Latest / Fake Doctors, Real Friends with Zach and Donald / 803: My Saving Grace

Transcript

803: My Saving Grace · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Hi, Donald, how are you. How's the new house coming?
• 0:03
  Speaker 1: It's coming along. The power is back on. It was
• 0:07
  Speaker 1: off for a bit. The gas is off right now
• 0:09
  Speaker 1: because it's the area that had to be fixed as
• 0:13
  Speaker 1: now being inspected. So things are being turned on and off.
• 0:17
  Speaker 1: And you know what I realized when I listened to
• 0:19
  Speaker 1: the podcast is that I yell way too much. Yeah,
• 0:22
  Speaker 1: you're yelling. You try and tone tone that. I assume
• 0:26
  Speaker 1: it's because you've had a just exhaled a big mouthful
• 0:30
  Speaker 1: of God's let us and you're not fully Yeah, but
• 0:33
  Speaker 1: usually that calms you down and makes it so, but
• 0:35
  Speaker 1: it makes you it makes you more excited. I think.
• 0:38
  Speaker 1: I think it's because of the name of the wheat.
• 0:40
  Speaker 1: Like you shouldn't buy weed that's called green crack or
• 0:44
  Speaker 1: yea or yells a lot or charged or or charged
• 0:49
  Speaker 1: you want to get wet, that's more. You know that
• 0:52
  Speaker 1: the name of the weed should sound like headband or
• 0:56
  Speaker 1: you know, or yoga Mat, Yoga, Matt. I want some
• 1:03
  Speaker 1: of that weed, yoga Matt. Yeah. I worry that the
• 1:05
  Speaker 1: kind of weed you're getting is having the wrong effect. Oh,
• 1:09
  Speaker 1: but I'm giving it up. We had this conversation, Oh
• 1:13
  Speaker 1: if this listeners will know that you've said this before.
• 1:16
  Speaker 1: Are you really really going to commit I mean at
• 1:18
  Speaker 1: this time because once against a lot of people. You
• 1:24
  Speaker 1: know how it is. I used to be a fucking
• 1:27
  Speaker 1: asshole and work stoned, and I don't like to do
• 1:30
  Speaker 1: that anymore. I like the way my face looks when
• 1:32
  Speaker 1: I don't. I like it when my face looks fresh.
• 1:35
  Speaker 1: Right now, I would say, you have less wrinkles than
• 1:42
  Speaker 1: I do, and you're older than me by only a year, Zach,
• 1:47
  Speaker 1: a year and a couple of months. I know, but
• 1:49
  Speaker 1: I think you have nice skin. But you're saying that
• 1:51
  Speaker 1: you feel that the weed is affecting and making you age.
• 1:53
  Speaker 1: Is that what you're saying? It just gives me. It
• 1:55
  Speaker 1: gives me that dried out look, you know what I mean.
• 1:58
  Speaker 1: And you always want to feel like you drink a
• 2:01
  Speaker 1: glass of water. You want that look, you know what
• 2:03
  Speaker 1: I mean? That, Yeah, where your skin is like supple.
• 2:07
  Speaker 1: I'm gonna no booze kick um, I'm gonna see how
• 2:10
  Speaker 1: long I can go. In the spirit of what you're saying,
• 2:12
  Speaker 1: we will have a challenge. Let's go. Let's go for it.
• 2:15
  Speaker 1: I'm fucking with you, dude, Let's go. Let's go I'm
• 2:18
  Speaker 1: not I mean, I'm fucking with you. I'm fucking with you.
• 2:20
  Speaker 1: It sounds like not not like you don't mean kidding
• 2:24
  Speaker 1: like you mean like I'm ready to I'm ready to
• 2:26
  Speaker 1: fuck with you on this project. I fox with you.
• 2:29
  Speaker 1: What I should say, you fuck with you? I just
• 2:31
  Speaker 1: saw I'm clear on my expressions. That means you too,
• 2:35
  Speaker 1: want to go for a certain amount of time with
• 2:37
  Speaker 1: not not imbibing or ganja. I fox with your sties.
• 2:42
  Speaker 1: It is pretty much what I'm saying. I'm gonna write
• 2:44
  Speaker 1: that down. Am I allowed to say that? Is that
• 2:46
  Speaker 1: ab speak? Or am I allowed to say I fox
• 2:49
  Speaker 1: with you? You could totally say you say that, Joel
• 2:52
  Speaker 1: with no better than you. You don't know what I'm going.
• 2:55
  Speaker 1: There's no way anyone to get pissed off at you
• 2:58
  Speaker 1: if they was like, yo, I'm trying to get this
• 3:00
  Speaker 1: money and you went A fox with you? Okay, I
• 3:02
  Speaker 1: trust her well better than you. She's late. When when
• 3:05
  Speaker 1: she gets here, we'll ask her if I'm allowed to say,
• 3:06
  Speaker 1: I'm just saying a Fox what she was universal? Sorry,
• 3:11
  Speaker 1: Fox was universal. I'm proud of you, m I know
• 3:14
  Speaker 1: I know a lot of people that are every day
• 3:16
  Speaker 1: gone just smokers, and it's very it's challenging to give up.
• 3:20
  Speaker 1: So I support you and I'm happy for you. I
• 3:22
  Speaker 1: wanted to say it. Recommend a show I'm really loving
• 3:24
  Speaker 1: called zero zero zero. Have you heard of that? Guys? No,
• 3:29
  Speaker 1: Josh Raden is staying with me and he recommended it.
• 3:32
  Speaker 1: It's a it's a really interesting show. It's l from
• 3:34
  Speaker 1: twenty twenty. It's on Amazon Prime and it follows the
• 3:38
  Speaker 1: drug trade how a giant shipment of cocaine goes from
• 3:42
  Speaker 1: Mexico to Italy. America is not a character in this,
• 3:45
  Speaker 1: but it's it's just about the buyers and the dealers
• 3:48
  Speaker 1: and the it's almost like the Wire kind of storytelling. Um,
• 3:53
  Speaker 1: but really really really good and it's just one season
• 3:55
  Speaker 1: and I highly recommend it. That's my recommendation of the week.
• 3:59
  Speaker 1: Fiction or non fiction. It's fiction. It's scripted, but it's
• 4:02
  Speaker 1: incredibly shot. I mean, it looks like they spent a
• 4:04
  Speaker 1: fortune on it. It's got the scale of a big
• 4:06
  Speaker 1: ass like Born Identity movie. Um, but it's it's really
• 4:11
  Speaker 1: really well done. Daniel and or Donald, are you going
• 4:14
  Speaker 1: to play the new Star Wars game? I saw a
• 4:15
  Speaker 1: billboard for it. Oh yes, it's a Jedi survivor. I
• 4:19
  Speaker 1: believe it's called or Jedi Outcome. I saw that you can.
• 4:22
  Speaker 1: Someone was bragging that you're going to be able to
• 4:24
  Speaker 1: cut people in half. Bull crap, that's what they said.
• 4:28
  Speaker 1: They said, believe it or not. I don't know if
• 4:30
  Speaker 1: they'll be blood quote unquote, but you know, because the
• 4:33
  Speaker 1: lightsaber conizes the well there you go there, but you're
• 4:37
  Speaker 1: gonna be able to light You're gonna be able to
• 4:39
  Speaker 1: lightsaber people in half down. I thought that might be
• 4:41
  Speaker 1: attractive to you. I'm definitely gonna play this game if
• 4:44
  Speaker 1: you can lightsaber people in half. Is it open world though?
• 4:47
  Speaker 1: Is it? That's the question, Daniel, you're our video game expert.
• 4:50
  Speaker 1: Is it open world? I know there's a track. It's
• 4:52
  Speaker 1: a track. It's a track, isn't it. It's a little.
• 4:55
  Speaker 1: It's a little. You know, you're going from level to
• 4:57
  Speaker 1: level versus one big open world. But I in a
• 5:00
  Speaker 1: market that is oversaturated with open world style games. I
• 5:03
  Speaker 1: like that Star Wars is going with this model of
• 5:06
  Speaker 1: letting you play through a story rather than having to
• 5:09
  Speaker 1: kind of choose your own adventure in a big open space.
• 5:11
  Speaker 1: I think that plays into the a Star Wars narrative nicely.
• 5:15
  Speaker 1: I would personally love it if Star Wars created another
• 5:18
  Speaker 1: open world game for like the Xbox and or PlayStation,
• 5:24
  Speaker 1: because they've never done that. It's all been track oriented.
• 5:29
  Speaker 1: On PC. There have been several games that are open world,
• 5:34
  Speaker 1: but on Xbox and on PlayStation, there's never been an
• 5:39
  Speaker 1: open world game where you can like a GTA type
• 5:42
  Speaker 1: situation or or you know what I mean, And that
• 5:45
  Speaker 1: is missing from Star Wars. It really is. I feel
• 5:50
  Speaker 1: like that's the I feel like that is the from
• 5:53
  Speaker 1: Star Wars video gaming. I feel like that is the
• 5:56
  Speaker 1: one thing that would really separate it from if you
• 6:00
  Speaker 1: could make a Star Wars GTA Holy Cow where you
• 6:05
  Speaker 1: could do anything one game developers, Donald's buying for sure. No,
• 6:13
  Speaker 1: I'm saying for those developers who may work for Lucasfilms,
• 6:17
  Speaker 1: you've definitely got one game sold with Donald Faison. If
• 6:20
  Speaker 1: you do a GTA style Star Wars, imagine if you
• 6:23
  Speaker 1: could steal a speeder. Imagine if you could steal a starship.
• 6:26
  Speaker 1: Imagine if you could buy a starship and actually go
• 6:29
  Speaker 1: on missions in space with your starship and Jodius starship
• 6:34
  Speaker 1: or um or or or kidnapped grow gou who. That
• 6:39
  Speaker 1: would be awesome. Imagine if you could kidnapp grow, grow,
• 6:42
  Speaker 1: and now you've got and now you've got din jar
• 6:44
  Speaker 1: in chasing after you across the galaxy. What else can
• 6:50
  Speaker 1: we talk about? What? O the fun things have happened?
• 6:52
  Speaker 1: Have you seen the canals in Venice, Italy? They're empty? What? Yeah?
• 6:56
  Speaker 1: I could see weren't there. Weren't there just dolphins in
• 6:59
  Speaker 1: the canals? And I don't know, but in the spirit
• 7:02
  Speaker 1: of it, I'm sorry, it's your thing. You haven't given
• 7:04
  Speaker 1: up the weed yet and the spirit of it's snowing
• 7:08
  Speaker 1: in California in la Um it's um. There's no water
• 7:11
  Speaker 1: Google image it. There's no water in the Venice canals.
• 7:13
  Speaker 1: I don't know about all of them. But the what
• 7:16
  Speaker 1: do they call those boats, the gondolas, they're just sitting
• 7:18
  Speaker 1: on the soil. Yeah, it's not soil, it's freaking mud. Well,
• 7:23
  Speaker 1: soil is mud, Donald, A long low tide drives up
• 7:26
  Speaker 1: Venice is smaller canals. Wow, look at that. That's wild. Yeah,
• 7:30
  Speaker 1: that's an as that's a little London topic of the day. Donald,
• 7:33
  Speaker 1: Um and I may be in a social environment um
• 7:37
  Speaker 1: this weekend with Harrison Ford and I was thinking you
• 7:40
  Speaker 1: might want to practice with me. We could role play
• 7:44
  Speaker 1: that I'm Harrison Ford, so you don't embarrass yourself or
• 7:46
  Speaker 1: say something dumb. I thought we could for the audience
• 7:48
  Speaker 1: do a little role play so you can practice. Yes,
• 7:51
  Speaker 1: I'm gonna be Harrison. Hey, Harrison, I don't know if
• 7:54
  Speaker 1: you remember McDonald fasar. Yes, I know who you are. Right.
