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Is Carol The New Karen??? (Pluribus Mid-Season Review) · For All Nerds Show

• 0:00
  Speaker 1: Maybe you won't ever get to write a Batman comic.
• 0:03
  Speaker 1: I will. You know you're gonna have to write your
• 0:06
  Speaker 1: own Batman.
• 0:07
  Speaker 2: No, what about the people that say life dream?
• 0:22
  Speaker 1: And what's up? Y'all?
• 0:23
  Speaker 3: Welcome to another episode of the four All Nerds Show.
• 0:26
  Speaker 3: It's your Boy, DJ Ben I Mean aka Slade, Trillsen,
• 0:30
  Speaker 3: Doctor Hugo, Stranger Things.
• 0:33
  Speaker 1: Edward Ningma please past.
• 0:35
  Speaker 3: Catch the Soldier seventy splip, I can't as always off
• 0:42
  Speaker 3: here in the spaceship, and.
• 0:44
  Speaker 4: I'm joined by Tatiana King dy Grant that is a
• 0:47
  Speaker 4: tech also known as flex Luthor, Gucci Man, Thealian Lambo
• 0:52
  Speaker 4: col Risian Tajalla Bread, Tatiana Kang, the Conkra, The Ting
• 0:56
  Speaker 4: of the North, and Dark Chocolate Phoenix.
• 0:59
  Speaker 1: Yeah.
• 0:59
  Speaker 3: What up, folks, it's fall Nerds Show. It's near the
• 1:03
  Speaker 3: end of the darn near the end of the year.
• 1:05
  Speaker 1: Because damn, it's not a curse. You're right, Okay, I'm
• 1:08
  Speaker 1: good on that one.
• 1:09
  Speaker 3: Thanks hopefully you know, oh man, you know we're back.
• 1:15
  Speaker 1: Yeah.
• 1:15
  Speaker 3: I hope everyone is doing great out there for real.
• 1:17
  Speaker 3: Hope everyone is having a beautiful into your year. I've
• 1:21
  Speaker 3: been doing pretty good. I think twenty twenty centsy to
• 1:24
  Speaker 3: be really crazy for your boy and for fall nerds
• 1:26
  Speaker 3: in general though, So I'm.
• 1:28
  Speaker 1: Really hyped for it, you know what I mean? Eight right, Yeah,
• 1:31
  Speaker 1: that's the eight number. No.
• 1:32
  Speaker 3: Ten, twenty twenty six, that's ten, so oh yeah one yeah,
• 1:37
  Speaker 3: so it's basically one in numerology. So it's a start
• 1:40
  Speaker 3: of a new cycle.
• 1:41
  Speaker 4: Oh I see, yes, there we go.
• 1:43
  Speaker 1: Okay, that feels really good.
• 1:44
  Speaker 3: Feels really good, you know what I mean, little numbers,
• 1:47
  Speaker 3: a little knowledge for the people that are out there.
• 1:49
  Speaker 1: How are you doing, Tadwannah?
• 1:51
  Speaker 4: Not bad, not bad to getting, like you said, just
• 1:53
  Speaker 4: gearing up from the new year, planning a lot for
• 1:58
  Speaker 4: especially the next few months, just when it comes to
• 2:00
  Speaker 4: for all nerds, when it comes to myself, just make
• 2:03
  Speaker 4: sure that I'm prepared for life. Yes, I understand. I
• 2:07
  Speaker 4: know that's what everyone's trying to do right now, especially
• 2:09
  Speaker 4: in the times that we're living in. So, you know,
• 2:12
  Speaker 4: I do things to try to take my mind off
• 2:14
  Speaker 4: of the bullshit that's happening.
• 2:17
  Speaker 1: What we're here for.
• 2:18
  Speaker 4: Yeah, you know, reading a lot, you know, doing a
• 2:22
  Speaker 4: lot of research.
• 2:23
  Speaker 1: Yeah too, you have what you've been researching?
• 2:26
  Speaker 3: Well, I've been reading and I finally hop back up
• 2:30
  Speaker 3: all my dual lingo of course, oh good, Yeah, I've.
• 2:32
  Speaker 2: Been doing it. I'm on my well. When I say
• 2:35
  Speaker 2: been doing, I mean I started this year.
• 2:37
  Speaker 1: Yeah better, I know your street's been going.
• 2:38
  Speaker 4: So I'm on two fifty six, so way, I need
• 2:40
  Speaker 4: to add you as a friends. I can get some
• 2:41
  Speaker 4: extra points, man.
• 2:42
  Speaker 1: Most definitely you do. Let's do it.
• 2:44
  Speaker 3: Okay, good, yep, I'm on there. Anyone else hit me up,
• 2:46
  Speaker 3: dual lingo. I'm getting my inexpaniol back on.
• 2:49
  Speaker 1: You know what I mean? Very good, very And let's see,
• 2:52
  Speaker 1: I've been reading. I was reading A. Z Way's book
• 2:55
  Speaker 1: Black Friend for.
• 2:55
  Speaker 3: Everybody watching us on for our nerds right now, you
• 2:58
  Speaker 3: know YouTube you can peep the book in my hand.
• 3:00
  Speaker 3: Z Way the Legend. This is a book of her essays.
• 3:04
  Speaker 3: And I've also been reading Tony Morrison The Source of
• 3:08
  Speaker 3: Self Regard, a book of her essays.
• 3:11
  Speaker 1: I've got Tony and z Way right there. You know,
• 3:14
  Speaker 1: very good. I love that. Yeah.
• 3:17
  Speaker 4: I'm on the opposite side of especially I'm reading things
• 3:19
  Speaker 4: like scientific journals about and stuff like that, like about
• 3:22
  Speaker 4: ways to better myself on health perspective, nutrition perspective, stuff
• 3:25
  Speaker 4: like that.
• 3:26
  Speaker 1: So as you should be.
• 3:28
  Speaker 3: Yeah, especially in these days and times that we are
• 3:32
  Speaker 3: all living in.
• 3:33
  Speaker 4: Excellent, excellent, excellent.
• 3:35
  Speaker 3: Excellent, party time, Party time? Man, what else is doing on?
• 3:41
  Speaker 3: There's something else that I wanted to talk about.
• 3:43
  Speaker 1: Yeah, real quick.
• 3:44
  Speaker 3: People were asking me was I high during the last
• 3:47
  Speaker 3: episode of for o Nerds when we were reviewing Stranger Things,
• 3:51
  Speaker 3: and I messed up a bunch of you loaded question.
• 3:54
  Speaker 3: First of all, yeah, why you ask me? You know
• 3:56
  Speaker 3: why you're in my business? First of all, you are
• 3:58
  Speaker 3: mining business. Second of all, yes, yes.
• 4:01
  Speaker 1: Third of all these white people in.
• 4:04
  Speaker 3: Their names, it's like Eddie, Max, Will, Grace, No, nobody's
• 4:09
  Speaker 3: name Grace, I know, I don't know Henderson, Hendrickson, I
• 4:15
  Speaker 3: don't know. I think they're basic ass names. Even the
• 4:18
  Speaker 3: black dude is named Lucas. It's like, come on, fan,
• 4:20
  Speaker 3: you want me to, you know, differentiate them.
• 4:23
  Speaker 4: I think at the end of the day, y'all knew
• 4:25
  Speaker 4: who he was talking about.
• 4:26
  Speaker 1: They did, and they but they just wanted to sit there.
• 4:28
  Speaker 1: I mean, that's it.
• 4:29
  Speaker 3: They all knew what I was talking about. But then
• 4:30
  Speaker 3: they're all like, why is he talking about Max's brother?
• 4:33
  Speaker 3: Because Max's brothers Eddie. I think it is. I still
• 4:37
  Speaker 3: don't know or really can.
• 4:38
  Speaker 2: I And as said, I couldn't help it.
• 4:40
  Speaker 4: I wasn't gonna catch you or anything because I know
• 4:41
  Speaker 4: I don't watch the show.
• 4:42
  Speaker 3: So anyway, that being the point, y'all know what I
• 4:47
  Speaker 3: was talking about. But thank you for all the comments
• 4:49
  Speaker 3: either way. I love it either way, you know, bringing
• 4:52
  Speaker 3: the heat when I mess up, you know whatever.
• 4:54
  Speaker 4: First of all, for those who never been here, never
• 4:57
  Speaker 4: had I never been nowhere. This is the butcher of names.
• 5:00
  Speaker 4: He has been the guy, this, the guy, this guy.
• 5:04
  Speaker 1: For yeah, I guess this happens.
• 5:06
  Speaker 2: It's just what he does.
• 5:07
  Speaker 4: And also like even I do it at times, like
• 5:10
  Speaker 4: half the time, I do it on perfect because I
• 5:12
  Speaker 4: don't care and don't well actually me, but like cause
• 5:16
  Speaker 4: especially when you know that I know that, you know
• 5:19
  Speaker 4: that I know who I'm talking about, so.
• 5:22
  Speaker 3: And it's like we care about the deeper thing of it,
• 5:24
  Speaker 3: you know, you know, like no one of random I'm sorry,
• 5:27
  Speaker 3: but most no they're not random. But you know what
• 5:29
  Speaker 3: I mean when you have to keep track of all
• 5:31
  Speaker 3: these different characters plus everything else going on in life,
• 5:33
  Speaker 3: like I'm just keeping track of a major storylines, how
• 5:36
  Speaker 3: I feel about things, et cetera, et cetera. Like names,
• 5:39
  Speaker 3: I'm sorry and I don't. We don't sit there and
• 5:41
  Speaker 3: go to Google, et cetera. You know we're just talking
• 5:43
  Speaker 3: straight to you.
• 5:44
  Speaker 4: I mean yeah, like sometimes it just comes off the dome, right.
• 5:47
  Speaker 4: We don't have time to just run into things. So,
• 5:48
  Speaker 4: like I said, I do understand, you know, beloved characters,
• 5:51
  Speaker 4: beloved series, you want people want us to get it
• 5:53
  Speaker 4: right understood.
• 5:54
  Speaker 2: Also know what I'm saying.
• 5:59
  Speaker 4: You know, if we and what happened, like that happened
• 6:01
  Speaker 4: to me where I'll say a wrong name or something
• 6:02
  Speaker 4: and then maybe ten minutes later I'll catch it myself.
• 6:05
  Speaker 4: I don't know if anybody knows, I'll try to correct it.
• 6:06
  Speaker 4: But if I don't, I don't you know what I
• 6:08
  Speaker 4: mean to stay still valid? Like if I if I'm
• 6:12
  Speaker 4: still valid in my expression, then you know I messed
• 6:16
  Speaker 4: up on a name? Who cares? My favorite I use
• 6:18
  Speaker 4: I use descriptions of the person I'd be, like that
• 6:21
  Speaker 4: nigga with the red shirt, the one I always with,
• 6:23
  Speaker 4: the high time faid like you know what I'm talking about.
• 6:26
  Speaker 3: There is the woe with a terrible faith, the one
• 6:28
  Speaker 3: who got his ass beat, the two who are in
• 6:30
  Speaker 3: love with each other.
• 6:31
  Speaker 1: But they're not Nancy, who needs to ditch the mother to.
• 6:36
  Speaker 2: Suckers or remember Nancy's name? Yeah, because many of Nancy there, right, Yeah,
• 6:41
  Speaker 2: because she you.
• 6:42
  Speaker 3: Know, because I know she needs to ditch the mother
• 6:44
  Speaker 3: two suckers, Steve and I think Johnathan, I think listen.
• 6:51
  Speaker 2: I can't help you with that.
• 6:52
  Speaker 1: Yeah, I can't wait. I can't lie.
• 6:57
  Speaker 3: I cannot wait for the last few episodes of Stranger Things.
• 6:59
  Speaker 3: Will be back to review him of course Christmas Day
• 7:04
  Speaker 3: and then December thirty first, so.
• 7:07
  Speaker 1: We will be here for both of those and I
• 7:09
  Speaker 1: can't wait. Man, I can't lie. They got me. I'm
• 7:11
  Speaker 1: hype suld be good. We'll see what's going on.
• 7:16
  Speaker 4: So though, although I am not watching that show, and
• 7:19
  Speaker 4: I might jump back on the bandwagon, but I mean
• 7:21
  Speaker 4: it's trying to force me to get back on the Yeah,
• 7:25
  Speaker 4: I don't know, man. There's other stuff that has in
• 7:27
  Speaker 4: my attention right now, Pluribus being one of them. Very
• 7:32
  Speaker 4: very Vince Gillian Gill again, Gillian Gilli, he's valid.
• 7:38
  Speaker 2: I got a long time now.
• 7:41
  Speaker 3: Yeah, for for a long time now, I said. I
• 7:44
  Speaker 3: think he goes back to X files and anything. I
• 7:46
  Speaker 3: know he had stuff before breaking bad like most showrunners do.
• 7:49
  Speaker 3: There worked on other shows, you know, previous to running
• 7:52
  Speaker 3: the show themselves, but most people know him for Breaking
• 7:56
  Speaker 3: Bad and Better call Saul and now for Pluribus.
• 8:01
  Speaker 4: We many weeks ago we just talked in general about
• 8:06
  Speaker 4: the series, and I think like since now we've caught
• 8:09
  Speaker 4: we we've watched all the episodes, we caught up, we
• 8:11
  Speaker 4: know what's going on. I know we're going to have
• 8:12
  Speaker 4: more specific conversation about it.
• 8:14
  Speaker 2: Probably could talk about.
• 8:15
  Speaker 4: It now, and also like just you know, just different
• 8:19
  Speaker 4: things about like how you feel about the stories, certain characters,
• 8:22
  Speaker 4: things that have been going on in general.
• 8:25
  Speaker 2: Like I said, we both love the show. We both
• 8:27
  Speaker 2: love how it was.
• 8:28
  Speaker 4: Developer is developing about the premise of the story. For
• 8:31
  Speaker 4: those who don't know, you know, one day, basically, how
• 8:37
  Speaker 4: do I say this in a way that anyone, regardless
• 8:39
  Speaker 4: of the fantom can understand.
• 8:41
  Speaker 3: One day, an alien virus takes over nine point all
• 8:48
  Speaker 3: of humanities, just.
• 8:50
  Speaker 4: About all of humanity, I mean every billion except for
• 8:53
  Speaker 4: twelve people, yes, for.
