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The Difference Between Working With Billionaires and Music Artists · Earn Your Leisure

• 0:00
  Speaker 1: An illegal alien from Guatemala charged with raping a child
• 0:03
  Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador
• 0:07
  Speaker 1: accused of murdering a Texas man of Venezuelan charged with
• 0:11
  Speaker 1: filming and selling child pornography in Michigan. These are just
• 0:15
  Speaker 1: some of the heinous migrant criminals caught because of President
• 0:19
  Speaker 1: Donald J. Trump's leadership. I'm Christy nom the United States
• 0:23
  Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border
• 0:28
  Speaker 1: crossings are at the lowest levels ever recorded, and over
• 0:31
  Speaker 1: one hundred thousand illegal aliens have been arrested. If you
• 0:35
  Speaker 1: are here illegally, your next you will be fined nearly
• 0:39
  Speaker 1: one thousand dollars a day, imprisoned, and deported. You will
• 0:43
  Speaker 1: never return. But if you register using our CBP home
• 0:46
  Speaker 1: app and leave now, you could be allowed to return legally.
• 0:50
  Speaker 1: Do what's right. Leave now. Under President Trump, America's laws,
• 0:55
  Speaker 1: border and families will be protected.
• 0:57
  Speaker 2: Sponsored by the United States Department of Homeland Security.
• 1:00
  Speaker 3: Music is the hard part. We can talk about that
• 1:02
  Speaker 3: interested that's the hardest part. Is harder than getting Yeah,
• 1:05
  Speaker 3: musicians is the hardest part because they.
• 1:08
  Speaker 4: They come with the most baggage. It's real. It's real,
• 1:21
  Speaker 4: it's real. That's a fact. The most baggage nine times
• 1:25
  Speaker 4: out of ten.
• 1:25
  Speaker 3: You you can't go through them directly like a lot
• 1:30
  Speaker 3: of people we could just go through directly like I
• 1:32
  Speaker 3: need you here, all right.
• 1:34
  Speaker 4: Them you gotta talk.
• 1:35
  Speaker 3: To their manager, and then their manager's manager and then
• 1:37
  Speaker 3: they it's like the writers, and they don't know their schedule.
• 1:42
  Speaker 3: They might be on tour, they might not be on
• 1:44
  Speaker 3: like just give me an answer. They put you in
• 1:46
  Speaker 3: limbo for weeks at a time.
• 1:47
  Speaker 4: They don't get right now.
• 1:49
  Speaker 3: So the music, that's that's headaches, man. I mean some
• 1:56
  Speaker 3: musicians like shout out to Ross, He's that's easy.
• 2:00
  Speaker 4: You know what I'm saying. That good dude.
• 2:01
  Speaker 3: So it's not it's not every musician that is bad
• 2:05
  Speaker 3: like that, but a lot of them, a lot of them, man.
• 2:10
  Speaker 5: Unless so like Ross makes it easier because we've sat
• 2:13
  Speaker 5: down on him before, we interviewed him at him find
• 2:15
  Speaker 5: his event. We did it on as his liabilities, so
• 2:18
  Speaker 5: there's a relate. He knows who we are, right. Same
• 2:20
  Speaker 5: thing with Tip. We called Tip. It's gonna be an
• 2:23
  Speaker 5: easier call because wait, just wait on it.
• 2:29
  Speaker 6: Because I saw j Z's name, I was like, yeah,
• 2:31
  Speaker 6: I was thinking of all my favorite songs, and I
• 2:33
  Speaker 6: don't ever think I've seen him in concert, so this
• 2:37
  Speaker 6: is really giving me a chance to like see people
• 2:39
  Speaker 6: in That was my first time actually investments watching Rick
• 2:42
  Speaker 6: Wall perform and he's right in front of me, I said.
• 2:46
  Speaker 5: And was going to say, is the first time you
• 2:48
  Speaker 5: got to see me performed? But that was all performance
• 2:52
  Speaker 5: that was crazy above and beyond.
• 2:55
  Speaker 3: I mean like kiss Kiss. He did a great performance
• 2:57
  Speaker 3: for us at MSG Relationships. So it is beneficial to
• 3:02
  Speaker 3: book artists that are familiar with us. That makes it easier,
• 3:05
  Speaker 3: like we did Jim And at the Apollo. That's easy.
• 3:09
  Speaker 3: But yeah, you know these artists, man, they got a lot.
