Latest / Naughty But Nice with Rob Shuter / Heidi Montag accuses Lady Gaga of sabotaging her music career. Jill Zarin wants Andy Cohen to call her about new ‘RHONY’ show. Wendy Williams calls out her bank and financial team

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Heidi Montag accuses Lady Gaga of sabotaging her music career. Jill Zarin wants Andy Cohen to call her about new ‘RHONY’ show. Wendy Williams calls out her bank and financial team · Naughty But Nice with Rob Shuter

• 0:08
  Speaker 1: Advice, Shoot Lower. Welcome to the Naughty but Night Show.
• 0:17
  Speaker 1: I'm robbed shooter. It's Friday, which means our dear friend
• 0:20
  Speaker 1: Corey Andrew from Instinct magazine dot com joins us, Hey, Corey,
• 0:23
  Speaker 1: are you there? I am here with bells on little
• 0:26
  Speaker 1: lower bells. Bells, bells. You're a deep voice today. Sometimes
• 0:31
  Speaker 1: as a singer, Corey, sometimes you have a lower voice.
• 0:34
  Speaker 1: Is it the time of day that we re recording?
• 0:36
  Speaker 1: Is it the time of day? What is it? Well,
• 0:38
  Speaker 1: in this case, it's because I had to go to
• 0:39
  Speaker 1: an event last night and I talked too much, so
• 0:43
  Speaker 1: but my voice is lower in the morning. But yeah,
• 0:45
  Speaker 1: this is this is from talking a lot last night.
• 0:48
  Speaker 1: So I like it. I like it. I like it. Hey,
• 0:51
  Speaker 1: We've still got a lot more talking to do, because
• 0:53
  Speaker 1: what time is it? My friends? It is time. This
• 0:57
  Speaker 1: is the most bizarre story of the whole week. We've
• 0:59
  Speaker 1: got to jump into this, and particularly because Corey you're
• 1:02
  Speaker 1: a singer, you can help us through this. Heidi Montag
• 1:04
  Speaker 1: who you know from The Hills, a reality star. Pride
• 1:07
  Speaker 1: and Spencer, they sort of made themselves a little bit
• 1:09
  Speaker 1: of a joke, and then all the plastic surgery that
• 1:11
  Speaker 1: she went through. Well, now she's accusing Lady Gaga of
• 1:15
  Speaker 1: sabotage in her music career. Now, I know that sounds
• 1:18
  Speaker 1: absolutely ridiculous. Lady Gaga is one of the biggest musical
• 1:23
  Speaker 1: stars in the world, and Heidi Montage, it don't really
• 1:26
  Speaker 1: talk about it that much anymore. But let me get
• 1:28
  Speaker 1: into the details, and it's far more interesting then it
• 1:31
  Speaker 1: first seems so. She claims that when she released her
• 1:36
  Speaker 1: album it was called Superficial in twenty ten, Lady Gaga
• 1:40
  Speaker 1: had not yet exploded, and she said, people are like,
• 1:44
  Speaker 1: I love Lady Gaga, and she said, I'm sure they do,
• 1:47
  Speaker 1: but I had an encounter with her that wasn't really
• 1:51
  Speaker 1: that nice. She went on to explain that the relationship
• 1:56
  Speaker 1: soured when Dagger was an up and coming songwriter and
• 2:00
  Speaker 1: the two of them were working with the same mega
• 2:02
  Speaker 1: producer together. His name is a red one. I remember
• 2:05
  Speaker 1: the time actually read what he means. He's major, major major.
• 2:08
  Speaker 1: I remember him talking to us weekly about Heidi Montage
• 2:11
  Speaker 1: and it was really really complimentary. He said she's got
• 2:14
  Speaker 1: star quality and it was at that time where she
• 2:17
  Speaker 1: could have exploded. It didn't happen, but she could have
• 2:20
  Speaker 1: become a pop star, and the fact he was working
• 2:23
  Speaker 1: with her was really curious to me. So she went
• 2:26
  Speaker 1: on to say that Red One and Gaga were writing
• 2:30
  Speaker 1: partners and he needed to get her permission for Hidi
• 2:34
  Speaker 1: to record her song Fashion because Lady Gaga wrote it.
