Latest / Luke's English Podcast / ANDRÉ LAMOGLIA _ MEL MAIA - Podpah _982

Transcript

ANDRÉ LAMOGLIA _ MEL MAIA - Podpah _982 · Luke's English Podcast

0:35
Speaker 1: Don't be late, come along. Don't be late, my consecrated.
0:50
Speaker 2: Every day can be a super day.
0:53
Speaker 3: Download the app Superbet. Be super.
1:02
Speaker 4: Watch it.
1:02
Speaker 2: Watch it.
1:03
Speaker 4: Watch it. Watch it.
1:17
Speaker 3: We're live for another Podipá. On my side, he, the
1:20
Speaker 3: legend of Pará, Mítico Jovem. How are you?
1:22
Speaker 5: I'm fine, but before that, I'd like to give a
1:25
Speaker 5: round of applause to Igão.
1:26
Speaker 3: Thank you, thank you. Applause even louder for Mítico Jovem.
1:35
Speaker 6: Sensacional você é louco cara eu tô bem exausto e
1:37
Speaker 6: você meu irmão eu tô melhor agora do seu lado
1:40
Speaker 6: que você farma a hora de qualquer um ó caralho
1:42
Speaker 6: tocou em mim já fiquei melhor tamo junto você em
1:45
Speaker 6: casa se prepara que hoje vai ser inesquecível isso aqui
1:47
Speaker 6: tá deixa o seu like se inscreve no podpah e
1:50
Speaker 6: vamos que vamos tá.
1:51
Speaker 3: Mais um dia inédito nessa na história do planeta terra
1:55
Speaker 3: It's true, right?
1:57
Speaker 7: It's true, it's true.
1:59
Speaker 3: Let's go to today's sponsors before I introduce our wonderful guests.
2:03
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2:08
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2:31
Speaker 2: No, all the chairs here are from Flexform.
2:33
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2:39
Speaker 2: This one is personalized.
2:40
Speaker 7: You know, right, Medito? It's even your name, this one.
2:42
Speaker 2: Não conseguiu filmar, mas.
2:44
Speaker 3: Tá tudo certo. Agora falar de educação, falar de algo
2:48
Speaker 3: que ninguém vai te tirar.
2:49
Speaker 7: O estudo, certo?
2:50
Speaker 8: Que isso, cara?
2:51
Speaker 7: Você é louco, isso aí minha mãe me fala, ó,
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2:53
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2:59
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3:00
Speaker 7: Fala quais condições são essas.
3:00
Speaker 5: A primeira mensalidade por apenas 49 reais, bolsa até 80%.
3:06
Speaker 5: I already graduated with 80% of this stuff, it's good, okay?
3:10
Speaker 5: Did you graduate with 80% of your pocket? I didn't graduate,
3:13
Speaker 5: but I paid R $ 170 to graduate with 80% of
3:15
Speaker 5: my pocket. I say that you are a legend, this
3:17
Speaker 5: boy is a legend.
3:18
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3:22
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3:25
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3:28
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3:32
Speaker 3: comunicação e mais com aulas práticas desde o primeiro semestre.
3:35
Speaker 7: O arroba é Vem Pra Fã.
3:37
Speaker 3: Um forte abraço pra titia Leila que fortalece nós.
3:39
Speaker 5: Você sabe que quem estuda lá na Fã tem a
3:41
Speaker 5: oportunidade de estagiar aqui no Pode Pá também.
3:44
Speaker 3: Exatamente.
3:44
Speaker 7: Estagiar no Palmeiras também.
3:46
Speaker 3: Mas lá é ruim.
3:47
Speaker 2: Vem pra cá. Vem pra cá.
3:49
Speaker 9: Vem pra cá.
3:49
Speaker 3: Falar de Philips Mítico Jovem. Todos fazem TV, mas só
3:53
Speaker 3: Philips faz a Ambilight TV.
3:54
Speaker 2: O que é a Ambilight TV? Posso mostrar pra vocês?
3:56
Speaker 3: São esses LEDs que ultrapassam a TV. that make your
4:00
Speaker 3: immersion even greater. If you're going to play a video game,
4:02
Speaker 3: watch a series, put it on Netflix, it will be
4:05
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4:08
Speaker 3: Gamer mode with 120 Hz and FreeSync for those who
4:12
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4:15
Speaker 7: Damn, Gamer, now you're Orisso. So that's it, guys.
4:18
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4:21
Speaker 2: Very good.
4:22
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4:24
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4:27
Speaker 3: World Cup. So buy it now, because next year the
4:28
Speaker 3: TV will be expensive.
4:29
Speaker 2: Will it be because of the World Cup? Buy it now, guys. Seriously,
4:33
Speaker 2: this TV is very stylish. It makes the environment sensational.
4:36
Speaker 3: Now let's talk about them, our sponsor, Master. A round
4:38
Speaker 3: of applause for the new sponsor, Bozano! You have to
4:44
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4:46
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4:50
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4:53
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4:57
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5:00
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5:02
Speaker 3: leaves the caches well defined and without frizz.
5:04
Speaker 7: I hate frizz.
5:06
Speaker 3: And the anti-scraper that cleans deeply and leaves free of
5:08
Speaker 3: scab with that feeling of refreshment on the scalp, you know?
5:11
Speaker 7: You know that feeling that seems like.
5:13
Speaker 2: You say, my God, that.
5:15
Speaker 3: Premium shower, the one that you go out with your
5:17
Speaker 3: head fresh, cold.
5:18
Speaker 8: Fresh, refreshing.
5:18
Speaker 2: I'm here, this is mine, anti-dandruff. Look how the ZOEV
5:21
Speaker 2: of the country.
5:22
Speaker 3: Is, show me.
5:22
Speaker 8: Here, ZOEV.
5:22
Speaker 3: You're here, right, mythical? You're with mine there too, right?
5:27
Speaker 3: Show me, boxes and crisps.
5:29
Speaker 2: Balance your boxes and crisps. Here, look.
5:33
Speaker 3: There's for everyone.
5:34
Speaker 2: And men love this here, which is like this, man.
5:36
Speaker 2: It's 3 in 1 already. It's the easiest thing there, brother. Please.
5:40
Speaker 5: If Bozano could, he would bathe the man. This shampoo
5:43
Speaker 5: would bathe the man.
5:44
Speaker 3: Please, Bozano, if you have a 4 in 1, which
5:46
Speaker 3: is already soap, which avoids work.
5:48
Speaker 5: Bozano, in the future, do a 7-1, man. It's going
5:51
Speaker 5: to be everything. Seriously, man, love this. So you're going
5:54
Speaker 5: to love this here.
5:54
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5:58
Speaker 3: code on the screen. The link is in the description.
6:00
Speaker 3: And know the line of shampoos and air conditioners Bozando 3-1.
6:03
Speaker 3: And thank you very much, Tá Bozando, for being with us.
6:05
Speaker 5: Take the opportunity to follow them on social media. To
6:08
Speaker 5: show that now they're together with Podpá too. And they're
6:11
Speaker 5: taking care of my waves.
6:12
Speaker 2: Let's go. Muito bom. Cheiroso demais.
6:15
Speaker 3: Chegou o momento, médico jovem. Recebam com muito carinho. Façam
6:19
Speaker 3: muito barulho.
6:20
Speaker 2: Tem muita gente aqui.
6:21
Speaker 3: Derrubem esse estúdio. Pois quem está aqui hoje, para o
6:25
Speaker 3: Podpad de hoje, é nada mais, nada menos do que eles.
6:30
Speaker 3: Mel Maia e André Lamoglia. Bate palmas! Mais palmas!
6:40
Speaker 2: The house is full you saw bro many.
6:43
Speaker 3: People knew it was you brother the people got mad
6:46
Speaker 3: I swear to God you are like this right Andre
6:50
Speaker 3: I never bro they passed perfume that's the damn high
6:55
Speaker 3: jump I said what is this man there comes he
6:57
Speaker 3: has a lot of postage to do you are in
7:00
Speaker 3: a very.
7:00
Speaker 5: Cool moment you are like that the little ones right
7:03
Speaker 5: yes the.
7:04
Speaker 4: Couple of the moment Mirna and Prophet.
7:07
Speaker 8: I don't know if it's our bubble, but we open
7:10
Speaker 8: social media and everything.
7:11
Speaker 2: I think it's not just our bubble.
7:13
Speaker 4: No, no, no.
7:14
Speaker 8: It's not, right?
7:15
Speaker 4: It's like this. It's not in a bubble.
7:16
Speaker 8: It's not.
7:16
Speaker 5: It's not.
7:17
Speaker 4: It's not.
7:17
Speaker 2: It's not.
7:17
Speaker 4: It's not.
7:18
Speaker 2: It's not.
7:26
Speaker 3: Top 2 in the world, right bro? Top 1 in
7:28
Speaker 3: the world, right bro? Top 1 in the world, right bro?
7:30
Speaker 3: Top 1 in the world, right bro?
7:32
Speaker 2: Top 1 in the world, right bro? Top 1 in
7:34
Speaker 2: the world, right bro? Top 1 in the world, right bro?
7:37
Speaker 5: Top 1 in the world, right bro? Top 1 in
7:39
Speaker 5: the world, right bro? Top 1 in the world, right bro?
7:56
Speaker 4: French is very chic, but it was funny.
7:58
Speaker 2: There's a scene that gets better. Imagine the puns, the
8:00
Speaker 2: jokes in French.
8:02
Speaker 4: We saw it in several.
8:04
Speaker 3: But leave the jokes cute, imagine. Very elegant.
8:07
Speaker 2: You don't understand what's going on. I don't understand, I
8:10
Speaker 2: don't understand.
8:12
Speaker 8: And there are some curses that are only in Portuguese, right? Like,
8:15
Speaker 8: I don't know, it's not going to work. In Portuguese,
8:18
Speaker 8: it's going to take you.
8:20
Speaker 2: How are you going to translate it?
8:21
Speaker 4: How do you translate the ruined?
8:24
Speaker 2: There is no way.
8:25
Speaker 3: Ruined, there is no way. It's ours, right?
8:27
Speaker 4: It's ours.
8:27
Speaker 2: How are you?
8:28
Speaker 3: We are fine.
8:28
Speaker 2: Very well.
8:29
Speaker 3: And happy, right?
8:30
Speaker 4: I wanted to know.
8:31
Speaker 3: When you meet each other, because, like, watching the series,
8:34
Speaker 3: you can see that you have a very great professional
8:37
Speaker 3: chemistry there. And this, I imagine, must be one of
8:41
Speaker 3: the biggest challenges for actors and actresses, right? Like, okay,
8:44
Speaker 3: I'm going to play this great role here, wonderful, but,
8:47
Speaker 3: I don't know, I'm going to play Aquamel, who I
8:49
Speaker 3: don't know yet, I'm going to play André, who I
8:51
Speaker 3: don't know yet, or have you already met?
8:53
Speaker 8: We.
8:54
Speaker 4: We didn't know each other.
8:56
Speaker 3: We didn't know each other.
8:58
Speaker 4: But our preparation was really cool.
8:59
Speaker 2: Yeah, but it was like.
9:01
Speaker 4: It was a connection of friendship.
9:02
Speaker 8: I started rehearsing about two months before starting the project.
9:07
Speaker 2: No, no, no.
9:07
Speaker 5: So let's go first. How was the invitation?
9:11
Speaker 2: How was it all?
9:12
Speaker 8: Detailed.
9:12
Speaker 2: If you know each other... Okay, we'll get there then. Yeah.
9:16
Speaker 8: Man, the invitation... I was in Madrid at the time.
9:20
Speaker 2: I was living there.
9:21
Speaker 3: Recording Elite.
9:21
Speaker 5: Yeah.
9:22
Speaker 8: And then it was over. And then I got a call,
9:26
Speaker 8: a message from my employer saying that Heitor had contacted
9:30
Speaker 8: me to comment on the series.
9:32
Speaker 2: I said, hey, Heitor, anything that comes is fine, bro.
9:35
Speaker 8: And then he presented the project, in the first read
9:39
Speaker 8: I already, damn, I thought it was amazing. And then
9:42
Speaker 8: it went on, it went on. It all worked out,
9:45
Speaker 8: but there's more to it.
9:47
Speaker 2: Was the character already for you? No, I don't think so.
9:49
Speaker 8: But I heard that they didn't hire more people for
9:53
Speaker 8: this character. But we had a conversation. You always make
9:56
Speaker 8: a video for us. and everything else. Wow, so this
10:02
Speaker 8: must be, really, I don't.
10:04
Speaker 3: Know, I'm looking like this, I'm not ashamed, I know
10:07
Speaker 3: it's just a profession, but fuck, one thing you're there, camera, set.
10:10
Speaker 4: Now you're... Yes, I think the self-tape is very different.
10:14
Speaker 2: It's horrible. It's horrible. It's horrible.
10:16
Speaker 4: It's very different to record with a team and do
10:20
Speaker 4: it at home alone. It must be a nervousness.
10:22
Speaker 2: And there's also the self-tape.
10:23
Speaker 8: For those who don't know, they ask for a video
10:26
Speaker 8: for the actor to make a scene, right? And we
10:28
Speaker 8: make the scene, but it's a scene. The scene, when
10:31
Speaker 8: you read it, you imagine it all in a location,
10:34
Speaker 8: with the other actors, objects, I don't know what. Usually,
10:36
Speaker 8: the self-tape, you're at home.
10:38
Speaker 2: On a wall.
10:39
Speaker 8: You say, it's very difficult for you to watch that
10:42
Speaker 8: and say, wow, what a wonder that I did.
10:44
Speaker 2: You have to send it to luck.
10:46
Speaker 4: You say, what a.
10:47
Speaker 2: Shit, man, what a shit. And you recording at home.
10:50
Speaker 4: I hope so.
10:53
Speaker 2: I hope so.
10:54
Speaker 8: And then you record at home alone, you say, and
10:57
Speaker 8: the fact that you record at home, you have the
10:59
Speaker 8: freedom to record as many times as you want. So
11:01
Speaker 8: it stays forever. Then you stay in an eternal loop
11:03
Speaker 8: recording and say, damn, I'll be able to improve it.
11:06
Speaker 5: It's good when it's face-to-face, you go there... But, for example,
11:09
Speaker 5: for this one, how was it? Do you sit down,
11:12
Speaker 5: do you have to stand up, do you have to.
11:13
Speaker 2: How is that? It depends, the scene.
11:15
Speaker 8: Comes there, and then you kind of try to adapt
11:18
Speaker 8: as much as possible.
11:19
Speaker 2: Within what you have.
11:20
Speaker 4: What was your test scene?
11:23
Speaker 2: This is good.
11:24
Speaker 3: Dude, it was the.
11:24
Speaker 2: From the kid, wasn't it?
11:25
Speaker 8: No, it was the first scene of the series, one
11:27
Speaker 8: of the first, that I present the plan to... to Mr.
11:30
Speaker 2: Nélio. Ah, yes.
11:34
Speaker 8: And then there was that scene there. And it's a
11:36
Speaker 8: scene that has a lot of people in the scene.
11:37
Speaker 8: There are three actors.
11:40
Speaker 3: And then, man, you do it alone, man.
11:41
Speaker 8: It's very weird.
11:42
Speaker 2: And then you make an improvised table there. What was yours?
11:44
Speaker 8: Mine was a fight that we had at your house,
11:46
Speaker 8: in that scene where he's with.
11:47
Speaker 4: The fridge open, full of money. No, in fact, he's
11:49
Speaker 4: already without money. And I say... I got into your
11:59
Speaker 4: fucking plan, because I thought we were together, we fight,
12:01
Speaker 4: then he gets sad and cries.
12:03
Speaker 8: There are some special scenes, I really like this one, too,
12:06
Speaker 8: after seeing the result.
12:07
Speaker 2: Yeah, because there's a.
12:09
Speaker 4: Affection there, right?
12:09
Speaker 5: And how long does this process take, from the invitation
12:12
Speaker 5: to saying, I'm in?
12:13
Speaker 2: This series was very fast.
12:15
Speaker 4: We started recording in January, it was from January to April,
12:19
Speaker 4: wasn't it?
12:20
Speaker 2: It was from January to April, yeah.
12:22
Speaker 4: And we launched it now in October.
12:24
Speaker 2: It was very fast.
12:25
Speaker 8: I've never seen something so fast in my life. To
12:27
Speaker 8: finish recording and release. But before, I talked to Entou
12:30
Speaker 8: almost a year before I started recording. It was a
12:35
Speaker 8: while too.
12:37
Speaker 4: I don't think it was a year, but it was
12:39
Speaker 4: a while.
12:39
Speaker 3: At this moment of self-tape, did you already know who
12:42
Speaker 3: you were going to counteract or not yet?
12:44
Speaker 4: Nothing. Nothing.
12:46
Speaker 3: How are these stages evolving for us to understand? Because
12:48
Speaker 3: the guys are very curious. And I don't even know
12:50
Speaker 3: how it is.
12:50
Speaker 2: It's with them. We don't know much.
12:54
Speaker 3: You keep waiting.
12:55
Speaker 2: It's in the dark.
12:56
Speaker 8: And people don't say anything. They barely send you a message.
13:00
Speaker 8: They don't even say, man, you did well.
13:02
Speaker 4: They send a little synopsis of what your character is.
13:05
Speaker 4: And then we see if it suits us or not.
13:07
Speaker 4: In this case, I received an episode.
13:08
Speaker 2: And then I could understand it well.
13:10
Speaker 8: But then, usually, it's like a little scene there. Talk
13:14
Speaker 8: fast about what the project is. Talk fast about the character.
13:18
Speaker 8: And go in faith. But that's also a bad thing
13:20
Speaker 8: about self-tape.
13:21
Speaker 2: Because.
13:25
Speaker 8: you don't have much information to do that thing, right? Exactly.
13:29
Speaker 5: And they want to see it too, to test it,
13:31
Speaker 5: and say, man, let's see it this way.
13:33
Speaker 8: But we're wearing glasses, we.
13:35
Speaker 4: Don't know where, we don't know the personality of the character,
13:37
Speaker 4: so it's very difficult, we do it in the dark.
13:38
Speaker 4: But if it worked this way, my brother, then you say,
13:41
Speaker 4: if they liked it.
13:41
Speaker 2: Like that, it's because.
13:42
Speaker 8: The first time I saw Tô wearing glasses, being used.
13:49
Speaker 3: Because I knew you were a Carioca Magira, but.
13:52
Speaker 2: I had never heard you in the context. Me neither.
13:55
Speaker 2: I understood that well.
13:56
Speaker 3: And Dina said, we look like glasses. I swear I
13:58
Speaker 3: was going to say, but I understood.
14:00
Speaker 2: Sorry, here we change, it's not glasses, it's touch.
14:03
Speaker 4: It's touch, it's true.
14:04
Speaker 3: You were talking about your hair, your hair looks great.
14:06
Speaker 2: Really, brother? It looks cool.
14:07
Speaker 8: Really, brother?
14:08
Speaker 2: Do you want to make a kiss? I swear.
14:10
Speaker 3: Calm down, we said... Man, I was just waiting for
14:12
Speaker 3: this opportunity.
14:17
Speaker 2: You guys marked that you have your word, we had that.
14:19
Speaker 5: I have to control him because he wants this technical kiss.
14:23
Speaker 2: Calm down, man. Calm down. Let's talk here. Man, go away.
14:26
Speaker 2: It was deleted.
14:27
Speaker 3: You were deleted.
14:27
Speaker 2: Thank you, brother.
14:29
Speaker 7: Thank you from the bottom of my heart.
14:30
Speaker 3: You're also beautiful. Thank you, man.
14:31
Speaker 2: Calm down.
14:32
Speaker 3: Calm down.
14:33
Speaker 8: The guy left me without grace.
14:37
Speaker 7: I'm good at that, bro.
14:38
Speaker 2: The guy from Nato asked for a kiss, bro. First opportunity.
14:42
Speaker 3: He was talking to Papinho Furado.
14:44
Speaker 2: You touched his hair. He said, give me a kiss.
14:47
Speaker 3: It's very easy, man.
14:48
Speaker 2: Technical kiss.
14:49
Speaker 3: Professional at Barato.
14:51
Speaker 8: But that's it, for example, talking about chemistry, about the kiss,
14:54
Speaker 8: chemistry and such. Then we started, after we started rehearsing,
14:56
Speaker 8: I started rehearsing about two months before. And I started
14:59
Speaker 8: kind of alone, because Mel was making a movie at
15:02
Speaker 8: the time too. And she's one of the people I
15:04
Speaker 8: have the most scenes with. And I was rehearsing a
15:07
Speaker 8: lot by myself, which was really good. I rehearsed a
15:10
Speaker 8: lot with the other groups, right? Like my brothers, Ju,
15:12
Speaker 8: Paz too. And Mel didn't get there, she didn't get there.
15:15
Speaker 2: She was working.
15:16
Speaker 8: She was almost starting to record.
15:18
Speaker 2: She was working, she was going to work. So you
15:20
Speaker 2: were kind of in shock.
15:21
Speaker 3: Like, if the person I'm.
15:22
Speaker 2: Going against the scene is not here. Yeah, it's going to.
15:24
Speaker 8: Be bad, guys.
15:25
Speaker 3: Where's Mel?
15:25
Speaker 2: Then there was one day, I think we rehearsed a little, right?
15:27
Speaker 2: How do you mean we rehearsed a little?
15:30
Speaker 8: We rehearsed, we prepared a little.
15:33
Speaker 4: Yeah, but it's because it was the little that I
15:35
Speaker 4: thought was enough. Because the first week I started preparing
15:38
Speaker 4: with him, we became friends. So, like, the connection of
15:42
Speaker 4: friendship between the two helps a lot to make the character. Because, like,
15:47
Speaker 4: with the partnership, having intimacy, it's much easier for us
15:50
Speaker 4: to execute.
15:51
Speaker 5: Of course, it must be very bad when it doesn't hit,
15:54
Speaker 5: in fact, I don't know.
15:55
Speaker 4: Yeah, because then you have to be very technical. Already,
15:58
Speaker 4: of course. Because it has to be very technical, you
16:01
Speaker 4: have to turn the key there... At the right time.
16:04
Speaker 4: At the right time. If you have a friendship, you
16:05
Speaker 4: can change it. You can say, look, friend, I think
16:07
Speaker 4: that in this scene we can do it this way.
16:09
Speaker 4: And have the partnership, and have his respect. It's completely different.
16:12
Speaker 3: And I think it can also be something that goes
16:14
Speaker 3: beyond the set, which is like, if you become friends,
16:16
Speaker 3: you will send a message in the WhatsApp. You will call.
16:19
Speaker 4: Of course.
16:20
Speaker 2: You will try to make the scene in the best way.
16:21
Speaker 4: If you are not friends, you don't even want to.
16:23
Speaker 2: Exactly. Hit me.
16:24
Speaker 8: So, like, one day before the scene, like, ask, hey,
16:26
Speaker 8: what do you think?
16:27
Speaker 2: Talk about the scene.
16:28
Speaker 8: Sometimes there are people who even rehearse, right? It's cool.
16:31
Speaker 2: The relationship.
16:33
Speaker 8: A positive relationship outside of the set helps a hundred percent.
16:36
Speaker 5: And how was the reference for you to set up
16:40
Speaker 5: your character?
16:41
Speaker 2: How was the study? How was the preparation? I'm done,
16:45
Speaker 2: I'm done.
16:45
Speaker 4: So, I think the study was very much based on
16:48
Speaker 4: the script itself, right? In the circumstances of the script.
16:51
Speaker 4: And I, like, talking only about myself, I'm using a
16:55
Speaker 4: lot of my new adult phase, because I'm 21 years old,
16:58
Speaker 4: I'm becoming an adult now. So it's a phase of
17:01
Speaker 4: my life that I also took to the character, which
17:04
Speaker 4: is my first adult character. And there are many things
17:06
Speaker 4: in the series that are choices of girl that she
17:09
Speaker 4: leaves behind to have choices of woman, which is what's
17:11
Speaker 4: going on with me now too in life. I think
17:16
Speaker 4: it sticks a lot, so I say that we are
17:18
Speaker 4: very similar, that we have a.
17:19
Speaker 2: Very similar personality.
17:20
Speaker 5: There are a lot of people on the internet saying, damn,
17:22
Speaker 5: this role I went to Mel Maia.
17:24
Speaker 4: And my friends, imagine my friends saying, my God, Mel,
17:26
Speaker 4: it's you, there, very similar. That helps.
17:28
Speaker 3: That's how the message of the series came to watch, like,
17:33
Speaker 3: you have to see the series that Mel Maia is.
17:35
Speaker 7: Doing, that is perfect for her.
17:38
Speaker 3: It was like that, and I said, wow, let's see.
17:41
Speaker 7: And, damn, our lady.
17:42
Speaker 8: Cool.
17:43
Speaker 3: It was hard.
