Latest / Lux Radio Theatre / Mister Blandings Builds His Dream House
Transcript
- 0:03Speaker 1: Greetings from Hollywood, ladies and gentlemen.
- 0:07Speaker 2: No two stars have given so many performances that honestly
- 0:11Speaker 2: rate the word classic as Irene Dunn and Cary Grant.
- 0:15Speaker 2: And tonight, we've reunited this famous team in a comedy
- 0:19Speaker 2: as timely as today's headlines. It's the RKO picture, Mr.
- 0:24Speaker 2: Blanding's Builds His Dream House. You know, almost everyone has
- 0:28Speaker 2: had a housing problem at some time or other, and
- 0:31Speaker 2: the Blandings had their troubles, even as you and I.
- 0:34Speaker 2: In fact, they had so much trouble, their story became
- 0:37Speaker 2: a hit motion picture. You know, you have your idea
- 0:41Speaker 2: of a dream house, and your neighbor has another.
- 0:44Speaker 1: But one thing is certain.
- 0:46Speaker 2: Any well-run dream house will include a supply of the
- 0:49Speaker 2: new bath-size luxe toilet soap. Whatever the arguments about architecture,
- 0:54Speaker 2: most people agree Lux soap is perfect.
- 0:58Speaker 1: Now here's the curtain for Mr.
- 1:00Speaker 2: Blanding's Builds His Dream House, starring Cary Grant in his
- 1:04Speaker 2: original screen role as Jim and Irene Dunn as Muriel.
- 1:09Speaker 1: ¶ ¶.
- 1:20Speaker 2: Like millions of other New Yorkers, Jim and Muriel Blandings
- 1:24Speaker 2: and their two young daughters are cliff dwellers. Home to
- 1:28Speaker 2: them is an apartment. Oh, adequate, but somewhat crowded. Not
- 1:32Speaker 2: that Jim isn't doing well. He's a college graduate, makes $ 15, 000
- 1:36Speaker 2: a year in the advertising business. Anyway, on this crisp
- 1:40Speaker 2: September morning, Jim Blandings has just staggered out of bed
- 1:45Speaker 2: and commenced a typical 7 o'clock ritual.
- 1:49Speaker 3: You're looking for something, dear?
- 1:52Speaker 1: Oh, you're awake. I'm looking for my socks.
- 1:55Speaker 3: Why don't you look in your sock drawer?
- 1:57Speaker 1: That's where I found my underwear.
- 1:59Speaker 3: Why don't you try your underwear drawer?
- 2:02Speaker 1: I am in my underwear drawer now. Oddly enough, it's
- 2:05Speaker 1: full of underwear. All yours.
- 2:07Speaker 4: Well, socks just don't get up and walk away by themselves, dear.
- 2:12Speaker 1: Muriel, now look.
- 2:14Speaker 5: I thought we had it clearly understood that the four
- 2:16Speaker 5: bottom drawers were yours and these two top drawers were mine.
- 2:19Speaker 3: The closet.
- 2:20Speaker 1: Huh?
- 2:21Speaker 3: That's where they are. We put them in the closet.
- 2:24Speaker 1: Put what in the closet?
- 2:25Speaker 3: Your socks.
- 2:25Speaker 4: Gussie and I decided that from now on we'll keep
- 2:28Speaker 4: them in a basket on the shelf.
- 2:29Speaker 1: Oh, for heaven's sake. Basket. Basket in the closet. Well,
- 2:34Speaker 1: where is the basket?
- 2:35Speaker 3: Right there on the shelf, dear. Under my hat boxes
- 2:38Speaker 3: in the overnight bag.
- 2:40Speaker 1: Oh, yeah.
- 2:42Speaker 3: Jim, dear, I do wish you'd try to make a
- 2:44Speaker 3: little more effort.
- 2:46Speaker 1: Well, I'll try, dear. Now, look at that.
- 2:51Speaker 5: Muriel, Muriel, maybe if you put the basket on top
- 2:54Speaker 5: of the hat boxes instead of underneath.
- 2:56Speaker 1: The hat boxes.
- 2:56Speaker 3: Now, Jim, Jim, just go out and tell Gussie to
- 2:58Speaker 3: give you a nice cup of coffee.
- 3:00Speaker 4: I'll try and get the girls out of the bathroom.
- 3:02Speaker 1: Oh, thank you, Muriel. I'm sorry. I'll feel better after
- 3:04Speaker 1: a cup of coffee.
- 3:09Speaker 3: Excuse me, Jim. My face cream. It's in the medicine cabinet.
- 3:12Speaker 1: I'll be through shaving in a minute.
- 3:14Speaker 3: It's all right. I can reach it. Did you cut yourself?
- 3:18Speaker 1: I cut myself every morning. I kind of look forward
- 3:20Speaker 1: to it.
- 3:23Speaker 3: Let's see now. There's Betsy's vitamins.
- 3:26Speaker 1: Oh, take your time, dear. I can spare the blood.
- 3:28Speaker 3: Why don't you get an electric razor?
- 3:31Speaker 1: You can't get used to them.
- 3:33Speaker 3: That's silly. Bill Cole's been using an electric razor for years.
- 3:37Speaker 1: He hasn't got my beard.
- 3:39Speaker 3: Bill's beard is just as coarse and tough.
- 3:41Speaker 5: I am not interested in discussing the grain and texture
- 3:44Speaker 5: of Bill Cole's hair follicles before I've had my orange juice.
- 3:48Speaker 3: All I said was, why don't you use an electric razor?
- 3:51Speaker 5: Because I prefer the clean sweep of the tempered steel
- 3:55Speaker 5: as it glides smoothly over my.
- 3:57Speaker 3: No advertising. Please, please, just hurry, dear. You'll be late
- 4:01Speaker 3: for breakfast.
- 4:10Speaker 1: All right, girls. Who did it? Who tore a piece
- 4:13Speaker 1: out of my morning newspaper? Well?
- 4:16Speaker 6: I'm sorry, Father.
- 4:17Speaker 3: It's part of my research for school.
- 4:18Speaker 1: Oh, I see.
- 4:20Speaker 5: Another of Miss Stellwagen's so-called progressive projects.
- 4:23Speaker 4: Now, Jim, Jim, there just isn't any point in sending
- 4:26Speaker 4: your children to an expensive school if you're going to
- 4:29Speaker 4: undermine the teacher's authority in.
- 4:31Speaker 3: Your own dining room.
- 4:32Speaker 1: I am not undermining anything. I'm in the advertising business,
- 4:36Speaker 1: and keeping her best of the times is important to me.
- 4:38Speaker 3: Bicker, bicker, bicker.
- 4:40Speaker 1: You drink your milk.
- 4:41Speaker 4: Every time your father and I have a lively discussion, dearie,
- 4:44Speaker 4: doesn't necessarily mean we're bickering.
- 4:46Speaker 7: Miss Stellwagen says that advertising is crass commercialism in its
- 4:49Speaker 7: lowest form.
- 4:51Speaker 1: Oh, she does, does she? Perhaps your Miss Stellwagen is right.
- 4:56Speaker 5: Perhaps I should quit this crass commercialism, which at this
- 4:59Speaker 5: very moment is paying for your fancy tuition. Those extra
- 5:02Speaker 5: French lessons. That progressive summer camp. To say nothing of
- 5:06Speaker 5: the very braces on your back teeth.
- 5:10Speaker 3: Jim, I wish you wouldn't discuss money in front of
- 5:12Speaker 3: the children. Why not?
- 5:13Speaker 1: They spend enough of it.
- 5:14Speaker 3: Bigger, bigger, bigger. All right, girls, get your things now
- 5:17Speaker 3: and run along.
- 5:17Speaker 1: Yeah, let's go, Betsy.
- 5:19Speaker 3: Goodbye, Daddy.
- 5:21Speaker 1: Give my regards to Miss Spellwagon.
- 5:23Speaker 3: Anyway, you're still the nicest father I've ever had.
- 5:26Speaker 1: I'll get it, Gussie. Hiya, kids.
- 5:29Speaker 3: Bill, we haven't seen you in ages. Sorry, Billy, we
- 5:32Speaker 3: gotta run. Well, good morning.
- 5:35Speaker 1: What are you doing here?
- 5:36Speaker 5: Oh, just thought I'd stop by and return these sketches, Muriel.
- 5:38Speaker 1: Coffee? Yeah, thanks. Now, personally, I think Funkhauser's $ 2, 000 or $ 3, 000
- 5:43Speaker 1: out of line.
- 5:44Speaker 5: Of course, you could save that amount by not tearing
- 5:47Speaker 5: out the living room wall.
- 5:49Speaker 1: Hmm? What wall? What are you talking about? Who's Funkhauser?
- 5:52Speaker 3: Oh, Bunny Funkhauser, dear.
- 5:53Speaker 4: Who? Well, you know, that clever young interior decorator we
- 5:57Speaker 4: met at the Collins cocktail party.
- 5:59Speaker 1: Uh, you mean that young man with the open-toed sandals?
- 6:02Speaker 4: Ha!
- 6:04Speaker 1: What about him? What about him?
- 6:05Speaker 4: You know how long we've always said we must do
- 6:08Speaker 4: something about fixing up this apartment.
- 6:11Speaker 3: Well, Bunny has some simply darling ideas.
- 6:13Speaker 1: Uh-huh. And what kind of ideas?
- 6:16Speaker 4: Well, I didn't want to bother you until I knew
- 6:18Speaker 4: whether we could afford it or not, so I.
- 6:20Speaker 1: How much?
- 6:21Speaker 4: What's the point in asking how much, dear, until you
- 6:24Speaker 4: know what you're.
- 6:24Speaker 3: Going to get?
- 6:25Speaker 5: I've seen Bunny Funkhauser. I know what I'm going to get. Well,
- 6:29Speaker 5: I think he's got some fairly interesting sketches here.
- 6:32Speaker 3: Just look at this drawing, Jim. Here's how Bunny sees
- 6:36Speaker 3: our living room. Isn't that charming?
- 6:39Speaker 1: What's that thing there? A shoeshine stand?
- 6:42Speaker 3: No, it's a cobbler's bench, dear.
- 6:44Speaker 1: Oh.
- 6:45Speaker 3: You see, the whole room's colonial.
