Latest / Yo Gavel Gavel! - Court TV Commentary / Car Repair & Underwear

Transcript

Car Repair & Underwear · Yo Gavel Gavel! - Court TV Commentary

• 0:03
  Speaker 1: This is a Bramble Jam.
• 0:04
  Speaker 2: Podcast this week on Yo Gabble gabl If your friend's
• 0:14
  Speaker 2: car breaks while you're borrowing.
• 0:16
  Speaker 3: It, who's gotta pay the tab?
• 0:17
  Speaker 2: Judge Matthews is gonna pimp this ride? And if you're
• 0:20
  Speaker 2: paid to be a stripper and you stripped down the draws.
• 0:25
  Speaker 1: Are you gonna find money over there?
• 0:27
  Speaker 3: Or underwear? Judge Karen doesn't real people.
• 0:37
  Speaker 2: Underwear under there? Underwear under there? Helloay, welly, good to
• 0:44
  Speaker 2: do another episode of the old Gabble Gavel. You ran,
• 0:47
  Speaker 2: Itt Stan. We're talking courtroom TV.
• 0:49
  Speaker 3: Yeah we are. You were so excited with your joke.
• 0:52
  Speaker 3: I didn't hear who the judge was. Just judge Karen Karen,
• 0:55
  Speaker 3: That's what it was.
• 0:56
  Speaker 1: Back to Karen. Back to Karen obviously, first time joining us.
• 0:59
  Speaker 2: Thanks for doing it. We're talking courtroom TV shows. Maybe
• 1:02
  Speaker 2: that's something that you love. Maybe it's something that you
• 1:05
  Speaker 2: don't know if you love, and you want to find out.
• 1:07
  Speaker 2: Because I've watched a case. I'm gonna tell my buddy
• 1:09
  Speaker 2: Dan here and you at home about that case.
• 1:12
  Speaker 3: You can guess the verdict and.
• 1:13
  Speaker 1: Then Dan's gonna do the exact same thing to me afterwards.
• 1:17
  Speaker 2: I'm a judge, Karen, you are judge Mathis judge my faith,
• 1:22
  Speaker 2: Judge Mathis, you want to get to it.
• 1:24
  Speaker 3: I would love to brand. I'm gonna go first today.
• 1:26
  Speaker 2: Jerry Worley give him all the money.
• 1:29
  Speaker 3: Jerry, Jerry Boberry.
• 1:31
  Speaker 2: Jerry Worley is suing Emmanuel Hooper for seven hundred dollars
• 1:36
  Speaker 2: for car repairs. Seven hundred dollars. Jerry says, I met
• 1:42
  Speaker 2: Emmanuel last summer working security at Cabrini Green.
• 1:46
  Speaker 3: That is what he says. Immediate, So Mathis immediately goes,
• 1:50
  Speaker 3: that's been demolished. You're lying immediately, That's what Matthis says.
• 1:54
  Speaker 3: What apparently it's a project that was like they're gonna
• 1:58
  Speaker 3: demolish and build new buildings. And he said, now you're
• 2:01
  Speaker 3: on her last year and it was the last building
• 2:03
  Speaker 3: still standing, and he gives the street name. In Matthis
• 2:05
  Speaker 3: is like, oh, you're right, it was still there.
• 2:08
  Speaker 2: I don't know anything else about it, but basically these
• 2:11
  Speaker 2: folks were hired security for like a low income housing
• 2:16
  Speaker 2: neighborhood and they ran security together Jerry and a manual.
• 2:20
  Speaker 1: So love it.
• 2:21
  Speaker 2: Jerry's like, we built a relationship, we were good friends.
• 2:24
  Speaker 2: We watched these other backs. Sometimes security is a tough gig.
• 2:27
  Speaker 2: He was my boss. He showed me the ropes. We
• 2:30
  Speaker 2: moved when that building went down. We moved together to
• 2:33
  Speaker 2: a different building to continue to run security and help
• 2:37
  Speaker 2: people in the projects, like hopefully do the best that
• 2:41
  Speaker 2: they can.
• 2:42
  Speaker 3: They were doing today.
• 2:43
  Speaker 2: They were the dream team. That's right, security double double time.