17:43
Speaker 2: Was it, brother?
17:44
Speaker 8: No, not hard, but for me, because he's a character
17:46
Speaker 8: far from who I am, my reality, all his characteristics.
17:56
Speaker 8: You had to look for it somewhere else. No, so
17:59
Speaker 8: what Mel said too, I based myself a lot on
18:02
Speaker 8: the script, you read the script, I read that script,
18:04
Speaker 8: I don't know how many times, I think I take
18:05
Speaker 8: a sentence and I already know exactly where it is.
18:07
Speaker 2: He studied a lot.
18:08
Speaker 8: And then I dedicated myself a lot to that and
18:11
Speaker 8: also to the universe, which is the game of the beast,
18:13
Speaker 8: the Carioca Mafia, seeing references and everything, and then you
18:18
Speaker 8: go deepening, and it's a text with a lot of.
18:22
Speaker 2: A lot of lines, right?
18:23
Speaker 8: Like, you read, there's a lot that's not said, that's
18:26
Speaker 8: in the look, that's in the thought.
18:27
Speaker 4: That the camera reads everything, right?
18:29
Speaker 8: My character, for example, is one that you look at,
18:32
Speaker 8: you look at him, his head is.
18:33
Speaker 2: If you had space to put some poop, to.
18:36
Speaker 4: Of course, of course.
18:38
Speaker 10: It was open, the.
18:38
Speaker 4: Words were open, right?
18:39
Speaker 2: Yeah.
18:39
Speaker 4: A lot of words weren't there.
18:41
Speaker 2: A lot of people are talking about these words, it
18:43
Speaker 2: was a thing that, like, guys, you can.
18:45
Speaker 3: Just say who's not from Rio.
18:48
Speaker 4: Because cariocas, really, the word is a comma of carioca,
18:51
Speaker 4: it's in the vocabulary.
18:53
Speaker 2: Yes, but.
18:54
Speaker 3: Obviously, I'm not.
18:55
Speaker 4: Going to say a lot of word here, but there
18:58
Speaker 4: it is.
18:58
Speaker 5: But in real life, I watched it and I said, man,
19:00
Speaker 5: how cool is Netflix doing this, giving this freedom, the
19:04
Speaker 5: word that is a word that is normal.
19:06
Speaker 4: Because it is reality.
19:08
Speaker 5: So what shocked me was like, wow, they are being real,
19:11
Speaker 5: even talking.
19:12
Speaker 2: About the real stuff. I think that's what caused, you know,
19:14
Speaker 2: this word of the word, you know?
19:18
Speaker 4: Yeah, because it's the reality of the cariocas, we talk
19:20
Speaker 4: a lot. No, it went down a lot.
19:22
Speaker 3: So, bro.
19:22
Speaker 2: Bro, I'm... What happened? I'm understanding here with the phone.
19:25
Speaker 2: I think I was loud, I think I was screaming.
19:29
Speaker 2: And now, my love?
19:29
Speaker 3: Now.
19:29
Speaker 2: Fuck, he wants a kiss.
19:30
Speaker 3: He's calling me my grandfather.
19:32
Speaker 2: Go talk on the microphone for him to see.
19:34
Speaker 3: You're hearing my voice, velvety.
19:36
Speaker 2: Talk here in my ear.
19:37
Speaker 3: Talk to me, Andrezinho.
19:39
Speaker 2: Fuck, it's going to be the whole podcast. No, no, no.
19:43
Speaker 3: I promise to behave. I promise to behave.
19:45
Speaker 7: I promise to behave.
19:47
Speaker 2: I also remember when we went to your chemistry? I said,
19:51
Speaker 2: zero chemistry. Have you seen? My boyfriend is a professional boxer, brother.
19:55
Speaker 2: Are you crazy? Zero chemistry. He's a prick. I'm from
19:58
Speaker 2: boxing too and he's too angry.
20:02
Speaker 3: He's very angry.
20:03
Speaker 2: Luan, right? Luan.
20:04
Speaker 7: Luan, big hug, brother.
20:10
Speaker 3: De verdade.
20:12
Speaker 4: Lindo da minha vida. Ele é maravilhoso mesmo.
20:15
Speaker 3: Você entrou no boxe também?
20:16
Speaker 4: Entrei. Não, mas eu faço boxe há um tempão. Eu
20:18
Speaker 4: comecei a ter aula com ele em agosto do ano passado.
20:23
Speaker 3: Ah, ele era seu personal.
20:24
Speaker 4: Ele era meu professor.
20:25
Speaker 2: Aí....
20:28
Speaker 4: But I've been doing it.
20:29
Speaker 3: For a long time.
20:30
Speaker 4: Let me see this hook.
20:32
Speaker 2: Let me see this hook.
20:33
Speaker 3: He's going to fight on the 15th.
20:35
Speaker 4: How do you feel when he's going to fight? My
20:39
Speaker 4: leg is shaking. It's crazy. He looks so calm.
20:42
Speaker 3: He's like a Buddha. I don't know how he's a boxer.
20:45
Speaker 4: He's a Greek god.
20:54
Speaker 5: But it must be very bad to see the person
20:56
Speaker 5: you love there getting beaten up.
20:57
Speaker 4: No, but it's because.
20:59
Speaker 3: He won't get beaten up.
20:59
Speaker 10: He rarely gets beaten up.
21:00
Speaker 2: So, getting beaten up is like, he's in the ring,
21:01
Speaker 2: he's going to get beaten up.
21:02
Speaker 7: But he's propitious, right?
21:03
Speaker 4: Yeah, it was a feeling I had never felt before
21:06
Speaker 4: in my life. Like, unlocked a new thing, you know?
21:09
Speaker 4: Madrina is different. And I screamed a lot, right? What
21:12
Speaker 4: a mico, but, guys, it was the first time. I screamed,
21:14
Speaker 4: put it to fuck, hit it, it's beautiful. It's beautiful.
21:18
Speaker 7: It's beautiful, it's beautiful.
21:20
Speaker 2: Fighting, it's beautiful.
21:22
Speaker 4: It was beautiful, he was doing everything beautiful, you know?
21:27
Speaker 2: Oh, shit.
21:27
Speaker 3: It's already very Mirna, seeing beauty in violence.
21:30
Speaker 2: It was beautiful, he putting to fuck.
21:33
Speaker 4: Massing, bro.
21:34
Speaker 3: André, you were talking about... Difficult to... Mel also mentioned
21:40
Speaker 3: that the camera delivers everything, there's a lot of subjective stuff.
21:43
Speaker 3: I wanted to know if the things that happened in
21:46
Speaker 3: the series, did you know... Like, just recording in the reading,
21:50
Speaker 3: or did you know before? For example, you... Acting with
21:55
Speaker 3: Juliana Paz, before we... We already knew she was your mom,
21:58
Speaker 3: in the series. But there was a little tension, like.
22:00
Speaker 8: No, but you only know that in the middle... In
22:02
Speaker 8: episode 3. That's it, that's it.
22:04
Speaker 3: But there was already a little tension that you get... But...
22:08
Speaker 3: What's going to happen? But how was it for you
22:13
Speaker 3: at that time? Was it also, who is this woman?
22:15
Speaker 3: Or did you already know?
22:16
Speaker 8: No, no, we, this is like a closed work, right?
22:19
Speaker 8: We receive the eight episodes already.
22:21
Speaker 2: Ah, I already knew. Direct, right?
22:23
Speaker 8: Novels, usually, that you are receiving little by little. That's it,
22:27
Speaker 8: we know what's going to happen. This is very good. I,
22:28
Speaker 8: for example, really like that, for example, in this project
22:32
Speaker 8: I got, my character, he enters in a way there, right?
22:36
Speaker 2: In the series. And it ends completely different, right?
22:41
Speaker 8: So it's cool for you, as an actor, to make
22:44
Speaker 8: a construction, a character arc.
22:46
Speaker 3: You know? And where did you get these massive references?
22:51
Speaker 3: How are you in your intimate life? Are you totally
22:53
Speaker 3: the opposite of the prophet?
22:54
Speaker 2: Man, I'm very different.
22:55
Speaker 4: Totally the opposite.
22:56
Speaker 3: Totally.
22:58
Speaker 2: Why? Is he soft?
22:58
Speaker 4: He's nice, he's sweet, and he's a clown like me.
23:04
Speaker 2: He's very calm. So, that's it.
23:06
Speaker 4: I'm calm.
23:07
Speaker 8: I see myself like that. I'm a calm guy.
23:10
Speaker 3: And he's not.
23:11
Speaker 8: The prophet is always very energetic. The thought is always agonized.
23:15
Speaker 8: He's always solving a problem. And he always runs a
23:18
Speaker 8: life risk. That was something that we did in the preparation.
23:21
Speaker 8: For example, we went to the BAC. I was in
23:25
Speaker 8: the action battalion with Cães, which is the police from
23:28
Speaker 8: Rio de Janeiro. It has nothing to do with my
23:30
Speaker 8: character as a policeman. But it was a very incredible
23:33
Speaker 8: experience because we spent a day there.
23:36
Speaker 2: And they are people who are always at risk of life,
23:38
Speaker 2: who are always.
23:38
Speaker 8: With adrenaline, right? Up there, people who, well, move with weapons, everything.
23:44
Speaker 8: So it brought a experience that I didn't have either.
23:47
Speaker 8: So it's cool for this character. There's even a word
23:49
Speaker 8: that is used a lot, which is speed, right? In
23:50
Speaker 8: this environment. And it's not speed, it's speed, my brother.
23:54
Speaker 8: Everything is very fast. Thought has to be fast. It
23:57
Speaker 8: seems that the blood in the vein runs faster. So
24:00
Speaker 8: it was cool to look for that in the preparation.
24:03
Speaker 8: And this character that is so different from me. I
24:06
Speaker 8: used physical things too. Sometimes I was, before the scene,
24:10
Speaker 8: pushing a wall. And each one was looking for.
24:14
Speaker 2: I'm laughing.
24:14
Speaker 4: No, but I'm laughing because it's true.
24:16
Speaker 2: Explain it.
24:19
Speaker 4: I was going to say.
24:20
Speaker 8: There's a physical exercise, like when you're... I don't know,
24:22
Speaker 8: you know.
24:22
Speaker 2: You.
24:23
Speaker 4: Get suffocated, you know? You're in a scene where you're...
24:25
Speaker 4: I'm here, calm, with you.
24:26
Speaker 2: We're... I had lunch.
24:26
Speaker 8: And then, after lunch, I have to record a scene
24:29
Speaker 8: where I'm... Carrying a gun.
24:30
Speaker 2: Putting a gun in the person's head.
24:33
Speaker 8: With blood in the eye, adrenaline up there, suffocating breathing.
24:38
Speaker 2: Man, how am I going to do that?
24:39
Speaker 8: I'm going to try to bring the most natural possible
24:43
Speaker 8: and try to bring.
24:47
Speaker 8: This feeling for my body, right? And then I use
24:49
Speaker 8: a lot of physical exercise.
24:51
Speaker 4: He used to jump, he used to jump.
24:53
Speaker 8: He used to jump, he used to push the wall,
24:55
Speaker 8: he used to think. We did this a lot in
24:57
Speaker 8: preparation with Fátima Toledo too.
24:59
Speaker 3: Was it with her?
25:01
Speaker 2: It was with her and it was with Maria Laura's team.
25:03
Speaker 2: It was with her, man.
25:05
Speaker 4: And it was great I loved.
25:06
Speaker 3: It because everyone says she's wonderful but she has a
25:09
Speaker 3: hard method.
25:10
Speaker 4: No it's a method it's a different method but she's
25:13
Speaker 4: wonderful she's incredible she's incredible incredible so.
25:16
Speaker 8: Afraid of a person like that but she's a bitch
25:18
Speaker 8: she has a very strong presence she And she works
25:27
Speaker 8: a lot with what you have inside of you.
25:30
Speaker 2: But that you don't use.
25:32
Speaker 4: And it's good for you to explore.
25:33
Speaker 3: She uses provocations.
25:34
Speaker 2: And sometimes you didn't even know you had that. Exactly.
25:37
Speaker 2: And she provokes that for you to use in the scene.
25:39
Speaker 2: For example, she.
25:40
Speaker 4: No, you can talk.
25:41
Speaker 2: No, no, I was going to ask another question.
25:43
Speaker 4: You can continue. For example, she said that I had
25:45
Speaker 4: a difficulty in showing myself vulnerable. Because I laughed at everything.
25:49
Speaker 4: I'm very laughable. So she says, but that's not cool.
25:50
Speaker 4: Then I say, yeah, it's not cool. We have to
25:53
Speaker 4: do some exercises to change that. You'll be leaning against
25:56
Speaker 4: the wall and you'll only get out when you ask
25:58
Speaker 4: me in reality, without laughing. And I was like, no,
26:01
Speaker 4: she's already here, I can get out of here. She
26:03
Speaker 4: won't ask me in reality. You know, and... She wanted
26:05
Speaker 4: to bring... This vulnerability, you know? So she put a song,
26:12
Speaker 4: she said, tell me a song that you feel sad,
26:16
Speaker 4: or that you feel melancholic. I put the song and
26:20
Speaker 4: cried horrors, and then we already open doors.
26:22
Speaker 3: You know?
26:23
Speaker 2: Music is very good.
26:24
Speaker 4: I showed myself vulnerable in front of them, and then
26:26
Speaker 4: it already opened, it already changed, right? When we did
26:29
Speaker 4: this exercise.
26:29
Speaker 2: I was going to ask, like, at the end of
26:31
Speaker 2: the day that you perform.
26:32
Speaker 5: For example, something you never did, at the end of
26:35
Speaker 5: the day, how does your mind work? Because I imagine
26:37
Speaker 5: that the body sometimes must be difficult to separate. Like, bro,
26:40
Speaker 5: calm down, you're acting. Then your body is like, bro,
26:42
Speaker 5: that's crazy, I'm shooting, I'm swearing. How does your mind
26:46
Speaker 5: work at the end of the day? It's very important
26:48
Speaker 5: to know how to separate, right?
26:49
Speaker 8: Because if you don't, imagine, mixing life, because I'm interpreting
26:54
Speaker 8: this guy there and mixing it with my life.
26:57
Speaker 2: It's kind of crazy, but physically, sometimes it's tiring. It
26:59
Speaker 2: has to be crazy, bro.
27:00
Speaker 8: And also the head... I remember that my father, at
27:02
Speaker 8: the time of the recording, he said, you're more stressed, man. Anyway,
27:05
Speaker 8: the tension increases too. I dreamed a lot when, in
27:08
Speaker 8: the recording period, there were moments that I dreamed that
27:11
Speaker 8: I was in the middle of the scene, I woke up, buffalo,
27:14
Speaker 8: son of a bitch.
27:15
Speaker 2: Crazy, bro. I can't imagine what it must be like.
27:19
Speaker 2: And you, man, how is it? So, I think that.
27:24
Speaker 4: I'm tired at the end of the day, sometimes it happened,
27:27
Speaker 4: you know? But it's because I think I'm a very
27:29
Speaker 4: technical actress who turns the key, you know? So, when
27:32
Speaker 4: it's over, I leave and... You turn it off. I
27:35
Speaker 4: turn it off, you know? And I'm like this since
27:38
Speaker 4: I was young. So, I think I learned to be
27:40
Speaker 4: like this since I was young, you know? So, I
27:42
Speaker 4: don't take it home, it doesn't bother me, I don't
27:46
Speaker 4: have nightmares, dreams, but it's different for each person. And
27:49
Speaker 4: not to mention that he had a.
27:52
Speaker 4: His character carried a lot more stuff. He only had
27:55
Speaker 4: one day off, right? No, we had two days off, but.
27:58
Speaker 8: Of all the recording days, I didn't record one.
28:01
Speaker 2: Yeah, he recorded a lot.
28:02
Speaker 8: And it was like 10 hours on set, 12 hours
28:04
Speaker 8: on set.
28:04
Speaker 4: Yeah, he recorded a lot.
28:05
Speaker 2: It's tiring. Physically, it's tiring, right? But I also separate well,
28:08
Speaker 2: like that. Otherwise, there's no way, man. Otherwise, the guy
28:10
Speaker 2: would go crazy. Man, 12... Like, how many days were there?
28:13
Speaker 2: You don't even know. I think it was three months, right?
28:16
Speaker 2: It was four, right?
28:16
Speaker 3: Four months?
28:17
Speaker 4: Yeah.
28:19
Speaker 2: But it was very cool it.
28:21
Speaker 4: Was very funny light and it became a family both
28:23
Speaker 4: the cast and the whole team so this also helps
28:26
Speaker 4: we looked to the side of the same boat wanting
28:29
Speaker 4: to do everyone.
28:30
Speaker 8: Also knew the diamond that was in the hand right
28:32
Speaker 8: brother deserves a prize too because like this, Chico Dias
28:35
Speaker 8: is a actor but you see him doing.
28:36
Speaker 4: The galician.
28:44
Speaker 2: It seems like he was always the Galician.
28:46
Speaker 3: It seems like he is the Galician.
28:47
Speaker 2: He is a little bit. He is a Galician.
28:52
Speaker 3: Who are you acting there, doing some performance that you
28:55
Speaker 3: said you were a little shocked, or there is some,
28:58
Speaker 3: without being you, do you have any favorite character in
29:01
Speaker 3: the series?
29:03
Speaker 4: Man, I really like the skeleton.
29:06
Speaker 3: I like the skeleton a lot.
29:07
Speaker 2: I tie myself to Nelinho.
29:08
Speaker 4: Nelinho too.
29:10
Speaker 8: Nelinho I like a lot. Gosto muito de quem mais... Cara,
29:14
Speaker 8: eu gostei muito de um ator que... O personagem foi
29:18
Speaker 8: muito maneiro e, pô, a toca com ele foi muito bom,
29:20
Speaker 8: só que ele morreu no primeiro episódio.
29:22
Speaker 2: Que era o Gerson.
29:23
Speaker 4: O Gerson, querido.
29:25
Speaker 3: Puta, esse é sempre o japonês, né, mano?
29:26
Speaker 8: E eu que porra fudi.
29:29
Speaker 3: Com ele, mano.
29:29
Speaker 7: Eu não lembro do Gerson.
29:31
Speaker 4: Ele não era japonês.
29:33
Speaker 3: Não, não, é que eu tô falando, é igual o
29:34
Speaker 3: japonês no filme que morre primeiro, sabe?
29:37
Speaker 7: Sempre tem o japonês que vai morrer, mano.
29:39
Speaker 3: Mó dói. I don't remember Gerson.
29:31
Speaker 2: He wasn't Japanese.
29:32
Speaker 4: No, no.
29:33
Speaker 3: I'm saying it's like the Japanese in the movie.
29:36
Speaker 4: You know?
29:36
Speaker 3: There's always a Japanese who's going to die, bro. It's
29:39
Speaker 3: a pity, man. It was Gerson this time.
29:41
Speaker 2: It's a pity.
29:42
Speaker 4: But I think, like, Galego.
29:44
Speaker 2: Galego is... Topinho. Ah, Galego is top.
29:47
Speaker 4: Esqueleto, Nelinho.
29:49
Speaker 3: It's that Nelinho is very good, man. He almost doesn't speak,
29:52
Speaker 3: but he understands everything there. What he's feeling. It's that
29:55
Speaker 3: time when.
29:57
Speaker 3: Your dad provoked Nelinho saying he was just your guard dog.
30:00
Speaker 2: I was so pissed, man. I was sad. I said, damn,
30:03
Speaker 2: don't treat him like that.
30:04
Speaker 8: And he gets kind of mad at the prophet. I
30:07
Speaker 8: was watching it and I knew everything that happened. I said,
30:09
Speaker 8: he's going to get mad at the prophet, he's going
30:11
Speaker 8: to abandon the prophet.
30:13
Speaker 3: And I also think it's cool to talk.
30:15
Speaker 2: About Xamã, man, acting. Xamã. Very cool. Everyone, just compliments
30:20
Speaker 2: for you, Xamã. Xamã is amazing. And what a good guy.
30:22
Speaker 2: And he was the one who cursed the most, too.
30:24
Speaker 4: And it's funny, man, the character.
30:26
Speaker 8: There's a scene of him that even turned.
30:29
Speaker 2: The people are using it as a meme. Very strong.
30:31
Speaker 2: You're going to solve this shit, fuck it. Then he says,
30:35
Speaker 2: I don't know if I'm going to Macu, but if
30:36
Speaker 2: I'm going to the police.
30:37
Speaker 3: I'm going to the church.
30:39
Speaker 8: Go take it.
30:40
Speaker 2: Man, it's very real here. Very good. But here, I
30:43
Speaker 2: have another curiosity. You were recording.
30:45
Speaker 5: In the middle there, did you already feel that it
30:47
Speaker 5: would be a success? How was your mind? Everything was
30:50
Speaker 5: going to be a success.
30:54
Speaker 4: We knew it was going to be a success, yes.
30:56
Speaker 10: No, no, no.
30:56
Speaker 2: No, no, no.
30:57
Speaker 8: No, no, no.
30:57
Speaker 4: No, no, no.
30:57
Speaker 2: No, no, no.
30:58
Speaker 3: No, no, no.
30:58
Speaker 4: No, no, no.
30:58
Speaker 2: No, no, no. No, no, no.
30:59
Speaker 3: No, no, no. No, no, no.
31:00
Speaker 4: No, no, no. No, no, no.
31:01
Speaker 8: No, no, no.
31:01
Speaker 4: No, no, no.
31:01
Speaker 8: No, no, no. No, no, no.
31:02
Speaker 4: No, no, no.
31:02
Speaker 3: No, no, no.
31:03
Speaker 4: No, no, no. No, no, no. No, no, no.
31:04
Speaker 2: No, no, no.
31:05
Speaker 4: No, no, no.
31:06
Speaker 10: No, no, no.
31:06
Speaker 4: No, no, no. No, no, no.
31:07
Speaker 3: No, no, no.
31:08
Speaker 4: No, no, no.
31:08
Speaker 2: No, no, no.
31:09
Speaker 8: No, no, no.
31:09
Speaker 2: No, no, no. No, no, no.
31:09
Speaker 8: No, no, no.
31:10
Speaker 10: No, no, no.
31:11
Speaker 9: No, But when we were recording, you put together some facts, right?
31:25
Speaker 8: Like, Netflix is an incredible platform, they believe a lot
31:29
Speaker 8: in the series, the cast, you look to the side,
31:31
Speaker 8: only the name sucks, the story is very good, and
31:36
Speaker 8: you have some internal information from Netinha's people, you say,
31:40
Speaker 8: the people are cool, you say, the thing will be
31:41
Speaker 8: good then.
31:41
Speaker 2: But then, it was what Amel said, we didn't expect
31:44
Speaker 2: it to be.
31:51
Speaker 8: It worked very well, and one of the things that
31:53
Speaker 8: surprised me the most, which is very good, one thing
31:56
Speaker 8: is to like a series, another thing is to finish
31:58
Speaker 8: the series in two days, one day. When it premiered,
32:00
Speaker 8: people were already sending messages, where's the second season? But
32:03
Speaker 8: we didn't even have time, I watched it all, I
32:05
Speaker 8: spent eight hours watching it.
32:09
Speaker 4: I saw a lot of people saying that it turned
32:10
Speaker 4: into a night watching, it was working on the.
32:12
Speaker 3: Next day, like, dead. I was happy that when it ended,
32:15
Speaker 3: I said, there will be a second part. Because my
32:17
Speaker 3: fear was to end closed, you know? Like, it's over.
32:19
Speaker 4: No, there will be, there will be.
32:20
Speaker 3: I said, no, there will be the second part.
32:22
Speaker 2: So, since the first one, you already knew that there
32:24
Speaker 2: would be the second?
32:25
Speaker 3: No.
32:25
Speaker 4: No, no.
32:26
Speaker 2: No?
32:27
Speaker 4: No, no. We felt.
32:27
Speaker 3: Yeah, because you have to make a success.
32:30
Speaker 2: Yeah, we felt... Yeah, so you have to wait, debut.
32:33
Speaker 4: Like, in the backstage conversation, we felt that with all
32:35
Speaker 4: this success that we were already having there in the backstage,
32:37
Speaker 4: and reading and everything else, It was going to happen,
32:40
Speaker 4: but there was nothing proven.
32:42
Speaker 2: They were already making progress on the script. When we
32:44
Speaker 2: did the first reading, the one.
32:45
Speaker 4: That was recorded, I don't know if you saw it, there,
32:46
Speaker 4: we already knew it was going to be a mess.
32:50
Speaker 4: I already knew. First, we read the script, impeccable script.
32:52
Speaker 4: And the characters... The actors. They got married.
33:00
Speaker 2: We got to the reading, it was so structured. So structured.
33:03
Speaker 2: I was like, what is this? Reading, we were with
33:05
Speaker 2: the biggest chairs, a bench here, I don't know what.