- 6:48Speaker 4: Break front, hook rug, student's lamp, pie cooler, and over here,
- 6:53Speaker 4: a Martha Washington desk.
- 6:56Speaker 6: Hmm.
- 6:56Speaker 1: And where do I keep my powdered wig?
- 7:00Speaker 3: Well, I think it's perfect. It's us.
- 7:03Speaker 4: Bunny says we're very American, very grassroots, very blueberry pie.
- 7:08Speaker 1: Oh, well, don't look at me, Jim. Bunny said it.
- 7:11Speaker 1: How much is all this going to cost?
- 7:13Speaker 3: Well, $ 7, 000. $ 7, 000?
- 7:14Speaker 1: Well, that includes.
- 7:17Speaker 3: Tearing off the wall, but I quite agree with Bill. Oh,
- 7:20Speaker 3: you do?
- 7:22Speaker 1: Well, you're some lawyer, Bill.
- 7:24Speaker 5: A defenseless woman without the slightest conception of the value
- 7:27Speaker 5: of a dollar asks for advice, and the next minute
- 7:28Speaker 5: you've got her tearing our walls.
- 7:32Speaker 1: $ 7, 000.
- 7:33Speaker 5: I wouldn't put seven cents into this broken-down rat trap.
- 7:36Speaker 3: How can you talk that way, Jim?
- 7:38Speaker 4: This is our home. Why, Joan was practically born in
- 7:41Speaker 4: this apartment.
- 7:42Speaker 1: That does not make it a national shrine. Oh, now,
- 7:46Speaker 1: wait a minute. I thought I was doing you a favor.
- 7:48Speaker 3: And you were, Bill.
- 7:49Speaker 4: He was just showing you how you could save $ 3, 000
- 7:52Speaker 4: by simply not tearing out the wall.
- 7:54Speaker 1: I could save $ 7, 000 by not doing anything at all. Well, then,
- 7:58Speaker 1: that's that, isn't it? $ 7, 000. Blueberry pie. Have you seen
- 8:04Speaker 1: my hat, Muriel?
- 8:05Speaker 3: It's in the hall closet, dear, where it always is.
- 8:08Speaker 3: I'll get it for you. Oh, good morning, Mr.
- 8:20Speaker 4: Blanding.
- 8:21Speaker 1: Oh, hello, Mary. Well, I guess the boss would want
- 8:23Speaker 1: to see the layouts on wham ham.
- 8:25Speaker 3: They're here on your desk, Mr.
- 8:26Speaker 2: Blanding.
- 8:26Speaker 1: Oh, thank you. Let's see. When you've got the whim,
- 8:30Speaker 1: say wham. Oh, my. For a grand slam in ham,
- 8:36Speaker 1: try wham. Oh, Mary, I didn't really write that, did I?
- 8:40Speaker 3: A man's got to make a living, Mr.
- 8:42Speaker 1: Blanding. Well, maybe Miss Stellwagen's right. Hmm? Oh, nothing. It's
- 8:46Speaker 1: just a private joke between me and whoever's going to
- 8:48Speaker 1: be my analyst.
- 8:51Speaker 5: Mary, tell me, would you spend $ 7, 000.
- 8:53Speaker 1: To tear out somebody else's walls?
- 8:56Speaker 6: What I want?
- 8:57Speaker 5: Well, especially when for a few thousand more you could
- 8:59Speaker 5: fix up a nice old place someplace.
- 9:01Speaker 1: You know, somewhere like Connecticut, maybe.
- 9:07Speaker 3: Well, frankly, I never had.
- 9:08Speaker 1: Mary, get me the phone numbers of a few of
- 9:10Speaker 1: those suburban real estate men. Oh, and call Mrs. Blandings.
- 9:13Speaker 5: Tell her to keep this weekend open for a nice
- 9:15Speaker 5: drive out to the Connecticut countryside.
- 9:25Speaker 1: They just drove up, Pop. That couple from New York, Mr.
- 9:28Speaker 3: And Mrs.
- 9:28Speaker 1: Blandings.
- 9:29Speaker 3: Good, good.
- 9:31Speaker 1: What place is he going to show them, Pop? Oh,
- 9:33Speaker 1: three or four, son.
- 9:34Speaker 3: And then I'll show them the Hackett place.
- 9:37Speaker 1: Oh, no. Not the old Hackett place. The old, old
- 9:41Speaker 1: Hackett place. Son, you ain't been learning much about the
- 9:45Speaker 1: real estate business. But, Pop, the Hackett place, it's falling apart.
- 9:50Speaker 1: It leans. Mighty quaint old place, son. Just the thing
- 9:56Speaker 1: for the blandies. And we bought it, Bill. It's ours. Well,
- 10:10Speaker 1: some steel, huh? Steel is an understatement. Swindle might be
- 10:13Speaker 1: a little more appropriate, huh? You've been taken to the cleaners,
- 10:17Speaker 1: my friend, and you don't even know your pants are off.
- 10:19Speaker 3: Oh, darling, I told you. I said we ought to
- 10:22Speaker 3: consult Bill before we buy it.
- 10:24Speaker 1: Well, what's so wrong with this deal? $ 10, 000 for 50
- 10:26Speaker 1: acres and only $ 1, 500 for the house.
- 10:28Speaker 5: That's $ 200 an acre. $ 100 an acre is standard top
- 10:29Speaker 5: gouge price to city slickers. When the natives sell it
- 10:36Speaker 5: to each other, it's around 40 or less.
- 10:38Speaker 3: 40? Jim!
- 10:40Speaker 1: The man's entitled to a fair profit. Not 284%.
- 10:42Speaker 5: Now, we're going to write this fellow Hackett and tell
- 10:46Speaker 5: him he can.
- 10:47Speaker 1: We'll do no such thing. You just don't understand business.
- 10:50Speaker 1: You mean extortion.
- 10:51Speaker 3: Jim, dear, now, maybe Bill's right. I.
- 10:54Speaker 5: Now, just a minute. Let me explain something to both
- 10:56Speaker 5: of you. For 15 years, I've been cooped up in
- 10:59Speaker 5: this four-room cracker box. Just getting shaved here entitles a
- 11:02Speaker 5: man to the Purple Heart....
- 11:05Speaker 1: Well, that still doesn't make this hack a place of goodbye. Now, look, Bill.
- 11:09Speaker 5: Muriel and I have found what I'm not ashamed to
- 11:11Speaker 5: call our dream house. Why, it's like a fine painting.
- 11:16Speaker 5: You buy it with your heart, not with your head.
- 11:18Speaker 5: You don't ask how much was the paint, how much
- 11:20Speaker 5: was the canvas.
- 11:22Speaker 1: You look at it, and you say, Ah, it's beautiful.
- 11:26Speaker 1: I want it.
- 11:27Speaker 5: And if it costs a few more pennies, you pay
- 11:29Speaker 5: it in gladly, because you love it. And you don't
- 11:31Speaker 5: measure the things you love in dollars and cents. Well, anyway,
- 11:36Speaker 5: that's the way I feel about it.
- 11:37Speaker 1: Well, it's your money, I suppose.
- 11:40Speaker 5: And when I sign those papers on Saturday, I can
- 11:42Speaker 5: look the world in the face and say it's mine.
- 11:45Speaker 1: My house. My home. My acres.
- 11:49Speaker 3: Our house, darling. Our home. Our acres.
- 11:55Speaker 4: Hmm.
- 12:06Speaker 3: My, it's a windy day, isn't it? Well, this is it, Bill.
- 12:11Speaker 1: The dream house on Nightmare Alley. And no remarks. The
- 12:15Speaker 1: house just needs someone to love it, that's all. It's
- 12:18Speaker 1: a good thing that our two of you are one
- 12:20Speaker 1: to love the house.
- 12:20Speaker 3: And one to hold it up.
- 12:23Speaker 4: Jim.
- 12:24Speaker 3: Jim, look. There's something blowing off the roof.
- 12:27Speaker 1: Hmm? Oh, yeah. Oh, it looks like shingles. What did
- 12:31Speaker 1: your engineer say when he checked that roof?
- 12:33Speaker 3: Our engineer?
- 12:34Speaker 1: Who needs engineers? This isn't a train, you know. See,
- 12:37Speaker 1: that house is moving. I just saw it move. This
- 12:41Speaker 1: house has been standing since the second year of the
- 12:43Speaker 1: Continental Congress. You take one look at it and shingles
- 12:46Speaker 1: start to drop.
- 12:48Speaker 5: Now, look, do me one favor, will you? I've got
- 12:50Speaker 5: a client. He's a crackerjack structural engineer, Joe Apollonio.
- 12:53Speaker 1: Oh, yeah. I'll be right back, Muriel. Just want to
- 12:56Speaker 1: measure that fireplace again. Now, not that it's any of
- 12:59Speaker 1: my business, Muriel, but how are you and Jim paying
- 13:03Speaker 1: for this place?
- 13:04Speaker 4: Well, we're cashing in our government bonds, and Mr. Hackett's
- 13:08Speaker 4: taking a $ 6, 000 mortgage.
- 13:09Speaker 1: Well, it could be worse. And as long as you
- 13:13Speaker 1: and Jim love it so much... Muriel! Help!
- 13:16Speaker 4: Jim!
- 13:17Speaker 6: Muriel!
- 13:17Speaker 3: What's the matter? Where are you?
- 13:19Speaker 1: I fell to the floor!
- 13:23Speaker 3: Bill, I think you'd better get in touch with Mr. Apollonio.
- 13:38Speaker 3: So that's why we've come to you, Mr. Sims. After Mr.
- 13:41Speaker 3: Apollonio saw the house, we got our own expert, Mr. Murphy,
- 13:45Speaker 3: and then Mr. Gillis, but they all said the same thing.
- 13:48Speaker 1: Yeah, tear it down. Well, as an architect, I'm inclined
- 13:52Speaker 1: to agree with them.
- 13:53Speaker 8: Of course, you can remodel, but for what it would
- 13:55Speaker 8: cost you, why, you can have.
- 13:56Speaker 1: A fine new house. Hmm. A new house, huh? Yes,
- 14:01Speaker 1: something like this, for instance. Now, in this sketch here... No, no, no, no.
- 14:05Speaker 3: I don't think we're at all ready to commit ourselves.
