Latest / CelinaSpookyBoo / Locked In THE MOST HAUNTED HOUSE in SALEM (they like feet)

Transcript

Locked In THE MOST HAUNTED HOUSE in SALEM (they like feet) · CelinaSpookyBoo

• 0:02
  Speaker 1: That was a full man talking.
• 0:03
  Speaker 2: What was that?
• 0:04
  Speaker 1: That was full talking. It started to turn. I feel
• 0:08
  Speaker 1: sick now. There's something waiting in the shadows and.
• 0:13
  Speaker 3: It's not friendly.
• 0:14
  Speaker 4: What the?
• 0:14
  Speaker 5: Tonight we're staying in one of the most haunted houses
• 0:16
  Speaker 5: in Salem, Mass.
• 0:17
  Speaker 1: I thought it was locked in the basement. And somehow
• 0:19
  Speaker 1: each floor gets more haunted than the last. Adam, come here.
• 0:23
  Speaker 1: What does it look like when it's peaking? Welcome to
• 0:26
  Speaker 1: the Henry Derby House. Hey dudes, mom and dad here.
• 0:29
  Speaker 2: We're in Salem at the most haunted Airbnb.
• 0:32
  Speaker 5: Yep, this is the Henry Derby House, which was built
• 0:34
  Speaker 5: in 1832?
• 0:35
  Speaker 1: 38. 38, and there is crazy lore here. A lot
• 0:39
  Speaker 1: of people see different ghosts here, so welcome to the
• 0:41
  Speaker 1: haunted estate. Salem, Mass.
• 0:44
  Speaker 5: A city forever marked by the events of 1692 when
• 0:47
  Speaker 5: fear and accusations of witchcraft led to the infamous Salem
• 0:51
  Speaker 5: Witch Trials. More than a century later, in 1838, the
• 0:54
  Speaker 5: Henry Derby House was built for a local tailor Henry Derby.
• 0:58
  Speaker 5: And over generations, this house has developed a very different
• 1:00
  Speaker 5: kind of reputation.
• 1:02
  Speaker 1: And it's on Airbnb.
• 1:03
  Speaker 5: Guests and former residents have reported unexplained footsteps, strange dreams,
• 1:07
  Speaker 5: objects moving on their own, encounters with a spirit known
• 1:10
  Speaker 5: as Sarah, and darker, darker entities. And some paranormal theories
• 1:14
  Speaker 5: claim Salem sits among powerful ley lines, invisible pathways of
• 1:19
  Speaker 5: energy believed to intensify supernatural activity. Whether you believe in
• 1:22
  Speaker 5: that or not, tonight we are putting it to the test.
• 1:25
  Speaker 5: Because we are investigating the Henry Derby house from the
• 1:28
  Speaker 5: basement to the horrifying attic. And somehow, the higher we go,
• 1:33
  Speaker 5: the more haunted it gets.
• 1:36
  Speaker 1: Hey!
• 1:38
  Speaker 2: Open up. Why'd you lock it?
• 1:39
  Speaker 4: MTV.
• 1:39
  Speaker 1: Hi, I'm Selina Myers. Welcome to my crib.
• 1:42
  Speaker 2: What are you talking about? Get in here.
• 1:44
  Speaker 1: Do you want to see my crib? Do you want
• 1:47
  Speaker 1: to see my crib?
• 1:47
  Speaker 2: Well, give me a tour.
• 1:49
  Speaker 1: This is where you come in. Okay.
• 1:52
  Speaker 6: Scram.
• 1:53
  Speaker 2: Okay.
• 1:54
  Speaker 1: Turn around.
• 1:56
  Speaker 2: Whoa, hey! Don't touch my booty.
• 1:59
  Speaker 1: I just want a little fondle. Okay, over here. This
• 2:02
  Speaker 1: is my kitchen. This is where the eating happens. I
• 2:07
  Speaker 1: spend a lot of time here. Okay, in here. This
• 2:10
  Speaker 1: is giving Conjuring House vibes a little bit. This is
• 2:12
  Speaker 1: the very nice living room. I like to hang out
• 2:15
  Speaker 1: over here with my friend Snoop Dogg. We spend a
• 2:18
  Speaker 1: lot of time together. Okay, there's a fan here. It's
• 2:23
  Speaker 1: probably going to clip Adam's head. I really am convinced
• 2:25
  Speaker 1: that people wear a large shoulder in the olden days. Okay,
• 2:27
  Speaker 1: next room.
• 2:27
  Speaker 2: Next room.
• 2:27
  Speaker 6: Watch your step.
• 2:30
  Speaker 1: Watch your step. You can piss or anything in there.
• 2:34
  Speaker 2: Anything.
• 2:35
  Speaker 1: What do you got to do?
• 2:36
  Speaker 2: Nothing right now.
• 2:37
  Speaker 1: It's really small.
• 2:38
  Speaker 2: Maybe later if we find some ghosties, I might have
• 2:40
  Speaker 2: to do a spooky dookie.
• 2:43
  Speaker 1: Well, you know that we could do seven minutes of
• 2:45
  Speaker 1: heaven in there.
• 2:45
  Speaker 2: We could, but that's not a closet.
• 2:47
  Speaker 6: It's a bathroom.
• 2:49
  Speaker 1: Isn't that better in a way?
• 2:50
  Speaker 2: I don't know. I guess, yeah.
• 2:52
  Speaker 1: This is the living room. Oh, we definitely haven't been
• 2:54
  Speaker 1: in here and already set up all our camera equipment.
• 2:56
  Speaker 1: But that's fine. It's giving seance vibes. It's giving spooky
• 3:00
  Speaker 1: center of the house.
• 3:01
  Speaker 2: There's a lot of pineapples in here.
• 3:03
  Speaker 1: Why?
• 3:04
  Speaker 2: I don't know. Why? You tell me. What's a pineapple mean?
• 3:09
  Speaker 1: You know what I mean.
• 3:10
  Speaker 2: I don't know what it means. I swear.
• 3:13
  Speaker 1: Oh! Is this one of those houses?
• 3:15
  Speaker 2: Oh, buddy. Whoa.
• 3:16
  Speaker 1: I don't know.
• 3:16
  Speaker 2: I don't know.
• 3:17
  Speaker 1: This is my best friend.
• 3:19
  Speaker 2: Who's that? Ah, kidding, I knew who that is. Ah,
• 3:22
  Speaker 2: it's Esty.
• 3:22
  Speaker 1: That's my baby, Esty. Okay, come on! There are two
• 3:25
  Speaker 1: stairways in this house.
• 3:28
  Speaker 2: Why is this covered, though? I don't know why. Uncover it, Selena.
• 3:33
  Speaker 1: I hate that.
• 3:35
  Speaker 2: Oh, hey!
• 3:35
  Speaker 6: Lookit, it's us.
• 3:36
  Speaker 2: I hate that. What, me or us?
• 3:38
  Speaker 1: Yeah, why is it across from the bed? The theme
• 3:41
  Speaker 1: of this house is really coming together, Adam. Oof. I
• 3:43
  Speaker 1: have theories.
• 3:44
  Speaker 3: Oof.
• 3:45
  Speaker 1: Over here, we have the creepy little side bedroom. I
• 3:49
  Speaker 1: have a question.
• 3:50
  Speaker 6: What's going on here? What's that? I probably shouldn't have asked. Hey.
• 3:54
  Speaker 2: Selina.
• 3:55
  Speaker 1: What were you thinking of?
• 3:56
  Speaker 2: Nothing. Look at how bent the leg is on that.
• 3:59
  Speaker 2: Hold on. Let me get a straight on shot so
• 4:00
  Speaker 2: everybody can see that.
• 4:01
  Speaker 1: You know what? They need this sound. Okay.
• 4:06
  Speaker 2: That's enough. This video is not going in a great direction.
• 4:10
  Speaker 2: We're here to ghost hunt. That's enough about your crib.
• 4:12
  Speaker 2: That's enough about the bed. Selina.
• 4:14
  Speaker 4: Selina.
• 4:15
  Speaker 2: Come on. I'm out of here. I'm going to find some...
• 4:19
  Speaker 2: I'm going to find some ghosts. I'm going to find
• 4:21
  Speaker 2: some ghosties. Don't listen to her. Don't listen to her.
• 4:25
  Speaker 2: Don't listen to her. What? Oh, my gosh. What? Holy moly. Oh,
• 4:32
  Speaker 2: my God. What are you going to do with that, Selena?
• 4:41
  Speaker 1: Look at that little guy on top. Oh, Adam, Adam, Adam, Adam, Adam, Adam, Adam, Adam. No.
• 4:48
  Speaker 2: No. No, absolutely not.
• 4:52
  Speaker 1: Okay, so this is apparently one of the most haunted rooms,
• 4:57
  Speaker 1: the yellow room. And for an interesting reason, there are
• 5:00
  Speaker 1: mirrors on both sides, which creates.
• 5:02
  Speaker 2: We have a portal here.
• 5:03
  Speaker 1: A portal, a vortex. So apparently this house actually sits
• 5:07
  Speaker 1: on a ley line. Ley lines are kind of like
• 5:08
  Speaker 1: these mystical highways that run all over the world. And
• 5:11
  Speaker 1: apparently spirit, ghosts, all those kinds of things can travel
• 5:14
  Speaker 1: easily along these lines. Therefore, apparently this house is sitting
• 5:17
  Speaker 1: on one, which makes it a portal for paranormal beings.
• 5:21
  Speaker 1: So not only have they seen Sarah in this place,
• 5:24
  Speaker 1: a child, a man, people have also seen things that
• 5:27
  Speaker 1: are kind of inhuman and had personal experiences with things
• 5:30
  Speaker 1: they've seen throughout their entire lives. So it's kind of
• 5:33
  Speaker 1: like a bring your own ghost kind of party. Since
• 5:35
  Speaker 1: coming into this house, I've definitely felt Sarah for a moment,
• 5:38
  Speaker 1: thought I saw her for a split second and had
• 5:40
  Speaker 1: a man vibe. Tonight, my goal is to actually find
• 5:43
  Speaker 1: out who this Sarah is What she really is. A
• 5:46
  Speaker 1: lot of people think she was a maid, but nobody
• 5:48
  Speaker 1: knows the actual true story. So that is what I
• 5:51
  Speaker 1: want to figure out. But apparently she was into some
• 5:53
  Speaker 1: weird stuff. But I'm going to tell you about that
• 5:55
  Speaker 1: weird stuff in a second. First, look at this portal.
• 5:57
  Speaker 1: Can you see it? Like come down here in the mirror.
• 5:59
  Speaker 2: Get over my head with the camera.
• 6:01
  Speaker 1: There are the portals.
• 6:02
  Speaker 2: Can you see it? We're in a portal. I'm trying
• 6:06
  Speaker 2: to get it. We're in a portal.
• 6:10
  Speaker 1: Yeah.
• 6:10
  Speaker 4: Yeah.
• 6:11
  Speaker 2: Where is it?
• 6:13
  Speaker 6: Guys, I'm trying. I'm in my big bodies in the way.
• 6:16
  Speaker 1: He has a hard time finding the hole.
• 6:18
  Speaker 2: Hey.
• 6:19
  Speaker 7: There it is.
• 6:20
  Speaker 2: Portal. Portal. Oh, for fuck's sakes. Are you serious? What's
• 6:31
  Speaker 2: that mean? I got a surprise for you on the stairs.
• 6:34
  Speaker 1: On these stairs?
• 6:34
  Speaker 2: Yeah. What? Let me see if you can find it.
• 6:37
  Speaker 1: No.
• 6:38
  Speaker 3: Yeah.
• 6:39
  Speaker 1: What did you.
• 6:40
  Speaker 2: Let's go. Wait. Come on. What is it? Up yet.
• 6:43
  Speaker 2: What is it? Up you get.
• 6:45
  Speaker 6: What is it?
• 6:46
  Speaker 2: No, it's not like that. Again. Good lord.
• 6:52
  Speaker 6: Get your mind.
• 6:53
  Speaker 2: These stairs? Out of the gutter. Hey, right there. Your surprise.
• 6:56
  Speaker 2: The little white door.
• 6:57
  Speaker 1: Throw it back.
• 6:57
  Speaker 2: It's a ghost. The little white door. It's your surprise. Wait,
• 7:01
  Speaker 2: what's in here? Yeah, it's a surprise.
• 7:02
  Speaker 1: Did you put something in there?
