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Bonus Episode: Your Top 3 Disgraceland Episodes and Eazy-Motherflippin'-E · DISGRACELAND

• 0:01
  Speaker 1: Hey, discos, need a little more Disgraceland in your life,
• 0:05
  Speaker 1: just to touch to get you through. Yeah, me too.
• 0:08
  Speaker 1: This is the podcast that comes after the podcast.
• 0:11
  Speaker 2: Welcome to Disgraceland the after Party.
• 0:28
  Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we'd
• 0:32
  Speaker 1: like to call the after party. This is the show
• 0:34
  Speaker 1: after the show, the party after the party, the bridge
• 0:37
  Speaker 1: to get you from one full episode of Disgraceland to
• 0:40
  Speaker 1: the other, the backyard to dig into the dirt. On
• 0:44
  Speaker 1: this episode, we are talking about easy E, Tina Turner,
• 0:50
  Speaker 1: a couple seconds on, the utter collapse of the Boston Celtics,
• 0:53
  Speaker 1: and of course your voicemails, text, dms and more and
• 0:56
  Speaker 1: as always, a whole lot of rosy. All right, discs,
• 1:00
  Speaker 1: let's get into it. Yes, yes, Yes, Welcome to the
• 1:14
  Speaker 1: Disgrace Slam Bonus episode after Party Hula Balo Extravaganza. Let's
• 1:19
  Speaker 1: talk about easy Mother, flipping E, a dead man's drug stash,
• 1:23
  Speaker 1: a kill list, and a musical effort that changed the game.
• 1:26
  Speaker 1: We get into all this in the latest episode of
• 1:28
  Speaker 1: disgracelamb But what I want to talk to you about
• 1:31
  Speaker 1: now is how easy E is unlike any artist in
• 1:34
  Speaker 1: music history. You might be saying, what how, and I
• 1:37
  Speaker 1: might be saying to you in response, Well, it's tough
• 1:39
  Speaker 1: to answer. I don't really know. But all I can
• 1:41
  Speaker 1: tell you is that if you were there when easy
• 1:43
  Speaker 1: E happened, then you knew, okay, when NWA happened, and
• 1:47
  Speaker 1: that happened, I mean when Straight out of Compton made
• 1:50
  Speaker 1: it past the West Coast and was mass distributed to
• 1:53
  Speaker 1: the suburbs. Okay, when it got to us when that happened,
• 1:56
  Speaker 1: which was roughly nineteen eighty nine. I know the record
• 1:59
  Speaker 1: was released and that's sent Straight out of Compton came.
• 2:01
  Speaker 1: But when that record hit white kids like me in
• 2:05
  Speaker 1: the suburbs, in other words, when all us dumbasses got them,
• 2:08
  Speaker 1: after all the cool kids did, and all the kids
• 2:10
  Speaker 1: in the city and all the kids who were you know,
• 2:12
  Speaker 1: already aware of hip hop and were older. The reaction
• 2:15
  Speaker 1: that we had, okay, at the time the quote unquote masses,
• 2:20
  Speaker 1: although that's an over generalization, but the reaction we had,
• 2:24
  Speaker 1: it's impossible to explain. And the explicit nature of the
• 2:30
  Speaker 1: lyrics and more specifically, the explicit nature of the storytelling, Okay,
• 2:35
  Speaker 1: the stories of gang life and well everyday life in Compton.
• 2:40
  Speaker 1: The stories that Easy told on that record, and that
• 2:44
  Speaker 1: is his group members, fellow group members, I don't want
• 2:48
  Speaker 1: to say bandmates, the other guys in NWA told. You
• 2:52
  Speaker 1: know the reaction we had to what we heard, it
• 2:56
  Speaker 1: cannot be overstated. What we heard was literally unlike anything
• 2:59
  Speaker 1: that we'd heard before four and Easy was at the
• 3:01
  Speaker 1: center of those of those stories and at the center
• 3:04
  Speaker 1: of that storytelling his voice the story it sounded. It
• 3:08
  Speaker 1: was the most interesting of the voices in NWA, and
• 3:11
  Speaker 1: his voice was the most authentic. He sounded different, he
• 3:14
  Speaker 1: sounded more believable, and he looked the part. He looked dangerous.
• 3:18
  Speaker 1: He not only looked like he'd steal your girlfriend, he
• 3:20
  Speaker 1: looked like he beat you down or worse if you
• 3:22
  Speaker 1: got upset about it. And that's because, like I said,
• 3:25
  Speaker 1: Easy was authentic. Of all the members of NWA, Easy
• 3:29
  Speaker 1: was the only legit, street, credible hustler, the only guy
• 3:32
  Speaker 1: who lived the life that they were rapping about on records,
• 3:35
  Speaker 1: who really truly lived it. Now, they oh, they were
• 3:37
  Speaker 1: all from South Central, Okay, they're all around the life
• 3:41
  Speaker 1: that they were talking about. But my point is that
• 3:43
  Speaker 1: Easy was the only one who actually lived it, and
• 3:48
  Speaker 1: there was something about the fact that he had his
• 3:50
  Speaker 1: own solo record as well. Of all the members in
• 3:54
  Speaker 1: NWA at the time, Easy he had so much to
• 3:56
  Speaker 1: say that not only was he featured on every track
• 3:58
  Speaker 1: as straight out of Comptent, but he had a own
• 4:00
  Speaker 1: solo album as well where he doubled down on the
• 4:02
  Speaker 1: stories from his life. And it had to be from
• 4:04
  Speaker 1: our point of view because he was so real. He
• 4:07
  Speaker 1: was he was the most real. He looked fucking weird,
• 4:10
  Speaker 1: he was short and stature, but he was huge on
• 4:13
  Speaker 1: the mic. He was. He was this image that ice
• 4:17
  Speaker 1: Cube at the time was not that Doctor Dre at
• 4:19
  Speaker 1: the time, was not Yella. All those guys, they could
• 4:23
  Speaker 1: not match up to Easy E. When he picked up
• 4:25
  Speaker 1: a Verse, it was different. You knew it. It felt different, okay.
• 4:30
  Speaker 1: And again the explicit nature of what he was talking
• 4:33
  Speaker 1: about was by far, in a way, some of the
• 4:36
  Speaker 1: most explicit material we'd ever heard in music. Okay. Uh,
• 4:43
  Speaker 1: you know, Easy he wasn't a musician, he wasn't an artist.