33:06
Speaker 2: There was a.
33:07
Speaker 8: What's the name of that thing that puts.
33:09
Speaker 4: Crane.
33:09
Speaker 2: No, it was.
33:09
Speaker 8: No, but it was a truck that puts the light,
33:12
Speaker 8: I don't know what.
33:13
Speaker 2: I was like, what is this, guys? It's a reading.
33:15
Speaker 2: It was a reading.
33:16
Speaker 8: The thing is really big.
33:17
Speaker 2: It's going to be cool.
33:19
Speaker 3: It's an absurd, and you know that feeling when you
33:22
Speaker 3: see a cast, and you're like, I'm sure this cast,
33:24
Speaker 3: this team, they're having a barbecue, they're in sync. And
33:27
Speaker 3: look what we did. It's the same thing as looking
33:29
Speaker 3: at you there, and you're like, it's all too much,
33:32
Speaker 3: they're together. And since the first reading, isn't that crazy?
33:35
Speaker 4: It's very crazy. This is rare to happen, there's always
33:38
Speaker 4: a character that we talk about, like, this one isn't
33:40
Speaker 4: getting married very well, we think this one.
33:45
Speaker 4: No, all the actors fit very well with the characters.
33:47
Speaker 3: Very good.
33:47
Speaker 4: That's from the beginning, when we read, it was a blast.
33:48
Speaker 3: No, absurd.
33:49
Speaker 4: Now, to go back a little bit, you know, from
33:50
Speaker 4: the beginning of you.
33:52
Speaker 7: Mel, you've been successful for a long, long, long time.
33:55
Speaker 3: And I wanted to know when it was that you,
33:58
Speaker 3: little girl, said you wanted to be an actress, or
34:00
Speaker 3: it was someone who encouraged you. How did this appear
34:03
Speaker 3: in your life, this desire?
34:11
Speaker 4: So, I've always been very spoiled, right? I've always had
34:13
Speaker 4: this way of being charismatic, talking to people. And then,
34:17
Speaker 4: my neighbor from Porta, he had a theater, Marcelo Pires,
34:20
Speaker 4: his name. And then, I kept talking to him, right?
34:24
Speaker 4: Little gesticulating that I wanted to be on TV, that
34:26
Speaker 4: I wanted to be a drawing. He thought it was
34:28
Speaker 4: cute and understood the message. I think this girl is
34:30
Speaker 4: an artist. So, he put me in his theater.
34:32
Speaker 2: How old were you? Five years. My God. Five years.
34:34
Speaker 4: And then, I went to the theater with five years
34:37
Speaker 4: in his theater. And then, I did my first play
34:39
Speaker 4: without knowing how to read. the teacher would tell me
34:42
Speaker 4: the lines, I would decorate, and so I made a
34:44
Speaker 4: whole piece without knowing how to read.
34:46
Speaker 8: I saw a scene of yours these days, even a
34:48
Speaker 8: little one, I think it went viral, you saying, the
34:50
Speaker 8: guy asks for I don't know what, Then you end
34:54
Speaker 8: up with an iPad.
34:56
Speaker 4: I don't like it, I hate twilight. Any cat turns
34:59
Speaker 4: into a can of two. I said, little girl.
35:02
Speaker 2: With a big text, full of personality.
35:05
Speaker 3: A debauch in the voice.
35:07
Speaker 2: I didn't know what life was like. Imagine acting. There's
35:12
Speaker 2: no way.
35:12
Speaker 5: But then you already acted in this theater for the
35:14
Speaker 5: first time. You said, that's what I want.
35:17
Speaker 4: In five years. In five years. I did theater, I
35:19
Speaker 4: loved it. And then I continued in theater. Then I
35:22
Speaker 4: did my first test for a show called Aventure Clock,
35:26
Speaker 4: which I think was a special day for parents, or
35:29
Speaker 4: Children's Day, something like that, that happened on Sundays. Then
35:32
Speaker 4: Avenida Brasil, and then.
35:34
Speaker 3: Calm down.
35:35
Speaker 2: What do you mean?
35:35
Speaker 7: You talk as if Avenida Brasil was a.
35:37
Speaker 2: Yeah. It was Avenida Brasil, so.
35:40
Speaker 4: No, it's because I did the test for Avenida Brasil,
35:43
Speaker 4: but I passed a lot later.
35:44
Speaker 2: Did you already know it was going to be a success?
35:47
Speaker 2: Of course not!
35:49
Speaker 5: Of course not!
35:49
Speaker 2: I think it took a long time.
35:50
Speaker 3: When you were recording?
35:51
Speaker 2: How was the test? The test was a 6-year-old child.
35:53
Speaker 2: It's hard to remember.
35:56
Speaker 4: But the test was at the studio, I went there,
35:59
Speaker 4: and I made a little test, and I think I failed.
36:03
Speaker 4: I remember it on the camera, if I'm not mistaken.
36:05
Speaker 2: And your family?
36:05
Speaker 4: I don't remember. No, it was to the director. At
36:06
Speaker 4: the time, I think they didn't record.
36:08
Speaker 2: Did your family always support you?
36:10
Speaker 4: My mother was always there with me. without working with
36:13
Speaker 4: me he was waiting for me my mother didn't even
36:14
Speaker 4: worry that I was doing everything.
36:16
Speaker 3: What madness is this right Mel like you at the
36:18
Speaker 3: age of six acting with Adriana Esteves Murilo Benítez Vera Routes.
36:23
Speaker 4: I'll understand that later I.
36:24
Speaker 3: Think it helps you deliver a great job for you
36:28
Speaker 3: to be a child is that you don't have much
36:30
Speaker 3: knowledge obviously when I say knowledge, it means that there
36:33
Speaker 3: is no professionalism it's not good but it's like a
36:36
Speaker 3: child the child doesn't You're acting in Caveira Rhodes. She
36:39
Speaker 3: looks at an older person and says, cool, a girl
36:41
Speaker 3: who will be my mom.
36:43
Speaker 2: That's very good too, on the one hand, right?
36:46
Speaker 4: That's great.
36:47
Speaker 2: That's the innocence of the child, like, don't.
36:49
Speaker 4: Put weight on anything, just go. For me it was
36:51
Speaker 4: a amusement park, but I knew, but I learned a
36:53
Speaker 4: lot from the directors at the time. It was fun,
36:56
Speaker 4: but when it came time for the scene, you had
36:57
Speaker 4: to turn the key, concentrate and go. So that's how
37:00
Speaker 4: it worked. I cut amusement parks. My childhood was all there.
37:05
Speaker 2: And at school?
37:06
Speaker 4: I studied in the same school.
37:07
Speaker 2: You were the most famous in the school, dude.
37:09
Speaker 4: I was the most famous. I studied in the same
37:11
Speaker 4: school until the eighth year. So it was quiet. The
37:15
Speaker 4: people grew up together. They grew up together, they were
37:18
Speaker 4: already used to it. When I moved from school to
37:21
Speaker 4: the ninth year, then it was crazy, right? Ninth year, Thalina... College. College,
37:25
Speaker 4: that adolescent thing.
37:27
Speaker 2: The people were more in favor, they were like.
37:30
Speaker 4: The people were more like.
37:32
Speaker 2: I see.
37:32
Speaker 4: Because you're in that phase of being kind of rebel,
37:35
Speaker 4: so it was... a little more difficult, but after a
37:37
Speaker 4: year the people got used to it.
37:39
Speaker 5: But how did it go through your head at that
37:40
Speaker 5: time of Avenida Brasil, people stopping you.
37:43
Speaker 4: On the street, talking about it?
37:46
Speaker 2: I loved it!
37:46
Speaker 4: I loved it, I was very happy, I was always
37:48
Speaker 4: very sympathetic, kind of political, I talked to everyone, and
37:53
Speaker 4: it was great, I loved it, and I remember that
37:55
Speaker 4: when I was younger.
37:56
Speaker 2: No, she even speaks with the door. Imagine her as
38:00
Speaker 2: a child, imagine her as a child.
38:01
Speaker 4: No, I was a child, I didn't stop, I didn't
38:03
Speaker 4: stop talking to you. And I remember when I was
38:06
Speaker 4: much younger, I think about four years old, up to five,
38:08
Speaker 4: I used to say to my dad, I want to
38:10
Speaker 4: take pictures with people on the street. I want people
38:14
Speaker 4: to take pictures. Man, you knew that. I was kind
38:17
Speaker 4: of an artist since I was little. You know? It's crazy.
38:21
Speaker 2: It's crazy. It's like a prodigy.
38:22
Speaker 5: What was a nice memory you have of Avenida Brasil
38:25
Speaker 5: at that time when you were recording?
38:27
Speaker 3: Several.
38:27
Speaker 4: I remember that when Adriana Esteves had to mistreat me,
38:29
Speaker 4: she cried. And she used to take the director's scolding.
38:32
Speaker 4: Why are you crying? This is professionalism. And you can't...
38:36
Speaker 4: It was all very.
38:37
Speaker 10: Hard.
38:37
Speaker 4: Hard.
38:37
Speaker 2: At that time, it.
38:39
Speaker 4: Was all a little harder. I think it was good
38:41
Speaker 4: for me to learn. And I was a super... Recovered child.
38:45
Speaker 4: I didn't take anything home. So if someone came to
38:49
Speaker 4: fight with me... Look, you can't do that. I was like...
38:52
Speaker 4: Stop spitting in my face, please. You can't. Debochado. Debochado.
38:57
Speaker 4: I was a barraqueira. So, like... For me, I only
38:59
Speaker 4: have memories of... It was a park of diversions.
39:02
Speaker 2: And....
39:05
Speaker 4: Legal assim aprendi muito de uma escola sabe porque a.
39:08
Speaker 3: Gente fica imaginando uma criança né e a gente já
39:11
Speaker 3: foi uma criança a gente sabe que do nada criança
39:13
Speaker 3: assusta não quer chora e quer ir embora embora não
39:16
Speaker 3: vou fazer isso não rolou com você.
39:19
Speaker 8: Pelo que criança não tem noção da vida direito separar
39:21
Speaker 8: né tipo você perguntava como é que você não leva
39:23
Speaker 8: isso para casa né eu fico pensando às vezes também
39:25
Speaker 8: você que a tua pequenininha assim sete anos como é
39:28
Speaker 8: que diferencia I don't know about life, the right to stop, right? Like,
39:22
Speaker 8: you asked, how come you don't take this home, right?
39:24
Speaker 8: I keep thinking sometimes too, you who are so little, like,
39:26
Speaker 8: seven years old, how can you differentiate what you're doing there,
39:30
Speaker 8: which is a job, and what your real life is?
39:33
Speaker 2: Wow, I didn't have that.
39:34
Speaker 4: I always knew how to differentiate.
39:37
Speaker 3: Very cool, it's a talent. I didn't take it home.
39:40
Speaker 4: And there was a psychologist at the time who accompanied me,
39:43
Speaker 4: if I took a low grade, they would... I was like,
39:46
Speaker 4: let's calm down.
39:47
Speaker 2: What was it like at school? Was it messy? Did
39:49
Speaker 2: you get good grades? I was a mess.
39:53
Speaker 4: At some point, I only got good grades. Later, I
39:55
Speaker 4: became a middle school student. But I was always a mess.
39:59
Speaker 4: You knew you were going to be an actress.
40:01
Speaker 2: You didn't say that at school. I'm an actress. My
40:04
Speaker 2: mom always said, no, no.
40:06
Speaker 4: You have to study. Imagine if something happens. And also there,
40:11
Speaker 4: where I worked my whole life... I was a psychologist
40:15
Speaker 4: to see if the grades were good. If they were
40:17
Speaker 4: bad at school, it would interfere with the work. Let's
40:21
Speaker 4: change here.
40:21
Speaker 3: So you were a child who worked as a child,
40:23
Speaker 3: but didn't lose your childhood.
40:24
Speaker 4: No, imagine. I was a child who learned everything. I
40:27
Speaker 4: already gave a little check in my childhood.
40:29
Speaker 2: Of everything.
40:29
Speaker 4: Of doing all the shit at school, of exploding trash,
40:32
Speaker 4: of screwing everyone. That's crazy, because usually when.
40:36
Speaker 5: We talk to a person who works since childhood, she
40:39
Speaker 5: didn't have a childhood.
40:43
Speaker 2: a lot of crazy things, experiences.
40:44
Speaker 4: No, I did a lot of shit. Thank God, you're great.
40:47
Speaker 2: She's 21. And you, man? How old did you start acting?
40:50
Speaker 8: I started, now I'm even feeling old when I started acting.
40:54
Speaker 2: No, it was too much. Two years she was already...
40:55
Speaker 2: It was incredible.
40:56
Speaker 5: I started when I was 15, like 14, 15.
41:03
Speaker 8: My brother, I have a brother who is 4 years
41:04
Speaker 8: older than me.
41:05
Speaker 2: Victor.
41:06
Speaker 3: Victor.
41:06
Speaker 2: This guy is very good. He sent a hug to you. Victor.
41:09
Speaker 2: A hug to you, man. He is pure talent.
41:12
Speaker 3: I've seen... It's a piece of improvisation by Lamont, by Victor.
41:17
Speaker 3: I've watched a lot of Parafernalha.
41:18
Speaker 8: So, he's very talented.
41:19
Speaker 2: His way, man, when he shows up, I want to go.
41:21
Speaker 2: And there's no.
41:22
Speaker 8: One I don't know who says, like, no, everyone likes him.
41:24
Speaker 2: He has a very good way, man.
41:25
Speaker 8: Calm and funny.
41:26
Speaker 2: So, he pulled this good one first in your case? So,
41:28
Speaker 2: and then he started to do, he's.
41:30
Speaker 8: Four years older, he started to act first, right? Not
41:32
Speaker 8: because he's older, but he started first. He was always
41:41
Speaker 8: very proactive in his work. He always wanted to make
41:43
Speaker 8: a piece, he would gather his friends, which is what
41:46
Speaker 8: you must have seen. He would gather his friends and
41:48
Speaker 8: make it happen. I saw that movement inside the house,
41:51
Speaker 8: I asked to follow him. Then when I went to see,
41:57
Speaker 8: I was going to the play with him, asking to
41:59
Speaker 8: set up a scenario. I said, let me do this here.
42:02
Speaker 8: I took the water to the actors. I organized the
42:04
Speaker 8: line there to enter the theater.
42:06
Speaker 2: 15 years like that.
42:07
Speaker 3: Juvinha.
42:08
Speaker 2: And then I.
42:09
Speaker 8: Was enjoying it and I talked to my parents to
42:11
Speaker 8: put me in a course. I started studying there at Tablado.
42:13
Speaker 8: Then I did the pieces of the course.
42:15
Speaker 4: I've already done Tablado too.
42:16
Speaker 2: I did it for about three years.
42:17
Speaker 3: What is Tablado?
42:18
Speaker 4: It's a theater school. It's a theater school.
42:20
Speaker 2: But it's a specific theater school?
42:24
Speaker 3: Is it a specific training? Because every time I hear
42:26
Speaker 3: people say, tablado, and then, ah, I also did tablado,
42:29
Speaker 3: and then it seems that there is different.
42:30
Speaker 8: No, because it's a very well-known school in Rio, a
42:33
Speaker 8: lot of people left there. They use a lot of
42:35
Speaker 8: improvisation too, right, to learn, right? Sometimes you're there and
42:41
Speaker 8: start talking about something specific, you're working on some topic.
42:46
Speaker 8: And then, at the end of the day, you say, oh,
42:48
Speaker 8: the theme is this, this, this, set up a group,
42:51
Speaker 8: set up a scene. I want five minutes of scene, everyone,
42:53
Speaker 8: and then we organize ourselves there, before the conversation.
42:56
Speaker 4: You have to do it and you have to organize
42:57
Speaker 4: the scene in five minutes.
42:58
Speaker 2: Wow, that's crazy. And it's very cool. And there you
43:01
Speaker 2: get a good experience.
43:02
Speaker 8: And then, from there, I started to make the pieces there.
43:07
Speaker 8: I made a professional piece, the first.
43:08
Speaker 3: Cinderella.
43:09
Speaker 2: Cinderella. In 15, 16.
43:11
Speaker 8: And I was Standin, the substitute actor of the prince.
43:15
Speaker 2: How is that? Do you stay in the reserve bench?
43:17
Speaker 3: You stay in the reserve bench like this, man.
43:20
Speaker 2: He won't go today, God willing. He won't go, man.
43:22
Speaker 2: He won't go.
43:23
Speaker 8: And I think that, like, sometimes what I did was
43:26
Speaker 8: even for the sake of the guys, because.
43:28
Speaker 2: Leave him a little bit. He, right? It wasn't bad, right?
43:31
Speaker 2: And he said, like, no, let André do a piece.
43:33
Speaker 3: Let him.
43:33
Speaker 2: Then I did it. When you did it for the
43:37
Speaker 2: first time, did you see the reaction of the crowd?
43:39
Speaker 2: And on my day, the theater was full. It was
43:41
Speaker 2: because of you. It was energy. It was full and
43:43
Speaker 2: it was great. It was very cool. Theater is something that...
43:46
Speaker 2: It's magical, right?
43:47
Speaker 8: There are few sensations that you will have something like
43:50
Speaker 8: that in life.
43:50
Speaker 2: It's an immediate response.
43:52
Speaker 8: It's a cold in the belly that you have, so you.
43:54
Speaker 2: Won't feel anywhere.
43:55
Speaker 8: It's an immediate response, because you see that the audience
43:58
Speaker 8: is enjoying it, you have an answer, it goes on
44:00
Speaker 8: and on. When you're there, you don't want to leave
44:05
Speaker 8: the stage anymore.
44:06
Speaker 3: But have you ever been in a theater that was
44:09
Speaker 3: doing the play and says like this, my God, it's
44:12
Speaker 3: not fitting anything, then it's going to give a nerve.
44:14
Speaker 8: You just want the play to end soon.
44:15
Speaker 2: You say, my God, look at the face of the crowd.
44:17
Speaker 8: But sometimes the crowd doesn't know that.
44:19
Speaker 2: You made a mistake.
44:20
Speaker 5: The last play I did, I did with Cauê Campos,
44:22
Speaker 5: he's a wonderful actor too, a friend of mine.
44:24
Speaker 2: The two of us.
44:26
Speaker 4: So when.
44:33
Speaker 4: He gave me a white one, he helped me. So
44:35
Speaker 4: you make a piece with someone, the person helps you.
44:37
Speaker 4: Now you do it alone, it's another story.
44:40
Speaker 8: In this Cinderella there was a moment, there was a scene,
44:42
Speaker 8: the first day I went to make the.
44:44
Speaker 2: Piece, that nervous man.
44:47
Speaker 8: Then there was a scene that I was like this,
44:49
Speaker 8: it was the prince, I was sitting like this in
44:50
Speaker 8: the chair and I gave an order to the people
44:53
Speaker 8: who worked for the prince, so you go, you have
44:55
Speaker 8: to go get it and don't come back here anymore,
44:57
Speaker 8: I don't know, something like that. Then the guy would
45:01
Speaker 8: leave the scene, theoretically. Then I would say, so go,
45:03
Speaker 8: you don't come back here anymore.
45:04
Speaker 2: And he would stay. And you don't come back here anymore.
45:07
Speaker 10: And he would stay.
45:08
Speaker 2: I said, and then?
45:09
Speaker 8: Don't come back anymore. And then, you know what was happening?
45:12
Speaker 8: In Cuxia, they hadn't told him like that. Because Cinderella
45:14
Speaker 8: had lost her shirt. There was someone who thought, because
45:17
Speaker 8: the next scene she had to be with.
45:18
Speaker 2: Then he would say like this... And I didn't see
45:22
Speaker 2: all that.
45:22
Speaker 8: I said, bro, I already gave it to him. In
45:23
Speaker 8: my head, I said, I'm nervous here. Then he left.
45:26
Speaker 2: Damn, what a relief. And it took a while.
45:29
Speaker 8: It took a while, but then it went on. But
45:31
Speaker 8: the guys didn't realize. No, because then, this is in
45:33
Speaker 8: my head. Only that at the moment you understand, you
45:36
Speaker 8: relax and go. Go improvising there, go going. That's where
45:40
Speaker 8: the mother is too, right?
45:41
Speaker 2: Before acting, did.
45:43
Speaker 3: You have another job? Because you went to act only
45:45
Speaker 3: with 15? Did you do anything else?
45:48
Speaker 2: No, no.
45:48
Speaker 8: What I used to do a lot... I studied, right?
45:50
Speaker 8: And I was always very connected to sports, to my sport.
45:54
Speaker 8: I played all kinds of sports in my life.
45:56
Speaker 3: But did you try to be a professional in any
45:57
Speaker 3: of them?
45:58
Speaker 8: At that time, I was trying to... I was playing tennis,
45:59
Speaker 8: I was doing championships, I used to play.
46:01
Speaker 2: I love to play.
46:02
Speaker 3: But it's very.
46:03
Speaker 2: Difficult, right, bro?
46:04
Speaker 3: To become a professional in the sport.
46:05
Speaker 8: Even more so, unfortunately, in our country, encouraging sports is
46:09
Speaker 8: sometimes a little more difficult. Even in football, we see, right?
46:14
Speaker 8: There are few who can do it.
46:16
Speaker 3: Even Brazil is playing soccer.
46:19
Speaker 8: And sometimes, well, I even thought about connecting sports with
46:22
Speaker 8: education and study.
46:23
Speaker 2: There's often a scholarship for sports. It was that idea,
46:27
Speaker 2: I liked it a lot. Have you ever been a YouTuber? No. But... No,
46:31
Speaker 2: you didn't have a channel there. Ah, but no... We're knowing...
46:35
Speaker 2: We're knowing that you had a channel there. It's easy, bro.
46:39
Speaker 3: It's hard to have a channel. It's hard. But it
46:41
Speaker 3: didn't last long.
46:42
Speaker 4: It didn't work out?
46:43
Speaker 2: No, it was more for the review.
46:49
Speaker 5: I remember him all the time!
46:54
Speaker 8: That's my past, I understand. No, but it was cool too.
46:57
Speaker 8: It was that time of wanting to do everything and
47:00
Speaker 8: discovering things. I've always been like that, a lot of
47:02
Speaker 8: taking risks too, wanting to be in motion, wanting.
47:06
Speaker 3: To do, you know? Inside the house, did you exchange
47:07
Speaker 3: a lot with Victor? Because he already had more experience,
47:11
Speaker 3: you and your career, I think it started to gear
47:13
Speaker 3: up a lot too. How was this exchange inside your
47:15
Speaker 3: house with him?
47:16
Speaker 8: Man, today we exchange more than before, before I learned
47:19
Speaker 8: a lot by observing, by seeing.
47:21
Speaker 2: These things, right? It even gives him the proactivity to
47:24
Speaker 2: want to do it, so that.
47:24
Speaker 8: Too, to want to assemble a I don't know what,
47:27
Speaker 8: came a little of this inspiration. And today we exchange
47:31
Speaker 8: a lot more, I talk to him because I know
47:34
Speaker 8: that there will be a sincere answer, right?
47:36
Speaker 2: Than me asking his opinion, it will be all very direct, because.
47:41
Speaker 3: He talks.
47:42
Speaker 8: Yeah, I say like this, it's no use lying, he says,
47:44
Speaker 8: obviously not. Like, wanting to fool me, right, and the
47:46
Speaker 8: thing is not cool to say it is. Do you
47:48
Speaker 8: have people like that.
47:49
Speaker 3: In your life too, Mel? That you say, okay, if
47:51
Speaker 3: I'm going to ask something, I'm going to ask this person,
47:54
Speaker 3: because she won't lie.
47:55
Speaker 4: My sister. Yeah? Of course.
47:57
Speaker 5: It's good to have people like that.
47:58
Speaker 4: Yeah, my sister is the person I trust the most
48:00
Speaker 4: in the world. My sister is super different from me,
48:03
Speaker 4: but at the same time we are very similar.
48:05
Speaker 2: That's good, right?
48:06
Speaker 4: My sister is super shy, she's on her own. She
48:08
Speaker 4: doesn't like photos, she doesn't like videos. My sister is
48:10
Speaker 4: a dentist.
48:10
Speaker 3: When you said sister, I said, do you have a sister?
48:12
Speaker 2: I didn't know.
48:13
Speaker 4: Yeah, because she's very closed, she's on her own. And
48:15
Speaker 4: she's training as a dentist this year. Congratulations. Congratulations to her.
48:18
Speaker 5: And man, despite you being young, but you've already done
48:20
Speaker 5: a lot of tramps. You have no idea, but how
48:23
Speaker 5: many soap operas, movies have you done?
48:24
Speaker 2: Do you know? I don't know. Novelas foram alguns, hein?
48:36
Speaker 4: Avenida Brasil, Joia Rara, Além do Tempo, Liberdade, Liberdade, Vai
48:41
Speaker 4: na Fé, Dona do Pedaço, não vou lembrar de todas.