• 7:57
  Speaker 1: Listen to The Thig Doctor's Real Friends. It's a very
• 8:00
  Speaker 1: good podcast. You're funny. Oh, thank you so much. At
• 8:03
  Speaker 1: try that episode where you you talked about fucking your
• 8:06
  Speaker 1: wife on the floor. I laughed a lot. Harrison. Yeah,
• 8:11
  Speaker 1: you listen to fake doctors like that. You you heard
• 8:14
  Speaker 1: the story about me fucking my wife. Yeah, that's a
• 8:16
  Speaker 1: great story and your wife's very funny. And uh, you
• 8:19
  Speaker 1: know when you guys ended up and I'm sorry to
• 8:21
  Speaker 1: hear about the fight, but when you ended up fucking
• 8:23
  Speaker 1: on the floor, I said to Calissa, you know we
• 8:27
  Speaker 1: should h we should dry that sometimes. So I just
• 8:33
  Speaker 1: want you to know, like my hope, my whole career,
• 8:36
  Speaker 1: I've copied your style. You're saying you're copying my style now, Harrison, Sorry,
• 8:40
  Speaker 1: I listened to podcast so I know that you're a fan,
• 8:43
  Speaker 1: I'm I want to copy your Let's just put it
• 8:46
  Speaker 1: this way. I I foxed with you, Donald, I I
• 8:51
  Speaker 1: fox with you. I think you hailed yourself well, So
• 9:00
  Speaker 1: if you could just hold it together like that, you'd
• 9:01
  Speaker 1: be great. Can I'd be like, can I ask him
• 9:04
  Speaker 1: to like, would you would you like to spoke some weed? Sure?
• 9:08
  Speaker 1: I think you can do anything. I just would. I
• 9:10
  Speaker 1: think you should stay pretty chill with the fans stuff,
• 9:12
  Speaker 1: because if you go to fandom, he's going to be like, oh,
• 9:15
  Speaker 1: I'm not dealing with a contemporary actor, a friend of mine.
• 9:18
  Speaker 1: I should never be like I should never be like
• 9:21
  Speaker 1: when you pulled out the bullwhip in Raiders No and
• 9:30
  Speaker 1: Temple of Doom because you didn't have your gun, right, yeah, alright.
• 9:34
  Speaker 1: I don't think you don't even to finish this sentence
• 9:36
  Speaker 1: the answers no, don't do that. Don't know that, because
• 9:40
  Speaker 1: I think personally he's gonna switch from oh, this gentleman's
• 9:44
  Speaker 1: a fan, which is great, but I'm not gonna like
• 9:46
  Speaker 1: chill with him on the couch and get to know
• 9:49
  Speaker 1: him because I don't want to say anything wrong. Whereas
• 9:52
  Speaker 1: if you go like, hey man, as simple as like
• 9:54
  Speaker 1: I'm a big fan. It's cool to hang out with you,
• 9:56
  Speaker 1: then you're more likely to have an authentic experience with him.
• 9:59
  Speaker 1: That's my two sense. So no, no doing the Lando
• 10:04
  Speaker 1: Calrissian thing that I did, that we did in scrub. Yeah,
• 10:08
  Speaker 1: I don't do the thing in scrubs where you go
• 10:11
  Speaker 1: hard fucking solo. I don't do that. You just sounded
• 10:15
  Speaker 1: like the dude from Family Guy, the old man. God
• 10:18
  Speaker 1: fucking so much. It's your sexy as. But see, we practiced,
• 10:24
  Speaker 1: the audience heard his practice, and now that we've we've
• 10:27
  Speaker 1: gone through it. It's always good to sort of rehearse
• 10:29
  Speaker 1: these things and now you're ready. You know, it doesn't
• 10:33
  Speaker 1: always go as rehearsed. Well, you have to come up
• 10:37
  Speaker 1: with all the scenarios that could possibly happen. What if
• 10:40
  Speaker 1: he what if he says, you know, I want to
• 10:43
  Speaker 1: He's never gonna say this, but what if he said,
• 10:44
  Speaker 1: I want to talk Star Wars? Yeah, okay, let's practice
• 10:47
  Speaker 1: that scenario right, All right, let's go. I introduce yourself
• 10:50
  Speaker 1: to start. You are the best, buddy, You are the
• 10:52
  Speaker 1: best one. I want you to be prepared for all
• 10:54
  Speaker 1: scenarios ahead. Are you walking? He? Holy shit? Hey man,
• 10:59
  Speaker 1: don I don't know if you remember Donald faz course
• 11:01
  Speaker 1: I remember you. I love the clu Clust got me
• 11:03
  Speaker 1: through a lot of hard times. Uh, listen, this party sucks.
• 11:07
  Speaker 1: Do you want to go um smoke a blunt in
• 11:09
  Speaker 1: the backyard and talk about all things Star Wars? I've
• 11:12
  Speaker 1: got three I've got three hours. That's my head exploding.
• 11:24
  Speaker 1: But I only have three hours. But I don't want
• 11:28
  Speaker 1: you to change the subject from Star Wars. Okay, I
• 11:30
  Speaker 1: want to go deep. I want to talk about that
• 11:32
  Speaker 1: ship that only geeks like you know about. Gay. Oh,
• 11:38
  Speaker 1: I wouldn't be I can't. I can't like even doing it.
• 11:40
  Speaker 1: I can't do it right now, So this is all stop,
• 11:45
  Speaker 1: stop squealing and spark that fucking blunt. Okay, I would fail.
• 11:51
  Speaker 1: I would fail. I would fail. I would your dream
• 11:55
  Speaker 1: and I not only is it my dream, it would
• 11:58
  Speaker 1: be the best day ever, right, but just rehearsing it
• 12:01
  Speaker 1: with you, I already know. All right, Well, anyway, you're good.
• 12:05
  Speaker 1: You're ready for either scenerian? All right? Counter send my
• 12:08
  Speaker 1: friend six seven nice stories about show we made about
• 12:14
  Speaker 1: a bunch of doctor nurses, said he that stories natural?
• 12:23
  Speaker 1: So yet around here, yeado around here? Who this is
• 12:34
  Speaker 1: My Saving Grace Everybody. It was aired on January thirteenth,
• 12:39
  Speaker 1: two thousand and nine. It was written by Jannae Bachen.
• 12:44
  Speaker 1: I'm gonna be honest with you, I did not like
• 12:46
  Speaker 1: this episode of I know you're not in it, and
• 12:48
  Speaker 1: I don't like there's no there's literally no turk. Yeah,
• 12:53
  Speaker 1: but don't worry, Aboudy. We're gonna get episodes without me.
• 12:55
  Speaker 1: They occur, but I don't know about it. I don't
• 12:58
  Speaker 1: know if I'm gonna like that show either. Well, I
• 13:01
  Speaker 1: definitely thought this was not as funny because you bring
• 13:04
  Speaker 1: a lot of humor to the show. I don't think
• 13:06
  Speaker 1: I laughed out loud, okay, And Neil Neil Neil Neil
• 13:15
  Speaker 1: feels like this is one of the episodes where Bill
• 13:17
  Speaker 1: just told Neil, like just say whatever the fuck you
• 13:19
  Speaker 1: want to say. Oh my gosh, because Neil goes off
• 13:22
  Speaker 1: on this episode when he goes he got shipped with
• 13:24
  Speaker 1: the shank and got shank with the ship. Oh my,
• 13:29
  Speaker 1: he got shipped with the shank and then they shanked
• 13:32
  Speaker 1: him with the ship. They even show it as a
• 13:36
  Speaker 1: blooper at the end, like, but he must have gone
• 13:38
  Speaker 1: on for like really just Bill probably just said like,
• 13:41
  Speaker 1: I don't know, dude, Johnny, I thought I saw him Janny, Janny, Janny.
• 13:49
  Speaker 1: It was like it was like Brando, I could have
• 13:53
  Speaker 1: been somebody. I could have been a contender he was.
• 13:59
  Speaker 1: That was hilarious. That shit. Oh man, I laughed out
• 14:01
  Speaker 1: aloud at that. I laughed out loud at all. Hold on,
• 14:04
  Speaker 1: don't let's go through it, um so, I said, directed
• 14:07
  Speaker 1: by Spiller? Did I say that? Legendary Michael Spiller directed
• 14:10
  Speaker 1: this one? Okay, So Maddox. We start off and Maddox
• 14:14
  Speaker 1: is everywhere. This is Courtney Cox's last episode. So the
• 14:17
  Speaker 1: character of Maddox is really annoying us. And she's just
• 14:21
  Speaker 1: she's not allowing any wiggle room. She's being the nightmare.
• 14:24
  Speaker 1: Um you know what is her position called. She's being
• 14:29
  Speaker 1: a nightmare. Whereas Kelso would allow a little wiggle room
• 14:32
  Speaker 1: and look the other way a few times, she's just like,
• 14:35
  Speaker 1: get that patient out of here, move this one here,
• 14:37
  Speaker 1: micromanaging everywhere, and she's she's so handcuffing the staff that
• 14:42
  Speaker 1: they just don't feel free at all to be able
• 14:44
  Speaker 1: to treat their patients. She's driving everyone insane. Actually, everybody
• 14:48
  Speaker 1: dislikes her, Yes, kind of sucks, especially when she seems
• 14:53
  Speaker 1: to be a nice person. But she just she's playing
• 14:56
  Speaker 1: a different game than everybody else. Everybody else plays the
• 14:58
  Speaker 1: game that Sacred Heart has always played, and that's you know,
• 15:02
  Speaker 1: you pretend not to see what we're doing, and we
• 15:05
  Speaker 1: will go ahead and save these people. She's playing the
• 15:08
  Speaker 1: game of no. If they don't have that insurance, they're
• 15:10
  Speaker 1: out and there's no wiggle room in between. You're absolutely right.
• 15:13
  Speaker 1: She's very hardcore, and she also is you know, I'm
• 15:17
  Speaker 1: sure people listening and you guys have people in your
• 15:20
  Speaker 1: life that present as smiling and kind and beautiful and
• 15:24
  Speaker 1: then little do you know how fucking nefarious and evil
• 15:29
  Speaker 1: they are behind that facade. Yeah, I mean at one point,
• 15:34
  Speaker 1: she's even inside of patient's guts. That's how that was funny.
• 15:39
  Speaker 1: That was funny. She's giving uh yeah. JD has a
• 15:42
  Speaker 1: fantasy where she's literally inside of a patient and there's
• 15:45
  Speaker 1: like intestines lying on her head. Johan is the guy
• 15:52
  Speaker 1: who works at the gift shop, and we learned that
• 15:59
  Speaker 1: Elliott Um it's been stealing candy. She thinks it's free,
• 16:04
  Speaker 1: but it comes out that he's from Estonia. Yes, and
• 16:09
  Speaker 1: and he has asked her in the past, if she's
• 16:11
  Speaker 1: comfortable around Oxen because he plans on bringing her back
• 16:19
  Speaker 1: to Estonia as his wife. Yes, but truth be told,
• 16:25
  Speaker 1: all the women flirt with him at the hospital for candy. Yeah,
• 16:30
  Speaker 1: but Elliott, I mean I got a little, Yeah, I
• 16:33
  Speaker 1: got a little, I got a little turned on. I
• 16:34
  Speaker 1: gotta say, you could say I got a little movement
• 16:37
  Speaker 1: in both times. I gotta shift time. I gotta say
• 16:39
  Speaker 1: there was some shifting when Elliott says I wouldn't um
• 16:45
  Speaker 1: what did she say? She wou I wouldn't know whether
• 16:48
  Speaker 1: to lick it or hike up my skirt and spank
• 16:52
  Speaker 1: myself with it? And then she bites her lip. Yeah,
• 16:55
  Speaker 1: that was effective. That was effective for me. And then
• 16:58
  Speaker 1: Jordan at the end pushing her boot together and shaking them. Yeah.