• 4:48
  Speaker 1: He was quite literally a product of the streets and
• 4:51
  Speaker 1: so was NWA. But it was only because of Easy
• 4:56
  Speaker 1: In the latest episode of Disgracing, we talk about why
• 4:58
  Speaker 1: this isn't just how easy E took the bi of
• 5:00
  Speaker 1: the streets, the money he made from the streets, drug
• 5:03
  Speaker 1: money that he fell into, and turned that into an iconic,
• 5:05
  Speaker 1: culture shifting career in music that spawned not only his
• 5:08
  Speaker 1: solo career but also NWA. Like I said, the older
• 5:12
  Speaker 1: I get, the more I believe that pop stars right
• 5:14
  Speaker 1: famous music, super famous musicians, pop stars, that they're not
• 5:18
  Speaker 1: just musicians. They're sometimes magicians. Okay. The trick they trick us,
• 5:23
  Speaker 1: and their greatest trick is making us believe in them
• 5:27
  Speaker 1: and making us believe in their authenticity. Okay, it's a
• 5:31
  Speaker 1: fucking trick. Okay. They are not who they say they are.
• 5:36
  Speaker 1: They are at one point, but then they quickly grow
• 5:39
  Speaker 1: into something else, and we can't fault them for that.
• 5:41
  Speaker 1: I'm not doing that. I'm not passing judgment. I'm just
• 5:43
  Speaker 1: saying it is what it is. Bob Dylan is an enigma.
• 5:46
  Speaker 1: But Bob Dylan is an enigma by design, by his
• 5:49
  Speaker 1: own design, and smartly by his design. Kurt Cobain, he
• 5:54
  Speaker 1: made us all think that he could care less about
• 5:56
  Speaker 1: being famous, that it was all a burden to him,
• 5:58
  Speaker 1: and he just wanted to make little grunge cassettes while
• 6:00
  Speaker 1: he pumped Gas and Aberdeen or whatever. But there are
• 6:03
  Speaker 1: so many stories of him wrangling his publicist, wrangling his
• 6:05
  Speaker 1: management about how you know, about how he wasn't receiving
• 6:10
  Speaker 1: enough press, how he wasn't getting the push that he
• 6:12
  Speaker 1: needed from his record label. Okay, does that sound like
• 6:14
  Speaker 1: a guy who could care less about being famous? I
• 6:18
  Speaker 1: could go on and on. There are countless examples of
• 6:20
  Speaker 1: artists like this phoning in their authenticity or at the
• 6:22
  Speaker 1: very least contradicting it. It don't even get me started
• 6:25
  Speaker 1: on ice Cube, who I love, by the way, and
• 6:27
  Speaker 1: who is probably my favorite member of NWA. And you know,
• 6:31
  Speaker 1: I'm sure Easye has his I know he does. He
• 6:34
  Speaker 1: has his share of contradictions as well. But in nineteen
• 6:36
  Speaker 1: eighty eight nineteen eighty nine, when Easy burst onto the
• 6:38
  Speaker 1: scene with NWA, he was authentic as fuck, as authentic
• 6:43
  Speaker 1: and compelling an artist as I'd ever seen. I was fifteen,
• 6:46
  Speaker 1: I think ish somewhere around there, and all of a sudden,
• 6:49
  Speaker 1: ACDC was a joke, Megadeth, Megadeth were more like Mega frauds.
• 6:53
  Speaker 1: I'd go on to meet Erosmith later that year. As
• 6:55
  Speaker 1: a little kid and even then I could smell the
• 6:57
  Speaker 1: bullshit backstage at the Boston Garden. Forget about what was
• 7:00
  Speaker 1: on the charts in nineteen eighty nine, Warrant, Debbie Gibson,
• 7:03
  Speaker 1: Millie Vanelli, need I say anything else? EASYE was an
• 7:06
  Speaker 1: authentic bullet searing through a sea of imitation pop cheese,
• 7:11
  Speaker 1: and he had a massive impact, okay impact, an impact
• 7:16
  Speaker 1: on suburban kids like me all over, who just hyper
• 7:21
  Speaker 1: focused our interest in hip hop music. And beyond that,
• 7:25
  Speaker 1: I mean, it's no wonder than in nineteen eighty nine.
• 7:27
  Speaker 1: That's the year I discovered hardcore music, sick of it all,
• 7:30
  Speaker 1: wrecking cruise, slapshot, breakdown, raw deal. After easy the fake
• 7:33
  Speaker 1: shit just wasn't going to do it for me. It
• 7:35
  Speaker 1: was go hard and go real or go home. Of course,
• 7:38
  Speaker 1: of course, of course, a lot of time has passed
• 7:41
  Speaker 1: since then. I've lightened up over the years. I can
• 7:44
  Speaker 1: appreciate the context around all artists, and frankly, nowadays, I
• 7:48
  Speaker 1: don't care if an artist wakes up in a better
• 7:49
  Speaker 1: money and hitches a ride on the bullshit express to
• 7:51
  Speaker 1: a recording studio of the song itself that he records
• 7:53
  Speaker 1: at that studio moves me in any way, I'm in Okay,
• 7:56
  Speaker 1: and I'm talking to you the weekend. I'm talking to you,
• 7:58
  Speaker 1: Miley Cyrus, I'm talking to you Taylor's I'm in. But
• 8:00
  Speaker 1: when you're fifteen, When you're fifteen, you don't have that perspective.
• 8:05
  Speaker 1: I didn't, at least. I just wanted it raw. I
• 8:08
  Speaker 1: just wanted it real and easy E. I didn't even
• 8:10
  Speaker 1: know I wanted it that way, but easy did, and
• 8:13
  Speaker 1: he gave it to me like no one else did.
• 8:15
  Speaker 1: And I know this was one hundred percent subjective. One
• 8:18
  Speaker 1: man's easy is another man's Bobby Brown, and that's their
• 8:21
  Speaker 1: prerogative to see what I did there that was cheesy,
• 8:23
  Speaker 1: but whatever, allow me that it was too easy. What
• 8:26
  Speaker 1: artists moved you when you were fifteen, right right? Which ones?
• 8:30
  Speaker 1: Which ones compelled you, Which ones blew you away? Which
• 8:32
  Speaker 1: ones drove you in another direction, completely down a rabbit
• 8:35
  Speaker 1: hole you didn't even know was there. Which artists were
• 8:37
  Speaker 1: you obsessed with as a fifteen year old? Was easy E?
• 8:40
  Speaker 1: Part of that obsession was Nwa? Part of that obsession
• 8:43
  Speaker 1: were there? Are other artists from the world of hip
• 8:45
  Speaker 1: hop that drove you deeper into hip hop, deeper into
• 8:48
  Speaker 1: more authentic music. Six one seven nine zero six six
• 8:51
  Speaker 1: six three eight. Let's get into it. Let me know,
• 8:53
  Speaker 1: hit me up, let me know, send me a voicemail,
• 8:56
  Speaker 1: drop me a tex six one seven nine zero six
• 8:58
  Speaker 1: six six three eight. Back in the flash, all right,
• 9:15
  Speaker 1: six one seven nine, there were six six six three eight.