• 8:54
  Speaker 3: Twelve, thirteen, fourteen, whoever man and people less than twenty
• 8:58
  Speaker 3: less than twenty. Yeah, all of humanity is now occupied
• 9:03
  Speaker 3: by a hive mind that communicates telepathically with each other
• 9:07
  Speaker 3: and is basically about peace and happiness. All of humanity
• 9:11
  Speaker 3: is now united under a hive mind of happiness.
• 9:16
  Speaker 1: Correct and for our hero, our.
• 9:20
  Speaker 2: Hero when depending on who you talk to, because I.
• 9:23
  Speaker 4: Like the the prevailing conversation, I raise my hand. The
• 9:27
  Speaker 4: prevailing conversation is lots of black people with people of
• 9:30
  Speaker 4: color don't really fuck with her, wow, for reasons, for reasons,
• 9:34
  Speaker 4: while you know, white people love her.
• 9:35
  Speaker 2: And we'll get to that in a second.
• 9:37
  Speaker 1: But but they I hope not, because God.
• 9:40
  Speaker 4: That's actually you go on TikTok, that's actually the prevailing
• 9:42
  Speaker 4: conversation right now.
• 9:45
  Speaker 2: And I guessaid, well, we'll talk a little bit about that.
• 9:47
  Speaker 4: But like to Ben, I mean's point, that's the premise
• 9:49
  Speaker 4: of the series, and it's it's so interesting because it
• 9:53
  Speaker 4: forces you to even question your own judgment about like
• 9:57
  Speaker 4: if that happened to you, how would you react? Like
• 10:00
  Speaker 4: would you because as mentioned, these this alien their hive mind.
• 10:05
  Speaker 4: I say there, I mean generally all of humanity except
• 10:07
  Speaker 4: for the less than twenty people are linked. They refer
• 10:11
  Speaker 4: to themselves as we There are no individuals, There isn't
• 10:14
  Speaker 4: an individual thought. They know everything that could have to
• 10:18
  Speaker 4: be known from humanity of every time, everywhere.
• 10:22
  Speaker 1: Of everywhere that's alive at this moment.
• 10:24
  Speaker 4: And whatever knowledge that they've harbored up until this moment.
• 10:28
  Speaker 2: So could you know, mad old people who have knowledge right?
• 10:31
  Speaker 4: So everything right, everything a lot of so little like
• 10:35
  Speaker 4: these people's is walking, Google's right, walk.
• 10:38
  Speaker 2: In their eyes walking everything right.
• 10:40
  Speaker 4: They they could walk.
• 10:41
  Speaker 3: In karate masters walking at any point times child can.
• 10:47
  Speaker 4: Assume any identity generally like they could because they could.
• 10:51
  Speaker 4: It's like the matrix, right, they could tap into any
• 10:53
  Speaker 4: piece of information, any skill set, generally right within their
• 10:56
  Speaker 4: physical Ok. Bilion know, we don't even know if that's
• 10:59
  Speaker 4: the true. Maybe the the people you don't think how
• 11:01
  Speaker 4: the physical caper they can do it now, I don't know.
• 11:03
  Speaker 4: But the point is you have this and they're all
• 11:08
  Speaker 4: positive and nice and anything we can do for you
• 11:11
  Speaker 4: will bend over backwards to make you happy.
• 11:13
  Speaker 2: That's how they move.
• 11:14
  Speaker 4: And the main character, Carol, the White Lady, she is
• 11:18
  Speaker 4: the anticitus of that. She's like, fuck this, I'm an individual,
• 11:23
  Speaker 4: I will retain my individuality. I need to reverse this situation.
• 11:26
  Speaker 4: This is not good. She's miserable and it wasn't miserable
• 11:30
  Speaker 4: even before all this happened.
• 11:31
  Speaker 3: Yes, that is a major point you just made right there. Yes,
• 11:35
  Speaker 3: yes she was already miserable, And like you said, I
• 11:37
  Speaker 3: really do like how it does challenge people to think
• 11:42
  Speaker 3: about what you would do in such a situation. It's
• 11:44
  Speaker 3: a different type of apocalyptic scenario than we've seen most times,
• 11:49
  Speaker 3: where the apocalypse is the end of humanity in a way.
• 11:54
  Speaker 3: This is the end of humanity in a different way.
• 11:56
  Speaker 3: But it's like usually we see it through destruction, while
• 11:59
  Speaker 3: this is basically upliftment, and it's I've distrusted before. When
• 12:03
  Speaker 3: you've read a lot of comic books, a lot of
• 12:05
  Speaker 3: sci fi, et cetera. This is a type of idea
• 12:07
  Speaker 3: that's been brought up many a time and a lot
• 12:10
  Speaker 3: of stories about mutants. They always talk about mutants will
• 12:13
  Speaker 3: evolve and evolve and eventually they'll get to this level
• 12:16
  Speaker 3: or even the eternals have a hive mind type situation
• 12:20
  Speaker 3: when they need to. I think the inhumans do as well.
• 12:23
  Speaker 3: So this is something that's been thought of, but what
• 12:26
  Speaker 3: I've I've never seen it where it's something like this
• 12:28
  Speaker 3: where the hive mind has basically won up till right now.
• 12:33
  Speaker 3: You know normally quickly or even if I mean the
• 12:36
  Speaker 3: eternals is something like where they can assume the hive
• 12:39
  Speaker 3: mind and they don't have to assume you know, it's
• 12:40
  Speaker 3: like you know, it's useful to them. Yeah, this is
• 12:43
  Speaker 3: something where at least for our protagonists, it's we're.
• 12:47
  Speaker 1: Not she's not feeling it.
• 12:49
  Speaker 3: Yeah, but like you said, the whole white man, I
• 12:51
  Speaker 3: mean white women. Think it's quite interesting because we also
• 12:54
  Speaker 3: see in the latest episode and since the beginning, not
• 12:57
  Speaker 3: even all the people of color are being altruistic about it.
• 13:01
  Speaker 3: Some of them out for self and just using this,
• 13:04
  Speaker 3: you know, like whatever, which.
• 13:06
  Speaker 4: As a person I don't. And also, as I told you,
• 13:09
  Speaker 4: if I got Superhouse, I would be a villainy that
• 13:11
  Speaker 4: type of character, as a chaotic good type person. I
• 13:15
  Speaker 4: understand you've lived your life in a particular way where
• 13:20
  Speaker 4: you may or may not have that access to this stuff.
• 13:22
  Speaker 4: You could have struggled, or you could have just been
• 13:24
  Speaker 4: like I figure, I'm middle class, right, I just I'm not.
• 13:28
  Speaker 4: I'm not out there starving. I'm also not living wearing
• 13:32
  Speaker 4: Gucci all day.
• 13:33
  Speaker 1: Right, So so now it's time for guccis.
• 13:35
  Speaker 2: It's time for Gucci.
• 13:38
  Speaker 1: Now it's my latest outfit.
• 13:42
  Speaker 4: At this point, it's all gifts, donations the long end,
• 13:49
  Speaker 4: so listen. As mentioned, Carol Caro has been miserable before.
• 13:55
  Speaker 4: Like she she was this famous like fiction a you know,
• 13:58
  Speaker 4: the when I write those trashy romance and she had
• 14:01
  Speaker 4: mad fans, people fucked with her, women and her every
• 14:04
  Speaker 4: beck and called men too. I think some men just
• 14:06
  Speaker 4: people have every beck and call like like feeling her
• 14:09
  Speaker 4: art right because at the end of the day, regardless
• 14:10
  Speaker 4: of whether you thought of trashy, it was still a.
• 14:11
  Speaker 1: Form of art.
• 14:13
  Speaker 2: And she thought what that shit was was trash.
• 14:15
  Speaker 1: She thought.
• 14:16
  Speaker 4: She was like, I can't believe people like this shit.
• 14:18
  Speaker 4: She would just write any fucking thing and niggas would
• 14:20
  Speaker 4: eat it up. And now you know, she's in a
• 14:23
  Speaker 4: space where it's so interesting to me. She's in a
• 14:25
  Speaker 4: space where like everyone wants to bend to her will, but.
• 14:28
  Speaker 2: She don't want it. At least she don't want it
• 14:30
  Speaker 2: in this way when it was happening.
• 14:33
  Speaker 4: She didn't want it in this way. She really don't
• 14:36
  Speaker 4: want it because and you go ahead, you you said
• 14:38
  Speaker 4: what you need to say.
• 14:40
  Speaker 3: No, no, you were on the right path right there.
• 14:42
  Speaker 3: Carol is the ultimate expression of the classic Prince arms.
• 14:45
  Speaker 3: She's never satisfied, you know what I mean, that is
• 14:47
  Speaker 3: always going to be her and that was something that
• 14:51
  Speaker 3: we're I know, we'll see more of it, but I
• 14:53
  Speaker 3: want to see what drove her to the alcoholism, what
• 14:56
  Speaker 3: drove her to the drugs.
• 14:58
  Speaker 1: I know, you know her upbringing and was definitely rough
• 15:01
  Speaker 1: as a child. She had a rough childhood.
• 15:03
  Speaker 3: But at a point she has this wife who loves her.
• 15:06
  Speaker 3: You know, she is definitely, as you said, a well
• 15:09
  Speaker 3: regarded author for the most part, at least.
• 15:11
  Speaker 1: To her fans.
• 15:12
  Speaker 2: Yeah, she's got mad fans.
• 15:14
  Speaker 3: But at some point during that time, there is a
• 15:17
  Speaker 3: massive use of drugs and alcohol, to the point where
• 15:20
  Speaker 3: she has to use the breathalyzer to even start.
• 15:22
  Speaker 1: A car up.
• 15:23
  Speaker 4: I mean, this is the tortured artists thing, right, where
• 15:25
  Speaker 4: like the artist is making all this and people love it,
• 15:27
  Speaker 4: but they're not fucking with it, and like they know
• 15:30
  Speaker 4: that's their livelihood, that's the only way that they're getting by.
• 15:33
  Speaker 4: That's the only thing that seems to be acceptable to
• 15:35
  Speaker 4: the masses, and that's and that's not the art that
• 15:37
  Speaker 4: they want.
• 15:38
  Speaker 1: To create them. That's me. See.
• 15:41
  Speaker 4: So she so she's I say that as I'm thinking
• 15:44
  Speaker 4: that that's what that was like torture, soul stuff could
• 15:46
  Speaker 4: be a number of different things that we haven't learned yet.
• 15:48
  Speaker 2: We don't really know all.
• 15:49
  Speaker 4: Of Carol's backstory in her life. We just know about
• 15:54
  Speaker 4: for the last few days, how things were, the last
• 15:56
  Speaker 4: few weeks, how things were before shit changed over in
• 15:58
  Speaker 4: the world, and her react to it. And just to
• 16:01
  Speaker 4: go back to that a little bit about how people
• 16:03
  Speaker 4: react to the thing. Like you mentioned the guy you're
• 16:05
  Speaker 4: talking about, smister Diabate, which I love him.
• 16:13
  Speaker 2: It's a fired name.
• 16:14
  Speaker 4: Shout out to Samba Shoots who portrays mister Diabat.
• 16:18
  Speaker 2: Where's he from?
• 16:19
  Speaker 4: He's from a French speaking country.
• 16:21
  Speaker 1: Man. I'm not sure.
• 16:24
  Speaker 2: I could be mispronouncing it.
• 16:25
  Speaker 4: As well, but from he he takes as Ben he said,
• 16:30
  Speaker 4: he takes the most out of it. It's not for altruistic,
• 16:33
  Speaker 4: not that it needs to be. Everyone else is being
• 16:34
  Speaker 4: altruistic for you. Why do you need to add to
• 16:36
  Speaker 4: the altruism right? Why don't you just do what you
• 16:38
  Speaker 4: need right? So this man, when I say you're living
• 16:41
  Speaker 4: in a world where the wrong sh you live in
• 16:45
  Speaker 4: a world where basically one hundred percent of the people
• 16:47
  Speaker 4: will cater to you, and again to really set the
• 16:50
  Speaker 4: stage for people who don't understand what poor Bos is about.
• 16:53
  Speaker 4: Anything you want to do, say, experience at any given
• 16:58
  Speaker 4: time and anytime of day, night, whatever you ask these
• 17:03
  Speaker 4: people and they will deliver anything, okay, anything, And I
• 17:09
  Speaker 4: mean that with the strength of the vastness of what
• 17:13
  Speaker 4: enything means. This man uses that. This man uses free
• 17:17
  Speaker 4: fucking will, which is why I like him.
• 17:19
  Speaker 3: I'm not lying to you. All faults the bathtub, that's
• 17:23
  Speaker 3: all I'll say.
• 17:23
  Speaker 1: I'm doing it immediately, immediately.
• 17:27
  Speaker 2: Case point, and I'll share this. I think that.
• 17:30
  Speaker 1: Okay, finish, there's such a.
• 17:33
  Speaker 4: I'm gonna say case in point, there's a and I
• 17:35
  Speaker 4: think this is like in the previous there's a scene
• 17:36
  Speaker 4: where like remember we said, like less than twenty people
• 17:40
  Speaker 4: have quotes survived this plague or virus or whatever. So
• 17:43
  Speaker 4: they're regular individuals. And the White Lady asks to meet
• 17:48
  Speaker 4: up with all the ones that speak English, right because
• 17:50
  Speaker 4: you and that's another thing that we I talk about.
• 17:52
  Speaker 2: But anyway, she.
• 17:53
  Speaker 4: Asked for those English speakers and they all agree. And
• 17:57
  Speaker 4: you know, these people all over the world, right, so
• 17:59
  Speaker 4: they have to get there. They get to one spot
• 18:01
  Speaker 4: they choose a country and they all get flown in.
• 18:04
  Speaker 4: These people are provided the choice of how they are
• 18:07
  Speaker 4: flowing in or how they they travel. Right, some people
• 18:11
  Speaker 4: just you know, on a regular planes carols on a
• 18:13
  Speaker 4: regular fucking plane. She decides to sit in the very
• 18:15
  Speaker 4: last row, Roll thirty three E, next to the bathroom.
• 18:19
  Speaker 4: For whatever reason, this man, mister Diabonte says, and this
• 18:24
  Speaker 4: is why I love him.
• 18:25
  Speaker 2: I want air Force one straight up.
• 18:28
  Speaker 4: They fly this nigga in to the group meeting on
• 18:32
  Speaker 4: air Force one.
• 18:34
  Speaker 2: Why not?