- 14:08Speaker 1: Oh, no, no.
- 14:09Speaker 5: But if we were to consider building, I can tell
- 14:12Speaker 5: you there's one thing we'd have to have, Mr.
- 14:13Speaker 1: Sims. Plenty of closets. Well, if I might make a suggestion...
- 14:17Speaker 1: And bathrooms.
- 14:18Speaker 3: Each bedroom must have at least one bathroom. You see, Mr. Sims,
- 14:22Speaker 3: our problem is.
- 14:30Speaker 1: I made a drawing of exactly what I mean, Mr. Sims.
- 14:32Speaker 1: A little playroom for the basement, you see. Nothing tremendous,
- 14:35Speaker 1: just a little something.
- 14:36Speaker 4: And I've always wanted a sewing room, Mr.
- 14:38Speaker 3: Sims.
- 14:39Speaker 4: A little utility room upstairs where I could be alone
- 14:42Speaker 4: and sew or sulk on a rainy afternoon.
- 14:44Speaker 1: Yes, but I think I'd better point out.
- 14:46Speaker 3: And here off the kitchen.
- 14:47Speaker 4: A little flower sink with a stone floor and shelves
- 14:50Speaker 4: for vases and gardening things, and maybe a little closet.
- 14:53Speaker 1: Sure, sure. Why not? Now, over here... My dear Mr.
- 14:56Speaker 8: Blandings, now, in the first place, you've got the upstairs
- 14:59Speaker 8: about three times as big as the downstairs.
- 15:02Speaker 1: There, you see, Muriel? It's all those bathrooms.
- 15:05Speaker 4: Nonsense.
- 15:05Speaker 3: It's all those closets.
- 15:06Speaker 8: And by extending the breakfast room, you've eliminated the possibility
- 15:09Speaker 8: of any stairs going.
- 15:10Speaker 1: Up to the second floor. No stairs?
- 15:14Speaker 5: Oh.
- 15:14Speaker 8: Now, now, is it absolutely necessary for each of your
- 15:16Speaker 8: daughters to have her own room with two closets and
- 15:19Speaker 8: a private bathroom?
- 15:20Speaker 2: Yes, yes.
- 15:20Speaker 3: You see, our daughters are approaching womanhood.
- 15:22Speaker 5: Well, I didn't realize they were approaching it quite so fast. Now,
- 15:27Speaker 5: what about that silly flower sink and that sewing room?
- 15:29Speaker 1: That could go.
- 15:29Speaker 3: I beg your pardon.
- 15:30Speaker 8: What we need is a major savings. Now, a simple bathroom, Mrs. Blandings,
- 15:35Speaker 8: costs about $ 1, 300. Now, if you could do with just
- 15:37Speaker 8: one less.
- 15:38Speaker 1: No, no, no.
- 15:38Speaker 4: I refuse to endanger the health of my children in
- 15:41Speaker 4: a house with less than four bathrooms.
- 15:45Speaker 5: For $ 1, 300, they can live in a house with only
- 15:47Speaker 5: three bathrooms and rough it.
- 15:51Speaker 1: Look, suppose I.
- 15:52Speaker 8: Go ahead with some preliminary plans, and then we can
- 15:54Speaker 8: get together in about.
- 15:55Speaker 1: A week's time.
- 15:55Speaker 3: Yes, you do that, Mr.
- 15:56Speaker 4: Sims. But just don't forget, we've got to hold it
- 15:59Speaker 4: down under $ 10, 000.
- 16:02Speaker 1: That, I can tell you right now, is impossible.
- 16:05Speaker 5: Oh, well, I guess we're not going to quibble about
- 16:07Speaker 5: a few pennies one way or another.
- 16:09Speaker 1: Oh, by the way, Mr.
- 16:10Speaker 8: Blandings, have you anything in mind as to how you'd
- 16:12Speaker 8: like the old place taken down?
- 16:14Speaker 2: Yeah.
- 16:14Speaker 1: Then why don't we just go out there and blow
- 16:17Speaker 1: on it? Come on in, Bill. Just in time. Muriel
- 16:26Speaker 1: and I are going over the plans.
- 16:28Speaker 3: In here, Bill, in the dining room.
- 16:29Speaker 5: Aye. Well, so you have torn down the old house, huh?
- 16:32Speaker 5: The most practical thing we ever did.
- 16:34Speaker 1: Uh-huh. How much did that cost? Well, $ 1, 400.
- 16:38Speaker 3: Now, never mind, Bill. I bet we've got the nicest
- 16:41Speaker 3: vacant lot in the state of Connecticut.
- 16:43Speaker 1: Well, Muriel, he's done it again. Who's done... Well, what's
- 16:46Speaker 1: eating you? What did I do?
- 16:48Speaker 5: Now, once, just once, why don't you come to me
- 16:50Speaker 5: and find out if it's all right, if it's legal,
- 16:52Speaker 5: before you run yourself smack into another jam?
- 16:55Speaker 3: Oh, Jim, what's happened? What's Bill talking about?
- 16:57Speaker 1: I don't know. He won't tell me.
- 16:59Speaker 5: All you did was tear down a house in which
- 17:00Speaker 5: another man happens to own a mortgage without first getting
- 17:03Speaker 5: his written permission.
- 17:04Speaker 1: Well, what's that got to do... No. Yeah.
- 17:08Speaker 5: Oh.
- 17:08Speaker 1: And in such cases, the mortgagee can demand full payment
- 17:11Speaker 1: of said mortgage.
- 17:11Speaker 3: Oh, Jim.
- 17:12Speaker 1: And Mr. Hackett so demands. Six thousand clams.
- 17:16Speaker 5: Oh, my. Six thousand dollars. Well, I guess I can
- 17:21Speaker 5: turn in my insurance policy.
- 17:22Speaker 3: Oh, no, Jim. No, you can't do that.
- 17:24Speaker 1: Why not?
- 17:24Speaker 3: Well, if anything should happen, the children would be left unprotected.
- 17:28Speaker 1: I'm not dead yet.
- 17:30Speaker 3: Of course you're not.
- 17:31Speaker 5: I'll see the boys at the bank. You can put
- 17:33Speaker 5: up your insurance as collateral. If necessary, I'll sign a
- 17:36Speaker 5: personal note.
- 17:38Speaker 1: Thanks, Bill.
- 17:39Speaker 3: Sure.
- 17:39Speaker 1: Well, I've got to run along. Good night, Mariel.
- 17:41Speaker 3: Good night, Bill.
- 17:42Speaker 1: I'll let you know what the bank says, Squire.
- 17:47Speaker 3: What a wonderful friend. Hmm.
- 17:50Speaker 4: Hmm.
- 17:52Speaker 5: What's with all this kissing all of a sudden? He
- 17:54Speaker 5: comes in, you kiss him. He goes out, you kiss him.
- 17:57Speaker 3: Well, what's wrong with that?
- 17:58Speaker 5: Well, just because a man is helpful in a business
- 18:01Speaker 5: way doesn't give him extracurricular privileges with my wife.
- 18:05Speaker 3: That's a fine thing to say about a friend of
- 18:08Speaker 3: 15 years.
- 18:08Speaker 1: Well, if he were 15, I wouldn't mind.
- 18:10Speaker 3: He's 41.
- 18:13Speaker 1: Every time he shakes my hand, he kisses you.
- 18:17Speaker 3: Would you prefer it the other way around?
- 18:19Speaker 7: Uh-uh.
- 18:21Speaker 1: Why is he always hanging around? Why doesn't he go
- 18:23Speaker 1: out and get married or something?
- 18:25Speaker 4: Because he can't find another girl as pretty and sweet
- 18:27Speaker 4: and wholesome as I am.
- 18:29Speaker 3: Oh, darling, let's not be silly about this. It isn't
- 18:34Speaker 3: Bill that's upsetting you. It's the house.
- 18:36Speaker 1: Yeah, I suppose so. Now, Muriel, do you think it's
- 18:42Speaker 1: worth all this?
- 18:43Speaker 3: Of course it is. It isn't a house we're building, Jim.
- 18:47Speaker 4: It's a home for ourselves and our children and maybe
- 18:52Speaker 4: our children's children.
- 18:53Speaker 1: Yeah, each with two closets and a private bath.
- 19:11Speaker 2: In a moment, we'll bring you Act Two of Mr.
- 19:13Speaker 2: Blanding's Bill's Dream House. Here's our Hollywood reporter, Libby Collins. Libby,
- 19:19Speaker 2: I see Daryl F. Zanuck has made another outstanding picture
- 19:22Speaker 2: for 20th Century Fox.
- 19:24Speaker 3: You mean Pinky, of course, Mr. Keeley.
- 19:26Speaker 1: Uh-huh.
- 19:26Speaker 6: I don't know when I've seen anything that touched me
- 19:29Speaker 6: so deeply.
- 19:30Speaker 3: It's an honest portrayal of an American problem.
- 19:33Speaker 6: The story of a light-skinned Negro girl who gives up
- 19:35Speaker 6: personal happiness in order to aid.
- 19:37Speaker 3: Her own people.
- 19:38Speaker 1: Certainly a compelling drama.
- 19:40Speaker 2: Jean Crane, as Pinky, has a difficult assignment, and she
- 19:43Speaker 2: handles it with great skill.
- 19:44Speaker 6: You know, the whole cast seems so exactly right. Ethel
- 19:48Speaker 6: Barrymore is superb as... the southern lady of the manor.
- 19:51Speaker 6: And William Lundigan plays the northern doctor with the authority
- 19:54Speaker 6: the part demands.
- 19:55Speaker 2: I'm glad to see Jean Crane step into a really
- 19:58Speaker 2: mature role and do it proud.
- 20:00Speaker 3: A remarkable young star, isn't she? And what fresh, delicate
- 20:03Speaker 3: beauty she has.
- 20:04Speaker 1: You might call her the Luxe Lovely type, lady.
- 20:07Speaker 3: Oh, not John.
- 20:09Speaker 6: But you're right, because Jean is certainly devoted to her
- 20:12Speaker 6: Luxo Beauty Care. And my, she's pleased with that big
- 20:15Speaker 6: new bath cake. It's so luxurious, she says. That's just
- 20:19Speaker 6: the word for it, Libby.
