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Embracing Your Roots With MAX CAVALERA From SOULFLY · HEAVY Music Interviews

• 0:00
  Speaker 1: What's up everybody, Maxicamleta here you listen to Heavy mag
• 0:05
  Speaker 1: in Australia with our new album Shama.
• 0:08
  Speaker 2: Fantastic Max, thanks for joining us this morning, brother, Thank
• 0:12
  Speaker 2: you man, thanks for having me my pleasure to say.
• 0:15
  Speaker 2: There's a bit gone on withst self Flight at the moment,
• 0:17
  Speaker 2: but we'll start with the new album Shama, which is
• 0:19
  Speaker 2: due out on October twenty fourth. This is gonna be
• 0:22
  Speaker 2: a thirty eighth alvel with Soul Flight to Guy with
• 0:24
  Speaker 2: countless others from Sepulture, Kill and Be Killed.
• 0:26
  Speaker 3: They say it.
• 0:27
  Speaker 2: Small, but do you still get the same feeling of
• 0:29
  Speaker 2: anticipation that comes with a new album despite putting.
• 0:31
  Speaker 3: So many outs?
• 0:33
  Speaker 1: Oh yeah, no matter no matter how many albums you make,
• 0:36
  Speaker 1: it's always the same as there. There's nerveouness in anxiety.
• 0:42
  Speaker 1: I probably have a bunch of ulcers from making records.
• 0:46
  Speaker 1: But it's it's a it's a cool excitement. It's fun.
• 0:49
  Speaker 3: You know.
• 0:50
  Speaker 1: It's like you know, you're proud of the thing. You know,
• 0:55
  Speaker 1: you're proud of the you want to hear what people
• 0:57
  Speaker 1: think of it, you know, because that's the that's what
• 1:00
  Speaker 1: use the everything that we do is for the fans
• 1:03
  Speaker 1: to enjoy what we do. You know, But I think,
• 1:07
  Speaker 1: like right now, so Fly is been more inspired than
• 1:11
  Speaker 1: ever before. I think this is like a really good
• 1:15
  Speaker 1: moment in Soulfly, really inspirational moment to make a record
• 1:19
  Speaker 1: like Shama is very very full of enthusiasm and inspiration.
• 1:24
  Speaker 1: And the record is full of I feel, very very
• 1:29
  Speaker 1: strong songs and full of tribal grooves, kind of back
• 1:33
  Speaker 1: to the tribal beginnings of so Fly, and with a
• 1:37
  Speaker 1: lot of real cool noise stuff in it, which is
• 1:41
  Speaker 1: like makes them more modern. I've been joking calling this
• 1:45
  Speaker 1: album feels like tribal technology. You know, you have the
• 1:50
  Speaker 1: tribal beats, but with technology on top of it together.
• 1:54
  Speaker 1: You know. But I think it's gonna be if you.
• 1:57
  Speaker 1: If you love so Fly, this album is definitely for you,
• 2:00
  Speaker 1: Like this is an album made for for a soulf
• 2:02
  Speaker 1: Life fan. If you don't like Soulfly, I don't even
• 2:06
  Speaker 1: waste your time. You're not gonna like this record.
• 2:11
  Speaker 2: Now, you touched on the musical sort of a private
• 2:13
  Speaker 2: can you get a taper into it first?
• 2:14
  Speaker 3: I tell us what you're gone for this summer musically?
• 2:19
  Speaker 1: Yeah, I mean this, this record came about you. Know,
• 2:22
  Speaker 1: it started with experimenting med and zion like jamming and
• 2:27
  Speaker 1: you know, collecting riffs and ideas, and the more we
• 2:32
  Speaker 1: thought about the record, the more it was going in
• 2:35
  Speaker 1: this groove tribal direction naturally, and it was cool that
• 2:42
  Speaker 1: that it went that way for some reason. It's it's
• 2:50
  Speaker 1: my most Brazilian record of all time. With the name
• 2:54
  Speaker 1: is in Portuguese. We have songs in Portuguese. We have
• 2:58
  Speaker 1: name songs about which is Brazil, the Brazilian slums in
• 3:04
  Speaker 1: the hills. And then one song that the name is
• 3:08
  Speaker 1: inspired by Australia actually is Always Was, Always Will Be.