• 2:39
  Speaker 1: So Lady Gaga said, okay, sure, great, she can have
• 2:42
  Speaker 1: that song. Then Hide is claiming when the song Fashion
• 2:47
  Speaker 1: got put into a movie. It got into the movie
• 2:51
  Speaker 1: Confessions of a Shopper Holic, Lady Gaga then decided, you
• 2:55
  Speaker 1: know what, I'm going to take that song. I can
• 2:58
  Speaker 1: release it byself. So have a song in a movie
• 3:01
  Speaker 1: is a huge deal, especially when you're an up and
• 3:04
  Speaker 1: coming song writer performer. So how it is claiming that
• 3:08
  Speaker 1: then she lost this song and that sort of ended
• 3:12
  Speaker 1: her music career. What are your thoughts? Well, I think
• 3:17
  Speaker 1: it's absolute bs. Quite honestly, Listen, you know, if you
• 3:20
  Speaker 1: are really an artist, if you're really an artist and
• 3:22
  Speaker 1: you're out there, you're not defined by an opportunity with
• 3:25
  Speaker 1: one song. So the fact that Heidi didn't go anywhere
• 3:27
  Speaker 1: beyond that point to me shows that she really didn't
• 3:30
  Speaker 1: want it bad enough. And you know, Vanessa Williams has
• 3:32
  Speaker 1: a similar story. Her first single was supposed to be
• 3:35
  Speaker 1: the song girlfriend, I believe by Pebbles. That was a big,
• 3:37
  Speaker 1: huge hit, and Pebbles heard the demo and thought, I'm
• 3:40
  Speaker 1: gonna take it for myself. And Vanessa was devastated by that.
• 3:44
  Speaker 1: But you know, we know she went on to have
• 3:46
  Speaker 1: major hits after that. So I think Heidi's looking for
• 3:48
  Speaker 1: a scapegoat for a failed career. I think you're wrong,
• 3:52
  Speaker 1: hayroldn that music business is sound interesting and the competition
• 3:55
  Speaker 1: for songs is really, really, really rough. I think this
• 3:59
  Speaker 1: is why Jlo and Mariah Carey fell out. They used
• 4:03
  Speaker 1: to fight over songs too, and obviously Mariah's the better singer.
• 4:07
  Speaker 1: Jlo would admit that, but Jlo was hotter than Mariah
• 4:10
  Speaker 1: at the time. So you might have a bigger hit
• 4:12
  Speaker 1: with Jaila recording, even though she's not going to sing
• 4:14
  Speaker 1: your song quite as great as Mariah. Let's be honest,
• 4:17
  Speaker 1: it might be a bigger hit because she was more
• 4:19
  Speaker 1: popular at the moment. So getting songs he's so interesting.
• 4:22
  Speaker 1: I'm married to a songwriter, so I see this stuff
• 4:25
  Speaker 1: and I do see it happen. But I think you've
• 4:27
  Speaker 1: hit the nail on the head here. Corey. Yes, this
• 4:30
  Speaker 1: was a move that was not shady by Gaga. Was
• 4:33
  Speaker 1: a move that I think a lot of artists would
• 4:35
  Speaker 1: take it. I wrote a song and it got onto
• 4:38
  Speaker 1: a movie soundtrack, and I was a singer. I'd rather
• 4:43
  Speaker 1: I record that song than somebody else. So I understand
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  Speaker 1: Gag doing that. Now, Gaga could be gracious enough to
• 4:50
  Speaker 1: say you recorded because she's such a big star, wouldn't
• 4:52
  Speaker 1: make any difference. But back then it really did make
• 4:55
  Speaker 1: a difference. It's like Dolly part and Dolly wrote I
• 4:57
  Speaker 1: Will Always Love You Whitney record did it for the Bodyguard,
• 5:01
  Speaker 1: but Dolly was all words or he's such a big star,
• 5:04
  Speaker 1: you didn't really get it wasn't gonna affect Dolly's career,
• 5:07
  Speaker 1: and she made all that money from it too, So
• 5:09
  Speaker 1: I understand what Gaga did here, but I think where
• 5:11
  Speaker 1: you've hit the nail on the head cool right, is
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  Speaker 1: this was one obstacle And if Heidi was going to
• 5:17
  Speaker 1: have her music career like Vanessa Williams, she would have
• 5:20
  Speaker 1: kept come on. Madonna would have like moved on to
• 5:24
  Speaker 1: the next producer, like that's what he really really wanted.
