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Lux Radio Theatre - "Home in Indiana" (Old Time Radio, 1944) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: Sent to live with relatives in rural Indiana, a young
• 0:03
  Speaker 1: boy finds a new purpose in the world of harness racing.
• 0:08
  Speaker 1: On October second, nineteen forty four, CBS brought that story
• 0:13
  Speaker 1: to Lux Radio Theater in Home in Indiana, Episode four
• 0:17
  Speaker 1: hundred and fifty one, adapted from the twentieth Century Fox
• 0:21
  Speaker 1: film released earlier that year and based on George Agnew
• 0:24
  Speaker 1: Chamberlain's novel Phantom Philly, Walter Brennan, Charlotte Greenwood, Gene Crane,
• 0:31
  Speaker 1: and June Haver reprise their film roles as the young
• 0:35
  Speaker 1: newcomer comes to know the horse farm, the racetrack, and
• 0:39
  Speaker 1: the people whose lives are tied to both. Lux presents
• 0:43
  Speaker 1: this hour under the sponsorship of Spry. Here is the
• 0:47
  Speaker 1: original broadcast.
• 0:49
  Speaker 2: Lux presents Hollywood.
• 1:02
  Speaker 3: The Luck Radio Theater brings you Walter Brennan, Charlotte Greenwood,
• 1:06
  Speaker 3: Edward Ryan, Jene Crane, and June Haver in Home in Indiana,
• 1:12
  Speaker 3: Ladies and Gentlemen.
• 1:13
  Speaker 2: Your producer, mister Cecil B.
• 1:15
  Speaker 4: De Mill.
• 1:23
  Speaker 5: Readings from Hollywood Ladies and Gentlemen. In his book America
• 1:26
  Speaker 5: Learns to Play Fast. Ray Dulles has told the history
• 1:30
  Speaker 5: of our country in terms of sport. He points out
• 1:34
  Speaker 5: something I never knew before that the past time which
• 1:36
  Speaker 5: has most intrigued us through the years, and which has
• 1:39
  Speaker 5: most closely paralleled our history and development, is the trotting race.
• 1:44
  Speaker 5: Fast racing, of course, belongs to the ages, but the
• 1:47
  Speaker 5: trotting race belongs to America, and to America alone. And
• 1:52
  Speaker 5: tonight's Lux Radio Theater play Home in Indiana, the twentieth
• 1:56
  Speaker 5: century Fox hit brings you some of the fascination and
• 1:59
  Speaker 5: excitement of the hut Honest Race, a story of love
• 2:02
  Speaker 5: and jealousy, of heart break and triumph against the background
• 2:05
  Speaker 5: of thundering hoofs and swirling dust.
• 2:08
  Speaker 2: And in their original.
• 2:09
  Speaker 5: Screen rolls you'll hear Walter Brennan, Charlotte Greenwood, Jean Crane,
• 2:15
  Speaker 5: and June Haven. When I saw Home in Indiana, it
• 2:18
  Speaker 5: seems so typically American in its background and color and
• 2:22
  Speaker 5: spirit that I was mighty glad that it would go
• 2:24
  Speaker 5: by short ways to our soldiers overseas, for whom the
• 2:28
  Speaker 5: Lux Radio Theater is, I think, a friendly and familiar
• 2:32
  Speaker 5: link with Home.
• 2:34
  Speaker 4: We get a lot of.
• 2:35
  Speaker 5: Mail from our overseas audience and from their parents. One
• 2:39
  Speaker 5: mother forwarded us a letter from her son, a sergeant
• 2:42
  Speaker 5: in New Guinea who tells of doing his own washing
• 2:45
  Speaker 5: in a tub of water heated with a home made
• 2:47
  Speaker 5: blow torch and generously studded with lux flakes. His simple
• 2:53
  Speaker 5: directions are are marvel, we just dumped the daily clothes
• 2:57
  Speaker 5: in and then stir until the water is deady well,
• 3:02
  Speaker 5: blow to our cheating. May be something new in washing clothes,
• 3:05
  Speaker 5: but not lux flakes, even in the South Pacific. And
• 3:08
  Speaker 5: now for our play as the curtain rises, are like
• 3:11
  Speaker 5: one of Home in Indiana, starring Water Brennan as Thunder,
• 3:15
  Speaker 5: Charlotte Greenwood as Penny, Edward Ryan as Spark, Jean Crane
• 3:20
  Speaker 5: as char and June Have as Creekley. If you've ever
• 3:35
  Speaker 5: been to an old passioned corvy fair, you know that
• 3:38
  Speaker 5: the king of the fair is the trotting horse, and
• 3:40
  Speaker 5: the supreme events is harness racing. You know too that
• 3:44
  Speaker 5: the farm hand, with one horse, which he himself has
• 3:46
  Speaker 5: trained and he himself may drive, is every bit the
• 3:49
  Speaker 5: equal of the carry square. For harness racing is the
• 3:52
  Speaker 5: sport of gentlemen rich and poor, competing not just for
• 3:56
  Speaker 5: money and silver cups, but for the sheer love of
• 3:59
  Speaker 5: the tuter hoss and the betterment of the brood and
• 4:02
  Speaker 5: the breed.
• 4:08
  Speaker 4: We got the telegram before we got the boy come
• 4:11
  Speaker 4: from Connecticut. It did from some sheriff up there a.
• 4:15
  Speaker 6: Visitor coming, Penny a boy.
• 4:18
  Speaker 4: Now read it to me what to say?
• 4:21
  Speaker 6: This will introduce your nephew, Spotts Taunton, who was bequeathed
• 4:25
  Speaker 6: to you by your sister, the late Miss Henrietta Boat.
• 4:29
  Speaker 6: As you may know, Miss Henrietta raised the boy since
• 4:32
  Speaker 6: your other sister's death several years ago. In accordance with
• 4:36
  Speaker 6: Miss Henrietta's wishes, we have paid his bus there and
• 4:39
  Speaker 6: therefore assume no further responsibility. He should arrive early Thursday afternoon.
• 4:47
  Speaker 4: Howl's the boy.
• 4:48
  Speaker 6: Thunder don't exactly know. Reckon about sixteen.
• 4:52
  Speaker 4: I'll fix up the spare room Thursday, said.
• 4:54
  Speaker 6: Hunh tomorrow, I'll get into town. Need him.
• 5:00
  Speaker 4: That's how Sparky Thornton comes around house Farm. When Thunder
• 5:04
  Speaker 4: opened the door and told him to come in, there
• 5:07
  Speaker 4: was a funny sort of look in his eyes, like
• 5:10
  Speaker 4: he was trying to find another door that would let
• 5:13
  Speaker 4: him out.
• 5:21
  Speaker 6: Is this here's your aunt Penelope son.
• 5:24
  Speaker 4: Hello, Sparky, come here. You a bad boy, That's what
• 5:29
  Speaker 4: they say you huh, well, lead the place on earth
• 5:32
  Speaker 4: is more room for a boy to be bed in.
• 5:34
  Speaker 6: The roundhouse farm.
• 5:35
  Speaker 4: Got itself so overgrowed with quiet that anything had come
• 5:38
  Speaker 4: as a relief.
• 5:40
  Speaker 7: Yes, ma'am, show.
• 5:42
  Speaker 4: Him where to stow his duneage, thundered this way.
• 5:45
  Speaker 6: Sent, I'll show you your field shows too.
• 5:50
  Speaker 4: I was in the kitchen later when I saw Sparky
• 5:52
  Speaker 4: disappearing through the corn field. I might have called thunder,
• 5:56
  Speaker 4: But if the boy was going to stay, he'd have
• 5:58
  Speaker 4: to decide for myself. I knew what he'd see beyond
• 6:02
  Speaker 4: the corn field, a board fence six feet tall. Let's
• 6:06
  Speaker 4: keep us apart from that farm beyond for eighteen years,
• 6:10
  Speaker 4: But sure as fate he'd be a climbing the fence
• 6:13
  Speaker 4: and seeing what for?
• 6:17
  Speaker 8: Why?
• 6:18
  Speaker 9: Why?
• 6:19
  Speaker 4: After gosh, gosh, all right.
• 6:28
  Speaker 10: Get down there, mister Oh, who's you smooching around here?
• 6:32
  Speaker 7: I'm spot dunting, mister Boat's my uncle?
• 6:35
  Speaker 4: Who are you? I works for your uncle? I'm topping
• 6:38
  Speaker 4: what's you fool around that fence?
• 6:40
  Speaker 11: For?
• 6:40
  Speaker 4: I was just looking all those horses and stables and
• 6:44
  Speaker 4: an exercise track roundhouse.
• 6:46
  Speaker 7: She'll make that place look like the poorhouse roundhouse.
• 6:49
  Speaker 10: This before you was born more records, was busted by
• 6:52
  Speaker 10: horses trade my mister Thunder, and then they got horseshoes
• 6:55
  Speaker 10: next door.
• 6:56
  Speaker 4: Oh I didn't know mister Boat was a trainer. What's that?
• 7:00
  Speaker 6: That's lady?
• 7:02
  Speaker 4: My uncle's got horses.
• 7:04
  Speaker 10: Only one lady, the only one.
• 7:06
  Speaker 4: Left for could could I see her?
• 7:09
  Speaker 10: Come along?
• 7:10
  Speaker 6: Boy?
• 7:14
  Speaker 7: Gosh, she's sure he's pretty?
• 7:17
  Speaker 4: Hello? Is that lady? See, tuppy? How old is? Why?
• 7:22
  Speaker 4: When she's blind?
• 7:23
  Speaker 6: Lying?
• 7:24
  Speaker 4: Is deep sleep?
• 7:25
  Speaker 12: Lady?
• 7:26
  Speaker 2: Poll old lad No, pull, old lady. What lady don't
• 7:30
  Speaker 2: need no more eyes?
• 7:32
  Speaker 10: Playing your horses with two good eyes that he ain't
• 7:34
  Speaker 10: never see what the lady sees?
• 7:36
  Speaker 4: She see the finish line?
• 7:38
  Speaker 7: Fus, tuppy, When does mister Boat work her out?
• 7:42
  Speaker 10: You don't work out? I gives her a mile a
• 7:44
  Speaker 10: day on the lead ring. Maybe sometime I'll let you
• 7:48
  Speaker 10: take her if you're going to be around.
• 7:50
  Speaker 7: Uh sure, sure I'll be around.
• 7:59
  Speaker 4: I told her next morning how to find his way
• 8:01
  Speaker 4: to school. He started out all right, but he never
• 8:04
  Speaker 4: did see school. He went back again to that board
• 8:08
  Speaker 4: fence and climbed over and headed straight for one of
• 8:11
  Speaker 4: their stables had a man even stallion in there, But
• 8:15
  Speaker 4: Marky didn't know that. Whoa boy? Whoa?