• 3:13
  Speaker 1: That's why I have original quote, you know. Uh, it
• 3:18
  Speaker 1: was from when I was in Australia. I saw a
• 3:20
  Speaker 1: documentary that was called Always Was, Always Will Be. I
• 3:24
  Speaker 1: wrote that name down in my notebook because I'm gonna
• 3:27
  Speaker 1: use that at some point in the future. Uh, And
• 3:31
  Speaker 1: it became one of those songs in the It's kind
• 3:33
  Speaker 1: of more experimental song. It's gotta be a god flash
• 3:36
  Speaker 1: vibe to it, electronic drums, real noisy itterial noise screaming
• 3:43
  Speaker 1: in the background, and it's got real hard Brazilian spiritual
• 3:48
  Speaker 1: lyrics on it. So the record is a bit of
• 3:52
  Speaker 1: an adventure kind of record. Inside of the album, we
• 3:55
  Speaker 1: have the story about Shamas, a boy that grow up
• 3:58
  Speaker 1: in the favelas and his mother passed away, and she
• 4:02
  Speaker 1: comes to him as a spirit and tells him to
• 4:05
  Speaker 1: go to the jungle, go to the Amazon and reconnect
• 4:10
  Speaker 1: with the spirits of the forest, and he becomes a
• 4:16
  Speaker 1: more powerful person after he does that. And it's really
• 4:19
  Speaker 1: cool that we have this story right in the middle
• 4:21
  Speaker 1: of the record. But yeah, I think that record is
• 4:24
  Speaker 1: full of cool guests, a lot of cool people. Dino
• 4:26
  Speaker 1: from Fear Factory, we got the guys from unto Others
• 4:31
  Speaker 1: and Nails and No Warning and Archie Enemy Again. This
• 4:38
  Speaker 1: is a Soulfly record with guests, tribal music, percussion. It's
• 4:43
  Speaker 1: everything fans love about Soulfly. It's on this record.
• 4:47
  Speaker 2: Further that point, like you've been quite a little saying
• 4:50
  Speaker 2: that I'm excited to present a long time flans a
• 4:53
  Speaker 2: revival of our original sounds.
• 4:55
  Speaker 3: Like what do you mean by that, You're going back
• 4:57
  Speaker 3: to the original sound?
• 5:00
  Speaker 1: We are and we aren't at the same time, you know,
• 5:03
  Speaker 1: because it's impossible to really go back to that time,
• 5:07
  Speaker 1: to ninety eight, ninety nine there was. It was a
• 5:11
  Speaker 1: magical time where Soulfly was born, including when we came
• 5:14
  Speaker 1: to do we Can Play Big Day Out Festival was
• 5:20
  Speaker 1: an incredible experience. But I think if you compare to
• 5:25
  Speaker 1: the last couple of Soulfly records like Total and Ritual,
• 5:32
  Speaker 1: even like Conquer, this record feels very different from that.
• 5:36
  Speaker 1: It's really more connected to stuff like Primitive and Prophecy
• 5:43
  Speaker 1: and Soulfly one. But also together with that there's modern
• 5:49
  Speaker 1: shit on it as well, with electronic you know, electronic
• 5:55
  Speaker 1: noises and stuff that's part of the production between Zion
• 5:58
  Speaker 1: and Artur So. I think the record is is it's
• 6:02
  Speaker 1: a combination, you know, but if it does feel like
• 6:07
  Speaker 1: a real Soulfly record, Like to me when I listened
• 6:11
  Speaker 1: to Shama, this is the vision I had for Soulfly
• 6:14
  Speaker 1: in the for the from the beginning. This this is
• 6:17
  Speaker 1: the kind of ship we want to play, you know.
• 6:19
  Speaker 1: This is it. It's spiritual, it's tribal, it's heavy grooves
• 6:26
  Speaker 1: and uh and as heavy as balls. You know, like
• 6:29
  Speaker 1: a lot of the stuff is just fucking heavy, man,
• 6:32
  Speaker 1: you know. Favella, Dystopia and NIHI list is more like
• 6:37
  Speaker 1: almost like an in tunbees kind of song, you know,
• 6:39
  Speaker 1: like it was let's like, let's give give to them,
• 6:43
  Speaker 1: and it's it's cool. The record short, it's only thirty
• 6:46
  Speaker 1: three minutes, so it doesn't we don't funk around. You
• 6:51
  Speaker 1: came in and punch you in the face, and we leave.
• 6:53
  Speaker 1: We get out, you know, we get out of the way.
• 6:58
  Speaker 3: You spike.
