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Transcript

The Drift 23rd October · The Drift

• 0:34
  SPEAKER_00: Welcome to the drift with your host Andreas On.
• 0:41
  SPEAKER_00: It's another week, it's another episode of this eclectic music show, and today we're gonna kick off with maybe one of the greatest guitarists of all time.
• 0:57
  unknown: Alright!
• 1:02
  SPEAKER_05: You don't care for me! I don't know care about that! I'd love to laugh at it! I don't wanna find a desire! It's not your mother home, and I'm gonna walk the phone! Let me stand next to your body!
• 6:14
  SPEAKER_00: Interesting discussion of the band of morning with a lot of things.
• 6:18
  SPEAKER_00: I love them because the music combined kind of rhythms of all the rocket with the energy of the phone.
• 6:26
  SPEAKER_00: And of course we can find the link to everything with all the things include the political commentary.
• 6:34
  SPEAKER_00: It's a very extraordinary band and link it with a song goes on.
• 7:20
  SPEAKER_03: All the clubs are being closed down.
• 8:53
  SPEAKER_03: It's coming like a ghost.
• 8:55
  SPEAKER_03: Why must the youth fight against them?
• 9:04
  SPEAKER_03: This place is coming like a ghost.
• 9:08
  SPEAKER_03: No job to be found in this country.
• 10:26
  SPEAKER_04: Without a bridal groom, I'm gonna try's in the glasses of white wine.
• 10:42
  SPEAKER_17: Practice in the line I don't want to hear you, kick me out, kick me out.
• 10:50
  SPEAKER_17: I don't wanna hear you, no, kick me out, kick me out.
• 10:54
  SPEAKER_17: I don't want to hear you, kick me out, kick me out.
• 10:58
  SPEAKER_17: I don't wanna hear you, I don't wanna hear you.
• 11:02
  SPEAKER_04: Frame tells us that Francisco Echo through the air.
• 11:09
  SPEAKER_04: There's a few boys that apply go, wish you may run there.
• 11:16
  SPEAKER_17: There's a mouthful squeaks, do you give us telephone breaks?
• 11:22
  SPEAKER_17: Oh, she's running to the streets outside.
• 11:25
  SPEAKER_17: Oh, you stay with your screams down the line.
• 11:28
  SPEAKER_17: The problem that I'm not having a night time.
• 11:32
  SPEAKER_17: I don't want to hear you.
• 11:36
  SPEAKER_17: I don't wanna hear you know.
• 11:38
  SPEAKER_17: Take me out, yeah.
• 12:57
  SPEAKER_00: Studio album.
• 12:59
  SPEAKER_00: Years and years ago.
• 13:01
  SPEAKER_00: Next up is Betty Everett.
• 13:02
  SPEAKER_00: Yes, this beautiful American soul singer, also a great pianist, and I've chosen this song.
• 13:07
  SPEAKER_00: Too hot too hold.
• 13:14
  SPEAKER_09: You started a fire that the volume can't put out.
• 13:19
  SPEAKER_09: Yes, it did win out in my heart and keep on burning up when we're a bug.
• 13:27
  SPEAKER_09: Yeah, yeah, yeah.
• 13:28
  SPEAKER_09: The one who won't put it out, the wind can blow it out as win out in my soul.
• 13:37
  SPEAKER_09: Oh yeah, it's not break out in flame.
• 13:41
  SPEAKER_09: Can I hear your name?
• 13:45
  SPEAKER_09: Can I get the shirt in the beat?
• 13:48
  SPEAKER_09: Through and through.
• 13:51
  SPEAKER_09: Yeah, yeah, yeah.
• 13:57
  SPEAKER_09: It's out of control.
• 14:02
  SPEAKER_09: Oh baby, come see up for me.
• 14:06
  SPEAKER_09: Should have come up and meet the match, it's not a plane, it's out of control, and you don't want to play this.
• 15:13
  SPEAKER_14: When they leave alone.