• 9:18
  Speaker 1: You know the drill, call me to leave me a voicemail,
• 9:20
  Speaker 1: to talk disgraceland easy or whatever you get on your mind.
• 9:23
  Speaker 1: Six one seven nins there are six six six three eight.
• 9:25
  Speaker 1: Leave me a text, though you can do that as well.
• 9:27
  Speaker 1: You can, like I said, leave a voicemail. Dig the
• 9:30
  Speaker 1: sounds of your voices, get at me, you know the number.
• 9:33
  Speaker 1: Let's check out this voicemail from Laura in the nine
• 9:37
  Speaker 1: to one four.
• 9:39
  Speaker 3: Hey Jake, it's Laura from the nine to one four.
• 9:42
  Speaker 3: Thanks so much for playing that Tina Turner episode, you know,
• 9:46
  Speaker 3: upon her passing. It was so good to hear her story,
• 9:50
  Speaker 3: and I really wish her story to be told without Ike,
• 9:54
  Speaker 3: but you know, she's a survivor and you really can't
• 9:57
  Speaker 3: ignore that part of her story, so thanks for playing it.
• 10:01
  Speaker 3: She's an amazing woman, incredible music, Love the show.
• 10:06
  Speaker 1: Bye Laura, Thanks to the voicemail, and yes, you are correct,
• 10:11
  Speaker 1: we should have a solo episode on Tina Turner, a
• 10:13
  Speaker 1: story that deals only with Tina, not just one of
• 10:16
  Speaker 1: the deals with Ike and Tina. We of course re
• 10:19
  Speaker 1: released this like Can Tina episode from back in the
• 10:21
  Speaker 1: day because the Tina Turner is passing last week, and frankly,
• 10:25
  Speaker 1: it's the only episode on Tina Turner we have. I
• 10:28
  Speaker 1: do have her on the list though for her own
• 10:30
  Speaker 1: episode it's been uh kicked down the can and I
• 10:35
  Speaker 1: should bring it up further in the queue. You know,
• 10:39
  Speaker 1: Tina Turner, it's hard to it's hard to overestimate her
• 10:46
  Speaker 1: importance and her power in her stardom both in pop
• 10:52
  Speaker 1: culture and her just abilities as a performer, not to
• 10:56
  Speaker 1: mention the resiliency and everything she had over calm and
• 11:00
  Speaker 1: deal with It's an incredible story, you know, it's it's
• 11:04
  Speaker 1: I've known the story of my whole life. That movie
• 11:08
  Speaker 1: What's Love Got to do with It? What was called?
• 11:10
  Speaker 1: I think it was? What was called great movie? Does
• 11:13
  Speaker 1: the story justice? I, as a storyteller, will be challenged
• 11:18
  Speaker 1: to figure out a way to tell her a story
• 11:20
  Speaker 1: in a different way that is compelling and works for
• 11:24
  Speaker 1: the medium of podcasting. I'm excited to get into it.
• 11:26
  Speaker 1: I love Tina Turner. I was sad to hear that
• 11:28
  Speaker 1: she was gone. At the same time, when these artists
• 11:31
  Speaker 1: pass and they're they're in their eighties, or they're in
• 11:35
  Speaker 1: their nineties, god willing, or even older, it is important
• 11:39
  Speaker 1: to remember. You know, Tina Turner had a remarkable life.
• 11:43
  Speaker 1: She really really did, and through all of the trials
• 11:48
  Speaker 1: and tribulations there seemed to be this this irrepressible spirit
• 11:52
  Speaker 1: in her and this positivity and this massive energy and smile.
• 12:00
  Speaker 1: Well that went along with that. Just huge, huge, huge talent.
• 12:05
  Speaker 1: So Tina Turner, You're so right, Laura. At some point
• 12:09
  Speaker 1: we'll get you that solo Tina episode. All right, let's
• 12:13
  Speaker 1: check out this voicemail from Brady in the eight oh five.
• 12:17
  Speaker 4: Hey, Jake, this is Brady from eight oh five Long Poke, California.
• 12:23
  Speaker 3: Been listening to your show for since.
• 12:25
  Speaker 4: The very beginning. I love it, look forward to every episode,
• 12:29
  Speaker 4: learn so much about music from it. I have some
• 12:33
  Speaker 4: leads here and some things you might want to check
• 12:36
  Speaker 4: out or listen to.
• 12:38
  Speaker 3: I have.
• 12:40
  Speaker 4: Seven, actually, so the first one is Gil Scott Heron.
• 12:43
  Speaker 4: You might already know about him. Some people say like
• 12:46
  Speaker 4: a godfather, of hip hop. Then we have the Last Poets,
• 12:51
  Speaker 4: a very controversial and then we have Me Scratch Perry,
• 12:58
  Speaker 4: Doug Wizard from Jamaica, amazing stories in his life. And
• 13:03
  Speaker 4: we have Fela Kuti from Nigeria in insane activist and
• 13:08
  Speaker 4: great musician and bended approbeat. And we have doctor John
• 13:14
  Speaker 4: definitely good stories about that cat, Professor long Hair going
• 13:18
  Speaker 4: back to New Orleans, ancient history in New Orleans. And
• 13:22
  Speaker 4: then Tom Waits, our living legend, mutant Tom Waits. Anyway,
• 13:28
  Speaker 4: love your show, keep doing what you're doing. I look
• 13:31
  Speaker 4: forward to hearing this message.
• 13:33
  Speaker 1: Maybe bye bye, all right, Brady? Of course, yeah, of
• 13:37
  Speaker 1: course I know Gil Scott heroin late Heroin, Gil Scott Heron.
• 13:41
  Speaker 1: Excuse me, I was about to say Lady Day and
• 13:44
  Speaker 1: John Coltrane and therefore the Freudian heroin slip. I guess
• 13:50
  Speaker 1: last Poets I need to check out, and Lee Scratch
• 13:53
  Speaker 1: Perry and Falakuti and doctor John and Professor long Hair
• 13:56
  Speaker 1: is disgrace lands subjects. I love all of that. Not
• 13:59
  Speaker 1: sure what the true crimes are there for doctor John
• 14:01
  Speaker 1: and Professor long Hair, but call back man, call back, Brady,
• 14:05
  Speaker 1: let me know, all right. And just so those of
• 14:08
  Speaker 1: you know the Lady Dame John Coltrane thing. I was
• 14:10
  Speaker 1: about to mention, that's a Gil Scott Heron song. I'm
• 14:12
  Speaker 1: sure a lot of you know that. But for those
• 14:14
  Speaker 1: who don't check that out, check that song out, go
• 14:17
  Speaker 1: to Spotify. Now I'm blanking. I'm blanking on the name
• 14:21
  Speaker 1: of the album that is on. I own it. It's great,
• 14:24
  Speaker 1: the whole record's good, but that's the song for me.
