Latest / What's Your (Least) Favorite Scary Movie? / #165: 28 Days Later (2002)

Transcript

#165: 28 Days Later (2002) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Man walks into a bar with a
• 0:12
  giraffe. They both get pissed.
• 0:14
  The giraffe falls over. The man goes to leave and the
• 0:16
  bartender says Oi can't leave that lion there.
• 0:19
  The man says no, it's not a lion, it's a giraffe.
• 0:22
  Welcome to watch your least favorite scary movie.
• 0:24
  The podcaster we talk about the good, the bad, the ugly and the
• 0:27
  absurd, and all of our favorite and the least favorite scary
• 0:30
  movies. Because we believe every horror
• 0:32
  movie rightfully has this fan base.
• 0:33
  Even if we don't always get it. My name is Travis.
• 0:36
  My name is Jesse. And welcome to another episode
• 0:38
  as we are diving back into the zombie genre and we are talking
• 0:43
  about 28 Days later. Yeah, or welcome if this is your
• 0:46
  first. Episode or welcome.
• 0:47
  Yeah. Thanks for coming here.
• 0:48
  Yeah, it's. Good time, Good movies to
• 0:52
  choose. Because, I don't know.
• 0:54
  I like this movie. Okay.
• 0:57
  And that's the. Episode Podcast over.
• 0:58
  All right, okay, cool. Before we get into that, do you
• 1:01
  have any announcements? Yes, for our budget tier, for
• 1:07
  our budget tier patrons. We have a bonus episode that
• 1:11
  should have been released by the time this episode airs, and we
• 1:15
  actually decided to do something that we've talked about for
• 1:18
  about a year now, which is to go out of the horror genre and do a
• 1:21
  review on a comedy. Yeah, comedy.
• 1:25
  Scifi romance. Yeah, there's like a little bit
• 1:28
  of Calmron going on there. Calmron.
• 1:31
  Calmron, yeah. There's like, OK, it's, it's
• 1:37
  Palm Springs. Jesse picked it, yeah.
• 1:39
  And it has a little bit of existential dread in it.
• 1:43
  Yeah. So I think that it's still kind
• 1:45
  of if that's your thing you like.
• 1:48
  Still feel in space? It's right in the middle, on the
• 1:51
  scale between from Groundhog Day to Happy Death Day.
• 1:57
  Yeah, I agree with that. Yeah, it's right there in the
• 1:56
  middle, firmly in the. So yeah, we did that.
• 2:00
  We talked about it. It's pretty much like a normal
• 2:02
  episode. So you know for our patrons
• 2:05
  budget tier, it's there for you guys to.
• 2:07
  Listen if you like it. And yeah, if it's cool with you
• 2:11
  guys for us to keep doing this sort of thing, then let us know.
• 2:15
  Yeah, and we'll actually be having a bonus poll out for
• 2:17
  budget tier patrons, just to get an idea of the types of bonus
• 2:21
  episodes you like. Yeah, cuz we wanna get you guys
• 2:23
  stuff you like. Yeah.
• 2:24
  All right. Well.
• 2:26
  Other than that, I've got our poll results.
• 2:29
  OK, so we figured for the Saw movies, we're just gonna ask
• 2:34
  everybody which traps from that movie do you all think that you
• 2:37
  could survive? Yeah, we're asking of you all
• 2:40
  the same questions we ask of ourselves.
• 2:43
  Yeah, cuz I mean, I'm just genuinely curious about that
• 2:46
  because those traps are pretty fucking difficult.
• 2:49
  Gnarly I. Want to see who all?
• 2:51
  Like has a lot of faith in themselves and who just doesn't
• 2:54
  believe in themselves at all, so.
• 2:57
  I wanna know what skills people have.
• 2:59
  That's true too. Yeah.
• 3:00
  Cuz everybody. Yeah, it's unique to every
• 3:02
  person. Their options were the reverse
• 3:04
  bear trap, the barbed wire maze. The candlelit puzzle is what I
• 3:09
  called it. I don't really know what else
• 3:11
  you would call that. Yeah.
• 3:12
  That's a hard one to name. He's got a candle and he's got
• 3:14
  to find the numbers to, yeah, get his poison out of the
• 3:17
  system, whatever. And then we got the Adam Gordon
• 3:19
  bathroom. Yeah, situation So.
• 3:21
  Either. Bros, Yeah.
• 3:23
  The broth room, if you will. The broth room, yes.
• 3:26
  That was bad. That didn't work.
• 3:27
  That's okay. I'll leave it in humble myself.
• 3:31
  Let people know I do make bad jokes once in a while too.
• 3:33
  It happens when it happens this. All okay.
• 3:37
  So on Instagram, 15% think that they can do the reverse Bear
• 3:41
  trap. Okay. 38% think they can do the
• 3:44
  barbed wire maze. OK, nobody thinks they can do
• 3:46
  the candlelit puzzle, OK? 46% believe they can do the Adam
• 3:51
  Gordon bathroom. OK.
• 3:53
  And on Twitter. Those 46%, I want to know which,
• 3:58
  if they're Adam or they're Gordon.
• 4:00
  Yeah, because it's different, but I mean it's kind of the same
• 4:03
  still, but. I saw a red in response from I
• 4:06
  want to say it was from Chad who.
• 4:08
  Yeah. Plant it himself in the Gordon
• 4:10
  position. Yeah, it's using your scoopy
• 4:13
  method. Yeah, you gotta get the phone
• 4:15
  and then, yeah, as he said, you can make calls with it.
• 4:18
  You can do the 911 dial, which never thought of that before,
• 4:22
  but it's honestly true. That phones have.
• 4:25
  Even if they only receive calls, you can still do that because
• 4:28
  it's a safety feature. Very smart chat.
• 4:31
  We would all need to consult you going forward.
• 4:35
  OK, on Twitter. Actually, honestly though, if
• 4:37
  you were writing a song movie, wouldn't it be best to get some
• 4:40
  of those most, like, obnoxious film fans to, like, look at your
• 4:46
  traps and be like, all right, how are you handling this?
• 4:49
  Like, do you see a different way out?
• 4:52
  I can see it for song movies. And I think also like, screams
• 4:55
  where like, OK, so who's like the person that is like obvious,
• 4:58
  You know what I mean? Yeah, like, yeah, consult the
• 5:00
  people that. Make this their life.
• 5:03
  And then like Final Destination, they're like, does this seem too
• 5:06
  absurd? And test audiences are like,
• 5:07
  yes, absolutely. And they're like, cool approved.
• 5:10
  Yes, OK. Over on Twitter, 25% think they
• 5:14
  can do the reverse bear trap, 13 believe in themselves to do the
• 5:18
  barbed wire fence maze, 13% think they can do the candle
• 5:22
  light thing. OK.
• 5:23
  And 49 think that they can do the bathroom?
• 5:26
  All right. We already did ours, yeah.
• 5:28
  So we both. We're both barbed wire.
• 5:30
  Yeah, I actually ended up making mine in the bathroom, OK,
• 5:33
  because I can smash my foot to get out of there.
• 5:35
  For those who chose the bear trap, though, I'm very curious
• 5:38
  about how you think you could do that in a minute.
• 5:41
  Cut somebody's tummy open, get a key, unlock the thing.
• 5:45
  That too much pressure for me too fast?
• 5:48
  I don't think I could do it. All right, let's talk about 28
• 5:51
  Days later now, shall we? We shall 28 days later, released
• 5:56
  November 1st, 2002. OK.
• 5:58
  It later released in 2003 in the United States.
• 6:01
  It released over in the UK 1st, and then it released
• 6:05
  internationally. We watched it on DVD because
• 6:08
  that's the only way you can watch this movie.
• 6:10
  There are no streaming options. There's no way to rent it.
• 6:14
  I had nothing I could put on my wear to watch this week.
• 6:16
  And I was like, what do I put? Just a sad face and Travis
• 6:19
  laughing. And I was like, yeah, I do the
• 6:20
  sad face, so. I mean it's.
• 6:22
  I. Think I swear to watch.
• 6:24
  It's a weird thing. We've never had that happen
• 6:26
  before. Yeah, normally you can at least
• 6:28
  like pay $20 to rent it on Prime or something.
• 6:31
  Well, I was looking it up and apparently it's a rights
• 6:36
  dispute. That sounds about right.
• 6:38
  Yeah, which is weird, because even though rights have been
• 6:41
  like an issue for Friday 13th, you can still find those
• 6:44
  streaming online. I'm pretty sure it's the same
• 6:46
  thing with Spice World. It's yeah, like there there are
• 6:50
  several many of us that would love to relive our youth and
• 6:54
  watch Spice World again and it's just not feasible unless you
• 6:58
  have a VCR. Which, guess what?
• 7:00
  Vcr's are fucking expensive. Yeah, if you try and buy them on
• 7:04
  the line, I bet you could find some use.
• 7:06
  I mean, yeah, you could buy like a refurbished one, but then
• 7:09
  you're like, you know, ohh is it actually gonna be good?
• 7:11
  So I mean, then I could go dig out my Old Spice World VHS,
• 7:15
  assuming my mom still has it. That sucks that it's stuck on
• 7:18
  VHS. I hate those.
• 7:19
  Yeah, they're like, I can God, I'm picturing the cover of it so
• 7:23
  perfectly. It was not a clamshell, it was
• 7:25
  the. Little cardboard, yeah.
• 7:27
  I know what you're talking about.
• 7:28
  Yeah, yeah. Well, anyway, we got the world.
• 7:31
  Spice up your life. We got lucky finding with some
• 7:33
  goodwill, so I didn't realize how lucky we were to actually
• 7:37
  have it, cuz I didn't think that there was no way to watch it
• 7:39
  without. Yeah, it was just like.
• 7:41
  We were there. We were thrifting.
• 7:44
  And you're like, oh, hey, 28 days later.
• 7:47
  Haven't seen this in a minute. It's a dollar.
• 7:49
  Yeah. And that was it.
• 7:51
  And now we realize we have gold. Yes.
• 7:53
  It's not like when we were desperately looking for the
• 7:55
  unrated version of Stay Alive. Yeah, that was a miracle that we
• 7:58
  found that. That was awesome.
• 8:00
  I love that. Man, those people that that
• 8:02
  booth at Scare Fest must have been like, what is wrong with
• 8:05
  them? Because you would think we had
• 8:06
  struck gold. I was like, you guys like, ah,
• 8:10
  the Frankie Munich era. Yes, you found the best piece of
• 8:14
  media from that era. OK, well.
• 8:19
  Let's get back into it. OK, so this is written by Alex
• 8:22
  Garland, directed by Danny Boyle, music by John Murphy, and
• 8:28
  special effects. There's like a shit ton of
• 8:29
  people, but I got the main makeup artist, which was Cliff
• 8:34
  Wallace. But again, there's a lot of
• 8:36
  people that worked on this. Starring Killian Murphy playing
• 8:39
  Jim, Naomi Harris playing Selena Brandon Gleeson as Frank.
• 8:45
  Megan Burns as Hannah and Christopher Eckelson as Major
• 8:49
  West. Fuck that guy.
• 8:52
  Fuck that guy. Yes, we'll talk about him plenty
• 8:56
  here in a minute. Fuck that guy.
• 8:58
  All right, it's time to play our game, Jesse.
• 9:01
  Budget or budget? What do you think?
• 9:06
  I'm let's see, I'm gonna go with.
• 9:10
  Bugged head, but like the upper limits of it.
• 9:13
  You would be correct. This movie's budget was $8
• 9:16
  million, OK? Yeah, OK.
• 9:19
  Which is, you know, that's so decent.
• 9:20
  In 2002 time, that's also even more impressive than like
• 9:24
  nowadays. I mean, this is also Danny
• 9:26
  Boyle, who, like, had directed Trainspotting before this.
• 9:30
  Like, that's true. He's like a name at this point.
• 9:33
  God Trainspotting. It's a weird movie.
• 9:36
  Also, OK, so basically if you just want to have all of the
• 9:40
  emotions, pull up Danny Boyle, I guess.
• 9:44
  Yeah, he's got the whole spectrum.
• 9:46
  For you, yeah, you can laugh, You can cry.
• 9:48
  You can wonder what it means to be man.
• 9:52
  Yeah. Or you can, you know, fear a
• 9:55
  viral disease. You know what I mean?
• 9:57
  Like, it's a he's got you covered.
• 10:00
  So, OK, the opening box office for this was $10 million.
• 10:04
  OK. And the worldwide gross is
• 10:05
  84,000,000. OK, good for them.
• 10:08
  They did pretty well. IMDb score of 7.5.
• 10:12
  That's you know what? Yeah.
• 10:13
  Good for them. Yeah, it's really high.
• 10:14
  Which is good for them. Yeah, very good.
• 10:16
  I got 3 movies here that I feel sure a very similar theme.
• 10:21
  First off, we have cabin fever. OK.
• 10:25
  Yeah, that's. Appropriate so Cabin Fever
• 10:28
  released September 14th, 2002. Budget of 1.5 million with a
• 10:34
  worldwide gross of 30 million. Okay IMDb of 5.6 Okay.
• 10:39
  Don't think I really need to say why that one's connected.
• 10:42
  It's like another disease that's infecting people.
• 10:44
  Next up, Resident Evil that released March 15th 2002 with a
• 10:49
  budget of 33 million. Worldwide gross of 102 million
• 10:53
  and then IMDb of 6.6. Okay.
• 10:57
  That also feels very appropriate.
• 10:59
  Yeah, well, it inspired Alex Garland to write the script for
• 11:03
  this. Like, he had forgotten about
• 11:05
  zombies. And then he played the game and
• 11:07
  he's like, oh shit, yeah, zombies are.
• 11:08
  Things zombies are kind of fun. Yeah, they.
• 11:11
  Are yeah. And the final movie?
• 11:13
  fear.com. Because shit goes viral.
• 11:18
  That's a stretch, but it's a stretch I will gladly accept
• 11:21
  because I love how dumb. Thank you.
• 11:23
  OK, so that released August 30th, 2000. 1002 with a budget
• 11:28
  of $40 million and our worldwide gross of 18,000,000.
• 11:33
  Yep, Yep. IMDb score 3 point. 4.
• 11:39
  I remember talking about that with JW and Flex because that we
• 11:43
  were talking about Halloween resurrection, which also came
• 11:45
  out this year. Yeah, And they all were like, my
• 11:49
  God, that fucking movie. Like we were all.
• 11:51
  We all felt very bad for fear.com and we discussed it
• 11:53
  because of. How much money they invested in
• 11:56
  it and how poorly it did. Yeah, but here's the thing.
• 12:00
  It's not a good movie. I can't remember.
• 12:02
  I'm and you guys know I'm generally overly kind to the bad
• 12:07
  movies, yeah. And I mean I'm like.
• 12:11
  God, I can't remember. Like, it's been so, so long
• 12:13
  since I've watched it. It's not a $45 million budget
• 12:17
  movie. I don't even know how they blew
• 12:18
  that type of. Budget on like.
• 12:20
  Maybe they like actually had to register the domain fear.com and
• 12:23
  like somebody had like. Purchase it.
• 12:25
  Okay, I was gonna say it doesn't cost that much to register a
• 12:28
  dummy, but yeah, somebody purchased it and you could buy
• 12:31
  it from them. Could be, could be.
• 12:33
  I can see that. All right, I've got 4 taglines.
• 12:36
  So the one that's on the poster, Day one Exposure.
• 12:41
  Day three, Infection. Day 8, Epidemic.
• 12:45
  Day 15, Evacuation. Day 20 devastation.
• 12:51
  Okay. Most of that timeline makes
• 12:53
  sense, except for day one and day three, because pretty much
• 12:56
  we've learned that it goes second one exposure, 2nd 20
• 13:02
  infection. Yeah, it's it's not a matter of
• 13:04
  days, Yeah, yeah. But the rest of the timeline
• 13:08
  tracks with what Jim learns. That's true.
• 13:11
  This is more dramatic right here.
• 13:13
  Like, it's not. It's like embellishing a little
• 13:15
  bit, but yeah. Yeah, but it's embellishing in
• 13:18
  the wrong way. You're right, it's more
• 13:21
  terrifying. It would be like second one,
• 13:23
  second two. Yeah, you have 20 seconds to say
• 13:25
  goodbye to your loved one before you bash their skull and have
• 13:28
  fun. Just a tiny bit of blood in the
• 13:31
  eyeball. Instant, instant transformation.
• 13:33
  Like you're you're enraged now, yeah.
• 13:38
  OK, Next up his fear began when he woke up alone.
• 13:42
  His terror began when he realized he wasn't.
• 13:46
  That's good. That's actually really good.
• 13:47
  That's that's creepy. That's all.
• 13:49
  That's like a short story, like, you know how they do.
• 13:51
  Too short? Ohh yeah.
• 13:52
  Short story story. Yeah, yeah.
• 13:54
  I feel like that would qualify #3.
• 13:56
  The days are numbered 28 days. The days are numbered.
• 14:02
  I, you know, I would like that if we actually got title cards
• 14:05
  of the days, 'cause I'd be like, haha, it's true, it's making fun
• 14:08
  of itself. That's true.
• 14:10
  I mean, it does say 28 days later, two times in this movie.
• 14:13
  It does so dot dot dot. Yeah, exactly.
• 14:17
  And the final be thankful for everything, for soon there will
• 14:21
  be nothing that doesn't work for me.
• 14:23
  I wish that they had the thing in the church, the repent the
• 14:28
  and is extremely fucking nigh, I thought.
• 14:30
  That's a good tagline. I thought you're saying like the
• 14:33
  quote from the priest, which was like, it's like, yeah, I mean
• 14:37
  that hits too like. How do you write that out
• 14:41
  phonetically? Pew.
• 14:44
  QU EE EE P/E WQ. All right, you know what I'm
• 14:54
  calling it now? That's our new tagline.
• 14:58
  Okay. I will write down the spelling
• 15:01
  as I edit. Okay.
• 15:02
  Yeah, that works for me. Okay.
• 15:06
  Fun facts. So, as I said before, Garland
• 15:11
  was influenced by Resident Evil whenever he did this.
• 15:14
  But funny enough, Boyle. Danny Boyle wasn't really a fan
• 15:17
  of zombies, but he enjoyed the scripts.
• 15:20
  Why? I was reading, he said.
• 15:21
  Like, he read the first Sin pages and he's like, holy shit,
• 15:23
  this is like fascinating somebody just walking through an
• 15:26
  empty London like, it just grabs you.
• 15:29
  Yeah, so he was like hooked from that.
• 15:31
  Plus he had already done a movie.
• 15:34
  He adapted something that Garland had done previously,
• 15:36
  too. So.
• 15:37
  They're already bubby. Yeah, they got bubby, bubby
• 15:40
  relationship right there. So they realized that zombie
• 15:46
  movies, they kind of focused on like current fears of the time.
• 15:50
  So whenever it was like Romero's stuff, apparently it was more
• 15:54
  like like nuclear related, like you know, apocalyptic kind of
• 16:00
  like like resources I think is what it was.
• 16:02
  That's what they were saying. But they said that the current
• 16:05
  fear that was going on when they made this was.
• 16:09
  Like viruses, things spreading through, like, you know, like an
• 16:13
  upcoming pandemic. And actually, like I put it on
• 16:16
  the making of Thing from the DVD, the 1st 50% of the making
• 16:22
  of is basically just a documentary about diseases.