• 3:12
  Speaker 3: They got a lot.
• 3:13
  Speaker 4: Man.
• 3:13
  Speaker 3: If you know what's so crazy, you know it's so crazy.
• 3:15
  Speaker 3: So we've booked several different billionaires, right and from Dan
• 3:21
  Speaker 3: Cathy to Don pee Wos to Tyler Perry to Robert
• 3:26
  Speaker 3: Smith to Ditty as well, like novagrats, you know what's
• 3:32
  Speaker 3: so crazy, especially from the Well Diddy hasn't sent the
• 3:35
  Speaker 3: rider yet either, but we've never received the rider from
• 3:38
  Speaker 3: a billionaire.
• 3:40
  Speaker 5: Mm hmmm.
• 3:40
  Speaker 2: Yeah.
• 3:41
  Speaker 3: One Tyler Perry's rider was it was he won haircut
• 3:46
  Speaker 3: and simple as a minimal.
• 3:51
  Speaker 4: We never received any demands or crazy request from billionaires.
• 3:58
  Speaker 7: Dan Cathy, I'm talking about owner Chick fil A. He's
• 4:03
  Speaker 7: walking around but by himself. Want you into what a
• 4:08
  Speaker 7: name tag on.
• 4:09
  Speaker 3: But the craziness, what the crazy thing about it is
• 4:11
  Speaker 3: this is I don't know where this rider thing came from.
• 4:14
  Speaker 3: That's a musician, Maybe that's a that's a musician. But
• 4:17
  Speaker 3: I'm just saying it's like some things we just don't question.
• 4:19
  Speaker 3: Because I just thought about that today. I'm like, we
• 4:22
  Speaker 3: booked a bunch of people in business, entrepreneurs, athletes, whatever.
• 4:31
  Speaker 3: Why does why do musicians only have riders?
• 4:33
  Speaker 5: I think it's I think the origin comes from it's
• 4:36
  Speaker 5: from music, but it's what they would like to feel
• 4:39
  Speaker 5: comfortable when they get to a venue, which is all
• 4:41
  Speaker 5: I get it. But some of the things is like, yo,
• 4:43
  Speaker 5: twenty dollars champion, I'm not sure if that's gonna make
• 4:45
  Speaker 5: you feel comfortable if you're gonna be there for fifteen minutes,
• 4:47
  Speaker 5: you know what I'm saying. So like some of the things,
• 4:50
  Speaker 5: it's just like but.
• 4:51
  Speaker 3: The problem is that they get caddled to and so
• 4:54
  Speaker 3: a lot of a lot of them don't they don't.
• 4:56
  Speaker 4: They're not handling their own business.
• 4:58
  Speaker 3: So it's like, because like, really, just let's have a
• 5:01
  Speaker 3: two minute conversation about this, because I just thought about
• 5:03
  Speaker 3: this today. Why why is a rider needed if nobody
• 5:07
  Speaker 3: else has a rider? Right, what do you ever think
• 5:11
  Speaker 3: about that nobody else has a rider?
• 5:13
  Speaker 4: Right?
• 5:13
  Speaker 3: Like if Don Peeble doesn't have a ride, you come
• 5:16
  Speaker 3: to a venue, you're gonna be in the green room.
• 5:19
  Speaker 3: You can expect that there's gonna be food there for you.
• 5:21
  Speaker 3: There's gonna be water, there's gonna be juice, there's gonna beverage.
• 5:24
  Speaker 3: If you have a special request that you might have,
• 5:26
  Speaker 3: you might want, you know, a allowed male, then we
• 5:29
  Speaker 3: can accommodate that.
• 5:30
  Speaker 4: Right.
• 5:31
  Speaker 3: But I'm just curious to know why musicians are the
• 5:35
  Speaker 3: only people that have riders. And the riders are alcohol
• 5:42
  Speaker 3: at a tremendous amount of alcohol that.
• 5:44
  Speaker 4: You can't consume. So it's like if you have ten
• 5:47
  Speaker 4: bottles of.
• 5:47
  Speaker 6: Champagne, it's ridiculous, Like, who normalize this?
• 5:55
  Speaker 4: And I realized that it's from the nightclub.