• 14:27
  Speaker 1: My dad was in a band years ago when I
• 14:30
  Speaker 1: was in high school and he was in the band
• 14:32
  Speaker 1: with these guys from It wasn't even a I don't
• 14:35
  Speaker 1: even think they played live. It was like one of
• 14:37
  Speaker 1: those things he was doing on the side, as he
• 14:39
  Speaker 1: was a a live performer at musician playing all the time.
• 14:44
  Speaker 1: He had this band with his high school buddies or
• 14:46
  Speaker 1: guys from back home or whatever, and all they did
• 14:49
  Speaker 1: was like obscure soul stuff Gil Scott Heron O V right,
• 14:56
  Speaker 1: I think some blue stuff to Bobby Blue Bland And
• 14:59
  Speaker 1: there was a I used to go see him rehearse
• 15:01
  Speaker 1: with my dad out in Wilsta the Plantation Club. They
• 15:04
  Speaker 1: somehow got it set so they could rehearse at the
• 15:07
  Speaker 1: club and off hours. I'm not sure how they pulled
• 15:09
  Speaker 1: that off. But I would go out there and he
• 15:12
  Speaker 1: had this cassette that that had all the tracks on it.
• 15:14
  Speaker 1: They would do that. They would do all the soul songs,
• 15:16
  Speaker 1: and Gil Scott Heron was part of that repertoire. And
• 15:21
  Speaker 1: that's how I got turned on him as a young kid.
• 15:23
  Speaker 1: Very lucky for that, my dad's influence. I'm very grateful
• 15:26
  Speaker 1: for it. Great musician in his own right, but just
• 15:29
  Speaker 1: great fucking taste as well, and an incredible record collection.
• 15:32
  Speaker 1: All right, I'm digressing. Let's do another voicemail here, this
• 15:35
  Speaker 1: one from Eric in the nine to four to one.
• 15:38
  Speaker 3: Hey, Jacob Derek from the nine four to one, do
• 15:41
  Speaker 3: you want to talk about parents that really did the
• 15:43
  Speaker 3: number to their kids.
• 15:45
  Speaker 4: Check out Bud Colcil from the Cowcils, the sixties family band.
• 15:51
  Speaker 4: He took a twenty million dollar fortune and ran.
• 15:55
  Speaker 3: It into the ground.
• 15:57
  Speaker 4: I have a great one.
• 15:58
  Speaker 1: Well, the show A great suggestion, man. I know a
• 16:01
  Speaker 1: tiny little bit about this, but uh, I never would
• 16:04
  Speaker 1: have got here on my own without you sending this
• 16:06
  Speaker 1: This message in Eric is responding to our question from
• 16:09
  Speaker 1: last week's episode. In light of the Justin Bieber disgrace
• 16:12
  Speaker 1: Land full episode that we did on Awful Stage Parents
• 16:15
  Speaker 1: and Bud Cowsil. I guess that's his name. That's who
• 16:17
  Speaker 1: Eric's mentioning. That's the dad of the cow Sils family band.
• 16:20
  Speaker 1: I will check that out. Eric, You're not the first
• 16:24
  Speaker 1: to recommend the cow Sils is a disgraceland subject, by
• 16:26
  Speaker 1: the way, so I'm eager to look into that. All right,
• 16:31
  Speaker 1: There's there's some good voicemails there. Appreciate that, guy six
• 16:34
  Speaker 1: one seven nine zero six six six three eight. Leave
• 16:37
  Speaker 1: your voicemails, your music related messages. That's the number hit me.
• 16:42
  Speaker 1: We also do text. Let's get into some text right now,
• 16:46
  Speaker 1: all right. From the two four eight sends in this message,
• 16:49
  Speaker 1: it's a link to the Tampa Bay dot com news site,
• 16:53
  Speaker 1: and it's an article about Taylor Swifts old man finding
• 16:58
  Speaker 1: a burglar in the four million dollar Saint Petersburg Saint
• 17:03
  Speaker 1: Pete's in Florida penthouse. Texter from the two four eight says,
• 17:07
  Speaker 1: along with the link, this was three years ago. Even
• 17:09
  Speaker 1: her dad had a stalker. I live here. It was
• 17:11
  Speaker 1: all over the news at the time in your episode.
• 17:13
  Speaker 1: Reminded me of it. The two four eight is actually
• 17:16
  Speaker 1: obviously talking about referencing the Taylor Swift episode that we
• 17:20
  Speaker 1: did and re released in the feed a little while back.
• 17:23
  Speaker 1: You can check that out. I was also just in Westerlee,
• 17:27
  Speaker 1: Rhode Island, staying at a resort which was right pretty
• 17:31
  Speaker 1: much right next door to Taylor Swiss house, so I
• 17:34
  Speaker 1: think that's what prompted that message there from the four
• 17:38
  Speaker 1: one two Sorry from the two four eight. Let's do
• 17:40
  Speaker 1: another text here from the two five. Oh hey, Jake
• 17:42
  Speaker 1: Maddy from BC Canada, British Columbia, Assuming absolutely love the podcast,
• 17:47
  Speaker 1: both Disgraceland and bad Lands. My top three Disgraceland episodes
• 17:51
  Speaker 1: number three Beach Boys, number two a CDC number one,
• 17:54
  Speaker 1: Bruce Springsteen. That's interesting. That's fucking interesting, man. I think
• 17:59
  Speaker 1: I'm with you there with Springsteen and ACDC. I cannot
• 18:05
  Speaker 1: argue with the Beach Boys either, although that's a two parter,
• 18:07
  Speaker 1: so you're kind of cheating there. Two five ozho we
• 18:10
  Speaker 1: called out for top three Disgraceland episodes of all time.
• 18:14
  Speaker 1: You're kind of sneaking in a fourth there, but I'll
• 18:16
  Speaker 1: take it. I'll take it. What are your what you guys,
• 18:18
  Speaker 1: what are your top three disgrace Line episode six one,
• 18:21
  Speaker 1: seven nine, zero, six, six, six, three eight let me
• 18:23
  Speaker 1: know all right, same topic. New text from the three
• 18:27
  Speaker 1: eight five, Hey Jake, My top three Disgrace Sland episodes
• 18:30
  Speaker 1: in no particular order, Jim Marrison, Rolling Stones and Altamont
• 18:34
  Speaker 1: in part two of Kurt and Courtney Rock rolla from Dylan.