• 16:26
  Oh shit. Like it was like, it wasn't even
• 16:27
  talking about the movie. They were just like, yeah, like
• 16:29
  we're fucking terrified. Like pandemics are.
• 16:31
  There's going to be a pandemic coming around like anytime now.
• 16:35
  And this is like, really weird watching now after the fact.
• 16:38
  Like, yeah, Like it's going to happen sooner rather than later.
• 16:41
  Like this. Just like we're in a unique
• 16:44
  situation generationally, where like movies that we loved Once
• 16:50
  Upon a Time are going to hit so differently now for the rest of
• 16:53
  our lives. It's true.
• 16:54
  And it was just so weird seeing that.
• 16:58
  It's like whenever, like the other day I was watching a
• 17:00
  video. And like, it's a public freak
• 17:02
  out video. But it was New Year's Day,
• 17:05
  January 1st, like at midnight 2020.
• 17:08
  And everybody's like, yeah, New Year baby.
• 17:10
  Like, you know, they're like celebrating because like, you
• 17:12
  know, it's gonna be a great one. And then like, I'm like, oh
• 17:14
  shit, guys like 3 months from now it's gonna like, cuz like
• 17:18
  the guy in the video is like, yeah, this is going viral.
• 17:21
  And people in the comments like, Oh yeah, it went viral.
• 17:22
  All right. Yeah, it's so, yeah, that shit.
• 17:27
  It's kind of, it makes me sad, honestly, like going back and
• 17:30
  seeing that type of stuff. Yeah.
• 17:33
  But they were talking about like a specific disease that was
• 17:36
  going on at that time. It was foot and mouth disease,
• 17:41
  which I had never heard of until they had talked about it.
• 17:45
  But it was a thing that was going around with animals, where
• 17:49
  they would develop a fever that would last for days and then
• 17:52
  they would suddenly develop. Blisters in their mouth, OK.
• 17:56
  And like eventually, like it said that they would succumb to
• 18:00
  lameness, which I don't. Like you like not being able to
• 18:05
  walk or walk super well. OK, so then I guess it just kind
• 18:08
  of attacks you and you just can't really function.
• 18:11
  I'm not sure if that's like the preferred term nowadays.
• 18:14
  Lameness. Yeah, well, that's it.
• 18:16
  Was on Wikipedia, is how I read it, because I just went to like
• 18:18
  a Wikipedia page of the actual disease.
• 18:20
  OK. So I mean, they could be
• 18:22
  incorrect on there too. It's people editing that shit.
• 18:25
  Yeah, I'm just reading what I saw.
• 18:27
  It was a thing that was actually like affecting Britain in 2001,
• 18:31
  which is why I think they were like super focused on it.
• 18:34
  Like to the extent where they like had to postpone their
• 18:38
  election, they had to postpone like live events, like sport,
• 18:41
  sporting events and stuff like that.
• 18:43
  So kind of like another pandemic type situation.
• 18:46
  And it makes sense why they would start this one off.
• 18:48
  Like coming from an animal? Yeah, exactly.
• 18:50
  Like which, like, I forget the term where a disease can
• 18:52
  actually pass from an animal to a human.
• 18:55
  Yeah, those are pretty rare. Well, that's what they were.
• 18:59
  And they were like in this little documentary thing they
• 19:01
  were talking about. Like, yeah, at the time it's
• 19:04
  only affecting animals and humans can't contract it, but it
• 19:08
  can evolve over time, which as we know there's a thing that
• 19:13
  happens to the. Not so depressing facts.
• 19:16
  Yay. So it was filmed entirely on
• 19:21
  digital video, which was a new type of technique.
• 19:24
  At this time, things were still being done by film, but they
• 19:30
  said that this method actually saved them a lot of time and
• 19:33
  effort and money because they were able to actually set up
• 19:37
  shots and film them really quickly.
• 19:41
  Especially whenever they were doing the opening stuff when
• 19:43
  they were filming London, which they said if they had to use
• 19:47
  actual film for that right there, it would have taken way
• 19:51
  more time. It would have like ate up way
• 19:52
  more of their budget. Yeah, but with this right here,
• 19:55
  yeah, cuz you need multiple people to like man the equipment
• 19:57
  and stuff like that. With the digital camera you can
• 19:59
  just set up, shoot it, boom, go. Somebody involved with host.
• 20:03
  I don't remember if it was the director or somebody else on the
• 20:07
  crew that they posted their setup for how they filmed host
• 20:11
  and they did use laptops, but it was actually like iPhones taped
• 20:14
  to the back of the Yeah, and because they all had to set them
• 20:18
  up themselves because hey, Pandemic and like, that's why I
• 20:23
  forget which character it is. But one of them, like you can
• 20:25
  only see half her face. Sometimes it's because she set
• 20:27
  hers up wrong. Oh really?
• 20:28
  Yeah. Well, that's like real too
• 20:30
  though. Yeah.
• 20:30
  I like that. That's like an on, yeah, it's
• 20:33
  like and it's one of those that like if you tried to do it
• 20:35
  yourself like it would come across as like trying to make it
• 20:37
  look. Yeah, authentic, but like,
• 20:40
  that's. Like, that's a happy accident.
• 20:41
  Yeah, you just gotta like, roll with it.
• 20:43
  That was good stuff. So they also chose digital video
• 20:47
  because they wanted to give the film like a different type of
• 20:49
  texture, as they called it. With it being an apocalyptic
• 20:53
  type movie, They wanted to like, make it feel different, feel
• 20:56
  weird. They said that they fucked with
• 20:58
  the colors a little bit too, but giving the digital.
• 21:03
  Effect just kind of gave it this certain type of bleakness and
• 21:06
  now it just feels very 2002, yeah.
• 21:10
  It does, which they said. The only downside is the picture
• 21:13
  quality suffers, which that is true.
• 21:16
  Like it's like I was saying before, like DVD, I don't think
• 21:19
  that there is a blurry of this exists.
• 21:21
  But like DVD is fine for this, you don't need to upgrade it.
• 21:23
  If you are upgrading it, you're just.
• 21:25
  It's not doing anything. There's no information there to
• 21:27
  extract from this. And that was your whole thing
• 21:29
  too. When you sell it for a dollar
• 21:30
  and you're like, I don't care about having this on DVD because
• 21:32
  it's digital, it won't make a difference if I get it on
• 21:35
  Blu-ray or 4. K It was shot on shitty
• 21:37
  camcorder shit like digital video, but by doing that they
• 21:41
  were able to do fun little tricks.
• 21:44
  So when you're recording with that, you can alter the frame
• 21:48
  rate of what you're recording, which is like how they got a lot
• 21:50
  of the jenky movements from the they infect the people.
• 21:55
  And I also got like, those shots.
• 21:56
  I don't know if you noticed this, but I kind of noticed it.
• 21:58
  Whenever it's like raining, like you can like see like parts of
• 22:01
  like the raindrops perfectly still like, yeah, I like this
• 22:05
  looks like you're looking through a window.
• 22:07
  Yeah, yeah, it was like a weird effect to it.
• 22:09
  But like he, like noticed. He's like that was intentional.
• 22:11
  Like we just wanted it to look really strange.
• 22:14
  Well, and the whole thing. It gives the whole thing kind of
• 22:16
  a dream like quality. Yeah, exactly.
• 22:20
  Yeah, or nightmare like I guess in this scenario.
• 22:23
  Yeah. And like talking more about the
• 22:26
  London thing, They there is the way that they did that.
• 22:28
  They were able to like shut down streets for like an hour at a
• 22:32
  time. And they would just like move
• 22:33
  around and just get pickup shots.
• 22:36
  Which it's kind of crazy looking at it because like getting like
• 22:39
  the entirety of London and the shots that they got looking as
• 22:43
  bare as it was, like it was. I swear I read somewhere like
• 22:48
  years ago that they digitally altered people out of it.
• 22:52
  No, they didn't for this, OK. They actually like, had people
• 22:55
  like, they had like cops like block the streets.
• 22:58
  And they also said that they had, they hired people to like
• 23:01
  go and just ask people like, hey, we're making a movie, Can
• 23:04
  you like maybe wait here for an hour or find another route?
• 23:08
  And people were kind of upset but understandable or
• 23:12
  understanding. So they just kind of went along
• 23:14
  with it. But yeah, they were able to get
• 23:17
  the shots like really fast because it was the digital
• 23:20
  cameras. So they were able to just, boom,
• 23:21
  set up, get a shot of him walking, boom, move on.
• 23:24
  And they had 10 cameras for it. So it was really easy for them
• 23:27
  to do. And Speaking of filming for
• 23:29
  this, they said that it started great, but it went from great to
• 23:35
  horrible. So first of all.
• 23:39
  Funding for this thing was nearly impossible for them to
• 23:41
  get. The entire time that they were
• 23:43
  shooting this, they were barely able to fund it at all, to the
• 23:49
  degree to where they actually had to ask Christopher Eccleston
• 23:53
  for an emergency pay cut, which he like he accepted, but.
• 23:58
  It kind of fucking sucks. They had to do that just to keep
• 24:00
  the film going. Hey, we're gonna cut your salary
• 24:03
  and also we're gonna make everybody who sees you fucking
• 24:05
  hate. You.
• 24:06
  Yeah. You're gonna be the shoot.
• 24:08
  That's fun. Most hateable character.
• 24:10
  Also, we're paying you less now, yeah?
• 24:12
  Also, your hair desperately needs some toner.
• 24:16
  Doing it for the craft. So not only with all that going
• 24:21
  on, which kind of sucks, but also while they were filming,
• 24:23
  9/11 happened. Oh wow.
• 24:25
  Which? Really.
• 24:27
  They put everybody on set on edge the rest of the time, kind
• 24:32
  of an uncomfortable situation to be in.
• 24:34
  And by the time they got to the end of the film, they didn't
• 24:38
  have an ending because they ran out of money.
• 24:41
  They couldn't film an actual ending for this thing.
• 24:44
  Don't know how they got the funding for that in the end
• 24:46
  because we end up having alternate endings.
• 24:48
  So they got enough money for like 3 things.
• 24:52
  I was. To be fair, the alternate
• 24:53
  endings are very feasibly, just like a second take with the gym
• 25:00
  dead. Yeah, that's true.
• 25:02
  And then with like, what the hell though, They just, they're
• 25:04
  like Killian, just take. Five off to the side, yeah, go
• 25:07
  to craft service, which probably was nothing at that point with
• 25:10
  their budget, yeah. That's right.
• 25:12
  So drink some tap water. Some fucking crack.
• 25:14
  Just over here. Get these from Skyline.
• 25:16
  Yeah, Skyline over in Cincinnati.
• 25:22
  They're over in England. It's like, yeah, we went to
• 25:24
  Cincinnati to get these. I don't fucking.
• 25:27
  That's my bad thing for the day, OK?
• 25:30
  No, I think that the the hospital thing had to have been
• 25:33
  extra at least where they take him to the hospital.
• 25:35
  Well, because they show flashes of that in the like official
• 25:38
  ending, OK. Because they like show her like,
• 25:41
  you know, needle. Come on Jim.
• 25:45
  OK, Gurney. Yeah, Gurney, yes, I can tell
• 25:50
  you. I know that they didn't go with
• 25:53
  that one. Because they showed it to test
• 25:55
  audiences and they thought that with him dying there that for
• 26:02
  the girls it spelled like certain doom.
• 26:04
  They didn't think that they could survive.
• 26:06
  Well, that's sexist. It is a little bit, yeah.
• 26:14
  I could see, like, them being like, oh, well, that's kind of
• 26:17
  depressing because their whole thing was about, you know,
• 26:20
  learning to embrace the joy other people give you.
• 26:09
  Well, entirely, but so they added like more to like a happy.
• 26:39
  Like Tom Atkins. Like, that's a big take away
• 26:27
  from it. Yeah, I could see that as
• 26:29
  feedback. But these women's, they can't,
• 26:32
  they can't take care of themselves.
• 26:34
  What are they gonna do? There's no malls.
• 26:36
  They can't go. He was someone in that crowd
• 26:41
  there. He's like, they're fucked,
• 26:43
  right? Yeah, women, they're gonna die.
• 26:45
  Am I right? Okay.
• 26:48
  That's all my fun facts. Good.
• 26:50
  All right. So, Jesse, what did you think
• 26:52
  about this movie? What's?
• 26:54
  It bad. Ugly.
• 26:55
  This movie is fantastic. I remember watching it when it
• 26:59
  came out and watching it repeatedly after it came out
• 27:02
  because we owned it on DVD with the little, the little side
• 27:06
  Clippy thing you. Know those are.
• 27:08
  It's classic. It is just always legitimately
• 27:13
  terrifying because you don't get those moments of build up that
• 27:17
  you feel like you do in a lot of other zombie movies.
• 27:20
  Yeah, cuz it's just it's so quick, It's so quick, you don't
• 27:24
  have time to think about it and you have to like process it
• 27:28
  afterwards. And that kind of hits more of
• 27:31
  the existential dread that goes along, which that's ultimately
• 27:34
  the story of most zombie movies, most good zombie movies.
• 27:38
  Existential dread? Yeah.
• 27:39
  Like thinking about what it means for humanity as a whole.
• 27:42
  Zombie movies, always. Zombie movies and shows always
• 27:45
  bring out the worst in people. Yeah, exactly.
• 27:47
  Yeah, and that's the whole point.
• 27:49
  And this puts a different spin on it because you're like you're
• 27:51
  dealing with something that comes at you.
• 27:53
  So fast and everything changed so quickly.
• 27:56
  It's not even like a OK well, people were able to mobilize and
• 28:00
  we've got larger groups of people that are together.
• 28:03
  Like, you literally just have stragglers here and there.
• 28:05
  Yeah, yeah. Also, the music is just fucking
• 28:09
  insane. Especially that first scene.
• 28:10
  I love the. Like right when Kellyanne Murphy
• 28:15
  leaves the hospital and like it just gradually, like, picks up.
• 28:18
  Steve And you're just like uncomfortable because you're
• 28:21
  like, Oh my God, do you feel the dread with him?
• 28:24
  I used to listen to that song so much in high school.
• 28:27
  Like they like the bass whenever it just starts going like Oh my
• 28:30
  fucking God, yes, yeah, but yeah, it's just it's such a
• 28:34
  really good movie. Selena's A badass.
• 28:36
  I love a badass female character and I just there's just so
• 28:44
  there's so much heart to it to like with there's like little
• 28:47
  gut punch moments. Like his parents thinking that
• 28:50
  he died in the hospital and their little note that they
• 28:54
  leave to him anyway. And then when they're at that,
• 28:59
  that little like ruins out in the field and Jim's having a bad
• 29:03
  dream and Frank wakes him up and he says thanks dad.
• 29:07
  I know. I I went.
• 29:11
  Yeah, that hurt you like? Yeah, deeply.
• 29:14
  I could tell. So I just like, I think this is
• 29:17
  a maybe. It's got a lot of like force,
• 29:21
  both in terms of action and an emotion.
• 29:24
  So yeah, kind of like we were saying with Selena, though, I I
• 29:27
  feel like she had the biggest character arc like growth in the
• 29:31
  movie because. When you first see her in this
• 29:33
  movie, she's like hardcore, like no connections to anybody.
• 29:37
  And then by the end, she like, kind of finds a family.
• 29:40
  Yeah. It's nice.
• 29:41
  I like it, yeah. For me, like, I think that this
• 29:47
  movie is like style maxed. Like, it's just like style over
• 29:53
  substance. I think like atmospherically.
• 29:57
  It's. I don't know.
• 29:58
  I'd say it has substance to it. It has substance.
• 30:01
  But The thing is, and this was gonna be like, kind of where I
• 30:04
  was gonna like, I don't have a lot of bad things to say.
• 30:07
  But like, I was gonna say, like the story isn't necessarily
• 30:09
  unique. That's true.
• 30:10
  It's that's true, the story you see the ending coming with the
• 30:13
  soldiers from A. Mile, Yeah.
• 30:14
  The story's been told a dozen times.
• 30:16
  Like, you know, like, Oh yes, I'm pretty sure that's in Day of
• 30:18
  the Dead is exactly the asshole general down there.
• 30:21
  Humanity fucking sucks. Like we get it, It's been told
• 30:24
  with every zombie movie. It's not unique at all.
• 30:26
  There's nothing. Unique about this movie, but the
• 30:29
  atmosphere is what sets it apart for me.
• 30:31
  I don't think that I've seen a zombie movie that gets you put
• 30:34
  in that place like this one does.
• 30:37
  Because whenever you see him walking around London at the
• 30:40
  beginning and it's just empty like the ruins there, it's just
• 30:44
  insane man. Like it puts you in a place
• 30:46
  where you are uncomfortable. It's unsettling to see that
• 30:49
  because normally like big city, you're expecting to see a shit
• 30:53
  ton of people, but suddenly? Something that should be
• 30:55
  insanely populated has nothing, and it's just like a bunch of
• 30:59
  ruins. Yeah, it's great imagery.
• 31:06
  I mean, that's pretty much. I mean, you covered all the
• 31:08
  other things for me, but the atmosphere is something that I
• 31:10
  really just wanted to harp on. Okay.
• 31:14
  I guess I'll go ahead and say that my bad probably is, even
• 31:17
  though I think that the story has a lot of things to say, it
• 31:20
  probably doesn't have to be almost two hours long.
• 31:22
  No, it's way too long. I think because I remember like,
• 31:25
  at one point, like the girls were getting antsy for dinner
• 31:28
  and we're like, it's fine, The movie is almost over.
• 31:30
  The movie was not almost over. We're an hour and a half in and
• 31:33
  we still had another 23 minutes to go and like it.
• 31:38
  I mean, we like, we knew it was coming, you know what I mean?
• 31:41
  And it was told well, but I don't think, you know, trimming
• 31:45
  some of the fat would have been the worst thing in the world.
• 31:48
  Yeah, there's a lot of like there's a lot of scenes of like
• 31:52
  building up a connection with them and like slice of life type
• 31:56
  of stuff, which is good, important for the story that
• 31:59
  they're telling, for the character arcs that they're
• 32:01
  delivering. Like it matters, but like at
• 32:04
  certain point like you can cut away some of the stuff some
• 32:07
  places like, yeah. Like the dream.
• 32:11
  Like the fake out dreams, Like Killian Murphy's gym.
• 32:14
  He has several in this movie. It's like yeah, we don't need
• 32:16
  like every single one of his bad dreams in this.
• 32:21
  Is that all for your bed? Yeah.
• 32:23
  OK, yeah. That's really pretty much all I
• 32:24
  can think of. OK, yeah.
• 32:27
  Other than that, I think my main critique in this movie is that
• 32:30
  the audio is fucking terrible. Like to the point where.
• 32:36
  They I could barely hear anything.
• 32:38
  And we had it, Mac. I had our sound bar Max all.
• 32:41
  The way Oh, seriously. That was as loud as we got.
• 32:44
  It was like as loud as it goes. Oh my God, I thought we were
• 32:46
  like mid. No it.
• 32:48
  Was maxed out. And I know that we had like, the
• 32:50
  fan on for a minute, but even whenever I had the fan off,
• 32:53
  like, oh, that's why you turn the fan off.
• 32:55
  Yeah, cuz like I was just like, oh, you cooled down really
• 32:57
  quickly. I just couldn't fucking like
• 33:00
  even with the fan off, you just can't really hear the dialogue.
