
Teaching the Overlooked with Catherine Hahn
Art history has long organized itself around movements and groupings that determine whose work gets taught, preserved, and remembered. When the gaps in that history align with race, gender, and geography, what gets lost is structural.
In this episode, artist and academic Catherine Hahn discusses how she first encountered Meta Vaux Warrick Fuller in a fifteen-minute segment of a Harlem Renaissance course at SOAS in 1993, and how that encounter eventually led her to create a dedicated undergraduate module at the University of Kent. Hahn offers a close reading of Secret Sorrow, also known as Man…
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