• 5:57
  Speaker 3: Most of them these comes from nightclubs, right when they
• 6:00
  Speaker 3: just go to nightclub And it's like, but it's we
• 6:02
  Speaker 3: got to really start to think about this, Why are
• 6:05
  Speaker 3: we providing If we're paying you for a service, then
• 6:09
  Speaker 3: you should just be paid for a service. You shouldn't
• 6:12
  Speaker 3: be paid for a service and have fifteen dollars of
• 6:15
  Speaker 3: tequila at five o'clock in the afternoon. If you want
• 6:19
  Speaker 3: to buy tequila, then you buy tequila's check. I'm giving
• 6:23
  Speaker 3: your organic flavored this, and then you want your money
• 6:27
  Speaker 3: in cash. There's a variety of different things that make
• 6:30
  Speaker 3: this a lot more difficult dealing with musicians, which I
• 6:34
  Speaker 3: understand why, Like concert promots, they got a hard job
• 6:37
  Speaker 3: because now you got to deal with one hundred Like
• 6:39
  Speaker 3: you say, rolling Loud, they got to deal with one
• 6:41
  Speaker 3: hundred artists.
• 6:42
  Speaker 5: One hundred riders.
• 6:44
  Speaker 4: Imagine that.
• 6:47
  Speaker 5: And if you've got a hundred of them, now you
• 6:48
  Speaker 5: got to worry about the punctuality of it. That's another thing, right,
• 6:52
  Speaker 5: because the thing is like, now, yeah, I booked you
• 6:54
  Speaker 5: and you're supposed to be but now I need you
• 6:55
  Speaker 5: to be here on time.
• 6:56
  Speaker 4: They never come on time.
• 6:57
  Speaker 5: And if you're not on time, and some twelve thousand
• 7:01
  Speaker 5: people got a way for you to be there for
• 7:02
  Speaker 5: twenty thousands, you know.
• 7:03
  Speaker 4: What I'm saying.
• 7:04
  Speaker 3: So it's like it's just it's it's I'm concerned because
• 7:07
  Speaker 3: it's like this has become normalized and it's just past
• 7:10
  Speaker 3: it's normal.
• 7:10
  Speaker 4: It's normal for a rappers.
• 7:12
  Speaker 3: You gotta tell a rapper to come two hours early
• 7:13
  Speaker 3: because you know he's gonna come at least an hour
• 7:15
  Speaker 3: and a half late.
• 7:17
  Speaker 4: But nobody ever questions that. Nobody else does that.
• 7:20
  Speaker 8: I like the fact that you guys are like even
• 7:22
  Speaker 8: right now, educating on it and really challenging the system,
• 7:25
  Speaker 8: because I think as you're talking about it, I'm like, Yo,
• 7:28
  Speaker 8: this is real.
• 7:30
  Speaker 4: Maybe you had to put extra time on your thing.
• 7:32
  Speaker 5: Nobody we kept running your time, but you had to
• 7:34
  Speaker 5: put me in time. You thought you was stripping out,
• 7:36
  Speaker 5: And I'm like, yo, Dave, we just I was like, y'all,
• 7:38
  Speaker 5: I know I saw that clock. It's aid five minutes.
• 7:40
  Speaker 5: Did it jump in fifteen? And then it got down
• 7:42
  Speaker 5: to seven and we put it back to twelve, And
• 7:44
  Speaker 5: you're like, that.
• 7:45
  Speaker 4: Was what we want.
• 7:46
  Speaker 3: Some times sho shout out the fab good dude. He's
• 7:49
  Speaker 3: actually a great dude, but it is what it is.
• 7:51
  Speaker 4: He's earnest. What's up.
• 7:54
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• 7:57
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• 9:43
  Speaker 1: An illegal alien from Guatemala charged with raping a child
• 9:47
  Speaker 1: in Massachusetts. An MS thirteen gang member from El Salvador
• 9:51
  Speaker 1: accused of murdering a Texas. Man of Venezuelan charged with
• 9:55
  Speaker 1: filming and selling child pornography in Michigan. These are just
• 9:59
  Speaker 1: some of the heinous migrant criminals caught because of President
• 10:03
  Speaker 1: Donald J. Trump's leadership. I'm Christy Noman, the United States
• 10:07
  Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border
• 10:11
  Speaker 1: crossings are at the lowest levels ever recorded, and over
• 10:15
  Speaker 1: one hundred thousand illegal aliens have been arrested. If you
• 10:18
  Speaker 1: are here illegally, your next you will be fine nearly
• 10:22
  Speaker 1: one thousand dollars a day. Imprisoned and deported, you will
• 10:26
  Speaker 1: never return. But if you register using our CBP home
• 10:30
  Speaker 1: app and leave now, you could be allowed to return legally.