• 18:36
  Speaker 3: He also has a bunch of Super Bowl rings. There's
• 18:39
  Speaker 3: all kinds of things doing on with Ms diabat is
• 18:42
  Speaker 3: women's the women's okay, And that's but now that we
• 18:45
  Speaker 3: can get to this right as a you know, but
• 18:49
  Speaker 3: they say red blood and American man, you know, you know,
• 18:53
  Speaker 3: a definitely you know, as a shout out to happy
• 18:57
  Speaker 3: birthday to Geniesia. As she wants to describe me a
• 19:00
  Speaker 3: recovering basic man.
• 19:03
  Speaker 1: I think it was something to that nature. You know, I'm.
• 19:05
  Speaker 3: Paraphrasing, but basically she said, I was recovering a recovering
• 19:10
  Speaker 3: former hotel. I think it was, yeah, yeah, it was
• 19:13
  Speaker 3: a there was a lot of you know, slander, burning
• 19:15
  Speaker 3: my way, you know.
• 19:17
  Speaker 1: Willfully accept.
• 19:19
  Speaker 3: So there'd be a lot of things I would like
• 19:23
  Speaker 3: to do if I was in mister Diabante's position, But
• 19:27
  Speaker 3: the fact that it is a mind link with everyone,
• 19:32
  Speaker 3: I don't know if I would be able to, how
• 19:34
  Speaker 3: you say, perform in those situations.
• 19:37
  Speaker 4: It's but you can't compartmentalize, like I don't know, I
• 19:41
  Speaker 4: mean and yeah, I mean yes, because I would definitely
• 19:44
  Speaker 4: ask for some things that would allow me to compartmentalize,
• 19:47
  Speaker 4: you know, I would definitely, yeah, I figure it out.
• 19:50
  Speaker 3: But it would also it would definitely get old quickly
• 19:57
  Speaker 3: for me, I think, because I think, yeah, it would
• 20:00
  Speaker 3: get very much very quickly where I would be like,
• 20:02
  Speaker 3: this is just disturby. You know, I've been in a
• 20:07
  Speaker 3: position of like slight same at points in my time,
• 20:11
  Speaker 3: and even that was disturby you know for me, like yeah,
• 20:15
  Speaker 3: we did.
• 20:16
  Speaker 1: So I can't imagine superstardom.
• 20:18
  Speaker 3: Which is something you know, and this is a beyond superstardom, yeah,
• 20:23
  Speaker 3: level of fame.
• 20:23
  Speaker 1: So yeah, I can see.
• 20:25
  Speaker 4: It getting old, getting your way all the time, yeah,
• 20:28
  Speaker 4: every day. Like there's and the fact that because this
• 20:32
  Speaker 4: is a hive mind and all they do is live
• 20:35
  Speaker 4: to make you happy. To me, there's no there's no
• 20:39
  Speaker 4: agency within the hive, right, it's just like what We're
• 20:41
  Speaker 4: just gonna do what you say, and there's nothing genuine, right, Like,
• 20:46
  Speaker 4: there's no genuine interaction.
• 20:48
  Speaker 2: All the interaction is to serve.
• 20:50
  Speaker 4: And if you want a different interaction, you have to
• 20:52
  Speaker 4: tell them like they are playing a role. And that's
• 20:55
  Speaker 4: where I can see it getting old, where you got
• 20:57
  Speaker 4: to tell them behave a certain way. Right, Yes, maybe
• 21:00
  Speaker 4: you know, I mean, they will never be mean about it,
• 21:03
  Speaker 4: I guess, but if you want to pretend you got
• 21:05
  Speaker 4: an attitude with me, right Like, Yeah, we're as humans,
• 21:08
  Speaker 4: we're used to shit not being perfect, and that's usually
• 21:11
  Speaker 4: the downfall of every utopia and every story. It's like
• 21:14
  Speaker 4: when shit gets too perfect, humans find a way to
• 21:17
  Speaker 4: fuck it up. Right, And half the time it's not
• 21:20
  Speaker 4: just because we're just one of destroy stuff.
• 21:23
  Speaker 2: We're a virus in ourselves, in and of ourselves.
• 21:25
  Speaker 4: Right halftime, it's just like because we could tell it's
• 21:28
  Speaker 4: not real, we can tell it's not genuine, we can
• 21:30
  Speaker 4: tell it's not a human experience.
• 21:32
  Speaker 2: We can tell something is wrong and off.
• 21:34
  Speaker 4: And I understand that that is the general lifeblood of
• 21:41
  Speaker 4: how Carol thinks this is not normal, this isn't right.
• 21:45
  Speaker 4: We have to put it back. That's all Carol is
• 21:48
  Speaker 4: on where mister Diaboute is just like, I'm living my
• 21:51
  Speaker 4: fucking life. Who knows what the fuck you went through
• 21:53
  Speaker 4: or didn't go through. To the fact that he said,
• 21:55
  Speaker 4: I'm using this to my advantage a bit A.
• 21:57
  Speaker 3: Point on that is his character's name from what the
• 22:01
  Speaker 3: country that I cannot pronounce again and their culture. His
• 22:04
  Speaker 3: actual character's name is a feminine name, right of course,
• 22:09
  Speaker 3: Vince Gillen then didn't notice when he was choosing the name,
• 22:12
  Speaker 3: did not do.
• 22:12
  Speaker 1: His research correctly or whatever.
• 22:14
  Speaker 3: But when the actor found us out, he's like, okay,
• 22:17
  Speaker 3: I can use this as part of my bad story
• 22:19
  Speaker 3: because in addition to that, in this culture, when you
• 22:21
  Speaker 3: haven't when you've taken this as like your last name,
• 22:24
  Speaker 3: it means that your mother and people like that have
• 22:26
  Speaker 3: died early around you. So he's like, okay, I can
• 22:30
  Speaker 3: use this in my character's badstory. So that is they
• 22:33
  Speaker 3: might show this, but this is been confirmed by the
• 22:35
  Speaker 3: actor Ambi Vince that this is part of the character's
• 22:37
  Speaker 3: bats story and that is one of the reasons why
• 22:39
  Speaker 3: he is going his way because he doesn't have family,
• 22:43
  Speaker 3: so there's no one around him who's been turned just
• 22:46
  Speaker 3: like we see, you know, the man in Guatemala in
• 22:49
  Speaker 3: the latest episode when he's confronted by his mother, he
• 22:52
  Speaker 3: has a certain reaction to them because of his reaction.
• 22:56
  Speaker 2: Whose mother actually was to him, yes.
• 22:58
  Speaker 3: And so because of that he a certain reaction, just
• 23:01
  Speaker 3: like mister Diabte does not have any families, so there's
• 23:04
  Speaker 3: no one around him who can come to him, like
• 23:06
  Speaker 3: his mother, his brother, someone to be like, nah, man,
• 23:09
  Speaker 3: it's all good, I'm your bro. Still you need to
• 23:11
  Speaker 3: get over on this side too, none of that. So
• 23:14
  Speaker 3: he's immediately like shit, and he was probably in not
• 23:17
  Speaker 3: good circumstances in his life, and so he's like, nah, okay,
• 23:20
  Speaker 3: air Force one, super Bowl reens hose to the tub,
• 23:25
  Speaker 3: let's go, you know what I mean? Like, you know,
• 23:28
  Speaker 3: my man said made whatever come on in everybody's alcome.
• 23:32
  Speaker 3: I like that this, you know, yeah, he down for
• 23:37
  Speaker 3: it all. You know, everybody has some right.
• 23:39
  Speaker 4: And I will say he's not like he's not adverse
• 23:43
  Speaker 4: to the facts, like he actually does what Carol does
• 23:46
  Speaker 4: not do, which is just ask them the fucking question,
• 23:48
  Speaker 4: right every day, all day.
• 23:50
  Speaker 1: These the others.
• 23:53
  Speaker 2: The others is what she calls them.
• 23:55
  Speaker 1: Charl calls them.
• 23:56
  Speaker 2: He asked the others the questions, why y'all do like this?
• 23:59
  Speaker 4: Do y'all I'll eat? Why does this happen? Why does
• 24:02
  Speaker 4: this not happen? Like he, he is curious and gets information,
• 24:06
  Speaker 4: so he is very aware of how they operate, why
• 24:09
  Speaker 4: they operate, and what they need and don't need.
• 24:12
  Speaker 2: And what's funny to me is.
• 24:14
  Speaker 4: And this is one of their And when we go
• 24:15
  Speaker 4: into like, you know a lot of reasons why certain
• 24:17
  Speaker 4: people or certain groups of people don't really like Carol.
• 24:20
  Speaker 4: Carol has this way about her that she knows everything
• 24:23
  Speaker 4: and and honestly, she came off as a Karen for
• 24:25
  Speaker 4: me in the.
• 24:25
  Speaker 2: Beginning, still kind of does still does.
• 24:28
  Speaker 4: She knows everything. Her way is right, people should follow
• 24:32
  Speaker 4: her lead. Everyone else is not.
• 24:35
  Speaker 2: It's crazy.
• 24:36
  Speaker 4: When I say everyone is, I mean the less than
• 24:37
  Speaker 4: twenty survivors, if you will. And she she is adamant
• 24:42
  Speaker 4: that people gotta do shit her way, which I thought
• 24:45
  Speaker 4: was funny because I'm just like, so you want everyone
• 24:47
  Speaker 4: to be a hive mind behind you? Got it? You're
• 24:50
  Speaker 4: doing the same things, Carol. But whereas missus sorry, I
• 24:55
  Speaker 4: almost said, I want to say ted Dibiassi, but Diabat.
• 25:00
  Speaker 2: Mister Banbae like he.
• 25:01
  Speaker 4: Knows and understands what's going on, but he still has
• 25:05
  Speaker 4: free will to make his own choices.
• 25:07
  Speaker 2: He's like, that's great, Carol. I likes it the way
• 25:10
  Speaker 2: it is. I like being king of Vegas.
• 25:13
  Speaker 3: There's also no war, there's no racism, there's notice, there's
• 25:16
  Speaker 3: no that, there's no murder, there's no theft, there's no waste.
• 25:24
  Speaker 3: You know, there's a whole lot of things going on
• 25:26
  Speaker 3: that we're not being done when humanity was not joining
• 25:29
  Speaker 3: a hot mind. Now the real question is and I
• 25:33
  Speaker 3: wonder if mister be about to ask these type of
• 25:35
  Speaker 3: questions because there's still some other like what is the
• 25:40
  Speaker 3: ingle or who's the joined?
• 25:45
  Speaker 1: Ingle?
• 25:45
  Speaker 2: The joining?
• 25:46
  Speaker 4: Oh?
• 25:46
  Speaker 1: Join the joined?
• 25:47
  Speaker 4: Oh?
• 25:47
  Speaker 2: Yeah, that's actually is that their official name? The joint?
• 25:50
  Speaker 1: That's what the people have been using on the internet,
• 25:52
  Speaker 1: so we'll call it that. Then. Yeah, so what what
• 25:55
  Speaker 1: through the joined? What is their end game?
• 25:57
  Speaker 3: Because beyond as you say see in the latest episode,
• 26:01
  Speaker 3: just survival, there is definitely an India because as we
• 26:04
  Speaker 3: know this this is from the very first episode. This
• 26:07
  Speaker 3: virus was sent to Earth by what some scientists say
• 26:13
  Speaker 3: was a satellite the size of Africa. Mm hm, so
• 26:18
  Speaker 3: that is a you know technology, that technology.
• 26:22
  Speaker 4: Wait, so you think, like these coot aliens, this alien
• 26:25
  Speaker 4: virus isn't the end all be all.
• 26:27
  Speaker 2: It's something that sent them to like prep the planet, or.
• 26:32
  Speaker 3: It's something that sent this into humanity to do something.
• 26:36
  Speaker 1: With humanity prep the planet.
• 26:39
  Speaker 3: Yeah, whether that's you know, building yet another satellite to
• 26:42
  Speaker 3: send it to another.
• 26:43
  Speaker 2: Planet for Peter, Okay, you know, yeah, we see.
• 26:49
  Speaker 1: A lot of people moving Africa real quick.
• 26:51
  Speaker 4: I mean, this could this could be the entity like
• 26:55
  Speaker 4: the people the joined yourself and they traveled across thers
• 27:00
  Speaker 4: and now they're trying to do what they do or
• 27:02
  Speaker 4: to the other point.
• 27:03
  Speaker 2: It could be the prep for something else.
• 27:07
  Speaker 3: But it could be like what you said in shout
• 27:09
  Speaker 3: out to Karen Gillen and prove over at the Power Fantasy,
• 27:13
  Speaker 3: there's actually an issue that deals with a thing called
• 27:17
  Speaker 3: the signal arriving on Earth. And the signal is the
• 27:21
  Speaker 3: collective consciousness of an alien race that is trying to
• 27:24
  Speaker 3: estate because their planet or whatever they came from was destroyed.
• 27:28
  Speaker 4: Yeah, there's a reason why this happened, obviously, besides just
• 27:33
  Speaker 4: well that's our.
• 27:34
  Speaker 2: What do they also always say they said, that's our biological.
• 27:36
  Speaker 4: Directive to join?
• 27:37
  Speaker 2: But why like you were programmed that way?
• 27:41
  Speaker 1: Right?
• 27:42
  Speaker 4: If this is a weapon, right, if the joint is
• 27:45
  Speaker 4: actually a version of a weapon that was transmitted.
• 27:49
  Speaker 2: Who sent the weapon? Right, that's one way to think
• 27:51
  Speaker 2: about it.
• 27:52
  Speaker 4: Or if you are in fact the entity itself. To
• 27:54
  Speaker 4: the original point, what is the endgame? Like, what is
• 27:57
  Speaker 4: your goal? Like, Okay, now we've spread love and peace
• 27:59
  Speaker 4: on earth. That's it, and it's not sustainable if we've
• 28:02
  Speaker 4: been learning it's it's not the other part.
• 28:06
  Speaker 2: That's the one major point that I did not mention.
• 28:08
  Speaker 4: Not only are they like they share lead, love and
• 28:11
  Speaker 4: peace and all that other stuff. They can't kill. Yes,
• 28:15
  Speaker 4: a few things they can't do. They can't lie, they
• 28:18
  Speaker 4: cannot kill. And when I say they can't kill, meaning
• 28:20
  Speaker 4: not like like obviously living things, animals, plants, insects, whatever.
• 28:27
  Speaker 4: So because they do not believe in killing, they can't
• 28:30
  Speaker 4: even do things like harvest plants. They can't pick an
• 28:34
  Speaker 4: apple off a tree. They can't harvest wheats to make
• 28:36
  Speaker 4: breads and all that other stuff.