• 8:18
  Speaker 9: Easy now, just trying to get through that doll?
• 8:20
  Speaker 7: Boy? Whoa whoa? Eh that's better. That's better.
• 8:27
  Speaker 6: Hey, you crazy fool, get away from there.
• 8:29
  Speaker 7: I'm a coming out, not a going in.
• 8:31
  Speaker 2: The devil as you come from.
• 8:33
  Speaker 7: Came through in there, that's tall.
• 8:34
  Speaker 2: Don't you lie to me, boy, I'll be there.
• 8:37
  Speaker 4: Or maybe if I was to go back through there
• 8:38
  Speaker 4: and out again, maybe you could use me as a handyman.
• 8:41
  Speaker 6: Get away from that stall before you get killed.
• 8:42
  Speaker 4: Oh it's all right, hey, quiet boy, easy now, easy,
• 8:48
  Speaker 4: see he's not afraid of me.
• 8:50
  Speaker 7: Well he said, now, whoa boy?
• 8:53
  Speaker 2: Hey, get out of there. Yes, sir, I'm sorry I
• 8:58
  Speaker 2: called you a liar boy.
• 8:59
  Speaker 4: Oh oh you all right, sir?
• 9:01
  Speaker 2: Yeah, sure, go back to work.
• 9:03
  Speaker 4: Hey, what's going on?
• 9:04
  Speaker 6: Nothing at all?
• 9:06
  Speaker 4: Hey son?
• 9:06
  Speaker 2: How come you know so much about handling the killer
• 9:08
  Speaker 2: like that? Hamil car chief?
• 9:09
  Speaker 4: Huh?
• 9:10
  Speaker 2: Is he that sign on the stall?
• 9:12
  Speaker 4: Hamel card chief? Visitors? Keep away go to our bull,
• 9:16
  Speaker 4: are you mister bull? I work for mister Booble, you see,
• 9:19
  Speaker 4: he's our training and I'm mister Boole's daughter. Say Jed.
• 9:23
  Speaker 4: It seems to me there ought to be a place
• 9:24
  Speaker 4: here for a man not scared of the chief.
• 9:26
  Speaker 7: Huh, thank you.
• 9:28
  Speaker 4: He must be terribly brave or terribly dumb. What's your name?
• 9:33
  Speaker 7: I'm spark daunting, and I guess I'm dumb.
• 9:35
  Speaker 2: Can you drive a sulky sparky?
• 9:37
  Speaker 13: Yes, sir, Hellen, come along, Let's see your dog a
• 9:39
  Speaker 13: couple of laps.
• 9:40
  Speaker 7: Gosh, sure have got a lot of horses around here.
• 9:43
  Speaker 3: Yeah, phew, it's a way boy, daddy.
• 9:50
  Speaker 6: Hi, Hey, who's that driving new kid around here?
• 9:54
  Speaker 4: How does he top jerking those brains?
• 9:56
  Speaker 2: I'll ask him when he pulls out, all ask him.
• 9:58
  Speaker 4: Now, come on, boy, hey, what's the race? What are
• 10:03
  Speaker 4: you trying to do? Get off the track?
• 10:05
  Speaker 7: Do you want to get hurt?
• 10:06
  Speaker 4: No? And I don't want the mayor to read? Do
• 10:08
  Speaker 4: you watch out? Now?
• 10:09
  Speaker 7: All right? I'll supper for you.
• 10:14
  Speaker 4: With a rotless pizza driving I've seen in all my days.
• 10:16
  Speaker 7: Oh, she's a crazy horse, got a tough mom.
• 10:18
  Speaker 4: She's not crazy, and she's got a mouth like a baby.
• 10:21
  Speaker 7: I suppose you could hold her in. Get out of there.
• 10:23
  Speaker 4: I'll show you.
• 10:24
  Speaker 7: Okay, show me tie up my horse.
• 10:26
  Speaker 4: And watch hard.
• 10:26
  Speaker 7: And if you need help, oh I will.
• 10:33
  Speaker 4: Gee.
• 10:33
  Speaker 6: She sure can drive Huh, she's pretty good sparking.
• 10:37
  Speaker 4: I'm sorry I did some bad I didn't think it
• 10:39
  Speaker 4: was any different from regular driving.
• 10:41
  Speaker 6: Eh, no harm done, But it takes hands.
• 10:44
  Speaker 2: Huh hands those two things. Your ten fingers are tied to.
• 10:48
  Speaker 4: Star took at char Why she can talk to a
• 10:50
  Speaker 4: horse and a whisper with her hands? See? Yeah, well,
• 10:57
  Speaker 4: thanks a lot for letting me drive.
• 10:58
  Speaker 7: Good Bye, goodbye boy?
• 11:02
  Speaker 4: Hey what's he leaving for? What are you expecting to
• 11:05
  Speaker 4: do after the way you bowled them off? Oh?
• 11:07
  Speaker 9: I guess it wasn't very nice.
• 11:08
  Speaker 4: And ea, he made me so mad the way he
• 11:10
  Speaker 4: saw it on Trumpet's mouth, and then asked if I
• 11:12
  Speaker 4: could hold her in. Well, boys never like it if
• 11:14
  Speaker 4: you show them up, you ought to.
• 11:16
  Speaker 6: Remember that by all means charge.
• 11:18
  Speaker 4: Oh pooh, Yes, you gotta have hands to drive behind
• 11:29
  Speaker 4: a trapping horse. I found out long after how Sparky
• 11:33
  Speaker 4: got his all the time thunder and me figured he
• 11:37
  Speaker 4: was going to school. Sparky was back of our stable,
• 11:40
  Speaker 4: learning another kind of lessons from the ladies. And old Tuffy.
• 11:45
  Speaker 7: Oh, come on, Tuffy, how much longer do I have
• 11:48
  Speaker 7: to do this?
• 11:48
  Speaker 4: You want hands, don't you? Well?
• 11:50
  Speaker 10: Sure, but then keep walking keep walking till you can
• 11:54
  Speaker 10: feel through the lines what she is thinking? Then what,
• 11:57
  Speaker 10: and keep walking till you can answer right back.
• 12:00
  Speaker 2: Could you get it?
• 12:02
  Speaker 4: You got it all right? Got it so well that
• 12:07
  Speaker 4: one day he went over the fence again, drove from
• 12:10
  Speaker 4: mister Bruce, and got himself a job.
• 12:13
  Speaker 13: I don't know how you learned the quick sun, but
• 12:15
  Speaker 13: you're sure learned, and you can use me.
• 12:17
  Speaker 2: Yeah, see me in the morning.
• 12:18
  Speaker 6: I believe I can, all right, most take this hold.
• 12:21
  Speaker 4: She did, Swells, Parky. Thanks, And you aren't mad at
• 12:24
  Speaker 4: me for showing you up? Mad if it hadn't been
• 12:28
  Speaker 4: for you, I've never learned a drive ride. But I
• 12:30
  Speaker 4: told Creek Cree who oh you know mister Bull's daughter. Oh,
• 12:34
  Speaker 4: cree Cree. Our real name is Christopher, just like mine's
• 12:37
  Speaker 4: short for Charlotte.
• 12:38
  Speaker 7: I don't see her around today.
• 12:40
  Speaker 4: Well, she's at boarding school. You've finished school, haven't you. Well?
• 12:45
  Speaker 7: How could I get a job if I hadn't?
• 12:47
  Speaker 4: Well, I better go now, I'll see him les, Parky.
• 12:50
  Speaker 7: Yeah, goodbye, jarl Want some more coffee an penny?
• 13:04
  Speaker 4: No?
• 13:05
  Speaker 7: No, I'm just sure gonna be late for supper. Yes,
• 13:08
  Speaker 7: what's he doing up there? Sounds just like he's drunk.
• 13:12
  Speaker 4: He is drunk. Oh, I didn't know, ant Penny, I
• 13:17
  Speaker 4: didn't mean anything. It's all right, Sparky. Look here, ma'am.
• 13:22
  Speaker 4: Don't you get to thinking wrong things about Thunder. He's
• 13:25
  Speaker 4: a good man, but once the hear comes spring, he
• 13:28
  Speaker 4: gets to hear the horses trotting. When that happens, seems
• 13:32
  Speaker 4: like you can't no ways hold back from drowning out
• 13:34
  Speaker 4: the sound with liquor. Now that's all there is to it.
• 13:38
  Speaker 4: I don't want to be button in. But what happened
• 13:40
  Speaker 4: ant Penny, You know between him and mister bull well boy,
• 13:45
  Speaker 4: some men quarrel over women. With Godar Bool and Thunder.
• 13:49
  Speaker 4: It was a horse eighteen years ago. They was great friends,
• 13:54
  Speaker 4: then partners too. They had a mayor in a race,
• 13:58
  Speaker 4: but something happened to one of her legs and she lost.
• 14:02
  Speaker 4: Godar didn't even wait to get her to the stables
• 14:05
  Speaker 4: to shoot her. And when Thunders saw him do that, he.
• 14:09
  Speaker 7: Just went crazy.
• 14:11
  Speaker 4: He beat up on Godar till he n most killed him. Well,
• 14:17
  Speaker 4: that was the beginning, Sparky. Godar set out to ruin Thunder,
• 14:21
  Speaker 4: but Thunder fought him back. All he needed was money
• 14:24
  Speaker 4: to keep roundhouse farmer going, and he figured on winning
• 14:27
  Speaker 4: it in the next big race, but he lost. Seems
• 14:31
  Speaker 4: like after that he lost most everything. Don't don't have
• 14:36
  Speaker 4: to tell you no more. You're seeing the rest for yourself.
• 14:39
  Speaker 4: But if the stables were fixed.
• 14:41
  Speaker 7: Up, and if there were horses again.
• 14:43
  Speaker 4: And fools, he wouldn't have those spells. Maybe, But the
• 14:47
  Speaker 4: stables ain't fixed up, and there ain't no horses except lady,
• 14:52
  Speaker 4: and no folds. Yeah, well, I'll I'll do the dishes.
• 14:59
  Speaker 4: We Sparky, I'll just sit here a while, I said,
• 15:05
  Speaker 4: leave the dishes, yes, ma'am. Good night. That night I
• 15:14
  Speaker 4: heard voices in the back of the house. Thunder was
• 15:16
  Speaker 4: sleeping it off, and I was scared to wake him.