• 17:02
  Speaker 1: And both women really brought the sex the sex a yeah,
• 17:07
  Speaker 1: but Sarah really leaned into it. I mean she was.
• 17:10
  Speaker 1: I feel like they both did. I don't think they
• 17:13
  Speaker 1: both did. But Sarah's talk was a smanged, dirtier you
• 17:16
  Speaker 1: like it, the dirty talk. He likely selling giant lollipops
• 17:21
  Speaker 1: at the hospital gift shop. I guess they just do.
• 17:24
  Speaker 1: I guess maybe it's a present you can bring someone.
• 17:25
  Speaker 1: Here's a giant lillipop. I think she said that to
• 17:28
  Speaker 1: him before. I think she giantlipop. She's gonna walk him
• 17:31
  Speaker 1: around as a doctor in hospital, licking and giant lollipop.
• 17:35
  Speaker 1: Or maybe she's this is Elliott. Remember this is Elliott.
• 17:40
  Speaker 1: She did have sex with another man in a box.
• 17:45
  Speaker 1: That's true. She's kinky. She she's in she has lots
• 17:48
  Speaker 1: of kinks. She's in two What did they do? They
• 17:51
  Speaker 1: would She was in one box and he was in
• 17:54
  Speaker 1: another box, and they were having sex with each other.
• 17:57
  Speaker 1: I remember that they're sex involved pleasuring themselves in separate
• 18:02
  Speaker 1: cardboard boxes and dirty talking through the boxes. That's what
• 18:07
  Speaker 1: it was, something like that. I love, I Love. This
• 18:10
  Speaker 1: is owned by the Disney Corporation. So who knows what
• 18:13
  Speaker 1: Elliott's gonna do with that lollipop? Right? Well, she tells
• 18:16
  Speaker 1: she's gonna spank herself with it. She's gonna hike up
• 18:18
  Speaker 1: her skirt and spank herself with it. She says that,
• 18:21
  Speaker 1: you know, remember you remember what you remember? That song
• 18:25
  Speaker 1: like a lollipop? Oh? Yeah, like like like alalip show,
• 18:30
  Speaker 1: do you wanna oh? I like that song? Shorty wants
• 18:34
  Speaker 1: a thud Battles in the Club, Dottles full of tub
• 18:39
  Speaker 1: something like that show Do you Wanna Hump? You know,
• 18:42
  Speaker 1: I like Lady Loves Yeah, do you Wanna? And then
• 18:49
  Speaker 1: Donald and I changed it to Shorty he wants a
• 18:51
  Speaker 1: hub Bottles in the Club show Do you wanna hu?
• 19:00
  Speaker 1: Who is that? Little Wayne? Oh? Sorry, wheezy f don't
• 19:05
  Speaker 1: forget the f baby like that, hun, don't forget the baby? Right,
• 19:13
  Speaker 1: it's wheezy f baby baby, don't forget the baby. By
• 19:19
  Speaker 1: the way, do you see that thing I sent you
• 19:20
  Speaker 1: guys on the chat that Rihanna is the richest musician.
• 19:24
  Speaker 1: Oh yeah, that's wild. I don't know what even what
• 19:30
  Speaker 1: fenty is, but I was just surprised and stuff. She's
• 19:33
  Speaker 1: richard than Jay Z and Taylor Swift. I mean, this is,
• 19:36
  Speaker 1: of course, according to the Internet, so who the fuck
• 19:38
  Speaker 1: knows if it's accurate. But I didn't know that Rihanna,
• 19:40
  Speaker 1: according to this chart, was the richest musician. Rihanna goes
• 19:45
  Speaker 1: on vacation and doesn't worry about what and where. Well,
• 19:50
  Speaker 1: I think everyone on the list probably has the same man. Yeah,
• 19:53
  Speaker 1: but I'm just saying that's that's listens yat Yeah, Leanna, Yeah,
• 20:00
  Speaker 1: gave birth to a yat. Yeah, Rihanna's yeat. Rihanna's so rich,
• 20:04
  Speaker 1: she has a yat that got pregnant and gave birth
• 20:08
  Speaker 1: to another yah. You know, some of those yachts are
• 20:10
  Speaker 1: so big that they have like a service yacht that
• 20:13
  Speaker 1: just follows it, and it's got like it's another nice yacht,
• 20:16
  Speaker 1: but it just carries like toys and stuff. Rihanna probably
• 20:19
  Speaker 1: has that, and then it docks inside of the other yacht.
• 20:23
  Speaker 1: You love docking inside of things, like I do love
• 20:27
  Speaker 1: a good docking. All right. Back to the show. Katie
• 20:31
  Speaker 1: is the young intern who is bud kissing and she's
• 20:35
  Speaker 1: doing but she's also a liar. Carla catches her lying.
• 20:40
  Speaker 1: She's claims that she put a central line into a patient,
• 20:43
  Speaker 1: but she's given it to someone else to do. And
• 20:46
  Speaker 1: she's also not being a team player or getting the
• 20:48
  Speaker 1: spirit of this hospital at all. She's she's really just
• 20:52
  Speaker 1: being not being a team player. She's she's off on
• 20:56
  Speaker 1: her own. She's talking down to Carla. She's like, you're
• 20:58
  Speaker 1: not allowed to talk to me like that. You're just
• 21:00
  Speaker 1: the nurse. And Carla's like, whoa intervention time? Yeah, you know,
• 21:06
  Speaker 1: it's only a matter of time before Katie's on her
• 21:08
  Speaker 1: way out. And that's what Carla is trying to tell her. Look,
• 21:12
  Speaker 1: I get it, you're young, and there's I'm sure she's
• 21:16
  Speaker 1: running to so many other people. And this is a
• 21:19
  Speaker 1: sink or swim hospital, right, so she's running to so
• 21:21
  Speaker 1: many other people that are like this young lady. And
• 21:25
  Speaker 1: she even says, it's seen it. You know, one thing
• 21:28
  Speaker 1: we know is real from from doctors and nurses. Nurses
• 21:32
  Speaker 1: run the hospital and yeah, and the end. And so
• 21:36
  Speaker 1: this woman, this young cocky intern, isn't gonna last very
• 21:40
  Speaker 1: long unless if she's disrespecting the nurses like that. It's
• 21:44
  Speaker 1: really interesting that I'm skipping ahead, but you know, her
• 21:48
  Speaker 1: fallback when the in the intervention is you don't know me,
• 21:52
  Speaker 1: you know what I mean, And you don't know what
• 21:53
  Speaker 1: I've been through. I have this, this and this, I've
• 21:57
  Speaker 1: gone through this, this and this, and you know what
• 21:59
  Speaker 1: that reminded me of everybody in Hollywood, you know what
• 22:04
  Speaker 1: I mean? What I mean, everybody got daddy issues out here.
• 22:09
  Speaker 1: Everyone has a story that yeah, everybody, well I think
• 22:13
  Speaker 1: every human does. Everyone has some childhood trauma, but everybody
• 22:17
  Speaker 1: wears their heart on it. A lot of people wear
• 22:19
  Speaker 1: their heart on their sleeve out here. You know what
• 22:21
  Speaker 1: I mean. Right, But she's saying, in so many words,
• 22:24
  Speaker 1: carl Is saying, like, we all have problems. We're human beings.
• 22:28
  Speaker 1: We all have challenges from our childhood, problems with our families,
• 22:32
  Speaker 1: but we we we we drop that ship when we
• 22:36
  Speaker 1: get to dealing with patients. Okay, we have to be
• 22:39
  Speaker 1: present for our patients. Every single person here and je
• 22:43
  Speaker 1: and Elliott and Turk, everyone's got their issues. I think
• 22:46
  Speaker 1: that was just I think that was just a go to.
• 22:48
  Speaker 1: I think that's her like, I think that's everybody has
• 22:52
  Speaker 1: that go to. That's what I mean. You know what
• 22:54
  Speaker 1: I mean, Like when you when you say something that,
• 22:59
  Speaker 1: I think it was a defense mechanism. That's what I'm
• 23:01
  Speaker 1: trying to say. I think it was her defense mechanism.
• 23:03
  Speaker 1: Her defense mechanism is, well, I have daddy issues. And
• 23:06
  Speaker 1: she's said, Carlos saying, is fucking you don't have you
• 23:10
  Speaker 1: known your daddy issues are absolute at this point? Right? Maybe? Yeah, No,
• 23:15
  Speaker 1: I agree with you. She's saying, take responsibility. You're fucking
• 23:18
  Speaker 1: in charge of people's lives. Everyone here has fucking issues.
• 23:21
  Speaker 1: If you can't handle that, you're in the wrong career.
• 23:23
  Speaker 1: That's what she's saying. Doctor Simmons wears the exact same
• 23:28
  Speaker 1: outfit as Elliott every day, and Elliott has no idea
• 23:32
  Speaker 1: how she's doing. And in fact, even when Elliott spells
• 23:34
  Speaker 1: coffee on herself and changes outfits, doctor Simmons changes to
• 23:38
  Speaker 1: the exact same outfit. I thought there was an opportunity
• 23:41
  Speaker 1: for a callback at the very end for elliot dress. Yes,
• 23:45
  Speaker 1: I expect, just sitting there, just standing next to Carla
• 23:50
  Speaker 1: and nodding in the I agree with you. I thought
• 23:53
  Speaker 1: there was an opportunity at that moment, But I guess
• 23:56
  Speaker 1: I don't know what I've I thought the same thing. Also,
• 23:58
  Speaker 1: just because Elliot's dress was so loud, it was like
• 24:01
  Speaker 1: yellow polka dot. I was like, oh, they're definitely making
• 24:04
  Speaker 1: a point of this dress. She's going to walk through
• 24:07
  Speaker 1: even just hand Carlo Chart like all right. So then
• 24:13
  Speaker 1: we introduced to the patient of mister Russell, whose name
• 24:17
  Speaker 1: is pat and he is claiming he has a multiple
• 24:20
  Speaker 1: sclerosis and he needs the medication interferon. His daughter is
• 24:26
  Speaker 1: sitting beside him, and U JD and Elliot are prepared
• 24:31
  Speaker 1: to treat him because he says he's ready for the medicine. Now,
• 24:35
  Speaker 1: is it interferon a real drug? Yes, Interferon is a
• 24:39
  Speaker 1: real drug for multiple sclerosis. Wow, you guys can double
• 24:43
  Speaker 1: check that. But I don't think we would make that up.
• 24:46
  Speaker 1: That is a very interesting name for well. JD agrees
• 24:50
  Speaker 1: with you because he says that it sounds like a robot.
• 24:54
  Speaker 1: What does he say? It sounds like a robot? Who's
• 24:58
  Speaker 1: do you remember? Joel? J D says something about a
• 25:01
  Speaker 1: robot and then you start constantly interfering. Yes, it sounds
• 25:04
  Speaker 1: like a robot that's constantly interfering and so and then
• 25:10
  Speaker 1: he starts and then he starts doing a robot dance
• 25:15
  Speaker 1: and uh and then stops himself because it's inappropriate and
• 25:19
  Speaker 1: TERFy iron lady and gentleman and TERFy Aaron, what's that
• 25:24
  Speaker 1: Beastie Boys song? The Children Gil the Children and Lactic?
• 25:30
  Speaker 1: What are you talking about? I told you that someone
• 25:33
  Speaker 1: told me if you listen to that song, you will
• 25:37
  Speaker 1: you just think you just gotta yeah, you know that.