• 2:46
  Speaker 2: We enjoyed it. And Emanuel's like, yeah, what he says
• 2:48
  Speaker 2: is true. I was this boss. I was a shifts supervisor.
• 2:50
  Speaker 2: It's a tough job. We're fully armed, we got full
• 2:53
  Speaker 2: kevlar on. It's tough, and he goes. I had to
• 2:56
  Speaker 2: make sure he's capable of doing the job. Some people
• 2:58
  Speaker 2: show up and quit in the same day. But also like,
• 3:00
  Speaker 2: we have an important job. We have good folks here.
• 3:02
  Speaker 2: We got single moms working two jobs trying to make
• 3:04
  Speaker 2: ends me. We got all these blah blah blah. We
• 3:06
  Speaker 2: had young kids in the projects that we would help.
• 3:08
  Speaker 2: They would come and he goes, I had a really
• 3:10
  Speaker 2: nice car, like with big rims and nice speakers, and
• 3:13
  Speaker 2: these boys used to like love to listen to the music.
• 3:15
  Speaker 3: And Massives was like, why didn't you tell him to
• 3:18
  Speaker 3: stay in school? Were you handing them a joint while
• 3:20
  Speaker 3: you were at it, and like it was like just
• 3:22
  Speaker 3: come on, and then mathies because I'm joking around. You
• 3:24
  Speaker 3: guys are doing the lord's work. He does say that later,
• 3:26
  Speaker 3: but he does come On's exactly right, come on real strong.
• 3:30
  Speaker 3: So Jerry says, while we were working there, Emmanuel told
• 3:34
  Speaker 3: me he was going to move into trucking. He was
• 3:36
  Speaker 3: going to be a trucker. He was gonna leave security
• 3:38
  Speaker 3: and be a trucker. Wow. And so just because he
• 3:41
  Speaker 3: wanted more more money at different hours, was just getting
• 3:44
  Speaker 3: burned out on him.
• 3:44
  Speaker 1: So there's nothing about trucking that is no.
• 3:47
  Speaker 3: No, no, no super easy. Yeah.
• 3:50
  Speaker 2: Truckers just kind of like have a pretty cush it's easy, yeah,
• 3:53
  Speaker 2: and they gonna make a ton of money. Jerry's like,
• 3:56
  Speaker 2: I did training to be the supervisor, and when my
• 3:58
  Speaker 2: training was done, he became a trucker. And when he
• 4:02
  Speaker 2: was gonna leave, I said, hey, you got this car.
• 4:04
  Speaker 2: The kids love the car. What are you planning on
• 4:06
  Speaker 2: doing with this car? I have it while you're going
• 4:09
  Speaker 2: up to do to be a trucker. And he goes, well,
• 4:12
  Speaker 2: I'm probably just gonna leave it here, you know, and
• 4:14
  Speaker 2: I'm gonna for this first trucking thing.
• 4:16
  Speaker 3: He had to go do this training. He said he's
• 4:17
  Speaker 3: gonna be up for a few months. And Jerry's like, hey,
• 4:20
  Speaker 3: can I can I Can I borrow it? Can I
• 4:22
  Speaker 3: use the car while you're gone playing the music?
• 4:24
  Speaker 2: Yeah?
• 4:24
  Speaker 3: And I mean he was like, yes, you can use it.
• 4:26
  Speaker 3: You need daily drive it. It was a ninety three Bonneville
• 4:29
  Speaker 3: if you care. Oh, he said you could daily drive it. Yeah.
• 4:32
  Speaker 3: He was like, you can drive.
• 4:33
  Speaker 1: You can use the car, not just for not just
• 4:35
  Speaker 1: for entertainment. That's right, you can use a car.
• 4:37
  Speaker 3: And uh so two weeks after I start using it,
• 4:40
  Speaker 3: Jerry says that the belt snapped. There's a serpentine belt.
• 4:43
  Speaker 3: It snapped, and I called the serpentine beat. Yeah. I
• 4:47
  Speaker 3: called Emmanuel and I was like, hey, I got a
• 4:50
  Speaker 3: quote from this one mechanic. It's gonna be one hundred
• 4:53
  Speaker 3: and thirty dollars okay.