• 15:19
  Speaker 4: I went to the window below. In the moonlight, I
• 15:23
  Speaker 4: saw Sparky in one of the colored boys from the
• 15:25
  Speaker 4: Blue Farm. And then I saw someone else. It was Charred,
• 15:30
  Speaker 4: coming up quietly behind the berry bushes. They didn't see her,
• 15:35
  Speaker 4: they didn't know that she was listening to that. You
• 15:37
  Speaker 4: shouldn't have done it, Sparky.
• 15:39
  Speaker 2: You shouldn't have brought a hamlicot chief over it.
• 15:41
  Speaker 7: But nobody saw me. Nobody knows but you.
• 15:43
  Speaker 4: Why'd you wake me up?
• 15:45
  Speaker 2: And then I wouldn't have known me.
• 15:47
  Speaker 4: Mister boll found his art. He bought me a lot.
• 15:49
  Speaker 7: But you won't find out.
• 15:51
  Speaker 4: Hammer Catchief's back in his stable, and all we gotta
• 15:53
  Speaker 4: do is put the planks back in the fence. Listen,
• 15:55
  Speaker 4: most lady's going to have a fall now. But what
• 15:58
  Speaker 4: about the paper? You got to help me get the
• 16:01
  Speaker 4: papers for the four? Maybe I can do that, but
• 16:04
  Speaker 4: not without you got a hundred dollars? Oh mos? Where
• 16:07
  Speaker 4: am I gonna get one hundred dollars? Well?
• 16:08
  Speaker 2: How about mister thunder?
• 16:10
  Speaker 7: Oh I can't tell him about it until I get
• 16:11
  Speaker 7: the papers.
• 16:12
  Speaker 2: I got eight dollars in one a minute, and maybe
• 16:14
  Speaker 2: I don't go.
• 16:15
  Speaker 4: Let I'm got twelve so far for exercising horses.
• 16:18
  Speaker 11: Let's see, there's twenty we eighty dollars shy on it?
• 16:23
  Speaker 7: Yeah, well I'll get it somehow. I'm getting oh Loe, No.
• 16:27
  Speaker 4: Most, we'll go fix that fence.
• 16:37
  Speaker 7: Morning, daddy, morning?
• 16:39
  Speaker 4: Hey?
• 16:40
  Speaker 2: What's the matter with you?
• 16:41
  Speaker 4: Daddy? When is it all right not to tell? Why?
• 16:44
  Speaker 6: You know?
• 16:44
  Speaker 2: The rules? You never tell a secret except for cash.
• 16:46
  Speaker 2: Property are Like?
• 16:47
  Speaker 4: How daddy, you're wonderful? Have you got twenty dollars?
• 16:50
  Speaker 2: Twenty dollar. Do you want twenty dollars for?
• 16:52
  Speaker 4: He said, I didn't have to tell, but it's awfully important.
• 16:56
  Speaker 2: Well here, but it's coming out of your allows, young lady.
• 16:59
  Speaker 2: And don't you for.
• 17:03
  Speaker 4: Morning?
• 17:04
  Speaker 9: You know it's nine o'clock.
• 17:07
  Speaker 4: What are you doing? Oh? Helping nature? Little?
• 17:10
  Speaker 9: Huh?
• 17:11
  Speaker 4: Plucking my eyebrows? Do let me do yours for you?
• 17:13
  Speaker 2: Oh?
• 17:14
  Speaker 4: No, daddy grass me today? Come on, charl he would
• 17:16
  Speaker 4: notice it the couple.
• 17:17
  Speaker 9: What's the sense of doing again?
• 17:19
  Speaker 4: Look, Creek, I need sixty dollars. Sixty dollars? What's for? Well? Uh,
• 17:26
  Speaker 4: I can't tell Ooh, char it's me who don't have
• 17:30
  Speaker 4: any secret. Please cleekie, don't ask me? Please? Where would
• 17:34
  Speaker 4: I get sixty dollars from? Your dad? Tell me you
• 17:36
  Speaker 4: need new boots or something? Well, all right, i'll try.
• 17:40
  Speaker 4: If you try right away, I'll tell you something else.
• 17:43
  Speaker 4: What Gordon's told some college He phoned, but you were asleep? Oo?
• 17:46
  Speaker 4: Why didn't you tell me? The other is more important? Hurry, Creeky,
• 17:49
  Speaker 4: please sixty dollars. Well, I'll be very happy to see
• 17:53
  Speaker 4: your Oh that's what I told him. Oh you.
• 18:02
  Speaker 7: Here's my twelve moments? Did you collect anything?
• 18:04
  Speaker 4: Collections have been favorable.
• 18:06
  Speaker 11: Now if you won't, well, I could take this twenty
• 18:09
  Speaker 11: to the meeting tonight and talk nice and soft to Mammy.
• 18:12
  Speaker 4: Look quiet most Hello, charl I got it here. Eighty dollars.
• 18:18
  Speaker 4: Eighty dollars, but they followed you in all last night.
• 18:21
  Speaker 4: It's all right, though, I don't have to tell on
• 18:23
  Speaker 4: you here. But eighty dollars, well, well it's alone, lord charge. Thanks,
• 18:31
  Speaker 4: that's all right, Sparky. But I can get mister Boole
• 18:34
  Speaker 4: signed a certificate without him finding out.
• 18:36
  Speaker 11: Now, don't you worry about that. You took care of
• 18:38
  Speaker 11: the fee. I'll arrange about making it legal.
• 18:40
  Speaker 4: But how or mister Boole?
• 18:42
  Speaker 7: He don't like that.
• 18:43
  Speaker 11: Mean old chief holes, so when I brings him the
• 18:45
  Speaker 11: papers to sign, he don't never bother.
• 18:48
  Speaker 2: None about reasons. Now, I got seven others here for
• 18:51
  Speaker 2: in the sign. This one is just gonna get lost
• 18:53
  Speaker 2: in the show.
• 18:55
  Speaker 4: I'm glad you're happy, Sparky.
• 18:57
  Speaker 7: Happy. Huh, I'm so happy.
• 18:59
  Speaker 4: I whose cars that jar? Gordon Bradley's. He's home from college.
• 19:03
  Speaker 4: Came over to see creek cree.
• 19:05
  Speaker 7: Well, if college is over, I guess school is over.
• 19:07
  Speaker 4: Huh, yeah, it was over yesterday.
• 19:09
  Speaker 7: Why well then I've got no more excuse for being
• 19:12
  Speaker 7: over here all day.
• 19:13
  Speaker 4: Oh, I thought you said you were through school. I
• 19:16
  Speaker 4: didn't say school was through with me though. Now I'll
• 19:19
  Speaker 4: have to help Thunder with the farming. Couldn't I come
• 19:21
  Speaker 4: over and see you? Sure you could come swimming in
• 19:24
  Speaker 4: the pond and hand Penny and think you and Creek
• 19:26
  Speaker 4: Wee were friends of mine from school?
• 19:28
  Speaker 7: Do you think Greek Cree had come?
• 19:29
  Speaker 4: Oh? Sure, we'll ask a wheel a char I gotta
• 19:32
  Speaker 4: go now, and thanks a lot, and be sure and
• 19:35
  Speaker 4: ask Greek Creed huh. Oh should start you up? I'll
• 19:38
  Speaker 4: ask her.
• 19:51
  Speaker 3: We would be back in a minute. Would act too
• 19:53
  Speaker 3: of home in Indiana. But first, let's listen to one
• 19:56
  Speaker 3: wife's embarrassing moment. She's in a restaurant with her soldier husband.
• 20:01
  Speaker 5: When I'm away from you, Peggy, it seems you can't
• 20:03
  Speaker 5: be as pretty as I remember.
• 20:05
  Speaker 6: And when you see me, why you're even prettier than
• 20:07
  Speaker 6: I thought.
• 20:08
  Speaker 14: Silly, I'm just an old married woman slaving away. It's
• 20:12
  Speaker 14: a good thing you look at my face instead of
• 20:14
  Speaker 14: my hands.
• 20:15
  Speaker 6: Oh, I wish you didn't have to work so hard. Angel,
• 20:17
  Speaker 6: But say, Peggy, there's a CEO and I think he's
• 20:19
  Speaker 6: coming over here.
• 20:20
  Speaker 5: Oh Tom, Old everything good evening, chargeant, good evening.
• 20:23
  Speaker 3: Third, this is my wife, Major Barnes, happy to meet
• 20:26
  Speaker 3: your ma'am.
• 20:26
  Speaker 14: Oh, how do you do? Tom?
• 20:32
  Speaker 9: Why did I have to meet him?
• 20:34
  Speaker 6: Why?
• 20:34
  Speaker 2: Ever?
• 20:34
  Speaker 4: Or not? Honey?
• 20:35
  Speaker 14: When we shook hands way, he seemed to stare at mine.
• 20:38
  Speaker 14: They're so awful, so red and rough.
• 20:43
  Speaker 3: Chances are the Major wasn't thinking about Peggy's hands at all.
• 20:46
  Speaker 3: But poor Peggy, those dishpan hands, they seemed as big
• 20:49
  Speaker 3: as a house made her ill at ease. Now, if
• 20:52
  Speaker 3: you've been embarrassed that way, if you think your hands
• 20:54
  Speaker 3: have to be red and painfully rough because of dishwashing,
• 20:58
  Speaker 3: just do one simple thing works. Change from strong soaps
• 21:02
  Speaker 3: to lux flakes for dishes. Lux really does help your
• 21:05
  Speaker 3: hands to become soft and smooth again. Scores of women
• 21:08
  Speaker 3: proved that lux takes dishpan redness away. You can change
• 21:12
  Speaker 3: dishpan hands to luxe hends for less than a penny
• 21:15
  Speaker 3: a day.
• 21:16
  Speaker 2: Now, Mister the Mill returns to the microphone.
• 21:19
  Speaker 5: Act two of Home in Indiana, starring Walter Brennan as Thunder,
• 21:24
  Speaker 5: Charlotte Greenwood as Penny, Edward Ryan as Spark Jeane Crane
• 21:28
  Speaker 5: as Cha and June hav As Creakery.
• 21:42
  Speaker 4: There's a pond near our lower pasture, and all that
• 21:45
  Speaker 4: summer they come to swim there. Crekrey in char and
• 21:48
  Speaker 4: Gordon Bradley. I'd see him at times, shar A following
• 21:53
  Speaker 4: Sparky around, let him with no eyes except for Creekrey,
• 21:56
  Speaker 4: who met the man, I guess and Creaky smiling at
• 22:01
  Speaker 4: Sparky with a kind of a smile you couldn't tell
• 22:03
  Speaker 4: from a laugh. And that's a woman. And then one
• 22:07
  Speaker 4: evening Thunder found out about lady how she was going
• 22:11
  Speaker 4: to have a pole, and he called sparking in his veins,
• 22:14
  Speaker 4: standing out on his foreheady, but his voice low, like
• 22:17
  Speaker 4: he was saving all his wild strength to lay down
• 22:20
  Speaker 4: on the boy.
