Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Fat Man: The NIghtmare Murder (EP0787)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:33is your host, Adam Braham. If you have a comment, email it
- 0:36to me Box thirteen at Great Detectives, not Net, follow us on Twitter
- 0:41at Radio Detectives, and call us to await nine nine, one, four,
- 0:46seven eight three. Well. Today's episode is brought to you by the
- 0:50financial support of our listeners. Thank you so much for your support. Unfortunately
- 0:55we don't have any nineteen fifty episodes of The Fat Man, but here's the
- 1:00first of two nineteen fifty one episodes. This is the second to last show.
- 1:04This one's called The Nightmare Murder from January seventeenth, nineteen fifty one.
- 1:11There comes about Fat Man in the ninth Smare Murder Darring Jay Scott smart Very
- 1:26goes he's stepping on the stool. Wait two hundred and thirty seven pounds fortune
- 1:36danger. Who is the fat Man? It takes a good man to make
- 1:56a first class so old fashion. You have to muddle this sugar bitters and
- 2:00water properly, then toss in the ice and whitkey, and then carefully twist
- 2:06the lemon peel on top. Mike, anything else, it's simply a matter
- 2:09of following the recipe. But here's another illustration. You'd take a liberal jigger
- 2:15of motives and a slice of opportunity in a dash of means, and then
- 2:21pile a dozen or moral fashions on top of this. You're quite likely to
- 2:25end up with a real gruesome hangover murder. Mike. Any solid, normal
- 2:45routine job. This one began in my office. It was just after lunch.
- 2:49My feet were on the desk. I was munching of peppermint and prop
- 2:53the latest edition just south of the bows that marked the last resting place of
- 2:57a break of breaded pork shop. When the phone rang, Runyan speaking the
- 3:06detective. That's the debatable point. But I like to think, so,
- 3:09who's this. My name's George Jus. You've heard of me? Oh,
- 3:14you mean the author. That's a debatable point too. I write mystery stories.
- 3:19Yes, I know about private eyes who get hit on the head.
- 3:23Look, I've never had any need for a private eye. I don't even
- 3:24know what one looks like. I never even saw a pistol or against or
- 3:29a corpse the last night, the corpse that is, Wait, just wait
- 3:32a minute, let's take this in secret. Are you hiring me? Maybe
- 3:38how much? Fifteen expenses? That's a lot. But I need you pretty
- 3:43badly. What's the trouble? I killed a girl last night. I want
- 3:49you to prove it. I say that again and slower. You better come
- 3:53down here right away. Where are you? Melville Hospital Alcoholic Wards the closest
- 4:03I've never been to the Alcoholic Ward of Melville. Greeting the last weekend.
- 4:09After I convinced them I wasn't prospective clients, they gave me some of the
- 4:13dope on George Dutton there as something was his writer's imagination and picked up an
- 4:18Italian collaborator during the period in question, namely a batch of martinis running.
- 4:26Yeah, what can I do for you? George? Sit down on the
- 4:30bed, don't take it in my head. I know what you mean and
- 4:38better Yeah, no, Look, you're gonna think I'm crazy like the rest
- 4:45of them. But I'm not paying you for an opinion. Here. It's
- 4:48two days worth one hundred bucks. Thanks now for this. I'm supposed to
- 4:54hang a murder rapp on you or did I hear it right over the phone?
- 4:58You did? At least i'll know, Runion if it happened. If
- 5:02I killed her. At least I'll know I'm not crazy. Anything better than
- 5:05that kind of doubts runnion anything I'm taking easy to tell me, mayn huh
- 5:12yeah yeah yeah, I know, calm, collected, lucid, logical,
- 5:17right, yeah, yeah, Okay. I've been working all right to see,
- 5:28trying to meet my publisher's deadline on the novel. I got tired last
- 5:31night around seven and went to bed, dead, wrung out, gone.
- 5:35You know well this, I'm sure somewhere around ten or eleven o'clock, I
- 5:42gotta put on my clothes and went out for a walk around the block.