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  Speaker 1: She just thought I was going to fall on her
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  Speaker 1: lap and when it didn't, I think she just stopped.
• 5:31
  Speaker 1: Well that's that means you were not meant to be
• 5:33
  Speaker 1: recording artist, miss Heidi Honey, So no, thank you, and
• 5:36
  Speaker 1: that isn't how the music business works. Even those artists
• 5:39
  Speaker 1: that you think were overnight sensations, it's not true. And
• 5:43
  Speaker 1: I when I worked to the Lesia Keys, she was
• 5:45
  Speaker 1: playing every dive piano bar in New York for years,
• 5:50
  Speaker 1: learning her craft before she became a huge star. This
• 5:54
  Speaker 1: brings us to our pole question of the day, how
• 5:56
  Speaker 1: do you montage from the Hills is accusing Lady Gaga
• 5:59
  Speaker 1: of sabotage come music career? You know what we think?
• 6:03
  Speaker 1: Why do you think? Do you believe Hiday? I think
• 6:05
  Speaker 1: I know your answer to the page out Novalty nice
• 6:09
  Speaker 1: rob on Facebook pages Naughty Gossip and be sure to
• 6:13
  Speaker 1: check back on Monday to hear your results. Corey Love,
• 6:17
  Speaker 1: what are you working on? Yes? Well, Jill Zarin, she
• 6:19
  Speaker 1: wants Andy Cohen to call her about the new Roney show. Yes,
• 6:24
  Speaker 1: miss Jill. So. Jill Zarin expressed interest in getting her
• 6:27
  Speaker 1: apple back on the new Real Housewives of New York
• 6:29
  Speaker 1: series starring the ex housewives. So Bravo posted its announcement
• 6:34
  Speaker 1: and garnered thousands of comments, including one from Zarin fifty
• 6:37
  Speaker 1: eight herself. She just simply wrote at Bravo Andy with
• 6:40
  Speaker 1: the telephone emoji. That's all she wrote. But she tagged
• 6:44
  Speaker 1: Andy in the post, so she obviously is trying to
• 6:46
  Speaker 1: say something to him. Now you know. The the comments though,
• 6:50
  Speaker 1: that came back from the Bravo verse over the possibility
• 6:52
  Speaker 1: of her returning, They were not all very welcome. So,
• 6:56
  Speaker 1: for example, you are not needed. Your voice is like
• 6:59
  Speaker 1: n else on a chalkboard, and you're bragging is annoying,
• 7:02
  Speaker 1: one critic argued, and then another said, sorry, honey, you
• 7:06
  Speaker 1: had your chance. The show needs diversity, not bringing back
• 7:09
  Speaker 1: people who were let go, and then another said in agreement, yes,
• 7:14
  Speaker 1: please took the words were out of my mouth were
• 7:16
  Speaker 1: at one more fans. So I don't know if this
• 7:18
  Speaker 1: is like a response for test marketing that Andy might
• 7:21
  Speaker 1: look at and think it didn't do well as a
• 7:23
  Speaker 1: test market because it doesn't seem like people are very
• 7:26
  Speaker 1: very receptive. Rob What do you think about that? Let
• 7:29
  Speaker 1: me tell you a little secret about this. The more
• 7:31
  Speaker 1: you respond, the more Bravo likes it. They don't care
• 7:34
  Speaker 1: for the comments are negative positive. They just want a reaction. Yeah,
• 7:38
  Speaker 1: And it's really interesting because I hate to say this,
• 7:40
  Speaker 1: but it's true. Hate is a more powerful emotion than love,
• 7:44
  Speaker 1: and so often people watch people on television that they
• 7:47
  Speaker 1: don't like. Short, what the worst worst scenario is is
• 7:51
  Speaker 1: nobody cares. When nobody cares about you, it's sort of
• 7:54
  Speaker 1: over Like there's a lot of people you either love
• 7:56
  Speaker 1: or you hate. Kim Kardashi and no one's in the middle.