• 22:21
  Speaker 6: I just come from the stable, boy, and I got
• 22:23
  Speaker 6: a strap in my hands.
• 22:25
  Speaker 4: Yes, sir, don't you hit him, Thunder, don't hit him boy.
• 22:29
  Speaker 6: I'm gonna lick you get in here, Yes, sir, that
• 22:33
  Speaker 6: lady's sweet, she's mine. She's all I got.
• 22:35
  Speaker 15: You take of a spoiler making her some back, Eli
• 22:38
  Speaker 15: crol Way yut he.
• 22:42
  Speaker 4: That's enough, Thunder, Heaven helped you. If you hit that
• 22:45
  Speaker 4: boy again, I'll get the rifle. I swear, I will.
• 22:48
  Speaker 6: I couldn't help my shelf. I just couldn't help my chef.
• 22:50
  Speaker 7: I've been wanting to tell you thunder anyway.
• 22:53
  Speaker 6: Here whchare the certificate for the four?
• 22:57
  Speaker 4: When it comes certificate Hamacott chiefs the sound.
• 23:00
  Speaker 6: Why are you fool? You might have been hurt bad?
• 23:03
  Speaker 6: That hammer cars a killers.
• 23:04
  Speaker 7: Oh no, sir, he and I are friends.
• 23:07
  Speaker 4: Then I could shoot the both of you.
• 23:11
  Speaker 6: Spark his bou know anything about.
• 23:13
  Speaker 4: This, No, sir. He even signed it without looking.
• 23:16
  Speaker 6: Says here it cost a hundred dollars.
• 23:18
  Speaker 7: Most had eight, and I put in twelve.
• 23:20
  Speaker 4: And charge she.
• 23:21
  Speaker 6: Helped too, she did might who's chair?
• 23:24
  Speaker 7: Charge char Bruce? That's mister Bruce's daughter.
• 23:27
  Speaker 6: And let's see. Now this means he'll have us in
• 23:31
  Speaker 6: April four.
• 23:32
  Speaker 7: And you ain't mad at me?
• 23:34
  Speaker 6: No, sn I ain't mad. But before we close this
• 23:38
  Speaker 6: meet and I want to beg you not to regret
• 23:39
  Speaker 6: the liquor to give you. It's a long road Junie's
• 23:43
  Speaker 6: going to travel, Sparky, And it never made a real
• 23:45
  Speaker 6: man any less of a man to take an unjust
• 23:47
  Speaker 6: bother two along the way. Now I get out of here.
• 23:50
  Speaker 6: I got a lot of long range figure.
• 23:52
  Speaker 4: In the dude.
• 23:54
  Speaker 7: So everything's all right now, boy, everything's fine.
• 23:57
  Speaker 4: No it ain't. It's a shame. There ain't nothing to
• 24:00
  Speaker 4: be done about it now once bit, just say a bit?
• 24:03
  Speaker 4: What's bit me? The horse bug? And it'll never let
• 24:07
  Speaker 4: you rest? However, so be it. Why can't I go
• 24:21
  Speaker 4: in there too? Tuppies in there, Moses in there? But
• 24:24
  Speaker 4: I can't go in because they know about those things
• 24:26
  Speaker 4: and you don't.
• 24:27
  Speaker 7: The least they can do is hurry.
• 24:29
  Speaker 4: Don't you think you better sit down?
• 24:30
  Speaker 7: How can I sit down when the lady's having a fool.
• 24:33
  Speaker 4: She can have it just as easy that way. I'm sorry, chah.
• 24:39
  Speaker 4: You know it's wonderful to have someone stick by here
• 24:41
  Speaker 4: at a time like this. Oh she's fucky. I didn't
• 24:45
  Speaker 4: do anything.
• 24:46
  Speaker 7: Well you got the money.
• 24:47
  Speaker 9: Oh that's just because I just happened to be around.
• 24:50
  Speaker 7: That's what I mean. That's what counts.
• 24:54
  Speaker 6: Back me a boy, It's come the foes come look
• 25:01
  Speaker 6: at it.
• 25:01
  Speaker 2: Oh geez, the sweety Phillies. I'm a machine.
• 25:05
  Speaker 4: What do we name it?
• 25:06
  Speaker 6: She's more deanan four? Yes, shir more dean four?
• 25:11
  Speaker 4: Look charge, Look what with a new Philly?
• 25:20
  Speaker 6: Christmas was on us that year.
• 25:22
  Speaker 4: Before we knew it, the boy had a present for
• 25:25
  Speaker 4: each of us. Me he gave me slippers, and Thunder
• 25:31
  Speaker 4: he gave Thunder slippers, and he didn't forget Tuppy. He
• 25:35
  Speaker 4: gave Tuppy slippers. And then we gave him his presence
• 25:39
  Speaker 4: more Dean four all harnessed up to a brand new
• 25:43
  Speaker 4: sulky Mine.
• 25:45
  Speaker 6: It's mine, yep, from me and your aunt and Tuppy,
• 25:49
  Speaker 6: and fitted to your elector skin to an apple.
• 25:51
  Speaker 8: You like it?
• 25:52
  Speaker 16: Boys like it?
• 25:53
  Speaker 1: Like it?
• 25:54
  Speaker 4: Gee?
• 25:55
  Speaker 7: Can I try it?
• 25:56
  Speaker 6: Oh?
• 25:57
  Speaker 4: Baby? How are you? Baby?
• 25:59
  Speaker 6: Just remember she ain't never pulled you away before, so
• 26:02
  Speaker 6: she just talked to a slow and gentle with your hand.
• 26:05
  Speaker 6: All right, Telly, let it go.
• 26:07
  Speaker 10: It's a pretty day, mister Thunder, awful pretty day.
• 26:11
  Speaker 4: It's all right, Mardine, Easy, baby, easy, Oh.
• 26:15
  Speaker 6: Gosh, hey, great, great, come.
• 26:20
  Speaker 9: On, I'll be right out your car.
• 26:24
  Speaker 4: Well you're going out? Sure? How the sparky's coming over?
• 26:29
  Speaker 4: Oh my goodness? Did you get him anything for criminal?
• 26:31
  Speaker 4: That's what I mean. I forgot all about it. Oh
• 26:33
  Speaker 4: what I do? I don't have it? I know, very simple.
• 26:38
  Speaker 4: I'll give him this. What is it? The tie was
• 26:40
  Speaker 4: going to give dead, old spark. You'll like it lost.
• 26:43
  Speaker 4: You know, when I first saw a spark yesterday, I
• 26:46
  Speaker 4: thought he changed, But as soon as he opened his mouth,
• 26:48
  Speaker 4: I knew he was the same old spark, still getting
• 26:51
  Speaker 4: all tied up a knots when he just talks to
• 26:53
  Speaker 4: a girl. Old Sparky doesn't get tied up in knots
• 26:55
  Speaker 4: with me. We talk all the time.
• 26:57
  Speaker 9: Oh that's different.
• 26:58
  Speaker 4: You see him every day. Besides, what do you talk about? Oh,
• 27:04
  Speaker 4: horses usually, That's what I mean that, spark. Why would
• 27:09
  Speaker 4: you stop using the back door every time he comes here? Oh? Hello, Sparky,
• 27:13
  Speaker 4: Hello close, Sparky. How'd you get your colleague to stay down?
• 27:16
  Speaker 4: Saddle soap? Merry Christmas? Sparky? Why I wouldn't know you
• 27:20
  Speaker 4: all dressed up here for me? Uh huh? Perfume kids
• 27:28
  Speaker 4: at midnight? Why, spark Thornton, Well, it's printed in French.
• 27:32
  Speaker 7: I didn't know what it meant.
• 27:33
  Speaker 4: I'll bet you did. Hmmm.
• 27:36
  Speaker 7: Smell m smells kind of sweet.
• 27:40
  Speaker 4: Here's smell chart. Oh he's your Oh she thanks, Sparky. Well,
• 27:47
  Speaker 4: what is it chart? Come on, let's see. Oh it's
• 27:50
  Speaker 4: it's beautiful, Sparky, It's just beautiful. Key chain.
• 27:55
  Speaker 7: Oh thanks, I figured that even if you didn't have
• 27:58
  Speaker 7: any keys. It was a mighty hand.
• 28:00
  Speaker 4: The hair, oh it is.
• 28:01
  Speaker 7: It'll fashion good under your blue jeans.
• 28:03
  Speaker 4: And now it's my turn, just a little remembrance, Sparky.
• 28:06
  Speaker 4: Oh geez, gosh.
• 28:08
  Speaker 9: I hope you like it.
• 28:09
  Speaker 4: Something to wear?
• 28:11
  Speaker 7: Oh say, this is real good looking.
• 28:13
  Speaker 6: Hey, Creek gree come on, what's pulling you off?
• 28:15
  Speaker 4: Come on in?
• 28:16
  Speaker 2: Oh, merry Christmas, Hi, spark Well, welcome to the club.
• 28:19
  Speaker 4: Huh well, let tie. I've got one too, except I'm
• 28:22
  Speaker 4: wearing it. She must buy him wholesale. Gordon, I don't
• 28:26
  Speaker 4: think that was very nice.
• 28:28
  Speaker 7: Well, I guess i'll be going, and thanks for your present.
• 28:31
  Speaker 4: Char open the first thing. It's sure nice books. Well
• 28:35
  Speaker 4: i'll see you later, spark Yes, Gordon was just trying
• 28:39
  Speaker 4: to be funny. I I guess I'm not much good
• 28:42
  Speaker 4: at making jokes. Well, no you're not, but don't let
• 28:46
  Speaker 4: that wear you. He's not so good either. Well, goodbye, Creeky,
• 28:51
  Speaker 4: good buye, Sparky, goodbye. They spent the winter the Boy
• 29:01
  Speaker 4: and Sunday, clearing off our old round house track and
• 29:05
  Speaker 4: caring for the filly and teaching us come spring in
• 29:09
  Speaker 4: summer they started working.
• 29:13
  Speaker 15: Your hands a good boy, But now it's pay Hey,
• 29:16
  Speaker 15: I'll take the lady the two twenty clips for one lap,
• 29:19
  Speaker 15: and you fall up when I pull up. You take
• 29:21
  Speaker 15: the setting for another full hat.