• 7:04
  Speaker 2: There's something in there. I didn't put it there.
• 7:07
  Speaker 1: Boo, you have been ghosted. Mwahaha.
• 7:11
  Speaker 2: Mwahaha. I like that. I want to do that with
• 7:14
  Speaker 2: a special. Open it up. Let me show the people, bro.
• 7:17
  Speaker 1: Boo, you have been ghosted.
• 7:18
  Speaker 6: It's just a hole.
• 7:19
  Speaker 2: You can open it right up.
• 7:21
  Speaker 1: Oh.
• 7:21
  Speaker 2: I don't know what's in there, but.
• 7:26
  Speaker 1: What if someone shakes my hand? I'm going to poop.
• 7:27
  Speaker 1: If something shakes my hand. I don't want to do it.
• 7:30
  Speaker 2: Put your hand in there. Put your, put your.
• 7:33
  Speaker 6: What, my hand? I'll put my hand in there.
• 7:36
  Speaker 2: Yeah. Hand, right?
• 7:38
  Speaker 1: Yeah.
• 7:39
  Speaker 2: Innuendoff with the innuendoes.
• 7:41
  Speaker 6: I'm like, I'm fucking crying!
• 7:43
  Speaker 2: What are you trying to do to me?
• 7:46
  Speaker 1: My God. It's a Selina-sized door.
• 7:51
  Speaker 2: Nothing.
• 7:52
  Speaker 1: No. Why not? I'm good. Oh, my God. There's a window,
• 8:00
  Speaker 1: and I saw myself, and I thought it was the
• 8:02
  Speaker 1: lady in black. This is a Selina room. Can you
• 8:08
  Speaker 1: even stand up in here?
• 8:09
  Speaker 2: I can't even stand up in here.
• 8:11
  Speaker 1: I'm but small.
• 8:12
  Speaker 2: This is but dangerous. You might get your feet touched.
• 8:17
  Speaker 1: I'm excited to talk about the most important part. Let's
• 8:18
  Speaker 1: go over to that way. Lead the way.
• 8:20
  Speaker 2: It's scary. Let's check out the spooky hall. The spooky
• 8:27
  Speaker 2: hall goes all the way. Don't.
• 8:30
  Speaker 1: That pooped me. Let me go in here for a minute.
• 8:34
  Speaker 1: Look at this tiny window.
• 8:36
  Speaker 6: It's another Selena window.
• 8:40
  Speaker 2: Oh, good lord.
• 8:42
  Speaker 1: Actually, you're heading into the most haunted room in the
• 8:46
  Speaker 1: entire- What? This is the most haunted room in the
• 8:48
  Speaker 1: entire building. So, Sarah, which some people think is a maid.
• 8:52
  Speaker 1: People don't know who Sarah is. She kind of popped
• 8:54
  Speaker 1: up in like the mid-1900s. I'm thinking like around actually
• 8:56
  Speaker 1: the 1970s. But apparently, Sarah is known for not- But
• 9:04
  Speaker 1: for tickling toes and rubbing feet, there has been stories
• 9:08
  Speaker 1: of people laying down in the bed and feeling somebody
• 9:10
  Speaker 1: sit in the bed next to them up here and
• 9:13
  Speaker 1: in the yellow room. So at the end of the
• 9:15
  Speaker 1: video here, Adam and I will be laying down, closing
• 9:19
  Speaker 1: our eyes, and inviting Sarah to touch our feet.
• 9:22
  Speaker 2: I don't know about that.
• 9:24
  Speaker 1: The cool thing about this house is it seems to
• 9:25
  Speaker 1: get more haunted the higher you go. So we work
• 9:29
  Speaker 1: from the basement up to the top. So today we
• 9:31
  Speaker 1: are making four stops. We're starting in the basement, hanging
• 9:34
  Speaker 1: out on the main floor, visiting the yellow room, and
• 9:37
  Speaker 1: ending our night up here in the most haunted spot
• 9:41
  Speaker 1: of the entire house. So welcome to this, our night
• 9:43
  Speaker 1: at the most haunted Airbnb in Salem, Massachusetts. I said
• 9:48
  Speaker 1: that right, right?
• 9:49
  Speaker 2: Pretty much. I'm leaving.
• 9:51
  Speaker 1: Might as well start low and work up. We're going
• 9:52
  Speaker 1: to start up and work low.
• 9:54
  Speaker 2: I like starting high and working low, baby.
• 9:57
  Speaker 6: Alright, let's go to the top floor.
• 9:58
  Speaker 2: That was a joke.
• 9:58
  Speaker 6: That was my first innuendo ever.
• 10:03
  Speaker 1: What was the innuendo?
• 10:04
  Speaker 2: I like starting high and finishing low. Selena, what are
• 10:11
  Speaker 2: you doing with that?
• 10:12
  Speaker 1: We're going to take... We got a classic Polaroid camera
• 10:16
  Speaker 1: to take pictures. In every single room. And then look
• 10:18
  Speaker 1: at them and see if we caught anything.
• 10:21
  Speaker 2: Just lay them face down right where you take them.
• 10:23
  Speaker 2: And then we'll come and look at them when we
• 10:24
  Speaker 2: come to do these spots.
• 10:25
  Speaker 3: Yeah.
• 10:26
  Speaker 1: Oh, good idea. All right.
• 10:28
  Speaker 6: Blessed be.
• 10:28
  Speaker 1: Did you fart?
• 10:30
  Speaker 2: Nope.
• 10:31
  Speaker 1: Oh, that's a spooky sign.
• 10:34
  Speaker 2: Oh, no.
• 10:34
  Speaker 6: Spooky dookie.
• 10:36
  Speaker 1: I'm going to take one in the mirror. Like in
• 10:37
  Speaker 1: the mirror.
• 10:38
  Speaker 2: Do a portal shot.
• 10:39
  Speaker 1: Portal shot.
• 10:40
  Speaker 2: Portal shot. Shut, shut.
• 10:43
  Speaker 1: Okay. What is that?
• 10:45
  Speaker 3: What?
• 10:46
  Speaker 1: Just the scratches.
• 10:47
  Speaker 6: Oh, God.
• 10:47
  Speaker 1: Like, does it not look like someone was locked in
• 10:49
  Speaker 1: the basement and they were just desperately.
• 10:51
  Speaker 2: And look it, it makes a cross. What? Right there.
• 10:54
  Speaker 1: You first.
• 10:55
  Speaker 2: No, you.
• 10:56
  Speaker 1: No, I need light.
• 10:57
  Speaker 2: You.
• 10:57
  Speaker 3: Go.
• 11:02
  Speaker 1: There's no more shots.
• 11:03
  Speaker 7: What?
• 11:04
  Speaker 1: Oh, we ran out of film.
• 11:04
  Speaker 2: There's no more. I did it again. I took that
• 11:06
  Speaker 2: shot in the car. I did that last time. Fill this.
• 11:11
  Speaker 2: I'll fill you.
• 11:13
  Speaker 6: Please.
• 11:14
  Speaker 2: Please.
• 11:14
  Speaker 1: Take two.
• 11:15
  Speaker 3: No.
• 11:17
  Speaker 6: Here we go.
• 11:18
  Speaker 1: This wouldn't be so hard if you weren't so tall, bro.
• 11:23
  Speaker 2: It's not hard. I just gotta be careful. Put it
• 11:29
  Speaker 2: down somewhere.
• 11:30
  Speaker 6: Don't let it see the light of day yet.
• 11:31
  Speaker 8: Perfect.
• 11:33
  Speaker 2: Let's go.
• 11:34
  Speaker 1: Investigation starts now. Oh my god, there's a terrible bug.
• 11:40
  Speaker 2: What?
• 11:40
  Speaker 6: There's a terrible bug.
• 11:41
  Speaker 1: Get the camera.
• 11:42
  Speaker 2: What do you mean, a bug?
• 11:43
  Speaker 1: Oh my god, I fucking hate these. Give me this.
• 11:45
  Speaker 2: What? Come look at this.
• 11:49
  Speaker 8: What?
• 11:52
  Speaker 6: Oh, it's a centi-cock sucker.
• 11:55
  Speaker 2: A what? A centi-cock sucker.
• 11:56
  Speaker 1: Yeah. Let me tickle it.
• 12:00
  Speaker 2: I want to tickle it.
• 12:02
  Speaker 1: I don't like how that moved. I don't like how
• 12:06
  Speaker 1: that moved. No, that's going to go up my ass.
• 12:08
  Speaker 1: It's going to find its way up my ass. It's
• 12:10
  Speaker 1: going to find my way up my ears or up
• 12:11
  Speaker 1: my ass.
• 12:11
  Speaker 2: Come on.
• 12:12
  Speaker 5: Come on.
• 12:14
  Speaker 6: Let me grab him.
• 12:15
  Speaker 2: Oh my god, no, because if you're gonna touch me.
• 12:18
  Speaker 1: I'm gonna throw them at you.
• 12:25
  Speaker 4: Video's over.
• 12:27
  Speaker 1: Are you coming in alone? Show me your hands. Nah,
• 12:31
  Speaker 1: you're doing Skinwalker stuff now. Show me your hands. Why
• 12:35
  Speaker 1: are they closed? I don't like this. Show me your hands.
• 12:43
  Speaker 1: it's in my hat oh my god absolutely not so
• 12:49
  Speaker 1: the cool thing about this house is it was built
• 12:51
  Speaker 1: for a tailor so it was henry derby henry derby
• 12:55
  Speaker 1: he was a tailor there was like a big gorgeous
• 12:56
  Speaker 1: house it's adam okay so i'm wondering who will contact
• 13:01
  Speaker 1: down here apparently there's not a lot that goes down
• 13:03
  Speaker 1: here but these a lot of people do come here
• 13:06
  Speaker 1: to ghost hunt and there definitely are chairs set up
• 13:07
  Speaker 1: in a circle so hey dad what's up there mom
• 13:13
  Speaker 1: Set up your gadgets. What do you got for down here?
• 13:16
  Speaker 2: We got this new thing Selena got.
• 13:18
  Speaker 3: Oh.
• 13:19
  Speaker 1: It does work.
• 13:20
  Speaker 2: Okay. Is that us?
• 13:21
  Speaker 3: Yeah.
• 13:22
  Speaker 1: Well, it didn't go off when we walked by it before.
• 13:25
  Speaker 1: Let's just get away from it.
• 13:26
  Speaker 2: We just start talking about it and it goes off.
• 13:28
  Speaker 1: It was weird. Okay.
• 13:30
  Speaker 2: Okay, step away from that if that's something with us here.
• 13:35
  Speaker 2: A presence.
• 13:36
  Speaker 1: Ooh. What? Not immediately.
• 13:38
  Speaker 2: Not immediately. Not immediately.
• 13:39
  Speaker 1: Not immediately. Okay, can you please step away in three, two, one.
• 13:49
  Speaker 1: What the fuck, dude?
• 13:50
  Speaker 6: We haven't even started.
• 13:51
  Speaker 1: We haven't even started.
• 13:52
  Speaker 6: This is supposed to be the least haunted.
• 13:53
  Speaker 2: Part in the whole.
• 13:55
  Speaker 1: Okay, maybe you're... Stop standing near it. Come over here.
• 13:57
  Speaker 1: Make it so we're nowhere near it. That is weird, though,
• 14:00
  Speaker 1: because we were just standing there. Okay, walk away. If
• 14:04
  Speaker 1: this is Sarah, step away in three, two.
• 14:11
  Speaker 2: I feel like once it gets tripped, it just stays
• 14:13
  Speaker 2: on for a certain amount of time.
• 14:15
  Speaker 1: Can you go in front of it in three, two, one.
• 14:24
  Speaker 2: And then if I walk over here.
• 14:28
  Speaker 1: Yeah. Okay, now come over here.
• 14:31
  Speaker 2: I was tripping it and it was just turning off
• 14:32
  Speaker 2: at a certain amount of time. Yeah, I call phallus
• 14:35
  Speaker 2: on that one. That's a new piece of equipment. I
• 14:38
  Speaker 2: call foul play on that equipment.
• 14:40
  Speaker 1: Okay, that's fine. That's fine.
• 14:42
  Speaker 2: I think we just maybe move that way over there
• 14:44
  Speaker 2: so we can trip it.
• 14:45
  Speaker 1: Yeah.
• 14:48
  Speaker 2: So if it goes off back here.
• 14:50
  Speaker 1: Put it at the base of the stairs.
• 14:52
  Speaker 6: We got something.