• 7:59
  Speaker 1: Paris Hilton, I'm nobody really cares about It's not that
• 8:01
  Speaker 1: we hate Paris. Were like, I don't really care about it,
• 8:04
  Speaker 1: I know. And that's the worst emotion. Jilly's Reality TV
• 8:07
  Speaker 1: gold because she doesn't mind being the villain. This is
• 8:10
  Speaker 1: a little bit complicated here. So what's happening is Andy
• 8:14
  Speaker 1: Cone is rebooting The Real Housewives of New York. It's
• 8:17
  Speaker 1: going to be a brand new cast. They're starting from scratch.
• 8:19
  Speaker 1: But what they're gonna do, because they never miss an
• 8:21
  Speaker 1: opportunity of brama, They're going to take all the original girls,
• 8:24
  Speaker 1: all the girls that were once Housewives of New York,
• 8:27
  Speaker 1: and they're going to put them on the streaming service.
• 8:29
  Speaker 1: So it's going to be a streaming show and it's
• 8:32
  Speaker 1: going to be called Ladies of New York or New
• 8:35
  Speaker 1: York Nights. It's gonna be given a different title. So
• 8:38
  Speaker 1: it's actually quite cruel. They're basically saying, we're firing you all.
• 8:41
  Speaker 1: You're no longer Real Housewives. We're going to start from
• 8:44
  Speaker 1: scratch and make such a mess of the show. We're
• 8:46
  Speaker 1: starting over. It's a brand new Real Housewives of New York.
• 8:50
  Speaker 1: But all these women that they've created over the last decade,
• 8:55
  Speaker 1: that they've turned into stars, they can put them on
• 8:57
  Speaker 1: the streaming show. What no one's talking about two is
• 9:00
  Speaker 1: they can pay them a lot less. So they're not
• 9:03
  Speaker 1: going to earn the money that they're earning. Now do
• 9:07
  Speaker 1: you think they has something to do with the reason
• 9:09
  Speaker 1: we think it's a money I think it's a money
• 9:11
  Speaker 1: and the ratings thissue. If the ratings were good for
• 9:13
  Speaker 1: New York, then I think they wouldn't touch it. The hills.
• 9:16
  Speaker 1: The ratings are fabulous, and they earn a lot of money.
