Speaker 3: like right next to the paper wall.
• 24:07
  Speaker 2: Got it, if that makes sense? Yeah, yeah, paper phantom.
• 24:09
  Speaker 2: E're I want to I kind of want to hide.
• 24:12
  Speaker 2: I think that's what I want to do. I want
• 24:14
  Speaker 2: to go for it.
• 24:15
  Speaker 5: Get is there like like some some desks or like boxes, crates,
• 24:20
  Speaker 5: anything I could like hide ostensibly hide behind.
• 24:23
  Speaker 2: Yeah, so you're in the hallway here, and on either
• 24:26
  Speaker 2: side of the hallway there are doors to little offices,
• 24:29
  Speaker 2: so you're welcome to like open one of those doors,
• 24:31
  Speaker 2: hide behind a door. You can call paper to yourself,
• 24:34
  Speaker 2: hide behind to paper, whatever you want to do.
• 24:36
  Speaker 5: I think if I make a paper construct around myself,
• 24:38
  Speaker 5: it'll be so obvious, so I will all yeah, I'll
• 24:42
  Speaker 5: just like duck behind a door and yeah, just try
• 24:45
  Speaker 5: and get this close matching paper to cover myself up
• 24:48
  Speaker 5: with and see if I can melt into the shadows
• 24:51
  Speaker 5: and hide.
• 24:52
  Speaker 2: Roll that sneak tick plus your paper man see eleven
• 24:55
  Speaker 2: eleven quant you you come back in and you see
• 24:58
  Speaker 2: the paper phantom beer into paper. Okay, good Rachel, your turn.
• 25:04
  Speaker 2: I don't know how to make can't well? First of all,
• 25:06
  Speaker 2: how high up are we? Just like a three story
• 25:08
  Speaker 2: of four story building? Three story building?
• 25:11
  Speaker 4: So great, I'm gonna try to sneakily just talk like again,
• 25:18
  Speaker 4: I don't know how to mechanically do this.
• 25:19
  Speaker 2: I just want to throw one of these guys off
• 25:21
  Speaker 2: the roof. Yeah, absolutely, it's.
• 25:23
  Speaker 4: Kind of bum rushing with my flight star slash punch
• 25:27
  Speaker 4: and just try to punchove him off the roof.
• 25:30
  Speaker 2: Do a utility check, so it'd be a utility role,
• 25:35
  Speaker 2: a utility action, and a might check plus your strength.
• 25:39
  Speaker 4: Great, so I'm using my utility and I do might
• 25:43
  Speaker 4: plus strength and my might is my D twenty Oh
• 25:48
  Speaker 4: how I I'm excited to hold this guy?
• 25:54
  Speaker 2: Okay, not great? Thirteen thirteen you beat me by more
• 25:58
  Speaker 2: than ten.
• 25:59
  Speaker 1: Nice.
• 26:00
  Speaker 2: How the shy up into the air. He falls over
• 26:03
  Speaker 2: the edge and smashes into the ground, knocked out. It's
• 26:09
  Speaker 2: the turn of someone you guys can't see, and they
• 26:13
  Speaker 2: I won't worry about it. They start hearing sounds up
• 26:18
  Speaker 2: on the roof and start running up. It's the turn
• 26:23
  Speaker 2: of another thing that you cannot see.
• 26:29
  Speaker 3: Moved past a little horrified, and I'm horrified.
• 26:32
  Speaker 2: Breaking through Jason's paper wall is an invisible entity. You
• 26:39
  Speaker 2: see the paper split and something come through a presence.
• 26:53
  Speaker 2: It's the guard's turn. They're taking another blind shot through
• 26:58
  Speaker 2: the paper, but the paper has lost it's potency, so
• 27:02
  Speaker 2: it'll hit Quanta. I will not hit you.
• 27:04
  Speaker 1: I'm next, I'm next to it.
• 27:06
  Speaker 3: Huh So I'm not in line with it, you know,
• 27:10
  Speaker 3: like when you hide behind a door or but like
• 27:13
  Speaker 3: on the wall by the door.
• 27:14
  Speaker 1: Yeah, that's what I'm doing.
• 27:16
  Speaker 2: Yeah.
• 27:16
  Speaker 1: So if they're shooting through the paper, it would be
• 27:19
  Speaker 1: going past me.
• 27:21
  Speaker 2: Yeah yeah no they Okay, sprang this sole area.
• 27:29
  Speaker 1: I had to try it.
• 27:35
  Speaker 2: Eight points of damage.
• 27:37
  Speaker 1: I'm going to.
• 27:38
  Speaker 3: Defend with my lightning reflexes. I defend for four nice
• 27:43
  Speaker 3: and rezal for zero.
• 27:44
  Speaker 1: So take four.
• 27:46
  Speaker 2: Got it? Bullets strike you paper phantom. You're I have reacted?
• 27:52
  Speaker 2: Got it? Ri your turn?
• 27:54
  Speaker 4: Yeah, I'll do my free action and just kind of
• 27:56
  Speaker 4: like be like, hey, give me the gun and then
• 27:59
  Speaker 4: if he doesn't, I'm gonna blast him.
• 28:02
  Speaker 2: Got it? Roll a coox check? Oh? I think that's
• 28:05
  Speaker 2: one of the ones. I suck it. I got a one. Great.