• 4:55
  Speaker 2: Uh.
• 4:57
  Speaker 3: Maths goes, were you buying this car? And Jerry goes, no, Oh,
• 5:00
  Speaker 3: I was just borrowing it while I was gone. And
• 5:02
  Speaker 3: Emmanuel never sent me the money to fix it. So
• 5:04
  Speaker 3: this mechanic was just a friend and he wasn't going
• 5:06
  Speaker 3: to fix it until he had the money. So it
• 5:09
  Speaker 3: never it didn't get fixed, and I was just.
• 5:10
  Speaker 1: Sitting there and thinking that he should fix this since
• 5:12
  Speaker 1: he was the one on driving it.
• 5:13
  Speaker 2: So Emmanuel then says, I told him i'd send him half. Clearly,
• 5:17
  Speaker 2: the belt was old, he was driving it, he's using
• 5:20
  Speaker 2: my car for free.
• 5:22
  Speaker 3: I felt like half was fair. I told him i'd
• 5:24
  Speaker 3: send him half totally. But then a few days later,
• 5:27
  Speaker 3: before i'd sent the money, he called back and said
• 5:29
  Speaker 3: it wasn't just the belt, it was the alternator too.
• 5:32
  Speaker 3: So now the total is over four hundred. And I
• 5:34
  Speaker 3: told him point blank, somebody's ripping you off. I'm not
• 5:36
  Speaker 3: paying it. I'm not paying the money. Jim Jerry says, listen,
• 5:41
  Speaker 3: you're honor. This first mechanic told me it was one
• 5:43
  Speaker 3: hundred and thirty dollars. I never got any money from
• 5:45
  Speaker 3: a manual, so I didn't pay him. So then he
• 5:48
  Speaker 3: said he wasn't doing it. So then I took it
• 5:50
  Speaker 3: to a different mechanic who said the bearings on the
• 5:53
  Speaker 3: alternator were almost completely worn down, that's why the belt snapped.
• 5:59
  Speaker 3: Both things need to be replaced. The car was undriveable.
• 6:02
  Speaker 3: They took it and said they'd fix it as soon
• 6:04
  Speaker 3: as they had the money. I told him this.
• 6:05
  Speaker 2: He said he wouldn't send me the money because because
• 6:10
  Speaker 2: he thought I was getting ripped off.
• 6:11
  Speaker 3: I kept telling him the car is stuck at this garage.
• 6:14
  Speaker 3: They have to fix it, and they began to charge
• 6:16
  Speaker 3: me a storage fee for fixing the car. I just
• 6:20
  Speaker 3: needed the half of the money that Emmanuel was gonna
• 6:23
  Speaker 3: send me. Mathis says, I need to see the paperwork.
• 6:26
  Speaker 3: He goes to, you have the estimate. He goes, No,
• 6:28
  Speaker 3: the estimate was from a different guy. All I have
• 6:30
  Speaker 3: is this this bill that they sent me.
• 6:33
  Speaker 1: I don't feel like I've ever had to pay before.
• 6:35
  Speaker 1: I don't. I don't feel like I've ever had to
• 6:37
  Speaker 1: do that.
• 6:37
  Speaker 3: No, but every garage is different, and I think that's
• 6:39
  Speaker 3: this side of towne. I think maybe that's that's fairy possible.
• 6:42
  Speaker 3: It's like La Wing doesn't start your meal. Do they
• 6:45
  Speaker 3: walk in and see your dad? It's part of the deal. So, uh,
• 6:49
  Speaker 3: Mathis goes the storage fees more than the work here.
• 6:51
  Speaker 3: Did you call him to let him know? And he goes, yes,
• 6:53
  Speaker 3: your honor, I did call him. I told him I
• 6:55
  Speaker 3: need the money. He never sent it. The garage had
• 6:58
  Speaker 3: this car because he's waiting on the money too. Emmanuel says,
• 7:01
  Speaker 3: you gotta be kidding right now. You didn't call me,
• 7:03
  Speaker 3: You didn't tell me any of this. Three hundred dollars
• 7:05
  Speaker 3: for an alternator is crazy. I have my own mechanic.