48:48
Speaker 2: Qual foi a mais da hora que você gravou de novela?
48:50
Speaker 4: A Joia Rara. A Joia Rara tem um M. Vocês sabiam?
48:54
Speaker 4: Eu tenho um M de tabela aí. De tabela não, né?
48:56
Speaker 3: Tabela, tá no trabalho, pô.
48:58
Speaker 4: Tá no trabalho. Mas essa novela a gente viajou pro
49:01
Speaker 4: Nepal por um mês pra gravar. It was really cool,
49:03
Speaker 4: because Nabela told the story of the Buddha, and I
49:05
Speaker 4: was the reincarnation of a Buddhist monk. So it was
49:08
Speaker 4: really cool. So we had to learn everything about the culture. Everything.
49:12
Speaker 4: I learned mantras, how I should dress, how I should speak,
49:15
Speaker 4: I learned words.
49:17
Speaker 3: The actress, or the actor has to be deprived of
49:20
Speaker 3: everything and of prejudices.
49:22
Speaker 2: Totally.
49:23
Speaker 4: The actor is very open and free.
49:25
Speaker 3: Do you realize that your class, actors and actresses, is
49:29
Speaker 3: a little more.
49:34
Speaker 3: I didn't want to use the word evolved, but what
49:36
Speaker 3: I want to say is that you play in subjects
49:38
Speaker 3: or live experiences much more than other people. You have
49:41
Speaker 3: contact with, I don't know, if you have to make
49:45
Speaker 3: a homosexual scene, you will do it. If you have
49:47
Speaker 3: to contrast with someone else, you will contrast. If you
49:49
Speaker 3: have to make a monk, you will make a monk.
49:50
Speaker 3: If you have to make the drug dealer, you will
49:52
Speaker 3: make the drug dealer. So you live in many nuances
49:55
Speaker 3: at all times. Does this help you to be better people,
49:58
Speaker 3: to grow more? I believe so, because we have many
50:01
Speaker 3: different experiences.
50:02
Speaker 4: I think our profession is the coolest profession in the world.
50:07
Speaker 4: I say that to everyone.
50:08
Speaker 3: It can be anyone you want.
50:10
Speaker 4: In one life, everyone has one life. I choose a
50:12
Speaker 4: profession for my whole life. We can be many things.
50:15
Speaker 4: I was a swimmer, I was... What was the.
50:16
Speaker 2: Most random you've been?
50:21
Speaker 3: To live in a dump.
50:22
Speaker 4: To live in a dump. I've lived in a dump,
50:24
Speaker 4: I've lived in a luxury house, I've been prejudiced, I've
50:27
Speaker 4: been super deconstructed, I've been a swimmer, I've been a swimmer,
50:30
Speaker 4: I've been a swimmer, I've been a soccer player, an influencer,
50:33
Speaker 4: a lot of things in one life.
50:34
Speaker 2: But it's because we also dive a lot in.
50:37
Speaker 8: When you take a character, you dive a lot in
50:39
Speaker 8: that universe, right? So you end up knowing a lot
50:41
Speaker 8: of things, right?
50:42
Speaker 2: You have to be inside, right? Yeah. And you say,
50:45
Speaker 2: for example, make a character....
50:49
Speaker 8: Homosexual, you also understand, even though I think a lot
50:54
Speaker 8: of things come from creation and it's very good, the
50:56
Speaker 8: person is always understanding what is happening in the world
51:00
Speaker 8: and adapting, but you respect it. When I made Ivan
51:03
Speaker 8: from Elite, you also receive a caress, you see that
51:07
Speaker 8: your work is helping a lot of people. I say
51:09
Speaker 8: that the idea was never to teach anyone anything in
51:14
Speaker 8: the series, but you saw someone being represented Tando, pô,
51:19
Speaker 8: se sentindo orgulhoso por isso, feliz, você.
51:22
Speaker 2: Ajudou ela de alguma maneira.
51:23
Speaker 8: Ainda mais num tema tão delicado que, infelizmente, muita gente
51:26
Speaker 8: tem a cabeça muito atrasada ainda, né? Then you see
51:30
Speaker 8: it there and you say, wow, cool, that in some way, right?
51:32
Speaker 8: Imposed someone, made someone feel a better person in this life.
51:35
Speaker 3: Yeah, because it's really cool when we talk to actresses
51:37
Speaker 3: and actors, that we sometimes talk about some topics that
51:40
Speaker 3: you don't even see, I don't know, the mustache of
51:43
Speaker 3: the person shaking. She talks about it in a natural
51:45
Speaker 3: way and I think it's so cool, you know? Because
51:48
Speaker 3: sometimes we put a lot of prejudice on things and
51:51
Speaker 3: I think it's very evolved. And what Amel said, I think.
51:53
Speaker 2: It's... He has a more open mind, more evolved.
51:56
Speaker 4: For sure.
51:56
Speaker 3: And I think it's really, really cool. So, take off
51:58
Speaker 3: the hat, man. It's really cool. Because it's fucking hard, man,
52:01
Speaker 3: to get rid of our prejudices and everything, you know?
52:06
Speaker 4: Yeah. I think that an artist, to be an artist,
52:08
Speaker 4: has to have a much more advanced mind and deconstructed.
52:11
Speaker 4: And I think we also learn a lot by working. Yeah.
52:15
Speaker 8: One of the things we do in preparation is to understand,
52:20
Speaker 8: for example, that we are there delivering our feelings to
52:23
Speaker 8: a character. So, deconstructing any prejudice, deconstructing anything. And there
52:27
Speaker 8: are things that you take what is positive and you
52:30
Speaker 8: take it to your life.
52:31
Speaker 2: That's why you were talking about evolution. I think it's
52:34
Speaker 2: a little bit of that too.
52:34
Speaker 8: You get the learning that we dive a lot into
52:37
Speaker 8: different subjects, right? So you take that and bring what
52:40
Speaker 8: is good for you.
52:41
Speaker 5: You talked about Elite, bro. Let's talk about Elite too.
52:45
Speaker 5: It was a huge success. How was it to record,
52:47
Speaker 5: to participate in this success? And to leave one success
52:49
Speaker 5: and enter another.
52:50
Speaker 2: What a phase, bro. It was crazy. Elite.
52:54
Speaker 8: Did you speak Spanish?
52:57
Speaker 2: Dude, I did.
52:57
Speaker 8: I spoke because I did a Disney series.
53:02
Speaker 2: Brazilian.
53:02
Speaker 8: And then I was invited to do a Disney Argentina series.
53:07
Speaker 8: My character was Brazilian, but I had to speak Spanish.
53:09
Speaker 8: It was just a scene in Spanish. And then, man,
53:13
Speaker 8: even on my own, I gave him a hug, for example.
53:15
Speaker 8: Another thing is that the performance gave me... It gave me...
53:18
Speaker 8: I went after it, right?
53:19
Speaker 4: But.
53:20
Speaker 8: I speak Spanish today, I'm sure it's because of my job.
53:23
Speaker 2: Did you learn to do it?
53:25
Speaker 4: I learned to do it, I took a course.
53:26
Speaker 2: I was studying Spanish daily.
53:28
Speaker 8: You have to.
53:29
Speaker 3: Dive head first.
53:30
Speaker 2: I didn't say anything. I went to Argentina before to
53:33
Speaker 2: be able to study more and more.
53:35
Speaker 8: And then, in this series, the protagonist of the series
53:37
Speaker 8: was Spanish. And then, after we finished, there was the pandemic.
53:49
Speaker 8: Everyone at home, without work. He sent us a message later,
53:52
Speaker 8: this Spanish protagonist. He said, my employer is looking for
53:56
Speaker 8: actors to do a test for a series here in Spain.
54:00
Speaker 8: I put my employer in contact with them. And then
54:04
Speaker 8: the test arrived. And I saw it was from Elite.
54:07
Speaker 2: I said, damn. I discovered.
54:09
Speaker 8: No, because there was still a lot left. I had
54:11
Speaker 8: only received the self-tape. And then I did this self-tape
54:15
Speaker 8: there at home, I sent it.
54:17
Speaker 2: Man, in Spanish, self-tape. In Spanish, man, at home. Pero
54:21
Speaker 2: que si, pero que no, chispirito.
54:23
Speaker 8: And the Spanish wasn't there yet, because I spoke, but
54:26
Speaker 8: then I spent five years in Spain.
54:28
Speaker 2: Now it's fine.
54:28
Speaker 8: But at that time, and then I did, in the
54:31
Speaker 8: middle of the pandemic, I sent it, and the director
54:35
Speaker 8: came back, right? He said, let's try to do it
54:37
Speaker 8: like this, like this, now, this would be personally, but
54:39
Speaker 8: also because of the pandemic, the distance. Then I did
54:42
Speaker 8: about three self-tape, I sent it to him, until one
54:45
Speaker 8: day he called me, We're seeing if you come, it
54:48
Speaker 8: was like October. If you come in January to do
54:50
Speaker 8: the costume test, I said, calm down, I don't understand.
54:53
Speaker 2: He said, you are. Then you come here in January,
54:56
Speaker 2: I said, damn. But at the time I kept the posture. Wonderful,
54:59
Speaker 2: wonderful to work with you. Super happy.
55:01
Speaker 3: Thank you very much. And the little hand has to come.
55:04
Speaker 2: Then I closed the computer, damn.
55:06
Speaker 3: It was cool as hell.
55:06
Speaker 2: And Elite was a series that changed my life too,
55:11
Speaker 2: I can't deny it.
55:15
Speaker 3: No, and the success that was among the young people, man,
55:19
Speaker 3: my sister went crazy with this series, you know? So, like.
55:20
Speaker 8: It's something that surprises me to this day, like, because
55:22
Speaker 8: it was a worldwide success too. And there's a place
55:24
Speaker 8: in the world, I went once to Bosnia to receive
55:27
Speaker 8: an award. I imagined that I would go to Bosnia,
55:32
Speaker 8: that I would go to Bosnia to receive a prize
55:33
Speaker 8: and that I would go to Bosnia to receive a
55:36
Speaker 8: prize and I would have a fan there, you know?
55:38
Speaker 2: And then the guys there who followed my work, turn
55:40
Speaker 2: and move, I'm at the.
55:41
Speaker 8: Airport, then someone comes speaking English, I ask where he
55:45
Speaker 8: is from, man, I don't know, from the Philippines, I
55:49
Speaker 8: don't know where, Russia, Thailand, I say, wow, how cool,
55:53
Speaker 8: it's a series that really... And how was it to
55:55
Speaker 8: play this role?
55:58
Speaker 2: Studying is to do it. How was it that we
56:00
Speaker 2: talked about the first one here? And this one, how
56:04
Speaker 2: was it?
56:05
Speaker 8: Man, this one had the fact of the language, right?
56:08
Speaker 8: That I was already much more controlled. And it was
56:11
Speaker 8: a very cool character too, because he was a Brazilian, right?
56:15
Speaker 8: He also had a construction in the series that was...
56:19
Speaker 8: He said he was straight, he was discovering himself, fighting
56:23
Speaker 8: against his own prejudices. And it was very cool, it
56:27
Speaker 8: was a very cool construction, and my scene partners were
56:30
Speaker 8: all incredible people, which is also very important.
56:33
Speaker 2: Especially when we're talking about delicate topics.
56:36
Speaker 8: It was incredible, I felt very happy, very happy for
56:39
Speaker 8: the fact that I commented that a lot of people
56:41
Speaker 8: felt identified.
56:48
Speaker 2: In a way to help, to represent.
56:50
Speaker 8: I don't feel like a representative, but the fact of
56:52
Speaker 8: being able to help and represent. And it's very cool,
56:54
Speaker 8: I was happy. And it was a project that I
56:57
Speaker 8: know also put me in another place, this global scope.
57:00
Speaker 8: There was a very cool reach. Mel, I wanted to
57:04
Speaker 8: know how it was in your head, because.
57:17
Speaker 3: Little actresses and actors who are successful, who play great roles,
57:23
Speaker 3: I see that sometimes they carry a stigma of the character.
57:27
Speaker 3: Were you afraid that you would always be Rita?
57:30
Speaker 2: Or Nina?
57:30
Speaker 3: Because you said that you made your first adult character.
57:37
Speaker 3: And it was a twist. I don't think it has
57:40
Speaker 3: anything to do with what you did in Avenida Brasil.
57:43
Speaker 3: But I wanted to know if you personally had this thought. Wow,
57:44
Speaker 3: when an adult comes, I'm going crazy.
57:48
Speaker 4: That wasn't a thought I had every day. It wasn't
57:50
Speaker 4: a neurosis. It wasn't a neurosis. And I knew that
57:51
Speaker 4: this moment would come, because I'm becoming an adult now.
57:55
Speaker 4: I even thought that this character, who is very important
57:57
Speaker 4: to me in my career now, came very early. So
57:59
Speaker 4: I was very happy. I wasn't worried about it. I
58:01
Speaker 4: knew it would come at the right time. It's scary
58:03
Speaker 4: when people say... You said 21.
58:16
Speaker 3: I'm used to seeing her for a long time, which
58:18
Speaker 3: gives the impression that you are not 21 years old,
58:20
Speaker 3: you know? It seems that you are more for my age, 29, 30,
58:23
Speaker 3: you know?
58:23
Speaker 4: Ah, yeah, I thought you were going to say the opposite,
58:26
Speaker 4: because sometimes people say, but already, my God, I'm getting old.
58:29
Speaker 2: You put yourself up there, right?
58:30
Speaker 4: I remember you, I'm much younger.
58:32
Speaker 3: No, for me to see you, as you, obviously, you
58:34
Speaker 3: were very successful, small, and then you.
58:39
Speaker 3: It's a phenomenon on social media. Your work on social
58:42
Speaker 3: media is very well done and you got very well
58:45
Speaker 3: known for that too. And seeing you so much, it
58:47
Speaker 3: gives the impression that you are older than you are.
58:49
Speaker 3: I understand. I also hear that. People say, you seem to.
58:52
Speaker 4: Be a little more mature than your age. I listen
58:54
Speaker 4: to that too. I think it's because I started very early,
58:56
Speaker 4: because of the experiences of my personal life too, but
59:00
Speaker 4: I think the work... It also gives a lot of
59:07
Speaker 4: experiences and people.
59:08
Speaker 2: Think I'm older.
59:09
Speaker 3: I have another question for you. You did Vai na
59:11
Speaker 3: Fé and I think this soap opera was very important
59:14
Speaker 3: for Globo, because I think it gives back a certain
59:18
Speaker 3: protagonism to the soap opera of Sete. And a lot
59:20
Speaker 3: of people watched it again because it was a huge hit. Cabelinho,
59:25
Speaker 3: you and such. How was this soap opera for you?
59:27
Speaker 3: Because it was fucking great. I remember that at the
59:31
Speaker 3: time people were saying, pô, it's kind of more in
59:33
Speaker 3: the Globo soap operas. Then came Vainafé and.
59:34
Speaker 7: And it stuck.
59:36
Speaker 4: Yeah, all the soap operas that I participate in, I
59:38
Speaker 4: didn't want to... No, no, no, you can take this one.
59:41
Speaker 3: You can take this one.
59:43
Speaker 4: No, I'm kidding, guys. But this soap opera was really top.
59:44
Speaker 4: Did you already.
59:45
Speaker 2: Know it was going to be a success in reading?
59:47
Speaker 2: When you read.
59:51
Speaker 2: That's his question.
59:51
Speaker 6: You're all now.
59:55
Speaker 2: Mel, you debuted there.
59:55
Speaker 8: No, but it was a very cool character, because my
59:57
Speaker 8: last character there.
59:59
Speaker 4: On Globo had been, I think, I can be wrong,
1:00:01
Speaker 4: in A Dona do Pedaço, because I was much younger.
1:00:03
Speaker 4: So it was my first young adult character, so for
1:00:05
Speaker 4: me it was also important in my career. So I
1:00:08
Speaker 4: was very happy, and it was a character different from
1:00:11
Speaker 4: everything I had done, it was an influencer, kind of.
1:00:21
Speaker 4: When you're going to make a character like that, kind of.
1:00:25
Speaker 3: rough, or unsympathetic, you don't get like.
1:00:27
Speaker 4: It's not possible that people will... Because people... Man, there
1:00:29
Speaker 4: are people who believe that.
1:00:30
Speaker 3: I don't know if people really believe it, but people
1:00:34
Speaker 3: call you Myrna, so I get like.
1:00:45
Speaker 5: I think there's a lot of people who get confused.
1:00:49
Speaker 2: There's a lot of people who get confused.
1:00:50
Speaker 4: It's never happened to me, but I know that there's
1:00:52
Speaker 4: a lot of people who get confused.
1:00:53
Speaker 5: There's a lot of people who are like, you're fucked, man, man,
1:00:55
Speaker 5: I don't know what, put the guy back. There must
1:00:57
Speaker 5: be some people. And you must be like, man, you
1:00:59
Speaker 5: caused it there, man, why did you do it here?
1:01:01
Speaker 3: I've seen this a lot with soap operas, but with
1:01:03
Speaker 3: you it didn't happen.
1:01:04
Speaker 4: No, it never happened to me. And it was also
1:01:06
Speaker 4: never a neurotic.
1:01:07
Speaker 3: So I think.
1:01:08
Speaker 8: But it's that too, there are people who sometimes forget, like,
1:01:12
Speaker 8: shout Mirna on the street, prophet, but it's because the guys, imagine,
1:01:16
Speaker 8: they're at home seeing us every day there, seeing my
1:01:18
Speaker 8: face with the name prophet.
1:01:20
Speaker 2: You'll see, you'll say, first impression. It's ready in the mouth.
1:01:23
Speaker 2: Did you finish, bro? You two, you finished?
1:01:29
Speaker 4: No, we're never going to finish.
1:01:31
Speaker 3: Seriously, I said, no, we're here.
1:01:33
Speaker 2: Together, together, you're crazy.
1:01:35
Speaker 3: No, I'm serious, I'm not.
1:01:37
Speaker 2: But it's really awesome.
1:01:38
Speaker 3: I watched only two.
1:01:39
Speaker 2: Yeah, so.
1:01:40
Speaker 4: It's a show you watch every day.
1:01:41
Speaker 2: No, no, no, because.
1:01:42
Speaker 4: No, we understand.
1:01:44
Speaker 8: I'm knowing what's happening, because we're.
1:01:47
Speaker 2: Here, but just to see On the table, everyone delirious,
1:01:58
Speaker 2: with their eyes this big talking. No, we understand.
1:02:00
Speaker 4: And we only know about everything too, because we watched
1:02:02
Speaker 4: it before it was released.
1:02:30
Speaker 2: It would have been better. It was cool.
1:02:31
Speaker 8: The amount of scenes that when you record, you say,
1:02:33
Speaker 8: you leave the recording saying, what a shit, but okay,
1:02:36
Speaker 8: let's go.
1:02:36
Speaker 2: Then you see it and you say, it was amazing.
1:02:39
Speaker 2: Your favorite scene? My favorite scene? Man, I really like
1:02:41
Speaker 2: a scene from the last episode.
1:02:42
Speaker 8: There, the character, because the character has already gone through
1:02:47
Speaker 8: a lot of things, it's already different, which is that
1:02:50
Speaker 8: with Suzana, which is even that.
1:02:56
Speaker 2: Intimate her, send her away. I really like this.
1:02:59
Speaker 4: Spoiler for him.
1:03:00
Speaker 8: With Mel, that she was commenting now, that she was
1:03:03
Speaker 8: the one from the test. That she gets there, puts
1:03:06
Speaker 8: a bronco. It was a very difficult moment for the character, too.
1:03:08
Speaker 2: A different moment. It's a cute scene.
1:03:10
Speaker 4: Can I give a spoiler?
1:03:11
Speaker 8: For the guys at home, you can.
1:03:13
Speaker 2: If you haven't watched it yet.
1:03:14
Speaker 7: Pause, go there and watch it and then come back.
1:03:17
Speaker 4: I really like that... The engagement for us.
1:03:23
Speaker 8: I'll give you a spoiler.
1:03:25
Speaker 2: If you don't want to hear it, tap your ears.
1:03:28
Speaker 8: He kills Sombra. The prophet kills Sombra. Because there is
1:03:32
Speaker 8: also the change of the character. You didn't tap your ears.
1:03:35
Speaker 4: He doesn't even know who is Sombra yet.
1:03:38
Speaker 3: Man, I think.
1:03:38
Speaker 4: There is a scene of.
1:03:40
Speaker 3: You that I found very funny. That she gives you
1:03:43
Speaker 3: a trick. She goes to your house and you are
1:03:46
Speaker 3: with a girl.
1:03:49
Speaker 2: Oh, what a hate I have for this scene.
1:03:52
Speaker 4: I feel hate for Mirna.
1:03:55
Speaker 3: But it's very funny when he goes to your house
1:03:57
Speaker 3: and you say the same thing to him. And, like,
1:03:59
Speaker 3: the guy who's with her is very booroka, you know?
1:04:01
Speaker 3: He gets bitten.
1:04:02
Speaker 2: It's very funny, this scene.
1:04:03
Speaker 3: But I convinced her.
1:04:05
Speaker 7: The prophet convinced her. You're a mouthful, the prophet, right?
1:04:07
Speaker 2: Oh, yeah. Oh, yeah, the prophet.
1:04:18
Speaker 8: What about you, Mel?
1:04:19
Speaker 7: Your favorite.
1:04:23
Speaker 4: Scene? It's hard, right? Too hard, too hard. But I
1:04:26
Speaker 4: like the scene of the I love you. I say
1:04:28
Speaker 4: I love you to him because she tries to be
1:04:31
Speaker 4: cute and say she loves him, but she's kind of hard.
1:04:36
Speaker 8: Remember that smile didn't come out?
1:04:38
Speaker 4: Yeah, he didn't want to smile at me.
1:04:40
Speaker 2: No, it wasn't that.
1:04:41
Speaker 8: No, no, no. No, one of the things that, including
1:04:44
Speaker 8: in the character's construction, there were scenes where I was smiling,
1:04:48
Speaker 8: then Heitor, our director, sometimes said like this, no.
1:04:50
Speaker 2: Man, cut, let's cut this smile, it will be drier,
1:04:52
Speaker 2: more serious, a more contained smile and such.
1:04:54
Speaker 8: And then I was working with it, putting it in
1:04:57
Speaker 8: my head. And then, including in this scene, that she
1:05:01
Speaker 8: says like this, I love you, and then he smiles, right,
1:05:04
Speaker 8: he had to smile and say I love you too
1:05:06
Speaker 8: and such.
1:05:08
Speaker 2: And sometimes the smile was like, damn, where is he now?
1:05:10
Speaker 2: He had to come and he's not coming.
1:05:11
Speaker 4: You know?
1:05:12
Speaker 2: It kind of dried up, but... It dried up. But
1:05:14
Speaker 2: it's also a characteristic of the character. Yeah, of the prophet.
1:05:16
Speaker 2: But he gave a smile, he put it here, look.
1:05:19
Speaker 4: Yeah, he smiled, he smiled. But I said, smile for me. No,
1:05:21
Speaker 4: it wasn't in this scene. In this scene too, but
1:05:24
Speaker 4: it was in that scene that was deleted.
1:05:26
Speaker 2: Which one?
1:05:27
Speaker 8: The.
1:05:28
Speaker 2: Carnaval?
1:05:29
Speaker 4: Yeah, from Carnaval. You didn't smile.
1:05:30
Speaker 2: Oh, that's true.
1:05:32
Speaker 4: I said, smile for me. I don't know if you
1:05:34
Speaker 4: have to smile or not.
1:05:36
Speaker 3: You can't tell if the scene was deleted... to be
1:05:39
Speaker 3: successful on social media, because, like, fuck, that's it, everything
1:05:43
Speaker 3: that comes out of you is great. Now, deleted scene.
1:05:46
Speaker 8: Then you at the carnival, I said, fuck, dude, I said,
1:05:49
Speaker 8: why was it deleted?
1:05:51
Speaker 2: It was part of the marketing of the scene.
1:05:54
Speaker 4: This scene, we were shocked that it was deleted, because
1:05:56
Speaker 4: it was very beautiful.
1:05:58
Speaker 2: It was beautiful.
1:05:59
Speaker 8: And it's the coolest scene for the episode, we won
1:06:02
Speaker 8: it at the carnival, we're together there at the Sambódromo.
1:06:05
Speaker 4: We also don't understand very well why it deletes the scenes, but...
1:06:08
Speaker 4: It's an editing thing, right? Because it doesn't fit, it's
1:06:11
Speaker 4: too big, and.
1:06:11
Speaker 3: We just accept it.
1:06:12
Speaker 7: Did you guys go to the carnival.
1:06:14
Speaker 2: To record there?