- 20:21Speaker 9: A generous satin smooth cake with a flower-like fragrance. No
- 20:25Speaker 9: wonder screen stars tell us that now their Luxo Beauty
- 20:28Speaker 9: Bath is more delightful than ever.
- 20:30Speaker 6: That big, longer-lasting bath cake makes a fine item to
- 20:34Speaker 6: put on a family shopping list. And you can be
- 20:37Speaker 6: sure the man of the house will like it, too.
- 20:39Speaker 1: I just know he will.
- 20:41Speaker 9: Men go for a bath soap they don't have to
- 20:43Speaker 9: coax into a lather. Even in hard water, you get
- 20:46Speaker 9: lots of rich, creamy lather with Luxe Toilet Soap.
- 20:49Speaker 1: It's perfect for shower or tub.
- 20:53Speaker 9: So, why not let the whole family enjoy this luxury
- 20:56Speaker 9: bath cake? The new bath-size Luxe Toilet Soap. Now, our producer, Mr.
- 21:03Speaker 1: William Keeley. Act Two of Mr.
- 21:06Speaker 2: Blanding's Builds His Dream House, starring Irene Dunn as Muriel
- 21:10Speaker 2: and Cary Grant as Jim. Well, it's a few days later,
- 21:20Speaker 2: and in the office of Mr. Sims, the architect, Jim
- 21:24Speaker 2: and Muriel Blanding's hear the latest report on their dream house.
- 21:28Speaker 1: To wit, an estimate. $ 18, 000? That's ridiculous, Mr.
- 21:34Speaker 3: Sims.
- 21:34Speaker 1: Well, frankly, with all those extras you've insisted on.
- 21:36Speaker 3: But we've only asked for the barest necessities.
- 21:39Speaker 1: Never mind, dear. It no longer matters. Now, if you'll
- 21:41Speaker 1: just send us a bill for your services... But, Mr. Blandings, now,
- 21:44Speaker 1: in the first place... Well, in the first place, I'm
- 21:46Speaker 1: going out to have my head examined. And then I'm
- 21:48Speaker 1: going to find the owner of.
- 21:49Speaker 5: Our apartment house and sign a 20-year lease.
- 21:51Speaker 3: Goodbye.
- 21:53Speaker 1: Well, if you feel that strongly about it.
- 21:54Speaker 3: I'm afraid we do, Mr. Sims. I'm sorry if we've... Jim.
- 22:01Speaker 1: Jim, look.
- 22:02Speaker 3: Hmm?
- 22:04Speaker 1: Oh, there.
- 22:05Speaker 8: Yes, I took the liberty of making a sort of
- 22:07Speaker 8: a finished sketch of the house in watercolor.
- 22:09Speaker 3: It even has our name on it. Residence of Mr.
- 22:12Speaker 4: And Mrs.
- 22:13Speaker 3: James Blandings. Shrunk Mills, Connecticut.
- 22:18Speaker 1: Ah, it's beautiful. Mm-hmm. Residents of Mr. and Mrs. James. Mr. Sims,
- 22:27Speaker 1: do you really think you could keep it to 18,000? Well, now, well, well, well, well.
- 22:32Speaker 1: Let's pull up some chairs, shall we?
- 22:34Speaker 4: THE END.
- 22:43Speaker 1: Well, how's it look, Bill? That's some excavation, huh?
- 22:46Speaker 3: Mm-hmm.
- 22:47Speaker 1: Oh, what's going on over there?
- 22:48Speaker 3: Oh, that's Mr. Tisander. He's digging our well. Been here
- 22:52Speaker 3: since Monday at $ 4. 50 a foot.
- 22:54Speaker 1: Yeah, I think I'd better have a little talk with Mr. Tisander.
- 22:58Speaker 1: Good morning.
- 22:58Speaker 4: Yep.
- 22:59Speaker 1: How's it coming? Oh, it's coming.
- 23:02Speaker 3: How far down are you?
- 23:04Speaker 1: Oh, about 150 feet. Well, isn't that pretty deep?
- 23:07Speaker 6: Yep.
- 23:07Speaker 1: Well, haven't you hit anything at all yet? Hit some
- 23:10Speaker 1: limestone yesterday. That's good? That's bad. Oh. And right now,
- 23:17Speaker 1: looks like we're coming in some shale. That's bad? That's good.
- 23:21Speaker 1: Of course, it might turn out to be sandstone. That's bad?
- 23:26Speaker 5: Can't tell.
- 23:27Speaker 1: Might be good. Might be bad. Oh, I see. Thank you.
- 23:31Speaker 1: Thank you.
- 23:31Speaker 3: Just for the record, Mr. Tisander, what's happened to the water?
- 23:35Speaker 1: Oh, it's there, all right. Just got to be patient.
- 23:38Speaker 1: Thank you.
- 23:45Speaker 3: And the art department promises the layout's no later than Monday, Mr.
- 23:48Speaker 1: Blanding. Okay, Mary, please type up that copy.
- 23:50Speaker 4: Right.
- 23:50Speaker 1: I'm sorry, Bill, but I've got to work once in
- 23:52Speaker 1: a while, you know. Yeah, well, oddly enough, that's why
- 23:54Speaker 1: I'm here.
- 23:55Speaker 5: You see, I happen to be closeted with your boss
- 23:57Speaker 5: about a little legal work, and he just happened to
- 24:00Speaker 5: mention that you haven't come up with one good slogan
- 24:03Speaker 5: for Wham Ham.
- 24:03Speaker 1: What's he worrying about? The deadline's months away. Besides, you don't... Hello?
- 24:09Speaker 6: Yeah?
- 24:10Speaker 1: Okay, put her on. Muriel, Bill. She's up in Connecticut. Yes, Muriel? What?
- 24:17Speaker 5: What?
- 24:18Speaker 1: Tisander struck water. Say, that's wonderful, dear. Hey, Bill, we
- 24:23Speaker 1: got our well. Congratulations. What's that, Muriel? What do you
- 24:28Speaker 1: mean we got two wells? Oh. Oh. Well, I'll be
- 24:33Speaker 1: right out. Say, how could we have two wells? I
- 24:36Speaker 1: can't wait to find out. Let's go. And so it
- 24:46Speaker 1: all happened when Mr. Zuko was excavating, huh?
- 24:49Speaker 3: That's what Mr. Wretch says.
- 24:50Speaker 1: That's right, folks. Why, Zuko almost drowned. So we've hit
- 24:54Speaker 1: a spring. A spring of clear, cold, bubbling mountain water
- 24:57Speaker 1: right here in our cellar. And I can't pour a
- 24:59Speaker 1: bag of cement until the water's diverted. Hmm. Well, hello, Mr. Tisander. Oh, howdy.
- 25:06Speaker 3: You see, Mr. Tisander, water.
- 25:09Speaker 1: Yep.
- 25:09Speaker 3: At six feet.
- 25:11Speaker 1: Yep.
- 25:11Speaker 4: And just over there, you had to go down 227
- 25:15Speaker 4: feet to hit the same water.
- 25:16Speaker 1: Yep. Now, how do you account for that, Mr. Tisander? Well,
- 25:20Speaker 1: the way it appears to me, Mr.
- 25:21Speaker 8: Blanding, over here, the water's down only six feet.
- 25:25Speaker 1: But over there, it's down around 227 feet. Yep.
- 25:27Speaker 4: Yep.
- 25:32Speaker 1: You got nothing to worry about, Mr. Blanding.
- 25:34Speaker 2: Once we get the pumps here, your house will go
- 25:36Speaker 2: up in no time.
- 25:38Speaker 1: Yeah, yeah, that's fine. Hey, what's happened to that steam shovel? Huh? Oh, well,
- 25:43Speaker 1: is something wrong, Mr.
- 25:44Speaker 3: Zucker?
- 25:45Speaker 1: Oh, no, no.
- 25:47Speaker 8: I just broke my bucket.
- 25:48Speaker 1: That's all. Oh, you hit a boulder, huh? It's not
- 25:51Speaker 1: a boulder, it's a ledge.
- 26:05Speaker 6: You know something, Mother?
- 26:06Speaker 3: I'll never forget this moment.
- 26:08Speaker 6: My family about to cross the threshold of our first
- 26:11Speaker 6: real home.
- 26:12Speaker 3: I'm sure glad we got kicked out of that apartment. Hey,
- 26:16Speaker 3: I don't hear any work, Mother.
- 26:17Speaker 1: It's Saturday afternoon. Only the painters are working.
- 26:19Speaker 3: Well, aren't we going in?
- 26:23Speaker 1: Don't be in such a hurry. You know, dear, Betsy's right.
- 26:25Speaker 1: It is a big moment. And I'm going to carry
- 26:28Speaker 1: you across the threshold.
- 26:29Speaker 3: Oh, Jim, how sweet. Watch that sacroiliac, Pop.
- 26:34Speaker 7: It's been 15 years since you've tried anything like that.
- 26:37Speaker 1: Oh, that's all you know about it. No, no, no,
- 26:41Speaker 1: not in here.
- 26:43Speaker 3: Jim, you better put me down.
- 26:44Speaker 1: Can't you read us something? The sign says wet paint.
- 26:47Speaker 1: I haven't. touched anything.
- 26:48Speaker 5: Your feet are touching something, ain't they?
- 26:50Speaker 1: The floor. I just got through varnishing the floor. Well,
- 26:54Speaker 1: put some planks down or something.
- 26:55Speaker 5: How do you expect us to live here if you don't... Okay, Mac.
- 26:58Speaker 1: Okay. Take it easy. The Republicans ain't in yet, you know.
- 27:05Speaker 1: Wait till I see Sims about this.
- 27:06Speaker 3: Hey, Daddy. Come and see what we just found.
- 27:10Speaker 4: The windows.
- 27:11Speaker 3: We don't have any windows.
- 27:12Speaker 1: Well, we'll see Sims about that, too. What time did
- 27:15Speaker 1: he say he'd be here, ma'am?
- 27:16Speaker 3: Well, I think maybe he's here now, darling. He and Mr. Wretch,
- 27:18Speaker 3: I think they're out in the back.
- 27:20Speaker 1: Just the man I want to see, Mr.
- 27:22Speaker 6: Blanding.
- 27:22Speaker 1: He's got a few bills here I'd like... What about
- 27:24Speaker 1: our windows, Mr. Wretch? Well, I think I can answer that, Mr. Blanding.