• 7:08
  Speaker 3: I can do that myself for way less than three
• 7:10
  Speaker 3: hundred dollars. Jerry's like, look, the bearings were gone. There
• 7:13
  Speaker 3: was nowhere the car could go. It would have cost
• 7:15
  Speaker 3: more to toe. It's that's why the belt goes with it.
• 7:18
  Speaker 3: This had to be done. And I was waiting on
• 7:20
  Speaker 3: his half of the money. And Mathis is like, they
• 7:24
  Speaker 3: do I have an estimate from him? He goes, No,
• 7:27
  Speaker 3: the first mechanic gave me the estimate for hundred thirty.
• 7:30
  Speaker 3: He goes. The first he goes, I'm just confusing, he goes.
• 7:32
  Speaker 3: But when they found out about the alternator, that's all
• 7:36
  Speaker 3: I could do. The car is sitting there, and and
• 7:40
  Speaker 3: after that first one hundred and thirty I didn't pay it.
• 7:42
  Speaker 3: I had to go to this other mechanic. Mathis is
• 7:44
  Speaker 3: ready to rule. At this point.
• 7:46
  Speaker 2: I this is interesting because I what's the guy who
• 7:51
  Speaker 2: owns the car that's not there?
• 7:52
  Speaker 3: Manual A.
• 7:52
  Speaker 1: Manuel doesn't have to let him use the car.
• 7:56
  Speaker 2: Correct, right, And so if a manual feels like hey,
• 8:01
  Speaker 2: when I could see myself just being like, I'm gonna
• 8:03
  Speaker 2: deal with this when I get home, right, I know
• 8:06
  Speaker 2: that I can do this myself. I feel like it's
• 8:08
  Speaker 2: getting ripped off. Why would I pay for this? You know?
• 8:11
  Speaker 3: And so I see what you're saying. What you're saying
• 8:14
  Speaker 3: is he should have said, don't deal with it, yes
• 8:16
  Speaker 3: at all, don't don't deal with me it all does
• 8:18
  Speaker 3: say he told him to get it fixed. So the belt,
• 8:22
  Speaker 3: the belt, the belts, not the rest of it. The
• 8:24
  Speaker 3: belt he said to get fixed when he got it alternator.
• 8:27
  Speaker 3: That was when he's like, no, I'm not doing this.
• 8:28
  Speaker 3: That was when your your line of reasoning would would hold.
• 8:32
  Speaker 3: It's interesting, it's interesting.
• 8:34
  Speaker 2: And he's saying it's one of these belts last for
• 8:37
  Speaker 2: tens of thousands of miles.
• 8:38
  Speaker 3: If I, like, I don't have a car with a
• 8:40
  Speaker 3: belt anymore. But if I had one like my truck,
• 8:44
  Speaker 3: and I had driven it for ninety some thousand miles
• 8:47
  Speaker 3: and then you drove it for ten miles and the
• 8:50
  Speaker 3: belt snapped on you, I would feel as though I
• 8:53
  Speaker 3: needed to.
• 8:53
  Speaker 1: Do I think the fifty to fifty thing that makes sense.
• 8:55
  Speaker 1: That makes sense to me.
• 8:56
  Speaker 3: I would pay the whole thing if you'd I let
• 8:58
  Speaker 3: you borrow my truck and in the ten miles you
• 9:00
  Speaker 3: drove it, I would pay the whole thing because I'm.
• 9:02
  Speaker 1: Like fair fair. The alternator is the interesting thing, like.
• 9:06
  Speaker 2: If he, if he as the owner of the car,
• 9:09
  Speaker 2: doesn't buy it, you know, it is like, hey, I
• 9:12
  Speaker 2: thought there's just a belt thing.
• 9:13
  Speaker 1: Now I'm being told to an alternator. I don't believe
• 9:16
  Speaker 1: that it is.