• 10:34
  Speaker 1: Do what's right. Leave now. Under President Trump America's laws,
• 10:39
  Speaker 1: border and families will be protected.
• 10:41
  Speaker 2: Sponsored by the United States Department of Homeland Security.
• 10:43
  Speaker 4: Three hours late on five o'clock on a Sunday, So
• 10:48
  Speaker 4: we're stalling.
• 10:50
  Speaker 3: Literally, when he got there, we put the microphone, gave
• 10:54
  Speaker 3: him the money, they counted it.
• 10:56
  Speaker 2: He cats.
• 10:57
  Speaker 3: He walked on stage and performed like cash Kid Cash,
• 11:02
  Speaker 3: so we cash. We literally like we're going back and
• 11:05
  Speaker 3: forth with like where you're at, where you're at, da
• 11:07
  Speaker 3: da dada, Like they like five minutes away, pulling half
• 11:09
  Speaker 3: an hour later, five minutes away, half an hour of
• 11:11
  Speaker 3: five minutes away, yours on stage.
• 11:13
  Speaker 5: They spent thirty minutes they said, we were on the grounds.
• 11:17
  Speaker 5: I'll say, they said, building B. We're trying to find it,
• 11:20
  Speaker 5: twenty five minutes.
• 11:21
  Speaker 3: I'm like, you know, it's like put more time on.
• 11:23
  Speaker 3: Put fifteen minutes on, keep it on, put another fifteen
• 11:26
  Speaker 3: minutes on. We got to keep adding time.
• 11:28
  Speaker 5: We gave you the ord after that Hey man, I
• 11:31
  Speaker 5: got it.
• 11:31
  Speaker 4: Hey listen.
• 11:32
  Speaker 8: If it was paying all right before any artists, okay,
• 11:34
  Speaker 8: I'll hand it working.
• 11:35
  Speaker 4: For that, we would have been I don't know what
• 11:38
  Speaker 4: we would have done that the DJ would have been playing,
• 11:41
  Speaker 4: but there was.
• 11:41
  Speaker 3: No other program that was the last thing of the day,
• 11:43
  Speaker 3: so we would have just had to just fit thirty
• 11:46
  Speaker 3: minutes of just nothing, a hour of nothing.
• 11:48
  Speaker 5: We were then swag serving for thirty.
• 11:55
  Speaker 4: You guys are really like, this is this death? Why
• 11:57
  Speaker 4: you got to give artists that.
• 11:59
  Speaker 3: Joe Fat Shoe really really impressed me when we interviewed
• 12:03
  Speaker 3: him in Miami. He impressed me for a few different reasons.
• 12:07
  Speaker 3: So we had him and we had master P right after.
• 12:09
  Speaker 3: I think he was at the master People, So we
• 12:11
  Speaker 3: did Fat Joe before we did master P. The interview,
• 12:13
  Speaker 3: let's say, was at like two o'clock, right, so we
• 12:16
  Speaker 3: we spaced it where it was like master P. We'll
• 12:18
  Speaker 3: do master P at six because we know the interviews
• 12:22
  Speaker 3: at two. He's not going to come till three, because
• 12:24
  Speaker 3: we just think he's just a rapper. A he comes
• 12:27
  Speaker 3: at one fifty five, and B he came by himself.
• 12:34
  Speaker 3: That's another thing.
• 12:36
  Speaker 4: These dudes be coming with thirty people, twenty five people,
• 12:40
  Speaker 4: and you got it's crazy.
• 12:43
  Speaker 3: Everybody's smoking and it's it's not even the place to
• 12:48
  Speaker 3: smoke necessarily, Like you know what I'm saying, there's a
• 12:50
  Speaker 3: time and place for everything.
• 12:52
  Speaker 5: It was crazy, like the joke stoways crazy because they're calling.
• 12:55
  Speaker 5: I'm calling on the phone like you always. Yeah, I'm
• 12:57
  Speaker 5: looking for an entourage. They said, no, he's in that
• 12:59
  Speaker 5: car right, he's about to get out. I look, it's
• 13:02
  Speaker 5: just him. I'm like, we have to and that's impressive.
• 13:05
  Speaker 4: Just him, and he had like three hundred thousand works
• 13:07
  Speaker 4: for Jelly on.