- 5:46I just turned the corner when it happened. I've seen the car lot in
- 5:49my neighborhood. Black vee are convertible. I've seen the girl in a too
- 5:55stunning girl, blonde eyes like sapphires, figured like, well, yeah,
- 6:00I know what you mean. So what so she so, she pulled up
- 6:06to the curb and asked me to get in. Oh come, well,
- 6:10am I so horrible? She did it? That's all? Kay? Who
- 6:14was he? I don't know. I don't know anything about it. She
- 6:19handed me a bottle, and that's how it started. It's like number one
- 6:24it's so right. So anyway, we drove around for a while and I
- 6:30listen to her talking. Pretty soon the bottle was gone, so she pulled
- 6:33out another one, and pretty soon that one was gone. To what's she
- 6:36talking about? Deah, yeah, yeah, I see, perfectly normal.
- 6:44At the time, she was fascinated by death, wrote poems about it,
- 6:48she said, quoted from them all the time. Anyway, things got pretty
- 6:54fuzzy about that. I don't remember much. People voices, lights, one
- 7:00thing, they'll run you one thing. There was a big red rooster about
- 7:06ten feet high. Oh naturally, it wouldn't be an evening with that one.
- 7:12What was it? Wait a minute, wait a minute? A sign?
- 7:15Run you a knee on sign? I remember it blinking at me while
- 7:20she stopped by the trash can. What trash can? How do I know
- 7:24what trash can? A trash can? There was the red rooster and the
- 7:30trash can, and she stopped and took something out of her person, dropped
- 7:34it in. And there were more lights and more people and more riding in
- 7:41the car, and then pretty soon we were alone. She was pouring drinks
- 7:45for the two of us. Where was this I don't know, think it
- 7:47got me She handed me a glass see raised hers for its host, for
- 7:57death, she said, And so she had a gun in her hand,
- 8:01pointing it at her head. I grabbed it, got a hold of it,
- 8:03but it went off. Great last thing I remember with her lying on
- 8:07the floor and the floor was rushing up at me. Well that's it.
- 8:13What do you mean that's it? What happened after that? Nothing? When
- 8:16I opened my eyes, I was in my own bed, in my own
- 8:20apartment with my closed right bride left them at seven the night before. A
- 8:26night man swears I wasn't out of my room all night. Nobody believed me.
- 8:28Listen, I dreamed it. I had a couple more drinks, found
- 8:33it, found a cop on the beat and told him too, That's how
- 8:37I got here. They all think I'm crazy. Well maybe I am.
- 8:43Maybe I am, But go on find out for me running get on it?
- 8:50Will you get on it? No? I got on it. Bert.
- 8:58There was a janitor George's apartment in place, mister Runyon. I've been
- 9:01nice mon gear for twelve years. I know George Dutton as long as he
- 9:05lives here. He couldn't leave this Disney last night without me sin and I
- 9:09didn't see him, you can take my award? Is not? Then there
- 9:18was a bartender George had mentioned. Look, all I know is he'd come
- 9:22in at an indecent hour this morning, screaming for the hair of the dog
- 9:26that bid him, just like all the other times. Yeah, especially the
- 9:30last time. What happened last time? Oh, the same thing a couple
- 9:33of years ago. Only that night he got out of bed and trapped Adolf
- 9:37Hitler in the information booth at Grand Central. The cop would haul him over
- 9:46to Melville, says the same thing, Mike Wine's a couple of news boys.
- 9:50Verdict unanimous. George was a last and a lunator, and I was
- 9:56inclined to go along with him on the the area that a special convertible complete
- 10:01with blonde is something even in New York. Or will stop and look at
- 10:03I quised the service stations around Georgie's department. Out sure enough, upcomes a
- 10:09guy who greased its gold plate at Schaff only a month before. The record
- 10:13showed it belonged to Olivia Brant Star at a park avenue addressed it went with
- 10:18the cars. All I parted over. Some kind of a soiree was going
- 10:22on in a huge living room wall. The butler looked at me, raised
- 10:26his eyebrows one at a time, and finally decided I wouldn't run off at
- 10:31the silver plate, and hustled me into the library, which seemed to have
- 10:35another occupant as a spirit with yellow eyes fleeming. Will I to that cut?
- 10:43Come again? When you say that? Smile? What is it?