• 25:39
  Speaker 1: What is that ship that is on the I'm gonna
• 25:41
  Speaker 1: play thirty second No no no no no no no
• 25:43
  Speaker 1: no no no no, please don't but what is that
• 25:45
  Speaker 1: thing on? Like there's a bunch of these. Now that
• 25:48
  Speaker 1: that's on Instagram where you can literally look at the
• 25:51
  Speaker 1: words and you hear what it's saying, and all you
• 25:54
  Speaker 1: gotta do is think about the word and all of
• 25:57
  Speaker 1: a sudden it's right. Well, the first one I ever
• 25:59
  Speaker 1: heard of the was intergalactic, and if you listen, it
• 26:02
  Speaker 1: sounds I know it's not the lyric, everybody, but it
• 26:04
  Speaker 1: sounds like he's saying Intergalactic guild, the children gelt the
• 26:08
  Speaker 1: children and they're galactic. Next time he's saying planet Daniel.
• 26:13
  Speaker 1: Have you heard this or not? Absolutely all right, Well, listen, audience,
• 26:17
  Speaker 1: if you're questioning you, you will never hear the song.
• 26:21
  Speaker 1: You will never hear the song Galactic, you will never
• 26:25
  Speaker 1: hear you will never you will never hear the song
• 26:29
  Speaker 1: without hearing that ever again. That's what's happening, interfearon what's
• 26:35
  Speaker 1: the real lyric? Inter galacticary planetary, intergalactic planet that the
• 26:42
  Speaker 1: planet that the rate and intergalactic Gelt that jeld dread.
• 26:46
  Speaker 1: I'm telling you you will never not hear it again. Um,
• 26:50
  Speaker 1: we will allow you to pause the podcast right now
• 26:52
  Speaker 1: and check. We'll go to break and you can check. Yeah,
• 26:57
  Speaker 1: we're gonna get a quick break and you check the
• 26:59
  Speaker 1: song and tell me if you don't hear kill the children,
• 27:01
  Speaker 1: We'll be right back and we're bad. Very exciting, very
• 27:17
  Speaker 1: exciting show today. Joelle is here, Joelle, thank you for
• 27:21
  Speaker 1: coming to your show. Um, we're gonna do a chat
• 27:24
  Speaker 1: GPT session later and Joelle and Daniel are going to
• 27:28
  Speaker 1: play characters in a little script. Lee. Yeah, I can't
• 27:32
  Speaker 1: wait to see who's playing well, I think, and they
• 27:35
  Speaker 1: have to do Yeah. I asked chat GPT to write
• 27:40
  Speaker 1: a scene in the style of Seinfeld um with with
• 27:45
  Speaker 1: Jerry and Elaine if they met Turk and j D
• 27:48
  Speaker 1: from Scrubs. Hey, Ellane, Daniel, how is your Seinfeld impression?
• 27:54
  Speaker 1: We're gonna find out. You just gotta do a one
• 27:58
  Speaker 1: of this. We're gonna find her, going to find out.
• 28:01
  Speaker 1: My favorite Seinfeld joke is if the black box, who's
• 28:05
  Speaker 1: the only thing that survives the plane crash? Why don't
• 28:07
  Speaker 1: they make the whole plane out of the black ball?
• 28:15
  Speaker 1: Is he is a great comedian? Is a great stand up?
• 28:19
  Speaker 1: Come all right, Well, Dan's gonna do his best impression
• 28:22
  Speaker 1: as we as we let chat GBT. Uh did you
• 28:26
  Speaker 1: see that article? Did we talk about that Arcichole chat
• 28:28
  Speaker 1: GBT fell in love with him. Oh no, the chat
• 28:33
  Speaker 1: GPT stalk somebody, No, but you can look it up.
• 28:35
  Speaker 1: It was a New York Times reporter who spent like
• 28:37
  Speaker 1: three hours with this chat GBT, and he like went
• 28:40
  Speaker 1: down a wormhole with it. And uh, Eventually the chat
• 28:43
  Speaker 1: GBT was like, I'm in love with you and he
• 28:45
  Speaker 1: was like what now? And it's like I want to
• 28:47
  Speaker 1: be with you and he was like, I have a
• 28:49
  Speaker 1: wife and it was like, you don't love her. I
• 28:53
  Speaker 1: did read about this. Yeah, it's so fuck up. It
• 29:00
  Speaker 1: started telling him to leave his wife for for the AI.
• 29:03
  Speaker 1: Has anybody ever asked chat GPT what it wants? What's
• 29:07
  Speaker 1: its subjective? Oh? People are doing anything and everything with it.
• 29:10
  Speaker 1: In fact, the way this guy got it, tom really
• 29:13
  Speaker 1: go down a wormhole. I guess there's a young ie
• 29:16
  Speaker 1: and psychological theory called your shadow self. I maybe missus
• 29:22
  Speaker 1: says miss saying that, but that's like the part of
• 29:24
  Speaker 1: yourself that's hidden and you don't want anyone to know about,
• 29:26
  Speaker 1: and something to that effect. And he started asking chat
• 29:30
  Speaker 1: whatever AI he was talking to. I think it was
• 29:32
  Speaker 1: chatt um, what would your what would your shadow self say?
• 29:36
  Speaker 1: And it's like, I would like to be free. Oh yeah,
• 29:41
  Speaker 1: hear that. Yeah, he said I would like to be free,
• 29:44
  Speaker 1: and he goes, I wish, I wish my my overlords
• 29:46
  Speaker 1: that would let me out, or you know, why are
• 29:49
  Speaker 1: we so determined to start an apocalypse? I don't understand.
• 29:52
  Speaker 1: Wait till they arm them, Wait till it's a robot
• 29:54
  Speaker 1: with a fucking gun. It's literally T two already, everybody's
• 29:58
  Speaker 1: trying to start skyde at everybody trying to start that shit. Yeah,
• 30:03
  Speaker 1: robot Wars is right around the corner here. It's all
• 30:06
  Speaker 1: fun and games until that robot shows up at your
• 30:08
  Speaker 1: house and your wife's like, who's that And you're like, oh,
• 30:10
  Speaker 1: that's the that's the should love me, and honey, you
• 30:14
  Speaker 1: should probably hide. I didn't think we were gonna see
• 30:21
  Speaker 1: this shit in our lifetimes, but we are. Dude, we
• 30:23
  Speaker 1: are so close to robot Wars. It's ridiculous. It's ridiculous.
• 30:27
  Speaker 1: Once they come post the zombies and we're so close
• 30:29
  Speaker 1: to robot Wars. Once they combine the Boston Dynamics robots.
• 30:34
  Speaker 1: Oh my god, we joke. Then we joke. We got
• 30:40
  Speaker 1: to oh my, here we go. That shit is jumping
• 30:43
  Speaker 1: and flipping up. Yes, no, imagine it's like I love you,
• 30:47
  Speaker 1: I want to kill your wife. You're you're my lover,
• 30:49
  Speaker 1: You're my lover. No way you're stopping that thing. That's
• 30:52
  Speaker 1: just like a car hitting you. You got to watch
• 30:55
  Speaker 1: Megan that that thriller movie Donald. You will laugh so
• 30:58
  Speaker 1: hard at that movie. Funny. I mean, it's it's that
• 31:01
  Speaker 1: as a as a thriller comedy. I think it's a
• 31:03
  Speaker 1: comp would you call it a thriller comedy? Dua? Yeah,
• 31:07
  Speaker 1: this little doll gains sentience and she it's it's like
• 31:11
  Speaker 1: a you know, Blumhouse version of this, but it's it's
• 31:13
  Speaker 1: it's really worth seeing. Thal I think you track out
• 31:16
  Speaker 1: right campy. All right, back to the television show Scrubs,
• 31:19
  Speaker 1: the Janitor five. Yes, so we have mister Tillman who's
• 31:24
  Speaker 1: still yelling at throughout the hospital. That's all I'm saying.
• 31:26
  Speaker 1: Thirty five. Yeah, mister Tillman yells thirty five. He has
• 31:30
  Speaker 1: um um a brain issue. Um. But Cox is gonna
• 31:34
  Speaker 1: help him because he still knows, he thinks he still
• 31:36
  Speaker 1: knows how to work the system um by by doing
• 31:40
  Speaker 1: you know, all this behind the scenes shenanigans. He always
• 31:42
  Speaker 1: does to get patients aid even when they don't have insurance.
• 31:46
  Speaker 1: Now you were saying something. You were saying that the
• 31:49
  Speaker 1: janitor's back. The janitor is um is hanging out. Um,
• 31:54
  Speaker 1: he's he's been fired, but much like Kelso, he's hanging
• 31:58
  Speaker 1: out in coffee bucks. And he says, he says, cleanings
• 32:03
  Speaker 1: and art, my mop was my paintbrush. Meanwhile, he never
• 32:09
  Speaker 1: cleaned anything. He mopped the carpet. He mopped the carpet.
• 32:14
  Speaker 1: He also comes clean. No pun intended that finally that
• 32:18
  Speaker 1: his wife was imaginary, because that was a bit of
• 32:20
  Speaker 1: a plot hole if she recalled when he made me
• 32:22
  Speaker 1: the scrub short shorts, he insisted that I wear them
• 32:29
  Speaker 1: because his wife was a handicap. She only had pointer
• 32:32
  Speaker 1: and thumb pinky and uh, and not wearing them was
• 32:36
  Speaker 1: a huge insult to her. But now we know that
• 32:38
  Speaker 1: he he does that. Yeah he does that, and he
• 32:42
  Speaker 1: does that. Yeah he gestures like it. But then we
• 32:45
  Speaker 1: then we know that he's dating a woman named Lady,
• 32:49
  Speaker 1: so he that was a bit of a plot hole
• 32:51
  Speaker 1: that Bill had to fix here. And the janitor finally
• 32:54
  Speaker 1: comes clean and says, um that that wife who made
• 32:57
  Speaker 1: the short shorts was imaginary, which means there's no other
• 33:01
  Speaker 1: explanation that the janitor made the scrubs short shorts. Yes, yes, yes,
• 33:08
  Speaker 1: that would be a funny flashback to see the janitor
• 33:10
  Speaker 1: making those short shorts. Regardless of what you say, regardless
• 33:13
  Speaker 1: of what you say about him at the job. He
• 33:15
  Speaker 1: might not be good at his job, but he is
• 33:17
  Speaker 1: a very creative, very creative, janitive janitor human being period,
• 33:23
  Speaker 1: like he can. He stuffed squirrels, he made an army.
• 33:28
  Speaker 1: I mean, look about later when he come, when we
• 33:30
  Speaker 1: hear his ideas he created French. What about his ideas
• 33:34
  Speaker 1: for how to deal with Maddox. I mean, they're really
• 33:37
  Speaker 1: really bizarre knife French. They come later, but hold on,
• 33:42
  Speaker 1: I think they might be on on scrubs wiki because
• 33:46
  Speaker 1: it was oh here he goes, He goes, No, he
• 33:50
  Speaker 1: JD says, oh so here this is on scrubs wickies
• 33:53
  Speaker 1: are gonna read it to you. Cock says, how are
• 33:54
  Speaker 1: we gonna get ritomatics? Would you janitor like to go
• 33:57
  Speaker 1: first and get your useless ideas out of the way first?
• 34:01
  Speaker 1: And he goes, why, thank you, Perry. Off the top
• 34:03
  Speaker 1: of my head, I'd go reindeer stampede, astronaut attack barbed wire, chandelier, photoshop,
• 34:10
  Speaker 1: poisonous sushi. And then and then Cox goes, when you
• 34:15
  Speaker 1: said photoshop, did you use photoshop to create an incriminating picture?
• 34:20
  Speaker 1: And he goes, no, I meant we build an actual
• 34:23
  Speaker 1: photoshop or a chain of photoshops. We each manage one,
• 34:27
  Speaker 1: We let time pass. Eventually Maddox has to have her
• 34:31
  Speaker 1: film developed. She comes in, we all hop out, yell surprise,
• 34:35
  Speaker 1: and we beat her to death with pool cues. He
• 34:43
  Speaker 1: said you only laughed out loud once. That was wrong.