- 27:27Speaker 1: There's been a little slip-up. Oh, the windows were delivered,
- 27:29Speaker 1: all right.
- 27:30Speaker 8: Only they weren't the right windows. Those windows belong to
- 27:32Speaker 8: a Mr. Landings in Fishkill. I just phoned him.
- 27:35Speaker 3: You mean he's got our windows?
- 27:36Speaker 1: Well, no, Mrs. Blandings. It seems Mr. Landings has some
- 27:39Speaker 1: windows that belong to a Mr. Blandsworth in Peekskill.
- 27:41Speaker 4: Oh.
- 27:42Speaker 1: But where are our windows?
- 27:44Speaker 8: Well, as near as we can find out, they've either
- 27:46Speaker 8: been sent to a Mr. Banning in Stamford or to
- 27:48Speaker 8: a Mr. Ginsberg in Waterbury. Well, how did Ginsberg get
- 27:51Speaker 8: into this?
- 27:52Speaker 4: Well, what are we supposed to do, gentlemen?
- 27:56Speaker 3: Spend the rest of our lives in a house without windows?
- 27:59Speaker 1: Just a matter of a few days, Mrs.
- 28:01Speaker 8: Blandings.
- 28:02Speaker 2: Now, about that rub-dub water-soft N.R.
- 28:06Speaker 3: The what?
- 28:07Speaker 2: Rub-dub water-soft N.R., Well, now.
- 28:11Speaker 3: How would I know about that?
- 28:12Speaker 1: Oh, because you've got one, Mrs. Blandings. Furnished and installed
- 28:15Speaker 1: for $ 285. Well, I didn't order it. I'm afraid I did, Mrs. Blandings,
- 28:19Speaker 1: you see, to save your water pipes.
- 28:20Speaker 8: The plumber assured me that the water in your well
- 28:22Speaker 8: is the most corrosive in his entire experience.
- 28:25Speaker 1: In the trade. Another first. Well, send me the bill.
- 28:29Speaker 1: You've got it. I left it on the kitchen sink. Well,
- 28:31Speaker 1: all right, then.
- 28:32Speaker 6: Oh, uh.
- 28:34Speaker 1: Pedelford's coming this afternoon. Who authorized a Pedelford? Now, first
- 28:38Speaker 1: I get a rub-dub, and now a Pedelford.
- 28:41Speaker 3: He's the painting contractor.
- 28:44Speaker 5: Mr.
- 28:44Speaker 3: Pedelford. I wanted to see him.
- 28:46Speaker 4: Oh. Oh.
- 28:47Speaker 1: Oh, well, okay. Well, just get him over here. A Pedelford.
- 28:58Speaker 3: Now, first of all, the living room here. I want
- 29:01Speaker 3: it to be a soft green, Mr. Bedelford.
- 29:03Speaker 2: Uh-huh.
- 29:04Speaker 3: Not a blue green like a robin's egg.
- 29:07Speaker 1: No.
- 29:07Speaker 3: And yet not as yellow as daffodil buds.
- 29:10Speaker 5: Uh-huh.
- 29:10Speaker 3: Now, the only sample I could get is a little
- 29:13Speaker 3: too yellow. But don't let whoever does it go to
- 29:16Speaker 3: the other extreme and get it too blue.
- 29:17Speaker 4: No.
- 29:18Speaker 3: It should be just a sort of a grayish yellow green.
- 29:23Speaker 4: Uh-huh. Now, the dining room, I'd like yellow. Not just yellow,
- 29:30Speaker 4: but very gay yellow.
- 29:32Speaker 3: Something bright and sunshiny.
- 29:34Speaker 1: Uh-huh.
- 29:35Speaker 3: I'll tell you what to do, Mr. Padelfa.
- 29:36Speaker 4: You just ask that man who's varnishing the floors in there.
- 29:40Speaker 4: to go down to the grocer and get a pound
- 29:42Speaker 4: of their very best butter.
- 29:44Speaker 3: And you just mash that butter exactly and you can't
- 29:46Speaker 3: go wrong. Now here, here's the.
- 29:50Speaker 4: Wallpaper we're going to use in the hall.
- 29:53Speaker 3: It's flowered. But I don't want the ceiling to match
- 29:56Speaker 3: any of the colors of the flower.
- 29:58Speaker 1: No. No.
- 29:59Speaker 4: There's some little dots in the background.
- 30:04Speaker 3: See?
- 30:04Speaker 4: Now, it's those little dots I want you to match. Now,
- 30:09Speaker 4: I don't want those greenish dots.
- 30:10Speaker 3: Near the hollyhock leaves.
- 30:12Speaker 1: No.
- 30:12Speaker 4: No, I want those little bluish dots there between the
- 30:17Speaker 4: rosebud and.
- 30:18Speaker 3: The delphidium blossom.
- 30:19Speaker 4: Clear?
- 30:20Speaker 1: Uh-huh.
- 30:21Speaker 3: Now, the kitchen, the kitchen's to be white. But not
- 30:25Speaker 3: a cold antiseptic. Hospital white, you know.
- 30:28Speaker 4: No.
- 30:28Speaker 3: I want something, something warmer, Mr. Bedelford. But still not
- 30:33Speaker 3: to suggest any.
- 30:34Speaker 4: Other color but white. Now, for the powder room, I
- 30:37Speaker 4: brought you a piece of thread. And I want you
- 30:42Speaker 4: to match it exactly.
- 30:44Speaker 1: And don't lose it.
- 30:45Speaker 3: I had an awful time finding it. Now, as you see,
- 30:50Speaker 3: the color of the thread is like an apple red.
- 30:55Speaker 4: It's somewhere between a healthy wine sap and an unripened Jonathan.
- 31:00Speaker 3: Dear, dear. You'll have to excuse me now. I've got
- 31:04Speaker 3: to meet a friend of ours at the station.
- 31:06Speaker 1: Hey, Charlie. It's okay, boss. I've been listening. Did you
- 31:09Speaker 1: get everything? Sure. Red, green, blue, yellow, and white. Checked.
- 31:16Speaker 4: Thank you.
- 31:21Speaker 3: Where's Mother, Daddy?
- 31:22Speaker 6: I can't find her.
- 31:23Speaker 3: Huh?
- 31:23Speaker 1: Oh, she drove Bill Cole down to the station. She'll
- 31:25Speaker 1: be back soon.
- 31:26Speaker 6: Oh.
- 31:27Speaker 1: Well, go unpack another barrel. Help Gussie or something.
- 31:29Speaker 3: I just finished a barrel.
- 31:30Speaker 1: And look what I found, Daddy.
- 31:32Speaker 6: Uncle Bill's fraternity pin and Mother's diary while she was
- 31:35Speaker 6: in college.
- 31:36Speaker 3: It's slightly torn.
- 31:38Speaker 1: Oh, now that's none of your business. Now just put
- 31:40Speaker 1: that diary down and unpack something else.
- 31:42Speaker 6: I'd say Mother and Uncle Bill were somewhat of an item.
- 31:45Speaker 1: People do not read other people's diaries. It's not a
- 31:47Speaker 1: very nice thing to do.
- 31:48Speaker 4: Oh.
- 31:51Speaker 1: Dear Diary. Tonight, Bill and I drove out to Stover's Point.
- 31:57Speaker 1: As we sat there in the moonlight, he started... Holy smoke!
- 32:07Speaker 3: Well, the girls are asleep, Jim.
- 32:12Speaker 4: There's no need to be so irritable, dear.
- 32:15Speaker 1: Well, sometimes a man just doesn't feel like talking.
- 32:18Speaker 3: Oh, something wrong with the office?
- 32:19Speaker 1: No.
- 32:20Speaker 3: Got the new slogan for Wham?
- 32:22Speaker 1: It's not due yet.
- 32:24Speaker 3: Well, you're certainly upset about something.
- 32:27Speaker 1: Well, it's just that I don't happen to approve of
- 32:29Speaker 1: falsehood and deception.
- 32:31Speaker 3: What are you talking about?
- 32:32Speaker 1: Oh, nothing.
- 32:34Speaker 5: But I distinctly remember you telling me that you returned
- 32:36Speaker 5: Bill Cole's fraternity pin 15 years ago.
- 32:39Speaker 3: That I.
- 32:41Speaker 1: Well, did you or didn't you?
- 32:42Speaker 3: Did I or didn't I what?
- 32:43Speaker 1: Give it back to him.
- 32:45Speaker 3: Well, of course I did. If I said I did,
- 32:46Speaker 3: I did.
- 32:47Speaker 5: Ah, well, then perhaps you'll have the goodness to explain
- 32:51Speaker 5: how this happened to fall out of your jewel box.
- 32:54Speaker 3: It was fraternity bills.
- 32:58Speaker 1: What's so funny?
- 33:00Speaker 5: You.
- 33:01Speaker 3: You're jealous.
- 33:02Speaker 5: If you were so crazy about the guy, why didn't
- 33:04Speaker 5: you marry him?
- 33:05Speaker 3: Because I wasn't in love with him.
- 33:06Speaker 1: Well, that's not what you said in your diary.
- 33:07Speaker 3: My what?
- 33:11Speaker 5: It just happened to fall open, and I happened to
- 33:14Speaker 5: look at it. It just happened.
- 33:16Speaker 3: Yeah, I'll just bet.
- 33:18Speaker 1: Well, it's all over the book. You were in love
- 33:20Speaker 1: with Bill Cole.
- 33:21Speaker 3: Oh, don't be absurd. Of course I was in love
- 33:23Speaker 3: with Bill. In those days, I was in love with
- 33:25Speaker 3: a new man every week.
- 33:27Speaker 1: Then why did you marry me?
- 33:28Speaker 3: I'm beginning to wonder. It is those big cow eyes
- 33:33Speaker 3: of yours.
- 33:34Speaker 4: That ridiculous hole in your chin. Maybe I knew you
- 33:39Speaker 4: were going to bring me out to this.
- 33:42Speaker 3: $ 38, 000 icebox with no windows. Or maybe I just happened
- 33:45Speaker 3: to fall in love with you, but for heaven's sake,
- 33:47Speaker 3: don't ask me why.
- 34:00Speaker 1: Muriel.
- 34:01Speaker 3: What is it?