• 9:19
  Speaker 1: You can earn a lot of money on TV when
• 9:20
  Speaker 1: you're bringing a lot of viewers. You can't earn a
• 9:23
  Speaker 1: lot of money on TV when no one's watching. And
• 9:25
  Speaker 1: they look at trends and the New York season. Last season,
• 9:29
  Speaker 1: the numbers went down an episode by episode, which shows
• 9:32
  Speaker 1: you people are not enjoying it every episode. If you're
• 9:36
  Speaker 1: losing viewers, you're doing something wrong. So they would say,
• 9:39
  Speaker 1: we're going to have the whole new cast because we
• 9:41
  Speaker 1: want diversity, we want to start New York. They're doing
• 9:46
  Speaker 1: it because no one watching anymore. But then they've got
• 9:49
  Speaker 1: all these streaming services. It feels like everybody has a
• 9:52
  Speaker 1: streaming service that I'm not that into it. Like they
• 9:55
  Speaker 1: did a housewife holiday on a beach somewhere with called
• 10:00
  Speaker 1: them superstars and it was on I think Peacock or
• 10:03
  Speaker 1: one of the streaming services. I couldn't be bothered. Yeah, yeah,
• 10:06
  Speaker 1: it seems to almost like it. It waters down the
• 10:11
  Speaker 1: broadcasting component, right. It just makes it feel very, very
• 10:14
  Speaker 1: inexpensive and too accessible in a way. I don't know
• 10:17
  Speaker 1: too many of them. They used to be used to
• 10:19
  Speaker 1: be special, to be a housewife. I guess now they're
• 10:22
  Speaker 1: everywhere under my bed. No, they're all over the place,
• 10:26
  Speaker 1: those housewives. Hey, good look Joel, I know you drive
• 10:29
  Speaker 1: people crazy, but you are good TV. Wendy Williams is
• 10:33
  Speaker 1: speaking out, telling her bank to give her her money
• 10:36
  Speaker 1: back so Wendy posted a new video and she went
• 10:40
  Speaker 1: for it. She said that Wells Fargo has no answers
• 10:44
  Speaker 1: regarding my money. The bank reportedly has frozen her assets
• 10:50
  Speaker 1: and they claim that she needs a guardian. Now. Now,
• 10:53
  Speaker 1: the talk show host is making it very clear she
• 10:56
  Speaker 1: wants access to her money and it's unfair what's happened
• 10:59
  Speaker 1: to hers. She's even calling out her financial adviser by
• 11:03
  Speaker 1: name Laurie Schiller and her former manager, Bernie Young. Bernie Young,
• 11:07
  Speaker 1: I know him. He's a bit of a legend. He
• 11:09
  Speaker 1: was Rosie O'donnald's manager for all the years Rosie had
• 11:12
  Speaker 1: her own team on NBC, so he's been in the
• 11:15
  Speaker 1: TV business a long time. Schiller allegedly is the reason
• 11:19
  Speaker 1: that the bank Wells Farmer has frozen Wendy's assets, claiming
• 11:24
  Speaker 1: that Wendy is of unsound mind and can't handle her money. Now,
• 11:29
  Speaker 1: the hashtags free Wendy's money are popping up. This feels
• 11:33
  Speaker 1: like to me a little bit like the Britney Spears
• 11:35
  Speaker 1: Conservatours ship. You can't be locking people out of their
• 11:39
  Speaker 1: bank accounts. Say say they're right, say Wendy is unsound mind.
• 11:44
  Speaker 1: It's still her money. It's not my money. Yes, yes,
• 11:47
  Speaker 1: you know it's I did enquire about this because my partner, Joseph,
• 11:50
  Speaker 1: works in banking, and um I asked him about this
• 11:53
  Speaker 1: and he said, you know, as strange as it may
• 11:56
  Speaker 1: sound to us, there is a clause for banks and
• 11:59
  Speaker 1: finding to institutions to actually make a determination if they
• 12:03
  Speaker 1: feel that the person is um erratically handling their money.
• 12:08
  Speaker 1: And it's like a safety thing, a safety net for
• 12:10
  Speaker 1: the bank and the customers. So badly enough, it's a thing,
• 12:14
  Speaker 1: I mean most of us. You're right, it does exist.
• 12:17
  Speaker 1: We don't hear about it very often. What drives me
• 12:19
  Speaker 1: a bit crazy about this though, And a friend of
• 12:21
  Speaker 1: mine pointed this out to me, and I was absolutely
• 12:24
  Speaker 1: gob smacked. Is it always seems to happen to women.