• 33:03
  It's just one of like whenever it gets loud and the the
• 33:07
  infected cause chaos, like it gets really loud and that's
• 33:11
  fine. But whenever it's just them
• 33:13
  having dialogue together, you have to kind of like, listen,
• 33:17
  Yeah, And without subtitles, I don't know if I'd be able to
• 33:19
  catch half the stuff that they say.
• 33:21
  Yeah. Yeah, all right.
• 33:24
  Ugly. I mean, obviously, like all of
• 33:27
  the stuff that happens at the Soldiers compound.
• 33:30
  Yeah, like, I get why that's there, and I get why it's there
• 33:35
  in almost every fucking zombie movie and show.
• 33:38
  But like, I'm really sick of the like, hey, when the zombie
• 33:42
  apocalypse comes, we're going to rape all the women I like.
• 33:46
  I'm. I'm kind of over that narrative.
• 33:47
  I get why it gets added in. Like, from a thematic
• 33:52
  standpoint, like, OK, we need to like people are first of all
• 33:56
  awful and second of all, we need to repopulate.
• 33:59
  But like. EW, like, I don't need, I don't
• 34:02
  need trauma on top of trauma on top of trauma on top of trauma.
• 34:05
  Like, especially because, like, that's a very real threat that
• 34:09
  women face without a zombie apocalypse.
• 34:13
  Like, I don't need it. Add it on here.
• 34:15
  Yeah, it doesn't. I agree with you.
• 34:17
  Like, like I said before, like it just doesn't need to be.
• 34:20
  They could have done like a oh, they're going to experiment on
• 34:23
  the people that show up. Like that would have made them
• 34:25
  evil soldier guys. Like, without the trope of like
• 34:29
  that, yeah. Like, yeah, we have the cure for
• 34:32
  the infection here and it's just a way to order people there to.
• 34:35
  Yes. You know, be subjects for like,
• 34:39
  trials. I feel like that would be a
• 34:40
  really, like, fucked up twist on it, yeah.
• 34:42
  I think so too. Yeah, you're right.
• 34:45
  Yeah. So that's a bad and ugly for
• 34:48
  this movie. Like, yeah, it's just not
• 34:50
  exactly original whenever it comes to that type of shit.
• 34:53
  Is that all for you? Yeah.
• 34:55
  I mean, that's that's the thing that sticks out.
• 34:56
  Like I like the movie is heartbreaking at plenty of
• 34:59
  points, but that's the only part where it's just achy.
• 35:05
  For me, the opening where they have all the chimps at the
• 35:09
  primary Research Center, especially the one that they
• 35:12
  have hooked up with, like all of it's just showing them footage
• 35:16
  of like chaos and just like. All the worst shit that you
• 35:20
  could see from people like from humanity.
• 35:22
  I'm gonna be honest, watching Mad God so recently like really
• 35:26
  ruined this opening scene for me cuz all I could think of was
• 35:29
  like the monkeys throwing shit at each other, OK?
• 35:32
  And then thinking about the hospital where they, like go
• 35:35
  into the guys like guts. Yeah, see, I was thinking of
• 35:40
  Dawn of the Dead 2004 where it opens with a montage of.
• 35:45
  It's the end of the world as we know it with like all kinds of
• 35:48
  chaos going on. Which I love that opening.
• 35:52
  But yeah, this one, it just made me more sad cuz like poor chimps
• 35:55
  they can't. Yeah, and they're just being
• 35:57
  tough subjects for some of the most fucked up shit.
• 36:00
  Yeah, even though some of them are infected and they're just
• 36:02
  trying to study it, but like you're feeding it aggressive
• 36:05
  material. Also, I feel like if you're just
• 36:09
  trying to study it, maybe do it more humanely I you know.
• 36:14
  I don't. Yeah, I, I which we see later
• 36:16
  that the general does the same thing because they've got Mailer
• 36:19
  chained up outside and he's literally just, you know, he's
• 36:23
  like, Oh yeah, we're studying him to understand the virus.
• 36:25
  But really, what he means is like we're waiting to see how
• 36:28
  long it takes him to starve to death.
• 36:29
  Which I mean, that's the sole experiment.
• 36:31
  Well, for somebody that's already infected like that, I
• 36:33
  think that that's fair. I know.
• 36:35
  I'm just saying, well, it does Like you kind of see in his
• 36:39
  eyes, like when he gets in there, he recognizes the
• 36:41
  building and it's like how much of him is still in there, you
• 36:44
  know? Yeah.
• 36:46
  There's a lot of things that could be like they're not
• 36:48
  exactly answered in this movie. Yeah, like that.
• 36:51
  And I I kind of like that we're able to speculate on it and draw
• 36:55
  our own interpretations because that's kind of what a lot of you
• 36:57
  know is happening for them in the movie too.
• 37:00
  Yeah, exactly. Yeah.
• 37:01
  You're kind of relating to them, yeah.
• 37:04
  The only other thing they have is just the whole position that
• 37:07
  they're in. Like especially with Selena in
• 37:09
  the beginning where she's had a companion in Mark and the 2nd
• 37:15
  that she sees that he could be infected.
• 37:17
  She's in the place where she has to kill him immediately, even
• 37:20
  though that there is like, doubt because you don't know what's
• 37:24
  like if he's been infected. But Oh no, Homi had a real bad
• 37:28
  poker face. Like you could see the panic in
• 37:30
  his. Oh really?
• 37:31
  Yeah, he looked up and he was like, no, he's that he's that
• 37:35
  guy in in every zombie movie. Except she doesn't have time to
• 37:38
  be like, no, tell the truth. She's like, OK, cool.
• 37:41
  Even then, like you're being accused, like that puts you in,
• 37:44
  it's like taking a lie detector test.
• 37:45
  So, like, you know what I mean? Like you're gonna be nervous no
• 37:47
  matter why. Especially with somebody like
• 37:49
  Selena, who I'm sure he's seen what she's capable of
• 37:52
  beforehand. Yeah, that's why you say no, I
• 37:54
  wasn't bitten. I just have a smear of blood on
• 37:56
  my arm. I know, but there's always that
• 37:57
  shred of doubt and I don't know, like I think that she was at
• 38:01
  that point in her. In her journey where, like any
• 38:06
  shred of doubt, she's going to kill you.
• 38:10
  OK. Absurd.
• 38:15
  Absurd, I guess. Absurd for me.
• 38:21
  Where did where did Frank get all this riot gear?
• 38:26
  Why are they playing Christmas music like just Frank?
• 38:33
  Just just Frank's apartment setup.
• 38:35
  Yeah, cuz you know, that's him. Because Hannah doesn't seem like
• 38:38
  the time. It would be like, yeah, let's
• 38:39
  play Christmas music right now. Like that was 100%, Frank.
• 38:43
  Yeah, actually that's one of my things was like Frank being in
• 38:46
  dad mode the entire time. Like even though it's like
• 38:48
  apocalypse, like whenever he has him over, he like becomes dad.
• 38:52
  Yeah, but I think it's, I could see the Christmas thing like,
• 38:54
  hey, like shitty things are happening.
• 38:55
  Let's go to like a happy day. Let's skip the Christmas.
• 38:59
  Yeah. To try and cheer her like his
• 39:01
  daughter off, because she's like, she's still pretty young,
• 39:04
  except he's got, like, this kind of domestic incompetence that is
• 39:08
  infuriating because he's having to ask Hannah, like, where stuff
• 39:11
  is located. And like, like, come on, it's
• 39:15
  just the two of you. You can have at least learned
• 39:17
  the layout of your apartment in the time that you've been holed
• 39:20
  up there. Or have you been too busy
• 39:22
  looking for your twinkle lights? Yeah it kind of makes you wonder
• 39:26
  like what kind of dad he was before things.
• 39:28
  Yeah, I like it. Just it feels like Hannah is far
• 39:31
  more self reliant pre zombie apocalypse, you know what I
• 39:35
  mean? Like.
• 39:38
  OK, well, but I still do. I I still do love how protective
• 39:43
  he is of her and how much of he wants to build a family with all
• 39:46
  of them. Yeah, I like that dynamic too.
• 39:48
  I'm not trying to shit on Frank. I'm just saying like the
• 39:51
  absurdity of their apartment and then I let into a whole other
• 39:54
  discussion, but. Yeah, some of my other things is
• 40:00
  the use of Dutch angles in this movie.
• 40:03
  Like I'd say, about like 40% of this movie shot diagonally like
• 40:08
  Crooked. Yeah, they they love them.
• 40:10
  Some Dutch angles in this. It was 2002, and that was edgy.
• 40:14
  Yeah, I was like, hey, we got a camcorder like that's.
• 40:17
  Tilted. Dude, Yeah.
• 40:19
  Can't do this with film. And the other thing that I was
• 40:26
  like, what, how the fuck is this happening is when they're
• 40:29
  driving through the tunnel and Frank with this guy was like,
• 40:32
  yeah, don't worry, I'm gonna drive over all of these cars and
• 40:35
  then he just like ramps up over every single car.
• 40:38
  This would have made. 10 times more sense if it was Jim
• 40:41
  driving, because Jim seems to lack the kind of impulse control
• 40:44
  because he's like, what, 19 maybe?
• 40:47
  I have no idea. He's.
• 40:48
  Young. Yeah.
• 40:49
  And like he still has like that My prefrontal cortex has not
• 40:53
  fully developed energy about him and he's like, if he was like,
• 40:59
  I'm just gonna floor it. I would believe that from Jim,
• 41:02
  but I don't believe it from Frank.
• 41:03
  With the way he's behaved so far, I don't know, man.
• 41:06
  Like, maybe he's like one of those crazy taxi, you know?
• 41:12
  You know, that's also possible if that is, if that was his cab,
• 41:14
  like yeah, he's like he's a cab. Driver like that done some.
• 41:18
  Like that Uber driver we had that, like, tried to run
• 41:21
  somebody off the road. Yeah, that we had to report.
• 41:24
  Yeah, exactly. Like he's been around London.
• 41:28
  He's driven over a couple of cars, you know what I mean?
• 41:30
  Like he knows what he's Rd. raged hard.
• 41:33
  I think it would make more sense if it were, you know, well, not
• 41:36
  that type of vehicle that they have.
• 41:37
  Like an actual like like a Hummer type thing or like a Jeep
• 41:40
  like something that is meant for off roading.
• 41:43
  Yeah. I don't think it makes it worse.
• 41:45
  Your tire blew out. You're lucky only one tire blew
• 41:47
  out. Yeah, right.
• 41:48
  Well, and here's the thing, too, is because my American brain, at
• 41:52
  first I thought it was Jim driving because he's sitting in
• 41:55
  the passenger seat. And I was like, yeah, this
• 41:57
  track's like. And then I was like, Oh no,
• 41:58
  Frank's doing, Frank's doing this.
• 42:02
  OK, So what do you rate this thing out of 10?
• 42:06
  I'd say it's a solid nine. I think I'm right there with you
• 42:08
  9/9 for me all. Right.
• 42:13
  Chaos. So we start off with news
• 42:12
  footage of. Yeah.
• 42:16
  And then we see that this chimp is strapped to a table.
• 42:20
  And that's sad. I feel so bad for him, man.
• 42:23
  It's just it's not fair that this chimp has to watch all of
• 42:27
  this shit, even if it has the RAGE virus.
• 42:30
  I don't even know if this chimp has the RAGE virus.
• 42:32
  Yeah, it I like. I'm trying to understand the
• 42:35
  logic here. This chimp doesn't seem angry.
• 42:37
  I think that they're like, why are these chimps mad?
• 42:40
  Like, let's show this one. Yeah, have.
• 42:42
  They been Have they been watching too much news?
• 42:45
  Is this? Is news causing the virus?
• 42:48
  That's why they cut off all the broadcasts, cuz they're like it
• 42:51
  might be news. Yeah, we're not sure.
• 42:52
  Could be news. So people in.
• 42:56
  Ski masks. Or as they say over the
• 42:58
  Balakavas, I know that because of our.
• 43:02
  Team monkeys. Yeah, but our team monkeys?
• 43:06
  We're talking about monkeys, All right?
• 43:07
  It's all related. Yeah, I'll turn around and it
• 43:10
  becomes even more related when you see how Killian Murphy
• 43:13
  dresses later after. He leaves his parents.
• 43:15
  House Alex Turner. Very inspired by that era.
• 43:20
  So yeah, they're like and they're taking pictures of them.
• 43:23
  I get the impression that this is like a They're like.
• 43:26
  An activist group? Yeah, they're trying to free the
• 43:30
  chimpanzees. They're not doing it the El
• 43:32
  Woods way and going through government legislature.
• 43:36
  Well, they may not be Harvard qualified or Oxford qualified
• 43:41
  over there. Yeah, yeah, yeah.
• 43:44
  I don't know why school was over there.
• 43:45
  I'm sorry. I'm sure, I'm sure Elwood's has
• 43:48
  connections in London. All they had to do was I'd call
• 43:51
  her up and she'd be like, yeah, no, I would totally help you
• 43:53
  with this. What year did legally Bland come
• 43:55
  out? This is 2002.
• 43:58
  Could they have been going on and tackling the same issue at
• 44:01
  the same time? Let me see Legally Blonde Two.
• 44:03
  It's Legally Blonde Two that she stops animal testing.
• 44:07
  OK, 2003. Maybe.
• 44:10
  She was inspired by this movie. Well, I think it's kind of
• 44:13
  interesting because their whole speculations like, yeah, this is
• 44:16
  contained to like, England over here.
• 44:18
  I don't think it's going anywhere else.
• 44:20
  Like where if she, like, saw the news over there, she said.
• 44:22
  Oh my God, the chimps are so angry.
• 44:24
  All right, I gotta help. I.
• 44:27
  When they said it's just contained here, all for all I
• 44:30
  could think of was the end of Zombie Two.
• 44:33
  Like, it does actually make its way back to New York.
• 44:36
  Yeah. Although I think that they're
• 44:38
  right. Because in 28 weeks later, I
• 44:39
  think like everything's all contained.
• 44:41
  Like, yeah. They yeah, they are trying to
• 44:43
  free the chimps and this scientist comes in, sees them,
• 44:47
  calls security, and they're like, you can't let them go.
• 44:50
  They're all infected with Rage. Which sounds stupid, like if
• 44:54
  that's not like a commonly known virus, like they're infected
• 44:56
  with rage. Which one of the masked people
• 44:58
  would be? Like so are we.
• 45:01
  But they're not listening. They released one of the monkeys
• 45:04
  from. And the guy was even like it's
• 45:06
  contagious. It's in their saliva, all it
• 45:08
  takes is 1 bite and you're done. And you know what?
• 45:11
  Even if these chimps were infected with rage like they are
• 45:14
  animals that have been. Kept in less than ideal
• 45:18
  conditions is entirely likely one would have attacked them.
• 45:22
  We just talked about this not that long ago with.
• 45:25
  Gordy, I was just thinking about Nope man.
• 45:27
  Like that was a trained chimp and it just went off the rails
• 45:31
  and doesn't even have rage fires.
• 45:32
  Just fucked a lot of people up. Yeah, so this chimp, he runs
• 45:36
  out, he bites this woman and within less than 30 seconds
• 45:40
  she's infected. She infects her other people.
• 45:42
  She's like vomiting blood everywhere.
• 45:44
  Like that's apparently like symptom #1.
• 45:47
  Like you get you get really angry and start vomiting blood.
• 45:50
  That sounds metal as fuck, but she attacks the lab code dude,
• 45:56
  and then we assume everybody else there gets like, attacked
• 45:59
  and infected. Yeah, and then 28 days later,
• 46:03
  dot dot dot or, if you're my notes, 28 day later.
• 46:07
  So 28 days later, we're greeted by a Dong.
• 46:12
  Yeah, listen, here's the thing, is that you are actually naked
• 46:16
  during surgery and things do happen to your body.
• 46:18
  And when you're coming out of anesthesia, you're like, whoa,
• 46:21
  what the fuck is happening to me?
• 46:23
  Well, he was in the coma. Like do you think that he was
• 46:25
  already like post surgery or like in the middle of surgery
• 46:28
  they fucked out of there? He, it looks like his skull is
• 46:31
  like, sewn back up. Yeah, exactly.
• 46:34
  And he's like, yeah, you could see where he was shaved a
• 46:37
  little. Bit so like why would he still
• 46:38
  be naked? Wouldn't they like dress him
• 46:39
  then once it's done? I guess it would depend on like
• 46:42
  when it came, like when everything happened.
• 46:45
  Because, like, I know after my surgery is like I've had various
• 46:49
  levels of things still stuck to me that have given me pause of
• 46:52
  like, how did this get on me because I had a gown tied up
• 46:58
  like. Did they ungound me like I'm
• 47:02
  glad I don't remember. But I guess you do have more
• 47:06
  experience with surgery out of the two.
• 47:08
  Yeah, like that's the weird thing.
• 47:09
  Like coming out of anesthesia is just like taking into account
• 47:12
  how different your body is now. And one of them is the fact that
• 47:14
  somebody's definitely touched your nipple.
• 47:16
  Like, yeah, uh huh. Well, he it's gotta be super
• 47:21
  disorienting for him because he woke up.
• 47:22
  He's naked. He's like, why am I naked?
• 47:24
  And then he starts. He puts on scrubs, which I guess
• 47:27
  that's like the only quotes he could.
• 47:29
  Find. Yeah, that's probably what was
• 47:30
  available to him. And it sucks cuz those are paper
• 47:32
  scrubs. They're not even good, like
• 47:33
  heavy scrubs. So it's just a bunch of shots of
• 47:37
  him walking around and empty Wandin and it's some of the most
• 47:41
  effective shots out there. It's so fucking good.
• 47:44
  And he did have like, his wits about him when he saw the
• 47:47
  vending machine open to put some stuff in a bag to carry with
• 47:51
  them. Very smart, yeah.
• 47:52
  Or a product placement in this movie, by the way, I guess is
• 47:55
  how they got. That explains a lot.
• 47:57
  Whenever they're like, yeah, we couldn't afford to make this
• 47:59
  movie like, OK, just like product placement.
• 48:01
  I'm Danny Boyle. Like I'll get your Pepsi in
• 48:03
  there or whatever else he wants and.
• 48:06
  I mean, it never feels super forced like, well, except for
• 48:09
  when she's like rummaging through her back, she's like,
• 48:11
  well, I've got Pepsi. Yeah.
• 48:14
  Wing. But Kelly's like, Nah, I don't
• 48:17
  want. That like, it's like the Britney
• 48:18
  Spears like. Yeah, As he's exploring, he
• 48:22
  finds an article that I don't. You don't really get to see what
• 48:27
  all it's about, but in big text it says evacuation.
• 48:30
  Yeah, so like you assume everybody's evacuated from the
• 48:32
  city now? Yeah.
• 48:33
  And at some point, he finds like a message board where people
• 48:36
  are, like trying to reconnect with their family members or
• 48:38
  they're just saying like, like a memorial message to their family
• 48:41
  members. That's so unsettling to see
• 48:44
  that. 1. And yeah, like this is just
• 48:48
  where the music is, just like amping up.
• 48:51
  The farther he goes into the city and the more empty it is.
• 48:55
  And then he gets to this church, and this church is all of the
• 49:03
  parishioners are in the pews and it looks like maybe a Jonestown
• 49:10
  situation. That's what my brain went to
• 49:13
  like OK, so they all like end as and I we're gonna drink the
• 49:17
  kool-aid. Don't have to deal with it.
• 49:18
  I. Bet you're right.
• 49:19
  That's what I thought. No, they start waking up.