• 14:53
  Speaker 1: Yeah, sure.
• 14:55
  Speaker 2: Perfect. It's creepy.
• 14:57
  Speaker 1: Yeah.
• 15:00
  Speaker 2: Okay.
• 15:00
  Speaker 1: What else do you have?
• 15:01
  Speaker 2: So we've got this wonderful REM pod.
• 15:05
  Speaker 6: The classic.
• 15:05
  Speaker 3: Okay.
• 15:12
  Speaker 2: Okay, let's get that.
• 15:14
  Speaker 1: Out of here.
• 15:16
  Speaker 2: And, because we're on ley lines, we've got this fancy
• 15:21
  Speaker 2: set of dowsing rods.
• 15:23
  Speaker 1: Yeah, Adam's been into these lately.
• 15:26
  Speaker 2: So... Adam? Run, Puck?
• 15:31
  Speaker 3: Okay.
• 15:31
  Speaker 2: Yeah, I did, for a second.
• 15:32
  Speaker 1: All right, take a seat in this chair.
• 15:35
  Speaker 2: Well, no, I've got to walk with these.
• 15:37
  Speaker 1: No, dowsing, you ask yes or no questions.
• 15:39
  Speaker 2: No, no, no. We're doing something different with these tonight. Okay.
• 15:42
  Speaker 2: We're on ley line.
• 15:44
  Speaker 1: Okay.
• 15:45
  Speaker 2: So I want to see if I can walk down
• 15:46
  Speaker 2: here and pick.
• 15:47
  Speaker 6: Up the ley line.
• 15:48
  Speaker 1: Find the ley line.
• 15:49
  Speaker 2: Because I can find, like when I'm doing stuff on
• 15:52
  Speaker 2: my property, I'll locate electrical and pipes with this. Yeah, water.
• 15:57
  Speaker 2: So my theory is maybe a ley line might have
• 16:00
  Speaker 2: the same pole on it.
• 16:01
  Speaker 1: Okay, let's try it.
• 16:02
  Speaker 2: So I'm going to start down there and walk towards you.
• 16:05
  Speaker 1: Okay, I'll sit here.
• 16:06
  Speaker 2: Try not to trip off the red ball. I'll stay
• 16:08
  Speaker 2: with you.
• 16:09
  Speaker 6: Can you see me on that and see the sticks?
• 16:12
  Speaker 1: Yeah, I'm going to come stand over here.
• 16:14
  Speaker 2: You have to be in front of me so you
• 16:15
  Speaker 2: can see them if they go.
• 16:16
  Speaker 1: I see them.
• 16:18
  Speaker 2: Okay. Let's see if there's anything here.
• 16:40
  Speaker 6: Ooh, right there.
• 16:42
  Speaker 1: Super cross. Okay. So is it running? It's running this way.
• 16:47
  Speaker 6: You don't know yet.
• 16:48
  Speaker 2: It should be running this way because we didn't hit
• 16:51
  Speaker 2: it coming this way.
• 16:52
  Speaker 1: Okay.
• 16:52
  Speaker 2: So I should have crossed something there.
• 16:54
  Speaker 1: Okay.
• 16:55
  Speaker 2: Let me come.
• 16:57
  Speaker 1: Well, you know, what's interesting right here, going up all
• 17:00
  Speaker 1: the way up from here is that bedroom in the attic.
• 17:05
  Speaker 2: Okay.
• 17:05
  Speaker 1: Yep.
• 17:06
  Speaker 2: So let me just try and verify this again.
• 17:16
  Speaker 1: Yes there it is again does it have anything to
• 17:22
  Speaker 1: do with walking up to the power.
• 17:23
  Speaker 2: Meter no because that's ahead of me it usually it's
• 17:25
  Speaker 2: stuff on that's energy underneath it could be a sewer
• 17:28
  Speaker 2: line it could be a water line but it's some
• 17:32
  Speaker 2: kind of line but it's some kind of line could
• 17:34
  Speaker 2: be a ley line curious if this picks up ley
• 17:36
  Speaker 2: lines because It's picking up energy if it's picking up water, right?
• 17:40
  Speaker 1: So go the other way.
• 17:41
  Speaker 2: Don't go on Reddit or go on Reddit and see
• 17:44
  Speaker 2: people argue about this. There's guys that have been using
• 17:47
  Speaker 2: this forever and they swear by it. And other people
• 17:50
  Speaker 2: are like, no, it's been scientifically disproven.
• 17:53
  Speaker 1: People use it. That guy came to our house and
• 17:55
  Speaker 1: used it. Yeah.
• 17:56
  Speaker 2: So let me check this for you. Oh. Hold on,
• 18:08
  Speaker 2: let me check that spot.
• 18:17
  Speaker 6: There's something right here as well.
• 18:21
  Speaker 2: Look at them pull apart, yeah. Right here.
• 18:28
  Speaker 1: Right there, same exact spot.
• 18:31
  Speaker 2: Watch, I'll come from this way.
• 18:35
  Speaker 6: It's already pulling on, pulling.
• 18:44
  Speaker 2: Exact spot so there's energy flowing through here too of
• 18:50
  Speaker 2: some type.
• 18:51
  Speaker 1: Okay well you know what's right above this spot if
• 18:54
  Speaker 1: you go straight up the yellow room the haunted room
• 18:58
  Speaker 1: it is right here is the yellow room and right
• 19:00
  Speaker 1: over here if you go straight up is the room
• 19:03
  Speaker 1: in the attic yeah because the.
• 19:06
  Speaker 2: Stairs come yeah the stairs open there that's the front
• 19:08
  Speaker 2: yeah oh yeah totally so.
• 19:10
  Speaker 1: That's the top room and above here is.
• 19:12
  Speaker 2: The yellow room okay.
• 19:15
  Speaker 6: Wild okay that's cool.
• 19:17
  Speaker 1: For down here just even to do that to see
• 19:18
  Speaker 1: the ley lines.
• 19:20
  Speaker 2: Yo okay rempod okay if there's someone with us here
• 19:25
  Speaker 2: right now can you step away from the rempod what
• 19:32
  Speaker 2: do we got.
• 19:33
  Speaker 1: Okay if this is sarah can you touch the rempod
• 19:40
  Speaker 1: if this is the child spirit can you touch the
• 19:43
  Speaker 1: rempod If you're the male spirit, can you touch the
• 19:49
  Speaker 1: REM pod? If you're something else, can you touch the
• 19:54
  Speaker 1: REM pod?
• 19:54
  Speaker 2: Did you hear that?
• 19:59
  Speaker 6: Yep.
• 20:00
  Speaker 1: What the fuck was that?
• 20:01
  Speaker 2: Could have just been a click from.
• 20:05
  Speaker 1: It was weird, though. Adam, there's not supposed to be
• 20:08
  Speaker 1: anything down here.
• 20:08
  Speaker 2: This is supposed to start off light.
• 20:11
  Speaker 1: Okay, let's ask. We have two pieces of equipment.
• 20:13
  Speaker 2: I thought you called this a hallmark haunting, Selina.
• 20:15
  Speaker 1: It could be. Maybe they just want to caress us. Okay,
• 20:18
  Speaker 1: we have the REM pod right here. We have the
• 20:19
  Speaker 1: green light right over there. Okay. One more time. If
• 20:26
  Speaker 1: we should move on upstairs, that's a better place to
• 20:28
  Speaker 1: communicate with you. Can you touch the REM pod or
• 20:32
  Speaker 1: the light? In three, two, One.
• 20:39
  Speaker 2: Clicked again.
• 20:40
  Speaker 1: Clicked again right when we counted it down.
• 20:41
  Speaker 2: Right when you said one.
• 20:43
  Speaker 6: Becca, I don't know if you.
• 20:43
  Speaker 1: It sounded like this. It sounded like this. It sounded like.
• 20:47
  Speaker 2: But no, it's like more of a tick. Grandpa, like
• 20:50
  Speaker 2: someone threw a stone or something.
• 20:53
  Speaker 1: Okay, so they're verifying that that's not.
• 20:55
  Speaker 2: It does.
• 20:56
  Speaker 1: It sounded like a stone.
• 20:57
  Speaker 2: Okay.
• 20:58
  Speaker 1: Are you excited to communicate with us tonight?
• 21:02
  Speaker 6: Again, as soon as you asked, and I heard the clicking,
• 21:04
  Speaker 6: there we go.
• 21:05
  Speaker 1: And it stopped. You know what would be really cool?
• 21:06
  Speaker 1: The new piece of equipment that we have. The recorder.
• 21:10
  Speaker 2: The DR-60.
• 21:10
  Speaker 1: Let's ask who's here.
• 21:12
  Speaker 2: You want to down here? Yes. Okay, I'll go get it.
• 21:13
  Speaker 1: We can use it throughout.
• 21:14
  Speaker 3: Okay.
• 21:15
  Speaker 2: You have to stay here alone in the basement, okay?
• 21:17
  Speaker 2: Fuck's sake.
• 21:18
  Speaker 6: That's a challenge.
• 21:18
  Speaker 2: 10,000 likes in the first three hours. Selena has to
• 21:24
  Speaker 2: do a challenge like this every time. She hates basements.
• 21:28
  Speaker 1: Why would you sacrifice me like that? I hate you're
• 21:31
  Speaker 1: just leaving me alone oh great you tricked that okay
• 21:36
  Speaker 1: cool cool cool be fast he shut the door you
• 21:45
  Speaker 1: know choose the men you marry okay my own dress
• 21:53
  Speaker 1: that fucking asshole that is an arsehole I hate basements, dude.
• 21:59
  Speaker 1: At least this one's not like a decrepit demon house
• 22:02
  Speaker 1: with frickin' stuff.
• 22:07
  Speaker 3: What?
• 22:09
  Speaker 1: Just alone. I don't want to put the light on
• 22:11
  Speaker 1: me because this makes everything else dark.
• 22:14
  Speaker 4: Just alone in the basement. Just alone in the basement.
• 22:24
  Speaker 4: We're just hanging out in the basement.
• 22:28
  Speaker 1: Wow, that spooky little run you did there, Adam.
• 22:31
  Speaker 6: Oh, that wasn't me.
• 22:32
  Speaker 2: What are you talking about?
• 22:33
  Speaker 1: Yeah, sure. We heard something weird over there. It sounded
• 22:35
  Speaker 1: like a pull string.
• 22:36
  Speaker 2: What happened? Nothing.
• 22:37
  Speaker 1: Okay, let's ask.
• 22:38
  Speaker 6: We've got a problem, Selena.
• 22:39
  Speaker 1: What?
• 22:40
  Speaker 2: If we could show everybody. Maybe we have some people
• 22:42
  Speaker 2: that can read this for us. The DR-60 you told
• 22:46
  Speaker 2: me to order is either a Japanese or Chinese version
• 22:50
  Speaker 2: or some kind of Asian, East Asian language. Aren't they
• 22:57
  Speaker 2: all like that?
• 22:57
  Speaker 1: Just turn it on.
• 22:59
  Speaker 2: Where's the power button, Selena? Yeah, this one's from BC,
• 23:03
  Speaker 2: so it's in batteries right now. So it's in, like, um.
• 23:08
  Speaker 1: But it says it on the front.
• 23:09
  Speaker 2: Hello. Hey. Friend, how are you?
• 23:11
  Speaker 1: Yeah, we're about to try and be able to hear
• 23:13
  Speaker 1: your voice.
• 23:13
  Speaker 2: Here we go.
• 23:18
  Speaker 9: Okay.
• 23:21
  Speaker 2: Okay.
• 23:21
  Speaker 1: Okay, so say how this works.
• 23:24
  Speaker 2: It's an old school recorder from the 70s, I believe.
• 23:27
  Speaker 1: 70s or 80s, it cuts out all of the background noise,
• 23:29
  Speaker 1: so Spirit is literally allowed to speak to it and
• 23:31
  Speaker 1: won't be able to hear it.
• 23:32
  Speaker 2: But it was just built to be a recorder back
• 23:35
  Speaker 2: in the day. It just ended up having these properties.
• 23:37
  Speaker 1: Yeah. Hello, we're here in the basement with you. Can
• 23:42
  Speaker 1: you tell us your name?
• 23:43
  Speaker 2: The tick again.
• 23:50
  Speaker 1: What are you? Have you been in this house since
• 23:57
  Speaker 1: it was built? Okay, okay, let's try.
• 24:02
  Speaker 3: It. Hello, we're here in the basement with you. Can
• 24:06
  Speaker 3: you tell us your name? What are you?