1:06:15
Speaker 4: No, we went to the Sambódromo. And there was really
1:06:17
Speaker 4: a samba school there, wasn't it?
1:06:19
Speaker 3: Ah, okay, but they didn't go in the middle of
1:06:20
Speaker 3: the carnival.
1:06:21
Speaker 2: No, I think they took aerial images at the carnival. Yeah.
1:06:24
Speaker 8: But without sponsorship, without these things, right?
1:06:26
Speaker 2: And they used it.
1:06:26
Speaker 8: And from afar, so we couldn't identify anything. The samba
1:06:30
Speaker 8: school couldn't identify anything. And at the carnival, at our carnival,
1:06:33
Speaker 8: we went to the Sambódromo. But there was also Fundo Verde.
1:06:37
Speaker 3: How is it to play and play bad characters and
1:06:42
Speaker 3: have to deliver charisma? And know that this is real life.
1:06:48
Speaker 3: How is this game in your head? It was something
1:06:51
Speaker 3: that I asked the director a lot.
1:06:54
Speaker 2: It's very difficult, right? Even this thing of the smile.
1:06:56
Speaker 8: I said, but it's going to.
1:06:58
Speaker 2: Be kind of expensive. He said, trust me. And I
1:07:05
Speaker 2: trusted him.
1:07:05
Speaker 8: I trusted the director. And he knows exactly what he wants,
1:07:08
Speaker 8: what he wants to build. And he was a guy,
1:07:10
Speaker 8: a director who builds everything in his head. He sees
1:07:13
Speaker 8: the scene, he already builds in his head what he said.
1:07:16
Speaker 8: He said like this, I already know what's going to
1:07:18
Speaker 8: come in, what's not going to come in, what's going
1:07:20
Speaker 8: to work. If I ask you for something, you've already
1:07:22
Speaker 8: done it and it's all right.
1:07:24
Speaker 2: So it was on the basis of confidence.
1:07:25
Speaker 8: He, like, I knew that if it wasn't going well,
1:07:28
Speaker 8: and it was something he was looking for a lot,
1:07:30
Speaker 8: he would say, man, you're charismatic, you know? So I
1:07:34
Speaker 8: trusted him. But that's it, building the character, trying to
1:07:39
Speaker 8: find it.
1:07:39
Speaker 2: It was hard, right? He's a serious guy. It was
1:07:41
Speaker 2: hard work. The prophet is a dreamer.
1:07:44
Speaker 8: He's a dreamer, but he's getting beaten up because he
1:07:47
Speaker 8: doesn't know what he's going to face. If I were
1:07:49
Speaker 8: a screenwriter and.
1:07:51
Speaker 3: My will was granted to me, who had to become
1:07:58
Speaker 3: the owner of everything was Mirna, brother.
1:07:59
Speaker 4: Of course!
1:08:00
Speaker 3: Of course!
1:08:03
Speaker 2: Of course! Of course! Of course! Of course! Of course!
1:08:08
Speaker 2: Of course! Of course! Of course!
1:08:09
Speaker 3: Of course!
1:08:09
Speaker 2: Of course!
1:08:09
Speaker 4: Of course!
1:08:09
Speaker 2: Of course!
1:08:10
Speaker 8: Of course!
1:08:10
Speaker 4: Of course!
1:08:28
Speaker 8: And then I asked, I think some girl even asked, so,
1:08:30
Speaker 8: but if my character wants to move forward, he was
1:08:33
Speaker 8: like that at the time, he won't.
1:08:35
Speaker 2: He can't. But it's something that, like, it's that. It's
1:08:39
Speaker 2: already that. It's already that.
1:08:41
Speaker 3: And it's what it is. So it's cool, they go
1:08:43
Speaker 3: in the veracity.
1:08:44
Speaker 4: Yeah, of course, of course. It's because he's telling a
1:08:46
Speaker 4: thing that really exists in Rio de Janeiro, right? Carioca Mafia. Wow.
1:08:52
Speaker 3: I've already played with the animal, bro. For my grandmother, bro.
1:08:54
Speaker 3: I swear. But I've already played with the animal since
1:08:57
Speaker 3: I was a child.
1:08:57
Speaker 9: You went to buy bread for your grandmother.
1:09:05
Speaker 8: We have, each character has animals that are represented.
1:09:09
Speaker 4: Did you know about that?
1:09:11
Speaker 3: My name is Kea.
1:09:12
Speaker 4: Mirna is the tiger, Suzana is the cat, so.
1:09:16
Speaker 3: Much so that they use rings. So, when I read
1:09:19
Speaker 3: the rings, I said, this is a feline ring. But
1:09:21
Speaker 3: then I thought everyone had a ring.
1:09:23
Speaker 2: Everyone has a animal.
1:09:25
Speaker 4: I'm a tiger, Suzana is a cat, he's an eagle,
1:09:28
Speaker 4: the buffalo is a dog, Juliana Paz is a butterfly,
1:09:31
Speaker 4: Chico Dias is a.
1:09:32
Speaker 2: Lion.
1:09:32
Speaker 4: Lion.
1:09:33
Speaker 8: And it's more than an animal, you see, like, the
1:09:36
Speaker 8: personality of the animal, that's why you don't realize, but
1:09:40
Speaker 8: it's there, right? Implicit, you see the eagle, the personality
1:09:43
Speaker 8: of the eagle is that animal that's always looking at
1:09:45
Speaker 8: everything from the top, when you give the boat, you
1:09:47
Speaker 8: give a direct boat, right? Like, it's... That gives confidence
1:09:51
Speaker 8: to the lion, which is Chico's, the king of the jungle.
1:09:54
Speaker 2: Yeah.
1:09:55
Speaker 4: So it's that, right? The tiger, the tiger.
1:09:57
Speaker 2: And who do I like?
1:09:58
Speaker 3: Susana. Susana. So you're more picky than her.
1:10:02
Speaker 2: I agree.
1:10:03
Speaker 4: Mirna is more picky than Susana. I don't like it.
1:10:05
Speaker 2: The buffalo is the dog, right?
1:10:07
Speaker 4: But then for the fans.
1:10:24
Speaker 2: Do you have a date for the second season? I
1:10:27
Speaker 2: know it's very new. What can you say?
1:10:29
Speaker 5: Because that's what people are talking about. There will be
1:10:32
Speaker 5: a second season. What can you say about the second season?
1:10:36
Speaker 4: There will be a second season because we really don't
1:10:38
Speaker 4: know anything. Are you going to keep it a secret
1:10:41
Speaker 4: for us?
1:10:42
Speaker 2: Oh my God! Man, I was talking a lot. I
1:10:43
Speaker 2: didn't know anything. No, no. I took the earphone out
1:10:46
Speaker 2: and now I made a noise. It's that it changes.
1:10:48
Speaker 2: It's that it changes. It's that it changes. It's that
1:10:50
Speaker 2: it changes. It's that it changes. I'm getting excited here, bro.
1:10:53
Speaker 7: But you don't know anything either.
1:10:55
Speaker 8: I tried to change the subject to disguise, bro.
1:10:56
Speaker 2: He tried to disguise.
1:10:59
Speaker 4: We don't know anything, I swear.
1:11:00
Speaker 3: He's disguising himself.
1:11:01
Speaker 2: We don't know anything.
1:11:02
Speaker 3: Nothing, nothing, nothing.
1:11:02
Speaker 2: We only know that there will.
1:11:04
Speaker 4: Be a second.
1:11:04
Speaker 8: But they're already anxious for the second.
1:11:06
Speaker 2: A lot. The guys are getting intimate.
1:11:09
Speaker 8: He sends a message and says, stop doing what you're doing,
1:11:11
Speaker 8: go record the second season.
1:11:12
Speaker 2: And you have other projects engaged too, to start. How
1:11:15
Speaker 2: does your life work at this moment?
1:11:16
Speaker 5: It's like, Dude, the second season is coming, so I'm
1:11:22
Speaker 5: going to take a look at the projects here, or
1:11:24
Speaker 5: I'm going crazy, I'm going to work on other things,
1:11:26
Speaker 5: how is this phase?
1:11:27
Speaker 4: No, we don't stop working, right? But we just, we
1:11:30
Speaker 4: don't know the exact date, but we know more or
1:11:32
Speaker 4: less the period, like, that we're going to film.
1:11:34
Speaker 3: And you have.
1:11:35
Speaker 2: Exclusivity, like, too. Yeah. No, when you do, when you do,
1:11:38
Speaker 2: you know that.
1:11:39
Speaker 8: You're going to do the scene for so many seasons,
1:11:41
Speaker 8: doing it or not.
1:11:45
Speaker 3: Ah, this exclusivity.
1:11:47
Speaker 2: So, if you do, if.
1:11:48
Speaker 8: You have seasons, the preference is the people who send you, man.
1:11:55
Speaker 4: It's hard.
1:11:56
Speaker 2: I try to mark the.
1:11:58
Speaker 4: Commitments of other projects more distant from the period that
1:12:02
Speaker 4: we think will be filmed. But there's always that, you know.
1:12:04
Speaker 8: People understand each other, it's super good depending on the production.
1:12:08
Speaker 2: It's all talked about. It's all talked about. You are
1:12:11
Speaker 2: very young, but you have already played several roles.
1:12:13
Speaker 3: Is there something you dream of doing? Like a superhero?
1:12:22
Speaker 2: Wagner Moura wants to do Lobisomem, for example.
1:12:24
Speaker 10: I want to be a friend of Lobisomem and Wagner Moura.
1:12:27
Speaker 2: I want to be the daughter of Lobisomem.
1:12:29
Speaker 4: Wagner Moura.
1:12:30
Speaker 10: Hi, Wagner.
1:12:30
Speaker 4: How was it to interview him?
1:12:33
Speaker 3: Man, it was great. I wanted to know a lot
1:12:35
Speaker 3: about him.
1:12:35
Speaker 2: He sent a message of 1 minute and 12 seconds today.
1:12:38
Speaker 10: Wagner Moura.
1:12:39
Speaker 3: Wagner Moura.
1:12:46
Speaker 2: The man who will make.
1:12:48
Speaker 9: The movie with us talking to me Armando my God
1:12:51
Speaker 9: will he.
1:12:51
Speaker 3: Already do the werewolf that I wanted to do with
1:12:54
Speaker 3: Wagner bro and then the thing that Wagner Moura talked
1:12:56
Speaker 3: about this.
1:12:57
Speaker 2: Werewolf He had a lot to say when he saw this.
1:13:10
Speaker 3: It was in the interior of Bahia and it was
1:13:12
Speaker 3: his movie with Vladimir and Lázaro, wasn't it? They said they.
1:13:16
Speaker 4: Wanted to do it. And now us. And now us.
1:13:20
Speaker 2: And now you guys. Now us. Vaguinho, Vaguinho, good people,
1:13:21
Speaker 2: damn it, we already call him Vaguinho. Vaguinho. No, man,
1:13:24
Speaker 2: who gave it to him? Yeah, but you guys want
1:13:28
Speaker 2: to make a talk, like, he made us laugh, but
1:13:30
Speaker 2: he's like, man, it's serious, fuck it. I want to
1:13:32
Speaker 2: make a lobisomem. Do you have?
1:13:33
Speaker 4: Go on.
1:13:38
Speaker 8: No, this is a very difficult question, because I want
1:13:40
Speaker 8: to do a lot of things. I want to make
1:13:44
Speaker 8: a biography of someone awesome.
1:13:46
Speaker 2: Wow, that must be very crazy.
1:13:48
Speaker 8: I want to make a story, a drama, or a comedy.
1:13:54
Speaker 8: That's what's awesome, I want to do everything. But I
1:13:56
Speaker 8: like to do a lot of things... It's different, even
1:13:59
Speaker 8: in my career.
1:13:59
Speaker 3: But isn't there an idealized one?
1:14:01
Speaker 8: There are projects, including one thing that I'm doing now,
1:14:05
Speaker 8: that I'm developing, they're projects of mine that I want
1:14:08
Speaker 8: to develop and be part of, not only there, but
1:14:11
Speaker 8: also behind.
1:14:12
Speaker 2: It, in creation.
1:14:12
Speaker 8: So there are certain things that I'm there.
1:14:16
Speaker 3: But isn't it different for you to start writing something for...
1:14:22
Speaker 3: Because what you told me is a project and you're
1:14:24
Speaker 3: kind of putting.
1:14:26
Speaker 7: Not only you as a screenwriter.
1:14:28
Speaker 8: You want to act too.
1:14:29
Speaker 2: Exactly. How is that? There are people who do not
1:14:31
Speaker 2: just to act, but.
1:14:32
Speaker 8: Ah, but you do something there, sometimes you even think
1:14:35
Speaker 8: about you or not, but... Or something that you feel like,
1:14:42
Speaker 8: but obviously I'm not the only one.
1:14:44
Speaker 2: I never need you to be in the thing.
1:14:47
Speaker 5: But there's a team, a lot of screenwriters. And what
1:14:49
Speaker 5: do you want to do? Do you want to play
1:14:51
Speaker 5: a crazy role? Or what comes, comes to mom? This
1:14:54
Speaker 5: character of Mirna is already very cool to me because
1:14:56
Speaker 5: she's very carioca.
1:14:57
Speaker 4: And I always wanted to make a carioca character. But
1:14:59
Speaker 4: I still want to do it from another niche, from carioca.
1:15:02
Speaker 4: You know, a carioca from the roots. Show the difficulties
1:15:04
Speaker 4: with carioca, I don't know, favelado, passes, realities. You know?
1:15:16
Speaker 4: I think....
1:15:18
Speaker 3: That's it.
1:15:19
Speaker 2: You want to explore more in the Carioca.
1:15:20
Speaker 4: Carioca, yeah. I think doing one more.
1:15:22
Speaker 2: Playing at home, right? It's because Rio de.
1:15:25
Speaker 4: Janeiro has a lot to talk about.
1:15:27
Speaker 8: A lot, man.
1:15:28
Speaker 4: There's a lot. We're doing this series about Jogo do Bicho. Damn,
1:15:31
Speaker 4: a lot of people didn't know the game in Brazil.
1:15:34
Speaker 2: You know?
1:15:34
Speaker 8: It was this series, if they had asked, I think
1:15:37
Speaker 8: I would also say that, damn, the prophet is a
1:15:39
Speaker 8: character that I would like, if I hadn't done it,
1:15:42
Speaker 8: I would have said, please, let me do this character.
1:15:44
Speaker 4: The girl is a dream for me.
1:15:45
Speaker 2: Yeah, the way you talked about the girl.
1:15:47
Speaker 4: She's very carioca, root, tells an important carioca story.
1:15:51
Speaker 3: How carioca is Mel Maia?
1:15:53
Speaker 2: I think I'm 600.
1:15:54
Speaker 4: It's already passed, right?
1:15:55
Speaker 2: Transborda. Transborda. I think they're inventing.
1:15:58
Speaker 5: You have to invent a new name for it.
1:16:01
Speaker 3: You're from Rio too, right?
1:16:02
Speaker 8: I'm from Rio.
1:16:03
Speaker 3: But... Gemma, Gemma.
1:16:04
Speaker 4: Gemma, Gemma, Gemma.
1:16:05
Speaker 2: Gemma, Gemma. You're from Rio, right?
1:16:08
Speaker 4: No. I was raised in the center of Rio de Janeiro.
1:16:10
Speaker 4: There in... Gamboa, Morro da Saúde. I'm from there.
1:16:16
Speaker 2: You don't see yourself leaving Rio. How do you live
1:16:20
Speaker 2: here in São Paulo?
1:16:21
Speaker 4: Nothing. Living in São Paulo... Calm down.
1:16:22
Speaker 2: Calm down.
1:16:22
Speaker 3: You threw yourself back.
1:16:24
Speaker 2: Guys, I'm sorry.
1:16:25
Speaker 3: I love Rio de Janeiro.
1:16:26
Speaker 2: It was bad. It was bad.
1:16:27
Speaker 8: São Paulo is fucked.
1:16:28
Speaker 3: Would you come here?
1:16:29
Speaker 2: Don't say that, man. I don't live in São Paulo. Ah,
1:16:31
Speaker 2: but it's like this.
1:16:32
Speaker 4: We're very carioca.
1:16:33
Speaker 3: I love Rio.
1:16:34
Speaker 2: I love the quality of life in Rio, right? Our
1:16:36
Speaker 2: city doesn't really like it.
1:16:37
Speaker 8: No, but São Paulo, I love coming here, man.
1:16:49
Speaker 2: It's good to work in São Paulo, man. Yeah, eat well.
1:16:56
Speaker 8: .
1:16:58
Speaker 2: .
1:17:10
Speaker 8: For example, Madrid.
1:17:11
Speaker 2: Rio de Janeiro is all the time. Madrid! You already
1:17:14
Speaker 2: kicked it like that, right? No, bro, you got it wrong.
1:17:18
Speaker 3: It's that the first one is Madrid.
1:17:19
Speaker 2: I thought it was sophisticated.
1:17:22
Speaker 3: No, talk about Madrid.
1:17:23
Speaker 2: Okay, but then let me talk about another one.
1:17:26
Speaker 8: Dude, Madrid is an incredible city that for me, at
1:17:29
Speaker 8: the moment I was in my life, it was f
1:17:31
Speaker 8: * * * ed. Because I was in a professional
1:17:33
Speaker 8: construction moment.
1:17:34
Speaker 2: Manero. Dude, f * * *, everyone, bro.
1:17:36
Speaker 8: Everyone, like that. I became very friends with Vini. And
1:17:40
Speaker 8: then he invited me to watch it.
1:17:41
Speaker 2: I said, of course I'm going to watch it, bro.
1:17:44
Speaker 8: I saw Real and Manchester City, Real and PSG, those
1:17:47
Speaker 8: crazy semis.
1:17:48
Speaker 2: Man, you lived there, bro. It was awesome, bro. How cool.
1:17:52
Speaker 8: It was sometimes third and fourth. How long did you
1:17:56
Speaker 8: live there?
1:17:57
Speaker 2: Almost five years, bro. Five years. Ah, you became a Madrilenho.
1:18:00
Speaker 2: A cool place to do in Madrid, I said. Without
1:18:03
Speaker 2: being football.
1:18:04
Speaker 8: Without being football?
1:18:05
Speaker 3: Yeah.
1:18:06
Speaker 8: There are the classics, right? There are the cool parks
1:18:10
Speaker 8: for you to go. But Madrid, you eat very well.
1:18:14
Speaker 8: And I really like the canteens, where you look and say,
1:18:18
Speaker 8: here you come in and eat.
1:18:20
Speaker 3: Madrid is a vibe that you said, there are cities
1:18:23
Speaker 3: that are.
1:18:24
Speaker 8: So, Madrid is a city where a lot of things happen,
1:18:26
Speaker 8: everything happens. There's a lot of work, a lot of
1:18:30
Speaker 8: social life, a lot of young people, a lot of networking,
1:18:33
Speaker 8: a lot.
1:18:33
Speaker 2: Of things that happen.
1:18:34
Speaker 8: So, depending on the moment you're in your life, if
1:18:36
Speaker 8: it has to do with it, it's a very cool
1:18:37
Speaker 8: city to be in. And it was a moment in
1:18:39
Speaker 8: my life that I was, you know? In this vibe.
1:18:42
Speaker 2: And it was awesome. I love it there. And there
1:18:44
Speaker 2: are many connections with the whole world. What was the
1:18:46
Speaker 2: other one you wanted to talk about?
1:18:48
Speaker 8: The other one, man, when I was 18, The other one, man,
1:18:50
Speaker 8: when I was 18, I went to live in Itacaré. Man,
1:18:53
Speaker 8: I spent six months in Itacaré recording the Disney series,
1:18:56
Speaker 8: and I had just finished school, I was studying, a
1:19:00
Speaker 8: long time acting, and.
1:19:02
Speaker 2: It was that moment even of things, man, not being
1:19:04
Speaker 2: in Engraving it. Engraving it.
1:19:05
Speaker 8: And then I saw this cool Disney project when I
1:19:09
Speaker 8: was 18. I was the main character of the series too.
1:19:11
Speaker 8: It was a surf series.
1:19:12
Speaker 3: Don't you start to think a little? With all due respect.
1:19:14
Speaker 3: 18 years old, main character of the Disney series. My God,
1:19:16
Speaker 3: I was going to walk without a shirt. I understand you.
1:19:18
Speaker 2: Do you see here?
1:19:20
Speaker 8: It's true.
1:19:20
Speaker 2: It's true. It's true. It's true.
1:19:23
Speaker 8: It's true.
1:19:24
Speaker 2: It's true.
1:19:24
Speaker 3: It's true.
1:19:24
Speaker 2: It's true.
1:19:25
Speaker 3: It's true.
1:19:32
Speaker 2: No, I'm a prophet. Now I have to get drunk.
1:19:35
Speaker 8: I'm going to lose the credibility of the prophet.
1:19:37
Speaker 2: You can't be good when people see you on the street.
1:19:39
Speaker 3: The thing is that they see me on the scene
1:19:41
Speaker 3: and believe what I'm saying on the street.
1:19:42
Speaker 8: On the street you are cute. But then it was awesome.
1:19:45
Speaker 8: A city that I.
1:19:45
Speaker 2: Stayed there, man.
1:19:46
Speaker 8: Imagine, I stayed all day in Bermuda, on the beach, recording.
1:19:51
Speaker 8: I was recording, working with people my age, really good people.
1:19:56
Speaker 2: A dream.
1:20:00
Speaker 8: Um sonho. Seis meses lá eu falava assim, isso aqui
1:20:02
Speaker 8: não é verdade.
1:20:03
Speaker 2: Então, hoje em dia não ficaria lá.
1:20:04
Speaker 3: Você tem cidades assim, Mel?
1:20:06
Speaker 2: Sem ser o Rio de Janeiro.
1:20:09
Speaker 3: Que você gosta também. É.
1:20:11
Speaker 2: Wow, that's hard!
1:20:12
Speaker 4: No, no, it's because I'm very attached to Rio, but like,
1:20:15
Speaker 4: for example, I had, half of my childhood was also
1:20:17
Speaker 4: in Cabo Frio. For example, he says, Madrid.
1:20:20
Speaker 2: Oh, really?
1:20:20
Speaker 10: I say, Cabo Frio.
1:20:21
Speaker 3: He's like that.
1:20:22
Speaker 4: But my moment is in Rio, I.
1:20:23
Speaker 3: Don't want to leave either.
1:20:25
Speaker 2: But Cabo Frio, I had a very nice childhood in.
1:20:27
Speaker 4: Cabo Frio too, my uncle had a nice house there,
1:20:30
Speaker 4: so I used to go to Praia do Peró a lot.
1:20:34
Speaker 4: the beach of the shells, I remember doing a tattoo, picolé, tereré,
1:20:37
Speaker 4: so I have a nice memory. But do you travel
1:20:39
Speaker 4: a lot?
1:20:40
Speaker 5: Now I travel a lot.
1:20:42
Speaker 4: Do you work or go on a tour?
1:20:43
Speaker 2: Like, tour is what you say, rest, travel, go out.
1:20:47
Speaker 4: Now I have traveled to rest, I went to Thailand recently,
1:20:50
Speaker 4: it was wonderful. Talk about Thailand, I'm crazy to go there, man. Guys,
1:20:52
Speaker 4: Thailand is like a dream, a dream. Did you bathe
1:20:54
Speaker 4: in an elephant? I took a bath in an elephant.
1:20:58
Speaker 4: And elephants are very.
1:21:00
Speaker 2: Well taken care of. They have a regular diet.
1:21:03
Speaker 4: It's a delicious food. You take a bath, and then
1:21:06
Speaker 4: you remove all the mud. And they are very well
1:21:08
Speaker 4: taken care of. It's very cool. And everything you see
1:21:12
Speaker 4: looks like a painting.
1:21:13
Speaker 2: A country you've never been to and you want to go.
1:21:15
Speaker 2: Isso aí, entrevistado. Boa, boa.
1:21:17
Speaker 8: E você já sabia que ia ser um sucesso?
1:21:19
Speaker 3: Na leitura.
1:21:20
Speaker 8: Quando você leu o cartão de embarque, você já sabia
1:21:24
Speaker 8: que a viagem ia ser um sucesso?
1:21:26
Speaker 2: Pô, eu sou louco pra ir pro Japão. Me too, man.
1:21:30
Speaker 3: It's Japan.
1:21:30
Speaker 2: Have you been to Japan?
1:21:32
Speaker 4: I think... No, no, no. But I think I'm missing
1:21:34
Speaker 4: going to Greece soon, you know?
1:21:35
Speaker 5: You want to stay in those white hotels there?
1:21:38
Speaker 8: She's talking about me, Madrid, I don't know what.
1:21:40
Speaker 4: You said a country that I'm going to say.
1:21:42
Speaker 2: It's true. I want to go to Greece. Greece is awesome,
1:21:44
Speaker 2: it seems.
1:21:45
Speaker 4: It's Greece, right? You've never been?