• 28:37
  Speaker 2: They can't kill animals to.
• 28:39
  Speaker 4: Get the meats.
• 28:40
  Speaker 2: If something's already dead, they can utilize it.
• 28:43
  Speaker 4: If something that apple naturally falls off a tree, they
• 28:46
  Speaker 4: can pick it up what they call it windfall. And
• 28:50
  Speaker 4: then obviously any of the foodstocks that are just already
• 28:53
  Speaker 4: in existence they can utilize. But other than that, they
• 28:58
  Speaker 4: didn't got it. So if there's no way for you
• 29:01
  Speaker 4: to produce any sort of food, you're you're gonna.
• 29:04
  Speaker 1: Start for my brother When there's this many people on earth.
• 29:07
  Speaker 4: Yeah, but I said seven billion left, yep, So they
• 29:10
  Speaker 4: said seven billion, like two hundred and ninety two million
• 29:12
  Speaker 4: some some odd number like that, like seven point two
• 29:14
  Speaker 4: billion left alive in the world that are joined, and
• 29:19
  Speaker 4: less than twenty are still individuals that are not.
• 29:22
  Speaker 2: Joined with them because for whatever reason it.
• 29:24
  Speaker 4: Didn't work on them, which they still haven't covered about
• 29:27
  Speaker 4: why it didn't work on them, No.
• 29:29
  Speaker 1: Okay, but they have covered that unless they want to
• 29:33
  Speaker 1: be at this point, they will not join the joint right.
• 29:35
  Speaker 2: They won't force the joining.
• 29:37
  Speaker 3: Yes, they know how to do it, but unless they
• 29:39
  Speaker 3: ask for it, they will not be joined.
• 29:42
  Speaker 4: Right, which again it just it just begs the question
• 29:45
  Speaker 4: of just about your personal philosophy about situations like this,
• 29:48
  Speaker 4: how would you react your choices that you made.
• 29:53
  Speaker 2: It's it's so funny.
• 29:54
  Speaker 4: Like I said, Vince is such a Vincent and his
• 29:56
  Speaker 4: team they're so good because the choices they have.
• 29:58
  Speaker 2: Carol make like I told told.
• 30:00
  Speaker 4: You, you have your choice of any type of transportation, food,
• 30:04
  Speaker 4: person whatever.
• 30:06
  Speaker 2: Carol chooses to drive around in a cop car.
• 30:09
  Speaker 1: Let stay trooper car very much.
• 30:14
  Speaker 4: Yeah, it's like an applied sense that I am the authority.
• 30:18
  Speaker 4: And it could just be she just thought it was cool.
• 30:20
  Speaker 4: It could just be I always wanted to drive into it.
• 30:23
  Speaker 1: But we know it's the first one, the first one.
• 30:26
  Speaker 1: It's authority.
• 30:27
  Speaker 3: It's all about Carol showing power, showing that I'm in control,
• 30:31
  Speaker 3: that I still have it to believe she's in control.
• 30:34
  Speaker 4: Yes, wanting, because that's one of the things she's grasping
• 30:37
  Speaker 4: for desperately. In every episode, she's trying to control the situation.
• 30:40
  Speaker 4: She's trying to gain control of the situation. Nobody's really
• 30:43
  Speaker 4: fucking with her like that. There's only one guy that's
• 30:46
  Speaker 4: similar to her, and that's that guy in Paraguay.
• 30:49
  Speaker 1: And he's even more extreame, I think, than Carol.
• 30:53
  Speaker 3: And that's something when they come into actual communication and meeting,
• 30:57
  Speaker 3: we're going to learn that Carol is one level of this.
• 30:59
  Speaker 1: And then there's other level.
• 31:01
  Speaker 3: And that other level I think is going to cause
• 31:04
  Speaker 3: conflict with her as well, because I think he's about
• 31:07
  Speaker 3: murdering everything.
• 31:08
  Speaker 4: I think, So I think he's he's pure genocide at
• 31:12
  Speaker 4: this point, Like which is which is wild in this situation?
• 31:16
  Speaker 1: Yeah, because like I.
• 31:17
  Speaker 3: Know, you want, what does he know that they don't
• 31:20
  Speaker 3: that you know, Carol and the rest don't know.
• 31:24
  Speaker 2: Himself. He did find a signal, remember sometimes and.
• 31:27
  Speaker 3: Also what questions is he asked them, you know before
• 31:30
  Speaker 3: when it all started, because he's definitely had a conversation
• 31:32
  Speaker 3: with them and they're like it didn't go well. So
• 31:34
  Speaker 3: he had his questions, you know, he might have figured
• 31:37
  Speaker 3: out answers, Like I said, yeah that even mister diabaute
• 31:40
  Speaker 3: and Carol definitely haven't figured out yet. So that might
• 31:42
  Speaker 3: have made him like, Okay, time to hold up. Fuck
• 31:45
  Speaker 3: these dudes, you know, I got to kill them all.
• 31:48
  Speaker 4: And that's the That's one of the main thing that
• 31:49
  Speaker 4: bothers me the most. Black just like her attitude about
• 31:51
  Speaker 4: things in a way like she don't even do it smartly,
• 31:54
  Speaker 4: she just she just brutal route forces everything into others.
• 31:59
  Speaker 3: And I think that this is like one thing where
• 32:01
  Speaker 3: and I always, you know, we run into this idea
• 32:03
  Speaker 3: a lot, whereas people are always like, oh, it's a
• 32:05
  Speaker 3: white woman.
• 32:05
  Speaker 1: You know. One thing Caro is is American, and you know, she's.
• 32:09
  Speaker 4: An American white And I'm not saying all white women
• 32:11
  Speaker 4: will have the same reaction, but I'm not saying all.
• 32:14
  Speaker 3: You know, but I also say that a lot of
• 32:16
  Speaker 3: American anyone will have this type of reaction, and then
• 32:19
  Speaker 3: especially American anyone who are going through the type of
• 32:21
  Speaker 3: shit she goes through. I remember, everyone changes with her,
• 32:24
  Speaker 3: and then her wife dies in front of her, which
• 32:27
  Speaker 3: is wild, which is wild. So so not only is
• 32:30
  Speaker 3: like she pissed at these themes for killing her wife,
• 32:33
  Speaker 3: she's also pissed at these things for not making her
• 32:36
  Speaker 3: wife change and live.
• 32:39
  Speaker 4: You know, she's like valid reason to be mad, and
• 32:42
  Speaker 4: that's what is really mad, That's what she That's the
• 32:44
  Speaker 4: facts about what she's really mad about.
• 32:46
  Speaker 2: But then everything else is like a consequence of yes.
• 32:49
  Speaker 3: And that's the thing, but people are Empathy is also
• 32:52
  Speaker 3: a very low trade amongst Americans, you know, and when
• 32:56
  Speaker 3: we're watching this, we have a low empathy for her
• 32:58
  Speaker 3: because she's a white woman.
• 33:00
  Speaker 1: We're like immediately caring does don't get me wrong, She
• 33:03
  Speaker 1: made caring his choices. Do not get me wrong.
• 33:07
  Speaker 4: My empathy is because she's a white woman. I have
• 33:09
  Speaker 4: empathy for some white women.
• 33:11
  Speaker 2: Just because because you're a human.
• 33:13
  Speaker 4: Yes, my empathy level is low for her because of
• 33:16
  Speaker 4: her the way she speaks and interact and deals with people.
• 33:20
  Speaker 4: Whoever's left in the world and her, Oh, it's almost
• 33:26
  Speaker 4: like her. She has no awareness, like your privilege, like
• 33:30
  Speaker 4: she she even is this world, you're still holding on
• 33:33
  Speaker 4: to some form of privilege.
• 33:34
  Speaker 1: You said.
• 33:34
  Speaker 4: Maybe it's the American thing about everyone should be listening
• 33:37
  Speaker 4: to you.
• 33:37
  Speaker 2: That is the wildest thing to me.
• 33:39
  Speaker 4: You know, there are seven billion people left on the
• 33:41
  Speaker 4: earth in less than twenty are like you.
• 33:45
  Speaker 2: People gotta listen to you. She was like she was.
• 33:48
  Speaker 4: She was when she went to dinner with the with
• 33:50
  Speaker 4: the twelve I could speed English. She was just like,
• 33:53
  Speaker 4: why y'all not listening to me? And why y'all like
• 33:55
  Speaker 4: she was. That's what made me have less empathy for her.
• 33:58
  Speaker 4: I have full empathy that her wife fuck, as you said,
• 34:02
  Speaker 4: got the true death in front of her.
• 34:04
  Speaker 2: That is insane.
• 34:06
  Speaker 4: Yeah, the way you handle yourself after the way you
• 34:10
  Speaker 4: talk and treat people after like, that's where I'm just like, okay, lady,
• 34:15
  Speaker 4: get a grip. You gotta get a grip. Also, people
• 34:18
  Speaker 4: should have as mentioned, you're behaving like a high mind
• 34:20
  Speaker 4: thinking people have to follow behind you.
• 34:22
  Speaker 2: These people move differently.
• 34:24
  Speaker 4: There's one family that has a child that's adjoined, right,
• 34:29
  Speaker 4: the mother is not joined, but the child is.
• 34:31
  Speaker 2: And at the end of the day, she's just like,
• 34:34
  Speaker 2: it hurts you. That's not my child.
• 34:35
  Speaker 4: I want him to live. I want him to I
• 34:37
  Speaker 4: don't want him to suffer. It is what it is.
• 34:39
  Speaker 4: And the other reason why and this is this is
• 34:42
  Speaker 4: my design. Like you mentioned about Vincent, the writers, they've
• 34:46
  Speaker 4: said this already that they've purposely written Carol this way.
• 34:50
  Speaker 2: So it's hard to like her.
• 34:52
  Speaker 4: And there's some people who just like in regards, which
• 34:54
  Speaker 4: is fine, but she's purposely written as hard, like there
• 34:57
  Speaker 4: are times where she is affecting the planet because she
• 35:01
  Speaker 4: can't keep her shit together, because she's crashing out on
• 35:04
  Speaker 4: these things.
• 35:04
  Speaker 1: Yep.
• 35:05
  Speaker 4: The last major thing about the joined they're fragile as fucked.
• 35:09
  Speaker 4: And when I say that, I don't mean physically, I
• 35:11
  Speaker 4: mean if you yell at these niggas a little bit
• 35:13
  Speaker 4: too hard.
• 35:15
  Speaker 2: They they die, They die with some of them, but
• 35:19
  Speaker 2: they they flip out, and it's.
• 35:23
  Speaker 4: Something within and again that has maybe something to do
• 35:25
  Speaker 4: with a signal. It's something that fucks them up with
• 35:29
  Speaker 4: their what's the word, like, uh, synapses or whatever, And.
• 35:34
  Speaker 2: And a lot of them die.
• 35:36
  Speaker 4: There was a point where she killed millions because she
• 35:40
  Speaker 4: yelled at somebody too hard one day.
• 35:43
  Speaker 2: And so the writers are putting her situation where it's
• 35:47
  Speaker 2: just like, how am I supposed to like this lady?
• 35:49
  Speaker 4: These people are are nothing to say that listen to
• 35:52
  Speaker 4: be joined us the right way to go out, my saint,
• 35:54
  Speaker 4: I'm saying, these people have shown her nothing but concern
• 35:57
  Speaker 4: and empathy and this this and that and she and
• 36:00
  Speaker 4: and again. You could say, oh, well, baby, she didn't know.
• 36:02
  Speaker 4: She didn't know the first time, but she did it
• 36:03
  Speaker 4: like three times. Yeah, at that point, you know, and
• 36:07
  Speaker 4: you now, where's your empathy? Because at the end of
• 36:10
  Speaker 4: the day, you say you want to save humanity, you're
• 36:12
  Speaker 4: not trying to kill more, but you can't keep your
• 36:15
  Speaker 4: shit together like just to have a conversation because you're
• 36:18
  Speaker 4: upset and you want to vocalize your emotion and it's
• 36:21
  Speaker 4: nothing wrong with having emotion, but it's also when your
• 36:23
  Speaker 4: reaction is linked to the survival of the human race,
• 36:28
  Speaker 4: you may want to take a step back. And that's
• 36:30
  Speaker 4: where my disdain for her comes in, not disdain, And
• 36:36
  Speaker 4: I will say this, it's an entertaining disdain.
• 36:38
  Speaker 2: It's not like, oh, I can't stand this.
• 36:40
  Speaker 4: Every time she don on screen, I laugh because she
• 36:42
  Speaker 4: just be saying the wildest ship and doing the wildest things,
• 36:45
  Speaker 4: because it's just like this lady don't fucking get it.
• 36:48
  Speaker 2: This lady don't fucking get it.
• 36:50
  Speaker 1: Oh, I got to.
• 36:51
  Speaker 4: Show you what I found out about these people. And
• 36:53
  Speaker 4: mister Diabody's like, oh, yeah, I know because John Seen
• 36:57
  Speaker 4: are right, or I know because and that's what I'm saying.
• 37:00
  Speaker 4: It's like simple things that she could find out. They
• 37:02
  Speaker 4: can't lie ask because she's so afraid that they're gonna
• 37:06
  Speaker 4: be secretive and high stuff from another They can't fucking
• 37:09
  Speaker 4: lie you just you personally establish that.
• 37:13
  Speaker 1: Then I gotta not d about is having the same
• 37:17
  Speaker 1: lambeau and different colors all in the world.
• 37:23
  Speaker 4: Yeah he wants, that's what he wants, but he could
• 37:26
  Speaker 4: have diversified, so so yeah, that was me. I might
• 37:29
  Speaker 4: be like mister Deabot a little. But I'm not gonna
• 37:30
  Speaker 4: have the harem of people around me. But I might
• 37:34
  Speaker 4: have to be running around, you know, in full costume
• 37:37
  Speaker 4: every day with different designs and this than that, Like,
• 37:40
  Speaker 4: especially if I'm the.
• 37:40
  Speaker 1: Only one at least for a week, I'm doing the harem.
• 37:44
  Speaker 2: Like, I don't know how long it's gonna last. To
• 37:47
  Speaker 2: your point, might get old, but it's what it is.
• 37:50
  Speaker 4: And yeah, so that's kind of where we are with
• 37:52
  Speaker 4: the series, right, Like we've learned a lot about I was.