- 10:50Louder translation? By the way, I'm feeling clemon Vidia's potus. Who you
- 10:56one about the stove type of stickats? Oh? I'm not sure what that
- 11:00means, but I don't think so. My name is brad Running. Oh
- 11:05where is Lydia by the way up somewhere you're looking for? Yeah, but
- 11:09you're just in time. She and a for childs are going abroad, you
- 11:11know, stailing tonight? Oh, uncle child, Lydia's guardian keeper to the
- 11:18key to the Bradshaw ex checker. That sounds important. Oh and the chips
- 11:24huh. Oh No, he just has a pair of scissors to put the
- 11:26coupons for Lydia, which incidentally is a full time job. And that concludes
- 11:31my dissertation on the Bradshaws. A morbid subject at this let's talk about sure
- 11:41after we talk about a quick way I can get a hold Uncle childs,
- 11:43I beg your pond. This splend is Uncle Charles, pretty quick? How
- 11:50are you doing with spreadshow? Ah? It's the running, isn't it is?
- 11:54And now is your excuse me? Strange though? Now, mister running,
- 12:00I've come on a peculiar air. And mister thanks gunn, why do
- 12:03you expect your niece Lydia that? Oh that's too by. I wonder if
- 12:09she'd consider making a short visit to Melville Hospital Melville Heaven's blood face A client
- 12:16of mine takes he killed her last night? No, just a minute,
- 12:18What kind of nonsense is this? I know it sounds crazy, but it
- 12:22isn't nonsense. His name is George Dutton and he's in the alcoholic board.
- 12:28He fell off the wagon last night. Been hard. He has seen your
- 12:31knees riding around him her convertible. She impressed him, so instead of the
- 12:37usual pink elephants, he had some hallucination about taking a ride with her last
- 12:41night and killing her. We can't talk him out of it. That's fantastic.
- 12:46What do you want me to do about it? Well, just stopped
- 12:48by the hospital convincing he's wrong, that's all. But don't you understand we
- 12:52are sailing to Europe at midnight. Now, look, this will only take
- 12:56her ten minutes. It may mean the man's sanity well, otherwise he's liable
- 12:58to be onney on of the police in the newspaper. Well, I'll ask
- 13:03Lydia to drop die good and thanks. I'll be running along then. Sorry
- 13:07to cob you, mister Branshaw, Well, what's the verdict? Runner?
- 13:22You think I'm nuts? Not too? Huh, George, listen, listen
- 13:26the holy Isha. This doesn't mean you're nuts. Could happened up? Shut
- 13:31up? What was her name? Lydia Branshaw Bradshaw. Yeah, and she's
- 13:35coming over here to see you. Now listen, Runyon. You're working for
- 13:37me. See you're not working for them. You're waiting minute. George,
- 13:41do you listen to me. I'm telling you this happened. I was there.
- 13:46I wasn't in bad dreaming it the same is dead. Do you understand
- 13:50that I won't shut up. I'm telling you kids, you'll go off your
- 13:54rockers. Look Ark. Wait, Look, George, there's no use arguing.
- 14:00And I talked to her uncle. The girl's coming. I don't convince
- 14:03you wanted She's not coming here. Because she's dead. She's dead. I
- 14:09held her with the two arms. I heard the gun. I founded a
- 14:15lift in my art and my arm. No, no, I'm sorry,
- 14:28I haven't an I'm Lidia Bradshaw. Well what about a Jordan? You you're
- 14:41all right? What do you mean, mister dark? Last night, last
- 14:48night we were together. Don't you remember? Oh no, sorry, don't
- 14:52I don't remember ever seen you before? Go away, go away, Come
- 14:58on the poor man, what he said? Now, go on out to
- 15:05hit it out. Thanks very much, miss Fraction. Yeah, good night.
- 15:20Well, George, is that the girl? Yeah, that's the girl.
- 15:33So that kind of up. I refunded him fifty bucks to the hundred
- 15:37again. He recommended the good Ski and Christ and took off. It was
- 15:41after my dinner time, so I walked toward the East fifties and little Italian
- 15:45restaurant that makes wonderful asignan. Suddenly I found myself looking across the street at
- 15:50a bar on the opposite corner with a blazing red rooster and then lights.
- 15:58Of course, he could have dreamed this too in his heyday, probably knew
- 16:02every pub in town. But the business of the trash can opposite of the
- 16:06ansense which was night where I said it was was pretty accurate dreaming, even
- 16:11for a professional dreamer like George. For this reason, I decided to sacrifice
- 16:15my dignity. I sidled up to the trash can and began throbbing around.