• 12:27
  Speaker 1: It happens Brittany, happens to Wendy Williams. No one's looking
• 12:30
  Speaker 1: down Kanye West. Yet if Kanye West was a woman,
• 12:35
  Speaker 1: would he be under a conservatorship? Maybe? Yeah? Like it
• 12:38
  Speaker 1: just seems to be interesting, isn't it. It's so interesting? Hey,
• 12:42
  Speaker 1: what's going on with the oscars and Beyonce and some
• 12:46
  Speaker 1: of the performers. Yes, well, Beyonce and the Eilish are
• 12:49
  Speaker 1: to sing the nominated songs that the oscars. Yes, that's
• 12:52
  Speaker 1: going to be lovely. So Beyonce will perform her nominated
• 12:55
  Speaker 1: song be Alive from King Richard and Eilish and her
• 12:59
  Speaker 1: brother co writer. And this will perform No Time to
• 13:01
  Speaker 1: Die from the James Bond film of the same name,
• 13:04
  Speaker 1: which is a really beautiful song. It's a gorgeous song. Yeah.
• 13:06
  Speaker 1: And so Sebastian Yatra will perform does Aguitas, the nominated
• 13:11
  Speaker 1: song from Encanto, which is written by Lynn Manuel Miranda.
• 13:15
  Speaker 1: And then you have verybo McIntyre. She'll sing the song
• 13:18
  Speaker 1: that Diane Warren wrote called some How You Do, Uh Yes,
• 13:23
  Speaker 1: Somehow You Do from the film for Good Guys. Um
• 13:26
  Speaker 1: Also Van Morrison, classic artist Van Morrison who wrote and
• 13:30
  Speaker 1: he sings the nominated song down to Joy from the
• 13:33
  Speaker 1: hit film Belfast. Now he will not be there. He
• 13:36
  Speaker 1: can't make the show because he's touring, so that song
• 13:39
  Speaker 1: will not be performed. But the original song, you know,
• 13:42
  Speaker 1: the Academy Award for Original Song to the songwriter. It
• 13:45
  Speaker 1: goes to the writer, not to the artist, right. So
• 13:47
  Speaker 1: many people don't understand that because it's a songwriting category,
• 13:50
  Speaker 1: like who you know what perform it. So whoever wins
• 13:54
  Speaker 1: this year though they you know they will get their
• 13:56
  Speaker 1: first Oscar. So Beyonce co wrote be Alive. She could
• 14:00
  Speaker 1: cheese in the running, so she's the Running's in the running,
• 14:02
  Speaker 1: And Warren was nominated this year for the thirteenth time.
• 14:05
  Speaker 1: She's like Susan Lucci of the Oscar song, but she's
• 14:09
  Speaker 1: still waiting for her first win. Now, Miranda, he'll join
• 14:12
  Speaker 1: the elite he Got club. You know that's the was It,
• 14:15
  Speaker 1: the Emmy, the Grammy, the Oscar and the Tony Club
• 14:18
  Speaker 1: of winners if he wins his award this year for
• 14:21
  Speaker 1: those or gutas now. The song was tapped as the
• 14:24
  Speaker 1: Oscar submission from Incanto before another Maranda penned song from
• 14:28
  Speaker 1: a Disney movie, which was we Don't Talk About Bruno
• 14:31
  Speaker 1: had become a HeiG runaway hit. Yeah, it's really complicated.