• 15:17
  SPEAKER_14: See, I'm so unbut I know how good you know.
• 15:22
  SPEAKER_14: I must talk a key, no you know the cut.
• 15:28
  SPEAKER_14: How do you talk down the heart?
• 15:34
  SPEAKER_14: Ask me what I think I believe on you to see.
• 15:38
  SPEAKER_14: But you let me answer.
• 15:40
  SPEAKER_14: Can you see what I thought you'd know?
• 15:43
  SPEAKER_14: Can you always answer?
• 15:45
  SPEAKER_14: I had a dream, I was learning, and the love took a fine.
• 15:51
  SPEAKER_14: I had a dream, I was learning.
• 15:57
  unknown: I had a dream, I was learning, and the love took a fine, I had a dream, I was learning, and the love to the phone.
• 16:08
  SPEAKER_14: I was a fall about who you know, I know you want to have a hole, you're done for you.
• 16:27
  SPEAKER_14: I need to see you.
• 16:36
  SPEAKER_14: I had a dream, I was learning, and you love to go phone, I had a dream, I was learning, and you love to go phone, I had a dream, I was learning, and you love to be funny, I had a dream, I was learning, and you love to go phone, I had a drink, I was learning, I could come in and love to be funny, I have a drink, I was learning, I can come, you love to go phone Yes, big pig.
• 17:24
  SPEAKER_00: I spell it with double I, so B I I G, P I I G.
• 17:29
  SPEAKER_00: And the song is called Switch.
• 17:30
  SPEAKER_00: Let's move to Brazil, because in Brazil we will find this great band called CSS.
• 17:55
  unknown: Came back playing all along.
• 18:00
  SPEAKER_11: They couldn't eat.
• 18:01
  SPEAKER_11: Begin to show you mad love.
• 18:03
  SPEAKER_11: Begin to tell it's not enough.
• 18:05
  SPEAKER_11: Come on, there is meant to be with you.
• 18:08
  SPEAKER_11: It's true.
• 18:09
  SPEAKER_11: I wanted to show you how many love.
• 18:11
  SPEAKER_11: Commander techniques not gonna hurt.
• 18:13
  SPEAKER_11: I mean denying fear when it works.
• 18:15
  SPEAKER_11: Let's make a live into that's my bird.
• 18:18
  unknown: Let's make a love.
• 18:22
  unknown: Let's make a live and select from the bird.
• 18:41
  SPEAKER_11: You knew my ideas, but they were in my head.
• 18:43
  SPEAKER_11: They were my secrets, even in bed.
• 18:53
  SPEAKER_11: I'm gonna get what I'm willing to make.
• 18:55
  unknown: It's gonna work if I understand.
• 18:57
  unknown: Come back or you want.
• 18:59
  unknown: Maybe breakfast, don't make it up.
• 19:01
  SPEAKER_11: You are still on the line.
• 19:03
  SPEAKER_11: Let's make a lemon listen that's maximum I need it.
• 19:17
  SPEAKER_11: I know how you're doing better in your face, and this is how we come in a couple and listen back from the bow.
• 20:01
  SPEAKER_11: Screaming your name on the microphone, going back home all alone.
• 20:05
  unknown: Listen to the things that you send me.
• 20:07
  SPEAKER_11: Listen to them good company.
• 20:09
  SPEAKER_11: I want to show my mad love.
• 20:11
  SPEAKER_11: You have to know it's not enough.
• 20:13
  SPEAKER_11: Come and complete me, stay here with me.
• 20:15
  SPEAKER_11: This is all true, it's water I drink.
• 20:17
  SPEAKER_11: I want you to show me how mad it's a love.
• 20:19
  SPEAKER_11: Come and attack me, it's not gonna hurt.
• 20:21
  SPEAKER_11: I mean deny fear and feel that's me for this.
• 21:30
  SPEAKER_06: We have been left outside, looking at bats or dying.
• 21:37
  SPEAKER_06: Emotion goes wrong all time.