• 28:10
  Speaker 2: This guy shakes his head and just looks like he's
• 28:12
  Speaker 2: about to fire at you.
• 28:14
  Speaker 4: All right, I'll use a EP. Can I use an
• 28:18
  Speaker 4: EP to do that? That might check again?
• 28:21
  Speaker 2: Absolutely, you can use an EP to do another utility
• 28:24
  Speaker 2: check and try where does that EP come from? John?
• 28:27
  Speaker 2: From strength? That will come from the power and use
• 28:31
  Speaker 2: yes strength.
• 28:32
  Speaker 4: Okay, so that's one EP spent there to do a
• 28:36
  Speaker 4: second utility this round, and I will do MITE plus strength. Oh,
• 28:43
  Speaker 4: only got a twelve that time? You beat me by
• 28:45
  Speaker 4: exactly ten, you huck. This guy also off the roof.
• 28:51
  Speaker 4: The other guy on the ground is starting to get
• 28:53
  Speaker 4: up groggily, and then his buddy just rams right into
• 28:56
  Speaker 4: him and they're both out on the ground.
• 29:00
  Speaker 6: Boys.
• 29:00
  Speaker 1: Yeah boy, double boy. Bad day.
• 29:04
  Speaker 4: So there's like three guys like out front of this place,
• 29:06
  Speaker 4: just wrecked and then one sleeping.
• 29:08
  Speaker 1: Yeah no, I think they all got wrecked.
• 29:12
  Speaker 2: Sure at this moment, busting out of the door right
• 29:16
  Speaker 2: next to the roof. Huh, there's a man who is
• 29:23
  Speaker 2: hold on, let me find my description. Oh no, he
• 29:27
  Speaker 2: has a description. He's not some unknown that's cooked up
• 29:33
  Speaker 2: on the fly. It's me, Scottie.
• 29:38
  Speaker 5: I love to take my time.
• 29:44
  Speaker 2: This man is shirtless and his body is encompassed with
• 29:49
  Speaker 2: a beautiful red dragon tattoo. But the dragon tattoo is
• 29:56
  Speaker 2: interrupted by a surgically implanted showl device that connects to
• 30:01
  Speaker 2: his spine. Shit. He busts, sick, he butt, thank you.
• 30:10
  Speaker 2: He busts out of the door and looks up to
• 30:13
  Speaker 2: see you. Who are you? Why are you here? I'm
• 30:18
  Speaker 2: just getting a friend. Oh, you're here for Lance. Don't
• 30:21
  Speaker 2: know his name. Not that close my friend, I see
• 30:26
  Speaker 2: you don't know him that well. And he sitisen of
• 30:29
  Speaker 2: this city in need? Is a friend of Rigel? All right?
• 30:35
  Speaker 2: He squares up and uh takes a fighter's pose. Back
• 30:41
  Speaker 2: up to the top. Quanta, you're here in this hallway.
• 30:50
  Speaker 2: Coming out of their invisible status is a large day woman.
• 30:59
  Speaker 2: She raws back her fingers to her cheek. Materializing in
• 31:06
  Speaker 2: the space in between her two arms is an arrow
• 31:10
  Speaker 2: made of pure white energy. She looses it and it
• 31:14
  Speaker 2: streaks through the hallway right towards you.
• 31:19
  Speaker 3: Did I sense her being there before she came out
• 31:24
  Speaker 3: of invisibility because I sensed her in the room.
• 31:27
  Speaker 2: Yes, and then she went invisible. She's gonna roll a
• 31:31
  Speaker 2: sneak check your rolling sense plus scan? Yes eleven, I
• 31:36
  Speaker 2: got a ten.
• 31:38
  Speaker 1: Wait I have a permanent bonus to scan? Should I
• 31:41
  Speaker 1: be adding this?
• 31:42
  Speaker 2: No? Okay, you only add two empowered checks if there
• 31:47
  Speaker 2: are no functions. Yes, the arrow streaks at you and
• 31:52
  Speaker 2: hits you eight damage.
• 31:59
  Speaker 1: I'm gonna defend with lightning reflexes agains.
• 32:03
  Speaker 2: You cannot defend because she was hidden.
• 32:07
  Speaker 3: Oh can I react to hidden creatures? Sure? That just
• 32:13
  Speaker 3: feels bad with what I can do?
• 32:16
  Speaker 1: All right, I'm down.
• 32:19
  Speaker 2: Quanta falls to an arrow. It's the guards turn. They're
• 32:26
  Speaker 2: gonna take their action to move past the paper wall.
• 32:29
  Speaker 2: They see Quanta go down, they start shouting, where's that
• 32:34
  Speaker 2: other one? Where's the paper guy? It's your turn, paper phantom.
• 32:40
  Speaker 2: I don't know Quanta, you're a first. I don't know
• 32:42
  Speaker 2: why I skip you again.
• 32:45
  Speaker 3: Yeah, I will make a make a get up check,
• 32:47
  Speaker 3: Get up check, Get up So that's good or glory.
• 32:53
  Speaker 1: I have four death points and I rolled to four, so.
• 32:56
  Speaker 2: You come back up for an action.
• 32:59
  Speaker 1: All right.
• 32:59
  Speaker 3: I just lift myself a little bit off the floor
• 33:05
  Speaker 3: with my arms. I don't want to take in this
• 33:10
  Speaker 3: day woman a little bit more first.