• 49:22
  Some of them do, yeah. Some of them start waking up.
• 49:25
  So were they praying? Maybe they're just still
• 49:30
  spiritual. You know, I don't know.
• 49:34
  Like, I'm not saying that. But I mean, or if they were like
• 49:38
  if there is like a shred of humanity left in them.
• 49:40
  Exactly like God. I'm so angry.
• 49:42
  I need to pray like I need God to get this.
• 49:43
  Anger out of me right now. Yeah, but he like, yeah, he
• 49:47
  like, says hello and then they all just shoot up and just like,
• 49:50
  stare at him and you can tell he's like, I fucked up.
• 49:53
  I interrupted prayer. And this is where the priest,
• 49:57
  like, bangs down the door. And that's scary for a minute
• 50:01
  because like, you can almost see on Jim's face.
• 50:03
  He's like. Do I answer the door?
• 50:05
  Cuz like like I don't live here. This is like one of the scenes
• 50:11
  that stuck with me as a kid. Cuz I remember like watching
• 50:14
  this for the first time. This freaked me the fuck out.
• 50:16
  And also, I forget what it is that he says to the preacher,
• 50:20
  but like, it's foul language and he's like, I shouldn't have said
• 50:26
  that. Yeah, no, it was like whenever
• 50:28
  he hit him. OK, shouldn't have done that.
• 50:30
  Yeah cuz he's like, it was like father, father, what's up?
• 50:33
  And then Father's like just runs over to him and he takes his bag
• 50:38
  of shit that he stored and smacks him over the head with it
• 50:41
  and he's like, ah fuck, I shouldn't have hit a priest.
• 50:43
  Yeah, so he goes running out and he's being chased by several of
• 50:47
  these zombies, or infected as they're called in this movies
• 50:50
  universe. And he's saved by a friendly.
• 50:53
  Portal oh man. Yeah, Molotov cocktails.
• 50:58
  Yeah, raining upon these infected and.
• 51:00
  He's like what? And they're just like.
• 51:02
  Get in here. And he's like, what them it?
• 51:04
  Is yeah. And they explode a gas station
• 51:07
  and then take him into, like, a little grocery shop with a metal
• 51:10
  grate, which is a smart, like a hideout.
• 51:13
  Yeah, it is. It's like, yeah, and apparently
• 51:16
  they actually blew up that gas station.
• 51:19
  Really. Yeah.
• 51:20
  And apparently they I was reading.
• 51:22
  This and that's Oppenheimer was born.
• 51:25
  I was reading that like some of the authorities didn't really
• 51:29
  know either, so they sent like fire trucks over there to get
• 51:32
  it. But I was like, we're making a
• 51:33
  movie, Zombies. Zombie.
• 51:36
  Yeah, although I think this is. I think this is the first, and I
• 51:40
  could be wrong, but I think this is the first movie to show
• 51:43
  zombies being fast. And I think he said that the
• 51:48
  reason he came up with that idea Garland was whenever he said he
• 51:52
  was playing Resident Evil, he's like, yeah, the only fear was
• 51:55
  zombies is like, do I have enough ammunition?
• 51:58
  Like I can run away from them? Yeah.
• 51:59
  And he's like, what if they're as fast as the dogs in the?
• 52:02
  Game yeah. And then those fucking dogs,
• 52:05
  man. Cuz like, I mean that.
• 52:06
  Just especially, I imagine, if you like, up until this point,
• 52:10
  if you've watched several zombie movies and you just see them all
• 52:13
  really slow and suddenly they're running at you in this janky
• 52:16
  fashion. Yeah, like that's scary.
• 52:19
  Well, and so this idea further gets extrapolate, extrapolated
• 52:24
  upon by Stephen King and his book Cell, where people are
• 52:27
  infected by like a virus that comes through like the cell
• 52:30
  phone signal. Oh really?
• 52:32
  Yeah. And like, not only are the
• 52:34
  zombies fast, but they can learn, but like, human levels of
• 52:38
  learn. So it's not just like, you know,
• 52:40
  like they learn by animal instincts.
• 52:43
  Like they actually are able to, like, learn and organize
• 52:46
  together. And that's like, yeah, that's a
• 52:48
  Romero thing too. I think it's the land of the
• 52:50
  dead where they start using guns and stuff.
• 52:52
  Yeah. Yeah, yeah, that's cool.
• 52:54
  I like that too. I like having smart zombies.
• 52:56
  Yeah. So yeah, they they make it to,
• 53:00
  they're a little hideout. And then that's where Mark gives
• 53:03
  the opening joke that Jesse gave at the beginning of this
• 53:06
  episode. He like takes Jim, not reacting
• 53:09
  as him being humorless and not like he has no clue what just
• 53:13
  fucking happened, like chased by terrifying zombies that were on
• 53:17
  fire. Meanwhile, people in gas masks
• 53:19
  come and, like, escort you to somewhere else.
• 53:23
  Yeah, it's just so unsettling and jarring.
• 53:25
  So Jim tells them that he has no clue what is going on.
• 53:28
  He was a bike Courier and he got hit by a car about a month or so
• 53:34
  ago and roughly 28. Days ago, yeah.
• 53:37
  And he woke up in the hospital to this, so he's a little
• 53:43
  confused, so. He's Jim.
• 53:47
  They're Mark and Selena. And they start explaining that
• 53:50
  like, everything started off just kind of like rioting.
• 53:53
  But it felt weird because it was even happening in like smaller
• 53:55
  towns, which doesn't normally happen.
• 53:58
  And then they realized it was like an infection, and it's
• 54:01
  either in the blood or the blood itself, something like that.
• 54:05
  But it was too late to evacuate. Once they realized what was
• 54:08
  going on, the army had put up blockades, but those blockades
• 54:12
  got overrun. Supposedly they heard reports
• 54:16
  that had reached Paris in New York before the TV's and radios
• 54:20
  were shut off. And there's no government, no
• 54:24
  police, no army. And they say Jim is the first
• 54:29
  uninfected person they've seen in six days.
• 54:32
  Their families are both dead and Jim's like, well, I need to go
• 54:35
  check on my parents. And they're like, your parents
• 54:36
  are for sure dead. And he was like, well, I need to
• 54:39
  check and I'm going to leave right now.
• 54:41
  And they're like, OK, well, first rule of Zombieland.
• 54:44
  Is that you don't travel alone unless you absolutely have to.
• 54:48
  Second rule of Zombieland is that you don't travel in the
• 54:51
  middle of the night unless you absolutely have to.
• 54:53
  So how everything is like ends with unless you have to?
• 54:56
  Yeah, like, yeah, they're like, don't don't be.
• 54:59
  I think they're kind of worried about him, like being too
• 55:02
  literal with them, explaining the rules.
• 55:03
  They're like he looks maybe like he's dumb, like, so yeah, like,
• 55:09
  you know, if you are alone and a zombie comes out, you can run
• 55:12
  like it's OK. The next day they agree to go to
• 55:15
  Jim's parents house. Like there's no, there's not
• 55:18
  like the typical scene of them like being like no, there's no
• 55:20
  point in doing this. We need to do what I like.
• 55:22
  They don't really have plans anyway.
• 55:25
  Like they're just kind of surviving.
• 55:27
  So, OK, cool. Let him.
• 55:29
  Let him get some closure on what happened to his parents.
• 55:33
  Yeah, I mean, what's the alternative?
• 55:35
  Hang out in like a subway story the entire time, you know what I
• 55:38
  mean? Yeah.
• 55:40
  So yeah, they wait until the next day and then they start
• 55:42
  walking over there and they arrive at the house.
• 55:44
  And as you go in there, Jim goes to check everything.
• 55:47
  Everything looks peaceful in there, like it looks still set
• 55:51
  up and it doesn't look like chaos has happened, but they all
• 55:54
  start covering their noses and you know something bad has
• 55:57
  happened. So he goes upstairs, opens the
• 56:01
  door into their bedroom and finds them laying on the bed,
• 56:04
  dead together. Heart wrenching moment because
• 56:09
  they took sleeping pills and Dayquil and wine, like all the
• 56:13
  good stuff they had in their hands together and they fell
• 56:17
  asleep holding each other and holding a picture of Jim and Oh
• 56:20
  my God, I wanna cry just saying that.
• 56:22
  Yeah, and like you flipped the picture over on the back and
• 56:26
  it's just like a message saying like.
• 56:28
  We left you in sleep and now we join you.
• 56:31
  Or something like that. They must legitimately believe
• 56:35
  that like. The rest of the hospital was
• 56:37
  empty. They must have been told that
• 56:38
  the hospital was completely evacuated and like you would
• 56:43
  just assume so. Like, yeah, especially after so
• 56:45
  much time. Yeah, but it's kind of strange
• 56:50
  though that they still wrote the letter.
• 56:52
  Like if they thought that he was dead, but I guess like it.
• 56:55
  Might have been like a closure for them because clearly they
• 56:57
  didn't see his dead body. Yes, you know what I mean.
• 56:59
  Like him coming here is closure for himself.
• 57:01
  Them doing that was like their form of closure.
• 57:04
  It's sad, man. So they all decide, well,
• 57:08
  there's no use in going anywhere else right now, so they decide
• 57:11
  that they're going to stay at the house for the night.
• 57:13
  Well, and here's the thing too is that Jim is like, he is
• 57:16
  completely distraught and these new people who are strangers to
• 57:20
  him really are doing their best to try and comfort him and
• 57:23
  they're like, well, they went out peacefully and.
• 57:26
  Gyms like absolutely not. If they felt the need to kill
• 57:29
  themselves. This is not peaceful and they're
• 57:32
  like Mark tells this story of how his family tried to escape
• 57:36
  to get a plane but 20,000 other people have the same idea and
• 57:40
  the crowd surged and. Some infected were in there and
• 57:44
  it just spread through the crowd.
• 57:45
  And he said he couldn't find his mom or his sister, but he saw
• 57:48
  his dad's face. And yeah, just like climbing
• 57:50
  over top of like cords of people, which they gave me
• 57:54
  imagery of train to Pisan or Pisan.
• 57:56
  Oh my God, where there's like waves of infected zombies.
• 58:01
  That movie tears me up every time.
• 58:04
  The ending of that also kind of reminds me of this where if they
• 58:07
  went with the original ending with, yeah.
• 58:09
  Yeah. Yeah, actually, except that
• 58:12
  hopefully the army was better in that movie.
• 58:15
  They realized they can't get back to the shop before dark, so
• 58:19
  they're just gonna stay there that night.
• 58:20
  They're all gonna stay in the living room because it feels
• 58:23
  safer that way. Like, kind of like it.
• 58:25
  Unspoken. We're not all going upstairs
• 58:27
  with the. Bodies, Yeah.
• 58:30
  So, Jim. Can't sleep?
• 58:32
  Yeah. Jim's been asleep for a month
• 58:34
  and he just found out his parents are dead, so he's he's a
• 58:37
  little restless. I like how they did this right
• 58:39
  here. So, like, I thought he was
• 58:40
  watching home videos of his parents.
• 58:42
  But really what's happening is he's just having a delusion
• 58:45
  where he is just hanging out with them in the kitchen.
• 58:48
  I think he's having a memory like cuz he saw like a coupon
• 58:51
  for an orange juice or something on the fridge.
• 58:54
  And he's like thinking back to his mom buying that orange juice
• 58:57
  and him drinking it straight from the carton and his dad
• 58:59
  asking for some. And so you think he was living
• 59:02
  with his parents, right? Or do you think he had his own
• 59:05
  place? I think he.
• 59:06
  Like, had maybe just recently moved out or something like
• 59:09
  that, because Selena the next day asked if he has any clothes
• 59:13
  there. OK, kind of implying maybe he
• 59:15
  doesn't, but he's still young enough that I could see him,
• 59:17
  like, regularly being there. Yeah, and clearly he lives in
• 59:20
  the area and like if he's that young and hasn't moved all this
• 59:23
  stuff out. I mean, shit, I was just talking
• 59:24
  about my Spice World VHS possibly still being at my mom's
• 59:28
  like, so it it seems reason of like, I mean, it wouldn't be
• 59:34
  unreasonable for him to still be living with them, but I get the
• 59:37
  impression he just recently maybe struck out on his own.
• 59:40
  Yeah, he's that age where it's indiguous.
• 59:43
  Yeah, either way. So he's having that and then he
• 59:45
  lights a candle and by doing so he gets the attention of some of
• 59:49
  the infected outside and they just burst through the window
• 59:52
  and attack him. Yes, it's Mr. Bridgers and his
• 59:56
  daughter Selena, and Mark immediately jumped to action.
• 1:00:01
  Jim is just in shock. And he's just like, that was Mr.
• 1:00:05
  Bridgers And she's like, have you been bitten?
• 1:00:08
  And he's like, and that was his daughter.
• 1:00:10
  She's like, have you been bitten?
• 1:00:12
  And he's like, no, I'm just covered in somebody else's
• 1:00:14
  blood. And then she looks over at Mark,
• 1:00:17
  and Mark has like this deer in the headlights look and he's
• 1:00:20
  like holding his arm as every single person in every zombie
• 1:00:23
  movie ever that's been bitten and is trying to hide the fact
• 1:00:26
  that they've been bitten does. I couldn't tell if he's been
• 1:00:28
  bitten. See all you have to do.
• 1:00:30
  You just have to have their blood get in like any area,
• 1:00:35
  yeah, like some sort of open wound or mucous membrane.
• 1:00:38
  Yeah, exactly. And like maybe it went into that
• 1:00:41
  and. He he's like, no, I'm, I'm fine,
• 1:00:44
  I'm fine. And she doesn't buy it.
• 1:00:45
  She immediately she sees the cut and then immediately starts
• 1:00:48
  hacking at him with her machete. Yeah, and he was like, weren't
• 1:00:52
  you guys like mates? And she was like, you have 10 to
• 1:00:57
  20 seconds when somebody becomes infected.
• 1:00:59
  If I think that you're infected, I wouldn't hesitate.
• 1:01:02
  I'd do it in a heartbeat. Exactly, that's what I'm saying.
• 1:01:05
  Like she had that doubt and she's like, alright, I gotta act
• 1:01:07
  on it. I think he was infected, like
• 1:01:10
  you. Said but I.
• 1:01:10
  I still think like the fact that she asked.
• 1:01:13
  So like you're in that position where you have to make that type
• 1:01:15
  of rash decision like 20 seconds.
• 1:01:17
  It's like not a lot of time to make A to determine if
• 1:01:20
  somebody's infected, You know what I mean?
• 1:01:22
  Yeah, I mean, yeah, it's it's definitely a split SEC, split
• 1:01:25
  second call. Yeah.
• 1:01:27
  This is where don't travel in dark unless you have to.
• 1:01:30
  Comes up because she tells him to go get changed and they've
• 1:01:33
  got to leave because once one infected shows up, more come.
• 1:01:38
  So as they're walking, Selena says that she saw in Mark's face
• 1:01:43
  that he knew. And she's like, you've just got
• 1:01:46
  to kill somebody when they're infected.
• 1:01:48
  And then they see string lights up on the balcony of an
• 1:01:51
  apartment or flat. And it's like flashing.
• 1:01:56
  Yeah, I thought it was somebody just turning the lights on and
• 1:01:58
  off for like a signal. But it's just Christmas lights
• 1:02:01
  that are blinking constantly. Yeah, I have to imagine that
• 1:02:03
  they're like battery powered because they're saying, like
• 1:02:06
  they've said that there's no more electricity.
• 1:02:08
  So yeah, which like we have battery powered string lights so
• 1:02:11
  it doesn't seem unreasonable. Yeah.
• 1:02:15
  So they just had to go investigate it and then they
• 1:02:18
  make it over there. They get part way up the stairs
• 1:02:21
  and Jim is like, hey, I need a break And she looks annoyed to
• 1:02:25
  which I shouted at the screen. He just got out of a 28 day
• 1:02:29
  coma. Selena, this has been a really
• 1:02:32
  bad day. He just learned he's an orphan.
• 1:02:35
  Selena, calm down. Plus, like even after.
• 1:02:39
  Even 28 days is probably enough for your muscles like atrophy.
• 1:02:43
  Absolutely, absolutely. And she's like, well, you have
• 1:02:46
  no fat on your bones, you've only had sugar.
• 1:02:48
  And unfortunately all I have to give you is more sugar, but it's
• 1:02:51
  better than nothing. So this is where we get.
• 1:02:54
  The Pepsi or I think he's like, can I get, can I get mango?
• 1:02:59
  It was something tango. TT I think it's something very
• 1:03:03
  European, I thought. It was like Fonta, you know?
• 1:03:05
  I was like, no, I don't want a Fonta.
• 1:03:11
  So they noticed that some of the infected have caught up to them
• 1:03:15
  and are chasing them up the stairs now.
• 1:03:21
  For. So they start running up to the
• 1:03:18
  top, and then they're greeting. Me.
• 1:03:21
  Yeah, she's gonna leave. Like, yeah, she was fully ready
• 1:03:24
  too. Yeah, she's not making
• 1:03:25
  attachments, but they make it up to the top of the stairs and
• 1:03:27
  there's a man in riot gear and he lets them by and then takes
• 1:03:31
  on the rest of the zombies. And I like this.
• 1:03:34
  Shot of him knocking them off of the stairwell and it's just
• 1:03:38
  falling through the center. Yeah, and it's like banging up
• 1:03:41
  against the rails. It's so cool.
• 1:03:43
  I love that shot. And then he like.
• 1:03:46
  He makes it in. He tells Hannah, his daughter,
• 1:03:48
  to let them in, and he gets there because she's like,
• 1:03:51
  Selena's like, please let us in, please let us in.
• 1:03:53
  And she's like, where's Dad? Yeah.
• 1:03:54
  And then, like, as soon as he gets in, he immediately
• 1:03:57
  switches, like from riot mode into dad mode.
• 1:03:59
  Yeah, yeah. He's like, oh, celebrate.
• 1:04:01
  We've got new friends. What?
• 1:04:03
  What do we have? And she's like, Mom's coming to
• 1:04:05
  month and he's like, all right, where are the glasses?
• 1:04:09
  And she's like middle covered. And he's like, no, the good
• 1:04:12
  glasses. It's a celebration top cover.
• 1:04:18
  So yeah, they they all toast. Jim dry shaves and he does it
• 1:04:24
  with the worst possible technique.
• 1:04:27
  Because if you're going to go against the grain, you don't go
• 1:04:29
  against Granger in a dry shave. You don't do that.
• 1:04:31
  Of course you're going to be covered in little scratches.
• 1:04:34
  That's what happens when you're a dumb 19 year old who just came
• 1:04:36
  out of a 28 day comb and woke up in a zombie apocalypse.
• 1:04:39
  Like, I'll cut him some slack, but.
• 1:04:41
  Well, we were talking about this when we were watching this
• 1:04:43
  yesterday and like. Apocalypse, man.
• 1:04:45
  I'm just fucking going for it. Like I'm growing it out.
• 1:04:48
  Yeah, we saw how much his beard grew after 28 days.
• 1:04:51
  Like, it's not like he's like, got a full beard, you know what
• 1:04:54
  I mean? Yeah, it's like he's not Robin
• 1:04:55
  Williams in Jumanji. Yeah, like it.
• 1:04:57
  They looked like it. Somebody that, like, trims it
• 1:04:59
  regularly, like, yeah, but they were like, we gotta let Killian
• 1:05:03
  Murphy's cheekbones shine. Can't cover those babies up.