• 21:41
  SPEAKER_06: But it's all right, we can steal them all.
• 21:49
  unknown: But it's all right, we can still come, but it's all right.
• 22:00
  unknown: It's the bubble.
• 23:05
  SPEAKER_06: No matter if we lie, no matter how hard we fly, the two of us cry in favor.
• 23:20
  unknown: But it's all the time.
• 25:25
  SPEAKER_07: We've been left outside.
• 25:29
  SPEAKER_07: Looking at that.
• 25:33
  SPEAKER_07: The motion goes wrong all time.
• 25:37
  SPEAKER_07: But it's all right.
• 26:02
  SPEAKER_00: Yeah, great stuff.
• 26:03
  SPEAKER_00: So you have like funk soul, reggae, and acrobat all into one big genre.
• 26:10
  SPEAKER_00: That is what Monday do the band is a Monday.
• 26:12
  SPEAKER_00: This is early 70s, by the way.
• 26:15
  SPEAKER_00: Next up, David Bowie.
• 26:54
  SPEAKER_01: Commencing countdown engines on check ignition and may God's love be with you.
• 27:28
  SPEAKER_04: And the papers want to know whose shirt you wear.
• 27:35
  SPEAKER_04: Now it's time to leave the capsule and be a death.
• 27:43
  SPEAKER_04: This is nature's unto ground control.
• 27:48
  SPEAKER_04: I'm stepping through the door, and I'm floating in the most peculiar way.
• 28:00
  SPEAKER_04: And the stars look very different today.
• 28:08
  SPEAKER_04: For here am I sitting in a tin can above the wall climate earth is blue, and there's nothing I can do.
• 29:01
  SPEAKER_04: And I think my spaceship knows which way to go.
• 29:23
  SPEAKER_04: Can you hear me alright tongue?
• 29:26
  SPEAKER_04: Can you hear me a night and tongue?
• 29:29
  SPEAKER_04: Can you hear me like a tongue?
• 29:33
  SPEAKER_04: Can you hear me like a tongue?
• 29:53
  SPEAKER_10: Many years have passed, but you're still charming.
• 29:57
  SPEAKER_10: Rose falling and exploding.
• 29:59
  SPEAKER_10: You can't save the world on your own, I guess.
• 30:04
  SPEAKER_10: Don't send me it.
• 30:08
  SPEAKER_10: You keep it.
• 30:12
  SPEAKER_10: You keep it.
• 30:21
  SPEAKER_10: You keep it.
• 30:25
  SPEAKER_10: We arms can't open the door, confit cancel.
• 30:30
  SPEAKER_10: It'll be okay, I just need to be worried about a bit and eat an old sandwich from my bag.
• 30:38
  SPEAKER_10: I've come here to make a ceramic shoe and I've come to smash what you made.
• 30:43
  SPEAKER_10: I've come to learn how to mingle.
• 30:45
  SPEAKER_10: I've come to learn how to dance.
• 30:48
  SPEAKER_10: I've come to join the name cycle.
• 30:51
  SPEAKER_10: I've come to hang with my own bumper ladder in my few short sessions.
• 30:56
  SPEAKER_10: It's a Tokyo bouncy ball, it's an Oslo bouncy ball, it's a Rio de Janeiro bouncy ball.
• 31:04
  SPEAKER_10: I love these matty oaks, don't you?
• 31:06
  SPEAKER_10: Do everything, feel nothing.
• 31:08
  SPEAKER_10: Wristband, theme part, scratch card lanyard.
• 31:13
  SPEAKER_10: Do everything, feel nothing.
• 31:19
  SPEAKER_10: Do everything, feel nothing.
• 31:23
  SPEAKER_10: Pat that on the head, all right, you big loud mouth.
• 31:28
  SPEAKER_10: Thanks very much for the twist.
• 31:34
  SPEAKER_10: I think of myself as a hardy man of a waxy surface and smooth, delicate flowers.
• 31:42
  SPEAKER_10: A woman in aviators firing up bazooka.