• 24:10
  Speaker 2: No, that was me.
• 24:12
  Speaker 3: Have you been in this house since it was.
• 24:16
  Speaker 2: Built? Who's whispering?
• 24:20
  Speaker 3: Hello, we're here in the basement with you. Can you
• 24:23
  Speaker 3: tell us your name?
• 24:27
  Speaker 1: That was a full man talking.
• 24:37
  Speaker 2: What was that?
• 24:38
  Speaker 1: That was full talking.
• 24:39
  Speaker 3: All right.
• 24:39
  Speaker 2: Let's do it again.
• 24:40
  Speaker 1: Let's do it again. Do you want me to ask
• 24:42
  Speaker 1: or you and leave big spaces?
• 24:44
  Speaker 2: Okay. Was that you talking on the recorder?
• 24:49
  Speaker 6: Step away if it was you.
• 24:53
  Speaker 1: The beep.
• 24:54
  Speaker 2: Yeah.
• 24:56
  Speaker 1: It was a man's voice.
• 24:57
  Speaker 2: Oh, okay.
• 24:58
  Speaker 1: Record again. That was insane.
• 25:00
  Speaker 2: I heard a man's voice on the recorder. Are you
• 25:03
  Speaker 2: still here with us? What is that over there?
• 25:10
  Speaker 1: Can you tell us your name? What are you?
• 25:15
  Speaker 2: Okay. So it only picks up audio when there is audio.
• 25:23
  Speaker 2: That's why the questions sound all tucked together when you
• 25:25
  Speaker 2: listen back. Okay, let's hear it.
• 25:27
  Speaker 1: We heard.
• 25:31
  Speaker 3: A man's voice on the recorder. Are you still here
• 25:34
  Speaker 3: with us? What is that over there?
• 25:36
  Speaker 1: Can you tell us your name?
• 25:38
  Speaker 3: What are you?
• 25:43
  Speaker 1: When you started it, play it again. Well, it was
• 25:45
  Speaker 1: already talking.
• 25:46
  Speaker 3: We heard a man's.
• 25:49
  Speaker 6: Voice on the recorder.
• 25:50
  Speaker 1: And the other one was a whole sentence. Play the
• 25:55
  Speaker 1: first one again.
• 25:55
  Speaker 3: Hello, we're here in the basement with you. Can you
• 26:05
  Speaker 3: tell us your name?
• 26:10
  Speaker 2: What are you?
• 26:13
  Speaker 1: Have you been in this.
• 26:14
  Speaker 3: House since it was built?
• 26:19
  Speaker 2: What was that?
• 26:20
  Speaker 1: That is a full sentence. That was a man speaking.
• 26:22
  Speaker 2: What the fuck?
• 26:24
  Speaker 1: Okay. Okay, I think we move upstairs. I felt more
• 26:28
  Speaker 1: the higher we went in this house. Let's move on
• 26:30
  Speaker 1: to the living room.
• 26:35
  Speaker 2: We're on the first floor now, Selina.
• 26:36
  Speaker 1: Mm-hmm. The basement was really interesting, and I have some
• 26:40
  Speaker 1: theories in my mind, and I want to get some
• 26:42
  Speaker 1: clear questions. Obviously, there's a man in the basement. And
• 26:45
  Speaker 1: I said, since I got here earlier, I felt Sarah...
• 26:48
  Speaker 1: I felt a dude. I didn't feel the child spirit.
• 26:50
  Speaker 1: But I have an idea. Every time I come into
• 26:52
  Speaker 1: one of these places, I have an idea. Something pops
• 26:54
  Speaker 1: into my head. And I'm curious if it's real. And
• 26:58
  Speaker 1: maybe it is a bit of a lover's story here.
• 27:00
  Speaker 1: A lover's that weren't supposed to be lovers.
• 27:03
  Speaker 2: So. Do you want to add this REM pod to
• 27:06
  Speaker 2: the infinity deck? See if we can get some double conforming.
• 27:10
  Speaker 2: What do you got? Where did you get a cracker from?
• 27:13
  Speaker 2: You didn't even offer me one.
• 27:15
  Speaker 1: I pulled it out of my special pocket.
• 27:16
  Speaker 2: What, underneath your boob?
• 27:21
  Speaker 1: While I get connected to my deck here, Adam is
• 27:24
  Speaker 1: going to go up to the third floor of the
• 27:26
  Speaker 1: most haunted room in the house and set up a
• 27:28
  Speaker 1: static cam.
• 27:30
  Speaker 8: Yeah. Good lord.
• 27:33
  Speaker 1: Is this a challenge? Maybe it is.
• 27:37
  Speaker 2: Maybe or yes?
• 27:38
  Speaker 1: Yes.
• 27:43
  Speaker 2: I'm going upstairs with this REM pod. With no lights either.
• 27:50
  Speaker 6: Just this IR cam.
• 27:51
  Speaker 1: This is.
• 27:55
  Speaker 6: What are we doing?
• 27:57
  Speaker 2: Why do we do these things? It's really dark. And
• 28:02
  Speaker 2: it's kind of freaking me the fuck out.
• 28:06
  Speaker 1: This is a very interesting house. It's on the smack
• 28:10
  Speaker 1: dab corner of a street. Very busy. And the interesting
• 28:13
  Speaker 1: thing about houses when it comes to Feng Shui... Houses
• 28:17
  Speaker 1: on corners are interesting, especially ends of roads. It always
• 28:22
  Speaker 1: has energy rushing towards it, which could amplify energy that's
• 28:25
  Speaker 1: already there.
• 28:29
  Speaker 6: Fuck me.
• 28:32
  Speaker 2: All right, let's get this REM pod down. We'll set
• 28:37
  Speaker 2: the REM pod here.
• 28:38
  Speaker 1: I feel a weird connection to this house, and as
• 28:44
  Speaker 1: soon as I walked in here, I didn't feel... dark
• 28:48
  Speaker 1: things i know that some people who have been in
• 28:50
  Speaker 1: here have definitely seen some inhuman spirits and i believe
• 28:53
  Speaker 1: that happens i believe this place is a bit of
• 28:56
  Speaker 1: a portal a lot of people come here because it
• 28:58
  Speaker 1: is an airbnb vacation rental so there's a lot of
• 29:02
  Speaker 1: different energy coming in and out of here all the
• 29:03
  Speaker 1: time so with that you're going to leave residual energy
• 29:06
  Speaker 1: you're going to have big spirits going through this is
• 29:08
  Speaker 1: which city i'm here this is an eccentric place for
• 29:11
  Speaker 1: eccentric people i think that people leave things here and
• 29:15
  Speaker 1: they leave their energy here But I do really feel
• 29:18
  Speaker 1: this connection to this Sarah, if that's her name. But
• 29:22
  Speaker 1: I also feel like a male energy is trailing her.
• 29:25
  Speaker 1: And in my head, I really wonder if she was
• 29:29
  Speaker 1: some kind of friend or aid or maid who fell
• 29:34
  Speaker 1: in love or had some kind of rendezvous with a
• 29:38
  Speaker 1: man in this house. but I also feel like they
• 29:44
  Speaker 1: don't want me to know that or people to know
• 29:48
  Speaker 1: that hello I think I feel the child.
• 30:06
  Speaker 2: There we go.
• 30:08
  Speaker 1: Okay.
• 30:11
  Speaker 2: So this is the most haunted room in the house, apparently.
• 30:14
  Speaker 2: I have the REM pod here, and we're going to
• 30:17
  Speaker 2: go downstairs and investigate and make our.
• 30:19
  Speaker 6: Way up here.
• 30:24
  Speaker 2: So Sarah, if you're here now, You can touch the
• 30:31
  Speaker 2: REM pod if you'd like.
• 30:42
  Speaker 6: And I'm out.
• 30:46
  Speaker 1: I feel cold to my back left side here. And
• 30:50
  Speaker 1: it's not cold in this house.
• 30:51
  Speaker 2: I did not fucking like that.
• 30:55
  Speaker 1: What happened?
• 30:56
  Speaker 3: Nothing.
• 30:56
  Speaker 1: I was just.
• 30:59
  Speaker 2: Did it in the dark with the IR cam for
• 31:01
  Speaker 2: the people and.
• 31:02
  Speaker 6: Stressed me out a little bit.
• 31:04
  Speaker 1: Okay, ask a question.
• 31:10
  Speaker 2: Have we made contact with Sarah tonight yet? Sarah, have
• 31:15
  Speaker 2: we contacted you specifically tonight?
• 31:18
  Speaker 1: No. No, okay.
• 31:26
  Speaker 6: Were we correct in the basement?
• 31:30
  Speaker 1: Where we correct in the basement immediately goes off. Okay.
• 31:34
  Speaker 1: Where we correct about what, Adam?
• 31:35
  Speaker 2: Where we correct in the basement when we heard a
• 31:40
  Speaker 2: male presence or male energy.
• 31:45
  Speaker 6: Yes.
• 31:46
  Speaker 3: Yes.
• 31:46
  Speaker 2: Okay.
• 31:47
  Speaker 6: I think the REM pod already answered that for us.
• 31:48
  Speaker 2: Yeah. So there's also an IR cam now on the
• 31:52
  Speaker 2: top floor, as you saw from before. So we'll get
• 31:55
  Speaker 2: back at a cut in if that's going off while
• 31:57
  Speaker 2: we're doing any of this investigation. Okay.
• 32:00
  Speaker 1: There's a story in this house about Sarah and that
• 32:03
  Speaker 1: there's also this male energy, but it's not really heard of,
• 32:06
  Speaker 1: this male energy. I don't even know if I read that.
• 32:08
  Speaker 1: I just know there's a male energy. I feel it.
• 32:09
  Speaker 2: Yeah. My question is....
• 32:15
  Speaker 1: Were you a lover to her, to Sarah, to this
• 32:18
  Speaker 1: spirit that people feel?
• 32:19
  Speaker 7: Yeah, stop there.
• 32:25
  Speaker 2: Yes.
• 32:26
  Speaker 1: Okay.
• 32:27
  Speaker 6: So you think That this is somebody that knows Sarah.
• 32:30
  Speaker 1: I feel like maybe he was a head of house.
• 32:33
  Speaker 1: Maybe he had a wife. I don't know. But there was,
• 32:35
  Speaker 1: I don't even know if one as far as like
• 32:37
  Speaker 1: some actual stuff. But there was something. And their energies
• 32:40
  Speaker 1: are still here together. But I feel like he's only
• 32:42
  Speaker 1: here certain times a year. Does that make sense? I
• 32:44
  Speaker 1: feel like he lived a double life in life. But
• 32:46
  Speaker 1: he also lived a double life in death.
• 32:50
  Speaker 2: Tick over there, did you hear that? As soon as
• 32:52
  Speaker 2: you said that. Did you, are you passing through here
• 32:56
  Speaker 2: once in a while? And not permanently attached. Are you
• 33:00
  Speaker 2: passing through the ley lines? You're supposedly running through this house.
• 33:08
  Speaker 2: Caught ley lines in the basement?
• 33:10
  Speaker 8: Maybe.
• 33:10
  Speaker 6: Maybe we caught something else.
• 33:12
  Speaker 1: Well, I said he comes and goes. Yeah. I feel
• 33:15
  Speaker 1: like he's a little funny.
• 33:17
  Speaker 2: Okay, you know. Yeah, over there. Every time we've been
• 33:24
  Speaker 2: going into a room and starting an investigation in that room,
• 33:27
  Speaker 2: There's been, like, ticks. Like, they keep making things make
• 33:31
  Speaker 2: a sound across the room.
• 33:33
  Speaker 1: The child that passes through here, did you pass away
• 33:36
  Speaker 1: in this house?
• 33:38
  Speaker 2: No. So he passes through. Okay.
• 33:41
  Speaker 1: So this house, it is said that it is on
• 33:45
  Speaker 1: ley lines. Is that true that this house is a
• 33:48
  Speaker 1: portal and spirits do pass through here?
• 33:50
  Speaker 2: All types. Yes. Yes. Okay. Interesting. I mean, it makes
• 34:00
  Speaker 2: sense from what we've been uncovering so far in the basement.
• 34:03
  Speaker 1: Did you like that we could actually hear you on
• 34:07
  Speaker 1: the recorder?
• 34:10
  Speaker 2: Use it again. Yes.
• 34:18
  Speaker 3: Okay.