• 1:05:08
  Yeah. He's cuts himself and I love
• 1:05:11
  this thing where like Frank comes over there to talk to him.
• 1:05:15
  And are like figuring out sleeping arrangements.
• 1:05:17
  And while that's happening, he's just got, like, blood running
• 1:05:19
  down the space from where he, like, cut himself.
• 1:05:21
  Yeah, he's like you and Selena can take the spare room and
• 1:05:25
  Jim's like, ah, it's not like that.
• 1:05:27
  I'll stay in the living room and Frank's like, OK, like.
• 1:05:30
  I was like, oh, like, are you judging them, man?
• 1:05:33
  Like, he was like, Selena's really pretty and she's pretty
• 1:05:38
  furious like she's. Like, got a Really.
• 1:05:40
  She's a catch? Yeah.
• 1:05:41
  Like, why aren't you with her? Well I just saw her like murder
• 1:05:45
  somebody like 5 minutes ago. He's like we've we've had a a
• 1:05:50
  spree of getting to know you and it's been a rough spree.
• 1:05:53
  It's. Been a little jinky?
• 1:05:55
  Yeah. So he also cuts his hair while
• 1:05:57
  he's in there. It's not really specified how he
• 1:05:59
  manages to do that. Yeah.
• 1:06:02
  How did you? No, I don't even want to.
• 1:06:04
  Do they have a battery operated razor maybe 'cause that's the
• 1:06:07
  only thing that I could think of is like a four guard.
• 1:06:10
  On your fucking face, dude. Come on, we've already
• 1:06:13
  established she's kind of a dumb kid.
• 1:06:15
  I. Could see this being one of
• 1:06:16
  those situations where he, like shaved his face with that and
• 1:06:19
  then like he looks down and sees that after the fact it's like,
• 1:06:22
  ah OK, we get like the Curb Your Enthusiasm music.
• 1:06:30
  Yeah. So yeah, it's like next day
• 1:06:35
  Frank shows him no, before that, before that, Jim and Selena have
• 1:06:39
  a quick conversation. Oh, OK And he's like, this could
• 1:06:42
  be good for us. And she's like, no, they'll slow
• 1:06:44
  us down. And he's like, it's good to have
• 1:06:46
  attachments. And she was like, not if they
• 1:06:48
  slow you down. She was like, I like, we don't
• 1:06:50
  need this. Why the fuck is she hanging out
• 1:06:53
  with them then? Because she just she.
• 1:06:59
  She does need people, but she's not at the point where she's
• 1:07:01
  ready to admit that. I don't mean I think she could
• 1:07:04
  do it alone, but I think there's a part of her that she's not
• 1:07:06
  willing to acknowledge yet that doesn't want to do it alone.
• 1:07:09
  I see. Also, there's an incredibly sad,
• 1:07:12
  like repeated shot of this goldfish tank that has like 2
• 1:07:15
  inches of water and the poor little goldfish are struggling
• 1:07:19
  for dear life. Hopefully they had like a big
• 1:07:21
  supply of fish food. I hope so.
• 1:07:24
  It won't I. Don't want to think about it.
• 1:07:27
  So Jim sincerely thinks her for saving him, though.
• 1:07:31
  Yeah. So this is where Jim, like
• 1:07:34
  Frank, shows Jim how they've been trying to collect water.
• 1:07:37
  And he's like, go figure, London.
• 1:07:38
  The first dry streak we've had and ages, 10 days, no rain.
• 1:07:42
  He's got all of the buckets because he was like at first we
• 1:07:46
  thought maybe we could survive from the water and other flats,
• 1:07:48
  you know, going into the cisterns, you know, whatever,
• 1:07:52
  and it just hasn't been enough. Isn't it crazy that like, out of
• 1:07:56
  all of the apartments in this building, because it's a giant
• 1:08:00
  building, that they're the only ones there?
• 1:08:02
  It it is kind of but. Either way, that's not
• 1:08:05
  important. So yeah, he even tried to do the
• 1:08:08
  thing where you can collect condensation on a plastic sheet,
• 1:08:10
  but he couldn't quite figure it out.
• 1:08:12
  That's somebody that has like Discovery wild on in the
• 1:08:15
  background and only halfway pays attention.
• 1:08:17
  Damn, I saw that was like, what did Bear Grylls say again?
• 1:08:21
  So they're like, we basically like, we can't stay here.
• 1:08:23
  They have to, we have to go. And then he shows everybody this
• 1:08:29
  message that he's been hearing on the radio from soldiers.
• 1:08:32
  It's a recording because it repeats, but it's saying that
• 1:08:36
  they have like food and water and a cure.
• 1:08:41
  Yeah, it's like the 42nd blockade in Manchester.
• 1:08:43
  Yeah, they have, like, the answer to the infected.
• 1:08:46
  Selena is the only one. She's like, yeah, this is
• 1:08:48
  bullshit. They're obviously lying, but
• 1:08:49
  they're like, you know, operating on what a little bit
• 1:08:52
  of faith that they have left is like, well, yeah, we gotta at
• 1:08:54
  least try or cuz like otherwise you're just gonna be stuck in
• 1:08:57
  that building. And then Frank says, and by the
• 1:08:59
  way, sound carries in our flat. And I understand that we would
• 1:09:03
  slow you down, but you're correct.
• 1:09:05
  We do need you, probably more than you need us.
• 1:09:07
  And Hannah goes, Actually, no, we all need each other and we
• 1:09:10
  should probably stick together. No, she weren't fast.
• 1:09:12
  Yeah, so we cut to them leaving in Frank's cab.
• 1:09:17
  Mmhmm. And it's like a nice little fun
• 1:09:19
  joyride. I feel like they're kind of
• 1:09:20
  bonding together here. He has a goofy dad joke moment
• 1:09:23
  where he's like, I don't accept cash or major credit cards.
• 1:09:27
  Yeah. I did like that they like left
• 1:09:29
  the he left leaves the fee or like the tab running the entire
• 1:09:34
  time. Yeah.
• 1:09:35
  Well here's the thing too because we watched Zombieland
• 1:09:38
  this weekend too. We actually watched it before
• 1:09:40
  watching 28 Days Later and you there's so many similarities in
• 1:09:44
  this because then bonding in the car, we get that in Zombieland
• 1:09:48
  also and the shopping scene we also.
• 1:09:50
  Get Yeah, like, yeah, it's true. A lot of that stuff does kind of
• 1:09:53
  like parallel. So as they're driving, they make
• 1:09:58
  it to a tunnel. And when you have it, if you are
• 1:10:01
  in a zombie apocalypse, let me just give some good life advice
• 1:10:05
  for everybody. Now, if you are in a zombie
• 1:10:07
  apocalypse, you don't go through a tunnel unless you have to.
• 1:10:10
  Unless you have to. So they get into the tunnel and
• 1:10:13
  they see that it is just filled with all kinds of cars.
• 1:10:17
  People have tried driving over top of cars and have felled
• 1:10:21
  miserably, but Frank's like not today.
• 1:10:23
  I've got a cab. It's like I'm hitting the Nitro,
• 1:10:25
  he. Fucking guns it.
• 1:10:27
  And boy, do they ramp up over top of those cars and they're
• 1:10:29
  having a great time. They're laughing.
• 1:10:31
  They're having fun. Shit must be all-wheel drive,
• 1:10:34
  right? Like.
• 1:10:35
  That's gotta be right. I mean, that's what I was saying
• 1:10:37
  looking at the vehicle, it doesn't look like the type of.
• 1:10:39
  Vehicle at the vehicle that does that strike me as the type who
• 1:10:41
  probably got like regular tune ups on his cab?
• 1:10:44
  Oh, I mean, yeah, he's probably the best cab driver in all of
• 1:10:47
  London. So he five star rating on Uber.
• 1:10:50
  I would hope so. I think that he might be one of
• 1:10:53
  those types that would be against Uber.
• 1:10:55
  He's like, they're fucking destroying my business.
• 1:10:57
  Or it would be like in that Nathan for You episode where he
• 1:10:59
  just eventually like converts to being an Uber driver.
• 1:11:04
  Ohh yeah, maybe I don't want that to happen to Frank.
• 1:11:07
  Though poor Frank. It's a better fate than what he
• 1:11:10
  gets in this movie, Travis. That's fine.
• 1:11:12
  That's fine. So they make it over to the top.
• 1:11:15
  And as they make it over there, they blow out a tire.
• 1:11:17
  So they get out to go replace the tire.
• 1:11:20
  Hannah is the one that's doing all of the main work here.
• 1:11:23
  She's the one that's actually like putting the tire on and
• 1:11:25
  like bolting it back up. Frank and the other Frank's
• 1:11:28
  holding it up, I think. Like with the Jack and also like
• 1:11:30
  with his hands for some reason. Jim is on lookout duty, so he's
• 1:11:35
  just watching for shadows to come across the back of the
• 1:11:37
  tunnel. I don't know what Selena is
• 1:11:39
  doing here. I think she's still probably in
• 1:11:41
  the car. No.
• 1:11:42
  I like. I like to imagine she's also
• 1:11:44
  helping hold up the car. Maybe.
• 1:11:45
  OK, I didn't really see any shots of fear, yeah, but they
• 1:11:48
  start to notice. Shadows of zombies running down.
• 1:11:51
  Yeah, they first get attacked by rats.
• 1:11:54
  Yeah, rats first. Poor fucking Hannah, man.
• 1:11:57
  She got the worst. Yeah, cuz she's under the car
• 1:11:59
  and the rats are running over her face.
• 1:12:01
  She handles it a hell I love a lot better than I would.
• 1:12:04
  There was a teeny tiny spider in the shower earlier and I
• 1:12:07
  screamed. Yeah, to the point that you ran
• 1:12:10
  in to make sure I was OK. It was like a scary scream.
• 1:12:13
  It was shit something that the corner of the shower is shampoo
• 1:12:16
  in my hair. There's a.
• 1:12:17
  Spider. But they managed to get it
• 1:12:22
  changed out in time and they drive out like yes, the in fact
• 1:12:25
  it arrived. It's man these people.
• 1:12:28
  If they if it wasn't a total zombie apocalypse, they could be
• 1:12:32
  like a pit crew for NASCAR like. Yeah, it's a tense scene.
• 1:12:37
  Also something I forgot to mention before, but they hired
• 1:12:40
  like athletes to be the zombies in this because they wanted to
• 1:12:44
  make sense. Yeah, have them actually be able
• 1:12:46
  to like run fast, but also have that editing to where they can
• 1:12:48
  make it look weird. So.
• 1:12:50
  Yeah. OK, so they make it out having
• 1:12:53
  fun again. They stop at a store, Budgens
• 1:12:57
  that. I don't know if there's a chain
• 1:12:58
  over there, but it's a Budgens. They get all the food and Selena
• 1:13:03
  and Hannah have a cute little bonding moment talking about
• 1:13:06
  chocolate and they're giggling and enjoying each other.
• 1:13:09
  And Jim, because he's a dumb fucking 19 year old, just grabs
• 1:13:13
  the cheapest bottle of whiskey because.
• 1:13:15
  That's why he's used to getting he's a bike career.
• 1:13:18
  He gets like the $8 bottle of like straight rubbing alcohol.
• 1:13:24
  And Frank's like, we're not paying for this.
• 1:13:28
  Like you can get the good stuff like.
• 1:13:30
  Like going into the taste like you know you want this right
• 1:13:32
  here. It's like, deep.
• 1:13:32
  And he's that pushy salesman at, like, a boutique liquor store.
• 1:13:36
  And you're like, oh God, I'm not sophisticated enough for you.
• 1:13:38
  Yeah. I don't.
• 1:13:39
  I don't really care about the like, what's the level of fucked
• 1:13:42
  up I can? Get on this thing right here.
• 1:13:43
  That's all I need to know. I like it too.
• 1:13:45
  I also like how like we have our own thing over here about what
• 1:13:49
  we call. Shopping carts, as the technical
• 1:13:51
  term, I like to call them buggies.
• 1:13:53
  From where? That's the thing.
• 1:13:54
  From my area. What do you call them?
• 1:13:57
  Shopping. They call them shopping trolleys
• 1:14:00
  over there, which I think is funny.
• 1:14:02
  I'm gonna start calling them trolley.
• 1:14:03
  Every time you say buggy, I'm gonna call it a trolley.
• 1:14:05
  I'm totally OK. They call it a trolley.
• 1:14:07
  A buggy trolley? No.
• 1:14:10
  A troggy buggy. Buggy.
• 1:14:15
  But yeah, it's like a nice little.
• 1:14:18
  It's a nice moment. They're like building, Yeah, a
• 1:14:20
  relationship they just have. And it's also kind of almost a
• 1:14:23
  normal moment. Like, not quite, because they've
• 1:14:26
  got free reign of getting whatever they want in the store,
• 1:14:31
  but they also have to, like, not get things that need to be
• 1:14:34
  cooked or with nearby expiration dates.
• 1:14:38
  So they have, like, they're just having a moment where they can
• 1:14:40
  relax, yeah, for a single second.
• 1:14:42
  And that can't be overlooked in terms of like their mental
• 1:14:46
  health and this. And you want to know what's even
• 1:14:48
  weirder about this? Because this is like a happy
• 1:14:50
  scene when they film this. This is the day that 911
• 1:14:53
  happened. Oh my God.
• 1:14:55
  Yeah, So they had to, like, act all cheerful and like having a
• 1:14:58
  good time while like a disaster was happening.
• 1:15:02
  In terms of their acting, I could see like kids, the
• 1:15:06
  characters would have this moment of reprieve while also
• 1:15:09
  being kind of tense. Yeah, yeah, I can see that.
• 1:15:12
  Yeah. You can see like the reality of
• 1:15:14
  like a terrible situation still being there.
• 1:15:18
  So they I was just an added little bit of fun that somebody
• 1:15:23
  did, probably did on a whim. They left a credit card.
• 1:15:25
  I like that. Yeah.
• 1:15:26
  Yeah, that was funny. He's like, yeah, we're not gonna
• 1:15:28
  be needing cash anymore. So they stop at a gas station
• 1:15:33
  and what they're actually gonna do is saving gas from the gas.
• 1:15:37
  Truck. Yeah, like the truck that, like,
• 1:15:40
  transports the actual gasoline. We're just the smart way to do
• 1:15:44
  it because you need electricity for the gas pumps to work.
• 1:15:47
  I learned that from reading the stand.
• 1:15:48
  Unless you get like, I think that they still have manual
• 1:15:51
  pumps out there somewhere, especially in like rural areas,
• 1:15:54
  it's possible. Yeah, well, either way.
• 1:15:56
  So Frank is the one that's doing that.
• 1:15:59
  Meanwhile, Jim decides to go investigate the actual sort
• 1:16:02
  because they got burger signs and he's like, I I want burgers.
• 1:16:06
  Yeah, well, he's just like, annoyed with Selena, always
• 1:16:08
  telling him what to do, and she's annoyed with him acting
• 1:16:13
  like an impulsive teenager. So, um, yeah.
• 1:16:19
  He goes inside this store and it very much feels like a rural gas
• 1:16:24
  station, slash mom and pop diner.
• 1:16:27
  Like it's gotten very much that feel.
• 1:16:29
  I'm glad that they have them over in the UK as well.
• 1:16:32
  Yeah, for sure. Um, and he just sees heaps of
• 1:16:35
  dead people, including a dead Babby, and that's.
• 1:16:39
  Oh my God, that's so upsetting, seeing that it's like a mother
• 1:16:42
  holding the baby, too. Yeah, that one's rough.
• 1:16:45
  And these are, like, not dead. Like the parishioners in the
• 1:16:48
  church were not dead. Like these are actually, like,
• 1:16:51
  dead just. Yesterday of.
• 1:16:52
  I don't think they ever had a chance to rage.
• 1:16:56
  Yeah. And Jim gets attacked by a small
• 1:16:58
  boy and he meets him. Did he know that that kid was
• 1:17:01
  there? No, I don't think so.
• 1:17:04
  Because, well, because he's just like, he gives out like a
• 1:17:06
  gentle, like hello. And as soon as he does that, the
• 1:17:10
  kid approaches from behind and it's almost like he's expecting
• 1:17:13
  it. Like, he like, in a very cool
• 1:17:15
  way. Like stylistically, just like
• 1:17:16
  turns around and brands the kid and she's like, boom.
• 1:17:19
  And then when he walks out, Selena asks what he saw, and
• 1:17:23
  she's like nothing. So they I.
• 1:17:27
  Like this moment, too, where like after Frank Stone sophoning
• 1:17:30
  the gas, Hannah's behind was like, all right, Hannah, come
• 1:17:33
  on, bring it over. She like, floors it and like,
• 1:17:36
  right before she gets to them, just like breaks and just skids
• 1:17:39
  right next to him. She's having fun.
• 1:17:40
  I like seeing that They definitely Hannah and Jim give
• 1:17:44
  me like sibling energy, like where she's like 15 and he's 19
• 1:17:48
  or 20. Like they feed off of each other
• 1:17:51
  with that. Like, 'cause I feel like part of
• 1:17:53
  that is like him being there and her getting a little goofy with
• 1:17:56
  him. Yeah, like they're both being
• 1:17:58
  kind of reckless together. Yeah.
• 1:18:00
  Yeah. So they stopped for a picnic at
• 1:18:03
  some ruins in the middle of a field, and it actually looks
• 1:18:06
  really pretty. Yeah, it looks really nice.
• 1:18:09
  I wonder where this was. They see horses running.
• 1:18:12
  Selena's like warming up to people.
• 1:18:15
  Like, like as they were. Watching the horses, like, I
• 1:18:18
  think it was like Frank or somebody was like, do you think
• 1:18:20
  they're infected? I'm like.
• 1:18:21
  Do those horses look Mads? Usually like they.
• 1:18:23
  Look like they're having a great.
• 1:18:26
  Like that's happy horses, Yeah. Yeah, they smooch.
• 1:18:29
  Selena kisses Jim's cheek. They're gonna stay there for the
• 1:18:34
  night. But everybody is kind of tense
• 1:18:36
  because they're outdoors and exposed.
• 1:18:40
  But like a flame? Yeah, that's weird.
• 1:18:42
  I don't understand why they made that decision.
• 1:18:44
  At least, like if you're gonna, if you have no option but to
• 1:18:47
  stay there for the night, sleep in the fucking.
• 1:18:48
  That's what I was thinking. Sleep in the car.
• 1:18:50
  Like like you don't. I guess I understand like things
• 1:18:54
  are like maybe a little bit normal, like they're in an area
• 1:18:57
  that isn't very populated so they have more faith.
• 1:19:00
  But still, like, I would not feel safe doing that.
• 1:19:04
  I can't believe Selena was OK with this.
• 1:19:06
  Yeah, right. And they're like, how has she
• 1:19:09
  managed to be asleep? And Jim's like, Selena voiced
• 1:19:13
  her up and she's so annoyed because, like, she's ready.
• 1:19:18
  Like, to fight. Yeah, yeah.
• 1:19:20
  And then she's just learning that Jim's asking how she
• 1:19:22
  managed to fall asleep, which is a jerk move in and of itself.
• 1:19:25
  And she goes, I was a pharmacist, chemist.
• 1:19:31
  I have a Valium prescription here.
• 1:19:33
  You can take one. You're fine.
• 1:19:34
  And so she, like, gives out these pills to everybody.