• 29:23
  Speaker 7: You mean I can let her out?
• 29:25
  Speaker 8: Now take her.
• 29:26
  Speaker 15: Second fashion two twenty and you and me's gonna tangle again.
• 29:30
  Speaker 15: You ain't ready to be at what you can do yet.
• 29:32
  Speaker 4: You ain't ready to ask it not Come on later
• 29:38
  Speaker 4: on when char would come over, Sunday'd let her take
• 29:41
  Speaker 4: lady and they'd race around the track. She and the boys,
• 29:45
  Speaker 4: and Sunday would watch and teach, always watch.
• 29:52
  Speaker 7: Hiya, hi, get over, get over a ramo?
• 29:56
  Speaker 4: How for your slack? High morning?
• 29:57
  Speaker 3: You get her?
• 29:58
  Speaker 4: Take what's coming? Jump? I said, bop, I'll get you
• 30:08
  Speaker 4: whoa whoa.
• 30:10
  Speaker 9: Stept with swell spark.
• 30:11
  Speaker 7: You can't have a figure by now. I know how
• 30:13
  Speaker 7: to get out of a wheelock.
• 30:14
  Speaker 6: A long road ahead of you. Boy, you're ready to
• 30:17
  Speaker 6: make a stub. Thanks, Hey, go on, let her out, man,
• 30:21
  Speaker 6: and she plucked what you auto while we're ready to
• 30:23
  Speaker 6: pick ourselves off of steak Stay gray.
• 30:25
  Speaker 7: You mean you'll start her off in a steak race.
• 30:27
  Speaker 2: You don't think we start Mardine in a clima?
• 30:30
  Speaker 3: Does you go wrong?
• 30:30
  Speaker 6: Now?
• 30:31
  Speaker 7: We got things to do, Squarky afterwards, could we go for.
• 30:34
  Speaker 4: Swim or a thunder says so sure, swell.
• 30:45
  Speaker 9: Come on, let's cool the water again.
• 30:47
  Speaker 7: Yeah, in a minute.
• 30:49
  Speaker 4: You know, you know what what? You're wonderful? Gee, if
• 30:53
  Speaker 4: you'd have been a fellaw, we'd have been the greatest
• 30:55
  Speaker 4: friends in the world. Oh, what's wrong with me? The
• 30:59
  Speaker 4: way I am?
• 31:00
  Speaker 7: I know nothing, but well, you know how guys are.
• 31:02
  Speaker 4: Oh, there's Creekery. I know she got back from the
• 31:05
  Speaker 4: mountains yesterday.
• 31:06
  Speaker 16: Hi far Hello, Char Hello?
• 31:09
  Speaker 7: Oh I didn't know you a home Creekery.
• 31:11
  Speaker 4: Well, didn't Char tell you? I forgot.
• 31:13
  Speaker 7: I had to come over to see you.
• 31:15
  Speaker 4: Oh well, as long as you didn't, we came over
• 31:16
  Speaker 4: to see you.
• 31:17
  Speaker 7: I'm glad you did. Are you too going?
• 31:19
  Speaker 4: Thanks? Well? How's the water?
• 31:21
  Speaker 5: Oh?
• 31:21
  Speaker 4: I swell? Say you have a marvelous can, spark and
• 31:27
  Speaker 4: you've gained weight too and some.
• 31:29
  Speaker 7: Yeah, I'm going in I creek right away, Sparky.
• 31:34
  Speaker 4: Remember the first time we went swimming? Oh? Sure, every
• 31:38
  Speaker 4: time you dived in I was afraid your trunks had
• 31:40
  Speaker 4: come off, so was I. Oh it's so good. To
• 31:43
  Speaker 4: see you, spark You know, I was just well, where's
• 31:48
  Speaker 4: char going? I don't know?
• 31:50
  Speaker 7: They excuse me a second? Creekery, char Hey, char.
• 31:56
  Speaker 4: Well say hey, wait a minute, don't go.
• 31:59
  Speaker 9: Oh I think girl, get on home.
• 32:01
  Speaker 7: I'll walk home with you.
• 32:02
  Speaker 4: You don't have to.
• 32:04
  Speaker 7: Are you mad about something?
• 32:05
  Speaker 4: Why should I be?
• 32:06
  Speaker 7: All right?
• 32:07
  Speaker 4: Then?
• 32:08
  Speaker 7: Wow, I'll see you tomorrow.
• 32:09
  Speaker 4: Okay, bye bye, Craig.
• 32:12
  Speaker 7: Gray, Hey, Greig Gray.
• 32:18
  Speaker 4: A month later we were at the Mentonville Fairground, Sparky's
• 32:22
  Speaker 4: first race and Mordine's. The bulls were there too. They
• 32:28
  Speaker 4: must have brought Charle long before the first heat. I
• 32:31
  Speaker 4: saw her come up to the rail where Thunder was standing.
• 32:35
  Speaker 4: Hello Thunders sitting on Martine four.
• 32:37
  Speaker 6: Oh, hello, chah see you kept a secret, pretty good ones.
• 32:41
  Speaker 6: I'm asked him to keep this one. If spark knew,
• 32:43
  Speaker 6: I'd bet all I could dig up on Mardine's nose
• 32:45
  Speaker 6: for this heat. It might have set him some.
• 32:47
  Speaker 4: Oh I won't tell. Could I see Martine?
• 32:50
  Speaker 6: I'd be pleased if you would their highest noble to say.
• 33:02
  Speaker 4: Hello Charle. Oh close, Sparky, Gosh, Mordine's pretty like cedar.
• 33:07
  Speaker 4: She smells as clean as the inside of a red
• 33:09
  Speaker 4: cedar chest.
• 33:10
  Speaker 7: You haven't been over in weeks? Well, I look, you
• 33:13
  Speaker 7: were sore on the corner.
• 33:14
  Speaker 4: I didn't walk home with you that day we went swimming.
• 33:17
  Speaker 4: I said I was sorry. You need it be people
• 33:19
  Speaker 4: Being sorry just makes other people mad. It isn't your fault.
• 33:22
  Speaker 4: You don't like me, don't like you? I do so
• 33:25
  Speaker 4: char fuck what sir?
• 33:28
  Speaker 6: You draw number eight and shaking tears could have been worse? Yes, sir,
• 33:32
  Speaker 6: Now listen close, boy. I picked this track for your
• 33:34
  Speaker 6: first race because who's driving a guinion ain't the best
• 33:38
  Speaker 6: in the world. But they don't come no trick yet
• 33:40
  Speaker 6: and three of them are behind bull horses.
• 33:42
  Speaker 7: What are you trying to do?
• 33:42
  Speaker 4: Scam Listen to me.
• 33:44
  Speaker 6: I ain't seeing it. Ain't fine to be brave, but
• 33:46
  Speaker 6: a little fear is a healthy thing to have.
• 33:48
  Speaker 4: Yeah, it's just it's just that they might try to
• 33:50
  Speaker 4: hedge off into the railer or like your wheels or something.
• 33:53
  Speaker 6: Remember what I told you. Now matter that, boy, and
• 33:55
  Speaker 6: do your bit.
• 34:07
  Speaker 8: The ladies and gentlemen. The winner Maudeine four owned by JT.
• 34:13
  Speaker 17: Bolt Drivers, Park Thornton. Second Stella Hangover owned by A
• 34:17
  Speaker 17: Godall Hole Please play dryer up turn by put her
• 34:20
  Speaker 17: own and driven by day Well the Old.
• 34:26
  Speaker 4: They won the first heat. The Philly and the boy
• 34:30
  Speaker 4: thunder Near went wild with joy. And in the stand
• 34:34
  Speaker 4: I saw Godo a Boole's face turned blacker and tuppies,
• 34:38
  Speaker 4: and then I saw Creekery laughing, and she got up,
• 34:41
  Speaker 4: and I had a good idea when she was going
• 34:43
  Speaker 4: to see fuck you were wonderful.
• 34:47
  Speaker 9: That was really sells.
• 34:48
  Speaker 4: Drive for thanks.
• 34:49
  Speaker 7: But that was only the first heat.
• 34:50
  Speaker 4: You know, Dad's having twenty five. I don't see how
• 34:53
  Speaker 4: you managed to keep your billy such a secret, did Charno?
• 34:57
  Speaker 7: Oh, she kind of found out about it. Joy to Tyler,
• 35:00
  Speaker 7: you could have told me, scorn, I wish I had. Well,
• 35:04
  Speaker 7: I gotta go now, Creekrey, that's the bill for the
• 35:05
  Speaker 7: second heat.
• 35:06
  Speaker 4: Well wait a minute here, and you wear this why
• 35:09
  Speaker 4: your scarf, but I'll get it all dirty for good luck.
• 35:13
  Speaker 7: Barky, Oh gosh, thanks Creaky. Come on, Mordene, come along, Braby,
• 35:17
  Speaker 7: come on.
• 35:22
  Speaker 6: This is the second heat.
• 35:23
  Speaker 17: Ladies and gentlemen on the rails, telling hanover Old by
• 35:26
  Speaker 17: mister Godo Bold and driven by fleet Been Dryer Number
• 35:30
  Speaker 17: two Bob Hunter with Eddie Ferguson Number three, Mordeine.
• 35:33
  Speaker 8: Four, driven by Spark Thornton, A J.
• 35:36
  Speaker 6: Bold Honor and.
• 35:37
  Speaker 17: On the outside Bob McLaren and Dixie.
• 35:40
  Speaker 8: All right, turnia, trotters, turn you trotters.
• 35:44
  Speaker 17: Approach. No hurry, now hold your position number one, mister Ferguson,
• 35:49
  Speaker 17: keep that horse back there, hold day Thornton, hold bay,
• 35:52
  Speaker 17: that's it.
• 35:53
  Speaker 8: Steady now, steady go, Hey.
• 36:07
  Speaker 15: Watch yourself, care about, run your right off the track.
• 36:08
  Speaker 7: He remind me you take care of yourself.
• 36:10
  Speaker 15: Come on, the persons, they've.
• 36:11
  Speaker 9: A got him coming through.
• 36:16
  Speaker 6: Poor the boy, not yet, not yet, take them baby,
• 36:20
  Speaker 6: take him again, titty boys, Teddy now stock now let
• 36:24
  Speaker 6: it go.
• 36:24
  Speaker 4: Boy, let it go. No, look luck, he's against the rail,
• 36:27
  Speaker 4: the post him against the rail, the wheels locked de
• 36:30
  Speaker 4: ramming him. Didn't you need a purpose?
• 36:33
  Speaker 15: A purpose?