• 14:35
  Speaker 1: Had they nominated we Don't Talk About Bruno, I think
• 14:38
  Speaker 1: Linn Manuel would be an he Got winner. I'm hearing
• 14:41
  Speaker 1: it's going to be Billie Eilish And this will be
• 14:44
  Speaker 1: the third time in a row that the James Bond
• 14:47
  Speaker 1: theme has won. So it seems whoever writes the theme
• 14:50
  Speaker 1: to a James Bond movie. Remember Adele got her Oscar
• 14:53
  Speaker 1: for her James Bond song. For me personally, I like
• 14:59
  Speaker 1: a big show b Bond songs, Yes, I like it
• 15:07
  Speaker 1: over the top. This this Billie Eilish, it's very soft,
• 15:11
  Speaker 1: she whispers for pintmatic Enough. Now you kind of ever
• 15:15
  Speaker 1: count have Beyonce though too? I mean Beyonce performing Yeah,
• 15:19
  Speaker 1: and the fact she wrote it so goodness, gracious. I
• 15:22
  Speaker 1: don't really know the winner, but my money's are Billy Ilish. Hey,
• 15:26
  Speaker 1: we're gonna take a quick break and we will beat
• 15:33
  Speaker 1: with their deferend Cory Andrew. Hey, Cory, let's get into
• 15:35
  Speaker 1: the polls. So yesterday we talked about Pete Davidson's mommy
• 15:39
  Speaker 1: wanting him to have a baby with Kim Kardashi. Is
• 15:43
  Speaker 1: this a good idea of let's have a like eighty
• 15:46
  Speaker 1: three percent and a bad idea? Pete, calm down, slow down,
• 15:52
  Speaker 1: slowed down. Yes, that's right, Mamy, you slow down. Don't
• 15:58
  Speaker 1: forget to load on today's pole. Go to our Twitter
• 16:00
  Speaker 1: paget nice rob on Facebook pages. No buts checked back
• 16:04
  Speaker 1: a Monday to hear your results. And now it's time
• 16:09
  Speaker 1: for the day. Well, and this is nice rob because
• 16:15
  Speaker 1: I led the charge on Twitter on this because yeah,
• 16:20
  Speaker 1: I was angry as I don't know what. So West
• 16:22
  Speaker 1: Side Story star Rachel Zegler, and she's from Jersey by
• 16:25
  Speaker 1: the way, so I'm really really specially she was asked
• 16:27
  Speaker 1: to present at the Oscars finally when she wasn't even
• 16:30
  Speaker 1: almost going to be in attendance because they didn't invite her.
• 16:33
  Speaker 1: So it wasn't until twenty four hours plus of fan
• 16:36
  Speaker 1: outrage following ziegler social media reveal that she wasn't invited
• 16:41
  Speaker 1: to the Academy Awards that the actress was finally for
• 16:44
  Speaker 1: the opportunity not only to attend, but to also present.
• 16:47
  Speaker 1: So the drama over Zegler's attendance began on Sunday, and
• 16:50
  Speaker 1: she had written I can't wait what when a fan
• 16:53
  Speaker 1: wrote I should say, I can't wait to see what
• 16:55
  Speaker 1: you'll be wearing on Oscar night, and she responded, I'm
• 16:58
  Speaker 1: not invited, so sweatpants and my her friends flannel. That's
• 17:01
  Speaker 1: what she wrote back. And although she wasn't herself nominated,
• 17:04
  Speaker 1: I mean, she's the star of a hit film that's
• 17:07
  Speaker 1: her best pictures, So I don't know what they were
• 17:10
  Speaker 1: thinking about in any event. Um, you know, she could
• 17:12
  Speaker 1: have just been also the casualty of the pandemic air event.
• 17:15
  Speaker 1: But you know there's going to be like three thousand
• 17:17
  Speaker 1: people there, so what was three thousand and one? You know,
• 17:19
  Speaker 1: I don't know, I know, I know. Give her a seat.
• 17:23
  Speaker 1: And this must be the most powerful boyfriend's flannel shirt
• 17:27
  Speaker 1: in history, because not only now is she presenting at
• 17:31
  Speaker 1: the Oscars, I'm told she's going to stay in l
• 17:32
  Speaker 1: A an extra week to present at the Grammars in Vegas.
• 17:37
  Speaker 1: The week afterward, they're doing a big tribute to legendary
• 17:40
  Speaker 1: Broadway songwriter Stephen song Time, and of course he wrote
• 17:43
  Speaker 1: West Side Story. So I'm told I don't think it's
• 17:45
  Speaker 1: been announced yet. She shouldn't tell anyone. I'll get in trouble.
• 17:47
  Speaker 1: I'm told Rachel's going to get a Vegas to do that. Now.