• 34:19
  Speaker 1: That was really, like, that was a full sentence. Yeah.
• 34:21
  Speaker 1: That I heard in that.
• 34:22
  Speaker 6: I can't wait to hear that broken down.
• 34:23
  Speaker 1: Yeah.
• 34:24
  Speaker 6: Is there anybody else here with you tonight? Passing through.
• 34:27
  Speaker 1: Ask again.
• 34:33
  Speaker 2: Maybe rephrase? Or is it just saying ask again because
• 34:36
  Speaker 2: there's another person here? Or is that like his way
• 34:39
  Speaker 2: of hinting at... Again.
• 34:41
  Speaker 1: Yeah.
• 34:42
  Speaker 6: That's another person.
• 34:42
  Speaker 1: I don't know. Sarah, people say.
• 34:47
  Speaker 2: Is she here?
• 34:49
  Speaker 1: I feel like she's here. I just addressed her like
• 34:51
  Speaker 1: she's here. Sarah, people say that you like to touch
• 34:54
  Speaker 1: people's feet... Is that true? Something you're known for? Yes.
• 35:02
  Speaker 2: Of course.
• 35:03
  Speaker 1: That's a common thing.
• 35:04
  Speaker 2: And I mean, I'm sure she was just, maybe she
• 35:07
  Speaker 2: was like.
• 35:07
  Speaker 1: Being kind.
• 35:08
  Speaker 2: Yeah, like to give people foot massage after a long
• 35:10
  Speaker 2: day at work.
• 35:11
  Speaker 1: Sarah feels like a very.
• 35:12
  Speaker 6: We're not making this like feetfinder.com stuff.
• 35:15
  Speaker 1: Not a feetfinder.com stuff. Sarah feels like a really positive spirit.
• 35:22
  Speaker 1: And I almost feel like she's moved on from this
• 35:24
  Speaker 1: male energy. but that he is still tailing her. He
• 35:27
  Speaker 1: pops in to tail her. Am I correct?
• 35:38
  Speaker 2: No.
• 35:42
  Speaker 1: Do you still love him then? Yes.
• 35:52
  Speaker 2: Okay.
• 35:54
  Speaker 1: Do you get to be together in this next realm
• 35:57
  Speaker 1: you're in?
• 36:02
  Speaker 2: Stop.
• 36:03
  Speaker 6: Too many questions or she doesn't like talking about it?
• 36:06
  Speaker 1: I feel that maybe. There's a little boy.
• 36:08
  Speaker 2: Like you just felt him right now?
• 36:12
  Speaker 1: I felt him earlier but I can see him. I
• 36:14
  Speaker 1: can see him in my mind's eye. He's like four
• 36:17
  Speaker 1: and he's got big brown eyes. He's got brown hair
• 36:19
  Speaker 1: and the clothing is giving me.
• 36:23
  Speaker 1: Late 800s, 1800s, early 1900s. Joseph, Joe, Joel.
• 36:30
  Speaker 2: Is the person we were talking to in the basement
• 36:32
  Speaker 2: the boy?
• 36:33
  Speaker 1: He was very young. He was like a baby. Like,
• 36:37
  Speaker 1: he's four. It didn't sound like a four-year-old.
• 36:39
  Speaker 2: So, the communication we've been doing with what's maybe considered
• 36:44
  Speaker 2: a male energy and talked on the recorder, is that
• 36:47
  Speaker 2: the boy? No.
• 36:50
  Speaker 6: Well, that makes sense because you asked.
• 36:53
  Speaker 1: Are you in this room where the ticking's happening in
• 36:55
  Speaker 1: the corning right over there, Adam? Point the camera. Right, yeah.
• 36:57
  Speaker 1: Right over here?
• 36:58
  Speaker 2: The ticking is right over on that side.
• 36:59
  Speaker 1: Like, by that cabinet is where he is in my
• 37:02
  Speaker 1: mind's eye.
• 37:06
  Speaker 2: Yes.
• 37:07
  Speaker 1: Okay. Again, very sweet energy, not something pretending to be
• 37:11
  Speaker 1: something else.
• 37:11
  Speaker 2: Okay.
• 37:12
  Speaker 1: Is your name a J name? Okay. Yep. I'm usually
• 37:18
  Speaker 1: pretty good on those.
• 37:18
  Speaker 2: Okay.
• 37:20
  Speaker 3: Um.
• 37:20
  Speaker 1: Do you know that you can pass through and be
• 37:25
  Speaker 1: with your family? Do you come and go?
• 37:27
  Speaker 2: I like that.
• 37:34
  Speaker 3: Okay, cool.
• 37:36
  Speaker 2: Okay.
• 37:38
  Speaker 1: On the odd time, does something dark pass through this house?
• 37:50
  Speaker 1: It felt like the fart smell.
• 37:53
  Speaker 6: Not like a Hallmark haunting slant.
• 37:56
  Speaker 1: It's the Hallmark haunting.
• 37:57
  Speaker 2: Stop.
• 37:58
  Speaker 1: Do you want us to use the recorder again before
• 38:03
  Speaker 1: we move on? Yes. Sarah, will you speak with us
• 38:14
  Speaker 1: through the recorder?
• 38:14
  Speaker 2: Let's grab it.
• 38:19
  Speaker 6: Let's try it. Yeah, let's try it. Maybe you grabbing
• 38:26
  Speaker 6: the cards?
• 38:26
  Speaker 1: No, it's too far. Well, look.
• 38:31
  Speaker 6: Pull the tablecloth, maybe?
• 38:33
  Speaker 1: Yeah, that's probably it. We're all busting ourselves here.
• 38:37
  Speaker 6: That was you.
• 38:38
  Speaker 2: Was it? Okay, relax. Maybe not.
• 38:47
  Speaker 1: I'm going to pull it again.
• 38:55
  Speaker 2: Yeah, it might have been you, but still.
• 38:57
  Speaker 6: That was weird.
• 38:58
  Speaker 2: You stopped, though.
• 39:00
  Speaker 1: Let's take turns asking questions and give it a huge gap.
• 39:04
  Speaker 2: Yep. Okay.
• 39:05
  Speaker 1: You start.
• 39:08
  Speaker 2: Sarah, are you here with us?
• 39:12
  Speaker 1: Is there another spirit here that would like to speak
• 39:14
  Speaker 1: to us?
• 39:18
  Speaker 2: If there's anybody here, can you just give us some
• 39:21
  Speaker 2: evidence on the recorder and communicate with us?
• 39:26
  Speaker 9: We're here at the Henry Derby House. Lots of people
• 39:29
  Speaker 9: have had paranormal experiences here. We want to hear anything
• 39:34
  Speaker 9: from you at all. Tell us your story.
• 39:36
  Speaker 1: Okay, turn up all the way and play it.
• 39:45
  Speaker 8: Are you here with us?
• 39:48
  Speaker 3: Is there another spirit here that would like to speak
• 39:51
  Speaker 3: to us?
• 39:53
  Speaker 6: Is there anybody here?
• 39:54
  Speaker 3: Can you just.
• 39:55
  Speaker 8: Give us evidence on the.
• 39:56
  Speaker 6: Recorder and communicate with us?
• 40:01
  Speaker 3: We're here at the Henry Derby House. Lots of people
• 40:04
  Speaker 3: have had paranormal experiences here. We want to hear anything
• 40:09
  Speaker 3: from you at all. Tell us your story.
• 40:13
  Speaker 1: Nothing. Nothing.
• 40:16
  Speaker 9: Isn't that crazy in the basement that we had like
• 40:19
  Speaker 9: full sentence.
• 40:20
  Speaker 1: Yeah can we hear that one again the basement one
• 40:23
  Speaker 1: yeah the first.
• 40:24
  Speaker 3: One hello we're here in the basement with you can
• 40:28
  Speaker 3: you tell us your name what are you have you
• 40:35
  Speaker 3: been in this house.
• 40:36
  Speaker 8: Since it was built.
• 40:41
  Speaker 1: Someone's straight up whispering into that yeah yeah Okay, are
• 40:46
  Speaker 1: you ready to go up into the next room?
• 40:50
  Speaker 2: Next room is actually one of the most haunted, right?
• 40:54
  Speaker 1: We're going now to the next and then the top
• 40:56
  Speaker 1: haunted room. We're going into the room with the portal. Yes.
• 41:00
  Speaker 6: Let's go play in the portal.
• 41:02
  Speaker 1: Let's go play in the portal. Let's go play in
• 41:06
  Speaker 1: the portal.
• 41:07
  Speaker 2: No.
• 41:08
  Speaker 1: This is in this room. Do you see anything? I don't.
• 41:14
  Speaker 2: Whoa, you can see it way better on camera almost.
• 41:17
  Speaker 1: Okay, do you see anything? Oh yeah, you can. We
• 41:21
  Speaker 1: forgot the basement one.
• 41:22
  Speaker 2: Oh, we forgot to do the basement pictures. Go grab them, Selena.
• 41:26
  Speaker 6: Alone in the dark.
• 41:27
  Speaker 2: No. It's a challenge.
• 41:29
  Speaker 4: It's not.
• 41:29
  Speaker 2: You challenged me.
• 41:30
  Speaker 1: Shove your challenge.
• 41:31
  Speaker 6: Go.
• 41:32
  Speaker 1: You left me in the basement.
• 41:33
  Speaker 2: Go to the basement.
• 41:33
  Speaker 1: Deuce times.
• 41:34
  Speaker 2: I'll come behind you slowly. You what? At a distance. Fuck.
• 41:40
  Speaker 2: Somebody stop her. What are you doing over there? Where's
• 41:46
  Speaker 2: my cracker?
• 41:47
  Speaker 1: This is like when I used to go to Catholic
• 41:49
  Speaker 1: high school. And they'd be like... And he'd put it.
• 41:53
  Speaker 1: And you know what I would do? I wasn't even Catholic.
• 41:55
  Speaker 1: I just went to the high school. But I loved
• 41:58
  Speaker 1: getting a little tiny Jesus wafer. So I would go.
• 42:00
  Speaker 1: And I would wait. And everyone would be like, you're
• 42:01
  Speaker 1: supposed to just go like this. And they're just going
• 42:03
  Speaker 1: to bless you and move on. And I was like, no.
• 42:05
  Speaker 1: I'm going to pretend I'm Catholic because I want the
• 42:07
  Speaker 1: wine and the thing. And I'd go up. And he'd
• 42:09
  Speaker 1: be like, bless you, my child. And he'd put ash
• 42:11
  Speaker 1: on my forehead. And then I'd go... And he put
• 42:14
  Speaker 1: it on my tongue.
• 42:15
  Speaker 6: And then.
• 42:17
  Speaker 1: I would drink that grape juice. I would drink that
• 42:19
  Speaker 1: grape juice.
• 42:20
  Speaker 2: I bet you would.
• 42:21
  Speaker 1: But you want to know the craziest thing?
• 42:23
  Speaker 2: I got back in line. I just love a snack.
• 42:29
  Speaker 1: You cannot appreciate a lady who loves a snack.
• 42:32
  Speaker 3: Right.
• 42:32
  Speaker 2: Jesus or not, baby. What are you doing turning the
• 42:34
  Speaker 2: lights on? Yeah, we're.
• 42:37
  Speaker 1: Not ghost hunting no more.
• 42:38
  Speaker 6: What are you, a big baby?
• 42:43
  Speaker 2: Me a big baby.
• 42:46
  Speaker 1: Some call me big ruth too.
• 42:52
  Speaker 2: I got the string.
• 42:55
  Speaker 1: Turn it on go down you can do this ow
• 42:58
  Speaker 1: i'm staying here it's a challenge did you hear the
• 43:00
  Speaker 1: voice my recorder trail it's a challenge.
• 43:02
  Speaker 2: Okay i don't like it my tummy hurts you're fine go.
• 43:10
  Speaker 1: I feel like the movie The Sixth Sense. Don't fucking
• 43:13
  Speaker 1: do it. Adam, no, no, no, no. Adam, what the fuck?
• 43:20
  Speaker 6: What?
• 43:20
  Speaker 1: Blue balls.
• 43:21
  Speaker 3: What?
• 43:22
  Speaker 1: We don't do that to each other. We don't do that.
• 43:27
  Speaker 6: You're actually scared?
• 43:28
  Speaker 1: Yeah, we don't do that to each other. I'm sorry.
• 43:33
  Speaker 1: I feel sick now. Why? We don't do that to
• 43:36
  Speaker 1: each other.