• 36:47
  Speaker 2: It is my also station identification.
• 36:49
  Speaker 4: This is TVs.
• 36:50
  Speaker 2: They call him to be a broadcasting assistance.
• 37:12
  Speaker 3: We'll be back with Act three of Home in Indiana
• 37:15
  Speaker 3: in just a moment.
• 37:15
  Speaker 16: Oh, mister Kennedy.
• 37:17
  Speaker 4: Yes, Sally, it's still Lethier.
• 37:18
  Speaker 16: Isn't it, even though we passed February twenty nine.
• 37:21
  Speaker 2: Yes, but if you found someone you want to propose to,
• 37:23
  Speaker 2: you'd better hurry up.
• 37:24
  Speaker 16: No such luck. But I did find an interesting leapier superstition.
• 37:28
  Speaker 4: If a girl proposes.
• 37:30
  Speaker 16: To a man and he turns her down, then he
• 37:32
  Speaker 16: has to give her a silk dress.
• 37:33
  Speaker 3: He'd have a hard time finding one these days, wouldn't
• 37:35
  Speaker 3: rayon do?
• 37:36
  Speaker 4: Sure?
• 37:37
  Speaker 16: The rayons we get now are just as pretty as silks,
• 37:40
  Speaker 16: and we wear.
• 37:40
  Speaker 3: Them for everything and give them the same Cara silks,
• 37:43
  Speaker 3: don't you.
• 37:43
  Speaker 16: Sally, Well, almost the same using luck slakes, of course,
• 37:47
  Speaker 16: But rayons do lead a few special touches, like handling
• 37:51
  Speaker 16: them extra gently. We must never rub or ring rayons
• 37:55
  Speaker 16: or use too hot water or strong soaps. Why treating
• 37:58
  Speaker 16: them that way can leave the color's face literally washed out,
• 38:03
  Speaker 16: just goes to their former cells.
• 38:04
  Speaker 3: That's a sad story these days, when we're supposed to
• 38:07
  Speaker 3: make things last.
• 38:08
  Speaker 16: Oh, but it's true. We prove it with actual washed tests.
• 38:12
  Speaker 16: Rayon's that were washed the wrong way soon looked old
• 38:15
  Speaker 16: and drash.
• 38:15
  Speaker 3: Sure up, Sally, remember the happy ending. The things that
• 38:18
  Speaker 3: were washed the luxe way stayed bright and colorful three
• 38:21
  Speaker 3: times longer.
• 38:22
  Speaker 16: I guess the moral of this story is never risk
• 38:25
  Speaker 16: Rayon's in soaps that are strong. Lu's care means loveliness
• 38:29
  Speaker 16: ever so long.
• 38:30
  Speaker 2: And now mister de Mill returns to the microphone.
• 38:33
  Speaker 5: After the play, you are invited to join us backstage
• 38:36
  Speaker 5: for a friendly chat with our stars. Now here's that
• 38:39
  Speaker 5: three of Home in Indiana, starring Walter Brennan as Punder,
• 38:43
  Speaker 5: Charlotte Greenwood as Penny, Edward Ryan as spark, Jeane Crane
• 38:48
  Speaker 5: as Cha, and June Have as Creakery.
• 39:02
  Speaker 4: It was Sparky who got up first after the crash,
• 39:05
  Speaker 4: and then after Thunder had cut her loose more dean four.
• 39:09
  Speaker 4: But one of her feet didn't touch the ground. She
• 39:13
  Speaker 4: carried it loose and limped like as gently as they could.
• 39:17
  Speaker 3: They led her to her store.
• 39:23
  Speaker 11: Easy, easy, Thunder, Are you gonna have to get rid
• 39:29
  Speaker 11: of her?
• 39:29
  Speaker 2: Oh?
• 39:30
  Speaker 6: No, what did you give you such a thought? Don't
• 39:32
  Speaker 6: eat quarter, Craig. Oh never did ask how you are?
• 39:36
  Speaker 4: Boy.
• 39:36
  Speaker 6: But when I seen you get up, I figured you
• 39:38
  Speaker 6: was live.
• 39:38
  Speaker 7: I'm all right, But I wrecked her. I wrecktors showing off.
• 39:43
  Speaker 6: Uh it was framed, son flea flip dryer than it.
• 39:46
  Speaker 6: That was no accident.
• 39:48
  Speaker 7: Dryer.
• 39:49
  Speaker 6: Come on now, help me load her on the truck, you,
• 39:51
  Speaker 6: lord of Thunder.
• 39:52
  Speaker 7: I got something else to do.
• 39:53
  Speaker 4: Spark Hello, char I'm so offy. Sorry, spark Yeah, I
• 39:58
  Speaker 4: was scared to come back here. Part in her shot
• 40:01
  Speaker 4: a quarter crack.
• 40:02
  Speaker 7: Maybe she will race again, and maybe not.
• 40:05
  Speaker 4: Where are you going?
• 40:05
  Speaker 7: I'll be back later, mos Hey modes, Yes, all a Sparky.
• 40:10
  Speaker 6: He's fixing to get hisself in trouble.
• 40:11
  Speaker 4: Yes, and you're Goldn't let him do it.
• 40:14
  Speaker 6: Chah Fleeflip might have killed him both. I see it.
• 40:17
  Speaker 6: Spark's got something to settle. All I can do is
• 40:19
  Speaker 6: see that the ards is right. Get along, molds, Sparky
• 40:23
  Speaker 6: won't need mods flee Flip might.
• 40:25
  Speaker 4: Oh can I drive home with you? Daddy said I could.
• 40:28
  Speaker 6: Oh, I'd like that fine chat. Believe Sparky would too.
• 40:38
  Speaker 4: He was late coming home along drive and without words
• 40:43
  Speaker 4: on the way we picked up a blacksmith, and all
• 40:46
  Speaker 4: that night the lantern burned in our stables.
• 40:50
  Speaker 7: Thun, there is then nothing I can do.
• 40:52
  Speaker 6: Shay showing you what you can do. Set yourself down.
• 40:54
  Speaker 6: Shut up, bo She was about ready thunder holding out Tuppy.
• 40:59
  Speaker 10: Rush on the bosom if it hurts you, Marty, and
• 41:02
  Speaker 10: he wants to fight something here he is, honey, all right,
• 41:07
  Speaker 10: stand away.
• 41:10
  Speaker 6: You young and to see what he's doing. The frogs
• 41:13
  Speaker 6: are cushioned for the foot. When that goes out of business,
• 41:16
  Speaker 6: all we can do is rig up a substitute.
• 41:18
  Speaker 7: You can set it down to the set her foot down,
• 41:21
  Speaker 7: Poor little baby, poor baby.
• 41:24
  Speaker 6: If she sets her weight on it, now she's cured.
• 41:26
  Speaker 6: Lose her lines as right.
• 41:29
  Speaker 4: Put your foot down, Mordine, try it, try it, please.
• 41:35
  Speaker 15: She's done it.
• 41:36
  Speaker 4: She's standing on it, she's chuing, she's running.
• 41:40
  Speaker 6: Look better catch a boy offore she splits it again.
• 41:52
  Speaker 4: Yes, Modin was cured, but it is the months. Of
• 41:56
  Speaker 4: course you'd race again. The boy clung to the filly
• 41:59
  Speaker 4: like a she bear to what's coming, so it warned,
• 42:02
  Speaker 4: until he went off to see creekery. One day that
• 42:05
  Speaker 4: old tuppy got the chance he'd been waiting for.
• 42:09
  Speaker 6: You're crazy, tuppy. Her foot, You're all right, it's fine.
• 42:12
  Speaker 4: It ain't her foot, it's her eyes quite loo.
• 42:17
  Speaker 6: Mm just like him, mane, just like the lady. How
• 42:23
  Speaker 6: long she got I don't know. You have to get
• 42:26
  Speaker 6: a bet to find that out, he bothered the shy kid.
• 42:30
  Speaker 10: She still can see fine, but there ain't no telling.
• 42:35
  Speaker 6: Don't say nothing spikey about this. Where the boy go.
• 42:38
  Speaker 10: See miss Creekley, I reckon, thank you, No boy, the
• 42:41
  Speaker 10: moment mister Tunner's focker's grewed up.
• 42:43
  Speaker 6: Nonetheless, no Needfoo to know about this, Lee Hashtic nice
• 42:47
  Speaker 6: little Philly shriek, little girl.
• 42:50
  Speaker 4: Don't you word no money?
• 42:52
  Speaker 10: He's going to see plenty yet, Flenny.
• 43:04
  Speaker 4: I was wondering if you were coming to say goodbye,
• 43:06
  Speaker 4: Spark would you write me from college?
• 43:07
  Speaker 2: Maybe?
• 43:08
  Speaker 4: Creek, of course, but I won't see you again until Christmas,
• 43:12
  Speaker 4: when you'll be coming to the Chester played trots, won't you?
• 43:15
  Speaker 4: Mardine'll be there and me too, Yes, but so well
• 43:18
  Speaker 4: fifty thousand others. Sparky, Yeah, you'd like to kiss me goodbye,
• 43:24
  Speaker 4: wouldn't you? Cree Kree, Well, why don't you?
• 43:29
  Speaker 6: Then?
• 43:33
  Speaker 4: Well you already take a girl out a word, don't you.
• 43:36
  Speaker 4: I told you I wasn't much good at making jokes.
• 43:39
  Speaker 4: I wasn't joking. Well, you don't know how different you are,
• 43:43
  Speaker 4: do you, spark You seem older and changed? Why you're
• 43:47
  Speaker 4: not like any boy I've ever known. I wanted you
• 43:50
  Speaker 4: to kiss me. You see what was that? What was
• 43:53
  Speaker 4: what I heard? Somebody? Creek? Who is that?
• 43:58
  Speaker 15: You?
• 43:58
  Speaker 4: Jar the car?
• 44:00
  Speaker 9: It's set that's a hurry.
• 44:02
  Speaker 4: Well, come on in, Char, Sparky's here, do you think she?
• 44:06
  Speaker 4: Of course not Char, Char, She's gone, Char's gone. There's
• 44:24
  Speaker 4: nothing anywhere like the Chester Clay County Fair. From all
• 44:27
  Speaker 4: over the country they come the finest trotting horses and
• 44:30
  Speaker 4: the men who race them. I never saw Thunder happier.
• 44:34
  Speaker 4: He was one of them again. They shook his hand
• 44:36
  Speaker 4: and said how they was proud to have him back.
• 44:39
  Speaker 4: There was a dance night before the race. Sparky stopped
• 44:43
  Speaker 4: by the watch for a minute. They was both there too,
• 44:46
  Speaker 4: free Kree and Charles. What's the matter with you? Charge?