- 34:03Speaker 1: What are you doing down there on the floor?
- 34:06Speaker 3: Trying to sleep. The moving men forgot our bed.
- 34:09Speaker 1: Oh.
- 34:12Speaker 3: What time is it?
- 34:15Speaker 1: Half past twelve.
- 34:16Speaker 3: Thank you.
- 34:17Speaker 1: I guess I fell asleep downstairs. Muriel, would it do
- 34:22Speaker 1: any good to say I'm sorry?
- 34:23Speaker 3: I don't know.
- 34:25Speaker 1: Well, I am. I behave like a schoolboy, and I'm sorry.
- 34:29Speaker 4: Jim....
- 34:33Speaker 3: Oh, Jim, if you hadn't kissed me tonight, I guess
- 34:37Speaker 3: I just would have died.
- 34:41Speaker 1: Why do I love you so much?
- 34:43Speaker 3: Darling, it's awfully late. Maybe you ought to go downstairs
- 34:55Speaker 3: and lock the doors.
- 34:57Speaker 1: What for? The windows are all open anyway.
- 35:04Speaker 3: Got to get up at five o'clock, you know.
- 35:07Speaker 1: Five o'clock? But why?
- 35:10Speaker 3: I forgot to tell you, dear. The railroad just put
- 35:13Speaker 3: in a new schedule.
- 35:15Speaker 1: Oh.
- 35:16Speaker 5: Well, that means I'll be at the office before eight.
- 35:19Speaker 3: Yes, but if you get there earlier, maybe you can
- 35:22Speaker 3: leave earlier.
- 35:23Speaker 1: To get home earlier, to go to bed earlier, to
- 35:24Speaker 1: get up earlier.
- 35:27Speaker 3: Jim.
- 35:29Speaker 1: Yes, dear?
- 35:32Speaker 4: Good night, dear. Uh....
- 35:34Speaker 1: Good night.
- 35:49Speaker 9: We pause now for station identification. This is CBS, the
- 35:53Speaker 9: Columbia Broadcasting System.
- 36:15Speaker 2: In a few moments, we'll return with a third act
- 36:18Speaker 2: of Mr. Blanding's Builds His Dream House. We always like
- 36:22Speaker 2: to tell a success story, and tonight's heroine is Miss
- 36:25Speaker 2: Marilyn Mercer, formerly a messenger girl at RKO, and now
- 36:30Speaker 2: a full-fledged starlet at the same studio.
- 36:33Speaker 1: How did it all happen, Marilyn?
- 36:35Speaker 7: Well, I was answering telephones in the commissary when my
- 36:38Speaker 7: big chance came for a screen test, Mr.
- 36:40Speaker 3: Keeley. And that was just the beginning.
- 36:43Speaker 7: Whenever I watch a picture being filmed, I realize how
- 36:46Speaker 7: much I have to learn.
- 36:48Speaker 2: You had a chance to see some fine acting in
- 36:50Speaker 2: RKO's new production, I Married a Communist.
- 36:53Speaker 3: Yes, indeed. There's a tense drama for you.
- 36:56Speaker 7: Particularly Robert Ryan in the role of a former communist
- 37:00Speaker 7: who discovers that he can't escape from the party. He
- 37:03Speaker 7: makes you feel the terror of their relentless pursuit as
- 37:06Speaker 7: only a fine actor can.
- 37:08Speaker 2: Yes, and Lorraine Day brings warmth and understanding to the
- 37:11Speaker 2: part of the bewildered wife in I Married a Communist,
- 37:14Speaker 2: a most appealing actress.
- 37:16Speaker 3: Isn't she, though? She's a favorite with everyone and so
- 37:19Speaker 3: lovely to look at. As you might expect, Mr. Kennedy,
- 37:23Speaker 3: she's a luxe girl and a very enthusiastic one.
- 37:26Speaker 9: Another famous star who finds that luxe soap care.
- 37:28Speaker 1: Really works, eh?
- 37:30Speaker 7: Well, now that Luxe toilet soap comes in the convenient
- 37:32Speaker 7: bath size, she thinks it's more wonderful than ever.
- 37:35Speaker 3: And so do I, Mr.
- 37:36Speaker 1: Kennedy.
- 37:37Speaker 7: The lather's so rich and creamy, and I love the
- 37:40Speaker 7: nice perfume it.
- 37:41Speaker 3: Leaves on my skin.
- 37:42Speaker 9: That Luxe soap perfume is an exclusive blend of many
- 37:46Speaker 9: costly ingredients. It's like a bouquet of flowers, you know,
- 37:50Speaker 9: a light, delicate fragrance that appeals to fastidious women.
- 37:54Speaker 3: For a quick beauty pickup, I count on my Lux
- 37:57Speaker 3: soap bath. It's so refreshing.
- 37:59Speaker 9: Thank you, Miss Marilyn Mercer. And now, a suggestion for
- 38:02Speaker 9: our listeners everywhere. Try this fine new product of Lever
- 38:07Speaker 9: Brothers Company. The new bath-size Lux toilet soap. Remember, it's
- 38:12Speaker 9: the fragrant white cake nine out of ten screen stars
- 38:15Speaker 9: recommend for top-to-toe loveliness.
- 38:19Speaker 1: Here's our producer, Mr. Keeling.
- 38:22Speaker 2: The curtain rises on the third act of Mr. Blanding's
- 38:25Speaker 2: Builds His Dream House, starring Cary Grant as Jim and
- 38:28Speaker 2: Irene Dunn as Muriel.
- 38:40Speaker 1: Well, Mr. Blanding's has built his dream house.
- 38:43Speaker 2: And as the bills and the extras stare him in
- 38:46Speaker 2: the face, so does the deadline for a new slogan
- 38:49Speaker 2: for Wham!
- 38:50Speaker 1: Ham!
- 38:52Speaker 2: It's now nine o'clock on a very wet night. Jim's
- 38:55Speaker 2: at the office, up to his elbows, in slogans.
- 38:59Speaker 3: Is there anything I can type up for you, Mr.
- 39:01Speaker 1: Blanding? I can't think of a thing, Mary, except probably
- 39:04Speaker 1: my resignation. Well, it sure is raining, isn't it?
- 39:09Speaker 5: Yeah.
- 39:12Speaker 1: That's funny, Mary, how you look forward to little things. Rain,
- 39:15Speaker 1: for instance. For a month now, I've been looking forward
- 39:18Speaker 1: to the first rainy night in my new house. Big
- 39:21Speaker 1: blazing fire. Muriel pouring coffee. Me in my new smoking
- 39:27Speaker 1: jacket with my pipe and slippers reading a good book. Ah, well.
- 39:31Speaker 3: Poor Mrs.
- 39:32Speaker 1: Blandings.
- 39:33Speaker 3: Must get pretty lonesome out there. At night, I mean.
- 39:36Speaker 3: And a rainstorm.
- 39:38Speaker 1: She's probably worried to death about me. Oh, well. Give
- 39:41Speaker 1: me some more paper, Mary. Wham!
- 39:43Speaker 6: Wham!
- 39:54Speaker 1: And then out you went and bobbed your hair. Let's
- 39:57Speaker 1: see now. That must have been about a month before
- 39:59Speaker 1: you married him. And was Jim mad?
- 40:02Speaker 3: Oh, he wants more coffee, Bill.
- 40:04Speaker 1: Oh, thanks. Well, I picked a fine night to come calling,
- 40:08Speaker 1: didn't I? Rainstorm, Jim in New York.
- 40:11Speaker 3: Yes, he's probably worried to death about me.
- 40:13Speaker 5: I wonder if my coat's dry by now. I'd look
- 40:16Speaker 5: a little silly going back in Jim's new smoking jacket.
- 40:18Speaker 3: No, I think you look very cute. Oh, thank heavens.
- 40:23Speaker 3: Must be the children.
- 40:24Speaker 1: Oh, sit still. I'll get it. Coming, coming. Well, it's
- 40:26Speaker 1: about time you... Oh, you're not the kids. Yeah, I'm
- 40:29Speaker 1: Harry Selby from down the road. Boy, what a storm.
- 40:32Speaker 1: Just come by to tell you that the kids are safe, Mr.
- 40:34Speaker 5: Blandings.
- 40:34Speaker 1: Oh, I'm not Mr. Blandings.
- 40:37Speaker 3: I'm Mrs. Blandings, Mr. Selby.
- 40:39Speaker 1: Oh, well, how do you do?
- 40:40Speaker 5: Mrs.
- 40:41Speaker 1: Williams just called my wife to say your telephone's out
- 40:43Speaker 1: of order.
- 40:43Speaker 3: Oh, no.
- 40:44Speaker 1: And they just roped off the bridge at Shrunk Mills.
- 40:46Speaker 3: But my children.
- 40:46Speaker 1: Oh, don't you worry about them, Mrs. Blandings. They're spending
- 40:49Speaker 1: the night with the Williams.
- 40:50Speaker 3: Oh, well, that's a relief. I just began to get
- 40:54Speaker 3: quite worried about him.
- 40:54Speaker 1: Well, I'd better get back before I have to swim
- 40:56Speaker 1: for a while.
- 40:56Speaker 3: Good night, Mrs. Blandings. Oh, thank you, Mr.
- 40:58Speaker 1: Selby. Oh, not at all. Good night, Mr. Blandings. Cole,
- 41:02Speaker 1: Bill Cole, friend of the family, just came in out
- 41:04Speaker 1: of the rain.
- 41:05Speaker 4: Oh.
- 41:06Speaker 1: Oh, well, good night. No bridge. How do I get
- 41:11Speaker 1: back to civilization?
- 41:12Speaker 4: Well, you'll just have to stay here until it stops
- 41:14Speaker 4: raining or they fix the bridge or something.
- 41:17Speaker 1: Ah, yeah, I guess I'll have to. Well, get out
- 41:19Speaker 1: the cards, Muriel. We can always play gin. Well, how
- 41:27Speaker 1: about this one, Mary?
- 41:29Speaker 5: Compare the price, compare the slice, take our advice by wham.
- 41:33Speaker 3: Oh, now, really, Mr.
- 41:37Speaker 9: Blanding?
- 41:37Speaker 1: Yeah, I know, I know. It's no good. All right. Now,
- 41:41Speaker 1: here's another one. If you'd buy better ham, you'd better
- 41:45Speaker 1: buy wham.