• 6:59
  Speaker 2: This is a couple of times. But you mixed a
• 7:01
  Speaker 2: bit of You've done a bit of experimenting musically. You've
• 7:03
  Speaker 2: got a bit of a bit of electronics through with
• 7:05
  Speaker 2: the tribal stuff.
• 7:06
  Speaker 3: Is that easy to integrate together in music?
• 7:11
  Speaker 1: I think so. I think it's cool to me. Experimental
• 7:15
  Speaker 1: music is very interesting because it's very organic, you know,
• 7:20
  Speaker 1: and I think like when you have the chance to
• 7:22
  Speaker 1: do it, you should do it because the results are
• 7:27
  Speaker 1: always real exciting. And you know, even the intro like
• 7:32
  Speaker 1: of the album, which we call it The Indigenous Inquisition,
• 7:37
  Speaker 1: we created this almost like a ritual piece of music.
• 7:40
  Speaker 1: You know, it feels like you're in a trance ritual
• 7:45
  Speaker 1: tribal environment, you know, with the heavy drums and the guitars,
• 7:51
  Speaker 1: and then there are all these noises going around and
• 7:56
  Speaker 1: I'm saying the names of tribes that are no longer
• 8:00
  Speaker 1: in existence. They're all and they're all being killed, you know,
• 8:04
  Speaker 1: just like they've been erased from the from the map
• 8:08
  Speaker 1: of the world by genocide. So yeah, I think it's cool.
• 8:13
  Speaker 1: It's like we use technology that we don't abuse it,
• 8:17
  Speaker 1: but you use it the right way so it matches
• 8:20
  Speaker 1: the organic tribal sound of the record.
• 8:26
  Speaker 3: It's actually good.
• 8:27
  Speaker 2: Can bring up Indigenous Inquisition because I wanted to talk
• 8:29
  Speaker 2: about that next, Like it's a very powerful song, Like
• 8:32
  Speaker 2: you say, you're speaking about the genocide and extinction of
• 8:35
  Speaker 2: the original American people, But what was the thought process
• 8:38
  Speaker 2: behind starting the album with that, Like it's such a
• 8:40
  Speaker 2: powerful piece of music.
• 8:44
  Speaker 1: Yeah, so I wanted to make an intro song. I
• 8:47
  Speaker 1: never had that one of those in Soulfly All the
• 8:49
  Speaker 1: record pretty much starts with the opening song, and so
• 8:52
  Speaker 1: we create a minute and a half two minute introduction
• 8:57
  Speaker 1: song that we can play live that's heavy as fucking
• 9:00
  Speaker 1: like real, just hitting you in the face with it,
• 9:03
  Speaker 1: but also with a deep meaning you know behind And
• 9:07
  Speaker 1: that became the idea of calling Indigenous Inquisition, you know,
• 9:11
  Speaker 1: because that's what happened, you know, that there was an
• 9:14
  Speaker 1: inquisition of all the indigenous tribes and happening in South America,
• 9:18
  Speaker 1: happen in North America, happened in Africa, happened in Australia,
• 9:23
  Speaker 1: and many tribes gott you know, extinct from this. So yeah,
• 9:28
  Speaker 1: it's a bit dark beginning, but I think it's necessary
• 9:32
  Speaker 1: because it's the reality of the world, you know. So
• 9:35
  Speaker 1: we wanted to pinpoint almost like you gotta teach your
• 9:41
  Speaker 1: sons or you gotta teach your kids about shit like
• 9:46
  Speaker 1: Holocaust so it doesn't happen again. You know, you got
• 9:49
  Speaker 1: to tell them the truth. Okay, these people all die
• 9:52
  Speaker 1: because of this madman called Hitler, same kind of situation.
• 9:57
  Speaker 1: You know, these tribes are extinct because of society, because
• 10:01
  Speaker 1: of bad governments, you know, and then we made it
• 10:04
  Speaker 1: into it. I've really all habits song man, it's real.
• 10:07
  Speaker 1: I can't wait to play that live. I think that's
• 10:08
  Speaker 1: gonna set the tone for the rest of the night.
• 10:11
  Speaker 1: You know, you're gonna come in with the guns blazing
• 10:14
  Speaker 1: on that one.
• 10:17
  Speaker 2: The pieces of music like that, that's that's very close
• 10:20
  Speaker 2: to your heart. That's sort of subject like, are they
• 10:22
  Speaker 2: difficult for you to write and perform pieces of music
• 10:25
  Speaker 2: like that?