• 44:51
  Speaker 4: Didn't you hear me? Was watching? Oh? With that me?
• 44:53
  Speaker 4: You were whistling at Oh, this is tad Drake spark Thornton.
• 44:57
  Speaker 7: Hi, And what do you think you're doing here?
• 44:59
  Speaker 4: Jitterbug? You'll learn it fine, I don't.
• 45:01
  Speaker 7: Have time to learn it. And since when do you
• 45:03
  Speaker 7: go around grinning? And all the fellows they're all staring
• 45:05
  Speaker 7: at you.
• 45:05
  Speaker 9: If they don't stare at me, I'll stare.
• 45:07
  Speaker 4: At someone else.
• 45:08
  Speaker 7: What kind of talk is that?
• 45:09
  Speaker 4: Look? No one has to tell me how to act. Char.
• 45:11
  Speaker 7: I don't know what's got into you with but I
• 45:13
  Speaker 7: don't like it.
• 45:13
  Speaker 11: Well, I do want me to take care of this
• 45:15
  Speaker 11: fellow for your baby.
• 45:16
  Speaker 7: You don't have to.
• 45:18
  Speaker 4: She hit me hard, see Char again till after the
• 45:28
  Speaker 4: first heap next day he placed fourth, not too good,
• 45:32
  Speaker 4: but good enough to keep him in the race, and
• 45:34
  Speaker 4: then he found her over to where the bull horses
• 45:37
  Speaker 4: were stable. The girl's father was driving Stella hanover. They'd
• 45:41
  Speaker 4: won the first beat You.
• 45:43
  Speaker 3: Wonderful, daddy, wonderful that sparking it all right too.
• 45:47
  Speaker 2: That's all right with me. If you look for him
• 45:49
  Speaker 2: just a little bit.
• 45:50
  Speaker 4: Oh, I love you, daddy.
• 45:51
  Speaker 2: That's fine. Turn around, you've got company. Good luck, Sparky,
• 45:56
  Speaker 2: see you out there.
• 45:57
  Speaker 7: Thanks. I'm sorry Char about last night.
• 46:01
  Speaker 4: That's all right, Sparky. I was just a.
• 46:03
  Speaker 7: Big fool, that's all.
• 46:05
  Speaker 4: But when I saw you like like that, when I
• 46:08
  Speaker 4: was just a big fool, Chah, what's the matter with me?
• 46:13
  Speaker 4: Don't you know?
• 46:14
  Speaker 7: I only know that I want for us to be
• 46:15
  Speaker 7: friends again.
• 46:17
  Speaker 4: Well, I see after the races if you want to
• 46:20
  Speaker 4: and we're friends again. Sure, good friends. Oh gosh, cha, Well,
• 46:26
  Speaker 4: I guess I have to go now. Good luck, Sparky,
• 46:29
  Speaker 4: Thanks Char, goodbye, and and Char. Yeah, I don't want
• 46:33
  Speaker 4: for us to be just good friends anymore.
• 46:49
  Speaker 2: Hey, pretty lucky, it wasn't just way.
• 46:51
  Speaker 7: I'm wanting your place. Flet you keep away from me.
• 46:54
  Speaker 15: You're gonna get boxed off, so bank you will tell
• 46:56
  Speaker 15: what happened.
• 46:56
  Speaker 7: You're trying to fres it off to you.
• 46:58
  Speaker 17: Oh frick Soney, just good drive.
• 47:00
  Speaker 15: I ain't gonna win this race, Bruce him and still
• 47:03
  Speaker 15: a handover.
• 47:03
  Speaker 2: Why do you think we both doing that?
• 47:05
  Speaker 17: Go you bays a gentleman. Ten thousand dollars futurity for
• 47:08
  Speaker 17: two year old Tatters West Elevans and Lands Butter Ladine
• 47:12
  Speaker 17: four and Swiss Hall qualifying. All right, man, turn your
• 47:16
  Speaker 17: horses go well up now and together, I say together,
• 47:20
  Speaker 17: mister Walker, Wat's not.
• 47:21
  Speaker 8: Now fire wait collor on them not.
• 47:24
  Speaker 17: Don't need a hurry now hard Let's visit Bruce on
• 47:27
  Speaker 17: the pole. Remember that easy he the only heather I
• 47:31
  Speaker 17: has had him all.
• 47:33
  Speaker 6: In on in don't know.
• 47:44
  Speaker 10: Mister thundery w tick gun him again. Thick gun is
• 47:48
  Speaker 10: look god boy, look out every time to do it
• 47:52
  Speaker 10: on that fall turn.
• 47:53
  Speaker 6: That's why Boon's racing. Two horses want to take Harris
• 47:56
  Speaker 6: Black and one to win.
• 47:57
  Speaker 2: It's bunched up so sep. It's pushing him off to
• 48:01
  Speaker 2: the rear.
• 48:02
  Speaker 6: And right about now, please flip squeel is going to
• 48:05
  Speaker 6: come loose. What you say, nobody touched his wheel, tappy,
• 48:08
  Speaker 6: but what you mean? Tyshap and start praying.
• 48:15
  Speaker 4: My school kid?
• 48:16
  Speaker 13: No take take take him over, dryer, move around for
• 48:18
  Speaker 13: your mayumission, square mover.
• 48:20
  Speaker 4: I ran here, take him jet I got him?
• 48:22
  Speaker 15: Hey you, where's noose?
• 48:22
  Speaker 7: Trier?
• 48:23
  Speaker 4: Get over?
• 48:23
  Speaker 6: Your war's lou jed?
• 48:24
  Speaker 15: My wheel spooks. I'm pulling over. Thanks, tryer, now go
• 48:28
  Speaker 15: baby go, that's it, lay up, that's it.
• 48:46
  Speaker 5: You wanted to see me, mister boot No bet I
• 48:48
  Speaker 5: do jed you let that wed ahead?
• 48:49
  Speaker 3: Papa a kid make I'm looking out of you a
• 48:50
  Speaker 3: can and you're out of a job.
• 48:52
  Speaker 6: The kid won.
• 48:53
  Speaker 2: You won fair?
• 48:53
  Speaker 6: Who hurt me?
• 48:54
  Speaker 2: Didn't you? I'll drive the win, you know that.
• 48:56
  Speaker 6: But win or lose, you and your job can go
• 48:58
  Speaker 6: to the devil. We'll talk about that later. You just
• 49:00
  Speaker 6: win this third heat.
• 49:01
  Speaker 3: I'll win if I can.
• 49:02
  Speaker 6: But what I said still.
• 49:03
  Speaker 4: Go where's thunder Tuffy?
• 49:09
  Speaker 10: It's still at the raider boy, waiting to see you
• 49:12
  Speaker 10: come out and win again. This is your last chance.
• 49:14
  Speaker 10: Pocket I know your last chance to save him. It's
• 49:18
  Speaker 10: still almighty wonder you come geim nearly all the way back.
• 49:22
  Speaker 10: Mister Thunder's looking straight through tomorrow, and it's these good
• 49:26
  Speaker 10: things ahead.
• 49:27
  Speaker 2: There ain't no empty stables where he's looking.
• 49:29
  Speaker 4: Sure, Tuppy, Sure you.
• 49:31
  Speaker 2: Lose on all his hopes.
• 49:32
  Speaker 10: They'll shrivel up like dead weeds and round house and
• 49:35
  Speaker 10: everybody that will be licked again.
• 49:37
  Speaker 7: Oh I don't want that to happen.
• 49:38
  Speaker 4: Tuffy, you know what to do.
• 49:40
  Speaker 10: I'll be praying with you until you cross that finish
• 49:43
  Speaker 10: line first.
• 49:45
  Speaker 4: Thanks, Tuffy. I'll show you my best.
• 49:47
  Speaker 2: Good boy, good boy.
• 49:51
  Speaker 17: For major event. Badies and gentlemen, we have two hate
• 49:54
  Speaker 17: winners on the rails. Celephants and on by go to
• 49:57
  Speaker 17: a board with je Bruce, driving outside Mondeine for t J.
• 50:02
  Speaker 2: Vold owner with Spike Thornton.
• 50:04
  Speaker 8: All right, bring your pillies up, bring him up.
• 50:13
  Speaker 4: There'll be no tricks this time, Spocky, Thanks mister Bruce.
• 50:16
  Speaker 2: This time the best horse wins.
• 50:22
  Speaker 15: Well up.
• 50:22
  Speaker 8: Now all right, turn slow small, I'm time, ma'ma trying.
• 50:27
  Speaker 17: Don't try to come too fast.
• 50:28
  Speaker 8: Hit the wire together. Take a hold, pease, take a hold.
• 50:33
  Speaker 8: Watch your telly better carton.
• 50:35
  Speaker 15: Get her off the rail, go on back now.
• 50:38
  Speaker 14: Fall of of you.
• 50:39
  Speaker 8: You have to approach again.
• 50:40
  Speaker 6: We want to th start here, happing Tuppy right, she
• 50:47
  Speaker 6: walks straight into the rail.
• 50:48
  Speaker 4: Spucky.
• 50:50
  Speaker 2: He don't know, We don't know what's wrong. She the race.
• 50:54
  Speaker 6: She trust his hands. He's got good hands, Tuppy, goode
• 50:59
  Speaker 6: better right now.
• 51:00
  Speaker 1: I'm not too fast.
• 51:01
  Speaker 17: Now starting together, take on, take on way by way,
• 51:05
  Speaker 17: all right?
• 51:06
  Speaker 4: Go We lived a hundred years those next two minutes.
• 51:15
  Speaker 4: Thunder at the rail, never moving, never saying a word,
• 51:19
  Speaker 4: and old Tuppy his head bowed next to him, and
• 51:22
  Speaker 4: the people in the stand suddenly quiet, like as if
• 51:25
  Speaker 4: they knew they were seeing such a race as never
• 51:27
  Speaker 4: they'd see again. They were neck and neck those phillies
• 51:30
  Speaker 4: when they came around the last turn, and suddenly the
• 51:32
  Speaker 4: crowd came to life, all shouting and screaming as the
• 51:36
  Speaker 4: horses flew past into the finish lines.
• 51:40
  Speaker 6: Warton, not Fuggy now taking take out.
• 51:49
  Speaker 8: Foggy won.
• 51:50
  Speaker 2: He wha.