- 16:22It was there a slim volume and black Morocco were gold lettering on the cover,
- 16:29reading Skyward Poems and Praise of Death by Lydia Bradstone. I kicked myself
- 16:38for refunding that fifty bucks. I stood for a minute the glove of the
- 17:00red roofs sign and thumbed through the book a poem. Then I went into
- 17:03the bar. Yes, so what do you make it a bear any special
- 17:08kind? Well? How about a tall, cool glass of McCoy's tale ale
- 17:14That sounds like a commercial. It is either sign up there, don't let
- 17:17them pull your brother, reach for the real McCoy. Okay, I'm sold
- 17:21wrong right? I clocked my real McCoy and skimmed through Lydia's Owed to the
- 17:30Dark Angel, tossing a Morocco bound book into a trash can. It seemed
- 17:33a strange thing for a girl to do until you read the poetry, whereupon
- 17:37it became clearly the only thing that was awful. I gave up trying to
- 17:42read it and concentrated on the funestade, which, as with all privately printed
- 17:48works, was a picture of the author. Looking at it now, it
- 17:52seemed to me as if I'd seen Lydia Branshaw somewhere before, somewhere before she
- 17:57walked into George's room at the High at all. But I couldn't put my
- 18:02finger on it. How about another real McCoy? No, no, wait
- 18:06a minute, don't go away. Yeah, were you here last night?
- 18:08For sure? Why here? Take a look at this picture? You ever
- 18:12seen any whish names Lydia Branchyaw? Was she in here last night? I
- 18:19don't know, maybe, but I don't remember seeing it. She came in
- 18:25if you have to did a bunch. I wouldn't remember anyway, I've been
- 18:27here four deep at the bar. Oh, excuse me, I got it?
- 18:34When you mean you don't know Lydia. I didn't say that, Miss
- 18:38Cameron. Why I mean? I didn't say I don't know. I only
- 18:42said I wouldn't remember if she was in here joined rush hour last night?
- 18:45Then excuse me. I got a customer waiting customer, my foot A liar,
- 18:52I Hope. Please don't think I'm drogging your footsteps, mister Doignon.
- 18:56How do you happen to come? Man? Always? Do you say he
- 18:57knows your cousin? She owns the place? Tell me did you steal that
- 19:04book from the library? Oh no, I picked it out of the trash
- 19:08can outside. What? Yeah? What is the only one she has left?
- 19:15She died before she throwed away? How about afterwards? What do you
- 19:18mean just skip it? Hear? Look at this inscription on the finalis Greg,
- 19:22Someday I'll find you. What do you mean by that? Greg Stanhope?
- 19:29She used to think she was in love with him. Maybe she was,
- 19:30I don't know, But Uncle Charles decided it was wrong and broke it
- 19:34up. A fatal mistake, I might ask, my fatal They found Greg
- 19:40the next day with a champagne glass in one hand and a gun in the
- 19:44other. He shot himself. Hello, George, Yeah, this is running?
- 19:59What do to waste your time on? Me? For running? And
- 20:00I'm Nutch? You know out, George? Take it easy. Answer me
- 20:04a couple of questions. Do you know anybody named Stanhope? Yeah? No,
- 20:11I never heard of. How did you happen to say Greg? I
- 20:15don't know, just popped into my head, Greg stanhope it goes together somehow.
- 20:21Wait a minute, Wait a minute, Wait a minute, I do
- 20:23know. Yeah she was. She was talking about him last night. That's
- 20:29who she toasted when she raised her glass just before. Okay, okay,
- 20:33Now one more question, George. Did anyone see you leave the building last
- 20:36night? Was sure? The janitor? Anyone else? No? Well,
- 20:41look, supposing it went like you said, suppose someone picked you off the
- 20:45floor to brash your apartment and brought you home. Is there anyone who know
- 20:48exactly where to hang your clothes and straighten out the rest of your apartment besides
- 20:52you? Sure the janitor would, but he already he's got a couple of
- 20:56sidelines. George, as a writer, this may come is the disappointment to
- 21:00you, but you aren't nuts wastened misster. Runyan, get your foot out
- 21:15of my door before I get easy. Now I'm coming in. I already
- 21:19told you all I know about George that I'm inclined to doubt As to downtown,
- 21:25you've had a hard day pushing a roman ranking in cash and what I
- 21:29could call up. There's a law against breaking into guys apartment there's also a
- 21:32law against criminal conspiracy. I said, I give it you this su do
- 21:36know all of it. Don't call me no criminal conspiracy, because I'm done
- 21:40it. There's no criminal See how much did Charles Bradshaw pay you to tell
- 21:42me George wasn't out of his apartment last night? I don't know nothing,
- 21:45I tell you, and I'll get out of here. Now. You come
- 21:48clean. First, you saw George coming and going. You helped Bradshaw put
- 21:52him to bed last night? No, I didn't, honest, I didn't.