- 41:46Speaker 3: Well, it's just like boil petroleum.
- 41:47Speaker 4: If you'd buy better oil, you'd better buy boil.
- 41:50Speaker 1: Well, it's no use. I can't think anymore. All I've
- 41:54Speaker 1: got on my mind is a house with.
- 41:55Speaker 5: An $ 18, 000 mortgage and bills and extras and antiques and.
- 41:59Speaker 1: Oh, I don't know. I just don't know.
- 42:02Speaker 3: You going somewhere?
- 42:03Speaker 1: Yes, I'm going home. I'm going home to get some sleep.
- 42:05Speaker 3: But the slogan, you haven't even got.
- 42:07Speaker 1: Well, suppose I haven't. This isn't the only job in town.
- 42:10Speaker 3: Well, what will you tell Mr.
- 42:11Speaker 5: Dascombe?
- 42:11Speaker 1: Oh, I'll tell Mr. Dascombe to... Well, I don't know.
- 42:14Speaker 1: I'll just tell him.
- 42:23Speaker 4: Mr.
- 42:24Speaker 3: Sims. Well, good morning. Come in.
- 42:26Speaker 1: I know it's a little early to be calling, Mrs. Blandings.
- 42:28Speaker 1: I just thought I might catch her husband before he
- 42:29Speaker 1: left for the office.
- 42:30Speaker 3: Oh, I'm sorry, but Jim isn't here. But come on
- 42:32Speaker 3: in anyway. We're going to have breakfast in a little while.
- 42:35Speaker 8: Oh, I've already had my... Oh, well, there's Mr. Blandings
- 42:37Speaker 8: now getting out of that taxi.
- 42:39Speaker 3: Oh, he must be exhausted. He worked all night in
- 42:42Speaker 3: the office.
- 42:42Speaker 1: You don't say. Jim. Good morning, Jim.
- 42:45Speaker 3: How'd it go, darling?
- 42:46Speaker 1: Oh, fine, fine, fine. Oh, hello, Sims. Mr. Blandings.
- 42:50Speaker 3: Everything all right?
- 42:51Speaker 1: Yeah, everything's fine. Well, Sims, what are you doing out
- 42:55Speaker 1: here with a morning dew?
- 42:56Speaker 8: Well, some extra bills have come in from Wretch, and
- 42:59Speaker 8: I don't quite understand them.
- 43:01Speaker 5: Really?
- 43:01Speaker 1: What are they? Oh, a few of the things are
- 43:03Speaker 1: all right, I guess. Now, here's an item. Mortising five
- 43:06Speaker 1: butts at $ 1. 98. Oh, well, let's not quibble about it.
- 43:10Speaker 1: A man's entitled to mortise a few butts now and then,
- 43:13Speaker 1: I think. Oh, and this one here, extra hardware, $ 9. 18.
- 43:16Speaker 1: Petty last name, but let him get away with it. Now,
- 43:21Speaker 1: here's one that, frankly, I don't understand at all. Changes
- 43:23Speaker 1: in the closet, $ 1, 247. Well, we probably talked... $ 1, 200 and what? $ 47. Oh,
- 43:31Speaker 1: that's the end. What closet? What changes?
- 43:32Speaker 8: Well, that's just it. It isn't a closet at all.
- 43:34Speaker 8: It's Mrs. Blanding's little flower sink. You didn't authorize any changes,
- 43:39Speaker 8: did you, Mrs.
- 43:39Speaker 4: Blanding?
- 43:40Speaker 3: Well, there certainly weren't changes.
- 43:42Speaker 1: Muriel... What have you done?
- 43:44Speaker 3: I haven't done anything. All I did was, oh my goodness,
- 43:48Speaker 3: nothing at all.
- 43:49Speaker 1: What have you done?
- 43:52Speaker 4: Well, all I did was, one day I saw four
- 43:55Speaker 4: pieces of flagstone left over from the porch that were
- 43:58Speaker 4: just going to be thrown away.
- 43:59Speaker 3: Nobody wanted them. And I asked Mr.
- 44:01Speaker 4: Retch if he wouldn't just put them down on the
- 44:04Speaker 4: floor of the flower room and poke a little cement
- 44:06Speaker 4: in between the cracks and give me a nice stone
- 44:08Speaker 4: floor where it might get wet from flowers and things.
- 44:11Speaker 3: And That's absolutely all I did.
- 44:12Speaker 1: That's all you did?
- 44:14Speaker 3: Absolutely. Just four little pieces of flagstone.
- 44:17Speaker 1: Did you by any chance authorize a drain?
- 44:19Speaker 3: Of course I didn't.
- 44:21Speaker 4: All I said was I wanted a nice, dry stone floor,
- 44:24Speaker 4: and Mr. Wretch was just as nice as he could be.
- 44:27Speaker 1: What did Mr. Wretch say?
- 44:29Speaker 3: Well, all he said was, Well, you're the doctor, Mrs. Blandings.
- 44:34Speaker 4: And that was all anybody said to anybody about anything.
- 44:38Speaker 1: Oh. Well. I think I can tell you just about
- 44:41Speaker 1: what happened.
- 44:42Speaker 8: You see, those planks run under the entire width of
- 44:44Speaker 8: the pantry so that Wretch had to knock out the
- 44:45Speaker 8: bottom of the pantry wall to get at them.
- 44:47Speaker 1: Then he had to chop off the top of the
- 44:49Speaker 1: joists under the flower sink to make room for the cradle.
- 44:51Speaker 3: But all I said was.
- 44:52Speaker 8: And then with the added load on the weakened joists,
- 44:54Speaker 8: I'll bet he had to put a lally column down
- 44:56Speaker 8: there for support.
- 44:57Speaker 1: Oh, I'll bet.
- 44:57Speaker 4: But it was just four little pieces of flagstone, and
- 45:00Speaker 4: I only asked him... Quiet.
- 45:01Speaker 8: Now, the soil pipe runs under there on wall brackets
- 45:03Speaker 8: so that Retch had to get the plumber back.
- 45:05Speaker 1: Oh, good morning, Mr.
- 45:06Speaker 4: Cole.
- 45:06Speaker 1: Good morning. Good morning, Muriel, dear. Morning, Jim. Hello, Bill.
- 45:11Speaker 1: When did you get here? Well, as a matter of fact,
- 45:13Speaker 1: last night I stayed over. Oh, you stayed over. He
- 45:18Speaker 1: stayed over.
- 45:19Speaker 3: The bridge was roped off. He had to stay.
- 45:22Speaker 1: I slept like a rock, too. Now, just a minute here. Just... Morning, everybody.
- 45:25Speaker 3: Wow, what a night. I've never seen so much rain
- 45:28Speaker 3: in all my natural life.
- 45:30Speaker 1: You mean you weren't here last night, Gussie?
- 45:33Speaker 3: No, dear, Gussie spent the night in Lansdale.
- 45:36Speaker 1: I passed the girls over by the Williams house, Miss Bland,
- 45:38Speaker 1: and they ought to be home any minute now.
- 45:40Speaker 3: Thank you, Gussie. Now, you better start breakfast. Yes, ma'am,
- 45:42Speaker 3: right away. All right, now, where were we?
- 45:45Speaker 1: Why, with the electrician ripping out 60 feet of armored cable. Right, Mr. Sims?
- 45:49Speaker 4: What?
- 45:50Speaker 1: Oh, yes, yes. Muriel, you mean the children weren't here
- 45:53Speaker 1: last night either?
- 45:55Speaker 3: They be, dear. The bridge was closed.
- 45:57Speaker 1: I just came across it.
- 45:58Speaker 3: It was closed last night.
- 46:00Speaker 1: It's open now. Well, if you'll all excuse me, I
- 46:02Speaker 1: think I'll glance through the morning paper. Well, I guess
- 46:05Speaker 1: that's about the size of it, Mr.
- 46:06Speaker 8: Blandings, except that Wretch also had to repair the pantry wall,
- 46:09Speaker 8: and he couldn't possibly have broken through the wall without.
- 46:11Speaker 1: All right, Sims, all right. We'll take care of it.
- 46:14Speaker 1: I'll admit it's a little steep. I'll try to get
- 46:16Speaker 1: Wretch to knock.
- 46:17Speaker 8: Off $ 100.
- 46:19Speaker 1: If I can't get that, I'll get $ 75. Well, $ 50 maybe. Anyway,
- 46:24Speaker 1: I'm almost sure we can get 25. Well, good day.
- 46:27Speaker 1: Good day.
- 46:29Speaker 3: Darling, you're upset. You've got a lot of things on
- 46:32Speaker 3: your mind.
- 46:34Speaker 1: Muriel, there's only one thing I've got on my mind.
- 46:38Speaker 1: This house, and how soon we can get rid of it.
- 46:40Speaker 3: No, that's not what you're thinking.
- 46:42Speaker 1: Maybe not.
- 46:43Speaker 5: Maybe I was thinking I was once a happy man.
- 46:45Speaker 5: I didn't have a closet. I didn't even have three bathrooms.
- 46:49Speaker 5: But I did have my sanity, a few thousand dollars
- 46:51Speaker 5: in the bank, two children who loved me, and a wife.
- 46:52Speaker 1: I could trust.
- 46:53Speaker 3: Oh, that's a fine thing to say.
- 46:55Speaker 5: I also had a job at the Daskam Advertising Agency,
- 46:57Speaker 5: something I don't happen to have at the moment.
- 46:59Speaker 4: Jim!
- 46:59Speaker 1: That's right. I'm going to resign. We're starting all over again.
- 47:02Speaker 1: From scratch. And without this house.
- 47:05Speaker 3: You love this house.
- 47:06Speaker 1: I hate this house. From its mortised butts to its
- 47:09Speaker 1: rubbed up water softener.
- 47:15Speaker 3: You know you don't mean that.
- 47:17Speaker 1: Every word of it. Anybody who builds a house today
- 47:19Speaker 1: is crazy. The minute you start, they put you on
- 47:22Speaker 1: the list. The all-American sucker list. You start out to
- 47:25Speaker 1: build a home and you wind up the poorhouse. And
- 47:27Speaker 1: if it can happen to me, what about.