• 37:55
  Speaker 3: Like my first scenes would be like, okay, yeah, my
• 37:57
  Speaker 3: last thing on it is Yeah, my first thing is
• 38:00
  Speaker 3: be who killed Tupac?
• 38:01
  Speaker 1: Who killed Biggie? Somebody knows kill.
• 38:04
  Speaker 2: JFK, you're not using your power.
• 38:07
  Speaker 1: Right immediate thing? You know everything, everyone knows who killed Tubac?
• 38:13
  Speaker 4: You know everything everywhere of every time and place that
• 38:16
  Speaker 4: needed to be known.
• 38:18
  Speaker 2: Answer some questions for me.
• 38:19
  Speaker 1: Yeah, all right, y'all aliens, But are there other aliens
• 38:23
  Speaker 1: on Earth? Show? Show me? Show me everything ill that
• 38:29
  Speaker 1: every government knows that they never shown me before?
• 38:33
  Speaker 4: You You all, I'm saying, is you even a few
• 38:37
  Speaker 4: days of it? Use your time with these?
• 38:39
  Speaker 1: Oh my god, what care I get because you know she's.
• 38:42
  Speaker 2: In a bad you know, she's in a bad place
• 38:44
  Speaker 2: and will be in a bad place for a while.
• 38:46
  Speaker 3: Yeah, mister Diaboute has probably already seen the aliens. He
• 38:49
  Speaker 3: probably knows who killed Tupac, you know what I mean?
• 38:53
  Speaker 1: Two right, they won one and.
• 38:56
  Speaker 3: Is somebody famous in his country. That's a mystery. He
• 38:58
  Speaker 3: knows who killed them too, you know. But he's young
• 39:01
  Speaker 3: enough where he definitely wanted to know.
• 39:02
  Speaker 1: Who guilt Tubac.
• 39:05
  Speaker 2: Yeah, yeah, just I don't know. Use just be smarter.
• 39:10
  Speaker 3: I mean, we actually know we kill Tupop, but I
• 39:12
  Speaker 3: just want to know all the story, you know, Like
• 39:14
  Speaker 3: I want to know every little detail.
• 39:16
  Speaker 1: That I don't know right now.
• 39:18
  Speaker 2: So we love the show. We think it's well written,
• 39:21
  Speaker 2: well paced.
• 39:22
  Speaker 4: It is well each episode is like forty five to
• 39:24
  Speaker 4: fifty minutes, so it can get long at times, just
• 39:27
  Speaker 4: because there's also lots of quiet moments. There's some moments
• 39:29
  Speaker 4: where it's just something mundane happening, like Carol making a
• 39:33
  Speaker 4: phone call, and like they sit through the rings yes
• 39:36
  Speaker 4: and the responses and back and forth. But it leads
• 39:39
  Speaker 4: to the greater experience because also you have to remember,
• 39:41
  Speaker 4: this is a world where essentially there's nothing else going on.
• 39:44
  Speaker 4: So like when they go to a town, there ain't
• 39:46
  Speaker 4: nobody else walking around. There's no other cars in the street.
• 39:51
  Speaker 4: I didn't notice any birds in the sky and.
• 39:53
  Speaker 2: Things like that.
• 39:53
  Speaker 3: Where the animals that there, well, we do see There's
• 39:57
  Speaker 3: been different questions about that, but we do see coyotes
• 40:02
  Speaker 3: come at Carol when you know, in one episode, so animals,
• 40:06
  Speaker 3: some animals are still out there now.
• 40:08
  Speaker 4: They like round them up or no, they released them
• 40:10
  Speaker 4: from the zoos. Didn't they release them?
• 40:11
  Speaker 3: They said they released them from the zoo slavery and
• 40:14
  Speaker 3: people were talking about they see animals, so the animals
• 40:16
  Speaker 3: was still out there. Birds are just one of those things. Man,
• 40:19
  Speaker 3: It's like you don't see birds and most shows, but
• 40:20
  Speaker 3: people are just wondering about it in this show because
• 40:23
  Speaker 3: I don't won it.
• 40:24
  Speaker 1: Yeah, because you don't see anything.
• 40:26
  Speaker 3: So you're like, okay, while they're birds and stuff, but
• 40:28
  Speaker 3: you got you know, it's just difficult, you know, you know,
• 40:30
  Speaker 3: like birds are hard to animate.
• 40:32
  Speaker 2: Tracking that.
• 40:32
  Speaker 4: Okay, it's like a lot of you know, I'm saying
• 40:35
  Speaker 4: as someone who's observant, I'm like, I get it.
• 40:38
  Speaker 1: But that's what you know, budgets you know.
• 40:42
  Speaker 3: That's a visit over here saying like, think about it.
• 40:45
  Speaker 1: You got to the anime birds or you're gonna have
• 40:47
  Speaker 1: to have birds. Either one is going to cost you money.
• 40:50
  Speaker 3: And animating birds was crazy for the most part, and
• 40:53
  Speaker 3: so you know, having birds is really problematic and difficult.
• 40:56
  Speaker 3: And look, man, you know Vince is you know he
• 41:01
  Speaker 3: might want Lamborghinis in every.
• 41:05
  Speaker 2: Don't cast that.
• 41:06
  Speaker 4: Much to They're not even driving them holes. Just put
• 41:08
  Speaker 4: him in front of the building.
• 41:09
  Speaker 1: I'm saying, you know, but that could come out of
• 41:11
  Speaker 1: his money. I'm judging.
• 41:13
  Speaker 3: But yeah, I know birds, et cetera. For animals, I
• 41:17
  Speaker 3: think it's one of those things where it is a budget.
• 41:19
  Speaker 3: That's why we haven't seen it, or they have not
• 41:20
  Speaker 3: been in the places. You remember, she's in the middle
• 41:23
  Speaker 3: of Albuquerque wherever. I don't know what type of bird
• 41:25
  Speaker 3: life there is on a daily over by her. And
• 41:28
  Speaker 3: then animal life is going to be acting completely different
• 41:31
  Speaker 3: now without the president of humans. That is one thing
• 41:34
  Speaker 3: I've been like the pandemic whenever she goes out, and
• 41:38
  Speaker 3: it's a completely different from pandemic.
• 41:40
  Speaker 1: You know, this is extreme.
• 41:42
  Speaker 3: So when she goes out, whenever she's out at night
• 41:44
  Speaker 3: without or even dude in the albu Or water my life.
• 41:47
  Speaker 3: I think he's down in there, Paraguay, Paragrade. When he's
• 41:50
  Speaker 3: walking around, I was like, fam, what are you doing?
• 41:53
  Speaker 3: Like these streets might be middled with coyotes, you know,
• 41:57
  Speaker 3: other stavengers, all kind of thing that now, you know,
• 42:01
  Speaker 3: especially at night fan you are plugging.
• 42:04
  Speaker 1: I was so for him, yeah, yeah, so, but I
• 42:07
  Speaker 1: just think in front of those things budget, Like I say, animal.
• 42:09
  Speaker 4: That's fair, that's fair. And there's a couple of major
• 42:12
  Speaker 4: points I purposely didn't say because they came out on
• 42:14
  Speaker 4: the like one of the later episodes. So I want
• 42:16
  Speaker 4: people to discover for themselves. But if you like what
• 42:20
  Speaker 4: you heard and that shit sound fire, definitely watch it.
• 42:23
  Speaker 4: It's on Apple TV. I do encourage password sharing, so
• 42:27
  Speaker 4: do what you gotta do to watch it.
• 42:29
  Speaker 3: Yeah, because speaking of that m beginning, speaking of fastword sharing, yeah,
• 42:35
  Speaker 3: and of networks and streaming services getting out of hand man,
• 42:42
  Speaker 3: you know, all right, there's been a lot of like,
• 42:44
  Speaker 3: oh my god, this drives falling type of thing going
• 42:46
  Speaker 3: on over this.
• 42:47
  Speaker 1: Basically Netflix is putting in a bid. It seems to be.
• 42:51
  Speaker 3: Going through, because everything goes through these days, because the
• 42:54
  Speaker 3: world full of grime and horrible things and we can't
• 42:58
  Speaker 3: have nice scenes. Are putting in a bid and we'll
• 43:01
  Speaker 3: soon own WB, Warner Brothers and everything Warner Brothers owns,
• 43:06
  Speaker 3: which throws all the way down to things like DC
• 43:09
  Speaker 3: comic books.
• 43:10
  Speaker 4: Let me get some caveats to you. Yeah, on that deal,
• 43:14
  Speaker 4: and so it's a little some slight nuances there. Okay,
• 43:18
  Speaker 4: the deal has not closed. Yeah, Netflix is positioning it
• 43:22
  Speaker 4: language wise to make it feel like it's a done deal.
• 43:24
  Speaker 2: It still has to be a proof, which could still
• 43:27
  Speaker 2: take a year.
• 43:28
  Speaker 1: Okay, this is.
• 43:30
  Speaker 2: An agreement with their board.
• 43:33
  Speaker 4: That Netflix board and the w B board shook hands
• 43:37
  Speaker 4: and say, yes, we agree to this. What eighty two
• 43:39
  Speaker 4: billion buyout, takeover, acquisition, whatever you call it, eighty two
• 43:43
  Speaker 4: billion with a B. What this entails is everything in
• 43:47
  Speaker 4: the Warner Brothers catalog except for the TV division. So
• 43:52
  Speaker 4: like WB also owned CNN, so that stuff is carved
• 43:56
  Speaker 4: out and everything else would be going to the deal.
• 44:00
  Speaker 4: That's the only distinction I want to make about that.
• 44:02
  Speaker 4: And there's more to it, but continues sir.
• 44:05
  Speaker 3: The crazy thing about it is like Netflix still doesn't
• 44:07
  Speaker 3: make a profit. This is all illusion money.
• 44:12
  Speaker 4: But you know, if the deal don't go through, they
• 44:13
  Speaker 4: still get billions. It's like two point three billion or
• 44:16
  Speaker 4: five billions something like that. It doesn't matter which, like,
• 44:19
  Speaker 4: you know, they get a little something, they get a
• 44:20
  Speaker 4: little consolation prize.
• 44:22
  Speaker 1: Who WB gets it?
• 44:23
  Speaker 4: If the deal doesn't get through Netflix, it's either yes
• 44:26
  Speaker 4: WBWB gets something to data that I'm.
• 44:28
  Speaker 3: Saying, Neflix still doesn't make a profit. Netflix still has
• 44:30
  Speaker 3: been like draining money year after year. Yeah, it's it's
• 44:36
  Speaker 3: all illusion for yeah, basically. But back to the reality
• 44:40
  Speaker 3: or what could be the reality of the situation, and
• 44:42
  Speaker 3: what people are worried about is the fact that Netflix
• 44:44
  Speaker 3: is not someone who one cares about quality. There's super
• 44:49
  Speaker 3: quantity of quality. If any major studio of twenty twenty
• 44:54
  Speaker 3: five is driven by algorithms, it is Netflix. Like there
• 44:58
  Speaker 3: might be some human in some of these other places,
• 45:01
  Speaker 3: and Netflix there seems to be nothing. Because the amount
• 45:05
  Speaker 3: of slop and garbage that they pump out just to
• 45:09
  Speaker 3: keep you watching is not good. And because of that,
• 45:15
  Speaker 3: people are worried that theaters will be pushed out because
• 45:18
  Speaker 3: Netflix would rather have you at home watching all the
• 45:21
  Speaker 3: rest of their slop, so they don't want to, you know,
• 45:24
  Speaker 3: keep a movie in theater for any longer than they
• 45:26
  Speaker 3: need to long enough for it to in most cases,
• 45:30
  Speaker 3: for it to qualify for awards. And if they don't
• 45:32
  Speaker 3: think it's something that would qualify forwards, why even put
• 45:35
  Speaker 3: it in theaters?
• 45:37
  Speaker 1: So that could get weird very quickly, and we'll.
• 45:41
  Speaker 2: Get weird if it goes through.
• 45:42
  Speaker 4: I was one of the people who were saying the
• 45:43
  Speaker 4: sky was falling, because not to say it hasn't been falling,
• 45:47
  Speaker 4: but yeah, and I understand your take, but the fact
• 45:50
  Speaker 4: is this is also the sky is falling. This is
• 45:53
  Speaker 4: just another sign, another major red flag about the sky's falling.
• 45:57
  Speaker 4: When I say the skuy's falling, I mean from entertainment
• 46:00
  Speaker 4: and art perspective. Like when I heard this, I said,
• 46:02
  Speaker 4: this is the most terrible thing I've heard recently. Yes,
• 46:06
  Speaker 4: there's many other terrible things, but I'm not doing oppression Olympics.
• 46:09
  Speaker 4: I'm saying this is a terrible thing I've ever heard as.
• 46:12
  Speaker 1: Of right now. I was more just like, huh you.
• 46:15
  Speaker 3: It's because yeah, I expect this shit, and because it's
• 46:18
  Speaker 3: already been going this way, and because the major companies
• 46:22
  Speaker 3: are eventually going to be reduced to one company, one
• 46:26
  Speaker 3: or two at most, which is terrifying.
• 46:29
  Speaker 4: And I say that that's not the tracking, but it's
• 46:32
  Speaker 4: still terrifying. It doesn't negate the emotion.
• 46:35
  Speaker 3: Right, Yeah, see, it's not very terrifying to me because
• 46:38
  Speaker 3: for me, it's being like, okay, like like, let's take
• 46:41
  Speaker 3: it to music, right, I see, you know, we're at
• 46:44
  Speaker 3: the end of the year.
• 46:44
  Speaker 1: Everyone you know, willingly and most people at this.
• 46:47
  Speaker 3: Point know how terrible Spotify is, and yet people do
• 46:50
  Speaker 3: their advertisement for them, you know, end of the year.
• 46:53
  Speaker 1: Look at all the Spotify lists do look at how I.
• 46:55
  Speaker 3: Didn't pay these artists that I love, you know, And
• 46:57
  Speaker 3: so I look at that as someone who is now
• 47:00
  Speaker 3: releasing music.
• 47:01
  Speaker 1: And I even put this question on threads.
• 47:02
  Speaker 3: I got no answers for it yet, but I'll do
• 47:05
  Speaker 3: it again to see how it goes, because I was
• 47:07
  Speaker 3: asking DJ's producers because I'm looking to not even get
• 47:11
  Speaker 3: paid off my music, but I want to know what
• 47:13
  Speaker 3: platforms will help me to get my music to the
• 47:15
  Speaker 3: places where it'll allow me to do shows and things
• 47:18
  Speaker 3: of that nature off of my music.