• 18:37
  Speaker 1: Those are some good ones, man. I left my fucking
• 18:39
  Speaker 1: heart on the keypad when I wrote that Kurt and
• 18:42
  Speaker 1: k Courtney episode there and the Morrison one was a
• 18:45
  Speaker 1: lot of fun. Not going to spoil that one for anyone.
• 18:48
  Speaker 1: And Altamont. Altamont was good. Felt like I turned a
• 18:51
  Speaker 1: corner there. Not exactly how. I don't know how. I
• 18:54
  Speaker 1: can't put my finger on it, but something clicked with
• 18:57
  Speaker 1: that episode. Let's do some more here, all right? From
• 19:01
  Speaker 1: the seven seven four. This guy says, ah or this girl.
• 19:04
  Speaker 1: I don't know who's writing this, but they say. I
• 19:07
  Speaker 1: agree with the voicemail from the three one seven. Man
• 19:10
  Speaker 1: from Fairmount, Indiana who wanted a Marssey or Smith's episode.
• 19:15
  Speaker 1: You've covered everything except our Johnny Marr or Marssey in
• 19:18
  Speaker 1: the Smiths goes on to say we are the same age,
• 19:21
  Speaker 1: same town. But instead of plugging your green tea bust
• 19:24
  Speaker 1: out some six one seven five A wait, love and
• 19:27
  Speaker 1: bliss of the mar and bliss of Marssey The Smith's
• 19:30
  Speaker 1: in the Town. If you're not down to represent, I'll
• 19:33
  Speaker 1: still listen with slight slight disdain. I don't know represent
• 19:37
  Speaker 1: what man Marssey the Smith's in the town. I'm not
• 19:39
  Speaker 1: sure how those are related, but I guess because I'm
• 19:42
  Speaker 1: from Boston. The town. I'm legit dying from all the
• 19:45
  Speaker 1: green pollen forcing itself upon us. He's right or she's right.
• 19:48
  Speaker 1: The fucking pollen is brutal right now, So I pray
• 19:51
  Speaker 1: I'll hear episodes from you. From aforementioned topics, also anything
• 19:55
  Speaker 1: else six one seven five, O wait eighty five, seven nine,
• 19:57
  Speaker 1: seven eight, seven eight one and seven seven four. This
• 19:59
  Speaker 1: person is a mass hole. That's a wrap Dana, currently
• 20:03
  Speaker 1: from the Cape. Previously from southe Out Dana. Still don't
• 20:08
  Speaker 1: know if it's a boy or girl. All right, Thanks
• 20:10
  Speaker 1: for the text, Dana for the seven seven four, I'll
• 20:12
  Speaker 1: get on. I can't promise Marrissey episode anytime soon, but
• 20:17
  Speaker 1: perhaps I don't know. I love Marrissey, I love the
• 20:20
  Speaker 1: Smiths all right. From the six one six The sound
• 20:23
  Speaker 1: design on the George Harrison episode was outstanding. Thumbs up. Why,
• 20:26
  Speaker 1: thank you, Thank you very much. All props to the
• 20:30
  Speaker 1: team at Double Elvis for the sound design there, Matt Boden,
• 20:33
  Speaker 1: Ryan Spraker, Sean Kahlen, Matt ta Hainey, the gang killing
• 20:38
  Speaker 1: it all right. Another text here from the three six
• 20:41
  Speaker 1: one says, okay, listening to the after party, and you
• 20:43
  Speaker 1: gave props to Taylor Swift. Had to share this. My
• 20:45
  Speaker 1: daughter is the one with the green base. They played
• 20:47
  Speaker 1: shake it off in their little spring showcase this morning.
• 20:50
  Speaker 1: Actually not bad for six and seven year olds. And
• 20:53
  Speaker 1: then she sends in some picks of her of her
• 20:56
  Speaker 1: kid there. Pretty cool. Also, uh, her daughter is pictured
• 21:01
  Speaker 1: outside a statue of Selena, so a couple disgrace and
• 21:05
  Speaker 1: references there. Pretty cool all right. From the five h nine,
• 21:09
  Speaker 1: Hello Jess here from Washington State, longtime listener helps break
• 21:13
  Speaker 1: up the mountain drive to a damn that I work
• 21:15
  Speaker 1: at where Tom Petty and Kevin Costner starred in The Postman.
• 21:20
  Speaker 1: Tom Petty was in The Postman. I don't know was
• 21:24
  Speaker 1: he I can't say that he wasn't, which there is
• 21:28
  Speaker 1: a small town rumor here when Tom Petty was filming
• 21:30
  Speaker 1: Stevie Nicks was here at one point to visit. All right,
• 21:34
  Speaker 1: I'm not going to get into the rumors here, but
• 21:37
  Speaker 1: thank you for the text. Also, I'm not entirely sure
• 21:39
  Speaker 1: Tom Petty was in the Postman. Am I wrong? Let
• 21:41
  Speaker 1: me know? You definitely think that he was, but I've
• 21:44
  Speaker 1: never heard that before. Hey Jake, this is from the
• 21:48
  Speaker 1: seven two four, Hey Jake, listened to your after party episode,
• 21:51
  Speaker 1: and you asked about bad music parents, especially pop stars.
• 21:55
  Speaker 1: When Amy Winehouse's parents count, that's a good one. That's
• 21:58
  Speaker 1: a good one. Man. This person goes on there then
• 22:02
  Speaker 1: say some stuff about Amy Winos's dad that I'm not
• 22:04
  Speaker 1: going to repeat, and then says talking about female stars,
• 22:07
  Speaker 1: would you consider doing an episode of the Cranberries? I would, actually,
• 22:11
  Speaker 1: but that's sad, but I would still consider it. I
• 22:13
  Speaker 1: don't stray from I'm not afraid of sad. I actually am,
• 22:16
  Speaker 1: but I dive in every now and then. Then, speaking of opinions,
• 22:19
  Speaker 1: in my opinion, top three episodes of Disgraceland have to
• 22:21
  Speaker 1: be number one, Taylor Swift, number two, Michael Aleg number three,
• 22:25
  Speaker 1: the John Denver episode peace Out, Hope, Life is Good
• 22:28
  Speaker 1: and Later Days. You got it, man, thank you. All right,
• 22:31
  Speaker 1: we'll do one more here from the two four oh
• 22:33
  Speaker 1: Jake Top three episode of Disgraceland said vicious first episode
• 22:36
  Speaker 1: I listened to, and one of my favorites in the
• 22:38
  Speaker 1: book always the slash Gallagher of others. Have you watched
• 22:40
  Speaker 1: the brit Pop episode This is Pop on Netflix? No?