• 1:19:38
  And Hannah's gonna take one. And Frank's like, not you,
• 1:19:40
  Hannah. She's like, please, Dad, I can't
• 1:19:42
  sleep. And they eventually talk to him
• 1:19:44
  into letting her have half a tablet, which I don't know how
• 1:19:47
  you managed to do that because those look like quick release,
• 1:19:49
  which are usually powder inside of a capsule.
• 1:19:51
  But I don't know I. Don't know.
• 1:19:53
  Yeah. So we get one of Jim's bad
• 1:19:58
  dreams here. Like of him waking up and he's
• 1:20:00
  all wounds. Goats.
• 1:20:02
  Yeah, goats. Bad nightmare about goats.
• 1:20:05
  Bad nightmare. Yeah, and then he's waking, or
• 1:20:11
  he's woken up by Frank. Yeah, Frank does what we do for
• 1:20:14
  Talia. When she's barking, she'll
• 1:20:16
  sometimes bark in her sleep and she gets like her little.
• 1:20:18
  Like her Hackles raised. Yeah, yeah, you get a little
• 1:20:21
  sleep Mohawk. Yeah, so we have to, like, wake
• 1:20:23
  her. Up.
• 1:20:23
  Or if he had a Mohawk, yeah. We have to, like, wake her up.
• 1:20:27
  And we're like, it's OK to eat. She, like, looks at us and
• 1:20:29
  she's, like, all, like, disoriented.
• 1:20:32
  And she lays back down and falls back asleep.
• 1:20:34
  And that's what Jim does. He goes, yeah, thanks, Dad.
• 1:20:36
  And, like, falls back asleep. And Frank looks absolutely
• 1:20:40
  heartbroken at that. But also like, OK, well, I guess
• 1:20:42
  we are all family now. Like I like that.
• 1:20:45
  It's. Dynamic he's he's become the
• 1:20:47
  father and it's cool. Um, the next morning he actually
• 1:20:51
  does wake up alone. Everybody else is ready to go in
• 1:20:53
  the car and you could tell they planned out this place.
• 1:20:56
  Yeah, they were all so excited to see him fanning.
• 1:20:59
  Yeah, so they all would back up and get back on the road.
• 1:21:02
  Uh, so now they're driving down the highway and they get a
• 1:21:05
  glimpse of what Manchester looks like.
• 1:21:07
  Fire. Golfing flames as Ricky would.
• 1:21:10
  Say. It's just straight up like
• 1:21:12
  engulfed entirely, and then you see an explosion in the distance
• 1:21:15
  to like shit's not good there. They get to the 42nd blockade
• 1:21:21
  and it looks like it's really empty.
• 1:21:22
  However, it also looks like there have been recent fires and
• 1:21:25
  recent meals cooked. So it's a little bit confusing,
• 1:21:29
  but they're very disheartened. They figure, you know, the
• 1:21:33
  people, they're either left or were killed or infected.
• 1:21:37
  Frank this, But you could tell that this was Frank's breaking
• 1:21:42
  point. Like to see it deserted here,
• 1:21:44
  he. Is snapping at everybody and he
• 1:21:47
  like goes off for a minute and he sees a crow picking at a dead
• 1:21:54
  body. I got a question.
• 1:21:56
  How the fuck did that body get all the way up there?
• 1:21:59
  You know, that's a good question.
• 1:22:00
  They pro carried it up there like it's it's like impelled on
• 1:22:05
  a post that's like 20 feet up. My best guess is that like he
• 1:22:10
  was the the person. Formerly of the body was
• 1:22:14
  climbing on like one of the structures nearby and fell like
• 1:22:18
  in an attempt to like flee an infected.
• 1:22:21
  Or maybe he like climbed all the way up there and like the crow
• 1:22:24
  was raging and they just. Like packed him.
• 1:22:26
  To death up there. Either way, Frank says that this
• 1:22:29
  is disrespectful to a corpse and he tries to shoot the crow away.
• 1:22:32
  The crow said no, I'm hungry. And so he goes, and he shoots
• 1:22:36
  the crow, and then, like a dum dum, looks straight up.
• 1:22:41
  At the body and we get this really cool shot.
• 1:22:45
  Yeah, from the POV of the droplet of blood.
• 1:22:48
  Yo, that blood was that had vision.
• 1:22:51
  It was going right for his eye. And it goes into his eye.
• 1:22:56
  Yeah. And he's like, Hannah.
• 1:22:59
  Hannah, I love you. I'm sorry.
• 1:23:00
  I shouldn't have yelled. I love you.
• 1:23:01
  Get away. And she's like, wait, what?
• 1:23:05
  And Selena picks up really quickly.
• 1:23:07
  What's happening? Comes bear hugs.
• 1:23:10
  Hannah from behind. Before that though like he has
• 1:23:12
  like a little bit of pre rage where he like he gets big with
• 1:23:16
  her. I'm big now.
• 1:23:16
  Get away from. Me, like raps her and.
• 1:23:18
  Shoves her away. It's like, dude, like, you're
• 1:23:20
  not even infected yet. But I get it.
• 1:23:22
  You're just trying to make her scared, like, go away.
• 1:23:25
  Or maybe like maybe it comes on like, I mean it comes out
• 1:23:29
  quickly, but like maybe it's in stages like.
• 1:23:31
  It ramps up, yeah. And Selena shouting at Jim to
• 1:23:36
  kill him. And Jim is like conflicted
• 1:23:40
  because he doesn't have the same detachment Selena has at this
• 1:23:42
  point. And then Frank has shot it just.
• 1:23:46
  Gets a lit up. Which begs the question, how
• 1:23:50
  long were those soldiers there? Were they watching this?
• 1:23:53
  Were they hoping somebody? Would get infected so they could
• 1:23:57
  shoot? Like what?
• 1:23:58
  What was their game plan here? Or did they just show up because
• 1:24:00
  they're like hiding in the woods?
• 1:24:02
  Yeah, they're like, just like off to the side of the road.
• 1:24:05
  Yeah, in the grass. Like what?
• 1:24:07
  What was happening here? I wasn't wondering that too.
• 1:24:09
  I feel like because they're a bunch of jerks, we find out, but
• 1:24:12
  at the same time, they still want to get these people.
• 1:24:15
  I don't think that they're like, I feel like they could.
• 1:24:18
  They were very clearly not infected.
• 1:24:20
  So yeah, I don't know what the deal was.
• 1:24:21
  They must have just arrived or something.
• 1:24:23
  That's the only thing that makes sense.
• 1:24:25
  So they take the three survivors to their compound.
• 1:24:31
  They have hot water so like, you guys can have a shower.
• 1:24:35
  Looks like you need it. OK, calm the fuck down, Henry.
• 1:24:40
  Like they've been out there trying to survive.
• 1:24:44
  We're lucky that Jim shaved his face without doing a full cabin
• 1:24:48
  fever. You know what I mean?
• 1:24:50
  Like. I could see that being like, a
• 1:24:52
  good joke. Like, huh?
• 1:24:53
  You look like you need a shower. And like, it wasn't like that.
• 1:24:56
  There's like, yeah, you guys are fucking.
• 1:24:57
  Stinking. Yeah.
• 1:24:57
  He's like, you guys smell awful. Yeah.
• 1:25:00
  Also, we see the, like, soldiers are playing around with their
• 1:25:03
  car, which just feels a little bit.
• 1:25:06
  Also disrespectful. It reminded me of that episode
• 1:25:09
  of Ratchet Jim Stones where Kelvin's looking out the window
• 1:25:12
  and sees them like driving the motorcycle on his basketball
• 1:25:15
  court after like he had his thumbs broken.
• 1:25:19
  Yeah, no, it's disrespectful. It's just my friends, we just
• 1:25:21
  play car pranks. Yeah, just car pranks.
• 1:25:23
  Just car pranks. Yeah, you get the sense like
• 1:25:27
  they're having a good time, but at the same time you can tell
• 1:25:29
  all the shit. These guys are like unhinged and
• 1:25:31
  power tripping hard. Selena finally has a real
• 1:25:37
  emotional moment, and she's breaking down.
• 1:25:40
  And she's just so. Sad for Hannah and sad for
• 1:25:44
  themselves. And Jim's like, well, we're all
• 1:25:46
  together and you know, she'll survive.
• 1:25:48
  You've survived this long. I've survived this long.
• 1:25:50
  She's like, I don't want Hannah to have to survive.
• 1:25:52
  Like, she had her dad. She was in a good place with
• 1:25:54
  having her dad and all this. I don't want this for her.
• 1:25:58
  Yeah. And then she, Jim, kisses her
• 1:26:01
  and she, like, kisses him back, but then she runs out.
• 1:26:03
  She was like, this isn't the right time.
• 1:26:04
  I didn't. But also, I think you're hot.
• 1:26:06
  Yeah. Well, I didn't understand what
• 1:26:08
  happened like. That confused me.
• 1:26:11
  I couldn't tell if I missed something.
• 1:26:13
  It was like an emotional moment, but it was also a moment that
• 1:26:16
  she didn't want to go any further with it, you know?
• 1:26:18
  Like she was just like, I just, I need to go.
• 1:26:19
  I feel too many things right now.
• 1:26:21
  OK, I gotcha. All right.
• 1:26:23
  So Jim is talking to General Henry.
• 1:26:26
  He gets a tour. Whatever, Asshole.
• 1:26:29
  Henry. Donna wouldn't give him a
• 1:26:31
  general status that's too high for this guy.
• 1:26:33
  Like, whatever. It doesn't.
• 1:26:35
  Even their rank really doesn't even fucking matter at this
• 1:26:37
  point. There's nine of them.
• 1:26:38
  Yeah, it is. It's all kind of bullshit at
• 1:26:40
  this point. So he's giving him a tour in a
• 1:26:44
  description of all of their lake protections and whatnot and
• 1:26:47
  their plans to rebuild. They've got the boiler for hot
• 1:26:51
  water, They've got a kitchen. Jones is very happy to cook,
• 1:26:56
  like he's on there and he's just.
• 1:26:57
  Like, he's having a good time. Yeah, he's joining us.
• 1:26:59
  That was good to see. Like a little bit fun.
• 1:27:01
  And then he shows him Mailer who was infected 2 days ago and they
• 1:27:05
  chained him to study. Which study is just code for see
• 1:27:08
  how long it takes him to starve. But still, like, I get it.
• 1:27:11
  I mean also it is just kind of interesting It's I I would say
• 1:27:14
  it's beneficial to like have something like that to be able
• 1:27:16
  to like understand how it operates.
• 1:27:19
  You know what I mean? Like, it sucks because it's
• 1:27:21
  somebody that you knew, but if they're already like too far
• 1:27:24
  gone, like, at least don't let it be in vain.
• 1:27:27
  Like you know, they could at least be a sacrifice where you
• 1:27:29
  can. Understand and like survive
• 1:27:32
  better. I don't know, like I it sucks.
• 1:27:35
  It's a shitty situation, but like, yeah.
• 1:27:37
  So then we have the horror movie trope of an ominous group feast
• 1:27:42
  for the newcomers. Yeah.
• 1:27:44
  And it immediately goes wrong because the eggs for the omelet
• 1:27:48
  are. Off.
• 1:27:50
  It's like Gordon Ramsay right here.
• 1:27:52
  These eggs are roaring. And then fucking Henry looks at
• 1:27:58
  Hannah and says, can you cook? Because he's a misogynist, you
• 1:28:01
  know? Yeah, like, I'm sorry that nine
• 1:28:03
  grown men here don't know how to cook.
• 1:28:06
  Yeah, that sounds like a life skill that you all are lacking.
• 1:28:09
  How the fuck do you not know how to make eggs, right?
• 1:28:11
  Come on, man, it's. Like eggs are the easiest.
• 1:28:13
  Yes, it. Was an omelet.
• 1:28:15
  To be fair, I've not made many omelets, but like, come on,
• 1:28:17
  like, cooking an egg is OK Like it's super easy.
• 1:28:20
  Yeah. We've got Sergeant Farrell who
• 1:28:24
  believes that this is the return to nature.
• 1:28:27
  He's the only good soldier there, I think.
• 1:28:31
  Which obviously means that he's not gonna last very long.
• 1:28:33
  But I like his commentary here. He's like, yeah.
• 1:28:36
  So, like, wait, was it him that was saying this or was it that
• 1:28:38
  marked from before? But it was like like.
• 1:28:42
  Humanity, like humans, we're we've only been here for like a
• 1:28:45
  blink of the eye in terms of like real life existence.
• 1:28:47
  So, like maybe us dying off finally, is it going back to
• 1:28:50
  normal? Yeah, that's that's fair what
• 1:28:52
  he's saying. OK, yeah, and I like that.
• 1:28:54
  That's insightful. It is weird to think about that.
• 1:28:57
  They're trying to get Hannah to eat and she's like, I don't want
• 1:28:59
  to eat. I want to go bury my father that
• 1:29:02
  you guys murdered. They all run out because like an
• 1:29:06
  alarm goes off and they are infected on ground, so they all
• 1:29:09
  go and. Use a lot of ammunition to kill
• 1:29:12
  a couple of the infected. Just a lot of infected.
• 1:29:15
  I think it was warranted. Yeah, but still, like, these
• 1:29:18
  people don't believe in preserving ammunition.
• 1:29:20
  We'll find out later. Like they're just like always.
• 1:29:22
  That's true, But still, it was cool.
• 1:29:24
  I like seeing this scene, just seeing them wide up, like a
• 1:29:26
  whole hoard of zombies. When they come back in, Mitchell
• 1:29:30
  takes Selena's machete. And this was like, you have me
• 1:29:34
  to protect you now. She's like, she was ready to run
• 1:29:36
  out there and help, but she was smart.
• 1:29:38
  She didn't run out because they were shooting.
• 1:29:40
  Yeah, want to get caught? Just a classic thing is like,
• 1:29:42
  hey look, the machete's my cock. Yeah, like and he's basically
• 1:29:45
  like, I could have some fun with you and she's like you.
• 1:29:48
  You're really gross. And Jim hits him.
• 1:29:51
  And then basically later Jim is talking to Henry about killing
• 1:29:57
  that boy back at the gas station.
• 1:29:59
  And this is where Henry said that eight days ago he found
• 1:30:04
  Jones with his gun as a mouth, ready to shoot himself and.
• 1:30:08
  Just basically saying that he saw no future.
• 1:30:09
  So that's when he moved all of his men from the blockade to
• 1:30:13
  here and promised them women. Yeah, he's like because.
• 1:30:19
  Women mean future. So like, what'd you come here
• 1:30:21
  for? It's like like, well, you know,
• 1:30:24
  for the, the answer to the infection, it's like the answer
• 1:30:28
  is starting new again. So women.
• 1:30:32
  Like. And Jim without hesitation.
• 1:30:35
  Runs out of the room to try and get Selena in Canada, but
• 1:30:38
  they're already got their paws all over them and basically Jim
• 1:30:43
  and Farrell because Farrell's trying to help him too, They get
• 1:30:46
  chained up to radiators. Yep.
• 1:30:49
  And then immediately escorted out into the wilderness, where
• 1:30:52
  they've obviously done this to a few other people.
• 1:30:56
  Yep. Which makes me wonder, how many
• 1:30:57
  soldiers were there before. Yeah, and also.
• 1:31:00
  We're not many, like, people that are right from the
• 1:31:02
  broadcast just like that didn't really meet their standards or
• 1:31:05
  is just dudes like, OK, this isn't gonna do us any good.
• 1:31:08
  So we just take him out there and kill him.
• 1:31:09
  Yeah, so it seems like Jones maybe is like having a crisis of
• 1:31:14
  conscience and he's not sure what he needs to do.
• 1:31:17
  And the end result is that Ferrell dies and Jim escapes.
• 1:31:21
  He shoots Ferrell and then clips Mitch also.
• 1:31:24
  Which, like I'm on your fucking team.
• 1:31:26
  Friendly fire. Come on, man.
• 1:31:28
  But this gives Jim an opportunity to run away.
• 1:31:30
  And he's smart. He throws his shirt over the
• 1:31:33
  barricade so it looks like he escaped over it.
• 1:31:36
  And Mitchell and Jones are like, what?
• 1:31:38
  We can just say that, like he escaped, Like we don't have to
• 1:31:40
  worry about it because he's out there.
• 1:31:42
  He's not going to make it back down.
• 1:31:43
  He's fucked. He's by himself.
• 1:31:45
  So the soldiers are really gross.
• 1:31:48
  I don't want to talk about this scene in too much detail, but I
• 1:31:51
  do want to say that at one point Selena convinces them to leave
• 1:31:54
  the room, saying it's only polite.
• 1:31:57
  And she is doing the only thing she can in this moment, which is
• 1:32:00
  to give Hannah some sedatives to make it at least not as bad as
• 1:32:05
  it could be. She's like, I'm not sleepy right
• 1:32:07
  now. She's like, this isn't the make
• 1:32:08
  you sleep, this is the make you just not care.
• 1:32:10
  Which that's so sad. It it is so incredibly fucked
• 1:32:13
  up. And again, it's one of those
• 1:32:14
  split second decisions because everything has happened so fast.
• 1:32:17
  And I think if it was like a situation where they were tied
• 1:32:20
  up in a room, Selena would have come up with a better plan.
• 1:32:22
  But right now she's like, OK. The meds kicking fast for Hannah
• 1:32:26
  because she's like, I'm certain to fill it, and she's starting
• 1:32:28
  to speak her mind to the soldiers there.
• 1:32:30
  Yeah, like, yeah. So, like, what happened to those
• 1:32:32
  guys out there? I think they're they're dead.
• 1:32:34
  Yeah, they're dead. They're totally dead.
• 1:32:36
  Yeah, because half the soldiers had to leave because the alarms
• 1:32:39
  go off and Jones is like, no, he went over the fence and Henry's
• 1:32:43
  like, Oh my God, you guys are idiots.
• 1:32:45
  So he is out there with them. Pretty much all of the soldiers
• 1:32:48
  that go out there die, except for Henry.
• 1:32:51
  It's so crazy, man. Like Jim suddenly becomes a
• 1:32:53
  fucking mercenary and is able to, like, take on this whole
• 1:32:56
  army. Which, like, I don't know.
• 1:32:59
  I don't know how this is intended, and I hope that this
• 1:33:01
  doesn't sound mean, but like they've got like, this typical
• 1:33:06
  action hero, like same in the day, shirtless in the rain,
• 1:33:10
  kicking ass, taking names. Except it's like. 120 pound
• 1:33:15
  Killian Murphy like. Totally scrawny, dude.
• 1:33:19
  All of like the bones in his shoulder and collar bones like.
• 1:33:23
  My boy doesn't have fat. My boy doesn't have muscle.
• 1:33:26
  He's just all skin and bones. But this right here, this is
• 1:33:29
  strategy over strength. Yeah, he's.
• 1:33:33
  Just out maneuvering them. He's smart and he's not arrogant
• 1:33:36
  about being smart. And that's the thing, is that
• 1:33:39
  Henry is hubris. That's what gets him.
• 1:33:41
  Hubris always gets you, man. So, like, he's taking out enough
• 1:33:44
  of the people there to, like, get one of the guns and he makes
• 1:33:47
  it back to the compound. And he shoots mailers leash
• 1:33:51
  free. Yep.
• 1:33:51
  Just change it to say. Leash.
• 1:33:53
  But that's basically what it is. It's around with necks.
• 1:33:55
  It's. Like a change on.
• 1:33:56
  Yeah, yeah. Yeah, he ground pounded the
• 1:33:59
  post, basically. Yeah, so yeah, Mailer's just
• 1:34:02
  like, on which this is a bold fucking move.