• 43:36
  Speaker 2: You're fine.
• 43:37
  Speaker 1: I would never do that to you.
• 43:38
  Speaker 2: I would hope you would.
• 43:41
  Speaker 1: Never.
• 43:44
  Speaker 2: I'm in the doghouse.
• 43:47
  Speaker 6: Okay, this is the one.
• 43:50
  Speaker 1: From the basement.
• 43:51
  Speaker 2: Before I upset you deeply, I apologize, my beautiful wife.
• 43:56
  Speaker 1: I love you. What is that?
• 43:58
  Speaker 2: It looks just like something in storage. I don't know. No, that's...
• 44:07
  Speaker 2: Or is it like weird?
• 44:08
  Speaker 1: No, that's just open there.
• 44:09
  Speaker 2: Is it weird development issue? What? Did we get something?
• 44:13
  Speaker 2: What the heck? Should we go check if that's something
• 44:17
  Speaker 2: down there?
• 44:18
  Speaker 1: Yeah, let's go check.
• 44:19
  Speaker 2: Can you go down there again?
• 44:20
  Speaker 1: Are you going to shut the door?
• 44:21
  Speaker 2: No.
• 44:23
  Speaker 1: You can lead the way, Benji. Okay.
• 44:24
  Speaker 6: Are you going to shut the door on me now?
• 44:27
  Speaker 1: Never.
• 44:27
  Speaker 6: Oh.
• 44:34
  Speaker 2: Go ahead, run away, Selena. Where'd you take that picture?
• 44:40
  Speaker 2: Right here? Let's try and recreate the spot with this camera.
• 44:46
  Speaker 1: Okay.
• 44:47
  Speaker 2: So it's the water heater. So it's right here.
• 44:51
  Speaker 1: Yeah, there's nothing there. I don't know.
• 44:55
  Speaker 2: Like, is it these? It's not these things.
• 44:57
  Speaker 1: No, it's way over here.
• 44:58
  Speaker 2: It's way over here.
• 44:59
  Speaker 3: What?
• 44:59
  Speaker 2: It was like that.
• 45:07
  Speaker 1: Yeah.
• 45:07
  Speaker 2: Is there anything back there further?
• 45:10
  Speaker 1: No. What the fuck is that? It's like white, like....
• 45:15
  Speaker 2: And then it's like shadowed.
• 45:19
  Speaker 1: Yeah, it has a shadow, which makes it not development.
• 45:22
  Speaker 2: What the fuck?
• 45:27
  Speaker 1: Okay, we gotta go Google this.
• 45:30
  Speaker 2: Somebody in the comments... Let us know, like, if you
• 45:33
  Speaker 2: know Polaroids or whatever. Is that just, like, a film
• 45:37
  Speaker 2: manufacturing thing or what? Like, what the fuck is that?
• 45:41
  Speaker 1: That's interesting. I wonder. Alright.
• 45:48
  Speaker 2: Let's go up a level here. Will you fucking relax
• 45:51
  Speaker 2: on the Ritz, buddy?
• 45:52
  Speaker 1: I'm nervous eating now.
• 45:53
  Speaker 2: Sorry. Is that my fault? Look at those side eyes.
• 45:59
  Speaker 2: I usually only get those for my son.
• 46:02
  Speaker 1: He does side-eye a lot.
• 46:03
  Speaker 2: He does side-eye.
• 46:04
  Speaker 1: He'll like, he'll like.
• 46:09
  Speaker 2: Selina, don't... Is that a ghost?
• 46:14
  Speaker 3: It smells.
• 46:15
  Speaker 2: That was a ghost. It smells like a ghost. Do
• 46:16
  Speaker 2: you smell crackers?
• 46:21
  Speaker 3: No.
• 46:21
  Speaker 2: To the portal! To the wall!
• 46:31
  Speaker 1: To the sweat drop now, mothballs!
• 46:33
  Speaker 3: Oh, whoa.
• 46:34
  Speaker 2: Buddy, we're on the stairs. Safety first.
• 46:36
  Speaker 1: You know where we're headed.
• 46:38
  Speaker 2: To the portal. To the bedroom. Yeah, so what?
• 46:42
  Speaker 1: You know.
• 46:42
  Speaker 2: Lots of bedrooms in here. What's your fascination with the bedroom?
• 46:45
  Speaker 2: I'm just gonna.
• 46:46
  Speaker 1: Oh, the pictures!
• 46:48
  Speaker 2: Oh, we got pictures. Wait, why are there two?
• 46:50
  Speaker 3: I don't know.
• 46:51
  Speaker 6: Let's check them out. You did one in the portal.
• 46:54
  Speaker 1: Oh, yes.
• 46:55
  Speaker 2: You got a portal pic?
• 46:56
  Speaker 1: Okay.
• 46:56
  Speaker 2: Okay, what's out there?
• 46:58
  Speaker 1: What's in the mirror? All right. See anything?
• 47:01
  Speaker 2: I don't know, do we? Take a look-ski.
• 47:07
  Speaker 1: No.
• 47:08
  Speaker 2: Alright.
• 47:09
  Speaker 1: Time for the portal picture.
• 47:10
  Speaker 2: Dun-dun-dun-dun-dun-dun.
• 47:18
  Speaker 1: Wait, are those smudges on the mirror? Light at the mirror?
• 47:23
  Speaker 2: Could be this light. First... Oh, it was a flash.
• 47:26
  Speaker 1: Why is there a rainbow?
• 47:27
  Speaker 2: I don't know. That would be the mirror maybe?
• 47:33
  Speaker 1: I don't know.
• 47:34
  Speaker 2: Okay, if you know about these.
• 47:35
  Speaker 1: What is that? That's weird. I've never seen that.
• 47:37
  Speaker 2: Why is there like, is it aura?
• 47:39
  Speaker 1: There's a rainbow and then there's a green light. Look
• 47:41
  Speaker 1: at the ceiling. Ceiling's not green.
• 47:43
  Speaker 2: Could be the flash.
• 47:45
  Speaker 1: But that looks like a mouth. Come over here to
• 47:48
  Speaker 1: this mirror. Right here. Is there anything, any.
• 47:51
  Speaker 2: Smudges right there? No. There is here.
• 47:53
  Speaker 6: There's a little smudgy here, but.
• 47:55
  Speaker 1: But not right here.
• 47:58
  Speaker 2: No. But I mean, when a camera flash goes off
• 48:01
  Speaker 2: and you've got two mirrors.
• 48:03
  Speaker 1: Is that rainbow coming through because of the portal?
• 48:08
  Speaker 2: Okay.
• 48:08
  Speaker 1: I think that we need to ask questions while we're
• 48:12
  Speaker 1: each staring into the portal.
• 48:13
  Speaker 2: Again, in the comments, like where's our experts on Polaroids
• 48:17
  Speaker 2: and picture taking and mirrors and lights and flashes. Can
• 48:21
  Speaker 2: you debunk this or is this something?
• 48:24
  Speaker 1: Okay. Here we have a couple of tools. I want
• 48:26
  Speaker 1: to start with the dead bell. I find this to
• 48:27
  Speaker 1: be super interesting. Especially if we're in a portal, if
• 48:30
  Speaker 1: people are coming through.
• 48:32
  Speaker 2: Ding, ding. Order's up, buddy.
• 48:33
  Speaker 1: Order's up.
• 48:33
  Speaker 2: Where am I going to go on this?
• 48:36
  Speaker 1: Actually, let's go right here, in front of the portal.
• 48:39
  Speaker 1: And let's do the Alice box over.
• 48:41
  Speaker 2: On this side.
• 48:42
  Speaker 1: I'm going to gaze through this portal, which weirdly I
• 48:45
  Speaker 1: have to be.
• 48:46
  Speaker 2: Like this to see. What? You're trying to just bag
• 48:50
  Speaker 2: it up on me again, aren't you?
• 48:51
  Speaker 1: I'm not, I promise.
• 48:52
  Speaker 2: Okay.
• 48:56
  Speaker 7: There's a portal in this room. I'm staring through it
• 48:58
  Speaker 7: right now. Is there anyone who would like to communicate
• 49:01
  Speaker 7: with us? We have two pieces of equipment. A dead bell,
• 49:09
  Speaker 7: which you can hit.
• 49:11
  Speaker 1: Or an Alice box.
• 49:15
  Speaker 2: Hello.
• 49:17
  Speaker 1: Road.
• 49:18
  Speaker 2: Road.
• 49:19
  Speaker 1: Yes. This house is very.
• 49:21
  Speaker 3: Enjoy.
• 49:22
  Speaker 1: Enjoy.
• 49:24
  Speaker 2: There's roads running through this house in the form of
• 49:26
  Speaker 2: ley lines.
• 49:27
  Speaker 1: Ah, the roads!
• 49:28
  Speaker 2: Is that what you're talking about? And the portal.
• 49:30
  Speaker 1: Is anybody coming through?
• 49:31
  Speaker 2: The portal. Mm-hmm.
• 49:33
  Speaker 1: What's your name? You can hit the bell if you're
• 49:37
  Speaker 1: a woman. Beep, beep. Her.
• 49:41
  Speaker 3: Her.
• 49:41
  Speaker 1: Her.
• 49:43
  Speaker 2: Okay. Sarah? No way, dude. You just got an answer
• 49:47
  Speaker 2: on a question.
• 49:47
  Speaker 1: I literally did.
• 49:48
  Speaker 3: Okay.
• 49:49
  Speaker 6: Literally.
• 49:49
  Speaker 1: Sarah, if that's you, can you hit the bell right now?
• 49:53
  Speaker 1: In three, two, one.
• 50:03
  Speaker 2: Passed. Past.
• 50:06
  Speaker 1: From the past, yeah. Yeah, you were alive a very
• 50:08
  Speaker 1: long time ago. Were you from the first generation of
• 50:11
  Speaker 1: people that lived in this house?
• 50:16
  Speaker 2: No way.
• 50:17
  Speaker 1: You didn't want to speak about the man. Was he
• 50:21
  Speaker 1: your boss? Was he someone else who worked in the house?
• 50:27
  Speaker 2: Nothing.
• 50:28
  Speaker 1: She didn't want to talk about it before either. Is
• 50:31
  Speaker 1: it easier to speak to me when I'm looking in
• 50:33
  Speaker 1: the portal?
• 50:34
  Speaker 2: You know what?
• 50:36
  Speaker 1: Looking through this, there's like something, like a mask behind me.
• 50:40
  Speaker 2: What?
• 50:40
  Speaker 1: Like in the third version of me.
• 50:41
  Speaker 2: What do you mean?
• 50:44
  Speaker 1: Why can I see the back of my head?
• 50:47
  Speaker 2: Because you're looking into two mirrors. You can't or you can?
• 50:53
  Speaker 1: Don't.
• 50:54
  Speaker 6: Don't what?
• 50:56
  Speaker 1: Maybe look at it. Let me explain what I'm seeing.
• 50:59
  Speaker 1: I'm seeing me. Then I'm seeing the back of my head.
• 51:02
  Speaker 1: Then I'm seeing me. Then I'm seeing the back of
• 51:05
  Speaker 1: my head, but it's like I'm standing up, facing backwards.
• 51:08
  Speaker 2: Like your shadow self or an entity, or... What the
• 51:12
  Speaker 2: fuck are you talking about? Like, what do you mean?
• 51:19
  Speaker 1: It's moving a little bit. No way. Is it dangerous
• 51:23
  Speaker 1: for me to stare at this? Can you see it?
• 51:26
  Speaker 1: What goes away when you do that?
• 51:29
  Speaker 2: Oh, the light, right? I don't know. What? It's... Did
• 51:37
  Speaker 2: it come back after I left?
• 51:38
  Speaker 1: It started to turn. Dominate.
• 51:42
  Speaker 2: Dominate.
• 51:42
  Speaker 1: Okay. I think it's the shadow self. We've had this
• 51:46
  Speaker 1: conversation before. I was, like, looking like this. I saw
• 51:50
  Speaker 1: the back of my head, right? And then it started...
• 51:52
  Speaker 1: Then it was doing this. Like, it was turning around.
• 51:56
  Speaker 1: It was front, back, front.
• 52:00
  Speaker 2: Is that, like, confirmation to what you're talking about?
• 52:03
  Speaker 1: I don't know. Hold on. Should they close the portal?
• 52:10
  Speaker 1: Alice box.
• 52:11
  Speaker 2: Can you use that?
• 52:12
  Speaker 1: Should they move one of these mirrors to close this portal?