• 17:50
  Speaker 1: Rachel is in London at the moment, or she was.
• 17:53
  Speaker 1: She's going to be in snow White, the new Disney movie.
• 17:57
  Speaker 1: That's one of the reasons that she wasn't invited we
• 18:00
  Speaker 1: should point out to just to be fair here, people
• 18:02
  Speaker 1: that are invited are the ones that are nominated and
• 18:06
  Speaker 1: the ones that are presented. So she wasn't nominated, she
• 18:10
  Speaker 1: wasn't presenting, so Rachel, yes, I'm glad she's going, But
• 18:13
  Speaker 1: there are a lot of other people that were in
• 18:15
  Speaker 1: hit movies too that are not Viney. It's complicated, isn't
• 18:19
  Speaker 1: it cold? I think with her being Hispanic too, there's
• 18:22
  Speaker 1: a little bit of an up there because they're supposed
• 18:25
  Speaker 1: to be more inclusive now and like the main putto
• 18:27
  Speaker 1: Rican Girl or whatever from it, Maria, Maria, come on,
• 18:33
  Speaker 1: get it together, hey. And Naughtist of the Day, Naughty, naughty, norty, naughty.
• 18:37
  Speaker 1: Cassie Randolph is explaining how she found out that her
• 18:41
  Speaker 1: ex Colton Underwood was coming out as gayer, so pointing
• 18:46
  Speaker 1: out that Colton is a naughtiest here, not Cassie. Cassie
• 18:49
  Speaker 1: found out when she watched him on Good Morning America.
• 18:52
  Speaker 1: Said she was shocked and she didn't know that this
• 18:55
  Speaker 1: was coming. She was on vacation at the time in Mexico,
• 18:59
  Speaker 1: and that's how she found out about this. There's lots
• 19:03
  Speaker 1: of conversations to have about coming out of the closet, goodness,
• 19:06
  Speaker 1: nurs Corey, We've had them. We know about this. But
• 19:10
  Speaker 1: when you find love on a reality show, when you
• 19:12
  Speaker 1: find love so publicly. That's what I'm trying to say,
• 19:15
  Speaker 1: and then you are going to come out of the closet.
• 19:18
  Speaker 1: That's a good thing. But I do think a little
• 19:20
  Speaker 1: text might not have been idea Colton and naudious to
• 19:25
  Speaker 1: the day before we go. Let's end with the moment
• 19:26
  Speaker 1: Rab you get. Rob. Thank you very much, darling. Don't
• 19:31
  Speaker 1: let yourself be defined by the worst moments of your life.
• 19:35
  Speaker 1: But don't be reduced to just the things you hate
• 19:38
  Speaker 1: about yourself. So we all mess up. Every one of
• 19:40
  Speaker 1: us mess up. Don't let that moment define you. If
• 19:44
  Speaker 1: you mess up. When you mess up, move on, say sorry,
• 19:48
  Speaker 1: think about what happened, and move on. Do not let
• 19:52
  Speaker 1: that moment define everything about you. When I was younger,
• 19:59
  Speaker 1: I damn my arm. And when I was smart enough
• 20:03
  Speaker 1: to realize that my arm was not going to be
• 20:05
  Speaker 1: the story of my life, it was a moment of revelation.
• 20:10
  Speaker 1: Don't let an accident. Don't let a bad moment define
• 20:14
  Speaker 1: your life. That's it for this week. Thank you so
• 20:17
  Speaker 1: much for listening to the Native but Ice with Rob
• 20:19
  Speaker 1: and Cory show a production of I Heart Radio. Do
• 20:23
  Speaker 1: forget to subscribe on the I Heart Radio app Apple
• 20:26
  Speaker 1: Podcast or wherever you listen, leave us a review if
• 20:29
  Speaker 1: you can. They really do help. And remember, if you're
• 20:31
  Speaker 1: going to be naughty, you've got to be take for
• 20:42
  Speaker 1: having had a late n