• 33:12
  Speaker 2: Yeah, you have your free action? Yes, yeah, so rolla
• 33:16
  Speaker 2: sense check twelve.
• 33:19
  Speaker 3: Where were you three minutes ago?
• 33:22
  Speaker 1: Yeah, it's okay, Dice. I'm sorry I shouldn't have yelled.
• 33:24
  Speaker 2: You run your scan over this woman? She her on
• 33:29
  Speaker 2: that success. I rolled it three, so you succeed wildly.
• 33:32
  Speaker 2: You sense circuitry very much like Dirk. But there's a
• 33:38
  Speaker 2: part of Dirk that you always sense that feels very human,
• 33:42
  Speaker 2: that feels.
• 33:45
  Speaker 1: Soulful.
• 33:45
  Speaker 2: Soulful. Yeah, and you don't sense that in her?
• 33:48
  Speaker 1: All right, and I will how many l's a weigh?
• 33:52
  Speaker 1: Is she?
• 33:52
  Speaker 2: She is two l's away from you?
• 33:54
  Speaker 3: Great, I will attack her with my lightning whip. Nice,
• 34:01
  Speaker 3: just from the floor.
• 34:03
  Speaker 2: Just still down, Quanta, laying on the ground, lightning whip
• 34:07
  Speaker 2: coming up. You see the surprise even in her soulless
• 34:11
  Speaker 2: eyes as your lightning whip streaks towards her.
• 34:16
  Speaker 3: And I know I asked this so much, but how
• 34:22
  Speaker 3: many l's does it have to be to be precision for.
• 34:24
  Speaker 2: Arranged three or more four four damage? Yes, she's just
• 34:30
  Speaker 2: going to reseal. She gets the ones. You do all
• 34:34
  Speaker 2: four damage? Nice damn.
• 34:37
  Speaker 3: And I lay my head down again and I've got
• 34:40
  Speaker 3: three death points.
• 34:40
  Speaker 2: Now, yep, you lose one death point. You also lose
• 34:43
  Speaker 2: an energy from that power. Yeah, paper, phantom, your turn.
• 34:46
  Speaker 5: I am still gonna stay hidden, but I am gonna
• 34:49
  Speaker 5: charge up. Got it, siphon all of the paper. It's
• 34:54
  Speaker 5: just gonna shuffle along the floor to me, to me,
• 34:57
  Speaker 5: my prettiest.
• 35:00
  Speaker 6: Dope.
• 35:01
  Speaker 2: Rigel, your turn. This man just bust out of the
• 35:04
  Speaker 2: top of this ceiling door. What are you doing so
• 35:08
  Speaker 2: up here?
• 35:08
  Speaker 4: I can't really I probably be hearing stuff like chaos.
• 35:13
  Speaker 4: I can't see guns. Yeah, I can't see my buddies
• 35:16
  Speaker 4: in danger. I'm going to take a step back off
• 35:20
  Speaker 4: the ledge onto a flight star. I sub it just
• 35:23
  Speaker 4: as I step back, and I'm gonna float two l's
• 35:28
  Speaker 4: away from this guy off the edge of this building.
• 35:31
  Speaker 2: Got it, it's his turn. He looks at you. Not
• 35:33
  Speaker 2: gonna fight. I'll deal with your friends downstairs.
• 35:36
  Speaker 4: Then my hands start glowing and I just say, not
• 35:40
  Speaker 4: gonna fight fair.
• 35:43
  Speaker 2: And he'll just use a movement action to start trucking downstairs. Okay,
• 35:47
  Speaker 2: back up. At the top of the round the day
• 35:49
  Speaker 2: woman's turn, she looks around for the paper phantom trying
• 35:59
  Speaker 2: to find you. She's gonna roll a sense check. Nope, nope, nope,
• 36:06
  Speaker 2: a sense check to try to find more like common
• 36:08
  Speaker 2: sense checks. You're not gonna fan me.
• 36:11
  Speaker 1: He's not gonna find him.
• 36:13
  Speaker 2: So roll your sneak against me, Jason, May I empower? Yeah,
• 36:18
  Speaker 2: of course twenty one twenty one. She can't beat that,
• 36:25
  Speaker 2: so that's nice.
• 36:28
  Speaker 5: I like the idea if she like looks behind the
• 36:30
  Speaker 5: door and like I go to another door and then another,
• 36:34
  Speaker 5: Like it's just a Scooby Douce situation.
• 36:37
  Speaker 2: It's the other guards turn. The two of them going
• 36:41
  Speaker 2: to also do a check for you. Jason, you can
• 36:44
  Speaker 2: use that same role because it's right now and they
• 36:46
  Speaker 2: can't beat that. The other two start running. They'll take
• 36:50
  Speaker 2: a movement action down the hallway. I think they took
• 36:53
  Speaker 2: him outside to try to find Lance. Your turnpaper, Quanta,
• 36:58
  Speaker 2: quanta your turnta.
• 37:04
  Speaker 3: Hey, I'm gonna make a get up check again, go
• 37:06
  Speaker 3: for it A two, So I stay.
• 37:08
  Speaker 2: Down, You stay down. Paper phantom. Now's your turn.