• 31:47
  SPEAKER_10: A woman in aviators firing a bazooka.
• 31:54
  SPEAKER_10: I've come here to make a ceramic shoe, and I've come to smash what you made.
• 31:59
  SPEAKER_10: I've come to learn how to mingle, I've come to learn how to dance.
• 32:04
  SPEAKER_10: I've come to join it in a circle.
• 32:07
  SPEAKER_10: As just a child chat.
• 32:13
  SPEAKER_10: Why don't you want oven chips?
• 32:18
  SPEAKER_10: It's a Tokyo bouncy ball, it's a noise like bouncy ball, it's a Rio de Janeiro bouncy ball.
• 32:25
  SPEAKER_10: Filter.
• 32:26
  SPEAKER_10: I love these matty oaks, don't you?
• 32:28
  SPEAKER_10: Do everything, feel nothing, wristband, theme park, scratch card lanyard.
• 32:35
  SPEAKER_10: Do everything, feel nothing.
• 32:41
  SPEAKER_10: Do everything, feel nothing.
• 33:17
  SPEAKER_10: One day you're gonna get it.
• 33:32
  SPEAKER_00: Yeah, dry cleaning is the name of that band.
• 33:35
  SPEAKER_00: Next up is Gil Scott Heron, maybe the first rapper ever.
• 34:01
  SPEAKER_05: Living all of your days in the darkness that the sun shine through.
• 34:07
  SPEAKER_05: Ever feel it somehow, somewhere you lost your way.
• 34:13
  SPEAKER_05: And if you don't get a help quick, you won't make it through the day.
• 34:20
  SPEAKER_05: Or could you call on Lady Day?
• 34:23
  SPEAKER_05: Could you call on John Cole Train out of there?
• 34:29
  SPEAKER_05: Your troubles, your troubles, trouble away.
• 34:39
  SPEAKER_05: Plastic people with plastic minds on their way, the plastic homes.
• 34:46
  SPEAKER_05: No beginning, there ain't no ending, just on and on and on and on and on.
• 34:51
  SPEAKER_05: It's all because they so afraid to say that they are alone Until our hero arrive, rising on his acts alone.
• 35:05
  SPEAKER_05: Or could you call on Lady J?
• 35:08
  SPEAKER_05: Could you call on John Cold Train now?
• 36:16
  SPEAKER_05: Living all of your days in the darkness, let the sun shine through.
• 36:28
  SPEAKER_05: And if you don't get a help quick, you won't make it through the day.
• 36:34
  SPEAKER_05: Or could you call on Lady Day?
• 36:38
  SPEAKER_05: And could you call on John Coltrane now because they're they'll watch your troubles?
• 36:44
  SPEAKER_05: Your troubles, your troubles, your troubles, your troubles, your troubles, your troubles, your troubles, your troubles, your troubles away.
• 36:55
  SPEAKER_05: They watch your troubles away.
• 37:00
  SPEAKER_05: Your troubles, your troubles, your troubles, your troubles away.
• 37:04
  SPEAKER_05: Yeah, they watch your troubles away.
• 40:39
  SPEAKER_00: Next up is a forgotten nineties brick hop band.
• 40:44
  SPEAKER_00: What they call it, they call it Doggy.
• 41:12
  SPEAKER_16: The fuse is burning somewhere, it's triggered.
• 41:16
  SPEAKER_16: It's where I want to be.
• 41:31
  SPEAKER_04: Don't take your heart on the back.
• 41:35
  SPEAKER_04: Don't take out the back.
• 41:38
  SPEAKER_04: It's good enough for you.
• 41:40
  SPEAKER_04: It's good enough for me.
• 41:42
  SPEAKER_04: It's good enough for two.
• 41:45
  SPEAKER_04: It's what I want to sing.
• 41:47
  SPEAKER_04: It's good enough for you.
• 41:49
  SPEAKER_04: It's good enough for me.
• 41:51
  SPEAKER_04: It's good enough for two.