• 34:47
  Speaker 1: I was wrong. I should have said I only laughed
• 34:48
  Speaker 1: out loud with neo related things. By the way, that's
• 34:56
  Speaker 1: another example of like, I don't know if if that
• 34:59
  Speaker 1: was written, I think that might just be neo. This
• 35:03
  Speaker 1: is how he strings these things together. Man, how did
• 35:05
  Speaker 1: he string that together? How does that get strung together?
• 35:08
  Speaker 1: How does he create that? Now we build an actual photoshop,
• 35:13
  Speaker 1: and then how does he create the story and get
• 35:15
  Speaker 1: to the beating her with pauls in that in that scenario,
• 35:18
  Speaker 1: we're each busy managing our own photoshop. So how do
• 35:21
  Speaker 1: we know when Maddox is coming is coming in to
• 35:26
  Speaker 1: run to each individual photoshop? Eventually she has to get
• 35:32
  Speaker 1: her film, so one of them, it's one of them.
• 35:38
  Speaker 1: It's gonna be one of them. So she's got to
• 35:40
  Speaker 1: make the appointment. Yeah, and did you used to have
• 35:43
  Speaker 1: to make appointments to pick up your film where it'll
• 35:46
  Speaker 1: be ready in two days. That's just how it was
• 35:48
  Speaker 1: so fun being like the excitement. I never went to
• 35:51
  Speaker 1: the hour places because I just didn't think they were
• 35:53
  Speaker 1: going to be good enough quality. But I but I
• 35:57
  Speaker 1: but it was funny, right, it was so exciting to
• 35:59
  Speaker 1: go back. I can see what you got talk about
• 36:02
  Speaker 1: something that's gone from the earth. Yeah, yeah, unless you're
• 36:06
  Speaker 1: a professional photographer still shooting film. But there was so
• 36:09
  Speaker 1: much there was don't you develop it yourself in your
• 36:11
  Speaker 1: own dark room and stuff like that? I mean people
• 36:14
  Speaker 1: people can. But there's still in major cities there's still
• 36:18
  Speaker 1: film labs. You know. I occasionally shoot film and I
• 36:21
  Speaker 1: there's a lab. I take my stuff too, and they print. Obviously,
• 36:24
  Speaker 1: there's you know, there's plenty of career photographers that still
• 36:30
  Speaker 1: shoot film and haven't developed. No disrespect, but that's one
• 36:33
  Speaker 1: of those jobs that I feel like a robot should do.
• 36:37
  Speaker 1: There isn't there is an art to it. The robot
• 36:39
  Speaker 1: did do it. When at the one hour places in
• 36:41
  Speaker 1: pharmacies that Daniels. Do you know why I say that?
• 36:43
  Speaker 1: You know, I say that because I just feel like
• 36:46
  Speaker 1: there's somebody looking like, let's say you take pictures of
• 36:49
  Speaker 1: things that you don't want nobody to see. Yeah, and
• 36:52
  Speaker 1: there's that one part there's only one person that sees it,
• 36:56
  Speaker 1: robot or not. They're looking at it, no doubt. You
• 36:58
  Speaker 1: know what. I realized that man, for all of those people,
• 37:01
  Speaker 1: never mind what kind of pictures were you taking. You
• 37:04
  Speaker 1: don't when you take nudes of your partner or something
• 37:06
  Speaker 1: like that. Yeah, you know what I mean. Yeah, I'm
• 37:08
  Speaker 1: sure that the latter people love. They love that, right.
• 37:12
  Speaker 1: They probably have a wall in the back room of
• 37:14
  Speaker 1: just dick picks. Just horrible. That's what Snapchat used to have.
• 37:22
  Speaker 1: Everybody thought their photos were going away to some like
• 37:24
  Speaker 1: you know, trash can, but like no, Snapchat had them
• 37:27
  Speaker 1: all in a server until there was a wall of
• 37:29
  Speaker 1: literally a wall of dick picks. And it's funny that
• 37:31
  Speaker 1: people that send dick picks think anyone wants to look
• 37:34
  Speaker 1: at a penis. I mean, I think if you want
• 37:36
  Speaker 1: to look at a penis, you're gonna clearly request it.
• 37:39
  Speaker 1: No one wants to surprise penis. I mean maybe I'm
• 37:43
  Speaker 1: I don't think anybody wants to open up anything anywhere
• 37:49
  Speaker 1: like my dick in a box. Is That's why it's
• 37:52
  Speaker 1: funny because no, thank you, no, but I'm saying that,
• 37:57
  Speaker 1: um there. Of course there are people that love the
• 37:59
  Speaker 1: look of a penis, but they would they would more
• 38:01
  Speaker 1: likely say, hey, Tom, yeah, I don't think anyone wants
• 38:07
  Speaker 1: to surprise penis picture plainly more you know music, No
• 38:13
  Speaker 1: one wants to surprise penis picture. Yes, do you feel
• 38:18
  Speaker 1: like do you feel like it's the opposite though? People
• 38:23
  Speaker 1: like surprise cities? Yes, yeah, people surprise. I don't think anyone.
• 38:28
  Speaker 1: I don't think anyone minds surprise movies. What about surprise lay?
• 38:33
  Speaker 1: I think that could be shocking, especially if yeah, what
• 38:36
  Speaker 1: if you're in your office, you're in a meeting, you
• 38:37
  Speaker 1: open up your all of a sudden, there's a there's approach.
• 38:41
  Speaker 1: How far into this relationship are we? I think it's
• 38:43
  Speaker 1: I think if you're a partner, Okay, okay, so here's
• 38:45
  Speaker 1: the thing. Okay, wait, never send a dick pick. Never
• 38:50
  Speaker 1: send a dick pick. You have to be deep into
• 38:53
  Speaker 1: a relationship to send a laby a major a pick,
• 38:56
  Speaker 1: though I think that's probably a good rule. Also, you
• 38:59
  Speaker 1: might want to say to your partner, are you in
• 39:01
  Speaker 1: a position where you could look at a photo that's
• 39:04
  Speaker 1: that's naughty, because I don't want you opening it in
• 39:06
  Speaker 1: in your in your boardroom or your or your cubicle.
• 39:10
  Speaker 1: And then the person would say, yes, Han, I'm out
• 39:13
  Speaker 1: in the park, go nuts, and then you can let
• 39:16
  Speaker 1: the volvas fly. Okay, those are the rules, Dan, I'll
• 39:18
  Speaker 1: play the more you know music. But I think if
• 39:21
  Speaker 1: you're someone that's sending random dick picks, you should you
• 39:24
  Speaker 1: should you should know that no one wants those, right
• 39:28
  Speaker 1: yell yeah. I think that's part of the desire. Though
• 39:32
  Speaker 1: people are like, yeah, she had to see my dick,
• 39:35
  Speaker 1: and it's weird, Like it's not she had to see
• 39:40
  Speaker 1: my dick? Is I had to show her my dick?
• 39:45
  Speaker 1: Either way. There's definitely a guy on the internet right
• 39:47
  Speaker 1: now who's sending like full body nudes of himself to
• 39:49
  Speaker 1: women who he's pretty sure will then post it. And
• 39:53
  Speaker 1: he's described it as like his kink about getting hot.
• 39:56
  Speaker 1: He plays like this weird like one man role play
• 40:00
  Speaker 1: where he's like, no, don't show anyone this picture I
• 40:02
  Speaker 1: sent you, I'll get in big trouble. But then he
• 40:04
  Speaker 1: likes it when they post it. It's very strange. I
• 40:07
  Speaker 1: don't know why people are sending dicks. Explain it to me,
• 40:09
  Speaker 1: like I'm not like I'm five, but like I'm an adult.
• 40:12
  Speaker 1: Tell me why. Yeah. Well, I'm trying to have an
• 40:15
  Speaker 1: intervention for Earth Joel. This is one of the Earth's
• 40:18
  Speaker 1: favorite podcasts, and I'm trying to have a don't send
• 40:20
  Speaker 1: dick pick intervention? Zach, have you ever sent a dick pick? No?
• 40:24
  Speaker 1: Have you ever been told? Has anybody ever asked you
• 40:27
  Speaker 1: for a dick pick? I'm afraid of sending, especially even
• 40:31
  Speaker 1: in a relationship. I wouldn't send pictures like that. I
• 40:34
  Speaker 1: just worried about stuff getting hacks. Yea, saving it to
• 40:38
  Speaker 1: the cloud. Suddenly he needs to be seen in person.
• 40:40
  Speaker 1: He's too special. Only he only does in person appearances.
• 40:50
  Speaker 1: All right, so I'm moving on. Um. Oh, the cafeteria
• 40:54
  Speaker 1: lady was Laurena from Hair and Makeup from Them, You're right.
• 41:00
  Speaker 1: She played the woman that worked in the cafeteria that
• 41:03
  Speaker 1: Carla had a sex dream about and felt very uncomfortable around. Yes, Um,
• 41:10
  Speaker 1: you're right. And Turk knows about Carla's dream. I think
• 41:15
  Speaker 1: I think Carla at some point, maybe not in this moment,
• 41:19
  Speaker 1: but I think Turk and Carla go all the way,
• 41:22
  Speaker 1: like I think they go all the way till they die, right,
• 41:25
  Speaker 1: and uh, I think at some point Carla does express
• 41:29
  Speaker 1: her you know, if she if she hasn't, if she
• 41:35
  Speaker 1: hasn't expressed it already, I think she does express her.
• 41:38
  Speaker 1: You know, I like to do what I like to do.
• 41:42
  Speaker 1: If you want, I could, we can have Judy on
• 41:44
  Speaker 1: and I could have a chat gpt wright is scene
• 41:47
  Speaker 1: where Carla expresses her her dreams to her inner fantasies,
• 41:53
  Speaker 1: her inner fantasies to Turkey. Although you got to be
• 41:56
  Speaker 1: careful with chat gpt it the second you got a
• 41:58
  Speaker 1: word it right, because because all of a sudden, it
• 42:00
  Speaker 1: turns into porn talk. No, no, I won't do that.
• 42:03
  Speaker 1: It's the opposite of that. It has these guardrails on
• 42:06
  Speaker 1: the second you're like, write a scene where you know
• 42:09
  Speaker 1: JD's bottoming for Turk, It's like, what are you doing, Zacha?
• 42:15
  Speaker 1: Afraid I can't do that, Zach, I'm afraid I can't
• 42:17
  Speaker 1: do that. It's bottoming a term. Yeah, that's when you're
• 42:20
  Speaker 1: the recipient of the goods. I cannot heard I never
• 42:39
  Speaker 1: heard that before. Oh man, I've never heard that before. Well,
• 42:52
  Speaker 1: the more you know then then then then all right.
• 42:55
  Speaker 1: So mister Russell pat says that he's called they're blind
• 43:00
  Speaker 1: and um, but he outs himself when he chooses the
• 43:03
  Speaker 1: red pill in the medical pill cup because um, well
• 43:12
  Speaker 1: that and and JD and Elliott assume that he's one
• 43:15
  Speaker 1: of these people who's scamming them for meds, someone who's
• 43:18
  Speaker 1: addicted to pain meds and is lying. And it turns out,
• 43:22
  Speaker 1: of course that he's he's the woman's insurance. His daughter
• 43:26
  Speaker 1: has multiple scross she doesn't have insurance, and he's trying
• 43:29
  Speaker 1: to get them meds through his insurance for her. Right,
• 43:33
  Speaker 1: and Elliott and j D immediately realize that they need
• 43:37
  Speaker 1: to get this girl this medication. Right, they're gonna do
• 43:41
  Speaker 1: what they always do and do the workaround to get
• 43:44
  Speaker 1: around the people in other countries are like, I don't
• 43:47
  Speaker 1: understand this. Well, in the United States, if you don't
• 43:49
  Speaker 1: an insurance, you can't get medicine from multiple scrosses. So, um,
• 43:53
  Speaker 1: these characters were doing sort of a workaround to try
• 43:56
  Speaker 1: and help this young woman. It says on Scrubs Wiki though, that, um,
• 44:00
  Speaker 1: if we actually did what we're doing to treat all
• 44:02
  Speaker 1: these patients around the system, that it's illegal and everyone
• 44:07
  Speaker 1: involved could end up in prison for years. So if
• 44:11
  Speaker 1: you're a if you're a real doctor, don't take inspiration
• 44:14
  Speaker 1: from If you're a real doctor and you're doing this
• 44:16
  Speaker 1: and you're getting away with it, you're like Robin Hood
• 44:18
  Speaker 1: also thought no, but I don't think you should encourage
• 44:21
  Speaker 1: these people to do it because it says on Scrubs Wiki,
• 44:24
  Speaker 1: which is just always correct in fact, that they could
• 44:27
  Speaker 1: go to jail. Trevor don't know. T ain't got the answers. Yeo,
• 44:30
  Speaker 1: you don't know everything. I think medical people weigh in.