• 10:27
  Speaker 1: It's difficult to maintain passionate about, you know, because you
• 10:34
  Speaker 1: sometimes you lose focus of what you're doing. Yeah, I
• 10:37
  Speaker 1: think the hard part is once you grab something that
• 10:40
  Speaker 1: you really love, stay with it, you know, and and
• 10:45
  Speaker 1: stay motivated. And I think that was kind of like
• 10:48
  Speaker 1: the the hardest part of this record was. But also
• 10:54
  Speaker 1: in the same token is one of the things I'm
• 10:57
  Speaker 1: most proud of the record is the message in some
• 10:59
  Speaker 1: of the song like Storm the Gates and No Pain.
• 11:04
  Speaker 1: It was no Power that actually can be related to sports,
• 11:08
  Speaker 1: you know, like football players or rugby players playing through
• 11:11
  Speaker 1: pain in order to get the power that they need,
• 11:15
  Speaker 1: you know, and to get the glory and uh, and
• 11:18
  Speaker 1: it was cool. I'm singing about more ship that I
• 11:21
  Speaker 1: know about it in real life, so it becomes uh
• 11:25
  Speaker 1: something that I believe in it, and I'm screaming. And
• 11:29
  Speaker 1: once when when you're screaming about something that you believe,
• 11:33
  Speaker 1: it's easier to it's easy for the fans to identify
• 11:38
  Speaker 1: with the real uh deliverance that you're given to them.
• 11:43
  Speaker 1: You know, you almost like you can feel my soul
• 11:46
  Speaker 1: on the on those screams that I'm giving, you know,
• 11:49
  Speaker 1: the real sometimes painful screams. They're hard screams, but they
• 11:54
  Speaker 1: mean they're meaningful. You know, they're full of power, They're
• 11:57
  Speaker 1: full of fire. And I think that was like the
• 12:01
  Speaker 1: thing about this record that cuts real deep is this,
• 12:05
  Speaker 1: you know, Uh, you believe in the lyrics and you
• 12:08
  Speaker 1: believe in the music, and you just just go for
• 12:11
  Speaker 1: the throat. You know. It was really kind of cool
• 12:14
  Speaker 1: to execute that way.
• 12:17
  Speaker 2: Now, says you past producing credits in creative direction, I
• 12:20
  Speaker 2: would get some zion. There's also been self drama for
• 12:24
  Speaker 2: ten years, but why is now the right time to
• 12:26
  Speaker 2: give him that added responsibility.
• 12:29
  Speaker 1: Yeah, I produce records before, like Prophecy, Dark Ages, And
• 12:33
  Speaker 1: I told him I don't want to produce his all
• 12:34
  Speaker 1: because if I produce it, it's gonna it's gonna come
• 12:36
  Speaker 1: out the way I want it, and I don't want that,
• 12:39
  Speaker 1: you know, I want something different, you know, I want
• 12:43
  Speaker 1: I want to be challenged. I want you to challenge me.
• 12:46
  Speaker 1: I want you to tell me my riff sucks and
• 12:48
  Speaker 1: I better make a better riff. You know. So that
• 12:51
  Speaker 1: kind of mentality kind of like I need somebody that
• 12:54
  Speaker 1: that is not a yazmin, somebody that actually challenges me.
• 12:58
  Speaker 1: And we did that. It was cool in the studio.
• 13:00
  Speaker 1: I'm busting my ass on the riff and he's like, no,
• 13:04
  Speaker 1: it's not good enough. You know, you better bring it.
• 13:09
  Speaker 1: And so it really challenged me as a musician to
• 13:12
  Speaker 1: come up with the best ship I could come up
• 13:14
  Speaker 1: and and it was cool to see. It was inspired.
• 13:21
  Speaker 1: And I think he's gonna have a great career of
• 13:23
  Speaker 1: producing record after this one because a lot of people
• 13:26
  Speaker 1: are gonna like this record, and I think he's got
• 13:28
  Speaker 1: a future in this area of music. And I think
• 13:31
  Speaker 1: was it was cool to to like give him the
• 13:35
  Speaker 1: keys of the car and let him drive the car
• 13:37
  Speaker 1: and I just sit in the back, you know, and
• 13:39
  Speaker 1: enjoy the ride. Kind of kind of situation. You know.
• 13:43
  Speaker 1: It was really cool.
• 13:44
  Speaker 2: And another one of his sons, Ego Das, played based
• 13:48
  Speaker 2: on some tracks, and he also helped write lyrics for
• 13:50
  Speaker 2: the title track as well as Favela this type. How
• 13:53
  Speaker 2: much of yourself can you see in your boys when
• 13:55
  Speaker 2: you write and create music together.