• 9:16
  Speaker 2: And if it is, it's something that now I feel
• 9:19
  Speaker 2: like I want to take care of myself. I think
• 9:20
  Speaker 2: as the owner of the car, he has the right
• 9:22
  Speaker 2: to make that decision. And so I feel like he
• 9:25
  Speaker 2: is going to make him pay the fifty percent of
• 9:29
  Speaker 2: what the quote was for the belt. Since he said
• 9:32
  Speaker 2: that he would pay that seventy five dollars, I think
• 9:35
  Speaker 2: it's gonna be Yeah, seven seventy sixty five dollars.
• 9:38
  Speaker 1: Yeah, he'll give him that, and I think that's it.
• 9:40
  Speaker 2: Mathis, You're very close. Mathis gives him the entire one
• 9:44
  Speaker 2: thirty Okay, he goes, you were driving the car. You
• 9:48
  Speaker 2: told him it was going to be one third price
• 9:49
  Speaker 2: of the belts. Yes, the price of the belt. He
• 9:51
  Speaker 2: didn't send anything. It's his car. He told you to
• 9:55
  Speaker 2: get it fixed. You get the one thirty. The rest
• 9:57
  Speaker 2: of that is on you. What you did after that.
• 10:01
  Speaker 2: Clearly he didn't want to get it fixed. You're not
• 10:03
  Speaker 2: getting a penny more than that. Here's one hundred and
• 10:05
  Speaker 2: thirty dollars. Get out of here.
• 10:06
  Speaker 1: Where's the car now?
• 10:07
  Speaker 2: I don't know that's I'm sure that Emmanuel got it
• 10:10
  Speaker 2: fixed and just has it back with this whole storage thing.
• 10:14
  Speaker 2: Would you if you just went like, I'm deciding I
• 10:16
  Speaker 2: don't want to.
• 10:17
  Speaker 1: Do this anymore. Can I just I just want to take.
• 10:19
  Speaker 2: My car back. You have to pay the storage shoe.
• 10:21
  Speaker 2: They wouldn't like, you can't just get your car back
• 10:23
  Speaker 2: because you got to toe it.
• 10:23
  Speaker 3: No, but that's that's not a that's not unusual for
• 10:28
  Speaker 3: garages that are doing work that they don't have.
• 10:30
  Speaker 1: Then, I'm just trying to think of how I would
• 10:33
  Speaker 1: handle the situation.
• 10:34
  Speaker 2: Well, I would say this, I don't know what's going
• 10:36
  Speaker 2: to happen there, because he's got to pay the somebody's
• 10:38
  Speaker 2: got to pay that storage seet.
• 10:39
  Speaker 1: Yeah, I would feel like seven.
• 10:41
  Speaker 3: Hundred dollars I think I think he does pay for it. Eventually.
• 10:45
  Speaker 3: I may have been wrong on that.
• 10:45
  Speaker 1: Oh.
• 10:46
  Speaker 3: I think he did pay the whole seven hundred eventually
• 10:49
  Speaker 3: to get the car. I could be wrong. I don't
• 10:50
  Speaker 3: remember that, but I do think they allude to the
• 10:52
  Speaker 3: fact that the car's.
• 10:52
  Speaker 2: Out, car's got to get out sometimes yeah, or else
• 10:54
  Speaker 2: it's still it's still running up, trying the meters running.
• 10:57
  Speaker 1: Yeah.
• 10:58
  Speaker 2: I think once they called me and said, hey, we're
• 11:00
  Speaker 2: gonna start charging.
• 11:02
  Speaker 1: The thing, then I would toe it.
• 11:04
  Speaker 3: Well.
• 11:04
  Speaker 2: I would have towed it at that point and probably
• 11:08
  Speaker 2: brought it back and then let him deal with it.
• 11:10
  Speaker 3: But also, and this case is taking place in twenty ten,
• 11:13
  Speaker 3: and as soon as I heard alternator three hundred dollars,
• 11:16
  Speaker 3: I was like, if you were paying three hundred dollars
• 11:18
  Speaker 3: for an alternator, you were getting ripped off. Like if
• 11:23
  Speaker 3: you were, this is just a PSA. And I gotta
• 11:25
  Speaker 3: be honest, I don't know what they cost him twenty
• 11:26
  Speaker 3: twenty four, inflation and whatnot, But if you were paying
• 11:30
  Speaker 3: three hundred dollars for an alternator in twenty ten, you're
• 11:32
  Speaker 3: getting ripped off for a car that's seventeen years old.