1:21:47
Speaker 2: No.
1:21:47
Speaker 4: .
1:21:50
Speaker 5: .
1:21:51
Speaker 8: .
1:21:55
Speaker 10: It's very funny that the cariocas don't go to
1:22:18
Speaker 10: a Christ, man.
1:22:19
Speaker 3: It's like those who live on the beach.
1:22:20
Speaker 2: No, everyone has already been.
1:22:22
Speaker 8: It was when a relative from I don't know where
1:22:23
Speaker 8: was visited. Come on, you go.
1:22:25
Speaker 3: I've never been to Christ. But what's cool to do
1:22:27
Speaker 3: in Rio de Janeiro, look. Imagine that I've never been
1:22:30
Speaker 3: to Rio de Janeiro.
1:22:30
Speaker 2: But it's beautiful, Christ, huh? The view from up there
1:22:32
Speaker 2: is bizarre. Christ is beautiful. Beautiful, beautiful. We're Christians. But
1:22:35
Speaker 2: we don't go every.
1:22:35
Speaker 3: Weekend, right?
1:22:36
Speaker 2: Yeah, he's there, right? You can say, I live here,
1:22:39
Speaker 2: he's there.
1:22:39
Speaker 8: But we look at him every day.
1:22:41
Speaker 6: Opa!
1:22:43
Speaker 2: Give him a hug like that, right?
1:22:45
Speaker 7: He's always like that, right, bro?
1:22:46
Speaker 2: In the car.
1:22:47
Speaker 3: In the car, in the car.
1:22:49
Speaker 2: Remember Didi?
1:22:50
Speaker 3: Remember Didi in the head of Christopher D.
1:22:52
Speaker 4: Turner?
1:22:52
Speaker 2: I remember, I remember.
1:22:53
Speaker 3: I remember Didi coming out of the car. I don't know,
1:22:56
Speaker 3: he came out.
1:22:56
Speaker 5: I just remember looking at you and saying, but what
1:22:58
Speaker 5: the fuck is Didi doing there, bro?
1:23:01
Speaker 2: And I didn't even know that I could get into
1:23:03
Speaker 2: the Christ Redentor. There's a lot of people who go
1:23:05
Speaker 2: around some games, right, man? They say, like, man, I
1:23:07
Speaker 2: got into the head of Christ.
1:23:08
Speaker 8: Oh, Didim, in the head of Jesus Christ of stone,
1:23:10
Speaker 8: go up.
1:23:10
Speaker 3: And leave him there. Oh, what a roll. Say a
1:23:12
Speaker 3: random roll that you say, like, that you.
1:23:14
Speaker 2: Feel like doing too. That you say, like, get out
1:23:16
Speaker 2: of the head of Christ.
1:23:17
Speaker 8: Get out of the head of Christ is pretty cool, man.
1:23:25
Speaker 3: I wanted to score the goal of the final of
1:23:27
Speaker 3: the Libertadores for my team.
1:23:28
Speaker 2: But it's not possible. I'm a Corinthians fan.
1:23:30
Speaker 3: I'm a Corinthians fan, too much.
1:23:33
Speaker 2: I'm Mengão, bro, I'm going to be in the final.
1:23:36
Speaker 2: For my team, right? What is this? What is this?
1:23:38
Speaker 2: Why this aggressiveness here with us? Damn, man, nothing.
1:23:41
Speaker 8: Respect, bro.
1:23:41
Speaker 2: That's it, that's it. He was talking about Rio de Janeiro. Mel,
1:23:46
Speaker 2: top three things to do in Rio de Janeiro, go.
1:23:48
Speaker 3: For the guys to feel carioca and not tourist.
1:23:51
Speaker 2: Yeah.
1:23:52
Speaker 4: I can't stop talking about the beach.
1:23:54
Speaker 2: The beach has to go.
1:23:56
Speaker 4: Which one?
1:23:57
Speaker 8: For a tourist, I would say Copacabana Beach, but to Forte.
1:24:00
Speaker 2: There are waves, right?
1:24:01
Speaker 4: For tourists not to drown, not to have that thing,
1:24:04
Speaker 4: but to drink a mate. Oh my gosh. Oh my gosh.
1:24:29
Speaker 2: What is it? Chill out, man.
1:24:32
Speaker 4: Look at my brother. Look at Brad Pitt.
1:24:34
Speaker 3: Look at this tooth. Look at this tooth. Look at
1:24:36
Speaker 3: this tooth. Look at this tooth.
1:24:37
Speaker 2: Look at this tooth.
1:24:38
Speaker 8: Look at this tooth.
1:24:40
Speaker 2: Look at this tooth. Look at this tooth. I think
1:24:52
Speaker 2: it's cool too.
1:24:53
Speaker 8: No, eat, I'll stop talking, but eat is obvious.
1:25:14
Speaker 4: Yeah, it's good in a bar, a corner bar. A
1:25:17
Speaker 4: cold beer with a potion.
1:25:18
Speaker 2: It's expensive in Rio de Janeiro.
1:25:20
Speaker 4: But doing the Rolê, for example, in Rocinha, in Vidigal,
1:25:23
Speaker 4: I think it's very worth it. I've been to Rocinha.
1:25:25
Speaker 4: You see something completely different there. There's a trail in Vidigal,
1:25:28
Speaker 4: it's awesome. Yeah, there's also.
1:25:30
Speaker 8: You see something completely different.
1:25:31
Speaker 4: Than it is on the track, which is different on
1:25:34
Speaker 4: the hill, and you go up and see, and not
1:25:35
Speaker 4: to mention that up there the view is wonderful, I
1:25:37
Speaker 4: think the Rolê is worth it.
1:25:39
Speaker 8: And.
1:25:44
Speaker 4: I think bars, eat, there's a lot of good restaurants.
1:25:47
Speaker 2: In Rio de Janeiro.
1:25:48
Speaker 8: Man, Rio is good for you to go, like, you
1:25:50
Speaker 8: go flowing.
1:25:50
Speaker 4: Walk around the South Zone, like, you know? Leblon, Ipanema,
1:25:53
Speaker 4: you see a lot of good restaurants, there's a lot
1:25:55
Speaker 4: of tasty restaurants.
1:25:56
Speaker 2: Ipanema.
1:25:56
Speaker 8: It's a city that flows a lot. You go to
1:25:57
Speaker 8: the beach in the morning, then you meet some friends,
1:25:59
Speaker 8: you say like, ah, later, let's go to that bar
1:26:01
Speaker 8: over there. Then you're in the bar, you're saying, pô,
1:26:03
Speaker 8: today there's going to be a review, a pagode, I
1:26:05
Speaker 8: don't know where, I don't know what there. You go home,
1:26:07
Speaker 8: take a shower and let's go.
1:26:08
Speaker 2: Rio is very alive, right?
1:26:09
Speaker 3: And there's that thing too.
1:26:10
Speaker 2: Samba na Pedra do Sal. I love it.
1:26:11
Speaker 4: Samba na Pedra do Sal.
1:26:12
Speaker 2: I've never been and I always talk about it.
1:26:14
Speaker 4: Samba wheels in Pedra do Sol are also very good.
1:26:17
Speaker 4: I used to live in the center. In the center
1:26:18
Speaker 4: there are a lot of cool bars, there are a
1:26:20
Speaker 4: lot of samba wheels.
1:26:22
Speaker 2: They are revitalizing there now too.
1:26:23
Speaker 3: I was outraged, sometimes I already passed there, like 1 am,
1:26:27
Speaker 3: there in Orla, 600 people playing ball.
1:26:29
Speaker 2: I said, what is this, bro? What a lively city.
1:26:32
Speaker 3: And the coolest thing is.
1:26:33
Speaker 2: The guys who go to the beach, leave the beach
1:26:35
Speaker 2: and go to work.
1:26:36
Speaker 5: Like, no, I just came to take a walk, I
1:26:37
Speaker 5: got some sun, I played soccer and I'm going to
1:26:39
Speaker 5: work now. How are you going to work now, damn it?
1:26:43
Speaker 5: You're all sweaty, you trained, you played soccer.
1:26:46
Speaker 2: There was a day, I.
1:26:47
Speaker 4: Don't know if you remember, I think we were doing
1:26:50
Speaker 4: Suzana's wedding, and then there was a very big pause,
1:26:54
Speaker 4: I think I was in the first scene.
1:26:57
Speaker 2: Suzana's wedding was in Fluminense.
1:27:00
Speaker 4: No, we were doing Suzana's wedding at the arrival.
1:27:03
Speaker 2: Jockey.
1:27:04
Speaker 4: Jockey, we were at the jockey recording something. I was
1:27:06
Speaker 4: in the first scene.
1:27:07
Speaker 2: Ah, I remember, you left to have an açaí.
1:27:09
Speaker 4: And in the last one, my boyfriend went to pick
1:27:12
Speaker 4: me up by motorcycle, I stopped, recorded what I had
1:27:14
Speaker 4: to record, I took off my clothes, I was characterized,
1:27:16
Speaker 4: I climbed on the motorcycle, we went to Praia do Leme,
1:27:18
Speaker 4: I took a caipirinha, we kept walking there.
1:27:20
Speaker 2: You went crazy to record.
1:27:21
Speaker 4: Lies, lies, I knew he was going to say that.
1:27:25
Speaker 4: I took a caipirinha only, I still arrived, I still
1:27:28
Speaker 4: had to wait a lot to record. Damn, what a fuck,
1:27:30
Speaker 4: to give a little experience.
1:27:32
Speaker 2: A rolê, you know?
1:27:33
Speaker 8: We recorded in paradisiacal places, bizarre, what Rio offers, we.
1:27:39
Speaker 2: No, Rio, any place you look, it's a mirage.
1:27:41
Speaker 8: Yeah, Macaraca too, it was hot, it was brave, this recording. We, pô,
1:27:45
Speaker 8: there was a scene that we, on Prainha, have you
1:27:48
Speaker 8: been to Prainha, Rio?
1:27:48
Speaker 2: No. No.
1:27:49
Speaker 8: Pô, too beautiful, it's also a beach that is worth it,
1:27:51
Speaker 8: it's one of the last ones there.
1:27:53
Speaker 2: Take it here right, it's all there.
1:27:54
Speaker 4: Grumari, Prainha, it's worth it.
1:27:56
Speaker 3: Moscow Ballet too. And everyone with a balla. I decided
1:28:01
Speaker 3: I saw my God in heaven every thing I saw
1:28:04
Speaker 3: that is registered here and here you can't miss a greeting.
1:28:08
Speaker 5: Rocinha we're together here sensational my God only brother unique
1:28:12
Speaker 5: talk about it, it's cool, it's very.
1:28:14
Speaker 3: Cool, it was very crazy, I saw things.
1:28:20
Speaker 2: That I had never seen As pessoas foram muito legais
1:28:27
Speaker 2: com a gente.
1:28:28
Speaker 3: Irmão, eu vi o macaco prego no ombro de um cara.
1:28:30
Speaker 7: Eu falei, o que é isso?
1:28:31
Speaker 3: Ele falou, é Mbappé.
1:28:32
Speaker 8: Juro por Deus, mano.
1:28:35
Speaker 3: Juro por Deus. É isso que nós viu.
1:28:37
Speaker 4: Tem essa experiência aí do Rio.
1:28:39
Speaker 5: Também tem foi bem legal é pra poucos é pra poucos.
1:28:42
Speaker 2: Mas foi bem legal obrigado Rocinha tamo junto viu.
1:28:44
Speaker 5: O Rio é um caso a parte né é mano
1:28:47
Speaker 5: eu amo o Rio mano eu gosto muito desse é
1:28:48
Speaker 5: surpreendido a cada né esquina mano.
1:28:51
Speaker 3: Aquele lugar é You know that evil, but it's not evil,
1:28:56
Speaker 3: it's inevitable evil. You know that inevitable thing?
1:28:58
Speaker 8: There's a phrase that I've heard that's like this, I
1:29:01
Speaker 8: don't know if I agree, but.
1:29:02
Speaker 2: Welcome to Rio. It's a shit, you'll love it. Welcome
1:29:04
Speaker 2: to Rio. It's a shit, you'll love it.
1:29:07
Speaker 3: Rio has life, Rio.
1:29:08
Speaker 2: Man, I like Rio.
1:29:09
Speaker 5: I missed Rio de Janeiro. I was so fucking jealous
1:29:12
Speaker 5: that she.
1:29:12
Speaker 3: Said like this.
1:29:15
Speaker 3: Ah, eu tinha um intervalinho, eu fui ali, desci, tomei
1:29:17
Speaker 3: um açaí, coloquei um biquíni, falei... No teu intervalinho aqui
1:29:21
Speaker 3: no estúdio, tu vai pra onde? No meu intervalinho, se
1:29:24
Speaker 3: eu falasse mítico, eu vou sair, ele ia falar, se passa,
1:29:26
Speaker 3: você não volta, porque é o trânsito. Então, tipo, não
1:29:28
Speaker 3: dá pra sair, né? Fica aqui olhando a parede, conta garfo,
1:29:31
Speaker 3: conta piso, olha o zulejo, fica louco. Mas a gente ama, né, meu?
1:29:36
Speaker 2: Olha o império que nós construímos. Graças a Deus, estamos
1:29:38
Speaker 2: trabalhando pra isso, né? Parabéns, man.
1:29:41
Speaker 8: A gente chegou aqui e viu a estrutura de vocês.
1:29:43
Speaker 2: É mesmo, tá bizarro. Igual da Netflix.
1:29:45
Speaker 5: Vocês vieram do Rio e chegaram aqui já pro Podpá?
1:29:49
Speaker 2: Não, não.
1:29:49
Speaker 4: Eu vim bem cedinho.
1:29:52
Speaker 3: Man, she arrived today.
1:29:55
Speaker 4: No, I'm not leaving.
1:29:56
Speaker 8: She came straight, just to.
1:29:56
Speaker 6: Get out of here, I'm already getting in the car
1:29:59
Speaker 6: and I'm leaving for Rio de Janeiro.
1:30:00
Speaker 4: No, but let me explain to you, because I came
1:30:02
Speaker 4: very early, because I was seeing hair, makeup, to be here, wonderful,
1:30:05
Speaker 4: with you. Thank you.
1:30:06
Speaker 3: But once I asked Pedro, for sure, which is the
1:30:10
Speaker 3: best part.
1:30:13
Speaker 3: São Paulo.
1:30:35
Speaker 2: São Paulo São Paulo São Paulo No, in the restaurant.
1:31:02
Speaker 3: I don't speak for the Paulistas. Because in Rio de Janeiro.
1:31:04
Speaker 8: Oh, and one thing that you teach us, bro.
1:31:07
Speaker 2: What?
1:31:07
Speaker 8: This is service. The Paulista gives a bath in... You
1:31:11
Speaker 8: get here.
1:31:12
Speaker 2: Give a hot bath, sorry. In the carioca.
1:31:14
Speaker 3: I doubt it.
1:31:15
Speaker 2: No, in the service.
1:31:16
Speaker 4: What? In the carioca?
1:31:18
Speaker 8: It's that I think we also... Oh, André, I was
1:31:20
Speaker 8: thinking about it. The competition is very high. If the
1:31:22
Speaker 8: guy also doesn't serve me well there, fuck it. I'll
1:31:24
Speaker 8: go to the restaurant next door. But in Rio you
1:31:25
Speaker 8: almost say.
1:31:26
Speaker 3: Brother.
1:31:27
Speaker 2: Por favor, irmão.
1:31:28
Speaker 8: Traz aquela cereja que eu te pedi.
1:31:30
Speaker 2: Se puder, hein?
1:31:31
Speaker 8: Não quero atrapalhar, não.
1:31:33
Speaker 7: Mas em São Paulo eu acho que também.
1:31:35
Speaker 3: Puta.
1:31:36
Speaker 7: É um atendimento excepcional.
1:31:37
Speaker 3: But I think it's us who are too fast.
1:31:39
Speaker 2: I think that's it. Fuck, bro, me too.
1:31:40
Speaker 5: You already deliver, you already want to get out of
1:31:43
Speaker 5: the table for another person to enter.
1:31:45
Speaker 3: Sometimes we go to another... I was deceived.
1:31:46
Speaker 2: Sometimes we go to another.
1:31:48
Speaker 3: The service is fast, it's for you to leave.
1:31:50
Speaker 2: Because they want to make more money, they like you.
1:31:57
Speaker 3: This is like, please eat a lot, spend a lot faster.
1:32:00
Speaker 8: Here, if you stay in.
1:32:01
Speaker 2: The restaurant for two hours.
1:32:03
Speaker 8: And the smile is for you to come back, right?
1:32:05
Speaker 2: So you will come back to spend more.
1:32:07
Speaker 3: That's it. Sometimes we have to be in other states
1:32:08
Speaker 3: and we feel a little the difference. But we look
1:32:12
Speaker 3: at it and say, man, we're the ones who are
1:32:14
Speaker 3: in a hurry. Let's enjoy this vibe, man, for real.
1:32:18
Speaker 2: Let him take a while to bring a bar, it's
1:32:19
Speaker 2: all good. It's all good, man. It's all good, man.
1:32:23
Speaker 5: Because we live agonized. We live agonized in São Paulo.
1:32:25
Speaker 5: We enter a place, ask for something. It arrives quickly, right? Yeah,
1:32:28
Speaker 5: it arrives quickly.
1:32:29
Speaker 2: Calm down, man. The roasted chicken arrives. You already forgot
1:32:32
Speaker 2: that I asked for a roasted chicken. The roasted chicken arrived, man.
1:32:35
Speaker 2: The guy didn't even argue with me saying that I
1:32:37
Speaker 2: asked for a coxinha.
1:32:39
Speaker 7: São Paulo São Paulo São Paulo.
1:33:04
Speaker 5: They don't have time for you, man. So it's kind
1:33:07
Speaker 5: of like that.
1:33:08
Speaker 2: Not even you have time for you. Yeah, everyone is
1:33:10
Speaker 2: full of B.O.
1:33:10
Speaker 5: So, man, you're with B.O., okay, but I'm also. So,
1:33:12
Speaker 5: solve it, I'll solve it here. And it's bizarre that
1:33:14
Speaker 5: there's everything too, right?
1:33:15
Speaker 2: You want, I don't know, man.
1:33:16
Speaker 10: 24 hours.
1:33:16
Speaker 2: 24 hours.
1:33:16
Speaker 8: Your dog got sick, I don't know what. You're going
1:33:20
Speaker 8: to have a dog hospital, I don't know what. You
1:33:22
Speaker 8: want a hot dog, 3 in the morning you're going
1:33:24
Speaker 8: to have.
1:33:25
Speaker 2: You want everything.
1:33:27
Speaker 3: You want a fried chicken now, you'll have a fried chicken.
1:33:30
Speaker 2: You have an artificial beach. This is a beautiful shit.
1:33:33
Speaker 7: This is a beautiful shit.
1:33:35
Speaker 2: I went, but it was cool, because it's a cool
1:33:37
Speaker 2: wave to the sofa. Here is an artificial beach?
1:33:39
Speaker 4: There are waves. There are waves.
1:33:40
Speaker 3: It's not a beach, it's.
1:33:41
Speaker 2: An artificial wave. Don't criticize me. No, no, don't criticize me,
1:33:44
Speaker 2: because I didn't know. Don't judge us, don't judge the paulistas.
1:33:46
Speaker 2: What a crazy thing, man. You're in a wave, you
1:33:48
Speaker 2: look at the building. Under the bridge. That's right.
1:33:51
Speaker 7: I want to go there.
1:33:52
Speaker 2: É maneiro. Puxa, peraí, senhor.
1:33:57
Speaker 3: Eu só estava com solo surpresa, não foi.
1:33:59
Speaker 2: Vai ter vontade de olhar e falar, vai se fuder.
1:34:01
Speaker 3: Sabe quando você tá com aquele rotinho?
1:34:03
Speaker 2: Aquele que fica preso aqui. Franguinho assado hoje, não foi, né? Galetinho?
1:34:07
Speaker 2: Do you have.
1:34:08
Speaker 3: Any hobbies that people don't imagine you have?
1:34:33
Speaker 2: Good, good.
1:34:34
Speaker 5: You, we imagine beach, but imagine, I don't know, chess,
1:34:38
Speaker 5: play bocha.
1:34:39
Speaker 7: I saw her doing boxing.
1:34:40
Speaker 4: Yeah, I like boxing.
1:34:41
Speaker 2: You love cars too, right?
1:34:43
Speaker 4: I love cars, yeah.
1:34:44
Speaker 3: But give me a speed bump.
1:34:45
Speaker 4: I give, because my car is very.
1:34:47
Speaker 8: I told her that I'm trying to change the car,
1:34:48
Speaker 8: she takes this one because we're going.
1:34:50
Speaker 2: To run together.
1:34:50
Speaker 4: Then one week it's with me, the other week it's
1:34:52
Speaker 4: with you, my car is running. You like cars?
1:34:54
Speaker 8: I like.
1:34:54
Speaker 10: How cool.
1:34:54
Speaker 4: Even here in the garage there.
1:34:55
Speaker 3: Are some cool ones, right?
1:34:57
Speaker 2: I didn't see.
1:34:57
Speaker 8: We like it too.
1:34:58
Speaker 2: You didn't see? No.
1:35:03
Speaker 3: But do you like it since always, Mel?
1:35:05
Speaker 4: No, not since always. I started liking it out of
1:35:08
Speaker 4: the blue.
1:35:09
Speaker 2: I just don't remember when. You saw a movie, you
1:35:11
Speaker 2: saw someone, you got in a.
1:35:13
Speaker 4: Car and said, hey, cool, huh? I don't remember when
1:35:15
Speaker 4: I started, but I know I have friends who like
1:35:17
Speaker 4: it a lot. So I think it could have been that.
1:35:19
Speaker 4: I have a circle of friends who live, I don't
1:35:22
Speaker 4: know if you know, in Petrópolis.
1:35:24
Speaker 2: You know, right? There.
1:35:25
Speaker 4: É o lugar de carro banheiro.
1:35:28
Speaker 2: Que eles descem até.
1:35:29
Speaker 4: Aqueles morros com aqueles carros deslizando. É, e carro rebaixado.
1:35:33
Speaker 2: Uma vontade de conhecer lá.
1:35:35
Speaker 3: When we met at Rock in Rio, these girls were like... Man,
1:35:38
Speaker 3: when Mel Maia is with her group, you can see
1:35:39
Speaker 3: that you are very comfortable.
1:35:42
Speaker 4: Very comfortable.
1:35:44
Speaker 3: I think you know what I'm talking about, about the girls.
1:35:47
Speaker 4: There are some that are very similar. My friends are anonymous.
1:35:50
Speaker 4: My friends are anonymous.
1:35:51
Speaker 3: This is the best thing in the world.
1:35:53
Speaker 4: It's the best thing in the world. I feel super comfortable,
1:35:55
Speaker 4: of course. But I have these friends who live there,
1:35:59
Speaker 4: and they have cars, tuned, and they bet on races,
1:36:02
Speaker 4: these things. And it lowers the car, and I think
1:36:05
Speaker 4: that's pretty cool too.
1:36:06
Speaker 2: Wow, that's key.
1:36:07
Speaker 3: That's key.
1:36:07
Speaker 4: And you, Andresen?
1:36:08
Speaker 2: The honey is from the cars. Man, I... You learned it, right?
1:36:13
Speaker 3: I love sports.
1:36:14
Speaker 2: Any excuse I have, free time.
1:36:15
Speaker 5: But say that you are good, that you guarantee yourself.
1:36:18
Speaker 5: If you called me on X1, you would win me. Okay,
1:36:20
Speaker 5: damn it.
1:36:20
Speaker 2: I hope he talks about boxing.
1:36:23
Speaker 4: I doubt it.
1:36:24
Speaker 3: Boxing, right?
1:36:25
Speaker 4: Even me, if I go to boxing. My girlfriend is
1:36:28
Speaker 4: an athlete.
1:36:29
Speaker 2: I'm not going to say anything.
1:36:31
Speaker 3: I'm going to say what?
1:36:32
Speaker 2: Go fuck yourself. She has an exodia.
1:36:34
Speaker 3: But it's logical, brother. She said, are you going to
1:36:38
Speaker 3: mess with me?
1:36:39
Speaker 4: Guys, one thing completely random. I'm going to cut it,
1:36:41
Speaker 4: but I'm going to come back. The academy of the
1:36:43
Speaker 4: buffalo in the series is my boyfriend's.
1:36:45
Speaker 2: It's all... It's all in gas, brother.
1:36:47
Speaker 8: That's why we took the academy, brother. I brought it
1:36:54
Speaker 8: back home.
1:36:55
Speaker 7: Damn, that's cool, man.
1:36:56
Speaker 3: When I go to Rio, I'm going to train with him.
1:36:58
Speaker 3: You can go.
1:36:58
Speaker 4: You're free.