• 13:08
  Speaker 5: Well, I was gonna leave that part out, but he said, yeah,
• 13:11
  Speaker 5: I mean that's the movie. It was just like it
• 13:13
  Speaker 5: was just him. He came through the interview, he showed
• 13:15
  Speaker 5: love and that was it. And again relationship. So if
• 13:18
  Speaker 5: we ever had to call on Joe, it's like, all right,
• 13:19
  Speaker 5: well he knows who we are.
• 13:20
  Speaker 3: I've never seen that before whatever, I've never He's the
• 13:22
  Speaker 3: only person I've ever seen a rapper that that came.
• 13:25
  Speaker 3: He really came by himself. Kiss came on time to
• 13:27
  Speaker 3: shout to kiss. Kiss came by himself. He came on time,
• 13:29
  Speaker 3: but he didn't come by himself. He came by himself.
• 13:33
  Speaker 3: That was impressive.
• 13:35
  Speaker 8: I like that we're having this conversation because it's educational too,
• 13:37
  Speaker 8: and our culture needs like shaping right these conversations.
• 13:42
  Speaker 4: It's correction what I'm saying. It's not it's not meant
• 13:44
  Speaker 4: to to.
• 13:46
  Speaker 3: Bash anybody, but if we if we don't correct these
• 13:49
  Speaker 3: these things, then we start to normalize dysfunction. And it's
• 13:54
  Speaker 3: like I feel like we have a voice, we have
• 13:56
  Speaker 3: a platform, and we have credibility and straight like we
• 13:58
  Speaker 3: are hip hop. So it's like this, this is a
• 14:00
  Speaker 3: family conversation. So it's like we have to correct these
• 14:04
  Speaker 3: things because it leads to be it leads to getting
• 14:09
  Speaker 3: taken advantage of, It leads to not knowing doing bad business.
• 14:12
  Speaker 4: Because how you do one thing, it's how you do everything.
• 14:14
  Speaker 3: So if you don't, if you're not on top of it,
• 14:16
  Speaker 3: if you lay, if you always hi, if you got
• 14:18
  Speaker 3: a million people around you, these are.
• 14:20
  Speaker 4: Formulas for disaster.
• 14:23
  Speaker 3: So it's like this is a bigger conversation, but the
• 14:26
  Speaker 3: artists need to understand it.
• 14:28
  Speaker 4: And it's not this artist like Larussell like this.
• 14:30
  Speaker 3: There's a new generation of artists that are changing that mold.
• 14:35
  Speaker 4: But it needs to be done more on a wider scale.
• 14:38
  Speaker 3: So it's like, this is a this is a formula
• 14:40
  Speaker 3: that record labels have put in place for artists. And
• 14:44
  Speaker 3: they give you a manager, and they give you a
• 14:47
  Speaker 3: styllus and they and they give you a rider. You
• 14:50
  Speaker 3: don't even know you you don't know why you're doing
• 14:54
  Speaker 3: these things. It's just been told to you. Like you
• 14:55
  Speaker 3: know what I'm saying, like, this is what you're supposed
• 14:57
  Speaker 3: to do. This is what this is what we're going
• 14:58
  Speaker 3: to negotiate for you. This is what you get. You
• 15:00
  Speaker 3: come to the club late. They tell him, like, you
• 15:02
  Speaker 3: come to the club late, fashionably late. You know I'm
• 15:05
  Speaker 3: at two o'clock. That's coming two o'clock. These are things.
• 15:10
  Speaker 3: This is not honest real So this is how they're
• 15:13
  Speaker 3: being educated. So, like I said, how you do everything,
• 15:15
  Speaker 3: how you do one thing, how you do everything. So
• 15:17
  Speaker 3: if you if you're told don't come to the club
• 15:19
  Speaker 3: until one thirty, then you're thinking, I'm supposed to be late.
• 15:23
  Speaker 3: So it's a business event. I'm supposed to be late.
• 15:26
  Speaker 4: You just you.
• 15:27
  Speaker 3: Automatically think that late is on time because I'm an
• 15:30
  Speaker 3: artist and I can't come on time. But the crazy
• 15:33
  Speaker 3: thing is when we interview Robert Smith, who's the richest
• 15:36
  Speaker 3: black person in American history. It was on a Friday
• 15:39
  Speaker 3: at seven o'clock in the morning at and he came
• 15:44
  Speaker 3: at six point fifty.
• 15:46
  Speaker 4: You know what I'm saying.