• 37:10
  Speaker 5: I'm gonna attack. I'm gonna attack this lady. Are we
• 37:14
  Speaker 5: in the same l currently, Yes, all right, let's go.
• 37:19
  Speaker 5: You are hidden so she cannot react against you. Okay,
• 37:23
  Speaker 5: so that is ooh four bliss, A five bless one
• 37:28
  Speaker 5: that's ten is.
• 37:30
  Speaker 1: Strong.
• 37:31
  Speaker 5: So all of the paper I've been like a sort
• 37:33
  Speaker 5: of charging up because again I'm not I'm not cloaked out.
• 37:36
  Speaker 5: I've got a big, big like zoot suit and big
• 37:40
  Speaker 5: hat with a giant feather, so I'm just gonna like
• 37:43
  Speaker 5: charge it all into like this big paper feather and
• 37:46
  Speaker 5: just slash out from the shadows to try and cut her.
• 37:51
  Speaker 2: It cuts her deep, searing across her metal. And you
• 37:56
  Speaker 2: come out of hidden and she looks down, looks at you.
• 38:01
  Speaker 2: She seems hurt. Here. I am rigel.
• 38:04
  Speaker 4: You're up, you said some guards came out looking for Lance.
• 38:08
  Speaker 2: Do I see them below me? They're not quite out yet.
• 38:10
  Speaker 2: They're not quite out yet. Okay. I am going then
• 38:13
  Speaker 2: to charge up.
• 38:15
  Speaker 4: I'll use my utility because I use movement last time,
• 38:18
  Speaker 4: so I will. Yeah, I'll charge up. Sounds good, so yeah,
• 38:22
  Speaker 4: Just my energy starts glowing in my hands as I'm
• 38:26
  Speaker 4: ready to blast whatever I see comboard.
• 38:29
  Speaker 2: Great, it is the gentleman with a tattoos. Turn. He
• 38:33
  Speaker 2: takes another movement, spends an energy, takes another movement to
• 38:37
  Speaker 2: get down the stairs back up to the top. This
• 38:40
  Speaker 2: day woman who just got slashed real bad by you?
• 38:43
  Speaker 2: What he pases this? Sorry Johnny here murmy three three
• 38:47
  Speaker 2: phase three. She uses the utility to disappear. She's gone.
• 38:53
  Speaker 2: She's not she didn't move, she's not hiding, she just disappears.
• 38:57
  Speaker 2: It's the guard's turn. They're both gonna shoot at you. Jason.
• 39:02
  Speaker 2: Two damage coming to you. I rolled real bad. We'll
• 39:05
  Speaker 2: just reseal for two. All right, there you go. The
• 39:08
  Speaker 2: other two guards do pop out of the front door. Great,
• 39:12
  Speaker 2: I feel like wearing a zoot suit.
• 39:13
  Speaker 5: I'm just like I'm like dancing around and just like
• 39:17
  Speaker 5: snapping my fingers.
• 39:18
  Speaker 2: Never gonna get me. Quantu your turn.
• 39:22
  Speaker 1: That's a real that's a real cool dance. Paper Fantom
• 39:26
  Speaker 1: quats just bleeding out.
• 39:30
  Speaker 3: Okay, seven, success, I am, I will move. I'm going
• 39:34
  Speaker 3: to strike outside again.
• 39:37
  Speaker 2: Sounds good. You get outside and then stumble to the
• 39:42
  Speaker 2: ground to tumble to them, losing a death point. Paper Phantom,
• 39:45
  Speaker 2: your turn, So how far away is Quanta. Now for me,
• 39:49
  Speaker 2: she is three ls away from you range. I can't
• 39:53
  Speaker 2: get you up unless I move. So I'm gonna move.
• 39:56
  Speaker 5: I'm gonna follow, follow Quanta got it, and I can
• 39:59
  Speaker 5: only go two els Europe.
• 40:01
  Speaker 4: I'm gonna unleash this charged up blast I got, and
• 40:07
  Speaker 4: I am attacking with precision.
• 40:10
  Speaker 2: Nice. Ooh, that is very nice. Hold on, okay, so
• 40:18
  Speaker 2: I got eleven.
• 40:20
  Speaker 3: Ooh nice.
• 40:24
  Speaker 2: As I rained down a magical bullet bean as one
• 40:28
  Speaker 2: of these guys coming out, you knock out one of them.
• 40:31
  Speaker 2: Nice feels good. The dragon guy has gotten down to
• 40:39
  Speaker 2: the area and now nobody's here. I love that I
• 40:43
  Speaker 2: just wasted his time. Yeah, it's a fun chess game
• 40:46
  Speaker 2: you have played. But he calls out, where are you,
• 40:52
  Speaker 2: swift shock, show yourself. She has a name. If she
• 40:56
  Speaker 2: has a name, we could kill her. Wait what it
• 41:02
  Speaker 2: is her turn? And you see nary a bit of her.
• 41:06
  Speaker 2: Narry a bit, narry a bit. It's my favorite bit.
• 41:11
  Speaker 1: Not even a double boy, not a double boy, to
• 41:14
  Speaker 1: be fair.
• 41:15
  Speaker 2: The guards start chasing after you that's running out the hallway.
• 41:19
  Speaker 2: The one guard who's still here shoots at Jamir. What
• 41:25
  Speaker 2: the one that's outside because you just knocked out his friend.