1:36:59
Speaker 7: I'm afraid he's going to speed me up. I'm learning, brother.
1:37:02
Speaker 3: He's a dear, no.
1:37:03
Speaker 4: But I said I wanted to train with him.
1:37:05
Speaker 2: For a long time. Nothing, man. It's just going on.
1:37:07
Speaker 2: Mel is also going on.
1:37:08
Speaker 8: I said, let's train. She makes a barbecue at her house.
1:37:11
Speaker 8: I said, we do boxing class and a barbecue later
1:37:13
Speaker 8: at your house.
1:37:16
Speaker 4: Then I say, agreed. And I don't call.
1:37:18
Speaker 2: Just kidding. But now you're on a test.
1:37:19
Speaker 4: Just kidding.
1:37:20
Speaker 2: It's going to happen. It's hard to happen, you see.
1:37:22
Speaker 4: You're traveling.
1:37:23
Speaker 3: You're from Vama and you don't go?
1:37:25
Speaker 2: It's Carioca, right? Carioca is like that? But I'm the same.
1:37:29
Speaker 2: Carioca is the face of Carioca.
1:37:31
Speaker 10: Let's go. Let's go.
1:37:32
Speaker 2: Let's go. Let's go.
1:37:32
Speaker 3: You don't even know the name.
1:37:33
Speaker 2: Of the guy, there's no name.
1:37:34
Speaker 5: If we talk about how many barbecues we've marked and
1:37:36
Speaker 5: it's never been. Who's going to Mel's.
1:37:38
Speaker 4: House next week?
1:37:39
Speaker 2: Let's go? Let's go. So that's it, it's already marked,
1:37:41
Speaker 2: let's go. Man, I just don't want to go to Rio.
1:37:44
Speaker 3: I'm going to have to be here.
1:37:45
Speaker 5: But I'm talking about how many cariocas, how many partners
1:37:49
Speaker 5: we have.
1:37:51
Speaker 3: Let's go.
1:37:51
Speaker 4: The party, the final party of our series, who did
1:37:54
Speaker 4: it was me.
1:37:55
Speaker 2: So you stop, because.
1:37:57
Speaker 7: Do you know how to organize a good party, Mel?
1:37:59
Speaker 4: I know, André.
1:38:00
Speaker 2: What did you think?
1:38:02
Speaker 3: It was cool, it was cool.
1:38:03
Speaker 2: Everyone praised it. It was cool. What do you have.
1:38:05
Speaker 4: To say about a good party? Ah, good music, just
1:38:08
Speaker 4: to be with the guys is already cool, but good music,
1:38:11
Speaker 4: I always put barbecue, drink, food.
1:38:13
Speaker 8: Dude, a good party, you don't need a lot, you
1:38:14
Speaker 8: need your guys, that's what you were talking about, for example,
1:38:18
Speaker 8: I'm also like that, I like to be with my guys,
1:38:19
Speaker 8: with my.
1:38:20
Speaker 2: Me too. And then, bro, what travels is positive. Exactly.
1:38:23
Speaker 2: You know?
1:38:23
Speaker 8: I'm listening to a cool song, I'm doing a little thing, drawing,
1:38:26
Speaker 8: my brother. Yeah, if you already understand the column that
1:38:29
Speaker 8: is already giving, right?
1:38:30
Speaker 2: You get there.
1:38:31
Speaker 3: Wow, I really like to be scurred, bro.
1:38:32
Speaker 2: So, that's why I said, some place to sit, to
1:38:34
Speaker 2: be good. Bro, standing up is not with me. What's
1:38:36
Speaker 2: your hobby?
1:38:37
Speaker 7: To be scurred.
1:38:38
Speaker 2: Scurred, bro. I'm 10 out of 10. I'm sure I
1:38:39
Speaker 2: was that child at the time that I looked at
1:38:42
Speaker 2: my father, at my mother. I looked at the hospital
1:38:43
Speaker 2: that I was in and I was like.
1:38:49
Speaker 3: What the fuck.
1:38:51
Speaker 2: I'm going to get poor.
1:38:52
Speaker 3: You know, because I love to get drunk, man.
1:38:54
Speaker 2: You like to stay in peace, right? You like to
1:38:56
Speaker 2: stay in peace, right?
1:38:57
Speaker 3: You like to stay in peace, right?
1:38:58
Speaker 7: You like to stay in peace, right?
1:38:59
Speaker 2: You like to stay in peace, right? You like to
1:39:01
Speaker 2: stay in peace, right?
1:39:03
Speaker 3: You like to stay in peace, right? You like to
1:39:06
Speaker 3: stay in peace, right?
1:39:07
Speaker 2: You like to stay in peace, right?
1:39:13
Speaker 3: Saúde, não. Saúde.
1:39:14
Speaker 2: Muita terapia. Eu, né?
1:39:15
Speaker 3: Muita terapia.
1:39:16
Speaker 2: Mítico também.
1:39:17
Speaker 3: Terapia, boxe, academia e trabalho. Essa é a minha... A boxe,
1:39:20
Speaker 3: no sério?
1:39:21
Speaker 4: Ele falou que ele é do boxe. Eu não sabia
1:39:23
Speaker 4: disso também.
1:39:23
Speaker 3: Tu vai arrumar um problema se me desafiar, irmão.
1:39:25
Speaker 2: Irmão, não. Você tem que se decidir. Você quer bater
1:39:29
Speaker 2: nele ou quer beijar ele, porra? É mal que é só.
1:39:32
Speaker 2: É os dois. É uma coisa gostosa, irmão.
1:39:35
Speaker 7: Faz completo, né?
1:39:36
Speaker 4: Faz completo.
1:39:38
Speaker 7: You didn't talk about your hobby.
1:39:40
Speaker 8: I love sports. Football, tennis, soccer. But tennis is what
1:39:46
Speaker 8: I practiced the most.
1:39:47
Speaker 2: So, I can give it a go. But I like
1:39:49
Speaker 2: football too.
1:39:50
Speaker 3: I'm afraid of the shoulder.
1:39:51
Speaker 2: I didn't like tennis.
1:39:53
Speaker 3: Once the guys were playing. It's cool as hell.
1:39:54
Speaker 2: Let me do the racket.
1:39:55
Speaker 3: The guys are doing the racket. I said, this is simple, right, brother? Man,
1:40:00
Speaker 3: the ball came, I sent the ball to the house,
1:40:02
Speaker 3: I sent the ball.
1:40:02
Speaker 2: Confused, right?
1:40:03
Speaker 3: No, horrible, horrible.
1:40:04
Speaker 2: It's hard, it's hard, but it's cool. Tennis is cool.
1:40:06
Speaker 2: And you, where do you want to challenge?
1:40:08
Speaker 8: Let's go.
1:40:09
Speaker 2: Man, it's... You swim, right? I swim, I'm a good swimmer.
1:40:17
Speaker 2: That's cool! I like swimming.
1:40:19
Speaker 5: It's easy as fuck. I'm also in the gym, but swimming...
1:40:24
Speaker 5: Jump in.
1:40:24
Speaker 2: The pool next to me to see what happens. It
1:40:27
Speaker 2: took a while.
1:40:27
Speaker 8: And we're not going to do something like apnea.
1:40:30
Speaker 2: This is what I train like hell. We're not going
1:40:33
Speaker 2: to do apnea, we're going to do something else.
1:40:34
Speaker 8: We're going to do something else.
1:40:36
Speaker 2: I'm going to forget this shit. He's good at apnea.
1:40:38
Speaker 2: But you go to the pool, I go to the tennis. Tennis, I'm...
1:40:43
Speaker 2: I only admire, but I don't know. It took a while.
1:40:45
Speaker 2: The challenge is launched. That's it. And you? What did
1:40:48
Speaker 2: you say you were good at? I said boxing. I
1:40:51
Speaker 2: like boxing.
1:40:52
Speaker 4: Boxing? By chance, I'm also good at Totó. No one
1:40:54
Speaker 4: won me in Totó.
1:40:55
Speaker 2: Man, Totó is very cool. Did you learn to play
1:40:57
Speaker 2: at school?
1:40:58
Speaker 5: Yeah.
1:40:58
Speaker 3: But do you know those tricks of playing one for
1:41:00
Speaker 3: the other?
1:41:00
Speaker 4: Yeah, on the roulette.
1:41:01
Speaker 2: On the roulette. On the roulette.
1:41:02
Speaker 4: No, I know how to do everything, guys. Man. Do
1:41:05
Speaker 4: you have Totó there, guys?
1:41:06
Speaker 2: No, I don't. You know how to do the elastic, right?
1:41:09
Speaker 2: There's nothing like that.
1:41:10
Speaker 3: Ping-pong has it.
1:41:11
Speaker 4: Yeah, you do it like this. You throw it to one, to.
1:41:14
Speaker 2: The other, to one, to the other, you cheat and bam!
1:41:16
Speaker 4: You give that little elastic like this.
1:41:18
Speaker 2: I'm bad at this. I do everything, I dribble.
1:41:20
Speaker 4: Totó, I like Totó, I know how to play. If
1:41:22
Speaker 4: there was a Totó here, we would take this live today.
1:41:24
Speaker 2: But we'll have to leave it for another day.
1:41:25
Speaker 4: Do you play video games? I play, but I play
1:41:29
Speaker 4: story games. My favorite game is called The Little Nightmares.
1:41:34
Speaker 4: It's from what?
1:41:35
Speaker 2: You don't know? The Little Riders, man. The Little Riders.
1:41:38
Speaker 3: The Little Riders.
1:41:39
Speaker 4: The Little Riders.
1:41:40
Speaker 2: Oh my gosh. Does anyone know The Little Riders?
1:41:43
Speaker 3: No, but the people know.
1:41:44
Speaker 4: No, I don't know.
1:41:45
Speaker 3: Let her talk.
1:41:46
Speaker 2: Let her talk.
1:41:47
Speaker 4: No, but it's a horror game, like, of a little
1:41:49
Speaker 4: girl with a yellow outfit. There, man, a thing for
1:41:51
Speaker 4: you to do, a movie.
1:41:53
Speaker 2: From The Little Riders. The Little Riders. And you'll be
1:41:56
Speaker 2: this little girl. It's pretty cool.
1:41:57
Speaker 8: The Little.
1:42:01
Speaker 4: The Little, I don't know if it's The Little or
1:42:03
Speaker 4: just Little, Nightmares, from Pesadelo.
1:42:06
Speaker 3: For sure.
1:42:07
Speaker 4: I've played the 1, the 2, and now it's the 3.
1:42:09
Speaker 4: I think I know which.
1:42:11
Speaker 8: One it is.
1:42:12
Speaker 3: There's 1, 2, 3, right?
1:42:13
Speaker 2: Where is it? Let me see. Is it a horror game?
1:42:16
Speaker 4: Yeah, it's a little horror game. It's a story game.
1:42:19
Speaker 3: But it looks like that mythical co-op game, where you
1:42:21
Speaker 3: play as two people.
1:42:22
Speaker 4: No, no, no, but it's just one. The 3 you
1:42:24
Speaker 4: can play as two people, but the 1 and the
1:42:26
Speaker 4: 2 play as one.
1:42:29
Speaker 2: I'm so sorry.
1:42:30
Speaker 3: I'm so sorry.
1:42:31
Speaker 2: And you, do you play games, André?
1:42:33
Speaker 8: Man, I don't play video games that much. I like
1:42:36
Speaker 8: to play on the streets, real life.
1:42:39
Speaker 2: But sometimes I play a movie.
1:42:42
Speaker 4: He's like that!
1:42:42
Speaker 2: He criticizes us! He criticizes gamers!
1:42:44
Speaker 4: .
1:42:46
Speaker 2: .
1:42:49
Speaker 4: .
1:42:50
Speaker 3: .
1:42:53
Speaker 2: .
1:42:57
Speaker 4: I don't like it.
1:42:59
Speaker 3: I stay in real life, right?
1:42:59
Speaker 2: Movie.
1:43:00
Speaker 3: I live my life.
1:43:00
Speaker 2: I live my life. I said in general, calm down, bro.
1:43:05
Speaker 2: It's because here there's only gamers, bro. There's only gamers here.
1:43:07
Speaker 2: Respect the gamers. But I like more FIFA with my friends.
1:43:11
Speaker 2: I like FIFA. But I'm kind of bad at video games.
1:43:14
Speaker 2: That's why I.
1:43:15
Speaker 4: Don't... Man, it's a story game.
1:43:20
Speaker 2: It's a race. It's cool. Look, I'm trying to get
1:43:22
Speaker 2: rid of myself here, bro.
1:43:23
Speaker 3: It's a cool race. I'm going to play Call of Duty, bro.
1:43:25
Speaker 8: GTA.
1:43:25
Speaker 4: GTA.
1:43:25
Speaker 2: It's very difficult Call of Duty, bro. I can't put
1:43:27
Speaker 2: the aim right there in the business.
1:43:29
Speaker 8: When I go to see, I'm going to play online
1:43:31
Speaker 8: with my friends. That's why I don't encourage myself there.
1:43:40
Speaker 8: First I died, look, I'm here, where am I? I'm
1:43:42
Speaker 8: going to look for someone who already.
1:43:44
Speaker 2: Took the shot and died.
1:43:45
Speaker 3: Brother, I was humiliated by a child when he turned
1:43:47
Speaker 3: on the microphone and started to say hello to me.
1:43:49
Speaker 3: I swear I turned it off, like, embarrassed, man. I said, fuck,
1:43:52
Speaker 3: I was already good at this thing as a child.
1:43:54
Speaker 3: You died? Yeah, son of a bitch!
1:43:56
Speaker 2: Arrombado, bad as fuck, noob! Noob!
1:43:58
Speaker 3: Wow, bye, turn it off.
1:43:59
Speaker 4: I turned it off, I turned it off, sad.
1:44:02
Speaker 2: There's the addicted people, right, brother? What, brother?
1:44:06
Speaker 7: I was already that kid who guaranteed myself.
1:44:07
Speaker 4: I used to play a lot of Free Fire too,
1:44:09
Speaker 4: when I was younger. At the time, it was the hype. Wow, remember?
1:44:11
Speaker 3: You only played Free Fire?
1:44:12
Speaker 4: Did you play well?
1:44:14
Speaker 3: Are you serious?
1:44:15
Speaker 2: Are you kidding me?
1:44:15
Speaker 8: No, no, no.
1:44:16
Speaker 3: I only played.
1:44:17
Speaker 4: Free Fire and I played a lot.
1:44:18
Speaker 2: I played well.
1:44:19
Speaker 3: Now, I think if I get it, I'm not going
1:44:20
Speaker 3: to play anything.
1:44:26
Speaker 8: Well, the thing is that my brother gets stuck in
1:44:29
Speaker 8: board games. I play straight with him too.
1:44:30
Speaker 2: But what, RPG?
1:44:32
Speaker 8: No, games like that, like a catan of life.
1:44:35
Speaker 2: I don't know if.
1:44:36
Speaker 3: You've seen it. No, we're more into real life.
1:44:37
Speaker 4: No, you don't play, you don't... I like Uno.
1:44:43
Speaker 3: I'm on the street.
1:44:44
Speaker 5: I'm on the street.
1:44:50
Speaker 10: Uno is cool.
1:44:51
Speaker 3: Uno is cool.
1:44:52
Speaker 10: Uno is cool.
1:44:53
Speaker 2: Uno is cool.
1:44:55
Speaker 4: Uno is cool.
1:44:56
Speaker 2: Uno is cool. So, there will always be someone who steals,
1:45:11
Speaker 2: always someone will get up and say, son of a
1:45:13
Speaker 2: bitch is stealing.
1:45:13
Speaker 7: What's the name of that game?
1:45:14
Speaker 4: Papi.
1:45:15
Speaker 3: Papi Bowl?
1:45:15
Speaker 2: Papi Bowl. Papi Bowl.
1:45:17
Speaker 3: I remember you told us that.
1:45:18
Speaker 4: That's right. I like to play Papi Bowl.
1:45:20
Speaker 10: You have a good memory.
1:45:21
Speaker 4: And a game that I love.
1:45:22
Speaker 2: What the fuck is this? Papi Bowl?
1:45:24
Speaker 4: A game that I love to play, André knows. For
1:45:26
Speaker 4: a million reais.
1:45:31
Speaker 2: That's good.
1:45:32
Speaker 4: I love it! And he knows I'm the queen of that, right?
1:45:34
Speaker 2: Do it, do it with us.
1:45:35
Speaker 3: Only she comes with the heavy ones, bro.
1:45:36
Speaker 10: That's why it's good.
1:45:36
Speaker 2: But I'll try to do one here. For a million reais,
1:45:38
Speaker 2: you'll get home, you're doing great, right? Five million reais.
1:45:39
Speaker 4: You'll get home, on the table of your house, there's
1:45:41
Speaker 4: five million reais. Wow, ma'am. You would spend one day,
1:45:46
Speaker 4: you being who you are, you.
1:45:48
Speaker 3: Famous.
1:45:59
Speaker 4: Um dia normal da sua vida, você tendo que trabalhar,
1:46:02
Speaker 4: ir pra academia, sei lá, vai num date, completamente nu.
1:46:07
Speaker 4: From start to finish.
1:46:08
Speaker 5: Goal!
1:46:08
Speaker 2: Goal!
1:46:09
Speaker 4: Goal! Goal! Goal! Goal!
1:46:32
Speaker 3: A gente está pensando em algo foi bom nesse mundo
1:46:37
Speaker 3: vai poder ir até academia pela porque hoje é crime
1:46:41
Speaker 3: né não.
1:46:41
Speaker 4: Não não não não subjetivo você estaria So, immune.
1:46:47
Speaker 3: Five miles?
1:46:48
Speaker 2: Can he record? Everyone can record and post.
1:46:50
Speaker 4: Look at Igão naked, training naked. Look at him doing
1:46:54
Speaker 4: the squat.
1:46:54
Speaker 8: Man, the guys are going to make a vaca at
1:46:56
Speaker 8: home for everyone to go.
1:46:57
Speaker 5: Please.
1:46:58
Speaker 3: It's two Tadalas of 20 and I'm going to leave.
1:47:01
Speaker 2: Sorry, sorry, I need to be real.
1:47:03
Speaker 5: It would be even more bizarre. What a pitiful scene,
1:47:06
Speaker 5: of hard work and training.
1:47:07
Speaker 2: Working here on my side naked.
1:47:09
Speaker 3: You have to be really shy and say like this.
1:47:13
Speaker 4: I'm real!
1:47:14
Speaker 2: I'm from the streets!
1:47:15
Speaker 3: Bro, I'm earning 5 million. Dude, you're right.
1:47:19
Speaker 2: You're right.
1:47:20
Speaker 4: But even if you explain to everyone who's recording you,
1:47:21
Speaker 4: it's going to be a shock, imagine.
1:47:23
Speaker 7: Can I dance with a record? I'm earning 5 million
1:47:25
Speaker 7: to do this.
1:47:25
Speaker 3: Imagine, no one knows.
1:47:26
Speaker 4: No one can know, actually.
1:47:27
Speaker 2: Oh, so this is hard. A whole day.
1:47:28
Speaker 3: Okay, but I think.
1:47:29
Speaker 2: Damn, Mítico, I got.
1:47:30
Speaker 3: Carried away, bro. But everyone will have the image of you.
1:47:33
Speaker 2: Like, damn, look at Igão training naked.
1:47:34
Speaker 5: But I have 5 million and the people don't.
1:47:36
Speaker 2: There are the ideas.
1:47:42
Speaker 4: But you would be marked in the history that you
1:47:44
Speaker 4: got drunk and got.
1:47:45
Speaker 2: The people at home.
1:47:45
Speaker 3: People who did worse things and pass.
1:47:48
Speaker 4: But you didn't get 5 million.
1:47:49
Speaker 2: Everything passes.
1:47:51
Speaker 3: Everything passes.
1:47:52
Speaker 2: What about you? Would you get naked for 5 million? No, bro.
1:47:56
Speaker 4: No, wait, with him it has to be like, ah,
1:47:58
Speaker 4: 30 billion. You do it here.
1:47:59
Speaker 2: No, bro, it's 30 billion.
1:48:00
Speaker 3: A lot of people already took it from Netflix, bro.
1:48:04
Speaker 7: Roberta was telling, I said, this boy broke my coffins.
1:48:06
Speaker 4: No, lie.
1:48:07
Speaker 5: It's because getting naked is f * * * ed.
1:48:08
Speaker 2: There were two series, bro.
1:48:10
Speaker 3: No, but this one was good, but... No, it was good.
1:48:13
Speaker 8: You like to generate this debate, it's cool.
1:48:15
Speaker 4: It's cool, I push some heavy ones, right, André?
1:48:19
Speaker 3: Man, I also like to.
1:48:20
Speaker 2: It generates this doubt, it generates this thing of... Is it?
1:48:22
Speaker 2: I don't know.
1:48:24
Speaker 3: No, Mítico, five miles on your table, it's just you
1:48:27
Speaker 3: going naked and you'll be able to, okay? You'll be
1:48:29
Speaker 3: able to.
1:48:29
Speaker 2: I don't know if I would go, man.
1:48:31
Speaker 3: Mítico Jovem.
1:48:32
Speaker 10: No.
1:48:33
Speaker 2: Vechame, my mom.
1:48:34
Speaker 4: One million for each. Now, one million for each. Vocês
1:48:40
Speaker 4: darem um beijão de língua.
1:48:42
Speaker 10: Agora!
1:48:44
Speaker 3: Agora!
1:48:46
Speaker 4: But, like, a beautiful kiss from a soap opera.
1:48:49
Speaker 2: Oh my God, Mítico. A million, if you give me
1:48:52
Speaker 2: a kiss, I kiss you.
1:48:54
Speaker 4: No, it has to be a beautiful tongue kiss.
1:48:57
Speaker 3: I take it in his ass and I lift him
1:48:59
Speaker 3: up like this, damn it.
1:49:00
Speaker 2: But it's my turn too.
1:49:01
Speaker 3: I'm going to suck the tongue. You know that kiss
1:49:04
Speaker 3: that sucks the tongue?
1:49:05
Speaker 2: It's going to fuck in my hand. A million and
1:49:07
Speaker 2: a half is naked. A million and a half is naked.
1:49:09
Speaker 5: Did you see the difference? You talked about walking naked,
1:49:12
Speaker 5: the guys started kissing each other.
1:49:14
Speaker 4: Yeah, but I doubt that in practice you would do it.
1:49:17
Speaker 2: Wow, like that?
1:49:18
Speaker 3: I think because it's in language, it's hard, but I
1:49:20
Speaker 3: would think, because I would say like this, It's not
1:49:24
Speaker 3: going to change anything. What's going to change is my
1:49:26
Speaker 3: bank account.
1:49:26
Speaker 2: Everyone would know.
1:49:27
Speaker 4: People would laugh and the next day they would forget.
1:49:30
Speaker 2: It would be like on the show. I kissing him
1:49:32
Speaker 2: on the show.
1:49:33
Speaker 3: But if no one knows.
1:49:34
Speaker 2: We agreed backstage.
1:49:35
Speaker 8: If you don't hear today, give a tongue kiss. If
1:49:37
Speaker 8: no one says anything for a kiss.
1:49:41
Speaker 7: Like, set up a mood there, six kisses, no one
1:49:44
Speaker 7: will know, but.
1:49:44
Speaker 2: Only we know, you know? What comments, they won't know, man.
1:49:48
Speaker 5: Like that, set it up, say, man, everyone was talking
1:49:51
Speaker 5: about the chemistry of you, I don't know, of the kiss,
1:49:53
Speaker 5: but now I'm going to show you the real chemistry.
1:49:55
Speaker 2: That's it! That's it, fuck! He liked it!
1:49:59
Speaker 8: For me, it's even better.
1:50:01
Speaker 3: It's even better, because the guys believe in something that
1:50:04
Speaker 3: is not true, and then.
1:50:05
Speaker 2: I'm going to have fun with it. And we could
1:50:07
Speaker 2: become actors, really.
1:50:08
Speaker 10: Man, we're acting, guys.
1:50:10
Speaker 2: One million in the pocket.
1:50:10
Speaker 4: Fuck.
1:50:11
Speaker 2: What the fuck are you doing? Look at the debates
1:50:13
Speaker 2: you're creating. I already won 6 million. I already won
1:50:16
Speaker 2: 6 million.
1:50:16
Speaker 3: The only shit is the cuts that will come out later.
1:50:19
Speaker 2: But I hope... Man, the money is coming fast, right? Man,
1:50:21
Speaker 2: I already won 6 million here. Of nothing, of nothing.
1:50:24
Speaker 3: You're good at this. I just bit my mouth and
1:50:25
Speaker 3: I got naked.
1:50:26
Speaker 2: Do you have another one?
1:50:28
Speaker 4: No, I have several, but really, I can't do it.