• 52:19
  Speaker 2: What was that? It was ticking.
• 52:24
  Speaker 1: Do darker versions of yourself come out?
• 52:26
  Speaker 2: Something keeps coming from over there.
• 52:28
  Speaker 1: I know.
• 52:31
  Speaker 2: What is that again? Strength.
• 52:40
  Speaker 1: Some people... Strength. Clap.
• 52:46
  Speaker 2: Clap. What if it claps back, dude?
• 52:56
  Speaker 1: Did you like that?
• 52:57
  Speaker 6: Do you hear that?
• 52:59
  Speaker 2: Again.
• 52:59
  Speaker 1: Is it just dripping?
• 53:01
  Speaker 2: I don't know.
• 53:02
  Speaker 1: Oh my god. Was it clapping back? Was it something
• 53:05
  Speaker 1: clapping back?
• 53:06
  Speaker 2: No. It's just as soon as you clapped, it was like,
• 53:10
  Speaker 2: A sound over there. It must be the AC.
• 53:12
  Speaker 1: It's off. There's no power to it. Everything just... Do
• 53:16
  Speaker 1: you feel that?
• 53:17
  Speaker 6: Yeah, it just feels empty now.
• 53:21
  Speaker 1: If there's anyone here, use one of our devices in three, two, one.
• 53:31
  Speaker 1: That's like moving behind the walls.
• 53:33
  Speaker 2: Yeah.
• 53:35
  Speaker 1: After we freaked out like that, it's like we scared
• 53:37
  Speaker 1: everything off.
• 53:38
  Speaker 2: Mm-hmm. Cows. Cows? Is that what it said? They're making
• 53:48
  Speaker 2: fun of us. No, we have cows at home. Why
• 53:50
  Speaker 2: do you always have to go there? Because I have them.
• 53:53
  Speaker 2: You're a beautiful woman. But I'm.
• 53:54
  Speaker 1: But a loaf of bread.
• 53:56
  Speaker 2: Selena, stop it.
• 53:58
  Speaker 1: I'm but a loaf of bread.
• 53:59
  Speaker 2: Be nice to yourself. Love yourself. Cows are delicious.
• 54:03
  Speaker 6: Love thyself.
• 54:05
  Speaker 2: People like to eat cows.
• 54:06
  Speaker 3: Yeah.
• 54:07
  Speaker 2: We had good cow tonight.
• 54:09
  Speaker 1: Did I eat cows?
• 54:10
  Speaker 2: Some skirt steak mmm what what would they what does
• 54:15
  Speaker 2: that have to do with cows Selena what does that
• 54:20
  Speaker 2: have to do with cows speed don't do it no
• 54:31
  Speaker 2: turn the camera Selena no I'm not turning the camera
• 54:34
  Speaker 2: off let's go upstairs.
• 54:36
  Speaker 1: Wait that's where Sarah's gonna tickle our feet.
• 54:38
  Speaker 2: Yes Let's go get our feet tickled. Let's get our
• 54:41
  Speaker 2: feet tickled. Okay.
• 54:43
  Speaker 1: Real talk. What if she starts rubbing my feet and
• 54:46
  Speaker 1: I feel her? Is that scary?
• 54:47
  Speaker 2: Then it's no longer a Hallmark haunting. It's scary as fuck, dude.
• 54:51
  Speaker 1: Okay, but if it was.
• 54:52
  Speaker 6: Okay, I miss.
• 54:54
  Speaker 2: I can't be alone in a basement.
• 54:56
  Speaker 6: Hey, she's touching my feet.
• 54:57
  Speaker 1: This is fun.
• 54:58
  Speaker 4: Yay.
• 54:59
  Speaker 1: If a ghost starts kneading your feet real good, doing
• 55:01
  Speaker 1: some reflexology, are you really going to stop?
• 55:03
  Speaker 2: Get the fuck out of here.
• 55:04
  Speaker 1: Nah. Nah.
• 55:06
  Speaker 2: Okay.
• 55:07
  Speaker 1: Nah i'm scared.
• 55:08
  Speaker 2: Of basements why are you touching my feet.
• 55:10
  Speaker 1: I am scared of basements but if sarah wants to
• 55:13
  Speaker 1: rub my feet a woman won't get up in it
• 55:15
  Speaker 1: okay sarah do you want to.
• 55:17
  Speaker 10: Rub my feet in three two one wait do you
• 55:26
  Speaker 10: want to rub adam's feet in three two one Maybe
• 55:36
  Speaker 10: she's already upstairs.
• 55:37
  Speaker 2: There's two of you.
• 55:41
  Speaker 8: West.
• 55:43
  Speaker 2: West. There's two of me? Where?
• 55:46
  Speaker 1: In the mirror?
• 55:46
  Speaker 2: Yeah, there's one in the mirror. Whoa.
• 55:48
  Speaker 3: Wait.
• 55:49
  Speaker 2: Does this look good? Yeah, it looks cute. It's a
• 55:52
  Speaker 2: very cinematic shot. Move with me. Move with me. Move
• 55:58
  Speaker 2: with me, move with me.
• 55:59
  Speaker 1: I'm ready for my foot rub.
• 56:01
  Speaker 6: Let's go.
• 56:01
  Speaker 1: These dogs be barking though.
• 56:03
  Speaker 2: Yeah, well, it's a little scary up there in the
• 56:05
  Speaker 2: dark with the IR camera only.
• 56:09
  Speaker 1: Column.
• 56:11
  Speaker 2: Column. You're holding onto the column of the bed.
• 56:13
  Speaker 1: Yeah, I am.
• 56:16
  Speaker 2: Selena, stop it. This is PG-13.
• 56:22
  Speaker 1: Look at that gaping dark hole. It has a welcome sign.
• 56:28
  Speaker 1: You're not supposed to put welcomes on door because then
• 56:31
  Speaker 1: you're welcome anything and everything. Just like Adam did in
• 56:35
  Speaker 1: high school. Go ahead.
• 56:36
  Speaker 2: Who are you talking about in high school?
• 56:38
  Speaker 3: That was me.
• 56:40
  Speaker 6: You go.
• 56:40
  Speaker 1: You know what they called me? The virgin slayer.
• 56:44
  Speaker 2: No, they didn't. Cut that. That's not my wife. That's
• 56:47
  Speaker 2: not who she is.
• 56:47
  Speaker 1: Don't cut it.
• 56:50
  Speaker 3: Hey.
• 56:54
  Speaker 4: No!
• 56:54
  Speaker 2: What the fuck?
• 56:56
  Speaker 1: Oh, I love being downwind. Selena, stop it.
• 56:59
  Speaker 2: You're going to make me fall. That's ridiculous. This is
• 57:03
  Speaker 2: not who you are.
• 57:04
  Speaker 1: This house has me ranting. Is that a fucking face?
• 57:13
  Speaker 6: Oh, it happened again.
• 57:14
  Speaker 1: What? So it's a camera thing. That has to be
• 57:20
  Speaker 1: a camera thing. We had to send the camera back.
• 57:26
  Speaker 6: It might be this set.
• 57:27
  Speaker 2: Of film, too.
• 57:28
  Speaker 1: Yeah. No, because the one in the basement was a
• 57:32
  Speaker 1: different film.
• 57:35
  Speaker 2: No, yes.
• 57:36
  Speaker 1: Yeah, it was. Same spot, too. Okay, so now we know.
• 57:41
  Speaker 1: Is that a person in the window, though? It's you.
• 57:46
  Speaker 2: Right?
• 57:46
  Speaker 6: Get your reflection from taking the picture.
• 57:49
  Speaker 1: Okay, yeah.
• 57:51
  Speaker 2: All right. Sorry to buzzkill everybody's ghosty hunting, but.
• 57:54
  Speaker 1: Yeah, we're honest.
• 57:55
  Speaker 6: There's already a REM pod.
• 57:56
  Speaker 2: Up here too, remember?
• 57:57
  Speaker 1: Yes. What is that?
• 58:03
  Speaker 2: That's fucking spooky. Oh, it's the mirror. See, look at
• 58:07
  Speaker 2: us in it.
• 58:07
  Speaker 1: Oh, it's the flash in the mirror.
• 58:09
  Speaker 2: Yeah, look at us in it right now. We're cute.
• 58:11
  Speaker 7: Okay.
• 58:11
  Speaker 2: Okay.
• 58:16
  Speaker 1: Looks alright. Alright.
• 58:20
  Speaker 2: Alright.
• 58:20
  Speaker 1: Alright.
• 58:24
  Speaker 2: That was me.
• 58:25
  Speaker 6: It disturbed.
• 58:26
  Speaker 1: I disturbed it.
• 58:27
  Speaker 6: You disturbed it.
• 58:28
  Speaker 2: Okay.
• 58:30
  Speaker 1: Sarah, I will call to you.
• 58:32
  Speaker 6: I have a gift for you.
• 58:34
  Speaker 2: Selena, cut it.
• 58:35
  Speaker 1: Okay, Sarah. I know I asked you downstairs and you
• 58:39
  Speaker 1: did say that you did like touching feet. I don't
• 58:40
  Speaker 1: know if this is just a friendly thing. But I
• 58:45
  Speaker 1: think it's time. I have two gifts here for you.
• 58:53
  Speaker 2: One.
• 58:54
  Speaker 1: I'm giving you the dogs for free.
• 58:55
  Speaker 2: Okay. Are we doing this in the dark?
• 58:58
  Speaker 1: Two.
• 58:59
  Speaker 2: Want me to grab the IR?
• 59:01
  Speaker 1: Oh, that's really scary, but yeah.
• 59:03
  Speaker 6: Okay.
• 59:05
  Speaker 1: We also have the spirit bridge before we go to
• 59:07
  Speaker 1: the dark. Sarah, I'm getting these out for you.
• 59:11
  Speaker 2: Alright. Off with this light.
• 59:14
  Speaker 1: Look at my dogs. Look at my dogs.
• 59:19
  Speaker 6: Alright, Sarah.
• 59:21
  Speaker 1: I have the bridge.
• 59:22
  Speaker 6: We are in the dark.
• 59:24
  Speaker 1: We're going to pretend to be asleep for five minutes.
• 59:27
  Speaker 6: We are offering you Our feet.
• 59:30
  Speaker 1: I just felt a weird breeze on my feet.
• 59:33
  Speaker 2: This is the weirdest thing I've ever done ghost hunting
• 59:35
  Speaker 2: in my life.
• 59:36
  Speaker 1: You know what? We do these. We do what we
• 59:37
  Speaker 1: need to. If this is what she needs, if this
• 59:39
  Speaker 1: is all she wants, she lives in purgatory up here.
• 59:42
  Speaker 2: Oh, man.
• 59:43
  Speaker 1: My dogs be barking, bro. Get them out. They're out.
• 59:47
  Speaker 1: Spread your toes. I'm not spreading my toes. Okay. I'm
• 59:50
  Speaker 1: turning on the spirit bridge.
• 59:51
  Speaker 2: Okay.
• 59:55
  Speaker 1: Miscellaneous. Miscellaneous?
• 59:56
  Speaker 2: Miscellaneous?
• 1:00:02
  Speaker 8: Crown.
• 1:00:04
  Speaker 2: Chain. Did you just say feet?
• 1:00:08
  Speaker 8: I don't know.
• 1:00:09
  Speaker 2: Trust.
• 1:00:10
  Speaker 1: Trust? We trust you, Sarah. Cutting. Do you want to
• 1:00:14
  Speaker 1: touch our feet? Sarah, we're up here. Where you like
• 1:00:18
  Speaker 1: to touch feet. I welcome you to touch my feet.
• 1:00:22
  Speaker 1: I think it'd be fun. Say it again. Did you
• 1:00:30
  Speaker 1: just say your feet?
• 1:00:31
  Speaker 3: What was.
• 1:00:32
  Speaker 1: Sarah, do you see my feet? I'm not gonna lie,
• 1:00:45
  Speaker 1: my left foot feels a little cold right now. And
• 1:00:47
  Speaker 1: I don't understand why they don't both feel cold. Brother. Yes?
• 1:00:54
  Speaker 2: Future?
• 1:00:55
  Speaker 1: Sarah, are you near my foot?
• 1:00:57
  Speaker 2: I think so.
• 1:01:03
  Speaker 1: Would you like to touch Adam's feet?
• 1:01:04
  Speaker 6: No. I would. No, Sarah, don't touch my feet.