• 11:35
  Speaker 3: You're just getting ripped off, plain and simple.
• 11:38
  Speaker 2: So I I think if he brought it to that
• 11:41
  Speaker 2: other mechanic and they threatened the storage.
• 11:46
  Speaker 1: If you toe it, I think he would have gotten
• 11:48
  Speaker 1: that money too.
• 11:49
  Speaker 2: Yeah, it would have been like, hey, guy, he's doing
• 11:53
  Speaker 2: everything that you're asking him to do. He calls you up,
• 11:55
  Speaker 2: he said, it's going to be this amount of money
• 11:57
  Speaker 2: for the alternator.
• 11:58
  Speaker 1: You don't believe it. Tow it back.
• 11:59
  Speaker 2: You should pay that money. So I think, just tough,
• 12:03
  Speaker 2: just tough there. That's a tough situation. It's gonna judge Karen.
• 12:05
  Speaker 2: This is a fun one. Carter Steel ste his stripper name,
• 12:12
  Speaker 2: but uh, there it is. He doesn't say that. He
• 12:14
  Speaker 2: says his name is Carter Steel.
• 12:16
  Speaker 1: I don't know.
• 12:16
  Speaker 2: He's suing Uh Stephanie Kelton for fifteen hundred dollars.
• 12:22
  Speaker 3: Oh my goodness.
• 12:23
  Speaker 2: Carter Steele is an exotic dancer, does private events.
• 12:26
  Speaker 3: He has a crew.
• 12:27
  Speaker 1: They go out, they'll do some stuff, dancing and whatnot.
• 12:31
  Speaker 2: He meets Stephanie through a mutual friend, and Stephanie was
• 12:34
  Speaker 2: planning a show, a Mother's Day special. Stephanie says the
• 12:40
  Speaker 2: plan was for the women to have some fun, watch
• 12:42
  Speaker 2: them dancing, but that the performers were to stay on stage.
• 12:46
  Speaker 2: It was a classy event. Okay, classic classy event.
• 12:50
  Speaker 3: We're not.
• 12:51
  Speaker 1: I'm not putting dollars in your draws anything like that.
• 12:55
  Speaker 3: This is a classic no dollars in draws.
• 12:57
  Speaker 2: That's exactly pay you fifteen hundred dollars when your boys
• 13:00
  Speaker 2: come up, do your dance, get out out.
• 13:03
  Speaker 1: Obviously that didn't happen.
• 13:05
  Speaker 2: Carter says, we never got to do the closing number
• 13:08
  Speaker 2: because she shut us down and she didn't pay us.
• 13:12
  Speaker 2: Stephanie says, I stopped a show after one of the
• 13:15
  Speaker 2: dancers grabbed a woman's hand and put it on his body.
• 13:23
  Speaker 1: Doesn't sound so class he does it?
• 13:24
  Speaker 3: It is. This is a very very interesting like what
• 13:29
  Speaker 3: the contract says is very important here.
• 13:32
  Speaker 2: Uh, she brings in a witness. Her name is Rebecca.
• 13:37
  Speaker 2: Rebecca and her mom went to the Mother's Day special
• 13:43
  Speaker 2: Mother's Day. You haven't taken your mom to an exotic
• 13:48
  Speaker 2: dance Mother's Day extravagance of what are you doing?
• 13:52
  Speaker 3: What do you do?
• 13:54
  Speaker 1: I take my mom to one every year.
• 13:56
  Speaker 3: It's a big deal for you.
• 13:57
  Speaker 1: Sit and sit and enjoy.
• 14:00
  Speaker 3: Classy.
• 14:00
  Speaker 2: Right, it's classy. You just walk just watched. Rebecca's mom
• 14:09
  Speaker 2: is friends with Stephanie. That's how they found out about
• 14:12
  Speaker 2: the event. To begin with, they were expecting to see
• 14:14
  Speaker 2: hot men dancing, but it ended up being more than
• 14:17
  Speaker 2: they bargained for. She explains that her and her mom
• 14:23
  Speaker 2: they showed up. She says they're both big supporters of
• 14:26
  Speaker 2: the arts.