• 47:20
  Speaker 1: Right, So I'm like, do I have to put it
• 47:22
  Speaker 1: on Spotify? Because I know, you know, Spotify is the worst.
• 47:25
  Speaker 1: I don't give a shit though I.
• 47:26
  Speaker 3: Will take it takes so many millions of streams to
• 47:29
  Speaker 3: make little change that I know it's nothing. Right now,
• 47:32
  Speaker 3: I have my music on band Camp and it makes
• 47:34
  Speaker 3: me a little bit of money and I'm like, that's cool,
• 47:36
  Speaker 3: but I know it's not getting the people right.
• 47:39
  Speaker 1: But that's the thing that is what this is.
• 47:42
  Speaker 3: Like I saw Joe Budden saying it, the music industry
• 47:45
  Speaker 3: has another year left. The movie industry does not have
• 47:48
  Speaker 3: much more time than that. The things that be used
• 47:51
  Speaker 3: to the way it was is gone, and that's what
• 47:54
  Speaker 3: it is. So it's not scary to me. It's more like, Okay,
• 47:56
  Speaker 3: how do you adapt in these situations?
• 47:58
  Speaker 1: For me?
• 47:59
  Speaker 3: And as I've seen them, people talk about the music
• 48:01
  Speaker 3: industry and the idea of selling the millions of records
• 48:04
  Speaker 3: is a waste of time, you know what I mean,
• 48:05
  Speaker 3: that's done. But what you can do is cultivate your community,
• 48:10
  Speaker 3: get a few thousand people who will buy your music
• 48:13
  Speaker 3: when you put it out, when you put an album
• 48:14
  Speaker 3: out for ten bucks each like it used to be,
• 48:17
  Speaker 3: and then boom, you have a career off of that.
• 48:20
  Speaker 3: You know, that is the way filmmaking is going to
• 48:23
  Speaker 3: go the same way because the tools to make films
• 48:25
  Speaker 3: are now in everyone's hands, just like the tools to
• 48:28
  Speaker 3: make music, it's in anyone's hands. So it's about, Okay,
• 48:32
  Speaker 3: how can I make the art that I want to make?
• 48:35
  Speaker 3: How can I get it to people? And how can
• 48:38
  Speaker 3: I build up a community. It's gonna be the same way.
• 48:40
  Speaker 3: And eventually, when you do that, the majors are gonna
• 48:43
  Speaker 3: come looking for you, just like they come and muse it.
• 48:45
  Speaker 3: But then you'll have a foot to stand on, et cetera.
• 48:47
  Speaker 3: And that's the wave.
• 48:49
  Speaker 1: Like it's just a changeing of the hands for me,
• 48:52
  Speaker 1: you know, and a changing of the way things are done.
• 48:55
  Speaker 3: Yes, it's getting worse, but like you said earlier, there's
• 48:58
  Speaker 3: a lot of other things that I got to worry
• 48:59
  Speaker 3: about that are getting worse in the world than you know,
• 49:02
  Speaker 3: Like it's always going to be about how can you
• 49:04
  Speaker 3: make your art and get it out to people who.
• 49:07
  Speaker 1: Care about it.
• 49:09
  Speaker 4: You make a very compelling point and very valid points
• 49:12
  Speaker 4: as well. I will also say it's still very terrifying
• 49:15
  Speaker 4: to live and see it's not so much oh it's
• 49:18
  Speaker 4: eighty seven billions to live and see the theft, to
• 49:22
  Speaker 4: live and see the change, and it's not just like, oh, well,
• 49:25
  Speaker 4: life is changing because of the and some of it
• 49:28
  Speaker 4: is because of the advancements of technology. It's also more
• 49:34
  Speaker 4: than that, right, right, and consolidation of power, and consolidation
• 49:40
  Speaker 4: power by people who do.
• 49:42
  Speaker 2: Not care about you. Fuck the art. They don't care
• 49:45
  Speaker 2: about people.
• 49:47
  Speaker 4: They don't and that's where the emotion of terror or
• 49:52
  Speaker 4: sadness or whatever that me and some other people are
• 49:55
  Speaker 4: feeling comes in, because it's just that.
• 49:59
  Speaker 2: And another. Just to continue on this whole Netflix still thing.
• 50:02
  Speaker 4: Netflix announced this last week and then just this morning,
• 50:07
  Speaker 4: Paramount announces a hostile bid takeover, which is yes, Netflix
• 50:15
  Speaker 4: and WB's board shook hand and said, yes, this is
• 50:17
  Speaker 4: what we're gonna do. Paramount said fuck that, because they
• 50:21
  Speaker 4: were there was a whole bunch of companies bidding. When
• 50:23
  Speaker 4: they didn't win, Paramount said, fuck that. We're going straight
• 50:26
  Speaker 4: to the shareholders. They turn around and offered a higher
• 50:30
  Speaker 4: how you Value deal and says, hey, this is better
• 50:33
  Speaker 4: for the shareholders, and we want to purchase WB in full,
• 50:38
  Speaker 4: which keeps it all together and includes the as mentioned,
• 50:40
  Speaker 4: the TV part, the CNN part. We're going to keep
• 50:44
  Speaker 4: it together. That's good for business. We're going to give
• 50:45
  Speaker 4: the shareholders more money do you know who is the
• 50:50
  Speaker 4: paramount slash guy dance CEO. His name is David Ellison.
• 50:55
  Speaker 4: Do you know who he's aligned with, Peter Dial, the
• 51:00
  Speaker 4: current cheeto.
• 51:00
  Speaker 3: In office and that family David Elson definitely, I think
• 51:05
  Speaker 3: is mentioned with.
• 51:07
  Speaker 4: Sure, they're all in leagues with the same people, and
• 51:10
  Speaker 4: this is where And not to say that nothing is
• 51:12
  Speaker 4: any better. That's big tech, right, that's another evil about
• 51:15
  Speaker 4: technology swallow you know, the Amazons and everybody else swallowing
• 51:19
  Speaker 4: up everything, and not to say and it's so wild,
• 51:22
  Speaker 4: because not to say that these these you know, old
• 51:26
  Speaker 4: school networks are the bastion of good. It's just that
• 51:30
  Speaker 4: at least at one point they was individuals. It's kind
• 51:33
  Speaker 4: I feel like ploribus. It's like, hey man, there was
• 51:36
  Speaker 4: some individuality going, there was some competition going.
• 51:39
  Speaker 2: Now everybody is joined that ship is wild to me.
• 51:43
  Speaker 4: And then the people who are positioned at the top,
• 51:46
  Speaker 4: who are now trying or already do but are trying
• 51:49
  Speaker 4: to increase their control of media, increase their control of
• 51:52
  Speaker 4: news and this and that what we get to see
• 51:55
  Speaker 4: on TV. And not to say that what everything you
• 51:57
  Speaker 4: said wasn't true. Yes, because there are ways to fight back,
• 51:59
  Speaker 4: There ways to make changes that will help you during
• 52:05
  Speaker 4: this process. It's just that the ship is still happening.
• 52:08
  Speaker 1: Yes, And my thing is you can't stop it. No,
• 52:11
  Speaker 1: and you can't.
• 52:11
  Speaker 3: And that's like that is like the thing where I
• 52:13
  Speaker 3: always go to. It's like when one day I used
• 52:16
  Speaker 3: to be one of those people who would worry about conspiracies, right,
• 52:18
  Speaker 3: I would. I've read every conspiracy there you can imagine.
• 52:22
  Speaker 3: And one of my best friends said, Ben, your rents
• 52:24
  Speaker 3: still do you know? And that's how I look at
• 52:26
  Speaker 3: a lot of these things, Like, if you're worried about Netflix,
• 52:28
  Speaker 3: there's a couple of other companies like I just you know,
• 52:30
  Speaker 3: I name people who I don't even like that.
• 52:32
  Speaker 2: Yeah, but I don't. I don't like that response that
• 52:34
  Speaker 2: people say, like, well there's others like we know, no.
• 52:36
  Speaker 1: No, no, no, listen, let me finished listening to listen,
• 52:40
  Speaker 1: let me finish.
• 52:41
  Speaker 3: Yeah, it's not about that that that you have other
• 52:43
  Speaker 3: things to do. Your rent is still do et cetera. Yes,
• 52:46
  Speaker 3: But what, like I said, if you're worried about companies consolidating,
• 52:49
  Speaker 3: Netflix isn't the one. Like I named other people who
• 52:53
  Speaker 3: I'm not gonna name again, and you know, the companies
• 52:55
  Speaker 3: they own and work with are the ones that you
• 52:58
  Speaker 3: should really be wororried about.
• 53:00
  Speaker 1: And these are the people who are behind Netflix and
• 53:02
  Speaker 1: everything as well. And at the same time, all like,
• 53:06
  Speaker 1: as I'm.
• 53:07
  Speaker 3: Sitting there thinking about this today, I reposted a photo
• 53:10
  Speaker 3: from when the Black Panthers free breakfast program was going on.
• 53:15
  Speaker 3: And for those who don't know the free breakfast program,
• 53:17
  Speaker 3: what is the reason why kids have breakfast in schools today?
• 53:22
  Speaker 3: Straight up and down. And it's one of the It's
• 53:24
  Speaker 3: probably one of the major reasons why they started shooting
• 53:27
  Speaker 3: Black Panthers. You know, carrying guns is one thing, but
• 53:29
  Speaker 3: when you start giving breakfast to kids.
• 53:31
  Speaker 1: Oh no, y'all fuckers got it go giving powers to
• 53:33
  Speaker 1: all the people, to all people. So that's what I'm saying.
• 53:37
  Speaker 3: That is like, what's going through my head right now
• 53:39
  Speaker 3: is that image because that fight and that struggle never ends.
• 53:45
  Speaker 3: And the enemy and another line that I always love
• 53:47
  Speaker 3: is from the Wire is the game don't change. It
• 53:50
  Speaker 3: just gets fiercer. You know, it does not change, It
• 53:54
  Speaker 3: just gets rougher. But the struggle continues. You know a
• 53:59
  Speaker 3: lot of people been there was something I welcomed the
• 54:01
  Speaker 3: dairy about Black Wall Streets. A lot of people talking
• 54:03
  Speaker 3: about Black Wall Street and the struggle continues, you know
• 54:07
  Speaker 3: what I mean. It always is going to be oh,
• 54:10
  Speaker 3: look what they doing?
• 54:11
  Speaker 1: Now? Yeah, but what are you doing? You know?
• 54:13
  Speaker 3: And that's what I'm saying. You're gonna have to keep fighting,
• 54:16
  Speaker 3: That's what I mean. It's not about you know that,
• 54:18
  Speaker 3: Oh you gotta go pay your rent. No, You're gonna
• 54:20
  Speaker 3: have to keep fighting. That's what i'man from the very
• 54:22
  Speaker 3: jump of this conversation. You gotta still make that art,
• 54:25
  Speaker 3: you gotta still get it out to the people, and
• 54:27
  Speaker 3: you know, you gotta have to figure that out because
• 54:29
  Speaker 3: the fight still continues, you know, and it's every day,
• 54:35
  Speaker 3: you know, like maybe you won't ever get to write
• 54:38
  Speaker 3: a Batman comic, Oh will you know?
• 54:42
  Speaker 1: You're gonna have to write your own Batman?
• 54:44
  Speaker 2: So what about the people that say life dream?
• 54:47
  Speaker 1: Sorry? But no, what where my dude?
• 54:51
  Speaker 3: Like the sympathy and where I do feel it as
• 54:53
  Speaker 3: someone who does work in these industries is the shrinking
• 54:56
  Speaker 3: of it. Like there used to be like so many
• 54:59
  Speaker 3: writing jobs in Hollywood And when I was there, i
• 55:03
  Speaker 3: mean eight, you know, seven years ago, it was this
• 55:06
  Speaker 3: many and now it's this many, and you can't see
• 55:08
  Speaker 3: my hands, it's shrunk, you know, dramatically.
• 55:12
  Speaker 2: That's also a symptom of consolidation lies And that's what.
• 55:15
  Speaker 3: I'm saying that, But that when I say that, that's
• 55:18
  Speaker 3: why it's like, well, we're going to have to create
• 55:19
  Speaker 3: these jobs outside of Hollywood, you know, we're going to
• 55:23
  Speaker 3: create these situations for ourselves. We have to create these economies,
• 55:26
  Speaker 3: you know, on a smaller scale, you might have to
• 55:28
  Speaker 3: steal back.
• 55:29
  Speaker 1: You know. Writers, they're paid a lot in Hollywood.
• 55:31
  Speaker 3: I know, it's a great life, what that you make it,
• 55:34
  Speaker 3: you know, but you might have to figure out another
• 55:36
  Speaker 3: way to be a writer, and it might not make
• 55:38
  Speaker 3: as much money, you know, but you might get your
• 55:41
  Speaker 3: message out to a better way. And that's what I
• 55:44
  Speaker 3: always talk about, right It's like one of my favorite books.
• 55:47
  Speaker 3: I can't remember the name, but the lesson I learned
• 55:49
  Speaker 3: from it is that revolutions are not started by changing
• 55:53
  Speaker 3: one hundred people one percent. They're started by changing one
• 55:55
  Speaker 3: person one hundred percent. So that's how you start a revolution.
• 55:59
  Speaker 3: So if you are really about this life, if you
• 56:02
  Speaker 3: want to make art, if you want to make change,
• 56:05
  Speaker 3: then Hollywood is never the fucking way to go in
• 56:08
  Speaker 3: the first place. Spam it was a way for you
• 56:10
  Speaker 3: to sell out and you know, get paid. Sure, but
• 56:13
  Speaker 3: if you really wanted to do it, you know that
• 56:15
  Speaker 3: ain't where it is. And then at the same time,
• 56:18
  Speaker 3: like Netflix is its evil monster with nothing work slop.
• 56:21
  Speaker 3: But I went and see some of my favorite films
• 56:24
  Speaker 3: in the last five years without Netflix. Athena are this
• 56:30
  Speaker 3: year Blue Giants on there. One of my films of
• 56:34
  Speaker 3: the year, Good News is on there, and that was
• 56:37
  Speaker 3: the way they were distributed. So it's like I knew,
• 56:40
  Speaker 3: you know, I knew about Blue Giant through other ways
• 56:41
  Speaker 3: through Mellow put me on when it came out in Japan.