- 21:55You better level with me, buster before I'm knook go near me.
- 22:07Someone had fired through the window and nailed the jenner to before I could make
- 22:11him park. I rushed over, opened the window and hit the bank alley
- 22:14in half a minute flat, but it was too late. A car roared
- 22:17off half a block away, and that was that. I walked back to
- 22:22where the killer must have stood, trying to make sense out of nonsense.
- 22:25I'd run into my share of murders, but this was the first time in
- 22:27my book that someone committed one to cover up another one someone else had confessed
- 22:33to. Now if that sounds confusing, it's only because it was a party
- 22:37was going on three floors up. It was nice to know someone was having
- 22:41a good time because I wasn't. I leaned back against the wall and up
- 22:45my head. I had to be an answer someone, and it was lucky
- 22:49I'd leaned back where I would have been brained. A bottle whistled down three
- 22:55floors and glanced off my shoulder and bounced into some soft rubbish in the allies.
- 23:00I picked it up, looked at the label, and suddenly it hit
- 23:03me. It was an answer from out of the bloom. Don't let them
- 23:07pull you, brother, it said breach for the real McCoy. I found
- 23:12the phone and called the hospital, left instruction for George. Then I held
- 23:15a cabin rushed over to Lydia Bradshaw's department. Uh what time is it,
- 23:22missus Bradshaw? Yaw, mister Levin, I told mister Lanyon, Uncle Charles
- 23:29is extremely busy taking care of the baggage and won't have time to talk to
- 23:32you before. Yeah, sure, sure, I know. How come we
- 23:34forgot that conk over there? Miss Bradshaw having a tough time with that name?
- 23:42What about that counts full of the first editions for the vault. While
- 23:47we're gone, let's see where was? Will you stop reading that stupid book?
- 23:52Stupid listen to this. Let's tide the cosmic threshold. I gave it
- 23:57back to the old, from your lighted realm once more, then resolute to
- 24:03turn my face the new way towards the wild, unlighted shore. Three guesses
- 24:10now Byron Keiths or Nick Kenny. I don't know, and I don't care.
- 24:17You ought to know, baby, you wrote it? What do you
- 24:18mean, mister Vanian Bombs and Prayers of Death by Lydia Bradshaw. Uh?
- 24:26This mean a name thing to you? Beer bottle, isn't it? Yeah?
- 24:30Someone almost brained me with it tonight, McCoy's pale ale. Don't let
- 24:36him fool your brother, reach for the real mccau still don't remember? Should
- 24:41I? Yeah? It took me a while, but I did. I
- 24:45wondered why you look familiar to me? Yeah? You two girls, two
- 24:49pictures. One of these girls is Lydia Bradshaw Park Avenue debutante and the other
- 24:56is a professional model. Which one is the real? Mccau? It was
- 25:00an ad in All the magazine three years ago. Pick it off? Which
- 25:04is which? By? No? I presume? Yeah? Why did you
- 25:07play along? With him. Is it any harmony? Well? I can
- 25:11think of about six laws you're breaking, not police, of which is criminal,
- 25:14conspiracy, criminal. What are you just a minute, Lydia, stay
- 25:17where you are. My name is not Lydia. Let's stop the pretense.
- 25:22Gonna make it a doubleheader tonight, Uncle Charles, I'm double what murder?
- 25:27Murder? Murder? I didn't know anything about this, or you said,
- 25:33was she killed herself and you wanted to avoid a scandal about suicide? Was
- 25:37a scandal, all right, But not about suicide, wasn't, Uncle Charles?