• 13:58
  Speaker 1: It's amazing. It's so cool, especially this record. We work
• 14:03
  Speaker 1: all together on it. And I remember in the studio
• 14:06
  Speaker 1: sitting down with Zion and Gor writing lyrics. I don't
• 14:09
  Speaker 1: like to write lyrics. I never liked it. You know,
• 14:11
  Speaker 1: so I'm having them help me find the best lyrics
• 14:15
  Speaker 1: I can find. And I remember I had like flashbacks
• 14:21
  Speaker 1: of them as young kids, like two three years old,
• 14:25
  Speaker 1: sleeping on guitar cabinets and Aussie singing in the background,
• 14:29
  Speaker 1: you know, during usfest and I was like, this is
• 14:33
  Speaker 1: so cool because it's a journey. You know. They've been
• 14:36
  Speaker 1: through this journey with me through all these years. They've
• 14:39
  Speaker 1: been through all these festivals, all these concerts. They slapped
• 14:42
  Speaker 1: in real shit venues, we ate shit food. It's all
• 14:50
  Speaker 1: been a journey, you know. And now we're doing this
• 14:53
  Speaker 1: together and preparing them for their journey out too, because
• 14:57
  Speaker 1: they're they're gonna be hopefully even continue so fly after
• 15:03
  Speaker 1: I'm no longer here. Hopefully they can even continue this thing,
• 15:05
  Speaker 1: you know without me. To me, that would have been great,
• 15:09
  Speaker 1: you know, I love that idea.
• 15:11
  Speaker 3: A lot of those longs.
• 15:12
  Speaker 2: Have you discussed the musical succession plan for one day
• 15:16
  Speaker 2: you need?
• 15:17
  Speaker 1: You just said last not really, I mean it's it's
• 15:20
  Speaker 1: we talk a little bit about it, and it was
• 15:22
  Speaker 1: actually was his idea. He said that hopefully like one
• 15:25
  Speaker 1: day he can continue doing soul Fly after I'm no
• 15:29
  Speaker 1: longer here, you know, and uh, that's I thought that
• 15:31
  Speaker 1: was a great, cool, great point. And uh, even without that,
• 15:35
  Speaker 1: even if they're in another band doing what as long
• 15:38
  Speaker 1: as they're happy and doing what they love from the heart,
• 15:43
  Speaker 1: because this, this music and this lifestyle requires sacrifice. You know,
• 15:49
  Speaker 1: it's not for the fainted heart. You gotta have a hard,
• 15:52
  Speaker 1: tough skin, and and you gotta you gotta really love
• 15:56
  Speaker 1: what you do because there's a lot of crap moments,
• 16:00
  Speaker 1: you know, but to get to a good moment, you've
• 16:05
  Speaker 1: got to have a lot of ship moments. So when
• 16:08
  Speaker 1: the good moments come, they are good. You know, they're
• 16:10
  Speaker 1: they're worthwhile. And that's what I try to teach them. Uh,
• 16:14
  Speaker 1: there's no easy pat you know, nothing is easy in life.
• 16:18
  Speaker 1: You know. To get to something good, you're going you
• 16:20
  Speaker 1: have to go through the bad.
• 16:22
  Speaker 2: Uh.
• 16:22
  Speaker 1: And that's cool. I think that's why I like a
• 16:24
  Speaker 1: life lesson that they have to learn and hopefully they
• 16:27
  Speaker 1: and I also start to enjoy the moments. You know,
• 16:30
  Speaker 1: enjoy every every every moment that you have in this world,
• 16:34
  Speaker 1: because it's it's a it's a it's a beautiful thing
• 16:36
  Speaker 1: to to be alive, to be playing music, to be
• 16:39
  Speaker 1: making music, to be sharing music with the world, with
• 16:42
  Speaker 1: the people of the world. It's a cool feeling.
• 16:44
  Speaker 3: Damns right rather damns right now.
• 16:46
  Speaker 2: The other news is that Soulfly a touring is is
• 16:48
  Speaker 2: trying next year with an album and not like I
• 16:52
  Speaker 2: know a value you brother, but that is probably one
• 16:54
  Speaker 2: of the best trifectors of bands that you could have
• 16:57
  Speaker 2: possibly put together to come here.
• 16:59
  Speaker 1: Yeah, it's gonna be great. You know. Neilbom is Killer Live.