• 22:43
  Speaker 1: I have not. Number three Paul McCartney. Maybe I'm basic,
• 22:45
  Speaker 1: but I like Paul's prison story. I like it too,
• 22:47
  Speaker 1: And I don't think Paul's prison story is basic. I've
• 22:49
  Speaker 1: never heard anyone cover Paul's prison story. Not like that anyways,
• 22:53
  Speaker 1: So not basic. Ps. I was screaming Britney Spears' parents
• 22:56
  Speaker 1: until you said it. All right, guys, six one seven
• 22:59
  Speaker 1: nine oh six six six three eight. That's how you
• 23:01
  Speaker 1: text me. It's how you leave me a voicemail. You
• 23:04
  Speaker 1: know this already. You're already voicemailing me and texting me.
• 23:07
  Speaker 1: Is voicemailing a word? I don't think it is. I'm
• 23:09
  Speaker 1: making it up. People make shit up all the time nowadays,
• 23:11
  Speaker 1: they make words up. Anyways, voicemailing sounds good. Let's do it.
• 23:14
  Speaker 1: It'll probably be in a book in a couple of years.
• 23:16
  Speaker 1: Voicemail me, text me, six one seven nine oh six
• 23:19
  Speaker 1: six six three eight DM me at Disgrace Slam pod
• 23:24
  Speaker 1: on Instagram, Twitter, Facebook, and TikTok. I'm not going to
• 23:27
  Speaker 1: open the DM machine right now. I got too much
• 23:29
  Speaker 1: to do. I just read a shit ton of text
• 23:31
  Speaker 1: and uh, frankly, I can't get distracted by social media
• 23:34
  Speaker 1: right at this moment. But I'm gonna get into it tonight.
• 23:36
  Speaker 1: I gotta get on there. I gotta talk about it easy.
• 23:37
  Speaker 1: I'm gonna go do all that. I'll respond to some
• 23:39
  Speaker 1: DMSN and I'll get back at it next week. I'll
• 23:41
  Speaker 1: do a full DM set here all right. In the meantime,
• 23:44
  Speaker 1: I'm gonna take a little break. I'm gonna drink some
• 23:46
  Speaker 1: more tea big lot again, not sponsored by big Olot,
• 23:50
  Speaker 1: not at all, not sponsored by any T company and
• 23:53
  Speaker 1: T as you can hear, and as you have heard
• 23:57
  Speaker 1: over the past, I don't know how many scores of
• 24:00
  Speaker 1: bonus episodes, drinking tea is integral to the production of
• 24:04
  Speaker 1: this show. So with that said, you know, hey, I
• 24:09
  Speaker 1: don't I don't like to turn I don't like to
• 24:11
  Speaker 1: turn people down. I'm just saying, mister and missus Bigelow
• 24:15
  Speaker 1: or really any good tea company out there. We'll just
• 24:17
  Speaker 1: hold on one second. Any tea company out there, We
• 24:27
  Speaker 1: drink tea. Here, I drink tea. And like I said,
• 24:29
  Speaker 1: integral to the production of the Show'm gona take a
• 24:30
  Speaker 1: quick break. I'll be right back. All right, I'm back
• 24:48
  Speaker 1: back in the booth. So this, this, this, I gotta
• 24:54
  Speaker 1: get that energy. I gotta find that energy. It's the
• 24:56
  Speaker 1: end of the day here. It's five point thirty eight
• 24:57
  Speaker 1: pm at the recording of this. It's been a long day.
• 25:01
  Speaker 1: It was recording on a Tuesday. Usually do these on
• 25:04
  Speaker 1: a Monday, but I had Monday off, like everyone at
• 25:06
  Speaker 1: Double Elvis for Memorial Day. Had a little bit of
• 25:10
  Speaker 1: a ripper at the house with my family this past weekend.
• 25:14
  Speaker 1: Had about thirty people over. It's a lot of fun.
• 25:17
  Speaker 1: Hung out, played a bunch of pickleball, cook some stuff
• 25:21
  Speaker 1: on the grill, smoked some cigars, drank some good bourbon.
• 25:26
  Speaker 1: It was fun. It was really fun. But I was
• 25:28
  Speaker 1: paying for it yesterday, man, paying for it. I can't
• 25:30
  Speaker 1: drink anymore, cannot do it. Older, I get can't do it.
• 25:35
  Speaker 1: But anyways, a little late to the game today, A
• 25:37
  Speaker 1: little backed up here on Tuesday, trying to get this
• 25:40
  Speaker 1: stuff done. I got to bring the energy. All right,
• 25:42
  Speaker 1: This is the recommendations part. This is the recommendations part,
• 25:45
  Speaker 1: the part where we recommend the things that need recommending,
• 25:47
  Speaker 1: the recommendations part. All Right, what I'm reading, what I'm
• 25:49
  Speaker 1: listening to, and what music content I'm watching. For the
• 25:53
  Speaker 1: what I'm watching segment, we're talking strictly music content here. Now,
• 25:57
  Speaker 1: that's what that's, you know, other than the TV in
• 25:59
  Speaker 1: the film wreck. That's all over in the wrap party now, okay,
• 26:02
  Speaker 1: that's in the bad Lands bonus episode and the bad
• 26:04
  Speaker 1: Lands feed And yeah, like I said, I get into
• 26:06
  Speaker 1: what I'm reading here and what I'm listening to as well.