- 25:41When Lydia killed herself last night and threw the whole estate into the hands
- 25:44of the executive, opened the books to the accompanance. How much had you
- 25:48would investled, Uncle Charles? A couple of hundred geeves, maybe more than
- 25:52that. Runyon, but you're wrong on technicality. Stop a scandal, not
- 25:56unless it gets out, and it's not going it out. I killed once.
- 26:00They can't do any more to me, but two or three. You
- 26:03can't cover it that way. Branshaw, watch me, Watchhaw. You're just
- 26:11in time. You kill me. No, but he's gonna have quite a
- 26:19headache. The McCoy company puts out a good bottle too, too down.
- 26:26Put her on the sofa, George, when I call headquarters A Bradshaw.
- 26:32No, no, this is the reasonably accurate fac similar we'll find Lydia Bradshaw
- 26:37on that trunk over there. Well, and I did kill her, No,
- 26:40no, you didn't. She committed suicide, but her guard him didn't
- 26:42dare let it be known, or he'd have been discovered asn't embezs there?
- 26:47What do you mean? Skip it for now? I need a drink?
- 26:51How about you know it's all the same to you. I'll take sssparilla.
- 27:30The Fat Man, starring Jay Scott Smart, was directed by Clark Andrews.
- 27:36The script was written by Harold Swanton. Heard on tonight's show were Lyle sud
- 27:41Roll as George Dutton and Gertrude Warner as John Cameron. The music was composed
- 27:47by Mark Winston. Your announcer Don Lowell. Listen next week to another exciting
- 27:53adventure of the Fat Man. G note for murder. This program came to
- 28:06you from New York. Welcome back. Well, this is another one of
- 28:15those plots. If there's a series that m reminds me of all of The
- 28:23Fat Man, or vice versa. I'd say it'd be Barry Craig a lot
- 28:27that. A lot of the mysteries we hear here are ones that I could
- 28:33very easily imagine being told on Barry Craig, and this is kind of towards
- 28:38the top of the list in that regards. Well, now we do turn
- 28:42to listen or comments and feedback. This comment comes from Marline. What you're
- 28:48doing here is so awesome. I've always loved detection TIS shows, but mostly
- 28:52old time radio shows. I listen to them every night. Sherlock Holmes,
- 28:56Sam Spade, neuro Wolf, Johnny Dowler. I just enjoy it so much
- 29:00more than television. I have hundreds of shows on CD that I've now put
- 29:03on iPod. I thought I was crazy. None of my friends listen to
- 29:07them. It's nice to know other people like them too. I almost think
- 29:11that it was watching the Waltons on TV that got me started. They used
- 29:15to all gather around the radio. Thanks for doing what you do. Not
- 29:18sure what how to contribute to this, just but let me know I kind
- 29:22of want to have high school kids bring back radio shows on local stations.
- 29:27I'm a teacher. Arline. Well, thanks so much, Arline for your
- 29:32comments and feedback over at Great Detectors dot neet. We do have a donate
- 29:37link that's on the rights hand sign goes to PayPal and you can donate that
- 29:45way or email me Box thirteen at Great Detectors dott and I'm more than happy
- 29:51to provide a main and adriance for that purpose. I love what you say
- 29:56about bringing a radio back for the with the high school kids. If you
- 30:03do opt to do that, a website I heartily recommend is generic radio dot
- 30:08com. A generic radio has a wide variety of scripts, mostly transcriptions from
- 30:17radio programs people have just sat down and transcribed what they heard. I think,
- 30:22in an ideal world, radio to be able to fully come back.
- 30:27It'd be nice if kids could write their own radio scripts and perform them,
- 30:33but finding the information on radio writing can be a challenge, so I recommend
- 30:41generic radio dot com to get them at least introduced to the concept. So
- 30:45thanks so much for listening, and appreciate you and all of our listeners out
- 30:51there. And that'll actually do it for today. We'll be back tomorrow with
- 30:55let George do It. Join us on next Tuesday for the last ELP so
- 31:00to the Fat Man and on Sunday for the Fat Man Movie. In the
- 31:03meanwhile, send your commons to Box thirteen at Great Detectives dot net, follow
- 31:07us on Twitter at Radio Detectives, and call us to oh eight nine nine
- 31:11one four seven eight three. From Boise, Idaho, this is your host,
- 31:15Adam Grahamson and off