• 56:44
  Speaker 3: But now it's on Netflix for everyone to see it. Sure,
• 56:47
  Speaker 3: you got to go through a bunch of slot, but
• 56:49
  Speaker 3: that's like, you know, I know, I just come from
• 56:51
  Speaker 3: this world where like when I first got into hip hop,
• 56:53
  Speaker 3: people tell me hip hop is dead, and this is
• 56:55
  Speaker 3: in the early nineties, right way before now I've ever
• 56:58
  Speaker 3: made that album, et cetera. You know, I'm talking, They're
• 57:00
  Speaker 3: like this, did you know? And I'm like, what, it's
• 57:03
  Speaker 3: just popping. Y'all just sound old. And that's the same
• 57:07
  Speaker 3: thing I feel about anything. It's always going to be
• 57:09
  Speaker 3: a lot of slot.
• 57:11
  Speaker 1: You know.
• 57:11
  Speaker 3: That's why I tell people like people nowadays, they're like, yo,
• 57:13
  Speaker 3: you can't put anything good music.
• 57:15
  Speaker 1: I'm like, well, one, you listen to the radio. Two
• 57:18
  Speaker 1: you're not looking.
• 57:21
  Speaker 3: And because the ways in which you used to get
• 57:23
  Speaker 3: music don't exist anymore, right, And.
• 57:25
  Speaker 4: That's what I'm saying when I'm like it is also
• 57:28
  Speaker 4: a problem for a lot of people because not to
• 57:29
  Speaker 4: say that they're not trying, but.
• 57:30
  Speaker 2: It gets harder. Yeah, and it's get buried, and don't
• 57:33
  Speaker 2: get buried.
• 57:34
  Speaker 1: Here, sir.
• 57:34
  Speaker 3: It's gonna get worse. We are living in troubling times.
• 57:39
  Speaker 3: Things are going to get worse, you know, like you know,
• 57:44
  Speaker 3: like straight up, one of my favorite movies that re
• 57:46
  Speaker 3: releasing in theaters in January, The Lord of the Rings saga.
• 57:50
  Speaker 3: You know, I wish i'd you know, never lived to
• 57:52
  Speaker 3: cite these times. No, no one wants to see it,
• 57:55
  Speaker 3: you know. But it's what you do with the time
• 57:57
  Speaker 3: that you were given.
• 58:00
  Speaker 4: I wish none of this shit happened.
• 58:02
  Speaker 1: Sure do all live to see such times, but that
• 58:05
  Speaker 1: does not for them to decide. Oh, we have to decide.
• 58:09
  Speaker 1: It's what to do with the time to get them.
• 58:12
  Speaker 1: That's what it always is, you know, times rough. My
• 58:16
  Speaker 1: auntie got enough problems on her own. It's supposed to
• 58:19
  Speaker 1: be grown nigga, Like you know, you're gonna have to,
• 58:22
  Speaker 1: you know, get up and get out and get something.
• 58:26
  Speaker 1: That's what I mean. It's just I get it. I
• 58:28
  Speaker 1: get it.
• 58:28
  Speaker 3: I get it, Trust me, I get it. I love
• 58:31
  Speaker 3: those nice Hollywood writers. Job man woo check is lovely faults.
• 58:38
  Speaker 1: You know.
• 58:39
  Speaker 2: My thing.
• 58:39
  Speaker 4: It's all about the control.
• 58:41
  Speaker 3: Yeah, and you'll yeah, well see that's the it is.
• 58:45
  Speaker 3: The problem of distribution is the problem. But like I said,
• 58:49
  Speaker 3: I come from son out of the trunk, you know.
• 58:51
  Speaker 3: I come from growing up under too short you know,
• 58:54
  Speaker 3: who made an empire. Shout out to Luther Campbell, Uncle Luke,
• 58:57
  Speaker 3: who made an empire, you know, Masterpce empire by selling
• 59:01
  Speaker 3: out of the goddamn Trump.
• 59:04
  Speaker 4: You know.
• 59:04
  Speaker 3: So that's where I come from. I don't come from like,
• 59:06
  Speaker 3: oh well, let me go get it from someone else,
• 59:10
  Speaker 3: you know. I come from Texas, where you know, like
• 59:12
  Speaker 3: every rapper is like shit, it's a gold mind.
• 59:14
  Speaker 1: Just selling in Texas.
• 59:17
  Speaker 3: You know, I don't need for need to sell outside
• 59:19
  Speaker 3: of the state, you know, Texas, Louisiana, Arkansas, Alabama. I'm
• 59:24
  Speaker 3: good money fan, you know, And so that's why, like
• 59:28
  Speaker 3: you got to understand, you know, the game is done
• 59:29
  Speaker 3: to change, but you're gonna have to adapt.
• 59:32
  Speaker 1: That's what it's all about. The game is always changing.
• 59:34
  Speaker 1: Like you can't sit there. The game gets fiercer, watch
• 59:36
  Speaker 1: the fire folks in it. You know, everything's laid out.
• 59:40
  Speaker 3: And that's the thing, Like I always tell people, I
• 59:42
  Speaker 3: come from playing games like Shadow Run where eventually it
• 59:45
  Speaker 3: was two or three corporations, demolition man laid it out,
• 59:49
  Speaker 3: supposed to be Taco Bell.
• 59:51
  Speaker 1: You know.
• 59:51
  Speaker 3: My boy used to say about conspiracies, God, Coca Cola
• 59:54
  Speaker 3: and I being made a deal a long time ago.
• 59:57
  Speaker 3: You better stop worried about anything. But you God damn Rent,
• 1:00:01
  Speaker 3: you know, because he's like God, Coca Colon. Yeah, they've
• 1:00:04
  Speaker 3: been made the deal, you know what I mean, Like.
• 1:00:08
  Speaker 1: Made the deal.
• 1:00:08
  Speaker 3: You don't have nothing on that level to think about,
• 1:00:11
  Speaker 3: you know. But the fight is still gonna continue, That's
• 1:00:14
  Speaker 3: what I'm saying. You know, That's all I'm saying about.
• 1:00:16
  Speaker 3: All that's I get it, you know, But and yeah,
• 1:00:19
  Speaker 3: on that, let's move to this next topic because the
• 1:00:22
  Speaker 3: fight still gonna continue.
• 1:00:24
  Speaker 1: The Golden Globe nominations came out.
• 1:00:27
  Speaker 2: And the favorite film got laced with mad nomination.
• 1:00:31
  Speaker 3: And this is what did I tell y'all when I said,
• 1:00:33
  Speaker 3: when I stepped out of the theater, when and I'll
• 1:00:35
  Speaker 3: say it on here. I don't even say this goddamn
• 1:00:37
  Speaker 3: movie's name, you know, in public anymore. But when one
• 1:00:40
  Speaker 3: battle after another one I stepped out of the theater,
• 1:00:42
  Speaker 3: I was like, this movie should be the most nominated
• 1:00:43
  Speaker 3: film for the osp ship and I hate it and
• 1:00:46
  Speaker 3: it's darbage, you know, But that's a lot of them
• 1:00:49
  Speaker 3: joints like that Whiplash, a movie that I love in
• 1:00:53
  Speaker 3: a way, was super nominated, and then it led to
• 1:00:56
  Speaker 3: La La Land, which got all the nominations and almost
• 1:00:59
  Speaker 3: stole it from Moon. Like it's the same director at everything.
• 1:01:01
  Speaker 3: And La La Land and Whooplash are both about jazz music.
• 1:01:05
  Speaker 3: And I haven't seen La La Land because I saw
• 1:01:08
  Speaker 3: Whiplash and I was like, this movie has nothing to do.
• 1:01:10
  Speaker 1: With jazz music.
• 1:01:12
  Speaker 2: You know, I've never seen either.
• 1:01:14
  Speaker 3: You've seen Whiplash, right, Oh well, who Blast is wildly entertaining,
• 1:01:18
  Speaker 3: don't get me wrong, it's so good, but it's just
• 1:01:20
  Speaker 3: not about jazz, you know.
• 1:01:22
  Speaker 1: It's about some music that is about playing fast and
• 1:01:24
  Speaker 1: being pise, you know, and I guess that I guess
• 1:01:29
  Speaker 1: that's what they think jazz is about.
• 1:01:31
  Speaker 2: But that movie, now, okay, you know, and people loved it,
• 1:01:36
  Speaker 2: you know, peoplere like, O good.
• 1:01:37
  Speaker 1: You know, and then led to the dude being able
• 1:01:39
  Speaker 1: to do la la lambe.
• 1:01:40
  Speaker 3: They were liked, give him to ask for and so
• 1:01:42
  Speaker 3: it's like this would you know, I will always say
• 1:01:44
  Speaker 3: once again, like I just said, the fight won't continue,
• 1:01:47
  Speaker 3: and that's not for us.
• 1:01:48
  Speaker 1: You know, Sinners got what it's needed to get money.
• 1:01:53
  Speaker 2: Sinner's got seven nomination.
• 1:01:54
  Speaker 1: It also got seven nominations.
• 1:01:56
  Speaker 4: Best Picture, the Best Performance by Male Actor, Michael Jordan's,
• 1:02:02
  Speaker 4: Best Director, Let's Go, Original score, Luvid Gornson, the original
• 1:02:07
  Speaker 4: song I allowed to you, cinematography.
• 1:02:09
  Speaker 1: Yeah all right, all right, I lied to you, Miles.
• 1:02:13
  Speaker 2: Canton, who sang that all right? All right, Frank it's
• 1:02:16
  Speaker 2: notin Hit Big two.
• 1:02:17
  Speaker 4: I haven't seen it yet, Like you know, even though
• 1:02:20
  Speaker 4: I'm not really the biggest fan of One Battle, I'm
• 1:02:22
  Speaker 4: very proud of Tianna Taylor. She actually got a nomination
• 1:02:25
  Speaker 4: for Best Performance by Supporting Supporting.
• 1:02:28
  Speaker 1: Female Reporting because she vanishes frankens sign.
• 1:02:34
  Speaker 3: I got ripped on threads because you know, after I
• 1:02:37
  Speaker 3: watched it, I was like, did I miss something? Because
• 1:02:39
  Speaker 3: this is just yet another White Man Needs a Hug
• 1:02:41
  Speaker 3: movie for me?
• 1:02:42
  Speaker 2: Did this is Girmo's movie?
• 1:02:45
  Speaker 1: It is?
• 1:02:46
  Speaker 4: Right?
• 1:02:46
  Speaker 3: And don't don't get me wrong, I'm a Guirmo fan
• 1:02:48
  Speaker 3: up to a point, you know, but like I felt,
• 1:02:51
  Speaker 3: you know, I got attacked by a couple of you know,
• 1:02:55
  Speaker 3: you know, film threads and I looked through their threads
• 1:02:57
  Speaker 3: and they were all, oh my god, this movie and
• 1:02:59
  Speaker 3: all that. So I was like, all right, cool, you
• 1:03:00
  Speaker 3: know that's how y'all feel. Shout out to honest trailers
• 1:03:03
  Speaker 3: who basically summed it up like I said. They said,
• 1:03:06
  Speaker 3: it is a White Man Needs a Hug movie that
• 1:03:08
  Speaker 3: feels pretty much like a Marvel movie of points in
• 1:03:10
  Speaker 3: terms of its simplicity, and like the way, I won't
• 1:03:16
  Speaker 3: spoil anything, but oh my god, like the Redemption arc
• 1:03:19
  Speaker 3: is like, okay, you're good now, you know, I guess
• 1:03:22
  Speaker 3: so yeah, whatever, Frank, It's not being nominated is one
• 1:03:24
  Speaker 3: of those like as.
• 1:03:25
  Speaker 2: Mad nominations too, you know, did you even come out yet? Avatire,
• 1:03:31
  Speaker 2: Fire and Ash got nominations.
• 1:03:34
  Speaker 3: Yeah, I mean, like I usually trust the going globes,
• 1:03:37
  Speaker 3: I know, what he calls the nominated out the right
• 1:03:39
  Speaker 3: Marty Supreme.
• 1:03:41
  Speaker 1: Did he get nominated?
• 1:03:43
  Speaker 3: Is not out yet officially, but I know it's it's
• 1:03:44
  Speaker 3: going for the Oscar big time too, Timothy.
• 1:03:48
  Speaker 4: Yeah yeah, Best Screenplay, yeah everything, Best Motion Picture, Best Performers,
• 1:03:53
  Speaker 4: Timothy Chambley.
• 1:03:54
  Speaker 1: What about Tyler? Tyler? No supporting for Tyler, he's in it?
• 1:03:59
  Speaker 4: Let me see. Well no, Marty only came up four
• 1:04:01
  Speaker 4: times in those four categories, So yeah, I'm sorry.
• 1:04:05
  Speaker 3: I just like, you know that Oscar buzz love, you know,
• 1:04:09
  Speaker 3: get rolling down the hill to Tyler.
• 1:04:11
  Speaker 1: You know, I was hoping, you.
• 1:04:15
  Speaker 2: Know, and I still haven't seen im. Do want to
• 1:04:18
  Speaker 2: see it?
• 1:04:18
  Speaker 4: F one F one got got nams.
• 1:04:20
  Speaker 1: Yeah. I was surprised to see that one too.
• 1:04:22
  Speaker 2: I was actually surprised.
• 1:04:23
  Speaker 4: Cinematic and cinematic and box office achievement. Okay, original score
• 1:04:27
  Speaker 4: for Hans Zimmer, but that's Hans Zimmer, like.
• 1:04:28
  Speaker 1: Yeah, you know.
• 1:04:32
  Speaker 2: And again, like I said, it's just just similar.
• 1:04:35
  Speaker 3: Door got nominated right on TV because loves TV and film,
• 1:04:39
  Speaker 3: and or got.
• 1:04:40
  Speaker 4: Diego Luna Best Performance by a Male Actor and TV.
• 1:04:44
  Speaker 4: That's all I see for and Or damn got got
• 1:04:49
  Speaker 4: phenominated in that same category. For Task Gary Oldman Stooney K.
• 1:04:53
  Speaker 4: Brown for Paradise.
• 1:04:54
  Speaker 2: Yes, okay, okay, I hope you saw the teaser there.
• 1:04:57
  Speaker 3: It was a tease of a teaser. I can't leave
• 1:05:00
  Speaker 3: that man's playing crashed already though was I.