• 26:09
  Speaker 1: So first what I'm listening to, Well, let me tell
• 26:10
  Speaker 1: you today, gorgeous day here in the Northeast, beautiful, beautiful,
• 26:14
  Speaker 1: perfect day. I'm outside this morning. I'm writing out in
• 26:18
  Speaker 1: my backyard, the sun shining. The birds are chirping. They're
• 26:24
  Speaker 1: not chirping too much though, you know, it's like normal chirp,
• 26:28
  Speaker 1: normal chirp level. Okay, nothing to remark about. And I
• 26:34
  Speaker 1: get a little music set up outside, right, So when
• 26:36
  Speaker 1: I write, I like to listen to instrumental music, sometimes jazz,
• 26:40
  Speaker 1: mainly John Coltrane. Right, so I put on Blue Train. Okay,
• 26:45
  Speaker 1: the album Blue Train by John Coltrane. I got that
• 26:48
  Speaker 1: going outside. I'm putting together my notes for this episode,
• 26:52
  Speaker 1: and what starts to happen. Coltrane's blowing. The birds start
• 26:59
  Speaker 1: freaking the fuck out. I'm not exaggerating. They're losing it,
• 27:05
  Speaker 1: like honestly, like responding to the Coltrane music that I'm playing,
• 27:10
  Speaker 1: and I'm freaking out. Not I mean, that's freaky enough, right,
• 27:13
  Speaker 1: it's notable enough, but it's made more freaky because if
• 27:18
  Speaker 1: you have listened to our Miles Davis episodes of Disgraceland,
• 27:23
  Speaker 1: I do this whole bit about how Miles learned how
• 27:27
  Speaker 1: to blow trumpet as a kid. He would take his
• 27:30
  Speaker 1: horn into the woods and he would mimic the sounds
• 27:38
  Speaker 1: that the birds were making. And I thought that was
• 27:41
  Speaker 1: fascinating and I was really excited to put that piece together,
• 27:45
  Speaker 1: and Matt Boden did a great job scoring it, and
• 27:49
  Speaker 1: it was just one of those things, like, you know,
• 27:51
  Speaker 1: it's a really cool anecdote. It's something you could tell
• 27:54
  Speaker 1: at a dinner party. It's very interesting, and we were
• 27:57
  Speaker 1: able to bring it to life with music. And then
• 27:59
  Speaker 1: here I am playing John Coltrane, who of course collaborated
• 28:03
  Speaker 1: it was in Miles Davis's band for a while. Uh,
• 28:06
  Speaker 1: and the birds start freaking out, and I'm like, is
• 28:09
  Speaker 1: this fucking real? Is this happening? So I switched from
• 28:12
  Speaker 1: John Coltrane's Blue Train to the Birth of Cool by
• 28:16
  Speaker 1: Miles Davis. Right. I didn't want to put anything in weird.
• 28:20
  Speaker 1: I didn't want to put on anything weird, okay, just something,
• 28:23
  Speaker 1: you know, kind of down the middle for Miles anyways,
• 28:26
  Speaker 1: And I put on the Birth of Cool, expecting the
• 28:28
  Speaker 1: birds to like be like, hey, it's Miles are we
• 28:31
  Speaker 1: don't Miles you know what I mean, and freak out
• 28:32
  Speaker 1: or whatever, just like they did with Coltrane. And it
• 28:35
  Speaker 1: was almost crickets. They didn't do shit. They just quieted down,
• 28:39
  Speaker 1: they didn't do anything nothing. I put Blue Train back
• 28:43
  Speaker 1: on and they start dancing, They start singing again, they
• 28:46
  Speaker 1: start chirping again. Fucking weird, Nature's weird. I don't know,
• 28:50
  Speaker 1: I don't even know what I'm talking about, but anyways,
• 28:52
  Speaker 1: that's what I was listening to. It was listening to
• 28:53
  Speaker 1: Blue Train and the Birth of Cool this morning. So
• 28:55
  Speaker 1: if you're interested, two great jazz records. All right, what
• 28:58
  Speaker 1: I'm reading Dale or I'm fascinated with this guy. Those
• 29:03
  Speaker 1: of you who know NASCAR know who Dale Earnhart was.
• 29:05
  Speaker 1: Those of you who don't know Nascar, Dale Earnhart is
• 29:08
  Speaker 1: an incredible character in the history of not only American sport,
• 29:11
  Speaker 1: but just America. This guy was one of a kind,
• 29:14
  Speaker 1: and I found myself compelled to continuously read about him.
• 29:18
  Speaker 1: I've read in numerous books at this point, watch numerous
• 29:21
  Speaker 1: documentaries on him, and I'm reading this sort of commemorative
• 29:24
  Speaker 1: I guess is the word Sports Illustrated issue where it's
• 29:27
  Speaker 1: the issue. It's a tribute issue from when he died,
• 29:29
  Speaker 1: and it's just fascinating and it's sort of like his
• 29:32
  Speaker 1: arc throughout the history of NASCAR as a driver also
• 29:36
  Speaker 1: kind of tracks these multiple phases of the sport that
• 29:39
  Speaker 1: I find fascinating. So that's what I'm reading. Okay, it
• 29:41
  Speaker 1: doesn't have any new music, but hey, I got a
• 29:44
  Speaker 1: break here. I'm not researching anything at the moment for
• 29:46
  Speaker 1: podcast episodes, so I'm checking that out. If you're into
• 29:49
  Speaker 1: that thing, go for it. Okay, what I'm watching, all right,
• 29:53
  Speaker 1: this is now. As I said at the top of
• 29:56
  Speaker 1: this segment, the TV and film RECs are in the
• 30:02
  Speaker 1: bad Lands bonus episode called The Rap Party in the
• 30:04
  Speaker 1: bad Lands feed from now on. Okay, but here's where
• 30:06
  Speaker 1: I'm talking about music content that I'm watching right which
• 30:11
  Speaker 1: I'm gonna kind of bend that rule a little bit
• 30:14
  Speaker 1: right now, because i gotta talk about this and it's
• 30:16
  Speaker 1: not music, but I'm I'm going to contextualize it with music. Okay,
• 30:20
  Speaker 1: all right? The who? The Who's Keith Moon, Rims, Bill Berry,
• 30:25
  Speaker 1: Mark Sandman from Morphine, the drummer from Megadeth, Nick Menza.
• 30:29
  Speaker 1: What do all these musicians have in common? Okay, you
• 30:33
  Speaker 1: know you know what it is. They all fucking collapsed
• 30:35
  Speaker 1: on stage, all right. Morphine's Mark Samman from a heart
• 30:39
  Speaker 1: attack and he died on stage. Meg Megadeth's Nick Menza
• 30:42
  Speaker 1: had a heart attack on stage as well, and he
• 30:44
  Speaker 1: was dead on arrival at the hospital. Keith Moon was
• 30:46
  Speaker 1: wasted on PCP. Bill Bill Barry had a brain aneurysm,
• 30:50
  Speaker 1: and both of them survived Moon for a little bit anyways,
• 30:54
  Speaker 1: But you know who didn't survive. You know who collapsed
• 30:57
  Speaker 1: in epic fashion, the Boss in Celtics. Okay, Okay, I
• 31:03
  Speaker 1: mentioned this. I'm gonna I'm gonna restrain myself. I mentioned
• 31:06
  Speaker 1: this because the Boston Celtics are the fucking clown show.