• 51:58
  Speaker 4: They won the race, and the little Pilly who had
• 52:02
  Speaker 4: gone blind, and the sparky Stern turned her to drive
• 52:06
  Speaker 4: back to the stand. Mardine head high walked helplessly into
• 52:12
  Speaker 4: the fence. And then the boy knew, and he took
• 52:16
  Speaker 4: her head in his arms and cried like a baby,
• 52:19
  Speaker 4: and Thunder ran out on.
• 52:20
  Speaker 7: The track and the girl charmed Mardine, baby lying, lying.
• 52:28
  Speaker 4: Parky, both sparky, I'd done it to you, Morden, I
• 52:33
  Speaker 4: must have done it to you.
• 52:34
  Speaker 6: No, you didn't. The hand of the lord that touched
• 52:37
  Speaker 6: it's been coming on her since she was pulled. Be
• 52:40
  Speaker 6: thankful she got to do what she was bred to do,
• 52:42
  Speaker 6: and take hot and lift your head afore your shamer.
• 52:46
  Speaker 6: Now come it.
• 53:02
  Speaker 7: And so we drove back to.
• 53:04
  Speaker 4: Round House Farm, and in the back of the truck
• 53:07
  Speaker 4: together was Mardine and Charmed and Sparky. Well, Sparky ve
• 53:15
  Speaker 4: cut to me. I just caught a cry. Oh no
• 53:18
  Speaker 4: you don't, char didn't you hear what Thunder said? She
• 53:22
  Speaker 4: needn't be unhappy or suffer or go hungry. Ever, no,
• 53:26
  Speaker 4: never hungry, and never unhappy. There'll be another Mardene shar
• 53:31
  Speaker 4: someday and she'll be trotting around the cornfield track with
• 53:34
  Speaker 4: Mordene four alongside, steadying her and teaching her just like
• 53:39
  Speaker 4: she was taught by the lady. Only then, well then
• 53:42
  Speaker 4: the track will be plowed, and there'll be a fence
• 53:44
  Speaker 4: around it, and the barnes will be painted green and white.
• 53:48
  Speaker 4: And your dad, well he'll be the head train of
• 53:50
  Speaker 4: for Thunder, and mos Mos will do all the work.
• 53:54
  Speaker 4: Said topic can just take care of Morden four and
• 53:56
  Speaker 4: the lady. We're gonna have the top best farming Indiana,
• 54:00
  Speaker 4: aren't we share? Sure? Sparking you say so? I feel
• 54:05
  Speaker 4: so good, so darn good.
• 54:23
  Speaker 3: Our stars were turning for their curking calls in just
• 54:25
  Speaker 3: a moment. Now, let's eavesdrop. As Carrie the career girl
• 54:30
  Speaker 3: is getting dressed for work in the morning. She's looking
• 54:32
  Speaker 3: through a bureau drawer for some stockings.
• 54:35
  Speaker 9: Oh, this one's got to run in it.
• 54:37
  Speaker 14: Wait, gosh, seems like they've all got runs. Oh here's
• 54:41
  Speaker 14: a good one.
• 54:43
  Speaker 4: Wrong again, I'll never have time for.
• 54:45
  Speaker 14: Breakfast if I don't find some decent stockings. Let's see,
• 54:49
  Speaker 14: that's pere I washed last night. Still sort of damp,
• 54:52
  Speaker 14: but they'll just have to do there. Now, my other
• 54:57
  Speaker 14: shoe must be under the bed.
• 55:01
  Speaker 4: Oh another run, and they were practically new. Well, I'll
• 55:06
  Speaker 4: don't have to wear them till lunch time. Anyway.
• 55:09
  Speaker 12: Carry carry maybe it's your own fault. Stockings don't wear.
• 55:14
  Speaker 12: Do you give them proper care? That strong soap you've
• 55:17
  Speaker 12: been using that's not good for them. And hot water,
• 55:22
  Speaker 12: oh that's bad. And another thing. Dry those rayns at
• 55:27
  Speaker 12: least twenty four hours if you want them to wear them.
• 55:30
  Speaker 12: Threads can't stand strains so well. If you'll give your
• 55:34
  Speaker 12: stockings gentle lux care, I think you'll find they wear
• 55:37
  Speaker 12: much longer. Duke warm waters, mild lux flakes, no rubbing,
• 55:43
  Speaker 12: no twisting, just gentle washing. Strain tests proof stockings last
• 55:48
  Speaker 12: twice as long that way.
• 55:50
  Speaker 2: And now back to mister the Mill and our stars.
• 55:54
  Speaker 2: As our stars.
• 55:55
  Speaker 5: Join us for a well deserved cut and car, we
• 55:58
  Speaker 5: are a special vote of thanks Walter Brennan, Charlotte Greenwood,
• 56:02
  Speaker 5: Edward Ryan Gene Crane.
• 56:05
  Speaker 4: And June Haven. Thank you, mister demil Oh Gene.
• 56:07
  Speaker 6: Now that you and June are both stars, you know
• 56:09
  Speaker 6: your privileged to call mister demil cb me too.
• 56:11
  Speaker 4: Now wait a minute, Eddie, now one at a time.
• 56:13
  Speaker 4: This is a little like graduation. Remember you mean, miss Greenwood,
• 56:17
  Speaker 4: a CB is as good as a BA.
• 56:19
  Speaker 6: Well, June in Hollywood, it'll get you further.
• 56:24
  Speaker 5: I think you're exaggerating a bit of water. When you
• 56:27
  Speaker 5: work for me in the Buccaneer, you called me by
• 56:30
  Speaker 5: two other letters.
• 56:32
  Speaker 4: Haha, oh you.
• 56:36
  Speaker 6: Yes, And now I'm not working for you anymore.
• 56:41
  Speaker 5: Well, whether or not you you young people call me.
• 56:44
  Speaker 4: Mister young people CB.
• 56:48
  Speaker 5: Well, I'm really talking about Jean and June and Eddie.
• 56:54
  Speaker 4: Oh thank you, mister Demill.
• 56:59
  Speaker 5: I think you're all three off to a great start.
• 57:01
  Speaker 5: With the movie loving People of America and with the
• 57:05
  Speaker 5: slightly older Water and Charlotte. You've set us a high.
• 57:09
  Speaker 6: Standard for our play next Monday evening, what's your play
• 57:13
  Speaker 6: going to be?
• 57:14
  Speaker 15: In? CEB?
• 57:15
  Speaker 5: The next Monday night, we have another exciting drama from
• 57:18
  Speaker 5: the Pageant of America, the twentieth Century Park Success in
• 57:22
  Speaker 5: Old Chicago, and our stars will be Dorothy Lamore, Robert
• 57:28
  Speaker 5: Young and John Hodiac.
• 57:31
  Speaker 4: Como.
• 57:36
  Speaker 5: It's the lusty tale of our city struggling to be
• 57:39
  Speaker 5: born and of the men and women who fought and
• 57:42
  Speaker 5: loved and died to make it great.
• 57:45
  Speaker 4: Sounds like great entertainment for both old and young. CEB.
• 57:49
  Speaker 5: Good night, good night, good night, amoraging forty seven other states.
• 57:56
  Speaker 5: We're at home in Indiana tonight. Our sponsors by Makons
• 58:05
  Speaker 5: of Lex Flakes, join me in inviting you to be
• 58:07
  Speaker 5: with us again next Monday night, when the Lex Radio
• 58:10
  Speaker 5: Theater presents Robert jan Darrothy Lamour, and John hodiac In
• 58:16
  Speaker 5: in Old Chicago. This is SSSA b de Mel saying
• 58:20
  Speaker 5: good night to you from Holly Wood.
• 58:33
  Speaker 2: And now an urgent message from Uncle Sam. Paper is
• 58:37
  Speaker 2: a critical war material.
• 58:39
  Speaker 3: When you're shopping, help save paper by bringing your own
• 58:41
  Speaker 3: shopping bag or basket.
• 58:43
  Speaker 2: Don't ask to have things wrapped if you can carry them.
• 58:46
  Speaker 3: Monrat Home in Indiana was presented through the courtesy of
• 58:50
  Speaker 3: twentieth Century Fox, who will soon present June Haveber in
• 58:53
  Speaker 3: Damon Runyan's Irish Eyes Were Smiling, and Gene Crane in
• 58:57
  Speaker 3: moss Hart's Winged Victory. Walter Brennan is under contract to
• 59:01
  Speaker 3: Samuel Goldwyn and will shortly be seen in the Goldwyn
• 59:04
  Speaker 3: Technicolor comedy.
• 59:05
  Speaker 2: The Princess and the Pirate. He appears through the courtesy.
• 59:08
  Speaker 3: Of Warner Brothers Pictures and will shortly be seen in
• 59:11
  Speaker 3: To Have and Have Not. Starting October fifteenth, Charlotte Greenwood
• 59:15
  Speaker 3: will be heard on her own radio program in behalf
• 59:18
  Speaker 3: of Hallmark Greeting Cards. Edward Ryan is appearing in Darrel
• 59:22
  Speaker 3: f Xenik's Technicolor feature. Wilson Clarence Mus appeared tonight as Tuppy.
• 59:28
  Speaker 3: Our music was directed by Lewis Silvers. This program is
• 59:32
  Speaker 3: broadcast to our fighting forces overseas through cooperation with the
• 59:36
  Speaker 3: Armed Forces Radio Service. And this is your announcer, John M.
• 59:39
  Speaker 3: Kennedy reminding you that tune in again next Monday night
• 59:42
  Speaker 3: to hear in Old Chicago with Robert Young, Dorothy Lamore,
• 59:46
  Speaker 3: and John Hodiac.
• 59:55
  Speaker 13: Here Ye here Ye, Kate Smith and Aunt Jenny join
• 59:58
  Speaker 13: up to bring you their friendship Cooke Okay, lusciously light
• 1:00:01
  Speaker 13: chocolate e layers piled with fluffy seafoam frosting, So delicious
• 1:00:05
  Speaker 13: and so easy made in five minutes in just one
• 1:00:08
  Speaker 13: bowl with new Easy Makes Spry. See the Spry Ad
• 1:00:12
  Speaker 13: in October Women's magazines and newspapers.
• 1:00:15
  Speaker 3: Be sure to listen in next Monday night to the
• 1:00:17
  Speaker 3: Lux Radio Theater presentation.
• 1:00:19
  Speaker 2: Of In Old Chicago with Darthy Lamore.
• 1:00:21
  Speaker 3: Robert Young, and John hodiec This is CBS, the Columbia
• 1:00:25
  Speaker 3: Broadcasting System and so.
• 1:00:27
  Speaker 1: We leave LUX Radio Theaters home in Indiana. From October two,
• 1:00:32
  Speaker 1: nineteen forty four, follow Lux radio theater. For more classic broadcasts,