• 1:05:02
  Speaker 4: Was like, did you just leave my hap you didn't
• 1:05:10
  Speaker 4: get five m I know you wasn't like too too
• 1:05:14
  Speaker 4: tough on this latest or the last season before. Maybe
• 1:05:16
  Speaker 4: in the latest season, but the Bear got like four
• 1:05:19
  Speaker 4: Best TV Series, Musical Comedy, I at the Berry, she
• 1:05:23
  Speaker 4: got Best Performance Female Actor and TV Jeremy Allen White
• 1:05:27
  Speaker 4: for Best Male Actor, And oh that's it. Yeah, but
• 1:05:32
  Speaker 4: you know, some of some of some good some.
• 1:05:34
  Speaker 2: Good things here.
• 1:05:34
  Speaker 4: And also just again just partially related to the last
• 1:05:37
  Speaker 4: conversation we just had, Like seeing Apple and Netflix come
• 1:05:41
  Speaker 4: up so many times in this it's just startling to me,
• 1:05:45
  Speaker 4: just as someone who grew up with these niggas, and
• 1:05:47
  Speaker 4: not to say it doesn't change.
• 1:05:48
  Speaker 1: It's just like, oh, yeah, but that's the game. You know,
• 1:05:51
  Speaker 1: that is the game.
• 1:05:51
  Speaker 3: And like when you watch Apple having really great things,
• 1:05:56
  Speaker 3: you know, really good things, you know.
• 1:05:58
  Speaker 1: For the most part, I really eight things they deserve it.
• 1:06:00
  Speaker 3: Like, like I told you, the studio and the studio,
• 1:06:04
  Speaker 3: and the studio is one of the ones that is
• 1:06:06
  Speaker 3: like laying out, but it's happening. You know that that
• 1:06:09
  Speaker 3: is exactly the first season is about a streaming company,
• 1:06:13
  Speaker 3: I think Amazon trying to buy.
• 1:06:14
  Speaker 2: Up the studio and speaking about laying out, what's happening.
• 1:06:17
  Speaker 4: You know how my husband and I are are are
• 1:06:20
  Speaker 4: catching up on The Morning Show or season three and
• 1:06:24
  Speaker 4: this is literally season where a tech company buys a
• 1:06:28
  Speaker 4: legacy media company. And I was just sitting there like, oh,
• 1:06:30
  Speaker 4: this is parallel to everything happening right now, and it's
• 1:06:35
  Speaker 4: it's a season from like two years ago.
• 1:06:36
  Speaker 2: So jeez, Louise, And.
• 1:06:39
  Speaker 3: Like I said, though, it was supposed to be Taco Bell,
• 1:06:41
  Speaker 3: you know that's what Demolition Man said. You know it's
• 1:06:43
  Speaker 3: going to be Taco Bell or like my boys said,
• 1:06:46
  Speaker 3: IBM Coke and god, you know, it was always going
• 1:06:49
  Speaker 3: to be somebody it is.
• 1:06:51
  Speaker 2: Oh and shout out to Steth Thrower because I sucked
• 1:06:53
  Speaker 2: with him.
• 1:06:54
  Speaker 4: He's justo.
• 1:06:56
  Speaker 1: Yeah.
• 1:06:57
  Speaker 2: Yeah, best TV series, best performs by male actor. They're
• 1:07:00
  Speaker 2: gonna female too.
• 1:07:02
  Speaker 1: Yeah, It's look. I love that show. I can't wait
• 1:07:05
  Speaker 1: for season two.
• 1:07:06
  Speaker 2: And so you still watching Abbot Elementary of course abbot
• 1:07:10
  Speaker 2: ab't got some too.
• 1:07:12
  Speaker 4: That's TV. Oh, that's it.
• 1:07:16
  Speaker 2: Oh, I see right now is best TV series?
• 1:07:18
  Speaker 3: Okay, but you know always yeah average one of those
• 1:07:20
  Speaker 3: ones who it got its early ones and then it's
• 1:07:23
  Speaker 3: gonna be like the last season whenever they do a
• 1:07:25
  Speaker 3: final season.
• 1:07:25
  Speaker 2: That they're gonna lace them a bunch of rewards.
• 1:07:27
  Speaker 3: Yeah yeah, yeah, yeah yeah, because right now it's like,
• 1:07:30
  Speaker 3: you know, they're just established and it's it's solid, but
• 1:07:33
  Speaker 3: it's not game changing, you know, any one season so far,
• 1:07:36
  Speaker 3: they haven't had a like I remember I can'tmember what
• 1:07:39
  Speaker 3: season of Black and Sue was. Remember one season of
• 1:07:40
  Speaker 3: Black and was right after Atlanta had come out where
• 1:07:42
  Speaker 3: I was like, yo, they got a new show runner
• 1:07:44
  Speaker 3: because this is different. This is like this season is
• 1:07:47
  Speaker 3: like they were watching Atlanta and they're like, okay, it's
• 1:07:49
  Speaker 3: time to definite. They did a musical episode about black history.
• 1:07:53
  Speaker 3: They did all these really crazy episodes that season where
• 1:07:55
  Speaker 3: I was like, yo, they have stepped it up.
• 1:07:57
  Speaker 1: So they haven't done that.
• 1:07:59
  Speaker 3: Yet on Avid Elmary, but hopefully, I mean they've had
• 1:08:03
  Speaker 3: great you know, it's all been solid. Don't get me wrong. Man,
• 1:08:06
  Speaker 3: One of my I'm still watching one of my favorite
• 1:08:08
  Speaker 3: shows ever. Yeah, and I'm so happy for it to
• 1:08:11
  Speaker 3: exist because, like I say, it's so rare to see
• 1:08:14
  Speaker 3: a show involving positive black people and who are not superheroes,
• 1:08:18
  Speaker 3: who are not anything that's far. Love it so much
• 1:08:21
  Speaker 3: because I feel like it just shows role models that
• 1:08:23
  Speaker 3: we don't get to see enough.
• 1:08:24
  Speaker 1: And man, that show, it brings me to tears, something I.
• 1:08:28
  Speaker 4: Love to Quincent Brunston man. She she came so far
• 1:08:31
  Speaker 4: then from the days of what was she on BuzzFeed?
• 1:08:34
  Speaker 1: So far, so far from you got money money, Yeah,
• 1:08:39
  Speaker 1: so far.
• 1:08:40
  Speaker 2: Before we go, there is a giveaway we have to announce.
• 1:08:43
  Speaker 4: So yes, our resident sound engineer, designer, slash VR specialist Johnny.
• 1:08:50
  Speaker 1: Moon, slash Twitch co partner.
• 1:08:53
  Speaker 4: Co partner, So make sure you are on the four
• 1:08:55
  Speaker 4: all nerds Twitch channels for what is it? Twitch dot TV,
• 1:08:59
  Speaker 4: Slash four All Nerds. Yes, look look at sorry fucked
• 1:09:02
  Speaker 4: up the r L. But the point is go to
• 1:09:03
  Speaker 4: Twitch looking for foreigners him and Ben, I mean, do
• 1:09:06
  Speaker 4: the most hilarious dreams.
• 1:09:08
  Speaker 1: No, there's a there's a cave over here, the oh shuit.
• 1:09:17
  Speaker 4: Well, balders Gate is the main one right now. Johnny
• 1:09:20
  Speaker 4: Moon v R J O N n y m o
• 1:09:23
  Speaker 4: O n v R on TikTok is hosting a game
• 1:09:26
  Speaker 4: giveaway this week. This is this week that you hear
• 1:09:29
  Speaker 4: This week of December eighth uh for the meta quest.
• 1:09:34
  Speaker 4: He is giving out four free copies of the new
• 1:09:37
  Speaker 4: Dungeons and Dragons battle Marked v R game. It is
• 1:09:41
  Speaker 4: a digital D and D tabletop adventure by Resolution Games.
• 1:09:45
  Speaker 4: In order to enter to win one of the four
• 1:09:48
  Speaker 4: free copies, you have to follow Johnny Moon v R
• 1:09:51
  Speaker 4: on TikTok, find the pinned giveaway posts, comment battle Marked,
• 1:09:58
  Speaker 4: and tag a friend and re post.
• 1:10:01
  Speaker 1: You got to make sure they follow four nerds on
• 1:10:03
  Speaker 1: TikTok as well.
• 1:10:04
  Speaker 2: Yeah I think you might have to follow us too,
• 1:10:05
  Speaker 2: or we're going to disqualify you.
• 1:10:07
  Speaker 1: Sorry straight hup to.
• 1:10:08
  Speaker 4: Giveaways starts on Wednesday, December tenth, and the four winners
• 1:10:12
  Speaker 4: will be announced on Friday, December twelfth. So just to
• 1:10:16
  Speaker 4: reiterate what you gotta do, go follow Johnny Movie on TikTok,
• 1:10:19
  Speaker 4: find that pen giveaway post. You need to comment battle Marked.
• 1:10:22
  Speaker 4: You need to be following for all nerds, and also
• 1:10:24
  Speaker 4: tag a friend you know you might This friend might
• 1:10:26
  Speaker 4: get lucky to so, so if you're into D and
• 1:10:28
  Speaker 4: D into VR want to combine the two. There you
• 1:10:31
  Speaker 4: go and actually seeing the game, the game is looks
• 1:10:33
  Speaker 4: pretty fun.
• 1:10:33
  Speaker 3: Actually, yeah, And like Tatyana said, we are on twitch
• 1:10:38
  Speaker 3: dot tv slash for All Nerds a lot more frequently
• 1:10:41
  Speaker 3: these days. We're still trying to figure out like ezat
• 1:10:43
  Speaker 3: toime's and schedules, but we've been doing a nine to
• 1:10:46
  Speaker 3: nine pm, nine thirty PM to you know, eleven thirty
• 1:10:50
  Speaker 3: midnight stream of Balter's Date, Me and Luna on various weekdays.
• 1:10:54
  Speaker 3: We're gonna lot down some days. We're actually about to
• 1:10:57
  Speaker 3: go live right now. So you know, if you took
• 1:11:00
  Speaker 3: my advice and followed us on Twitch ir TV slash
• 1:11:02
  Speaker 3: for All Nerds, you would know that because you get
• 1:11:04
  Speaker 3: the notification when we go live and you'll see us
• 1:11:07
  Speaker 3: tonight on Baller Date. But if not, you know, do
• 1:11:10
  Speaker 3: what I just said, follow on twitch our TV slash
• 1:11:13
  Speaker 3: for All Nerds.
• 1:11:15
  Speaker 1: And also before we.
• 1:11:16
  Speaker 3: Get out here, you know, I team seeing a lot
• 1:11:19
  Speaker 3: of YouTubers say this, so statistics show that the amount
• 1:11:23
  Speaker 3: of people that watch this do not hit that subscribe button.
• 1:11:27
  Speaker 3: So trag make sure, yeah, tragic for real, make sure
• 1:11:31
  Speaker 3: you hit that subscribe button. Right now on you right
• 1:11:34
  Speaker 3: now if you're watching this on whatever platform, because it's
• 1:11:37
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• 1:11:39
  Speaker 1: You know, if you're on Spotify the demon, you know,
• 1:11:42
  Speaker 1: make sure you hit that follow.
• 1:11:45
  Speaker 2: Listen y'all.
• 1:11:46
  Speaker 4: And also like the easiest things, like if you see
• 1:11:49
  Speaker 4: us on ig there's like a reverse no button under
• 1:11:52
  Speaker 4: every video.
• 1:11:53
  Speaker 1: Now press it like that ass Like every post is
• 1:11:57
  Speaker 1: the reverse you know, y'all.
• 1:11:58
  Speaker 2: The button that's the ship button. Put it see us
• 1:12:03
  Speaker 2: just be like, oh, I say, y'all.
• 1:12:05
  Speaker 4: Tag like it's the easy thing and it literally takes
• 1:12:08
  Speaker 4: half a second, Like just do that and that helps
• 1:12:11
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• 1:12:13
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• 1:12:15
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• 1:12:17
  Speaker 4: talked about the somebody else share it.
• 1:12:19
  Speaker 2: That's it.
• 1:12:20
  Speaker 3: Yes, you know you have copped one of our memorabilia.
• 1:12:24
  Speaker 3: You know that we're both wearing like the Gucci Mandalorian
• 1:12:28
  Speaker 3: the Legendary now in sweatshirt form, available on for All
• 1:12:32
  Speaker 3: Nerds dot com. Now in sweatshirt form available on for.
• 1:12:36
  Speaker 1: All nerds dot com.
• 1:12:37
  Speaker 4: We got mass sweatshirt in the winter.
• 1:12:39
  Speaker 3: Mad sweatshirts do designs yet all kinds of fire designs
• 1:12:43
  Speaker 3: coming very soon. A lot of shit coming for All Nerds.
• 1:12:47
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• 1:12:50
  Speaker 1: You know.
• 1:12:50
  Speaker 3: You go over there, you put in some donations, some gifts,
• 1:12:55
  Speaker 3: you know, and they will be returned to you, you
• 1:12:57
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• 1:13:00
  Speaker 3: But yeah, if you get one of these butters for yourself,
• 1:13:03
  Speaker 3: make sure you tag us at Fall Nerds. Please when
• 1:13:06
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• 1:13:08
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• 1:13:11
  Speaker 3: there in the you know, wild in the universe and
• 1:13:14
  Speaker 3: all that. Oh, real quick, big shout up to the
• 1:13:16
  Speaker 3: Black Comic Lords. They just had a virtual comic con
• 1:13:20
  Speaker 3: this weekend. Shout out to y'all. Congratulations, hope that went
• 1:13:23
  Speaker 3: very well. What else we got a shout out? Shout
• 1:13:26
  Speaker 3: out to Anyone comics you know. As always, you can
• 1:13:28
  Speaker 3: pick up a copy of Jimmy Hender's Purple Haze. Make
• 1:13:30
  Speaker 3: sure you get one of those for you know, the
• 1:13:32
  Speaker 3: holiday season. I will still sign a copy for you
• 1:13:36
  Speaker 3: if you let me know about it. If you tell
• 1:13:38
  Speaker 3: them at anyone yo, Ben I mean said he would
• 1:13:40
  Speaker 3: sign this copy when you order it.
• 1:13:43
  Speaker 1: I'll go over there and sign a copy however you
• 1:13:45
  Speaker 1: want it. You know what I mean. It's crazy what
• 1:13:47
  Speaker 1: I will do for you, the people out there.
• 1:13:54
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• 1:13:56
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• 1:14:02
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• 1:15:07
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• 1:15:10
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• 1:15:13
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• 1:15:14
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