• 31:10
  Speaker 1: I thought they were. Okay, they are the clown show
• 31:12
  Speaker 1: I've been watching for the last week or so with
• 31:15
  Speaker 1: the rest of America. It brings me no pleasure to
• 31:19
  Speaker 1: say this. Okay, all my family and our party the
• 31:22
  Speaker 1: other day, they're all giving me shit because the Celtics
• 31:24
  Speaker 1: came back from three to zero. They're all like, oh,
• 31:26
  Speaker 1: you want to take that bag u? How's being a
• 31:28
  Speaker 1: Heat fan going for all that? Right? Right? Right? I
• 31:31
  Speaker 1: wish I was wrong, not really, because in all in
• 31:34
  Speaker 1: all honesty, I was rooting for the Heat pretty hard.
• 31:38
  Speaker 1: Not just because I came out in the last episode
• 31:41
  Speaker 1: of The After Party and had that ridiculous angry Celtics rant,
• 31:47
  Speaker 1: but just these guys are what we fucking know they are, Okay,
• 31:51
  Speaker 1: They have no heart and they are as characters in
• 31:55
  Speaker 1: a story, they are not the types of characters that
• 31:58
  Speaker 1: you root for, okay. And it's plain as day to me.
• 32:03
  Speaker 1: And it's been going on for years now. This isn't like, uh,
• 32:06
  Speaker 1: just something that's come upon us in the last last
• 32:09
  Speaker 1: couple months, in the last couple months and weeks. It's
• 32:11
  Speaker 1: become it's become too obvious for me anyways to ignore.
• 32:16
  Speaker 1: All Right, the Boston Celtics right now are like the
• 32:20
  Speaker 1: sex Pistols, the Replacements and chet Baker rolled into one,
• 32:23
  Speaker 1: which is to say, wasted talent, but worse because I'm
• 32:27
  Speaker 1: like the sex Pistols, the Replacements in chet Baker, the Celtics,
• 32:31
  Speaker 1: like I said, they have no fucking heart. Okay, and
• 32:34
  Speaker 1: again this brings me no joy. All Right, I want
• 32:38
  Speaker 1: to root for all things Boston I do, but I'm
• 32:41
  Speaker 1: allowed one non New England team. I don't know what
• 32:45
  Speaker 1: the rules are. If I'm breaking, I know I'm fucking breaking.
• 32:47
  Speaker 1: I don't care. Fuck fuck these guys. I can't. I
• 32:51
  Speaker 1: fucking cannot. Like David Mammott says, characters are who they are,
• 32:57
  Speaker 1: they end up fulfilling the destiny that they are demonstrating
• 33:02
  Speaker 1: over time with each step in their progression. And these
• 33:05
  Speaker 1: Celtics keep doing the same dumb shit over and over
• 33:09
  Speaker 1: again and play with no heart. Okay, did you watch Succession?
• 33:12
  Speaker 1: I'm not gonna get into it. I'll get into it
• 33:14
  Speaker 1: in the wrap party, Tam, but did you watch Succession?
• 33:16
  Speaker 1: The ending? The ending was fucking perfect. Why because the
• 33:20
  Speaker 1: characters all did with the characters what we knew the
• 33:24
  Speaker 1: characters were going to do. They were who they were,
• 33:26
  Speaker 1: and the Celtics were who they were, which is to say, politely,
• 33:30
  Speaker 1: not winners. Okay, Jimmy Butler is a winner. He in
• 33:34
  Speaker 1: six all right, biggest flameouts in music, greatest on tap
• 33:38
  Speaker 1: potential or biggest bunch of losers. I don't care. It's
• 33:41
  Speaker 1: your call. Six one seven nine zero six six six
• 33:43
  Speaker 1: three eight. Let me know what you think, America, your recommendations.
• 33:46
  Speaker 1: That's what I got. I'm going to take a quick break,
• 33:48
  Speaker 1: come right back after this. All right, let's recap, shall we.
• 34:14
  Speaker 1: Number one, Easy E is the latest episode of Disgraceland
• 34:17
  Speaker 1: and it's in your feeds right now. Number two, we
• 34:20
  Speaker 1: just released our previously exclusive episode on George Harrison, so
• 34:23
  Speaker 1: dig on that if you will. Number three, we've got
• 34:25
  Speaker 1: a special treat for you grads in the feed on Monday,
• 34:28
  Speaker 1: and just you fans of I don't know, rock and
• 34:30
  Speaker 1: roll lore or whatever. This is coming up on the
• 34:32
  Speaker 1: next Monday on the schedule, along with a special relative
• 34:35
  Speaker 1: interview with Chris Shifflet from The Foo Fighters that I
• 34:39
  Speaker 1: did over the last couple of days at Boston Calling.
• 34:42
  Speaker 1: That's coming up in next week's after Party. All right.
• 34:44
  Speaker 1: Number four Jeff Buckley is the next full episode of
• 34:47
  Speaker 1: disgrace Land. That's coming next week as well. Kerrie Fisher.
• 34:49
  Speaker 1: This week in bad Lands my number six one seven
• 34:52
  Speaker 1: nine oh six six six three eight, Call me on
• 34:54
  Speaker 1: the telephone, or go ahead and text me okay. In
• 34:56
  Speaker 1: honor of the irrapressible Miami Heat me reading you the
• 35:00
  Speaker 1: phone book from nineteen fifty eight, and none other than
• 35:03
  Speaker 1: Miami Grace Richard two sixteen, Catalonia ave cg h I
• 35:10
  Speaker 1: eight Dash seven four four nine Green Norman five seven
• 35:15
  Speaker 1: zero six Bird Row Mo five dash one zero three
• 35:19
  Speaker 1: one Gross Gilbert Congress Boulevard one dash eight five eight seven,
• 35:25
  Speaker 1: Gustafson Gordon nine one nine South Miami Ave nine dash
• 35:31
  Speaker 1: two six eight three Gudenmacher David seventeen fifty nine, Southwest
• 35:36
  Speaker 1: Third Avenue four dash zero seven seven one Hartman four
• 35:41
  Speaker 1: dash eight four seven nine, Hassencamp three dash six five
• 35:45
  Speaker 1: nine two heck In Hassencamp three dash six five nine
• 35:49
  Speaker 1: two Hemmings Arthur one DuPont Boulevard seven Dash three five
• 35:55
  Speaker 1: five three Henrix Earl DuPont Boulevard three, Dash zero seven
• 36:00
  Speaker 1: one six Harris Irving and American Bouvard nine, Dash three
• 36:05
  Speaker 1: six three one nine Dash two six eighty three. Good,
• 36:10
  Speaker 1: David wit talking and start mixing.
• 36:14
  Speaker 4: Good