1:50:29
Speaker 2: It's because it's fucking to talk, right?
1:50:31
Speaker 4: No, but when I cut here, I'll do something cool
1:50:33
Speaker 4: for you. I'll do the shot.
1:50:34
Speaker 3: Fuck, I already know what it is.
1:50:36
Speaker 2: What shot, man?
1:50:37
Speaker 3: Shot of those things, right?
1:50:38
Speaker 4: What?
1:50:41
Speaker 2: What?
1:50:41
Speaker 3: No.
1:50:42
Speaker 2: Let's stop.
1:50:43
Speaker 4: We'll talk about it later.
1:50:44
Speaker 3: Soon it will be over and we'll start playing this madness.
1:50:46
Speaker 3: But this game is very good. It's very good. It's
1:50:48
Speaker 3: very good. It's very good.
1:50:49
Speaker 4: It's very good.
1:50:50
Speaker 2: It's very good. It's very good. It's very good. It's
1:50:51
Speaker 2: very good. It's very good. She says, no, no, no.
1:51:11
Speaker 2: You throw a value that she says, hmm. Maybe. If
1:51:14
Speaker 2: it's naked, it's not. We were born naked, right? And
1:51:16
Speaker 2: the person starts to change a little. Is there anything
1:51:19
Speaker 2: that you, like, wouldn't do for any money? Me? All.
1:51:24
Speaker 2: From this table. From gamers and people who live on
1:51:28
Speaker 2: the street. Real life, man. Nothing that... It's a crime.
1:51:31
Speaker 2: It's a crime. You can't walk naked. You can't walk naked.
1:51:33
Speaker 2: The guys who don't live the real life. You have
1:51:35
Speaker 2: to live, right? The guys don't live the real life, but... Fuck,
1:51:38
Speaker 2: these guys are done with me. No, you're the one
1:51:39
Speaker 2: who's done with us. Community game, bro. Mano.
1:52:16
Speaker 3: I'm Lewis Hamilton, right? In the video game.
1:52:18
Speaker 2: I'm going crazy.
1:52:21
Speaker 3: I ran Suzuka yesterday. I said, Alex, I sent it
1:52:23
Speaker 3: to Alex. I quit third, I won.
1:52:25
Speaker 2: I sent it to Alex. I'm so happy, Alex, I won.
1:52:30
Speaker 10: What, bro?
1:52:30
Speaker 3: It's a simulation of.
1:52:31
Speaker 2: Do you like Formula 1?
1:52:33
Speaker 3: I started to like it more because of Podpah. We
1:52:36
Speaker 3: talked to Verstappen. Since then, we talked to Verstappen.
1:52:39
Speaker 8: The guys in the interview.
1:52:40
Speaker 3: I took a dip.
1:52:41
Speaker 2: Oh, bro.
1:52:41
Speaker 3: The guys are very serious. I took a dip in
1:52:43
Speaker 3: the world. I said, bro, I'm going to buy the game. Then,
1:52:47
Speaker 3: Yuri Alberto sent a cockpit.
1:52:48
Speaker 2: It was.
1:52:50
Speaker 8: I have a very good friend. Max Verstappen, who encourages
1:52:54
Speaker 8: you to buy, Will Roberto, who sends everything to you, sends,
1:52:57
Speaker 8: I don't know what.
1:52:58
Speaker 3: You know, man.
1:52:59
Speaker 2: It's a different friendship. It's hard, right? What is hard?
1:53:03
Speaker 3: It's hard. It's hard as fuck.
1:53:04
Speaker 2: It's hard.
1:53:05
Speaker 3: Was there anyone you met that you shivered at the base?
1:53:08
Speaker 3: Or counteracted?
1:53:09
Speaker 2: Oh my God.
1:53:10
Speaker 8: Man, I saw who I saw. And I was kind
1:53:14
Speaker 8: of like this, kind of looking. I saw another one, Leonardo.
1:53:19
Speaker 2: DiCaprio, man.
1:53:20
Speaker 4: He always goes, right? He rocks! Where did you see
1:53:23
Speaker 4: this guy?
1:53:23
Speaker 10: Where did you see this guy?
1:53:24
Speaker 2: Tell us.
1:53:25
Speaker 3: I'm not even going to say it.
1:53:26
Speaker 2: No, you can say it. No, say it. I got curious.
1:53:28
Speaker 4: Ibiza.
1:53:28
Speaker 2: He enters the pile very fast.
1:53:29
Speaker 4: Ibiza?
1:53:30
Speaker 10: He was.
1:53:30
Speaker 2: No, it was at a party there, and he was
1:53:33
Speaker 2: also invited.
1:53:33
Speaker 3: He's so handsome, right?
1:53:34
Speaker 2: He's so handsome, man. I'm a big fan of him, man.
1:53:36
Speaker 8: You see him there, you say, man, that movie he made,
1:53:38
Speaker 8: this guy here, he's so calm next to me.
1:53:50
Speaker 2: It's DiCaprio, right?
1:53:51
Speaker 8: It's cool, but it goes by quickly. Then you take
1:53:54
Speaker 8: a beer and go on with your life.
1:53:56
Speaker 3: And you, man?
1:53:57
Speaker 4: I shivered at the base.
1:54:00
Speaker 3: Yeah, you say, no, damn it. Or to meet someone
1:54:03
Speaker 3: you met who was really cool. Are you a fan
1:54:06
Speaker 3: of people?
1:54:07
Speaker 4: That's funny, right? Fan of people?
1:54:11
Speaker 2: No, I'm also kind of like that.
1:54:12
Speaker 3: Once they asked me, I said.
1:54:14
Speaker 4: Are you a big fan of someone?
1:54:15
Speaker 3: I'm a big fan of Racionais Mano Brau, so... And
1:54:19
Speaker 3: I'm also a big football fan, so when I saw Ronaldo...
1:54:22
Speaker 3: I was shocked.
1:54:23
Speaker 2: I was shocked. Come here too.
1:54:25
Speaker 3: Bro, we talked to him at the World Cup, look
1:54:26
Speaker 3: at the ideas.
1:54:27
Speaker 2: Got it?
1:54:28
Speaker 3: So it's all more... So talking to the guy like that,
1:54:30
Speaker 3: I was kind of shocked. There in Qatar, it was embarrassing.
1:54:34
Speaker 8: Yeah, so.
1:54:35
Speaker 4: It's crazy, it's crazy.
1:54:35
Speaker 2: He's a great reviewer, right?
1:54:37
Speaker 3: Bro, he has no idea that he's him.
1:54:39
Speaker 2: He's good and he's really cool. That's very cool.
1:54:41
Speaker 3: There are some people you say like this, no, you
1:54:43
Speaker 3: don't know that you're you, right?
1:54:45
Speaker 2: He's one of those. But there was no one that you, acting,
1:54:47
Speaker 2: you said, my God, I'm going to act with this person,
1:54:50
Speaker 2: how nervous, but let's go.
1:54:51
Speaker 3: Or someone who pressured you.
1:54:52
Speaker 2: But that's worse, right, man? I think having this thought is.
1:54:54
Speaker 3: It doesn't help you, no.
1:54:55
Speaker 2: To get nervous?
1:54:56
Speaker 3: I think you.
1:54:56
Speaker 8: But I don't have anyone that I remember, otherwise I
1:54:58
Speaker 8: would say.
1:54:59
Speaker 2: You're pretty good. Ah, since you were a girl, right, bro?
1:55:03
Speaker 4: You're already acting, right?
1:55:04
Speaker 3: I think you already break this thing. I say I'm
1:55:07
Speaker 3: that person, I'm.
1:55:08
Speaker 7: The one who makes people nervous.
1:55:10
Speaker 8: But it could be that you really are.
1:55:15
Speaker 2: I don't think so.
1:55:16
Speaker 4: I'm a little calm. I don't think so.
1:55:19
Speaker 3: Well, you really are. I don't see you wearing a
1:55:22
Speaker 3: cape like, I'm this and that. No, I always see
1:55:26
Speaker 3: you very.
1:55:27
Speaker 2: In humility, right?
1:55:28
Speaker 4: No, it's what I am. If I lose that, I
1:55:31
Speaker 4: think I lose everything I am.
1:55:33
Speaker 2: That's your essence, right?
1:55:34
Speaker 9: Yeah.
1:55:34
Speaker 3: Do your family give you that touch? Oh, you can't
1:55:37
Speaker 3: do that.
1:55:38
Speaker 4: No, it's just that my father is like that. He
1:55:40
Speaker 4: saw my father once.
1:55:40
Speaker 2: People see my father once.
1:55:43
Speaker 3: It's like that passionate person.
1:55:44
Speaker 2: It's like that passionate person.
1:55:45
Speaker 8: It's like that passionate person. It's like that passionate person.
1:55:48
Speaker 8: It's like that passionate person. It's like that passionate person.
1:55:52
Speaker 8: It's like that passionate person. It's like that passionate person.
1:56:10
Speaker 4: Then I say, oh, dad! I'm a princess, I speak
1:56:14
Speaker 4: like my dad.
1:56:14
Speaker 2: You're the people's one.
1:56:16
Speaker 4: Yeah, I think I'm the people's one. No, I'm kidding,
1:56:18
Speaker 4: but I think I pulled this from my dad a lot.
1:56:20
Speaker 4: Because he's a lot of people. He's good, this charisma is.
1:56:23
Speaker 2: Who said bachola?
1:56:23
Speaker 4: It's bachola. It's because he's very short.
1:56:26
Speaker 2: Very small.
1:56:27
Speaker 4: Very small, funny, makes jokes.
1:56:28
Speaker 3: It's the father to see.
1:56:29
Speaker 2: You know?
1:56:33
Speaker 4: Pavel pa come ele, faz várias piadas.
1:56:35
Speaker 2: Ah, mas é bom o pai assim, o pai é assim, né?
1:56:37
Speaker 4: Muito bom, muito te amo, pai.
1:56:39
Speaker 2: Cheio de piadinha.
1:56:40
Speaker 4: Esse é o papel do pai, né? É, meu pai.
1:56:41
Speaker 2: É muito pai. Faz umas piadas pai, né? É.
1:56:44
Speaker 4: Meu pai é muito pai.
1:56:45
Speaker 2: Ele tem ciúme de você?
1:56:46
Speaker 8: Não.
1:56:48
Speaker 2: De boa? De boa, sim. Ciúmes que eu falo no total, né?
1:56:50
Speaker 2: No total, meu pai trampa.
1:56:51
Speaker 5: Ciúme da filhinha dele aqui em São Paulo, fazendo as paradas.
1:56:53
Speaker 2: Nada.
1:56:54
Speaker 4: De boa. Viu a cena, ele... And then he says,
1:56:57
Speaker 4: this director doesn't have a daughter.
1:56:59
Speaker 8: That's what he says.
1:57:00
Speaker 4: And after that, it's just a review. He met André,
1:57:03
Speaker 4: he loved André. And then he says, this director doesn't
1:57:10
Speaker 4: have a daughter.
1:57:11
Speaker 5: And then he says, this director doesn't have a daughter.
1:57:22
Speaker 2: Ah, that's good, right?
1:57:23
Speaker 5: Imagine being a father and son of.
1:57:26
Speaker 4: A daughter-in-law, it must be complicated.
1:57:29
Speaker 2: No, my parents are calm. The people understand, and also, pô,
1:57:30
Speaker 2: it started with 7 years, right?
1:57:32
Speaker 4: Yeah, you're used to it too. Low school, you've seen everything.
1:57:36
Speaker 3: Damn, man, this is very crazy, man. Like, you act,
1:57:38
Speaker 3: you're very young. You're still young, right?
1:57:40
Speaker 2: Very young, you're still going to do a lot of things.
1:57:43
Speaker 3: And that's what she said too, this profession is a
1:57:45
Speaker 3: profession of the whole life, pô. Fernanda Montenegro, brother.
1:57:54
Speaker 4: Yes.
1:57:54
Speaker 2: You know?
1:57:54
Speaker 3: Acting like that.
1:57:55
Speaker 2: That's bizarre, right?
1:57:56
Speaker 4: Fernanda Torres and Fernanda Montenegro are inspiration.
1:58:01
Speaker 5: Do you see yourself older, more alive, continuing to act,
1:58:05
Speaker 5: until what age?
1:58:06
Speaker 2: Until I can.
1:58:07
Speaker 4: I think until I can.
1:58:08
Speaker 2: Do you want an interpretation? want to act like a grandma?
1:58:11
Speaker 8: That's the cool thing about acting, you can adapt.
1:58:12
Speaker 2: There's no tantalism, right?
1:58:14
Speaker 3: Exactly.
1:58:15
Speaker 8: These days I was thinking, I was doing an interview
1:58:18
Speaker 8: with an athlete. The athlete's life is very professional.
1:58:22
Speaker 3: Regret.
1:58:22
Speaker 2: Regret, no, but it's very limited.
1:58:24
Speaker 8: You go to 40, depending on the sport, and that's it.
1:58:30
Speaker 8: There are people in our career who are starting.
1:58:33
Speaker 2: At 40, right? 40 who stood out. Yeah, man. And
1:58:37
Speaker 2: then you see Fernanda today too, right?
1:58:40
Speaker 3: I'm sure that you, at 40, will be still with
1:58:41
Speaker 3: that cold in your belly and feeling, my God, this
1:58:45
Speaker 3: paper that I'm going to do.
1:58:46
Speaker 10: And at 60 too.
1:58:47
Speaker 8: And we're going to come here to divulge.
1:58:49
Speaker 2: For sure. And we're going to be here. How old
1:58:51
Speaker 2: are you?
1:58:51
Speaker 8: 29.
1:58:51
Speaker 2: I'm 35. No, with Podpar. 5 years. 5 years. 5 years, man. Man,
1:58:58
Speaker 2: it's cool.
1:58:58
Speaker 4: It seems like there's more time. Do you guys feel
1:59:00
Speaker 4: like there's more time?
1:59:01
Speaker 2: Yes, everyone says that. Five years?
1:59:03
Speaker 3: A lot of volume.
1:59:04
Speaker 8: It's because it's a lot, right? It's three videos a week.
1:59:07
Speaker 2: It was seven.
1:59:08
Speaker 9: Damn!
1:59:08
Speaker 2: Tuesday and Thursday were two.
1:59:11
Speaker 3: So it was Monday, Tuesday, Tuesday, Wednesday, Thursday, Tuesday and Friday.
1:59:15
Speaker 3: And now it's? Three a week only. Man, there's a
1:59:17
Speaker 3: review that you say.
1:59:18
Speaker 8: Like this, man, what do I do?
1:59:22
Speaker 2: It's ending here, it's not the time.
1:59:24
Speaker 4: I was going to ask this at the beginning.
1:59:25
Speaker 2: Man, is this happening to us? Is there someone very boring?
1:59:29
Speaker 4: No, tell the truth, for God's sake, promise.
1:59:31
Speaker 3: I promise, I promise.
1:59:32
Speaker 4: But is there someone like that that you've already... You
1:59:34
Speaker 4: must have asked this a lot, but someone very boring.
1:59:36
Speaker 4: It's already happened. It's already happened.
1:59:38
Speaker 3: It's already happened to a person... That you had.
1:59:41
Speaker 2: The highest expectation.
1:59:42
Speaker 4: No, no, the person being ignorant, like, it looked like
1:59:43
Speaker 4: she didn't want to be here.
1:59:44
Speaker 3: It's complicated, the person comes to the podcast, she knows, right?
1:59:48
Speaker 3: They're going to ask me questions, and I have to
1:59:50
Speaker 3: go through a little bit of page 2, because, right?
1:59:52
Speaker 3: This is a show. Then you asked the person there. Difficult.
1:59:58
Speaker 8: No. Yes.
2:00:01
Speaker 3: I said, my God, I want to kill you. How
2:00:03
Speaker 3: do you conduct an interview? It took 20 minutes of chat,
2:00:05
Speaker 3: I was already in the question about the current. And
2:00:08
Speaker 3: then today, how are you? I had already asked all
2:00:10
Speaker 3: the other questions. Then I said, wow, I'm going to... Okay.
2:00:14
Speaker 3: I asked a question, it took about 4 minutes building it.
2:00:16
Speaker 2: I delivered, I played. The guy.
2:00:20
Speaker 7: Yeah, it was complicated.
2:00:21
Speaker 2: No, not at all.
2:00:22
Speaker 4: But did you feel that it was an ignorance of
2:00:25
Speaker 4: the person? No, no, it's her way. It's her way.
2:00:27
Speaker 3: It's her way.
2:00:28
Speaker 4: It's her way.
2:00:28
Speaker 2: It's her way. It's her way. It's her way. It's
2:00:30
Speaker 2: her way. It's her way. It's her way. It's her way.
2:00:33
Speaker 2: It's her way. It's her way. It's her way. I
2:00:48
Speaker 2: was like, man, you know a lot about life.
2:00:51
Speaker 5: We know a lot of stories, a lot of people,
2:00:54
Speaker 5: what she did to be successful.
2:00:56
Speaker 3: So, it's very cool.
2:00:57
Speaker 8: And then you burst too, right?
2:00:59
Speaker 2: Did you get this information? And now we're applying it.
2:01:03
Speaker 2: São Paulo really is work.
2:01:04
Speaker 4: It's work, bro.
2:01:05
Speaker 2: It's real life, bro. It's real life, bro.
2:01:08
Speaker 4: I've been remembering you for a long time. You have
2:01:14
Speaker 4: a channel for many years, right?
2:01:16
Speaker 3: I have, I have.
2:01:16
Speaker 2: Since 2015.
2:01:17
Speaker 4: I remember Besterol videos, you and Cosselo. Yes, yes, yes. Like, drinking,
2:01:21
Speaker 4: doing various things.
2:01:23
Speaker 3: Wow, I make videos for the internet since 2011, right?
2:01:25
Speaker 2: This guy was a strong magnet, right? Cosselo, yes.
2:01:28
Speaker 4: I would die laughing, you and Cosselo. I used to
2:01:30
Speaker 4: follow Luba, too. Wow, Luba is wonderful.
2:01:32
Speaker 2: Wonderful. Hi, Turma.
2:01:34
Speaker 8: Hi, Turma.
2:01:34
Speaker 2: Hi, Turma.
2:01:35
Speaker 4: Wow, I loved going to Luba's shows. Liar. And I
2:01:39
Speaker 4: was a fan of Carteirinha. He had the Luba channel, LubaTV.
2:01:43
Speaker 4: And LubaTV Game.
2:01:44
Speaker 8: Ted, too.
2:01:45
Speaker 4: Wonderful.
2:01:45
Speaker 2: I never remembered him now.
2:01:47
Speaker 4: Never again.
2:01:49
Speaker 3: He's living in Los Angeles.
2:01:50
Speaker 4: Orlando, I don't know. But when I was younger, I
2:01:52
Speaker 4: was crazy about Ted, Luba. So I watched him playing
2:01:54
Speaker 4: all the games. I met The Little Nightmares because of
2:01:57
Speaker 4: him and all the other games I play. For him.
2:01:59
Speaker 4: I felt like a grandfather.
2:02:00
Speaker 8: Hi, guys.
2:02:01
Speaker 4: I'm going to the show. Colorful band.
2:02:04
Speaker 2: That's cool.
2:02:05
Speaker 3: Thank you, Mel.
2:02:07
Speaker 4: Really, very cool. This is a gift from the people behind?
2:02:11
Speaker 3: No, there's a gift. But it's not just a gift.
2:02:21
Speaker 2: We didn't bring anything.
2:02:22
Speaker 3: There was a star that the shaman, the first time
2:02:23
Speaker 3: he came, he brought.
2:02:24
Speaker 2: Leave this ring. It's true, the shaman. No, no. You
2:02:28
Speaker 2: have to return it.
2:02:31
Speaker 3: Put it in the box, leave it to you.
2:02:33
Speaker 7: Leave it there, it's fine.
2:02:34
Speaker 2: She was looking like this, oh my God, this ring.
2:02:37
Speaker 4: No.
2:02:37
Speaker 3: No, stay in peace, next time you bring a gift.
2:02:42
Speaker 4: If it's next time, because we didn't bring a gift.
2:02:44
Speaker 4: I'll bring a cool game.
2:02:47
Speaker 2: De tabuleira, gente. Ah, não, jogo videogame.
2:02:49
Speaker 3: Jogo vida real.
2:02:50
Speaker 2: Que eu vou entrar pra essa vida agora, mano.
2:02:52
Speaker 7: I want to know if you guys liked chatting with us.
2:02:54
Speaker 3: Of course, you guys are wonderful.
2:02:56
Speaker 4: Are you done already?
2:02:57
Speaker 2: A lot of reviews.
2:02:58
Speaker 3: I would say so. This review is so cool.
2:03:01
Speaker 4: You know how to do this, don't you?
2:03:03
Speaker 3: I don't know if it's true or not. The guy
2:03:05
Speaker 3: knows how to cry. He's already crying. No, it's a lie,
2:03:08
Speaker 3: it's a lie, it's a lie. Stop, stop this pressure.
2:03:11
Speaker 2: No, no, I'm not crying, but I looked. Your eyes
2:03:18
Speaker 2: are all looking at you. I was sad, bro. Ending
2:03:21
Speaker 2: the show, which was fucking cool. Son of a bitch, good, right? Man,
2:03:24
Speaker 2: whoever dates this guy.
2:03:25
Speaker 3: Really, can distrust a lot. He's very good, bro.
2:03:27
Speaker 7: He would talk to me like this.
2:03:33
Speaker 2: You're a liar. You're a bastard. Did you like it,
2:03:37
Speaker 2: my brother? No, it was really cool. Thank you. Thank
2:03:40
Speaker 2: you for the invitation. You're wonderful. You're a good person.
2:03:42
Speaker 4: We feel at home. Cool. Congratulations on your success.
2:03:44
Speaker 8: Thank you.
2:03:45
Speaker 4: And finish the show.
2:03:46
Speaker 2: Congratulations on the Trump. For sure.
2:03:47
Speaker 3: You'll like it, man.
2:03:48
Speaker 2: I promise.
2:03:49
Speaker 8: I'll watch it with him.
2:03:50
Speaker 2: We have a series to finish. We do.
2:03:56
Speaker 8: There was a friend who said to the crowd, I said, bro,
2:03:57
Speaker 8: let's start the series together so we can see when
2:04:00
Speaker 8: it's released. And he said, I've already started. I said, okay,
2:04:02
Speaker 8: so we'll finish it together. Brother, there's one more episode left,
2:04:05
Speaker 8: I won't wait for you. I get upset with these things.
2:04:07
Speaker 7: We agreed, we wanted to watch the last episode together.
2:04:09
Speaker 2: Me, him, Xamã, Júlia, the crowd.
2:04:10
Speaker 4: No one watched. He stopped at the sixth, Júlia stopped
2:04:11
Speaker 4: at the fourth, I was already at the end, wanting.
2:04:13
Speaker 2: To watch, and they wouldn't let me.
2:04:15
Speaker 4: What's up? What's up?
2:04:16
Speaker 2: What's up? What's up?
2:04:26
Speaker 3: Watch Maratoni, Os Donos do Jogo, on Netflix. Top 2 worldwide,
2:04:31
Speaker 3: top 1.
2:04:32
Speaker 2: Top 1, man! Top 1, fuck! Top 1 worldwide, non-English language.
2:04:37
Speaker 2: Pay attention, Miguel.
2:04:39
Speaker 3: It's always the non-English language. I already like to say
2:04:41
Speaker 3: top 2, man, it's the whole fucking thing.
2:04:45
Speaker 2: Top 1 and top 2, really. And respect that it's Brazil,
2:04:48
Speaker 2: for God's sake. Brazilian dramaturgy.
2:04:57
Speaker 3: I'm very happy to receive you guys. Thank you very much.
2:05:00
Speaker 3: Follow André on all social media, it will be in
2:05:02
Speaker 3: the description. Follow Amel on social media, it will also
2:05:04
Speaker 3: be in the description. Follow me, follow Mítico, follow Podpá.
2:05:07
Speaker 3: Go to 10 million subscribers. Mítico Jovem, do the honors
2:05:09
Speaker 3: of the house.
2:05:10
Speaker 5: Guys, follow the agenda of Podpá with our program. Everything
2:05:13
Speaker 5: is cute, for God's sake. Tomorrow there will be an
2:05:16
Speaker 5: episode only.
2:05:17
Speaker 3: Of me and Igão.
2:05:18
Speaker 5: And it will be 5 p.m. live that we will
2:05:19
Speaker 5: talk to the guys. So tomorrow the episode is 5 p.m.
2:05:22
Speaker 2: Only me and Igão. Resenha Monstra. Sensacional. Um beijo pra vocês.
2:05:27
Speaker 2: Dignidade já. Tamo junto.
2:06:12
Speaker 1: Every day can be a super day.
2:06:19
Speaker 3: Download the Superbad app.
2:06:28
Speaker 2: Be super.