• 41:28
  Speaker 2: Damage coming to you.
• 41:29
  Speaker 4: I'm just affronted that he would try. Already used all
• 41:33
  Speaker 4: my stuff, so I can't react. Oh and I had
• 41:37
  Speaker 4: and I'm still I still have that steal up, right,
• 41:39
  Speaker 4: because I haven't had to rezial yet.
• 41:41
  Speaker 2: Yes, you get to add one to your resilience. Cool.
• 41:46
  Speaker 4: So I rolled a four, so that's half to two
• 41:48
  Speaker 4: and then plus one us.
• 41:50
  Speaker 2: Yep, absolutely, o chase, I rezeal three of that. Nice.
• 41:54
  Speaker 2: You guys don't see what's going on inside anymore. Paper,
• 41:58
  Speaker 2: Phantom and Quanta. It's y'all turn, and this is a
• 42:01
  Speaker 2: new round, right, yes, round four, Round four, Quantu.
• 42:06
  Speaker 1: Europe first, all right, and do my get up check?
• 42:10
  Speaker 3: Yep. I struggle to my feet and look around four
• 42:17
  Speaker 3: my dad, you find Rachel.
• 42:20
  Speaker 2: Yeah, you see Rachel floating up on the star.
• 42:22
  Speaker 1: Look at him, Quanta, where is he?
• 42:25
  Speaker 2: He's safe. I'll get you.
• 42:28
  Speaker 3: And then there are guards out here, yes, okay, I will.
• 42:32
  Speaker 3: If I'm out of energy on a power, I can
• 42:34
  Speaker 3: still use that power. Yes, but and I could take
• 42:38
  Speaker 3: from one of the inherent powers to still do this
• 42:42
  Speaker 3: get up, get up attack? Okay, I will attack one
• 42:46
  Speaker 3: of the guards. Go for flighting whip four four. I
• 42:52
  Speaker 3: rolled two, so that turns into one, so you do
• 42:55
  Speaker 3: three damage. This guy's already been hit, so you knock
• 42:57
  Speaker 3: out one of these guys.
• 42:59
  Speaker 1: I just fall on top of him.
• 43:02
  Speaker 2: Styles. Oh she's hurt, paper phantom, you turn, But I was.
• 43:07
  Speaker 3: Struck by only one one glowing arrow that you can't
• 43:11
  Speaker 3: see instead of many arrows.
• 43:15
  Speaker 2: You're a big beefy man.
• 43:18
  Speaker 5: I'm gonna use my last support pip here, my last
• 43:22
  Speaker 5: shred of helpful paper to heal Quanta.
• 43:26
  Speaker 2: Nice one hit point comes to Quanta.
• 43:31
  Speaker 5: Just watch out some of that bandage I think is
• 43:33
  Speaker 5: is Radel's Grandma's books, which is still bleed trying not
• 43:36
  Speaker 5: to bleed on it.
• 43:37
  Speaker 2: Well, was there nothing? We're good down here?
• 43:40
  Speaker 1: Kat washes out way easier than human blood.
• 43:42
  Speaker 2: Oh goodness, goodness, rider your turn.
• 43:45
  Speaker 4: Okay, yeah, I'm gonna I'm gonna use my movement to land.
• 43:49
  Speaker 4: So how many So there's a pile of by mic out,
• 43:52
  Speaker 4: like four downed guards out here and then helmet here
• 43:57
  Speaker 4: still up.
• 43:58
  Speaker 2: There's nobody up outside. There are two up inside, and
• 44:02
  Speaker 2: then the the day woman and the tattoo guy. So
• 44:05
  Speaker 2: it's just a pile of bros.
• 44:08
  Speaker 4: I'm gonna use my free action then to scoop up
• 44:10
  Speaker 4: all their guns.
• 44:12
  Speaker 2: Alright, you scoop up all their guns. Are you gonna
• 44:16
  Speaker 2: use a movement action? Yeah? Yeah, yeah that my movement
• 44:20
  Speaker 2: was flying down. Okay, movement action and then free actions.
• 44:22
  Speaker 2: Scoop up all the guns. Sounds good. Scoop and guns,
• 44:26
  Speaker 2: scoop and guns.
• 44:26
  Speaker 1: Scoop and dads.
• 44:27
  Speaker 4: Hey, guys, I don't know, but maybe a mission accomplished.
• 44:31
  Speaker 4: We get out of here, agreed, I'll get the dead.
• 44:36
  Speaker 4: You guys could get skid atle.
• 44:38
  Speaker 2: We can take them. No, we're good. Well, I'm we're going.
• 44:41
  Speaker 2: We're going. Love that energy, fantom, But I don't know.
• 44:45
  Speaker 2: You all beat feet. You do get chased. There are
• 44:50
  Speaker 2: gunshots after you into the city, but you get clear
• 44:55
  Speaker 2: of the fight. You're too fast as a group for
• 44:59
  Speaker 2: them to keep up Quanta as you are running away,
• 45:03
  Speaker 2: do me one more scan?
• 45:05
  Speaker 1: Yes? Three?
• 45:09
  Speaker 2: I rolled a one.
• 45:10
  Speaker 3: Oh.