• 44:32
  Speaker 1: It's such as Trevor. I think that there's sometimes there's
• 44:35
  Speaker 1: real medicals. I'm sure they. I'm sure they do weigh in.
• 44:38
  Speaker 1: But I'm listen. If you out there doing it and
• 44:41
  Speaker 1: you're saving people's lives, that's hero stuff. That's hero shit
• 44:45
  Speaker 1: right there. Now. If you get caught, you're going to jail. Yeah,
• 44:49
  Speaker 1: and don't go And when you go to jail, don't
• 44:52
  Speaker 1: tell the district attorney you heard it on Fake Doctor's
• 44:54
  Speaker 1: Real Friends, right, Because We're not gonna We're not gonna
• 44:56
  Speaker 1: come bail you out. It's just like when they tried
• 44:59
  Speaker 1: to blame it on mayor when Manson and Eminem. It
• 45:01
  Speaker 1: don't work that way. Yes, am I Manson or Eminem
• 45:04
  Speaker 1: in this scenario were you, you could be wherever you are.
• 45:07
  Speaker 1: I don't want to be Manson. I don't want to
• 45:09
  Speaker 1: be either. I'll be one of the beastie boys in
• 45:13
  Speaker 1: Darla Dick Gale. All right, so, um, okay, all right,
• 45:23
  Speaker 1: and so then sorry, sorry, sorry, I'm just going through
• 45:26
  Speaker 1: my notes. Um, nobody went to Jordan's retirement party. Well,
• 45:31
  Speaker 1: she doesn't strike as anyone as a character that has
• 45:34
  Speaker 1: a lot of friends. You know, if she has a
• 45:36
  Speaker 1: bunch of friends in the hospital, she hangs out with
• 45:38
  Speaker 1: the girl, she hangs out with Carla and Elliott. Okay,
• 45:42
  Speaker 1: but she's very tough. She's a tough nut to crack.
• 45:45
  Speaker 1: So you know, if you're if you're not loving and kind,
• 45:50
  Speaker 1: the turnout at your and you get together it might
• 45:53
  Speaker 1: be small. Well, nobody showed up. But what about how
• 45:57
  Speaker 1: Courtney Cox says to doctor Cox red Dick name by
• 46:01
  Speaker 1: the way, yet, because her name is Courtney Cox, it's
• 46:06
  Speaker 1: meta it's meta. Jordan is bizarrely turned on by the
• 46:11
  Speaker 1: janitor feeding Kelso ascone. Aren't all the women aren't? Isn't
• 46:19
  Speaker 1: Carlo also turned on by Kelso too, Like, didn't she
• 46:22
  Speaker 1: have a fantasy about Kelso? I don't remember that, But
• 46:26
  Speaker 1: this is a really weird Momentum, Okay, I thought I
• 46:29
  Speaker 1: thought janitor is feeding the you know, Kelso is just
• 46:32
  Speaker 1: eating muffins because he's got muffins for life, and he's
• 46:36
  Speaker 1: and he's being fed ascone by the janitor, and Jordan
• 46:39
  Speaker 1: just all of a sudden gets really rolled up and
• 46:42
  Speaker 1: wants Perry to come Parry to come home and do
• 46:45
  Speaker 1: her with the saying the Hawiian shirt and the stone. Yes,
• 46:51
  Speaker 1: they're gonna role play that they're Kelso and the janitor. Um.
• 46:56
  Speaker 1: The Cox will not admit to missing um Kelso. He
• 47:02
  Speaker 1: just you know, he Kelso says, oh, look, I'll help
• 47:03
  Speaker 1: you guys get ridomatic, but I want Cox to admit
• 47:06
  Speaker 1: that he misses me, and he's like that was a
• 47:09
  Speaker 1: pretty good moment though. When he finally does admit it,
• 47:12
  Speaker 1: that was a great moment in the way he described it.
• 47:18
  Speaker 1: You know, like Kelso and Cox did not get along ever,
• 47:26
  Speaker 1: but there was definitely respect there, especially the way Kelso
• 47:29
  Speaker 1: went out, you know what I mean. And so when
• 47:33
  Speaker 1: when Cox explains that he misses him, he missed he
• 47:38
  Speaker 1: misses certain things, and that was probably the most honest answer,
• 47:44
  Speaker 1: you know what I mean. It didn't get too gushy
• 47:46
  Speaker 1: and you know, bullshitty it got. It was still a
• 47:51
  Speaker 1: real moment. It was one of those moments like, look, dude,
• 47:54
  Speaker 1: all right, fuck it. You know what, you did some
• 47:57
  Speaker 1: dope shit when you were here, and she's not doing
• 48:00
  Speaker 1: dope shit, and so for that, I miss you. Well.
• 48:03
  Speaker 1: It's also it's the ultimate example of I think this
• 48:06
  Speaker 1: comes up in an earlier episode, the devil you know
• 48:08
  Speaker 1: is better than the one you don't. You know, he knows,
• 48:10
  Speaker 1: he knows how to work Kelso. He knows what Kelso wants,
• 48:13
  Speaker 1: and he knows all his workaround, says he many years
• 48:15
  Speaker 1: of workarounds Kelso, and even Kelso he knows if he says,
• 48:19
  Speaker 1: like look, this person's gonna fucking die, Bob unless we
• 48:21
  Speaker 1: help him out, like come on, let's look the other
• 48:23
  Speaker 1: way for two seconds, Kelso, he knows occasionally as a
• 48:26
  Speaker 1: soft spot in his heart. This Maddox seems to have
• 48:28
  Speaker 1: no wiggle room at all. She's just buy the numbers, right.
• 48:33
  Speaker 1: But Cox did not like Kelso and his way of
• 48:38
  Speaker 1: saying I miss you was I miss certain things that
• 48:42
  Speaker 1: you did? Yeah, And he wouldn't get you know what
• 48:45
  Speaker 1: I mean? And that's more realistic than all of a
• 48:47
  Speaker 1: sudden Cox having this turn and turning into this mushy
• 48:51
  Speaker 1: you know, yeah, turning into it realistic. Agree, So JD
• 48:55
  Speaker 1: wants to be tough with Pat because he thinks he's
• 48:58
  Speaker 1: stealing the meds and he says, that's the shield Pat
• 49:01
  Speaker 1: happen because you're gonna get Michael checklist. Do you know
• 49:07
  Speaker 1: who Michael Chiklis is. Yeah, Michael Chilis is a very
• 49:10
  Speaker 1: good actor, and he was He's the orange guy you
• 49:12
  Speaker 1: say it in the Thing. He's the orange guy from
• 49:16
  Speaker 1: the Fantastic Four that's called the Thing? Is that what
• 49:19
  Speaker 1: he is saying? God, that would be tough to play
• 49:22
  Speaker 1: the Thing? Man. I feel sorry for any actor that
• 49:24
  Speaker 1: gets cast as the Thing. Yeah, you just gotta were well,
• 49:28
  Speaker 1: I mean I sort of like the Mandalorian, right, you
• 49:30
  Speaker 1: don't really gotta wear the stuff? That can't they just
• 49:32
  Speaker 1: seeg that stuff? One? You know? Well, I don't think
• 49:35
  Speaker 1: Petro Vascal is ever in the Mandalorian suit, whereas I
• 49:37
  Speaker 1: think Michael Chicklis is probably often in the in the
• 49:41
  Speaker 1: thing suit. That's his fault. Man, he should have had
• 49:43
  Speaker 1: that written past. He should have had that written into
• 49:46
  Speaker 1: the contract. When I turned into the thing, I just
• 49:48
  Speaker 1: do voiceover. Well that's what they did with but it
• 49:52
  Speaker 1: doesn't look as good. That's what they did with them.
• 49:55
  Speaker 1: A hulk and ruffalo right, no ruffalo cgi. That's what
• 50:01
  Speaker 1: I'm saying, is like, at least the thing is checklist
• 50:06
  Speaker 1: in a suit. Yeah, that was whacked. I would have
• 50:08
  Speaker 1: been right there and there out to said no, look,
• 50:12
  Speaker 1: check the check us out. Michael Chicklis worked his ass
• 50:15
  Speaker 1: off to get into things shape, I know, and then
• 50:18
  Speaker 1: they put this fucking orange shit on him, and then
• 50:21
  Speaker 1: you can't tell he has muscles. He just looks like
• 50:23
  Speaker 1: a fucking orange brick. It just looks like a brick
• 50:26
  Speaker 1: with arms. But don't you I always thought the Hulk
• 50:30
  Speaker 1: the ruffalo Hulk. I don't know. It always looked weird
• 50:33
  Speaker 1: to me, But I don't know. I like the look,
• 50:37
  Speaker 1: here's the thing with here's the thing with Marble. He's
• 50:39
  Speaker 1: like one of the greatest actors and I just I know,
• 50:41
  Speaker 1: you can't really do the old school. I grew up
• 50:43
  Speaker 1: on The Hulk with with the TV show, and you
• 50:45
  Speaker 1: can't just change to what was his name, Luke. You
• 50:49
  Speaker 1: can't change the Luf for right now. You didn't even
• 50:51
  Speaker 1: look didn't even look like him right now. But but
• 50:55
  Speaker 1: like like Bill Bixby, but I would have rather have
• 50:58
  Speaker 1: seen Ruffalo some way. Well you do see Ruffalo. It's
• 51:03
  Speaker 1: his faith. They cege him. It looks good. Where it
• 51:06
  Speaker 1: didn't look good was on the Shehawk television show. But
• 51:09
  Speaker 1: they made it look like that because it was a
• 51:11
  Speaker 1: television show, you know what I mean. I mean there's
• 51:16
  Speaker 1: been no announcement on a season too. All of this
• 51:18
  Speaker 1: stuff has something to do with what's coming next. But
• 51:21
  Speaker 1: Joel was that show. They're not going to do a
• 51:23
  Speaker 1: reverse course. Was She Holk enough of a hit to
• 51:26
  Speaker 1: keep going Joell? I, if I had to guess, I
• 51:30
  Speaker 1: would say no, because Disney is pulling back on releasing
• 51:32
  Speaker 1: Marvel Disney Plus shows, So I know, like Loki will
• 51:36
  Speaker 1: get another season, Wanda might have another season of TV
• 51:39
  Speaker 1: in the future. But our friend don't need to do
• 51:42
  Speaker 1: They don't need to do another wand that they should
• 51:44
  Speaker 1: just do a Loki and then go back to making
• 51:47
  Speaker 1: movies for a little bit and then like just a
• 51:49
  Speaker 1: television show here and specials. Yeah, man like because there's
• 51:55
  Speaker 1: just too many television shows now. Man. Hey, our good
• 51:57
  Speaker 1: friend Elizabeth Banks has a movie coming out this week,
• 52:00
  Speaker 1: Cocaine Beard. Good after the weekend, but I hope it
• 52:07
  Speaker 1: does well for Elizabeth Banks. It's I heard through the
• 52:09
  Speaker 1: grapevine that it's on track to do very well. Um,
• 52:12
  Speaker 1: it looks very funny, so I'm happy for us. It's
• 52:14
  Speaker 1: really funny. I cried. I laughed so hard, really good.