• 1:01:09
  Speaker 1: No, no, say, get, let her touch your feet.
• 1:01:13
  Speaker 6: It's my pleasure, but I have to go.
• 1:01:15
  Speaker 1: It's my pleasure, but I have to go.
• 1:01:17
  Speaker 6: Sarah, touch my feet, don't go.
• 1:01:19
  Speaker 2: You can touch my feet.
• 1:01:21
  Speaker 1: Oh, God. What the fuck?! There's something waiting in the
• 1:01:31
  Speaker 1: shadows and it's not friendly?! Adam?
• 1:01:36
  Speaker 3: What?
• 1:01:36
  Speaker 1: Can you look down here and tell me? Do you
• 1:01:38
  Speaker 1: see- does it look- Adam, come here. I'm not looking.
• 1:01:40
  Speaker 2: What?
• 1:01:40
  Speaker 1: Does it look like something's peeking? Does it look like
• 1:01:42
  Speaker 1: something's peeking? What do you mean?
• 1:01:45
  Speaker 2: I can't tell.
• 1:01:46
  Speaker 1: Oh, it's not there anymore.
• 1:01:48
  Speaker 6: It's dark as fuck.
• 1:01:49
  Speaker 1: Are my eyes playing tricks or no? Hold on.
• 1:01:53
  Speaker 2: Yeah, that!
• 1:01:54
  Speaker 6: Like the edge around the window?
• 1:01:55
  Speaker 2: Yes!
• 1:01:56
  Speaker 1: What the fuck is that? We don't have any light.
• 1:02:00
  Speaker 6: I have my cell phone.
• 1:02:01
  Speaker 2: Oh, here, turn the light on.
• 1:02:02
  Speaker 1: You want light? Yeah, turn the light on for a second.
• 1:02:06
  Speaker 3: Todd?
• 1:02:07
  Speaker 6: No, there's nothing you can get for me. Was it
• 1:02:10
  Speaker 6: the bedpost?
• 1:02:10
  Speaker 3: No.
• 1:02:11
  Speaker 6: Or did you see it before that?
• 1:02:12
  Speaker 1: It leaned out, and then it leaned back in. Like,
• 1:02:16
  Speaker 1: it came out, and then it went back. Who was it?
• 1:02:20
  Speaker 2: Who was that? Who was down the hall?
• 1:02:22
  Speaker 6: Occupations.
• 1:02:23
  Speaker 1: Who was the one down the hall peeking at us?
• 1:02:31
  Speaker 2: Who?
• 1:02:32
  Speaker 1: Give us a name. Who?
• 1:02:36
  Speaker 2: Did it just say what? Judges? I feel weird without
• 1:02:41
  Speaker 2: my socks on and my shoes.
• 1:02:43
  Speaker 1: You took your socks off?
• 1:02:45
  Speaker 2: Yes, you told me to.
• 1:02:48
  Speaker 1: It said something's waiting in the shadows and it's not
• 1:02:49
  Speaker 1: friendly and I looked and I saw something go like this.
• 1:02:51
  Speaker 1: Give me the DR's.
• 1:02:55
  Speaker 2: Whatever.
• 1:02:57
  Speaker 1: Give me that thing. Who is that down the hallway
• 1:03:02
  Speaker 1: looking at us? What do you want? Is the Alice
• 1:03:24
  Speaker 1: box spirit box thing correct? That you're hiding in the
• 1:03:28
  Speaker 1: shadows and you're not friendly? Did you travel in on
• 1:03:38
  Speaker 1: the ley line? Are you the only spirit here now?
• 1:03:54
  Speaker 1: I feel like some spirits push others out.
• 1:03:56
  Speaker 2: Okay. Let's check it out.
• 1:04:00
  Speaker 3: Who is that down the hallway looking at us?
• 1:04:03
  Speaker 1: What do you want?
• 1:04:05
  Speaker 3: Nothing. Nothing. Let's go down to that room and do
• 1:04:09
  Speaker 3: it again.
• 1:04:09
  Speaker 2: Okay.
• 1:04:10
  Speaker 1: I'm putting my socks on first.
• 1:04:11
  Speaker 3: And my shoes. I don't feel like Sarah's here. I
• 1:04:15
  Speaker 3: felt a breeze on my foot. And then I immediately
• 1:04:18
  Speaker 3: had a weird vibe.
• 1:04:35
  Speaker 1: And then that said something wasn't friendly, so I'm going
• 1:04:38
  Speaker 1: to go down there. I thought this room was supposed
• 1:04:41
  Speaker 1: to be haunted, but I'm feeling different.
• 1:04:45
  Speaker 6: Yeah, feels like the end? Of the end room?
• 1:04:50
  Speaker 7: Yeah.
• 1:04:52
  Speaker 1: I don't know what that was. Well, I was in
• 1:04:54
  Speaker 1: there a little earlier when you were doing B-roll, and
• 1:04:56
  Speaker 1: I felt it.
• 1:04:56
  Speaker 8: Then, too.
• 1:04:57
  Speaker 6: You want to take the REM pod with us, too?
• 1:04:58
  Speaker 1: Sure, bring it on. Oh, it's coming in here.
• 1:05:02
  Speaker 2: This is not an atom-sized rocking chair, folks.
• 1:05:07
  Speaker 1: All right, we're going to start with the bridge. You
• 1:05:13
  Speaker 1: were peeking at us. Who are you?
• 1:05:17
  Speaker 2: What?
• 1:05:33
  Speaker 1: Outline of what? That was a different language again, wasn't it? Right,
• 1:06:08
  Speaker 1: but the same words.
• 1:06:10
  Speaker 2: Suffering.
• 1:06:12
  Speaker 1: Did you come in on the ley lines? Passing through.
• 1:06:22
  Speaker 1: Would you like to speak to us directly through the recorder? Doubt.
• 1:06:27
  Speaker 2: Doubt. Doubt. They haven't been, yeah.
• 1:06:30
  Speaker 1: It was so weird in the basement they did and
• 1:06:31
  Speaker 1: then they just stopped.
• 1:06:34
  Speaker 2: Artist.
• 1:06:37
  Speaker 1: Are you a suffering artist?
• 1:06:42
  Speaker 2: Ascended. The fuck? Ascended.
• 1:06:44
  Speaker 1: Pardon? Pardon? I'd like to speak to you directly. Can
• 1:06:49
  Speaker 1: I do it through the DR-60? What was that? Something
• 1:06:52
  Speaker 1: in houses. Yeah, we're in a house right now. What?
• 1:07:01
  Speaker 1: Who are you trying to contact? You.
• 1:07:05
  Speaker 2: Whoever you are.
• 1:07:05
  Speaker 1: Whoever you are. Drugs. I hate that.
• 1:07:12
  Speaker 2: Did you say drugs?
• 1:07:13
  Speaker 1: I want to speak to you directly, okay? Is that you, Angela?
• 1:07:21
  Speaker 10: Angela?
• 1:07:23
  Speaker 1: Are you coming around tonight?
• 1:07:26
  Speaker 2: Hey, I.
• 1:07:28
  Speaker 1: Can't hear you very well. Yeah, I hope you're coming round.
• 1:07:33
  Speaker 9: We can, you know, and I'll pay you the usual.
• 1:07:38
  Speaker 1: If you come round tonight, the usual sort of time.
• 1:07:43
  Speaker 3: Angela?
• 1:07:43
  Speaker 2: Yes. What the fuck is going on? Thank you.
• 1:07:46
  Speaker 1: Bye-bye there. What the fuck was that?
• 1:07:51
  Speaker 6: Interior.
• 1:07:51
  Speaker 1: That has to be something. Reconstruction.
• 1:07:54
  Speaker 3: That.
• 1:07:56
  Speaker 2: Like, that just has little snippets in it.
• 1:07:58
  Speaker 6: There's not, like.
• 1:08:00
  Speaker 2: What is that?
• 1:08:00
  Speaker 1: Like, if you guys have heard that from someone, please
• 1:08:02
  Speaker 1: let me know, but that was very strange. Very strange.
• 1:08:06
  Speaker 1: Are you trying to speak to Angela? Distinction. He was
• 1:08:10
  Speaker 1: calling a hooker.
• 1:08:11
  Speaker 2: What the fuck? He was going to pick her. I mean,
• 1:08:14
  Speaker 2: this kind of area near the docks like this.
• 1:08:16
  Speaker 1: Addressed.
• 1:08:17
  Speaker 2: A place like Salem. English sounding. Children's. Easily could have
• 1:08:21
  Speaker 2: been that.
• 1:08:21
  Speaker 1: But it was after phone times. He called her. Angela,
• 1:08:26
  Speaker 1: are you coming around?
• 1:08:26
  Speaker 2: It's not like a phone call.
• 1:08:28
  Speaker 1: The phone's been around for a while. Angela, are you here?
• 1:08:31
  Speaker 1: I want to talk directly. This is a new piece
• 1:08:40
  Speaker 1: of Women Towards New.
• 1:08:41
  Speaker 6: I just want to.
• 1:08:42
  Speaker 2: Okay, ready? Sarah or any other entity, energy, or spirit
• 1:08:48
  Speaker 2: that may be here. Can you please communicate with this
• 1:08:52
  Speaker 2: recorder right now? We're going to give you a long
• 1:08:54
  Speaker 2: time to talk. I'm going to be silent for a while.
• 1:08:56
  Speaker 2: It'll be recording. Please communicate through this to us. us.
• 1:09:05
  Speaker 1: You were peeking out of the doorframe at us. Who
• 1:09:08
  Speaker 1: was that?
• 1:09:13
  Speaker 2: Is this room where you are, is this room more
• 1:09:17
  Speaker 2: active than the other room? Even though we've heard different.
• 1:09:23
  Speaker 1: Before we finish, I want to give the floor to
• 1:09:26
  Speaker 1: anybody who wants to speak, and please speak to us.
• 1:09:30
  Speaker 1: Can you tell us anything?
• 1:09:32
  Speaker 3: Okay.
• 1:09:36
  Speaker 8: Sarah or any other entity, finish your spirit that may
• 1:09:44
  Speaker 8: be here. Can you please communicate with this recorder right now?
• 1:09:47
  Speaker 8: We're going to give you a long time to talk.
• 1:09:49
  Speaker 3: I'm going to be silent for a while.
• 1:09:52
  Speaker 1: It'll be recorded.
• 1:09:53
  Speaker 3: Please communicate through this to us. We were peeking out
• 1:09:58
  Speaker 3: of the door right now.
• 1:10:00
  Speaker 8: Who was that?
• 1:10:03
  Speaker 10: Again.
• 1:10:04
  Speaker 8: Is this room where you are, is this room more
• 1:10:08
  Speaker 8: active than the other room?
• 1:10:09
  Speaker 2: Even though we've heard different.
• 1:10:13
  Speaker 3: Before we finish, I want to give a floor to
• 1:10:15
  Speaker 3: anybody who wants to speak, and please speak to us.
• 1:10:19
  Speaker 3: Can you tell us anything?
• 1:10:22
  Speaker 2: What was that at the end of that?
• 1:10:24
  Speaker 6: Something really quick.
• 1:10:26
  Speaker 1: This house has been a little bit more than we expected.
• 1:10:29
  Speaker 1: I honestly wanted a good excuse to come to Salem
• 1:10:32
  Speaker 1: and do some shopping, and I thought this would be
• 1:10:33
  Speaker 1: a fun, hey, it's haunted place. Where it started soft,
• 1:10:37
  Speaker 1: I feel like this house is kind of an onion,
• 1:10:39
  Speaker 1: but I think that the ley lines are real. And
• 1:10:42
  Speaker 1: I think things will travel through here, but I feel
• 1:10:44
  Speaker 1: like up here holds a lot of secrets. This isn't
• 1:10:50
  Speaker 1: the Hallmark haunting. This is.
• 1:10:52
  Speaker 6: This is friggin' spooky, dude.
• 1:10:54
  Speaker 1: This is a haunting haunting. And guess what I want
• 1:10:56
  Speaker 1: to do?
• 1:10:58
  Speaker 3: Go.
• 1:10:59
  Speaker 6: Yeah.
• 1:10:59
  Speaker 2: I think we go.
• 1:11:01
  Speaker 1: Thank you for spending your night with us.
• 1:11:04
  Speaker 2: We don't invite any of you home. You're all welcome
• 1:11:06
  Speaker 2: to stay here and have a great time.
• 1:11:08
  Speaker 1: But we're peacing out. Without any of you. Bye!