• 1:34:04
  I was wondering about this when he did that.
• 1:34:06
  But like, you're also putting Hannah and Selena at big danger.
• 1:34:10
  I think it was again split second.
• 1:34:14
  What's the best thing to do in this moment?
• 1:34:17
  I think he was trusted that Selena and Hannah could handle
• 1:34:20
  themselves. He did not know that Hannah was
• 1:34:23
  high off her ass like to the point she didn't expect that cuz
• 1:34:27
  when he goes in and he looks for Hannah 1st and I think that even
• 1:34:30
  says that like he has more faith than Selena to be able.
• 1:34:33
  Cuz Selena saved his ass so many times he's like I don't need to
• 1:34:36
  save. Selena.
• 1:34:36
  Yeah, Selena. She can probably take care of
• 1:34:38
  herself. But also, Hannah's just younger.
• 1:34:39
  You want to, like, help the younger people first too?
• 1:34:42
  Yeah, and he eventually is able to find Hannah and he just.
• 1:34:45
  He kills Mitchell and Mitchell's not infected.
• 1:34:48
  He's just like, hey, you suck and you don't need to exist.
• 1:34:52
  Yeah, he's just like takes like a he's got like a knife from
• 1:34:54
  Machete or something. Yeah, he's taking care of
• 1:35:04
  everybody that Jim can't get to. He's just straight up stabbing
• 1:34:56
  him. Yeah, he's going full commando
• 1:34:58
  here. Also, Mailer is like going on a
• 1:35:00
  fucking rampage in there and killing a shit ton of.
• 1:35:06
  Yeah, and then he makes it. Jim makes it into a room while
• 1:35:09
  being chased by Mailer and. Or no.
• 1:35:12
  Miller's infected some of the other people there.
• 1:35:14
  So there's like multiple people infected.
• 1:35:16
  Yeah. And there's like a guy, there's
• 1:35:18
  like, I'm out of ammo. And then he's just like, yeah,
• 1:35:21
  he. Just leaves him alone in the
• 1:35:22
  room. Why would the guy just follow
• 1:35:24
  him? Right?
• 1:35:25
  Like he's like, are you gonna help?
• 1:35:26
  And Jim's. Like, what the fuck am I
• 1:35:28
  supposed to do for you? You're out of ammo.
• 1:35:29
  Let's fucking go, dude. Get out the window.
• 1:35:31
  Here I don't. Know your call if you wanna stay
• 1:35:33
  there. Like I'm not gonna tell you how
• 1:35:34
  to save yourself. I don't like you guys.
• 1:35:36
  You guys are the enemy. Yeah.
• 1:35:38
  So yeah, eventually, yeah, Jay is safe.
• 1:35:41
  They're all dead except for Jim, Selena and Hannah.
• 1:35:45
  And Jim has this. Well, we'll get to him.
• 1:35:48
  Yeah. So Jim and Selena, they have
• 1:35:51
  their kiss moment and I wrote this.
• 1:35:53
  This and Frank's death are the two things that I remember the
• 1:35:55
  most from the last time I watched this.
• 1:35:57
  Cuz Hannah comes in, she smacks Jim over the top of the head.
• 1:36:01
  Which by the way. There was a moment where Selena
• 1:36:03
  was worried that maybe Jim was infected, and she hesitated.
• 1:36:06
  And he goes, that was more than a heartbeat.
• 1:36:07
  Then they kiss, and then Hannah comes in, smacks Jim over top of
• 1:36:11
  the head, and he's like, what was?
• 1:36:12
  That for? And she was like, I thought you
• 1:36:14
  were biting her. And they both laughed.
• 1:36:17
  We're not like, not biting. OK, cool.
• 1:36:19
  This bottle over my head had no effect on.
• 1:36:22
  Me. Great.
• 1:36:22
  All right. Good to you, Jim.
• 1:36:24
  You're. Doing I'm not already recovering
• 1:36:26
  from a brain injury, Hannah. You got the good side.
• 1:36:31
  I'm not. That's where they operate.
• 1:36:33
  I got a metal plate there. So they start to go out to find
• 1:36:40
  their car and get out of there. But as they get there, W is
• 1:36:44
  sitting in the back seat. Yep, and he's holding the gun to
• 1:36:47
  them. And he shoots.
• 1:36:49
  Jim and he makes Hannah drive. But you know what Hannah does?
• 1:36:53
  She drives right to Miller. Right to Miller.
• 1:36:56
  Let's Miller get him. Fucking a Hannah.
• 1:37:00
  Good for you. Yeah, she's back from before she
• 1:37:04
  knew what she was doing with the drive and and Mailer just
• 1:37:07
  reaches right in through the rear view mirror or no
• 1:37:10
  windshield. Rear windshield.
• 1:37:12
  Yeah, there you go. We go out there.
• 1:37:14
  Yeah, we go, yeah, that's candy man shit going through the
• 1:37:16
  mirror. Yeah.
• 1:37:17
  And then he like pulls W out and then the rest of them get in the
• 1:37:20
  car and they drive off. Yeah.
• 1:37:22
  And like we see these quick flat, like it says 28 days later
• 1:37:25
  and we see these quick flashes. Like don't die, Jim.
• 1:37:28
  And like, boom boom saving him. Now we're in a farmhouse.
• 1:37:32
  It says hell on the hill. And then Jim's waking up.
• 1:37:40
  Presumably naked in the bed again, but this time he's got a
• 1:37:43
  blanket over his lien. Yeah, yeah.
• 1:37:46
  So you know, things are good. Yeah, and like, he looks up, he
• 1:37:49
  goes, not the curtains and I'm like, what?
• 1:37:53
  So he goes out there and Selena's sewing something with
• 1:37:57
  like a hand run sewing machine, which I think is kind of cool.
• 1:38:02
  Yeah, it would be kind of a pain for when you need two hands to
• 1:38:05
  move stuff through, but. So Hannah runs in and she goes,
• 1:38:09
  they're coming And they're like, Are you sure?
• 1:38:10
  And they're like, I can hear it. So they all go running out with
• 1:38:13
  this thing and it's an oh, And they spilled out Hello.
• 1:38:16
  And this plane comes overhead and they're like, waving their
• 1:38:19
  arms. And Selena said, do you think
• 1:38:20
  they saw us this time? Yeah.
• 1:38:22
  And, like, we see shots, like as the plane's going overhead, we
• 1:38:24
  see some of the infected are starving to death.
• 1:38:26
  Yeah. So it turns out it takes, what,
• 1:38:29
  28 days for? 28 + 28. 56. 56 days is how long
• 1:38:37
  it takes for them to start okay. So yeah, and you assume that
• 1:38:43
  they are rescued by people that can fly jets.
• 1:38:46
  Hopefully they're not, like, fucked up people too.
• 1:38:48
  Yeah, right. You never know.
• 1:38:51
  But there is an alternate ending.
• 1:38:53
  It's. Technically it's listed as two
• 1:38:55
  alternate endings in our DVD, but like, it's.
• 1:38:57
  Basically the the 2nd one's like an extended version of the 1st.
• 1:39:01
  One, yeah. So it's it shows them taking Jim
• 1:39:04
  to the hospital and him not surviving.
• 1:39:08
  Yeah, they're trying to treat his wounds.
• 1:39:09
  Been they can't. He dies and they just walk out
• 1:39:12
  the door and the ends. Yeah.
• 1:39:14
  And then the next one is Selena is still.
• 1:39:16
  Sewing ending, but without Jim. Instead of talking to Jim, she's
• 1:39:20
  talking to a chicken. Yeah, and.
• 1:39:23
  Yeah. And she's like, whoa, yeah.
• 1:39:25
  She says you're gonna have to start breeding soon, and for a
• 1:39:28
  second it's like. Whoa.
• 1:39:30
  Hannah or not Hannah? Selena, did you take the wrong
• 1:39:32
  message from that last experience?
• 1:39:34
  But no, it's. Just a It's talking to the Yeah,
• 1:39:36
  yeah, talking to the Hench. I know how to make eggs.
• 1:39:38
  It's like, we need more chickens.
• 1:39:39
  Yeah, we need more. Come on.
• 1:39:41
  Yeah, not Jones. Yeah.
• 1:39:43
  So I like, here's the thing, I like that in that ending, Selena
• 1:39:47
  and Hannah still like, are their own family together.
• 1:39:50
  They're still surviving. Yeah.
• 1:39:54
  I don't think that they need Jim to survive because multiple
• 1:39:58
  times he's been saved by both of them.
• 1:39:59
  Yeah. I do like having a slightly
• 1:40:04
  hopeful ending. So many zombie movies, and on
• 1:40:06
  such a bummer note, like I could think of several off the top of
• 1:40:09
  my head. And like, I just I I like that
• 1:40:12
  we at least get a glimmer of hope in this one.
• 1:40:14
  That's another way it kind of subverts the other zombie movie
• 1:40:17
  tropes. I feel like this something about
• 1:40:20
  the way that this zombie movie is, is like it feels more bleak
• 1:40:23
  than the others because like. Watching other zombie movies, I
• 1:40:27
  don't know if I'm just fucked up, but like, I have fun because
• 1:40:30
  it's just like fun seeing that, you know what I mean?
• 1:40:32
  But like watching this one, I hear, I just feel dread.
• 1:40:34
  They're not, like, decomposed. You know what I mean?
• 1:40:37
  There's there's like people, and they're clearly like, you know,
• 1:40:41
  they're infected with the virus, but like, they're not
• 1:40:43
  decomposing. It's not like all of the crazy
• 1:40:46
  makeup that you associate with the zombie.
• 1:40:47
  It's just red contacts. Yeah, yeah, I feel like, yeah,
• 1:40:50
  you can. Which that reminds me, they
• 1:40:52
  actually did have to hire an optometrist to get people like.
• 1:40:55
  Great contacts for this. Glad that they did like correct
• 1:40:59
  fitting because ihealth is super fucking important.
• 1:41:02
  Mmhmm Um, like it. I'm glad that they got well
• 1:41:06
  fitted contacts for everybody. Yeah, it's not all productions
• 1:41:10
  do that. Yeah, they were.
• 1:41:11
  Have a million. Used wisely like we can't afford
• 1:41:14
  an ending, but goddamn it, we got you all some good contacts.
• 1:41:17
  I wonder if they were able to take advantage of, um, universal
• 1:41:21
  healthcare over there in the UK for it.
• 1:41:23
  Could be, yeah. OK, So what do you rated?
• 1:41:27
  After talking about it, I'm gonna keep it at a nine.
• 1:41:30
  I feel like a nine feels appropriate.
• 1:41:32
  It definitely has its its flaws where I think maybe, like I
• 1:41:36
  could have subverted a few more of the tropes and it could have
• 1:41:39
  been a little bit shorter. But ultimately I still it is
• 1:41:42
  super effective in what it's doing and I just it it it's one
• 1:41:46
  of those that sticks in your crawl for a little while, you
• 1:41:48
  know. Yeah, that's my thing with this
• 1:41:49
  one. Like it's generic script wise,
• 1:41:52
  but like the way that it's told and visually and everything
• 1:41:55
  else, it just clicks in a different way.
• 1:41:57
  For me, I feel like it's more impactful than most zombie
• 1:42:00
  movies. I always say this all the time
• 1:42:02
  that like a movie doesn't have to be completely unique to be
• 1:42:05
  enjoyable. Yeah, it just has to be told in
• 1:42:08
  an interesting way, yeah. There's like, there's only so
• 1:42:11
  many stories in the world. That's what I was gonna say.
• 1:42:12
  Like, at this point, like there's no original story
• 1:42:14
  anymore. Like every story is pretty much
• 1:42:16
  been told. It's just different variations
• 1:42:18
  of, yeah, same shit. And this one told that story in
• 1:42:21
  a very entertaining and a way that actually makes you look at
• 1:42:27
  life in a different way. You know, I guess maybe it's
• 1:42:31
  also just one of those things like you were saying at the
• 1:42:32
  beginning, where after the pandemic, we kind of see this in
• 1:42:36
  a whole different light. Yeah, it's just weird.
• 1:42:41
  But I think I'll keep mine at 9, too.
• 1:42:43
  OK, Talia, at the very beginning, like, right as we hit
• 1:42:47
  play, let out a loud snort. Yeah.
• 1:42:51
  And then at the very first infected attack, the one where
• 1:42:55
  Jim's in the church, she started growling.
• 1:42:58
  And then she was watching for pretty much the rest of it until
• 1:43:01
  they get to the compound. And then she started playing
• 1:43:03
  with her squeaky toys. Yeah, although at the end, and
• 1:43:07
  it was just today when we were watching the alternate endings,
• 1:43:09
  but whenever. Selena was sewing.
• 1:43:12
  That got her attention. Yeah, like well, and I mean, she
• 1:43:15
  knows the sound of a sewing machine, but my sewing machine's
• 1:43:17
  been broken. Finally dropped it off to get it
• 1:43:19
  repaired after trying about a dozen times to fix it myself.
• 1:43:23
  So I'm getting it back soon. But she's probably like I
• 1:43:25
  haven't heard that sound in such a long time.
• 1:43:28
  You got to fix fast. Wow.
• 1:43:29
  So I think Ty's going to give it an 8.
• 1:43:32
  OK, just point off. For all the animal deaths, we
• 1:43:35
  don't see any dogs but. The chimps at the beginning,
• 1:43:38
  Yeah, yeah, it's not good. I'm glad we don't see any dogs
• 1:43:42
  in this movie. I know I didn't need that.
• 1:43:44
  Yeah, Zoe, honestly, she really didn't watch this, which was
• 1:43:48
  surprising because there were multiple explosions.
• 1:43:50
  I know. But it was Scout, though, Yeah.
• 1:43:53
  I was going to say I actually want to talk about Scout because
• 1:43:55
  she was very invested in this movie.
• 1:43:57
  So she was just like kind of walking through the living room
• 1:44:02
  and she stopped to groom herself, you know, as cats do.
• 1:44:06
  And it was right when Mr. Bridgers attacks at Jim's
• 1:44:09
  parents house and she jumped and then she, like got up on the
• 1:44:13
  couch and watched it. Yeah, for the rest of the movie
• 1:44:16
  it. Was so crazy to see because
• 1:44:18
  whenever I saw her jump, it freaked her out.
• 1:44:20
  But then after that, she's like, I want to see the rest.
• 1:44:22
  Of this? Oh wow.
• 1:44:23
  OK, this is a good movie right now.
• 1:44:24
  I'm invested. Yeah, this is scary.
• 1:44:26
  It actually hit her in a level like that.
• 1:44:29
  It was cool to see that. I like.
• 1:44:31
  I like watching our pets when they actually are focusing on
• 1:44:33
  the TV, like, whoa. Cuz like also there's a lot of
• 1:44:36
  like fast visuals and I know like, yeah, she likes that a lot
• 1:44:39
  too. Cuz the zombies are super fast
• 1:44:40
  and janky, Well and like, I mean, we brought up Train to be
• 1:44:44
  San earlier, but that's one that we can't.
• 1:44:47
  Like. Talia is emotionally wrecked
• 1:44:49
  whenever it's playing because even though it's in Korean, like
• 1:44:53
  you understand a small child crying.
• 1:44:56
  Daddy, Daddy, no. And like Talia, I don't know if
• 1:45:00
  dogs can cry, but it looks like she cries every time.
• 1:45:03
  That's on. We all do, yeah.
• 1:45:07
  It's just so sad. It's it's awful.
• 1:45:10
  OK. Well, who did you relate to?
• 1:45:17
  Probably relate to Jim honestly. Like I wanna relate to Selena
• 1:45:20
  cuz she's a badass. But truthfully, if I know
• 1:45:23
  myself, I don't know if I could be that much of A badass but I
• 1:45:26
  feel like I'd do my best. Yeah, which I think is what Jim
• 1:45:29
  does. I think I'd relate to Frank
• 1:45:32
  because I like taking that, like that dad role.
• 1:45:36
  I liked that, like it was nice. And seeing Jim with like the.
• 1:45:41
  Drinks there. Like I know that he bored Jim
• 1:45:43
  like as he was telling Jim like you know you want to get this
• 1:45:45
  right here this is the IT tastes like this and it's really like
• 1:45:47
  Jim just walked away. But like I would do that too.
• 1:45:49
  I'd be like come on man. Like, let me tell you why you
• 1:45:53
  want to get this. All the more reason that I
• 1:45:55
  relate to Jim, because that's you expecting like 4K, like,
• 1:45:58
  yeah. Bio visual stuff to me.
• 1:45:59
  Like, yeah. It comes from a loving place,
• 1:46:02
  but like also in a situation like this, I feel like I would
• 1:46:05
  want to like have that. You can tell that he likes
• 1:46:08
  having that family dynamic there, Absolutely.
• 1:46:10
  And I would kind of want to if I could find family like that.
• 1:46:14
  If I didn't have any, I would totally do that.
• 1:46:16
  And, you know, he totally supported the relationship
• 1:46:18
  between Jim and Selena. Yeah, exactly.
• 1:46:20
  Like if he had survived, he would be like.
• 1:46:22
  Yeah, like a ruin for you from the very beginning.
• 1:46:24
  I was so, so heartbroken whenever you said you guys
• 1:46:26
  weren't together. All right, We already got our
• 1:46:31
  tagline. Yeah.
• 1:46:32
  So do you want to reiterate what the tagline is?
• 1:46:37
  It gets more and more like Donald Duck every time.
• 1:46:43
  I don't know. I'm trying to.
• 1:46:45
  That's a horse. This is the rage horse right
• 1:46:46
  there. You gotta shake your head.
• 1:46:52
  You just. Look at the motor boating.
• 1:46:55
  Spitting everywhere OK, dream sequel though we can theorize.
• 1:47:02
  I know that this has an actual sequel, but like, how would you
• 1:47:04
  want to go with it? The next one has Jeremy Renner
• 1:47:07
  in it and I'm a Gene Poots imaging imaging.
• 1:47:10
  Poots imaging Poots, imaging Poots, I would like to see, I
• 1:47:18
  wanna see them find out like that.
• 1:47:20
  Farrell's theory that like they just quarantined the island.
• 1:47:24
  I want them to see that that was actually true and them dealing
• 1:47:28
  with the fallout of that and like them having to basically
• 1:47:30
  take refugee status elsewhere and kind of deal with like just
• 1:47:34
  go from like the the comment, the political commentary via
• 1:47:38
  zombie just to political commentary, you know what I
• 1:47:41
  mean? OK.
• 1:47:42
  I I think that would be interesting because then they're
• 1:47:44
  finding like a different kind of enemy and they can't just, you
• 1:47:46
  know, throw a machete at it. I feel like people would hate
• 1:47:48
  that. Absolutely, because it's just.
• 1:47:50
  You're taking the zombies out of here, like 28.
• 1:47:53
  What would you call that? Like 28 constitutional
• 1:47:57
  amendments later. A 28 constitute.
• 1:48:01
  OK, well, you know, if you're signing up for that movie, I
• 1:48:03
  think you know exactly where you're getting.
• 1:48:05
  Yeah. No, I just like, again, for me,
• 1:48:07
  like what the zombie movies, it's not about the zombies, it's
• 1:48:11
  about the survivors. But also the zombies.
• 1:48:14
  But also the zombies. But like, that's like, I don't
• 1:48:16
  know. That's not the important part of
• 1:48:18
  the movie to me. It's not.