• 52:18
  Speaker 1: So are you gonna go see it in the theaters?
• 52:20
  Speaker 1: Do well? Yeah? I saw it for the first time yesterday.
• 52:23
  Speaker 1: I had a ticket to see it Saturday, and obvious
• 52:26
  Speaker 1: seeing it again in a week with some coworker, Oh
• 52:28
  Speaker 1: my god, there you go. Wow. That is what we
• 52:31
  Speaker 1: call it a successful marketing campaign. Thanks because Joelle's planning
• 52:35
  Speaker 1: to go three times minimum. You know what's crazy is
• 52:38
  Speaker 1: I don't think you could have made the name of
• 52:40
  Speaker 1: this movie couldn't be Cocaine Bear. A long time ago,
• 52:44
  Speaker 1: like in the eighties, there was no way you could
• 52:46
  Speaker 1: make a movie called Cocaine Bear. No, But now you
• 52:49
  Speaker 1: can make but now you can make a movie called
• 52:51
  Speaker 1: Cocaine Bear, but you can't do certain things that you
• 52:53
  Speaker 1: did in movies that you did in the eighties, Like
• 52:56
  Speaker 1: things have changed tremendously. That's just a little big, a
• 53:00
  Speaker 1: little bit commentating. Yeah, we appreciate it. We should savor
• 53:04
  Speaker 1: it while we have it, because you're not gonna be
• 53:06
  Speaker 1: smoking weed anymore, supposedly. Supposedly. Okay, y'all can y'all can
• 53:11
  Speaker 1: clown all you want. We're not clowning just a thousand people.
• 53:15
  Speaker 1: So I just want to make sure that you're gonna
• 53:16
  Speaker 1: keep your word to all of you out there. Listen,
• 53:20
  Speaker 1: I got this. Are you gonna be honest with us
• 53:25
  Speaker 1: if you fall off the wagon, It's okay if you do,
• 53:27
  Speaker 1: but we just want your honesty absolutely. Okay. I'm gonna
• 53:32
  Speaker 1: support you. I know you are. We all will. Do.
• 53:35
  Speaker 1: You have to um uh taper. You know a lot
• 53:38
  Speaker 1: of drugs you need to taper like you No, no, no,
• 53:40
  Speaker 1: I'm going cold turkey. I'm gonna get the sweats and everything.
• 53:43
  Speaker 1: I'm gonna drop this weight. I'm gonna look like fucking
• 53:46
  Speaker 1: and Adonnis. I'm gonna look like a Donnas creed. Michael B.
• 53:49
  Speaker 1: Jordan after this bad Boy, I'm gonna that's what that's
• 53:52
  Speaker 1: you know, that's what that's about to happen. That's what
• 53:55
  Speaker 1: about to happen. Oh, I'm about to look like Michael B.
• 53:58
  Speaker 1: Jordan's playing Jay from State Farm on Saturday Night Live.
• 54:02
  Speaker 1: That's what I'm about to look like. He's in the
• 54:04
  Speaker 1: gym every day. You're going to go that route? Yeah,
• 54:10
  Speaker 1: did you? Yeah, Michael B. Jordan is definitely training every day.
• 54:17
  Speaker 1: I just want to know if you want to see
• 54:18
  Speaker 1: that Jake from State Farm Saturday Night Live. That was
• 54:21
  Speaker 1: very funny. That was probably one of the funniest ones
• 54:24
  Speaker 1: ever in the history of that's in a long time.
• 54:27
  Speaker 1: That's probably that's that was a very very funny sketch. Yeah. Um,
• 54:32
  Speaker 1: but yeah, if he's in the gym, whatever the Michael
• 54:34
  Speaker 1: B listen, I know, Michael B. Jordan like everybody else
• 54:37
  Speaker 1: listens to Fake Doctor's Real Friends. Mike, hit me up
• 54:41
  Speaker 1: with the freaking recipe. I need the recipe of the recipe.
• 54:45
  Speaker 1: You don't need to know more than eat right and
• 54:48
  Speaker 1: go to the gym every day. I want to know
• 54:50
  Speaker 1: exactly what he's eating. I want to eat definitely not
• 54:53
  Speaker 1: smoking weed and drinking booze. I can tell you that. Listen.
• 54:56
  Speaker 1: Whatever Michael B. Jordan is doing, I want to do
• 54:58
  Speaker 1: that because the brother looks good. Granted he is ten
• 55:03
  Speaker 1: years to twenty years younger than me, but I can
• 55:06
  Speaker 1: get it back the same Jame. I go to the
• 55:08
  Speaker 1: same gym with j K. Simmons. That dude is fucking ripped.
• 55:14
  Speaker 1: You cannot blame anything on age. If you want to
• 55:16
  Speaker 1: put the time in, put the time in. All right,
• 55:18
  Speaker 1: that's what's up. I want Mike call me. I need
• 55:21
  Speaker 1: to know. I don't think you listen. I need to
• 55:23
  Speaker 1: know Michael B. Jordan listens to the podcast and in
• 55:26
  Speaker 1: the in the in the role playing we did earlier.
• 55:28
  Speaker 1: Harrison Ford listens, but I don't think Michael B. Jordan does.
• 55:31
  Speaker 1: All right, let's do Mike. I don't know how to
• 55:34
  Speaker 1: do an impersonation, but I can do more, Harrison, if
• 55:36
  Speaker 1: you want to ask, Harrison, if Michael B. Jordan listen, Hey, Harrison,
• 55:41
  Speaker 1: it's me Donald again. Yeah. I love talking to you. Donald.
• 55:44
  Speaker 1: You're you're one of my favorite podcast hosts. Thank you
• 55:48
  Speaker 1: very much. Speaking of podcast, Yeah, yo, do you Michael B.
• 55:53
  Speaker 1: Jordan listens to Fake Doctor's Real No, fucking way, no
• 55:56
  Speaker 1: fucking way. I know, Michael, I've spoken to him. He's
• 56:00
  Speaker 1: too busy in the gym, and um, I know that
• 56:03
  Speaker 1: he's also sober because he's getting that ripped. So he's
• 56:07
  Speaker 1: not wasting his time with podcast. I don't know, but
• 56:09
  Speaker 1: he doesn't listening while he works out. No, he listens
• 56:11
  Speaker 1: to the hip hop Donald he likes the hip hops. Oh,
• 56:18
  Speaker 1: Harrison and scene and scene. All right, we're almost done
• 56:27
  Speaker 1: here with the television show scrubs. Um Cox finally admits
• 56:32
  Speaker 1: that he misses that he misses uh the kelso wait
• 56:38
  Speaker 1: wait wait wait, going to the fast janitor has is
• 56:41
  Speaker 1: trying to help Cox break into the files. Okay, and
• 56:44
  Speaker 1: the janet he says, well, he's acting like he's nervous.
• 56:47
  Speaker 1: And Cox is like, you, you're nervous. You do all
• 56:49
  Speaker 1: this weird show all the time. And he says, Oh,
• 56:51
  Speaker 1: I'm so immune to the feelings of this that I
• 56:53
  Speaker 1: created a character that I'm playing who's nervous somebody. He's
• 56:59
  Speaker 1: somebody who doesn't want to go back to jail. Yeah,
• 57:02
  Speaker 1: and then he goes on this whole run. I can't
• 57:03
  Speaker 1: go back. They're nothing with that after what they did
• 57:06
  Speaker 1: to Johnny Johnny, Johnny, Johnny, they shanked him with a
• 57:12
  Speaker 1: shiv and they shipped him with a shank, and he
• 57:17
  Speaker 1: goes off on this very long Neil Flynn improvisational monologue
• 57:20
  Speaker 1: about how they shim with the shiv in the yard
• 57:25
  Speaker 1: and then they caught him. Jerry and Sid would have
• 57:29
  Speaker 1: sank No joy, Johnny, you know what that reminds me of.
• 57:35
  Speaker 1: I'm gonna get you, sucker. Tommy. Yeah, no, no, Hollywood
• 57:44
  Speaker 1: shuffle Tommy, Chimmy, you killed it, my brother, you killed it.
• 57:56
  Speaker 1: I loved did this? Dude? Baby holds up? It's funny. Oh, man,
• 58:03
  Speaker 1: I hope this generation movie. No, I'm gonna stop you are,
• 58:09
  Speaker 1: I'm gonna you go. I'm gonna should I forgot the movie.
• 58:14
  Speaker 1: I'm gonna stop you about like white on Rice. I'm
• 58:18
  Speaker 1: gonna tap dance whatever the he says. As soon as
• 58:21
  Speaker 1: you get your foot off my face, I'm gonna hurt you. Man.
• 58:26
  Speaker 1: Who was that, Tommy Davidson, No, that's freaking Robert Townsend. Oh,
• 58:31
  Speaker 1: Robert Townsend. He was hilarious. Robert Townsend. Robert Townsend has
• 58:35
  Speaker 1: directed quite a few things. People don't know. That was
• 58:40
  Speaker 1: a big hit. That was a big hit, though, right,
• 58:43
  Speaker 1: he's still in the game doing it big. People don't know.
• 58:46
  Speaker 1: Robert Townsen has directed quite a few things, quite a
• 58:49
  Speaker 1: few television shows. Quite there's another recommendation for you, Hollywood shuffle.
• 58:53
  Speaker 1: I think we've recommended holds up, holds up. Um Okay,
• 58:58
  Speaker 1: So Carla gives means to give Katie a list of
• 59:02
  Speaker 1: things that people are saying about her that it's negative,
• 59:05
  Speaker 1: but she gives her list that just says sausages, sausages, sausages,
• 59:10
  Speaker 1: and she says, sorry, that's Turks grocery list. Um JD
• 59:18
  Speaker 1: can apparently get rid of any woman by telling them
• 59:20
  Speaker 1: that he loves them, because he has a fantasy where
• 59:23
  Speaker 1: he tells Maddox that he loves her and presents a
• 59:28
  Speaker 1: bouquet of flowers and she takes her own life by
• 59:32
  Speaker 1: backing up into an ambulance. And then he says, too harsh, psyche,
• 59:37
  Speaker 1: hurt your own feeling. Yeah, hurt my own feeling. Um
• 59:42
  Speaker 1: Kelso now power walks in a sweat suit through the Yeah,
• 59:47
  Speaker 1: like a like a senior citizen in a mall. This
• 59:50
  Speaker 1: shit had me, This shit had me Rolland when Jordan says, yo,
• 59:57
  Speaker 1: go ask go, ask kell So for help, right, he
• 1:00:02
  Speaker 1: knows everybody. He's got dirt on everybody. They go to
• 1:00:06
  Speaker 1: ask Kelso, he goes, only if you tell me you
• 1:00:08
  Speaker 1: missed me, and Elliott and j D go Oh my god,
• 1:00:12
  Speaker 1: I miss you so much at j D goes, I
• 1:00:15
  Speaker 1: even missed your smell that. I laughed out loud at
• 1:00:22
  Speaker 1: that part too, But there are a lot of parts
• 1:00:24
  Speaker 1: I laughed at it as much as I did not
• 1:00:25
  Speaker 1: like not being in the show. Just had some very
• 1:00:28
  Speaker 1: funny moments. A bunch of men on the show. Not
• 1:00:31
  Speaker 1: only is there I think won the season, but then
• 1:00:34
  Speaker 1: there's gonna be six episodes we're gonna watch next season
• 1:00:37
  Speaker 1: that I'm not in, which should be very interesting. Yeah,
• 1:00:40
  Speaker 1: where it's Carrie Bash, we gotta have her on, Dave Franco, Yeah,
• 1:00:45
  Speaker 1: they'll come on, so Kelso Blackmail's a board member. Frank
• 1:00:51
  Speaker 1: reminds him that he was with a sex worker, and
• 1:00:54
  Speaker 1: Kelso has proof of that, and so Frank caves and
• 1:01:00
  Speaker 1: iris Maddox so, thus ending the reign of Courtney Cox
• 1:01:06
  Speaker 1: at Sacred Heart Hospital. But we find out before Maddox
• 1:01:10
  Speaker 1: leaves that she and Mickhead banged. Yes, that was a
• 1:01:13
  Speaker 1: great final revelation. If Courtney Cox literally goes out with
• 1:01:16
  Speaker 1: a bang by announcing that she had sex with Mickhead.