• 14:28
  Speaker 1: Now after she.
• 14:29
  Speaker 2: Says that there's a woman behind her in the crowd
• 14:32
  Speaker 2: who laughs, but then no one else laughs and she
• 14:36
  Speaker 2: feels embarrassed by it. And it's a little things like
• 14:39
  Speaker 2: that that really But then Karen calls around and it's like,
• 14:43
  Speaker 2: this is an arts what are you talking about. You
• 14:45
  Speaker 2: could have gone to a play if you wanted to
• 14:46
  Speaker 2: support the arts. Instead, you went to a burlesque show,
• 14:49
  Speaker 2: So stop being all all up aty about it.
• 14:52
  Speaker 1: She says, okay. She explains that they started to take
• 14:55
  Speaker 1: off their clothes and Karen's like, well, they supposed to
• 14:59
  Speaker 1: take off their clothes, and she says, yes, but they
• 15:01
  Speaker 1: went too far. How Karen says, how far? She says, underpants?
• 15:09
  Speaker 3: Underpants?
• 15:10
  Speaker 1: Underpants. Karen says they're exotic dancers, don't know what they're
• 15:13
  Speaker 1: supposed to do that.
• 15:15
  Speaker 3: She says, that's what you played to win the game,
• 15:16
  Speaker 3: Like that's why that's why.
• 15:18
  Speaker 2: I was I was under the impression that that's what happens,
• 15:20
  Speaker 2: you know, with the whole whole thing there, it's the
• 15:23
  Speaker 2: whole ball game.
• 15:24
  Speaker 3: She says.
• 15:25
  Speaker 2: We were promised to classy events, and once they got
• 15:27
  Speaker 2: down to their under underpants, it was no longer a
• 15:30
  Speaker 2: classic event. Karen asks to see the contract that you mentioned,
• 15:36
  Speaker 2: Dano and gives that a gives that a read, and
• 15:38
  Speaker 2: asked Carter to bring in his witness. He brought in
• 15:41
  Speaker 2: a witness as well. Uh. He was the dancer in
• 15:44
  Speaker 2: question that ultimately had the event stopped on once he
• 15:50
  Speaker 2: uh did his number. He comes in and is like, okay,
• 15:55
  Speaker 2: so there was a girl named Rebecca and Karen's like,
• 15:58
  Speaker 2: that girl's name is Rebecca. He's like, yeah, it's her.
• 16:01
  Speaker 2: I don't forget a smile. Oh oh she smiles. Not
• 16:05
  Speaker 2: helping yourself there, buddy, She smiled too. No, she smiled
• 16:10
  Speaker 2: when he said oh wow. Yeah, He's like. I caught
• 16:15
  Speaker 2: her eyes and uh said that she was just really
• 16:18
  Speaker 2: staring at me. You know how you stare at somebody
• 16:21
  Speaker 2: when you're really attracted to him, And I could tell.
• 16:23
  Speaker 2: So I go over there to the handstand area.
• 16:27
  Speaker 3: Yeah, and you thought they weren't getting down of their
• 16:29
  Speaker 3: underpand and there's a handstand and at this point women
• 16:33
  Speaker 3: had gotten had gone up to the stage.
• 16:36
  Speaker 2: Okay, So women were out of their seats stand and
• 16:40
  Speaker 2: they were up close to the stage. Okay, And I
• 16:45
  Speaker 2: turn around. She sees my back muscles, and he says
• 16:50
  Speaker 2: that it was like she was possessed by the devil
• 16:54
  Speaker 2: or something. She grabs me and just starts screaming. She
• 16:59
  Speaker 2: gets it's on the stage. She starts dancing too, and
• 17:05
  Speaker 2: Karen asks how he knows that her name is Rebecca,
• 17:08
  Speaker 2: and he said, she whispered in my ear.
• 17:11
  Speaker 3: Why my name is Rebecca? So you saying it?
• 17:16
  Speaker 2: So her and her mom run up on stage, turn
• 17:20
  Speaker 2: on the lights, stop the show, and they refuse to
• 17:24
  Speaker 2: pay the fifteen hundred dollars.