• 45:13
  Speaker 2: You reach out again towards this building. Something inside you,
• 45:18
  Speaker 2: deep inside you, of almost involuntary response, reaches out to
• 45:23
  Speaker 2: see this whole space at the very north end of
• 45:27
  Speaker 2: this building, which then basically turns into desert. There's an
• 45:32
  Speaker 2: immense space underground, not towards the city, but out towards
• 45:38
  Speaker 2: the no man's land in between the wall and the city.
• 45:42
  Speaker 2: It is humming with dormant electrical potential. You would maybe
• 45:48
  Speaker 2: be the only person in the world who could find
• 45:51
  Speaker 2: this place without some kind of ground penetrating radar. And
• 45:57
  Speaker 2: there's a hidden elevator at the end of this lab.
• 46:01
  Speaker 3: I just think the womb. As we're running away.
• 46:09
  Speaker 2: This night, eventually you get back to Jamir's house through
• 46:13
  Speaker 2: the tunnel system.
• 46:15
  Speaker 4: Yeah, I think I would definitely try to fan out,
• 46:18
  Speaker 4: you know, we'd all fly in different directions and find
• 46:21
  Speaker 4: our way into the tunnels, maybe at different points, me
• 46:25
  Speaker 4: carrying a dad and some guns.
• 46:27
  Speaker 5: Can I asked you, So we're this part of town
• 46:30
  Speaker 5: that we're in is the same part.
• 46:31
  Speaker 2: Of town as the library right now? Yes, So I.
• 46:33
  Speaker 5: Don't know how how hurt you guys are. If we
• 46:36
  Speaker 5: want to take a shorter trip, we could try and
• 46:40
  Speaker 5: try and touch base at the at the library too,
• 46:43
  Speaker 5: we want.
• 46:44
  Speaker 3: Yeah, I think, yeah, we could have planned ahead to
• 46:46
  Speaker 3: be like if things go sideways, meet at the library
• 46:51
  Speaker 3: or at Jameer's.
• 46:52
  Speaker 2: Yeah, you can definitely. You're You're pretty close to the library, close,
• 46:56
  Speaker 2: certainly closer to the library.
• 46:57
  Speaker 4: Great, yeah, holding carrying the boss. I think Rigel might
• 47:02
  Speaker 4: fly home unless I don't know.
• 47:05
  Speaker 2: We guys can talk as you're in the tunnels.
• 47:07
  Speaker 1: We just like meet up.
• 47:08
  Speaker 2: Okay, okay, yeah, Abs nearly cut your guys right on
• 47:15
  Speaker 2: your dicks.
• 47:16
  Speaker 1: I don't have one.
• 47:19
  Speaker 2: Yeah, pap away from Jason's face.
• 47:22
  Speaker 5: Okay, guys, that that was that was close.
• 47:26
  Speaker 2: That was scary. I got your dad you.
• 47:30
  Speaker 1: Yeah, maybe we should have run sooner. That was I couldn't.
• 47:33
  Speaker 1: I didn't see her at all.
• 47:37
  Speaker 4: Those guys had powers. That tattoo guy that he definitely
• 47:41
  Speaker 4: was juiced up.
• 47:42
  Speaker 1: I didn't even see him.
• 47:43
  Speaker 2: Oh really, I could see.
• 47:47
  Speaker 3: His energy but moving around. I didn't interact with him,
• 47:51
  Speaker 3: but her like, she just she was gone.
• 47:53
  Speaker 2: Swift shot. Is that what they said? I don't know.
• 47:57
  Speaker 5: Look, we need to we need to regroup, we need
• 47:59
  Speaker 5: to rest. Yeah, more power people than just the ride
• 48:02
  Speaker 5: of I checked the paper on Quanta and it's like
• 48:05
  Speaker 5: bled through And.
• 48:07
  Speaker 3: As he's checking me, I'm like putting my hand on
• 48:10
  Speaker 3: my dad's cheek.
• 48:12
  Speaker 4: Hey, I got lots of rube back at my base.
• 48:17
  Speaker 4: Maybe I'll take your dad there and can get some help,
• 48:21
  Speaker 4: try to stabilize them, and I'll also drop these guts
• 48:26
  Speaker 4: off at.
• 48:27
  Speaker 2: My new cave.
• 48:28
  Speaker 5: Yeah, we're close to the library. If you guys wanna
• 48:32
  Speaker 5: want to go there, we can. We can try and regroup.
• 48:34
  Speaker 5: I know it's safe there. Quanta, do you want to
• 48:36
  Speaker 5: go with Jason's arrest there for a bit?
• 48:39
  Speaker 3: I can't.
• 48:40
  Speaker 4: I barely got I barely got hurt, So I'm good
• 48:43
  Speaker 4: to go.
• 48:44
  Speaker 2: Push on, I am.
• 48:46
  Speaker 1: I feel terrible, but I can't help her.
• 48:50
  Speaker 2: Just just take care of him, I will.
• 48:53
  Speaker 5: I get under Quanta's shoulder, and we we limp our
• 48:57
  Speaker 5: way to the library and.
• 49:00
  Speaker 2: Jewel heads home with mister Lance Dason.
• 49:04
  Speaker 5: And some goods and some goodns. Just add that to
• 49:08
  Speaker 5: my character. She real quick gun.
• 49:10
  Speaker 3: Guns unspecified amount of guns, at least four of her.