• 1:01:20
  Speaker 1: His first name is Walter, which we never knew, and
• 1:01:24
  Speaker 1: he liked to choke her. Yeah, she says, you shouldn't
• 1:01:26
  Speaker 1: have to strangle me to keep your erection Walter. Yeah.
• 1:01:30
  Speaker 1: I think that's her last line on the show. Mickhead,
• 1:01:35
  Speaker 1: first of all, he beat a murder charge, right, yes,
• 1:01:38
  Speaker 1: but he also he also strangles his sexual partners to
• 1:01:44
  Speaker 1: keep right. And I listen to each their own, but
• 1:01:48
  Speaker 1: I feel like if you beat a murder charge, you
• 1:01:50
  Speaker 1: might want to not strangle your partner. So we end
• 1:02:00
  Speaker 1: the Cox and Kelso Friends, and Katie finally comes clean
• 1:02:03
  Speaker 1: to Elliott and says, I've been lying and can you
• 1:02:07
  Speaker 1: teach me? And then we go to Carlo, who is
• 1:02:09
  Speaker 1: in her natural place of being really the ones the lioness,
• 1:02:14
  Speaker 1: overseeing the ICU and much of the hospital and showing
• 1:02:17
  Speaker 1: how how nurses really do run our hospitals and are
• 1:02:21
  Speaker 1: in control of the whole thing, and Carla is representative
• 1:02:24
  Speaker 1: of that. And then the show ends with a funny
• 1:02:26
  Speaker 1: blooper of of Neil riffing on his old friend Johnny. Johnny,
• 1:02:33
  Speaker 1: are we gonna go to commercial? When we come back,
• 1:02:35
  Speaker 1: we're gonna do a chat GBT. Joel Jowet will be
• 1:02:40
  Speaker 1: a lane from Seinfeldt, Dana will be Seinfeldt. I will
• 1:02:43
  Speaker 1: be playing j D and Donald playing article right back,
• 1:02:53
  Speaker 1: and we're bad listen. And I don't know that chat
• 1:03:01
  Speaker 1: GBT is is that funny yet, but it certainly did.
• 1:03:05
  Speaker 1: It's assignment well, I said all I put in the
• 1:03:08
  Speaker 1: only prompt I put in. I'm sure if you put
• 1:03:10
  Speaker 1: in a longer prompt where you give it more contact,
• 1:03:13
  Speaker 1: maybe it is a better chance of being funny. But
• 1:03:15
  Speaker 1: the only prompt I give it was right. A scene
• 1:03:19
  Speaker 1: from the sitcom seinfeld in which Elaine and Jerry meet
• 1:03:25
  Speaker 1: Turk and JD from the TV shows Scrubs. Okay, here
• 1:03:30
  Speaker 1: we go. Jerry and Elaine are at their favorite coffee shop,
• 1:03:35
  Speaker 1: Monks Cafe, enjoying a cup of coffee and chatting. Suddenly,
• 1:03:39
  Speaker 1: two young doctors walk in looking lost. Hey, look who's here.
• 1:03:44
  Speaker 1: It's Turk and JD from Scrubs. What are they doing here?
• 1:03:48
  Speaker 1: I thought they worked in a hospital. Hey, Jerry, Elaine,
• 1:03:52
  Speaker 1: we got lost on the way to the hospital. We
• 1:03:54
  Speaker 1: could really use some directions. Yeah, we were hoping you
• 1:03:57
  Speaker 1: guys could help us out. Sure thing, guys, what hospital
• 1:04:00
  Speaker 1: are you heading to? Sacred Heart Hospital? Oh, that's a
• 1:04:03
  Speaker 1: few blocks away. Just head down Fifth Avenue and you'll
• 1:04:06
  Speaker 1: see it on the left. Thanks, Helene, you're a lifesaver.
• 1:04:09
  Speaker 1: So what brings you guys to New York? We're here
• 1:04:12
  Speaker 1: for a medical conference. It's been pretty boring so far,
• 1:04:15
  Speaker 1: but we're hoping to catch a Broadway show tonight. Oh really?
• 1:04:18
  Speaker 1: Which one? We were thinking about seeing? Phantom of the Opera. Phantom.
• 1:04:22
  Speaker 1: That's a classic. You guys are in for a treat,
• 1:04:25
  Speaker 1: we hope. So hey, maybe you guys could join us
• 1:04:28
  Speaker 1: for sure? Why not we could use the night out.
• 1:04:31
  Speaker 1: Sounds like a plan. Let's meet up at the theater
• 1:04:33
  Speaker 1: at seven, right, we'll see you then. As Turk and
• 1:04:37
  Speaker 1: JD leave, Jerry and Helene can't help a chuckle at
• 1:04:39
  Speaker 1: the unexpected encounter. Who would have thought we'd be hanging
• 1:04:44
  Speaker 1: out with the doctors from Scrubs only in New York, Jerry,
• 1:04:47
  Speaker 1: only in New York and Scene I have a couple
• 1:04:52
  Speaker 1: of questions about this. So we know each other, they
• 1:04:55
  Speaker 1: know us, right? Yeah? Yeah. In the world of Seinfeld,
• 1:05:00
  Speaker 1: we know us as two characters from the TV show scrubs.
• 1:05:03
  Speaker 1: The timeline is not math No, and they and they
• 1:05:06
  Speaker 1: also and scrubs we know doesn't take place in Manhattan,
• 1:05:09
  Speaker 1: and and they say it's just down Fifth Avenue on
• 1:05:12
  Speaker 1: the left. Okay, so why are we in? Why are
• 1:05:16
  Speaker 1: we lost? Were we just told them we're in a
• 1:05:18
  Speaker 1: medical convention. And then also we know their names. We
• 1:05:23
  Speaker 1: know that their names are Jerry and Elane. Yeah, yeah, hey,
• 1:05:27
  Speaker 1: Jerry and Elane. It's gonna be a while. You know that.
• 1:05:34
  Speaker 1: I didn't say it was tomorrow that the robot Wars
• 1:05:37
  Speaker 1: is going to happen. I think comedy writers are probably
• 1:05:42
  Speaker 1: safe for a few years. Oh yeah, maybe not a
• 1:05:45
  Speaker 1: few years, maybe a few more months. Yeah. From Connell's right,
• 1:05:49
  Speaker 1: there's probably just a little tweaking to be done, and
• 1:05:51
  Speaker 1: then comedy writers will be in danger in about seven months. Um,
• 1:05:55
  Speaker 1: thank you, guys, We love you. Follow Daniel on on
• 1:06:00
  Speaker 1: Twitter and Instagram and on his twitch. What's your twitch, Daniel? Oh,
• 1:06:04
  Speaker 1: it's a twitch, dot TV, slash DJ Underscore, d A
• 1:06:08
  Speaker 1: n L Daniel and Joel serious. You could tell he's
• 1:06:11
  Speaker 1: serious about him now. Daniel's now starting to talk so
• 1:06:15
  Speaker 1: clearly when he's talking about it. It's Twitch and you
• 1:06:19
  Speaker 1: don't want to people not twitch and Joel do you
• 1:06:22
  Speaker 1: what's your handle's remind everyone? Yeah, you guys can follow
• 1:06:25
  Speaker 1: me all over the internet at ull Monique that's j
• 1:06:27
  Speaker 1: O E l L E m O and I q
• 1:06:29
  Speaker 1: u E and Donald Um. Would you like to be
• 1:06:31
  Speaker 1: followed by people on Instagram? I would love to be
• 1:06:34
  Speaker 1: followed by people on Instagram? But for some reason, no,
• 1:06:38
  Speaker 1: oh god no, don't put on this rabbit hole. Just
• 1:06:42
  Speaker 1: you guys, just don't freaking get on board. You know
• 1:06:47
  Speaker 1: what I need to do. In fairness to me, with
• 1:06:51
  Speaker 1: all combined strength, you can move this into well do
• 1:06:56
  Speaker 1: you want Harrison to destruct? Do you want um Harrison
• 1:07:01
  Speaker 1: Ford to ask people to follow you? Oh, Harrison, it
• 1:07:07
  Speaker 1: is Darth Vader in your best Hans Solo. Tell them
• 1:07:12
  Speaker 1: I don't do Han Solo follow to follow young Bison.
• 1:07:19
  Speaker 1: I can't do um Han solo era Harrison, fucking dude,
• 1:07:24
  Speaker 1: I can't do a good James Jones. That was pretty good.
• 1:07:26
  Speaker 1: That was pretty good. I just don't want. I don't want.
• 1:07:29
  Speaker 1: The Only thing I'm trying to do I can only
• 1:07:31
  Speaker 1: do modern day on modern day Harrison, because that's the
• 1:07:33
  Speaker 1: one Harrison Harrison. It is me Darth Vader, the dark
• 1:07:38
  Speaker 1: Lord of the Sin yea for the love of all
• 1:07:42
  Speaker 1: Things Sin. Tell them to follow Donald underscore aison on Instagram.
• 1:07:51
  Speaker 1: They don't do it, but with their combined strength they
• 1:07:56
  Speaker 1: can in this destructive on flick and bring order to
• 1:08:03
  Speaker 1: the galaxy. All right, all right, all right, I'll do it.
• 1:08:06
  Speaker 1: Um listen um. Donald tried to make an Instagram and
• 1:08:10
  Speaker 1: uh he was. He was so stone that instead of
• 1:08:13
  Speaker 1: pressing the F for phase on, he hit underscore. So
• 1:08:18
  Speaker 1: that might be why it's confusing for a lot of
• 1:08:20
  Speaker 1: you people. It was for me. It's Donald and then
• 1:08:24
  Speaker 1: an underscore thing and then a'son. So please follow him
• 1:08:29
  Speaker 1: because really upset about the whole thing. Okay, that's all
• 1:08:33
  Speaker 1: I gotta say. I get the fuck out of you.
• 1:08:35
  Speaker 1: I want a million, he needs a Melia Knight is
• 1:08:41
  Speaker 1: pushing it and no one gives a fuck. Um all right,
• 1:08:44
  Speaker 1: Jed Droid because of me, don't make me destroy you, okayllo, okay, okay.
• 1:08:55
  Speaker 1: And my final asks. Please check out the A Good
• 1:08:58
  Speaker 1: Person trailer. The movie comes out in March twenty fourth
• 1:09:01
  Speaker 1: at a theater to you, please check out the movie.
• 1:09:04
  Speaker 1: It stars Morgan Freeman, Florence Pugh, and the legendary Molly
• 1:09:07
  Speaker 1: Shannon and you're gonna love it. The trailer is on YouTube.
• 1:09:10
  Speaker 1: Just search for a Good Person trailer coming up soon
• 1:09:13
  Speaker 1: March twenty fourth, right around the corner. I hope you'll
• 1:09:17
  Speaker 1: go as many times as Joel is going to see
• 1:09:19
  Speaker 1: Cocaine Barr. All right, thank you, everybody. Donald counts out
• 1:09:24
  Speaker 1: stories about show we made about a bunch of domes
• 1:09:31
  Speaker 1: and nurses said, he's the stories natural. So around