• 17:26
  Speaker 3: So there's a bit of a difference in recollection of
• 17:29
  Speaker 3: story here between he grabbed her hand.
• 17:32
  Speaker 2: Now. What's interesting, Dan is after she her opening remarks
• 17:37
  Speaker 2: about grabbing someone's hands and putting it on their body,
• 17:41
  Speaker 2: she never dives into that side of the story.
• 17:45
  Speaker 1: She just mentioned it at the top. And basically, I'm.
• 17:48
  Speaker 3: Inclined to believe the strippers. I gotta be honest, Like,
• 17:51
  Speaker 3: it just seems like there's a lot more detail there.
• 17:54
  Speaker 1: Well, she's ready to rule.
• 17:55
  Speaker 3: I'm judge Karen has got a rule in favor of
• 17:58
  Speaker 3: the of Connor Steele. Here, you own the fifteen hundred bucks.
• 18:02
  Speaker 3: You can't if if some woman's out of control that
• 18:05
  Speaker 3: and you stop it. Because this woman's out of control,
• 18:08
  Speaker 3: you still paid them for a service. You gotta pay them.
• 18:11
  Speaker 2: She says, I'm not saying anything in this contract about
• 18:15
  Speaker 2: touching or about not about where they're supposed to be
• 18:20
  Speaker 2: on the stage versus off.
• 18:21
  Speaker 1: Just savee definitely gott to pay them. Now.
• 18:22
  Speaker 2: Can you show me in the contract where it says that,
• 18:24
  Speaker 2: And she says that may have been more of a
• 18:26
  Speaker 2: verbal agreement. She says, your verbal agreement ain't worth squat
• 18:29
  Speaker 2: here you owe him fifteen hund dollars to mister Steele
• 18:34
  Speaker 2: in the and the crew stealing the crew st the crew, guys,
• 18:39
  Speaker 2: I can't.
• 18:40
  Speaker 1: Properly portray how.
• 18:45
  Speaker 2: It was it Rebecca, how Rebecca was responding as the guys, she.
• 18:51
  Speaker 3: Did it and she would do it again.
• 18:52
  Speaker 2: So she if she comes in and she's acting like
• 18:55
  Speaker 2: she's all up and he we're a fan of the arts,
• 18:57
  Speaker 2: we were appalled, and as he begins to talk She
• 19:01
  Speaker 2: is flustered, she is blushing. She is like, yes, this
• 19:05
  Speaker 2: was a night I didn't expect him to be here today.
• 19:09
  Speaker 2: It was like she you could tell she was so embarrassed,
• 19:12
  Speaker 2: and it was it was wonderful. Yes, the strippers get
• 19:15
  Speaker 2: their money as they should, as they should pay the
• 19:18
  Speaker 2: strippers what they are We did.
• 19:21
  Speaker 1: Everybody.
• 19:21
  Speaker 3: Congratulations, gonna be back next week with two more cases. Yeah,
• 19:24
  Speaker 3: we don't believe it.
• 19:25
  Speaker 1: Here on you Gaba gavel Until.
• 19:26
  Speaker 2: Then, all rise, Yo Gavel Gabbles are Bramble Jam Podcast
• 19:34
  Speaker 2: produced and Yeah that Greenville at the Bramble Jam Podcast
• 19:37
  Speaker 2: Network Studios by Aaron Shane. You can leave us a
• 19:41
  Speaker 2: rating and review on the Apple podcast. Please please do
• 19:44
  Speaker 2: it five stars. If you don't mind, go to the
• 19:46
  Speaker 2: socials at Yo Gabble Gabble. We haven't posted there since
• 19:49
  Speaker 2: the Obama administration. That ca.
• 20:01
  Speaker 1: You're about to hear some ads that helped keep the
• 20:03
  Speaker 1: lights on here in the old studio. Thanks for listening
• 20:08
  Speaker 1: or don't listen. It's really up to you. At this point,
• 20:11
  Speaker 1: it's at the end of the show. I mean, you're
• 20:13
  Speaker 1: listening to me. Hi, But here they come. I promised
• 20:16
  Speaker 1: they're coming. Yep, here they are happy daysssssssssssssss