• 49:17
  Speaker 2: We get three or four. You guys pop up out
• 49:19
  Speaker 2: of the sewer system by the library. Jason, you know
• 49:24
  Speaker 2: a way to get in, obviously?
• 49:26
  Speaker 5: Yeah, I'll use my assistant librarian key and get us
• 49:31
  Speaker 5: in through the back door. Is anyone obviously it's it's
• 49:34
  Speaker 5: it's late at night, right, yes, so is Arthur. Arthur
• 49:38
  Speaker 5: be the only person who might be.
• 49:39
  Speaker 2: Up might be here, but he doesn't live here. Okay,
• 49:42
  Speaker 2: I can check.
• 49:44
  Speaker 5: I think he's. I think he's usually doesn't stay this late.
• 49:48
  Speaker 5: So I'll let let Quanta and through the back door
• 49:50
  Speaker 5: lock up and take her up to my little apartment
• 49:54
  Speaker 5: in the atrium of the library, put her on my bed.
• 50:00
  Speaker 5: If you if you wait for a minute, I can
• 50:03
  Speaker 5: I might be able to help you more.
• 50:06
  Speaker 2: Hang on. Yeah, okay.
• 50:07
  Speaker 5: I grab some of the like frozen peas that we've
• 50:10
  Speaker 5: used for the many many bruises between me and Arthur,
• 50:14
  Speaker 5: and I give them the Quanta and I'll use I'll
• 50:17
  Speaker 5: use some of this time as well to to try
• 50:18
  Speaker 5: and reallocate. I think it's been twenty four hours since
• 50:22
  Speaker 5: I did this, so I'm gonna try and put more
• 50:26
  Speaker 5: energy back into paper manipulations so I can.
• 50:29
  Speaker 2: Yeah, I can heal more. Yeah, absolutely, and I will.
• 50:34
  Speaker 3: I'm gonna control the electricity in my own body to
• 50:38
  Speaker 3: start like the nectar clotting more and give myself three.
• 50:44
  Speaker 2: Fun Guys, use your control of the elements of this
• 50:49
  Speaker 2: world to fix your bodies a little more. Fix Quanta's body.
• 50:55
  Speaker 1: What are these peas for?
• 50:57
  Speaker 2: Jason? Oh?
• 50:59
  Speaker 5: I just if you good. I put the p's on
• 51:01
  Speaker 5: my black eyes and stuff. Okay, they're black eyed peas
• 51:06
  Speaker 5: I saw that.
• 51:08
  Speaker 3: I don't think I have any of those are just
• 51:10
  Speaker 3: some bullet holes and.
• 51:13
  Speaker 1: Did like the arrow like pierce me? Or is it
• 51:15
  Speaker 1: just energy like a.
• 51:17
  Speaker 2: Force energy situation? All right?
• 51:20
  Speaker 5: And once an hour has passed, I will I've got
• 51:23
  Speaker 5: another four bandages.
• 51:26
  Speaker 1: I can Okay, I'll take it.
• 51:28
  Speaker 2: Awesome, thank you?
• 51:29
  Speaker 4: You heal that by then? Yeah, I'll be back in
• 51:34
  Speaker 4: the Everwing sanctuary. I'll is there like a logical safe
• 51:38
  Speaker 4: place to store these guns that look somewhat responsible?
• 51:41
  Speaker 2: Yeah? Absolutely, there would be kind of a locker situation
• 51:45
  Speaker 2: down there, for sure. Yeah.
• 51:47
  Speaker 4: I will reset it, make the code something I know,
• 51:53
  Speaker 4: keep that under my hat, and then I will.
• 51:56
  Speaker 2: Do you write the code down on a piece of paper.
• 51:58
  Speaker 2: I do not. I would never.
• 52:03
  Speaker 5: I would never trust a piece of paper the least secure.
• 52:09
  Speaker 2: Yeah.
• 52:10
  Speaker 4: And then I go up the stairs, U and I'm
• 52:13
  Speaker 4: just yelling Maria, Maria, can you help?
• 52:19
  Speaker 2: Eventually she runs down in her night clothes. Jimmy, or
• 52:23
  Speaker 2: what's wrong? I gotta hurt day man here. Okay. I
• 52:29
  Speaker 2: don't know much about day anatomy or helping them.
• 52:32
  Speaker 4: Me neither, but if we could make a bed and
• 52:34
  Speaker 4: maybe ten to some wounds.
• 52:36
  Speaker 2: He just looks like he's been through hell. All right,
• 52:39
  Speaker 2: you guys set him up in one of these rooms,
• 52:43
  Speaker 2: start putting pressure on his wounds, and he does eventually
• 52:47
  Speaker 2: come out of his unconsciousness.
• 52:50
  Speaker 4: Ronnie, Ronnie, she's she's she's not here right now, sir,
• 52:55
  Speaker 4: I'm Rigel. I have her friends, Jael, who are you?
• 53:00
  Speaker 4: Grab a hero and you are in trouble, sir? Oh no,
• 53:05
  Speaker 4: this is bad.
• 53:07
  Speaker 2: This is bad.
• 53:07
  Speaker 4: Richel Hey, rest, rest, stay here, Roddy will be coming over.
• 53:14
  Speaker 4: She's okay, she's hurt, but she'll be fine.
• 53:18
  Speaker 2: Yeah. But he puts his hand up on your chest
• 53:21
  Speaker 2: and grabs kind of your shirt. But did you kill
• 53:26
  Speaker 2: all of them? Are they gone? Are they dead?