• 17:04
  Speaker 1: We've just done Europe a couple of months, a couple
• 17:07
  Speaker 1: of weeks ago. We set Europe ablaze. It was we
• 17:11
  Speaker 1: set all the festivals on fire. And then we have
• 17:15
  Speaker 1: so Fly with a new record, which is great. We
• 17:17
  Speaker 1: get to play a lot of Shama together with all
• 17:19
  Speaker 1: the hits, the soul Fly hits, and then have snot
• 17:24
  Speaker 1: of course it's not is connected to the early Soulfly man.
• 17:28
  Speaker 1: You know, Mikey played guitar with me on on Primitive
• 17:33
  Speaker 1: and sol Fly three, and uh yeah, it's not a
• 17:37
  Speaker 1: cool band. Mike is grey. I think the Australia fan
• 17:41
  Speaker 1: is gonna love it. It's gonna be an amazing time.
• 17:43
  Speaker 1: I can't wait. Actually, I love Australia. I love to
• 17:46
  Speaker 1: be back there and that's gonna be just just a
• 17:50
  Speaker 1: lot of fun. Man. I'm excited to be back in
• 17:52
  Speaker 1: Australia in January. It's gonna be great. It's gonna be hot,
• 17:56
  Speaker 1: right thinking hot, I think it's not.
• 18:01
  Speaker 3: It's hot for sure. So bring you a pair of
• 18:03
  Speaker 3: heavy mush shorts and you can you can rock out with.
• 18:05
  Speaker 1: It, please? I need that.
• 18:09
  Speaker 2: Did you realize how much work you've created for yourself
• 18:12
  Speaker 2: might putting soft F and album on together.
• 18:15
  Speaker 1: Oh yeah, it's gonna be tough. But I'm up for
• 18:18
  Speaker 1: the challenge. You know. I'm actually like feeling actually kind
• 18:20
  Speaker 1: of good right now healthwise, I feel really cool, and
• 18:23
  Speaker 1: uh yeah, I think I'm up for the challenge. I
• 18:29
  Speaker 1: love both. Both sets are very different from each other.
• 18:33
  Speaker 1: New Bomb is all be easier. I don't have to
• 18:34
  Speaker 1: sing as much, so fly I do all the singing.
• 18:37
  Speaker 1: But I think the crowd's gonna be there. Are gonna
• 18:40
  Speaker 1: feed off the crowd, no problem, It's it's a done deal.
• 18:44
  Speaker 1: It's gonna be great.
• 18:45
  Speaker 3: I'll back you in, brother. Those shows start in Bricebood
• 18:50
  Speaker 3: on January the twenty sixth.
• 18:51
  Speaker 2: Then you had the Sydney on January twenty seven, Melbourne
• 18:54
  Speaker 2: on the thirtieth and other side of those dates, you've
• 18:56
  Speaker 2: got Froth and Fury Festival in fairth on January twenty
• 18:59
  Speaker 2: fourth and Adelaide on Januar thirty one. Say just say
• 19:02
  Speaker 2: someone's going to one of those festivals and they don't
• 19:04
  Speaker 2: know too much about now Bomb and Soulfly because there's
• 19:07
  Speaker 2: lots of other bands. They're like, what three songs should
• 19:09
  Speaker 2: they listen to get ready and what you're gonna bring?
• 19:14
  Speaker 1: Well, you should go definitely go listen to a nail
• 19:17
  Speaker 1: Bomb Vatomnuku. That's that's a second track of the first record.
• 19:23
  Speaker 1: Listen to Soul Fly, Jump the fuck Up, Yes, jump
• 19:28
  Speaker 1: the fuck up, and and go listen to Storm the
• 19:33
  Speaker 1: Gates brand New Shamas. You know in a couple in
• 19:37
  Speaker 1: a couple of weeks, we're gonna have more songs No
• 19:40
  Speaker 1: Hope hopefully uh Nihilist and No Pain, No Power. But yeah,
• 19:47
  Speaker 1: all of those do get you fired up for the
• 19:49
  Speaker 1: concert for sure.
• 19:51
  Speaker 2: Fast Max says very much for your time, bro, always
• 19:53
  Speaker 2: a place to chatting with you, mane. We'll catch you
• 19:55
  Speaker 2: as many shows as I can get you in January.
• 19:58
  Speaker 1: All right, man, take care brother, you said out hey,
• 20:00
  Speaker 1: Thanks broving
• 20:10
  Speaker 3: H