• 15:47
  Speaker 3: So am So it's like, this is a person that's
• 15:50
  Speaker 3: up eight billion dollars and he's up with a three
• 15:53
  Speaker 3: piece suit on early, you know what I'm saying. So
• 15:57
  Speaker 3: it's like, these are the kind of things. Never asks
• 15:59
  Speaker 3: for a shot at tequila. You're drinking cough.
• 16:02
  Speaker 5: Now, that's it.
• 16:03
  Speaker 4: That's the request. That's the rider. Give me some coffee.
• 16:05
  Speaker 5: Like that happens. Like you see like a lot of
• 16:08
  Speaker 5: these artists who have longevity, Like we just saw Lula.
• 16:11
  Speaker 5: He's on tour of Agenda. Right. There's like this thing
• 16:13
  Speaker 5: going around like, yo, don't show up late to the show.
• 16:16
  Speaker 5: They're going on on time. It's like, yeah, they are
• 16:20
  Speaker 5: if you show up at seven forty five. He's on
• 16:22
  Speaker 5: the stage at seven forty five in one second because
• 16:25
  Speaker 5: he understands the value of his time, but he understands
• 16:27
  Speaker 5: the value of everybody else's time too. You paid for
• 16:29
  Speaker 5: a service. I'm here to entertain. I don't want to
• 16:31
  Speaker 5: have you sitting here for two hours waiting for me
• 16:33
  Speaker 5: to come out, and ja, it's gonna be on clockwork too,
• 16:36
  Speaker 5: And so they understand it, but they longe they have
• 16:39
  Speaker 5: longevity in the space, right and so like, if he's
• 16:41
  Speaker 5: set in that trend and nobody's following it and nobody's
• 16:44
  Speaker 5: bringing awareness to it, does it ever change? You know
• 16:47
  Speaker 5: what I mean?
• 16:49
  Speaker 8: This is important and all the people that are like coming,
• 16:53
  Speaker 8: they're gonna come enjoy the show, but have no idea
• 16:56
  Speaker 8: that you guys, from this conversation, you're teaching from the stage,
• 17:01
  Speaker 8: but you're also teaching behind the scenes, like you're teaching,
• 17:06
  Speaker 8: like you're teaching the artists how to operate. And nobody
• 17:08
  Speaker 8: would ever think that before this moment, you know what
• 17:10
  Speaker 8: I mean that I'm sure there's certain conversations that you
• 17:13
  Speaker 8: have to have, like Yo, I'm gonna need you on time.
• 17:16
  Speaker 4: Or you just jump you tell them two hours early.
• 17:19
  Speaker 3: You do different than you do different tactics to kind of,
• 17:21
  Speaker 3: you know, ensure that you don't get rude, because ultimately
• 17:26
  Speaker 3: it's not in your best interest for somebody to be late.
• 17:28
  Speaker 3: So you got to have certain incentives of certain different
• 17:30
  Speaker 3: things in the nature. So you kind of learned that early,
• 17:32
  Speaker 3: like when you learn called artists. This is how I
• 17:33
  Speaker 3: got told them this I they handled this person.
• 17:35
  Speaker 1: An illegal alien from Guatemala charged with raping a child
• 17:39
  Speaker 1: in Massachusetts. An MS thirteen gang member from El Salvador
• 17:43
  Speaker 1: accused of murdering a Texas man of Venezuelan charged with
• 17:47
  Speaker 1: filming and selling child pornography in Michigan. These are just
• 17:51
  Speaker 1: some of the heinous migrant criminals caught because of President
• 17:55
  Speaker 1: Donald J. Trump's leadership. I'm Christine Noman, the United States
• 17:59
  Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border
• 18:04
  Speaker 1: crossings are at the lowest levels ever recorded, and over
• 18:07
  Speaker 1: one hundred thousand illegal aliens have been arrested. If you
• 18:10
  Speaker 1: are here illegally, your next you will be fine nearly
• 18:14
  Speaker 1: one thousand dollars a day, imprisoned and deported, you will
• 18:18
  Speaker 1: never return. But if you register using our CBP home
• 18:22
  Speaker 1: app and leave now, you could be allowed to return legally.
• 18:26
  Speaker 1: Do what's right. Leave now. Under President Trump, America's laws,
• 18:31
  Speaker 1: border and families.
• 18:32
  Speaker 2: Will be protected. Sponsored by the United States Department of
• 18:35
  Speaker 2: Homeland Security,