• 1:48:19
  But like I still they, I like having them as like a looming
• 1:48:23
  fear, like a threat that is always present.
• 1:48:26
  They're relentless. So it's, you know, it's it's
• 1:48:31
  just like a different type of sorry, are you saying that the
• 1:48:33
  government isn't also a looming threat that's always present?
• 1:48:36
  Yeah, but they're not like and relentless.
• 1:48:38
  I was gonna say they're not going, but, you know, they kind
• 1:48:41
  of are too, some of them. Yeah, yeah.
• 1:48:46
  You know what? OK, sure.
• 1:48:47
  Let's get political with it. We got our tag on.
• 1:48:50
  We already established that so and we already talked about the
• 1:48:54
  changes we would wanna make. Yeah, exactly.
• 1:48:56
  So we talked about those right off the top and my changes don't
• 1:48:59
  haven't changed. No, I agree with pretty much all
• 1:49:02
  that. So let's go to our Internet
• 1:49:04
  review. Okay.
• 1:49:05
  So I pulled one from IMDb and I thought that this one was
• 1:49:09
  interesting because it's somebody that.
• 1:49:12
  Had attended a test screening for the movie beforehand.
• 1:49:15
  Yeah, and they thought that the movie would be different
• 1:49:18
  afterwards. So when I was in, the Days are
• 1:49:21
  Numbered for the British Film Industry is the title of the
• 1:49:24
  review. I first saw this film at a test
• 1:49:26
  screening about six months ago. I decided not to post a review
• 1:49:29
  then as I assumed that there was no way the film would be
• 1:49:32
  released as it was considering the reaction of the test
• 1:49:35
  audience. However it was.
• 1:49:37
  The trailer actually makes the film appear to be quite
• 1:49:39
  promising. The audience is promised a tale
• 1:49:42
  of virus ravaged UK and one man's ordeal to survive.
• 1:49:46
  Upon seeing the film, the ordeal is suffered by the audience.
• 1:49:50
  Who thankfully only have just short of two hours to get
• 1:49:52
  through. The problems with this film are
• 1:49:54
  numerous. The script is abysmal and is not
• 1:49:57
  helped along by the performances of the leads.
• 1:50:00
  The dull lines are droned out by Murphy in a winch like monotone
• 1:50:04
  whilst using excellent Christopher Ecclestone delivers
• 1:50:08
  his lines like he's in the school play.
• 1:50:12
  Thankfully, single father Frank is performed thoughtfully and
• 1:50:15
  with warmth. It is a great credit to Gleeson
• 1:50:18
  that he turns in such a performance when given such a
• 1:50:21
  disgraceful script to top the lot.
• 1:50:25
  We are expected to believe that an entire Army unit has a
• 1:50:28
  managed to do what apparently only four other people have
• 1:50:31
  achieved by staying alive and B have gone mad.
• 1:50:34
  Have they gone mad because of the virus?
• 1:50:36
  No, they've just gone mad. That's it.
• 1:50:39
  The film looks cheap. Not in a stylish, atmospheric
• 1:50:41
  way. It just looks cheap.
• 1:50:43
  To give credit where it's due, the zombie attack scenes are
• 1:50:45
  reasonably effective. They are powerful and violent
• 1:50:49
  enough to ramp up tension. But this is this only contrast
• 1:50:53
  to make the rest of the film feel even lamer.
• 1:50:56
  Perhaps the most the most heinous crime this film commits
• 1:51:01
  is that it is excruciatingly boring.
• 1:51:04
  A number of people at the test screening actually got up and
• 1:51:07
  left. Considering test screenings are
• 1:51:08
  free, that goes some way towards explaining just how dull this
• 1:51:12
  film is. I think I've made my .2 minutes
• 1:51:15
  of genuinely scary zombie attacks do not constitute A
• 1:51:18
  sufficient payoff for sitting through what is, in summary, a
• 1:51:21
  very poor, dull, cheap looking, boring film.
• 1:51:25
  Avoid like the Rage virus. If you go into this film, it
• 1:51:29
  will feel like you're leaving it 28 days later, OK?
• 1:51:33
  I mean, you know, he touched on some of the points we've talked
• 1:51:36
  about where it's kind of an expected way that it goes maybe
• 1:51:40
  a little bit unrealistic, maybe not.
• 1:51:42
  I don't know. I think sometimes people
• 1:51:43
  overestimate their abilities for how they'd handle a zombie
• 1:51:47
  apocalypse. I think so too, yeah.
• 1:51:51
  I don't know. I I think the acting now, I
• 1:51:55
  enjoy the acting honestly. I feel like it was real, like it
• 1:51:57
  was, yeah. Around the performances, I
• 1:51:59
  didn't think that anybody stood out with any bad delivery of
• 1:52:02
  anything. I liked everybody in this.
• 1:52:05
  Yeah. I think maybe Hannah suffered
• 1:52:07
  sometimes because she didn't have a whole lot to say.
• 1:52:09
  Most of the time she didn't get a ton of lines to deliver,
• 1:52:12
  That's true. Yeah.
• 1:52:14
  But yeah, I fully believe like Jim and Selena's growth
• 1:52:18
  throughout it. Yeah, I mean, that's like the
• 1:52:21
  that's one of the stories being. Told Dennis.
• 1:52:24
  And again, I guess it's like it's one of those things.
• 1:52:26
  What do you go into a zombie movie looking for?
• 1:52:29
  I'm a person. I don't go in looking for
• 1:52:31
  zombies. I'm looking for the story around
• 1:52:34
  the zombies. And even if it's a story I've
• 1:52:35
  seen before, if it's told, well I will take it and that's what I
• 1:52:40
  get from this. But I guess if you're going into
• 1:52:42
  it for just a straight up zombie movie, it might be a little bit
• 1:52:44
  slow on the pacing. Yeah, I mean, I actually really
• 1:52:47
  understand where this person's coming from.
• 1:52:49
  Yeah, like they that was a well thought out review, I thought.
• 1:52:52
  And I from the sounds of it, they saw the trailer and I'm
• 1:52:58
  assuming the trailer used a lot of those shots of him walking
• 1:53:01
  throughout London, where it's like bare.
• 1:53:03
  Oh yeah, no, that definitely catches people's attention.
• 1:53:05
  Yeah, And he was expecting a lot more of that.
• 1:53:07
  But like, I don't know, like an entire movie that I don't know
• 1:53:10
  how you can capture that energy for the entire film.
• 1:53:13
  Like it does a great job setting the tone, I think.
• 1:53:16
  But if you're expecting that type of stuff for the next this
• 1:53:21
  movie, 2 hours. But I guess most other movies
• 1:53:23
  like an hour and a half. Not super realistic, but I get
• 1:53:28
  like having your expectations for something and then not
• 1:53:32
  having it met 1000%. This dude hates The Walking
• 1:53:35
  Dead. Probably.
• 1:53:36
  Yeah. Yeah, it was OK.
• 1:53:40
  Walking Dead's OK, OK? But we do have some listener
• 1:53:44
  reviews, OK, and these are shorter.
• 1:53:46
  OK. All right.
• 1:53:49
  First off, we'll go to Instagram with our boy, Michael Lee
• 1:53:52
  Howard. Oh boy.
• 1:53:53
  OK. Says 28 Days Later is a top tier
• 1:53:56
  level zombie movie. Zombies that run the quick cuts.
• 1:53:59
  Editing is a bit disorienting at first, but after multiple
• 1:54:02
  rewatches this one would be my #1 zombie go to.
• 1:54:05
  The cast is brilliant. You can almost envelope this
• 1:54:07
  movie with all senses. 10 out of 10, all right.
• 1:54:12
  Yeah, I I love the fast zombies. I love the running zombies.
• 1:54:16
  I it adds a new element to it. Yeah, and I like the way that
• 1:54:19
  they edited the stuff like that to where it's like quick and
• 1:54:23
  weird. It's I don't think that they
• 1:54:25
  were going for the disorienting thing.
• 1:54:26
  I think that they were just going for, like, unnatural
• 1:54:28
  emotions. Here's the thing too, though, is
• 1:54:30
  that like Killian Murphy, like, we don't really spend enough
• 1:54:33
  time thinking about the absolute, like, physical trauma
• 1:54:35
  he went through right before all of this.
• 1:54:37
  Maybe this is really what this shit is looking like to him, you
• 1:54:39
  know what I mean? Like that's.
• 1:54:40
  True too. Yeah, I didn't.
• 1:54:42
  Even think about that and he's getting no medical aftercare.
• 1:54:44
  We don't know at what point, like clearly he got his noggin
• 1:54:47
  sewed back up before the hospital was deserted.
• 1:54:49
  But like. Brain damage?
• 1:54:52
  Yeah, so. Good thing like no therapy
• 1:54:54
  afterwards, so like, he got absolutely nothing.
• 1:54:56
  Yeah, yeah, it's true. You know, I didn't even think
• 1:54:59
  about that. But that's an interesting way
• 1:55:00
  they like, yeah, we do not talk about it enough with this movie.
• 1:55:02
  Yeah, because like getting hit in the by a car.
• 1:55:05
  And obviously taking like, brain damage, Yeah.
• 1:55:08
  And I'm only saying head trauma and brain damage because half
• 1:55:11
  his head is shaved when we first see him.
• 1:55:13
  So he clearly had his head shaved to have brain surgery.
• 1:55:17
  Yeah, OK Next up, Muse of Magpies, they say.
• 1:55:23
  Really entertaining and bleak. I saw my first Dong in 28 Days
• 1:55:26
  later. Nice.
• 1:55:28
  That's funny. Yeah, I just love how that like
• 1:55:30
  it. Just where were you when you saw
• 1:55:32
  your first Dong? This honestly might have been my
• 1:55:34
  first Dong too. Oh really?
• 1:55:35
  Yeah. Where were you when first Dong?
• 1:55:38
  28 Days? No, 28 Days later 28 Days is a
• 1:55:43
  whole different movie. Is it?
• 1:55:44
  Yeah, it's a Sandra Bullock movie.
• 1:55:45
  Where she has to go to rehab is. There any Dong in it?
• 1:55:51
  Do you have to actually think about it?
• 1:55:52
  I don't remember. I don't think Sandra Bullock
• 1:55:54
  does. Don't.
• 1:55:55
  Think she does. I don't think she does.
• 1:55:57
  I think that's in her contract, yeah.
• 1:55:58
  No Dongs. Just me.
• 1:56:01
  Just like, you know, like make me look good.
• 1:56:03
  I don't think I've seen a movie where she's like a bad person,
• 1:56:07
  OK? Over on Twitter, Johnny Hammond
• 1:56:10
  says. I remembered liking it at the
• 1:56:12
  time, but it's been so long since I've watched it, I barely
• 1:56:14
  remember it. Johnny, watch it again.
• 1:56:16
  If you can, you gotta try hard for it.
• 1:56:18
  Aquilly boobs. This shit was fucking the game
• 1:56:21
  changer. Yeah.
• 1:56:22
  Absolutely love this movie. It's brutal, bleak, but has
• 1:56:24
  heart when you need it. An awfully accurate, accurate
• 1:56:27
  vision of what life would be like during a cataclysmic.
• 1:56:32
  Does say that right? Cataclysmic.
• 1:56:34
  Cataclysmic pandemic hell. We saw glimpses of this during
• 1:56:37
  COVID 10 of 10. All right.
• 1:56:40
  Yeah, that's the thing about we talked a lot about, you know how
• 1:56:43
  the how people just kind of suck and I don't.
• 1:56:47
  We have a lot to cover with this maybe.
• 1:56:48
  And I don't think, I don't know, I'm still, I'm still getting
• 1:56:52
  over COVID fatigue. But like, yeah, we did see like
• 1:56:55
  the worst sides of people, yeah, during those couple of years.
• 1:56:59
  Thankfully it wasn't anything as in since as a RAGE virus,
• 1:57:01
  because if it were anything like this, we, I don't know if like
• 1:57:04
  humanity would be around. Absolutely not.
• 1:57:08
  Absolutely not. I also like then like the
• 1:57:10
  beginning. They're like, how could it
• 1:57:11
  fucking travel over over to like New York and stuff like that?
• 1:57:13
  Like it like it's over here. I'm like, dude, you don't know
• 1:57:16
  how, like easily shit like that can travel.
• 1:57:18
  Also, you don't know how easily people just ignore what they're
• 1:57:21
  told to do. That, yeah.
• 1:57:22
  But like one person on a plane, like from one country, they get
• 1:57:25
  on a plane, go to another, or like, knew somebody that like
• 1:57:28
  may have had contact and then boom, you just got like a whole
• 1:57:31
  pandemic. Every continent's getting
• 1:57:33
  infected somehow. And then?
• 1:57:37
  Next up and last we have Mandy, she says.
• 1:57:40
  You don't fuck around with rage, zombies and the blood in the eye
• 1:57:43
  POV. It is one of the most
• 1:57:46
  devastating scenes ever. God, it really is.
• 1:57:49
  Those are, like I said, the two scenes I remembered from this
• 1:57:51
  movie. Frank's death and Hannah
• 1:57:54
  thinking that kissing was biting.
• 1:57:56
  Yeah. Yeah, Frank stuff is so sad,
• 1:57:58
  man. God, it's tragic.
• 1:57:59
  Yeah, but it's cool, really, that that family is what holds
• 1:58:02
  this baby together for me, I guess.
• 1:58:04
  Yeah. I guess.
• 1:58:06
  Yep. Frank and Hannah.
• 1:58:08
  OK. And that's our reviews.
• 1:58:10
  Thank you guys for submitting those.
• 1:58:11
  We appreciate discussing them. Glad to see love for this, maybe
• 1:58:14
  even 21 years later. Yeah, I mean, it's one of those
• 1:58:17
  that has an impact and I think it's especially after
• 1:58:21
  experiencing the pandemic ourselves, it's kind of fun to.
• 1:58:24
  Maybe not fun, but interesting to revisit too.
• 1:58:27
  But that's it for this one. So what are we talking about
• 1:58:31
  next month, Jesse? Well, surprisingly, we actually
• 1:58:35
  already have most of the September schedule plotted out.
• 1:58:38
  We do, yes, and I really want to start things off getting weird.
• 1:58:44
  Y'all, we're going to watch Infinity pool.
• 1:58:48
  Oh boy, that was a Speaking of dongs and nipples.
• 1:58:54
  Yep, some very unsettling sexual things on film.
• 1:58:59
  And then if you wanna see one of the most shameful come scenes.
• 1:59:06
  Yeah, like. Yeah, I don't know how else to
• 1:59:10
  put it. And it's just, it's a fucking
• 1:59:11
  trip. I'm excited for us to talk about
• 1:59:14
  this. Like in podcast setting versus
• 1:59:17
  on the right home from the theater.
• 1:59:18
  Yeah, cinema setting. I've got.
• 1:59:21
  I've had some time to process it.
• 1:59:22
  I don't know what I'm gonna think after watching it this
• 1:59:25
  time as of today, granted, this is the end of August when we're
• 1:59:28
  recording this, so hopefully this is still accurate.
• 1:59:31
  September. It's streaming on Hulu, but you
• 1:59:35
  can also rent it for cheap from YouTube, Google Play, Prime, Red
• 1:59:40
  Box, or Voodoo. I'd say it's definitely worth
• 1:59:42
  the rental money. If you don't have Hulu, it's.
• 1:59:45
  It's a I. You just need to watch it.
• 1:59:49
  You're. Not gonna not be entertained
• 1:59:51
  watching this. I don't care if you're gonna
• 1:59:53
  feel something, yeah. Yeah, it's gonna be emotion at
• 1:59:57
  the minimum. If you pay some money for it,
• 1:59:59
  you're gonna be like, OK, well, I paid.
• 2:00:01
  Yeah, you're like I. Got my money's worth.
• 2:00:03
  I don't know if I like like that.
• 2:00:05
  I got my money's worth, but I got my money's worth.
• 2:00:08
  But I did see that that weird come scene.
• 2:00:11
  So lots, lots of fun to be had. An Infinity pool.
• 2:00:13
  It's a newer movie. We haven't covered a lot from
• 2:00:17
  2023 yet, so I'm excited to be able to do that.
• 2:00:21
  Yeah, and it's the horror royalty.
• 2:00:24
  It's baby Cronenberg. That's true, yeah.
• 2:00:27
  So we got a lot of tangentially. Tangentially.
• 2:00:33
  Tangentially related people, you got scar scarred, the other scar
• 2:00:37
  scarred. And not at 1:00.
• 2:00:39
  Yeah, I was gonna say there's like four or five Hollywood
• 2:00:41
  scars. Guards SO.
• 2:00:42
  Yeah, exactly. But one of them is like a horror
• 2:00:45
  icon at this point now. Okay.
• 2:00:47
  So yeah, watch it. If not, you can listen.
• 2:00:51
  Or you can do both. But in the meantime, you can
• 2:00:54
  find us on social media. We have a Twitter It's at least
• 2:00:58
  Faith Pod. We also have a blue sky now.
• 2:01:00
  Yeah, thank you Queen Bean Tricks for the invite.
• 2:01:04
  Yeah. So which is actually Blue Sky,
• 2:01:06
  not Blue Ski as I initially read it.
• 2:01:09
  I'm sorry, I've heard other podcasts.
• 2:01:11
  Did you actually think it was blue?
• 2:01:12
  Ski. Come on.
• 2:01:13
  Dude. Like it's so clearly blue sky.
• 2:01:16
  It's clearly blue sky when you pull up the app, but when you
• 2:01:19
  just see it written, it just looks like blue ski you're.
• 2:01:21
  Like, what's that one app? How is it the blue with the tur
• 2:01:24
  like a the? Bird of Blue.
• 2:01:26
  You know, it's kind of blue ski. Ohh, you know, let's make it.
• 2:01:29
  Let's make a copy of that. Make it blue ski.
• 2:01:31
  Through at least fave pod on there too.
• 2:01:33
  Yeah, yeah, we're at least safe fun on.
• 2:01:35
  We've got an Instagram and Threads, which is least favorite
• 2:01:38
  scary movie podcast. You can find us on our website.
• 2:01:40
  What's your least favorite? scarymovie.com.
• 2:01:43
  You can also join our Patreon if you want to show us monetary
• 2:01:46
  support. We always appreciate that it
• 2:01:47
  helps us buy new equipment. Yeah, that we've got three
• 2:01:51
  different tiers. You can go check that out and
• 2:01:53
  you can join the likes of Eric and Viv.
• 2:01:55
  You have shaken, not scared Joe, as is his name.
• 2:01:58
  Amber and Michael, thank you guys.
• 2:02:02
  If you if monetary support is not in your wheelhouse right
• 2:02:07
  now, that's either because you don't want to because you can't
• 2:02:09
  afford it. That's cool.
• 2:02:10
  Either way, we're fine with that.
• 2:02:12
  If you want to show support in other ways, you could do it by
• 2:02:14
  rating, reviewing, subscribing, sharing us everywhere, share all
• 2:02:17
  of our stories. We like it when that happens.
• 2:02:19
  Those are fun notifications. All that stuff is big help.
• 2:02:24
  I think that's. It That's it.
• 2:02:25
  Okay. All right, cool.
• 2:02:26
  All. Right.
• 2:02:27
  Until next week. Bye.
• 2:02:31
  Bye. Purely sorry, a piece of paper
• 2:02:47
  just moved on its own. Here and then it.
• 2:02:49
  Was we're already in spooky modes, I was like.