• 53:30
  Speaker 4: I grab his head that I say, heroes don't kill.
• 53:36
  Speaker 2: Who do you want dead? Then she's not okay, Rachel.
• 53:42
  Speaker 2: If they're not dead, she's not okay, And we could
• 53:50
  Speaker 2: end our episode there. I like it. I like it.
• 53:55
  Speaker 2: I like the excitement. Alrighty fun stuff, yes stuff co quick,
• 54:04
  Speaker 2: quicker work, tebe four rounds of combat, felt fasting bang boom,
• 54:08
  Speaker 2: big bang boom. Hey. If you want to hear us
• 54:11
  Speaker 2: talk about this, come over to our patreon where we
• 54:14
  Speaker 2: have this little thing we like the Hall the chat cake,
• 54:22
  Speaker 2: and we will talk well, you know what, we'll chat.
• 54:25
  Speaker 2: We'll chat it up, We'll chat, we'll cave chat about
• 54:28
  Speaker 2: this episode and other things that come to mind. So
• 54:33
  Speaker 2: join us over there on the Patreon's Patreon dot com
• 54:36
  Speaker 2: slash Team Up RPG and we'll see you next week
• 54:38
  Speaker 2: with another episode.
• 54:52
  Speaker 7: That was Ethan Goldman as the paper Fansom, Stephanie Fackler
• 54:56
  Speaker 7: as Quanta, Ben as Richel, and Johnny Wilson as your
• 55:01
  Speaker 7: game director. If you're enjoying this, please rate and review
• 55:05
  Speaker 7: the podcast and share with friends and family.
• 55:08
  Speaker 2: That is what helps us the most. Follow us across.
• 55:11
  Speaker 7: Social media at Team UPRPG on Blue Sky, Instagram, YouTube,
• 55:16
  Speaker 7: and TikTok.
• 55:17
  Speaker 2: To tell these stories.
• 55:19
  Speaker 7: We are using Team Up the brand new superhero TTRPG,
• 55:24
  Speaker 7: and we're looking for beta testers. Purchase the early access
• 55:28
  Speaker 7: beta version of the game on our Patreon, Patreon dot
• 55:31
  Speaker 7: com slash Team Up RPG or on our website Team
• 55:35
  Speaker 7: Up rpg dot com. Play the game and let us
• 55:39
  Speaker 7: know your feedback through our Discord community link that's in
• 55:42
  Speaker 7: the description below.
• 55:44
  Speaker 2: Thanks Heroes.
• 55:55
  Speaker 5: Where We're so sad, but this week's episode over. But
• 56:01
  Speaker 5: the good news is we get to Shout out our superheroes.
• 56:05
  Speaker 5: First of all, Shout out to Crank Billy Russ, Touch Tips.
• 56:10
  Speaker 2: Shout out to Corn she hates onions.
• 56:13
  Speaker 8: Hey, it's Geo and Brandy. We love the podcast. Keep
• 56:18
  Speaker 8: it up please. Shout out to Troy Davidson. Shout out
• 56:24
  Speaker 8: to Matt, who's really trying to become an American this
• 56:26
  Speaker 8: year and we don't know why. Shout out to Andre,
• 56:29
  Speaker 8: who just demolished yet another bowl of mashed potatoes.
• 56:32
  Speaker 2: Give it up. Wow.
• 56:33
  Speaker 5: The more that we do this, the more bowls of
• 56:35
  Speaker 5: mashed potatoes there are, and the more concerned for Audre's.
• 56:38
  Speaker 2: Health I am.
• 56:39
  Speaker 5: Shout out to Jen, who prefers the Star Wars prequels
• 56:42
  Speaker 5: to the original trilogy. Shout out to Chris, who's currently
• 56:45
  Speaker 5: looking at IMDb. Shout out to pac Man, Piggy, Norm
• 56:49
  Speaker 5: and Stettna mckringle for saving Christmas in twenty twenty four
• 56:53
  Speaker 5: from the Yule Lads and Santa's evil twin brother. Shout
• 56:56
  Speaker 5: out to Farmer Bob and Mama Robin, Hummingbirds and seahorses.
• 57:01
  Speaker 5: Shout out to Brian, the Colorado Home Hero working with
• 57:04
  Speaker 5: him is rolling a NAT twenty in a clutch moment.
• 57:07
  Speaker 5: Shout out to Kevin Feldman, Shout out to Christina.
• 57:11
  Speaker 6: Shout out to Matt Smith You, shout out.
• 57:14
  Speaker 5: To you because you're our superheroes. We couldn't have done
• 57:16
  Speaker 5: this without you for listening. We'll say it, thank you
• 57:19
  Speaker 5: a million times, and we'll keep saying it long after
• 57:22
  Speaker 5: we're dead, because these recordings will outlive us all. Thank
• 57:26
  Speaker 5: you so much for helping make our dreams come true.
• 57:30
  Speaker 5: If you'd like to join this courageous group of superheroes,
• 57:33
  Speaker 5: you can do so by joining our superhero Tear on Patreon.
• 57:37
  Speaker 2: Other than that, see you next time.
• 57:39
  Speaker 6: Bye.
• 57:55
  Speaker 1: This has been a lily Pad production