- 47:28Speaker 5: The fellas who aren't making $ 15, 000 a year?
- 47:30Speaker 1: What about the kids who just got married and want...
- 47:33Speaker 1: Now somebody's.
- 47:33Speaker 8: Looking in the window.
- 47:36Speaker 3: It's Mr. Tisander.
- 47:38Speaker 1: All right, Mr. Tisander, what do you want?
- 47:39Speaker 3: Well, at least we can open the door. Hello, Mr. Tisander.
- 47:43Speaker 1: Morning. Well, Mr. Blandings, there's a matter of $ 12. 36.
- 47:47Speaker 3: No.
- 47:47Speaker 1: $ 12. 36. Yep. Well, why be a piker, Mr. DeSander? Here,
- 47:59Speaker 1: take everything I've got. I'll empty my pockets for you.
- 48:02Speaker 1: Take it all. Spread it out amongst your pals. Maybe
- 48:05Speaker 1: Wretch would like a little something. Maybe Zooka could use
- 48:07Speaker 1: my new smoking jacket. It's open house, Mr. DeSander. Help yourself. Now, now, Mr. Blandings,
- 48:12Speaker 1: hold on.
- 48:13Speaker 3: It's $ 12. 36.
- 48:13Speaker 1: You don't owe me. I owe you.
- 48:14Speaker 4: What?
- 48:21Speaker 1: What was that? Yep. Seems that I overcharged you almost
- 48:25Speaker 1: three feet. Here it is, Miss Blandings.
- 48:27Speaker 3: I think it's all there. Thank you very much, Mr. Tisander.
- 48:32Speaker 1: Well, I guess I'd best be going. My, my, you
- 48:36Speaker 1: sure got a pretty place here. Take good care of it. Oh,
- 48:40Speaker 1: and I'll tell Mr. Zucker about that smoking jacket.
- 48:46Speaker 3: Darling, what did you mean? We really going to have
- 48:48Speaker 3: to sell the house?
- 48:50Speaker 1: Oh, I don't know, Muriel. I just don't know anything anymore.
- 48:53Speaker 5: In case anyone's interested, I'm leaving for town. Oh, Jim,
- 48:56Speaker 5: if you want to count for silverware, I'll wait. Be
- 48:59Speaker 5: patient with me, Bill. Maybe one of these days I'll
- 49:02Speaker 5: grow up.
- 49:02Speaker 1: Hey, what's happened to him?
- 49:04Speaker 3: Twelve dollars and thirty-six cents.
- 49:06Speaker 1: Now, do you mind if I say something?
- 49:09Speaker 5: You know, ever since this thing started, I've been firmly
- 49:11Speaker 5: convinced that you were getting fleeced, bilked, rooked, flim-flammed.
- 49:14Speaker 1: And generally taken to the cleaners. I know, I know.
- 49:18Speaker 1: Maybe it has cost you a lot more than you
- 49:20Speaker 1: thought it would. But when I look around at what
- 49:23Speaker 1: you two have got here, well, I don't know. Maybe
- 49:27Speaker 1: there are some things you should buy with your heart
- 49:30Speaker 1: and not with your head. Maybe, maybe those are the
- 49:33Speaker 1: things that really count. Well, see you around. Bye, dear.
- 49:37Speaker 3: Bye, Bill. Hi, Uncle Bill. You should have seen the
- 49:40Speaker 3: flood last night. The bridge was roped off, Uncle Bill.
- 49:43Speaker 3: We had to stay with the neighbors.
- 49:44Speaker 1: Yeah, I heard all about it. I'll bet you had
- 49:46Speaker 1: a wonderful time.
- 49:47Speaker 3: Well, good morning, children.
- 49:48Speaker 1: Good morning.
- 49:49Speaker 2: Daddy.
- 49:51Speaker 3: Why aren't you at the office?
- 49:53Speaker 1: Well, I'm on kind of a vacation, Joan.
- 49:56Speaker 3: You mean you got fired?
- 49:57Speaker 1: Well, not exactly.
- 49:58Speaker 3: Come on, we'll discuss this later. Right now we're going
- 50:00Speaker 3: to have breakfast. Am I starving? What are we having, Gussie?
- 50:04Speaker 3: Orange juice, scrambled eggs, and you know what?
- 50:06Speaker 7: Ham, Gussie?
- 50:07Speaker 1: Not ham, wham. If you ain't eating wham, you ain't
- 50:11Speaker 1: eating ham. Now you kids go and wash your hands. Muriel,
- 50:16Speaker 1: did you hear what she said?
- 50:17Speaker 3: What are you talking about?
- 50:18Speaker 4: Gussie.
- 50:19Speaker 1: If you ain't eating ram, you ain't eating ham. My slogan.
- 50:23Speaker 1: I've got my slogan.
- 50:24Speaker 3: Jim, where are you going?
- 50:25Speaker 5: I'm going to telephone Dascom and tell Gussie she just
- 50:27Speaker 5: got a $ 10 raise.
- 50:36Speaker 2: And so Jim Blanding's got his slogan, and he kept
- 50:39Speaker 2: his job, and he kept his dream house. If this
- 50:42Speaker 2: story has a moral, I'm afraid it's escaped me. Unless
- 50:46Speaker 2: it's to always be sure to hire a maid like Gussie.
- 50:50Speaker 3: Oh, there's much more of a moral than that, Bill.
- 50:53Speaker 1: Yes, Mrs.
- 50:53Speaker 4: Blanding?
- 50:54Speaker 3: I think it's to own your own home, no matter what. Oh,
- 50:59Speaker 3: and ladies, you'll find a flower sink very handy. Now,
- 51:04Speaker 3: all you have to do is.
- 51:05Speaker 1: Muriel. Yes, dear? Don't you dare....
- 51:24Speaker 2: The curtain has fallen, but our stars are coming back,
- 51:27Speaker 2: and here they are. Irene Dunn and Cary Grant.
- 51:31Speaker 3: Thank you, Bill. It's nice to be here.
- 51:33Speaker 2: And, of course, we're delighted to have a famous team
- 51:35Speaker 2: like Cary Grant and Irene Dunn reunited.
- 51:39Speaker 5: Irene, he means we're like corned beef and cabbage. Or
- 51:42Speaker 5: ham and eggs.
- 51:44Speaker 3: No, I think it's more like Laurel and Hardy.
- 51:47Speaker 1: In that case, one of us will have to put
- 51:48Speaker 1: on some more weight. You two played Mr. and Mrs.
- 51:53Speaker 2: Blandings with such conviction that I suspect you've had a
- 51:56Speaker 2: similar experience.
- 51:57Speaker 1: Am I right, Irene?
- 51:58Speaker 4: Well, we did put in a new movie projector at
- 52:02Speaker 4: my house and had to knock out a wall, but
- 52:04Speaker 4: it was worth all the trouble.
- 52:05Speaker 1: Well, how's that?
- 52:06Speaker 3: Well, now my daughter's convinced I'm important in pictures.
- 52:10Speaker 4: I'm the only one who can run the projector.
- 52:14Speaker 2: I'm sure you do it just as beautifully as you
- 52:17Speaker 2: run your home, Irene.
- 52:18Speaker 4: Well, of course, to run a home properly, you've got
- 52:20Speaker 4: to have the new bath-sized Lux soap on hand, and
- 52:24Speaker 4: I always have that.
- 52:26Speaker 5: Say, Bill, what's that big contest I've been hearing about,
- 52:28Speaker 5: something about 15-year-old lux girls?
- 52:31Speaker 2: It's a contest to pick the most beautiful lux girl
- 52:34Speaker 2: born in 1934, Carrie, the year the Lux Radio Theater
- 52:38Speaker 2: was born.
- 52:38Speaker 1: Oh, I mean.
- 52:39Speaker 2: And next Monday, October 17th, the 15th anniversary of the
- 52:43Speaker 2: Lux Radio Theater, the papers will have full details.
- 52:46Speaker 1: That's when the six winners.
- 52:48Speaker 2: From each of the 163 local contests will be announced.
- 52:51Speaker 3: With pictures, I hope.
- 52:53Speaker 2: Yes, papers all over the country will carry the photographs
- 52:56Speaker 2: of the six lucky girls in their CBS station area.
- 52:59Speaker 1: Well, who picks the prettiest, Dr. Girl?
- 53:01Speaker 2: Everybody will have a chance to vote for their favorite
- 53:03Speaker 2: among the six local winners. Then the girl getting the
- 53:06Speaker 2: most votes represents her station in the big national contest.
- 53:10Speaker 3: I'd like to vote, Bill, so I'll watch the papers
- 53:13Speaker 3: next Monday.
- 53:13Speaker 2: You know, there's only one rule to remember. Send in
- 53:16Speaker 2: your vote on a luxe toilet soap wrapper.
- 53:18Speaker 3: Well, I just might possibly be able to find one.
- 53:21Speaker 1: Oh, no, not just one, Irene. Vote as many times
- 53:24Speaker 1: as you like. What will you have for the big
- 53:27Speaker 1: anniversary show next Monday, Bill?
- 53:29Speaker 2: A romantic hit direct from the current screen. The 20th
- 53:32Speaker 2: Century Fox picture, Mother is a Freshman. And we'll have
- 53:37Speaker 2: the original stars of the film here to celebrate our anniversary.
- 53:41Speaker 2: They're Loretta Young and Van Johnson. This is delightful entertainment
- 53:47Speaker 2: for the whole family. The kind of play you've liked
- 53:50Speaker 2: so much during the 15 years of the Lux Radio Theater.
- 53:54Speaker 2: So I know everyone will want to join our audience
- 53:56Speaker 2: next Monday night.
- 53:57Speaker 4: It's a grand picture, Bill, and Loretta is the loveliest
- 54:01Speaker 4: freshman I ever saw.
- 54:02Speaker 3: Good night.
- 54:03Speaker 1: Good night, and thank you.
- 54:11Speaker 2: Lever Brothers Company, the makers of Lux Toilet Soap, join
- 54:16Speaker 2: me in inviting you to be with us again next
- 54:18Speaker 2: Monday evening when the Lux Radio Theater presents Loretta Young
- 54:22Speaker 2: and Van Johnson in Mother is a Freshman. This is
- 54:26Speaker 2: William Keeley saying goodnight to you from Hollywood.