• 41:53
  SPEAKER_04: It's what I want to sing.
• 42:16
  SPEAKER_02: Don't take your eyes wrong.
• 42:32
  SPEAKER_04: Don't take the eyes good enough for you.
• 42:43
  SPEAKER_04: It's good enough for me.
• 42:45
  SPEAKER_04: It's good enough for two.
• 44:00
  SPEAKER_04: Good enough for you.
• 44:02
  SPEAKER_04: It's good enough for me.
• 44:05
  SPEAKER_04: Good for two or two.
• 44:09
  SPEAKER_04: Good enough for you.
• 44:11
  SPEAKER_04: Good enough for me.
• 44:13
  SPEAKER_04: Good enough for two or two.
• 51:19
  SPEAKER_00: Lafayette Afro Rock band.
• 51:22
  SPEAKER_00: Hard driving pole band.
• 51:27
  SPEAKER_00: Yes.
• 51:28
  SPEAKER_00: Next up is Layla King.
• 51:55
  SPEAKER_12: Right in Ryan.
• 51:58
  SPEAKER_12: Waiting time.
• 51:58
  SPEAKER_12: Then I'm on the stage and gradually value age.
• 52:02
  SPEAKER_12: Psychological forward.
• 52:06
  SPEAKER_12: Ain't that with what ain't that with magic?
• 52:11
  SPEAKER_12: When I grab the microphone, you better move your body.
• 52:13
  SPEAKER_12: Oh boy, to the house and white you got me like on the MIT.
• 52:17
  SPEAKER_12: Come on, go with me to the place to be.
• 52:47
  SPEAKER_12: I shake the foundation story.
• 52:49
  SPEAKER_12: It's a legal wet fresh for eight and nine.
• 53:03
  SPEAKER_12: I'm coming out of the room.
• 53:06
  SPEAKER_12: And right.
• 53:07
  SPEAKER_12: And the light is wet.
• 53:12
  SPEAKER_12: You know what I mean?
• 53:13
  SPEAKER_12: Oh, the MIT, come on, go with me to the place to be.
• 54:32
  SPEAKER_12: Ain't down.
• 54:34
  SPEAKER_12: Oh, the MIT, come on, come with me to the place to be.
• 54:37
  SPEAKER_12: Got to get and get gain and again.
• 54:39
  SPEAKER_12: And I get the guy to get a meaning thing.
• 54:41
  SPEAKER_12: Got to get and get again and again.
• 54:43
  SPEAKER_12: I ain't what I hate and I'm free in my game.
• 54:46
  SPEAKER_12: Got the game and get gain and again.
• 54:47
  SPEAKER_12: And I get the guy to get a meaning thing.
• 54:50
  SPEAKER_12: Got the game and get gain and again.
• 55:02
  SPEAKER_00: Layla King.
• 55:04
  SPEAKER_00: Yes, that's not me.
• 55:06
  SPEAKER_00: And that, ladies and gentlemen, that's nearly it for this week's The Drift with your host Andreas Online.
• 55:16
  SPEAKER_00: Yes, but as always, we're gonna finish off in style, in tuxedo style.
• 55:23
  SPEAKER_00: Ladies and gentlemen, this is Rose.
• 55:58
  SPEAKER_04: Oh man, I feel so down.
• 56:01
  SPEAKER_04: I went to my own.
• 56:03
  SPEAKER_04: What I feel I'm down, so I turn down, I'll never get no more.
• 56:12
  SPEAKER_04: I was for sure.
• 56:14
  SPEAKER_04: I walk in a door.
• 56:17
  unknown: What I've been in down, but just now 50 minutes now.
• 56:21
  SPEAKER_04: I've been I feel so down, and I don't know why.
• 56:26
  SPEAKER_04: I keep walking all mouth.
• 56:29
  SPEAKER_04: Oh, they don't understand.
• 56:42
  SPEAKER_04: All time we're gonna understand Oh, we're gonna so now we let go.